outdoor_site_layout — groups 4

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 숲속: at the near center of the frame.
- 우거진 수풀: at the near center of the frame.
FIGURES:
- 한국인 남성 (C01): at the near right side of the frame — NEAREST figure to the camera.
- 정체불명의 검은 형상 (C03): at the mid-distance left side of the frame; about 1.5x as far from the camera as the nearest figure, so they must appear roughly 0.66x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near right side of the frame.
DEPTH CONTRACT: 정체불명의 검은 형상 is farther than 한국인 남성 and must read visibly smaller and deeper in the frame.

• lunges from the upper-left midground, moving toward the Korean man below → lunges in the upper-left mid-distance, already partway along its path toward the near right side of the frame and the Korean man below, visibly smaller and deeper in the frame

Photorealistic cinematic still. C01O01 in a soiled outdoor jacket, an adult Korean man being forced down, buckles in the lower-right foreground, while C03O03 in dark ragged clothing, an unknown black figure, lunges in the upper-left mid-distance, already partway along its path toward the near right side of the frame and the Korean man below, visibly smaller and deeper in the frame. Frozen mid-pitch, C03O03, seen at a three-quarter angle from the left, is the one driving the forceful action, pressing heavy weight downward. C01O01, captured in right profile, is the figure receiving the sudden force, his body pitched sharply toward the damp ground. His pale, sweat-slicked skin and disheveled hair reflect a desperate struggle, his wide panicked eyes looking up with a visibly wounded, pained expression. Carrying stable traits, C03O03 appears as a dense shadow-like form with blurred outlines, body volume preserved against the dim ambient fill by subtle rim light along the shoulder, the face completely obscured in deep shadow with no discernible features. A harsh red-brown smear of blood is visible on C01O01's torn pant leg and the cold mud beneath him, marking the severe injury. Viewed from a low knee-height angle, the frame is aggressively canted, causing the damp forest dirt and scattered leaves to rise diagonally across the view. Muted blue-gray dusk light sinks into the cold shadows, leaving the thin tree trunks and green-black foliage behind them slightly blurred to emphasize the intense impact, both figures anchored together on the same uneven dirt floor.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the near center of the frame.
- 옥탑방: at the mid-distance center of the frame.
- 창문 (path): runs from the near left side of the frame to the near right side of the frame.
- 옥탑방 철문 현관 (path): runs from the near right side of the frame to the mid-distance right side of the frame.
- 물탱크: at the far left side of the frame.
FIGURES:
- 누군가 (실루엣) (C16): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near right side of the frame; their path follows the 창문; NOT heading into the 옥탑방.
- 다른 형체 (실루엣) (C17): at the near right side of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.93x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 다른 형체 (실루엣) is farther than 누군가 (실루엣) and must read visibly smaller and deeper in the frame.

• The glass reflects → The window path runs from the near left side of the frame to the near right side of the frame, while the rooftop room sits mid-distance center. The glass reflects
• The other figure, a Korean middle-aged woman at three-quarter angle from the left, is buckling under the intense attack, her shoulder and torso collapsing into the middle-right darkness. → The other figure, a Korean middle-aged woman at three-quarter angle from the left, is already slightly deeper in the frame and visibly a little smaller, buckling under the intense attack, her shoulder and torso collapsing into the middle-right darkness.

Photorealistic cinematic still. A dark rooftop window glass dominates the middle-center midground, viewed from outside at window height with the pane sitting flat across the frame. The window path runs from the near left side of the frame to the near right side of the frame, while the rooftop room sits mid-distance center. The glass reflects the faint exterior rooftop darkness while catching two merged backlit silhouettes from inside, making the violent attack appear flattened on the pane. An unidentified figure in right profile, exerting decisive force, is caught lunging across the upper-left portion over the other's shoulder. The other figure, a Korean middle-aged woman at three-quarter angle from the left, is already slightly deeper in the frame and visibly a little smaller, buckling under the intense attack, her shoulder and torso collapsing into the middle-right darkness. Both figures appear as backlit shapes, body volume preserved against the dim interior ambient fill with cold rim light tracing the attacker's lunging shoulders and the victim's collapsing neck-and-shoulder outline, faces fully swallowed in deep shadow with no discernible features. The closed, weathered window frame boxes the silhouettes from the sides. The exterior wall of the rooftop room runs along the left edge, enveloped in a damp, blue-black lighting state with faint, suppressed street light spill outlining the architectural textures.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- bus stop area: at the near left side of the frame.
- dark coastal road (path): runs from the mid-distance left side of the frame to the far center of the frame.
- night sea beyond road (path): runs from the far left side of the frame to the far center of the frame.
- roadside bushes: at the mid-distance left side of the frame.
FIGURES:
- 혜수 (C06): at the near left side of the frame — NEAREST figure to the camera.
- 수리영 (C09): at the far center of the frame; about 2.9x as far from the camera as the nearest figure, so they must appear roughly 0.35x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the dark coastal road; moving away from 혜수; NOT heading into the roadside bushes.
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

SHOT 7 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- bus stop area: at the near center of the frame.
- dark coastal road (path): runs from the near left side of the frame to the far center of the frame.
- night sea beyond road (path): runs from the far left side of the frame to the far center of the frame.
- roadside bushes: at the near left side of the frame.
FIGURES:
- 혜수 (C06): at the near center of the frame — NEAREST figure to the camera.
- 수리영 (C09): at the mid-distance center of the frame; about 1.8x as far from the camera as the nearest figure, so they must appear roughly 0.56x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; moving away from 혜수; NOT heading into the roadside bushes.
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

• moves toward the dark coastal road in the middle-center foreground, with the dark coastal road ahead receding into the upper-center background → is already partway along the dark coastal road at the far center, smaller and deeper in the frame, heading toward the far center as the road runs there from the mid-distance left, moving away from the woman near the bus stop and not into the roadside bushes, with the dark coastal road ahead receding into the upper-center background

Photorealistic cinematic still. C09 in a sporty windbreaker, a young Korean woman in her 20s with long black hair, is already partway along the dark coastal road at the far center, smaller and deeper in the frame, heading toward the far center as the road runs there from the mid-distance left, moving away from the woman near the bus stop and not into the roadside bushes, with the dark coastal road ahead receding into the upper-center background. Viewed from slightly behind at torso level, she is caught in a forward-tilted running posture with her back to the camera, one foot pushing off the wet asphalt and the other airborne mid-stride, her hair flowing back in the direction opposite to her motion. Separated across the same damp roadside space, a middle-aged Korean woman stands firmly near a stationary outdoor bus stop bench. This older woman is positioned at a three-quarter angle from the right, her eyes fixed on the running figure. Heavy blue-gray marine fog swallows the surrounding black sea, while a faint, warm glow spills from the bus stop, creating a chilling contrast against the cold, moonless night.

• a young Korean woman in mid-run moves toward the coastal road darkness in the middle-right midground → a young Korean woman in mid-run is already partway along the dark coastal road that runs from the near left side of the frame to the far center, heading to the far center in the middle-right midground, visibly smaller and deeper in the frame, moving away from the middle-aged woman and not into the roadside bushes

Photorealistic cinematic still. A dark roadside foliage mask obscures the upper-left foreground, while a middle-aged Korean woman stands near the bus stop in the middle-left midground, and a young Korean woman in mid-run is already partway along the dark coastal road that runs from the near left side of the frame to the far center, heading to the far center in the middle-right midground, visibly smaller and deeper in the frame, moving away from the middle-aged woman and not into the roadside bushes. Captured from a hidden low-to-medium height inside wet roadside bushes, the voyeuristic handheld frame peers diagonally through the dark branches. The middle-aged woman in a navy jacket is seen at a three-quarter angle from the right, standing firmly rooted by a standard outdoor bus stop bench under a faint warm glow, her eyes fixed on the younger figure. The young woman in a sporty windbreaker, with her back to camera, is caught in a dynamic forward-tilted posture with one foot airborne in mid-stride, looking off-screen into the open negative space. The image is underexposed and cold, heavily enveloped in thick blue-gray marine fog, with tiny warm bus-stop highlights fractured by the black foreground foliage against the moonless darkness.

SHOT 9 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- sea: at the near center of the frame.
- small fishing boat: at the near center of the frame.
- deck: at the near center of the frame.
- wheelhouse interior: at the mid-distance center of the frame.
- pilothouse doorway (path): runs from the near left side of the frame to the near right side of the frame.
- metal threshold step (path): runs from the near left side of the frame to the near right side of the frame.
FIGURES:
- 수리영 (C09): at the near left side of the frame — NEAREST figure to the camera.
- 인우 (C24): at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.77x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance center of the frame; moving away from 수리영; NOT heading into the sea.
DEPTH CONTRACT: 인우 is farther than 수리영 and must read visibly smaller and deeper in the frame.

• → The pilothouse doorway and metal threshold step run from the near left side of the frame to the near right side, with the wheelhouse interior at the mid-distance center.
• occupies the middle-right midground, moving toward the pilothouse doorway. → occupies the middle-right mid-distance, visibly smaller and deeper in the frame, already partway along the pilothouse doorway path toward the mid-distance center, moving away from Suriyeong and not heading into the sea.
• They share the wet metal threshold they both occupy, running horizontally across the lower frame. → The wet metal threshold runs horizontally across the lower frame.

Photorealistic cinematic still. The pilothouse doorway and metal threshold step run from the near left side of the frame to the near right side, with the wheelhouse interior at the mid-distance center. C09O07, representing Suriyeong blocking the threshold, a Korean young woman in a sporty windbreaker, occupies the middle-left foreground, pointing toward Inwoo's chest. C24O15, representing Inwoo stopped in the doorway, a Korean young man in a fisherman waterproof jumper, occupies the middle-right mid-distance, visibly smaller and deeper in the frame, already partway along the pilothouse doorway path toward the mid-distance center, moving away from Suriyeong and not heading into the sea. Captured from a chest-height observer perspective, C09O07 is seen with her back to the camera, her arms locked bracing and her eyes fixed on C24O15, the figure exerting decisive force. C24O15 is at a three-quarter angle from the left, his chest driven forward into the contact point, his eyes fixed on C09O07. The wet metal threshold runs horizontally across the lower frame. The open door forms hard vertical borders around both bodies, while the unlit wheelhouse interior swallows the space behind C24O15 in damp shadow. A cold, blue-gray dusk lighting envelops the aging boat, casting chilly shadows over the damp deck with no comforting warm light sources present.