outdoor_site_layout — groups 8

layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 우거진 수풀: at the far right side of the frame.
- 폴리스 라인 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 금월산 피해 남성 (C07): at the near center of the frame — NEAREST figure to the camera.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 우거진 수풀: at the far center of the frame.
- 폴리스 라인 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 금월산 피해 남성 (C07): at the near center of the frame — NEAREST figure to the camera.
- 정체불명 검은 존재 (C11): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 정체불명 검은 존재 is farther than 금월산 피해 남성 and must read visibly smaller and deeper in the frame.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 우거진 수풀: at the near center of the frame.
- 폴리스 라인 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 혜수: at the near center of the frame — NEAREST figure to the camera.
- 경찰 무리: at the mid-distance right side of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.77x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 경찰 무리 is farther than 혜수 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Seen from a straight-down overhead high angle, C11O11 in a dark ragged outfit, an unidentified humanoid figure, and C07O07 in a dark hiking suit, an Asian middle-aged man, are locked together in the middle-center midground. The bare dirt and scattered natural debris of the forest floor serve as the continuous backdrop beneath them. C11O11 appears visibly smaller and deeper in the near center of the frame, with its back to the camera, crouched directly across the man's torso, exerting forceful weight downward; carrying its stable traits, C11O11 presents a humanoid head silhouette with an unclear head outline and an unidentified face entirely swallowed in shadow with no discernible features, its head angled directly toward C07O07. Pinned flat on the dirt ground beneath the crushing mass, C07O07 lies supine at a three-quarter angle from the left, severely injured with a pained expression and natural skin tone visible, gazing desperately off-screen. C07O07's arms and legs extend outward into the frame; one shoe is off, exposing a large, visibly bloody tooth mark on the bare thigh. Fading sunset ambient light casts a dim, low-key, desaturated illumination over the earthy terrain, isolating the dense black shape of the attacker against the gloomy ground.

Photorealistic cinematic still. C02O02 in a dark brown leather jacket, a Korean woman in her early 40s with mature facial features and natural dark hair, positioned in the center from the waist up. She stands in a command stance facing the camera, gazing into the distance, a radio gripped firmly in her hand within the lower frame, the device angled toward her body. Her torso and arms are clearly visible, with her head in the upper frame and lower legs implied beyond the bottom edge. At mid-distance on the right side of the frame, deeper in the same L01 forest clearing as a spatial anchor and visibly smaller than C02O02, a cluster of Asian male police officers in workwear stand at a three-quarter angle, their eyes fixed down on the recovery area. P02 runs laterally across the midground directly behind C02O02, its printed warning side facing the camera and establishing a visible boundary. The entire scene is bathed in subdued, desaturated daytime ambient light, creating the flattened, gritty tonal response of direct operational footage.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 어두운 골목길: at the far center of the frame.
- 전봇대: at the mid-distance center of the frame.
FIGURES:
- 한국인 신원미상 남성 (C09): at the near center of the frame — NEAREST figure to the camera.
- 효장동 피해 여성 (C08): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 효장동 피해 여성 is farther than 한국인 신원미상 남성 and must read visibly smaller and deeper in the frame.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 어두운 골목길: at the near center of the frame.
- 전봇대: at the near center of the frame.
FIGURES:
- 효장동 피해 여성 (C08): at the near center of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. An extremely tight opposing-profile composition at neck height. C09 in a dark coat, an East Asian adult man with natural skin tone, natural dark hair and a glowing red eye, in right profile, looking down, his jaw buried deeply into the neck of the figure receiving the force. Facing him from slightly deeper in the center of the frame, visibly smaller, and in left profile is C08 in a navy coat, an East Asian adult woman with natural skin tone, severely injured with eyes closed, her neck arched under the bite. Suspended dark-crimson blood droplets hang in the narrow gap between their skin surfaces. Faint streetlight illumination leaves the tightly framed skin and clothing details in low-key desaturated contrast. [: A narrow blurred vertical trace of a utility pole remains visible immediately behind the interaction point, anchoring the frame edge in the deep shadows].

Photorealistic cinematic still. Seen from a low observer at ground level, the empty alley floor occupies the vast lower foreground. Far in the distance, C08O08 in a navy trench coat, an Asian adult woman, lying motionless, lifeless on the ground near the base of a utility pole. She is positioned at the center of the frame, at three-quarter angle from the right, head turned looking off-screen. Faint streetlights provide sparse low-key visibility across the dark, desaturated night alley, casting deep shadows over the grim urban environment.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the mid-distance left side of the frame.
- 낡은 옥탑방: at the mid-distance center of the frame.
- 녹슨 철문 현관 (path): runs from the near left side of the frame to the near right side of the frame.
- 옥탑방 창문: at the far left side of the frame.
- 담벼락 (path): runs from the mid-distance left side of the frame to the far left side of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the far left side of the frame to the far left side of the frame.
- 옥상 가장자리 (path): runs from the far right side of the frame to the far left side of the frame.
FIGURES:
- 한국인 신원미상 남성 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame; moving away from 수리영; NOT heading into the 옥상.
- 수리영 (C01): at the far left side of the frame; about 3.0x as far from the camera as the nearest figure, so they must appear roughly 0.33x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 수리영 is farther than 한국인 신원미상 남성 and must read visibly smaller and deeper in the frame.

SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the near right side of the frame.
- 낡은 옥탑방: at the mid-distance center of the frame.
- 녹슨 철문 현관 (path): runs from the mid-distance right side of the frame to the mid-distance right side of the frame.
- 옥탑방 창문: at the near center of the frame.
- 담벼락 (path): runs from the near right side of the frame to the mid-distance center of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- 옥상 가장자리 (path): runs from the far right side of the frame to the far right side of the frame.
FIGURES:
- 한국인 신원미상 남성 (C09): at the near center of the frame — NEAREST figure to the camera.
- 강민숙 (C04): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 강민숙 is farther than 한국인 신원미상 남성 and must read visibly smaller and deeper in the frame.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the mid-distance right side of the frame.
- 낡은 옥탑방: at the mid-distance right side of the frame.
- 녹슨 철문 현관 (path): runs from the near center of the frame to the mid-distance center of the frame.
- 옥탑방 창문: at the mid-distance right side of the frame.
- 담벼락 (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the near center of the frame to the mid-distance center of the frame.
- 옥상 가장자리 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the mid-distance left side of the frame.
- 낡은 옥탑방: at the mid-distance center of the frame.
- 녹슨 철문 현관 (path): runs from the near left side of the frame to the near right side of the frame.
- 옥탑방 창문: at the far left side of the frame.
- 담벼락 (path): runs from the mid-distance left side of the frame to the far left side of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the far left side of the frame to the far left side of the frame.
- 옥상 가장자리 (path): runs from the far right side of the frame to the far left side of the frame.
FIGURES:
- 한국인 신원미상 남성 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame; moving away from 수리영; NOT heading into the 옥상.
- 수리영 (C01): at the far left side of the frame; about 3.0x as far from the camera as the nearest figure, so they must appear roughly 0.33x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 수리영 is farther than 한국인 신원미상 남성 and must read visibly smaller and deeper in the frame.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the mid-distance center of the frame.
- 낡은 옥탑방: at the far center of the frame.
- 녹슨 철문 현관 (path): runs from the far right side of the frame to the far right side of the frame.
- 옥탑방 창문: at the far center of the frame.
- 담벼락 (path): runs from the near left side of the frame to the mid-distance center of the frame.
- 옥탑방과 연결되는 계단 (path): runs from the mid-distance right side of the frame to the mid-distance right side of the frame.
- 옥상 가장자리 (path): runs from the mid-distance right side of the frame to the far right side of the frame.
FIGURES:
- 검은 고양이 (C15): at the near left side of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. A small obscuring window spans the middle-center foreground, framing C04O04, a Korean woman in her 40s in a grey knit cardigan set, visible through the glass on a deeper plane at near center, visibly smaller in frame than C11O11. C04O04 is collapsed on the floor at three-quarter angle from the right with eyes closed, appearing visibly wounded. Above her, C11O11 in dark tattered clothes, a figure with face fully swallowed in shadow and no discernible features, looms in left profile, its body volume preserved as a dark silhouette. C11O11 exerts decisive force, bending heavily over C04O04's shoulder, eyes fixed on the constrained figure below, pinning her down. The exterior environment is enveloped in deep nighttime darkness, while severe night contrast from behind the obscuring pane flattens the two subjects into grim, desaturated harsh contours, their forms distorted by the intact window glass.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- asphalt: at the mid-distance right side of the frame.
- stairs (path): runs from the far right side of the frame to the far right side of the frame.
- rooftop exterior: at the far right side of the frame.
- rooftop room: at the far right side of the frame.
FIGURES:
- 혜수 (C02): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near right side of the frame.
- 수리영 (C01): at the far right side of the frame; about 3.6x as far from the camera as the nearest figure, so they must appear roughly 0.28x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- asphalt: at the near left side of the frame.
- stairs (path): runs from the near center of the frame to the mid-distance right side of the frame.
- rooftop exterior: at the mid-distance right side of the frame.
- rooftop room: at the mid-distance right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
- 혜수 (C02): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 0.95x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. From a hip-height observer beside the police car, the vehicle's open door is visible in the background. C02O02 in a dark brown leather jacket, a Korean early-40s woman with mature facial features and natural dark hair, holds a mid-exit pose in right profile at the center of the medium frame. Her torso aligns with the camera height, while one foot is planted firmly on the vehicle lane at the lower edge, her eyes fixed on an off-screen figure. The nighttime environment is predominantly dark and heavily desaturated. Sharp red and blue pulses of light from the active siren cut through the shadows, casting colorful highlights across the figure and the vehicle.

Photorealistic cinematic still. C01O01 in a dark casual windbreaker, a Korean early 20s woman with an oval young face and long black hair, occupies the center foreground, looking toward the older woman above her eyeline. She is in right profile, chin lifted and shoulders locked, her desperate face dominating the frame. A Korean middle-aged woman in a detective coat, at three-quarter angle from the left, leans toward her, appearing partially at the upper center of the frame, visibly smaller and deeper in the frame, sharing a single line of sight from the camera. The nighttime environment is predominantly dark and heavily desaturated. Alternating red and blue pulses of light from an active police siren continually flash across the space, crossing the otherwise desaturated close-up and sharpening C01O01's pallor. [: Out-of-focus dark frame-edge surface behind them].

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 바다 (path): runs from the far left side of the frame to the far left side of the frame.
- 해안가 도로 (path): runs from the far right side of the frame to the far center of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame; their path follows the 해안가 도로; NOT heading into the 바다.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 바다 (path): runs from the far left side of the frame to the far left side of the frame.
- 해안가 도로 (path): runs from the far right side of the frame to the far center of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame; their path follows the 해안가 도로; NOT heading into the 바다.

Photorealistic cinematic still. The coastal road runs from the far right toward the far center of the frame, while the sea remains on the far left. C01O01 in a dark casual windbreaker, an East Asian young woman with an oval face, rides a bicycle in the middle-center midground, moving toward the forward camera axis, with the coastal road stretching out in the lower-center background. Captured at upper-torso height, she is facing the camera in a dynamic mid-pedal stance, her chin lifted and eyes closed. White earphones are visible in her ears, and her long black hair streams backward relative to her forward movement. Her hands firmly grip the handlebars, with the bicycle frame and front section visibly anchoring her posture in the lower frame. The scene is illuminated by a cool, desaturated daytime tonality with restrained contrast, highlighting her lively expression against the stable scale reference of the asphalt beneath.

Photorealistic cinematic still. C01O01 in a dark windbreaker, a Korean woman in her early 20s, appears in the middle-center midground, already partway along the coastal road on a bicycle, heading toward the mid-distance center of the frame and not into the sea. Captured by a low observer positioned parallel at bicycle-axle height, the full bicycle frame and both wheels form a stark side silhouette presented squarely in right profile. Her torso pitches low over the handlebars, one knee driven downward in a mid-pedal stroke, while her long black hair and jacket flap trail backward opposite the direction of travel. Her gaze fixes into the distance. Moonlight carves rim-lit edges around her preserved body volume against a near-black, desaturated night palette, the dark pavement extending horizontally beneath the tires.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- entertainment-district road: at the far left side of the frame.
- 마트: at the near center of the frame.
- supermarket entrance (path): runs from the near left side of the frame to the near right side of the frame.
- 마트 진열대 (path): runs from the mid-distance left side of the frame to the far left side of the frame.
- 마트 진열대 (path): runs from the mid-distance right side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera.
- 마트 남자 직원 (C19): at the near right side of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 마트 남자 직원 is farther than 수리영 and must read visibly smaller and deeper in the frame.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- entertainment-district road: at the mid-distance center of the frame.
- 마트: at the far left side of the frame.
- supermarket entrance (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame.
- 마트 진열대 (path): runs from the mid-distance center of the frame to the far center of the frame.
- 마트 진열대 (path): runs from the far left side of the frame to the far left side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; NOT heading into the entertainment-district road.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- entertainment-district road: at the far left side of the frame.
- 마트: at the far center of the frame.
- supermarket entrance (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
- 마트 진열대 (path): runs from the far left side of the frame to the far left side of the frame.
- 마트 진열대 (path): runs from the far right side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. From chest height beside the aisle, holding a static profile two-shot. On the left side of the frame, C01O01 in a dark casual windbreaker, a young East Asian woman, stands in right profile, leaning forward in inquiry with eyes fixed on the man. Across a narrow conversational gap in the shared aisle, an East Asian adult man in a mart worker uniform vest stands deeper in the frame on the right, visibly smaller than the woman, in left profile, his shoulders drawn back and his eyes fixed on the woman. The camera captures both of their upper bodies in a medium framing, their lower halves implied beyond the frame edges. Dim overhead fluorescent light casts a dark, desaturated tone with subdued facial contrast over the exact same quiet market interior established in the prior shot. Beside them, the shelf fronts angle away from the camera along the aisle, grounding the interaction in the space.

Photorealistic cinematic still. C01O01 in a dark windbreaker, a young East Asian woman, is already partway along her path at the near center of the frame, heading toward the near center of the frame and not into the entertainment-district road. The camera is positioned at the center of the road at upper-torso height in a wide framing, holding her frontally as she faces the camera and gazes into the distance. She is seated on the saddle of a standard commuter bicycle in mid-pedal, one knee bent in the down stroke, her jacket streaming behind in the direction opposite to her forward motion. Her hands grip the handlebar, with the bicycle frame and front wheel pointing toward the camera clearly visible below. The surrounding street features a storefront and a parked car along the sidewalk. Dusk illumination mixes restrained red neon accents from a lateral signboard with dark, desaturated street tones, establishing a naturalistic low-key contrast.

Photorealistic cinematic still. Captured at chest height from an observer's perspective in a medium shot, the composition is offset to place the figure's upper body on the left side of the frame. C01O01 in a dark casual windbreaker, a young Korean woman in her early 20s with an oval face and long black hair, is positioned at three-quarter angle from the right, standing braced beside a commuter bicycle. She is looking down, her eyes fixed on the dark screen of a smartphone held in her hands. The front screen of the smartphone is angled upward toward her face, remaining sufficiently visible to the camera as a dark display. Part of the bicycle frame and front wheel is visible at the right edge as a grounded scale reference, sharing the same physical ground surface she occupies. [L11B02: The exterior-facing sliding door of the supermarket entrance is visible behind and slightly beside her, anchoring her exit from the store.] Darkening dusk and available exterior illumination are rendered in restrained, desaturated low-key contrast, maintaining the exact space and lighting mood from the prior moment.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- night sea (path): runs from the mid-distance right side of the frame to the far center of the frame.
- coastal path (path): runs from the near left side of the frame to the far left side of the frame.
- bus-stop bench (path): runs from the near center of the frame to the mid-distance center of the frame.
- dark structures: at the near right side of the frame.
- dark structures: at the near right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- night sea (path): runs from the far right side of the frame to the far right side of the frame.
- coastal path (path): runs from the mid-distance center of the frame to the far center of the frame.
- bus-stop bench (path): runs from the near right side of the frame to the mid-distance center of the frame.
- dark structures: at the far center of the frame.
- dark structures: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far center of the frame; their path follows the coastal path; NOT heading into the night sea.

SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- night sea (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- coastal path (path): runs from the near left side of the frame to the far center of the frame.
- bus-stop bench (path): runs from the near left side of the frame to the near center of the frame.
- dark structures: at the near left side of the frame.
- dark structures: at the near right side of the frame.
FIGURES:
- 혜수 (C02): at the near left side of the frame — NEAREST figure to the camera.
- 수리영 (C01): at the far center of the frame; about 2.8x as far from the camera as the nearest figure, so they must appear roughly 0.35x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the coastal path; moving away from 혜수; NOT heading into the night sea.
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C01O01 in a dark windbreaker, an Asian young woman with long black hair, sits slumped in the center midground in right profile, looking toward the night sea that occupies the open middle-right background. Positioned at seated eye level beside a weathered outdoor bus-stop bench along a paved coastal walkway, the medium composition focuses on her unfocused distant gaze. The scene is enveloped in a low-key, desaturated nighttime atmosphere completely lacking bright artificial light sources, holding the lonely figure against the dark water to maintain an eerie, isolated mood.

Photorealistic cinematic still. C01O01 in a dark casual windbreaker, a young Asian woman, is positioned in the middle-center midground, already partway along the coastal path and heading toward the far center of the frame, not into the night sea. Captured from a waist-height perspective a few steps behind her, her full back and running stride fit entirely within the frame. She is frozen mid-stride with her back to the camera in an urgent run, her body leaning forward with continuous momentum and her rear foot completely suspended above the ground, looking off-screen into the distance. The paved coastal walkway extends forward alongside the dark sea, enveloped in a low-key, desaturated nighttime atmosphere. A weathered outdoor bus-stop bench is visible in the receding space behind her, falling out of the forward axis. The eerie, pitch-black ambient lighting maintains the moving figure's legibility against the isolated seaside environment without any bright artificial light sources.

Photorealistic cinematic still. C02O02 in a dark brown leather jacket, a middle-aged Asian woman, stands in the middle-left background looking toward C01O01 running away, while C01O01 in a dark windbreaker, a young Asian woman, appears deep at the far center of the frame, already partway along the coastal path moving away from C02O02 and the bus-stop bench, heading toward the far center of the frame and not into the night sea. Shot from a distant standing eye-level perspective, dark foreground structures heavily occlude the edges of the frame, creating narrow gaps that conceal the observer and form a predatory voyeuristic view. C01O01 appears visibly smaller than C02O02 in the distance, captured mid-stride in an urgent, dynamic run, seen at a three-quarter angle from the right, her body leaning forward with continuous forward momentum, one foot completely suspended in the air, gazing off-screen into the darkness. By the bench, C02O02 is seen in right profile, her torso angled forward as if calling out, eyes fixed on C01O01. The distant background features the seaside bus stop area along a paved coastal walkway overlooking the dark sea. The surroundings are enveloped in a low-key, desaturated nighttime atmosphere lacking bright artificial light sources, the path extending into the darkness to maintain an eerie, isolated mood. The camera focuses on the spatial tension between the fleeing figure, the stationary figure, and the hidden observer's restricted view.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- bicycle path (path): runs from the far center of the frame to the far center of the frame.
- coast (path): runs from the far left side of the frame to the far left side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far center of the frame; their path follows the bicycle path.

Photorealistic cinematic still. C01O01 in a dark casual windbreaker, a young Korean woman in her early 20s with a youthful oval face and long wet black hair, is positioned in the middle-center foreground, already partway along the bicycle path and heading toward the far center of the frame. Captured in a tight frontal facial view, her rain-struck face dominates the frame, facing the camera with wide eyes gazing into the distance. She appears mid-pedal with her torso pitched forward, the top of the bicycle handlebar visible at the lower frame edge. Forceful heavy rain scatters into hard highlights upon striking her skin. The storm-darkened daylight, punctuated by bright lightning flashes, casts desaturated tones across her features, set against [: soft, unstable peripheral traces of a route completely obscured by heavy rain and dark storm clouds].

diagnostics

{
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 "seed_group_count": 10,
 "groups_extracted": 8,
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   "shot": "S19sh7",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S19sh8",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S25sh2",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S25sh3",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S27sh1",
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  {
   "shot": "S27sh5",
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  },
  {
   "seed": "location:L18",
   "reason": "cap"
  },
  {
   "seed": "location:L21",
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  }
 ],
 "layout_shape_violations": [],
 "layout_side_conflicts": [],
 "spatial_summary_skipped": [
  {
   "shot": "S4sh2",
   "reason": "no_spatial_summary"
  }
 ],
 "rewrite_failed": [],
 "revised_prompt_audit_violations": [],
 "zoom_member_exclusion_source": "shot_dependency_t2i",
 "composition_guide_failed": [],
 "composition_guide_candidate_skipped": [
  {
   "group": "osl-shared-l02-s2",
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   "reason": "pose_brief_unusable_fail_closed"
  },
  {
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  },
  {
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   "reason": "pose_brief_unusable_fail_closed"
  },
  {
   "group": "osl-single-l07-s6-sh1",
   "reason": "judge_no_need",
   "confidence": "high"
  }
 ],
 "composition_guide_count": 16,
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  },
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 },
 "single_shot_seed_lane_enabled": true,
 "composition_guide_shared_model_enabled": true,
 "shared_model_judge_enabled": true,
 "shared_model_candidate_signals": [
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   "cameras_non_identical": true,
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   "per_shot_signals": {
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  },
  {
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  },
  {
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   "location_id": "L07",
   "scene_index": 9,
   "member_shots": [
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   "cameras_non_identical": false,
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   "per_shot_signals": {
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   }
  },
  {
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   "cameras_non_identical": true,
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   "per_shot_signals": {
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    },
    "8:4": {
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    }
   }
  },
  {
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   }
  },
  {
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  },
  {
   "group_id": "osl-single-l17-s23-sh3",
   "location_id": "L17",
   "scene_index": 23,
   "member_shots": [
    "S23sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "23:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  }
 ],
 "shared_model_judge_decisions": [
  {
   "group_id": "osl-shared-l01-s1",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "figure_placement_continuity",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "1:1",
     "source_field": "camera_direction",
     "quote": "From ground level within close-up distance, aim slightly downward"
    },
    {
     "shot_key": "1:5",
     "source_field": "camera_direction",
     "quote": "straight-down high-angle hold"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group requires a shared guide to maintain continuity of the figures on the ground across drastically different camera angles, including an extreme straight-down high-angle shot that presents a high placement risk for unguided renders.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l01-s3-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "3:3",
     "source_field": "camera_direction",
     "quote": "Police remain compressed along both lateral edges and the police line crosses the rear field"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The shot features multiple figures spread across distinct depth layers, with specific framing instructions for the background elements and lateral edges, warranting a single-shot layout guide to ensure correct spatial arrangement.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l02-s2",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "2:3",
     "source_field": "camera_direction",
     "quote": "extremely tight opposing-profile composition"
    },
    {
     "shot_key": "2:5",
     "source_field": "camera_direction",
     "quote": "From a low position over the alley ground"
    },
    {
     "shot_key": "2:5",
     "source_field": "camera_direction",
     "quote": "aimed back toward the utility pole"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots share the same location and structures (utility pole, alley) but from vastly different framing scales and positions (an extremely tight close-up vs a wide low-angle shot). A shared guide is needed to maintain structural continuity across the sequence, while the extreme framing and low camera angles present single-shot complexity risks that require layout assistance.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l04-s10",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "occlusion_or_framing_risk",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "10:5",
     "source_field": "camera_direction",
     "quote": "Immediately outside the doorway at shoulder height, the camera peers through the narrow opening from an oblique side angle"
    },
    {
     "shot_key": "10:5",
     "source_field": "camera_direction",
     "quote": "The door edge divides the close frame vertically, concealing his face and leaving his shoulder and upper back compressed within the opening."
    },
    {
     "shot_key": "10:6",
     "source_field": "camera_direction",
     "quote": "The camera cuts to a fixed position close and perpendicular to the small window"
    },
    {
     "shot_key": "10:6",
     "source_field": "camera_direction",
     "quote": "visible only as distorted silhouettes through the obscuring glass."
    }
   ],
   "guide_scope": "group",
   "risk_notes": "Shot 10:6 views the subjects through obscuring glass, which is an optical risk and must be excluded from mannequin sketches. Shot 10:5 requires precise placement of the figure partially occluded by the door edge, warranting a single-shot complexity guide. The group as a whole benefits from a shared model to maintain structural continuity between the doorway and the window of the same location.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l04-s11",
   "needs_shared_model_guide": true,
   "decision_type": "cross_shot_continuity",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity"
   ],
   "evidence": [
    {
     "shot_key": "11:4",
     "source_field": "camera_direction",
     "quote": "camera faces 수리영 along her fixed eyeline"
    },
    {
     "shot_key": "11:5",
     "source_field": "camera_direction",
     "quote": "From 수리영's eye height and approximate position, the static camera looks directly toward the rooftop-room entrance"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots form a reverse-angle POV pair. A shared guide is necessary to ensure the rooftop layout, the entrance structure, and the spatial relationship between the character's position and the door remain consistent across the cut.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l04-s17-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "17:1",
     "source_field": "camera_direction",
     "quote": "Hold a static wide composition from wall-top height several meters away, placing the black cat in profile on the left third and the lit rooftop-room window deeper in the right background along its eyeline. The wall creates a horizontal visual path between animal and window"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The specific camera height and the required alignment between the subject on the wall and the window in the background create a spatial framing risk that warrants a layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l05-s13",
   "needs_shared_model_guide": true,
   "decision_type": "cross_shot_continuity",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "figure_placement_continuity"
   ],
   "evidence": [
    {
     "shot_key": "13:2",
     "source_field": "camera_view_brief",
     "quote": "Visible structures, ordered near to far:\n- asphalt: in the foreground... - stairs: in the midground... - rooftop exterior: in the background... - rooftop room: in the background"
    },
    {
     "shot_key": "13:5",
     "source_field": "camera_view_brief",
     "quote": "Visible structures, ordered near to far:\n- asphalt: in the foreground... - stairs: in the background... - rooftop room: in the background... - rooftop exterior: in the background"
    },
    {
     "shot_key": "13:5",
     "source_field": "camera_direction",
     "quote": "angled upward so her raised face holds the foreground while 혜수 remains above her eyeline at the opposite edge"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots share the same structural elements (asphalt, stairs, rooftop room) but are framed from different heights and angles (hip height medium shot vs. upward-angled close-up). A shared guide is necessary to ensure the background structures and relative figure positions remain consistent across these different camera setups.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l07-s6-sh1",
   "needs_shared_model_guide": false,
   "decision_type": "no_guide",
   "confidence": "high",
   "reasons": [
    "insufficient_evidence"
   ],
   "evidence": [
    {
     "shot_key": "6:1",
     "source_field": "camera_direction",
     "quote": "Centered at upper-torso height ahead of the bicycle, travel backward at 수리영's pace"
    }
   ],
   "guide_scope": "none",
   "risk_notes": "Standard frontal tracking shot with no extreme angles, complex depth layering, or occlusion risks; an unguided render should handle the figure placement easily.",
   "admit": false,
   "deny_reason": "judge_no_need"
  },
  {
   "group_id": "osl-single-l07-s9-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "9:1",
     "source_field": "camera_direction",
     "quote": "At bicycle-axle height on 수리영's left, the camera tracks parallel in a perpendicular profile"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The very low camera angle (bicycle-axle height) creates a high placement risk for the figure and the ground plane, warranting a layout guide to ensure the intended perspective and framing are maintained.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l11-s8",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "figure_placement_continuity",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "8:1",
     "source_field": "camera_direction",
     "quote": "The camera tracks backward from the center of the road at upper-torso height, holding 수리영 frontally as she rides directly toward it."
    },
    {
     "shot_key": "8:4",
     "source_field": "camera_direction",
     "quote": "Outside the entrance at chest height, the camera holds at a medium-close distance in front of 수리영, offset just enough for a three-quarter view rather than a direct portrait."
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots take place in the same outdoor location (the road/entrance) but from different camera positions and framing scales, requiring cross-shot continuity for the structures and figure placement. Additionally, shot 8:1 involves a complex tracking movement where the camera moves backward as the figure rides toward it, presenting a framing risk that benefits from a layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l11-s19-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "figure_placement_continuity"
   ],
   "evidence": [
    {
     "shot_key": "19:3",
     "source_field": "camera_direction",
     "quote": "hold a static profile two-shot with 수리영 on the left and 마트 남자 직원 on the right, separated by a narrow conversational gap"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "Single shot with two figures requiring specific relative placement and spacing.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l12-s15",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "figure_placement_continuity",
    "depth_layering",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "15:1",
     "source_field": "camera_direction",
     "quote": "beside the bus-stop bench, the static medium composition looks across 수리영's profile toward the night sea"
    },
    {
     "shot_key": "15:4",
     "source_field": "camera_direction",
     "quote": "Several steps behind 수리영 at waist height, the tracking camera lowers just enough to retain her complete running stride as she moves away from the bench"
    },
    {
     "shot_key": "15:6",
     "source_field": "camera_direction",
     "quote": "relocates the camera far from the bench and path at standing eye level, peering through narrow gaps between dark structures"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group requires a shared model to maintain the spatial relationship between the bus-stop bench, the coastal path, and the dark structures across multiple distinct camera angles. Shot 15:6 also requires a guide to handle the occlusion of peering through narrow gaps and the depth layering of the two characters.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l17-s23-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "23:3",
     "source_field": "camera_direction",
     "quote": "closing into the tightest frontal facial view at the end of the move. 수리영's rain-struck face occupies most of the frame"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The tight framing and backward camera movement require precise placement of the figure relative to the camera to ensure the face occupies most of the frame as intended.",
   "admit": true,
   "deny_reason": null
  }
 ],
 "shared_model_attach_decisions": [
  {
   "group_id": "osl-shared-l01-s1",
   "scene_index": 1,
   "base_cache_key": "1c88616b4f3fdeec",
   "attached_shots": [
    "1:1",
    "1:5"
   ],
   "attached": true
  },
  {
   "group_id": "osl-single-l01-s3-sh3",
   "scene_index": 3,
   "base_cache_key": "fe745f4032416cad",
   "attached_shots": [
    "3:3"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l02-s2",
   "scene_index": 2,
   "base_cache_key": "65bc884aa4347c81",
   "attached_shots": [],
   "attached": false,
   "fail_stage": "pose_brief"
  },
  {
   "group_id": "osl-shared-l04-s10",
   "scene_index": 10,
   "base_cache_key": "d936f1c426104f98",
   "attached_shots": [
    "10:5"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l04-s11",
   "scene_index": 11,
   "base_cache_key": "024acec8a25e3c84",
   "attached_shots": [
    "11:4",
    "11:5"
   ],
   "attached": true
  },
  {
   "group_id": "osl-single-l04-s17-sh1",
   "scene_index": 17,
   "base_cache_key": "4962ca8637d8c236",
   "attached_shots": [],
   "attached": false,
   "fail_stage": "pose_brief"
  },
  {
   "group_id": "osl-shared-l05-s13",
   "scene_index": 13,
   "base_cache_key": "ec6afe95a5649b9d",
   "attached_shots": [
    "13:2",
    "13:5"
   ],
   "attached": true
  },
  {
   "group_id": "osl-single-l07-s9-sh1",
   "scene_index": 9,
   "base_cache_key": "b18a0989b2abe14f",
   "attached_shots": [
    "9:1"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l11-s8",
   "scene_index": 8,
   "base_cache_key": "228ab495a214286e",
   "attached_shots": [
    "8:1",
    "8:4"
   ],
   "attached": true
  },
  {
   "group_id": "osl-single-l11-s19-sh3",
   "scene_index": 19,
   "base_cache_key": "1bead7e8eace2bf6",
   "attached_shots": [
    "19:3"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l12-s15",
   "scene_index": 15,
   "base_cache_key": "662e8bc64b0044e2",
   "attached_shots": [
    "15:1",
    "15:4",
    "15:6"
   ],
   "attached": true
  },
  {
   "group_id": "osl-single-l17-s23-sh3",
   "scene_index": 23,
   "base_cache_key": "11a686a7c0f5669c",
   "attached_shots": [
    "23:3"
   ],
   "attached": true
  }
 ],
 "shared_model_single_shot_complexity_observation": [
  {
   "group_id": "osl-shared-l01-s1",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-single-l01-s3-sh3",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l02-s2",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l04-s10",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-single-l04-s17-sh1",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-single-l07-s9-sh1",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l11-s8",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-single-l11-s19-sh3",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l12-s15",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-single-l17-s23-sh3",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  }
 ],
 "shared_model_pose_fail_closed": [
  {
   "shot": "S2sh3",
   "group_id": "osl-shared-l02-s2",
   "figure_count": 2,
   "had_body": true
  },
  {
   "shot": "S17sh1",
   "group_id": "osl-single-l04-s17-sh1",
   "figure_count": 0,
   "had_body": true
  }
 ],
 "shared_model_optical_risk_excluded": [
  {
   "shot": "S10sh6",
   "group_id": "osl-shared-l04-s10"
  }
 ],
 "shared_model_building_fp_link": {
  "L03": {
   "fp_id": "fp_l06_rooftop_room_interior",
   "indoor_loc_sid": "L06",
   "group_id": "bg_rooftop_villa"
  },
  "L04": {
   "fp_id": "fp_l06_rooftop_room_interior",
   "indoor_loc_sid": "L06",
   "group_id": "bg_rooftop_villa"
  },
  "L05": {
   "fp_id": "fp_l06_rooftop_room_interior",
   "indoor_loc_sid": "L06",
   "group_id": "bg_rooftop_villa"
  },
  "L11": {
   "fp_id": "fp_l14_security_room",
   "indoor_loc_sid": "L14",
   "group_id": "bg_large_market"
  },
  "L15": {
   "fp_id": "fp_police_station_office",
   "indoor_loc_sid": "L13",
   "group_id": "bg_police_station"
  },
  "L19": {
   "fp_id": "fp_l20_wheelhouse",
   "indoor_loc_sid": "L20",
   "group_id": "bg_small_fishing_boat"
  }
 },
 "shared_model_image_calls": {
  "predicted": {
   "base": 10,
   "blocking": 10,
   "camera_view_sketch": 10
  },
  "actual": {
   "base": 10,
   "blocking": 10,
   "camera_view_sketch": 10
  },
  "predicted_call_count": 30,
  "actual_call_count": 30,
  "continuity_anchor_generation_calls": 0
 },
 "shared_model_chain_lineage": {
  "annotated": [
   {
    "asset": "61edac17-8c53-4500-972d-1f449e472191",
    "role": "outdoor_shot_blocking",
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   },
   {
    "asset": "efad768f-1f3b-4ce9-b00d-14e2ddedbe8f",
    "role": "outdoor_camera_sketch",
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   },
   {
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   },
   {
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   },
   {
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   },
   {
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   },
   {
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   },
   {
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   },
   {
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    "input": "b88589b3-1a0a-470b-b707-fd07163eb7b9"
   },
   {
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