{ "bg_animal_shelter": { "author_fp": "29e93bd83b01485c", "author": { "conformance_brief_en": "Every image shows the same single-storey, long rectangular dog-confinement enclosure bank in Incheon in 2026. It has light-gray painted concrete-block walls, a shallow dark-gray corrugated-metal roof, and a continuous accessible frontage of dull galvanized-steel bars facing one adjoining gray concrete-paved access area. The enclosure interiors remain on the opposite side of that fixed boundary. The finish is maintained but work-worn, with minor staining and chipped paint. The end and rear faces remain plain, without prominent unsupported openings. No separate building, entrance, gate, yard arrangement, or extra circulation zone is added. The site sits within a believable, active, low-rise service and light-industrial neighborhood rather than on isolated or abandoned ground.", "location_line_en": "A working stray-animal shelter enclosure in a low-rise service and light-industrial neighborhood of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 보호원과 철창 수용 공간을 직접 시각화한 접근.", "evidence_ko": [ "유기견 보호원", "갇혀있는 개들", "재들 전부 오늘 예방접종 맞히고 예쁘장하게 털도 깎아야 혀.", "‘네’, 하고 달려가 털깎고, 연고 바르고, 목욕시키고등" ], "prompt_en": "An active stray-animal shelter site stands within an ordinary low-rise service and light-industrial neighborhood in Incheon in 2026. Adjacent buildings and everyday surroundings make it read as a maintained, currently used place rather than an isolated compound. The target is a single-storey, long rectangular dog-confinement enclosure bank. Light-gray painted concrete-block walls support a shallow dark-gray corrugated-metal roof. One continuous accessible frontage of dull galvanized-steel bars forms the fixed division between the enclosure interiors and the adjoining access side. A gray concrete-paved working and circulation area runs directly along that barred frontage. The opposite side remains the enclosure side. The concrete and paint show minor staining, scuffs, and small chips from routine use, while the metal remains serviceable. The end and rear faces are plain, with no prominent unsupported openings or added structures.", "variant_id": "v1" }, { "approach_ko": "인천의 생활형 저층 작업 지역에서 보호원으로 접근하는 방식.", "evidence_ko": [ "유기견 보호원", "사납게 짖으며 날뛰는 로트와일러", "수리영, 갇혀있는 개들 보면서", "얘 커트하자!" ], "prompt_en": "The location belongs to a currently active, low-rise service and light-industrial neighborhood in Incheon in 2026, surrounded by normal neighboring premises and ordinary urban-fringe context. It is integrated into the neighborhood, not abandoned, isolated, or prison-like. At its center is one single-storey elongated rectangular kennel enclosure bank, built of concrete block painted light gray and covered by a shallow dark-gray corrugated-metal roof. Its accessible long side is a continuous enclosure frontage made from dull galvanized-steel bars. That fixed barred boundary separates the dog-holding side from one directly adjoining exterior access area. The access area is finished in practical gray concrete paving and runs alongside the entire accessible frontage as the site's working circulation strip. Remaining faces stay visually plain and do not acquire prominent extra openings. Subtle water marks, rubbed paint, and localized concrete wear show sustained daily operation without neglect.", "variant_id": "v2" }, { "approach_ko": "재료와 고정 경계를 먼저 확정해 동일한 구조를 구축하는 방식.", "evidence_ko": [ "유기견 보호원", "갇혀있는 개들", "오늘 예방접종 맞히고", "털도 깎아야 혀" ], "prompt_en": "A believable working animal-shelter location occupies part of an active low-rise service and light-industrial neighborhood in Incheon in 2026. Its surrounding district is lived-in and maintained, with adjacent buildings and ordinary local context continuing around the site. The target structure is a single-storey linear rectangular enclosure bank with light-gray painted concrete-block construction and a shallow dark-gray corrugated-metal roof. Its defining accessible face is one continuous bank of dull galvanized-steel bars, weathered by regular use but intact. The barred face is the fixed boundary: enclosure interiors occupy one side, while a single gray concrete-paved access and working strip touches the other side and follows it directly. The concrete has modest stains and surface wear, and the painted masonry has restrained scuffing and minor chips. The rear and end faces remain plain, without conspicuous additional openings, entrances, gates, separate buildings, or unsupported site divisions.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "3ca4f7e0e6f1866e", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same single-storey, long rectangular dog-confinement enclosure bank in Incheon in 2026. It has light-gray painted concrete-block walls, a shallow dark-gray corrugated-metal roof, and a continuous accessible frontage of dull galvanized-steel bars facing one adjoining gray concrete-paved access area. The enclosure interiors remain on the opposite side of that fixed boundary. The finish is maintained but work-worn, with minor staining and chipped paint. The end and rear faces remain plain, without prominent unsupported openings. No separate building, entrance, gate, yard arrangement, or extra circulation zone is added. The site sits within a believable, active, low-rise service and light-industrial neighborhood rather than on isolated or abandoned ground.\n\nTHE LOCATION: A working stray-animal shelter enclosure in a low-rise service and light-industrial neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsheltered dogs, including the Rottweiler; vaccination syringe; ointment and grooming supplies; mobile phone", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active stray-animal shelter site stands within an ordinary low-rise service and light-industrial neighborhood in Incheon in 2026. Adjacent buildings and everyday surroundings make it read as a maintained, currently used place rather than an isolated compound. The target is a single-storey, long rectangular dog-confinement enclosure bank. Light-gray painted concrete-block walls support a shallow dark-gray corrugated-metal roof. One continuous accessible frontage of dull galvanized-steel bars forms the fixed division between the enclosure interiors and the adjoining access side. A gray concrete-paved working and circulation area runs directly along that barred frontage. The opposite side remains the enclosure side. The concrete and paint show minor staining, scuffs, and small chips from routine use, while the metal remains serviceable. The end and rear faces are plain, with no prominent unsupported openings or added structures.\n\nTHE LOCATION: A working stray-animal shelter enclosure in a low-rise service and light-industrial neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsheltered dogs, including the Rottweiler; vaccination syringe; ointment and grooming supplies; mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently active, low-rise service and light-industrial neighborhood in Incheon in 2026, surrounded by normal neighboring premises and ordinary urban-fringe context. It is integrated into the neighborhood, not abandoned, isolated, or prison-like. At its center is one single-storey elongated rectangular kennel enclosure bank, built of concrete block painted light gray and covered by a shallow dark-gray corrugated-metal roof. Its accessible long side is a continuous enclosure frontage made from dull galvanized-steel bars. That fixed barred boundary separates the dog-holding side from one directly adjoining exterior access area. The access area is finished in practical gray concrete paving and runs alongside the entire accessible frontage as the site's working circulation strip. Remaining faces stay visually plain and do not acquire prominent extra openings. Subtle water marks, rubbed paint, and localized concrete wear show sustained daily operation without neglect.\n\nTHE LOCATION: A working stray-animal shelter enclosure in a low-rise service and light-industrial neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsheltered dogs, including the Rottweiler; vaccination syringe; ointment and grooming supplies; mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable working animal-shelter location occupies part of an active low-rise service and light-industrial neighborhood in Incheon in 2026. Its surrounding district is lived-in and maintained, with adjacent buildings and ordinary local context continuing around the site. The target structure is a single-storey linear rectangular enclosure bank with light-gray painted concrete-block construction and a shallow dark-gray corrugated-metal roof. Its defining accessible face is one continuous bank of dull galvanized-steel bars, weathered by regular use but intact. The barred face is the fixed boundary: enclosure interiors occupy one side, while a single gray concrete-paved access and working strip touches the other side and follows it directly. The concrete has modest stains and surface wear, and the painted masonry has restrained scuffing and minor chips. The rear and end faces remain plain, without conspicuous additional openings, entrances, gates, separate buildings, or unsupported site divisions.\n\nTHE LOCATION: A working stray-animal shelter enclosure in a low-rise service and light-industrial neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsheltered dogs, including the Rottweiler; vaccination syringe; ointment and grooming supplies; mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "A": 6, "B": 3 }, "selected": "C", "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Accurately realizes the enclosure's materials, continuous steel frontage, and roof within a highly authentic neighborhood; the end wall remains structurally plain as requested." }, { "label": "A", "score": 6, "verdict_ko": "Demonstrates good overall conformance, but features a small window on the end face, slightly violating the instruction that it remain plain without unsupported openings." }, { "label": "B", "score": 3, "verdict_ko": "Violates the brief by adding protruding block partition walls that create exterior yard spaces, breaking the requirement for a continuous steel frontage facing the access area." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "구조물의 측면은 아무것도 없이 평탄해야(plain) 한다는 지침을 어기고 커다란 다국어 간판(라벨 텍스트)이 추가되었습니다.", "fix_en": "Remove the large bilingual sign from the concrete-block end wall so that the face remains completely plain." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the large bilingual sign from the concrete-block end wall so that the face remains completely plain.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_city_back_alley": { "author_fp": "59a68d3e3bb129c5", "author": { "conformance_brief_en": "The target is a zero-storey permanent alley-infrastructure site, not a standalone building, so it has no target façade or evidenced openings. It consists of one worn dark-gray asphalt city back alley containing one fixed pale-gray concrete utility pole that defines a distinct pole-side area and one independent neutral-gray galvanized-steel streetlight. The streetlight’s side and any structural relationship to the utility pole must remain unspecified. The alley is enclosed by a believable, currently inhabited Incheon working neighborhood of ordinary low-rise masonry and reinforced-concrete buildings with region-standard muted finishes. The site reads as old and weathered but active, not abandoned or compound-like.", "location_line_en": "A worn city back alley in an inhabited working neighborhood of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 공간 표현을 직접 시각화한 접근", "evidence_ko": [ "도시 뒷골목", "도심 희미한 가로등 불빛.", "전봇대에", "도심의 낡은 뒷골목으로, 희미한 가로등 불빛이 비추고 전봇대가 세워져 있다." ], "prompt_en": "An old city back alley sits within a currently inhabited working neighborhood in Incheon. Ordinary low-rise masonry and reinforced-concrete buildings with muted region-standard finishes enclose the lived-in urban setting. The target is a zero-storey alley-infrastructure site rather than a standalone building. Its worn, patched dark-gray asphalt circulation space contains one fixed pale-gray concrete utility pole defining a distinct pole-side area and one independent neutral-gray galvanized-steel streetlight. Do not establish which side holds the streetlight or connect it structurally to the utility pole. The permanent surfaces show ordinary urban staining, abrasion, repairs, and age without appearing abandoned. No target façade or target openings exist.", "variant_id": "v1" }, { "approach_ko": "생활권과 골목의 도시 맥락을 우선한 접근", "evidence_ko": [ "도시 뒷골목", "도심의 낡은 뒷골목", "전봇대가 세워져 있다" ], "prompt_en": "A believable inhabited Incheon neighborhood surrounds an aging city back alley. The enclosing block consists of ordinary low-rise brick, masonry, and reinforced-concrete urban buildings in common off-white, light-gray, and red-brown regional finishes, forming an active working neighborhood rather than an isolated compound. The alley itself is the zero-storey target site, with no standalone target building and no evidenced target openings. Worn dark-gray asphalt forms its main circulation surface. One weathered pale-gray concrete utility pole stands at a fixed point and creates a distinct pole-side area accessible from farther inside the alley. One neutral-gray galvanized-steel streetlight is a separate fixed marker along the alley, with neither its side nor its attachment relationship invented.", "variant_id": "v2" }, { "approach_ko": "재료와 노후 흔적을 중심으로 정리한 접근", "evidence_ko": [ "낡은 뒷골목", "가로등", "전봇대" ], "prompt_en": "Weathered dark-gray asphalt, faded repairs, edge staining, and routine surface wear define a real city back alley in Incheon. It remains part of a currently inhabited working neighborhood, enclosed by ordinary low-rise masonry and reinforced-concrete buildings in restrained local finishes. This is a zero-storey permanent infrastructure site, not a target building, and it has no target façade or evidenced openings. A single pale-gray precast-concrete utility pole occupies its fixed alley position and defines the accessible pole-side area. A single neutral-gray galvanized-steel streetlight remains an independent fixed alley marker; its side and structural relationship to the utility pole are left unresolved. All materials and wear read as ordinary South Korean urban fabric in 2026, aged but maintained and in use.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "d312e2ee64c7a681", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey permanent alley-infrastructure site, not a standalone building, so it has no target façade or evidenced openings. It consists of one worn dark-gray asphalt city back alley containing one fixed pale-gray concrete utility pole that defines a distinct pole-side area and one independent neutral-gray galvanized-steel streetlight. The streetlight’s side and any structural relationship to the utility pole must remain unspecified. The alley is enclosed by a believable, currently inhabited Incheon working neighborhood of ordinary low-rise masonry and reinforced-concrete buildings with region-standard muted finishes. The site reads as old and weathered but active, not abandoned or compound-like.\n\nTHE LOCATION: A worn city back alley in an inhabited working neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNighttime condition; Dim streetlight illumination; Two people beside the utility pole; Collapsed woman", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn old city back alley sits within a currently inhabited working neighborhood in Incheon. Ordinary low-rise masonry and reinforced-concrete buildings with muted region-standard finishes enclose the lived-in urban setting. The target is a zero-storey alley-infrastructure site rather than a standalone building. Its worn, patched dark-gray asphalt circulation space contains one fixed pale-gray concrete utility pole defining a distinct pole-side area and one independent neutral-gray galvanized-steel streetlight. Do not establish which side holds the streetlight or connect it structurally to the utility pole. The permanent surfaces show ordinary urban staining, abrasion, repairs, and age without appearing abandoned. No target façade or target openings exist.\n\nTHE LOCATION: A worn city back alley in an inhabited working neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNighttime condition; Dim streetlight illumination; Two people beside the utility pole; Collapsed woman\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable inhabited Incheon neighborhood surrounds an aging city back alley. The enclosing block consists of ordinary low-rise brick, masonry, and reinforced-concrete urban buildings in common off-white, light-gray, and red-brown regional finishes, forming an active working neighborhood rather than an isolated compound. The alley itself is the zero-storey target site, with no standalone target building and no evidenced target openings. Worn dark-gray asphalt forms its main circulation surface. One weathered pale-gray concrete utility pole stands at a fixed point and creates a distinct pole-side area accessible from farther inside the alley. One neutral-gray galvanized-steel streetlight is a separate fixed marker along the alley, with neither its side nor its attachment relationship invented.\n\nTHE LOCATION: A worn city back alley in an inhabited working neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNighttime condition; Dim streetlight illumination; Two people beside the utility pole; Collapsed woman\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered dark-gray asphalt, faded repairs, edge staining, and routine surface wear define a real city back alley in Incheon. It remains part of a currently inhabited working neighborhood, enclosed by ordinary low-rise masonry and reinforced-concrete buildings in restrained local finishes. This is a zero-storey permanent infrastructure site, not a target building, and it has no target façade or evidenced openings. A single pale-gray precast-concrete utility pole occupies its fixed alley position and defines the accessible pole-side area. A single neutral-gray galvanized-steel streetlight remains an independent fixed alley marker; its side and structural relationship to the utility pole are left unresolved. All materials and wear read as ordinary South Korean urban fabric in 2026, aged but maintained and in use.\n\nTHE LOCATION: A worn city back alley in an inhabited working neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNighttime condition; Dim streetlight illumination; Two people beside the utility pole; Collapsed woman\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 3, "B": 7, "C": 4 }, "selected": "B", "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "A", "score": 3, "verdict_ko": "하드 위반: 전봇대에 붉은색 테두리의 다이어그램 마커가 그대로 노출되어 있습니다." }, { "label": "B", "score": 7, "verdict_ko": "독립된 철제 가로등과 콘크리트 전봇대가 현실적인 거주 골목길 배경에 지시문대로 정확히 구현되었습니다." }, { "label": "C", "score": 4, "verdict_ko": "독립된 철제 가로등이 존재하지 않고 콘크리트 전봇대에 가로등이 직접 부착되어 지시문을 위반했습니다." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "클린 플레이트 규칙에 어긋나게 배경 멀리 골목 우측에 사람이 보입니다.", "fix_en": "Remove the person visible in the far background of the alley." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the person visible in the far background of the alley.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_bus_stop": { "author_fp": "cfef9d33fd9ab000", "author": { "conformance_brief_en": "Every image must show the same old one-storey coastal bus-stop shelter in Incheon in 2026. It is a shallow rectangular open-sided structure with a faded medium-blue painted galvanized-steel frame, a pale gray corrugated galvanized-steel flat canopy, fixed clear tempered-glass windbreaks, and a weathered natural-gray concrete waiting pad. Salt exposure causes chalked paint, light rust at joints, streaked glass, and patched concrete. The shelter has one fully open roadway-facing access face, no doors, and no operable or discrete window openings. It stands between the charcoal-gray asphalt access roadway and the sea-facing concrete coastal frontage, with a clear view toward the sea. A believable, currently inhabited working coastal neighborhood of low-rise pale neutral concrete and red-brown brick buildings surrounds the roadway side of the location.", "location_line_en": "An old coastal bus-stop waiting area in an inhabited waterfront neighborhood of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 공간 단서를 직접 시각화한 접근", "evidence_ko": [ "해안가. 버스정류장 부근", "바다를 바라보며", "해안가의 낡은 버스정류장 일대", "바다가 훤히 보이는 위치에 세워진 오래된 야외 버스정류장" ], "prompt_en": "An inhabited working coastal neighborhood in Incheon surrounds the access-road side of the location, with ordinary low-rise pale neutral painted-concrete and red-brown brick buildings in standard 2026 South Korean finishes. The target is an old one-storey coastal bus-stop shelter, a shallow rectangular open-sided mass between the roadway and the sea-facing frontage. Its frame is faded medium-blue painted galvanized steel, its flat canopy is pale gray corrugated galvanized steel, and its fixed windbreaks are clear tempered glass. The single access face is fully open toward the charcoal-gray asphalt roadway; there are no doors or operable or discrete window openings. Salt has chalked the paint, lightly rusted the joints, streaked the glass, and worn the natural-gray concrete waiting pad. The opposite side meets a natural-gray concrete coastal frontage with an unobstructed view toward the sea.", "variant_id": "v1" }, { "approach_ko": "도로와 해안의 고정 배치를 우선한 접근", "evidence_ko": [ "해안가. 버스정류장 부근", "바다를 바라보며", "집에 가봐야 겠어", "바다가 훤히 보이는 위치" ], "prompt_en": "A charcoal-gray asphalt access roadway runs along the inland side of an inhabited working waterfront neighborhood in Incheon. Ordinary low-rise pale neutral concrete and red-brown brick buildings continue around the roadway side, while a natural-gray concrete coastal frontage forms the opposite edge and opens directly toward the sea. Between these two edges stands the target: one old one-storey bus-stop shelter with shallow rectangular massing. A faded medium-blue painted galvanized-steel frame supports a pale gray corrugated galvanized-steel flat canopy and fixed clear tempered-glass windbreaks. One fully open face connects the waiting area to the roadway; the shelter has no doors and no operable or discrete window openings. Its natural-gray concrete pad is patched and worn, with salt-streaked glass, chalked blue paint, and light corrosion at the steel joints.", "variant_id": "v2" }, { "approach_ko": "재료와 해풍 풍화를 중심으로 정리한 접근", "evidence_ko": [ "해안가의 낡은 버스정류장 일대", "오래된 야외 버스정류장", "바다가 훤히 보이는 위치", "버스정류장 부근" ], "prompt_en": "The target structure is a one-storey shallow rectangular outdoor bus-stop shelter built from faded medium-blue painted galvanized steel, pale gray corrugated galvanized-steel roofing, fixed clear tempered glass, and a natural-gray concrete pad. It is visibly old but still in use: coastal salt has dulled and chalked the paint, produced light rust at connections, left streaks on the glass, and exposed repairs in the concrete. The roadway-facing side is one fully open access face, with no doors and no operable or discrete window openings. The shelter occupies the waiting area between a charcoal-gray asphalt access roadway and the natural-gray concrete sea-facing frontage, with the sea clearly visible beyond. The surrounding roadway belongs to a currently inhabited working Incheon coastal neighborhood of ordinary low-rise pale neutral painted-concrete and red-brown brick buildings in locally standard 2026 finishes.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "f3c9cb8b01cb4441", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same old one-storey coastal bus-stop shelter in Incheon in 2026. It is a shallow rectangular open-sided structure with a faded medium-blue painted galvanized-steel frame, a pale gray corrugated galvanized-steel flat canopy, fixed clear tempered-glass windbreaks, and a weathered natural-gray concrete waiting pad. Salt exposure causes chalked paint, light rust at joints, streaked glass, and patched concrete. The shelter has one fully open roadway-facing access face, no doors, and no operable or discrete window openings. It stands between the charcoal-gray asphalt access roadway and the sea-facing concrete coastal frontage, with a clear view toward the sea. A believable, currently inhabited working coastal neighborhood of low-rise pale neutral concrete and red-brown brick buildings surrounds the roadway side of the location.\n\nTHE LOCATION: An old coastal bus-stop waiting area in an inhabited waterfront neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npeople present in the bus-stop area; carried beverage; nighttime condition", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working coastal neighborhood in Incheon surrounds the access-road side of the location, with ordinary low-rise pale neutral painted-concrete and red-brown brick buildings in standard 2026 South Korean finishes. The target is an old one-storey coastal bus-stop shelter, a shallow rectangular open-sided mass between the roadway and the sea-facing frontage. Its frame is faded medium-blue painted galvanized steel, its flat canopy is pale gray corrugated galvanized steel, and its fixed windbreaks are clear tempered glass. The single access face is fully open toward the charcoal-gray asphalt roadway; there are no doors or operable or discrete window openings. Salt has chalked the paint, lightly rusted the joints, streaked the glass, and worn the natural-gray concrete waiting pad. The opposite side meets a natural-gray concrete coastal frontage with an unobstructed view toward the sea.\n\nTHE LOCATION: An old coastal bus-stop waiting area in an inhabited waterfront neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npeople present in the bus-stop area; carried beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA charcoal-gray asphalt access roadway runs along the inland side of an inhabited working waterfront neighborhood in Incheon. Ordinary low-rise pale neutral concrete and red-brown brick buildings continue around the roadway side, while a natural-gray concrete coastal frontage forms the opposite edge and opens directly toward the sea. Between these two edges stands the target: one old one-storey bus-stop shelter with shallow rectangular massing. A faded medium-blue painted galvanized-steel frame supports a pale gray corrugated galvanized-steel flat canopy and fixed clear tempered-glass windbreaks. One fully open face connects the waiting area to the roadway; the shelter has no doors and no operable or discrete window openings. Its natural-gray concrete pad is patched and worn, with salt-streaked glass, chalked blue paint, and light corrosion at the steel joints.\n\nTHE LOCATION: An old coastal bus-stop waiting area in an inhabited waterfront neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npeople present in the bus-stop area; carried beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target structure is a one-storey shallow rectangular outdoor bus-stop shelter built from faded medium-blue painted galvanized steel, pale gray corrugated galvanized-steel roofing, fixed clear tempered glass, and a natural-gray concrete pad. It is visibly old but still in use: coastal salt has dulled and chalked the paint, produced light rust at connections, left streaks on the glass, and exposed repairs in the concrete. The roadway-facing side is one fully open access face, with no doors and no operable or discrete window openings. The shelter occupies the waiting area between a charcoal-gray asphalt access roadway and the natural-gray concrete sea-facing frontage, with the sea clearly visible beyond. The surrounding roadway belongs to a currently inhabited working Incheon coastal neighborhood of ordinary low-rise pale neutral painted-concrete and red-brown brick buildings in locally standard 2026 finishes.\n\nTHE LOCATION: An old coastal bus-stop waiting area in an inhabited waterfront neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npeople present in the bus-stop area; carried beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 3, "B": 7, "C": 4 }, "selected": "B", "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "A", "score": 3, "verdict_ko": "구조물이 반대로 배치되어 도로 쪽이 유리로 막혀 있고 바다 쪽 낭떠러지로 개방된 기능적 모순이 있으며, 지시문에 없는 벤치와 버스 정류장 표지판을 임의로 추가하여 엄격한 구성 요건을 위반했습니다." }, { "label": "B", "score": 7, "verdict_ko": "도로와 바다 사이의 정확한 위치에 올바른 방향으로 정류장을 배치했으며, 지시문이 명시하지 않은 벤치나 표지판 등의 요소를 추가하지 않아 브리프의 제한 조건을 가장 충실히 따랐습니다." }, { "label": "C", "score": 4, "verdict_ko": "도로와 해안 정면 사이가 아닌 내륙 측 교차로에 구조물이 위치하여 지리적 배치를 위반했으며, 요청되지 않은 벤치, 표지판, 쓰레기통을 임의로 추가하여 감점되었습니다." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "콘크리트 바닥에 파란색 페인트가 칠해져 있거나 엎질러져 있는데, 이는 철골 표면의 '백화되어 분필처럼 묻어나는(chalked) 페인트'를 잘못 해석한 결과입니다.", "fix_en": "Remove the blue paint smears from the concrete pad, leaving it weathered natural-gray." }, { "issue_ko": "지붕(캐노피)의 테두리가 옅은 회색의 골함석(corrugated galvanized-steel)이 아니라 두꺼운 점박이 무늬의 석재나 복합 패널 질감으로 묘사되었습니다.", "fix_en": "Replace the thick speckled fascia of the canopy with pale gray corrugated galvanized steel." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the blue paint smears from the concrete pad, leaving it weathered natural-gray.\n- Replace the thick speckled fascia of the canopy with pale gray corrugated galvanized steel.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_road": { "author_fp": "7f5aebf513a7f58d", "author": { "conformance_brief_en": "The target is a ground-level linear coastal road corridor, not a building: it has zero storeys and no building openings. Its maintained dark gray asphalt surface runs continuously beside the gray-blue West Sea, which remains adjacent along the coastal side. No fixed junction, building, barrier, roadside structure, site entrance, or additional travel zone may be added within the site. The inland surroundings must read as a believable, currently inhabited ordinary working coastal neighborhood in Incheon in 2026, without turning the corridor into an empty compound or isolated road.", "location_line_en": "A West Sea coastal road corridor in Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 해안도로와 바다 묘사를 직접 시각화한 접근", "evidence_ko": [ "해안가 도로 / D", "해안가 도로를 달린다.", "바다냄새를 실컷 마신다.", "밝고 활기차 보인다.", "해안도로" ], "prompt_en": "A bright daytime coastal road in Incheon runs continuously beside the West Sea. The wider inland setting is an ordinary, currently inhabited working coastal neighborhood with regionally typical 2026 development. The target is a ground-level linear road corridor, not a building, with zero storeys and no building openings. Its maintained dark gray asphalt has ordinary working wear. Gray-blue seawater remains continuously adjacent along the coastal side. The road is the sole established travel corridor. No fixed junction, building, barrier, roadside structure, or site entrance occupies the site.", "variant_id": "v1" }, { "approach_ko": "생활감 있는 인천 해안 동네에서 도로로 좁혀 가는 접근", "evidence_ko": [ "서해안 해안가 도로", "바다와 인접해 있는 도로", "밝은 낮", "바다 풍경이 보이고" ], "prompt_en": "An ordinary inhabited coastal neighborhood in Incheon extends along the inland side of a working waterfront corridor, with the normal regional character of South Korea in 2026. The setting is active and maintained rather than abandoned or compound-like. Its main subject is one continuous, ground-level coastal road of dark gray asphalt with ordinary surface wear. This is not a building and has zero storeys and no openings. The gray-blue West Sea stays beside the road along its entire coastal side. The road remains the only established travel zone, with no fixed junction, building, barrier, roadside structure, or site entrance within the site.", "variant_id": "v2" }, { "approach_ko": "도로 재료와 선형 해안 지형을 우선한 접근", "evidence_ko": [ "해안가 도로", "해안도로", "바다와 인접해 있는 도로", "서해안" ], "prompt_en": "Maintained dark gray asphalt defines a single linear, ground-level coastal road corridor in Incheon in 2026. It shows ordinary wear appropriate to a regularly used South Korean road. The target has zero storeys and no building openings because it is a road rather than a building. Gray-blue West Sea water runs continuously alongside its coastal edge. Nothing interrupts the established topology: there is no fixed junction, building, barrier, roadside structure, or site entrance, and the road is the sole travel zone. Beyond the inland side, a believable ordinary working coastal neighborhood makes the location read as currently inhabited without assigning any particular neighboring building to the site.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "2b958cc4c9b29891", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a ground-level linear coastal road corridor, not a building: it has zero storeys and no building openings. Its maintained dark gray asphalt surface runs continuously beside the gray-blue West Sea, which remains adjacent along the coastal side. No fixed junction, building, barrier, roadside structure, site entrance, or additional travel zone may be added within the site. The inland surroundings must read as a believable, currently inhabited ordinary working coastal neighborhood in Incheon in 2026, without turning the corridor into an empty compound or isolated road.\n\nTHE LOCATION: A West Sea coastal road corridor in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle; Heavy rain, storm clouds, thunder, and lightning", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA bright daytime coastal road in Incheon runs continuously beside the West Sea. The wider inland setting is an ordinary, currently inhabited working coastal neighborhood with regionally typical 2026 development. The target is a ground-level linear road corridor, not a building, with zero storeys and no building openings. Its maintained dark gray asphalt has ordinary working wear. Gray-blue seawater remains continuously adjacent along the coastal side. The road is the sole established travel corridor. No fixed junction, building, barrier, roadside structure, or site entrance occupies the site.\n\nTHE LOCATION: A West Sea coastal road corridor in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle; Heavy rain, storm clouds, thunder, and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited coastal neighborhood in Incheon extends along the inland side of a working waterfront corridor, with the normal regional character of South Korea in 2026. The setting is active and maintained rather than abandoned or compound-like. Its main subject is one continuous, ground-level coastal road of dark gray asphalt with ordinary surface wear. This is not a building and has zero storeys and no openings. The gray-blue West Sea stays beside the road along its entire coastal side. The road remains the only established travel zone, with no fixed junction, building, barrier, roadside structure, or site entrance within the site.\n\nTHE LOCATION: A West Sea coastal road corridor in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle; Heavy rain, storm clouds, thunder, and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nMaintained dark gray asphalt defines a single linear, ground-level coastal road corridor in Incheon in 2026. It shows ordinary wear appropriate to a regularly used South Korean road. The target has zero storeys and no building openings because it is a road rather than a building. Gray-blue West Sea water runs continuously alongside its coastal edge. Nothing interrupts the established topology: there is no fixed junction, building, barrier, roadside structure, or site entrance, and the road is the sole travel zone. Beyond the inland side, a believable ordinary working coastal neighborhood makes the location read as currently inhabited without assigning any particular neighboring building to the site.\n\nTHE LOCATION: A West Sea coastal road corridor in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle; Heavy rain, storm clouds, thunder, and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "B": 5, "A": 4 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Conforms well to the brief by maintaining a purely linear coastal road corridor without adding unauthorized junctions or travel zones, while providing highly authentic regional details." }, { "label": "B", "score": 5, "verdict_ko": "Features authentic regional elements but violates the negative constraints by adding an additional parallel travel zone and median within the site." }, { "label": "A", "score": 4, "verdict_ko": "Captures the appropriate coastal neighborhood setting but fails the strict brief constraints by introducing a prominent fixed T-junction to the road corridor." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "해안가 도로 가장자리를 따라 콘크리트 장벽과 금속 난간이 설치되어 있으며, 이는 장벽이나 도로변 구조물이 없어야 한다는 지침에 위배됩니다.", "fix_en": "Remove the concrete wall and metal railing along the coastal edge, leaving the road corridor uninterrupted next to the water." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the concrete wall and metal railing along the coastal edge, leaving the road corridor uninterrupted next to the water.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_foggy_harbor": { "author_fp": "e53c7beb65d40a78", "author": { "conformance_brief_en": "The target is a zero-storey open waterfront site, not a building. It consists only of a dark charcoal-gray natural tidal-rock shoreline area and a low, pale-gray poured-concrete harbor landing edge along the same waterfront, both directly adjoining blue-gray harbor water that extends toward the sea. The concrete has restrained salt weathering and a darker tidal band; the rocks are naturally water-worn. The tidal-rock area provides the shore position facing the sea and direct access to the minimal landing edge. There are no target building faces or openings and no added permanent stairs, railings, fences, gates, or structures. A believable, currently inhabited low-rise working fishing-harbor neighborhood in Incheon surrounds the site.", "location_line_en": "A working waterfront harbor in an inhabited fishing neighborhood in Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 포구, 갯바위, 바다 단서를 해안에서 수면 순서로 구체화한다.", "evidence_ko": [ "포구", "갯바위에 앉아있는 수리영.", "하염없이 안개가 몰려오는 바다를 바라보는데", "배로 다가가는 수리영." ], "prompt_en": "An inhabited low-rise working fishing-harbor neighborhood in Incheon surrounds the waterfront, with ordinary contemporary Korean harbor development continuing beyond the site. The target is a zero-storey open harbor site, not a building. A dark charcoal-gray area of natural, water-worn tidal rock forms a shore position facing the sea. It reaches a low, pale-gray poured-concrete harbor landing edge along the same waterfront. The concrete edge is the minimal land-to-water transition, with restrained salt weathering and a darker tidal band. Blue-gray harbor water directly borders both shore positions and extends outward toward the sea.", "variant_id": "v1" }, { "approach_ko": "인천의 생활형 어항 동네를 먼저 세우고 대상 해안의 연결 관계를 명확히 한다.", "evidence_ko": [], "prompt_en": "The site belongs to a currently inhabited, low-rise working fishing-harbor neighborhood in Incheon, surrounded by ordinary contemporary Korean waterfront development rather than isolated open ground. Its main subject is a zero-storey open waterfront site with no building mass or building openings. The land-water edge has two connected shore positions: a dark charcoal-gray natural tidal-rock area facing the sea and a low, pale-gray poured-concrete harbor landing edge directly reachable along the same waterfront. The rocks are water-worn. The concrete is salt-weathered with a darker tidal band and forms only a minimal transition into the harbor water. Blue-gray harbor water adjoins both edges and continues seaward.", "variant_id": "v2" }, { "approach_ko": "재료와 마모 상태에서 시작해 갯바위, 접안 가장자리, 바다의 위상을 정리한다.", "evidence_ko": [], "prompt_en": "Dark charcoal-gray natural tidal rock and pale-gray poured concrete define the zero-storey target site. The tidal rocks are irregular and water-worn, occupying the harbor-water edge as a land-based position facing the sea. Beside them on the same waterfront, a low concrete landing edge meets the water as the site's minimal land-to-water transition and is directly accessible from the rock area. Its finish shows restrained salt weathering and a darker tidal band. Blue-gray harbor water borders both the rocks and the landing edge, then opens toward the sea. The target has no building faces or openings. An ordinary, inhabited low-rise working fishing-harbor neighborhood in contemporary Incheon encloses the waterfront setting.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "e0699b2cb9b5c8be", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey open waterfront site, not a building. It consists only of a dark charcoal-gray natural tidal-rock shoreline area and a low, pale-gray poured-concrete harbor landing edge along the same waterfront, both directly adjoining blue-gray harbor water that extends toward the sea. The concrete has restrained salt weathering and a darker tidal band; the rocks are naturally water-worn. The tidal-rock area provides the shore position facing the sea and direct access to the minimal landing edge. There are no target building faces or openings and no added permanent stairs, railings, fences, gates, or structures. A believable, currently inhabited low-rise working fishing-harbor neighborhood in Incheon surrounds the site.\n\nTHE LOCATION: A working waterfront harbor in an inhabited fishing neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; rain shower; arriving boat; boat mooring line; mobile phone; empty-harbor condition; dusk lighting condition; people present at the harbor", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited low-rise working fishing-harbor neighborhood in Incheon surrounds the waterfront, with ordinary contemporary Korean harbor development continuing beyond the site. The target is a zero-storey open harbor site, not a building. A dark charcoal-gray area of natural, water-worn tidal rock forms a shore position facing the sea. It reaches a low, pale-gray poured-concrete harbor landing edge along the same waterfront. The concrete edge is the minimal land-to-water transition, with restrained salt weathering and a darker tidal band. Blue-gray harbor water directly borders both shore positions and extends outward toward the sea.\n\nTHE LOCATION: A working waterfront harbor in an inhabited fishing neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; rain shower; arriving boat; boat mooring line; mobile phone; empty-harbor condition; dusk lighting condition; people present at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a currently inhabited, low-rise working fishing-harbor neighborhood in Incheon, surrounded by ordinary contemporary Korean waterfront development rather than isolated open ground. Its main subject is a zero-storey open waterfront site with no building mass or building openings. The land-water edge has two connected shore positions: a dark charcoal-gray natural tidal-rock area facing the sea and a low, pale-gray poured-concrete harbor landing edge directly reachable along the same waterfront. The rocks are water-worn. The concrete is salt-weathered with a darker tidal band and forms only a minimal transition into the harbor water. Blue-gray harbor water adjoins both edges and continues seaward.\n\nTHE LOCATION: A working waterfront harbor in an inhabited fishing neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; rain shower; arriving boat; boat mooring line; mobile phone; empty-harbor condition; dusk lighting condition; people present at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark charcoal-gray natural tidal rock and pale-gray poured concrete define the zero-storey target site. The tidal rocks are irregular and water-worn, occupying the harbor-water edge as a land-based position facing the sea. Beside them on the same waterfront, a low concrete landing edge meets the water as the site's minimal land-to-water transition and is directly accessible from the rock area. Its finish shows restrained salt weathering and a darker tidal band. Blue-gray harbor water borders both the rocks and the landing edge, then opens toward the sea. The target has no building faces or openings. An ordinary, inhabited low-rise working fishing-harbor neighborhood in contemporary Incheon encloses the waterfront setting.\n\nTHE LOCATION: A working waterfront harbor in an inhabited fishing neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; rain shower; arriving boat; boat mooring line; mobile phone; empty-harbor condition; dusk lighting condition; people present at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "B": 8, "A": 5, "C": 2 }, "selected": "B", "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 8, "verdict_ko": "Conforms well to the brief; the site features the natural tidal rocks and minimal concrete landing edge with no forbidden structures, stairs, or people present." }, { "label": "A", "score": 5, "verdict_ko": "Violates brief conformance by including an added permanent metal stair/gangway structure attached to the concrete landing edge." }, { "label": "C", "score": 2, "verdict_ko": "Hard violation: Includes leaked text (a timestamp) in the bottom right corner of the image." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "스크립트 상의 일시적 요소로 묘사가 금지된 배 계류줄(boat mooring lines)이 우측 정박된 배와 부두 사이에 여러 개 나타나 있습니다.", "fix_en": "Remove the boat mooring lines connecting the boats to the pier on the right." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the boat mooring lines connecting the boats to the pier on the right.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_floor": { "author_fp": "7bff703baf868bac", "author": { "conformance_brief_en": "The image must show a zero-storey, entirely unbuilt woodland site in Incheon in 2026. Its complete permanent topology consists only of a continuous brown leaf-littered woodland floor with dark soil beneath and dense green woodland undergrowth occupying parts of that floor and enclosing the usable ground zone on multiple sides. There are no buildings, walls, roofs, doors, windows, openings, gates, fences, stairs, roads, paths, paving, utilities, or other constructed features. The woodland remains embedded at the edge of a believable, currently inhabited Incheon urban neighborhood rather than appearing remote or abandoned.", "location_line_en": "An urban-edge woodland floor beside an inhabited neighborhood in Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 공간 묘사를 직접 시각화한 접근", "evidence_ko": [ "숲속", "우거진 수풀을 헤치며" ], "prompt_en": "The location is an urban-edge woodland within a currently inhabited Incheon neighborhood in 2026. The target site is zero-storey and entirely unbuilt. A continuous woodland floor of brown fallen leaves and exposed dark soil extends beneath dense green undergrowth. The undergrowth occupies portions of the floor and encloses the usable ground space on multiple sides. There are no constructed features, architectural faces, or openings.", "variant_id": "v1" }, { "approach_ko": "주변 생활권에서 숲 안쪽으로 정리한 접근", "evidence_ko": [ "숲속", "우거진 수풀" ], "prompt_en": "A real patch of woodland sits at the edge of an ordinary, currently inhabited urban neighborhood in Incheon in 2026. Within the site, the only permanent elements are a continuous brown leaf-littered woodland floor with dark soil and dense green undergrowth. The vegetation occupies parts of the floor and closes around the open ground from multiple sides. This is a zero-storey site with no building, wall, gate, fence, stair, road, path, paving, or opening.", "variant_id": "v2" }, { "approach_ko": "지면과 식생 재질을 우선한 접근", "evidence_ko": [ "우거진 수풀", "숲속" ], "prompt_en": "Brown fallen leaves and patches of dark woodland soil form one continuous ground area. Dense green woodland undergrowth grows across portions of that floor and encloses the remaining usable space on several sides. The target is a zero-storey, wholly unbuilt woodland site with no architectural mass, faces, openings, or constructed site elements. It belongs to the urban woodland edge of a believable, currently inhabited Incheon neighborhood in 2026.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "ab97bf4ccdbae0c9", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image must show a zero-storey, entirely unbuilt woodland site in Incheon in 2026. Its complete permanent topology consists only of a continuous brown leaf-littered woodland floor with dark soil beneath and dense green woodland undergrowth occupying parts of that floor and enclosing the usable ground zone on multiple sides. There are no buildings, walls, roofs, doors, windows, openings, gates, fences, stairs, roads, paths, paving, utilities, or other constructed features. The woodland remains embedded at the edge of a believable, currently inhabited Incheon urban neighborhood rather than appearing remote or abandoned.\n\nTHE LOCATION: An urban-edge woodland floor beside an inhabited neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsingle fallen shoe; bite wound and flowing blood; frightened man; attacking dark figure; dusk illumination", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is an urban-edge woodland within a currently inhabited Incheon neighborhood in 2026. The target site is zero-storey and entirely unbuilt. A continuous woodland floor of brown fallen leaves and exposed dark soil extends beneath dense green undergrowth. The undergrowth occupies portions of the floor and encloses the usable ground space on multiple sides. There are no constructed features, architectural faces, or openings.\n\nTHE LOCATION: An urban-edge woodland floor beside an inhabited neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsingle fallen shoe; bite wound and flowing blood; frightened man; attacking dark figure; dusk illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real patch of woodland sits at the edge of an ordinary, currently inhabited urban neighborhood in Incheon in 2026. Within the site, the only permanent elements are a continuous brown leaf-littered woodland floor with dark soil and dense green undergrowth. The vegetation occupies parts of the floor and closes around the open ground from multiple sides. This is a zero-storey site with no building, wall, gate, fence, stair, road, path, paving, or opening.\n\nTHE LOCATION: An urban-edge woodland floor beside an inhabited neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsingle fallen shoe; bite wound and flowing blood; frightened man; attacking dark figure; dusk illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nBrown fallen leaves and patches of dark woodland soil form one continuous ground area. Dense green woodland undergrowth grows across portions of that floor and encloses the remaining usable space on several sides. The target is a zero-storey, wholly unbuilt woodland site with no architectural mass, faces, openings, or constructed site elements. It belongs to the urban woodland edge of a believable, currently inhabited Incheon neighborhood in 2026.\n\nTHE LOCATION: An urban-edge woodland floor beside an inhabited neighborhood in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsingle fallen shoe; bite wound and flowing blood; frightened man; attacking dark figure; dusk illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "C": 6, "B": 4 }, "selected": "A", "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Authentically depicts the unbuilt woodland site perfectly adjacent to a realistic Incheon neighborhood without adding any forbidden constructed features to the site itself." }, { "label": "C", "score": 6, "verdict_ko": "Captures the neighborhood and woodland setting well, but features a visibly distinct dirt path cutting through the site, violating the exclusion of paths." }, { "label": "B", "score": 4, "verdict_ko": "Introduces a prominent constructed chain-link fence running along the edge of the woodland, directly violating the brief's strict exclusion of fences." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_outdoor_incident_site": { "author_fp": "a2eb623ea5b5906a", "author": { "conformance_brief_en": "Every image must show the same target: one flat, undivided outdoor site area with a continuous weathered medium-gray asphalt surface. It has zero storeys, no building mass, no doors or windows, no permanent structures, no internal subdivisions, no fixed boundary, and no site-defined access route. The site stands within a believable, currently inhabited mixed residential and small-commercial neighborhood typical of Incheon, South Korea, in 2026. Surrounding neighborhood fabric uses ordinary contemporary Korean materials and finishes without becoming part of the target site.", "location_line_en": "An undivided outdoor site in an inhabited neighborhood of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 장면의 야외 현장과 낮 시간 근거 중심", "evidence_ko": [ "현장 / D", "씬1, 2 현장을 감식하는 경찰, 폴리스 라인을 치고 시신을 수거한다." ], "prompt_en": "A currently inhabited mixed residential and small-commercial neighborhood in Incheon, South Korea, surrounds the location. Its urban fabric has ordinary locally typical 2026 Korean materials and finishes. The target is a single outdoor site area seen in daytime. It is one flat, open horizontal expanse surfaced continuously in weathered medium-gray asphalt. It has zero storeys and no building mass, doors, windows, permanent structures, internal subdivisions, fixed boundary, or site-defined access route. The asphalt has restrained everyday wear and remains one uninterrupted camera-usable area.", "variant_id": "v1" }, { "approach_ko": "인천의 생활권 맥락을 먼저 확립하는 접근", "evidence_ko": [], "prompt_en": "The location sits inside a believable, currently inhabited Incheon neighborhood with mixed residential and small-commercial urban fabric. The surroundings retain ordinary contemporary South Korean finishes and the close-grained character of a working neighborhood in 2026. At its center is the target site: one broad, level, undivided plane of weathered medium-gray asphalt. The target has zero storeys, no building mass, no doors or windows, and no permanent site elements. No fixed boundary, internal route, or subdivision interrupts the continuous open area.", "variant_id": "v2" }, { "approach_ko": "표면 재료와 무구조 지형을 우선하는 접근", "evidence_ko": [], "prompt_en": "The target is a flat outdoor site with a continuous weathered medium-gray asphalt surface and restrained age-related wear. It forms one undivided camera-usable area. There are zero storeys, no building mass, no openings, no permanent structures, no fixed boundary, no internal access route, and no subdivision. The site belongs to a currently inhabited mixed residential and small-commercial neighborhood in Incheon in 2026. Adjacent neighborhood fabric uses normal contemporary Korean construction materials, colors, and finishes and reads as an ordinary working urban place.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "47f9d7787707dfa4", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same target: one flat, undivided outdoor site area with a continuous weathered medium-gray asphalt surface. It has zero storeys, no building mass, no doors or windows, no permanent structures, no internal subdivisions, no fixed boundary, and no site-defined access route. The site stands within a believable, currently inhabited mixed residential and small-commercial neighborhood typical of Incheon, South Korea, in 2026. Surrounding neighborhood fabric uses ordinary contemporary Korean materials and finishes without becoming part of the target site.\n\nTHE LOCATION: An undivided outdoor site in an inhabited neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice line; Motionless figures in character; Police and detective personnel; Stretcher", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited mixed residential and small-commercial neighborhood in Incheon, South Korea, surrounds the location. Its urban fabric has ordinary locally typical 2026 Korean materials and finishes. The target is a single outdoor site area seen in daytime. It is one flat, open horizontal expanse surfaced continuously in weathered medium-gray asphalt. It has zero storeys and no building mass, doors, windows, permanent structures, internal subdivisions, fixed boundary, or site-defined access route. The asphalt has restrained everyday wear and remains one uninterrupted camera-usable area.\n\nTHE LOCATION: An undivided outdoor site in an inhabited neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice line; Motionless figures in character; Police and detective personnel; Stretcher\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location sits inside a believable, currently inhabited Incheon neighborhood with mixed residential and small-commercial urban fabric. The surroundings retain ordinary contemporary South Korean finishes and the close-grained character of a working neighborhood in 2026. At its center is the target site: one broad, level, undivided plane of weathered medium-gray asphalt. The target has zero storeys, no building mass, no doors or windows, and no permanent site elements. No fixed boundary, internal route, or subdivision interrupts the continuous open area.\n\nTHE LOCATION: An undivided outdoor site in an inhabited neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice line; Motionless figures in character; Police and detective personnel; Stretcher\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a flat outdoor site with a continuous weathered medium-gray asphalt surface and restrained age-related wear. It forms one undivided camera-usable area. There are zero storeys, no building mass, no openings, no permanent structures, no fixed boundary, no internal access route, and no subdivision. The site belongs to a currently inhabited mixed residential and small-commercial neighborhood in Incheon in 2026. Adjacent neighborhood fabric uses normal contemporary Korean construction materials, colors, and finishes and reads as an ordinary working urban place.\n\nTHE LOCATION: An undivided outdoor site in an inhabited neighborhood of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice line; Motionless figures in character; Police and detective personnel; Stretcher\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "B": 7, "A": 6, "C": 3 }, "selected": "B", "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "Accurately depicts the unbounded asphalt site in an authentic Korean neighborhood with highly convincing regional details." }, { "label": "A", "score": 6, "verdict_ko": "Follows the main structural constraints but features less authentic, garbled signage text compared to the winner." }, { "label": "C", "score": 3, "verdict_ko": "Violates the brief by enclosing the site with a fixed boundary (a concrete curb)." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_police_station_complex": { "author_fp": "a82671cf458558c8", "author": { "conformance_brief_en": "Every image shows the same four-storey, broad rectangular, flat-roofed reinforced-concrete police station in Incheon in 2026. Its maintained but mildly weathered exterior combines pale gray granite tile at the base, warm-white and light-gray aluminum composite panels above, dark-gray aluminum window frames, blue-gray glass, and restrained navy-blue police identification. Zero exterior openings have a specifically evidenced count; any necessary fenestration remains quiet and regionally standard, without emphasizing an invented entrance. The building exterior forms one fixed edge of the site. A gray asphalt exterior circulation and parking apron directly adjoins that edge and extends outward, with ordinary white markings. No fence, gate, detached site structure, fixed road connection, or specific orientation is introduced. Adjacent buildings and an ordinary street environment establish a believable, active, maintained urban working neighborhood rather than an isolated or abandoned compound.", "location_line_en": "A neighborhood police station exterior in Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 장면의 외부 장소 근거 중심", "evidence_ko": [ "경찰서 밖" ], "prompt_en": "An active, maintained urban working neighborhood in Incheon surrounds the police station, with adjacent low- and mid-rise buildings and an ordinary street environment. The target is a four-storey, broad rectangular police station with a flat roof and a reinforced-concrete frame. Its exterior has pale gray granite tile at the base, warm-white and light-gray aluminum composite panels above, dark-gray aluminum window frames, blue-gray glass, and restrained navy-blue police identification. Mild rain streaking and everyday scuffing show regular use without neglect. The visible office fenestration is quiet and regionally standard; no specific entrance or opening count is emphasized. The building exterior forms one fixed edge of the site. A gray asphalt exterior circulation and parking apron directly adjoins it and extends outward, with ordinary white markings. No fence, gate, detached site structure, fixed road connection, or specific orientation is added. Daylight.", "variant_id": "v1" }, { "approach_ko": "주변 생활권과 도시 맥락 우선", "evidence_ko": [ "경찰서 밖", "주차된" ], "prompt_en": "The location sits within a believable Incheon civic and commercial neighborhood in 2026. Adjacent low- and mid-rise buildings and the ordinary surrounding street context make it read as an active, maintained working district rather than an isolated compound. Along one edge stands a four-storey, broad rectangular reinforced-concrete police station with a flat roof. Pale gray granite tile covers the base; warm-white and light-gray aluminum composite panels cover the upper facade. Dark-gray aluminum frames hold blue-gray glazing, and restrained navy-blue police identification marks the civic use. The finishes have mild rain streaks and routine wear but remain well maintained. Regionally standard office windows stay visually secondary, with no invented opening count or emphasized entrance. A gray asphalt circulation and parking apron touches the building directly and extends away from it, carrying ordinary white markings. There is no added fence, gate, detached site structure, defined road connection, or fixed orientation. Daylight.", "variant_id": "v2" }, { "approach_ko": "현대 인천 공공건축 재료와 유형 중심", "evidence_ko": [ "경찰서 밖" ], "prompt_en": "This is a typical maintained urban police facility in Incheon in 2026, embedded among neighboring low- and mid-rise buildings in an active working neighborhood with an ordinary street environment. The station is a definite four-storey, broad rectangular reinforced-concrete civic block under a flat roof. Its lower exterior is pale gray granite tile, while the upper exterior uses warm-white and light-gray aluminum composite panels. Window frames are dark-gray aluminum, glazing is blue-gray, and police identification is restrained navy blue. Light rain marks and small areas of everyday wear soften the finishes without suggesting abandonment. Office fenestration follows the quiet regional norm; no particular entrance or exterior opening count is asserted. The exterior wall defines one built edge of the grounds. Directly beside it, a gray asphalt circulation and parking apron extends outward with ordinary white markings. No boundary fence, gate, detached site structure, specified road connection, or prescribed orientation appears. Daylight.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "6e4d352e5e102824", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same four-storey, broad rectangular, flat-roofed reinforced-concrete police station in Incheon in 2026. Its maintained but mildly weathered exterior combines pale gray granite tile at the base, warm-white and light-gray aluminum composite panels above, dark-gray aluminum window frames, blue-gray glass, and restrained navy-blue police identification. Zero exterior openings have a specifically evidenced count; any necessary fenestration remains quiet and regionally standard, without emphasizing an invented entrance. The building exterior forms one fixed edge of the site. A gray asphalt exterior circulation and parking apron directly adjoins that edge and extends outward, with ordinary white markings. No fence, gate, detached site structure, fixed road connection, or specific orientation is introduced. Adjacent buildings and an ordinary street environment establish a believable, active, maintained urban working neighborhood rather than an isolated or abandoned compound.\n\nTHE LOCATION: A neighborhood police station exterior in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active, maintained urban working neighborhood in Incheon surrounds the police station, with adjacent low- and mid-rise buildings and an ordinary street environment. The target is a four-storey, broad rectangular police station with a flat roof and a reinforced-concrete frame. Its exterior has pale gray granite tile at the base, warm-white and light-gray aluminum composite panels above, dark-gray aluminum window frames, blue-gray glass, and restrained navy-blue police identification. Mild rain streaking and everyday scuffing show regular use without neglect. The visible office fenestration is quiet and regionally standard; no specific entrance or opening count is emphasized. The building exterior forms one fixed edge of the site. A gray asphalt exterior circulation and parking apron directly adjoins it and extends outward, with ordinary white markings. No fence, gate, detached site structure, fixed road connection, or specific orientation is added. Daylight.\n\nTHE LOCATION: A neighborhood police station exterior in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location sits within a believable Incheon civic and commercial neighborhood in 2026. Adjacent low- and mid-rise buildings and the ordinary surrounding street context make it read as an active, maintained working district rather than an isolated compound. Along one edge stands a four-storey, broad rectangular reinforced-concrete police station with a flat roof. Pale gray granite tile covers the base; warm-white and light-gray aluminum composite panels cover the upper facade. Dark-gray aluminum frames hold blue-gray glazing, and restrained navy-blue police identification marks the civic use. The finishes have mild rain streaks and routine wear but remain well maintained. Regionally standard office windows stay visually secondary, with no invented opening count or emphasized entrance. A gray asphalt circulation and parking apron touches the building directly and extends away from it, carrying ordinary white markings. There is no added fence, gate, detached site structure, defined road connection, or fixed orientation. Daylight.\n\nTHE LOCATION: A neighborhood police station exterior in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a typical maintained urban police facility in Incheon in 2026, embedded among neighboring low- and mid-rise buildings in an active working neighborhood with an ordinary street environment. The station is a definite four-storey, broad rectangular reinforced-concrete civic block under a flat roof. Its lower exterior is pale gray granite tile, while the upper exterior uses warm-white and light-gray aluminum composite panels. Window frames are dark-gray aluminum, glazing is blue-gray, and police identification is restrained navy blue. Light rain marks and small areas of everyday wear soften the finishes without suggesting abandonment. Office fenestration follows the quiet regional norm; no particular entrance or exterior opening count is asserted. The exterior wall defines one built edge of the grounds. Directly beside it, a gray asphalt circulation and parking apron extends outward with ordinary white markings. No boundary fence, gate, detached site structure, specified road connection, or prescribed orientation appears. Daylight.\n\nTHE LOCATION: A neighborhood police station exterior in Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "B": 7, "A": 6, "C": 3 }, "selected": "B", "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "우수한 지역적 사실감과 지시된 외장재, 색상, 주차장 형태를 모두 정확히 반영하여 지침을 완벽하게 준수함." }, { "label": "A", "score": 6, "verdict_ko": "지시된 건축 형태와 주변 환경을 잘 구현했으나, 간판 등 미세한 디테일의 자연스러움이 우승작에 비해 약간 떨어짐." }, { "label": "C", "score": 3, "verdict_ko": "제외해야 할 일시적 요소인 '자전거'가 다수 포함되어 있어 명백한 지침 위반임." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "경찰서 건물이 지시된 4층이 아닌 3층으로 묘사되었습니다.", "fix_en": "Add a fourth storey to the police station." }, { "issue_ko": "지시문에서 강조된 출입구를 만들지 말라고 했으나, 1층에 돌출된 캐노피가 있는 출입구가 추가되었습니다.", "fix_en": "Remove the projecting canopy and make the entrance flush and visually unemphasized." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a fourth storey to the police station.\n- Remove the projecting canopy and make the entrance flush and visually unemphasized.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_rooftop_villa_complex": { "author_fp": "ed6e20bf16e6605e", "author": { "conformance_brief_en": "Every image shows the same old three-storey multi-family villa with a single-storey rooftop room above it in an inhabited low-rise residential neighborhood on the outskirts of Incheon in 2026. The villa is a compact rectangular reinforced-concrete block with aged red-brown brick veneer and gray concrete trim. The rooftop room is a low rectangular volume with weathered pale-gray cement-rendered walls and a flat gray concrete roof. It has exactly one faded dark-green painted steel entrance door and one small white-aluminum-framed exterior window in a separate part of its envelope. The permanent route is a narrow residential alley to one gray metal villa entrance door, then an enclosed gray concrete courtyard, a steep exterior gray concrete stair with silver galvanized-steel railings, and the open rooftop. The rooftop has faded green waterproofed concrete, one cylindrical stainless-steel water tank outside the room, and a weathered gray concrete boundary wall visible near the room. The stair ends beside the rooftop-room door. The exact sides of the window, water tank, and boundary wall remain unspecified. The surrounding occupied neighborhood must remain present and believable.", "location_line_en": "An old rooftop-room villa in a narrow residential alley on the outskirts of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 공간 이동 순서를 직접 시각화한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관 앞에 멈춰 선다.", "창문에 비친 그림자.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고,", "옥탑방과 연결되는 계단을 급히 오른다.", "검은 고양이가 불이 켜져 있는 옥탑 방을 슬쩍 보더니 담을 넘는다" ], "prompt_en": "A narrow residential alley belongs to an inhabited low-rise neighborhood of aging villas and houses on the outskirts of Incheon in 2026. The alley leads directly to one gray metal entrance door in an old three-storey multi-family villa. The villa is a compact rectangular reinforced-concrete block faced in worn red-brown brick with gray concrete trim. Inside the entrance is a small gray concrete courtyard. A steep gray concrete exterior stair with silver galvanized-steel railings rises along the villa exterior from the courtyard to the open rooftop. The rooftop has faded green waterproofed concrete. A low rectangular single-storey rooftop room has weathered pale-gray cement-rendered walls and a flat gray concrete roof. Exactly one faded dark-green painted steel entrance door stands beside the stair landing, and exactly one small white-aluminum-framed window occupies another part of the room envelope. One cylindrical stainless-steel water tank stands outside the room. A weathered gray concrete boundary wall remains visible near it.", "variant_id": "v1" }, { "approach_ko": "주변 주거지에서 건물로 좁혀 가는 입지 중심 접근", "evidence_ko": [ "인천 변두리", "오래된 빌라 옥탑방 전경", "골목길을 달리는 수리영.", "다세대 빌라 문을 열고 들어와", "옥탑방과 연결되는 계단", "옥상에 올라와 보니", "물탱크.", "현관 철문" ], "prompt_en": "This is a currently inhabited, dense low-rise residential quarter on the outskirts of Incheon in 2026, formed by ordinary aging villas and houses around a narrow alley. The target is one compact rectangular three-storey multi-family villa of reinforced concrete, with worn red-brown brick veneer and gray concrete trim. Its alley face contains one gray metal entrance door opening into a small enclosed courtyard finished in gray concrete. From that courtyard, a steep exterior stair of gray concrete with silver galvanized-steel railings climbs along the villa exterior and reaches the open roof beside the rooftop-room entrance. The roof surface is faded green waterproofed concrete. Above the villa stands one low rectangular single-storey rooftop room with weathered pale-gray cement render and a flat gray concrete roof. Its envelope contains exactly one faded dark-green painted steel entrance door and one small white-aluminum-framed window in a separate wall section. One cylindrical stainless-steel water tank occupies the open rooftop, and a weathered gray concrete boundary wall is visible near the room.", "variant_id": "v2" }, { "approach_ko": "노후 재료와 다세대 빌라 유형을 우선한 접근", "evidence_ko": [ "오래된 빌라 옥탑방", "다세대 빌라", "옥탑방 옥상", "물탱크", "철문 현관", "창문", "마당", "계단을 급히 오른다.", "담을 넘는다" ], "prompt_en": "An old Incheon multi-family villa is built as a compact rectangular three-storey reinforced-concrete block with aged red-brown brick veneer and exposed gray concrete trim. It stands within a believable occupied neighborhood of closely set low-rise villas and houses, connected to them by a narrow residential alley. One gray metal entrance door on the alley side leads into an enclosed gray concrete ground courtyard. A steep gray concrete exterior stair with silver galvanized-steel railings begins there, follows the villa exterior, and terminates on the open rooftop beside the rooftop-room door. Faded green waterproofing covers the rooftop concrete. The single-storey rooftop room is a low rectangular cement-rendered volume, weathered pale gray, with a flat gray concrete roof. It has exactly one faded dark-green painted steel entrance door and exactly one small white-aluminum-framed exterior window in another part of the envelope. A cylindrical stainless-steel water tank stands in the open roof area. A weathered gray concrete boundary wall is within sight of the rooftop room.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "e7efd1055ab1149e", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same old three-storey multi-family villa with a single-storey rooftop room above it in an inhabited low-rise residential neighborhood on the outskirts of Incheon in 2026. The villa is a compact rectangular reinforced-concrete block with aged red-brown brick veneer and gray concrete trim. The rooftop room is a low rectangular volume with weathered pale-gray cement-rendered walls and a flat gray concrete roof. It has exactly one faded dark-green painted steel entrance door and one small white-aluminum-framed exterior window in a separate part of its envelope. The permanent route is a narrow residential alley to one gray metal villa entrance door, then an enclosed gray concrete courtyard, a steep exterior gray concrete stair with silver galvanized-steel railings, and the open rooftop. The rooftop has faded green waterproofed concrete, one cylindrical stainless-steel water tank outside the room, and a weathered gray concrete boundary wall visible near the room. The stair ends beside the rooftop-room door. The exact sides of the window, water tank, and boundary wall remain unspecified. The surrounding occupied neighborhood must remain present and believable.\n\nTHE LOCATION: An old rooftop-room villa in a narrow residential alley on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDried acorus leaves on the platform; Rooftop platform; Rooftop clothesline; Advertisement flyer in the entrance-door gap; Bicycle; Vehicle outside the villa; Black cat; Half-open state of the rooftop-room entrance door; Illuminated state of the rooftop room", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow residential alley belongs to an inhabited low-rise neighborhood of aging villas and houses on the outskirts of Incheon in 2026. The alley leads directly to one gray metal entrance door in an old three-storey multi-family villa. The villa is a compact rectangular reinforced-concrete block faced in worn red-brown brick with gray concrete trim. Inside the entrance is a small gray concrete courtyard. A steep gray concrete exterior stair with silver galvanized-steel railings rises along the villa exterior from the courtyard to the open rooftop. The rooftop has faded green waterproofed concrete. A low rectangular single-storey rooftop room has weathered pale-gray cement-rendered walls and a flat gray concrete roof. Exactly one faded dark-green painted steel entrance door stands beside the stair landing, and exactly one small white-aluminum-framed window occupies another part of the room envelope. One cylindrical stainless-steel water tank stands outside the room. A weathered gray concrete boundary wall remains visible near it.\n\nTHE LOCATION: An old rooftop-room villa in a narrow residential alley on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDried acorus leaves on the platform; Rooftop platform; Rooftop clothesline; Advertisement flyer in the entrance-door gap; Bicycle; Vehicle outside the villa; Black cat; Half-open state of the rooftop-room entrance door; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a currently inhabited, dense low-rise residential quarter on the outskirts of Incheon in 2026, formed by ordinary aging villas and houses around a narrow alley. The target is one compact rectangular three-storey multi-family villa of reinforced concrete, with worn red-brown brick veneer and gray concrete trim. Its alley face contains one gray metal entrance door opening into a small enclosed courtyard finished in gray concrete. From that courtyard, a steep exterior stair of gray concrete with silver galvanized-steel railings climbs along the villa exterior and reaches the open roof beside the rooftop-room entrance. The roof surface is faded green waterproofed concrete. Above the villa stands one low rectangular single-storey rooftop room with weathered pale-gray cement render and a flat gray concrete roof. Its envelope contains exactly one faded dark-green painted steel entrance door and one small white-aluminum-framed window in a separate wall section. One cylindrical stainless-steel water tank occupies the open rooftop, and a weathered gray concrete boundary wall is visible near the room.\n\nTHE LOCATION: An old rooftop-room villa in a narrow residential alley on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDried acorus leaves on the platform; Rooftop platform; Rooftop clothesline; Advertisement flyer in the entrance-door gap; Bicycle; Vehicle outside the villa; Black cat; Half-open state of the rooftop-room entrance door; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn old Incheon multi-family villa is built as a compact rectangular three-storey reinforced-concrete block with aged red-brown brick veneer and exposed gray concrete trim. It stands within a believable occupied neighborhood of closely set low-rise villas and houses, connected to them by a narrow residential alley. One gray metal entrance door on the alley side leads into an enclosed gray concrete ground courtyard. A steep gray concrete exterior stair with silver galvanized-steel railings begins there, follows the villa exterior, and terminates on the open rooftop beside the rooftop-room door. Faded green waterproofing covers the rooftop concrete. The single-storey rooftop room is a low rectangular cement-rendered volume, weathered pale gray, with a flat gray concrete roof. It has exactly one faded dark-green painted steel entrance door and exactly one small white-aluminum-framed exterior window in another part of the envelope. A cylindrical stainless-steel water tank stands in the open roof area. A weathered gray concrete boundary wall is within sight of the rooftop room.\n\nTHE LOCATION: An old rooftop-room villa in a narrow residential alley on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDried acorus leaves on the platform; Rooftop platform; Rooftop clothesline; Advertisement flyer in the entrance-door gap; Bicycle; Vehicle outside the villa; Black cat; Half-open state of the rooftop-room entrance door; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 6, "A": 5, "B": 4 }, "selected": "C", "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 6, "verdict_ko": "Best matches the entrance sequence with a gray metal gate enclosing the courtyard and successfully excludes vehicles, though it shows only 2 base storeys instead of 3 and the stair ends far from the rooftop door." }, { "label": "A", "score": 5, "verdict_ko": "Correctly places the stair landing beside the rooftop door, but violates the brief by including excluded vehicles (scooters) outside the villa and showing only 2 base storeys." }, { "label": "B", "score": 4, "verdict_ko": "Fails the vehicle exclusion, lacks a courtyard gate, places the rooftop door and window on the same envelope face, and shows only 2 base storeys." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "메인 빌라 건물이 3층이 아닌 2층으로 묘사됨", "fix_en": "Add one more residential floor to the main brick villa block so it has three storeys below the rooftop." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add one more residential floor to the main brick villa block so it has three storeys below the rooftop.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_small_fishing_boat": { "author_fp": "ca0a4f1e0610d458", "author": { "conformance_brief_en": "The image must show a horizon-to-horizon open Yellow Sea expanse off Incheon at late dusk, with regionally typical dark blue-gray and muted green-gray water. The persistent site has zero storeys, no architectural massing, no openings, no fixed land, no boundary, no built structure, and no permanent site elements. It must read as part of Incheon's active working maritime region in 2026 while remaining entirely open water. No small fishing boat, fishing-boat deck, wheelhouse, dense fog band, or sunset reflection may appear.", "location_line_en": "Open Yellow Sea waters off Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오 원문의 공간 묘사를 직접 시각화한 접근", "evidence_ko": [ "바다위에", "거긴 아무것도 없어요. 그냥 바다야.", "바다 / 해질 무렵" ], "prompt_en": "Open Yellow Sea water extends to every horizon off Incheon at late dusk. It belongs to the region's ordinary working maritime environment, with no visible shore or fixed neighboring development. The sea is the sole subject and the entire persistent location. Its slightly turbid surface is dark blue-gray with muted green-gray undertones and natural low chop typical of Korea's west coast. This is a zero-storey site with no architectural massing, openings, fixed land, boundary, built structure, or permanent site element.", "variant_id": "v1" }, { "approach_ko": "인천 서해의 해상 지리와 주변 맥락을 우선한 접근", "evidence_ko": [ "여기서 북동쪽으로 70km 쯤 될 건데요", "거긴 아무것도 없어요. 그냥 바다야.", "서서히 지는 해가 바다위에" ], "prompt_en": "A remote open-water location lies within Incheon's active Yellow Sea maritime region in 2026. The surrounding context is entirely offshore and horizon-to-horizon, without adjoining land, fixed boundaries, or permanent development. The target is one continuous expanse of regionally typical turbid west-coast seawater, dark blue-gray and muted green-gray under late-dusk ambient light. It has zero storeys, no building mass, no openings, and no permanent constructed or anchored site features.", "variant_id": "v2" }, { "approach_ko": "고정 구조물이 없는 해상 로케이션 유형을 우선한 접근", "evidence_ko": [ "망망대해", "그냥 바다야.", "바다 / 해질 무렵" ], "prompt_en": "This is a real open-sea filming location off Incheon, set within South Korea's ordinary working west-coast maritime territory. Its setting contains only uninterrupted Yellow Sea water and a clear distant horizon, with no fixed neighborhood fabric because no land or permanent structure belongs to the site. The slightly opaque water has the common dark blue-gray and subdued green-gray coloring of the region, with modest natural surface movement at late dusk. The location is definitively zero-storey and has no massing, walls, roofs, materials, openings, boundaries, or permanent site connections.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "4c4d07bd4e36fe15", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image must show a horizon-to-horizon open Yellow Sea expanse off Incheon at late dusk, with regionally typical dark blue-gray and muted green-gray water. The persistent site has zero storeys, no architectural massing, no openings, no fixed land, no boundary, no built structure, and no permanent site elements. It must read as part of Incheon's active working maritime region in 2026 while remaining entirely open water. No small fishing boat, fishing-boat deck, wheelhouse, dense fog band, or sunset reflection may appear.\n\nTHE LOCATION: Open Yellow Sea waters off Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat; fishing-boat deck; fishing-boat wheelhouse; dense fog band; sunset reflection on the sea", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOpen Yellow Sea water extends to every horizon off Incheon at late dusk. It belongs to the region's ordinary working maritime environment, with no visible shore or fixed neighboring development. The sea is the sole subject and the entire persistent location. Its slightly turbid surface is dark blue-gray with muted green-gray undertones and natural low chop typical of Korea's west coast. This is a zero-storey site with no architectural massing, openings, fixed land, boundary, built structure, or permanent site element.\n\nTHE LOCATION: Open Yellow Sea waters off Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat; fishing-boat deck; fishing-boat wheelhouse; dense fog band; sunset reflection on the sea\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA remote open-water location lies within Incheon's active Yellow Sea maritime region in 2026. The surrounding context is entirely offshore and horizon-to-horizon, without adjoining land, fixed boundaries, or permanent development. The target is one continuous expanse of regionally typical turbid west-coast seawater, dark blue-gray and muted green-gray under late-dusk ambient light. It has zero storeys, no building mass, no openings, and no permanent constructed or anchored site features.\n\nTHE LOCATION: Open Yellow Sea waters off Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat; fishing-boat deck; fishing-boat wheelhouse; dense fog band; sunset reflection on the sea\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real open-sea filming location off Incheon, set within South Korea's ordinary working west-coast maritime territory. Its setting contains only uninterrupted Yellow Sea water and a clear distant horizon, with no fixed neighborhood fabric because no land or permanent structure belongs to the site. The slightly opaque water has the common dark blue-gray and subdued green-gray coloring of the region, with modest natural surface movement at late dusk. The location is definitively zero-storey and has no massing, walls, roofs, materials, openings, boundaries, or permanent site connections.\n\nTHE LOCATION: Open Yellow Sea waters off Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat; fishing-boat deck; fishing-boat wheelhouse; dense fog band; sunset reflection on the sea\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "B": 4, "A": 3, "C": 2 }, "selected": "B", "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 4, "verdict_ko": "Captures the open water, late dusk lighting, and working maritime region, but fails to exclude small fishing boats as mandated." }, { "label": "A", "score": 3, "verdict_ko": "Fails the negative constraint by including a large cluster of small fishing boats; lighting reads more like daytime than late dusk." }, { "label": "C", "score": 2, "verdict_ko": "Fails multiple negative constraints by clearly depicting small fishing boats and a sunset reflection on the horizon." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "장면의 일시적 요소인 소형 어선들이 바다에 여러 척 나타나 있습니다.", "fix_en": "Remove all the small fishing boats from the water, leaving an unobstructed expanse of sea." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all the small fishing boats from the water, leaving an unobstructed expanse of sea.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } }