Draw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.

STYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible
director's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR
LINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO
hatching, NO texture, NO grayscale fill, NO light-and-shadow, NO
facial features beyond a bare head outline, NO clothing detail, NO
material rendering. The frame contains ONLY: the camera framing,
each figure as a simple correct-proportion human contour in its
exact pose and screen position/size, and the few major set masses
as plain outline shapes. It must read as a quick layout guide,
never as a finished drawing.

The attached photograph is the LOCATION where this shot happens.
Use it ONLY as a LOOSE spatial reference — the rough set masses
and where things sit relative to each other. You do NOT need to
follow it exactly: do not copy its camera, its lighting or its
details. Choose the camera and framing the SHOT TEXT needs, and
draw only the few set masses that matter as plain outline shapes.

THE LOCATION: Outside the supermarket, directly beside the building wall where an exterior CCTV camera is mounted.

SHOT TEXT (authoritative, Korean): 마트 외부 건물 벽에 달린 CCTV 카메라를 올려다보는 수리영의 옆얼굴.

CARRIED STATE (persist exactly): Su-ri-yeong’s bicycle remains parked outside the mart, and she continues carrying her doll-adorned backpack and mobile phone. The exterior CCTV camera stays fixed in the identified position.

ABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.

CAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):
- CAMERA: Outside the market, frame 수리영 from near eye level at her side and complete the upward tilt so her lifted profile holds the lower-left while the wall-mounted CCTV camera lands in the upper-right. Keep the distance at a medium side view, allowing her eyeline to connect the two anchors without converting the shot into device footage.
- FRAMING SCALE: medium shot
- FRAME LAYOUT: 수리영 in the middle-left of the frame, midground, looks toward exterior CCTV camera; exterior CCTV camera in the upper-right of the frame, background.
- KEY BACKGROUND ELEMENTS: 마트 외부 CCTV 카메라 (Mounted on the market exterior wall) — The lens side of the mounted camera faces the area 수리영 is checking; used as Upper-frame eyeline destination establishing that the relevant area may have been recorded; 마트 외부 건물 벽 (Supporting the mounted CCTV camera); used as Spatial support for the high CCTV position.
Compose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.

PERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):
- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.
- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.
- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.
- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.