{
  "base": "Black-and-white architectural floor plan, top-down orthographic view, clean technical line drawing on white background. Walls as solid black lines, doors shown as arcs (door swing), windows as double parallel lines. Furniture as simple geometric outlines with labels. Include a compass rose (N) and scale bar at corner. Style: blueprint / architectural drawing, not photorealistic. No 3D perspective, strictly 2D plan view.\n\nDraw a floor plan of a small Korean rooftop apartment (옥탑방). Layout (left to right):\n  1) ENTRY foyer with front door (hinged, swings inward).\n  2) LIVING ROOM & KITCHEN combined: dining table with 2 chairs, a small kitchen counter with sink and stove, a living-room sofa facing a TV on a low stand, a floor lamp beside the sofa, a window looking outside.\n  3) MINSOOK'S ROOM (mother): single bed, small wardrobe, one window.\n  4) SURIYOUNG'S ROOM (daughter): single bed against the wall, a curtain partition that separates a small alcove behind the bed (important), a desk with chair, a small window.\nKitchen has a stove with a small pot on it (highlighted). Dining table has two teacups on top, one upside-down (mark as '⚬' and '⚯'). Show door-swing arcs. Label rooms in both English and Korean (e.g. 'Living · 거실', 'Suriyoung Room · 수리영 방'). No people in this base plan. Empty of characters.\n\nLocation description for context — L05: 작은 창으로 햇살이 들어오는 낡고 생활감 있는 거실 겸 주방. 싱크대, 가스레인지 위 냄비, 식탁, 구형 TV, 희미한 스탠드 조명이 있다.\nL06: 20대 대학생의 방. 침대, 커튼, 백팩, 인형 등이 있다. 특정 시점에는 바닥과 커튼에 선명한 핏자국이 있거나, 벽에 피와 안료가 섞인 듯한 유기적 질감의 붉은 원이 나타난다.",
  "S12_murder_discovery": "Take the base floor plan and OVERLAY the following S12 (night, murder discovery) annotations:\n\nLiving characters shown as labeled black filled circles with directional arrow (facing). Deceased characters shown as a body outline (X-cross over circle) with crime-scene dotted contour. Blood pools as grey stippled regions. Labels in small sans-serif (e.g. 'Minsook (deceased)', '수리영').\n\nCamera positions shown as black triangular wedge symbols pointing in the lens direction. Each camera is labeled (e.g. CAM-S12-Shot4) and includes a dashed cone for field-of-view.\n\nAdditions:\n  • SURIYOUNG (daughter, alive): entering from the front door into the living room, then into her own room. Draw her path as a dashed arrow from entry → living room → her bedroom.\n  • MINSOOK (mother, DECEASED): behind the curtain partition in Suriyoung's room. Body in SEATED POSITION, head slumped forward, leaning against the wall. Mark with X-cross body outline + dotted crime-scene contour. Label 'Minsook · 민숙 (deceased, seated)'.\n  • BLOOD POOL: grey stippled region on the floor of Suriyoung's room, spreading from behind the curtain toward the center of the room.\n  • BLOODY FOOTPRINTS: a dashed trail of small footprint icons leading from the curtain area across Suriyoung's bedroom floor.\n  • RED CIRCLE MARK: red-ink circle drawn on the wall above Suriyoung's bed (mark as 'RED CIRCLE · 붉은 원').\n  • Two teacups on dining table (one upside-down).\n  • TV in living room ON (mark 'TV ON').\n\nCamera positions (triangular wedges pointing into scene, with field-of-view cones):\n  - CAM-S12-Shot4: A wide shot (WS) from a low angle near the floor peers through the slightly open bedroom door, inheriting the reveal stage and holding mid-pan on the \n  - CAM-S12-Shot6: A medium shot (MS) at eye-level faces the seated body behind the parted curtain from a medium distance, continuing the flow's slow dolly-in. Minsuk is\n  - CAM-S12-Shot10: A close-up (CU) from a slightly low angle clings to Suriyoung's face with handheld instability, following the reaction stage and emphasizing her tearf\n\nKeep all walls, doors, furniture from the base plan identical. Only ADD the overlay elements above. Use distinct colors for the annotations: red for blood and circle mark, dark grey for body outline, blue for camera wedges.",
  "S25_ransacked": "Take the base floor plan and OVERLAY the following S25 (dusk, ransacked apartment) annotations:\n\nLiving characters shown as labeled black filled circles with directional arrow (facing). Deceased characters shown as a body outline (X-cross over circle) with crime-scene dotted contour. Blood pools as grey stippled regions. Labels in small sans-serif (e.g. 'Minsook (deceased)', '수리영').\n\nCamera positions shown as black triangular wedge symbols pointing in the lens direction. Each camera is labeled (e.g. CAM-S12-Shot4) and includes a dashed cone for field-of-view.\n\nAdditions:\n  • RANSACKED LIVING ROOM: show the dining chairs TOPPLED (draw chairs on their side), household items scattered on the floor (drawers pulled out, books/papers strewn). Mark region 'RANSACKED'.\n  • OPEN WINDOW: the living-room window is shown open (draw opening arc, label '창 OPEN').\n  • MUDDY FOOTPRINTS: a trail of shoe-print icons across the living-room floor coming from the window toward Suriyoung's room.\n  • RED CIRCLE on Suriyoung's bedroom wall (red ink, above the bed). Inside the circle, a 'PHOTO' icon (small rectangle) pinned with a knife or tacks (draw small triangle = blade).\n  • SURIYOUNG (alive): position on the edge of her bed, slumped posture, holding the photo. Label '수리영 (slumped, holding photo)'.\n  • NO body — mother Minsook is NOT present (contrast with S12).\n\nCamera positions (triangular wedges with field-of-view cones):\n  - CAM-S25-Shot2: A wide shot at a high angle surveys the wrecked rooftop-room living area, treating the space as violated evidence before 수리영 fully enters the emotiona\n  - CAM-S25-Shot5: A close-up (CU) at eye-level uses a reflection-like flat frontal composition on the wall, derived from the room’s investigative stillness, isolating t\n  - CAM-S25-Shot8: A medium close-up (MCU) at a high angle frames 수리영 on the bed edge after the photo reveal, changing only the camera height from the previous shot to s\n\nKeep all walls, doors, furniture from the base plan identical. Only ADD/MODIFY the overlay elements above. Use distinct colors: red for circle + photo ink, brown for muddy footprints, blue for camera wedges, grey for ransacked debris."
}