{ "bg_coastal_road": { "author_fp": "c3893169488ec478", "author": { "conformance_brief_en": "Every image must show the same one-storey, single-bay rectangular coastal bus shelter as the main subject. It has a flat pale-gray metal roof, a dark-gray powder-coated galvanized-steel frame, clear tempered-glass rear and end panels, exactly one full-width open boarding face toward the road, and one worn brown slatted bench on stainless-steel supports. The shelter stands on a narrow pale-gray concrete-paver sidewalk on the landward side of a continuous charcoal asphalt coastal road. The road passes directly beside it and continues in both directions. A low weathered gray concrete seawall and the Yellow Sea lie opposite, with a direct unobstructed sightline from the shelter. Salt fading, minor lower-joint rust and routine wear are visible. Adjacent low-rise buildings must form a believable, currently inhabited working coastal neighborhood rather than an isolated or abandoned site.", "location_line_en": "A coastal roadside bus stop in a working neighborhood of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "대본 원문과 공간 동선 중심", "evidence_ko": [ "해안가 도로", "해안도로", "해안가. 버스정류장 부근", "바다를 바라보며" ], "prompt_en": "An ordinary, currently inhabited working coastal neighborhood in Incheon lines the landward side of a quiet paved coastal road, with adjacent low-rise buildings continuing naturally along the route. The charcoal asphalt road runs continuously in both directions beside a narrow pale-gray concrete-paver sidewalk; a low weathered gray concrete seawall and the Yellow Sea lie directly opposite. The target structure is a one-storey, single-bay rectangular bus shelter fixed on the landward roadside sidewalk. It has a flat pale-gray metal roof, a dark-gray powder-coated galvanized-steel frame, clear tempered-glass rear and end panels, and exactly one full-width open boarding face toward the road. One worn brown slatted bench on stainless-steel supports stands against the rear panel. The shelter faces across the road and seawall with a direct unobstructed sightline to the sea. Salt haze, faded coating and minor rust at the lower joints show routine coastal wear, not abandonment.", "variant_id": "v1" }, { "approach_ko": "해안 노동 동네의 맥락 우선", "evidence_ko": [ "서해안 해안도로", "한쪽으로는 방파제와 바다가 보이고 다른 쪽으로는 구조물들이 이어진다.", "해안가 버스정류장과 인도" ], "prompt_en": "A real low-rise working coastal neighborhood occupies the landward edge of Incheon’s shoreline in 2026. It is currently inhabited and in everyday use, with neighboring buildings continuing along one side of the route rather than leaving the stop isolated. A continuous charcoal asphalt road runs through the location in both directions. Its seaward side meets a low weathered gray concrete seawall and the Yellow Sea, while its landward side has a narrow pale-gray concrete-paver sidewalk. The main subject is one fixed, one-storey bus shelter on that sidewalk: a compact single-bay rectangular mass with a flat pale-gray metal roof and a dark-gray powder-coated galvanized-steel frame. Clear tempered glass forms the rear and two end panels; exactly one full-width boarding face remains open toward the road. A single worn brown slatted bench with stainless-steel supports is fitted against the rear panel. The open face looks directly across the uninterrupted road and seawall to the sea. The frame and bench carry salt fading, minor scuffs and restrained lower-joint corrosion from normal coastal service.", "variant_id": "v2" }, { "approach_ko": "지역 재료와 정류장 유형 중심", "evidence_ko": [ "포장된 한산한 해안가 아스팔트 도로", "바다가 정면으로 보이는 해안도로 변의 버스정류장", "낡은 벤치와 정류장 구조물이 서 있다." ], "prompt_en": "A currently inhabited Incheon coastal neighborhood surrounds the site, with ordinary low-rise working buildings extending along the landward side of the shore road. The setting reads as a functioning 2026 neighborhood rather than an empty compound or detached scenic object. The target is a one-storey, single-bay rectangular roadside bus shelter built from materials typical of a contemporary South Korean municipal stop: a dark-gray powder-coated galvanized-steel frame, clear tempered-glass rear and end panels, and a flat pale-gray metal roof. It has exactly one full-width open boarding face toward the road and one worn brown slatted bench on stainless-steel supports against the rear glass. The shelter stands on a narrow pale-gray concrete-paver sidewalk. A continuous charcoal asphalt coastal road passes directly beside it and extends away in both directions. Across the road, a low weathered gray concrete seawall borders the Yellow Sea, preserving a direct sightline from the shelter to the water. Salt residue, faded paint, scuffed bench slats and minor rust at the frame bases provide ordinary age and use without suggesting abandonment.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "c54bdbe3d0006511", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same one-storey, single-bay rectangular coastal bus shelter as the main subject. It has a flat pale-gray metal roof, a dark-gray powder-coated galvanized-steel frame, clear tempered-glass rear and end panels, exactly one full-width open boarding face toward the road, and one worn brown slatted bench on stainless-steel supports. The shelter stands on a narrow pale-gray concrete-paver sidewalk on the landward side of a continuous charcoal asphalt coastal road. The road passes directly beside it and continues in both directions. A low weathered gray concrete seawall and the Yellow Sea lie opposite, with a direct unobstructed sightline from the shelter. Salt fading, minor lower-joint rust and routine wear are visible. Adjacent low-rise buildings must form a believable, currently inhabited working coastal neighborhood rather than an isolated or abandoned site.\n\nTHE LOCATION: A coastal roadside bus stop in a working neighborhood of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycles used on the coastal road; worn earphones; purchased drink; heavy rain; thunder and lightning; storm clouds", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited working coastal neighborhood in Incheon lines the landward side of a quiet paved coastal road, with adjacent low-rise buildings continuing naturally along the route. The charcoal asphalt road runs continuously in both directions beside a narrow pale-gray concrete-paver sidewalk; a low weathered gray concrete seawall and the Yellow Sea lie directly opposite. The target structure is a one-storey, single-bay rectangular bus shelter fixed on the landward roadside sidewalk. It has a flat pale-gray metal roof, a dark-gray powder-coated galvanized-steel frame, clear tempered-glass rear and end panels, and exactly one full-width open boarding face toward the road. One worn brown slatted bench on stainless-steel supports stands against the rear panel. The shelter faces across the road and seawall with a direct unobstructed sightline to the sea. Salt haze, faded coating and minor rust at the lower joints show routine coastal wear, not abandonment.\n\nTHE LOCATION: A coastal roadside bus stop in a working neighborhood of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycles used on the coastal road; worn earphones; purchased drink; heavy rain; thunder and lightning; storm clouds\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real low-rise working coastal neighborhood occupies the landward edge of Incheon’s shoreline in 2026. It is currently inhabited and in everyday use, with neighboring buildings continuing along one side of the route rather than leaving the stop isolated. A continuous charcoal asphalt road runs through the location in both directions. Its seaward side meets a low weathered gray concrete seawall and the Yellow Sea, while its landward side has a narrow pale-gray concrete-paver sidewalk. The main subject is one fixed, one-storey bus shelter on that sidewalk: a compact single-bay rectangular mass with a flat pale-gray metal roof and a dark-gray powder-coated galvanized-steel frame. Clear tempered glass forms the rear and two end panels; exactly one full-width boarding face remains open toward the road. A single worn brown slatted bench with stainless-steel supports is fitted against the rear panel. The open face looks directly across the uninterrupted road and seawall to the sea. The frame and bench carry salt fading, minor scuffs and restrained lower-joint corrosion from normal coastal service.\n\nTHE LOCATION: A coastal roadside bus stop in a working neighborhood of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycles used on the coastal road; worn earphones; purchased drink; heavy rain; thunder and lightning; storm clouds\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited Incheon coastal neighborhood surrounds the site, with ordinary low-rise working buildings extending along the landward side of the shore road. The setting reads as a functioning 2026 neighborhood rather than an empty compound or detached scenic object. The target is a one-storey, single-bay rectangular roadside bus shelter built from materials typical of a contemporary South Korean municipal stop: a dark-gray powder-coated galvanized-steel frame, clear tempered-glass rear and end panels, and a flat pale-gray metal roof. It has exactly one full-width open boarding face toward the road and one worn brown slatted bench on stainless-steel supports against the rear glass. The shelter stands on a narrow pale-gray concrete-paver sidewalk. A continuous charcoal asphalt coastal road passes directly beside it and extends away in both directions. Across the road, a low weathered gray concrete seawall borders the Yellow Sea, preserving a direct sightline from the shelter to the water. Salt residue, faded paint, scuffed bench slats and minor rust at the frame bases provide ordinary age and use without suggesting abandonment.\n\nTHE LOCATION: A coastal roadside bus stop in a working neighborhood of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycles used on the coastal road; worn earphones; purchased drink; heavy rain; thunder and lightning; storm clouds\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "A": 4, "B": 3 }, "selected": "C", "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "모든 지침을 정확히 따름. 완전히 개방된 전면, 구조적 결함 없음, 올바른 배치 및 지정된 재질(스테인리스 스틸 벤치 지지대 등) 일치." }, { "label": "A", "score": 4, "verdict_ko": "탑승구가 기둥으로 막혀 있어 '전체 너비가 개방된' 조건을 위반했으며, 벤치가 바다를 등지고 있어 시야 및 배치 조건에 어긋남." }, { "label": "B", "score": 3, "verdict_ko": "하드 위반: 쉘터 우측 전면 모서리를 지탱하는 기둥이 누락되어 지붕과 유리가 공중에 떠 있는 물리적으로 불가능한 구조임." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "버스 정류장이 육지 쪽 건물 앞 인도가 아닌, 도로 한가운데 고립된 교통섬 위에 배치되어 있습니다.", "fix_en": "Relocate the bus shelter and its paver base to the far left to directly adjoin the buildings' sidewalk, and rotate the structure 180 degrees so its open boarding face points toward the road." }, { "issue_ko": "정류장 프레임에 중간 수직 기둥들이 있어 지시된 단일 베이(single-bay) 구조가 아닌 3베이 구조로 묘사되었습니다.", "fix_en": "Remove the intermediate vertical posts from the frame to create a single-bay structure with one uninterrupted clear glass rear panel." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Relocate the bus shelter and its paver base to the far left to directly adjoin the buildings' sidewalk, and rotate the structure 180 degrees so its open boarding face points toward the road.\n- Remove the intermediate vertical posts from the frame to create a single-bay structure with one uninterrupted clear glass rear panel.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_foggy_harbor": { "author_fp": "2f6f75d0d49671b2", "author": { "conformance_brief_en": "The target is a zero-storey open waterfront site, not a building. It has a low horizontal massing formed by dark gray salt-weathered tidal rocks directly adjoining blue-gray harbor water that opens toward the sea. The rocks continue along the shoreline to one adjacent gray concrete mooring edge with exactly one fixed yellow-painted steel mooring bollard at the waterline. The target has no facade, doors, windows, stairs, railings, roof, fence, or gate. A believable, currently inhabited small working-harbor neighborhood in coastal Incheon surrounds the site.", "location_line_en": "A small working harbor on the coast of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 포구, 갯바위, 바다, 정박 행동을 직접 시각화한 접근", "evidence_ko": [ "포구 / 해질 무렵", "갯바위에 앉아있는 수리영.", "하염없이 안개가 몰려오는 바다를 바라보는데", "배로 다가가는 수리영.", "닷줄을 고정시키고 있다." ], "prompt_en": "A currently inhabited small working-harbor neighborhood in coastal Incheon surrounds this open shoreline site. The target has zero storeys and no building mass: a low band of dark gray, salt-weathered tidal rocks directly borders blue-gray harbor water opening toward the sea. The rocks lead along the shoreline to an adjacent gray concrete mooring edge. Exactly one fixed yellow-painted steel mooring bollard stands at the waterline, with faded paint, scuffs, and salt staining from regular use. Late-day natural light falls across the connected rocks, mooring edge, harbor, and ordinary neighborhood.", "variant_id": "v1" }, { "approach_ko": "인천의 생활형 소형 항구 환경에서 대상 부지로 좁혀가는 접근", "evidence_ko": [], "prompt_en": "The setting is a compact, currently inhabited working-harbor neighborhood typical of coastal Incheon in 2026, with the ordinary low-rise urban fabric of a real small port. Within it, the main subject is a zero-storey open waterfront site with a low horizontal profile and no target building. Dark gray salt-weathered tidal rocks meet blue-gray harbor water, which extends outward toward the sea. The rocky shoreline continues directly to a gray concrete mooring edge beside it. One fixed yellow-painted steel mooring bollard occupies the accessible waterline, its finish faded, scuffed, and salt-stained.", "variant_id": "v2" }, { "approach_ko": "해안 재료와 사용 흔적을 중심으로 공간 위계를 밝히는 접근", "evidence_ko": [], "prompt_en": "Dark gray coastal rock, gray marine concrete, yellow-painted steel, and blue-gray seawater define a real, currently inhabited small working harbor in coastal Incheon. The zero-storey target is an open, low horizontal shoreline site rather than a building. Salt-darkened tidal rocks directly adjoin the harbor water, and the water opens toward the sea. Along the shore, the rocks connect to one adjacent concrete mooring edge at the accessible waterfront. Exactly one fixed steel mooring bollard stands there at the waterline; its yellow coating is faded and scuffed by ordinary harbor use. The surrounding neighborhood remains visibly part of the continuous lived-in port setting.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "eece1e7983c5d345", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey open waterfront site, not a building. It has a low horizontal massing formed by dark gray salt-weathered tidal rocks directly adjoining blue-gray harbor water that opens toward the sea. The rocks continue along the shoreline to one adjacent gray concrete mooring edge with exactly one fixed yellow-painted steel mooring bollard at the waterline. The target has no facade, doors, windows, stairs, railings, roof, fence, or gate. A believable, currently inhabited small working-harbor neighborhood in coastal Incheon surrounds the site.\n\nTHE LOCATION: A small working harbor on the coast of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain; empty harbor condition; arriving boat; mooring rope", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited small working-harbor neighborhood in coastal Incheon surrounds this open shoreline site. The target has zero storeys and no building mass: a low band of dark gray, salt-weathered tidal rocks directly borders blue-gray harbor water opening toward the sea. The rocks lead along the shoreline to an adjacent gray concrete mooring edge. Exactly one fixed yellow-painted steel mooring bollard stands at the waterline, with faded paint, scuffs, and salt staining from regular use. Late-day natural light falls across the connected rocks, mooring edge, harbor, and ordinary neighborhood.\n\nTHE LOCATION: A small working harbor on the coast of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain; empty harbor condition; arriving boat; mooring rope\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is a compact, currently inhabited working-harbor neighborhood typical of coastal Incheon in 2026, with the ordinary low-rise urban fabric of a real small port. Within it, the main subject is a zero-storey open waterfront site with a low horizontal profile and no target building. Dark gray salt-weathered tidal rocks meet blue-gray harbor water, which extends outward toward the sea. The rocky shoreline continues directly to a gray concrete mooring edge beside it. One fixed yellow-painted steel mooring bollard occupies the accessible waterline, its finish faded, scuffed, and salt-stained.\n\nTHE LOCATION: A small working harbor on the coast of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain; empty harbor condition; arriving boat; mooring rope\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark gray coastal rock, gray marine concrete, yellow-painted steel, and blue-gray seawater define a real, currently inhabited small working harbor in coastal Incheon. The zero-storey target is an open, low horizontal shoreline site rather than a building. Salt-darkened tidal rocks directly adjoin the harbor water, and the water opens toward the sea. Along the shore, the rocks connect to one adjacent concrete mooring edge at the accessible waterfront. Exactly one fixed steel mooring bollard stands there at the waterline; its yellow coating is faded and scuffed by ordinary harbor use. The surrounding neighborhood remains visibly part of the continuous lived-in port setting.\n\nTHE LOCATION: A small working harbor on the coast of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain; empty harbor condition; arriving boat; mooring rope\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 5, "B": 8, "C": 6 }, "selected": "B", "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "A", "score": 5, "verdict_ko": "Violates the negative prompt by prominently featuring an excluded scene transient (a mooring rope tied to the yellow bollard)." }, { "label": "B", "score": 8, "verdict_ko": "Strongly matches the brief; presents a zero-storey rocky waterfront with exactly one yellow bollard on the adjacent concrete edge, correctly excluding all transients like ropes." }, { "label": "C", "score": 6, "verdict_ko": "Shows a cable/rope attached to the bollard's base (transient violation) and introduces a shack structure onto the waterfront rocks, violating the 'zero-storey open waterfront site' constraint." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "거리에 사람들이 여러 명 보입니다 (클린 플레이트 규칙 위반).", "fix_en": "Remove all people from the street and background to ensure a strict clean plate with no human figures." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all people from the street and background to ensure a strict clean plate with no human figures.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_large_market": { "author_fp": "6e161c280b042571", "author": { "conformance_brief_en": "Every image shows the same broad, deep, single-storey rectangular supermarket in coastal Incheon in 2026. It has light-gray precast-concrete wall panels, a charcoal-gray ceramic-tile plinth, a flat gray membrane roof behind a low parapet, and light coastal grime and salt streaking. The mostly solid frontage has exactly one public entrance: clear automatic sliding glass doors in silver aluminum frames. A paved storefront exterior area of medium-gray concrete pavers lies directly between the entrance and the dark-gray asphalt commercial approach, with a permanent bicycle parking zone of stainless-steel racks. Exactly one white weatherproof CCTV unit is fixed high on the market exterior to cover this area. The approach passes through an active harbor-adjacent neighborhood of ordinary low- and mid-rise commercial buildings, with red, blue, and white neon signage distributed along it, and terminates at the market frontage. The surroundings must look maintained, occupied, and routinely used, never isolated or abandoned.", "location_line_en": "A large supermarket at the end of a harbor-adjacent commercial approach in coastal Incheon, South Korea, 2026.", "variants": [ { "approach_ko": "시나리오의 접근 동선과 외부 단서를 직접 시각화한 구성", "evidence_ko": [ "포구와 인접해 있는 번화가", "네온사인", "마트에 도착해", "/ 마트 밖", "CCTV 위치를 확인하다. 찍혔을 만한 위치다.", "마트 정문 앞의 포장된 보행로와 자전거 주차 구역.", "벽면 위쪽으로 방범용 감시 카메라(CCTV)가 설치되어 있다." ], "prompt_en": "A maintained harbor-adjacent commercial neighborhood in coastal Incheon surrounds a dark-gray asphalt approach lined with regionally typical low- and mid-rise businesses. Red, blue, and white neon signage is distributed along the approach, which terminates at a large supermarket frontage at blue-hour dusk. The supermarket is a broad, deep, single-storey rectangular block clad in light-gray precast-concrete panels above a charcoal-gray ceramic-tile plinth. A flat gray membrane roof sits behind a low parapet, and the exterior carries mild coastal salt streaks and ordinary road grime. The mostly solid frontage has exactly one public entrance, formed by clear automatic sliding glass doors in silver aluminum frames. The entrance opens directly onto a medium-gray concrete-paver storefront exterior area connecting to the commercial approach. A permanent bicycle parking zone with stainless-steel racks is integrated into this paved area. Exactly one white weatherproof CCTV unit is fixed high on the market exterior where it covers the storefront exterior area. The surrounding district reads as an active, currently occupied working neighborhood rather than an isolated compound.", "variant_id": "v1" }, { "approach_ko": "항구 인접 상권과 마트의 도시적 관계를 먼저 확정한 구성", "evidence_ko": [ "포구와 인접해 있는 번화가", "네온사인", "마트 밖", "찍혔을 만한 위치다" ], "prompt_en": "An ordinary working commercial district beside Incheon Harbor remains active and well maintained at blue-hour dusk. Its dark-gray asphalt approach runs among regionally typical occupied low- and mid-rise commercial buildings, with red, blue, and white neon signage distributed along the route, then ends at the frontage of a large supermarket. The target is a broad and deep single-storey rectangular building with light-gray precast-concrete walls, a charcoal-gray ceramic-tile base, and a flat gray membrane roof concealed by a low parapet. Subtle salt staining and traffic grime mark the otherwise serviceable exterior. One public entrance is set into the mostly solid frontage: clear automatic sliding glass doors with silver aluminum framing. Directly outside is a storefront transition area paved in medium-gray concrete pavers, joining the entrance to the commercial approach. Stainless-steel racks define the permanent bicycle parking zone within this paved area. One white weatherproof CCTV unit is attached high on the exterior wall in a position that monitors the storefront exterior area. The market remains physically integrated with the inhabited neighborhood, not detached on empty land.", "variant_id": "v2" }, { "approach_ko": "지역 표준 재료와 대형 마트 유형을 중심으로 정리한 구성", "evidence_ko": [ "대형 마트", "마트 정문 앞의 포장된 보행로와 자전거 주차 구역.", "벽면 위쪽으로 방범용 감시 카메라(CCTV)가 설치되어 있다.", "포구와 인접해 있는 번화가" ], "prompt_en": "The target is a definite single-storey Korean large-supermarket building, formed as one broad, deep rectangular mass. Light-gray precast-concrete wall panels rise from a charcoal-gray ceramic-tile plinth, with a flat gray membrane roof behind a low parapet. Mild salt streaking and gray road residue reflect its maintained coastal Incheon location. The frontage is largely solid and contains exactly one public entrance, using clear automatic sliding glass doors in silver aluminum frames. The doors open immediately onto a medium-gray concrete-paver storefront exterior area. This paved transition connects directly to the district approach and incorporates a permanent bicycle parking zone with stainless-steel racks. Exactly one white weatherproof exterior CCTV unit is mounted high on the market wall to record activity across the storefront exterior area. Beyond it, the dark-gray asphalt approach continues through a believable, currently occupied harbor-adjacent neighborhood of ordinary low- and mid-rise commercial buildings. Regionally typical red, blue, and white neon signage is distributed along the approach. The complete site reads as a functioning part of the surrounding commercial district at blue-hour dusk, never as an abandoned or isolated property.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "a10cc4a98c7f82ed", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same broad, deep, single-storey rectangular supermarket in coastal Incheon in 2026. It has light-gray precast-concrete wall panels, a charcoal-gray ceramic-tile plinth, a flat gray membrane roof behind a low parapet, and light coastal grime and salt streaking. The mostly solid frontage has exactly one public entrance: clear automatic sliding glass doors in silver aluminum frames. A paved storefront exterior area of medium-gray concrete pavers lies directly between the entrance and the dark-gray asphalt commercial approach, with a permanent bicycle parking zone of stainless-steel racks. Exactly one white weatherproof CCTV unit is fixed high on the market exterior to cover this area. The approach passes through an active harbor-adjacent neighborhood of ordinary low- and mid-rise commercial buildings, with red, blue, and white neon signage distributed along it, and terminates at the market frontage. The surroundings must look maintained, occupied, and routinely used, never isolated or abandoned.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial approach in coastal Incheon, South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 현대식 대형 마트의 상품 진열 구역. 일정한 간격의 밝은 조명 아래 물건들이 박스째 쌓여있거나 진열대에 정돈되어 있다. / 대형 마트 보안실: 여러 개의 CCTV 화면을 모니터링할 수 있는 좁고 어두운 사무실. 여러 화면이 동시에 재생되는 모니터 벽면이 핵심이다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTaxis on the commercial approach; Street vending stalls; Solicitation activity; Bicycle outside the market; Handheld phone outside the market", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA maintained harbor-adjacent commercial neighborhood in coastal Incheon surrounds a dark-gray asphalt approach lined with regionally typical low- and mid-rise businesses. Red, blue, and white neon signage is distributed along the approach, which terminates at a large supermarket frontage at blue-hour dusk. The supermarket is a broad, deep, single-storey rectangular block clad in light-gray precast-concrete panels above a charcoal-gray ceramic-tile plinth. A flat gray membrane roof sits behind a low parapet, and the exterior carries mild coastal salt streaks and ordinary road grime. The mostly solid frontage has exactly one public entrance, formed by clear automatic sliding glass doors in silver aluminum frames. The entrance opens directly onto a medium-gray concrete-paver storefront exterior area connecting to the commercial approach. A permanent bicycle parking zone with stainless-steel racks is integrated into this paved area. Exactly one white weatherproof CCTV unit is fixed high on the market exterior where it covers the storefront exterior area. The surrounding district reads as an active, currently occupied working neighborhood rather than an isolated compound.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial approach in coastal Incheon, South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 현대식 대형 마트의 상품 진열 구역. 일정한 간격의 밝은 조명 아래 물건들이 박스째 쌓여있거나 진열대에 정돈되어 있다. / 대형 마트 보안실: 여러 개의 CCTV 화면을 모니터링할 수 있는 좁고 어두운 사무실. 여러 화면이 동시에 재생되는 모니터 벽면이 핵심이다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTaxis on the commercial approach; Street vending stalls; Solicitation activity; Bicycle outside the market; Handheld phone outside the market\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary working commercial district beside Incheon Harbor remains active and well maintained at blue-hour dusk. Its dark-gray asphalt approach runs among regionally typical occupied low- and mid-rise commercial buildings, with red, blue, and white neon signage distributed along the route, then ends at the frontage of a large supermarket. The target is a broad and deep single-storey rectangular building with light-gray precast-concrete walls, a charcoal-gray ceramic-tile base, and a flat gray membrane roof concealed by a low parapet. Subtle salt staining and traffic grime mark the otherwise serviceable exterior. One public entrance is set into the mostly solid frontage: clear automatic sliding glass doors with silver aluminum framing. Directly outside is a storefront transition area paved in medium-gray concrete pavers, joining the entrance to the commercial approach. Stainless-steel racks define the permanent bicycle parking zone within this paved area. One white weatherproof CCTV unit is attached high on the exterior wall in a position that monitors the storefront exterior area. The market remains physically integrated with the inhabited neighborhood, not detached on empty land.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial approach in coastal Incheon, South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 현대식 대형 마트의 상품 진열 구역. 일정한 간격의 밝은 조명 아래 물건들이 박스째 쌓여있거나 진열대에 정돈되어 있다. / 대형 마트 보안실: 여러 개의 CCTV 화면을 모니터링할 수 있는 좁고 어두운 사무실. 여러 화면이 동시에 재생되는 모니터 벽면이 핵심이다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTaxis on the commercial approach; Street vending stalls; Solicitation activity; Bicycle outside the market; Handheld phone outside the market\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a definite single-storey Korean large-supermarket building, formed as one broad, deep rectangular mass. Light-gray precast-concrete wall panels rise from a charcoal-gray ceramic-tile plinth, with a flat gray membrane roof behind a low parapet. Mild salt streaking and gray road residue reflect its maintained coastal Incheon location. The frontage is largely solid and contains exactly one public entrance, using clear automatic sliding glass doors in silver aluminum frames. The doors open immediately onto a medium-gray concrete-paver storefront exterior area. This paved transition connects directly to the district approach and incorporates a permanent bicycle parking zone with stainless-steel racks. Exactly one white weatherproof exterior CCTV unit is mounted high on the market wall to record activity across the storefront exterior area. Beyond it, the dark-gray asphalt approach continues through a believable, currently occupied harbor-adjacent neighborhood of ordinary low- and mid-rise commercial buildings. Regionally typical red, blue, and white neon signage is distributed along the approach. The complete site reads as a functioning part of the surrounding commercial district at blue-hour dusk, never as an abandoned or isolated property.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial approach in coastal Incheon, South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 현대식 대형 마트의 상품 진열 구역. 일정한 간격의 밝은 조명 아래 물건들이 박스째 쌓여있거나 진열대에 정돈되어 있다. / 대형 마트 보안실: 여러 개의 CCTV 화면을 모니터링할 수 있는 좁고 어두운 사무실. 여러 화면이 동시에 재생되는 모니터 벽면이 핵심이다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTaxis on the commercial approach; Street vending stalls; Solicitation activity; Bicycle outside the market; Handheld phone outside the market\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 4, "C": 3 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지정된 모든 마감재와 요소(단일 출입구, 자전거 거치대, CCTV)가 정확히 배치되었으며 진입로가 정면에서 끝나는 동선 구조를 완벽히 따랐으나, 대형 마트라고 하기엔 건물 규모가 다소 작습니다." }, { "label": "B", "score": 4, "verdict_ko": "건물 규모는 지시된 대형 마트에 부합하나, 지시문에 없는 이질적인 'TARGET' 간판이 추가되었고 진입로가 건물 정면에서 끝나지 않고 옆으로 지나치는 오류가 있습니다." }, { "label": "C", "score": 3, "verdict_ko": "CCTV가 출입구 구역을 비추지 않고 아무것도 없는 측면 벽에 잘못 배치되었으며, 진입로가 건물 정면에서 끝나는 구조를 반영하지 못했습니다." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "건물 규모가 작은 편의점 크기로 축소되어 있어, 브리프에 명시된 대형 마트 내부(대규모 상품 진열 구역 및 보안실)를 수용할 수 없습니다.", "fix_en": "Enlarge the building's overall footprint and massing into a broad, deep structure capable of physically enclosing a modern large supermarket." }, { "issue_ko": "상가들이 늘어선 진입로가 마트 전면에서 끝나지 않고, 마트 측면을 지나쳐 항구 쪽으로 계속 이어지는 구조로 배치되어 있습니다.", "fix_en": "Reroute the commercial approach street so that it dead-ends exactly at the supermarket's frontage instead of bypassing it." }, { "issue_ko": "CCTV 카메라가 출입구 앞의 포장된 외부 구역을 비추지 않고, 건물 측면의 도로 쪽을 향하고 있습니다.", "fix_en": "Rotate the CCTV unit so its lens aims directly down at the paved storefront exterior area." }, { "issue_ko": "외벽이 브리프에 지정된 조립식 프리캐스트 콘크리트 패널이 아니라 거푸집 구멍(타이홀)이 있는 현장 타설 노출 콘크리트로 잘못 묘사되었습니다.", "fix_en": "Remove the formwork tie holes from the exterior walls to accurately depict manufactured light-gray precast-concrete panels." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Enlarge the building's overall footprint and massing into a broad, deep structure capable of physically enclosing a modern large supermarket.\n- Reroute the commercial approach street so that it dead-ends exactly at the supermarket's frontage instead of bypassing it.\n- Rotate the CCTV unit so its lens aims directly down at the paved storefront exterior area.\n- Remove the formwork tie holes from the exterior walls to accurately depict manufactured light-gray precast-concrete panels.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_mountain_forest_scene": { "author_fp": "45d0d66858f86927", "author": { "conformance_brief_en": "Every image must depict the same zero-storey natural site, not a building: a mountain forest interior in coastal Incheon in 2026, with no architectural openings or constructed mass. Dense green understory and gray-brown tree trunks enclose multiple sides of one continuous, irregular open passage of damp dark-brown soil with subdued tan and brown natural leaf litter. The understory borders and interweaves with the traversable forest floor. The site belongs to a believable, maintained urban-edge mountain woodland within an inhabited Incheon neighborhood, not isolated wilderness. No permanent paths, structures, gates, fences, stairs, railings, roofs, doors, windows, or other unsupported site elements may be added.", "location_line_en": "A local mountain forest interior within an inhabited urban-edge neighborhood of coastal Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 숲속과 우거진 수풀 묘사를 직접 시각화한다.", "evidence_ko": [ "숲속 / 해 질 무렵", "우거진 수풀을 헤치며 도망치는", "현장 / D" ], "prompt_en": "This is a local urban-edge mountain forest belonging to an ordinary inhabited coastal Incheon neighborhood in 2026. It reads as maintained metropolitan woodland rather than remote wilderness. The target is a zero-storey natural site with no building, constructed mass, or architectural openings. Dense green understory and gray-brown tree trunks surround a continuous irregular passage of exposed forest floor on multiple sides. The passage is damp dark-brown soil with subdued tan and brown natural leaf litter. Thick vegetation borders and interweaves with the traversable ground, creating an enclosed forest interior with natural moisture darkening and ordinary woodland wear.", "variant_id": "v1" }, { "approach_ko": "인천의 생활권 산림이라는 주변 환경부터 구성한다.", "evidence_ko": [], "prompt_en": "An inhabited coastal Incheon district includes this ordinary local mountain woodland at its urban edge in 2026. The broader setting is lived-in and maintained, while the target remains enclosed inside the forest. This is a zero-storey natural location, with no building and zero architectural openings. Its defining mass is dense green understory with gray-brown trunks enclosing several sides of one contiguous, irregular open forest-floor passage. Dark-brown damp earth and muted tan-brown leaf litter form the ground. The understory grows directly along and into the passage edges, preserving a continuous traversable area amid thick vegetation.", "variant_id": "v2" }, { "approach_ko": "습한 흙과 수풀의 재질에서 공간 구조를 드러낸다.", "evidence_ko": [], "prompt_en": "Damp dark-brown soil and restrained tan and brown leaf litter define the continuous forest floor, naturally darkened by moisture and ordinary use. Dense locally typical green understory and weathered gray-brown tree trunks form the surrounding material palette. The target has zero storeys, no constructed mass, and no architectural openings. One irregular traversable ground passage runs through the mountain forest interior, bordered and interwoven with thick understory on multiple sides. The woodland is part of a maintained, inhabited urban-edge neighborhood in coastal Incheon in 2026, with ordinary regional surroundings beyond the enclosed vegetation rather than an isolated wilderness setting.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "120067c7dc21b5a2", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must depict the same zero-storey natural site, not a building: a mountain forest interior in coastal Incheon in 2026, with no architectural openings or constructed mass. Dense green understory and gray-brown tree trunks enclose multiple sides of one continuous, irregular open passage of damp dark-brown soil with subdued tan and brown natural leaf litter. The understory borders and interweaves with the traversable forest floor. The site belongs to a believable, maintained urban-edge mountain woodland within an inhabited Incheon neighborhood, not isolated wilderness. No permanent paths, structures, gates, fences, stairs, railings, roofs, doors, windows, or other unsupported site elements may be added.\n\nTHE LOCATION: A local mountain forest interior within an inhabited urban-edge neighborhood of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDiscarded single shoe; Bite wound and blood; Fleeing injured man; Attacking dark figure; Police line; Recovered bodies; Police investigation presence", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a local urban-edge mountain forest belonging to an ordinary inhabited coastal Incheon neighborhood in 2026. It reads as maintained metropolitan woodland rather than remote wilderness. The target is a zero-storey natural site with no building, constructed mass, or architectural openings. Dense green understory and gray-brown tree trunks surround a continuous irregular passage of exposed forest floor on multiple sides. The passage is damp dark-brown soil with subdued tan and brown natural leaf litter. Thick vegetation borders and interweaves with the traversable ground, creating an enclosed forest interior with natural moisture darkening and ordinary woodland wear.\n\nTHE LOCATION: A local mountain forest interior within an inhabited urban-edge neighborhood of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDiscarded single shoe; Bite wound and blood; Fleeing injured man; Attacking dark figure; Police line; Recovered bodies; Police investigation presence\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited coastal Incheon district includes this ordinary local mountain woodland at its urban edge in 2026. The broader setting is lived-in and maintained, while the target remains enclosed inside the forest. This is a zero-storey natural location, with no building and zero architectural openings. Its defining mass is dense green understory with gray-brown trunks enclosing several sides of one contiguous, irregular open forest-floor passage. Dark-brown damp earth and muted tan-brown leaf litter form the ground. The understory grows directly along and into the passage edges, preserving a continuous traversable area amid thick vegetation.\n\nTHE LOCATION: A local mountain forest interior within an inhabited urban-edge neighborhood of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDiscarded single shoe; Bite wound and blood; Fleeing injured man; Attacking dark figure; Police line; Recovered bodies; Police investigation presence\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDamp dark-brown soil and restrained tan and brown leaf litter define the continuous forest floor, naturally darkened by moisture and ordinary use. Dense locally typical green understory and weathered gray-brown tree trunks form the surrounding material palette. The target has zero storeys, no constructed mass, and no architectural openings. One irregular traversable ground passage runs through the mountain forest interior, bordered and interwoven with thick understory on multiple sides. The woodland is part of a maintained, inhabited urban-edge neighborhood in coastal Incheon in 2026, with ordinary regional surroundings beyond the enclosed vegetation rather than an isolated wilderness setting.\n\nTHE LOCATION: A local mountain forest interior within an inhabited urban-edge neighborhood of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDiscarded single shoe; Bite wound and blood; Fleeing injured man; Attacking dark figure; Police line; Recovered bodies; Police investigation presence\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 3, "C": 4 }, "selected": "A", "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Faithfully depicts a mountain forest interior passage with natural soil and no forbidden built elements, set believably on the edge of an inhabited neighborhood." }, { "label": "B", "score": 3, "verdict_ko": "Depicts an aerial view of an isolated urban lot rather than a mountain forest interior, failing the primary subject and perspective requirements." }, { "label": "C", "score": 4, "verdict_ko": "Contains constructed wooden stairs embedded in the dirt passage, violating the strict prohibition against adding stairs or permanent structures to the natural site." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "브리프에서 명시적으로 추가를 금지한 울타리(우측 도로 경계의 철망 울타리)가 묘사되어 있습니다.", "fix_en": "Remove the metal mesh fence on the right and replace it with dense green understory bordering the street." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the metal mesh fence on the right and replace it with dense green understory bordering the street.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_open_sea": { "author_fp": "ee66b6d4302d9702", "author": { "conformance_brief_en": "The target is a continuous open Yellow Sea expanse with zero storeys, no built mass, no openings, and no construction materials. Muted blue-gray seawater with a subdued green cast occupies the entire site and continues outward in every direction. There are no fixed internal boundaries, persistent structures, walls, roofs, doors, windows, stairs, railings, fences, gates, or pavement. The wider setting must read as the ordinary working maritime neighborhood of inhabited coastal Incheon in 2026.", "location_line_en": "An open Yellow Sea expanse off coastal Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오 원문 중심 접근", "evidence_ko": [ "바다", "바다위에" ], "prompt_en": "The location is an uninterrupted open-sea expanse off coastal Incheon in 2026. It belongs to the ordinary working maritime neighborhood of an inhabited port city, while the usable site remains entirely open water. The target is the sea itself, with zero storeys, no built mass, no exterior construction materials, and no doors, windows, stairs, railings, fences, gates, pavement, or other fixed elements. Muted blue-gray Yellow Sea water with a subdued green cast fills the site and continues beyond the visible area in every direction. The surface has natural low offshore texture and an open-water horizon, with no fixed internal boundaries or persistent built structures.", "variant_id": "v1" }, { "approach_ko": "해상 지역성과 주변 맥락 중심 접근", "evidence_ko": [ "서해 해상", "망망대해" ], "prompt_en": "Coastal Incheon’s inhabited port region forms the wider setting, and its offshore waters read as an ordinary working maritime neighborhood in 2026. Within that regional context, the target site is continuous open Yellow Sea water extending in every direction. It has zero storeys and no architectural massing, walls, roof, openings, stairs, railings, fences, gates, pavement, or permanent installations. The seawater is muted blue-gray with a subdued green cast and a naturally varied low surface texture. The entire usable site remains open water without fixed boundaries or persistent built structures.", "variant_id": "v2" }, { "approach_ko": "재질과 영구 지형 중심 접근", "evidence_ko": [ "바다", "망망대해" ], "prompt_en": "Muted blue-gray seawater with a subdued green cast occupies the complete site, with natural low offshore surface variation and an unobstructed open-water horizon. This target has zero storeys, no built mass, no openings, and no construction materials because it is a continuous sea expanse rather than a building. No walls, roofs, doors, windows, stairs, railings, fences, gates, pavement, fixed divisions, or persistent structures occur within it. The water continues outward in every direction and sits within the ordinary working maritime neighborhood of inhabited coastal Incheon in 2026.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "9a50b023437c1ece", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a continuous open Yellow Sea expanse with zero storeys, no built mass, no openings, and no construction materials. Muted blue-gray seawater with a subdued green cast occupies the entire site and continues outward in every direction. There are no fixed internal boundaries, persistent structures, walls, roofs, doors, windows, stairs, railings, fences, gates, or pavement. The wider setting must read as the ordinary working maritime neighborhood of inhabited coastal Incheon in 2026.\n\nTHE LOCATION: An open Yellow Sea expanse off coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; setting sun and golden reflection; Inwoo's boat", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is an uninterrupted open-sea expanse off coastal Incheon in 2026. It belongs to the ordinary working maritime neighborhood of an inhabited port city, while the usable site remains entirely open water. The target is the sea itself, with zero storeys, no built mass, no exterior construction materials, and no doors, windows, stairs, railings, fences, gates, pavement, or other fixed elements. Muted blue-gray Yellow Sea water with a subdued green cast fills the site and continues beyond the visible area in every direction. The surface has natural low offshore texture and an open-water horizon, with no fixed internal boundaries or persistent built structures.\n\nTHE LOCATION: An open Yellow Sea expanse off coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; setting sun and golden reflection; Inwoo's boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nCoastal Incheon’s inhabited port region forms the wider setting, and its offshore waters read as an ordinary working maritime neighborhood in 2026. Within that regional context, the target site is continuous open Yellow Sea water extending in every direction. It has zero storeys and no architectural massing, walls, roof, openings, stairs, railings, fences, gates, pavement, or permanent installations. The seawater is muted blue-gray with a subdued green cast and a naturally varied low surface texture. The entire usable site remains open water without fixed boundaries or persistent built structures.\n\nTHE LOCATION: An open Yellow Sea expanse off coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; setting sun and golden reflection; Inwoo's boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nMuted blue-gray seawater with a subdued green cast occupies the complete site, with natural low offshore surface variation and an unobstructed open-water horizon. This target has zero storeys, no built mass, no openings, and no construction materials because it is a continuous sea expanse rather than a building. No walls, roofs, doors, windows, stairs, railings, fences, gates, pavement, fixed divisions, or persistent structures occur within it. The water continues outward in every direction and sits within the ordinary working maritime neighborhood of inhabited coastal Incheon in 2026.\n\nTHE LOCATION: An open Yellow Sea expanse off coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; setting sun and golden reflection; Inwoo's boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "B": 7, "A": 5, "C": 4 }, "selected": "B", "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "브리핑에 가장 잘 부합합니다. 요구된 푸른빛이 도는 회색 바다가 주요 피사체로서 넓게 자리 잡고 있으며, 배경의 인천 항구 도시 묘사가 사실적이고 시각적 결함이 적습니다." }, { "label": "A", "score": 5, "verdict_ko": "해양 환경과 항구의 분위기는 나타나지만, 거대한 방파제가 바다 영역을 침범하고 있으며 구조물과 컨테이너에 AI 병합 아티팩트가 관찰됩니다." }, { "label": "C", "score": 4, "verdict_ko": "항만 인프라가 화면을 과도하게 차지하여 '건축물이 없는 바다'라는 주요 조건을 해치며, 우측 하단의 도로와 정박된 배들에서 원근법 및 형태 왜곡이 눈에 띕니다." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_rooftop_villa": { "author_fp": "34468ca102e94d81", "author": { "conformance_brief_en": "Every image must show the same target: a compact three-storey concrete-frame multi-family villa with aged red-brown ceramic-brick veneer and one small off-white insulated metal-panel rooftop room, not a full fourth storey. An alley-side dark gray steel-and-glass entrance door leads into a secluded gray concrete courtyard, where a narrow steep concrete stair with galvanized steel railings rises directly to the green waterproof-coated rooftop terrace. The terrace surrounds the rooftop room and contains one black polyethylene water tank. The rooftop room has exactly one weathered dark gray iron entrance door opening onto the terrace and one separate silver aluminum-framed exterior window. A pale gray cement-rendered boundary wall faces the window within close sight. The complete site must stand among adjacent older low-rise villas in a believable, currently inhabited working residential alley in coastal Incheon in 2026.", "location_line_en": "An old multi-family villa with a rooftop room in an inhabited residential alley on the outskirts of coastal Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 공간 단서를 직접 시각화한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관 앞에 멈춰 선다.", "창문에 비친 그림자.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고, 옥탑방과 연결되는 계단을 급히 오른다.", "담을 넘는다" ], "prompt_en": "A dense, currently inhabited working residential alley on the outskirts of coastal Incheon in 2026 surrounds the site. Adjacent older low-rise villas stand close together as an ordinary lived-in neighborhood. The target is a compact three-storey concrete-frame multi-family villa with aged red-brown ceramic-brick veneer and one small rooftop room above, not a full fourth storey. Its alley-facing entrance is one dark gray steel-and-glass door leading into a secluded internal courtyard of worn gray concrete. A narrow steep gray concrete stair with galvanized steel railings begins in the courtyard and rises directly to the rooftop terrace. The terrace has worn green waterproof coating and surrounds an off-white insulated metal-panel rooftop room. One weathered dark gray iron entrance door opens from the room onto the terrace. Exactly one separate exterior window has a silver aluminum frame. One black polyethylene water tank stands elsewhere on the terrace. A pale gray cement-rendered boundary wall faces the rooftop-room window within close sight. Fading, damp marks, minor rust and patched coatings show long residential use without abandonment.", "variant_id": "v1" }, { "approach_ko": "골목과 주거지 맥락에서 건물을 확정하는 접근", "evidence_ko": [ "인천 변두리 부감", "오래된 빌라 옥탑방 전경", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에", "옥탑방과 연결되는 계단", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관", "창문에 비친 그림자" ], "prompt_en": "The site belongs to a tight coastal Incheon residential alley in 2026, enclosed by neighboring older low-rise multi-family villas. It reads as an ordinary inhabited working neighborhood rather than an isolated compound. The main structure is a compact three-storey concrete-frame villa clad in weathered red-brown ceramic brick, with one partial rooftop room instead of a complete fourth storey. A single dark gray steel-and-glass villa entrance door connects the alley to a secluded gray concrete courtyard. From that courtyard, a narrow steep concrete stair with galvanized steel railings reaches the rooftop terrace directly. Worn green waterproof coating covers the terrace around the rooftop room. The rooftop room is built from faded off-white insulated metal panels and has one dark gray iron entrance door onto the terrace and exactly one separate silver aluminum-framed window. A black polyethylene water tank occupies another part of the terrace. A pale gray cement-rendered exterior boundary wall stands near the rooftop room, directly within view of its window. Damp staining, faded masonry, localized rust and practical repairs remain consistent across the structure.", "variant_id": "v2" }, { "approach_ko": "지역 건축 유형과 재료를 우선한 접근", "evidence_ko": [ "오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관", "마당 후미진 곳", "옥탑방과 연결되는 계단", "창문", "담" ], "prompt_en": "An older Incheon villa typology fills the site: a compact three-storey reinforced-concrete residential block with aged red-brown ceramic-brick veneer and a single small prefabricated rooftop room, not a full fourth floor. The building remains part of a dense, currently inhabited 2026 working residential neighborhood of closely adjoining low-rise villas along a narrow alley. One dark gray steel-and-glass entrance door occupies the alley side and opens into a secluded internal courtyard finished in worn gray concrete. A narrow steep gray concrete stair adjoins the courtyard and continues directly to the roof, with plain galvanized steel railings. The rooftop terrace wraps around the rooftop room beneath a worn green waterproof coating. Faded off-white insulated metal sandwich panels form the rooftop room. Its exterior contains one weathered dark gray iron entrance door opening onto the terrace and exactly one separate clear-glazed window in a silver aluminum frame. One black polyethylene water tank stands apart on the terrace. A pale gray cement-rendered boundary wall faces the window at close range. Subdued fading, damp discoloration, small rust traces and patched waterproofing give every permanent surface credible long-term wear.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "e853310f04e2225b", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same target: a compact three-storey concrete-frame multi-family villa with aged red-brown ceramic-brick veneer and one small off-white insulated metal-panel rooftop room, not a full fourth storey. An alley-side dark gray steel-and-glass entrance door leads into a secluded gray concrete courtyard, where a narrow steep concrete stair with galvanized steel railings rises directly to the green waterproof-coated rooftop terrace. The terrace surrounds the rooftop room and contains one black polyethylene water tank. The rooftop room has exactly one weathered dark gray iron entrance door opening onto the terrace and one separate silver aluminum-framed exterior window. A pale gray cement-rendered boundary wall faces the window within close sight. The complete site must stand among adjacent older low-rise villas in a believable, currently inhabited working residential alley in coastal Incheon in 2026.\n\nTHE LOCATION: An old multi-family villa with a rooftop room in an inhabited residential alley on the outskirts of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 거실과 주방, 방, 욕실로 이루어진 좁고 낡은 생활 공간. 작은 창으로 빛이 들어오며 낡은 가구와 생활용품이 빽빽하다. 특정 시점에서는 가재도구가 엎어지고 어지럽혀져 있으며, 환시를 통해 붓으로 그린 듯한 붉은 원이나 뭉개진 사진 속 얼굴이 제한적으로 나타난다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; clothesline; wooden platform; dried sweet-flag herbs and loose leaves; advertising flyer in the entrance-door gap; half-open state of the rooftop-room door; police vehicle; black cat; illumination inside the rooftop room; people and cast shadows", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA dense, currently inhabited working residential alley on the outskirts of coastal Incheon in 2026 surrounds the site. Adjacent older low-rise villas stand close together as an ordinary lived-in neighborhood. The target is a compact three-storey concrete-frame multi-family villa with aged red-brown ceramic-brick veneer and one small rooftop room above, not a full fourth storey. Its alley-facing entrance is one dark gray steel-and-glass door leading into a secluded internal courtyard of worn gray concrete. A narrow steep gray concrete stair with galvanized steel railings begins in the courtyard and rises directly to the rooftop terrace. The terrace has worn green waterproof coating and surrounds an off-white insulated metal-panel rooftop room. One weathered dark gray iron entrance door opens from the room onto the terrace. Exactly one separate exterior window has a silver aluminum frame. One black polyethylene water tank stands elsewhere on the terrace. A pale gray cement-rendered boundary wall faces the rooftop-room window within close sight. Fading, damp marks, minor rust and patched coatings show long residential use without abandonment.\n\nTHE LOCATION: An old multi-family villa with a rooftop room in an inhabited residential alley on the outskirts of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 거실과 주방, 방, 욕실로 이루어진 좁고 낡은 생활 공간. 작은 창으로 빛이 들어오며 낡은 가구와 생활용품이 빽빽하다. 특정 시점에서는 가재도구가 엎어지고 어지럽혀져 있으며, 환시를 통해 붓으로 그린 듯한 붉은 원이나 뭉개진 사진 속 얼굴이 제한적으로 나타난다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; clothesline; wooden platform; dried sweet-flag herbs and loose leaves; advertising flyer in the entrance-door gap; half-open state of the rooftop-room door; police vehicle; black cat; illumination inside the rooftop room; people and cast shadows\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a tight coastal Incheon residential alley in 2026, enclosed by neighboring older low-rise multi-family villas. It reads as an ordinary inhabited working neighborhood rather than an isolated compound. The main structure is a compact three-storey concrete-frame villa clad in weathered red-brown ceramic brick, with one partial rooftop room instead of a complete fourth storey. A single dark gray steel-and-glass villa entrance door connects the alley to a secluded gray concrete courtyard. From that courtyard, a narrow steep concrete stair with galvanized steel railings reaches the rooftop terrace directly. Worn green waterproof coating covers the terrace around the rooftop room. The rooftop room is built from faded off-white insulated metal panels and has one dark gray iron entrance door onto the terrace and exactly one separate silver aluminum-framed window. A black polyethylene water tank occupies another part of the terrace. A pale gray cement-rendered exterior boundary wall stands near the rooftop room, directly within view of its window. Damp staining, faded masonry, localized rust and practical repairs remain consistent across the structure.\n\nTHE LOCATION: An old multi-family villa with a rooftop room in an inhabited residential alley on the outskirts of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 거실과 주방, 방, 욕실로 이루어진 좁고 낡은 생활 공간. 작은 창으로 빛이 들어오며 낡은 가구와 생활용품이 빽빽하다. 특정 시점에서는 가재도구가 엎어지고 어지럽혀져 있으며, 환시를 통해 붓으로 그린 듯한 붉은 원이나 뭉개진 사진 속 얼굴이 제한적으로 나타난다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; clothesline; wooden platform; dried sweet-flag herbs and loose leaves; advertising flyer in the entrance-door gap; half-open state of the rooftop-room door; police vehicle; black cat; illumination inside the rooftop room; people and cast shadows\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn older Incheon villa typology fills the site: a compact three-storey reinforced-concrete residential block with aged red-brown ceramic-brick veneer and a single small prefabricated rooftop room, not a full fourth floor. The building remains part of a dense, currently inhabited 2026 working residential neighborhood of closely adjoining low-rise villas along a narrow alley. One dark gray steel-and-glass entrance door occupies the alley side and opens into a secluded internal courtyard finished in worn gray concrete. A narrow steep gray concrete stair adjoins the courtyard and continues directly to the roof, with plain galvanized steel railings. The rooftop terrace wraps around the rooftop room beneath a worn green waterproof coating. Faded off-white insulated metal sandwich panels form the rooftop room. Its exterior contains one weathered dark gray iron entrance door opening onto the terrace and exactly one separate clear-glazed window in a silver aluminum frame. One black polyethylene water tank stands apart on the terrace. A pale gray cement-rendered boundary wall faces the window at close range. Subdued fading, damp discoloration, small rust traces and patched waterproofing give every permanent surface credible long-term wear.\n\nTHE LOCATION: An old multi-family villa with a rooftop room in an inhabited residential alley on the outskirts of coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 거실과 주방, 방, 욕실로 이루어진 좁고 낡은 생활 공간. 작은 창으로 빛이 들어오며 낡은 가구와 생활용품이 빽빽하다. 특정 시점에서는 가재도구가 엎어지고 어지럽혀져 있으며, 환시를 통해 붓으로 그린 듯한 붉은 원이나 뭉개진 사진 속 얼굴이 제한적으로 나타난다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; clothesline; wooden platform; dried sweet-flag herbs and loose leaves; advertising flyer in the entrance-door gap; half-open state of the rooftop-room door; police vehicle; black cat; illumination inside the rooftop room; people and cast shadows\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 6, "A": 4, "B": 3 }, "selected": "C", "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 6, "verdict_ko": "3층 요건은 충족 못했으나 골목 출입문 및 마당, 경계벽 등 배치 지시를 가장 잘 따름." }, { "label": "A", "score": 4, "verdict_ko": "골목 측 마당 출입문이 누락되었고 옥탑방 문에 유리가 포함되었으며 옥탑방 규모가 너무 작음." }, { "label": "B", "score": 3, "verdict_ko": "1층 문에 금지된 텍스트가 나타나며 건물의 구조와 계단 연결이 물리적으로 비현실적임." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "메인 건물이 지시된 3층이 아니라 2층 높이로 묘사되어 있습니다.", "fix_en": "Add a complete third storey of brick veneer beneath the roof to make the main structure three storeys tall." }, { "issue_ko": "옥탑방의 크기가 명시된 내부(거실, 주방, 방, 욕실)를 모두 수용하기에는 비현실적으로 작습니다.", "fix_en": "Enlarge the off-white rooftop room's footprint to plausibly contain a living room, kitchen, bedroom, and bathroom." }, { "issue_ko": "마당으로 통하는 1층의 철제 유리문이 연출된 상황처럼 활짝 열려 있습니다.", "fix_en": "Shut the wide-open dark gray steel-and-glass entrance door on the ground floor." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a complete third storey of brick veneer beneath the roof to make the main structure three storeys tall.\n- Enlarge the off-white rooftop room's footprint to plausibly contain a living room, kitchen, bedroom, and bathroom.\n- Shut the wide-open dark gray steel-and-glass entrance door on the ground floor.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_small_fishing_boat": { "author_fp": "9827666db6ff015d", "author": { "conformance_brief_en": "Every image shows the same old, compact, single-deck South Korean motor fishing vessel in a currently active coastal Incheon fishing-harbor neighborhood in 2026. The vessel has a low white fiberglass hull with a navy-blue lower section, an open forward working deck coated in worn sea-green nonslip paint, and one compact single-storey white fiberglass wheelhouse rising at the aft edge of that deck. The hull supports both the deck and wheelhouse. The wheelhouse directly adjoins the deck and has exactly one deck-facing entrance with a faded blue-painted metal door; ordinary clear marine windows have silver aluminum frames, with no additional prominent entrance or unsupported opening. Painted surfaces are faded and peeling, while exposed steel fittings show salt corrosion and brown rust streaks. A thick anchor rope and old fishing gear remain on the forward deck. The vessel must appear within a believable, inhabited working harbor district with ordinary dockside streets and low waterfront buildings, never isolated on empty ground or presented as an abandoned or staged site.", "location_line_en": "An old small fishing vessel in an active coastal fishing-harbor neighborhood in Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 갑판과 조타실 동선을 직접 시각화한 접근", "evidence_ko": [ "바다위에 떠있는 소형어선", "갑판에 홀로 앉아있다", "조타실로 달려가", "조타실로 따라들어가", "뱃머리를 돌리려 한다" ], "prompt_en": "An active coastal fishing-harbor neighborhood in Incheon surrounds the vessel, with ordinary dockside streets and low waterfront buildings forming a lived-in working setting. The main subject is one old, compact, single-deck motor fishing vessel. Its low fiberglass hull is faded white above a navy-blue lower section and supports an open forward working deck and an attached compact single-storey wheelhouse at the deck’s aft edge. The deck has worn sea-green nonslip paint, peeling patches, salt staining, corroded steel fittings, brown rust streaks, a thick anchor rope, and old fishing gear. The wheelhouse is white fiberglass with clear marine windows in silver aluminum frames. Exactly one entrance faces and directly joins the open deck, fitted with a faded blue-painted metal door. The place is currently active and ordinary, not abandoned, isolated, or staged.", "variant_id": "v1" }, { "approach_ko": "인천의 생활형 어항 주변 환경에서 선박으로 좁혀가는 접근", "evidence_ko": [ "낡은 소형 어선 갑판", "작은 동력선의 앞쪽 갑판 공간", "굵은 닻줄과 낡은 어구들이 놓여 있다" ], "prompt_en": "This is a currently active working fishing-harbor district in coastal Incheon, integrated with its ordinary dockside streets and low waterfront buildings. Everyday regional harbor detail surrounds the target without looking arranged. The target is a low, compact, single-deck motor fishing vessel with a faded white fiberglass hull and a navy-blue lower hull section. An open forward deck finished in heavily worn sea-green nonslip paint occupies its working area. A compact one-storey white fiberglass wheelhouse rises at the aft edge of the deck as part of the same hull-supported vessel. It directly adjoins the deck through exactly one deck-facing entrance with a faded blue-painted metal door. Clear marine windows sit in silver aluminum frames without prominent unsupported openings. Peeling paint, salt wear, rust-streaked steel fittings, a thick anchor rope, and old fishing gear establish long working use rather than abandonment.", "variant_id": "v2" }, { "approach_ko": "한국 연안 소형 동력선의 재료와 구조 유형을 우선한 접근", "evidence_ko": [ "페인트가 벗겨지고 녹이 슨", "낡은 소형 어선 조타실", "좁고 비좁은 배의 조종 공간", "유리창이 있으며" ], "prompt_en": "A weathered South Korean coastal motor fishing vessel is the main structure within an inhabited 2026 Incheon fishing-harbor neighborhood. Ordinary low waterfront buildings and connected dockside streets give it the context of a real working place rather than an empty compound. The vessel has one low deck level over a compact fiberglass hull, colored faded white with a navy-blue lower section. Its open forward working deck is sea-green painted fiberglass with a coarse nonslip finish, extensive wear, and peeling areas. Brown rust marks spread from exposed and painted steel fittings, while salt weathering dulls every finish. A small single-storey white fiberglass wheelhouse stands at the aft edge of the open deck and is supported by the same hull. Silver aluminum-framed marine glazing wraps the enclosed wheelhouse in the restrained pattern typical of a small local fishing vessel. Exactly one faded blue-painted metal entrance faces the deck and forms the direct connection between deck and wheelhouse. A thick anchor rope and worn fishing gear occupy the working deck as established equipment.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "2c96de45cfcdf821", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same old, compact, single-deck South Korean motor fishing vessel in a currently active coastal Incheon fishing-harbor neighborhood in 2026. The vessel has a low white fiberglass hull with a navy-blue lower section, an open forward working deck coated in worn sea-green nonslip paint, and one compact single-storey white fiberglass wheelhouse rising at the aft edge of that deck. The hull supports both the deck and wheelhouse. The wheelhouse directly adjoins the deck and has exactly one deck-facing entrance with a faded blue-painted metal door; ordinary clear marine windows have silver aluminum frames, with no additional prominent entrance or unsupported opening. Painted surfaces are faded and peeling, while exposed steel fittings show salt corrosion and brown rust streaks. A thick anchor rope and old fishing gear remain on the forward deck. The vessel must appear within a believable, inhabited working harbor district with ordinary dockside streets and low waterfront buildings, never isolated on empty ground or presented as an abandoned or staged site.\n\nTHE LOCATION: An old small fishing vessel in an active coastal fishing-harbor neighborhood in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실: 좁고 비좁은 배의 조종 공간. 낡은 타륜과 계기판, 유리창이 있으며, 특정 인물의 시점에서 공간 전체에 붉은 원 형태의 환시가 겹쳐 보일 수 있다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; vessel position on the sea", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active coastal fishing-harbor neighborhood in Incheon surrounds the vessel, with ordinary dockside streets and low waterfront buildings forming a lived-in working setting. The main subject is one old, compact, single-deck motor fishing vessel. Its low fiberglass hull is faded white above a navy-blue lower section and supports an open forward working deck and an attached compact single-storey wheelhouse at the deck’s aft edge. The deck has worn sea-green nonslip paint, peeling patches, salt staining, corroded steel fittings, brown rust streaks, a thick anchor rope, and old fishing gear. The wheelhouse is white fiberglass with clear marine windows in silver aluminum frames. Exactly one entrance faces and directly joins the open deck, fitted with a faded blue-painted metal door. The place is currently active and ordinary, not abandoned, isolated, or staged.\n\nTHE LOCATION: An old small fishing vessel in an active coastal fishing-harbor neighborhood in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실: 좁고 비좁은 배의 조종 공간. 낡은 타륜과 계기판, 유리창이 있으며, 특정 인물의 시점에서 공간 전체에 붉은 원 형태의 환시가 겹쳐 보일 수 있다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; vessel position on the sea\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a currently active working fishing-harbor district in coastal Incheon, integrated with its ordinary dockside streets and low waterfront buildings. Everyday regional harbor detail surrounds the target without looking arranged. The target is a low, compact, single-deck motor fishing vessel with a faded white fiberglass hull and a navy-blue lower hull section. An open forward deck finished in heavily worn sea-green nonslip paint occupies its working area. A compact one-storey white fiberglass wheelhouse rises at the aft edge of the deck as part of the same hull-supported vessel. It directly adjoins the deck through exactly one deck-facing entrance with a faded blue-painted metal door. Clear marine windows sit in silver aluminum frames without prominent unsupported openings. Peeling paint, salt wear, rust-streaked steel fittings, a thick anchor rope, and old fishing gear establish long working use rather than abandonment.\n\nTHE LOCATION: An old small fishing vessel in an active coastal fishing-harbor neighborhood in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실: 좁고 비좁은 배의 조종 공간. 낡은 타륜과 계기판, 유리창이 있으며, 특정 인물의 시점에서 공간 전체에 붉은 원 형태의 환시가 겹쳐 보일 수 있다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; vessel position on the sea\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA weathered South Korean coastal motor fishing vessel is the main structure within an inhabited 2026 Incheon fishing-harbor neighborhood. Ordinary low waterfront buildings and connected dockside streets give it the context of a real working place rather than an empty compound. The vessel has one low deck level over a compact fiberglass hull, colored faded white with a navy-blue lower section. Its open forward working deck is sea-green painted fiberglass with a coarse nonslip finish, extensive wear, and peeling areas. Brown rust marks spread from exposed and painted steel fittings, while salt weathering dulls every finish. A small single-storey white fiberglass wheelhouse stands at the aft edge of the open deck and is supported by the same hull. Silver aluminum-framed marine glazing wraps the enclosed wheelhouse in the restrained pattern typical of a small local fishing vessel. Exactly one faded blue-painted metal entrance faces the deck and forms the direct connection between deck and wheelhouse. A thick anchor rope and worn fishing gear occupy the working deck as established equipment.\n\nTHE LOCATION: An old small fishing vessel in an active coastal fishing-harbor neighborhood in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실: 좁고 비좁은 배의 조종 공간. 낡은 타륜과 계기판, 유리창이 있으며, 특정 인물의 시점에서 공간 전체에 붉은 원 형태의 환시가 겹쳐 보일 수 있다.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; vessel position on the sea\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "A": 6, "B": 4 }, "selected": "C", "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "조타실의 단일 파란색 문, 심하게 부식된 선체와 알루미늄 창틀, 두꺼운 닻줄 등 지시문의 모든 시각적 요건과 웨더링을 가장 충실하게 구현함." }, { "label": "A", "score": 6, "verdict_ko": "지시문의 주요 구조와 색상을 잘 준수했으나, C에 비해 선체와 조타실의 녹, 페인트 벗겨짐 등의 웨더링 디테일이 다소 약함." }, { "label": "B", "score": 4, "verdict_ko": "조타실의 전면뿐만 아니라 측면에도 추가적인 파란색 문이 존재하여 '정확히 하나의 갑판 방향 출입구 외 추가 출입구 없음' 지시를 위반함." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "우측 원경의 주차된 흰색 차량 옆 부두에 사람의 형상이 렌더링되어 Clean plate 규칙을 위반했습니다.", "fix_en": "Remove the person standing on the dock near the parked vehicles in the far right background." }, { "issue_ko": "조타실 갑판 방향 출입문이 전체가 파란색으로 칠해진 금속 문이 아니라, 하단에만 파란색 패널이 들어간 알루미늄 프레임 유리문으로 묘사되었습니다.", "fix_en": "Replace the deck-facing wheelhouse door with a solid, faded blue-painted metal door." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the person standing on the dock near the parked vehicles in the far right background.\n- Replace the deck-facing wheelhouse door with a solid, faded blue-painted metal door.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_urban_back_alley": { "author_fp": "28d7fd838e83ada3", "author": { "conformance_brief_en": "The target is one narrow, ground-level open-air urban back-alley passage with zero storeys, a linear enclosed massing, dark gray asphalt, and patched gray concrete drainage edges. One weathered pale-gray precast-concrete utility pole stands within the passage as its principal fixed landmark. One unlit neutral-gray metal streetlight on a galvanized-steel bracket is attached to that pole and serves the alley. The target has no facade or openings of its own. Ordinary refuse bags and miscellaneous alley clutter remain near the pole. The passage is enclosed by an actively inhabited coastal Incheon neighborhood of attached two- and three-storey masonry buildings with regionally typical red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. The site must not appear abandoned, isolated, prison-like, or built as a set.", "location_line_en": "A narrow inhabited urban back alley in coastal Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 단서 중심 구성", "evidence_ko": [ "도시 뒷골목", "도심 희미한 가로등 불빛", "전봇대" ], "prompt_en": "A narrow urban back-alley passage occupies the center of an inhabited coastal Incheon neighborhood. Attached two- and three-storey masonry buildings enclose it, with ordinary local finishes of red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. The target is a zero-storey open-air linear passage rather than a building. Its surface is worn dark gray asphalt with patched gray concrete drainage edges. One aged pale-gray precast-concrete utility pole stands along the passage as the principal fixed landmark. One unlit neutral-gray metal streetlight is attached to the pole by a galvanized-steel bracket and serves the alley. Ordinary refuse bags and miscellaneous alley clutter gather near the weathered pole. The target has no facade or openings of its own. The surrounding neighborhood remains maintained, occupied, and in everyday use.", "variant_id": "v1" }, { "approach_ko": "동네 맥락 우선 구성", "evidence_ko": [ "좁고 어두운 도심의 뒷골목", "낡은 전봇대 주변으로 쓰레기봉투와 잡동사니가 널려 있다." ], "prompt_en": "An ordinary working backstreet in coastal Incheon surrounds the target on both sides. The close-set neighborhood consists of inhabited two- and three-storey masonry buildings finished in locally common red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. Within this neighborhood, the target is one narrow, zero-storey, open-air alley passage with a simple linear form and no facade or openings of its own. Worn dark gray asphalt runs through it beside patched gray concrete drainage edges. A single weathered pale-gray precast-concrete utility pole stands within the passage. A single unlit neutral-gray metal streetlight on a galvanized-steel bracket is fixed to the same pole. Ordinary refuse bags and miscellaneous alley clutter sit around the pole area. The whole place reads as occupied and routinely used rather than abandoned or isolated.", "variant_id": "v2" }, { "approach_ko": "재료와 골목 유형 중심 구성", "evidence_ko": [ "도시 뒷골목", "낡은 전봇대", "쓰레기봉투와 잡동사니" ], "prompt_en": "Worn dark gray asphalt and patched gray concrete drainage edges define one narrow ground-level back-alley passage. The target is a zero-storey open-air linear site with no building facade and no openings of its own. One aged pale-gray precast-concrete utility pole occupies a fixed position along the passage. One unlit neutral-gray metal streetlight, carried by a galvanized-steel bracket attached to that pole, serves the alley. Ordinary refuse bags and miscellaneous alley clutter remain near the pole. The passage belongs to a lived-in coastal Incheon neighborhood of attached two- and three-storey masonry buildings. Their restrained regional material palette is red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. Normal wear, repairs, and salt-air grime are visible without making the neighborhood look derelict.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "f8cc43d928b90387", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is one narrow, ground-level open-air urban back-alley passage with zero storeys, a linear enclosed massing, dark gray asphalt, and patched gray concrete drainage edges. One weathered pale-gray precast-concrete utility pole stands within the passage as its principal fixed landmark. One unlit neutral-gray metal streetlight on a galvanized-steel bracket is attached to that pole and serves the alley. The target has no facade or openings of its own. Ordinary refuse bags and miscellaneous alley clutter remain near the pole. The passage is enclosed by an actively inhabited coastal Incheon neighborhood of attached two- and three-storey masonry buildings with regionally typical red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. The site must not appear abandoned, isolated, prison-like, or built as a set.\n\nTHE LOCATION: A narrow inhabited urban back alley in coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Collapsed woman; Bite and associated bodily traces; Faint nighttime streetlight illumination", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow urban back-alley passage occupies the center of an inhabited coastal Incheon neighborhood. Attached two- and three-storey masonry buildings enclose it, with ordinary local finishes of red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. The target is a zero-storey open-air linear passage rather than a building. Its surface is worn dark gray asphalt with patched gray concrete drainage edges. One aged pale-gray precast-concrete utility pole stands along the passage as the principal fixed landmark. One unlit neutral-gray metal streetlight is attached to the pole by a galvanized-steel bracket and serves the alley. Ordinary refuse bags and miscellaneous alley clutter gather near the weathered pole. The target has no facade or openings of its own. The surrounding neighborhood remains maintained, occupied, and in everyday use.\n\nTHE LOCATION: A narrow inhabited urban back alley in coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Collapsed woman; Bite and associated bodily traces; Faint nighttime streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary working backstreet in coastal Incheon surrounds the target on both sides. The close-set neighborhood consists of inhabited two- and three-storey masonry buildings finished in locally common red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. Within this neighborhood, the target is one narrow, zero-storey, open-air alley passage with a simple linear form and no facade or openings of its own. Worn dark gray asphalt runs through it beside patched gray concrete drainage edges. A single weathered pale-gray precast-concrete utility pole stands within the passage. A single unlit neutral-gray metal streetlight on a galvanized-steel bracket is fixed to the same pole. Ordinary refuse bags and miscellaneous alley clutter sit around the pole area. The whole place reads as occupied and routinely used rather than abandoned or isolated.\n\nTHE LOCATION: A narrow inhabited urban back alley in coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Collapsed woman; Bite and associated bodily traces; Faint nighttime streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWorn dark gray asphalt and patched gray concrete drainage edges define one narrow ground-level back-alley passage. The target is a zero-storey open-air linear site with no building facade and no openings of its own. One aged pale-gray precast-concrete utility pole occupies a fixed position along the passage. One unlit neutral-gray metal streetlight, carried by a galvanized-steel bracket attached to that pole, serves the alley. Ordinary refuse bags and miscellaneous alley clutter remain near the pole. The passage belongs to a lived-in coastal Incheon neighborhood of attached two- and three-storey masonry buildings. Their restrained regional material palette is red-brown brick, pale gray or beige cement render, subdued ceramic tile, dark aluminum window frames, and painted-steel doors. Normal wear, repairs, and salt-air grime are visible without making the neighborhood look derelict.\n\nTHE LOCATION: A narrow inhabited urban back alley in coastal Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Collapsed woman; Bite and associated bodily traces; Faint nighttime streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "B": 7, "A": 5, "C": 4 }, "selected": "B", "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "Flawless regional authenticity and photorealism; fully satisfies all brief constraints with highly plausible materials, massing, and alley details." }, { "label": "A", "score": 5, "verdict_ko": "Meets all structural constraints but exhibits a synthetic, rendered appearance and minor physically impossible wire clipping into walls." }, { "label": "C", "score": 4, "verdict_ko": "Hard violation for physically impossible structures, notably the distorted, melting brickwork above the right-side door." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } } }