outdoor_site_layout — groups 8

layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- dense forest undergrowth: at the near center of the frame.
- forest path (path): runs from the far center of the frame to the far center of the frame.
FIGURES:
- 한국인 남성 (C04): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the forest path.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- dense forest undergrowth: at the near center of the frame.
- forest path (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 한국인 남성 (C04): at the near center of the frame — NEAREST figure to the camera.
- 검은 인영 (C12): at the mid-distance center of the frame; about 1.6x as far from the camera as the nearest figure, so they must appear roughly 0.61x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near center of the frame; their path follows the forest path.
DEPTH CONTRACT: 검은 인영 is farther than 한국인 남성 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Shot from shoulder height slightly off the front-left with a slight Dutch angle, capturing a sudden physical impact in a dense, untamed forest at dusk. In the center, C04O04 in casual hiking clothes, a Korean adult man with a masculine face and short dark hair, is angled three-quarter left, his upper body recoiling backward. His sweat-slick face catches a faint cold sheen, locked in extreme panic with a visibly wounded, pained expression under a shadowed facial impression, eyes fixed on the attacker. Crashing down into his shoulders from deeper in the frame at the mid-distance center, already partway along the forest path that runs from far left to far right and heading toward the near center rather than off into the undergrowth, is an unidentified adult figure at a three-quarter right angle, appearing as a visibly smaller near-black silhouette crushing downward, establishing a shared physical contact point. The scene is illuminated by a fading, low-contrast blue-green and green-gray twilight with almost no fill light. Wet whipping branches partially obscure the foreground edges, while the dark, trampled muddy forest floor is visible at the lower frame edge, grounding the man's collapse against the misty, heavily shadowed forest depth.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- police station front road (path): runs from the far right side of the frame to the far left side of the frame.
- police station frontage: at the far left side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far right side of the frame; their path follows the police station front road; NOT heading into the police station frontage.

Photorealistic cinematic still. The police station front road runs from the far right side of the frame to the far left, with the police station frontage at the far left. In the middle-center midground, C01O01 in a casual jacket, a Korean young woman in her early 20s with an oval youthful face and medium-length natural black hair, on a bicycle is already partway along the police station front road, heading toward the far right side of the frame, away from the far-left police station frontage and not into it, while the police station frontage receding behind her occupies the far-left background. The camera holds a hip-height side profile beside her. She is in right profile, gazing into the distance, her torso leaning forward aggressively in mid-pedal, one knee bent driving the pedal down, her hair flowing back in the direction opposite to motion. The bicycle frame, handlebar, and upper portions of the wheels cut horizontally through the middle of the shot. Cool daylight catches the bicycle rims and her tense face, while the muted, gray road surface and building facade are rendered with restrained lateral motion blur, streaked by morning light.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- police line (path): runs from the far left side of the frame to the far right side of the frame.
- crime-scene activity: at the far center of the frame.
- forensic work zone: at the far center of the frame.
FIGURES:
- 혜수: at the near center of the frame — NEAREST figure to the camera.
- 경찰 무리: at the mid-distance right side of the frame; about 2.1x as far from the camera as the nearest figure, so they must appear roughly 0.49x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the police line; moving away from 혜수; NOT heading into the crime-scene activity.
DEPTH CONTRACT: 경찰 무리 is farther than 혜수 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Seen from slightly below eye level in a firm upper-body close-up, C02O02 in a dark detective coat, a Korean woman in her mid-40s with composed facial features and natural dark hair in a practical hairstyle, stands centered and immovable facing the camera. Her shoulders occupy the lower-center frame, her eyes fixed directly on the camera with a sharp stare. The framing isolates her as the visual command point against a shallow-focus backdrop: [: Defocused crime-scene background bathed in flat, cooled, and desaturated daylight with pale highlights on rain-dulled surfaces, featuring a taut yellow police line tape cutting horizontally, its printed warning side facing the camera in soft focus, and visibly smaller, deeper blurred silhouettes of Korean police officers in worker uniforms already partway along the police line at the mid-distance right side of the frame, heading toward the mid-distance right side as their path follows the police line, moving away from her and not into the far-center crime-scene activity around a hazy forensic work zone, gazing off-screen].

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- rooftop: at the near right side of the frame.
- rooftop room: at the mid-distance right side of the frame.
- metal front door (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- rooftop room window (path): runs from the near right side of the frame to the near left side of the frame.
- stairs to rooftop room: at the far right side of the frame.
- rooftop parapet wall (path): runs from the far left side of the frame to the far center of the frame.
- water tank: at the far left side of the frame.
FIGURES:
- 한국인 남성 (C04): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near right side of the frame; NOT heading into the rooftop.
- 한국인 중년 여성 (C05): at the near right side of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.91x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 한국인 중년 여성 is farther than 한국인 남성 and must read visibly smaller and deeper in the frame.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- rooftop: at the far left side of the frame.
- rooftop room: at the far center of the frame.
- metal front door (path): runs from the mid-distance center of the frame to the mid-distance center of the frame.
- rooftop room window (path): runs from the far left side of the frame to the far left side of the frame.
- stairs to rooftop room: at the near center of the frame.
- rooftop parapet wall (path): runs from the far left side of the frame to the far left side of the frame.
- water tank: at the far left side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- rooftop: at the mid-distance right side of the frame.
- rooftop room: at the far right side of the frame.
- metal front door (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- rooftop room window (path): runs from the mid-distance right side of the frame to the mid-distance center of the frame.
- stairs to rooftop room: at the far right side of the frame.
- rooftop parapet wall (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame.
- water tank: at the mid-distance left side of the frame.
FIGURES:
- 검은 고양이 (C11): at the near left side of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. Captured from the exterior rooftop at shoulder height, the camera stays close to a closed, dirty rooftop room window glass at an oblique angle. The surface of the window glass shows a warped black reflection: a Korean adult man in left profile, near center and already partway along the rooftop room window path toward the near right side of the frame, not heading into the rooftop, lunging forward with his head tilted down, biting the shoulder of a Korean middle-aged woman, who lies collapsed near the right side of the reflected floor, slightly deeper in the frame and visibly smaller than the man, looking away with eyes closed. Both figures appear as distorted dark silhouettes squeezed into the reflective surface. An exterior parapet wall edge runs along the right side of the frame, grazing the camera. The reflected image is nearly monochrome black with thin amber edge-light skimming the outer window frame, while a bruised crimson glow pulses faintly from the hidden interior. Swaying clothesline shadows are visible in the outer layer of the reflection.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the far right side of the frame to the far center of the frame.
- coastal waterline (path): runs from the far right side of the frame to the far center of the frame.
- sea: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the coastal road.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the far left side of the frame to the far center of the frame.
- coastal waterline (path): runs from the far right side of the frame to the far center of the frame.
- sea: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the coastal road; NOT heading into the sea.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the far left side of the frame to the far center of the frame.
- coastal waterline (path): runs from the far right side of the frame to the far center of the frame.
- sea: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the coastal road; NOT heading into the sea.

Photorealistic cinematic still. C01O01, a Korean young woman in her early 20s in a casual wet jacket, appears as 수리영 riding in the middle-center midground, already partway along the coastal road, heading toward the near center of the frame along the road that runs from the far right side to the far center. She is facing the camera with a distant gaze, frozen in mid-pedal with one knee lifted high on the downward stroke, her wet natural black medium-length hair whipping backward in the direction opposite to motion. Her hands firmly grip the handlebar, with the bicycle's front fork and front wheel prominently visible occupying the lower frame. Heavy wind-driven rain forms a thick veil across the scene, illuminated by slate-gray storm light that flattens the coast. Occasional harsh silver highlights from cold lightning catch the rain beads and her soaked silhouette. The dark coastal waterline is barely visible through the downpour in the lateral negative space beyond the slick, rain-slashed road running from the lower foreground.

Photorealistic cinematic still. The coastal road runs from the far left side of the frame to the far center, with the coastal waterline running from the far right side toward the far center and the sea at far right. C01O01 in a lightweight casual outfit, a Korean young woman in her early 20s on a bicycle, occupies the middle-center foreground, already partway along the coastal road toward the near center of the frame, not heading into the sea, with the dark sea horizon in the upper-center background. Facing the camera with a distant gaze, her hands firmly grip the handlebar in the lower frame, positioned in mid-pedal with one knee driving downward. The bicycle's down tube and front wheel edge are visible below. Her wind-torn, medium-length natural black hair and clothes whip backward in the direction opposite to motion. The camera is positioned slightly below eye level above the empty, slightly damp coastal road, its lane lines converging directly beneath the bike. Sparse sodium-gold streetlight streaks illuminate the dense night atmosphere carried over from the prior location, casting amber flares against the low night blues and the massive black void of the wind-rough sea.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- early-morning sidewalk (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
- supermarket exterior wall (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
- supermarket glass entrance (path): runs from the mid-distance center of the frame to the mid-distance right side of the frame.
- supermarket (path): runs from the mid-distance left side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- early-morning sidewalk (path): runs from the far right side of the frame to the far left side of the frame.
- supermarket exterior wall (path): runs from the far right side of the frame to the far left side of the frame.
- supermarket glass entrance (path): runs from the mid-distance right side of the frame to the mid-distance right side of the frame.
- supermarket (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera.
- 남자직원 (C08): at the near right side of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 남자직원 is farther than 수리영 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C01O01 in morning casual wear, a young Korean woman in her 20s, stands in the lower-left midground, looking toward the wall-mounted CCTV camera in the upper-center background, while a Korean adult man in a workplace uniform stands deeper in the lower-right midground, visibly smaller than C01O01, looking toward the wall-mounted CCTV camera. Captured from low shoulder height tilting upward, both figures are seen with backs to the camera, their upper torsos and heads occupying the lower third of the frame, necks craned upward. The man has his hands on his hips. The flat supermarket exterior wall rises away from them toward the CCTV camera high above. The cool, thin dawn light leaves the figures in subdued back shadow with a faint green-blue cast, while the CCTV camera housing catches a dull metallic highlight.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 골목길 (path): runs from the far left side of the frame to the far right side of the frame.
- 다세대 빌라 마당: at the far right side of the frame.
- 마당 후미진 곳: at the far right side of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the far center of the frame to the far center of the frame.
- 옥상: at the far left side of the frame.
- 옥탑 방: at the far left side of the frame.
- 반쯤 열린 현관 철문 (path): runs from the far left side of the frame to the far center of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 골목길 (path): runs from the far left side of the frame to the far right side of the frame.
- 다세대 빌라 마당: at the far center of the frame.
- 마당 후미진 곳: at the far right side of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the near right side of the frame to the far center of the frame.
- 옥상: at the mid-distance center of the frame.
- 옥탑 방: at the far center of the frame.
- 반쯤 열린 현관 철문 (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 골목길 (path): runs from the far left side of the frame to the far right side of the frame.
- 다세대 빌라 마당: at the far center of the frame.
- 마당 후미진 곳: at the far right side of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the far left side of the frame to the far center of the frame.
- 옥상: at the far center of the frame.
- 옥탑 방: at the far center of the frame.
- 반쯤 열린 현관 철문 (path): runs from the far center of the frame to the far center of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
- 혜수: at the mid-distance center of the frame; about 2.3x as far from the camera as the nearest figure, so they must appear roughly 0.43x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C01O01 in casual wear, a Korean young woman in her early 20s with an oval youthful face and natural black medium-length hair, standing near the center at a three-quarter angle from the left, looking up. One hand is firmly clamped over her nose, the hand dominating the lower cheek line, her expression twisted in sudden nausea. The camera is positioned slightly below eye level for a tight close-up. [L11: rusted metal stair rail running close along the left foreground edge slightly out of focus, steep slanted steps cutting diagonally upward behind her, damp surfaces fading into the dim misted darkness]. Lit by a weak greenish exterior bulb from above and a cold blue night ambient lighting that flattens her skin, with deep shadows gathering under her clamped hand and eyes.

Photorealistic cinematic still. Close framing at chest-to-eye height, the camera positioned just beyond the shoulder line of C01 in the foreground. In the upper center of the frame, deeper in the scene and visibly smaller than C01, C02O02 in a detective coat, a Korean woman in her mid-40s with natural dark hair and composed facial features, stands at the same three-quarter angle, turned from camera-left. Her anxious face is sharply focused, eyes fixed on C01. C02O02's hands reach forward, firmly gripping both shoulders of C01 across the air between them. Along the lower foreground edge, C01 in a light casual outfit, a Korean young woman in her early 20s with medium-length natural black hair, appears with back to camera, her shoulders seized forward and looking off-screen. Low-key night lighting heavily shadows the figures, cut by faint blue-red police siren pulses from off-screen left that brush across C02O02's cheek and knuckles. A weak streetlamp edge warms C02O02's face against the thin, damp night mist drifting between the bodies. Behind them, [: completely out-of-focus wet stair geometry, treads receding at a steep downward angle into the dark alley].

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- sea (path): runs from the far right side of the frame to the far right side of the frame.
- coastline (path): runs from the far right side of the frame to the far right side of the frame.
- coastal road (path): runs from the far center of the frame to the far right side of the frame.
- bus stop shelter: at the mid-distance left side of the frame.
- bus stop bench (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame.
FIGURES:
- 혜수 (C02): at the near left side of the frame — NEAREST figure to the camera.
- 수리영 (C01): at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.75x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. The bus stop bench runs across the mid-distance from right to left, with the shelter on the left. C01O01 in a light everyday jacket, a Korean young woman in her early 20s with an oval youthful face and natural medium-length black hair, at three-quarter angle from the right. She is perched forward in the mid-distance center of the frame, her face and shoulders visibly smaller and deeper in a sharp determined shot, looking up with eyes fixed on the figure above. Captured by a low observer slightly below her eye line, a damp worn bench surface occupies the lower frame extending beneath her. Entering the upper frame edge is the partial presence of a Korean middle-aged woman—only a coat edge and a hand holding a drink visible. An overhead sodium streetlamp casts a dirty-gold pool of light, skimming C01O01's cheek from above. The background behind them consists of [: a coastal bus stop glass panel fogged with moist condensation, swallowed by thick dark blue-gray coastal fog], sharpening the tension against a muted crimson-gold horror palette.

diagnostics

{
 "outdoor_location_count": 14,
 "seed_group_count": 10,
 "groups_extracted": 8,
 "skipped": [
  {
   "shot": "S2sh1",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S2sh3",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S4sh1",
   "reason": "no_figure"
  },
  {
   "shot": "S28sh1",
   "reason": "no_figure"
  },
  {
   "shot": "S30sh3",
   "reason": "no_figure"
  },
  {
   "seed": "location:L17",
   "reason": "cap"
  },
  {
   "seed": "location:L18",
   "reason": "cap"
  }
 ],
 "layout_shape_violations": [],
 "layout_side_conflicts": [
  {
   "seed": "location:L12",
   "conflicts": [
    {
     "shot_index": 7,
     "entity_token": "C02",
     "staged_side": "left",
     "layout_side": "right"
    }
   ]
  }
 ],
 "spatial_summary_skipped": [
  {
   "shot": "S15sh7",
   "reason": "layout_side_conflict"
  }
 ],
 "rewrite_failed": [],
 "revised_prompt_audit_violations": [],
 "zoom_member_exclusion_source": "shot_dependency_t2i",
 "composition_guide_failed": [],
 "composition_guide_candidate_skipped": [
  {
   "group": "osl-single-l02-s22-sh1",
   "reason": "judge_no_need",
   "confidence": "high"
  },
  {
   "group": "osl-single-l04-s17-sh2",
   "shot": "S17sh2",
   "reason": "pose_brief_unusable_fail_closed"
  }
 ],
 "composition_guide_count": 14,
 "seed_prefilter_meta": {
  "1:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L01",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "1:4": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L01",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "3:2": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L03",
   "figure_count": 2,
   "framing_scale": "close",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "6:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L06",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "9:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L06",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "10:5": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L04",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "11:3": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L11",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "11:4": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L04",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "13:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L11",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "13:6": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L11",
   "figure_count": 2,
   "framing_scale": "close",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "15:3": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L12",
   "figure_count": 2,
   "framing_scale": "close",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "15:7": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L12",
   "figure_count": 2,
   "framing_scale": "wide",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "17:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L04",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "19:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L10",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "19:5": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L10",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "22:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L02",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "24:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L06",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "26:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L17",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "26:6": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L17",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "26:8": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L17",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "28:5": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L18",
   "figure_count": 2,
   "framing_scale": "close",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  }
 },
 "single_shot_seed_lane_enabled": true,
 "composition_guide_shared_model_enabled": true,
 "shared_model_judge_enabled": true,
 "shared_model_candidate_signals": [
  {
   "group_id": "osl-shared-l01-s1",
   "location_id": "L01",
   "scene_index": 1,
   "member_shots": [
    "S1sh1",
    "S1sh4"
   ],
   "cameras_non_identical": true,
   "landmark_count": 2,
   "per_shot_signals": {
    "1:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    },
    "1:4": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l02-s22-sh1",
   "location_id": "L02",
   "scene_index": 22,
   "member_shots": [
    "S22sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "22:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l03-s3-sh2",
   "location_id": "L03",
   "scene_index": 3,
   "member_shots": [
    "S3sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "3:2": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l04-s10-sh5",
   "location_id": "L04",
   "scene_index": 10,
   "member_shots": [
    "S10sh5"
   ],
   "cameras_non_identical": false,
   "landmark_count": 7,
   "per_shot_signals": {
    "10:5": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l04-s11-sh4",
   "location_id": "L04",
   "scene_index": 11,
   "member_shots": [
    "S11sh4"
   ],
   "cameras_non_identical": false,
   "landmark_count": 7,
   "per_shot_signals": {
    "11:4": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l04-s17-sh2",
   "location_id": "L04",
   "scene_index": 17,
   "member_shots": [
    "S17sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 7,
   "per_shot_signals": {
    "17:2": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l06-s6-sh1",
   "location_id": "L06",
   "scene_index": 6,
   "member_shots": [
    "S6sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "6:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l06-s9-sh1",
   "location_id": "L06",
   "scene_index": 9,
   "member_shots": [
    "S9sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "9:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l06-s24-sh2",
   "location_id": "L06",
   "scene_index": 24,
   "member_shots": [
    "S24sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "24:2": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-shared-l10-s19",
   "location_id": "L10",
   "scene_index": 19,
   "member_shots": [
    "S19sh1",
    "S19sh5"
   ],
   "cameras_non_identical": true,
   "landmark_count": 4,
   "per_shot_signals": {
    "19:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "19:5": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l11-s13",
   "location_id": "L11",
   "scene_index": 13,
   "member_shots": [
    "S13sh1",
    "S13sh6"
   ],
   "cameras_non_identical": true,
   "landmark_count": 7,
   "per_shot_signals": {
    "13:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "13:6": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l11-s11-sh3",
   "location_id": "L11",
   "scene_index": 11,
   "member_shots": [
    "S11sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 7,
   "per_shot_signals": {
    "11:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l12-s15-sh3",
   "location_id": "L12",
   "scene_index": 15,
   "member_shots": [
    "S15sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 5,
   "per_shot_signals": {
    "15:3": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": false
    }
   }
  }
 ],
 "shared_model_judge_decisions": [
  {
   "group_id": "osl-shared-l01-s1",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "figure_placement_continuity",
    "depth_layering"
   ],
   "evidence": [
    {
     "shot_key": "1:1",
     "source_field": "camera_direction",
     "quote": "At eye height and only about two feet in front of the fleeing man, the handheld camera backs through the undergrowth in a tighter-than-natural close-up"
    },
    {
     "shot_key": "1:4",
     "source_field": "camera_direction",
     "quote": "From shoulder height slightly off the man's front-left side, the handheld camera widens to a medium impact frame about three feet away"
    },
    {
     "shot_key": "1:4",
     "source_field": "camera_direction",
     "quote": "black silhouette crashes down from the dark forest side into his shoulders"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The camera changes position and angle between shots while tracking the same character through the same forest environment, risking inconsistent background structures (path, undergrowth) and spatial jumps. Additionally, the second shot features a complex multi-figure interaction across depth layers that requires careful layout to read clearly.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l02-s22-sh1",
   "needs_shared_model_guide": false,
   "decision_type": "no_guide",
   "confidence": "high",
   "reasons": [
    "insufficient_evidence"
   ],
   "evidence": [
    {
     "shot_key": "22:1",
     "source_field": "camera_direction",
     "quote": "Moving parallel on the road about eight feet from the bicycle at roughly four feet lens height, the camera holds a tight side profile"
    }
   ],
   "guide_scope": "none",
   "risk_notes": "Standard eye-level tracking profile shot with a single figure on a single depth plane; no extreme angles, complex occlusion, or spatial ambiguity that would require a layout guide.",
   "admit": false,
   "deny_reason": "judge_no_need"
  },
  {
   "group_id": "osl-single-l03-s3-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "3:2",
     "source_field": "camera_view_brief",
     "quote": "moving deeper into the scene"
    },
    {
     "shot_key": "3:2",
     "source_field": "camera_direction",
     "quote": "officers and police tape blur behind her"
    },
    {
     "shot_key": "3:2",
     "source_field": "camera_direction",
     "quote": "slightly below eye level"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The shot requires placing a centered figure in a close-up from slightly below eye level, with another figure moving deeper into the background, risking incorrect depth layering or scale if unguided.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l04-s10-sh5",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "10:5",
     "source_field": "camera_direction",
     "quote": "camera tracks very close to the glass at an oblique angle"
    },
    {
     "shot_key": "10:5",
     "source_field": "camera_direction",
     "quote": "attack is visible only as a warped black reflection"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The camera is positioned at an oblique angle to a window, capturing the figures as reflections. This is a highly complex spatial arrangement that requires a guide to ensure the reflection and window placement are rendered correctly.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l04-s11-sh4",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "11:4",
     "source_field": "camera_direction",
     "quote": "camera holds eight to ten feet behind 수리영"
    },
    {
     "shot_key": "11:4",
     "source_field": "camera_direction",
     "quote": "She occupies the lower center as a dark human stop-sign, while the door’s narrow interior slice sits beyond her in the upper center"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The specific framing directive placing the figure in the lower center and the door in the upper center from a position behind the figure creates a spatial relationship that an unguided render might collapse or misalign.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l04-s17-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "depth_layering"
   ],
   "evidence": [
    {
     "shot_key": "17:2",
     "source_field": "camera_direction",
     "quote": "At parapet height, the camera dollies in to a medium distance from the 검은 고양이, positioned slightly front-left so its yellow eyes and the softly glowing rooftop room beyond share the same sightline."
    },
    {
     "shot_key": "17:2",
     "source_field": "camera_direction",
     "quote": "The cat sits on the wall in the middle-left foreground, its head turned past camera-right toward the lit room"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The specific alignment of the figure on the parapet wall in the foreground with the structure in the background requires precise depth layering and framing to maintain the intended sightline and spatial relationship.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l06-s6-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "6:1",
     "source_field": "camera_direction",
     "quote": "handlebars cutting across the lower foreground and her upper body centered above them"
    },
    {
     "shot_key": "6:1",
     "source_field": "camera_direction",
     "quote": "thin strip of sea remains visible behind her shoulder"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The tight tracking frame requires specific occlusion of the lower foreground by the handlebars and precise placement of the sea behind the character's shoulder, which an unguided render might misinterpret or collapse.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l06-s9-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "9:1",
     "source_field": "camera_direction",
     "quote": "very close in front of 수리영, about two meters away and slightly below eye level"
    },
    {
     "shot_key": "9:1",
     "source_field": "camera_direction",
     "quote": "both hands clamp the handlebar in the lower third, and one pedal is caught mid-drive downward"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The specific framing of the bicycle, hands on handlebars in the lower third, and pedal mid-drive downward from a slightly below eye-level tracking camera creates a high risk of incorrect figure/prop placement and framing if unguided.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l06-s24-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "24:2",
     "source_field": "camera_direction",
     "quote": "one knee lifted high on the pedal stroke while the bicycle front wheel and handlebar occupy the lower third"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The frontal tracking shot of a person riding a bicycle toward the camera involves significant foreshortening and occlusion, with the front wheel and handlebars occupying the lower third of the frame and the rider's knee lifted high. An unguided render might struggle with the depth and placement of the bicycle parts relative to the rider.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l10-s19",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "19:1",
     "source_field": "camera_direction",
     "quote": "From across the sidewalk at chest height, the static frame holds wider than a normal entrance shot so 수리영’s full body, the parked bicycle, and the empty supermarket frontage share the frame."
    },
    {
     "shot_key": "19:5",
     "source_field": "camera_direction",
     "quote": "From low shoulder height behind 수리영 and 남자직원, the camera holds both backs along the lower third while tilting up the supermarket wall to the CCTV camera high above."
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots show the same supermarket exterior and sidewalk from different angles (a wide shot from across the sidewalk versus a shot from behind the characters). Shot 19:5 also features a specific low-angle framing requirement looking up at a CCTV camera on the wall, which risks incorrect placement or depth collapse without a guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l11-s13",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "shared_structure_continuity",
    "figure_placement_continuity",
    "depth_layering",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "13:1",
     "source_field": "camera_direction",
     "quote": "At the top landing of the steep exterior stairs, the camera holds eye-level about two meters in front of 수리영, locked into the flow's frontal panic frame with the rooftop-room entrance behind her."
    },
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