{ "input_fingerprint": "a8ea4a8d2908ed45", "prompt": "STYLE CONTRACT — ordinary, modest, lived-in residential interior. Treat the result as an actual reference photograph of a real home: everyday materials, believable wear, modest furniture in plain shapes, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract; treat the base markers as spatial guidance, not as overlay material.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [3, 4]\n - look_at_unit: 3\n - look_at_cell: [9, 4]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use the broad plate from unit 1 toward unit 3 and opening marker 5 to support the medium profile staging in S13_Shot2 and the tighter side-profile crop in S13_Shot5 while retaining the committed transient illumination.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 1, show the committed relationship toward unit 3 and opening marker 5, with broad coverage grounded by base marker 1. Within the geometry readback's visibility supersets, include only the portions needed from candidate units 2, 4, and 7 and opening marker 6 so that required base markers 1 through 7 remain spatially coherent.\n - camera_framing_directive: Frame broadly from camera unit 1 at cell [3,4] toward look-at unit 3 at cell [9,4] with the wide lens at 90 degrees. Preserve enough surrounding coverage for the medium profile composition of S13_Shot2 and for a tighter side-profile crop in S13_Shot5 without changing the committed unit relationship.\n - subject_position_directive: For S13_Shot2, reserve one side of the medium frame for the staged profile subject beside marker 9, with one foot planted on the visible ground plane and the open side of marker 9 adjacent to the exit path. For S13_Shot5, support a tight side-profile crop with one subject in the middle-left foreground looking upward and the second in the upper-right midground above the first subject's eyeline; introduce no additional subjects.\n - state_cue_directive: Carry transient markers 8, 9, and 10 as committed: marker 8 remains loosely positioned, marker 9 carries the staged open-door and active-light state for S13_Shot2, and marker 10 supplies intermittent red-and-blue illumination consistent with both surfaced shots. The exterior remains otherwise dark and desaturated; add no unlisted state cues.\n - negative_continuity_directive: Do not invent numbered elements beyond markers 1 through 10, do not move the fixed relationships among base markers 1 through 7, and do not depict units outside the chosen unit-1 view-cone candidate superset. Because there is no prior reference and no ignored marker list, continuity must come from the supplied floor-plan marker placement and the committed camera geometry.\n\nSTRUCTURE FACTS (floor-plan truth for this location): every element listed below whose stated position falls inside the committed view MUST appear, with its position, connections and vertical (up/down) direction exactly as stated — never mirror, reverse or omit it. Elements the RENDER GUIDANCE excludes from this view may be left out.\n - 1. [area] outer yard — central open area between the street gate and residential building\n - 2. [area] residential building footprint — north and east side of the plan, bordering the outer yard\n - 3. [area] vehicle access lane — south gate to central yard, forming a clear vehicle approach\n - 4. [area] bicycle parking recess — northwest rear corner of the outer yard\n - 5. [opening] vehicle gate — south boundary, aligned with the vehicle access lane\n - 6. [opening] stair entrance door — east edge of the yard at the base of the roof-access staircase\n - 7. [area] roof-access staircase — attached to the east side of the residential building, rising from the yard entrance toward the roof\n\nVIEW AUTHORITY: the CAMERA DECISION and RENDER GUIDANCE above are the sole authority for camera position, camera height and view direction. If any prose below implies a different vantage point or an opposite view direction, keep this committed view and restage that prose's content inside it — never blend the two views into one impossible geometry.\n\n2020년대 중반 대한민국 서해안권 도시의 오래 사용된 저층 다세대 빌라 외곽 마당과 차량 진입면을 밤에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 차량 대문 바로 안쪽에 서 있는 사람의 눈높이 약 1.6미터에 놓고, 풀프레임 미러리스 또는 디지털 일안 반사식 카메라의 28밀리미터 광각 렌즈로 외곽 마당을 가로질러 옥상 출입 계단 쪽을 대각선으로 바라본다. 차량 진입로에는 동시대 한국의 현실적인 경찰 순찰차 한 대가 세워져 있으며 사람은 전혀 없다. 순찰차에서 계단 입구까지 이어지는 보행 경로가 명확히 보이고, 프레임 측면에는 벽 안쪽으로 들어간 작은 자전거 보관 홈과 생활 자전거 한 대가 함께 보인다.\n\n빌라 외벽은 한국 저층 주거에서 흔한 붉은 벽돌과 일부 낡은 화강석 타일 마감이며, 회색 알루미늄 새시 창, 창문 방범창, 외벽 에어컨 실외기와 노출 배관, 도시가스 배관과 계량기, 빗물 배수관, 현관 벽등이 실제 설치 방식대로 층층이 붙어 있다. 작은 화분, 접힌 빨래줄, 오래된 생활 흔적과 먼지, 빗물 자국, 벽돌 줄눈의 변색, 금속 대문의 긁힘과 녹슨 경첩을 과장 없이 담는다. 옥상 출입 계단은 실용적인 콘크리트 계단과 약 1.1미터 높이 금속 난간으로 구성하고, 빌라의 각 층 높이는 약 2.7미터, 출입문은 약 2미터, 창문 폭은 약 1.2미터로 서로 일관되게 맞춘다. 구조물을 비정상적으로 크게 만들지 않는다.\n\n대문 너머에는 비슷한 벽돌·타일 마감의 저층 빌라들이 좁은 골목을 따라 밀집해 있고, 전신주와 느슨하게 이어진 전선, 생활 차량 일부가 자연스럽게 보인다. 대상 빌라는 고립된 콘크리트 요새가 아니라 실제 사람이 거주하는 평범한 한국 주택가의 일부여야 한다. 밤의 기본 조명은 희미한 주황빛 골목 조명과 현관등이며, 이 배경 상태에서만 경찰차 회전 경광등의 붉은빛과 푸른빛이 외벽, 창문, 금속 대문, 계단 난간과 약간 축축한 차량 진입면에 짧고 불균일하게 반사된다. 경광등 색이 공간 전체를 인공적으로 채우지 않도록 하고, 빛의 도달 거리와 그림자는 실제 광원에 맞춘다.\n\n실제 콘크리트의 거친 표면, 금속의 산화와 도장 벗겨짐, 벽돌과 석재 타일의 질감, 고무 타이어와 자전거 프레임의 사용감, 축축한 바닥의 제한적인 반사를 정확하게 표현한다. 어둡고 채도가 낮은 현실적인 야간 노출, 절제된 붉은빛, 자연스러운 심도와 실제 렌즈 원근감, 과도한 후보정 없는 현장 기록 사진. 깨끗한 광고 사진이 아니며, 컴퓨터 생성 이미지나 삽화, 건축 시각화가 아니다. 위에서 내려다보는 시점, 평면도, 건축 도식은 금지한다. 인물, 얼굴, 시신, 혈흔은 없다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nSITE LOOK REFERENCE: the attached photograph shows this exact place — the confirmed look of its structure and surroundings. Keep the structure's massing, storey count, materials, wear and the character of the surroundings consistent with that photograph while composing the viewpoint this plate needs. Do not copy its camera angle or framing.\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures, furniture and signage. Signage follows the place's nature: a commercial or public facility keeps its signage present and legible; a residential or private place has none unless the prompt says so. Reproduce any signage visible in the reference EXACTLY — same lettering, same design, same position; never invent different sign text from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Signage follows the place's nature: a commercial or public facility keeps its signage present and legible; a residential or private place has none unless the prompt says so. Reproduce any signage visible in the reference EXACTLY — same lettering, same design, same position; never invent different sign text from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nUNMANNED BACKGROUND CONTRACT — this image is an EMPTY BACKGROUND\nPLATE: absolutely NO people anywhere. No figures, no faces, no body\nparts, no hands, no silhouettes, no human shadows, no reflections of\npeople, no mannequins or statues that read as people, no crowds in\nthe distance. If any person or their action is mentioned above,\nrender the place AS IF that person is not there — keep only the\nenvironment they would occupy. On any conflict, THIS CONTRACT WINS.", "totals": { "A": 3, "B": 4, "C": 7 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "A", "score": 3, "verdict_ko": "이미지에 붉은색 번호 마커가 그대로 노출되어 프롬프트의 금지 지침(마커 누출)을 심각하게 위반했습니다." }, { "label": "B", "score": 4, "verdict_ko": "금지된 '위에서 내려다보는 시점'으로 렌더링되어 1.6m 눈높이 카메라 앵글 지침을 어겼습니다." }, { "label": "C", "score": 7, "verdict_ko": "지정된 사람 눈높이의 카메라 앵글을 준수하고, 순찰차, 자전거 보관소, 경찰차 경광등 반사 효과 등을 가장 정확하게 담아냈습니다." } ], "refs": [ { "label": "SPATIAL REFERENCE — the same place this background belongs to: its layout, materials and fixed features are truth; keep every shared fixed feature identical where the views overlap. Never copy its camera framing.", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/28ac6c06-e1df-4fba-a789-6cd55401a4d8/images/background_chain/seed_bg_rooftop_villa_sel.png" }, { "label": "SPATIAL REFERENCE — the same place this background belongs to: its layout, materials and fixed features are truth; keep every shared fixed feature identical where the views overlap. Never copy its camera framing.", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/28ac6c06-e1df-4fba-a789-6cd55401a4d8/episodes/c0e2bace-39ca-47de-88f7-99463c1696bc/images/background_chain/L05B01.png" }, { "label": "SPATIAL REFERENCE — the same place this background belongs to: its layout, materials and fixed features are truth; keep every shared fixed feature identical where the views overlap. Never copy its camera framing.", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/28ac6c06-e1df-4fba-a789-6cd55401a4d8/episodes/c0e2bace-39ca-47de-88f7-99463c1696bc/images/background_chain/L04B02.png" } ], "critique": { "issues": [ { "issue_ko": "프롬프트에 '생활 자전거 한 대'라고 명시되어 있으나, 우측 자전거 보관 홈 안의 자전거 외에 에어컨 실외기 옆에 두 번째 자전거의 앞부분이 존재하여 제한을 위반했습니다.", "fix_en": "Remove the front half of the second bicycle located on the far right next to the AC unit, leaving only the single bicycle parked inside the recess." } ] }, "composition_critique": { "issues": [ { "fix_en": "Move the camera to just inside the vehicle gate at approximately 1.6 meters high and aim diagonally across the yard toward the roof-access staircase, keeping all scene elements unchanged.", "issue_ko": "카메라가 마당 안쪽에서 대문과 골목을 되돌아보는 역방향에 놓여 있다. 계약은 차량 대문 바로 안쪽에서 마당을 가로질러 옥상 출입 계단을 바라보는 축을 요구한다." }, { "fix_en": "Reposition the police car inside the vehicle access lane within the yard, between the gate and the staircase approach, so the pedestrian route from the car to the stair entrance remains clearly visible.", "issue_ko": "순찰차가 마당의 차량 진입로가 아니라 대문 너머 골목 쪽에 배치되어 있어, 순찰차에서 계단 입구까지 이어지는 요구된 깊이 관계와 보행 동선이 성립하지 않는다." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the front half of the second bicycle located on the far right next to the AC unit, leaving only the single bicycle parked inside the recess.\n- Move the camera to just inside the vehicle gate at approximately 1.6 meters high and aim diagonally across the yard toward the roof-access staircase, keeping all scene elements unchanged.\n- Reposition the police car inside the vehicle access lane within the yard, between the gate and the staircase approach, so the pedestrian route from the car to the stair entrance remains clearly visible.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "fix_rejudge": { "forward_raw": { "winner": "B", "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 4, "verdict_ko": "우측 하단에 자전거 바퀴와 빨래건조대가 융합된 물리적으로 불가능한 형태가 생성되어 치명적인 오류입니다." }, { "label": "B", "score": 7, "verdict_ko": "요구된 구도와 옥외 계단, 경찰차 위치, 자전거 보관소 등 물리적 요소들을 정확히 반영하였으며 조명 조건도 잘 준수했습니다." } ] }, "forward_normalized": { "winner": "B", "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 4, "verdict_ko": "우측 하단에 자전거 바퀴와 빨래건조대가 융합된 물리적으로 불가능한 형태가 생성되어 치명적인 오류입니다." }, { "label": "B", "score": 7, "verdict_ko": "요구된 구도와 옥외 계단, 경찰차 위치, 자전거 보관소 등 물리적 요소들을 정확히 반영하였으며 조명 조건도 잘 준수했습니다." } ] }, "reverse_raw": { "winner": "A", "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지정된 구도와 뷰를 잘 반영했으며, '자전거 한 대'라는 요구사항을 정확히 충족하고 경찰차의 경광등 반사 효과도 적절히 표현됨." }, { "label": "B", "score": 6, "verdict_ko": "대부분의 지시사항을 잘 따랐으나, 우측 하단에 불필요한 실외기와 두 번째 자전거 바퀴가 추가되어 '자전거 한 대'라는 명세를 위반함." } ] }, "reverse_normalized": { "winner": "B", "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "지정된 구도와 뷰를 잘 반영했으며, '자전거 한 대'라는 요구사항을 정확히 충족하고 경찰차의 경광등 반사 효과도 적절히 표현됨." }, { "label": "A", "score": 6, "verdict_ko": "대부분의 지시사항을 잘 따랐으나, 우측 하단에 불필요한 실외기와 두 번째 자전거 바퀴가 추가되어 '자전거 한 대'라는 명세를 위반함." } ] }, "combined": { "totals": { "A": 10, "B": 14 }, "ranking": [ "B", "A" ], "agreement": true, "policy": 1 }, "winner": "B", "fix_won": true, "policy": "fix_rejudge_v1_flip" } }