{ "status": "completed", "completed_count": 9, "applicable_count": 9, "failed_count": 0, "schema_version": 3, "blocked_count": 0, "validator_violation_count": 0, "contract_violation_count": 0, "data": { "scenes": [ { "scene_index": 1, "analysis_summary": "두 샷(8, 9)에 공통으로 등장하는 폐광 갱도 내부의 어둡고 무거운 환경 및 조명 상태를 고정 요소로 추출했습니다. 인물(토니)이나 방폭문 등은 단일 샷에만 묘사되어 연속성 고정 요소에서 제외했습니다.", "fixed_elements": [ { "element_id": "abandoned_mine_tunnel_environment", "element_type": "environment_state", "character_name": "", "description": "The interior of an abandoned mine tunnel featuring rugged, mineral-black rock surfaces and muted industrial textures. The environment is enveloped in deep, low-key lighting with high contrast, keeping the background mostly in heavy shadow.", "element_scope": "full", "applies_to_shots": [ 8, 9 ], "source_facts": [ "dark tunnel in restrained low-key contrast (Shot 8)", "Low-key tunnel illumination (Shot 9)", "mineral-black and muted industrial surfaces (Shot 9)" ], "visual_inferences": [ "The walls are rough and unrefined, characteristic of an old underground coal mine.", "Visibility is extremely limited outside of the direct light beams, creating an oppressive atmosphere." ], "creative_decisions": [ "Maintaining severe high-contrast lighting across shots to emphasize the isolation and ruggedness of the underground setting." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 2, "analysis_summary": "샷 12, 21, 22에 걸쳐 붕괴된 폐광의 어둡고 거친 암석과 잔해 환경이 공통으로 나타납니다. 특히 샷 21과 22에서는 갱도의 모든 조명이 꺼진 후 스마트폰 화면만이 유일한 광원으로 작용하는 극한의 어두운 조명 상태가 일관되게 유지되어야 합니다.", "fixed_elements": [ { "element_id": "collapsed_mine_environment", "element_type": "environment_state", "character_name": "", "description": "The surrounding environment consists of rough, dark rock surfaces and scattered stone debris characteristic of an underground mine cave-in. Jagged rocks and loose dirt form the background and ground surfaces, exhibiting a rugged and unsettled texture.", "element_scope": "full", "applies_to_shots": [ 12, 21, 22 ], "source_facts": [ "abandoned mine tunnel", "fragments descend through layered depth toward the unseen floor", "softer tunnel background", "narrow margin of surrounding debris" ], "visual_inferences": [ "The rock textures are dark, jagged, and heavily covered in dirt due to the recent cave-in." ], "creative_decisions": [ "Maintain rough and unrefined rock textures throughout the background and ground to emphasize the raw, dangerous state of the collapsed tunnel." ], "confidence": "high" }, { "element_id": "sole_smartphone_lighting", "element_type": "environment_state", "character_name": "", "description": "The underground space is enveloped in pitch-black darkness due to the failure of all ceiling lights. The only active illumination is a weak, localized glow emanating from a smartphone screen, which casts low-key light on the immediate surrounding area while the rest of the space remains in deep, heavy shadow.", "element_scope": "full", "applies_to_shots": [ 21, 22 ], "source_facts": [ "The smartphone remains the only stated illumination", "giving the suspended field localized low-key visibility", "The smartphone display provides the only stated localized light", "isolated within otherwise low-key darkness" ], "visual_inferences": [ "The light from the phone is likely a cool, bluish-white hue typical of modern digital displays, which contrasts sharply with the surrounding dark environment." ], "creative_decisions": [ "Use extremely high-contrast, localized lighting to heighten the sense of isolation and to focus visual attention entirely on the small area reached by the screen's glow." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 3, "analysis_summary": "샷 26, 30, 31은 시간이 멈춘 후 자연에 잠식되어 가는 붕괴된 갱도 내부를 보여주는 몽타주입니다. 인물(토니)이나 특정 소품(스마트폰, 뿌리)은 단일 샷에만 등장하므로, 세 샷 모두에 공통으로 적용되는 어둡고 풍화된 폐광 갱도의 환경 상태와 조명을 유일한 고정 요소로 추출했습니다.", "fixed_elements": [ { "element_id": "enclosed_tunnel_environment", "element_type": "environment_state", "character_name": "", "description": "The enclosed, collapsed mine tunnel serves as a constant backdrop, featuring weathered debris and signs of natural decay over time. Restrained low-key illumination casts deep shadows across the ruins, maintaining a dark and moody atmosphere without introducing any new or explicitly visible light sources.", "element_scope": "full", "applies_to_shots": [ 26, 30, 31 ], "source_facts": [ "Restrained low-key illumination appropriate to the enclosed tunnel", "weathered remnants occupy more of the frame", "붕괴된 갱도 잔해 상태", "자연에 잠식된 상태" ], "visual_inferences": [ "Deep shadows and low visibility dominate the background due to the minimal lighting setup" ], "creative_decisions": [ "Using a unified dark, moody lighting scheme across the match-cut sequence to emphasize the passage of time without altering the spatial lighting" ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 4, "analysis_summary": "제공된 세 개의 샷은 각각 인물의 얼굴, 스마트폰 화면, 갱도 내부의 나무뿌리를 개별적으로 비추고 있어 인물이나 소품이 직접 교차하여 등장하지 않습니다. 하지만, 갱도 내부의 어둡고 제한적인 저조명(low-key) 환경 상태는 세 샷(32, 33, 36) 전반에 걸쳐 공통된 톤과 분위기로 일관되게 유지되어야 합니다.", "fixed_elements": [ { "element_id": "tunnel_low_key_lighting", "element_type": "environment_state", "character_name": "", "description": "The surrounding environment is a dark, ruined underground tunnel. Restrained low-key illumination dominates the space, preserving deep shadows, mineral blacks, and weathered neutral tones. This consistent lighting condition creates a somber, uncertain, and oppressive mood throughout the area, enveloping all subjects and objects.", "element_scope": "full", "applies_to_shots": [ 32, 33, 36 ], "source_facts": [ "preserving the dark, uncertain tunnel mood without naming an unstated source", "an otherwise restrained low-key frame", "Low-to-mid-key ambient light appropriate to the tunnel preserves restrained mineral blacks and weathered neutral tones" ], "visual_inferences": [ "The lack of a prominent light source means deep shadows naturally wrap around the periphery of all elements, seamlessly tying the separate shots into a single dark location." ], "creative_decisions": [ "Maintain a unified low-key exposure and shadow depth across different subjects (the face, the phone screen, the roots) to firmly anchor them in the same collapsed tunnel environment." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 5, "analysis_summary": "샷 41과 43에 공통으로 등장하는 핵심 시각적 요소는 끝없이 펼쳐진 원시 숲과 그 위로 비스듬히 솟아오른 폐허가 된 콘크리트 고층건물의 골조입니다. 두 샷 모두 강한 자연광 아래에서 이 거대한 숲과 폐허의 배치를 일관되게 보여주어야 합니다.", "fixed_elements": [ { "element_id": "leaning_highrise_ruin", "element_type": "environment_state", "character_name": "", "description": "A weathered, skeletal structure of a concrete high-rise building protruding above a dense forest canopy. It leans precariously at a diagonal angle, contrasting sharply with the natural, horizontal landscape of the surrounding primeval woods and river valley under strong, clear daylight.", "element_scope": "full", "applies_to_shots": [ 41, 43 ], "source_facts": [ "멀리 나무 위로 비스듬히 솟은 콘크리트 고층건물의 골조", "leaning high-rise skeleton isolated in the upper portion of frame", "distant leaning structure spread across the greater part of the composition" ], "visual_inferences": [ "The concrete structure is heavily weathered and completely devoid of glass or modern cladding, indicating centuries of abandonment." ], "creative_decisions": [ "The diagonal tilt of the ruined building serves as a stark visual anchor, emphasizing the collapse of the old civilization against the overpowering nature." ], "confidence": "high" }, { "element_id": "primeval_forest_landscape", "element_type": "environment_state", "character_name": "", "description": "An expansive, immensely overgrown primeval forest stretching across the terrain and bisected by a river valley. The landscape completely lacks any modern infrastructure like highways or industrial complexes, bathed in strong daylight that highlights restrained greens and weathered neutral tones.", "element_scope": "full", "applies_to_shots": [ 41, 43 ], "source_facts": [ "끝없는 숲. 계곡을 가로지르는 강.", "고속도로와 산업 단지는 사라졌다.", "울창한 수관", "Strong daylight renders the forest", "retaining restrained greens and weathered neutrals" ], "visual_inferences": [ "The forest forms a thick, unbroken green carpet that has swallowed all previous human civilization." ], "creative_decisions": [ "The vastness of the unbroken forest is used to visually isolate the protagonist and establish the absolute erasure of the world he once knew." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 6, "analysis_summary": "두 샷은 생존 몽타주의 서로 다른 시점을 다루고 있어 인물의 자세(서 있는 상태에서 엎드린 상태로 변화)는 고정할 수 없으나, 배경이 되는 펜실베이니아 숲의 낮 조명과 차분한 녹색조의 환경 톤이 공통으로 유지됩니다.", "fixed_elements": [ { "element_id": "forest_daylight_environment", "element_type": "environment_state", "character_name": "", "description": "An exterior forest environment illuminated by natural daylight. The natural surroundings consistently feature a color palette dominated by restrained forest greens and weathered neutral tones.", "element_scope": "full", "applies_to_shots": [ 49, 53 ], "source_facts": [ "EXT. 갱도 출구 / 펜실베이니아 숲 — 낮", "Shot 49: Daylight presents the discovery in restrained forest greens, concrete neutrals", "Shot 53: Daylight is held to restrained forest greens and weathered neutrals" ], "visual_inferences": [ "The overall weather and ambient light in the forest remain steady, providing a consistent visual backdrop throughout the different days of the survival montage." ], "creative_decisions": [ "Maintaining a subdued, restrained color palette of greens and neutrals to ground the scene's realistic and tense survival atmosphere." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 7, "analysis_summary": "윌마 디어링의 초록색 비행 복장과 점퍼 벨트 외형을 샷 1과 19에 걸쳐 고정하고, 거대 수목이 우거진 낮 시간대의 숲속 배경을 샷 1, 14, 19에 공통된 환경 요소로 추출했습니다.", "fixed_elements": [ { "element_id": "wilma_flight_attire", "element_type": "character_state", "character_name": "윌마 디어링", "description": "Wilma wears a predominantly green, rugged flight suit designed for high-speed aerial maneuvers. A mechanical jumper belt is securely fastened directly under her armpits, and her attire features loose fabric sections designed to catch the wind during movement.", "element_scope": "full", "applies_to_shots": [ 1, 19 ], "source_facts": [ "초록색 형체가 나무 위를 날아간다", "겨드랑이 아래의 점퍼 벨트가 희미하게 진동한다", "비행 반대 방향으로 옷자락이 강하게 휘날리는" ], "visual_inferences": [ "The description of a 'green figure' implies her functional flight suit is primarily a muted green to complement the forest surroundings." ], "creative_decisions": [ "The suit incorporates a weathered, utilitarian aesthetic, with the jumper belt serving as the prominent technological hardware on her upper torso." ], "confidence": "high" }, { "element_id": "forest_ridge_environment", "element_type": "environment_state", "character_name": "", "description": "A rugged forest ridge characterized by massive, ancient tree trunks and dense woodland foliage. The environment is illuminated by natural daylight, maintaining a restrained, weathered-neutral and forest-green color palette.", "element_scope": "full", "applies_to_shots": [ 1, 14, 19 ], "source_facts": [ "EXT. 숲속 능선 — 낮", "거대 수목이 우거진 숲속 능선", "restrained forest-green and weathered-neutral palette", "forest remains faintly legible behind them", "Daylight entering the hiding-place opening" ], "visual_inferences": [ "The tree trunks are exceptionally thick and towering, providing a spatial framework for aerial chases and clear separation for the foreground action." ], "creative_decisions": [ "Ambient daylight filters softly through the canopy, creating a slightly desaturated, natural backdrop that allows the dynamic foreground elements and explosions to stand out." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 8, "analysis_summary": "씬 내 3개의 샷에 걸쳐 공통적으로 등장하는 숲속 능선의 배경 환경과 토니의 금이 간 스마트폰을 고정 요소로 추출했습니다. 환경은 일관된 자연광과 색감을 유지하며, 스마트폰은 6번과 7번 샷에서 각각 전면 화면과 후면 테두리의 형태로 시각적 연속성을 가집니다.", "fixed_elements": [ { "element_id": "forest_ridge_environment", "element_type": "environment_state", "character_name": "", "description": "An exterior forest ridge during the day, featuring large trees, earthy dirt ground, and a weathered-neutral color palette. The scene is illuminated by restrained, muted natural daylight that provides controlled visibility while keeping the surrounding context soft and grounded.", "element_scope": "full", "applies_to_shots": [ 1, 6, 7 ], "source_facts": [ "EXT. 숲속 능선 — 낮 (04:20–05:20)", "거대 수목이 우거진 숲속 능선", "Daylight supports a restrained forest-green and weathered-neutral palette", "surrounding context falls soft", "Restrained exterior daylight keeps the eye sockets firm but readable" ], "visual_inferences": [ "The environment has a dense canopy that diffuses the early morning sunlight, creating soft shadows.", "The background retains deep green and earth tones even when out of focus." ], "creative_decisions": [ "A consistent low-to-mid-key contrast is maintained across all shots to emphasize the tense, isolated atmosphere of the confrontation." ], "confidence": "high" }, { "element_id": "cracked_smartphone", "element_type": "persistent_prop", "character_name": "", "description": "A handheld 2020s smartphone with a clearly cracked display screen. When visible from the front, the active screen shows the text '2026.10.18', a 3 percent battery indicator, and an unfinished message. From other angles, its physical dark edges are visible.", "element_scope": "close", "applies_to_shots": [ 6, 7 ], "source_facts": [ "토니가 금이 간 휴대폰을 꺼낸다.", "화면에는 2026.10.18, 배터리 3퍼센트, 그리고 미전송 메시지가 보인다.", "The cracked display sits squarely enough for 2026.10.18, 3%, and the unfinished message", "a narrow, unreadable rear edge of the device remains soft at the lower foreground" ], "visual_inferences": [ "The device is a typical rectangular modern smartphone with visible physical damage like shattered glass.", "The screen's backlight is bright enough to be readable against the muted daylight of the forest." ], "creative_decisions": [ "The phone is framed to bridge the focus between characters, appearing sharply in focus when displaying information and serving as a soft foreground element when focus shifts to facial expressions." ], "confidence": "high" } ], "status": "ok" }, { "scene_index": 9, "analysis_summary": "씬 9의 선택된 샷들은 카메라 앵글과 피사체의 거리(매크로 화면부터 롱 샷까지)가 극단적으로 달라 인물과 소품이 단일 샷에만 등장합니다. 이에 따라 2개 이상의 샷을 관통하는 이른 아침의 자연광, 숲에 꽂히는 거대한 빛기둥, 구름 낀 하늘 등 환경 상태만을 고정 요소로 추출했습니다.", "fixed_elements": [ { "element_id": "early_morning_daylight", "element_type": "environment_state", "character_name": "", "description": "Subdued early morning exterior daylight casting a restrained, neutral contrast over the environment. This natural lighting preserves the muted earthy tones of the surroundings without introducing harsh directional shadows.", "element_scope": "full", "applies_to_shots": [ 3, 5, 13 ], "source_facts": [ "Exterior daylight is balanced against the active display (Shot 3)", "Daylight over the forest... preserving subdued greens and neutral contrast (Shot 5)", "Exterior daylight retains rugged, restrained contrast (Shot 13)" ], "visual_inferences": [ "The early morning timeframe (05:20-06:00) provides soft, ambient illumination across both macro surface details and wide landscape views." ], "creative_decisions": [ "Maintain a consistent desaturated and pale atmospheric tone to unify the varying scales of the shots." ], "confidence": "high" }, { "element_id": "pale_light_column", "element_type": "environment_state", "character_name": "", "description": "A massive, cylindrical pale beam of light descending vertically into the landscape. It acts as a stark, intense, and unnatural source of pale illumination that visibly impacts the ambient light of the environment it approaches.", "element_scope": "full", "applies_to_shots": [ 5, 13 ], "source_facts": [ "complete vertical reach of the pale cylindrical light column (Shot 5)", "approaching pale column adding only the illumination explicitly present in the scene (Shot 13)" ], "visual_inferences": [ "The column is perfectly geometrical, contrasting sharply with the organic shapes of the forest and ridge.", "Its intense brightness washes out the immediate surrounding area with a harsh, pale glow." ], "creative_decisions": [ "Render the column with crisp, sharp edges to emphasize its synthetic and absolute destructive power rather than a diffuse, natural beam." ], "confidence": "high" }, { "element_id": "cloudy_sky_layer", "element_type": "environment_state", "character_name": "", "description": "A thick, overcast layer of morning clouds occupying the sky above the forest and the ridge. The cloud cover provides a greyish, textured ceiling from which the pale light column descends.", "element_scope": "full", "applies_to_shots": [ 5, 13 ], "source_facts": [ "holds the cloud layer near the upper frame (Shot 5)", "절벽 상공의 구름 낀 하늘 (Shot 13 environment elements)" ], "visual_inferences": [ "The heavy cloud layer diffuses the morning sunlight, directly contributing to the restrained contrast and muted tones of the scene's daylight." ], "creative_decisions": [ "Use the gloomy overcast sky to heighten tension and emphasize the dramatic visual intrusion of the descending pale light weapon." ], "confidence": "high" } ], "status": "ok" } ] }, "step_id": "scene_consistency", "run_id": "5a829645-103e-49a2-b468-60a5ff8720fd", "resolved_model": "gemini-pro", "updated_at": "2026-09-04T17:31:40.507075+00:00", "config_hash": "99914b932bd37a50", "project_config_snapshot": {} }