{
  "status": "completed",
  "applicable_count": 2,
  "completed_count": 2,
  "failed_count": 0,
  "schema_version": 6,
  "config_hash": "f967fdb7184b6cda",
  "data": {
    "groups": {
      "bg_mountain_outpost": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/37154490-a4ed-4b37-9092-489c054d8a72/images/background_chain/seed_bg_mountain_outpost_sel.png",
        "seed_asset_id": "95a8376a-4dea-407c-8b9a-dcae414da6d8",
        "seed_selected": "A",
        "seed_prompt": "A photographic plate — far-future Pennsylvania, United States; all people are American and English-speaking unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site follows a direct exterior-to-interior sequence. An exterior standing and approach area adjoins a natural rock wall. A concealed entrance occupies part of that wall and forms the threshold between the exterior ground and a small underground cellar immediately behind the rock face. Inside the cellar, a round communication panel is fixed to a wall, while a ceiling-mounted map occupies the overhead plane. The entrance, cellar, wall panel, and ceiling map form one integrated contact-post structure embedded in the mountain terrain.\n- exterior standing area before the concealed entrance: Directly adjoins the natural rock wall and provides the exterior access surface in front of the concealed entrance.\n- natural rock wall surrounding the concealed entrance: Forms the mountain-facing frontage of the site, with the concealed entrance integrated into part of its surface and the underground cellar behind it.\n- concealed rock-surface entrance to the underground cellar: Occupies part of the natural rock wall and connects the exterior standing area directly to the underground cellar behind the rock face.\n- small underground contact-post cellar: Lies immediately behind the concealed rock-surface entrance and contains the wall-mounted communication panel and the ceiling-mounted map.\n- round communication panel on the cellar wall: Fixed to a wall within the small underground cellar.\n- ceiling-mounted contact-post map: Fixed overhead on the ceiling of the small underground cellar.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 바위벽으로 위장된 산악 접촉소 외부 입구: 황혼 무렵의 어스름한 빛이 내리는 평범한 바위 표면이다. 닫혀 있을 때는 이음새가 보이지 않아 주변 지형과 완벽하게 연속된 거친 자연 암벽으로 보이나, 활성화되면 물리적인 표면의 일부가 열리며 인공적인 직선 경계와 지하로 향하는 어두운 공간을 드러낸다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 산악 접촉소 지하실 내부: 낡고 투박한 기계 설비들로 채워진 작고 어두운 지하 방이다. 공간에 떠 있는 입체 홀로그램 대신, 벽면과 천장 표면에 직접 내장된 평면 판이 그래픽 인터페이스로 작동한다. 활성화된 둥근 통신판에는 경고 문구가, 천장의 지도 판면에는 붉은 점들이 기하학적 그래픽으로 표시된다.\n\nTHE LOCATION: S7. EXT. 산악 접촉소 — 황혼 (05:15–06:00)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): opened state of the concealed entrance; people and carried rifle; active communication-panel warning; illuminated red map points; waterproof pouch and mobile phone; twilight illumination\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.",
        "form_reference_input": {
          "asset_id": "30bef1ad-2a20-4748-ab7b-0656db8287f7",
          "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/37154490-a4ed-4b37-9092-489c054d8a72/images/9fc33eb1-970b-4e5e-8b98-53732d321d63/structure_form_refs/bg_mountain_outpost/rounds/r001/cand_02.png",
          "sha256": "70a6814ab6236a23c7a3d7f425a7c160da18d2903da1344e0a05eea6adbe252c",
          "fittings": [
            {
              "target_native": "자연 암벽",
              "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/37154490-a4ed-4b37-9092-489c054d8a72/images/9fc33eb1-970b-4e5e-8b98-53732d321d63/structure_form_refs/bg_mountain_outpost/rounds/r001/cand_13.png",
              "sha256": "5d3c8ba903f46c162d0273df242850136fdf249daeb93f62752e606aa2ab0ce4"
            }
          ],
          "fittings_dropped": [],
          "pack_version": "13.202609050450",
          "policy_version": "3-seed-parity",
          "consumer_contract": "2"
        },
        "seed_decision": {
          "input_fingerprint": "05be63417b0aae7b",
          "totals": {
            "A": 2000,
            "B": 1250
          },
          "ranking": [
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 2000,
              "verdict_ko": "닫힌 상태일 때 이음새가 보이지 않는 자연 암벽이어야 한다는 프롬프트의 지시를 충실히 따랐으며, 제외 요소인 황혼빛도 잘 배제했습니다 (다만 레퍼런스의 구도를 그대로 복사한 점은 아쉽습니다)."
            },
            {
              "label": "B",
              "score": 1250,
              "verdict_ko": "닫힌 상태에서는 이음새가 보이지 않아야 한다는 명확한 지시가 있었음에도 불구하고, 바위 정면에 거대한 인공적 직선 경계선을 뚜렷하게 묘사하여 프롬프트를 위반했습니다."
            }
          ],
          "critique_skipped": true
        },
        "seed_regen_issue_policy": "defer",
        "seed_regen_issue_policy_version": "regen_issue_v1_defer",
        "seed_paths": {
          "labels": [],
          "selected": "A",
          "sketch_png_path": null,
          "sketch_asset_id": null,
          "policy_version": "path_ab_v1_ref_relative"
        }
      },
      "bg_ruined_stadium": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/37154490-a4ed-4b37-9092-489c054d8a72/images/background_chain/seed_bg_ruined_stadium_sel.png",
        "seed_asset_id": "94a93d7b-1211-466c-b57f-a34526130968",
        "seed_selected": "A",
        "seed_prompt": "A photographic plate — far-future Pennsylvania, United States; all people are American and English-speaking unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is a forested ridge enclosing a half-buried baseball stadium ruin. Movement into the site begins in the outer forest, where the massive concrete curve becomes visible through the foliage and defines the stadium perimeter. The ruined seating area lies within the stadium footprint along the inner side of this curved structure. A separate stadium-edge position holds the root-torn scoreboard, with its surviving lettered face oriented toward the seating side in the conventional relationship of a baseball stadium. Forest growth surrounds and penetrates the stadium footprint, so the outer forest, perimeter curve, seating remains, and scoreboard position read as connected parts of one overgrown ruin.\n- Forest surrounding the half-buried stadium ruin: Surrounds the stadium footprint across the ridge and forms the exterior approach to the exposed concrete curve.\n- Half-buried baseball stadium ruin: Occupies the central ruin footprint within the surrounding forest, with its surviving perimeter structure and seating remains partly embedded in the forested ground.\n- Massive curved concrete stadium structure: Forms the prominent curved perimeter of the stadium ruin and emerges from the surrounding forest beside the outer approach zone.\n- Root-torn scoreboard with surviving ANTON RAILRIDERS lettering: Occupies a separate edge of the stadium footprint from the ruined seating area, with its lettered face oriented toward the seating side and its structure penetrated by tree roots.\n- Cracked stadium seating remains: Occupies the ruined seating area inside the stadium footprint, adjoining the inner side of the curved concrete stadium structure.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 숲과 나무뿌리에 매몰된 폐허 경기장 능선: 오후의 햇빛 아래 수세기 동안 방치되어 자연 침식을 겪은 옛 문명의 야구 경기장 잔해다. 흙과 식물에 완전히 덮여 반쯤 파묻힌 거대한 콘크리트 곡선 구조물, 두꺼운 나무뿌리에 의해 관통되고 찢겨나간 낡은 대형 전광판, 금이 간 플라스틱과 금속제 의자들이 깊은 숲의 일부처럼 융화되어 있다.\n\nTHE LOCATION: S5. EXT. 폐허 능선 — 오후 (03:10–04:10)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Detached old stadium seat placed beneath a tree; Tony and Wilma; Distant metal scraping sound; Afternoon sunlight\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.",
        "form_reference_input": {
          "asset_id": "78964594-7959-4cb4-9281-0dd430a69276",
          "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/37154490-a4ed-4b37-9092-489c054d8a72/images/9fc33eb1-970b-4e5e-8b98-53732d321d63/structure_form_refs/bg_ruined_stadium/rounds/r001/cand_10.png",
          "sha256": "60b889b0439d9cf1eea61de6e4bb57cce4f7e8a155816339624734906a2f515e",
          "fittings": [
            {
              "target_native": "야구장 대형 전광판의 글자 표시면",
              "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/37154490-a4ed-4b37-9092-489c054d8a72/images/9fc33eb1-970b-4e5e-8b98-53732d321d63/structure_form_refs/bg_ruined_stadium/rounds/r001/cand_13.png",
              "sha256": "4e3e4a184fac4e7829a850bdb53968e7d6c32827acfc2d7111adf5d7fbbc51bb"
            }
          ],
          "fittings_dropped": [],
          "pack_version": "13.202609050450",
          "policy_version": "3-seed-parity",
          "consumer_contract": "2"
        },
        "seed_decision": {
          "input_fingerprint": "54f8eb593f62457f",
          "totals": {
            "A": 1417,
            "B": 750
          },
          "ranking": [
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 1417,
              "verdict_ko": "프롬프트가 요구한 모든 구조물과 배치를 정확하게 구현했으며, 명시적으로 지시된 텍스트 외에 레퍼런스의 다른 텍스트를 배제하여 지시사항을 충실히 따랐습니다.  ★위반: [gpt] 구조 설명에 없고 명시적으로 전이 금지된 방문객용 안전 난간을 곡선 외곽 상단 전체에 추가했다. / [gpt] 경기장 안쪽에 설명되지 않은 작은 흰색 표지성 물체를 추가했다."
            },
            {
              "label": "B",
              "score": 750,
              "verdict_ko": "전반적인 형태와 분위기는 우수하나, 프롬프트에서 텍스트는 오직 설명에서만 가져오라고 명시했음에도 레퍼런스 사진 속 광고 텍스트를 그대로 렌더링한 치명적인 위반이 있습니다.  ★위반: [gemini-pro] 레퍼런스 사진의 하단 광고 텍스트('Hardman', 'McCarty's', 'SHENTEL' 등)가 지시를 어기고 그대로 유출됨 (leaked text) / [gpt] 전광판에 참조 사진의 광고명·전화번호 등 금지된 문구를 그대로 유출했다."
            }
          ],
          "critique_skipped": true
        },
        "seed_regen_issue_policy": "defer",
        "seed_regen_issue_policy_version": "regen_issue_v1_defer",
        "seed_paths": {
          "labels": [],
          "selected": "A",
          "sketch_png_path": null,
          "sketch_asset_id": null,
          "policy_version": "path_ab_v1_ref_relative"
        }
      }
    }
  },
  "step_id": "outdoor_structure_seed",
  "run_id": "282c6ac8-3525-4291-9717-528a2d089e10",
  "resolved_model": "gemini-image",
  "updated_at": "2026-09-05T06:57:48.347824+00:00",
  "project_config_snapshot": {}
}