S8sh4 플레이트+엔티티 (4택1: 무콘티 승·C=변형0)
① 배경·밑그림 재료 — 어떻게 만들어졌나
플레이트는 기존 배경 파이프(3롤) — 스틸 개편 대상 아님
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플레이트 L09B01 생성 프롬프트
STYLE CONTRACT — ordinary, modest, lived-in residential interior. Treat the result as an actual reference photograph of a real home: everyday materials, believable wear, modest furniture in plain shapes, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. Use the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract; treat the base markers as spatial guidance, not as overlay material. REFERENCE PLAN: mode='fp_seeded_anchor' - reference: base floor plan (anchor) CAMERA DECISION (exact, from validated plan): - camera_unit: 1 - camera_cell: [3, 5] - look_at_unit: 2 - look_at_cell: [8, 2] - lens_enum: 'wide' - fov_deg: 90 - framing_notes: 'Use the advertised broad view from unit 1 toward unit 2 to retain the committed unit and marker context while allowing the consuming shot to place its subjects close in the foreground.' RENDER GUIDANCE (from validated plan): - visible_space_directive: Show the view originating in unit 1 and directed toward unit 2, with broad coverage sufficient to retain the committed context of target units 1, 2, and 3 where they fall inside the 90-degree cone. Include opening marker 4 and fixed markers 7, 9, 10, and 13 according to their floor-plan positions. - camera_framing_directive: Frame from camera unit 1 at cell [3,5] toward look-at unit 2 at cell [7,2] with the wide 90-degree lens cone. Maintain broad background coverage while accommodating the committed eye-level close foreground composition, with the primary profile in the right half and the secondary subject soft but recognizable at the left edge. - subject_position_directive: At eye level, place the primary subject in close left-facing profile in the right half, leaning back with the widened eye and cheek emphasized. Keep the second subject across the conversation axis at the left edge, three-quarter right, soft but recognizable, with transient marker 14 held forward near the background shelving context. - state_cue_directive: Carry transient marker 14 as the committed temporary state cue and retain numbered elements 1, 2, 3, 4, 7, 9, 10, and 13. The background is not designated clean, but no additional state cue beyond the surfaced shot staging and marker 14 should be invented. - negative_continuity_directive: Do not introduce unlisted numbered elements, uncommitted state overlays, or units and openings outside the chosen unit-1-to-unit-2 view cone. Keep the fixed placement relationships of markers 4, 7, 9, 10, and 13 consistent with the floor-plan geometry, and do not replace transient marker 14 with an invented cue. 2026년 대한민국 서해안권 도시의 대형 마트 매장 진열 구역을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 해 질 무렵에도 영업 중인 현실적인 현대 한국 대형 마트 내부이며, 배경 이미지에는 직원과 고객을 포함한 사람이 전혀 없다. 사람 대신 일부 열린 골판지 상품 상자, 접힌 포장재, 바퀴 달린 상품 보충 카트, 통로 가장자리에 잠시 세워 둔 쇼핑카트, 진열 중인 묶음 상품과 약간 비어 있는 선반 칸으로 활발한 상품 보충과 고객 순환의 흔적을 보여 준다. 서쪽 중앙 통로 진열대 가까이에서 카메라를 두고 넓은 판매 구역을 가로질러 동쪽 중앙 통로 진열대를 대각선으로 바라본 구도. 동쪽 중앙 통로 진열대와 그 바로 옆의 보조 진열 요소가 함께 보이며, 깊은 배경에는 전면 행사 진열대, 계산대 섬, 유리 자동 출입문 구역이 명확하게 읽힌다. 자동 출입문 너머에는 해 질 무렵의 차가운 청회색 자연광만 은은하게 보이고, 실내에는 현대식 선형 LED 천장 조명이 켜져 있어 낮고 균일한 상업 조도를 만든다. 계산대 주변의 소형 안내 표지, 전자식 또는 인쇄식 가격표, 일반적인 한국어 매장 안내판, 천장형 보안 카메라, 냉장 진열 케이스와 생활용품·포장식품 진열을 현실적인 수준으로 배치하되 특정 상표나 읽기 어려운 가짜 문구를 강조하지 않는다. 차분한 해안 도시의 중성색 바닥과 흰색·회색 금속 진열대, 제한적인 짙은 적색 행사 표지와 작은 금색 가격 강조 요소. 바닥에는 카트 바퀴 자국과 닦인 얼룩, 선반 금속에는 미세한 긁힘과 사용 흔적, 골판지에는 눌림과 찢긴 테이프 자국, 비닐 포장에는 실제 반사광이 보인다. 지나치게 정돈된 광고 사진이 아니라 영업 중인 실제 장소의 생활감과 일상적인 마모가 남은 사실적인 현장 기록 사진. 실제 DSLR 또는 미러리스 카메라, 28mm 광각 렌즈, 서 있는 성인의 눈높이 약 1.6m, 자연스러운 원근감과 깊이감, 과장되지 않은 자연스러운 피사계 심도. 실제 콘크리트계 바닥 마감, 분체도장 금속, 투명 유리, 골판지, 비닐과 종이 가격표의 재질을 정확하게 표현한다. 후처리 없는 담담한 실제 장소 참고 사진으로, 삽화나 3D 렌더, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본 This interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.
플레이트 L09B01 수정 프롬프트
Edit this photograph. Apply ONLY the corrections listed below, each in place, changing nothing else: CORRECTIONS: - Rotate the checkout counters on the left and the central freezer display 90 degrees so they run parallel to the background entrance doors. PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph — every person, pose, face, garment, object, set feature, lighting, camera and framing stay identical. No text, captions or watermarks anywhere.
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콘티 생성 프롬프트
Draw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge. STYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible director's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR LINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO hatching, NO texture, NO grayscale fill, NO light-and-shadow, NO facial features beyond a bare head outline, NO clothing detail, NO material rendering. The frame contains ONLY: the camera framing, each figure as a simple correct-proportion human contour in its exact pose and screen position/size, and the few major set masses as plain outline shapes. It must read as a quick layout guide, never as a finished drawing. The attached photograph is the LOCATION where this shot happens. Use it ONLY as a LOOSE spatial reference — the rough set masses and where things sit relative to each other. You do NOT need to follow it exactly: do not copy its camera, its lighting or its details. Choose the camera and framing the SHOT TEXT needs, and draw only the few set masses that matter as plain outline shapes. THE LOCATION: 대형 마트 매장 내부 SHOT TEXT (authoritative, Korean): 마트 남자 직원과 마주 본 상태로 눈을 동그랗게 뜬 수리영의 측면 CARRIED STATE (persist exactly): Su-ri-yeong’s bicycle remains parked outside the mart, and she still has her mobile phone with her. ABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.
② 인물·소품 재료 (entity reference)
③ 스틸 생성 — 첨부 ➜ 롤 ➜ 판정 ➜ 수정 ⇒ 최종
콘티 포함 브랜치 — 이 참조로 롤 A·B 생성
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무콘티 브랜치 — 콘티 없이 롤 C·D 생성 (나머지 참조 동일)
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4장 전부 ➜ VLM 판정(블라인드·정·역순 2회)
★ C 선정
★ C 선정
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스틸 base 프롬프트(공통 계약)
Create ONE FINAL photorealistic live-action film still of the moment below — Incheon, South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, neon signs visible. SHOT TEXT (authoritative, Korean): 마트 남자 직원과 마주 본 상태로 눈을 동그랗게 뜬 수리영의 측면 LOCATION (lock): A busy commercial district beside a harbor, crowded with neon signs, taxis, street vendors, and food tents, leading into a large supermarket with merchandise aisles and stocking areas. The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot. REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot text may describe characters metaphorically, figuratively or with exaggeration. Photograph what a real movie camera would actually record on a physical set — exaggerated or figurative impressions become realistic staging choices (lighting, distance, angle, wardrobe), not literal fantasy imagery. EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly features non-human or virtual beings (as in science fiction or fantasy), every character — however indirectly, vaguely or figuratively the text describes them — IS a real human. When the text gives no direct visual description of a person, IMAGINE one and still show them as a concrete, fully-formed human being: always render the human form to the maximum extent — build, posture, face, hands, clothing — never reduce a person to a shape, blob, solid silhouette or abstract mass. EXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a person's eyes, face or presence emotionally or figuratively (vacant, hollow, dazed, burning, lifeless gaze and the like), it describes an ACTOR'S PERFORMANCE captured by a real camera — realize it ONLY through gaze direction, focus, eyelids, facial muscles, stillness and posture. Every living person's eyes remain anatomically normal human eyes with a natural iris and pupil, natural sclera and normal proportions; NEVER whiten, blank out, cloud over, glow, enlarge or otherwise alter eyeballs, skin or anatomy — unless the story explicitly declares that being non-human or supernatural in form. PROPS FACE THE RIGHT WAY: every handheld or used object must be oriented exactly as its real-world use requires. A person reading, watching or operating something (a phone, a photograph, a paper, any device) has its functional side — screen, front, page — facing THEIR OWN eyes; the camera then sees whatever side the staging geometry implies (often its back). Show the functional side to the camera ONLY when the shot text itself stages it toward the viewer. Never flip, mirror or reverse an object's front and back. CARRIED STATE (persist exactly — must match the neighbouring shots of this scene): Su-ri-yeong’s bicycle remains parked outside the mart, and she still has her mobile phone with her. PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (한국인 여성, 20대 초반, 앳된 타원형 얼굴, 자연스러운 검은 머리) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above. No text, captions, watermarks or annotations anywhere.
롤 A 생성 프롬프트(변형 전문)
Create ONE FINAL photorealistic live-action film still of the moment below — Incheon, South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, neon signs visible. SHOT TEXT (authoritative, Korean): 마트 남자 직원과 마주 본 상태로 눈을 동그랗게 뜬 수리영의 측면 LOCATION (lock): A busy commercial district beside a harbor, crowded with neon signs, taxis, street vendors, and food tents, leading into a large supermarket with merchandise aisles and stocking areas. The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot. REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot text may describe characters metaphorically, figuratively or with exaggeration. Photograph what a real movie camera would actually record on a physical set — exaggerated or figurative impressions become realistic staging choices (lighting, distance, angle, wardrobe), not literal fantasy imagery. EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly features non-human or virtual beings (as in science fiction or fantasy), every character — however indirectly, vaguely or figuratively the text describes them — IS a real human. When the text gives no direct visual description of a person, IMAGINE one and still show them as a concrete, fully-formed human being: always render the human form to the maximum extent — build, posture, face, hands, clothing — never reduce a person to a shape, blob, solid silhouette or abstract mass. EXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a person's eyes, face or presence emotionally or figuratively (vacant, hollow, dazed, burning, lifeless gaze and the like), it describes an ACTOR'S PERFORMANCE captured by a real camera — realize it ONLY through gaze direction, focus, eyelids, facial muscles, stillness and posture. Every living person's eyes remain anatomically normal human eyes with a natural iris and pupil, natural sclera and normal proportions; NEVER whiten, blank out, cloud over, glow, enlarge or otherwise alter eyeballs, skin or anatomy — unless the story explicitly declares that being non-human or supernatural in form. PROPS FACE THE RIGHT WAY: every handheld or used object must be oriented exactly as its real-world use requires. A person reading, watching or operating something (a phone, a photograph, a paper, any device) has its functional side — screen, front, page — facing THEIR OWN eyes; the camera then sees whatever side the staging geometry implies (often its back). Show the functional side to the camera ONLY when the shot text itself stages it toward the viewer. Never flip, mirror or reverse an object's front and back. CARRIED STATE (persist exactly — must match the neighbouring shots of this scene): Su-ri-yeong’s bicycle remains parked outside the mart, and she still has her mobile phone with her. PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (한국인 여성, 20대 초반, 앳된 타원형 얼굴, 자연스러운 검은 머리) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above. No text, captions, watermarks or annotations anywhere. VISUAL APPROACH — this take (camera, framing, composition): Frame a tight side-profile close-up at eye level, with Su-ri-yeong’s face dominating the image and her fixed eyeline aimed just beyond the frame toward the employee. Keep her anatomically natural eyes sharply focused and opened wide through performance, with restrained tension in her brow, lips, and jaw. Use shallow depth of field and soft dusk-neon spill to isolate the instant of startled recognition while the supermarket environment falls into subdued blur. PRIORITY OF INSTRUCTIONS: the VISUAL APPROACH above governs camera, framing and composition ONLY. Every other instruction in this prompt — location, time of day, people and their identity, poses, props, carried state, physical rules, and the no-text rule — is binding exactly as written earlier. If the VISUAL APPROACH appears to conflict with any of them, the earlier instruction wins.
롤 B 생성 프롬프트(변형 전문)
Create ONE FINAL photorealistic live-action film still of the moment below — Incheon, South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, neon signs visible. SHOT TEXT (authoritative, Korean): 마트 남자 직원과 마주 본 상태로 눈을 동그랗게 뜬 수리영의 측면 LOCATION (lock): A busy commercial district beside a harbor, crowded with neon signs, taxis, street vendors, and food tents, leading into a large supermarket with merchandise aisles and stocking areas. The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot. REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot text may describe characters metaphorically, figuratively or with exaggeration. Photograph what a real movie camera would actually record on a physical set — exaggerated or figurative impressions become realistic staging choices (lighting, distance, angle, wardrobe), not literal fantasy imagery. EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly features non-human or virtual beings (as in science fiction or fantasy), every character — however indirectly, vaguely or figuratively the text describes them — IS a real human. When the text gives no direct visual description of a person, IMAGINE one and still show them as a concrete, fully-formed human being: always render the human form to the maximum extent — build, posture, face, hands, clothing — never reduce a person to a shape, blob, solid silhouette or abstract mass. EXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a person's eyes, face or presence emotionally or figuratively (vacant, hollow, dazed, burning, lifeless gaze and the like), it describes an ACTOR'S PERFORMANCE captured by a real camera — realize it ONLY through gaze direction, focus, eyelids, facial muscles, stillness and posture. Every living person's eyes remain anatomically normal human eyes with a natural iris and pupil, natural sclera and normal proportions; NEVER whiten, blank out, cloud over, glow, enlarge or otherwise alter eyeballs, skin or anatomy — unless the story explicitly declares that being non-human or supernatural in form. PROPS FACE THE RIGHT WAY: every handheld or used object must be oriented exactly as its real-world use requires. A person reading, watching or operating something (a phone, a photograph, a paper, any device) has its functional side — screen, front, page — facing THEIR OWN eyes; the camera then sees whatever side the staging geometry implies (often its back). Show the functional side to the camera ONLY when the shot text itself stages it toward the viewer. Never flip, mirror or reverse an object's front and back. CARRIED STATE (persist exactly — must match the neighbouring shots of this scene): Su-ri-yeong’s bicycle remains parked outside the mart, and she still has her mobile phone with her. PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (한국인 여성, 20대 초반, 앳된 타원형 얼굴, 자연스러운 검은 머리) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above. No text, captions, watermarks or annotations anywhere. VISUAL APPROACH — this take (camera, framing, composition): Photograph Su-ri-yeong in a wider side-on composition from slightly below shoulder height, placing her to one side of the frame and leaving charged negative space in the direction of the employee she faces off camera. Preserve visible depth through the supermarket entrance, aisles, and stocking areas, with dusk and neon illumination layering the foreground and background. Keep her profile and widened, natural-eyed reaction clearly readable while the surrounding commercial bustle gives the confrontation a grounded, immediate scale. PRIORITY OF INSTRUCTIONS: the VISUAL APPROACH above governs camera, framing and composition ONLY. Every other instruction in this prompt — location, time of day, people and their identity, poses, props, carried state, physical rules, and the no-text rule — is binding exactly as written earlier. If the VISUAL APPROACH appears to conflict with any of them, the earlier instruction wins.
롤 C 생성 프롬프트(변형 전문)
Create ONE FINAL photorealistic live-action film still of the moment below — Incheon, South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, neon signs visible. SHOT TEXT (authoritative, Korean): 마트 남자 직원과 마주 본 상태로 눈을 동그랗게 뜬 수리영의 측면 LOCATION (lock): A busy commercial district beside a harbor, crowded with neon signs, taxis, street vendors, and food tents, leading into a large supermarket with merchandise aisles and stocking areas. The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot. REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot text may describe characters metaphorically, figuratively or with exaggeration. Photograph what a real movie camera would actually record on a physical set — exaggerated or figurative impressions become realistic staging choices (lighting, distance, angle, wardrobe), not literal fantasy imagery. EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly features non-human or virtual beings (as in science fiction or fantasy), every character — however indirectly, vaguely or figuratively the text describes them — IS a real human. When the text gives no direct visual description of a person, IMAGINE one and still show them as a concrete, fully-formed human being: always render the human form to the maximum extent — build, posture, face, hands, clothing — never reduce a person to a shape, blob, solid silhouette or abstract mass. EXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a person's eyes, face or presence emotionally or figuratively (vacant, hollow, dazed, burning, lifeless gaze and the like), it describes an ACTOR'S PERFORMANCE captured by a real camera — realize it ONLY through gaze direction, focus, eyelids, facial muscles, stillness and posture. Every living person's eyes remain anatomically normal human eyes with a natural iris and pupil, natural sclera and normal proportions; NEVER whiten, blank out, cloud over, glow, enlarge or otherwise alter eyeballs, skin or anatomy — unless the story explicitly declares that being non-human or supernatural in form. PROPS FACE THE RIGHT WAY: every handheld or used object must be oriented exactly as its real-world use requires. A person reading, watching or operating something (a phone, a photograph, a paper, any device) has its functional side — screen, front, page — facing THEIR OWN eyes; the camera then sees whatever side the staging geometry implies (often its back). Show the functional side to the camera ONLY when the shot text itself stages it toward the viewer. Never flip, mirror or reverse an object's front and back. CARRIED STATE (persist exactly — must match the neighbouring shots of this scene): Su-ri-yeong’s bicycle remains parked outside the mart, and she still has her mobile phone with her. PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (한국인 여성, 20대 초반, 앳된 타원형 얼굴, 자연스러운 검은 머리) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above. No text, captions, watermarks or annotations anywhere. VISUAL APPROACH — this take (camera, framing, composition): Frame a tight side-profile close-up at eye level, with Su-ri-yeong’s face dominating the image and her fixed eyeline aimed just beyond the frame toward the employee. Keep her anatomically natural eyes sharply focused and opened wide through performance, with restrained tension in her brow, lips, and jaw. Use shallow depth of field and soft dusk-neon spill to isolate the instant of startled recognition while the supermarket environment falls into subdued blur. PRIORITY OF INSTRUCTIONS: the VISUAL APPROACH above governs camera, framing and composition ONLY. Every other instruction in this prompt — location, time of day, people and their identity, poses, props, carried state, physical rules, and the no-text rule — is binding exactly as written earlier. If the VISUAL APPROACH appears to conflict with any of them, the earlier instruction wins.
롤 D 생성 프롬프트(변형 전문)
Create ONE FINAL photorealistic live-action film still of the moment below — Incheon, South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, neon signs visible. SHOT TEXT (authoritative, Korean): 마트 남자 직원과 마주 본 상태로 눈을 동그랗게 뜬 수리영의 측면 LOCATION (lock): A busy commercial district beside a harbor, crowded with neon signs, taxis, street vendors, and food tents, leading into a large supermarket with merchandise aisles and stocking areas. The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot. REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot text may describe characters metaphorically, figuratively or with exaggeration. Photograph what a real movie camera would actually record on a physical set — exaggerated or figurative impressions become realistic staging choices (lighting, distance, angle, wardrobe), not literal fantasy imagery. EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly features non-human or virtual beings (as in science fiction or fantasy), every character — however indirectly, vaguely or figuratively the text describes them — IS a real human. When the text gives no direct visual description of a person, IMAGINE one and still show them as a concrete, fully-formed human being: always render the human form to the maximum extent — build, posture, face, hands, clothing — never reduce a person to a shape, blob, solid silhouette or abstract mass. EXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a person's eyes, face or presence emotionally or figuratively (vacant, hollow, dazed, burning, lifeless gaze and the like), it describes an ACTOR'S PERFORMANCE captured by a real camera — realize it ONLY through gaze direction, focus, eyelids, facial muscles, stillness and posture. Every living person's eyes remain anatomically normal human eyes with a natural iris and pupil, natural sclera and normal proportions; NEVER whiten, blank out, cloud over, glow, enlarge or otherwise alter eyeballs, skin or anatomy — unless the story explicitly declares that being non-human or supernatural in form. PROPS FACE THE RIGHT WAY: every handheld or used object must be oriented exactly as its real-world use requires. A person reading, watching or operating something (a phone, a photograph, a paper, any device) has its functional side — screen, front, page — facing THEIR OWN eyes; the camera then sees whatever side the staging geometry implies (often its back). Show the functional side to the camera ONLY when the shot text itself stages it toward the viewer. Never flip, mirror or reverse an object's front and back. CARRIED STATE (persist exactly — must match the neighbouring shots of this scene): Su-ri-yeong’s bicycle remains parked outside the mart, and she still has her mobile phone with her. PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (한국인 여성, 20대 초반, 앳된 타원형 얼굴, 자연스러운 검은 머리) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above. No text, captions, watermarks or annotations anywhere. VISUAL APPROACH — this take (camera, framing, composition): Photograph Su-ri-yeong in a wider side-on composition from slightly below shoulder height, placing her to one side of the frame and leaving charged negative space in the direction of the employee she faces off camera. Preserve visible depth through the supermarket entrance, aisles, and stocking areas, with dusk and neon illumination layering the foreground and background. Keep her profile and widened, natural-eyed reaction clearly readable while the surrounding commercial bustle gives the confrontation a grounded, immediate scale. PRIORITY OF INSTRUCTIONS: the VISUAL APPROACH above governs camera, framing and composition ONLY. Every other instruction in this prompt — location, time of day, people and their identity, poses, props, carried state, physical rules, and the no-text rule — is binding exactly as written earlier. If the VISUAL APPROACH appears to conflict with any of them, the earlier instruction wins.
i2i 수정 프롬프트
Edit this photograph. Apply ONLY the corrections listed below, each in place, changing nothing else: CORRECTIONS: - Remove the man from the left foreground completely so that only Su-ri-yeong remains in the frame, keeping her eyeline directed just beyond the edge of the screen. - Remove all letters and text from the pink neon sign and the cardboard boxes in the background, leaving them blank. PRESERVE EVERYTHING ELSE EXACTLY as in the original photograph — every person, pose, face, garment, object, set feature, lighting, camera and framing stay identical. No text, captions or watermarks anywhere.
