금월도 2고 — 검색 그라운딩 구조물 씨드
웹 이미지 검색 → VLM 비교 선택 → 형태 참조 i2i 씨드 생성. 그 전 과정의 이미지와 판정 기록 전량.
씨드 그룹 25검색 그라운딩 25순수 T2I 0검색 후보 239 (선택 25 / 탈락 214)씨드 롤 75결함 수정본 20이전 라운드 후보 409복사 이미지 449명시 유실 344 (전부 이전 라운드 덮어써짐 · 최종 라운드 0)
VLM 선택 / 선정참조·수정 산출탈락 (흐림 · hover 시 선명)유실·덮어써짐이미지 클릭 = 원본 크기 · Esc 닫기 · ← → 이동
bg_coastal_cliffbg_coastal_rock_pathbg_convenience_storebg_dream_forest_pathbg_fishing_boatbg_forest_entrancebg_forest_goat_penbg_forest_ritual_clearingbg_forest_slaughterhousebg_forest_stone_markersbg_harbor_restaurant_deckbg_island_coastal_villagebg_island_main_pierbg_mainland_harborbg_multifamily_residencebg_natural_cavebg_pine_forest_trailbg_police_patrol_boatbg_police_stationbg_reed_field_wooden_shedbg_restaurant_compoundbg_roadside_gas_stationbg_village_speaker_towerbg_wave_battered_rocksbg_winter_reed_field
검색 그라운딩 그룹25개 — lane plan structure_plate 바인딩 exact parity
사용자 지시 “야외 복잡 구조물은 모두 검색 기반 + VLM” 의 대상 집합입니다. 이 집합은 LLM 이 다시 고르지 않고 lane plan 바인딩으로 결정되며, 참조가 결손이면 순수 T2I 로 내려가지 않고 그 그룹을 세웁니다(fail-closed).
bg_coastal_cliff검색 그라운딩
씬 95 · 멤버 샷 3개 · 검색 언어 한국어 · 회수 15장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개A1 Seaward-facing cliff-top standing ground
A2 High seaward cliff brink and drop
B1 Inland forest margin opening onto the cliff top
C1 Sea directly below the coastal cliff
C2 Rocks at the foot of the cliff
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문한국 남서해안권과 외딴 섬에서 흔히 볼 수 있는 해안 절벽의 정상부 공터, 바다 쪽의 높은 절벽 끝과 수직에 가까운 낙차, 절벽 아래 바닷물에 드러난 갯바위의 실제 사진을 찾는다. 관광 명소, 유명 절경, 전망대, 여행 안내·숙박 예약 페이지, 조경 시설이나 예술 작품은 제외하고 평범한 해안 지형의 사진을 우선한다. 사진에서 절벽 정상부와 끝부분의 구조와 비례, 암석과 흙의 재질 및 색, 침식 형태를 읽고, 난간·표지판 같은 시설물이 보이더라도 해당 장소에 필수적인 것으로 간주하지 않는다. 사진에서는 형태만 참고하고, 장소 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 않는다.
검색어서남해안 해안절벽 / 섬 절벽 위 공터 / 높은 해안절벽 / 절벽 아래 갯바위
실제 질의 6건서남해안 평범한 해안절벽 정상부 공터 높은 절벽 끝 수직 낙차 갯바위 실제 사진 -관광 -전망대 -숙박 -조형물
한국 외딴 섬 절벽 위 공터 높은 해안절벽 아래 갯바위 실제 사진 -관광명소 -여행 -전망대 -예약
전남 무인도 해안 절벽 정상 평탄한 풀밭 공터 절벽 단면 실제 사진
서해 섬 해안절벽 위 평지 절벽 끝 단면 아래 암반 갯바위 사진
신안 섬 해안 절벽 위 풀밭 공터 절벽 끝 실제 사진 -전망대 -관광 -숙박
진도 완도 외딴 섬 높은 해안절벽 정상부 흙 풀 절벽 아래 갯바위 실제 사진 -명소 -여행
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.ytn.co.kr/_ln/0126_201609281400324639…
https://v.daum.net/v/20240916053301626…
https://v.daum.net/v/H10pKH2XfX…
https://wikimapia.org/34195518/Sangbaekdo…
https://dream-of-economic-freedom.tistory.com/entry/…
https://v.daum.net/v/4qC4TQztmT…
https://ban-life.com/accommodation/16794…
https://koreajoongangdaily.joins.com/2023/05/05/nati…
https://v.daum.net/v/FI3QltJqEv?f=p…
https://www.incheonilbo.com/news/articleView.html?id…
https://www.sansan.co.kr/news/articleView.html?idxno…
https://www.welfarehello.com/community/hometownNews/…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.incheonilbo.com/news/articleView.html?id…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
절벽 위 공간에 쇠사슬 울타리가 설치되어 있어 '개방된(open)' 절벽 위 평지라는 지침 및 폐쇄된 공간으로 보이지 않아야 한다는 지침에 위배됩니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 3개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S95·sh1 | 실외. 금월도 해안 절벽 - 낮 | 절벽 끝에 서서 바다를 내려다보는 영란 | 붉은 무녀복을 입은 강영란(C07)이 절벽 끝에 서서 푸른 하늘과 바다를 묵묵히 바라보는 뒷모습. 근거: 푸르른 하늘에 푸르게 넘실대는 바다를 배경으로 영란의 붉은 치마가 흩날린다. |
| S95·sh10 | 실외. 금월도 해안 절벽 - 낮 | 등을 파고드는 기습 | 강영란(C07)이 뻗은 팔로 산들(C04)의 등 한가운데에 칼을 깊숙이 찔러넣는 순간. 근거: 순간, 푹!- 날카로운 칼날이 산들의 등을 파고든다. |
| S95·sh15 map_marker | 실외. 금월도 해안 절벽 - 낮 | 절벽 아래로 추락하는 산들 | 황 씨의 발길질에 밀려 허공으로 붕 뜬 채 절벽 밖으로 떨어지는 C04 근거: 황씨가 있는 힘껏 발로 차 산들을 절벽 아래로 떨어트린다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is a natural coastal landform with zero built storeys; architectural rooms, openings, frontage and signage are inapplicable. It consists of open cliff-top standing ground extending continuously from an adjoining inland forest margin to a distinct high seaward brink. The brink forms a near-vertical drop of weathered dark-gray coastal bedrock directly to the sea, with dark-gray rocks in the water at its foot and visible from the top. The standing surface is brown packed earth with exposed dark-gray rock, and the forest has regionally typical deep-green foliage and gray-brown trunks. The main top-side ground must physically span the full distance between forest and brink, and the forest must open directly onto it. The site belongs to a believable, currently inhabited working island district in contemporary South Korea; the broader surroundings and overlook must carry ordinary regional signs of active coastal land use rather than appearing abandoned, sterile or isolated from lived-in surroundings. Do not add a building or move, duplicate or omit any element of the inland-to-seaward topology.
THE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited working island district in contemporary South Korea surrounds this natural coastal site, with ordinary regional signs of active coastal land use continuing inland beyond the forest. The overlook visibly carries the ordinary signs of regular local use and does not read as a sterile or abandoned wilderness. The target is a natural landform with zero built storeys. An inland margin of deep-green coastal forest with gray-brown trunks opens directly onto open cliff-top standing ground. Brown packed earth and exposed weathered dark-gray rock extend seaward from the forest to a distinct high brink. At the brink, the dark-gray bedrock drops near-vertically directly to the sea. Dark-gray rocks occupy the water at the foot of the cliff and remain visible from the top. The site forms one continuous inland-to-seaward sequence: forest margin, standing ground, high brink, vertical drop, sea and foot rocks.
THE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is part of a lived-in, working South Korean island district rather than an isolated scenic set. Ordinary regionally authentic signs of active coastal land use belong to the broader inhabited surroundings, and the cliff-top overlook visibly remains in regular local use. The target itself is a zero-storey natural coastal landform. Regionally typical deep-green forest forms its inland edge and opens straight onto a continuous area of brown earth and exposed dark-gray bedrock. That open standing ground runs seaward to a clearly defined high cliff brink. Weathered dark-gray rock forms a near-vertical drop from the brink directly to the sea. Dark-gray rocks stand in the water at the base and are plainly visible from the cliff top. The permanent spatial order remains forest, open standing ground, brink, drop, sea and rocks below.
THE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The location belongs to a currently inhabited working island landscape in contemporary South Korea. Its surrounding district carries ordinary regional evidence of active coastal life, while the natural overlook itself shows believable regular local use. The target has zero built storeys and is formed by solid coastal terrain. Weathered dark-gray bedrock gives the cliff a high, near-vertical seaward face. Its upper surface is open standing ground of brown packed earth interrupted by exposed dark-gray stone. A deep-green coastal forest with gray-brown trunks directly adjoins the inland side and opens onto this ground. The upper ground continues without a break to the distinct seaward brink; beyond it, the rock face falls directly to the sea. Dark-gray rocks occupy the water at the foot of the drop and remain visible from above. The complete landform reads as one physically continuous mass supporting the forest margin, standing surface and cliff face.
THE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove the chain-link fence and its posts entirely to leave the cliff-top ground open and unobstructed.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 5건)People and worn clothing at the cliff
Handheld blade
Breaking waves and sea foam
Falling person beyond the cliff edge
Daylight sky and blue sea appearance
입력 지문a6cc3a03e1194638
bg_coastal_rock_path검색 그라운딩
씬 56, 60 · 멤버 샷 4개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 4개A1 narrow coastal walking path
B1 steep forestward rock passage
C1 tidal shoreline rock outcrops
D1 coastal sea beside the rock route
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문남서해안권과 외딴 섬 지역에서 2020년대 중반에 흔히 조성된 좁은 해안길과 해안 산책로의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·예약 페이지, 경관용 장식 시설, 예술 작품은 제외하고 주민들이 일상적으로 이용하는 평범한 사례를 우선하라. 사진에서 길의 구조와 폭·높이 비례, 포장 및 가장자리 재료, 색상, 난간·경계석·배수 시설 같은 부속물, 안내 표지의 형태와 배치 방식을 읽어라. 사진에서는 시설의 형태만 참고하고, 원본 장소의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 절대 가져오지 마라.
검색어해안길 / 해안 산책로 / 해안 보행로 / 섬마을 해안길
실제 질의 2건2024 주민 이용 평범한 좁은 해안길 남서해안 어촌마을 난간 배수로 포장 관광지 제외
2025 외딴 섬마을 해안 산책로 해안 보행로 주민 생활도로 경계석 난간 안내표지 관광명소 제외
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.hankang88.com/bbs/board.php?bo_table=gal…
https://blog.naver.com/sh_dal/223444630443?viewType=…
https://www.iusm.co.kr/news/articleView.html?idxno=1…
https://blog.naver.com/carmen35/222678028319…
https://www.ujeil.com/news/articleView.html?idxno=25…
https://www.khan.co.kr/kh_storytelling/2021/publicde…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://blog.naver.com/sh_dal/223444630443?viewType=…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 4건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
왼쪽 슬레이트 지붕 건물 처마 아래에 사람들이 앉아 있습니다.
산책로 난간이 레퍼런스 이미지의 두꺼운 다단 난간이 아닌 얇은 기둥과 밧줄로 만들어져 있습니다.
마을 쪽 산책로 바닥이 브리프에 명시된 다져진 흙과 자연석이 아닌 콘크리트로 포장되어 있습니다.
전경의 노란색 장비함이 레퍼런스(구명조끼가 보이는 투명한 창이 있는 인명구조함)와 달리 내용물이 보이지 않는 막힌 상자로 되어 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 4개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S56·sh3 | 57. 실외. 금월도 해안길 - 낮 | 싸늘하게 식어버린 표정 | 정인우의 말에 입술을 굳게 다물고 표정이 싸늘하게 굳어버린 김지후(C01)의 클로즈업. 근거: 표정이 굳는 수리영. 뭔가 더 말을 하려다가… 관둔다. |
| S56·sh5 | 실외. 금월도 해안길 - 낮 | 멀리서 지켜보는 서늘한 시선 | 멀리 떨어진 어선 위에서 C13이 가파른 길을 오르는 두 사람을 날카롭게 감시하고 있다. 근거: 멀리 배에서 이들을 감시하듯 지켜보는 황 씨. |
| S60·sh4 | 실외. 해안길 - 낮 | 끔찍한 발견과 경악 | 해안가에서 시체를 발견하고 극도의 공포에 질려 굳어버린 C01의 충격받은 얼굴. 근거: 그때, 바다쪽을 향한 수리영 시선에 무언가가 걸린다. |
| S60·sh5 map_marker | 실외. 해안길 - 낮 | 갯바위의 시체 발견 | 하얀 물보라가 튀는 갯바위 틈에 기괴하게 널브러져 있는 C14의 축 늘어진 전경. 근거: 갯바위와 바닷물 사이에 걸려 들썩이는 사람 형체. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is a contemporary open-air coastal route with one ground-level walking course transitioning into a forestward climb; building storeys are not applicable. The narrow villageward path has a worn gray-beige compacted mineral and native-stone tread. At its opposite end the recognizable path disappears into a steep passage over continuous rough dark-gray and brown coastal rock with pale salt weathering. Tidal rock outcrops occupy the seaward edge between the walking and climbing areas and the blue-gray coastal sea, which directly meets the rocks and preserves an offshore sightline back toward the path and forestward passage. The permanent topology and directional connections must remain unchanged. The site belongs to a currently inhabited South Korean island village neighborhood beside a forested coast and visibly carries ordinary signs of an actively used coastal route. It must not appear abandoned, sterile, isolated on empty ground, or constructed as a building.
THE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
offshore surveillance boat; human body caught at the waterline
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited contemporary South Korean island village neighborhood meets a forested coast, and the route remains visibly in active everyday use. The target is an open-air coastal route with one ground-level walking course. A narrow path of worn gray-beige compacted mineral tread and native stone follows the landward side of the sea toward the village. In the opposite direction the recognizable tread disappears into a steep passage across continuous rough dark-gray and brown coastal rocks, rising toward the forest side. Pale salt weathering marks the stone. Tidal rock outcrops line the seaward edge between the walking and climbing areas and the blue-gray sea. The sea directly meets these outcrops and extends offshore with a clear sightline back toward both the narrow path and the forestward rock passage.
THE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
offshore surveillance boat; human body caught at the waterline
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The setting is the working coastal edge of a currently inhabited contemporary South Korean island village, joined directly to its ordinary neighborhood in the villageward direction and backed by forested land. The place visibly carries the ordinary signs of an in-service coastal walking route. Its single open-air circulation course runs along the landward side of the sea as a narrow gray-beige mineral-and-native-stone path. Villageward, the path continues into the settled neighborhood. At the other end its recognizable surface gives way to a steep forestward climb over continuous rough coastal rock. The rock is dark gray and brown with pale salt wear. Tidal outcrops occupy the entire seaward edge of the route, directly between the walking and climbing ground and the adjoining blue-gray sea. Open water preserves the sightline back to the path and rising rocks.
THE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
offshore surveillance boat; human body caught at the waterline
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Rough dark-gray and brown coastal stone with pale salt bleaching defines this actively used route on the edge of a currently inhabited contemporary South Korean island village. The surrounding neighborhood is ordinary village fabric connected to a forest-backed shoreline. A worn gray-beige compacted mineral and native-stone tread forms the narrow ground-level path along the landward side of the sea. It extends toward the village in one direction. In the opposite direction the formed tread ends and becomes a steep continuous rock passage climbing toward the forest side. Tidal shoreline outcrops remain on the seaward edge, directly separating the walking and climbing areas from the blue-gray coastal sea. The sea begins against the outcrops and extends offshore, keeping both the narrow path and forestward rock passage visible from the water.
THE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
offshore surveillance boat; human body caught at the waterline
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove the people sitting under the eaves of the small building on the left.
- Replace the thin posts and rope along the path with the sturdy, multi-rail dark grey composite fencing shown in the reference photograph.
- Change the flat concrete surface of the path to a worn gray-beige compacted mineral and native stone tread.
- Change the front of the solid yellow box to a transparent window displaying life-saving equipment inside, matching the reference photograph.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 2건)offshore surveillance boat
human body caught at the waterline
입력 지문a1709998e6529846
bg_convenience_store검색 그라운딩
씬 6, 8 · 멤버 샷 5개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개F1 Convenience-store exterior
F2 Convenience-store customer entrance
F3 Fixed convenience-store identification sign
F4 Storefront pedestrian access area
B1 Convenience-store frontage bench
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 국내 대도시권과 남서해안·외딴 섬 지역에서 흔히 볼 수 있는 편의점 외관, 고객 출입문, 벽면 고정 간판, 출입구 앞 보행공간과 야외 벤치의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·예약 페이지, 홍보용 연출 사진, 장식용 또는 예술 작품 형태는 제외하고 평범하게 영업하는 생활권 편의점 사례만 확인하라. 사진에서 외벽과 출입문의 구조와 비례, 문틀·유리·벽체·바닥 포장·턱·경사면·벤치의 재료와 색상, 손잡이·차양·조명·보호대 같은 부속물, 고정 간판의 크기·부착 방식·문자와 표시 배치를 읽어내라. 자료에서는 각 요소의 실제 제작 형태만 참고하고, 사진 속 요소들의 배치, 촬영 시점, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 마라. 역사 재현 사례나 옛 형태는 섞지 말고 현대 생활 환경의 사례만 사용하라.
검색어편의점 외관 / 편의점 출입문 / 편의점 간판 / 편의점 앞 보행공간 / 편의점 야외 벤치
실제 질의 10건2024 서울 인천 경기 생활권 평범한 영업 중 편의점 외관 출입문 벽면 고정 간판 입구 보행공간 야외 벤치 실제 사진
2024 전남 남서해안 신안 완도 진도 외딴 섬 생활권 평범한 영업 중 편의점 외관 출입문 벽면 고정 간판 입구 보행공간 야외 벤치 실제 사진
전남 신안군 편의점 외관 출입문 간판 벤치 사진
전남 완도군 편의점 외관 출입문 간판 야외 벤치 사진
전남 진도군 편의점 외관 출입구 앞 사진
전남 섬 편의점 매장 외관 실제 사진
신안군 CU 편의점 당근 동네 업체
완도군 CU 편의점 당근 동네 업체
진도군 GS25 편의점 당근 동네 업체
흑산도 편의점 외관 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://news.nate.com/view/20220524n02002…
https://creatrip.com/en/blog/11548…
https://www.dongnealba.com/job-ad/64f5908c974ed7e4a1…
https://www.daangn.com/kr/local-profile/%EC%9D%B4%EB…
https://www.bizno.net/article/6638700423…
https://news.nate.com/view/20230716n02584…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.dongnealba.com/job-ad/64f5908c974ed7e4a1…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 2건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
편의점 전면의 창문과 출입문 프레임이 지정된 짙은 회색(charcoal)이 아닌 밝은 은색 알루미늄으로 되어 있습니다.
평지붕의 바닥면이 지정된 진회색 방수 마감이 아닌 밝은 회색 콘크리트 표면으로 보입니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 5개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S6·sh1 | 7. 실외. 편의점 밖 - 밤 | 불쑥 내민 캔커피와 경계의 눈빛 | 편의점 앞 벤치에서 정인우(C03)가 김지후(C01)의 얼굴 앞까지 캔커피를 내밀고, 지후는 약간 뒤로 물러서며 캔커피를 응시한다. 근거: 벤치에 나란히 앉은 두 사람. |
| S6·sh5 | 실외. 편의점 밖 - 밤 | 여유로움에서 경계로 변하는 비웃음 | 지후가 캔커피를 든 채 비웃듯 한쪽 입꼬리를 올리며 오프스크린의 인우를 응시하는 순간. 근거: 지후는 코웃음을 치며 다시 캔커피를 마신다. |
| S6·sh7 | 7. 실외. 편의점 밖 - 밤 | 여유로움 → 경계/추궁 | 바지 주머니에 손을 반쯤 넣은 채 무언가 떠오른 듯 눈을 크게 뜬 정인우의 놀란 얼굴. 근거: 버릇처럼 핸드폰을 꺼내 뭔가 보려던 인우, 앗차, 하며… |
| S8·sh2 | 다시 편의점 밖 - 밤 | 돈봉투를 치켜든 분노 | C01 snatches P02 and holds it high, glaring furiously at the man from across the bench. 근거: 지후는 인우가 손에 든 바로 그 돈봉투를 홱 빼앗는다. |
| S8·sh8 | 다시 편의점 밖 - 밤 | 불길한 기시감과 깨달음 | C01이 불길한 사실을 깨닫고 입술을 굳게 다문 채 창백하게 굳어버린 순간. 근거: 그러고 보니… 이상한 기시감에 얼굴이 굳는 지후. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean convenience store at night: a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sufficient for the evidenced main sales area and the distinct rear refrigerator stock space at real-world sizes. The walls are pale gray painted concrete, the customer frontage is faced with off-white aluminum composite panels, the storefront frames are charcoal aluminum, the entrance is clear glass, and the flat roof has a dark gray waterproofed surface behind a concrete parapet. The customer-facing facade has the single evidenced customer entrance opening directly onto a contiguous frontage of gray concrete pavers. Region-typical storefront glazing remains part of the ordinary convenience-store frontage. A fixed illuminated white acrylic identification sign near the entrance displays the exact legible dark blue lettering 우리동네 편의점. A bench with brown synthetic-wood slats and a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage directly connects the bench position to the entrance, and the store exterior forms its inner edge. Materials show ordinary scuffing, grime and weather exposure while the store and outdoor areas visibly show active commercial use. The complete site stands within a believable, inhabited low-rise mixed residential-commercial neighborhood rather than isolated ground.
THE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.
ROOM CAPACITY (size-only evidence): the scenario evidences 2
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 2 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "우리동네 편의점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Opened canned coffee; Mobile phone; Money envelope; Bench occupants
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited low-rise mixed residential-commercial neighborhood surrounds the site in contemporary South Korea at night. The convenience store and its outdoor frontage visibly carry the ordinary signs of active trading. The target is a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sized to contain the main sales area and the distinct rear refrigerator stock space. Pale gray painted-concrete walls carry an off-white aluminum-composite customer frontage, charcoal aluminum storefront frames, clear glazing and a clear-glass customer entrance. A flat roof has a dark gray waterproofed surface behind a concrete parapet. The single evidenced customer entrance opens directly onto a contiguous frontage of gray concrete pavers. A fixed illuminated white acrylic sign near the entrance bears the exact legible dark blue lettering 우리동네 편의점. A bench of brown synthetic-wood slats on a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage joins the bench position directly to the entrance, with the store exterior forming its inner edge. The surfaces have ordinary commercial scuffs, light grime and weather exposure.
THE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.
ROOM CAPACITY (size-only evidence): the scenario evidences 2
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 2 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "우리동네 편의점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Opened canned coffee; Mobile phone; Money envelope; Bench occupants
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is a currently inhabited contemporary South Korean side street with ordinary low-rise residential and commercial fabric continuing around the location. The active neighborhood convenience store belongs directly to that street frontage and reads as a working business. Its one-storey reinforced-concrete mass is rectangular, 12 metres wide by 8 metres deep, with a 3.4-metre height to the parapet; this volume plausibly holds the evidenced sales area and separate rear refrigerator stock space. Pale gray painted concrete covers the walls. Off-white aluminum composite panels finish the customer frontage, with charcoal aluminum frames, clear storefront glazing and the single clear-glass customer entrance. The flat roof carries a dark gray waterproofed finish behind its concrete parapet. An illuminated white acrylic identification sign attached near the entrance shows the exact legible dark blue text 우리동네 편의점. The entrance opens directly onto the gray concrete-paver pedestrian frontage. A brown synthetic-wood and charcoal powder-coated steel bench occupies the outdoor area beside that frontage. The continuous frontage connects the bench and entrance along the store exterior. Everyday wear, light grime and visible signs of active commercial use remain evident across the building and outdoor areas.
THE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.
ROOM CAPACITY (size-only evidence): the scenario evidences 2
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 2 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "우리동네 편의점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Opened canned coffee; Mobile phone; Money envelope; Bench occupants
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Gray concrete pavers form a continuous pedestrian frontage along an inhabited mixed residential-commercial neighborhood street in contemporary South Korea at night. The paved approach runs directly between the outdoor bench and the convenience-store entrance, while the store exterior defines the frontage's inner edge. The bench has brown synthetic-wood slats and a charcoal powder-coated steel frame. The store is a one-storey, 12-by-8-metre rectangular reinforced-concrete building rising 3.4 metres to a parapet, with enough floor area for the main sales area and distinct rear refrigerator stock space. Its walls are pale gray painted concrete, its customer-facing cladding is off-white aluminum composite panel, and its frames are charcoal aluminum. Clear storefront glazing incorporates the single evidenced clear-glass customer entrance. A dark gray waterproofed flat roof sits behind the concrete parapet. Beside the entrance, a fixed illuminated white acrylic sign carries the exact legible dark blue lettering 우리동네 편의점. Light grime, edge scuffing and ordinary weathering mark the materials. The structure and outdoor frontage visibly retain the ordinary signs of an actively trading convenience store within a currently inhabited working neighborhood.
THE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.
ROOM CAPACITY (size-only evidence): the scenario evidences 2
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 2 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "우리동네 편의점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Opened canned coffee; Mobile phone; Money envelope; Bench occupants
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Recolor the storefront window and door frames from silver to charcoal gray aluminum.
- Change the flat roof surface inside the parapet to a dark gray waterproofed finish.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 4건)Opened canned coffee
Mobile phone
Money envelope
Bench occupants
입력 지문4e2f72033f7dbe1b
bg_dream_forest_path검색 그라운딩
씬 35 · 멤버 샷 3개 · 검색 언어 한국어 · 회수 50장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 B
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 4개L1 lower reach of the forest footpath
L2 woodland bordering the lower path reach
U1 upper reach of the forest footpath
U2 woodland bordering the upper path reach
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문대한민국 대도시권·남서해안권·외딴 섬 지역의 숲길과 오솔길이 2020년대 중반에 통상적으로 조성된 모습을 실제 사진으로 찾고, 역사 재현이 필요한 경우에는 17세기 조선의 현존 유구·고증 복원 현장과 식민지기 한반도의 기록사진에서 평범한 숲길의 형태를 시대별로 따로 확인하라. 관광 명소, 유명 장소, 기념물, 여행 안내·예약 페이지, 장식용 길, 예술 사업 사례는 제외하고 주민이 일상적으로 이용하는 평범한 사례를 우선하라. 사진에서 길의 단면과 폭·경사·가장자리 처리·노면 재료와 색·배수 시설·계단·난간·표지판 같은 부속물 및 표지 체계의 크기와 배치를 읽어내되, 실제로 확인되지 않는 시설을 임의로 추가하지 말라. 시대가 다른 포장재·금속 부속물·표지판을 서로 섞지 말라. 참고 사진에서는 형태만 취하고, 길의 배치와 주변 지형, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 말라.
검색어숲길 / 오솔길 / 산길 / 탐방로
실제 질의 21건대한민국 수도권 주민 일상 이용 평범한 숲길 오솔길 2024 사진 관광명소 제외
대한민국 대도시권 생활권 평범한 산길 숲길 2025 사진 주민 이용
전라남도 남서해안 마을 주민 이용 평범한 숲길 오솔길 2024 사진 관광지 제외
신안 완도 진도 섬 마을 생활 숲길 산길 주민 이용 실제 사진 관광명소 제외
대한민국 외딴 섬 주민 생활로 평범한 숲길 오솔길 실제 사진 울릉도 흑산도 연평도 관광지 제외
전남 낙도 섬마을 주민 다니는 산길 숲길 사진 비포장 길 생활도로
17세기 조선 산성 현존 유구 성내 숲길 통행로 발굴 복원 현장 사진 평범한 길
조선 17세기 옛길 현존 유구 고증 복원 흙길 산길 사진 문화재 발굴 현장
가산산성 1640년 성내 도로 유구 복원 공사 사진 흙길
남한산성 17세기 성내 옛길 발굴 조사 복원 현장 사진
일제강점기 조선 산길 숲길 기록사진 평범한 길 국립중앙박물관
식민지기 한반도 농촌 숲길 오솔길 기록사진 1910년대 1920년대 1930년대
국립민속박물관 일제강점기 산길 나무꾼 사진 조선 기록사진
국가기록원 일제강점기 산길 숲길 농촌 길 사진
국가기록원 일제강점기 농촌 산길 숲길 기록사진
서울 생활권 숲길 정비 흙길 배수로 계단 난간 이정표 실제 사진 2023 2024
광주광역시 주민 이용 숲길 탐방로 정비 계단 배수로 난간 사진 2024
전라남도 등산로 숲길 정비 계단 난간 배수로 이정표 사진 2024 주민
신안군 완도군 진도군 산책로 등산로 정비 사진 계단 난간 흙길 2023 2024
목포시 생활권 등산로 정비 주민 숲길 사진 계단 흙길 2024
해남군 마을 숲길 등산로 정비 주민 이용 사진 2024
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://6.hoho1004.com/entry/%EA%B5%AD%EB%A6%BD-%EC%…
https://knw220901.tistory.com/entry/%EB%9D%BC%EB%A9%…
https://cm.asiae.co.kr/article/2025091210561117707…
https://www.soodoilbo.com/news/articleView.html?idxn…
https://tour.pc.go.kr/Chn/C10000/C10600/html…
https://www.yeongnam.com/web/view.php?key=2020111901…
https://v.daum.net/v/20250528100002301…
https://www.joongboo.com/news/articleView.html?idxno…
https://www.seoul.co.kr/news/seoulPrintNew.php?id=20…
https://cjs8477.tistory.com/6576152…
https://www.agoda.com/en-sg/sinji-myeon/maps/wando-k…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
오솔길 위쪽 구간 끝에 마을과 건물이 보여, 두 구간 양쪽 모두가 끊어지지 않는 연속된 숲으로 둘러싸여 있어야 한다는 지침을 위반합니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 3개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S35·sh1 | 실외. 금월도 숲속 오솔길 - 낮(수리영의 꿈) | 가위에 눌려 굳어버린 수리영 | 햇살 가득한 오솔길 한가운데 홀로 서서 가위에 눌린 듯 꼼짝 못하는 수리영(C01). 근거: 수리영이 오솔길에 홀로 서 있다. 그 맞은 편, 위쪽 길 멀찍이 거리를 둔 채 서 있는 엄마 민숙. |
| S35·sh6 | 실외. 금월도 숲속 오솔길 - 낮(수리영의 꿈) | 기괴하게 변하며 흩어지는 민숙 | C10의 두 눈이 황금색 염소 눈으로 변하고 몸이 검은 연기로 흩어지는 순간. 근거: 그러다 민숙의 눈이 변한다: 황금색… 섬뜩한 검은 염소의 눈. 몸도 검은 연기처럼 변한다. 그렇게 사라지려 한다. |
| S35·sh8 | 실외. 금월도 숲속 오솔길 - 낮(수리영의 꿈) | 수리영의 소리 없는 비명 | 가위에 눌린 듯 꼼짝 못 한 채 허공을 향해 소리 없는 비명을 지르는 C01의 경악한 얼굴. 근거: 수리영은 다시 “엄마!-”를 외치지만 역시 입 밖으로는 아무 말도 안 나온다. 가위에 눌린 것처럼 꼼짝도 할 수 없는 수리영. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is exactly one ground-level forest footpath in contemporary South Korea, about 1.5 metres wide, surfaced with compacted reddish-brown earth, subdued gray natural stone and leaf litter. Its lower reach continues directly into its upper reach as one uninterrupted aligned route; the reaches must not appear as separate paths. Continuous regionally typical island woodland borders both sides of both reaches and encloses the route. The setting must read as an ordinary maintained and actively used local foot route within an inhabited South Korean island environment, never as an abandoned tract or a staged set. The target is a landscape route, so architectural storeys and opening counts are not applicable. Do not depict dream-altered distance or any transient scene arrangement.
THE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An ordinary forest footpath on an inhabited contemporary South Korean island, surrounded by continuous regionally typical island woodland. The maintained route visibly carries the ordinary signs of active use expected of a local footpath. Exactly one ground-level path, about 1.5 metres wide, has a compacted reddish-brown earth surface with subdued gray natural stone and leaf litter. Its lower reach continues directly into its upper reach along one uninterrupted alignment, with clear continuity in both directions. Woodland borders both sides of the lower and upper reaches and remains continuous around the route. Natural weathering and routine upkeep give the site the credible finish of a real daytime filming location.
THE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Continuous island woodland forms the everyday natural setting of an inhabited contemporary South Korean island. The area reads as a maintained, actively used local landscape rather than an abandoned wilderness or constructed set. Exactly one forest footpath runs through it at ground level, about 1.5 metres wide. Compacted reddish-brown earth, subdued gray natural stone and settled leaf litter form its weathered surface. The lower reach leads directly into the upper reach on the same uninterrupted axis, preserving an open route in either direction. The woodland adjoining each side of the lower reach continues seamlessly around both sides of the upper reach.
THE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Compacted reddish-brown earth, subdued gray natural stone and natural leaf litter define an actively maintained forest path in contemporary South Korea. The surface shows ordinary regional weathering and visible signs of continuing use as a local foot route. The path is exactly one ground-level route about 1.5 metres wide. Its lower reach remains directly aligned with its upper reach, forming one physically uninterrupted passage rather than separate tracks. Regionally typical island woodland closely borders both sides throughout and connects continuously around the two reaches. The enclosing forest belongs to the ordinary lived-in environment of an inhabited South Korean island and has the completeness of a real daytime location.
THE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Replace the distant buildings and clearing at the end of the path with continuous dense woodland that seamlessly joins the trees on either side to fully enclose the route.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 4건)Suri-young on the footpath
Min-sook on the upper path
Smoke-like dissolution around Min-sook
Non-closing distance along the path
입력 지문b30be0730bea247c
bg_fishing_boat검색 그라운딩
씬 17, 19, 54, 101 · 멤버 샷 10개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 B
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 8개V1 five-ton fishing-vessel body
V2 open sea surrounding the fishing vessel
A1 forward bow deck
B1 central bow-to-stern passage
C1 aft stern deck
D1 enclosed vessel wheelhouse
D2 wheelhouse helm wheel
E1 shore-fixed dock platform
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 운항하는 오톤급 소형 낚시어선과 평범한 어촌 선착장의 실제 사진을 찾는다. 낚시어선은 선체, 선수 갑판, 선미 갑판, 선수와 선미를 잇는 통로, 밀폐형 조타실, 조타실 안의 조타기가 보이는 사진을 조사한다. 선착장은 배가 옆으로 댈 수 있는 접안부와 물가 쪽 가장자리의 통상적인 시공 형태가 보이는 사진을 조사한다. 관광 명소, 유명 장소, 여행 안내·예약 페이지, 장식용 선박, 예술 작품은 제외하고 현지에서 일상적으로 쓰이는 평범한 사례만 고른다. 사진에서 각 부분의 구조, 비례, 재료, 색상, 난간·문·창·계류 설비 같은 부속물과 표지판 배치를 판독한다. 사진에서는 형태만 참고하며, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 않는다.
검색어오톤 낚시어선 / 소형 낚시배 / 어선 조타실 / 어선 갑판 / 어촌 선착장 / 부두 접안부
실제 질의 12건대한민국 남서해안 5톤급 소형 낚시어선 선체 선수 갑판 선미 갑판 측면 통로 밀폐형 조타실 조타기 실제 사진
대한민국 남서해안 외딴 섬 평범한 어촌 선착장 부두 접안부 물가 가장자리 계류 설비 실제 사진
대한민국 남서해안 5톤 소형 낚시어선 갑판 조타실 실제 사진
대한민국 남서해안 외딴 섬 평범한 어촌 선착장 접안부 실제 사진
5톤 연안복합 어선 매매 전남 조타실 갑판 사진
5톤 낚시어선 매매 전남 선체 조타실 내부 사진
전남 섬 어촌항 선착장 접안시설 사진
신안 완도 진도 어촌 선착장 접안부 사진
"4.92톤" 어선 매매 사진 조타실
"5.83톤" 전남 어선 사진 갑판
"4.26톤" 전남 연안복합 낚시선 사진
신안 외딴 섬 어항 물양장 접안부 현장 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://rokship.co.kr/detail.php?id=70…
https://rokship.co.kr/detail.php?id=70…
https://web.joongna.com/product/209668664…
https://rokship.co.kr/detail.php?id=22…
https://rokship.co.kr/detail.php?id=70…
https://ameblo.jp/yoidores/entry-11850881569.html…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://rokship.co.kr/detail.php?id=70…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 3건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
주 피사체인 선박의 구조가 지시문의 '단층 조타실' 및 참고 사진의 5톤급 소형 선박 형태를 벗어나, 선체 대부분을 차지하는 거대한 다층 객실 구조로 잘못 묘사되었습니다.
지시문에서 회색(gray) 미끄럼 방지 파이버글라스로 지정된 주 선박의 갑판 색상이 파란색으로 칠해져 있습니다.
화면 내 인물을 배제하라는 규칙(Clean Plate Rules)을 어기고, 배경의 부두 쪽 오토바이 옆에 사람이 서 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 10개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S17·sh3 | 실외. 달리는 낚시 어선 - 낮 | 고립된 산들 | 뱃머리에 홀로 선 고산들이 미동도 없이 탁 트인 바다를 응시한다. 근거: 뱃머리에는 산들이 지휘자처럼 홀로 서서 탁 트인 바다를 감상하듯 바라본다. |
| S17·sh6 structure_plate | 18. 실외. 달리는 낚시 어선 - 낮 | 고립된 지후의 날 선 시선 | C01이 뱃머리에 목석처럼 선 남자의 뒷모습을 향해 굳은 표정으로 시선을 던진다. 근거: 지후가 통로를 지나 멀찍이… 선수에 서 있는 산들의 뒷모습을 바라본다. |
| S19·sh3 | 실외. 달리는 낚시 어선 - 낮 | 낯선 이의 비밀스러운 경고 | 주변을 경계하는 C14가 C01의 귓가로 몸을 기울여 비밀스럽게 속삭이는 옆모습. 근거: 여상 (주변 눈치를 스윽 보더니/ 목소리 낮춰) 여자 혼자 가기엔 너무 위험한 데라서 그래요. |
| S19·sh8 | 20. 실외. 달리는 낚시 어선 - 낮 | 죽음의 위협에도 흔들리지 않는 지후의 결심 | 흔들리는 배 위에서 자신을 내려다보는 산들을 향해, 두려움 없이 턱을 치켜들고 결연한 시선을 보내는 C01의 굳은 표정. 근거: 산들이 그들 쪽으로 오는 것을 보며 여상은 다시 자리를 옮긴다. |
| S19·sh11 | 달리는 낚시 어선 - 낮 | 유토피아처럼 나타난 고립된 섬 금월도 | 끝없는 푸른 바다 한가운데, 햇살에 반짝이며 유토피아처럼 홀로 떠 있는 금월도의 전경. 근거: 햇살에 반짝이는 물결 위에는 오직 하나의 섬만 덩그라니 떠 있다. |
| S54·sh3 structure_plate | 실외. 황 씨의 낚시 어선 - 낮 | 조타실 안 황 씨의 살의 가득한 시선과 안개 덮인 바다 | 조타실에서 C13이 핸들을 거칠게 쥔 채 안개 낀 뱃머리에 서 있는 인물을 살벌하게 노려보고 있다. 근거: 조타실, 핸들을 잡은 황씨는 인우를 노려보는 시선에 적대감이 가득하다. |
| S54·sh4 | 실외. 황 씨의 낚시 어선 - 낮 | 미스터리한 섬의 등장 | 짙은 안개 너머로 음울하고 기괴한 형태의 섬이 서서히 모습을 드러낸다. 근거: 곧 안개 속 금월도가 모습을 드러낸다: |
| S101·sh1 structure_plate | 씬 103. 실외. 낚시 어선 - 낮 | 만원인 낚시 어선 | 어선 위, 낚시꾼들과 여자들로 빼곡하게 만원인 배의 전경. 근거: 술집 여자들과 낚싯꾼 무리까지 함께 올라타 배는 만원이다. |
| S101·sh6 | 101. 실외. 낚시 어선 - 낮 | 배를 노려보는 구창모 | C12가 선착장에 짐을 둔 채 불만스러운 표정으로 배를 바라본다. 근거: 황 씨는 껄껄 웃으며 이들을 보다가 선착장에 서 있는 창모에게 다가온다. |
| S101·sh15 | 103. 실외. 낚시 어선 - 낮 | 촌주의 큰 선물 이야기에 흔들리는 구창모 | 황 씨의 이야기에 급격한 호기심을 보이며 눈을 동그랗게 뜨는 구창모(C12)의 얼굴 클로즈업. 근거: 창모 (급관심) 엄-청시리 큰 선물? 그기 뭔디요?? |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every candidate must show the same contemporary South Korean five-ton fishing vessel as the main subject: an approximately 10-metre-long, 3.2-metre-beam fiberglass hull carrying one working deck and a one-storey enclosed wheelhouse. The hull and wheelhouse are white fiberglass, the lower hull has dark blue antifouling paint, the deck is gray nonslip fiberglass, the glazing is dark marine glass in aluminum frames, and the rails are stainless steel. Hull identification lettering must legibly read 해솔호. The hull must visibly support the forward bow deck, the aft stern deck, the enclosed wheelhouse between them, and the central longitudinal passage that begins at the stern deck, passes alongside the wheelhouse, and reaches the bow deck. A helm wheel is fixed inside the wheelhouse. The wheelhouse footprint must plausibly contain its steering position at real human scale. Opening treatment follows the quiet regional norm because the evidence supplies no numeric opening count. Open sea extends around the vessel and beyond its bow and stern while afloat. The separate shore-fixed gray concrete dock must terminate at a waterside edge, with its position relative to the mobile vessel remaining variable. The vessel, dock and outdoor working areas must visibly carry ordinary signs of active fishing and harbor use. The shore setting must belong to a believable, currently inhabited South Korean fishing-harbor neighborhood rather than an empty compound or studio set.
THE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "해솔호". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
passengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Contemporary South Korean coastal waters connect to a currently inhabited working fishing-harbor neighborhood and its shore-fixed dock. The dock is a weathered gray poured-concrete platform ending at the water, complete in the ordinary regional configuration for active harbor service. The main subject is a five-ton fishing vessel with an approximately 10-metre-long, 3.2-metre-beam fiberglass hull, one working deck and a one-storey enclosed wheelhouse. The hull and wheelhouse are weathered white fiberglass, the lower hull is dark blue antifouling paint, and the deck is gray nonslip fiberglass. Dark marine glass sits in aluminum wheelhouse frames, and the working rails are stainless steel. Legible hull identification reads 해솔호. The forward bow deck and aft stern deck lie at opposite ends. A central longitudinal passage begins at the stern deck, runs alongside the wheelhouse and reaches the bow deck. The wheelhouse stands between the open deck ends and contains a fixed helm wheel at a human-scale steering position. Open sea extends around the afloat vessel and beyond both ends. The vessel and dock visibly carry ordinary signs of active fishing and harbor use, with natural salt wear and maintained working finishes.
THE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "해솔호". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
passengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited South Korean fishing-harbor neighborhood meets open coastal water through a shore-fixed working dock. The dock is weathered gray poured concrete and ends at a waterside edge, carrying the ordinary regional configuration and visible active-use character of a functioning harbor. Its relationship to the mobile vessel remains variable. Offshore, the main subject is a five-ton fiberglass fishing vessel about 10 metres long and 3.2 metres across. Its definite massing is one working deck beneath a one-storey enclosed wheelhouse placed between the bow and stern deck areas. White fiberglass covers the hull and wheelhouse, dark blue antifouling paint covers the lower hull, and gray nonslip fiberglass forms the deck. The wheelhouse has region-standard dark marine glazing in aluminum frames; stainless steel forms the rails. The legible identification is 해솔호. The stern deck feeds into a central passage beside the wheelhouse, and that passage reaches the forward bow deck. A fixed helm wheel occupies a full human-scale steering position inside. Open sea surrounds the vessel and continues beyond bow and stern. Ordinary signs of active fishing work, routine upkeep and marine weathering remain visible across the vessel and dock.
THE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "해솔호". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
passengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The target is a complete, ordinary contemporary South Korean five-ton working fishing vessel, set within open coastal sea associated with a lived-in fishing-harbor neighborhood. Its separate shore component is a fixed, weathered gray concrete dock platform terminating at the water and visibly remaining in active harbor service. The vessel has an approximately 10-by-3.2-metre fiberglass hull, a single working deck and one enclosed wheelhouse storey. Weathered white fiberglass defines the hull sides and wheelhouse, dark blue antifouling coating defines the lower hull, and gray nonslip fiberglass defines the deck surfaces. Dark marine glass, aluminum window frames and stainless-steel rails use standard Korean working-vessel finishes. The hull lettering is clearly legible as 해솔호. The wheelhouse occupies the middle of the hull between the forward bow deck and aft stern deck. The central passage starts at the stern deck, passes alongside the wheelhouse and reaches the bow deck. The wheelhouse footprint supports a human-scale steering position with a fixed helm wheel. Open water extends around the afloat hull and beyond both deck ends. Salt exposure, maintained wear and ordinary signs of active fishing use make the vessel and dock read as operational parts of a real harbor rather than staged objects.
THE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "해솔호". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
passengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Recolor the bright blue deck surfaces and inner gunwales of the main vessel to gray.
- Remove the person standing next to the parked motorcycle on the dock in the middle distance.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 6건)passengers and crew on the vessel
temporary seated passenger group at the stern
vessel wake and foam
fog over the sea
island visible from the vessel route
temporary vessel-to-dock alignment
입력 지문7db5d745829e29da
bg_forest_entrance검색 그라운딩
씬 40 · 멤버 샷 2개 · 검색 언어 한국어 · 회수 27장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개A1 outer approach ground beside the forest path entrance
B1 forest footpath entrance
B2 inward forest footpath
C1 forest interior beyond the footpath entrance
C2 descending hillside within the forest
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문대한민국 대도시권·남서해안권·외딴 섬 지역의 평범한 숲길 입구, 숲길, 비탈진 산길, 돌계단이나 나무계단, 난간, 배수로가 현대에 보통 어떻게 시공되는지 보여주는 실제 사진을 찾는다. 조선시대와 식민지기의 구간은 당시의 산길·고갯길을 보여주는 기록사진과 현존 유구 또는 발굴 조사 현장의 실제 사진을 찾되, 새로 꾸민 재현 시설은 제외한다. 관광 명소, 유명 장소, 문화재 홍보 사진, 여행 안내·예약 문서, 조형물이나 예술 사업으로 장식된 사례는 제외하고 생활권과 마을 주변의 평범한 사례를 우선한다. 사진에서 입구 표지와 경계 처리, 길의 너비와 경사, 바닥 다짐과 포장 방식, 계단의 치수, 재료, 색, 난간·배수 시설 같은 부속물, 안내판의 크기와 글자 배치를 읽어낸다. 사진에서는 형태만 참고하고, 배치와 동선 구성, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 경관은 가져오지 않는다.
검색어숲길 입구 / 산길 / 비탈길 / 돌계단 / 나무계단 / 배수로
실제 질의 12건대한민국 생활권 마을 주변 평범한 숲길 입구 표지 경계 실제 사진 관광지 제외
대한민국 대도시권 주거지 주변 평범한 산길 비탈길 실제 사진 배수로 난간
대한민국 남서해안 마을 뒷산 평범한 숲길 산길 돌계단 나무계단 배수로 실제 사진
대한민국 외딴 섬 주민 생활권 평범한 산길 숲길 계단 난간 배수로 실제 사진 관광지 제외
조선시대 산길 고갯길 기록사진 옛 사진 원본 재현시설 제외
일제강점기 조선 산길 고갯길 기록사진 아카이브 실제 사진
조선시대 옛길 고갯길 현존 유구 실제 사진 발굴 조사 현장 재현 제외
일제강점기 산길 고갯길 유구 발굴 조사 현장 실제 사진 재현시설 제외
대한민국 마을 뒷산 평범한 돌계단 시공 난간 실제 사진
대한민국 숲길 나무계단 배수로 측구 시공 실제 사진 생활권
대한민국 마을 뒷산 평범한 돌계단 난간 실제 사진
대한민국 생활권 숲길 나무계단 측구 배수로 실제 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://heyys59.tistory.com/16145542…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://v.daum.net/v/5fUE3ltWAZ?f=p…
https://jmty.jp/hyogo/est-buy/article-1c60qx…
https://www.imaeil.com/page/view/2023053016174568784…
https://en.trippose.com/tour/ttangkkeut-village…
https://www.welfarehello.com/community/hometownNews/…
https://news.nate.com/view/20251226n13369…
https://wow1002nae.tistory.com/260…
https://ban-life.com/accommodation/16794…
https://www.koreatimes.co.kr/lifestyle/arts-theater/…
https://soraknews.co.kr/detail.php?number=8458…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://wow1002nae.tistory.com/260…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 최종 확정
5. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 2개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S40·sh1 | 41. 실외. 숲속 입구 - 낮 | 어둠이 내린 오솔길 입구에서의 멈춤 | 한낮임에도 빛이 들지 않는 기괴한 숲 입구에 선 C01의 뒷모습. 근거: 수리영이 숲으로 통하는 오솔길 입구에 서 있다. |
| S40·sh3 | 실외. 숲속 입구 - 낮 | 검은 염소의 기묘한 시선 | 어두운 숲속에서 밖을 향해 시선을 고정하고 선 검은 염소의 기묘한 자태. 근거: 검은 염소 한 마리가 숲속에서 수리영을 지긋이 바라본다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is a contemporary South Korean village-edge forest route rather than a building; architectural storeys, building massing, rooms, and opening counts are inapplicable. The image must show one spatially continuous inward axis: brown-gray compacted earth and local gravel on the outer approach ground directly meeting the forest footpath entrance, the footpath continuing through a dense native Korean forest interior, and the same terrain descending toward lower ground within the forest. Deep green foliage, gray-brown trunks, natural weathering, and ordinary signs of regular local use and woodland upkeep must be visible. The outward approach must remain part of a believable, currently inhabited rural village-edge neighborhood rather than an isolated clearing or abandoned site.
THE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An ordinary inhabited rural village-edge neighborhood in contemporary South Korea adjoins the outward side of the location. The target site is a connected forest route visibly carrying the ordinary signs of regular local use and woodland upkeep. Brown-gray compacted earth and local gravel form the outer approach ground and directly meet the forest footpath entrance. The path continues inward beneath dense deep green native foliage and gray-brown trunks, surrounded by the forest interior. Farther along the same axis, the naturally weathered ground descends toward lower terrain within the forest.
THE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The outward approach belongs to a believable, currently inhabited rural village-edge neighborhood in contemporary South Korea. Its ordinary surroundings connect directly to a regularly used woodland footpath. A brown-gray compacted-earth and local-gravel access surface reaches the forest footpath entrance. From that threshold, one continuous path runs inward through dense native Korean woodland with deep green foliage and gray-brown trunks. The route remains enclosed by the forest interior as its weathered terrain slopes down toward lower ground.
THE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Brown-gray native soil and embedded local gravel define the outer approach at an inhabited contemporary South Korean village edge. The location reads as an active local route with ordinary evidence of continuing footpath use and woodland care. The approach ground directly joins the forest footpath entrance, where the same worn earth surface proceeds inward. Dense native woodland surrounds the route, with deep green foliage, gray-brown bark, and naturally weathered ground. Within the continuous forest interior, the hillside and path descend together toward lower terrain.
THE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Suri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
제외 계약 (일시적 요소 5건)Suri-young at the forest path entrance
Village youths carrying sacks
Yeo-sang and Suri-young descending through the forest
Black goat in the forest
Daylight-to-darkness contrast across the forest entrance
입력 지문e19693b7324ba989
bg_forest_goat_pen검색 그라운딩
씬 31, 58, 109 · 멤버 샷 4개 · 검색 언어 한국어 · 회수 32장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개F1 forest surrounding the goat pen
P1 forest goat pen enclosure
P2 route-end access opening on one side of the goat pen
P3 route-end access opening on the opposite side of the goat pen
R1 internal route through the goat pen
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문대한민국 대도시권·남서해안권·외딴 섬 지역의 현대 염소우리와 염소 축사, 그리고 조선시대와 식민지기의 전통 가축우리·울타리·출입문의 실제 사진을 시대별로 나누어 찾아라. 역사형은 생활사 자료, 현존 유구, 고증된 서민 생활시설의 실제 사진을 우선하고 현대형과 섞지 마라. 관광명소, 유명 장소, 여행 안내·예약 문서, 장식용 울타리, 예술 작품은 제외하고 실제 농가에서 흔히 쓰는 소박한 시설을 골라라. 사진에서 울타리와 문의 구조, 높이와 폭의 비례, 목재·돌·철망·금속 같은 재료, 색, 기둥·경첩·빗장·걸쇠 등의 부속, 표지판이 있을 경우 그 크기와 부착 방식을 읽어라. 사진에서는 형태만 참고하고 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
검색어염소우리 / 염소축사 / 가축우리 / 축사울타리 / 우리출입문 / 농가울타리
실제 질의 22건대한민국 수도권 실제 농가 현대 염소우리 염소축사 철망 출입문
대한민국 대도시권 실제 농가 현대 염소축사 울타리 우리출입문
전남 남서해안 실제 염소 농가 염소우리 축사 철망 문
신안 완도 진도 섬 실제 염소우리 염소축사 농가 울타리
조선시대 서민 농가 가축우리 외양간 울타리 출입문 생활사 실제 사진
국립민속박물관 전통 농가 가축우리 외양간 싸리문 울타리 사진
일제강점기 조선 농촌 가축우리 외양간 울타리 문 사진 아카이브
식민지기 조선 농가 울타리 싸리문 외양간 실제 사진
일제강점기 조선 농촌 외양간 울타리 사진
식민지기 조선 농가 싸리문 실제 사진
서울 근교 실제 흑염소 농장 축사 울타리 출입문
부산 울산 대구 광주 대도시 근교 실제 염소 농장 우리 축사
가거도 흑산도 홍도 실제 염소 사육 우리 사진
울릉도 제주도 외딴 섬 실제 염소 농가 축사 울타리 문
전남 섬마을 염소 사육 농가 축사 농민신문 사진
신안군 염소 사육농가 축사 울타리 사진
국가기록원 일제강점기 농촌 농가 외양간 가축우리 사진
국립민속박물관 아카이브 일제강점기 농가 울타리 싸리문 사진
현존 전통 민가 외양간 가축우리 국가민속문화유산 실제 사진
고증 복원 조선시대 서민 농가 외양간 가축우리 실제 사진
전통 민가 외양간 가축우리 실제 사진
조선시대 서민 농가 외양간 복원 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.donga.com/news/Society/article/all/20220…
https://2000-0817.tistory.com/13697396…
https://mobile.newsis.com/view/NISX20251031_00033848…
https://www.yna.co.kr/view/AKR20160204092000054…
https://www.nongmin.com/article/20230811500385…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://www.fnnews.com/news/202405071559239752…
https://www.khan.co.kr/article/202208171415001…
https://brunch.co.kr/%40c3e689f797bd432/370…
https://sanjeok7.tistory.com/1442…
https://brunch.co.kr/%40hotelscomkr/1207…
https://www.jibs.co.kr/news/articles/articlesDetail/…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.nongmin.com/article/20230811500385…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 3건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
경로가 숲을 통과해 이어져야 하지만, 배경의 길 끝이 숲이 아닌 건물들로 곧바로 연결되어 있습니다.
전경의 출입구에 지정된 농업용 게이트 프레임이 누락되어 단순한 빈 공간으로 비워져 있습니다.
클린 플레이트 규칙에 위배되게 연출된 요소인 포대 자루들이 곳곳에 쌓여 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 4개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S31·sh2 | 32. 실외. 숲속 염소 축사 - 밤 | 포댓자루를 멘 청년들의 숲속 축사 이동 | C20O26이 핏물이 떨어지는 포댓자루를 메고 좁은 축사 사이를 걷는 뒷모습. 근거: 마을 청년들이 그 사이를 지나간다. |
| S31·sh3 | 32. 실외. 숲속 염소 축사 - 밤 | 기괴하게 요동치는 피 묻은 포댓자루 | 어두운 밤, 청년 C20의 어깨에 얹힌 피 묻은 포댓자루 P13이 안에서 밀어내는 힘으로 인해 기괴하고 팽팽하게 부풀어오른 클로즈업 순간. 근거: 포댓자루 안 무언가는 사력을 다해 꿈틀거리지만 청년들은 신경쓰지 않는다. |
| S58·sh2 | 실외. 염소 축사 - 낮 | 과거의 공포가 되살아난 수리영의 굳은 멈춤 | C01O02가 텅 빈 염소 축사를 바라보며 가슴을 부여잡고 딱딱하게 굳어 있는 순간. 근거: 긴장으로 쉴 새 없이 가슴이 도리질 치는 수리영. |
| S109·sh1 structure_plate | 실외. 염소 축사 - 밤 | 허공을 향해 울부짖는 염소 떼 | 어둠 속에서 허공을 향해 일제히 고개를 쳐들고 기괴하게 울부짖는 검은 염소 떼 근거: 검은 염소 떼는 더욱 미친 듯 매에에- 메에에- 울어댄다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean island goat pen in a forest clearing. The target is a one-ground-level, fence-form agricultural structure with an approximately 20 by 15 metre rectangular footprint and a 1.8-metre-high enclosure, sufficient to hold dozens of full-grown goats at real-world scale. Its permanent construction is silver-gray galvanized steel pipe framing with weathered green PVC-coated livestock mesh and matching agricultural gate frames. Exactly two route-end access openings occupy opposite sides of the enclosure. A continuous approximately 2.4-metre-wide compacted-earth route enters directly from the forest through one opening, crosses the interior holding space, and exits through the opposite opening back into the forest. The brown earth clearing and route show ordinary wear from livestock operations. Mixed Korean island woodland continues around the entire enclosure and beyond both route ends. The wider setting must read as a currently inhabited, working rural neighborhood beyond the surrounding woodland, while the pen and its outdoor area visibly carry ordinary signs of active livestock use. The structure must appear complete, ordinary and in service rather than bare, sterile, abandoned or institutional.
THE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
black goat herd; people moving through the goat enclosure; carried sack and its contents
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A contemporary South Korean island forest surrounds a working agricultural clearing, with the inhabited rural neighborhood continuing beyond the woodland. The target is a one-ground-level, fence-form goat pen occupying an approximately 20 by 15 metre rectangular footprint, large enough for dozens of full-grown goats at real-world scale. Its 1.8-metre enclosure uses silver-gray galvanized steel pipe posts and weathered green PVC-coated livestock mesh, with matching agricultural gate frames. Exactly two 2.4-metre-wide access openings interrupt opposite sides. A continuous compacted brown-earth route comes from the forest, passes through one opening, crosses the interior holding space, and leaves through the opposite opening into the forest. Mixed island woodland continues around the boundary and beyond both route ends. The enclosure, clearing and route visibly carry the ordinary signs of active livestock use in contemporary rural South Korea. The complete temporary agricultural structure is maintained and in service.
THE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
black goat herd; people moving through the goat enclosure; carried sack and its contents
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is a complete, ordinary contemporary South Korean goat-husbandry enclosure in a forest clearing within a currently inhabited rural island district. The one-ground-level target has a rectangular footprint of approximately 20 by 15 metres, providing real livestock capacity for dozens of full-grown goats. A 1.8-metre-high fence-form structure of silver-gray galvanized pipe and weathered green PVC-coated stock mesh defines the holding space. Matching farm gate frames form exactly two access openings on opposing sides. An approximately 2.4-metre-wide compacted-earth route connects directly to the forest at one opening, continues across the pen interior, and reaches the forest through the opening opposite it. Natural brown soil fills the clearing. Regionally typical mixed woodland surrounds every side and continues beyond both ends of the route, with the broader working agricultural neighborhood beyond it. The pen and its outdoor ground visibly retain ordinary signs of ongoing livestock use and regular maintenance.
THE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
black goat herd; people moving through the goat enclosure; carried sack and its contents
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Mixed woodland typical of a contemporary South Korean island encloses an ochre-brown earth clearing, while the wider landscape belongs to an inhabited and working rural neighborhood. At its center stands the same one-ground-level rectangular goat pen, approximately 20 metres long and 15 metres wide, with capacity for dozens of full-grown animals at realistic agricultural spacing. Silver-gray galvanized steel pipes support a 1.8-metre-high enclosure of green PVC-coated livestock mesh, all carrying normal outdoor oxidation, soil staining and service wear. Opposing enclosure sides contain exactly two matching 2.4-metre-wide agricultural access openings. A worn compacted-earth route runs continuously from the surrounding forest through the first opening, across the interior holding area, and through the opposite opening to the forest beyond. The forest remains continuous around the enclosure and both route ends. The fence-form temporary structure is complete and operational, and the enclosure and clearing visibly show ordinary active livestock use rather than abandonment.
THE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
black goat herd; people moving through the goat enclosure; carried sack and its contents
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Replace the houses at the far end of the route with continuous mixed forest woodland.
- Add a matching agricultural gate frame to the foreground access opening.
- Remove all the stacked sacks from the scene.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 3건)black goat herd
people moving through the goat enclosure
carried sack and its contents
입력 지문d32a903fe45b64b2
bg_forest_ritual_clearing검색 그라운딩
씬 52, 68, 73, 78, 105, 110 · 멤버 샷 12개 · 검색 언어 한국어 · 회수 21장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개C1 forest-enclosed ritual clearing
R1 towering giant ritual rock
R2 central altar before the giant rock
F1 surrounding forest edge
F2 traversable forest-side approach
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문대한민국 대도시권·남서해안권·외딴 섬 지역에서 실제로 쓰이는 평범한 숲속 야외 제단과 바위 앞 제단의 실물 사진을 찾으시오. 현대 사례는 오늘날의 생활형 의례 공간을, 역사 재현이 필요할 때에는 조선시대와 식민지기의 기록 사진·고증 자료에 나타난 제단을 시대별로 따로 조사하시오. 관광 명소, 유명 장소, 문화재 홍보, 여행 안내, 숙박 예약, 장식용 시설, 예술 작품은 제외하시오. 사진에서 제단의 구조, 비례, 재료, 색, 결구와 부속 장치, 글씨나 표지의 배치만 읽어내시오. 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 말고 형태만 참고하시오.
검색어숲속 제단 / 야외 제단 / 바위 제단 / 산신 제단 / 무속 제단
실제 질의 13건대한민국 대도시권 생활형 숲속 야외 제단 산신 제단 무속 제단 실물
대한민국 남서해안권 생활형 바위 앞 제단 바위 제단 무속 제단 실물
대한민국 대도시권 숲속 야외 제단 산신 제단
대한민국 남서해안 바위 앞 무속 제단
대한민국 외딴 섬 생활형 숲속 제단 바위 제단 당산 무속 제단 실물 사진
조선시대 산신 제단 야외 제단 바위 제단 기록화 고증 자료
외딴 섬 무속 제단 바위 제단 실물
조선시대 산신제 제단 기록화
일제강점기 조선 무속 야외 제단 산신제 기록 사진
식민지기 조선 바위 제단 무당 굿 기록 사진
일제강점기 조선 무속 제단 사진
국립민속박물관 일제강점기 산신제 제단 사진
조선총독부 무속 조사 사진 제단
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://chunman.li/list?t=1728554759739…
https://brunch.co.kr/%40road-up/19…
https://chunman.li/pray-spots/1937…
https://english.visitkorea.or.kr/svc/contents/conten…
https://chunman.li/community/1561…
https://www.daangn.com/kr/local-profile/%EB%82%98%EB…
https://www.daangn.com/kr/business-post/%EC%9D%84%EC…
https://www.seoul.co.kr/news/life/travel-news/2016/0…
https://www.jejunews.com/news/articleView.html?idxno…
https://www.visitjeju.net/en/detail/view?contentsid=…
https://www.jejusori.net/news/articleView.html?idxno…
https://picryl.com/topics/shamanism%2Bof%2Bkorea…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://chunman.li/community/1561…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 2건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
제단(폭 2.2m)의 크기와 비교할 때 공터의 폭이 10~15m 수준에 불과하여, 브리프가 요구한 35m 규모의 넓은 공터 규격에 크게 미달합니다.
바위 양측면에 나무와 덤불이 바짝 붙어 자라고 있어, 브리프에 명시된 '바위 주변을 돌아서 지나갈 수 있는 열린 빈 땅'이 존재하지 않습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 12개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S52·sh2 structure_plate | 53. 실외. 숲속 만월제 도당 - 밤 | 거대한 바위 앞에서 기도하는 고산들 | 피 묻은 거대한 바위 앞에 꿇어앉은 C04가 두 손을 바위에 대고 고개를 숙여 기도하는 뒷모습. 근거: 바위 앞에 꿇어앉은 산들이 두 손을 뻗어 바위에 갖다댄다. |
| S68·sh1 structure_plate | 69. 실외. 숲속 만월제 도당 - 밤 | 제단 앞 치성 | 희뿌연 연기가 깔린 바위 제단 앞 모닥불 사이에서 무릎 꿇고 앉아 치성을 드리는 강영란의 무거운 뒷모습. 근거: 무녀복 차림 영란이 바위 앞에 꿇어앉아 중얼중얼 주문을 외며 치성을 올린다. |
| S68·sh3 structure_plate | 실외. 숲속 만월제 도당 - 밤 | 제단에 목걸이를 올리는 영란 | C07이 바위 제단 표면에 화살촉 모양의 뼈 목걸이를 내려놓는 순간. 근거: 영란이 품에서 무언가를 꺼내 바위 앞 제단에 올려놓는다. |
| S73·sh1 map_marker | 실외. 숲 속 만월제 도당 - 밤 | 영란의 제단 의식 중 발생한 돌발 상황 | C07이 거대한 바위 옆에서 무령을 치켜들고 의식을 행하는 모습 근거: 영란이 딸랑딸랑 무령을 흔들며 바위 주변을 돌아다닌다. |
| S73·sh4 | 실외. 숲 속 만월제 도당 - 밤 | 교차하는 시선과 불길한 직감 | 심각한 소식을 듣고 굳은 표정으로 영란과 시선을 교환하는 산들. 근거: 인상을 팍 쓰는 산들, 영란과 눈이 마주친다. |
| S78·sh1 structure_plate | 79. 실외. 숲 속 만월제 도당 - 밤 | 섬을 봉쇄하려는 영란 | 핏빛 바위 앞에서 일렁이는 붉은 모닥불 빛을 받으며 위압적으로 서 있는 영란. 근거: 핏빛 바위를 배경으로 선 영란은 일렁이는 모닥불 불빛에 더욱 기괴해 보인다. |
| S78·sh4 map_marker | 실외. 숲 속 만월제 도당 - 밤 | 영란의 직접 개입 선언과 흔들리는 주도권 | 영란(C07)이 돌아서려는 산들을 향해 단호하게 팔을 뻗어 막아서고, 산들은 불쾌한 듯 멈춰선다. 근거: 꾸벅 인사를 하고 뒤돌아가려는 산들. 하지만, |
| S105·sh1 map_marker | 108. 실외. 숲속 만월제 도당 - 밤 | 만월제 의식 대기 | 활활 타오르는 거대한 모닥불을 중심으로 검은 옷을 입은 수십 명의 신도들이 둥글게 모여 기도하는 압도적인 부감 전경. 근거: 활활 드높이 타오르는 모닥불… 불 주변으로 둥그렇게 원을 그린 수십 명의 검은옷 신도들. |
| S105·sh6 | 108. 실외. 숲속 만월제 도당 - 밤 | 만월제 본격화와 피의 제물 | 피로 붉게 물든 흰 무녀복을 입은 영란이 잘린 염소 머리를 들고 광기 어린 미소로 정면을 응시한다. 근거: 잘린 검은 염소 머리를 든 영란이 바위에 피를 흩뿌린다. |
| S110·sh22 structure_plate | 113. 실외. 숲 속 만월제 도당 - 밤 | 초자연적 존재로의 각성 | 붉은 달빛 아래, 검은 연기를 온전히 흡수하여 온몸에 히브리 문양의 핏줄이 돋아나고 황금빛 눈을 번쩍 뜬 C02의 전신. 근거: 그리고 바위 앞 중앙 제단 위로 끌려나오는 흰옷의 수리영. 사력을 다해 반항해보지만, 바위 앞 두터운 가죽 줄에 손목, 발목이 꼼짝없이 묶인다. |
| S110·sh27 structure_plate | 실외. 숲 속 만월제 도당 - 밤 | 영란의 최후 | 산들이 날아들어 영란의 가슴에 흰사슴뿔 창을 찔러넣는다. 근거: 돌아서던 영란의 가슴팍을 푸욱- 꿰뚫고 들어가는 창끝! 그녀 몸을 통과해 수리영의 가슴팍까지 쭈욱 치고 들어가는데… |
| S110·sh45 | 실외. 숲 속 만월제 도당 - 밤 | 핏빛 지옥도를 내려다보는 수리영 | 초자연적 존재로 빙의된 C02가 발밑에서 벌어지는 육혈귀들의 핏빛 살육전을 제단 위에서 무표정하게 내려다본다. 근거: 붉은 달 아래, 붉은 세상에서 펼쳐지는 아비규환 핏빛 광란의 지옥도!! |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is a contemporary South Korean open-air ritual landscape with a storey count of zero. The usable clearing spans approximately 35 metres and is enclosed on every side by native island woodland, within a visibly inhabited and working island-village district continuing beyond the trees. The maintained ritual ground and altar must visibly carry regionally authentic signs of continuing ceremonial use. Compacted brown earth and muted green groundcover form the clearing. A towering, naturally weathered, mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt and presents its broad face toward the clearing. A medium-gray dressed-granite altar measuring approximately 2.2 by 1.0 metres and 0.8 metres high stands directly in front of the rock, forming the fixed outer-clearing–altar–rock axis. Open ground extends laterally around the forecourt and permits passage around the rock. A compacted-earth traversable approach crosses the surrounding forest edge into the outer clearing without establishing a compass direction. Building faces and opening counts are not applicable to this open-air site. The clearing, altar, rock, surrounding forest edge and approach must retain this topology in every image.
THE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Circular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A real open-air ritual site in a contemporary South Korean island-village district. Native woodland encloses the approximately 35-metre clearing on every side, while the inhabited working neighborhood continues beyond the trees. The site is maintained and visibly carries ordinary, regionally authentic signs of continuing ceremonial use. Storey count is zero. The clearing is compacted brown earth with muted green groundcover. A towering mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt, with natural weathering, pale lichen and a broad face directed into the open ground. A medium-gray dressed-granite altar, approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high, stands immediately before the rock. The fixed central axis runs from outer clearing to altar to giant rock. Open ground continues around both sides of the forecourt and around the rock. A compacted-earth traversable approach passes through the surrounding forest edge into the outer clearing.
THE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Circular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The location belongs to an ordinary inhabited and working island-village neighborhood in contemporary South Korea. Regional development continues beyond a belt of native woodland, and the forest edge encloses the ritual clearing on every side. A compacted-earth approach crosses that edge into approximately 35 metres of usable open ground. The maintained site visibly shows ordinary regional signs of ongoing ceremonial use. This is an open-air landscape with a storey count of zero. Brown compacted earth and muted green groundcover extend laterally from the principal forecourt and permit circulation around the rock. At the rear stands a towering, approximately 6-metre mass of naturally weathered cool-gray granite, mottled with pale lichen and facing the clearing. Directly before it is a medium-gray dressed-granite altar measuring approximately 2.2 by 1.0 metres and 0.8 metres high. Outer clearing, altar and giant rock remain aligned on the central sightline.
THE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Circular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Compacted brown earth, muted green groundcover, gray granite and native Korean island woodland define this maintained contemporary ritual site. It visibly carries the ordinary, regionally authentic wear and upkeep of continuing ceremonial use. The target is a ground-level open-air landscape with a storey count of zero and an approximately 35-metre usable clearing. The forest edge encloses the clearing on every side within a lived-in island-village district whose ordinary working surroundings continue beyond the woodland. A towering cool-gray granite rock rises approximately 6 metres at the rear of the forecourt. Its broad clearing-facing surface has natural dark weathering, irregular mineral mottling and pale lichen. Immediately in front of it stands a medium-gray dressed-granite altar approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high. The permanent sequence is outer ritual ground, central altar, then giant rock. Lateral open ground continues around the forecourt and rock. A traversable compacted-earth forest approach enters the outer clearing from an unspecified side.
THE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Circular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Expand the clearing's overall footprint to span approximately 35 metres across.
- Clear the dense foliage growing flush against the sides of the giant rock to leave an open ground passage continuing around it.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 8건)Circular arrangement of burning bonfires
Bonfire smoke around the ritual ground
Animal-blood hand traces on the giant rock
Bone necklace placed on the altar
Leather restraints at the altar
Ritual instruments and gathering equipment
Supernatural black smoke emerging from the rock
Circular formation of ritual participants
입력 지문eddfa36374418502
bg_forest_slaughterhouse검색 그라운딩
씬 76 · 멤버 샷 2개 · 검색 언어 한국어 · 회수 17장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 C
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개A1 woodland path beside the slaughterhouse
A2 wooded surroundings around the slaughterhouse path
B1 goat slaughterhouse building
B2 path-side entrance into the slaughterhouse
B3 livestock shed within the slaughterhouse compound
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국의 대도시 외곽, 남서해안권, 외딴 섬 지역에서 실제로 운영되는 평범한 소규모 염소 도축장 건물과 출입구, 가축 축사의 현장 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 전시용 시설, 장식적 재현물, 예술 작품은 제외하고 보도 자료, 행정 점검 자료, 축산업 자료 등에 실린 실제 생활·작업 시설 사진을 우선하라. 사진에서 건물의 골조와 벽체 구성, 지붕과 출입문의 비례, 재료, 색상, 문틀·잠금장치·환기구·배수 설비 같은 부속물, 위생·안전 표지의 모양과 배치 방식을 확인하라. 가축 축사도 기둥 간격, 지붕 형식, 벽과 울타리 재료, 먹이통·급수기·환기 설비의 통상적인 형태를 살펴라. 사진에서는 시설의 형태만 참고하고, 사진 속 건물 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 마라.
검색어염소 도축장 / 소규모 도축장 / 도축장 출입구 / 가축 축사 / 도축시설
실제 질의 16건대한민국 소규모 염소 도축장 현장 사진 행정 점검
대한민국 염소 도축시설 출입구 현장 사진 보도자료
전남 염소 도축장 현장 사진 흑염소 도축시설
섬 지역 염소 사육 축사 현장 사진 행정 점검
염소 전문 도축장 전남 현장 사진
흑염소 도축장 위생 점검 현장 사진 대한민국
전남 염소 도축장 사진 도축시설 현장
신안 염소 도축장 사진 축사
해남 흑염소 도축장 사진
제주 염소 도축장 현장 사진
강진 흑염소 전문도축장 건물 출입구 사진
전남 해남 흑염소 축사 외관 내부 현장 사진
강진 성전면 흑염소 전문도축장 건물 사진
화순 흑염소 전문도축장 건물 사진
전남 흑염소 도축장 행정 점검 사진
염소 도축시설 출입구 사진 보건환경연구원
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.imaeil.com/page/view/2024080717175546785…
https://www.yna.co.kr/view/AKR20190919111100061…
https://v.daum.net/v/uSxh3lNfTT…
https://www.pressian.com/pages/articles/202305291136…
https://www.pigpeople.net/news/article.html?no=8171…
https://auction.dodram.co.kr/facility.html…
https://www.nongmin.com/article/20230811500385…
https://news.laodong.vn/du-lich/tin-tuc/han-quoc-cam…
https://v.daum.net/v/20250922060243340…
https://www.chukkyung.co.kr/news/articleView.html?id…
https://v.daum.net/v/20240612050502472…
https://www.idaegu.co.kr/news/articleView.html?idxno…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.yna.co.kr/view/AKR20190919111100061…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 4건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
간판이 지침에 명시된 길 옆 정면(path-side frontage)이 아닌, 카메라를 향한 짧은 박공벽에 설치되어 있습니다.
눈에 띄는 큰 창문이 박공벽과 길 옆 벽면에 중복으로 배치되어 '눈에 띄는 창문 중복 금지' 지침을 위반합니다.
주 건물의 전체 크기(14x8m)와 처마 높이(3.6m)가 출입문(약 2m) 크기에 비례해 볼 때 지침의 수치보다 훨씬 작고 낮게 생성되었습니다.
8x5미터 규모여야 할 가축 축사가 주변에 놓인 농기구 크기와 비교할 때 아주 작은 소형 공구 창고 크기로 축소되어 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 2개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S76·sh3 map_marker | 실외. 숲속 도축장 옆 길 - 밤 | 도축장을 향해 방향을 틀어 내달리는 민숙 | 숲길을 달리던 C09가 방향을 틀어 어둠 속 도축장을 향해 다급히 뛰어가는 뒷모습의 순간. 근거: 다급히 도축장으로 뛰어가는 민숙. |
| S76·sh6 | 실외. 숲속 도축장 옆 길 - 밤 | 수리영의 황당한 반응 | C01은 텅 빈 어두운 숲길에 홀로 멈춰 서서 어이없는 표정으로 입을 반쯤 벌린 채 화면 밖을 바라본다. 근거: 황당함에 어쩔 줄 몰라하는 수리영. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean goat-slaughterhouse compound in woodland within a currently inhabited working rural district. The main building is a single-storey rectangular timber utility building measuring about 14 by 8 metres, with a 3.6-metre eave height, weathered grey-brown rough-board walls and a shallow dull silver-grey corrugated galvanized-steel gable roof. This footprint must plausibly contain a full-scale slaughter hall and a separate internal storage room of at least 3 by 4.5 metres. The woodland path recedes directly beside the long building frontage, and the brown timber path-side entrance connects that route to the interior. The exterior carries one evidenced broken clear-glass window in a dark-brown timber frame, with dust and cobweb weathering; prominent duplicate windows violate the evidence. A white painted-metal sign with dark-green legible lettering reading 푸른들 염소 도축장 is mounted on the path-side frontage. A single-storey livestock shed measuring about 8 by 5 metres stands near the main building within the same compound, with grey-brown timber construction and a dull galvanized-steel roof; its side relative to the main building remains unfixed. The surrounding woods, tan-brown compacted earth-and-gravel path and ordinary neighboring rural premises must form a believable inhabited South Korean setting. The compound must look complete and visibly in active service as a rural slaughter facility, with ordinary signs of its continuing use chosen naturally rather than a bare, sterile or abandoned presentation.
THE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "푸른들 염소 도축장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Night darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A woodland path passes directly beside a working slaughterhouse compound in a currently inhabited rural district of contemporary South Korea. Ordinary neighboring rural premises continue beyond the enclosing woods, giving the site a real working context. The main goat-slaughterhouse building stands at the compound edge along the path. It is a single-storey rectangular timber utility building, about 14 metres long and 8 metres deep, with 3.6-metre eaves. Weathered grey-brown rough-board walls support a shallow gable roof of dull silver-grey corrugated galvanized steel. The footprint holds a full-scale slaughter hall and a separate internal storage room of at least 3 by 4.5 metres. A brown timber entrance on the path-side frontage connects the woodland approach directly to the interior. One evidenced exterior window has broken clear glass in a dark-brown timber frame, with accumulated dust and cobweb weathering; other regionally normal openings remain visually subdued. A white painted-metal frontage sign bears dark-green, fully legible lettering: 푸른들 염소 도축장. A single-storey livestock shed, about 8 by 5 metres, stands near the main building within the compound, built from grey-brown timber under a dull galvanized-steel roof. The receding path is tan-brown compacted earth and gravel amid dense regional woodland. The complete compound and its outdoor service areas visibly carry the ordinary signs of an operating rural slaughter facility.
THE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "푸른들 염소 도축장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Night darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Weathered grey-brown rough timber defines the main slaughterhouse building, with practical board construction and a shallow dull silver-grey corrugated galvanized-steel gable roof typical of a contemporary South Korean rural utility structure. The building is one storey, 14 by 8 metres in footprint and 3.6 metres high at the eaves, providing real-scale space for the slaughter hall and a separate storage room measuring at least 3 by 4.5 metres. Its long frontage occupies the edge of a woodland compound beside a tan-brown compacted earth-and-gravel path. A weathered brown timber entrance faces the path and leads into the building. One evidenced exterior window contains broken clear glazing in a dark-brown timber frame, visibly aged by dust and cobwebs; any regionally normal additional openings stay quiet and secondary. A white painted-metal sign on the path-side frontage displays dark-green legible text: 푸른들 염소 도축장. Near the main building is a one-storey livestock shed measuring about 8 by 5 metres, with grey-brown timber fabric and a dull galvanized-steel roof. Dense woodland encloses the immediate route, while the surrounding area reads as a currently inhabited working rural district with ordinary neighboring premises. The compound is complete for its function and visibly remains in active service, with natural signs of routine slaughterhouse use across the building and outdoor work areas.
THE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "푸른들 염소 도축장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Night darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is a complete working goat-slaughterhouse compound set inside woodland belonging to an inhabited contemporary South Korean rural district. The wooded site connects naturally to ordinary nearby rural premises, and a compacted tan-brown earth-and-gravel path recedes through the trees directly along the slaughterhouse frontage. The main building is a one-storey rectangular rural processing structure measuring 14 by 8 metres, with a 3.6-metre eave height. Its weathered grey-brown rough-board walls and shallow dull silver-grey corrugated galvanized-steel gable roof form a practical timber mass large enough for a full slaughter hall and a distinct internal storage room of at least 3 by 4.5 metres. The path-side face has a brown timber entrance leading directly indoors. One evidenced broken clear-glass window sits in a dark-brown timber frame with dust and cobweb weathering, while other ordinary openings remain recessive. The facility identity is clear on a white painted-metal frontage sign with dark-green legible lettering: 푸른들 염소 도축장. A one-storey livestock shed measuring about 8 by 5 metres occupies a nearby position within the same compound, using grey-brown timber and a dull corrugated galvanized-steel roof. The slaughterhouse, shed and outdoor service areas visibly show ordinary continuing use appropriate to an operating rural facility in South Korea.
THE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "푸른들 염소 도축장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Night darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Move the white sign to the long building wall that borders the path.
- Remove the prominent window on the long path-side wall, leaving only one broken window on the exterior.
- Scale up the main building's overall massing to 14 by 8 metres and raise its eave height to 3.6 metres.
- Enlarge the footprint and massing of the livestock shed to measure about 8 by 5 metres.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 3건)Night darkness and moonlight
Goats occupying the livestock shed
People moving between the path and slaughterhouse
입력 지문31f1ecb9e00846e2
bg_forest_stone_markers검색 그라운딩
씬 41, 43, 46, 57 · 멤버 샷 9개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 B
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개P1 Forest path through the stone-marker area
M1 Scattered waist-high moss-covered stone-marker group
M2 Repeated carved Suri-young inscriptions
W1 Dense black-pine grove surrounding the path
W2 Undergrowth between the black-pine trees
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문한국의 현대와 조선시대·식민지기에 실제로 세워진 평범한 비석의 실제 사진을 찾아라. 관광 명소, 문화재 명소, 유명 장소, 여행 안내·예약 페이지, 장식용 작품이나 미술 작품은 제외하고 일상적으로 세워진 비석만 살펴라. 사진에서 비석의 형태, 비례, 재료, 색, 표면 마감, 글자를 새기는 방식과 글자 배치만 읽어라. 사진 속 배치, 촬영 각도, 구도, 날씨, 시간대와 주변 환경은 가져오지 말고 비석의 형태만 참고하라.
검색어비석 / 빗돌 / 석비
실제 질의 4건한국 현대 평범한 비석 빗돌 석비 묘비 기념비 실제 사진 관광지 문화재 제외
조선시대 식민지기 일제강점기 평범한 비석 빗돌 석비 실제 사진 비지정문화재 마을 묘역
한국 현대 일반 비석 실제 사진 묘비 빗돌 석비
조선시대 일제강점기 일반 비석 실제 사진 빗돌 석비
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://blog.naver.com/mirae_saram/222523233269?view…
https://www.sportsq.co.kr/news/articleView.html?idxn…
https://www.munhwa.com/article/11574287…
https://www.ohmynews.com/NWS_Web/View/img_pg.aspx?CN…
https://blog.naver.com/roqur21/222941035291…
https://memory.library.kr/items/show/210061558…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://memory.library.kr/items/show/210061558…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
두 번째 비석의 각인이 '수리영'이 아닌 '수리명'으로 되어 있으며, 뒤쪽에 있는 비석들의 글자도 지정된 문구와 다르거나 알아볼 수 없습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 9개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S41·sh2 map_marker | 42. 실외. 숲속 - 잠시 후 | 기괴한 비석과 썩은 고기 무더기 | 빽빽한 해송 숲길을 따라 이끼 낀 허리 높이의 비석들과 그 앞에 놓인 썩은 고기(P27)가 반복적으로 늘어서 있는 풍경. 근거: 표지석 처럼 군데군데 세워둔 모양. 오래되었는 지 이끼가 잔뜩 낀 상태인데, 비석 앞에는 어김없이 썩은 육고기가 놓여있다. |
| S41·sh8 | 실외. 숲속 - 잠시 후 | 기이한 흔적과 나무 뒤로 사라지는 위협 | 수리영의 시선 끝, 멀찍이 떨어진 굵은 나무 기둥 너머로 절반쯤 가려진 짐승의 뾰족한 손이 스윽 사라지는 순간. 근거: 근데 멀찍이… 마치 그동안 수리영을 멀리서 지켜보고 있는 것 같다가 나무 뒤로 스윽 사라지는 날카로운 짐승의 손. |
| S43·sh2 | 실외. 다시 숲속 - 낮 | 제자리로 돌아온 수리영 | C01O02가 이끼 낀 비석과 P27 썩은 고기를 다시 마주하고 충격에 빠져 멈춰 서 있다. 근거: 멈춰서는 수리영, 숨을 고르며 찬찬히 주변을 돌아본다. 아무리 봐도 아까 왔던 그 곳이 분명해 보인다. 비석 앞 썩은 고기의 형태도, 놓여진 상태도, 그대로다. |
| S43·sh4 | 44. 실외. 다시 숲속 - 낮 | 이름이 새겨진 비석 | A close-up of the moss-covered stele revealing the carved inscription of the name. 근거: 바위에 쓰인 글자는 바로 “수 리 영” |
| S46·sh2 | 실외. 숲속 - 낮 | 공포의 이름 | 이끼 낀 비석 표면에 수리영이라는 이름이 깊게 파여 있는 클로즈업. 근거: 곳곳에 보이는 몇 개의 비석들에 죄다 “수리영”이란 이름이 새겨져 있다. |
| S46·sh12 | 실외. 숲속 - 낮 | 고산들의 등장과 구조 | 넘어진 김지후(강수리영) 앞에 우뚝 서서 뻗은 손을 내밀고 있는 고산들의 무표정한 전면. 근거: 산들이 무표정하게 손을 뻗어 수리영을 일으켜준다. |
| S46·sh18 | 실외. 숲속 - 낮 | 거대 염소를 제압하고 앞장서서 숲을 내려가는 산들 | 기절한 거대한 수리영을 공격한 검은 염소를 어깨 위로 번쩍 둘러멘 고산들의 힘 들어간 넓은 뒷모습. 근거: 그런 수리영 옆을 슥 지나가는 산들, 그 큰 덩치의 검은 염소를 손쉽게 훌쩍 둘러멘다. 그리고 앞서 숲을 내려가기 시작한다. |
| S57·sh1 | 58. 실외. 숲속 - 낮 | 기이한 비석의 발견 | 이끼 낀 비석 표면에 희미하게 세 글자가 새겨져 있는 순간. 근거: “수리영” 글자가 흐릿하게 찍혀있는 비석. |
| S57·sh6 | 실외. 숲속 - 낮 | 깊은 숲으로 향하는 수리영의 단단한 뒷모습 | C01이 거친 수풀을 양손으로 밀어내며 숲의 깊은 곳을 향해 걸어 들어간다. 근거: 숲을 헤치며 앞으로 나아가는 수리영. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is a zero-storey, linearly distributed group of several freestanding marker stones beside one continuous forest path in contemporary South Korea. Each marker rises to about 0.9 metres above grade, is individually shaped from weathered medium-gray local granite, carries established dark-green moss, and bears the same legible carved lettering 수리영; the stones differ slightly from one another and remain spaced at intervals rather than forming a compact monument. The path is compacted brown earth with regionally ordinary natural stone, and it passes beside the marker verge through a dense black-pine grove. Charcoal-brown pine trunks, deep-green needles, and green and brown undergrowth enclose both outer sides while preserving the path as the principal corridor and leaving traversable gaps. Opening-count assessment is not applicable to freestanding marker stones. The grove belongs to a currently inhabited rural mountain-edge neighborhood, and the path and marker verge visibly carry ordinary signs of ongoing local passage and care rather than reading as an abandoned compound or constructed set.
THE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "수리영". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The site belongs to the woodland edge of a currently inhabited rural mountain neighborhood in contemporary South Korea. It reads as an ordinary working forest route within that wider district. One compacted brown-earth path passes through a dense black-pine grove. Several freestanding marker stones stand at intervals along its verge in a linear, scattered arrangement. Each marker rises about 0.9 metres above grade and is an individually shaped slab of weathered medium-gray local granite with established dark-green moss. Every stone bears the same weather-softened but legible carved lettering 수리영, while the stones differ slightly in form. Charcoal-brown pine trunks and deep-green needles surround the path. Green and brown undergrowth fills the spaces between trunks and closes around the corridor margins while retaining traversable gaps. The path and marker verge visibly carry ordinary signs of ongoing local passage and care.
THE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "수리영". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited rural mountain-edge neighborhood continues beyond this enclosed woodland site in contemporary South Korea. The forest path remains a visibly used part of the district rather than an abandoned precinct. Weathered medium-gray local granite forms several freestanding markers, each about 0.9 metres high and carrying established dark-green moss. Their individual profiles vary, but every marker has the same legible carved lettering 수리영. The stones are separated at intervals along the verge of one compacted brown-earth path, creating a distributed linear group rather than a single monument. Dense black pines enclose the route with charcoal-brown bark and deep-green needles. Regionally natural green and brown undergrowth occupies the ground between the trunks and presses around the path margins while preserving the corridor and passage gaps. The whole site visibly carries ordinary signs of ongoing local passage and care.
THE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "수리영". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is an ordinary forest-route site serving a currently inhabited rural mountain neighborhood in contemporary South Korea. The wider lived-in district is present beyond the surrounding grove. A single compacted brown-earth path forms the principal corridor through dense black pines. Several zero-storey granite markers occupy its verge at separate intervals, establishing a linear sequence beside the route. Each marker rises about 0.9 metres above grade, uses weathered medium-gray local granite, and carries mature dark-green moss. The stones vary slightly in shape, and each displays the same readable carved lettering 수리영. Charcoal-brown trunks and deep-green pine crowns enclose the path and marker verge. Green and brown undergrowth fills the ground between trees and borders the traversable corridor, with passage continuing along the path and through natural gaps. Ordinary signs of ongoing local passage and care remain visible throughout the path and marker area.
THE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "수리영". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Edit the carved lettering on the second and all subsequent markers to clearly and exactly read '수리영'.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 4건)Rotting meat portions before the stone markers
Large black goat
Pointed animal hand behind a tree
Handheld mobile phone
입력 지문9ed6142df588c998
bg_harbor_restaurant_deck검색 그라운딩
씬 49 · 멤버 샷 2개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 C
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 4개A1 coastal village raw-fish restaurant building
A2 sea-facing outdoor dining area of the restaurant
A3 restaurant entrance adjoining the outdoor dining area
B1 offshore sea visible from the restaurant
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 남서해안권과 외딴 섬의 해안 마을에 실제로 있는 평범한 횟집 건물, 바다 쪽 야외 식사 공간, 그 공간에 바로 이어진 횟집 출입문의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 장식용 시설, 예술 작품은 제외하고 주민들이 일상적으로 이용하는 보통 횟집 사례를 우선하라. 사진에서 건물과 야외 식사 공간의 구조, 비례, 재료, 색상, 난간·차양·바닥·문·창호 같은 부속 요소, 간판과 안내 표지의 구성 방식을 읽어라. 바다가 보이는 방향은 확인하되 횟집이 해안선에 바로 닿아 있다고 가정하지 마라. 참고 사진에서는 형태만 취하고, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 환경은 절대 가져오지 마라.
검색어해안 마을 횟집 / 바닷가 횟집 / 횟집 야외석 / 횟집 출입문 / 횟집 간판
실제 질의 6건대한민국 남서해안 해안 마을 평범한 횟집 건물 바다 야외 식사 공간 출입문 간판
전남 외딴 섬 주민 횟집 야외석 출입문 바다 간판 실제 사진
전남 섬마을 횟집 야외 평상 출입문 실제 사진
신안 완도 진도 해안 마을 횟집 바다쪽 야외석 문 간판 실제 사진
남서해안 바닷가 횟집 외관 야외 테이블 출입문 사진
외딴 섬 횟집 건물 간판 차양 난간 바닥 문 창호 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://korean.visitkorea.or.kr/detail/ms_detail.do?…
https://www.diningcode.com/profile.php?rid=IAGDyaEbA…
https://triple.guide/restaurants/daf0ac71-0bd4-474f-…
https://www.foodnews.news/news/article_print.html?no…
https://www.diningcode.com/profile.php?rid=QISwFdMHi…
https://blog.naver.com/neung8/223387207481…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.foodnews.news/news/article_print.html?no…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
길가 쪽 박공벽에 브리프에 명시되지 않은 대형 유리문과 창문, 회색 문이 임의로 추가되어 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 2개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S49·sh5 | 실내. 해안마을 횟집 - 밤 | CCTV 사진 확인 | 정인우(C03)가 핸드폰(P01)으로 CCTV 캡처 화면을 내밀어 보여준다. 근거: …하며 핸드폰을 꺼내 사진 하나를 보여준다. |
| S49·sh7 | 실내. 해안마을 횟집 - 밤 | 사진을 확인하고 굳어버린 두 형사 | 인우가 내민 스마트폰 속 사진을 확인한 뒤, 놀란 표정으로 서로 시선을 맞춘 채 굳어 있는 신 형사(C15)와 조 형사(C18)의 옆모습. 근거: 사진을 보다 서로 마주보는 두 형사. 두 사람을 알아보는 것 같은 표정들… |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean coastal-village raw-fish restaurant at night: a one-storey rectangular main building measuring about 14 by 9 metres, with 3.4-metre eaves and a low gable roof. The walls are salt-weathered off-white textured stucco over concrete block, the plinth is gray ceramic tile, and the roof is dark blue corrugated steel. The sea-facing restaurant frontage uses clear glass in silver aluminum frames and carries a legible white illuminated fascia with deep blue lettering reading 바다횟집. The evidenced restaurant entrance is a 2.1-metre-high silver-aluminum-framed glazed door set directly in the side adjoining the outdoor dining area and connecting that area to the interior. The dedicated sea-facing outdoor dining area is a deck about 14 metres long and 4 metres deep, built from weathered reddish-brown wood-composite boards on a galvanized steel frame with stainless-steel railings. Its principal outward view runs away from the building toward the visible offshore sea, with the intervening waterfront distance left unspecified. The 14-by-9-metre footprint must plausibly contain the evidenced restaurant interior at real-world scale together with the ordinary support spaces of a working restaurant. The building, frontage and outdoor area visibly carry ordinary signs of active restaurant use. The complete site stands within a believable, currently inhabited working harbor-village neighborhood of adjacent low-rise buildings and ordinary local access streets, rather than on isolated ground.
THE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다횟집". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
outdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited working harbor-village neighborhood surrounds the location at night, with adjacent low-rise buildings and an ordinary local access street continuing around the restaurant. The offshore sea is visible from the settled waterfront at an unspecified intervening distance. The target is a one-storey rectangular raw-fish restaurant, about 14 metres by 9 metres, with 3.4-metre eaves and a low gable roof. Salt-weathered off-white textured stucco covers its concrete-block walls, gray ceramic tile finishes the plinth, and dark blue corrugated steel covers the roof. The sea-facing frontage has clear glass in silver aluminum frames and a white illuminated fascia with legible deep blue lettering reading 바다횟집. A 2.1-metre-high silver-aluminum-framed glazed restaurant entrance directly adjoins the outdoor dining area and connects it to the interior. The dedicated sea-facing dining deck runs about 14 metres along the building and projects about 4 metres, using weathered reddish-brown wood-composite boards on a galvanized steel frame with stainless-steel railings. Its principal outward sightline leads away from the building toward the dark offshore sea. The complete restaurant, frontage and deck visibly carry the ordinary signs of active use appropriate to this region.
THE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다횟집". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
outdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The site belongs to a currently inhabited South Korean harbor village at night, enclosed by the ordinary low-rise fabric and access streets of a working coastal neighborhood. The visible offshore sea lies beyond the restaurant's outward-facing side, while the intervening waterfront remains naturally part of the surrounding village. The restaurant is a one-storey 14-by-9-metre rectangular concrete-block building with 3.4-metre eaves and a low gable roof. Its off-white textured stucco shows mild salt streaking and routine coastal wear above a gray ceramic-tile plinth. Dark blue corrugated steel roofing has subdued weathering along its exposed edges. Clear frontage glass sits in silver aluminum frames beneath a white illuminated fascia bearing the legible deep blue text 바다횟집. The adjoining entrance is a 2.1-metre-high silver-aluminum-framed glazed door connecting the restaurant interior directly to its sea-facing outdoor dining area. This area is a 14-by-4-metre deck of reddish-brown wood-composite boards supported by galvanized steel and edged with stainless-steel railings. The deck's outward axis faces the offshore sea. The building and outdoor area are complete for their type and visibly remain in active restaurant service.
THE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다횟집". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
outdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An ordinary, currently inhabited working harbor-village neighborhood extends around the restaurant, with neighboring low-rise premises and the local street fabric establishing a real contemporary South Korean coastal setting at night. The restaurant is integrated into this neighborhood rather than isolated, and the offshore sea remains visible beyond its sea-facing exterior side at an unspecified waterfront setback. The target building is a one-storey rectangular commercial mass measuring about 14 by 9 metres, with 3.4-metre eaves beneath a low dark blue corrugated-steel gable roof. Off-white textured stucco finishes the concrete-block walls, and gray ceramic tile protects the base. Its region-typical restaurant frontage uses clear glass and silver aluminum framing beneath a white illuminated sign band with legible deep blue lettering reading 바다횟집. A 2.1-metre-high glazed entrance in matching silver aluminum framing stands directly beside the sea-facing outdoor dining area and opens into the restaurant interior. The dining area forms a 14-metre-long, 4-metre-deep deck of weathered reddish-brown wood-composite boards on galvanized steel, with stainless-steel railings. The deck faces outward toward the visible offshore sea. The full frontage, building and deck show ordinary active use as a functioning coastal restaurant.
THE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다횟집". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
outdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove the glass doors, window, and solid gray door from the street-facing gable wall, replacing them with continuous off-white textured stucco and the gray ceramic tile plinth.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 4건)outdoor dining tables and chairs
alcohol bottles and drinking glasses
mobile phone displaying a CCTV image
offshore fishing boats and their lights
입력 지문4a6bda2650c5dc88
bg_island_coastal_village검색 그라운딩
씬 22, 39, 82 · 멤버 샷 5개 · 검색 언어 한국어 · 회수 29장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)Geumwoldo coastal village, contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 8개C1 Sea off the Geumwoldo village coast
C2 Rocky shore beside the coastal village
V1 Village lane through the residential area
H1 Cluster of village residential house fronts
H2 House gates opening onto the village lane
H3 Low residential boundary walls along the lane
H4 Household sweet-flag plantings at the residential frontages
F1 Forest beyond the inland side of the village
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문대한민국 남서해안권과 외딴 섬 지역의 2020년대 중반 생활형 해안마을에서 골목에 면한 주택 전면, 집 대문, 낮은 경계 담장이 평소 어떻게 지어지는지 보여 주는 실제 사진을 찾으시오. 17세기 조선의 초가 민가와 식민지기 한반도의 조선인 민가도 시대별로 구분하여, 서민 주거의 집 앞, 대문, 낮은 담장을 고증한 실물 복원 사례의 실제 사진과 당시 생활 기록사진을 찾으시오. 관광명소, 문화재 홍보물, 유명 촬영지, 여행 안내, 숙박 예약, 테마 마을, 장식용 사례와 미술 사업형 사례는 제외하고 평범한 생활 주거를 우선하시오. 사진에서 구조, 비례, 재료, 색, 지붕과 벽의 마감, 문짝과 경첩 같은 부속철물, 문패와 표지판의 크기 및 배치를 판독하시오. 사진에서는 형태만 취하고, 사진 속 장소의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 마시오.
검색어섬마을 집 / 어촌집 대문 / 낮은 돌담 / 초가집 / 옛 민가 / 일제강점기 민가
실제 질의 15건대한민국 남서해안 외딴 섬 생활형 해안마을 평범한 주택 전면 골목 대문 낮은 돌담 주민 생활 2024 -관광 -펜션 -숙박 -촬영지 -테마마을
대한민국 남서해안 어촌마을 평범한 어촌집 대문 낮은 경계 담장 주택 전면 실제 생활 사진 2025 -관광 -문화재 -펜션 -벽화
17세기 조선 서민 초가 민가 집 앞 대문 낮은 담장 고증 실물 복원 실제 사진 -민속촌 -관광 -축제 -드라마세트
17세기 조선 초가집 민가 복원 대문 싸리문 토담 낮은 돌담 실물 사진 고증 보고서
국립민속박물관 조선시대 서민 초가 민가 복원 대문 담장 실제 사진 17세기 생활사 고증
일제강점기 조선인 민가 생활 기록사진 집 앞 대문 낮은 담장 초가집 1910년대 1920년대 1930년대
국립중앙박물관 조선총독부 유리건판 조선인 초가 민가 대문 담장 사진
국사편찬위원회 일제강점기 농촌 조선인 주택 초가집 대문 담장 생활 사진
일제강점기 농촌 조선인 초가집 앞 가족 대문 울타리 기록사진
1920년대 1930년대 한반도 조선인 민가 초가집 골목 담장 사진 아카이브
일제강점기 조선인 서민 민가 실물 복원 초가집 대문 담장 실제 사진 생활사박물관
1930년대 조선인 농가 복원 가옥 초가 대문 울타리 고증 사진
전남 완도 신안 진도 섬마을 단독주택 매매 외관 대문 담장 실제 사진
전남 여수 고흥 어촌집 촌집 매매 주택 전면 대문 낮은 돌담 실제 사진
전남 여수 고흥 어촌집 매매 주택 전면 대문 낮은 돌담 실제 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://m9419.tistory.com/4417…
https://jibpanda.com/board/350…
https://hk.trip.com/moments/detail/busan-432-6584706…
https://brunch.co.kr/%40jejusamchun/188…
https://sigoljibmeme.com/board/14883…
https://www.airbnb.co.kr/rooms/939351526483949217…
https://ppullan.tistory.com/254…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://sjgold.tistory.com/17110148…
https://gongu.copyright.or.kr/gongu/wrt/wrt/view.do?…
https://brunch.co.kr/%40109a71483c114a0/1…
https://www.geumsan.go.kr/bigdata/dataportal/sub05_0…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://m9419.tistory.com/4417…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 3건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
낮은 경계벽이 시멘트로 매끄럽게 마감되지 않고 콘크리트 블록과 몰탈 줄눈이 그대로 노출되어 있습니다.
담장 부근에 매달린 짚줄(금줄)이 아니라 수확 후 말리기 위해 널어놓은 두꺼운 짚단처럼 묘사되어 있습니다.
전경에 있는 주요 건물의 지붕이 단일 색상이 아니라 붉은색과 푸른색이 부자연스러운 사각형 패턴으로 섞여 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 5개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S22·sh2 | 실외. 금월도 일각 - 밤 | 생기를 잃고 시든 꽃잎 | 어둠이 내린 섬 마을 길가, 바싹 마른 채 시들어버린 꽃잎이 밤하늘 아래 놓여 있다. 근거: 마을 곳곳에 생생하게 폈던 꽃들도 사르륵 사그라져 시들어버린다. |
| S39·sh3 | 실외. 금월도 해안 마을 일각 - 낮 | 마을의 냄새에 위화감을 느끼는 수리영 | 마을 길을 지나며 코를 찌르는 악취에 미간을 찌푸린 채 코를 쥐는 C01 근거: 수리영은 대답 대신 쓴웃음만 짓는다. 그러다 코를 찌르는 역한 냄새에 인상을 팍 쓴다. |
| S39·sh7 structure_plate | 실외. 금월도 해안 마을 일각 - 낮 | 마을 사람들의 기묘한 시선과 압박감 | 마을 사람들이 담장 너머로 일제히 시선을 고정하자 당황한 수리영이 서둘러 자리를 피하는 순간. 근거: 어느새 야트막한 담 너머로 마을 사람들이 전부 수리영을 내다보는 것 같다. |
| S39·sh10 | 실외. 금월도 해안 마을 일각 - 낮 | 주민의 단호한 숲 출입 금지 경고 | 마을 주민이 숲 쪽을 향해 팔을 뻗으며 수리영에게 단호한 경고를 던지는 순간. 근거: 숲에는 절대 혼자 들어가덜 말어야. |
| S82·sh2 | 실외. 금월도 일각 - 새벽/ 아침 | 장엄한 일출과 붉은 여명 | 수평선 너머로 붉은빛을 뿜으며 아침 해가 반쯤 떠오른 장엄한 전경. 근거: 금월도 앞바다에 어슴프레 여명이 밝아오는가 싶더니… 붉은 빛이 드리우고 해가 뜨기 시작한다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same inhabited contemporary South Korean coastal village: a compact residential cluster of fewer than fifty plots, composed of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Walls are salt-weathered off-white and pale gray cement stucco; roofs are coated corrugated steel in weathered red, blue, and green; restrained doors and window frames use subdued gray or brown aluminum and painted steel in region-normal arrangements. A blue-gray sea directly meets a dark gray rocky shore. Landward, a weathered gray concrete village lane passes house fronts behind low gray cement-rendered concrete-block walls, with blue or green painted-steel gates connecting the lane to each frontage. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings occupy frontage ground beyond or beside the boundaries. The lane continues toward a green mixed coastal forest beyond the inland side of the residential cluster. The sea-to-rocky-shore-to-lane-and-frontages-to-forest progression must remain map-readable. The houses and outdoor areas visibly carry ordinary signs of active lived-in use and form a complete, believable working island neighborhood rather than a sterile collection of buildings. Opening layouts follow quiet contemporary regional residential norms because the evidence fixes no opening count.
THE LOCATION: Geumwoldo coastal village, contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited contemporary South Korean island village occupies a compact strip between a blue-gray sea and a green mixed coastal forest. The sea directly meets a dark gray rocky shore, and a weathered gray concrete lane runs landward through the residential area toward the forest. The target residential cluster contains fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Salt-weathered cement-stucco walls are off-white and pale gray. Coated corrugated-steel roofs vary among weathered red, blue, and green. Restrained doors and window frames are subdued gray or brown aluminum and painted steel in ordinary regional arrangements. House fronts face the lane behind low gray cement-rendered concrete-block walls. Blue or green painted-steel gates interrupt the walls and connect the lane directly to the frontages. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings fill frontage ground beyond or beside the boundaries. The houses and outdoor areas visibly carry ordinary signs of active lived-in use, and the surrounding working neighborhood is complete and regionally ordinary.
THE LOCATION: Geumwoldo coastal village, contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The permanent site forms a clear coastal sequence in contemporary South Korea: blue-gray sea, dark gray rocky shore, weathered gray concrete village lane, inhabited residential frontages, then green mixed coastal forest inland. The lane passes through a complete working island neighborhood and continues toward the forest. Its target cluster comprises fewer than fifty residential plots of one-storey detached rectangular masonry houses, each with a full dwelling footprint beneath a low-pitched gabled roof. The house walls are salt-weathered off-white and pale gray cement stucco. Their coated corrugated-steel roofs are weathered red, blue, and green. Subdued gray or brown aluminum and painted-steel doors and window frames follow restrained regional residential patterns. Low gray cement-rendered concrete-block walls line the lane-facing boundaries, interrupted by blue or green painted-steel gates that lead directly to the house frontages. Tan straw rope lies along portions of the low walls. Deep-green sweet-flag plantings occupy the house-side frontage ground beyond or beside these boundaries. Ordinary signs of active lived-in use remain visible throughout the houses and outdoor areas.
THE LOCATION: Geumwoldo coastal village, contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A complete, inhabited contemporary South Korean island neighborhood stands between a blue-gray coastal sea and a green mixed forest inland. Dark gray shore rock borders the sea, while a weathered gray concrete lane threads through the residential cluster and continues toward the forest. The target consists of fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Off-white and pale gray cement-stucco walls show natural salt fading and rain staining. Weathered red, blue, and green coated corrugated-steel roofs create the established varied roofscape. Subdued gray or brown aluminum and painted-steel doors and window frames retain ordinary regional proportions and placement. Low gray cement-rendered concrete-block walls define each lane frontage. Blue or green painted-steel gates open directly from the lane into the frontage areas. Tan natural-straw rope hangs along portions of the walls, and deep-green sweet-flag plantings grow beyond or beside the boundaries on the house side. The built fabric and outdoor areas visibly carry ordinary signs of active lived-in use appropriate to a working Korean coastal village.
THE LOCATION: Geumwoldo coastal village, contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Rope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Apply a smooth gray cement rendering over the exposed concrete-block boundary walls to hide the joints.
- Replace the thick draped straw bundles on the low walls with a single tan straw rope hanging horizontally.
- Change the unnatural blue rectangular patches on the main foreground roof to weathered red corrugated steel to match the rest of the roof.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 4건)Rope decorations attached to house gates
Blooming and withering village flowers
Children, residents, and passing pedestrians
Sunset, nightfall, moon, and dawn conditions
입력 지문48e83fd0b24fd6f2
bg_island_main_pier검색 그라운딩
씬 20, 38, 55, 61, 79, 86, 93 · 멤버 샷 18개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 11개A1 seaward terminal end of the island pier
B1 main island pier deck
B2 water-contacting vessel berth edge
B3 sea adjoining the island pier
C1 village-to-pier approach
C2 small island village houses around the pier approach
C3 woodland surrounding the small island village
D1 fishing-gear warehouse beside the pier landing
D2 pier-facing fishing-gear warehouse doorway
D3 Banwol Restaurant at the village-side pier frontage
D4 pier-visible entrance of Banwol Restaurant
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 일상적으로 사용하는 어촌 선착장과 부두의 바닥 구조·바다에 맞닿는 접안 가장자리·난간·계선 시설, 섬마을 주택, 어구 창고와 출입문, 선착장 앞 식당의 외관·출입문·간판을 보여주는 실제 사진을 찾으시오. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 장식용 시설, 예술 작품은 제외하고 주민과 어민이 실제로 이용하는 평범한 사례만 조사하시오. 사진에서 각 시설의 구조, 비례, 재료, 색상, 연결 부품과 설비, 출입문 형태, 간판의 크기·위치·글자 배치를 판독하시오. 사진에서는 형태만 참고하고, 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 절대 가져오지 마시오.
검색어어촌 선착장 / 섬마을 부두 / 어구 창고 / 섬마을 주택 / 선착장 식당 / 어선 접안시설
실제 질의 6건대한민국 남서해안 외딴 섬 주민 어민 실제 사용 어촌 선착장 부두 바닥 접안 가장자리 난간 계선주 계선 시설 어선 접안시설 -관광 -여행 -숙박 -명소 -예술
대한민국 남서해안 외딴 섬마을 평범한 주택 어구 창고 출입문 선착장 앞 식당 외관 출입문 간판 주민 실제 이용 -관광 -여행 -숙박 -예약 -명소
전남 섬마을 어촌 선착장 부두 계선주 난간 현장 사진 주민 어민
신안 섬마을 어구창고 출입문 현장 사진
전남 외딴 섬마을 주택 생활 현장 사진
섬 선착장 앞 식당 외관 간판 출입문 현장 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://isum.incheon.go.kr/spot/view.do?key=24070200…
https://kr.trip.com/moments/detail/boryeong-si-14465…
https://kor.clubrichtour.co.kr/bbs/board.php?bo_tabl…
https://blog.naver.com/tourdesigner/222576216661…
https://blog.naver.com/bshn_7992/223682051818…
https://blog.naver.com/rnfkgnr/223196952967…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://blog.naver.com/rnfkgnr/223196952967…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 3건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
어구 창고의 부두 방향 벽면에 창문이 3개 묘사되어 있습니다. (시방서: 부두를 향한 창문 정확히 1개)
식당 우측면에 흰색 문이 추가로 묘사되어 부두에서 보이는 출입문이 2개가 되었습니다. (시방서: 부두에서 보이는 출입문 정확히 1개)
부두 가장자리의 계류용 볼라드가 지정된 노란색이 아닌 어둡고 녹슨 색으로 칠해져 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 18개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S20·sh2 | 실외. 금월도 선착장 - 낮 | 낯선 환대에 당황하는 지후 | 금월도 선착장에 도착해 열띤 환영을 받는 가운데, 당황하여 굳은 표정으로 서 있는 C01 근거: 예상과 다른 격한 반응에 표정 관리가 안 되는 지후, 고개를 푹 숙인 채 산들 뒤만 졸졸 따라갈 뿐… |
| S20·sh6 map_marker | 실외. 금월도 선착장 - 낮 | 당황스러운 환영과 마주친 온화한 미소 | 지후의 시선 끝, 선착장 끝에 홀로 서서 활짝 웃으며 맞이하는 강영란(C07). 근거: 그러다 선착장 끝에 서 있는 60 후반 노인과 딱 마주친다. |
| S20·sh9 | 실외. 금월도 선착장 - 낮 | 강영란의 포옹과 당황한 김지후 | C07의 품에 꽉 안긴 채 두 팔을 갈 곳 잃고 허공에 띄운 C01의 당황한 옆모습. 근거: 두 팔을 벌려 지후를 꼭 안아준다. 지후는 어쩔 줄 몰라 산들을 본다. |
| S38·sh3 | 39. 실외. 선착장 - 낮 | 적대적인 시선 | 황봉업(C13)이 하던 일을 멈추고 고개를 돌려 화면 밖의 수리영을 서늘하게 쏘아보는 순간. 근거: 황 씨는 흘끔 수리영을 보지만, 모른 척 자기 일에만 바쁘다. |
| S38·sh8 | 39. 실외. 선착장 - 낮 | 극도의 인지 부조화 | 마을 청년#1이 환하고 다정한 미소를 지으며 카메라를 똑바로 쳐다보는 순간. 근거: 수리영에게 친근한 미소를 던지며 인사하는 청년들. |
| S55·sh3 | 56. 실외. 금월도 선착장 - 낮 | 적대적인 시선 | 마을 사람들이 굳은 얼굴로 선착장에 모여 프레임 밖의 정인우를 적대적으로 노려보고 있다. 근거: 온 마을 사람들이 반겼던 수리영과는 달리 인우를 향한 사람들 시선은 곱지가 않다. |
| S55·sh4 | 실외. 금월도 선착장 - 낮 | 먹통인 핸드폰과 적대적인 시선에 당황한 인우 | 금월도 선착장에서 정인우(C03)가 신호가 잡히지 않는 스마트폰(P01) 화면을 내려다보며 미간을 찌푸린 채 당황하고 있다. 근거: 그 시선에 쭈뼛해진 인우. 핸드폰을 들어 시그널을 확인하는데, 역시나 먹통이다. |
| S55·sh6 structure_plate | 실외. 금월도 선착장 - 낮 | 적대감 속의 반가운 조우 | 적대적인 분위기에 당황하던 인우()가 영란(C07) 뒤에서 반갑게 손을 흔드는 수리영(C01)을 발견한다. 근거: 영란 뒤, 식당에서 나온 수리영이 인우를 향해 손을 흔든다. |
| S61·sh1 | 실외. 금월도 선착장 - 해질녘 | 처참한 시체와 붉은 노을 | C14가 가슴이 찢긴 채 비닐 포대 위에 죽어 누워 있고 붉은 노을이 짙게 깔려 있다. 근거: 김여상의 시체가 넓게 펼친 비닐 포대 위에 누워있다. |
| S61·sh11 | 실외. 금월도 선착장 - 해질녘 | 관할 경찰의 지위를 이용해 인우를 억압하는 창모 | 인우(C03)의 공간으로 바짝 밀고 들어온 창모(C12)가 위압적으로 쏘아보고, 인우는 굳은 표정으로 그 기세에 눌려 있는 순간. 근거: 그런 인우가 영 마음에 안 들었는지 창모가 인우 가까이로 다가선다. |
| S61·sh15 map_marker | 62. 실외. 금월도 선착장 - 해질녘 | 가로막힌 탈출 | 정인우 앞을 단호하게 막아선 강영란과 붉게 물든 선착장의 대치 상황. 근거: 마을 청년들이 인우와 수리영 앞을 막아선다. |
| S79·sh1 map_marker | 실외. 선착장 - 밤 | 마을 전체의 대대적인 수색 시작 | 환한 조명 아래 정박한 낡은 낚시 어선 주변으로 수색을 나서는 사람들의 불빛이 번지는 선착장의 전경. 근거: 선착장 주변에 조명이 밝게 켜지고, 정박한 황 씨의 낚시 어선 주위로 청년들이 모여든다. |
| S79·sh5 | 실외. 선착장 - 밤 | 마을 총동원 수색 | 마을 사람들이 플래시(P17)를 들고 어두운 골목길 깊숙한 곳을 비추고 있는 뒷모습. 근거: 각자 플래쉬 라이트, 조명 등을 들고 수리영 일행을 찾으러 나선다. 야심한 밤, 골목골목 수리영을 찾기 위해 혈안이 되는 금월도. |
| S86·sh5 map_marker | 실외. 선착장 - 낮 | 마을 사람들의 맹렬한 추격 | 산들을 필두로 수많은 마을 사람들이 맹수처럼 선착장 하단으로 쏟아져 내려오는 순간. 근거: 멀찍이서 이들을 발견한 마을 사람들도 선착장을 향해 뛰어내려오기 시작한다. |
| S86·sh12 | 88. 실외. 선착장 - 낮 | 조 형사의 처참한 죽음 | 산들의 일격에 목이 꺾인 C18이 선착장 시멘트 바닥에 피를 흘리며 쓰러져 있다. 근거: 저만치 바닥에 떨어져 죽어 나자빠진다. |
| S86·sh14 | 88. 실외. 선착장 - 낮 | 경악하는 신 형사 | 조 형사의 참혹한 죽음을 목격하고 충격에 휩싸여 얼어붙은 신 형사의 얼굴. 근거: 충격에 튀어나올 듯 커진 눈, 어쩔 줄 몰라하는 신 형사. |
| S93·sh4 | 실외. 선착장 - 해질녘 | 섬뜩한 진실의 대면 | 고개를 돌려 섬뜩한 미소를 짓는 영란(C07)과 그녀를 마주하는 수리영의 뒷모습이 걸친 클로즈업. 근거: 그제야 돌아보는 민숙. 그런데 민숙이 아니다. 영란이다! 눈이 휘둥그레 놀라는 수리영. |
| S93·sh8 | 실외. 선착장 - 해질녘 | 시체의 등장과 경악 | 강영란의 품에서 툭 떨어지는 창백하고 흠뻑 젖은 강민숙(C09)의 시체 얼굴. 근거: 영란이 안고 있는 사람: 그제야 영란의 어깨에 감춰졌다 툭 떨어지며 보이는 얼굴의… 민숙 시체다. 창백한 얼굴과 흠뻑 젖은 몸… |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every candidate must show the same contemporary South Korean island landing as an inhabited working neighborhood. The main pier is a single-level, 55-by-8-metre pale-gray reinforced-concrete deck running continuously from the village approach to its seaward terminal end, with blue-green sea adjoining the exposed sides and a water-contacting berth edge equipped in the ordinary regional manner. The village-side frontage contains Banwol Restaurant and the fishing-gear warehouse in their specified positions. The warehouse is a one-storey, 9-by-6-metre rendered concrete-block building with 3.6-metre eaves, light-gray walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening toward the landing route, and one dusty aluminum-framed window overlooking the pier; its footprint must hold the evidenced single storage room at real-world scale, including densely packed fishing gear stacked to the ceiling. Banwol Restaurant is a one-storey, 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia carrying the clearly legible white lettering 바다식당. The landward concrete approach continues among village houses with regionally typical rendered masonry walls and varied painted-metal or tile roofs, while autumn woodland intermingles with and rises behind them. The pier, warehouse, restaurant frontage, and outdoor working areas must visibly carry ordinary signs of active daily use and upkeep. Reject isolated, sterile, abandoned, undersized, incorrectly connected, or differently colored candidates.
THE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다식당". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
arriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited South Korean island village of fewer than about fifty households surrounds the landward approach. Regionally typical rendered masonry houses have varied painted-metal and tile roofs, with autumn-red, ochre, and green woodland interwoven among and behind them. A single-level pale-gray reinforced-concrete pier deck measures 55 by 8 metres and runs continuously from the village approach to the seaward terminal end. Blue-green sea adjoins its exposed sides. Its boat-access side forms a water-contacting berth edge with black rubber fenders and yellow-painted steel mooring bollards in the ordinary regional configuration. At the village-side frontage, the fishing-gear warehouse is a one-storey 9-by-6-metre concrete-block building with 3.6-metre eaves, light-gray cement render, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening onto the landing route, and one dusty aluminum-framed window overlooking the pier. Its footprint holds one full storage room with real-world capacity for densely packed fishing gear stacked to the ceiling. Banwol Restaurant faces the same pier-to-village route. It is a one-storey 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia with clearly legible white lettering 바다식당. The pier, warehouse, restaurant frontage, and outdoor working areas visibly carry ordinary signs of active daily service and upkeep.
THE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다식당". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
arriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The location is an ordinary inhabited island-village landing in contemporary South Korea. A concrete approach passes through a settlement of fewer than about fifty households, where regionally typical rendered masonry houses carry varied painted-metal and tile roofs and autumn woodland grows among and behind the buildings. The approach meets a 55-by-8-metre, single-level pale-gray reinforced-concrete pier and continues as one uninterrupted deck to the seaward terminal end. Blue-green seawater directly surrounds the exposed pier sides. Along the boat-access side, the concrete berth edge meets the water and carries the landing's standard black rubber fenders and yellow-painted steel mooring bollards. The fishing-gear warehouse and Banwol Restaurant form the village-side frontage facing this route. The warehouse is one storey, 9 by 6 metres, with 3.6-metre eaves, light-gray rendered concrete-block walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel landing-side doorway, and one dusty aluminum-framed window facing the pier. The building encloses one full-scale storage room capable of holding ceiling-high layers of fishing gear. The restaurant is one storey, 10 by 7 metres, with 3.2-metre eaves, cream-painted concrete-block walls, a dark-red corrugated-metal roof, a dark aluminum-framed glazed shopfront, exactly one entrance addressing the pier-to-village route, and a blue fascia bearing clear white lettering 바다식당. Every working part of the pier frontage and its outdoor areas shows ordinary signs of continuing daily use and maintenance.
THE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다식당". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
arriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Salt-weathered pale-gray reinforced concrete defines the working island landing, with ordinary maintained wear rather than dereliction. The main pier is a single deck level measuring 55 by 8 metres, extending from the village-side concrete approach to a seaward terminal end beside blue-green water. Its boat-access edge directly contacts the sea and has the regionally standard working arrangement of black rubber fenders and yellow-painted steel mooring bollards. The village frontage contains two definite one-storey masonry buildings. The fishing-gear warehouse measures 9 by 6 metres with 3.6-metre eaves. It has light-gray cement-rendered concrete-block walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway facing the landing route, and one dusty aluminum-framed window overlooking the pier. Its full-scale single storage room accommodates densely layered fishing equipment up to ceiling height. Banwol Restaurant measures 10 by 7 metres with 3.2-metre eaves. It has cream-painted concrete-block walls, a dark-red corrugated-metal roof, a dark aluminum-framed glazed commercial frontage, exactly one pier-visible entrance, and a blue fascia displaying the legible white text 바다식당. The landward route enters a currently inhabited village of fewer than about fifty households, with regionally typical rendered masonry houses, varied painted-metal and tile roofs, and autumn woodland intermingled among and behind them. The complete pier, warehouse, restaurant frontage, and outdoor service areas visibly bear ordinary signs of active use appropriate to a contemporary South Korean island community.
THE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다식당". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
arriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove two of the three windows on the warehouse's pier-facing walls, replacing them with solid light-gray rendered concrete wall to leave exactly one window.
- Erase the white door on the right-hand side wall of the restaurant, filling the space with continuous cream-painted concrete block.
- Recolor the dark steel mooring bollards along the pier edge to bright yellow.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 8건)arriving or moored fishing boats
police patrol boat
straw-rope and paper-figure boat decorations
gathered villagers and welcoming crowd
body on the spread vinyl sack
handheld flashlights and portable lights
bright nighttime illumination state around the pier
people seated or standing at the pier end
입력 지문2de1af2fa9545492
bg_mainland_harbor검색 그라운딩
씬 47, 53, 100 · 멤버 샷 7개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary working coastal village harbor landing in South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 6개A1 Landside harbor access area
A2 Fixed harbor landing identification sign
D1 Main coastal village harbor dock
D2 Boat-facing berthing edge of the main dock
E1 Outer terminus of the harbor dock
W1 Harbor water beside the landing
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 남서해안과 외딴 섬의 평범한 어촌에서 실제로 사용되는 선착장 진입부, 고정식 선착장 표지판, 부두와 물양장, 배가 닿는 접안 가장자리, 부두 끝부분의 실제 사진을 찾아라. 관광 명소, 유명한 장소, 여행 안내·예약 페이지, 기념물, 장식용 시설, 예술 사업으로 꾸민 사례는 제외하고 주민과 어선이 일상적으로 이용하는 보통 시설을 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 난간·차막이·고무받침·계선주 같은 부속물과 안내 표지의 글자·색·구획 배치를 확인하라. 사진에서는 시설의 형태만 참고하고, 현장의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 마라.
검색어어촌 선착장 / 섬 선착장 / 선착장 표지판 / 어항 물양장 / 부두 접안시설 / 선착장 입구
실제 질의 2건대한민국 남서해안 평범한 어촌 선착장 입구 고정식 표지판 물양장 부두 접안시설 계선주 고무받침
대한민국 외딴 섬 어촌 선착장 표지판 부두 끝 접안 가장자리 물양장 어선
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.boatcraft.co.kr/content/board.php?bo_tab…
https://jeng091.tistory.com/18283486…
https://www.yna.co.kr/view/AKR20260120043100051…
https://blog.naver.com/yan7063/223461552824…
https://jejutour.tistory.com/550…
https://blog.naver.com/2345ksj/223209654594?viewType…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.boatcraft.co.kr/content/board.php?bo_tab…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 최종 확정
5. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 7개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S47·sh1 | 실외. 해안마을 선착장 - 낮 | 배편이 끊겨 고립된 인우의 답답함 | 흐린 하늘 아래 선착장의 드럼통 모닥불 옆에 쪼그려 앉아 수심 가득한 표정으로 불꽃을 응시하는 정인우의 전신. 근거: 어부 서너 명이 드럼통 모닥불 가에서 소주잔을 기울이고 있는데, 옆에 쪼그리고 앉은 인우는 방금 전 수리영 같은 표정이다. |
| S47·sh10 | 실외. 해안마을 선착장 - 낮 | 사건 현장에서 인우를 발견한 노 형사 | 폴리스라인 너머의 시체 곁에서 몸을 반쯤 일으킨 노 형사(C19)가 난감한 표정으로 밖을 바라본다. 근거: 40대 형사가 일어나다 인우와 시선이 마주친다. |
| S47·sh12 | 실외. 해안마을 선착장 - 낮 | 신원 확인 | 인우가 폴리스라인 너머의 형사를 향해 진지하게 지후와 홍은미의 이름을 말하는 순간 근거: 40대 형사가 일어나다 인우와 시선이 마주친다. |
| S53·sh1 structure_plate | 실외. 해안마을 선착장 - 낮 | 승선을 거부당하는 위장 경찰 | 낚시꾼 복장의 정인우(C03)가 선착장에서 어선 갑판 위 황봉업을 올려다보며 매섭게 노려보는 대치 순간. 근거: 누가봐도 낚싯꾼 코스프레를 한 인우가 인상을 잔뜩 쓴 채 어선 위 황 씨를 노려본다. |
| S53·sh3 structure_plate | 실외. 해안마을 선착장 - 낮 | 경찰 신분증을 들이미는 정인우 | 낚시꾼 복장의 정인우(C03)가 어금니를 깨물며 어선 위의 황 씨를 향해 경찰 신분증을 들이민다. 근거: 인우는 어금니를 꽉 깨물고 결심, 경찰 신분증을 꺼내 황 씨에게 들이민다. |
| S100·sh3 | 102. 실외. 해안마을 선착장 - 낮 | 창모의 거들먹거리는 지시 | 평상복 차림의 C12가 선착장에서 여자들을 등 뒤에 거느린 채 허세 부리는 자세로 서 있는 순간. 근거: 창모 (여자들에게/ 으스대며) 오늘 하루는 구냥 회에다가 매운탕이나 노나 묵으면서, 섬마을 축제나 요로코롬 즐기고 오면 되아. |
| S100·sh5 map_marker | 102. 실외. 해안마을 선착장 - 낮 | 선착장에서 수인하는 황봉업 | 황봉업(C13)이 낚시 어선 앞에 서서 창모 일행을 향해 한 팔을 번쩍 들어 흔든다. 근거: 선착장 쪽을 보는 창모. 낚시 어선 앞에서 황 씨가 손을 흔든다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean coastal village landing as the main subject: a one-level open reinforced-concrete dock measuring about 45 metres long by 8 metres wide, extending on a single landside-to-water axis from a charcoal-gray paved harbor access area to an outer terminus. The weathered gray working deck must provide the footprint required for normal landing operations, pedestrian circulation and vehicle access. Its boat-facing edge directly adjoins the harbor water along the working length, and water continues around the outer terminus. At the transition from the landside access area to the inland dock entrance, the fixed landing sign must have a blue metal panel, galvanized-steel supports and clearly legible white lettering reading 청해마을 선착장. The dock, sign and access area must retain this topology and have regionally authentic salt exposure, surface wear and ordinary working-harbor finishes. Evidenced opening count is not applicable to this open working-deck structure. The landing must be complete and ordinary for its facility type, visibly in active service rather than bare or derelict, with unstaged signs of routine use. An inhabited working fishing-village neighborhood with adjacent low-rise waterfront buildings and connected local access fabric must surround the site.
THE LOCATION: A contemporary working coastal village harbor landing in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "청해마을 선착장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Drum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A contemporary South Korean coastal fishing-village neighborhood surrounds an inhabited working harbor, with connected low-rise waterfront fabric and ordinary regional access lanes. The landing is visibly in active service and carries the unstaged signs of routine harbor use. The target is a one-level open reinforced-concrete dock, about 45 metres long and 8 metres wide, extending on a straight landside-to-water axis. Its salt-weathered gray deck begins at a charcoal-gray paved harbor access area, provides normal working and vehicle-access space, and ends at an outer terminus. The boat-facing edge directly adjoins the harbor water along the dock, and the water continues around the terminus. A fixed landing identification sign stands at the transition from the access area to the inland dock entrance. It has a blue metal panel on galvanized-steel supports with legible white lettering reading 청해마을 선착장. Concrete bleaching, patched paving and working-surface wear are consistent with a maintained South Korean village harbor. The facility has the complete ordinary configuration of a coastal village landing.
THE LOCATION: A contemporary working coastal village harbor landing in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "청해마을 선착장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Drum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The site belongs to a contemporary inhabited South Korean fishing village, embedded among its low-rise working waterfront buildings and connected neighborhood circulation. The harbor edge reads as an ordinary place in continuous service, with natural signs of daily use left unstaged. At the waterline, the main subject is a one-level open dock built as a solid weathered-gray reinforced-concrete mass, about 45 metres in length and 8 metres in width. A charcoal-gray paved landside harbor access area flows directly into the inland entrance of the dock. The dock continues outward on the same axis to its outer terminus, while its boat-facing working edge touches the harbor water and the water wraps around the far end. At the access-to-dock transition stands the permanent landing sign: a blue metal panel carried by galvanized-steel posts, with clear white text reading 청해마을 선착장. Salt bleaching, repaired pavement and operational wear remain regionally normal and maintained. The landing is complete in the ordinary contemporary South Korean village-harbor configuration.
THE LOCATION: A contemporary working coastal village harbor landing in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "청해마을 선착장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Drum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Salt-weathered gray reinforced concrete defines the one-level working deck, and charcoal-gray harbor paving defines its landside approach. The target dock measures about 45 metres by 8 metres and has the solid horizontal massing of a contemporary South Korean coastal village landing. It runs outward from the landside access area to an outer terminus on one continuous axis. Harbor water directly meets the boat-facing edge for the working length and continues around the terminus. A permanent identification sign occupies the transition between the paved access area and the inland dock entrance. Its construction is a blue painted-metal panel on galvanized-steel supports, carrying legible white lettering reading 청해마을 선착장. The surfaces show maintained salt exposure, patching and routine working wear. The facility is complete for its harbor function and visibly active through ordinary unstaged signs of use. An inhabited fishing-village neighborhood of regionally typical low-rise waterfront development and connected local circulation encloses the harbor setting.
THE LOCATION: A contemporary working coastal village harbor landing in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "청해마을 선착장". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Drum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
제외 계약 (일시적 요소 5건)Drum-barrel fire setup
Police boundary line
Damaged body at the dock
Fishing vessel at the berth
Black van at the harbor
입력 지문2a98aaa6310e5440
bg_multifamily_residence검색 그라운딩
씬 11, 14 · 멤버 샷 4개 · 검색 언어 한국어 · 회수 12장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 C
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary low-rise multifamily residence on a residential alley in South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 4개A1 multifamily residential alley passage
B1 exterior stair serving the multifamily residence
C1 multifamily residential building beside the alley
C2 alley-side access point of the multifamily residence
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 대도시권의 평범한 다세대주택, 주택가 골목, 건물 외부계단, 계단 난간과 공동현관이 실제로 시공된 모습을 보여주는 실제 사진을 찾는다. 관광지, 명소, 유명 건축물, 여행 안내·예약 페이지, 장식용 계단이나 예술 작품은 제외하고 일상적인 주거 건물의 현장 사진을 우선한다. 사진에서 건물의 구조와 비례, 외벽·계단·난간·현관의 재료와 색상, 배수·조명·문·손잡이·우편함·호수판·출입 장치 같은 부속물, 주소판과 출입 안내 표지의 배치 방식을 확인한다. 골목 바닥 자체의 일반적인 포장 형태는 참고 대상으로 삼지 않는다. 사진에서는 각 요소의 형태와 시공 방식만 참고하고, 사진 속 배치, 촬영 각도, 구도, 날씨, 시간대, 주변 환경은 절대 가져오지 않는다.
검색어다세대주택 / 주택가 골목 / 외부계단 / 계단 난간 / 공동현관 / 주택 출입구
실제 질의 4건대한민국 대도시권 평범한 다세대주택 주택가 골목 외부계단 계단 난간 공동현관 실제 시공 사진
서울 인천 경기 다세대주택 외부계단 공동현관 주택 출입구 난간 우편함 주소판 실제 사진
서울 빌라 공동현관 디지털도어락 우편함 호수판 주소판 실제 사진
인천 경기 다세대주택 주택가 골목 건물 외부계단 스테인리스 난간 현장 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://ohou.se/cards/feed?query=%EB%8B%A4%EA%B0%80%…
https://www.filmkorea.or.kr/location/location_view.j…
https://kbland.kr/se/c/2159…
https://33m2.co.kr/room/detail/5276…
https://33m2.co.kr/room/detail/77665…
https://www.pinterest.com/pin/gallery-of-seogyo-geun…
https://www.booking.com/hotel/kr/rustic-mangwon.html…
https://pivim.jp/article/detail/ZBG6gZd49Cg%3D/…
https://locknavy.tistory.com/377…
https://magazine.brique.co/article/%EC%83%9D%EA%B2%B…
https://33m2.co.kr/room/detail/21375…
https://seoul.craigslist.org/apa/d/episode-yongsan-2…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://ohou.se/cards/feed?query=%EB%8B%A4%EA%B0%80%…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
브리프에서 요구한 지상 3층 건물이 아니라 지상 2층 구조로 생성되었습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 4개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S11·sh3 | 실외. 다세대 주택가 골목 - 밤 | 인우의 급박한 등장 | C03이 다급한 표정으로 경찰차 운전석 문을 열고 몸을 내밀며 상황을 살핀다. 근거: 끼이익- 전방에 멈춰서는 차: 지붕에는 붉은 경광등. 인우가 운전석에서 튀어나온다. |
| S11·sh4 structure_plate | 12. 실외. 다세대 주택가 골목 - 밤 | 다급한 계단 등반 | 정인우와 김지후가 야외 계단을 다급하게 뛰어 올라가는 mid-action 상태의 뒷모습 근거: 두사람은 함께 한 다세대 주택 외부 계단을 다급히 올라간다. |
| S14·sh2 structure_plate | 실외. 다세대 주택 골목 - 저녁 | 앰뷸런스 뒷문턱에 걸터앉아 진술하는 인우 | C03이 구급차 뒤에 걸터앉아 팔걸이 밴드를 한 채 고개를 숙이고 있다. 근거: 앰뷸런스 뒷문턱에 걸터앉은 인우는 한쪽 팔에 팔걸이 밴드를 하고 있다. |
| S14·sh6 | 실외. 다세대 주택 골목 - 저녁 | 다친 인우의 진술과 호소 | 구급차에 걸터앉아 다친 팔을 부여잡고 노 형사를 향해 쓴웃음을 지으며 올려다보는 정인우. 근거: 인우 (쓴웃음) 저도 너무 순식간에 날아간 거라서 기억이… |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean three-storey, flat-roofed multifamily residence: a rectangular reinforced-concrete block with an approximately 12 by 16 metre footprint, red-brown brick cladding, a gray concrete base, a muted green waterproofed roof behind a concrete parapet, dark bronze aluminum window frames, and beige painted-steel doors. The floor plates and circulation must clearly support several households; one dwelling must have about 55 square metres, sufficient for two private rooms and a separate living room at real-world sizes. A gray poured-concrete exterior stair with dark gray painted-steel railings begins directly at the alley-side frontage, rises along the exterior wall, and reaches the second-floor access frontage and its one evidenced dwelling entrance door. The main block must be large enough to carry the stair and upper levels naturally. A worn gray paved residential alley directly adjoins the building, provides vehicle-accessible circulation, and leads to the stair base in the sequence alley, stair, second-floor entrance. Quiet region-standard openings may complete the multifamily type, while the evidenced entrance remains singular and prominent. The surrounding dense low-rise residential alley neighborhood must be believable, inhabited, and contemporary. The building and its outdoor circulation must visibly carry ordinary signs of active residential use appropriate to South Korea; a sterile, abandoned, or compound-like candidate fails.
THE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Stopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A contemporary South Korean low-rise multifamily neighborhood fills a paved residential alley at night. It is an inhabited working neighborhood with ordinary regional surroundings, and the residence and outdoor circulation visibly show normal active residential use. The target is a three-storey rectangular reinforced-concrete multifamily building with an approximately 12 by 16 metre footprint. Its exterior has weathered red-brown brick cladding, a gray concrete base, a muted green waterproofed flat roof behind a concrete parapet, dark bronze aluminum window frames, and beige painted-steel doors. The floor plates accommodate several households, with one dwelling allocated about 55 square metres for two private rooms and a separate living room. The worn gray alley directly adjoins the frontage and provides vehicle access to the stair base. A gray poured-concrete exterior stair with dark gray painted-steel railings rises along the alley-facing wall and reaches the second-floor access frontage and its evidenced dwelling entrance door. Openings elsewhere follow the quiet regional norm for this building type. The building, stair, entrance, and alley form one physically continuous residential site.
THE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Stopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Weathered residential materials define a contemporary South Korean alley location. A worn gray paved alley passes directly beside a three-storey reinforced-concrete multifamily residence and remains part of a dense, inhabited low-rise neighborhood. Ordinary signs of active residential use are visible across the building frontage and exterior circulation. The target building is a flat-roofed rectangular block about 12 metres by 16 metres. Red-brown brick covers the concrete walls above a gray concrete base; a muted green waterproofed roof sits behind a concrete parapet. Dark bronze aluminum frames and beige painted-steel doors use standard local finishes. The massing and floor area support several households, including a roughly 55-square-metre dwelling that can contain two private rooms and a separate living room at normal scale. At the alley-side frontage, a gray poured-concrete exterior stair with dark gray painted-steel railings begins at pavement level, runs against the exterior wall, and terminates at the second-floor access frontage and its evidenced dwelling entrance door. Region-standard openings remain visually subordinate. The alley provides the permanent vehicle-accessible approach to the stair and residence.
THE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Stopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is a complete, ordinary contemporary South Korean multifamily alley residence within a dense low-rise residential neighborhood. The vehicle-accessible gray paved alley directly adjoins the target frontage, and the whole place reads as inhabited and in active daily residential use. The residence is a three-storey rectangular reinforced-concrete block with a 12 by 16 metre footprint and several household units. One approximately 55-square-metre dwelling has sufficient area for two private rooms and a separate living room. The exterior is red-brown brick over a gray concrete base, with a muted green waterproofed flat roof behind a concrete parapet. Windows use dark bronze aluminum frames, and doors are beige painted steel. A permanent gray poured-concrete stair with dark gray painted-steel railings starts at the alley-side frontage and climbs along the outside wall to the second-floor access frontage and its evidenced dwelling entrance door. Its attachment and landing are fully supported by the main mass. Other openings and residential components follow the normal regional configuration without competing with the evidenced entrance. The site reads in the fixed sequence of alley approach, stair base, exterior stair run, and second-floor residence access.
THE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.
ROOM CAPACITY (size-only evidence): the scenario evidences 3
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 3 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Stopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Add a complete third storey to the main building mass between the second floor and the roof parapet.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 7건)Stopped car with a red roof beacon
Police vehicles with flashing beacons
Ambulance in the alley
Police personnel moving through the residence
Neighborhood onlookers
Handheld mobile phone
Arm sling
입력 지문47d55fddad779528
bg_natural_cave검색 그라운딩
씬 25, 70 · 멤버 샷 4개 · 검색 언어 한국어 · 회수 31장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 C
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개A1 cave-front approach area
A2 woodland surrounding the cave approach
B1 large natural cave mouth
B2 wooden posts added around the cave entrance
B3 cave passage beyond the entrance threshold
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문한국의 섬 지역과 남서해안권에서 자연 동굴 입구에 고정 설치한 목재 동바리와 목재 지보의 실제 사진을 찾아라. 현대 사례와 조선시대·식민지기 한반도의 역사 자료는 시대별로 따로 조사하고 서로 섞지 마라. 관광 명소, 유명 동굴, 기념물, 여행 안내·예약 페이지, 장식용 시설, 미술 작품은 제외하고 실제로 통행로와 입구를 보강하기 위해 평범하게 설치한 사례를 우선하라. 사진에서 기둥과 가로재의 구조, 굵기와 간격, 입구에 대한 비례, 목재 종류와 표면 처리, 결구·못·철물 같은 고정 방식, 색상, 부속물, 표지판이 있을 경우 그 재료와 글자 배치를 확인하라. 참고 사진에서는 형태만 취하고 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 환경은 절대 따라 하지 마라.
검색어동굴 입구 / 목재 동바리 / 동굴 지보 / 갱목 / 입구 보강
실제 질의 18건한국 섬 지역 자연 동굴 입구 목재 동바리 실제 사진 관광 제외
한국 남서해안 자연 동굴 입구 목재 지보 갱목 입구 보강 실제 사진
한국 섬 지역 자연 동굴 입구 목재 동바리 실제 사진
한국 남서해안 자연 동굴 입구 목재 지보 갱목 실제 사진
제주 자연 동굴 입구 나무 지주 동바리 보강 사진
전남 섬 해식동굴 입구 나무 기둥 가로재 보강 사진
현대 한국 동굴 입구 갱목 목재 지보 사진 답사
현대 전라남도 해안 동굴 입구 목재 동바리 보강 현장 사진
조선시대 한반도 동굴 입구 목재 지보 동바리 사료 사진
일제강점기 한반도 동굴 입구 갱목 목재 동바리 사진 기록
구한말 조선 광산 갱도 입구 목재 갱목 옛 사진
식민지기 전남 섬 광산 갱도 입구 목재 지보 옛 사진
제주 동굴 입구 나무틀 기둥 가로대 실제 현장 사진 비관광
전남 섬 동굴 입구 나무틀 기둥 가로재 실제 현장 사진 비관광
현대 완도 섬 폐광 갱도 입구 목재 지보 갱목 사진
현대 신안 섬 폐광 갱도 입구 목재 동바리 사진
조선총독부 사진첩 조선 광산 갱도 입구 갱목 목재 지보
국가기록원 일제강점기 광산 갱도 입구 목재 동바리 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://blog.naver.com/anndam/223834397794…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://www.i-rang.net/place/seongnyugul-cave…
https://www.jejusori.net/news/articleView.html?idxno…
https://experiences.myrealtrip.com/products/3880329…
https://www.knoc.co.kr/upload/EBOOK/sabo/188/sub11.j…
https://www.khan.co.kr/article/202408191117011…
https://www.korea.net/NewsFocus/FoodTravel/view?arti…
https://ks8221.tistory.com/167…
https://th.trip.com/moments/detail/putian-317-123591…
https://m.skyedaily.com/news_view.html?ID=291114…
https://m.ekn.kr/view.php?key=20240806024379121…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://experiences.myrealtrip.com/products/3880329…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 2건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
동굴 입구에 금속 펜스가 설치되어 있어 폐쇄적이고 단절된 장소처럼 보이며, 접근로가 입구와 직접 맞닿아야 한다는 설정에 위배됩니다.
동굴 입구와 주변 바위 구조물이 지정된 크기(폭 약 9m, 높이 6m) 및 층고 7m의 넓은 내부 공간을 수용해야 하는 설정에 비해 너무 작게 묘사되었습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 4개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S25·sh2 structure_plate | 실외. 숲속 동굴 앞 - 밤 | 망설임 앞의 어둠 | C04가 칠흑 같은 자연동굴 입구 앞에 멈춰 서서 뒷모습을 보인 채 안쪽을 들여다보며 망설이고 있다. 근거: 커다란 자연동굴에 사람이 나무 기둥으로 덧댄 것 같은 입구가 만들어져 있다. |
| S25·sh4 | 실외. 숲속 동굴 앞 - 밤 | 섣불리 들어가지 못하는 고산들 | C04 stands outside the pitch-black cave, his tense face and furrowed brow filling the frame as he hesitates to enter. 근거: 산들은 심경이 복잡한 표정. 섣불리 들어가지 못 하고 한참을 거기 서 있기만 한다. |
| S70·sh1 structure_plate | 71. 실외. 동굴 앞 - 밤 | 망설임과 전진 | 동굴 입구 앞에서 어둠 속을 바라보며 나란히 서 있는 수리영(C01)과 주저하는 인우(C03)의 뒷모습. 근거: 산들이 보며 서 있던 바로 그 동굴 입구에 선 두 사람: 수리영과 인우, 선뜻 들어가 볼 엄두가 안 난다. |
| S70·sh4 | 실외. 동굴 앞 - 밤 | 동굴 안으로 거침없이 들어가는 수리영과 경악하는 인우 | 어둠 속으로 사라지는 C01O02를 보며 벙찐 표정으로 굳어 있는 C03O06의 얼굴. 근거: 수리영은 대답도 없이 저벅저벅 어둠 속으로 걸어들어간다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every candidate must show the same contemporary South Korean woodland cave site in daylight. The target has one accessible ground-level cave level within an irregular gray-and-taupe mountain-rock mass. Its single evidenced natural cave mouth is approximately 9 meters wide and 6 meters high, faces the continuous compacted-earth and exposed-rock approach, and meets that approach directly at the threshold. Fixed weathered dark-brown untreated timber posts frame portions of the mouth. The passage begins immediately beyond the threshold on the same access axis, extends at least 45 meters, and reaches an interior zone approximately 12 by 18 meters with a ceiling near 7 meters, so the rock mass must visibly have enough depth and breadth to contain it. Regionally typical mixed mountain woodland surrounds the exterior approach and entrance. The broader setting must read as part of a believable, currently inhabited and working rural South Korean district. The cave entrance, timber support and outdoor access area must visibly carry ordinary regional signs of ongoing practical access and maintenance; a bare, sterile or abandoned-looking site is a violation.
THE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Person standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A managed mountain woodland surrounds this cave-front approach in a currently inhabited, working rural district of contemporary South Korea. The broader neighborhood carries its ordinary regional context beyond the trees, with its particular everyday details left unstaged. The target has one accessible ground-level cave level within an irregular mountain-rock mass broad and deep enough to contain the full interior. Mottled cool-gray and taupe rock forms a natural cave mouth approximately 9 meters wide and 6 meters high. Fixed dark-brown untreated timber posts, weathered by outdoor exposure, support and frame portions of the mouth. The continuous approach is compacted brown earth and exposed gray rock, leading directly to the threshold. The passage begins immediately beyond it on the same axis, extends at least 45 meters, and reaches an interior zone approximately 12 by 18 meters with a ceiling near 7 meters. The cave entrance, timber support and approach visibly carry ordinary South Korean signs of ongoing practical access and maintenance. Natural daylight clearly establishes the rock face, threshold and visible passage.
THE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Person standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The location belongs to a lived-in and working rural South Korean mountain district, with regionally typical mixed woodland enclosing the immediate cave approach. Ordinary neighborhood context continues beyond the woodland and remains naturally unstaged. Weathered cool-gray and taupe mountain rock is the dominant material. It forms a single evidenced natural mouth approximately 9 meters across and 6 meters high in a one-level cave system. Dark-brown untreated timber posts are permanently fitted around portions of the opening as an exposed support arrangement. Compacted brown earth and areas of exposed gray rock form the exterior access surface and join the threshold directly. From that threshold, the cave passage follows the same axis for at least 45 meters and reaches an interior area approximately 12 by 18 meters beneath a ceiling near 7 meters. The surrounding rock mass has the breadth and depth required to hold this interior. The entrance, supports and approach show ordinary regional wear, upkeep and ongoing practical use. Daylight renders the materials and permanent connections clearly.
THE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Person standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is a complete, ordinary woodland cave-access site within a currently inhabited and working rural district in contemporary South Korea. Mixed mountain woodland surrounds the cave-front area, while the wider lived-in neighborhood context remains present beyond the immediate trees and is left unenumerated. A continuous compacted-earth and exposed-gray-rock approach runs through the woodland to the cave threshold. It meets a single natural cave mouth directly. The mouth faces the approach and measures approximately 9 meters wide by 6 meters high within an irregular cool-gray and taupe rock mass. Weathered dark-brown untreated timber posts are fixed around portions of the mouth as its permanent entrance support. The target has one accessible ground-level cave level. Immediately past the threshold, the passage continues inward on the approach axis for at least 45 meters and reaches a roughly 12-by-18-meter interior zone with a ceiling near 7 meters. The enclosing mountain-rock mass visibly accommodates that depth, floor area and height. The access surface, cave entrance and timber support carry believable regional signs of active access and maintenance. Clear natural daylight establishes the complete permanent topology.
THE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Person standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove the metal fences and gates from the cave entrance so the compacted-earth approach meets the threshold completely unobstructed.
- Significantly enlarge the cave mouth and the entire enclosing rock mass so the opening reads as 9 meters wide and 6 meters high, capable of containing the massive interior.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 4건)Person standing before the cave
Two people at the cave entrance
Nighttime conditions
Dark appearance of the cave interior
입력 지문69efd87966f754ce
bg_pine_forest_trail검색 그라운딩
씬 23, 29, 30, 33, 45, 64, 67, 69, 74, 107 · 멤버 샷 22개 · 검색 언어 한국어 · 회수 22장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 B
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 7개A1 narrow pine-forest footpath
A2 ascending section of the forest footpath
B1 dense pine grove
B2 low concealing undergrowth
B3 pathless deep-forest interior
C1 descending forest hillside
C2 sightline opening onto the footpath
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 한국의 대도시권 외곽·남서해안권·외딴 섬 지역에서 일상적으로 조성된 좁은 숲길과 오르막 산길의 실제 사진을 찾는다. 관광명소·유명 장소·여행 안내·숙박 예약 페이지·장식용 조경·예술 사업 사례는 제외하고, 주민들이 평소 이용하는 평범한 길을 우선한다. 사진에서 길의 조성 방식, 폭과 경사 비례, 흙·자갈·돌·목재 같은 재료, 색, 가장자리 마감, 배수 시설, 계단이나 미끄럼 방지 시설, 난간과 표지판이 있을 경우 그 부속 방식과 표시 배치를 확인한다. 사진에서는 이러한 형태만 참고하고, 길의 전체 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 풍경은 가져오지 않는다.
검색어숲길 / 오솔길 / 산길 / 등산로 / 비탈길
실제 질의 8건2024 수도권 외곽 주민 이용 좁은 숲길 오솔길 흙길 배수로 계단 난간
2025 광역시 외곽 동네 뒷산 좁은 산길 등산로 비탈길 주민 이용
2024 전남 남서해안 마을 주민 이용 좁은 숲길 오솔길 산길 흙 자갈 계단 배수로
2025 전남 해안 농촌 마을 뒷산 비탈길 등산로 주민 통행 평범한 길
2024 신안군 외딴 섬 마을 주민 이용 산길 오솔길 비탈길 사진 계단 난간
2025 완도군 섬마을 뒷산 좁은 숲길 흙길 자갈길 주민 통행 사진
전남 섬마을 주민 오솔길 산길 생활도로 좁은 비탈길 돌계단 배수로 사진
한국 동네 뒷산 등산로 정비 흙 자갈 목재 계단 미끄럼방지 배수시설 표지판 사진 2024
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://mobile.newsis.com/view/NISX20250628_00032311…
https://www.kgnews.co.kr/news/article.html?no=856272…
https://www.welfarehello.com/community/hometownNews/…
https://kimku123.tistory.com/1162…
https://www.nocutnews.co.kr/news/5882754…
https://wow1002nae.tistory.com/260…
https://www.newspim.com/news/view/20240701000377…
https://www.joongboo.com/news/articleView.html?idxno…
https://mylovekbs.kbs.co.kr/index.html?contents_id=7…
https://www.welfarehello.com/community/hometownNews/…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://noproblemyourlife.tistory.com/m/4865…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.newspim.com/news/view/20240701000377…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
상단 산책로와 하단 산책로가 가파른 암벽으로 완전히 단절되어 있으며, 요구된 연결 경사 구간과 숲 내부로 이어지는 물리적으로 연결된 경로(connected route sequence)가 없습니다.
수정본재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 22개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S23·sh3 | 실외. 금월도 숲길 - 밤 | 어둠 속의 거침없는 전진 | 달빛을 받아 차갑게 빛나는 고산들의 단호하고 무심한 옆얼굴. 근거: 어슴프레 달빛만이 비치는 울창한 해송 나무 숲을 지나가는 산들. |
| S29·sh3 | 실외. 숲길 - 밤 | 포댓자루를 실은 리어카의 이동 | 어두운 숲길, 커다란 포댓자루 두 개가 실린 리어카를 끄는 방향으로 몸을 기울여 앞으로 한 발을 내디딘 중간 동작의 실루엣. 근거: 리어카에 커다란 포댓자루 두 개를 싣고 지나가는데, 안에서 무언가가 꿈틀거린다. |
| S29·sh7 | 실외. 숲길 - 밤 | 입을 막고 숨겨주는 여상 | 김여상이 강수리영의 귓가에 다가가 자신의 입술에 손가락을 대며 조용히 하라는 신호를 보내는 순간. 근거: 보니, 낮에 배에서 만났던 여상이 수리영의 입을 막고 있다. 쉿- 손가락으로 입을 가리는 여상. |
| S29·sh11 | 30. 실외. 숲길 - 밤 | 위험을 경고하는 여상과 그를 뒤따르기로 결심하는 수리영 | 어두운 숲속으로 멀어져 가는 중년 남성의 뒷모습을 원망과 결의가 섞인 눈빛으로 노려보며 그를 뒤따르려는 김지후(강수리영)의 얼굴. 근거: …하며 서둘러 청년들을 뒤쫓는다. 황급히 멀어지는 여상을 쳐다보던 수리영도… 그를 뒤따라간다. |
| S30·sh1 | 실외. 숲속 - 밤 | 포댓자루를 메고 숲으로 들어가는 청년들 | 마을 청년 C20이 검붉은 피가 떨어지는 포댓자루 P13을 어깨에 짊어지고 있다. 근거: 길이 사라지자 리어카를 멈추는 네댓 명의 마을 청년들. 두 명이 포댓자루를 번쩍 어깨에 들처 메고 숲 깊은 곳으로 들어간다. |
| S30·sh7 | 31. 실외. 숲속 - 밤 | 발각 위기를 넘기며 숨죽인 수리영과 여상 | 수리영(C01)과 여상(C14)이 납작 수풀 뒤에 엎드려 숨을 죽인 채 서로의 눈을 맞추며 얼어붙어 있는 순간. 근거: 납작 수풀 뒤에 엎드려 시선을 피하는 수리영과 여상. |
| S33·sh4 | 34. 실외. 숲속 - 밤 | 사라진 동행과 남겨진 공포 | 동행이 굴러떨어진 언덕 아래를 내려다보며 경악한 채 멈춰선 수리영의 뒷모습. 근거: 수풀을 데굴데굴 구르는가 싶더니… “으악!-” 하는 비명소리가 멀어지며 언덕 저 아래로 사라져버린다. |
| S33·sh12 | 실외. 숲속 - 밤 | 돌변한 산들에게 목을 졸려 제압당하는 수리영 | 화면 가장자리에서 불쑥 들어온 C05의 손에 목이 강하게 졸린 채, 충격과 고통으로 두 눈이 커진 C01의 클로즈업. 근거: 갑자기 수리영 목을 콱 움켜쥔다. 컥- 소리 외엔 비명도 지를 수 없는 수리영. |
| S33·sh13 | 실외. 숲속 - 밤 | 포식자의 본능을 드러내는 산들의 눈빛 | 황금빛 눈과 직사각형 동공으로 변한 C05가 수리영의 목을 조르며 카메라를 정면으로 응시한다. 근거: 산들의 눈이 황금색으로 변한다. 동공도 검은 염소의 직사각형 형태로 변하며… |
| S45·sh3 | 실외. 숲길 - 낮 | 영란의 날카로운 추궁 | 몸을 반쯤 돌려 서늘한 시선으로 상대를 쏘아보는 C07의 얼굴. 근거: 갑자기 발길을 멈추는 영란. 산들도 따라 멈춰선다. |
| S45·sh6 | 실외. 숲길 - 낮 | 무너진 고산들의 굴복과 사죄 | 고산들(C04)이 흙바닥에 무릎을 꿇고 상체를 푹 숙인 채 완전히 굴복한 자세로 있다. 근거: 산들 (털썩 무릎을 꿇어앉으며) 제가 미쳤었습니다! |
| S45·sh8 | 실외. 숲길 - 낮 | 통곡과 위선적인 포옹 | 영란이 바닥에 무릎 꿇고 통곡하는 산들을 등 뒤에서 자애롭게 끌어안는다. 근거: 영란도 꿇어앉아 산들을 어루만진다. 차마 고개도 못 들고 흐느끼는 산들. |
| S64·sh2 | 65. 실외. 금월도 숲속 - 밤 | 어둠 속 거침없는 산행 | 어두운 숲길 오르막을 거침없이 걸어 올라가는 C07의 꼿꼿한 뒷모습. 근거: 붉은색 무녀복의 영란이 마을 사람 몇의 호위를 받으며 깜깜한 숲길을 올라간다. |
| S67·sh1 | 실외. 숲길 - 밤 | 달빛 아래 가파른 숲길을 오르는 두 사람 | 가쁜 숨을 몰아쉬며 어두운 오르막을 걷는 수리영(C01)과 그를 주시하는 인우(C03)의 전신 순간 근거: 달빛 아래 헉헉대며 숲길을 올라가는 수리영과 인우. |
| S67·sh6 | 실외. 숲길 - 밤 | 빈 목을 움켜쥔 채 이어지는 걸음 | C01이 오르막 보폭을 유지한 채 빈 목과 쇄골 부위를 한 손으로 움켜쥐고, 굳고 당황한 오른쪽 옆모습으로 아래를 바라보는 순간. 근거: 더욱 심각해지는 인우, 아무 말 없이 잠시 걷다가… |
| S67·sh8 | 실외. 숲길 - 밤 | 낯설어진 시선 | C03이 숲길 한가운데 멈춰 서서, 맨목을 움켜쥔 전경의 여성을 서늘하게 응시한다. 근거: 내가 널 10년 넘게 알았지만… 오늘만큼 낯설게 느껴지는 건 처음이다. |
| S69·sh3 | 다시 숲속 - 밤 | 피비린내의 정체와 어둠 속 청년들의 출현 | 충격적인 진실을 깨닫고 경악하여 그 자리에 굳어버린 C03의 하얗게 질린 얼굴. 근거: 갑자기 뜨악- 하며 멈춰서는 인우. |
| S69·sh6 | Scene 69/70 - Dark Pine Forest Night | Concealment in the Dark | C03 and C01 lie flat on the ground behind dense vegetation, hiding in pitch darkness while watching the distant path. 근거: 둘 다 숲풀 뒤로 납작 엎드린다. |
| S69·sh7 | 다시 숲속 - 밤 | 어둠 속으로 사라지는 청년들 | 수풀 뒤의 시점에서, 등불 없이 어두운 숲길을 바삐 걸어 내려가는 C20의 실루엣. 근거: 숲속 저쪽… 나무 사이로 등불 하나 들지 않은 두 세 명의 마을 청년들이 서둘러 숲길을 내려가는 모습이 보인다. |
| S74·sh2 | 75. 실외. 숲속 - 밤 | 수리영에게 차갑게 쏘아붙이며 돌아보는 민숙 | 걸음을 멈추고 뒤를 돌아보며 분노로 가득 찬 매서운 눈빛을 띠는 C09 근거: 민숙 (우뚝 멈춰 뒤돌아본다) 누가 구해달랬어?! 죽는 다는 데를 왜 겨 들어와! |
| S74·sh8 | 실외. 숲속 - 밤 | Suriyoung looking back at the whistle sound in the dark | Suriyoung pauses in the pitch-black forest, twisting her neck to look back at the eerie whistle sound. 근거: 밤공기를 가르며 다시 휘이익- 휘이익- 휘파람 소리가 메아리져 들려온다. 발걸음을 재촉하면서도 소리나는 쪽을 돌아보는 수리영. |
| S107·sh1 | 실외. 숲 속 - 밤 | 사력을 다한 도주 | C12가 칠흑 같은 숲속에서 튀어나온 나뭇가지를 팔로 쳐내며 절박하게 달아나고 있다. 근거: 사방은 깜깜하고 어디가 어딘지 알 수가 없다. 눈앞을 마구 덮쳐오는 나무 잔가지, 수풀… 공포에 질려 거의 흐느끼듯 숲 길을 뛰어간다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is an open-air landscape site rather than a building, so storey count, facade openings, signage, and room capacity do not apply. It is a connected route sequence at the wooded edge of an inhabited contemporary South Korean island neighborhood. A roughly 0.9-metre-wide compacted-earth footpath runs through a dense Korean black-pine grove. Its inclined section connects lower and upper portions. At the transition beyond the defined trail, the visible path disappears into deep forest with low concealing undergrowth. This interior route reaches the upper side of a descending forest hillside, then continues toward an opening in the trees where the defined footpath becomes visible and accessible again. Required colors and materials are medium-brown compacted earth, brown pine duff, dark gray-brown pine bark, deep green needles, muted green-brown undergrowth, and naturally exposed gray-brown hillside soil. The route, grove, undergrowth, hillside, and reopened sightline must remain physically connected in this order. The site must visibly read as a currently used local foot route within a believable, inhabited rural island setting, with ordinary regionally authentic surroundings rather than a sterile or abandoned landscape.
THE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Handheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The site lies at the wooded edge of an inhabited rural island neighborhood in contemporary South Korea and connects naturally to its ordinary local footpath network. The surroundings carry regionally typical materials and everyday signs of an active working community. A roughly 0.9-metre-wide compacted medium-brown earth footpath passes through a dense grove of Korean black pines with dark gray-brown fissured bark and deep green needles. Brown pine duff softens the trail margins. One inclined section links the lower and upper portions of the route. Beyond a clear transition, the visible trail disappears into the deep grove and the route continues across a pathless forest floor. Low muted green-brown undergrowth conceals parts of the ground between the trunks. The interior route reaches the upper side of a descending hillside surfaced with pine litter and naturally exposed gray-brown soil. Farther on, the tree cover opens into a clear sightline where the compacted-earth footpath becomes visible and accessible again. The entire connected route visibly carries the ordinary signs of current local use as an island forest passage.
THE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Handheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited contemporary South Korean island neighborhood continues around the wooded edge of this site, and the forest route belongs to the community's ordinary network of locally used paths. Its wider surroundings read as lived in and regionally authentic rather than staged. The principal route is a roughly 0.9-metre-wide medium-brown compacted-earth footpath enclosed by a dense Korean black-pine grove. Deep green needles crown trunks of dark gray-brown fissured bark, above a floor of brown pine duff and muted green-brown undergrowth. The defined path includes an inclined section that directly connects its lower and upper portions. At the next transition, the path loses its visible form while the route continues into the deep forest interior. Low concealing undergrowth occupies the ground beside this interior route and between the pines. The route arrives at the upper side of a descending forest hillside, where gray-brown earth and pine litter follow the falling terrain. Beyond the hillside segment, an opening through the trees restores a clear sightline to the same defined footpath, making it visible and accessible again. The path and its outdoor terrain show ordinary evidence of ongoing local use.
THE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Handheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Dark gray-brown, deeply fissured Korean black-pine trunks rise through deep green needles, brown fallen pine litter, and muted green-brown forest undergrowth. Medium-brown compacted earth defines a roughly 0.9-metre-wide footpath through this dense grove. The grove occupies the wooded edge of an inhabited rural island neighborhood in contemporary South Korea, with ordinary regionally authentic surroundings and visible signs that the route remains in current local use. The footpath climbs along an inclined section from its lower portion to its upper portion. At a distinct transition, its compacted track fades from view and becomes a pathless route through the deep pine interior. Low ground-covering vegetation conceals the forest floor beside the route and between the trunks. The pathless passage reaches the upper edge of a descending hillside, where naturally exposed gray-brown soil, pine duff, and undergrowth follow the downward slope. Past this interior and hillside sequence, the tree spacing opens into a clearer sightline. The defined earthen footpath appears again beyond the trees and is directly accessible from the forest route.
THE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Handheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
제외 계약 (일시적 요소 6건)Handheld phone and flashlight illumination
Handcart and loaded sacks
Leaking dark-red liquid
Pale smoke crossing the sky
Moonlight and night-sky conditions
People moving or hiding within the forest
입력 지문bca76fc2fc228726
bg_police_patrol_boat검색 그라운딩
씬 62, 87, 88 · 멤버 샷 8개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 8개A1 bow-edge rail bar
A2 forward exterior deck
B1 bow-to-stern exterior deck passage
C1 stern exterior deck
C2 stern water-facing safety rail
D1 patrol-boat control cabin
D2 control-cabin helm
E1 open sea surrounding the patrol boat
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 연안과 외딴 섬 지역에서 실제로 운용되는 평범한 경찰 순찰정의 실물 사진을 찾으시오. 순찰정의 선수 난간, 앞 갑판, 옆 갑판 통로, 선미 갑판과 안전 난간, 조타실, 조타 장치가 일상적으로 어떻게 제작되는지 확인하시오. 관광 명소, 유명 선박, 기념물, 관광 안내·여행 예약 자료, 장식용 선박이나 예술 작품은 제외하시오. 사진에서 각 부분의 구조, 비례, 재료, 색상, 고정 장치와 표지 배치를 읽어내시오. 참고 사진에서는 형태만 취하고, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 따르지 마시오.
검색어경찰 순찰정 / 순찰정 갑판 / 순찰정 조타실 / 선수 난간 / 선미 난간
실제 질의 2건대한민국 해양경찰 실제 운용 소형 연안 순찰정 갑판 선수 난간 선미 난간 조타실 조타 장치 2024 2025
대한민국 경찰 순찰정 실물 옆 갑판 통로 앞 갑판 선미 갑판 안전 난간 조타실 내부 조타기
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.asiae.co.kr/en/article/20250925144009092…
https://www.hankyung.com/amp/202405148736Y…
https://mdj.nocutnews.co.kr/news/6505192…
https://www.asiae.co.kr/article/2024011509331818164…
https://marine.mt.co.kr/articleView.html?no=20210714…
https://v.daum.net/v/bT39f11mz0…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.asiae.co.kr/en/article/20250925144009092…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
레이더 돔에 프롬프트에서 허용하지 않은 추가 텍스트('SAMTIO...')가 표시되어 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 8개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S62·sh4 | Outdoor. Police Patrol Boat - Evening | The stolen Rolex | A tight insert shot showing C12's straining hand pulling a metal watch from C14's lifeless wrist. 근거: 여상 시체며 옷을 뒤지기 시작하는 창모. 반지, 젖은 현금 등을 찾아 자기 주머니에 집어 넣는다. 그리고 여상의 롤렉스를 자기 싸구려 카시오와 바꿔찬다. |
| S62·sh6 structure_plate | 실외. 경찰 순찰정 - 저녁 | 두 배 사이의 사체 인계 | 어두운 저녁 바다 위, C13이 두 배 사이의 좁은 틈 위로 C14의 시체를 들어 올려 낚시 어선으로 넘기는 순간. 근거: 마치 늘 그래왔던 것처럼 익숙하고 능숙하게 시체를 자기 배로 옮겨 싣는 황 씨. |
| S62·sh9 | 실외. 경찰 순찰정 - 저녁 | 공범의 갈림길 | 캄캄한 밤바다 위, 정반대 방향으로 멀어지는 경찰 순찰정과 낚시 어선. 근거: 서로 제 갈 길을 가는 경찰선과 낚시 어선: 창모는 육지로… 황씨는 다시 금월도로… |
| S87·sh26 structure_plate | 경찰 순찰정 - 계속 | 민숙의 헌신적인 방어 | C09가 짐승처럼 변한 C06의 앞을 가로막고 팔을 벌려 접근을 차단하는 순간. 근거: 선수와 선미를 연결하는 통로를 철벅철벅 걸어오는 산들을 향해 구명 조끼, 물통, 튜브 등 아무거나 잡히는대로 내던져보지만… 소용이 없다. |
| S87·sh34 structure_plate | 경찰 순찰정 - 계속 | 바다로의 투신 | 강민숙(C09)이 짐승으로 변한 고산들(C06)을 부둥켜안고 순찰정 난간 너머 허공으로 몸을 날린 찰나의 실루엣. 근거: 민숙은 그 힘을 역이용해 산들을 부등켜 안고… 옆으로 몸을 날린다 - 풍덩!- 바다에 빠지는 두 사람. |
| S87·sh41 | 경찰 순찰정 - 계속 | 지후의 눈물과 남겨진 바다 | 난간에 기대어 엄마가 빠진 바다를 응시하며 눈물을 쏟아내는 김지후(강수리영)의 일그러진 옆얼굴. 근거: 벌떡 일어나 엄마가 빠진 곳을 보는 수리영. |
| S88·sh4 | 실외. 경찰 순찰정 - 잠시 후 | 지옥으로의 회항과 마주한 절망 | 순찰정이 금월도 선착장에 접근하자, 붉은 무녀복의 C07과 섬뜩한 마을 사람들이 뭍에 서서 카메라를 향해 섬뜩한 시선을 보내고 있다. 근거: 붉은색 무녀복의 영란, 그리고 금월도 마을 사람들. 게다가 분명히 바다에 빠졌던 산들의 모습도… |
| S88·sh8 | 실외. 경찰 순찰정 - 잠시 후 | 총구 앞에 멈춘 탈출의 희망 | 구창모(C12)의 뻗은 팔 끝에 들린 권총(P06)이 정인우(C03)의 머리를 바짝 겨누고 있는 조타실 안의 절망적 순간. 근거: 창모가 총을 들어 인우를 겨눈다. 그리고 수리영을 본다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean police patrol boat: an approximately 12-metre-long, 3.4-metre-beam low elongated planing hull with one working deck and a one-storey enclosed control cabin. The white fiberglass hull and cabin carry a dark navy-blue hull band, a pale gray nonslip composite deck, dark-tinted marine glazing in black rubber frames, stainless-steel rails, and modest salt and service wear. The legible identifying text is 연안안전 순찰정. The bow-edge rail bar directly borders the forward deck; the forward deck connects to a longitudinal exterior passage beside the control cabin; that passage reaches the stern deck; and a fixed stainless-steel safety rail borders the stern deck at the water-facing edge. The cabin helm faces the bow and forward water. The hull footprint must physically support the cabin, both exterior deck areas, and continuous passage, while the cabin must plausibly contain the narrow helm space at full human scale. Open sea directly surrounds every exposed deck edge. A distant inhabited South Korean island waterfront and working harbor neighborhood provide believable regional context. The vessel and exterior working areas must visibly read as maintained, equipped, and actively in service rather than bare, sterile, abandoned, or staged.
THE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "연안안전 순찰정". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Body temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A real contemporary South Korean coastal operating area lies across open sea, with an inhabited island waterfront and its ordinary working harbor neighborhood visible at a distance in early-evening light. The main subject is a maintained police patrol boat approximately 12 metres long and 3.4 metres across, formed as a low elongated planing hull with one working deck and a one-storey enclosed control cabin. The hull and cabin are white fiberglass with a dark navy-blue hull band; the deck is pale gray nonslip composite, the marine glazing is dark tinted in black rubber frames, and the fixed rails are stainless steel. The legible service lettering reads 연안안전 순찰정. A bow-edge rail bar follows the exposed bow edge immediately outside the forward deck. The forward deck connects aft to a longitudinal exterior passage beside the control cabin, and the passage terminates at the stern deck. A fixed safety rail follows the stern deck's water-facing edge. Inside the glazed cabin, the helm faces the bow and forward sea. The hull has the footprint required to support the cabin, both exterior decks, and the connecting passage at full working scale. Open sea directly surrounds the hull beyond every exposed deck edge. Modest salt weathering and ordinary signs of active patrol service remain visible across the vessel and its working areas.
THE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "연안안전 순찰정". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Body temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Open sea surrounds a contemporary South Korean working coast, while a distant inhabited island waterfront and ordinary harbor neighborhood establish the vessel's real regional setting. A 12-metre by 3.4-metre police patrol boat is the principal subject. Its low elongated one-deck hull is molded white fiberglass with a dark navy-blue band, and its single-storey control cabin uses matching white fiberglass, dark-tinted marine glass, and black rubber window frames. Pale gray nonslip composite covers the exterior deck surfaces. Stainless steel forms the bow-edge rail bar and the fixed stern safety rail. The finish carries restrained salt exposure and routine service wear, and the boat and outdoor working areas visibly remain maintained and active. The clear identifying lettering is 연안안전 순찰정. The rail bar borders the exposed bow immediately outside the forward deck. From that deck, a bow-to-stern exterior passage runs aft beside the control cabin and reaches the stern exterior deck. The stern rail protects the water-facing outer edge. The enclosed helm faces forward toward the bow and water. The hull mass and footprint fully carry the cabin, forward deck, stern deck, and continuous side passage at credible human scale. Surrounding water begins directly beyond all exposed deck edges and rails.
THE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "연안안전 순찰정". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Body temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is a complete, ordinary contemporary South Korean coastal police patrol craft in its real maritime territory. Open sea directly encloses the hull, and an inhabited island waterfront with a functioning harbor neighborhood remains visible in the wider coastal setting. The boat has a low elongated planing form approximately 12 metres long and 3.4 metres in beam, with one working deck and a one-storey enclosed control cabin positioned between the forward and stern deck areas. White fiberglass covers the hull and cabin, a dark navy-blue band runs along the hull, and pale gray nonslip composite finishes the decks. Dark-tinted marine glazing sits in black rubber frames, while permanent exposed rails are stainless steel. Regional service identification is clearly legible as 연안안전 순찰정. The forward exterior deck occupies the bow immediately inside its edge rail bar. A longitudinal exterior passage leaves the forward deck, passes beside the control cabin, and arrives at the stern exterior deck. The stern deck carries a fixed safety rail along its water-facing boundary. The cabin contains a forward-oriented helm looking toward the bow and sea. The 12-metre hull provides sufficient area and structural mass for both decks, the cabin, and their continuous circulation route. Natural salt wear and ordinary evidence of ongoing patrol use make the vessel read as currently in service.
THE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "연안안전 순찰정". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Body temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove the text from the radar dome, leaving its surface blank white.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 6건)Body temporarily placed on the deck
Fishing boat temporarily adjoining the patrol boat
Loose life jackets, water container, and tube
Loose metal pipe and handguns
Wake, spray, and surface foam
Water temporarily covering parts of the deck passage
입력 지문0eb035c6250c0f88
bg_police_station검색 그라운딩
씬 7 · 멤버 샷 3개 · 검색 언어 한국어 · 회수 14장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 3개P1 police station exterior parking area
P2 vehicle approach to the police station parking area
P3 station-side pedestrian entrance adjoining the parking area
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국의 대도시권·남서해안권·외딴 섬 지역에서 실제로 운영되는 평범한 경찰서, 지구대, 파출소의 외부 주차장과 차량 진입로, 건물 쪽 보행자 출입구를 보여주는 실제 사진을 찾는다. 관광 명소, 유명 건축물, 홍보성 여행 안내, 숙박·예약 페이지, 조형물이나 예술 사업으로 꾸민 사례는 제외하고 일상적으로 사용되는 보통 시설을 우선한다. 사진에서 주차 구획과 통행 공간의 구조·비례·포장 재료·색상, 경계석·차단기·안전봉·배수 시설 같은 부속물, 차량 진입부의 폭과 마감, 보행자 출입문의 형태·재료·색상·손잡이·계단·경사로·차양, 바닥 표시와 표지판의 규격 및 글자 배치를 확인한다. 사진에서는 각 시설의 형태만 참고하고, 사진 속 배치·촬영 각도·화면 구성·날씨·시간대·주변 환경은 절대 가져오지 않는다.
검색어경찰서 주차장 / 지구대 주차장 / 파출소 주차장 / 경찰서 진입로 / 경찰서 출입구
실제 질의 6건대한민국 대도시권 실제 운영 평범한 경찰서 외부 주차장 차량 진입로 건물 보행자 출입구
대한민국 남서해안권 실제 운영 평범한 지구대 외부 주차장 차량 진입로 건물 보행자 출입구
대한민국 외딴 섬 실제 운영 평범한 파출소 외부 주차장 차량 진입로 건물 보행자 출입구
대한민국 실제 운영 경찰서 차량 진입로 차단기 경계석 배수로 외부 사진
대한민국 평범한 경찰서 민원실 보행자 출입구 계단 경사로 차양 유리문 손잡이 외부 사진
대한민국 평범한 파출소 주차장 주차구획 아스팔트 콘크리트 진입로 출입문 외부 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.bizno.net/article/5206000527…
https://www.mt.co.kr/policy/2024/03/26/2024032611004…
https://www.jjan.kr/article/20220403580281…
https://www.news1.kr/society/general-society/4526516…
https://www.yna.co.kr/view/AKR20230405119651004…
https://www.bizno.net/article/4374400375…
https://www.seoul.co.kr/news/society/2023/11/27/2023…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://www.koreatriptips.com/en/tourist-attractions…
https://news.nate.com/view/20160611n10447…
https://www.khan.co.kr/article/202207291735001…
https://kimcaddie.com/shop/%ED%83%91%EC%8A%A4%ED%81%…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.bizno.net/article/5206000527…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 3건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
중앙 공간을 비워두라는 지침과 달리 아스팔트 주차장 중앙에 주차 구획선과 카스토퍼가 배치되어 있음.
주출입구를 중복하지 말라는 지침을 어기고 건물 좌측면에 파란색 캐노피가 달린 추가 출입구가 생성됨.
활발히 운영되는 경찰서라는 설정에도 불구하고 주차장과 건물 앞이 차량이나 일상적인 집기 없이 텅 비어 있어 단절되고 생기 없는 느낌을 줌.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 3개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S7·sh2 | 8. 실외. 경찰서 주차장 - 낮 (인우의 회상) | 간절한 애원과 회피 | 금방이라도 눈물을 터뜨릴 듯 절박한 눈빛으로 정인우의 눈을 똑바로 올려다보는 강민숙(홍은미)의 붉어진 얼굴. 근거: 금방 눈물이라도 흘릴 것처럼 간절한 민숙을 보며 인우는 안절부절이다. |
| S7·sh6 | 실외. 경찰서 주차장 - 낮 (인우의 회상) | 돈봉투를 쥐여주는 간절한 민숙 | 강민숙이 정인우의 손에 두툼한 돈봉투를 강하게 쥐여주는 손 클로즈업 샷. 근거: 대뜸 두툼한 돈봉투를 인우 손에 팍 쥐어준다. |
| S7·sh9 map_marker | 8. 실외. 경찰서 주차장 - 낮 (인우의 회상) | 멀어지는 뒷모습과 남겨진 봉투 | C03 stands motionless, looking at C09 who is walking away into the distance. 근거: 그 자리에 우두커니 서서 어깨가 축 처진 채 멀어지는 민숙을 바라보는 인우. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean police station as the main subject: a three-storey reinforced-concrete building with a 30 by 18 metre rectangular footprint, a flat parapet roof, warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, dark-gray aluminum window frames, and a clear aluminum-framed glazed station entrance beneath a blue metal canopy. The legible main frontage lettering must read 새봄경찰서. The 32 by 24 metre asphalt parking area immediately adjoins the building; its thermoplastic bay markings leave an open central span. The asphalt vehicle approach meets an outer edge of the parking area, while the evidenced station-side pedestrian entrance occupies the distinct building-facing edge and connects directly to the interior. Do not prominently duplicate or relocate that evidenced entrance. The building footprint and three-storey massing must plausibly accommodate the detective division office at real-world scale as part of a complete operating police station. The structure, frontage, entrance and outdoor areas must visibly carry ordinary signs of active public-service use. Surround the site with a believable, currently inhabited Korean urban neighborhood connected to the same street network. Reject bare, sterile, abandoned, isolated or studio-set interpretations.
THE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "새봄경찰서". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People occupying the parking area; Thick money envelope; Parked police vehicles
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited contemporary South Korean urban neighborhood surrounds an actively operating police station site connected to the ordinary local street network. The main subject is a three-storey reinforced-concrete police station with a 30 by 18 metre rectangular footprint and a flat parapet roof. Its exterior has warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, and dark-gray aluminum window frames, all with ordinary maintained weathering. The public frontage carries the clearly legible lettering 새봄경찰서. An aluminum-framed glazed station entrance beneath a blue metal canopy directly adjoins the building-facing edge of a 32 by 24 metre asphalt parking area. White thermoplastic bay markings preserve the open central span. An asphalt vehicle approach meets a different outer edge and links the parking area to the surrounding access network. The station, entrance and outdoor areas visibly carry the ordinary signs of active public-service use. The building is complete and ordinary for its regional facility type, and its footprint and three-storey massing plausibly contain a real-scale detective division office as part of the full station program.
THE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "새봄경찰서". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People occupying the parking area; Thick money envelope; Parked police vehicles
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A lived-in contemporary Korean working neighborhood encloses this police station within a normal urban street pattern. The asphalt access network feeds a vehicle approach that meets an outer edge of a 32 by 24 metre police-station parking area. The marked parking surface retains an open central span, and its building-facing edge meets the station-side pedestrian entrance on a different edge from the vehicle approach. The target building is a three-storey, 30 by 18 metre rectangular reinforced-concrete police station with a flat parapet roof. Warm-white painted render covers the main walls above a pale-gray granite base; restrained blue aluminum-composite fascia panels and dark-gray aluminum window frames give the frontage its standard contemporary public-service finish. A blue metal canopy shelters the aluminum-framed glazed entrance connecting the parking area directly to the interior. The main frontage displays the clearly legible lettering 새봄경찰서. The complete station and its outdoor areas visibly show ordinary active public-service use. Its three-storey massing provides real-world space for the detective division office within the larger station program.
THE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "새봄경찰서". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People occupying the parking area; Thick money envelope; Parked police vehicles
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The target is an actively operating contemporary South Korean police station, complete and ordinary for its public-facility type. It has three storeys, a 30 by 18 metre rectangular reinforced-concrete mass, and a flat roof behind a parapet. Warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, dark-gray aluminum window frames, a blue metal entrance canopy and aluminum-framed entrance glazing use standard maintained regional finishes with credible everyday weathering. The identifying frontage sign is prominent and clearly legible as 새봄경찰서. The station-side entrance connects directly to the building-facing edge of an adjoining 32 by 24 metre asphalt parking area. White thermoplastic parking markings define the paved surface while retaining its open central span. A vehicle approach joins a different outer edge and continues into the surrounding access network. The building and outdoor areas visibly carry normal signs of active public-service use. Its footprint and three-storey volume readily support the evidenced detective division office at real-world scale within a full police-station program. An inhabited working urban neighborhood surrounds the site with regionally ordinary adjoining buildings and street context.
THE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "새봄경찰서". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
People occupying the parking area; Thick money envelope; Parked police vehicles
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Erase the parking lines and wheel stops from the center of the asphalt lot to restore the open central span.
- Remove the secondary door and its blue canopy on the left facade, replacing them with the continuous granite base and wall.
- Add generic unstaged parked cars, including typical police vehicles, and everyday outdoor utility items to the parking area to show active public-service use.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 3건)People occupying the parking area
Thick money envelope
Parked police vehicles
입력 지문0cf88e41f02e1d85
bg_reed_field_wooden_shed검색 그라운딩
씬 3, 97 · 멤버 샷 5개 · 검색 언어 한국어 · 회수 26장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 4개A1 reed-field warehouse
A2 warehouse front door
B1 warehouse-front exterior ground
B2 surrounding reed field
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문한국의 대도시권·남서해안권·외딴 섬 지역에서 조선 후기, 일제강점기 전후, 2020년대에 각각 일상적으로 지어진 창고와 창고문, 문턱의 실제 사진을 찾아라. 관광 명소, 문화재 중심 소개, 유명 장소, 여행 안내·예약 페이지, 장식용 건축물, 예술 작품은 제외하고 농촌·어촌·섬 지역에서 실제로 쓰인 평범한 사례를 우선하라. 조선 후기와 일제강점기 전후의 경우 당시의 기록 사진과 평범한 생활 건축을 충실히 재현한 실물의 사진을 함께 확인하되, 시대별 형식을 서로 섞지 마라. 사진에서 창고의 골조와 벽체 구조, 전체 비례, 지붕과 기초, 문짝의 짜임과 여닫는 방식, 문틀·문턱과 바깥 지면이 맞닿는 방식, 목재·흙·돌·금속 등 재료, 실제 색과 마감, 경첩·빗장·손잡이 같은 부속, 표지나 글씨가 있을 때의 위치와 배열을 읽어라. 사진에서는 형태만 참고하고 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 절대 가져오지 마라.
검색어옛날 창고 / 나무 창고 / 창고문 / 문턱 / 창고 기초 / 어촌 창고
실제 질의 14건조선 후기 농촌 생활 건축 평범한 곡간 광 창고 나무문 문턱 기록 사진 복원 실물
일제강점기 전후 농촌 어촌 생활 창고 창고문 문턱 기록 사진 목조 흙벽 돌기초
2020년대 한국 농촌 실제 사용 나무 창고 창고문 문턱 돌기초 흙벽 사진
2020년대 한국 어촌 실제 사용 창고 어구창고 철문 미닫이문 문턱 바닥 사진
서울 경기 대도시권 조선 후기 서민가옥 뒤주 광 곡간 창고문 문턱 옛 사진 생활 건축 복원
전라도 남서해안 조선 후기 어촌 민가 광 창고 고방 문 문턱 생활 건축 실물 사진
흑산도 외딴 섬 마을 옛 창고 고방 창고문 문턱 돌벽 목조 생활 건축 사진
울릉도 옛 민가 창고 투막집 고방 문 문턱 기록 사진 생활 건축 복원
2020년대 수도권 도시농업 농막 창고 실제 사용 창고문 문턱 기초 사진 서울 경기 외곽
2020년대 서남해 섬 어촌 어구창고 실제 사용 판넬 창고 철문 미닫이문 바닥 문턱 사진
2020년대 수도권 농촌 실제 사용 창고 창고문 문턱 사진
2020년대 서남해 섬 어촌 실제 사용 어구 창고 철문 사진
개항기 조선 농촌 민가 광 곡간 창고 기록사진 1900년 한국
일제강점기 한국 섬 어촌 창고 어구 보관 건물 기록사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://anthony.sogang.ac.kr/Bird/KoreaandherNeighbo…
https://tambang.kr/article/?bmode=view&idx=158880229…
https://www.yna.co.kr/view/AKR20190905166900005…
https://www.jnfilm.or.kr/web_jnfilm/jn_ldbview.php?c…
https://www.jbnews.com/news/articleView.html?idxno=1…
https://www.womentimes.co.kr/news/articleView.html?i…
https://3dcnfc.kr/146…
https://www.phiko.kr/bbs/board.php?bo_table=z4_03&wr…
https://news.nate.com/view/20250620n07071…
https://okdoor.tistory.com/entry/%EA%B4%91%EC%A3%BC%…
https://www.newssc.co.kr/news/articleView.html?idxno…
https://www.nhanews.com/news/articleView.html?idxno=…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://tambang.kr/article/?bmode=view&idx=158880229…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 2건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
문의 크기(약 2m)에 비해 건물의 전체 규모가 지나치게 작아, 브리프에 명시된 12x7m 크기의 창고 질량감을 충족하지 못합니다.
16세기 후반 조선이라는 시대적 배경에 어울리지 않는 현대식 규격의 화물 운반용 목재 파렛트(shipping pallets)가 우측 바닥에 놓여 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 5개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S3·sh5 | 3. 실내. 갈대숲 창고 밖 - 낮 | 피투성이 심장을 든 그분의 모습 | C21O00이 일본군의 가슴에서 뽑아낸 심장을 들고 정면을 응시한다. 근거: 마지막 숨을 헐떡이던 일본군의 가슴팍에서 심장을 콱 뜯어내는 검은 형체! |
| S3·sh13 | 실내. 갈대숲 창고 밖 - 낮 | 검은 형체의 유언과 이어지는 의지 | 치명상을 입고 쓰러진 C21이 남은 힘을 쥐어짜내 C16의 목을 콱 움켜쥐며 당기는 순간. 근거: 갑자기 검은 형체가 손을 뻗어 촌주의 목을 콱 움켜쥐더니 얼굴 가까이로 잡아당긴다. |
| S3·sh17 | 실내. 갈대숲 창고 밖 - 낮 | 촌주의 각성과 이주민들의 목격 | 황금빛 눈을 번뜩이며 생존자들을 돌아보는 촌주. 근거: 창고에 숨어있던 나머지 조선인들도 하나, 둘 밖으로 나온다. |
| S97·sh1 | 99. 실외. 갈대숲 창고 앞 - 낮(과거) | 검은 연기의 최후와 촌주의 각성 | 가슴팍에 하얀 사슴뿔 창끝이 깊게 꽂혀 밖으로 튀어나와 있는 그분(검은 연기 형체)의 기괴한 상체. 근거: 흰 사슴뿔 창끝이 검은 연기 형체의 등 뒤로 푹 튀어나와 있고, 창에 심장을 관통당한 검은 연기가 조선인 촌주의 목을 움켜쥐고 말한다. |
| S97·sh5 | 실외. 갈대숲 창고 앞 - 낮(과거) | 촌주의 각성과 일본군 시체를 뜯어먹는 조선인들 | 검은 연기가 사라진 직후, 두 눈이 기괴한 황금빛으로 번뜩이는 C16의 얼굴 클로즈업. 근거: 대신 촌주의 눈이 황금빛으로 변한다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same late-sixteenth-century warehouse in Japanese-occupied Joseon Korea: a one-storey rectangular timber-frame mass with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its exterior is roughly patched gray-brown pine planks and squared pine timbers on gray fieldstone footings, under a weathered tan straw-thatched gable roof. The front wall has one evidenced 1.8 by 2.1 metre doorway with dark brown paired plank leaves and iron strap hardware. This footprint must plausibly contain the evidenced warehouse interior at full real-world storage-room scale. The door opens directly onto packed tan-earth front ground, which extends away from the threshold before meeting the reed field; the reeds surround the warehouse footprint and the outer sides of the front ground. The warehouse, doorway and front work ground must visibly carry ordinary signs of active storage use. The immediate reed-field setting must belong to a believable, inhabited rural wetland working neighborhood, with ordinary period-authentic surroundings perceptible beyond the reeds rather than an isolated or sterile compound.
THE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
fallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A late-sixteenth-century rural wetland working neighborhood in Japanese-occupied Joseon Korea surrounds a reed field. Ordinary period-authentic buildings and routes remain perceptible beyond the immediate reeds, and the district reads as inhabited and in service. The target is a one-storey rectangular warehouse with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its frame is squared pine, its walls are irregularly patched gray-brown pine planks, and gray fieldstone footings support the mass. A weathered tan straw-thatched gable roof covers the structure. The old boards are sun-bleached, unevenly repaired and darkened near the ground. The front wall contains one 1.8 by 2.1 metre doorway fitted with dark brown paired plank leaves and iron strap hardware. The door opens directly onto packed tan-earth front ground. This ground extends outward from the threshold and meets the surrounding field of tawny and muted-green reeds, which also occupies the outer sides of the front ground. The warehouse and its outdoor work area visibly carry ordinary signs of active storage use appropriate to this region and period.
THE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
fallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The site belongs to an inhabited late-sixteenth-century wetland working district in Japanese-occupied Joseon Korea. A reed field forms its immediate landscape, while the ordinary fabric of the period working neighborhood remains perceptible beyond the reeds. Within the field, a one-storey rectangular warehouse measures 12 by 7 metres, with 3 metre eaves and a 4.5 metre gable ridge. The mass is a squared-pine frame on gray fieldstone footings, enclosed by roughly overlapped gray-brown pine planks. Its tan straw-thatched gable roof and exposed timber surfaces show longstanding weathering, sun bleaching and practical repairs. One front doorway measures 1.8 by 2.1 metres and carries dark brown paired plank leaves with iron strap hardware. Its threshold meets packed tan-earth ground immediately outside the wall. The front ground runs away from the doorway into the reed-field setting, with tawny and muted-green reeds wrapping around the warehouse and along both outer sides of that ground. The complete site reads as an operating warehouse property, with ordinary signs of active storage use visible across the structure and front work area.
THE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
fallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited rural wetland working neighborhood of late-sixteenth-century Japanese-occupied Joseon Korea lies around a reed-field site. The immediate landscape remains dominated by reeds, with the ordinary period settlement context continuing beyond them. The warehouse is fixed as a one-storey, 12 by 7 metre rectangular timber building with 3 metre eaves and a 4.5 metre gable ridge. Gray fieldstone footings carry a squared-pine frame. Rough gray-brown pine planks overlap unevenly across the walls, with weather-softened edges, darker lower boards and visible utilitarian patching. The roof is a weathered tan straw-thatched gable. A single evidenced opening in the front wall is a 1.8 by 2.1 metre doorway with paired dark brown plank leaves and iron strap hardware. The doorway opens at grade onto packed tan-earth front ground. That ground projects from the warehouse face before merging into tawny and muted-green reeds; the same reed field surrounds the building footprint and borders the outer sides of the front ground. The building and its exterior work surface visibly retain the ordinary signs of active warehouse service expected in this region and period.
THE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
fallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Expand the structure's footprint and overall massing to the committed 12 by 7 meters, making the walls significantly longer and wider relative to the door.
- Replace the modern wooden shipping pallets under the pots with period-appropriate rough wooden planks or woven straw mats.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 7건)fallen and wounded Japanese soldiers
blood covering the soldiers and ground
black smoke figure
white antler-tipped spear
extracted heart
village chief and surviving Koreans
full moon, eclipse, and red-moon appearance
입력 지문4c442bca3ddad864
bg_restaurant_compound검색 그라운딩
씬 26, 28, 37, 65, 66, 72, 91, 92, 104, 106 · 멤버 샷 15개 · 검색 언어 한국어 · 회수 6장 → 판정 후보 6장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 12개A1 Banwol Restaurant main building
A2 Restaurant front entrance
A3 Restaurant-front alley
A4 Restaurant-approach village road
B1 Restaurant rear yard
B2 Cultivated rear-yard garden plot
B3 Restaurant back entrance
B4 Rear-yard perimeter boundary
C1 Rear-yard storage shed
C2 Rear-yard storage shed door
D1 Uphill village-road continuation
D2 Forest and mountain threshold
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 남서해안권과 외딴 섬마을에서 실제로 영업하는 평범한 소규모 식당 건물, 식당 앞문과 뒷문, 뒤뜰, 텃밭의 경계 시설, 마당 둘레의 담장이나 울타리, 별채형 창고와 창고문이 보이는 실제 사진을 찾는다. 관광지, 명소, 유명 식당, 여행 안내·숙박 예약 페이지, 장식용 건축물, 미술 작품은 제외하고 주민들이 일상적으로 사용하는 보통 사례를 우선한다. 사진에서 각 시설의 구조, 비례, 재료, 색, 문과 창의 부속 철물, 배수·차양·외등 같은 고정 설비, 간판과 안내 표지의 형태 및 배치를 읽어낸다. 참고 사진에서는 개별 시설의 형태만 취하고, 사진 속 시설들의 배치, 카메라 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 않는다.
검색어섬마을 식당 / 시골 식당 / 식당 뒤뜰 / 마당 텃밭 / 마당 창고 / 시골집 담장
실제 질의 2건대한민국 남서해안 외딴 섬마을 실제 영업 소규모 식당 건물 앞문 뒷문 뒤뜰 주민 일상
대한민국 남서해안 시골 식당 마당 텃밭 경계 담장 울타리 별채 창고 창고문 실제 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 6장
2. 회수 후보 6장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 5 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://triple.guide/restaurants/d7b11467-04ce-4fca-…
https://ncms.nculture.org/long-standing-shops/story/…
https://sigoljibmeme.com/board/17746…
https://triple.guide/restaurants/8dff4a39-068f-4a5e-…
https://www.klook.com/en-US/activity/105751-flower-i…
https://jibpanda.com/board/5154…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://triple.guide/restaurants/d7b11467-04ce-4fca-…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 4건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
정문이 다져진 흙 골목으로 바로 이어지지 않고, 건물 앞을 따라 콘크리트 단/기단이 설치되어 있습니다.
지시문에서 건물 뒷면에 있어야 할 진한 갈색 철제 뒷문과 은색 알루미늄 창문이 건물 측면 벽에 배치되어 있습니다.
뒤뜰의 바닥이 다져진 흙이 아니라 콘크리트로 포장되어 있습니다.
식당 옆으로 이어지는 마을 도로가 다져진 흙과 자갈길이 아닌 콘크리트로 포장되어 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 15개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S26·sh3 structure_plate | 실외. 반월 식당 뒤뜰 - 밤 | 불빛이 새어 나오는 창고 | C01이 창고 문에 귀를 대고 내부의 소리를 들으려 집중하는 순간. 근거: 다가가는 수리영. 창고 문에 귀를 대고 소리를 들어본다. |
| S26·sh5 structure_plate | 27. 실외. 반월 식당 뒤뜰 - 밤 | Discovering the glowing altar through the door gap | Through a narrow gap in the weathered wooden door, an eerie candlelit altar is visible inside the dark storage shed. 근거: 문 틈 사이로 안을 들여다 본다. |
| S28·sh3 | 실외. 뒤뜰 - 밤 | 어두운 산길 앞에서의 망설임 | 어두운 산길 입구를 마주하고 뒷모습을 보인 채 주저하며 서 있는 C01 근거: 엄두가 나지 않아 주저하는 수리영. 마른침을 삼킨다. |
| S37·sh3 structure_plate | 38. 실외. 반월 식당 뒤뜰 - 낮 | 제단의 흔적이 사라진 평범한 창고 | 열린 창고 문 너머로 제단의 흔적 없이 평범한 물품만 가득한 창고 내부 전경. 근거: 그냥 창고다: 밤에 봤던 그 괴기스런 제단은 흔적도 찾을 수가 없다. |
| S37·sh6 structure_plate | 실외. 반월 식당 뒤뜰 - 낮 | 영란의 감시와 경고 | 식당 뒷문에 선 채 수리영을 꿰뚫어 보듯 주시하는 영란의 정면 전신. 근거: 흠칫 놀라 돌아보니, 영란이 식당 뒷문에 서서 수리영을 보고 있다. |
| S65·sh1 map_marker | 66. 실외. 반월 식당 밖 - 밤 | 마을 청년들의 감시망 | 어두운 밤, 식당 앞 골목에 흩어져 감시 중인 마을 청년들 중 C20이 전면에 서 있다. 근거: 식당 밖 골목에 마을 주민, 청년들이 요소요소 자리를 잡고 있다. 최대한 자연스러운 척 하지만, 이들 시선은 죄다 식당 쪽을 향한다. |
| S65·sh4 map_marker | 66. 실외. 반월 식당 밖 - 밤 | 화재 발생과 다급한 이동 | 붉은 불길이 솟구치는 식당 뒤편을 향해 다급하게 달려가는 청년들의 뒷모습. 근거: 놀라서 소리나는 쪽을 보는 청년들. 후다닥 그쪽으로 뛰어들 간다. |
| S66·sh1 structure_plate | 실외. 반월 식당 뒤뜰 - 밤 | 불길에 휩싸인 창고와 진화에 나선 마을 주민들 | 마을 주민들이 불길에 휩싸인 식당 뒤뜰 창고를 향해 물을 뿌리고, 치솟는 검은 연기가 밝은 달을 가리는 순간. 근거: 활활 불타는 창고. 마을 주민들은 호스로 물을 뿌리고, 양동이로 물을 날라 불을 끄느라 난리법석이다. |
| S72·sh1 structure_plate | 실외. 반월 식당 뒤뜰 - 밤 | 전소된 창고 전경 | 뼈대만 남은 채 시뻘건 불씨와 거뭇한 연기를 뿜어내고 있는 전소된 식당 뒤뜰 창고의 전경. 근거: 홀라당 다 타버린 창고가 거뭇한 연기를 내뿜고 있다. |
| S72·sh2 | 실외. 반월 식당 뒤뜰 - 밤 | 허탈과 충격 | Hwang stares blankly at the burned warehouse in close framing, his face lit by crimson embers. 근거: 황 씨가 허탈한 표정으로 창고를 바라본다. |
| S91·sh1 | 실외. 식당 뒤뜰 - 해질녘 | 사라진 엄마를 찾는 지후의 불안 | 노을이 지는 식당 뒤뜰 한가운데 서서 불안하게 주변을 돌아보는 C01의 전신. 근거: 수리영은 계속 주변을 돌아보며 민숙을 찾는다. 어딘가에서 다정한 자장가 소리는 계속 되지만, 모습은 보이지 않는다. |
| S92·sh3 | 실외. 반월 식당 앞 - 해질녘 | 바다를 향해 앉은 민숙의 뒷모습 | 수리영의 시선 끝에, 선착장 돌바닥에 앉아 고요히 바다를 바라보는 C09의 묵묵한 뒷모습이 포착된다. 근거: 선착장 돌바닥에 앉아 바다를 보는 민숙의 뒷모습이다. |
| S104·sh4 map_marker | 107. 실외. 반월 식당 앞 - 밤 | 고산들의 살기 어린 접근 | C04 is caught mid-stride on the dark village road, completely drenched in water, advancing relentlessly toward the camera. 근거: 식당으로 향하는 마을길을 저벅저벅 올라오는 산들이다. 황 씨를 잡아먹을 듯 노려보며 거리를 좁혀온다. |
| S104·sh8 | 107. 실외. 반월 식당 앞 - 밤 | 맹렬한 도약 | 맹렬한 기세로 허공을 향해 뛰어올라 두 발이 바닥에서 완전히 떨어진 상태인 C04의 역동적인 실루엣. 근거: 산들, 이들을 향해 휙- 점프하며… |
| S106·sh2 structure_plate | 다시 반월 식당 앞 - 밤 | 피에 물든 산들의 등장 | 피칠갑을 한 C04가 P11을 손에 쥐고 식당 문을 열며 밖으로 나서는 순간. 근거: 드르륵- 문을 열고 피칠갑을 한 산들이 식당에서 나온다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean island-village business site. The organizing mass is a one-storey, rectangular 14-by-10-metre restaurant building with sun-faded cream cement render over concrete masonry, a shallow dark-gray corrugated-metal gable roof, a silver aluminum-framed glazed commercial frontage, a sliding front entrance, a dark-brown painted steel back entrance, a dark-stained timber lattice restaurant window, and a silver aluminum-framed back-room window. The footprint must plausibly contain an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, plus a kitchen, a separate rear room and a separate proprietor's room at real-world sizes. The public frontage must carry the legible sign 바다마을 식당·낚시점. The front entrance opens directly to the packed-earth front alley; that alley joins a packed-earth-and-gravel village road aligned toward the entrance. The road continues uphill from the restaurant side to the forest and mountain threshold. The back entrance opens directly into the rear yard. The yard contains a defined cultivated garden plot and a detached, weathered 4-by-3-metre storage shed with gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. Open yard circulation must connect the back entrance, garden edge and shed door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the rear-yard extent while preserving the building and village-road connections. The shed must appear intact rather than burned. Opening evidence must remain restrained: the front entrance, back entrance and yard-facing shed door retain their stated positions, while the evidenced restaurant and back-room windows are not multiplied into decorative arrays. The restaurant, shop frontage, yard and shed visibly carry ordinary signs of active current use chosen naturally for this type of Korean island business. The surrounding inhabited fishing-village neighborhood, adjacent buildings, alley and road must remain visible and regionally credible; a bare, sterile, abandoned or isolated-site reading fails.
THE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 5
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 5 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다마을 식당·낚시점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Outdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited fishing-village neighborhood surrounds an active restaurant and mixed retail business on a contemporary South Korean island. Adjacent village buildings, the packed-earth alley and the connected packed-earth-and-gravel road form an ordinary working settlement. The target is a one-storey rectangular restaurant building with a 14-by-10-metre footprint. Its walls are sun-faded cream cement render over concrete masonry, and its shallow gable roof is dark-gray corrugated metal with ordinary coastal weathering. The footprint holds an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, together with a kitchen, separate rear room and separate proprietor's room at real-world room sizes. The public face has a silver aluminum-framed glazed commercial frontage centered on the sliding front entrance, with the legible sign 바다마을 식당·낚시점 above it. A dark-stained timber lattice restaurant window belongs to this frontage. The front entrance opens directly toward the restaurant-front alley, and the alley joins the village road on an axis toward the entrance. From the restaurant side, the road continues uphill to the forest and the beginning of the mountain. The rear face has a dark-brown painted steel back entrance and a silver aluminum-framed back-room window. The back entrance opens directly into a compacted-earth rear yard. A defined cultivated garden plot occupies part of the yard. Open circulation connects the back entrance, the garden edge and the door of a detached 4-by-3-metre storage shed. The shed has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the yard while preserving its connections to the building and village-road side. The building, commercial frontage, yard and shed visibly carry ordinary signs of active daily use appropriate to this island business.
THE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 5
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 5 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다마을 식당·낚시점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Outdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
This is an ordinary, actively used commercial property embedded among the buildings of a contemporary South Korean island fishing village. Its front alley is packed earth, its connecting village road mixes packed earth and gravel, and both belong visibly to an inhabited working neighborhood. A one-storey 14-by-10-metre rectangular masonry building organizes the site. Sun-faded cream cement render covers its concrete walls, with patched coastal wear near the base. A shallow dark-gray corrugated-metal gable roof caps the main mass. The floor area accommodates an approximately 8-by-8-metre restaurant and retail hall, a kitchen, a rear room and a proprietor's room at credible human scale. Silver aluminum framing forms the glazed commercial frontage and sliding front entrance. The frontage carries the clear lettering 바다마을 식당·낚시점, and a dark-stained timber lattice restaurant window is integrated into the public face. The front entrance faces directly onto the alley, where the village-road approach aligns toward it. That road also climbs away from the restaurant toward the forest and mountain threshold. A dark-brown painted steel back entrance and a silver aluminum-framed back-room window occupy the rear face. The back entrance reaches the compacted-earth rear yard directly. Within the yard, a defined cultivated garden plot leaves open circulation to a detached 4-by-3-metre shed. The shed is intact and weathered, built of gray concrete block under an oxidized corrugated galvanized-steel roof, with its galvanized-steel door facing the yard. The route between the restaurant back entrance, garden edge and shed door remains open and direct. A weathered gray concrete-block and galvanized-mesh boundary marks the rear-yard perimeter and maintains access toward the building and village-road side. All outdoor areas and business surfaces show the natural ordinary evidence of continuing restaurant, retail, garden and storage use.
THE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 5
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 5 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다마을 식당·낚시점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Outdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A contemporary South Korean island fishing village encloses the site with adjacent inhabited buildings, an everyday earth alley and a village road. The target reads immediately as an operating restaurant combined with a convenience shop and fishing-supplies shop, complete and ordinary for this regional business type. Its main mass is a one-storey rectangular building measuring 14 by 10 metres. The concrete-masonry exterior has sun-faded cream cement render and a shallow dark-gray corrugated-metal gable roof. This mass provides enough floor area for an approximately 8-by-8-metre combined dining and retail hall, a kitchen, a separate rear room and a separate proprietor's room at full real-world sizes. The public front carries silver aluminum-framed shop glazing, the sliding front entrance, a dark-stained timber lattice restaurant window and the prominent legible sign 바다마을 식당·낚시점. The entrance opens onto the restaurant-front packed-earth alley. The alley meets the packed-earth-and-gravel village road, whose approach axis points toward the entrance. Beside the restaurant, the same road continues uphill until it meets the forest and mountain threshold. On the rear face, a dark-brown painted steel back entrance opens straight into the compacted-earth rear yard, accompanied by a silver aluminum-framed back-room window. A cultivated garden plot occupies a defined part of the yard while open circulation links the back entrance, the garden edge and the detached shed door. The separate storage shed measures 4 by 3 metres and has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a galvanized-steel door facing into the yard. A weathered gray concrete-block and galvanized-mesh perimeter boundary encloses the rear-yard extent while retaining the required connections to the restaurant and village-road side. The frontage, main building, garden area and storage shed all visibly express routine active use within the surrounding working neighborhood.
THE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
STRUCTURE SCALE SPEC (size-only evidence): the structure must be large
enough to plausibly contain the interior listed below. This interior
list is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,
furnishings or interior layout in the image. Do not infer a smaller or
larger size from framing — follow the spec.
This list describes ONE household or ONE tenancy inside the structure,
not the whole building. When the structure's type houses several
households or units, size the building for all of them — never size it
as if this single interior were everything it contains.
Read this list for room make-up and capacity only. Damage, disorder,
blood, broken furniture and anything else left behind by an event
belong to one moment, not to the size or the identity of the place.
Ignore them completely when deciding how large the structure is.
INTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.
ROOM CAPACITY (size-only evidence): the scenario evidences 5
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 5 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "바다마을 식당·낚시점". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Outdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Remove the raised concrete platform along the front facade so the entrance opens directly onto the packed-earth alley.
- Remove the dark-brown door and silver window from the side wall.
- Change the paved concrete surface in the yard area to compacted earth.
- Replace the concrete pavement of the village road on the right with packed earth and gravel.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 8건)Outdoor platform with drying vegetables
Vegetables growing in the garden plot
Candle and altar-like arrangement inside the shed
Stored restaurant supplies and fishing equipment
Residents and youths positioned around the restaurant
Shed fire and rising smoke
Firefighting hoses and buckets
Burned-out and smoking condition of the shed
입력 지문43c2825048313137
bg_roadside_gas_station검색 그라운딩
씬 42 · 멤버 샷 1개 · 검색 언어 한국어 · 회수 35장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 5개F1 roadside fuel dispenser
F2 fueling forecourt circulation area
R1 national highway beside the gas station
R2 gas-station highway approach
R3 fixed roadside gas-station identification sign
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국의 대도시권·남서해안권·외딴 섬 지역에 있는 평범한 국도변 주유소의 실제 사진을 찾아라. 국도 가장자리와 주유소 진입로의 경계 처리, 차량이 드나들고 멈추는 주유 공간, 주유기, 도로변 고정식 주유소 간판이 일상적으로 어떻게 시공되는지 확인하라. 관광 명소, 유명 장소, 여행 안내·예약 페이지, 홍보용으로 꾸민 시설, 장식물이나 예술 작품 형태는 제외하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 부속 장치와 표지의 글자·색면·가격 표시 배치를 읽어내라. 사진에서는 형태만 참고하고, 시설들의 실제 배치 관계, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 마라.
검색어국도변 주유소 / 주유기 / 주유소 진입로 / 주유소 바닥 / 주유소 간판
실제 질의 14건대한민국 수도권 국도변 평범한 주유소 주유기 진입로 바닥 고정식 가격 간판 실제 사진
대한민국 남서해안 국도변 평범한 주유소 주유기 진입로 바닥 가격표 간판 실제 사진
대한민국 외딴 섬 국도변 평범한 주유소 실제 사진 주유기 진입로 간판
울릉도 주유소 실제 사진 주유기 가격 간판 도로변
백령도 주유소 실제 사진 도로 진입로 주유기 간판
흑산도 주유소 실제 사진 도로변 주유기 가격 간판
울릉도 에쓰오일 주유소 사진
울릉도 독도주유소 사진
국도변 주유소 진입로 경계 연석 배수로 실제 사진 대한민국
국도변 주유소 바닥 콘크리트 주유 공간 차선 주유기 실제 사진 대한민국
해남 국도변 주유소 실제 사진 주유기 진입로 가격 간판
목포 영암 국도변 주유소 실제 사진 주유기 바닥 간판
완도 소안도 주유소 실제 사진 주유기 진입로
신안 섬 주유소 실제 사진 주유기 간판
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://news.nate.com/view/20260327n26395…
https://theestation.com/sub/sub02_01.php?category=%E…
https://www.nocutnews.co.kr/news/6409972…
https://blog.naver.com/godtlgkqrur/223599349781…
https://www.jfdaily.com/wx/detail.do?id=1079727…
https://blog.naver.com/handrong001/223581967243…
https://blog.naver.com/judy1910/223372172685…
https://www.dongnealba.com/job-ad/66b08ba452195cb35b…
https://blog.naver.com/dddubeee/223202350722…
https://news.sbs.co.kr/news/endPage.do?news_id=N1008…
https://bizno.net/article/6381700900…
https://v.daum.net/v/ytCY8k6F10…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://bizno.net/article/6381700900…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 4건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
진입로 옆에 독립적으로 서 있어야 할 철제 간판이 누락되었고, 대신 낮은 담벼락에 간판 텍스트가 칠해져 있습니다.
캐노피의 전면/측면 테두리와 매달린 표지판에 지시되지 않은 텍스트가 추가되어 있습니다.
인접한 상가 건물들의 간판과 주유소 전면 유리문에 지시되지 않은 읽을 수 있는 텍스트가 포함되어 있습니다.
서비스 건물 전면의 창틀이 지시된 어두운 알루미늄이 아닌 밝은 은색 알루미늄 재질로 되어 있습니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 1개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S42·sh2 | 실외. 국도변 주유소 - 낮 | 고립된 금월도의 위치 확인 | 정인우의 손에 들린 핸드폰 화면에 뚝 떨어진 외딴섬 '금월도'가 선명하게 뜬다. 근거: 핸드폰 지도앱 화면: 다른 여러 개의 섬에서 뚝 떨어진 외딴 섬. “금월도”라는 이름. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every candidate must show the same contemporary South Korean national-highway gas station as the main subject. A dark charcoal asphalt national highway directly adjoins an asphalt approach that enters a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre white-painted steel canopy with white metal fascia, a medium-blue identification band, and white-painted steel columns. A one-storey, roughly 18-by-8-metre rectangular service building stands behind the forecourt, with pale gray rendered reinforced-concrete walls, a flat reinforced-concrete roof with blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. The footprint must remain large enough for the ordinary support functions of an operating highway gas station. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. No exact target-building opening count is evidenced; openings must remain limited to the quiet regional norm rather than becoming prominent invented features. Materials show routine sun, rain, road dust, and service wear while the entire facility and its outdoor areas visibly carry ordinary signs of active daily use. The station is complete and ordinary for its facility type. It stands within a believable, currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises, not on isolated empty ground. The highway, approach, forecourt, dispenser zone, canopy, service building, and roadside sign must form one physically continuous and plausible road-to-fueling layout.
THE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "한길주유소". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Avante passenger car; In-woo's mobile phone; Geumwoldo map display
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Daylight reveals a contemporary South Korean gas station directly beside a paved national highway. It belongs to a currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises. The gas station is the main subject and visibly operates as an ordinary working facility. A dark charcoal asphalt highway edge meets an asphalt station approach, which leads directly into a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre canopy of white-painted steel columns, white metal fascia, and a medium-blue identification band. Behind the forecourt stands a one-storey rectangular service building measuring roughly 18 by 8 metres, built of pale gray rendered reinforced concrete with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. The surfaces carry routine sun fading, rain streaking, road dust, and service wear. The structure and outdoor areas visibly carry the ordinary signs of active daily fueling service and remain complete and ordinary for this facility type.
THE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "한길주유소". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Avante passenger car; In-woo's mobile phone; Geumwoldo map display
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited contemporary South Korean rural roadside neighborhood continues along a national highway, with ordinary low-rise development and active roadside premises surrounding the site. The main subject is a working gas station integrated into this neighborhood rather than isolated from it. The dark charcoal asphalt highway runs along the station edge. An asphalt approach crosses the roadside boundary and enters a pale gray concrete fueling forecourt, where the circulation area directly surrounds and serves regionally ordinary fuel-dispenser equipment. A roughly 24-by-12-metre white-painted steel canopy covers the dispenser zone, using white metal fascia, a medium-blue identification band, and white-painted steel columns. A one-storey service building stands behind the forecourt as an approximately 18-by-8-metre rectangular mass. Its exterior is pale gray rendered reinforced concrete, with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. At the highway-facing side, adjoining the approach, a fixed white-and-medium-blue painted-metal station sign legibly reads 한길주유소. Daylight shows routine weathering from sun, rain, dust, and continuous roadside service. The whole site visibly carries ordinary signs of active use and has the complete regional configuration of an operating highway gas station.
THE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "한길주유소". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Avante passenger car; In-woo's mobile phone; Geumwoldo map display
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The main subject is a complete, actively operating contemporary South Korean highway gas station in daylight. Its materials follow ordinary regional practice: dark charcoal asphalt at the adjoining national highway and approach, pale gray poured concrete across the fueling forecourt, white-painted structural steel beneath the canopy, and restrained medium-blue identification bands. The forecourt circulation area connects continuously to the highway approach and directly serves the regionally ordinary roadside fuel-dispenser equipment. Above the dispenser zone is a roughly 24-by-12-metre canopy with white-painted steel columns and white metal fascia. Behind it is a one-storey, roughly 18-by-8-metre rectangular service building of pale gray rendered reinforced concrete. The building has a flat reinforced-concrete roof with blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign occupies the road-facing side beside the approach and legibly reads 한길주유소. Sun fading, rain marks, road dust, and routine service wear remain visible across the permanent surfaces. The station and its outdoor areas visibly carry ordinary signs of active daily use. A currently inhabited rural roadside neighborhood of low-rise buildings and active premises surrounds the site and gives the facility a credible working context.
THE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "한길주유소". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Avante passenger car; In-woo's mobile phone; Geumwoldo map display
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Add a freestanding white-and-medium-blue painted-metal sign reading 한길주유소 beside the highway approach, and remove the text from the low concrete boundary wall.
- Remove all text from the canopy fascia and hanging signs, leaving only the plain white metal and blue band.
- Erase all readable text from the neighboring buildings' signs and the vertical sticker on the gas station's front door.
- Recolor the service building's front glazing frames to dark aluminum.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 3건)Avante passenger car
In-woo's mobile phone
Geumwoldo map display
입력 지문13b64d8b274cb169
bg_village_speaker_tower검색 그라운딩
씬 85 · 멤버 샷 2개 · 검색 언어 한국어 · 회수 27장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 C
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 6개A1 village public-address loudspeaker installation
B1 uphill forest edge
C1 dockside fishing-gear warehouse
C2 dockside fishing-gear warehouse entrance
C3 village waterfront dock
C4 sea approach off the village dock
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역의 마을방송 확성기 시설, 어구창고와 출입문, 어촌 선착장이 평소 실제로 지어진 모습을 보여주는 실제 사진을 찾아라. 관광 명소, 유명 장소, 기념물, 여행 안내, 숙박·예약 페이지, 장식용 시설, 예술 작품은 제외하고 주민들이 일상적으로 사용하는 평범한 시설을 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 고정 장치와 부속 설비, 출입문 구성, 표지판의 형태와 배치를 읽어라. 참고 사진에서는 시설의 형태만 취하고, 사진 속 시설 간 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
검색어마을방송 확성기 / 마을 확성기 / 어구창고 / 섬마을 선착장 / 어촌 선착장
실제 질의 16건대한민국 남서해안 섬마을 마을방송 확성기 실제 시설
대한민국 어촌 어구창고 출입문 실제 시설
전남 섬마을 마을방송 확성기 전봇대 실제 사진
전남 외딴 섬 어촌 선착장 실제 사진 주민 이용
전라남도 마을 방송 스피커 시설 사진
신안 섬마을 선착장 어선 주민 실제 사진
전남 외딴 섬 마을 작은 선착장 콘크리트 어선 실제 사진
완도 섬마을 어구창고 출입문 실제 사진
전남 어촌계 공동 어구보관창고 철문 사진
신안 어구 보관 창고 건물 출입문 사진
마을 확성기 전봇대 혼스피커 대한민국 어촌 실제 사진
어촌 선착장 콘크리트 물양장 어구창고 실제 사진 전남
전남 마을방송 스피커 교체 현장 사진
전남 섬마을 마을회관 옥상 확성기 사진
전남 마을방송 스피커 교체 현장
전남 섬마을 마을회관 옥상 확성기
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://www.khan.co.kr/article/202602220800001/amp…
https://m.joongdo.co.kr/view.php?key=202010140100035…
https://www.jjan.kr/article/20121206455306…
https://news.nate.com/view/20140319n20483…
https://www.tynewspaper.co.kr/news/articleView.html?…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://www.newspim.com/news/view/20240605000091…
https://www.koreatriptips.com/en/tourist-attractions…
https://go.seoul.co.kr/news/newsView.php?id=20240723…
https://www.asiae.co.kr/en/print.htm?idxno=202507101…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://brunch.co.kr/%40deeplyrooted/12…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.jjan.kr/article/20121206455306…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 최종 확정
5. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 2개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S85·sh2 map_marker | 87. 실외. 마을 일각 - 낮 | 산들의 시선 이동과 의심 | 몸의 방향은 숲으로 둔 채, 고개만 꺾어 선착장 옆 어구 창고를 의심스럽게 응시하는 C04의 상체 샷. 근거: 숲 쪽으로 다시 올라가려던 산들, 선착장 옆 어구 창고가 눈에 들어온다. |
| S85·sh5 | 87. 실외. 마을 일각 - 낮 | 경찰 순찰정의 출현 | 바다 한가운데서 뱃머리에 거친 물보라를 일으키며 선착장을 향해 빠르게 다가오는 경찰 순찰정. 근거: 멀리 바다에서 선착장을 향해 한 척의 배가 빠른 속도로 접근해온다: 경찰 순찰정이다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show the same contemporary South Korean island fishing-village edge and the same target warehouse: a one-storey, 14-by-8-metre rectangular fishing-gear warehouse with 4.5-metre eaves, a shallow gabled dark-blue coated corrugated-steel roof, salt-faded pale-blue corrugated-metal walls on a gray concrete-block plinth, and a faded-blue corrugated-steel dockside entrance. A white painted-metal signboard must carry the exact legible dark-blue text 공동어구창고. The warehouse footprint must plausibly contain the evidenced fishing-gear storage hall at real working scale. The evidence fixes the presence and dockside orientation of the entrance rather than a numerical opening count; any region-normal additional openings must remain unobtrusive. The main mass must physically support its roof and full storage footprint. The warehouse stands immediately beside the gray concrete village dock, which directly meets the sea and faces the open-sea approach. Inland, the village corner contains a galvanized-steel public-address pole with pale-gray horn loudspeakers, positioned between the uphill forest edge and the dockside sightline. The warehouse and waterfront remain visible from the village-to-forest movement area. A believable, currently inhabited working fishing neighborhood surrounds and connects these elements. The warehouse, dock and outdoor areas must visibly carry ordinary signs of active fishing use appropriate to contemporary South Korea and must not appear abandoned, sterile or staged.
THE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "공동어구창고". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Loudspeaker voice broadcast; Approaching police patrol boat
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A currently inhabited working fishing neighborhood occupies the edge of a contemporary South Korean island village, extending from a waterfront dock through an inland village corner to an uphill forest edge. Its ordinary surrounding buildings and lanes have regionally typical contemporary finishes. The target is a one-storey rectangular fishing-gear warehouse immediately beside the dock, with a 14-by-8-metre footprint and 4.5-metre eaves. It has salt-faded pale-blue corrugated-metal walls on a gray concrete-block plinth and a shallow gabled roof of dark-blue coated corrugated steel. A faded-blue corrugated-steel entrance faces the accessible gray concrete dockside area. A white painted-metal signboard carries the clearly legible dark-blue text 공동어구창고. The complete warehouse has the ordinary working configuration of its type and visibly carries signs of active fishing use. The dock directly meets the sea, and the open-sea approach aligns toward it. Inland, a galvanized-steel public-address pole with pale-gray horn loudspeakers occupies the village corner between the dockside sightline and the uphill forest. The warehouse and waterfront remain visible from the village-to-forest movement area. Salt fading, scuffed concrete and restrained corrosion around metal joints give the permanent structures credible coastal wear.
THE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "공동어구창고". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Loudspeaker voice broadcast; Approaching police patrol boat
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A lived-in contemporary South Korean island fishing neighborhood connects its active dockside sector to an inland village corner and an uphill forest edge. The neighborhood reads as an ordinary working settlement with regionally standard buildings, lanes and waterfront fabric. Immediately beside the gray concrete dock stands a complete one-storey fishing-gear warehouse of the local utilitarian type. Its rectangular main mass measures 14 by 8 metres with 4.5-metre eaves, providing a full working storage hall. Salt-faded pale-blue corrugated-metal walls rise from a gray concrete-block plinth beneath a shallow dark-blue coated corrugated-steel gable roof. The accessible dock-facing side contains a faded-blue corrugated-steel entrance. A white painted-metal identification sign displays 공동어구창고 in crisp, legible dark-blue lettering. The building and its outdoor working areas visibly show ordinary active fishing use appropriate to the region. The dock adjoins the sea directly, with the open-water approach oriented toward it. A galvanized-steel public-address pole carrying pale-gray horn loudspeakers stands at the inland village corner between the waterfront sightline and the uphill forest side. From the route toward the forest, the dock and warehouse remain visible in the opposite direction. Coastal salt fading, worn concrete and localized metal corrosion are consistent across the permanent site.
THE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "공동어구창고". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Loudspeaker voice broadcast; Approaching police patrol boat
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
An inhabited working fishing village occupies a connected contemporary South Korean island slope, with the sea and dock downhill, an inland village corner between them, and the forest edge uphill. Ordinary neighboring structures and public space continue around the target in regionally authentic contemporary materials. The fishing-gear warehouse is a one-storey, 14-by-8-metre rectangular volume with 4.5-metre eaves, standing immediately beside the dock. Its exterior combines a gray concrete-block plinth, salt-faded pale-blue corrugated-metal wall cladding, and a shallow gabled roof of dark-blue coated corrugated steel. The dockside face has a faded-blue corrugated-steel entrance opening onto the accessible gray concrete dock area. A white painted-metal signboard bears the exact legible dark-blue lettering 공동어구창고. The warehouse is complete for its type, holds a full-scale fishing-gear storage hall, and visibly bears the ordinary signs of active service. Faded coatings, scuffed concrete and modest corrosion at exposed fasteners establish realistic coastal wear. The concrete dock meets the sea, and the open-sea approach is aligned toward the dock. At the inland village corner, a galvanized-steel pole supports pale-gray public-address horn loudspeakers between the uphill forest edge and the waterfront sightline. The warehouse and dock remain visible from the village sector leading uphill toward the forest.
THE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
ROOM CAPACITY (size-only evidence): the scenario evidences 1
distinct interior spaces inside this structure. The committed
footprint and massing MUST plausibly hold all 1 of them at
real-world room sizes. This count is SIZE EVIDENCE ONLY — never
visualize, label or hint at the individual rooms in the image, and
never invent window or opening counts from it; size is verified
through human-scale fixed anchors (door heights, storey heights,
massing) only.
IN-WORLD SIGNAGE (exact lettering, identical in every view): the
structure's main signage reads exactly "공동어구창고". Reproduce this
lettering precisely — same characters, same wording — every time this
structure is rendered; never substitute, translate or romanize it,
and add no other readable text anywhere in the image.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Loudspeaker voice broadcast; Approaching police patrol boat
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
제외 계약 (일시적 요소 2건)Loudspeaker voice broadcast
Approaching police patrol boat
입력 지문765c21b759638718
bg_wave_battered_rocks검색 그라운딩
씬 89, 103 · 멤버 샷 3개 · 검색 언어 한국어 · 회수 19장 → 판정 후보 12장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 B
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 3개R1 exposed coastal rock outcrop
R2 sea-facing edge of the coastal rock outcrop
S1 sea adjoining the coastal rock outcrop
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문현대 국내 서남해안권과 외딴 섬 지역의 갯바위가 평범하게 형성된 모습을 담은 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·예약 페이지, 조형물이나 예술 작업은 제외한다. 사진에서 갯바위의 형태, 비례, 암석 질감, 색조와 부착물·표지의 유무만 확인한다. 사진의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 말고 형태만 참고한다.
검색어갯바위 / 해안바위 / 바닷가바위
실제 질의 8건전남 서남해안 무명 갯바위 실제 사진 일반 해안 암석
신안 외딴섬 해안바위 실제 사진 비관광지
전남 섬 갯바위 낚시 현장 사진 암반 따개비 해조류
서해 외딴 섬 바닷가바위 현장 조사 사진
전남 서남해안 해안바위 실제 사진 현장 조사
전남 외딴섬 바닷가바위 실제 사진 암석 표면
여수 무인도 일반 갯바위 실제 사진 낚시 포인트
진도 조도 일반 해안바위 실제 사진 관광명소 제외
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 12장
2. 회수 후보 12장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 11 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://electee.tistory.com/2280…
https://triple.guide/attractions/aeec4cda-5694-483c-…
https://www.welfarehello.com/community/hometownNews/…
https://www.mdilbo.com/detail/VzHbX6/667895…
https://leeesann.tistory.com/299038…
https://sane8253.tistory.com/2223…
https://m.fish.darakwon.co.kr/news_Detail.asp?b_no=1…
https://my.trip.com/moments/type-destination-hwaseon…
https://www.cooknchefnews.com/news/view/106555356771…
https://jsc7610.tistory.com/12666729…
https://v.daum.net/v/ZG3uaKRur9…
https://xn--2s2b33eb3kgvpta.com/store/S129512_162726…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://v.daum.net/v/ZG3uaKRur9…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 1건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
주요 피사체인 암반이 형태 참고 사진에 나타난 얇고 평평한 수평 퇴적층과 넓은 계단식 지형이 아닌, 두껍고 거대한 덩어리 형태의 바위들로 잘못 묘사되었습니다.
수정본재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 3개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S89·sh1 | 실외. 금월도 갯바위 - 계속 | 만족스런 미소 | 갯바위에 선 강영란(C07)이 다가오는 순찰정을 바라보며 만족스럽게 입꼬리를 올린다. 근거: 다가오는 순찰정을 보며 만족스런 미소의 영란. |
| S103·sh1 | 106. 실외. 갯바위 - 저녁 | 바다에서 솟아오른 손 | 짙은 어둠이 내리는 저녁, 갯바위 가장자리 수면을 뚫고 나온 젖은 손이 바위를 향해 뻗는 순간. 근거: 순간, 사람 손 하나가 바닷물을 뚫고 올라온다. 갯바위를 콱 움켜잡고 바다에서 나오는 사람은… |
| S103·sh7 | 실외. 갯바위 - 저녁 | 울분을 토해내는 산들 | 갯바위에 쓰러진 채 주먹으로 바위를 내리치며 눈물을 흘리는 산들의 옆얼굴. 근거: 겨우 갯바위 위로 올라와 벌러덩 자빠져 눕는다. 거칠게 숨을 몰아쉬다가… |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
The target is a natural coastal rock outcrop with zero architectural storeys and zero architectural openings. It is one continuous mass of exposed, sharply fractured charcoal-gray and medium-gray bedrock, marked by pale salt weathering and muted brown mineral staining, with irregular natural ledges descending to a jagged sea-facing edge. The sea directly adjoins that edge and provides uninterrupted water-side views back toward the rock boundary. The permanent site contains only the exposed outcrop, its sea-facing edge, and the adjoining sea; it has no separate building, path, landing structure, or fixed facility, as expressly established by the source specification. The landward context must read as part of a currently inhabited, working South Korean island coastal neighborhood, and the site and its surroundings must visibly carry ordinary signs of ongoing coastal use rather than appear abandoned, sterile, or studio-built.
THE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
approaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness
롤 A 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A contemporary South Korean island coast within a currently inhabited working coastal neighborhood that continues inland beyond the natural site. Ordinary signs of ongoing coastal use are visible in the surroundings. The target is a natural outcrop with zero architectural storeys: one continuous mass of exposed charcoal-gray and medium-gray bedrock, sharply fractured and rough, with pale salt weathering and muted brown mineral staining. Irregular natural ledges descend to a jagged sea-facing edge. The blue-green sea directly adjoins the rock along that edge, forming an uninterrupted transition between water and exposed stone and allowing clear water-side views back toward the rock boundary. The site consists of the outcrop, its sea-facing edge, and the adjoining sea; the source establishes the absence of any separate building, path, landing structure, or other fixed facility.
THE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
approaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The location belongs to the shore of a currently inhabited South Korean island settlement, with an ordinary working coastal neighborhood extending through the landward context. The surroundings visibly retain the everyday signs of continuing coastal use. At the water boundary, the target is one continuous, zero-storey natural bedrock mass. Its exposed surfaces are charcoal gray and medium gray with pale salt weathering, muted brown mineral stains, sharp fractures, and a rough coastal finish. Naturally stepped ledges meet a jagged sea-facing edge. Blue-green seawater lies immediately against this edge, preserving a direct rock-to-water transition and uninterrupted views from the water toward the outcrop. The permanent site is limited to the exposed rock outcrop, its sea-facing boundary, and the adjoining sea; the expressly established site has no separate building, path, landing structure, or fixed facility.
THE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
approaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Charcoal-gray and medium-gray exposed coastal bedrock defines the target, with pale salt weathering, muted brown mineral staining, rough faces, sharp fractures, and irregular natural ledges. The formation is one continuous natural mass with zero architectural storeys, descending through fractured stone shelves to a jagged sea-facing edge. The adjoining sea is blue green and meets the rock directly along the full visible boundary, with clear water-side sightlines back to the edge. This natural site sits within the landward context of a currently inhabited, working South Korean island coastal neighborhood. The place and its surroundings visibly carry ordinary signs of continuing coastal use and read as a real lived-in island shore. Only the outcrop, its sea-facing edge, and the immediately adjoining sea form the permanent site; the source explicitly establishes the absence of a separate building, path, landing structure, or other fixed facility.
THE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
approaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
제외 계약 (일시적 요소 6건)approaching patrol boat
gathered village residents
waves striking the rocks
person emerging from the sea
person lying on the rock
descending evening darkness
입력 지문67138dc5ab4cfb12
bg_winter_reed_field검색 그라운딩
씬 1 · 멤버 샷 3개 · 검색 언어 한국어 · 회수 5장 → 판정 후보 5장 · 팩 4.202607301950 · 씨드 롤 3 · 선정 A
선정 씨드 — 최종 샷 이미지가 아닙니다. 이 그룹의 모든 샷이 이 구조물 룩을 공유합니다.
장소 서술 (저작)A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.
VLM 선택 사유이중 판정 평균 최고 (심판 gemini-pro, gpt)
영구 시설 항목 3개R1 Reed field surrounding the refuge house
H1 Salt-warehouse-sized wooden refuge house
H2 Exterior entrance of the wooden refuge house
1. 검색 지시문 저작
시나리오 원본어로 저작 — 씬 원문은 언어 판정에만 쓰이고 검색 의미에 기여하지 않는다
지시문한국 남서해안과 외딴 섬 지역에서 17세기 조선 및 일제강점기 전후에 일상적으로 지어진 목조 소금창고와 창고 외부 출입문의 실제 사진을 찾아라. 관광지, 유명 장소, 여행 안내·예약 자료, 장식용 건물, 예술 작품은 제외하고 평범하게 쓰인 사례를 우선하라. 사진에서 건물의 구조, 비례, 규모, 목재와 판재의 종류 및 짜임, 지붕 재료, 실제 색조, 문짝·경첩·빗장·손잡이 같은 부속, 표지나 글씨가 있다면 그 배치 방식을 읽어라. 사진에서는 형태만 참고하고 건물 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 환경은 가져오지 마라.
검색어옛 소금창고 / 목조 소금창고 / 판자 창고 / 나무 창고 / 창고문
실제 질의 4건한국 서남해안 외딴 섬 전통 목조 소금창고 판자 창고 창고문 실제 사진
조선시대 일제강점기 염전 목조 소금창고 나무 판재 출입문 경첩 빗장 실제 사진
신안 섬 염전 오래된 목조 소금창고 외관 출입문 판자문 실제 사진
증도 비금도 도초도 천일염 목조 창고 문 낡은 판재 경첩 빗장 사진
⬇ 웹 이미지 검색 · 안전 다운로드 → 후보 5장
2. 회수 후보 5장 — VLM 비교 선택
VLM 입력 순서 그대로 · 선택 1 / 탈락 4 · 탈락본은 흐리게(마우스를 올리면 선명해집니다)
https://gjicp.ggcf.kr/mediaObjects/785…
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
https://v.daum.net/v/20260309203004620…
https://gjicp.ggcf.kr/mediaObjects/785…
https://www.yna.co.kr/view/AKR20160204092000054…
⬇ 선택 1장을 형태 참조로 확정
3. 선택 형태 참조
씨드 생성에 첨부된 1장 — 형태 전용. 배치·구도·날씨·시간대는 참조에서 가져오지 않는다
https://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNT…
⬇ 형태 참조 i2i · 같은 브리프의 서로 다른 저작 변형 3롤
4. 씨드 멀티롤 3장 — VLM 채점
점수 최고 후보 선정, 동점은 랭킹 우선
⬇ 선정본 결함 검사 4건 → i2i 국소 수정
5. 결함 검사 → 수정
선정본만 검사하고, 지적된 곳만 제자리에서 고친다
문 크기를 기준으로 볼 때 건물의 길이가 18m가 아닌 약 8m에 불과하며, 처마 높이도 3.5m에 못 미치는 약 2.5m로 지정된 거대한 직사각형 매스와 다릅니다.
벽체가 수직으로 세워져 있어, 형태 레퍼런스에 명확히 나타난 안쪽으로 기울어진 독특한 목구조를 반영하지 않았습니다.
외벽의 목재 프레임 사이에 베이지색 흙/회반죽이 채워져 있어, 지침이 요구한 '나무 판자 벽(timber-board walls)' 조건에 위배됩니다.
건물 앞부분이 넓은 흙마당으로 비워져 있어, 문이 인접한 갈대밭으로 직접 열리며 갈대가 다가가는 진입로를 형성해야 한다는 지침과 어긋납니다.
⬇ 최종 확정
6. 최종 씨드
후속 콘티·배경의 룩 앵커 — 이번 실행은 여기까지
이 씨드를 공유하는 샷 3개 — 샷 내용 보기
| 씬·샷 | 헤딩 | 비트 | 대표 순간 / 배정 근거 |
|---|---|---|---|
| S1·sh2 | 실외. 겨울 갈대숲 - 낮 | 처참하게 무너지는 희생자와 도망치는 군중 | 머리에 피를 흘리며 흑백의 갈대숲 바닥으로 쓰러지는 조선인 여자와 그 뒤로 도망치는 사람들. 근거: 머리가 터진 조선인 여자가 맥없이 쓰러진다. |
| S1·sh5 | 실외. 겨울 갈대숲 - 낮 | 조선인들을 학살하며 진격하는 일본군 무리 | 갈대숲 사이로 진격하며 조선인들을 향해 총구를 겨눈 일본군 소대 근거: 이들과 20여 미터 쯤 뒤처진 갈대숲 다른 곳, 30여 명 소대 병력의 일본군이 갈대숲 저 너머로 사냥하듯 총알을 갈기며 전진한다. |
| S1·sh7 map_marker | 실외. 겨울 갈대숲 - 낮 | 나무집을 발견하고 필사적으로 내달리는 생존자들 | 공포에 질린 조선인들이 눈앞에 나타난 낡은 나무집을 향해 필사적으로 손을 뻗으며 달리고 있는 순간. 근거: 때마침 염전 소금창고 정도 크기의 나무집을 발견, 안으로 숨어든다. |
생성 계약 전문 (브리프 · 롤 프롬프트 · 수정 프롬프트)
공통 브리프 (SHARED CONFORMANCE BRIEF)SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):
Every image must show a single complete, actively used wooden refuge house embedded in a continuous broad, dense winter reed field in an inhabited working rural wetland district of early-twentieth-century Korea. The house is one storey, approximately 18 metres long by 8 metres wide, with an elongated rectangular mass, 3.5-metre eaves, weathered dark-brown timber-board walls and frame, a low gray fieldstone plinth, and a dark charcoal-gray fired-clay tiled gable roof. The evidenced exterior entrance is a solid dark-brown timber-plank door in one long side and opens directly onto the adjoining reeds. Any other openings remain restrained and regionally typical. Reeds extend continuously around multiple sides and form the exterior approach ground. The broader surroundings must read as a believable, inhabited and working Korean rural neighborhood rather than an isolated sterile set. The building and adjoining outdoor area must visibly carry ordinary signs of regular use and upkeep appropriate to this place and period.
THE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Splattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears
롤 A 프롬프트 ★선정A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
A broad, dense winter reed field forms the continuous exterior ground of an inhabited working rural wetland district in early-twentieth-century Korea. The ordinary regional neighborhood remains perceptible beyond the reeds. A single complete wooden refuge house stands embedded among the reeds and visibly remains in regular use. It is one storey, approximately 18 metres long and 8 metres wide, with an elongated rectangular mass and eaves 3.5 metres above a low gray fieldstone plinth. Its timber frame and board walls are weathered dark brown. A dark charcoal-gray fired-clay tiled gable roof covers the full mass. The evidenced exterior entrance is a solid dark-brown timber-plank door set into one long side and opening directly onto the adjoining reed field. Other openings are restrained and follow the ordinary regional pattern. Reeds adjoin multiple sides and continue through every exterior approach. The house and its outdoor setting carry ordinary visible signs of active use and upkeep appropriate to a Korean rural working house of the period.
THE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Splattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 B 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
The location belongs to an inhabited and actively working Korean rural wetland neighborhood of the early twentieth century. A broad, dense winter reed field fills the immediate site and connects it naturally to the ordinary regional landscape beyond. Embedded in this continuous field is one complete, actively used wooden refuge house. Its one-storey elongated rectangular body measures approximately 18 by 8 metres, with 3.5-metre eaves. Weathered dark-brown timber boards cover the timber frame above a low gray fieldstone plinth, and a dark charcoal-gray fired-clay tiled gable roof spans the building. A solid dark-brown timber-plank exterior door forms the evidenced entrance on one long side and opens directly into the surrounding reeds. Restrained regionally typical openings complete the working-house configuration. Dense reeds meet the building on multiple sides and supply its exterior approaches. Ordinary signs of regular use and upkeep are visible across the house and its adjoining outdoor area.
THE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Splattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
롤 C 프롬프트A location-scouting photograph for a live-action film — a real place,
found and chosen for shooting. The TARGET STRUCTURE described below is
the main subject, photographed from a slightly elevated three-quarter
view that shows its overall shape, faces and openings, and it stands
inside its real, lived-in neighborhood: the adjacent buildings, the
alley or street it belongs to, and the everyday surroundings such a
place naturally has. Never an isolated building on empty ground. This
image becomes the look authority (seed) for every later view of the
SAME structure, so render the exterior complete and real: no cutaway,
no floor-plan or room labels, no transparent enclosed surfaces, never
a drawing or diagram. Real materials, real weathering, and the
ordinary visual texture of a place where people actually live.
Weathered dark-brown timber boards over a timber frame define a complete Korean rural refuge house from the early twentieth century. The walls rise from a low gray fieldstone plinth to 3.5-metre eaves, and a dark charcoal-gray fired-clay tiled gable roof covers the elongated rectangular 18-by-8-metre footprint. The building is one storey and has the substantial mass of a period salt-storage building. Its evidenced exterior entrance is a solid dark-brown timber-plank door in one long wall, opening directly onto the adjoining field. Additional openings remain restrained and regionally typical. The single house stands within a broad, dense winter reed field that continues around multiple sides and across every exterior approach. The wider setting reads as an inhabited working rural wetland neighborhood in Korea. The structure and surrounding outdoor area show ordinary, unstaged signs of continuing use and maintenance appropriate to their regional type and period.
THE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.
HUMAN-SCALE CALIBRATION (size truth for everything built): derive every
structure's true dimensions from the human-scale FIXED elements visible
on it — a door is about 2m tall, a window about 1–1.5m wide, one storey
about 2.5–3m, a railing about 1.1m. Never infer a structure's total
capacity from how few or how many openings one face happens to show:
a wall can be windowless while still enclosing several rooms behind it.
When an INTERIOR size-evidence list is provided, the enclosed volume
MUST be large enough to plausibly hold everything it lists — that
evidence outranks any impression taken from the exterior alone. Never
inflate a small structure into an oversized mass, and never shrink a
large one. Every part of the structure and its surroundings must agree
with these anchors at the same time.
SCENE TRANSIENTS — the items below belong to specific scripted
moments, not to the permanent place. Do not reproduce these particular
staged items or momentary states. This does not forbid the ordinary,
generic equivalents such a neighborhood would naturally show:
Splattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears
CLEAN PLATE RULES: no people and no animals anywhere in frame. Do not
stage any scripted moment — no doors held open for a scene, no
interior lights implying someone mid-scene, no picture vehicles or
props arranged for action. The generic, everyday signs of a place's
active use are NOT staging — they are part of the place itself: when
the SHARED CONFORMANCE BRIEF commits current active use, the TARGET
STRUCTURE's own surfaces, entries and outdoor areas carry the
ordinary, accumulated traces of the use they serve, exactly as a
scout would find the place on an ordinary day, and a target that
reads bare or emptied out in a way inconsistent with that committed
active use is wrong. Which particular things show the use is the
image's own choice. The brief's own statements always win over this
rule: a committed different use or occupancy state — empty, derelict,
institutional or not yet occupied — and any committed age or
condition, including new construction, are facts to keep, never
violations.
결함 수정 프롬프트Edit this photograph. Apply ONLY the corrections listed below,
each in place, changing nothing else:
CORRECTIONS:
- Expand the structure's footprint to be approximately 18 metres long and raise the roofline so the eaves stand 3.5 metres above the plinth.
- Rebuild the structure to feature the inward-slanting timber walls and structural framing shown in the form reference.
- Change all beige plastered wall sections to continuous weathered dark-brown timber boards.
- Fill the cleared dirt yard with dense winter reeds right up to the building's plinth so the entrance opens directly into the reed field.
PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —
every person, pose, face, garment, object, set feature, lighting,
camera and framing stay identical. No text, captions or
watermarks anywhere.
제외 계약 (일시적 요소 5건)Splattered blood
Fallen Korean woman
Fleeing Korean group
Advancing Japanese platoon
Carried rifles and spears
입력 지문9188829df1cf2606
검색 계약 밖 그룹 — 순수 T2I0개
구조물 플레이트 바인딩이 없어 검색 대상이 아닌 야외 그룹입니다(outdoor_seed_all_groups 로 씨드만 함께 생성). 웹 사진 참조 없이 멀티롤 → 판정 → 결함 수정만 거칩니다. 검색 대상 10개와 동치가 아님을 보이려고 함께 싣습니다.
이전 라운드 감사 이력4회 — 반려 사유 전문
최종 10/10 에 도달하기 전 두 라운드의 체크포인트 스냅샷입니다. 후보 이미지 파일은 재검색이 같은 경로에 덮어썼기 때문에 bytes 가 남은 것만 보이고, 나머지는 덮어써짐 카드로 명시합니다(조용히 빼지 않습니다).
라운드 1partial
스냅샷 manifest_20260729_112531.json · 성공 7 / 실패 3 · 2026-07-29T01:55:48.014696+00:00
bg_fishing_boat ok — 후보 12장 · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 운항하는 평범한 5톤급 소형 어선의 선체, 선수 갑판, 선미 갑판, 선수와 선미를 잇는 통로, 밀폐형 조타실, 조타륜과 평범한 선착장의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내나 숙박·승선 예약 페이지, 장식용 선박, 전시물, 예술 작품은 제외하고 현지에서 일상적으로 쓰이는 사례를 우선하라. 사진에서 각 구조의 형태, 비례, 재료, 색상, 난간·문·창·계기·고정 장치 같은 부속물과 표지판의 크기·위치·구성을 판독하라. 사진에서는 구조의 형식만 참고하고, 개별 사진의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
선택 사유선수 갑판에서 시작해 조타실 양옆으로 이어지는 중앙 통로와 전체적인 종방향 선박 구조를 정면 구도로 가장 뚜렷하게 보여주어, 한국 소형 어선의 일상적인 형태와 갑판 배치를 파악하기에 최적의 참고 사진입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_forest_goat_pen ok — 후보 12장 · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 쓰이는 평범한 염소 우리 울타리와 가축 출입문의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내나 숙박 예약 자료, 체험 목장 홍보물, 장식용 시설, 예술 작품은 제외하고 소규모 농가와 일상적인 사육 현장의 사례를 우선하라. 사진에서 울타리와 출입문의 구조, 비례, 재료, 색, 기둥과 철망의 결합 방식, 문짝·경첩·걸쇠 같은 부속물, 표지판이 있다면 그 크기와 배치를 확인하라. 사진에서는 개별 시설의 형태만 참고하고, 우리 전체의 배치, 출입문의 위치 관계, 촬영 방향, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 마라.
선택 사유내부를 관통하는 중앙 통로와 양방향으로 열린 구조를 갖춘 현대식 염소 사육장의 형태, 재질, 비율을 가장 정확하게 보여줍니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://www.yna.co.kr/view/AKR20160204092000054…
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_forest_ritual_clearing 실패 — 후보 12장 · 쓸 만한 후보 없음 (VLM 선택 0) · 팩 1.202607281800
검색 지시문대한민국 남서해안과 외딴 섬 지역에서 실제로 사용되는 평범한 야외 제단과 바위 앞 제단의 실제 사진을 찾는다. 현대 사례와 함께 조선시대 및 식민지기 전후의 형식을 확인할 수 있는 현존 유구, 기록 사진, 고증된 생활사 재현물의 실제 사진도 조사한다. 관광 명소, 유명 장소, 문화유산 홍보 사진, 여행 안내·숙박 예약 페이지, 장식용 조형물, 예술 작품은 제외한다. 사진에서 제단의 구조, 전체 비례, 높이와 폭, 돌·목재 등 재료, 표면 마감과 색, 받침·상판·고정 장치 같은 부속, 글씨나 표지가 있을 경우 그 배치 방식을 읽어낸다. 사진에서는 형태만 참고하고, 장소 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 않는다.
반려 사유제시된 후보 중 성인 키의 3~4배에 달하는 거대한 자연 바위와 그 바로 앞에 고정된 중앙 제단이 결합된 형태를 보여주는 사진이 없습니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_coastal_village ok — 후보 12장 · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬의 평범한 해안마을에서 실제로 사용되는 섬마을 주택 전면, 대문, 낮은 담장과 골목 가장자리의 실물 사진을 찾는다. 조선 후기나 식민지기 장면에 같은 주거 구조가 필요하다면 해당 시기의 평범한 민가 전면·대문·담장을 보여주는 사료 사진과 고증 사진을 시대별로 따로 찾고, 현대 형태와 섞지 않는다. 관광 명소, 문화재 중심 사진, 유명 장소, 여행 안내·숙박 예약 자료, 장식용 담장이나 예술 작업은 제외한다. 사진에서 지붕과 벽체의 구조, 건물과 담장의 높이·폭·비례, 목재·돌·벽돌·콘크리트·금속 등 실제 재료, 표면 색과 마감, 대문의 문짝·경첩·손잡이·잠금장치·우편함·계량기·배수 시설 같은 부속물, 번지판과 생활 표지의 크기·부착 위치·배치를 읽어낸다. 사진에서는 개별 구조물의 형태만 참고하고, 마을 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 풍경은 절대로 가져오지 않는다.
선택 사유한국 외딴 마을의 전형적인 형태를 띠고 있으며, 굽어지는 골목길과 면해 있는 낮은 블록 담장, 철제 대문, 그리고 그 너머의 주택 전면부가 제시된 '마을 주거지 동선'의 공간적 배치와 구조를 가장 명확하고 일상적으로 보여주는 훌륭한 레퍼런스입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://brunch.co.kr/%40109a71483c114a0/1…
12. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_main_pier ok — 후보 5장 · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역의 선착장, 부두 접안부, 어구창고, 선착장 앞 식당, 섬마을 주택이 평소 실제로 지어진 모습을 보여주는 실사진을 찾는다. 관광 명소, 유명 장소, 랜드마크, 여행 안내, 숙박·여행 예약 페이지, 장식용 시설, 예술 작품은 제외하고 주민과 어민이 일상적으로 사용하는 평범한 사례를 우선한다. 사진에서 선착장 바닥과 끝부분의 구조, 접안부의 높이와 마감, 방충재·계선주·난간 같은 부속물, 어구창고와 식당 및 주택의 비례, 골조, 외장 재료, 지붕, 문과 창, 색상, 설비, 간판의 크기·재료·부착 방식을 읽어낸다. 참고 사진에서는 개별 시설의 형태만 취하고, 시설 사이의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 경관은 절대로 가져오지 않는다.
선택 사유한국 어촌 및 섬 마을 선착장 부근에 흔히 존재하는 평범한 식당의 현실적인 외부 구조(간판, 출입구, 야외 수조 등)를 선명하고 일상적인 형태로 가장 잘 보여주고 있어, 본문에 묘사된 반월 식당의 훌륭한 형태 참고 자료가 됩니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_mainland_harbor ok — 후보 12장 · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 대도시권·남서해안권과 외딴 섬의 생활형 어촌항에서 선착장 진입부, 물양장, 부두, 배가 닿는 접안 가장자리, 부두 끝부분, 고정식 선착장 표지판이 평소 어떻게 시공되어 있는지 보여주는 실제 사진을 찾는다. 관광명소, 유명 장소, 랜드마크, 여행 안내, 숙박·승선 예약, 홍보용 연출 사진, 장식물과 예술 설치물은 제외하고 주민과 어선이 일상적으로 이용하는 평범한 시설을 우선한다. 사진에서 각 시설의 구조와 비례, 콘크리트·석재·금속 등 재료, 실제 색상, 계선주·방충재·난간·조명 같은 고정 부속물, 표지판의 지지 방식과 글자·기호 배치를 판독한다. 참고 사진에서는 시설의 형태만 취하고 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 풍경은 절대 가져오지 않는다.
선택 사유육상 접근로에서 선착장으로 이어지는 동선이 명확하며, 그 경계에 위치한 마을버스 정류장 및 어항 안내 표지판이 고정식 식별 표지 역할을 합니다. 바다를 향해 뻗어나가는 접안용 부두의 형태 등 한국 해안 마을에서 흔히 볼 수 있는 일상적인 선착장의 구조를 잘 보여줍니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_multifamily_residence ok — 후보 12장 · 팩 1.202607281800
검색 지시문2020년대 중반 국내 대도시권과 남서해안권의 주택가에서 골목길에 바로 붙은 평범한 다세대주택, 골목 쪽 외부계단, 공동현관과 출입구의 실제 사진을 찾으시오. 외딴 섬 지역은 실제로 다세대주택이 있는 경우에만 일상적인 사례를 함께 확인하시오. 관광지, 명소, 유명 장소, 여행 안내·숙박 예약 자료, 장식용 계단, 예술 설치물은 제외하시오. 사진에서 건물과 골목의 맞닿는 방식, 계단의 폭·높이·경사·참, 콘크리트·벽돌·석재·금속 같은 재료, 외벽과 난간의 색, 난간·차양·배수구·조명·우편함·도어록 같은 부속물, 공동현관의 호수판·주소판·안내판 배치를 읽으시오. 사진에서는 각 요소의 형태만 참고하고, 사진 속 배치·시점·구도·날씨·시간대·주변 환경은 가져오지 마시오.
선택 사유차량 접근이 가능한 골목길(아스팔트 포장)에 직접 면하여 다세대 주택 외벽을 따라 2층으로 오르는 외부 계단의 동선이 매우 명확히 보입니다. 붉은 벽돌과 노출 콘크리트 등 한국 도심지 다세대 주택의 평범하고 일상적인 비례와 질감을 완벽하게 보여주는 훌륭한 형태 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_natural_cave 실패 — 후보 10장 · 쓸 만한 후보 없음 (VLM 선택 0) · 팩 1.202607281800
검색 지시문대한민국 남서해안권과 외딴 섬·산림 지역에서 2020년대 중반에 자연 동굴 입구 둘레에 고정한 나무 기둥과 목재 받침 구조가 실제로 어떻게 시공되는지 보여주는 현장 사진을 찾는다. 관광 명소, 유명 장소, 여행 안내·예약 자료, 장식용 구조물, 예술 작품은 제외하고 평범한 실제 사례만 살핀다. 사진에서 기둥과 받침의 구조, 굵기와 간격을 포함한 비례, 목재 종류와 가공 상태, 색, 고정 철물과 접합 방식, 표지판이 있을 경우 그 형태와 글자 배치를 읽어낸다. 사진에서는 이러한 형태만 참고하고, 구조물의 전체 배치, 촬영 방향, 화면 구성, 날씨, 시간대, 주변 풍경은 절대 가져오지 않는다.
반려 사유제시된 모든 사진 중 숲으로 둘러싸인 자연 동굴 입구와 그 주위에 고정된 나무 기둥 지지대 구조가 함께 온전히 포함된 레퍼런스는 없습니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_police_patrol_boat 실패 — 후보 9장 · 쓸 만한 후보 없음 (VLM 선택 0) · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬 지역에서 실제로 운용되는 평범한 소형 경찰 순찰정의 실제 사진을 찾아라. 선수 갑판 난간, 선수에서 선미로 이어지는 갑판 통로, 선미 갑판 안전 난간, 조타실, 선수 방향을 향한 조타대를 확인할 수 있는 사진을 우선하라. 관광 명소, 유명 선박, 기념물, 여행 안내·예약 페이지, 홍보용 장식 선박, 예술 작품은 제외하고 일상적으로 운용되는 순찰정만 조사하라. 사진에서 각 부분의 구조, 비례, 재료, 색상, 고정 장치와 표지 배치를 읽어라. 사진에서는 형태만 참고하고, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
반려 사유제공된 후보들 중 순찰정의 전체적인 종단 배치(선수 난간 및 갑판, 측면 통로, 선미 갑판 및 난간, 조타실의 외부 형태)를 종합적으로 파악할 수 있는 폼 레퍼런스용 이미지가 없습니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_restaurant_compound ok — 후보 12장 · 팩 1.202607281800
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬 마을에서 실제로 영업하는 평범한 식당 건물, 식당 앞 골목의 건축적 가장자리, 앞뒤 출입문, 뒷마당, 텃밭, 담장이나 울타리, 독립된 소형 창고와 창고문이 일상적으로 시공된 모습을 보여주는 실제 사진을 찾는다. 관광명소, 유명 장소, 문화재, 여행 안내, 숙박·예약 페이지, 장식용 시설, 미술 작품은 제외한다. 사진에서 각 시설의 구조, 비례, 재료, 색상, 문·창·손잡이·잠금장치·배수시설 같은 부속물과 간판·표지의 크기 및 배치 방식을 읽어낸다. 참고 사진에서는 형태만 취하고, 시설들의 배치 관계, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 않는다.
선택 사유현대 한국에서 흔히 볼 수 있는 일상적인 동네 식당의 전체 형태, 출입구, 간판 배치 및 외장 재질을 명확히 보여주어 본관 건축물 형태 참고용으로 가장 적합합니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
라운드 2partial
스냅샷 manifest_20260729_122518.json · 성공 7 / 실패 3 · 2026-07-29T02:40:49.435488+00:00
bg_fishing_boat ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 운항하거나 사용되는 평범한 다섯 톤급 소형 어선의 선체, 선수 갑판, 선미 갑판, 갑판 통로, 밀폐형 조타실, 조타륜과 어항의 선착장·부두를 보여주는 실제 사진을 찾는다. 관광 명소, 지역 명물, 유명 장소, 여행 안내, 숙박·승선 예약, 홍보성 관광 사진, 장식용 배와 예술 작품은 제외하고 생업 현장의 흔한 어선과 부두를 우선한다. 사진에서 각 구조물의 구조, 비례, 재료, 색상, 난간·문·창·계기판·조명·계류 설비 같은 부속물, 표지와 안전표시의 배치 방식을 확인한다. 사진에서는 이러한 실제 제작 형식만 참고하고, 사진 속 대상들의 구체적인 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 않는다.
선택 사유선수 갑판, 선미 갑판, 그리고 그 사이에 위치한 밀폐형 조타실과 종방향 통로 등 한국 연안의 전형적인 5톤급 소형 어선이 가지는 보편적인 갑판 배치와 비례, 재질감을 측면 앵글을 통해 가장 직관적이고 뚜렷하게 보여주는 훌륭한 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_forest_goat_pen 실패 — 후보 12장 · 쓸 만한 후보 없음 (VLM 선택 0) · 팩 2.202607291130
검색 지시문대한민국 대도시권·남서해안권·외딴 섬 지역의 현대 염소우리와 가축 울타리, 서로 마주 보는 우리 출입문, 우리 안을 가로지르는 가축 통로가 평범한 농가에서 실제로 어떻게 지어지는지 보여주는 실물 사진을 찾으시오. 역사 구간에는 조선 후기의 고증된 생활사 자료와 실물 재현 사진, 식민지기의 기록 사진을 시대별로 따로 찾으시오. 관광 명소, 유명 장소, 여행 안내·숙박 예약 쪽, 민속촌식 장식물, 예술 작품, 과도하게 꾸민 체험장은 제외하고 일상적인 농가 시설을 우선하시오. 사진에서 울타리와 출입문의 구조, 비례, 높이, 재료, 색, 이음 방식, 경첩·빗장·잠금쇠 같은 부속, 안내판이나 표찰의 배치를 확인하시오. 참고 사진에서는 시설의 형태만 취하고, 배치와 촬영 각도, 화면 구성, 날씨, 시간대, 주변 환경은 가져오지 마시오. 현대 시설과 조선 후기 및 식민지기 시설의 재료·가공법·부속을 서로 섞지 마시오.
반려 사유제시된 모든 사진이 소 외양간, 돼지우리, 농장 대문 또는 헛간 등을 보여줄 뿐, 요구된 주된 구조물인 '염소우리'를 보여주는 사진은 단 한 장도 없으므로 적합한 후보가 없습니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_forest_ritual_clearing ok — 후보 6장 · 팩 2.202607291130
검색 지시문대한민국 남서해안과 외딴 섬 지역을 중심으로, 숲속의 평범한 마을 제터에 설치된 야외 제단과 의례용 바위의 실제 사진을 찾는다. 현대 현장 사진, 조선시대부터 이어진 현존 유적의 실물 사진, 식민지기의 기록 사진을 시대별로 구분한다. 관광 명소, 유명 유적, 여행 안내·숙박 예약 문서, 조형 작품이나 장식용 재현물은 제외하고 주민들이 일상적으로 관리하거나 사용한 보통 사례를 우선한다. 사진에서 제단의 구조와 비례, 돌·흙·나무 같은 재료, 마감과 색, 받침·경계석·표석·안내판 등 고정 부속물과 글자 배치를 확인한다. 바위는 자연적인 외형 자체보다 의례 장소로 고정해 사용하는 방식과 주변의 영구적인 손질만 참고한다. 사진에서는 형태만 취하고, 장소 배치, 촬영 시점, 화면 구성, 날씨, 시간대와 주변 풍경은 절대 가져오지 않는다.
선택 사유바위와 나무 바로 앞에 자연석을 쌓아 만든 제단의 형태를 매우 뚜렷하게 보여줍니다. 숲으로 둘러싸인 환경에서 거석(또는 신목)을 향해 중앙에 자리 잡은 제단의 스케일, 재질, 비례를 파악하기에 완벽한 실생활 참고 자료입니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_coastal_village ok — 후보 6장 · 팩 2.202607291130
검색 지시문2020년대 중반 남서해안권과 외딴 섬 지역의 평범한 어촌·섬마을에서 실제로 사용되는 주택 정면, 대문, 낮은 담장과 골목에 접한 출입부의 실제 사진을 찾는다. 관광 명소, 유명 장소, 지역 홍보물, 여행 안내·숙박 예약 페이지, 벽화마을, 전시용 세트, 장식적 개조물과 예술 사업 사례는 제외하고 주민이 일상적으로 사용하는 보통 사례만 조사한다. 사진에서 각 시설의 구조, 비례, 재료, 색, 마감, 부속물, 문과 담장의 접합 방식, 주소판·문패 등 표지의 형태와 배치를 읽어낸다. 사진에서는 개별 시설의 형태만 참고하고, 사진 속 배치, 카메라 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 않는다.
선택 사유한국의 해안 및 도서 지역 마을에서 가장 전형적으로 볼 수 있는 얕은 블록 담장과 낡은 대문, 그리고 마을 골목길이 어우러진 주택의 정면 구조를 가장 자연스럽고 명확하게 보여주는 일상적인 사례입니다.
https://m9419.tistory.com/4417…
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_main_pier 실패 — 후보 12장 · 쓸 만한 후보 없음 (VLM 선택 0) · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬 어촌에서 일상적으로 쓰이는 선착장, 선착장 끝부분, 배가 닿는 접안 가장자리, 마을 쪽 선착장 진입부, 선착장 옆 어구 창고와 출입문, 선착장을 향한 소규모 식당의 앞면·출입문·간판, 주변 섬마을 주택의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약·관광 상품 페이지, 장식용 시설, 예술 작품은 제외하고 주민과 어선이 평소 사용하는 평범한 사례를 우선하라. 사진에서 구조, 비례, 재료, 색상, 난간·계선주·방충재·사다리 같은 부속물, 출입문 형태와 간판 배치를 읽어라. 사진에서는 형태만 참고하고 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 마라.
반려 사유제시된 사진 중 어느 것도 바다를 향해 뻗어 나가 선박이 접안할 수 있는 명확한 가장자리를 갖춘 일반적인 섬 마을 돌출형 부두(주 부두)의 전체적인 형태를 보여주지 않습니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_mainland_harbor ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 한국 남서해안과 외딴 섬의 소규모 어촌에서 실제로 쓰이는 선착장 진입부, 고정식 선착장 표지판, 어항 부두와 물양장, 접안 가장자리, 부두 끝부분의 실제 사진을 찾아라. 관광명소·유명 장소·여행 안내·숙박 예약·관광 홍보 자료와 장식용 또는 예술 작품 형태는 제외하고, 주민과 어선이 일상적으로 이용하는 평범한 시설을 보여주는 사진을 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 난간·차막이·계선주·방충재·사다리 같은 부속물, 표지판의 지지 방식과 글자 배치를 읽어내라. 사진에서는 형태만 참고하고, 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 풍경은 절대 가져오지 마라.
선택 사유4번 후보는 남서해안 섬 지역(신안)의 선착장 진입부에 세워진 고정식 표지석을 선명하게 보여줍니다. 단단한 석재 기단과 표지석의 재질, 비율, 결합 방식 등 한국 연안 지역 선착장에서 일상적으로 사용하는 표지석의 형태를 가장 잘 나타내고 있으며, 육측 접근로에서 선착장으로 이어지는 경계 지점에 위치한 점도 묘사와 완벽히 일치하여 최적의 참고 사진입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_multifamily_residence ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국의 대도시권과 남서해안권 및 외딴 섬 지역에서 골목에 바로 붙어 있는 평범한 다세대주택, 골목 쪽 외부계단, 공동현관과 출입구의 실제 사진을 찾아라. 차량이 드나드는 주택가 골목에 접한 일상적인 사례를 우선하되 관광지, 명소, 유명 건축물, 여행 안내·숙박 예약 페이지, 장식용 계단과 예술 작품은 제외하라. 사진에서 건물과 계단의 구조, 비례, 재료, 색상, 난간·문·차양·조명·배수구 같은 부속물, 주소·주차·출입 안내 표지의 형태와 배치를 확인하라. 참고 사진에서는 각 요소의 실제 제작 형식만 취하고, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
선택 사유한국의 일반적인 주택가 골목길에 면해 있으면서, 다세대 주택의 벽면을 따라 2층 이상의 진입부로 길게 이어지는 외부 계단의 건축적 형태, 비례, 재질이 가장 뚜렷하고 전형적으로 잘 드러난 사진입니다.
1. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_natural_cave 실패 — 후보 5장 · 쓸 만한 후보 없음 (VLM 선택 0) · 팩 2.202607291130
검색 지시문대한민국 남서해안권과 외딴 섬 지역의 현대 동굴 입구에 실제로 설치된 목재 지주와 동바리 보강의 사진을 찾고, 17세기 조선과 식민지기 한반도 사례는 생활·작업 시설의 현존 흔적이나 고증된 복원 실물 사진을 시대별로 구분해 찾는다. 관광 명소, 유명 유적, 여행 안내·예약 페이지, 장식용 시설, 예술 작품은 제외하고 평범하게 시공된 실제 사례만 조사한다. 사진에서 기둥과 가로재의 구조, 굵기와 간격의 비례, 목재 종류와 가공 상태, 색, 결구 방식, 못·띠쇠·받침 같은 부속, 표지가 있을 경우 그 형식과 배치를 읽어낸다. 참고 사진에서는 이러한 형태 정보만 취하고, 배치 구성, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 따르지 않는다.
반려 사유제시된 모든 사진이 고고학 유구, 목재, 혹은 전통 가옥의 일부만을 보여줄 뿐, 묘사된 '목조 지지대가 설치된 자연 동굴 입구'를 나타내는 사진이 전혀 없습니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_police_patrol_boat ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬 지역에서 실제로 운용되는 평범한 경찰 순찰정의 실제 사진을 찾는다. 선수 갑판과 선수 난간, 조타실 옆으로 이어지는 바깥 통로, 선미 갑판과 선미 안전 난간, 조타실 내부와 조타 장치가 보이는 사진을 우선한다. 관광 명소, 유명 선박, 홍보용으로 꾸민 배, 전시물, 예술 작품, 여행 안내 및 예약 문서는 제외한다. 사진에서 각 부분의 구조, 비례, 재료, 색상, 고정 장치, 난간 결합 방식, 바닥 마감, 창문 형태, 조타 장치 구성과 선체 표기 배치를 읽어낸다. 선박 자체의 실제 형태만 참고하고, 사진 속 장면 배치, 촬영 시점, 화면 구성, 날씨, 시간대와 주변 풍경은 가져오지 않는다.
선택 사유조타실 외부와 측면 통로, 선미 갑판 및 수면과 맞닿는 안전 난간의 배치와 재질이 명확하게 드러나며, 현대 한국 해양경찰 순찰정의 일상적이고 전형적인 구조를 한눈에 파악하기에 가장 적합한 사진입니다.
1. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_restaurant_compound ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬마을에서 실제로 운영되는 평범한 소규모 식당 건물, 식당 앞문과 뒷문, 마을 골목의 담장·배수로·옹벽, 식당 뒷마당, 텃밭의 경계 시설, 뒷마당 울타리와 대문, 별채 창고와 창고문이 보이는 실제 사진을 찾아라. 관광 명소, 유명 식당, 지역 대표 건축물, 여행 안내, 숙박·예약 페이지, 장식용 건축물과 예술 작품은 제외하고 주민들이 일상적으로 사용하는 보통 사례를 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 지붕과 처마, 벽체, 문과 창, 손잡이·경첩·잠금장치, 배수 시설, 울타리 마감, 간판의 크기·부착 방식·글자 배치를 읽어내라. 참고 사진에서는 형태만 취하고, 사진 속 시설 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 따라 하지 마라.
선택 사유5번 사진은 한국의 전형적인 지역 식당 건물을 정방향에서 매우 선명하게 포착한 훌륭한 예시입니다. 건물의 주축이 되는 매스감과 지붕의 형태, 전면 출입구의 구조와 비례, 외벽의 재질과 색상, 그리고 창틀이나 간판 같은 실생활의 부착물까지 모두 명확하게 식별 가능하여, 일상적인 식당 주 건물을 구현하기 위한 완벽한 기준이 됩니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
라운드 3completed
스냅샷 manifest_20260729_142820.json · 성공 10 / 실패 0 · 2026-07-29T03:38:12.452547+00:00
bg_fishing_boat ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 운항하는 평범한 5톤급 소형 어선과 낚시어선, 그 배의 선수 갑판·선미 갑판·통로·밀폐형 조타실·고정식 조타륜, 그리고 어선이 접안하는 평범한 선착장과 부두의 실제 사진을 찾으시오. 관광 명소, 유명 장소, 문화재, 관광 안내, 여행 예약, 홍보용 연출 사진, 장식용 배, 예술 작품은 제외하시오. 사진에서 선체와 각 고정 구조물의 구조, 비례, 재료, 색상, 난간·문·창·계기·조명·계류 설비 같은 부속물, 표지와 글자의 배치를 확인하시오. 특정 사진에서는 구조물의 형태만 참고하고, 그 사진 속 대상들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 환경은 가져오지 마시오. 배와 선착장의 상대 위치나 방향도 특정 사진을 따라 고정하지 마시오.
선택 사유제시된 5톤급 한국 소형 어선의 전형적인 형태(파란색 갑판, 흰색 선실, FRP 재질 등)를 가장 완벽하게 보여주는 사진입니다. 선수 갑판에서 시작해 조타실 옆 중앙 통로를 지나 선미 갑판으로 이어지는 종단면적 배치와 비율이 장애물 없이 투명하게 드러나며, 육상에 거치된 상태라는 점은 구조물 자체의 형태를 파악하는 데 아무런 문제가 되지 않아 최적의 참고 자료로 선정되었습니다.
1. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://reboat.kr/maemul/%EB%8B%9B%EC%82%B0-%EC%8D%A…
https://rokship.co.kr/detail.php?id=22…
https://web.joongna.com/product/163257655?srsltid=Af…
https://www.ktourmap.com/spotDetails.jsp?contentId=2…
https://rokship.co.kr/detail.php?id=70…
https://contents.premium.naver.com/koreaherald/engli…
bg_forest_goat_pen ok — 후보 6장 · 팩 2.202607291130
검색 지시문2020년대 대한민국 남서해안권과 외딴 섬 농촌에서 실제로 쓰이는 평범한 염소 우리, 가축 울타리, 축사 출입문과 통로 출입문을 보여주는 실물 사진을 찾는다. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 체험 농장 홍보물, 장식용 울타리와 예술 작품은 제외한다. 사진에서 울타리와 문의 구조, 높이와 폭의 비례, 기둥 간격, 재료, 색, 철망이나 판재의 결합 방식, 경첩·빗장·잠금쇠 같은 부속품, 표지판이 있을 경우 그 위치와 짜임을 읽어낸다. 사진에서는 형태만 참고하고, 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 않는다.
선택 사유현대 한국에서 흔히 볼 수 있는 철골 구조의 염소 축사(특히 환기와 분변 관리를 위한 뜬장 및 분리 구조)를 가장 선명하고 포괄적으로 보여주는 훌륭한 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_forest_ritual_clearing ok — 후보 6장 · 팩 2.202607291130
검색 지시문대한민국의 대도시권 주변·남서해안·외딴 섬에서 바위를 신체로 삼아 실제로 이어지는 숲속 마을 제당과 바위 제단의 실제 사진을 찾으시오. 현대 사례와 조선시대·일제강점기부터 전승되거나 남아 있는 사례를 시대별로 구분하고, 역사 사례는 현존 유구와 전승 현장을 직접 촬영한 사진을 우선하시오. 관광 명소, 유명 유적, 지역 대표 명소, 여행 안내·예약 페이지, 장식용 조형물, 미술 작품은 제외하고 주민들이 일상적으로 관리하거나 제의를 올리는 평범한 사례를 찾으시오. 사진에서 바위와 제단의 구조, 비례, 재료, 색, 고정 장치와 부속물, 표지석·안내판의 형태와 글자 배치만 읽어내시오. 사진 속 장소의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 말고 형태만 참고하시오. 서로 다른 시대의 형식과 재료를 섞지 마시오.
선택 사유주변에 무속 신앙을 알리는 흔적과 함께 우뚝 솟은 거대한 자연 암석이 제례의 중심이 되는 모습을 명확하게 보여주어, 설정상의 '거대한 제례용 바위'를 구현하기 위한 훌륭한 시각적 참고 자료가 됩니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_coastal_village ok — 후보 10장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬의 평범한 해안 마을을 찍은 실제 사진에서 마을 골목, 골목에 면한 단독주택 전면, 낮은 담장, 대문, 골목 가장자리의 배수로와 주택 앞 화단이 일상적으로 어떻게 시공되는지 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 벽화마을, 조형물이나 예술 사업으로 꾸민 사례는 제외하라. 사진을 통해 각 요소의 구조, 비례, 재료, 색상, 문·문틀·경첩·잠금장치·배수 덮개 같은 부속품, 주소판·문패·안내판 등 표지의 형태와 배치를 판독하라. 석창포가 심긴 사례는 식물 자체보다 집 앞 화단이나 화분, 담장 안팎의 식재 경계가 실제로 어떻게 만들어지는지만 참고하라. 사진에서는 형태만 취하고, 사진 속 공간 배치, 촬영 각도, 구도, 날씨, 시간대와 주변 환경은 절대 모방하지 마라.
선택 사유한국의 해안 및 섬, 농어촌 마을에서 가장 일상적으로 볼 수 있는 형태인 시멘트 블록 담장과 철제 대문, 주택 본체의 정면이 골목길과 맞닿은 구조를 비례와 재질까지 선명하고 완벽하게 보여주는 최고의 참고 자료입니다.
https://m9419.tistory.com/4417…
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_main_pier ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 사용되는 평범한 섬마을 선착장과 부두 끝, 배가 접안하는 부두 가장자리, 마을 쪽 선착장 진입부, 선착장 주변의 소규모 주택, 어구 창고와 출입문, 선착장을 마주 보는 동네 식당과 출입문·간판의 실제 사진을 찾아라. 관광 명소, 유명 장소, 랜드마크, 여행 안내·숙박 예약 페이지, 장식용 시설, 예술 작품은 제외하고 주민과 어민이 일상적으로 사용하는 사례를 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 난간·계선주·방충재·조명·문·창호 같은 부속물과 간판의 크기·위치·배치를 읽어라. 참고 사진에서는 형태만 취하고, 사진 속 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 따라 하지 마라.
선택 사유제시된 설명에서 중심이 되는 '바다로 뻗어 나가는 선착장(부두)'의 한국적이고 일상적인 형태를 완벽하게 보여주는 사진입니다. 콘크리트 데크, 선박 접안부, 바다를 향한 끝부분 등 부두의 기본 구조를 한눈에 파악할 수 있어 세트장 디자인의 기준(reference)으로 삼기에 가장 적합합니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://infogocom.tistory.com/88…
https://www.chosun.com/site/data/html_dir/2016/02/11…
https://blog.naver.com/tourdesigner/222576216661…
https://itour.incheon.go.kr/ssst/ssst/detail.do?cotI…
https://tambang.kr/article/?bmode=view&idx=158880229…
https://3dcnfc.kr/146…
bg_mainland_harbor ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역의 생활형 어촌에서 실제로 사용되는 마을 선착장, 어항 부두, 접안 가장자리, 부두 끝부분, 육지 쪽 진입부의 선착장 표지판을 담은 실제 사진을 찾아라. 관광 명소, 유명 장소, 관광 안내·여행 예약 페이지, 경관용 시설, 장식물이나 예술 작품은 제외하고 주민과 어선이 일상적으로 이용하는 평범한 시설을 우선하라. 사진에서 선착장과 부두의 구조, 비례, 재료, 색상, 포장과 경계 처리, 난간·계선주·방충재 같은 부속 설비, 표지판의 지지 방식과 글자 배치를 읽어내라. 사진에서는 각 시설의 형태만 참고하고, 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
선택 사유육지 진입부에서 바다를 향해 뻗어 나가는 마을 선착장의 고정식 구조와 이를 알리는 진입부 표지판이 일상적인 눈높이에서 선명하게 포착되었습니다. 항구 부두의 콘크리트 재질, 비례, 가장자리 형태 등 요구된 구조물의 전형적인 특징을 설계 및 제작의 참고용으로 읽어내기에 가장 훌륭하고 충실한 실제 사례입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://www.koreatriptips.com/tourist-attractions/30…
https://cm.asiae.co.kr/ampview.htm?no=20240110155340…
https://gapulnam.tistory.com/89…
https://whitelily.tistory.com/entry/%EC%A0%9C%EC%A3%…
https://blog.naver.com/gelato18/222386352624…
https://hdeng.imweb.me/309…
bg_multifamily_residence ok — 후보 6장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 대도시권과 남서해안권의 생활 주거지에서 골목에 바로 붙은 다세대주택, 골목 쪽 외벽을 따라 오르는 외부계단, 공동현관과 출입구가 실제로 시공된 모습을 보여주는 실사진을 찾는다. 평범한 주택가의 일상적인 사례만 조사하고 관광지, 명소, 유명 장소, 여행 안내·숙박 예약 쪽, 장식용 계단이나 예술 설치물은 제외한다. 사진에서 건물과 계단의 구조, 비례, 마감 재료, 색상, 난간·지붕·배수구·조명·초인종 같은 부속물, 공동현관 주변의 주소판·호수판·안내문·표지 배치를 읽어낸다. 참고 사진에서는 이러한 형태 정보만 취하고, 개별 장소의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 않는다.
선택 사유골목과 접한 전형적인 붉은 벽돌 다세대 주택의 외벽을 따라 오르는 외부 계단의 전체적인 형태, 비례, 재질이 매우 훌륭한 가독성으로 담겨 있으며, 한국의 일상적인 주거 건축 양식과 순환 구조를 가장 완벽하게 보여주는 훌륭한 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_natural_cave ok — 후보 12장 · 팩 2.202607291130
검색 지시문대한민국의 섬·해안·산림 지역에서 자연 동굴 입구를 보강한 목재 지보와 나무 기둥의 실제 사진을 찾으시오. 현대 사례와 조선시대 및 일제강점기 전후의 자료를 시대별로 구분하되, 관광명소·유명 장소·여행 안내·예약 페이지·장식물·예술 작품은 제외하고 평범한 현장 사례와 기록 사진을 우선하시오. 사진에서 기둥과 들보의 결구 방식, 굵기와 간격, 전체 비례, 목재 종류와 가공 상태, 받침과 고정 방식, 색과 풍화 정도, 철물 등 부속물, 표지판이 있을 경우 그 재료·크기·부착 위치를 읽어내시오. 사진에서는 구조의 형태만 참고하고, 배치·촬영 각도·화면 구성·날씨·시간대·주변 환경은 절대 가져오지 마시오.
선택 사유지정된 구조물인 '대형 자연 동굴 입구'의 형태를 가장 잘 나타내는 사진입니다. 외부 진입 공간이 다른 장애물이나 중간 구조물 없이 동굴 입구로 직접 이어지는 모습과 안으로 깊어지는 통로의 구조적 특징을 외부 시점에서 가장 선명하게 파악할 수 있어 이상적인 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_police_patrol_boat ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제 운용되는 평범한 경찰 순찰정의 실제 사진을 찾아라. 선수 난간, 선수 갑판, 조타실 옆 갑판 통로, 선미 갑판, 선미 안전 난간, 조타실과 조타 장치가 일상적으로 어떻게 제작되는지 확인하라. 관광 명소, 유명 선박, 기념물, 전시용 선박, 여행 안내 및 예약 누리집, 장식용·예술 작품 형태는 제외하라. 사진에서 각 부분의 구조, 비례, 재료, 색상, 고정 장치, 손잡이와 난간의 결합 방식, 창문과 문의 형태, 계기판 및 표지 배치를 읽어라. 사진에서는 형태만 참고하고, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
선택 사유대한민국 해양경찰 순찰정의 조타실 외부 구조와 그 옆을 지나는 측면 갑판 통로, 전면부 형태 등 선박의 핵심적인 형태와 재질을 매우 명확히 파악할 수 있는 평범하고 일상적인 훌륭한 참고 사진입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://news.kbs.co.kr/news/view.do?ncd=7848910…
https://tuoitre.vn/thuyen-vien-nguoi-viet-roi-xuong-…
https://news.nate.com/view/20260310n22123…
https://www.kcg.go.kr/changwoncgs/na/ntt/selectNttIn…
https://koreajoongangdaily.joins.com/news/2024-11-09…
https://www.kcg.go.kr/kcg/na/ntt/selectNttInfo.do?nt…
bg_restaurant_compound ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬마을에서 실제로 영업하는 평범한 소규모 식당 건물, 식당 앞문과 뒷문, 뒤뜰 텃밭, 뒤뜰 담장이나 울타리, 독립된 수납 창고와 창고문의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약·관광 홍보 페이지, 장식용 건축물, 예술 작품은 제외하고 주민들이 일상적으로 이용하는 보통 사례를 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 문과 창문·손잡이·잠금장치·차양·배수 시설 같은 부속물, 간판과 안내 표지의 크기·재료·색상·부착 방식을 읽어라. 사진에서는 형태만 참고하고, 시설 사이의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 절대 가져오지 마라.
선택 사유현대 한국에서 가장 흔하게 접할 수 있는 평범한 동네 식당 건물의 전체적인 덩어리감과 외관 재질, 유리 미닫이문, 간판과 차양, 바깥쪽 실외기 및 보관함 등 일상적인 건축 요소들을 명확하게 읽을 수 있는 훌륭한 예시입니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://sigols.com/index.php?document_srl=2801&listS…
https://brunch.co.kr/%40nolda/42…
https://sigoljibmeme.com/board/14658…
https://sigoljibmeme.com/board/14541…
https://itour.incheon.go.kr/ssst/ssst/detail.do?cotI…
https://sigoljibmeme.com/board/550?page=1…
라운드 4completed
스냅샷 manifest_20260731_132956.json · 성공 10 / 실패 0 · 2026-07-29T03:38:12.452547+00:00
bg_fishing_boat ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 운항하는 평범한 5톤급 소형 어선과 낚시어선, 그 배의 선수 갑판·선미 갑판·통로·밀폐형 조타실·고정식 조타륜, 그리고 어선이 접안하는 평범한 선착장과 부두의 실제 사진을 찾으시오. 관광 명소, 유명 장소, 문화재, 관광 안내, 여행 예약, 홍보용 연출 사진, 장식용 배, 예술 작품은 제외하시오. 사진에서 선체와 각 고정 구조물의 구조, 비례, 재료, 색상, 난간·문·창·계기·조명·계류 설비 같은 부속물, 표지와 글자의 배치를 확인하시오. 특정 사진에서는 구조물의 형태만 참고하고, 그 사진 속 대상들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 환경은 가져오지 마시오. 배와 선착장의 상대 위치나 방향도 특정 사진을 따라 고정하지 마시오.
선택 사유제시된 5톤급 한국 소형 어선의 전형적인 형태(파란색 갑판, 흰색 선실, FRP 재질 등)를 가장 완벽하게 보여주는 사진입니다. 선수 갑판에서 시작해 조타실 옆 중앙 통로를 지나 선미 갑판으로 이어지는 종단면적 배치와 비율이 장애물 없이 투명하게 드러나며, 육상에 거치된 상태라는 점은 구조물 자체의 형태를 파악하는 데 아무런 문제가 되지 않아 최적의 참고 자료로 선정되었습니다.
1. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://reboat.kr/maemul/%EB%8B%9B%EC%82%B0-%EC%8D%A…
https://rokship.co.kr/detail.php?id=22…
https://web.joongna.com/product/163257655?srsltid=Af…
https://www.ktourmap.com/spotDetails.jsp?contentId=2…
https://rokship.co.kr/detail.php?id=70…
https://contents.premium.naver.com/koreaherald/engli…
bg_forest_goat_pen ok — 후보 6장 · 팩 2.202607291130
검색 지시문2020년대 대한민국 남서해안권과 외딴 섬 농촌에서 실제로 쓰이는 평범한 염소 우리, 가축 울타리, 축사 출입문과 통로 출입문을 보여주는 실물 사진을 찾는다. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 체험 농장 홍보물, 장식용 울타리와 예술 작품은 제외한다. 사진에서 울타리와 문의 구조, 높이와 폭의 비례, 기둥 간격, 재료, 색, 철망이나 판재의 결합 방식, 경첩·빗장·잠금쇠 같은 부속품, 표지판이 있을 경우 그 위치와 짜임을 읽어낸다. 사진에서는 형태만 참고하고, 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 않는다.
선택 사유현대 한국에서 흔히 볼 수 있는 철골 구조의 염소 축사(특히 환기와 분변 관리를 위한 뜬장 및 분리 구조)를 가장 선명하고 포괄적으로 보여주는 훌륭한 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_forest_ritual_clearing ok — 후보 6장 · 팩 2.202607291130
검색 지시문대한민국의 대도시권 주변·남서해안·외딴 섬에서 바위를 신체로 삼아 실제로 이어지는 숲속 마을 제당과 바위 제단의 실제 사진을 찾으시오. 현대 사례와 조선시대·일제강점기부터 전승되거나 남아 있는 사례를 시대별로 구분하고, 역사 사례는 현존 유구와 전승 현장을 직접 촬영한 사진을 우선하시오. 관광 명소, 유명 유적, 지역 대표 명소, 여행 안내·예약 페이지, 장식용 조형물, 미술 작품은 제외하고 주민들이 일상적으로 관리하거나 제의를 올리는 평범한 사례를 찾으시오. 사진에서 바위와 제단의 구조, 비례, 재료, 색, 고정 장치와 부속물, 표지석·안내판의 형태와 글자 배치만 읽어내시오. 사진 속 장소의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 가져오지 말고 형태만 참고하시오. 서로 다른 시대의 형식과 재료를 섞지 마시오.
선택 사유주변에 무속 신앙을 알리는 흔적과 함께 우뚝 솟은 거대한 자연 암석이 제례의 중심이 되는 모습을 명확하게 보여주어, 설정상의 '거대한 제례용 바위'를 구현하기 위한 훌륭한 시각적 참고 자료가 됩니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_coastal_village ok — 후보 10장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬의 평범한 해안 마을을 찍은 실제 사진에서 마을 골목, 골목에 면한 단독주택 전면, 낮은 담장, 대문, 골목 가장자리의 배수로와 주택 앞 화단이 일상적으로 어떻게 시공되는지 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약 페이지, 벽화마을, 조형물이나 예술 사업으로 꾸민 사례는 제외하라. 사진을 통해 각 요소의 구조, 비례, 재료, 색상, 문·문틀·경첩·잠금장치·배수 덮개 같은 부속품, 주소판·문패·안내판 등 표지의 형태와 배치를 판독하라. 석창포가 심긴 사례는 식물 자체보다 집 앞 화단이나 화분, 담장 안팎의 식재 경계가 실제로 어떻게 만들어지는지만 참고하라. 사진에서는 형태만 취하고, 사진 속 공간 배치, 촬영 각도, 구도, 날씨, 시간대와 주변 환경은 절대 모방하지 마라.
선택 사유한국의 해안 및 섬, 농어촌 마을에서 가장 일상적으로 볼 수 있는 형태인 시멘트 블록 담장과 철제 대문, 주택 본체의 정면이 골목길과 맞닿은 구조를 비례와 재질까지 선명하고 완벽하게 보여주는 최고의 참고 자료입니다.
https://m9419.tistory.com/4417…
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_island_main_pier ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제로 사용되는 평범한 섬마을 선착장과 부두 끝, 배가 접안하는 부두 가장자리, 마을 쪽 선착장 진입부, 선착장 주변의 소규모 주택, 어구 창고와 출입문, 선착장을 마주 보는 동네 식당과 출입문·간판의 실제 사진을 찾아라. 관광 명소, 유명 장소, 랜드마크, 여행 안내·숙박 예약 페이지, 장식용 시설, 예술 작품은 제외하고 주민과 어민이 일상적으로 사용하는 사례를 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 난간·계선주·방충재·조명·문·창호 같은 부속물과 간판의 크기·위치·배치를 읽어라. 참고 사진에서는 형태만 취하고, 사진 속 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 따라 하지 마라.
선택 사유제시된 설명에서 중심이 되는 '바다로 뻗어 나가는 선착장(부두)'의 한국적이고 일상적인 형태를 완벽하게 보여주는 사진입니다. 콘크리트 데크, 선박 접안부, 바다를 향한 끝부분 등 부두의 기본 구조를 한눈에 파악할 수 있어 세트장 디자인의 기준(reference)으로 삼기에 가장 적합합니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://infogocom.tistory.com/88…
https://www.chosun.com/site/data/html_dir/2016/02/11…
https://blog.naver.com/tourdesigner/222576216661…
https://itour.incheon.go.kr/ssst/ssst/detail.do?cotI…
https://tambang.kr/article/?bmode=view&idx=158880229…
https://3dcnfc.kr/146…
bg_mainland_harbor ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역의 생활형 어촌에서 실제로 사용되는 마을 선착장, 어항 부두, 접안 가장자리, 부두 끝부분, 육지 쪽 진입부의 선착장 표지판을 담은 실제 사진을 찾아라. 관광 명소, 유명 장소, 관광 안내·여행 예약 페이지, 경관용 시설, 장식물이나 예술 작품은 제외하고 주민과 어선이 일상적으로 이용하는 평범한 시설을 우선하라. 사진에서 선착장과 부두의 구조, 비례, 재료, 색상, 포장과 경계 처리, 난간·계선주·방충재 같은 부속 설비, 표지판의 지지 방식과 글자 배치를 읽어내라. 사진에서는 각 시설의 형태만 참고하고, 시설들의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
선택 사유육지 진입부에서 바다를 향해 뻗어 나가는 마을 선착장의 고정식 구조와 이를 알리는 진입부 표지판이 일상적인 눈높이에서 선명하게 포착되었습니다. 항구 부두의 콘크리트 재질, 비례, 가장자리 형태 등 요구된 구조물의 전형적인 특징을 설계 및 제작의 참고용으로 읽어내기에 가장 훌륭하고 충실한 실제 사례입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://www.koreatriptips.com/tourist-attractions/30…
https://cm.asiae.co.kr/ampview.htm?no=20240110155340…
https://gapulnam.tistory.com/89…
https://whitelily.tistory.com/entry/%EC%A0%9C%EC%A3%…
https://blog.naver.com/gelato18/222386352624…
https://hdeng.imweb.me/309…
bg_multifamily_residence ok — 후보 6장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 대도시권과 남서해안권의 생활 주거지에서 골목에 바로 붙은 다세대주택, 골목 쪽 외벽을 따라 오르는 외부계단, 공동현관과 출입구가 실제로 시공된 모습을 보여주는 실사진을 찾는다. 평범한 주택가의 일상적인 사례만 조사하고 관광지, 명소, 유명 장소, 여행 안내·숙박 예약 쪽, 장식용 계단이나 예술 설치물은 제외한다. 사진에서 건물과 계단의 구조, 비례, 마감 재료, 색상, 난간·지붕·배수구·조명·초인종 같은 부속물, 공동현관 주변의 주소판·호수판·안내문·표지 배치를 읽어낸다. 참고 사진에서는 이러한 형태 정보만 취하고, 개별 장소의 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 가져오지 않는다.
선택 사유골목과 접한 전형적인 붉은 벽돌 다세대 주택의 외벽을 따라 오르는 외부 계단의 전체적인 형태, 비례, 재질이 매우 훌륭한 가독성으로 담겨 있으며, 한국의 일상적인 주거 건축 양식과 순환 구조를 가장 완벽하게 보여주는 훌륭한 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_natural_cave ok — 후보 12장 · 팩 2.202607291130
검색 지시문대한민국의 섬·해안·산림 지역에서 자연 동굴 입구를 보강한 목재 지보와 나무 기둥의 실제 사진을 찾으시오. 현대 사례와 조선시대 및 일제강점기 전후의 자료를 시대별로 구분하되, 관광명소·유명 장소·여행 안내·예약 페이지·장식물·예술 작품은 제외하고 평범한 현장 사례와 기록 사진을 우선하시오. 사진에서 기둥과 들보의 결구 방식, 굵기와 간격, 전체 비례, 목재 종류와 가공 상태, 받침과 고정 방식, 색과 풍화 정도, 철물 등 부속물, 표지판이 있을 경우 그 재료·크기·부착 위치를 읽어내시오. 사진에서는 구조의 형태만 참고하고, 배치·촬영 각도·화면 구성·날씨·시간대·주변 환경은 절대 가져오지 마시오.
선택 사유지정된 구조물인 '대형 자연 동굴 입구'의 형태를 가장 잘 나타내는 사진입니다. 외부 진입 공간이 다른 장애물이나 중간 구조물 없이 동굴 입구로 직접 이어지는 모습과 안으로 깊어지는 통로의 구조적 특징을 외부 시점에서 가장 선명하게 파악할 수 있어 이상적인 참고 자료입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
7. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
8. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
9. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
10. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
11. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
12. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
bg_police_patrol_boat ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안권과 외딴 섬 지역에서 실제 운용되는 평범한 경찰 순찰정의 실제 사진을 찾아라. 선수 난간, 선수 갑판, 조타실 옆 갑판 통로, 선미 갑판, 선미 안전 난간, 조타실과 조타 장치가 일상적으로 어떻게 제작되는지 확인하라. 관광 명소, 유명 선박, 기념물, 전시용 선박, 여행 안내 및 예약 누리집, 장식용·예술 작품 형태는 제외하라. 사진에서 각 부분의 구조, 비례, 재료, 색상, 고정 장치, 손잡이와 난간의 결합 방식, 창문과 문의 형태, 계기판 및 표지 배치를 읽어라. 사진에서는 형태만 참고하고, 사진 속 배치, 촬영 각도, 화면 구성, 날씨, 시간대와 주변 환경은 절대 가져오지 마라.
선택 사유대한민국 해양경찰 순찰정의 조타실 외부 구조와 그 옆을 지나는 측면 갑판 통로, 전면부 형태 등 선박의 핵심적인 형태와 재질을 매우 명확히 파악할 수 있는 평범하고 일상적인 훌륭한 참고 사진입니다.
1. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://news.kbs.co.kr/news/view.do?ncd=7848910…
https://tuoitre.vn/thuyen-vien-nguoi-viet-roi-xuong-…
https://news.nate.com/view/20260310n22123…
https://www.kcg.go.kr/changwoncgs/na/ntt/selectNttIn…
https://koreajoongangdaily.joins.com/news/2024-11-09…
https://www.kcg.go.kr/kcg/na/ntt/selectNttInfo.do?nt…
bg_restaurant_compound ok — 후보 12장 · 팩 2.202607291130
검색 지시문2020년대 중반 대한민국 남서해안과 외딴 섬마을에서 실제로 영업하는 평범한 소규모 식당 건물, 식당 앞문과 뒷문, 뒤뜰 텃밭, 뒤뜰 담장이나 울타리, 독립된 수납 창고와 창고문의 실제 사진을 찾아라. 관광 명소, 유명 장소, 여행 안내·숙박 예약·관광 홍보 페이지, 장식용 건축물, 예술 작품은 제외하고 주민들이 일상적으로 이용하는 보통 사례를 우선하라. 사진에서 각 시설의 구조, 비례, 재료, 색상, 문과 창문·손잡이·잠금장치·차양·배수 시설 같은 부속물, 간판과 안내 표지의 크기·재료·색상·부착 방식을 읽어라. 사진에서는 형태만 참고하고, 시설 사이의 배치, 촬영 각도, 화면 구성, 날씨, 시간대, 주변 풍경은 절대 가져오지 마라.
선택 사유현대 한국에서 가장 흔하게 접할 수 있는 평범한 동네 식당 건물의 전체적인 덩어리감과 외관 재질, 유리 미닫이문, 간판과 차양, 바깥쪽 실외기 및 보관함 등 일상적인 건축 요소들을 명확하게 읽을 수 있는 훌륭한 예시입니다.
1. ★ 선택재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
2. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
3. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
4. 탈락재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
5. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
6. 사용 가능재검색으로 파일이 덮어써져 이 후보의 원본 bytes 가 남아 있지 않습니다
https://sigols.com/index.php?document_srl=2801&listS…
https://brunch.co.kr/%40nolda/42…
https://sigoljibmeme.com/board/14658…
https://sigoljibmeme.com/board/14541…
https://itour.incheon.go.kr/ssst/ssst/detail.do?cotI…
https://sigoljibmeme.com/board/550?page=1…
유실·덮어써진 노드344건 — 최종 라운드 산출 0건
후보 사진은 그룹 디렉터리에 cand_NN.png 로 저장되므로 재검색이 같은 경로에 덮어씁니다. 그래서 이전 라운드 후보는 체크포인트에 판정 기록은 남아 있어도 이미지 bytes 가 남지 않은 것이 있습니다. 숫자를 감추지 않고 그대로 싣습니다 — 전건 목록은 같은 폴더 manifest.json 의 missing 배열에 있습니다.
최종 라운드(검색 후보 100 · 형태 참조 10 · 씨드 롤 75 · 수정본 23 · 최종 씨드 25) 이미지는 유실 0 — 기록된 전부가 복사되었습니다.
이전 라운드 후보 이미지 덮어써짐 344건 (그룹별)
| 라운드 | 그룹 | 덮어써진 후보 수 |
|---|---|---|
| round1_candidate | bg_fishing_boat | 12 |
| round1_candidate | bg_forest_goat_pen | 11 |
| round1_candidate | bg_forest_ritual_clearing | 12 |
| round1_candidate | bg_island_coastal_village | 11 |
| round1_candidate | bg_island_main_pier | 5 |
| round1_candidate | bg_mainland_harbor | 12 |
| round1_candidate | bg_multifamily_residence | 12 |
| round1_candidate | bg_natural_cave | 10 |
| round1_candidate | bg_police_patrol_boat | 9 |
| round1_candidate | bg_restaurant_compound | 12 |
| round2_candidate | bg_fishing_boat | 12 |
| round2_candidate | bg_forest_goat_pen | 12 |
| round2_candidate | bg_forest_ritual_clearing | 6 |
| round2_candidate | bg_island_coastal_village | 5 |
| round2_candidate | bg_island_main_pier | 12 |
| round2_candidate | bg_mainland_harbor | 12 |
| round2_candidate | bg_multifamily_residence | 12 |
| round2_candidate | bg_natural_cave | 5 |
| round2_candidate | bg_police_patrol_boat | 12 |
| round2_candidate | bg_restaurant_compound | 12 |
| round3_candidate | bg_fishing_boat | 6 |
| round3_candidate | bg_forest_goat_pen | 6 |
| round3_candidate | bg_forest_ritual_clearing | 6 |
| round3_candidate | bg_island_coastal_village | 9 |
| round3_candidate | bg_island_main_pier | 6 |
| round3_candidate | bg_mainland_harbor | 6 |
| round3_candidate | bg_multifamily_residence | 6 |
| round3_candidate | bg_natural_cave | 12 |
| round3_candidate | bg_police_patrol_boat | 6 |
| round3_candidate | bg_restaurant_compound | 6 |
| round4_candidate | bg_fishing_boat | 6 |
| round4_candidate | bg_forest_goat_pen | 6 |
| round4_candidate | bg_forest_ritual_clearing | 6 |
| round4_candidate | bg_island_coastal_village | 9 |
| round4_candidate | bg_island_main_pier | 6 |
| round4_candidate | bg_mainland_harbor | 6 |
| round4_candidate | bg_multifamily_residence | 6 |
| round4_candidate | bg_natural_cave | 12 |
| round4_candidate | bg_police_patrol_boat | 6 |
| round4_candidate | bg_restaurant_compound | 6 |