layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).
S1sh2, S1sh4, S3sh3
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 숲 바닥: at the mid-distance center of the frame. - 우거진 수풀: at the mid-distance center of the frame. - 폴리스 라인 (path): runs from the near left side of the frame to the far center of the frame. FIGURES: - 숲속에서 살해된 남자 (C10): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far center of the frame.
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 숲 바닥: at the near right side of the frame. - 우거진 수풀: at the near right side of the frame. - 폴리스 라인 (path): runs from the near right side of the frame to the far center of the frame. FIGURES: - 정체불명의 남자 (C08): at the near center of the frame — NEAREST figure to the camera. - 숲속에서 살해된 남자 (C10): at the near center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.84x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 숲속에서 살해된 남자 is farther than 정체불명의 남자 and must read visibly smaller and deeper in the frame.
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 숲 바닥: at the near center of the frame. - 우거진 수풀: at the near center of the frame. - 폴리스 라인 (path): runs from the near right side of the frame to the far center of the frame. FIGURES: - 한국인 남성 형사들: at the near center of the frame — NEAREST figure to the camera. - 혜수 (C05): at the mid-distance center of the frame; about 1.4x as far from the camera as the nearest figure, so they must appear roughly 0.70x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 혜수 is farther than 한국인 남성 형사들 and must read visibly smaller and deeper in the frame.
cbda72c5dc6da064→020c34ba24e99d2cPhotorealistic cinematic still. C10O11 in a dark outdoor hiking jacket, an Asian adult man with a plain face and short black hair representing the murdered man in the forest, occupies the middle-center foreground, already partway along the police line that runs from the near left side to the far center of the frame, heading toward the far center. Captured near eye level at a three-quarter angle from the left, he is looking off-screen with a pained, severely injured, and intensely terrified expression. His short black hair is swept backward toward the right frame edge, with only fragments of his pitched shoulders visible below. The close framing isolates his face from the wider environment, bordered by [: dense, overgrown vegetation forcing against the frame edges, immersed in fading dusk daylight with restrained, desaturated low-to-mid-key contrast and deep shadows].
51ff7c5f20f669ae→297134d4854a9037Photorealistic cinematic still. C08O09, an Asian adult man in a dark silhouette outfit, occupies the center foreground, exerting downward force over C10O11, an Asian adult man in outdoor hiking clothes, who lies trapped on the shared forest floor in the center midground, visibly smaller and deeper in the frame than C08O09. Captured from a low observer angle near ground level, looking diagonally across the attacker's planted legs toward the victim's compressed torso in a medium framing. C08O09 is positioned at a three-quarter angle from the right, his knees planted heavily with his torso pressing forward, his eyes fixed firmly on the figure receiving the force. C10O11 is at a three-quarter angle from the left, lying supine beneath the attacker's crushing weight, visibly wounded with a pained expression, his terrified face gazing off-screen. A large bleeding bite mark is visible on C10O11's exposed thigh. The dense forest setting during dusk surrounds them with thick, overgrown vegetation and bushes breaking the frame edges. The fading daylight casts a restrained, desaturated low-to-mid-key lighting across the ground, creating deep shadows and keeping the violent struggle grounded in a somber atmosphere.
c87e758941f2e995→b7642aba6f66d216Photorealistic cinematic still. Regional-news broadcast footage with subtle screen raster and device-mediated tonal compression. In a desaturated daylight forest murder scene, C05O06 in a detective jacket, an East Asian middle-aged woman with neat black hair and a mature face, stands at the mid-distance center of the frame, visibly smaller and deeper than the clustered detectives, at a three-quarter angle from the right, one arm extended outward, looking off-screen. She holds the visual center in a medium-wide arrangement, framed by the foreground over-the-shoulder shapes of several East Asian men in detective coats clustered around her gesture, their eyes fixed on C05O06. Behind them, a marked police line with its outward-facing side visible stretches across the area, separating the active zone where distant police figures process and recover bodies among the trees.
S4sh1, S10sh5, S10sh7, S11sh6, S17sh1
SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 낡은 다세대 빌라 옥상: at the far right side of the frame. - 옥탑방: at the far right side of the frame. - 옥탑방 현관 철문: at the near center of the frame. - 옥탑방 창문 (path): runs from the mid-distance right side of the frame to the far right side of the frame. - 옥탑방과 연결되는 계단 (path): runs from the far left side of the frame to the far left side of the frame. - 담 (path): runs from the far left side of the frame to the far right side of the frame. FIGURES: - 정체불명의 남자 (C08): at the near left side of the frame — NEAREST figure to the camera.
SHOT 7 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 낡은 다세대 빌라 옥상: at the mid-distance left side of the frame. - 옥탑방: at the mid-distance left side of the frame. - 옥탑방 현관 철문: at the mid-distance left side of the frame. - 옥탑방 창문 (path): runs from the near left side of the frame to the near right side of the frame. - 옥탑방과 연결되는 계단 (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame. - 담 (path): runs from the far left side of the frame to the far left side of the frame. FIGURES: - 강민숙 (C02): at the near center of the frame — NEAREST figure to the camera. - 정체불명의 남자 (C08): at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.79x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 정체불명의 남자 is farther than 강민숙 and must read visibly smaller and deeper in the frame.
SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 낡은 다세대 빌라 옥상: at the far right side of the frame. - 옥탑방: at the far center of the frame. - 옥탑방 현관 철문: at the far center of the frame. - 옥탑방 창문 (path): runs from the far right side of the frame to the far right side of the frame. - 옥탑방과 연결되는 계단 (path): runs from the near center of the frame to the far center of the frame. - 담 (path): runs from the far left side of the frame to the far left side of the frame. FIGURES: - 수리영: at the near center of the frame — NEAREST figure to the camera.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 낡은 다세대 빌라 옥상: at the near center of the frame. - 옥탑방: at the near center of the frame. - 옥탑방 현관 철문: at the near center of the frame. - 옥탑방 창문 (path): runs from the near center of the frame to the near center of the frame. - 옥탑방과 연결되는 계단 (path): runs from the near center of the frame to the mid-distance center of the frame. - 담 (path): runs from the mid-distance center of the frame to the mid-distance center of the frame. FIGURES: - 검은 고양이 (C18): at the near center of the frame — NEAREST figure to the camera.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 낡은 다세대 빌라 옥상: at the near center of the frame. - 옥탑방: at the near center of the frame. - 옥탑방 현관 철문: at the near center of the frame. - 옥탑방 창문 (path): runs from the near center of the frame to the near center of the frame. - 옥탑방과 연결되는 계단 (path): runs from the near center of the frame to the mid-distance center of the frame. - 담 (path): runs from the mid-distance center of the frame to the mid-distance center of the frame. FIGURES: - 검은 고양이 (C18): at the near center of the frame — NEAREST figure to the camera.
c90ebaf541e01329→2a9fc91f75df62e3Photorealistic cinematic still. A narrow iron-door gap is located in the middle-center foreground. C08, an Asian adult man looking off-screen and away, has his face and body entirely withheld beyond the left frame edge. Only his hand and finger are visible, with his finger firmly braced in the gap, pinning an advertising leaflet into the space. A partial printed surface of the leaflet is visible to the camera. The edge of the metal door remains in view as a scale reference beside the hand. The environment is submerged in low-key nighttime ambient light with restrained, desaturated colors. Deep, heavy shadows dominate the space, casting a solemn and oppressive darkness that isolates the tactile hand action and obscures finer architectural details.
312fc97a8824b574→9ea6f18ed5417594Photorealistic cinematic still. The window reflective plane occupies the middle-center foreground, showing the visibly smaller, deeper reflected silhouette of C08 in the upper-center midground, and the compressed figure of C02 in the lower-center midground. Captured at chest height, the angled glass surface shows C08, an Asian adult man, at three-quarter angle from the right, bent over the pinned victim and looking down. Beneath him, C02 in a worker uniform, an Asian woman in her 40s, lies in left profile, pinned beneath the attacker and looking up with a visibly wounded, pained expression. Neither face is fully resolved in the dim reflection, but their body volumes are preserved. Low-key nighttime ambient light reduces both figures to oppressive, desaturated silhouettes with faint highlights catching the fabric, casting deep, heavy shadows that obscure the finer architectural details of the exterior.
5c7f74c4421cd89a→9363c6bb0d1eda8aPhotorealistic cinematic still. The pre-existing black cat, crouching in the lower-center foreground, looks toward the lit rooftop-room window in the upper-left background. Viewed from a low observer position near ground level from the animal's rear three-quarter side with back to camera, the feline's neck is craned upward. The steep upward angle establishes the cat's eyeline toward the muted yellow illumination emerging from the room, while a fixed boundary wall rises across the intended lateral space. The scene is bathed in bluish dawn light held in a restrained palette, highlighting the sleek black fur against the dim exterior of the rooftop.
S6sh1, S9sh1, S24sh1
S8sh1, S8sh6, S8sh7, S19sh4
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 포구 (path): runs from the far right side of the frame to the far left side of the frame. - 번화가 거리 (path): runs from the mid-distance right side of the frame to the far left side of the frame. - 대형 마트: at the far left side of the frame. - 마트 입구: at the mid-distance left side of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 포구 (path): runs from the far left side of the frame to the far right side of the frame. - 번화가 거리 (path): runs from the far left side of the frame to the far right side of the frame. - 대형 마트: at the far right side of the frame. - 마트 입구: at the far right side of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the 번화가 거리; NOT heading into the 포구.
SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 포구 (path): runs from the far center of the frame to the far left side of the frame. - 번화가 거리 (path): runs from the far right side of the frame to the far left side of the frame. - 대형 마트: at the mid-distance right side of the frame. - 마트 입구: at the far left side of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
SHOT 7 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 포구 (path): runs from the mid-distance right side of the frame to the far left side of the frame. - 번화가 거리 (path): runs from the mid-distance right side of the frame to the far left side of the frame. - 대형 마트: at the far left side of the frame. - 마트 입구: at the mid-distance center of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
573c99a023692bcf→886f609e5b448096Photorealistic cinematic still. C01O01 in a casual jacket, a young Korean woman in her 20s, standing at a three-quarter angle from the right, weight fixed, holding a phone raised to her ear, looking down. Her full figure is positioned at the center of the frame, with her shoes visible near the lower frame edge. The supermarket entrance with its glass door and facade stands as a stable boundary behind her, while a subdued signboard is anchored near the distant curb. Dusk ambient light bathes the outdoor space in a desaturated, low-to-mid-key tone, maintaining a quiet, moody commercial street atmosphere.
S13sh3, S13sh4
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - rooftop-room exterior area: at the near left side of the frame. - rooftop room: at the far center of the frame. - staircase (path): runs from the mid-distance center of the frame to the mid-distance center of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - rooftop-room exterior area: at the near left side of the frame. - rooftop room: at the far center of the frame. - staircase (path): runs from the mid-distance center of the frame to the mid-distance center of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera. - 혜수 (C05): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.
9a2a47cdca00a4a2→d22000dfe0cc3f18Photorealistic cinematic still. C05O06 in a detective coat, a middle-aged Korean woman, stands visibly smaller and deeper in the center midground reaching for C01O01's shoulders, while C01O01 in active casual wear, a young Korean woman, stands in the center midground looking toward C05O06. They share the paved space near the bottom of the exterior stair. C05O06 is in right profile, leaning in with arms extended and both hands locked firmly around the other's shoulders, eyes fixed on C01O01. C01O01 is in left profile, standing rigidly in a profound state of shock. Her knees are slack and her shoulders are noticeably slack under the grip, but her overall body language remains stiff and frozen, her pale drained face distinct. The scene is a dark, desaturated nighttime exterior illuminated by directional streetlights. Harsh overhead lighting from a nearby streetlight casts deep shadows, keeping both profiles readable in a restrained, low-to-mid-key contrast that isolates the figures from the obscured background. The exterior stair approaches behind the pair, leading up into the shadows, with a parked police car visible in the dim distance.
S11sh4
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - stair flight (path): runs from the far center of the frame to the far center of the frame. - rooftop: at the far center of the frame. - rooftop room: at the far center of the frame. - yard: at the far center of the frame. FIGURES: - 수리영: at the near center of the frame — NEAREST figure to the camera.
S15sh3, S15sh6
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - bus stop: at the mid-distance center of the frame. - coastline (path): runs from the far left side of the frame to the far right side of the frame. - sea (path): runs from the far left side of the frame to the far right side of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera. - 혜수 (C05): at the mid-distance center of the frame; about 2.0x as far from the camera as the nearest figure, so they must appear roughly 0.50x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.
SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - bus stop: at the near center of the frame. - coastline (path): runs from the mid-distance left side of the frame to the far right side of the frame. - sea (path): runs from the mid-distance left side of the frame to the far center of the frame. FIGURES: - 혜수 (C05): at the near center of the frame — NEAREST figure to the camera. - 수리영 (C01): at the mid-distance center of the frame; about 1.4x as far from the camera as the nearest figure, so they must appear roughly 0.69x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; moving away from 혜수; NOT heading into the sea. DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.
4b30c5b2e4607df8→fe2c36d3c297332fPhotorealistic cinematic still. C01O01 in a casual jacket, a young Korean woman in her early 20s, occupies the lower-center foreground, looking toward a visibly smaller Korean middle-aged woman, roughly half C01O01's apparent height, deeper at the mid-distance center. The two figures are physically linked by a shared outdoor bench stretching between them. Captured at seated eye height with a low angle looking slightly up, C01O01 is seen at three-quarter angle from the right, half-risen from the bench seat, her eyes fixed on the older woman. The middle-aged woman is seen in left profile, leaning toward C01O01 across the shared bench, her eyes fixed on C01O01. The environment is a dark coastal setting enveloped in low-key nighttime ambience, characterized by dim, muted lighting and deep shadows. The stationary outdoor bench anchors the lower frame beneath C01O01, while the distant sea forms a subtle backdrop behind the pair.
18ea30c895673282→7bd50d4def5d94acPhotorealistic cinematic still. From behind obscuring grass in the lower-center foreground, C05O06 in a dark detective coat, a Korean middle-aged woman, stands in the center background looking toward C01O01 in a casual jacket, a Korean young woman, who is already partway along the coastline path in the mid-distance center, visibly smaller and deeper in the frame than C05O06, heading toward the off-screen route on the mid-distance right side of the frame, moving away from C05O06 and the shared bus stop bench and not heading into the sea. Shot from a voyeuristic low static position, the irregular gap between the nearby grass blades frames the two distant figures occupying the dark coastal bus stop area. C05O06 is seen at a three-quarter angle from the right, calling out, her eyes fixed on C01O01. C01O01 is captured with her back to the camera, running mid-stride with one leg lifted off the ground, her clothes flowing backward in the direction opposite to her motion, looking off-screen. Both women appear as distant muted silhouettes, their body volumes preserved against the dim ambient fill with faint rim light tracing their shoulders. The stationary outdoor bench remains unoccupied near C05O06. Low-key nighttime contrast and deep shadows envelop the environment, focusing on the suspenseful spatial tension between the concealed observer in the grass and the departing figures.
S26sh7
SHOT 7 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the sea: at the far right side of the frame. - the harbor edge (path): runs from the far right side of the frame to the far left side of the frame. - tidal rocks: at the mid-distance right side of the frame. - the boat: at the mid-distance center of the frame. FIGURES: - 수리영: at the near center of the frame — NEAREST figure to the camera. - 인우: at the mid-distance center of the frame; about 2.1x as far from the camera as the nearest figure, so they must appear roughly 0.48x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 인우 is farther than 수리영 and must read visibly smaller and deeper in the frame.
7cf0de02bc916722→df4aa3ba7cf625f7Photorealistic cinematic still. C01O01 in a dark jacket, a young Asian woman, occupies the center foreground at three-quarter angle from the right, leaning forward with clasped hands, looking up. Across the edge of the fishing boat from her, a young Asian man in fisher workwear stands at the mid-distance center, visibly smaller and deeper in the frame at three-quarter angle from the left, braced beside the railing, looking down, sharing a single line of sight. The camera is positioned at chest height angled slightly upward; her upper body occupies the frame, while he remains visibly smaller and deeper in the frame, elevated near the upper edge. The harbor environment is enveloped in dense fog during dusk. The ambient lighting is soft, muted, and heavily desaturated, creating a solemn, low-contrast atmosphere that obscures the distant background entirely. Focus on the spatial tension between her lifted eyeline and his elevated position.
{
"outdoor_location_count": 13,
"seed_group_count": 10,
"groups_extracted": 8,
"skipped": [
{
"shot": "S2sh1",
"reason": "zoom_continuity_member"
},
{
"shot": "S2sh3",
"reason": "zoom_continuity_member"
},
{
"shot": "S26sh3",
"reason": "zoom_continuity_member"
},
{
"shot": "S26sh9",
"reason": "zoom_continuity_member"
},
{
"shot": "S28sh3",
"reason": "zoom_continuity_member"
},
{
"shot": "S28sh4",
"reason": "zoom_continuity_member"
},
{
"seed": "location:L18",
"reason": "cap"
},
{
"seed": "location:L20",
"reason": "cap"
}
],
"layout_shape_violations": [],
"layout_side_conflicts": [
{
"seed": "location:L05",
"conflicts": [
{
"shot_index": 1,
"entity_token": "C01",
"staged_side": "left",
"layout_side": "right"
}
]
}
],
"spatial_summary_skipped": [
{
"shot": "S6sh1",
"reason": "layout_side_conflict"
},
{
"shot": "S9sh1",
"reason": "layout_side_conflict"
},
{
"shot": "S24sh1",
"reason": "layout_side_conflict"
}
],
"rewrite_failed": [],
"revised_prompt_audit_violations": [],
"zoom_member_exclusion_source": "shot_dependency_t2i",
"composition_guide_failed": [],
"composition_guide_candidate_skipped": [
{
"group": "osl-shared-l03-s10",
"reason": "judge_no_need",
"confidence": "high"
},
{
"group": "osl-single-l03-s17-sh1",
"shot": "S17sh1",
"reason": "pose_brief_unusable_fail_closed"
}
],
"composition_guide_count": 15,
"seed_prefilter_meta": {
"1:2": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L01",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"1:4": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L01",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"3:3": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L01",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"4:1": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
},
"6:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L05",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"8:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L08",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"8:6": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L08",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"8:7": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L08",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"9:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L05",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"10:5": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L03",
"figure_count": 1,
"framing_scale": "insert",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"10:7": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"11:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L11",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"11:6": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
},
"13:3": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L10",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"13:4": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L10",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"15:3": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L12",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"15:6": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L12",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"17:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"19:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L08",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"24:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L05",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"26:7": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L17",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"28:7": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L18",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"30:3": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L20",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
}
},
"single_shot_seed_lane_enabled": true,
"composition_guide_shared_model_enabled": true,
"shared_model_judge_enabled": true,
"shared_model_candidate_signals": [
{
"group_id": "osl-shared-l01-s1",
"location_id": "L01",
"scene_index": 1,
"member_shots": [
"S1sh2",
"S1sh4"
],
"cameras_non_identical": true,
"landmark_count": 3,
"per_shot_signals": {
"1:2": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
},
"1:4": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l01-s3-sh3",
"location_id": "L01",
"scene_index": 3,
"member_shots": [
"S3sh3"
],
"cameras_non_identical": false,
"landmark_count": 3,
"per_shot_signals": {
"3:3": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l03-s10",
"location_id": "L03",
"scene_index": 10,
"member_shots": [
"S10sh5",
"S10sh7"
],
"cameras_non_identical": true,
"landmark_count": 6,
"per_shot_signals": {
"10:5": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"10:7": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l03-s4-sh1",
"location_id": "L03",
"scene_index": 4,
"member_shots": [
"S4sh1"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"4:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 0,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l03-s11-sh6",
"location_id": "L03",
"scene_index": 11,
"member_shots": [
"S11sh6"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"11:6": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 0,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l03-s17-sh1",
"location_id": "L03",
"scene_index": 17,
"member_shots": [
"S17sh1"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"17:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 0,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l08-s8",
"location_id": "L08",
"scene_index": 8,
"member_shots": [
"S8sh1",
"S8sh6",
"S8sh7"
],
"cameras_non_identical": true,
"landmark_count": 4,
"per_shot_signals": {
"8:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
},
"8:6": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"8:7": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l08-s19-sh4",
"location_id": "L08",
"scene_index": 19,
"member_shots": [
"S19sh4"
],
"cameras_non_identical": false,
"landmark_count": 4,
"per_shot_signals": {
"19:4": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l10-s13",
"location_id": "L10",
"scene_index": 13,
"member_shots": [
"S13sh3",
"S13sh4"
],
"cameras_non_identical": true,
"landmark_count": 3,
"per_shot_signals": {
"13:3": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"13:4": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l11-s11-sh4",
"location_id": "L11",
"scene_index": 11,
"member_shots": [
"S11sh4"
],
"cameras_non_identical": false,
"landmark_count": 4,
"per_shot_signals": {
"11:4": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l12-s15",
"location_id": "L12",
"scene_index": 15,
"member_shots": [
"S15sh3",
"S15sh6"
],
"cameras_non_identical": true,
"landmark_count": 3,
"per_shot_signals": {
"15:3": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
},
"15:6": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l17-s26-sh7",
"location_id": "L17",
"scene_index": 26,
"member_shots": [
"S26sh7"
],
"cameras_non_identical": false,
"landmark_count": 4,
"per_shot_signals": {
"26:7": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
}
],
"shared_model_judge_decisions": [
{
"group_id": "osl-shared-l01-s1",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"depth_layering",
"camera_or_framing_risk",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "1:4",
"source_field": "camera_direction",
"quote": "Dolly in near ground level from beside the fallen bodies, looking diagonally across the unidentified man's lower body toward the victim pinned beneath him."
},
{
"shot_key": "1:4",
"source_field": "camera_direction",
"quote": "attacker's planted legs occupy the lower-left foreground and the victim's compressed torso and face remain readable in the middle-right"
}
],
"guide_scope": "group",
"risk_notes": "Shot 1:4 requires a complex low-angle composition with two figures on distinct depth planes, creating significant occlusion and framing risks. A group guide will resolve this spatial complexity while ensuring the forest environment remains consistent across both shots.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l01-s3-sh3",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "3:3",
"source_field": "camera_direction",
"quote": "foreground shoulders create a restrained observational frame"
},
{
"shot_key": "3:3",
"source_field": "camera_view_brief",
"quote": "a figure: midground, near centre of frame"
},
{
"shot_key": "3:3",
"source_field": "camera_view_brief",
"quote": "a figure: background, near centre of frame"
}
],
"guide_scope": "single",
"risk_notes": "The shot features multiple figures distributed across distinct depth planes (midground and background) and explicitly calls for foreground occlusion ('foreground shoulders create a restrained observational frame'), which warrants a single-shot layout guide to ensure correct spatial arrangement.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l03-s10",
"needs_shared_model_guide": false,
"decision_type": "no_guide",
"confidence": "high",
"reasons": [
"insufficient_evidence"
],
"evidence": [
{
"shot_key": "10:7",
"source_field": "camera_direction",
"quote": "hold on its angled reflective plane as a static tableau. Within the reflection"
},
{
"shot_key": "10:5",
"source_field": "camera_direction",
"quote": "man's face and body withheld"
}
],
"guide_scope": "none",
"risk_notes": "Shot 10:7 is framed entirely within a reflection, which poses a severe optical risk for mannequin sketches. Shot 10:5 is an insert shot where the character's body is explicitly withheld. Generating a layout guide would likely force unwanted mannequins into the frame, ruining the intended framing for both shots.",
"admit": false,
"deny_reason": "judge_no_need"
},
{
"group_id": "osl-single-l03-s4-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "4:1",
"source_field": "camera_direction",
"quote": "direct overhead wide shot"
},
{
"shot_key": "4:1",
"source_field": "camera_direction",
"quote": "Keep the building's roof geometry square to the frame"
}
],
"guide_scope": "single",
"risk_notes": "The extreme overhead viewpoint and specific architectural framing requirements (keeping the roof geometry square to the frame) create a high risk of spatial ambiguity in an unguided render, justifying a single-shot layout guide despite the absence of figures.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s11-sh6",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "11:6",
"source_field": "camera_direction",
"quote": "faces the rooftop-room entrance directly"
},
{
"shot_key": "11:6",
"source_field": "camera_direction",
"quote": "half-open iron door sits near the center and occupies less than two-fifths of the frame"
}
],
"guide_scope": "single",
"risk_notes": "Head-on architectural framing of an entrance requires precise scale and positioning.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s17-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "17:1",
"source_field": "camera_direction",
"quote": "near ground level, hold a wide static composition with the cat crouched low in the lower-right and the lit rooftop-room window high in the upper-left. The steep upward relationship between animal and window"
}
],
"guide_scope": "single",
"risk_notes": "The ground-level camera and the steep upward relationship between the subject in the lower-right and the background element in the upper-left create a high framing risk that an unguided render might collapse or misplace.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l08-s8",
"needs_shared_model_guide": true,
"decision_type": "cross_shot_continuity",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity"
],
"evidence": [
{
"shot_key": "8:1",
"source_field": "camera_direction",
"quote": "Track parallel from the street side at the prescribed lateral distance and low-to-mid height"
},
{
"shot_key": "8:6",
"source_field": "camera_direction",
"quote": "Finish the eye-line dolly-in inside the store at face-close distance"
},
{
"shot_key": "8:7",
"source_field": "camera_direction",
"quote": "From the fixed eye-level position near the entrance, observe 수리영 at a medium-wide distance after she has come outside."
}
],
"guide_scope": "group",
"risk_notes": "The shots take place around the same store entrance and street, moving from the street to inside the store and back outside. A shared guide is needed to ensure the store, entrance, and street structures remain consistent across these different camera positions and angles.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l08-s19-sh4",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "19:4",
"source_field": "camera_direction",
"quote": "complete the upward tilt with her back and craned head occupying the lower center while the mounted CCTV camera remains small but distinct in the upper-right corner"
}
],
"guide_scope": "single",
"risk_notes": "The upward tilt and specific screen zone requirements for both the character and the background object create a framing risk that warrants a layout guide.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l10-s13",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"figure_placement_continuity",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "13:3",
"source_field": "camera_view_brief",
"quote": "Visible structures, ordered near to far:\n- rooftop-room exterior area: in the foreground, toward the left of frame (runs diagonally across the frame).\n- staircase: in the midground, near centre of frame.\n- rooftop room: in the background, near centre of frame"
},
{
"shot_key": "13:4",
"source_field": "camera_view_brief",
"quote": "Visible structures, ordered near to far:\n- rooftop-room exterior area: in the foreground, toward the left of frame (runs diagonally across the frame).\n- staircase: in the midground, near centre of frame.\n- rooftop room: in the background, near centre of frame"
},
{
"shot_key": "13:4",
"source_field": "camera_direction",
"quote": "혜수 occupies the left half in profile with both hands locked around 수리영's shoulders, while 수리영 remains on the right, slightly lower and rigid within the same midground plane."
}
],
"guide_scope": "group",
"risk_notes": "The shots share the exact same outdoor structures (rooftop room, staircase, exterior area) but are framed differently, requiring cross-shot continuity. Additionally, shot 13:4 involves physical contact and specific relative placement between two figures, warranting a layout guide to prevent framing errors.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l11-s11-sh4",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "11:4",
"source_field": "camera_direction",
"quote": "Hold statically one step above 수리영 at face height, looking back toward her in a subtly high close angle."
}
],
"guide_scope": "single",
"risk_notes": "The camera directive specifies a subtly high close angle from one step above the figure on a stair flight, creating a specific spatial relationship that warrants a layout guide to ensure correct framing and depth.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l12-s15",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"figure_placement_continuity",
"depth_layering",
"occlusion_or_framing_risk",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "15:3",
"source_field": "camera_direction",
"quote": "At seated eye height beside the bench, the final increment of the dolly-in settles below 수리영's eye line as she lifts her torso halfway from the seat. She occupies the left foreground while 혜수 remains on the right in the midground"
},
{
"shot_key": "15:6",
"source_field": "camera_direction",
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}
],
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},
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}
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