layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).
S5sh41, S5sh43, S6sh49, S6sh53
SHOT 43 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the mine exit: at the near left side of the frame. - the endless forest: at the far center of the frame. - the river crossing the valley (path): runs from the far left side of the frame to the far right side of the frame. - the leaning concrete high-rise skeleton: at the far center of the frame. - the building remains with a cylindrical section carved away: at the far left side of the frame. FIGURES: - 토니(앤서니 로저스) (C01): at the near left side of the frame — NEAREST figure to the camera.
SHOT 49 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the mine exit: at the far right side of the frame. - the endless forest: at the far right side of the frame. - the river crossing the valley (path): runs from the near left side of the frame to the far right side of the frame. - the leaning concrete high-rise skeleton: at the far right side of the frame. - the building remains with a cylindrical section carved away: at the mid-distance center of the frame. FIGURES: - 토니(앤서니 로저스) (C01): at the near center of the frame — NEAREST figure to the camera.
SHOT 53 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the mine exit: at the mid-distance right side of the frame. - the endless forest: at the far left side of the frame. - the river crossing the valley (path): runs from the far left side of the frame to the far right side of the frame. - the leaning concrete high-rise skeleton: at the far left side of the frame. - the building remains with a cylindrical section carved away: at the far left side of the frame. FIGURES: - 토니(앤서니 로저스) (C01): at the near center of the frame — NEAREST figure to the camera.
2996bdb781a1b5a1→901a994cb29fae6ePhotorealistic cinematic still. C01O01 in a dark rescue work uniform, a Caucasian man in his 30s, stands in the left midground with his back to the camera, shoulders slack and head forward, looking toward the expansive forest and valley in the middle-center background. Captured from slightly above shoulder height behind him, his small, motionless figure occupies the near field, back and shoulder volume preserved. Spread across the greater part of the composition is an expansive, immensely overgrown primeval forest bisected by a river valley, completely lacking any modern infrastructure. In the distance, a weathered, skeletal structure of a concrete high-rise building protrudes above the dense forest canopy, leaning precariously at a diagonal angle. Strong, clear daylight keeps the figure clearly separated against the vast landscape while highlighting restrained greens and weathered neutral tones.
b57c8e965b52a598→63bc3108e34d4f4bPhotorealistic cinematic still. C01O01, a Caucasian man in his 30s in a dark rescue work uniform, is positioned in the center midground, halted mid-step with his chin lifted at a three-quarter angle from the left, looking toward the immense cylindrical void in the middle-right background. Captured from a waist-height camera perspective behind and to one side of the figure, the composition looks past his profile. [L03B02: An exterior forest environment where an immense smooth cylindrical void is carved away from the building remains and concrete foundation. Trees, fern, and moss cover the wall and rubble under natural daylight, presenting restrained forest greens, weathered concrete neutrals, and a low-to-mid-key cinematic contrast.]
b82dab8d3bd40653→62bc6fd3f5e1400dPhotorealistic cinematic still. C01O01, a Caucasian man in his 30s in a black disaster rescue uniform, lies pressed prone in the lower-center midground, looking toward the brush where the sound originated in the upper-right background. Seen from a low observer at ground level to the side and slightly behind his feet, his boots and lower legs occupy the lower-center edge, his entire body cutting diagonally across the frame. Seen at a three-quarter angle from the right, his chest and hips are pressed low into the leaf litter, elbows braced, his head raised just enough to fix his intense stare off-screen. The scene is set in [L03: an exterior forest environment, a clear corridor of ground separating the figure from a distant shrub and fern, illuminated by natural daylight with restrained forest greens and weathered neutral tones, grounded contrast casting deep shadows under his body].
S7sh1, S7sh14, S7sh19, S8sh1, S8sh6, S8sh7
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - forest ridge: at the near right side of the frame. - one of the three trees: at the near left side of the frame. - one of the three trees: at the near right side of the frame. - one of the three trees: at the near right side of the frame. - narrow valley (path): runs from the mid-distance right side of the frame to the far right side of the frame. - valley floor (path): runs from the mid-distance right side of the frame to the far right side of the frame. - Tony's hiding place: at the mid-distance left side of the frame. FIGURES: - 윌마 디어링 (C02): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near right side of the frame; NOT heading into the Tony's hiding place. - 토니(앤서니 로저스) (C01): at the mid-distance left side of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.77x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 토니(앤서니 로저스) is farther than 윌마 디어링 and must read visibly smaller and deeper in the frame.
SHOT 14 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - forest ridge: at the far left side of the frame. - one of the three trees: at the far left side of the frame. - one of the three trees: at the far left side of the frame. - one of the three trees: at the far center of the frame. - narrow valley (path): runs from the far right side of the frame to the far left side of the frame. - valley floor (path): runs from the far right side of the frame to the far center of the frame. - Tony's hiding place: at the far left side of the frame. FIGURES: - armed pursuer: at the near left side of the frame — NEAREST figure to the camera. - 미지(MIDGE) (C04): at the mid-distance center of the frame; about 1.9x as far from the camera as the nearest figure, so they must appear roughly 0.53x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 미지(MIDGE) is farther than armed pursuer and must read visibly smaller and deeper in the frame.
SHOT 19 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - forest ridge: at the far right side of the frame. - one of the three trees: at the far left side of the frame. - one of the three trees: at the far center of the frame. - one of the three trees: at the far right side of the frame. - narrow valley (path): runs from the far right side of the frame to the far center of the frame. - valley floor (path): runs from the far right side of the frame to the far center of the frame. - Tony's hiding place: at the near left side of the frame. FIGURES: - 토니(앤서니 로저스) (C01): at the near left side of the frame — NEAREST figure to the camera. - 윌마 디어링 (C02): at the far center of the frame; about 8.6x as far from the camera as the nearest figure, so they must appear roughly 0.12x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 윌마 디어링 is farther than 토니(앤서니 로저스) and must read visibly smaller and deeper in the frame.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - forest ridge: at the near right side of the frame. - one of the three trees: at the near left side of the frame. - one of the three trees: at the near right side of the frame. - one of the three trees: at the near right side of the frame. - narrow valley (path): runs from the mid-distance right side of the frame to the far right side of the frame. - valley floor (path): runs from the mid-distance right side of the frame to the far right side of the frame. - Tony's hiding place: at the mid-distance left side of the frame. FIGURES: - 윌마 디어링 (C02): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near right side of the frame; NOT heading into the Tony's hiding place. - 토니(앤서니 로저스) (C01): at the mid-distance left side of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.77x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 토니(앤서니 로저스) is farther than 윌마 디어링 and must read visibly smaller and deeper in the frame.
SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - forest ridge: at the far left side of the frame. - one of the three trees: at the far right side of the frame. - one of the three trees: at the far center of the frame. - one of the three trees: at the far left side of the frame. - narrow valley (path): runs from the far left side of the frame to the far center of the frame. - valley floor (path): runs from the far left side of the frame to the far left side of the frame. - Tony's hiding place: at the far center of the frame. FIGURES: - 윌마 디어링 (C02): at the near center of the frame — NEAREST figure to the camera. - 토니(앤서니 로저스) (C01): at the mid-distance center of the frame; about 2.5x as far from the camera as the nearest figure, so they must appear roughly 0.40x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 토니(앤서니 로저스) is farther than 윌마 디어링 and must read visibly smaller and deeper in the frame.
SHOT 7 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - forest ridge: at the far right side of the frame. - one of the three trees: at the far left side of the frame. - one of the three trees: at the far center of the frame. - one of the three trees: at the far right side of the frame. - narrow valley (path): runs from the far right side of the frame to the far center of the frame. - valley floor (path): runs from the far right side of the frame to the far center of the frame. - Tony's hiding place: at the far center of the frame. FIGURES: - 토니(앤서니 로저스) (C01): at the near center of the frame — NEAREST figure to the camera. - 윌마 디어링 (C02): at the far center of the frame; about 10.2x as far from the camera as the nearest figure, so they must appear roughly 0.10x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 윌마 디어링 is farther than 토니(앤서니 로저스) and must read visibly smaller and deeper in the frame.
289acf07919e3fc9→17e329099b1e711fPhotorealistic cinematic still. C02O02, a Caucasian woman in her late 20s in a rugged green flight suit, is airborne in the middle-center midground, already partway along her path across the open gap and heading toward the arrival tree at the near right side of the frame, with the departure tree visible in the middle-left background. Seen from slightly below her flight level in right profile at a wide full-body distance, she is suspended horizontally mid-action across the open gap. Both of her legs are extended forward, while the loose fabric of her suit trails strongly backward in the direction opposite to motion. A mechanical jumper belt is securely fastened directly under her armpits. Her eyes are looking off-screen. The lateral tracking composition focuses on her mid-air posture against the dense woodland foliage of the rugged forest ridge environment. The massive, ancient tree trunks frame her trajectory. Natural daylight filters through the canopy, providing crisp separation for the airborne figure within a restrained forest-green and weathered-neutral palette.
14264aa2afe495cf→20dfd06dee0ee2f9Photorealistic cinematic still. A palm-sized flying drone, Midge, occupies the center at mid-distance, visibly smaller and deeper in the frame, caught at the exact instant its mechanical body breaks apart in midair. Angled at three-quarter from the right, its front-facing camera points off-screen while its built-in inspection light is engulfed by an intense flame bursting from the core. Seen from an observer's head height and offset from the firing line, the central cluster of suspended fragments remains compact in the deeper frame. The oblique projectile path cuts diagonally through the shattering debris, with peripheral fragments spreading toward the edges. Behind the high-contrast fiery impact, the daylight forest ridge is softly out of focus, its massive ancient tree trunks remaining faintly legible and oblique to the firing axis, preserving a restrained weathered-neutral and forest-green palette.
d0eac882b567872d→bdd28e96bc37de5fPhotorealistic cinematic still. C01O01 in a dark workwear suit, an American man in his 30s, stands pressed behind concealment in the middle-left foreground, looking toward C02O02. C02O02 in a predominantly green rugged flight suit, an American woman in her 20s, stands at the far center of the frame, turned at a three-quarter angle from the left, deep in the background and visibly much smaller than C01O01, looking toward C01O01 across the [: hiding-place opening, framed by rough edge surfaces] in the middle-center background. Seen from inside the concealment at C01O01's face height, the camera sits immediately beside his cheek and just off his shoulder, looking outward along the leveled barrel of P03. C01O01's cheek and tense eye hold the near left edge of the frame. The dark muzzle of P03 occupies a large foreground area, facing toward C01O01 and passing obliquely beside the camera. Behind the barrel, C02O02 is aligned with arms extended leveling the weapon, her suit displaying a mechanical jumper belt securely fastened directly under her armpits and loose fabric sections. Her eyes remain visibly focused in the softer far background behind the weapon. Daylight entering the opening creates controlled low-to-mid-key separation between the near muzzle, C01O01's face edge, and C02O02 beyond. Massive ancient tree trunks and dense woodland foliage maintain a restrained, weathered-neutral and forest-green color palette behind her.
2a93b457cc7b47b7→702e9a7192ee0c44Photorealistic cinematic still. Seen from ground level and tilted up along a metallic rescue knife that rests prominently on the earthy dirt in the near foreground. In the middle distance on the left, visibly smaller and deeper in the frame, C01O01 in dark rescue workwear, an American man in his mid-30s with a natural adult male face, stands at a three-quarter angle, turned from the right. Both of his hands are raised at shoulder height in a gesture of surrender, his eyes fixed on someone off-screen. Behind him, the thick trunks of large forest trees rise, dominating the background. Restrained natural daylight supports a weathered-neutral and forest-green palette, casting soft shadows across the forest floor and maintaining grounded contrast around the surrender gesture.
faf88e186ad4bd30→87180b0e74e04509Photorealistic cinematic still. C02O02 in a green combat uniform, an American woman in her late 20s, Wilma Deering, occupies the far center, visibly smaller and deeper in the frame. Observed from slightly below her eye line and off her frontal axis at a three-quarter angle from the left, her locked brow, fixed eyes, and the bridge of her nose fill the frame. Her chin is dipped, and her gaze is fixed sharply downward. A narrow, physical dark rear edge of a cracked smartphone sits soft and out of focus at the lower frame edge, its unseen display facing her. Restrained exterior daylight casts firm but readable shadows around her eye sockets, while the surrounding weathered-neutral forest environment dissolves into a soft blur.
S9sh3, S9sh5, S9sh13
SHOT 13 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - wooded ridge: at the mid-distance left side of the frame. - cliff edge (path): runs from the near left side of the frame to the far center of the frame. - forest below the cliff (path): runs from the mid-distance right side of the frame to the far right side of the frame. - erased empty space in the forest: at the far left side of the frame. FIGURES: - 윌마 디어링 (C02): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; NOT heading into the wooded ridge. - 토니(앤서니 로저스) (C01): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 0.98x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; NOT heading into the wooded ridge. DEPTH CONTRACT: 토니(앤서니 로저스) is farther than 윌마 디어링 and must read visibly smaller and deeper in the frame.
54bf302e1a849760→d910e3368712dee5Photorealistic cinematic still. The cliff edge anchors the lower-left midground, while C01O01 in dark rescue workwear, a Caucasian man in his 30s, occupies the middle-center midground, visibly smaller and deeper in the frame than C02O02, already partway toward the open space beyond the cliff along a route leading to the mid-distance right, moving beyond the cliff edge and not into the wooded ridge, and C02O02 in a green aerial recon uniform, a Caucasian woman in her 20s, occupies the middle-center midground moving toward the open space beyond the cliff. Seen from below hip height just outside the cliff edge, the two full bodies are suspended in a mid-air leap. C02O02 is in right profile, her trailing foot just separating from the rocky ledge, one hand gripping C01O01's chest harness, gazing into the distance. C01O01 is at three-quarter angle from the left, his torso pulled past the ledge into the void, looking down toward the forest visible far below. The link connecting her belt to his chest harness is pulled taut between their bodies. In the background, a massive, cylindrical pale beam of light descends vertically from a thick, overcast layer of morning clouds, its intense stark glow bleeding into the subdued, restrained early morning exterior daylight over the landscape.
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"groups_extracted": 3,
"skipped": [
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{
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},
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}
},
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{
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},
{
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}
}
},
{
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},
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}
}
},
{
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},
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},
"8:7": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l05-s9-sh13",
"location_id": "L05",
"scene_index": 9,
"member_shots": [
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],
"cameras_non_identical": false,
"landmark_count": 4,
"per_shot_signals": {
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"entity_count_bucket": "multiple",
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"depth_planes": 2,
"has_motion": true
}
}
}
],
"shared_model_judge_decisions": [
{
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"needs_shared_model_guide": true,
"decision_type": "cross_shot_continuity",
"confidence": "high",
"reasons": [
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"shared_structure_continuity",
"figure_placement_continuity"
],
"evidence": [
{
"shot_key": "6:49",
"source_field": "camera_direction",
"quote": "From waist height several meters behind and to one side of Tony, the crane completes its upward reveal and settles, looking past his three-quarter profile toward the immense cylindrical section removed from the building remains."
},
{
"shot_key": "6:53",
"source_field": "camera_direction",
"quote": "At ground height several meters to Tony's side and slightly behind his feet, the lateral track stops with his entire prone body cutting diagonally from the lower foreground toward the brush."
}
],
"guide_scope": "group",
"risk_notes": "The shots feature the same character and structures from different camera heights and angles (waist height behind vs ground height side). A shared model guide is needed to ensure the building remains, forest, and character placement remain consistent across these distinct viewpoints.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s5-sh43",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
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],
"evidence": [
{
"shot_key": "5:43",
"source_field": "camera_direction",
"quote": "settles a few meters behind Tony at slightly above shoulder height, offset so his back occupies one side rather than the center"
},
{
"shot_key": "5:43",
"source_field": "camera_direction",
"quote": "small, motionless figure remains in the near field while the forest, river valley, and distant leaning structure spread across the greater part of the composition"
}
],
"guide_scope": "single",
"risk_notes": "The camera directive specifies an offset framing from behind the subject with a specific depth relationship to the expansive background, which an unguided render might center or flatten.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l04-s7",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"figure_placement_continuity",
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "7:1",
"source_field": "camera_direction",
"quote": "High among the trees and slightly below Wilma's flight level, the camera tracks laterally at full-body distance as she crosses the open gap from frame left toward frame right."
},
{
"shot_key": "7:14",
"source_field": "camera_direction",
"quote": "At the armed pursuer's head height and offset from the firing axis, the static camera catches Midge at the instant its body breaks apart in midair."
},
{
"shot_key": "7:19",
"source_field": "camera_direction",
"quote": "Inside the hiding place at Tony's face height, the camera sits immediately beside his cheek and just off his shoulder, looking outward along the leveled gun barrel. Tony's cheek and tense eye hold the near left edge, the muzzle occupies a large but sub-two-fifths foreground area, and Wilma's cold eyes remain visible behind it at close distance as each fixes attention on the other."
}
],
"guide_scope": "group",
"risk_notes": "The group features multiple distinct camera angles and positions within the same outdoor location (tracking high among trees, static offset, and an over-the-shoulder view from inside a hiding place), requiring a shared model to maintain the spatial consistency of the environment and figure placements. Additionally, shot 7:19 presents single-shot complexity with strict depth layering and framing constraints between the foreground character and the midground character.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l04-s8",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"figure_placement_continuity",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "8:1",
"source_field": "camera_direction",
"quote": "holds at ground level beside the discarded rescue knife, offset from Tony's frontal axis and looking upward along his raised arms"
},
{
"shot_key": "8:6",
"source_field": "camera_direction",
"quote": "From immediately behind and slightly above Wilma's shoulder position, with her body kept outside the frame, the dolly-in settles at close hand height over the phone held between her and Tony."
},
{
"shot_key": "8:7",
"source_field": "camera_direction",
"quote": "From Tony's side of the exchange, the static camera sits slightly below Wilma's eye line and off her frontal axis"
}
],
"guide_scope": "group",
"risk_notes": "The group features multiple distinct camera angles of the same interaction between Tony and Wilma, requiring consistent spatial placement of the characters and the phone across the shots. Additionally, Shot 8:1 features an extreme low angle ('ground level... looking upward') which poses a high risk of incorrect figure placement or depth collapse without a guide.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l05-s9-sh13",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "9:13",
"source_field": "camera_direction",
"quote": "Tracking below hip height just outside and parallel to the cliff edge, the camera looks diagonally across the launch path"
}
],
"guide_scope": "single",
"risk_notes": "The low-angle tracking shot positioned just outside the cliff edge creates a high framing risk, requiring precise placement of the figures as they move from the ledge into open space.",
"admit": true,
"deny_reason": null
}
],
"shared_model_attach_decisions": [
{
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"base_cache_key": "6dcefe495e15ad69",
"attached_shots": [
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],
"attached": true
},
{
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"base_cache_key": "b5da9686d7f506a5",
"attached_shots": [
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],
"attached": true
},
{
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"base_cache_key": "72b538e1e1de2031",
"attached_shots": [],
"attached": false,
"fail_stage": "pose_brief"
},
{
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"base_cache_key": "61cf0389321062a6",
"attached_shots": [
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"8:6",
"8:7"
],
"attached": true
},
{
"group_id": "osl-single-l05-s9-sh13",
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"base_cache_key": "10bc28dbd0d6a9c4",
"attached_shots": [
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],
"attached": true
}
],
"shared_model_single_shot_complexity_observation": [
{
"group_id": "osl-single-l03-s5-sh43",
"decision_type": "single_shot_complexity",
"is_single_shot_candidate": true,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
"group_id": "osl-shared-l04-s7",
"decision_type": "both",
"is_single_shot_candidate": false,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
"group_id": "osl-shared-l04-s8",
"decision_type": "both",
"is_single_shot_candidate": false,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
"group_id": "osl-single-l05-s9-sh13",
"decision_type": "single_shot_complexity",
"is_single_shot_candidate": true,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
}
],
"shared_model_pose_fail_closed": [
{
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"group_id": "osl-shared-l04-s7",
"figure_count": 1,
"had_body": true
}
],
"shared_model_optical_risk_excluded": [],
"shared_model_building_fp_link": {
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"fp_id": "fp_l01_mine_tunnel",
"indoor_loc_sid": "L01",
"group_id": "bg_mine_complex"
}
},
"shared_model_image_calls": {
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},
"actual": {
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},
"predicted_call_count": 12,
"actual_call_count": 12,
"continuity_anchor_generation_calls": 0
},
"shared_model_chain_lineage": {
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{
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{
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{
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],
"unresolved": [],
"guide_asset_resolved": [
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{
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{
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{
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}