visual_continuity_anchor — groups 4

vca-p07-prop printed_prop

S16sh1 environment
S16sh3 environment
S26sh3 close_insert
S26sh9 close_insert
S27sh1 environment

• [surface_state/high] In the police-station display state, the screen shows a saved phone number belonging to Minsuk, without locking the literal digits or written characters.
  “(핸드폰에 저장된 민숙번호 보여주며) 이 번호 위치 좀 따봐.”
• [surface_state/high] At the harbor, the screen shows a missed-call notification associated with Hyesu, without fixing its literal wording.
  “수리영의 손에 들린 휴대전화 화면 위로 혜수의 부재중 전화 알림창이 떠 있는 클로즈업.”
• [surface_state/high] During the voice-message state, the screen includes a microphone icon being pressed by Suriyoung’s thumb.
  “수리영의 엄지손가락이 휴대전화 화면의 마이크 아이콘을 누른 채 기기 아랫부분을 입술 가까이 댄 클로즈업.”

prop_anchor P07

printed_content: The touchscreen displays a modern phone interface in state-dependent views: Minsuk’s saved phone number, a missed-call notification associated with Hyesu, and a voice-message recording interface with a microphone icon. No place or person is pictorially depicted on the screen, and literal digits or written characters remain unfixed.

physical_form: A handheld, pocket-sized modern smartphone with a rectangular glass touchscreen, thin metal-and-glass body, minimalist construction, and no specified damage, wear, or stains.

scale_contract: Keep the smartphone at a realistic modern handheld size, fitting naturally against an adult’s ear, in one hand, or close to the mouth without changing scale between shots.

{"16:1": {"keep_real_scale": true}, "16:3": {"keep_real_scale": true}, "26:3": {"keep_real_scale": true}, "26:9": {"keep_real_scale": true}, "27:1": {"keep_real_scale": true}}

vca-p15-prop printed_prop

S28sh3 close_insert
S29sh3 close_insert

• [subject_pose/high] The photograph shows two young girls seated in front of the depicted building, and one girl is Kang Min-sook as a child.
  “(사진속의 한 아이를 가르키며) 이 사진속의 얘가 우리 엄마예요.”
• [held_prop/high] In the scene 28 close-up, Suri-young holds the old photograph and extends it directly before In-woo’s eyes.
  “수리영의 손가락 끝이 낡은 흑백 사진을 쥔 채 인우의 눈앞으로 뻗어 있는 클로즈업.”
• [held_prop/high] In the scene 29 close-up, Suri-young presses her index finger firmly onto the face of the young girl identified as her mother.
  “수리영의 검지손가락이 낡은 흑백 사진 속 어린 여자아이의 얼굴을 꾹 짚고 있는 클로즈업.”
• [prop_state/high] The photograph remains an old black-and-white print across its appearances.
  “수리영의 손가락 끝이 낡은 흑백 사진을 쥔 채 인우의 눈앞으로 뻗어 있는 클로즈업.”

prop_anchor P15

printed_content: The photograph depicts a rustic 1970s countryside restaurant with a circular structure resembling a cross on its roof, with two young Korean girls seated in front. One of the girls is 12-year-old Kang Min-sook, shown with black hair and a round, youthful face; the other girl is not further identified.

physical_form: A small handheld vintage black-and-white photographic print, old, faded, worn, and blood-stained.

scale_contract: Keep the photograph at the fixed real-world scale of a small handheld photographic print, fitting naturally between Suri-young’s fingers and remaining much smaller than a person’s face.

{"28:3": {"keep_real_scale": true}, "29:3": {"keep_real_scale": true}}

vca-s1-c10-immobilized immobilized_subject

S1sh2 close_insert
S1sh4 environment

• [subject_pose/high] The immobilized subject lies supine on the forest floor beneath an attacker who is pressing down with full body weight.
  “정체불명의 남자가 바닥에 쓰러진 숲속에서 살해된 남자의 몸을 체중을 실어 강하게 짓누르고 있는 모습.”
• [surface_state/high] The body remains in contact with the ground rather than standing or running.
  “바닥에 쓰러진”
• [subject_pose/high] The thigh bears a large bite mark with blood flowing from it.
  “허벅지에 커다란 이빨 자국. 피가 흐르고.”
• [subject_pose/high] The face retains a terrified expression.
  “잔뜩 겁에 질린 남자 표정(T.S)”
• [subject_pose/medium] The hair remains swept backward from the face.
  “머리카락이 뒤로 흩날리는 순간.”

subject_anchor C10 severely_injured

shared_state_contract: The immobilized subject is supine on the forest floor beneath an attacker pressing down with full body weight, with a large bleeding bite mark on the thigh. The face remains terrified and the hair swept backward; no specific head turn or limb direction is established, so any depicted orientation must stay fixed across both shots.

per_shot_visible_focus

• sh2: A close view of the immobilized subject’s terrified face and backward-swept hair; the supine body, thigh wound, forest floor, and attacker may remain outside the crop.
• sh4: A medium view of the immobilized subject’s supine body on the forest floor beneath the attacker’s weight, with the injured and bleeding thigh visible if included by the framing.

{"1:2": {"enforce_state_continuity": true}, "1:4": {"enforce_state_continuity": true}}

vca-s12-c02-immobilized immobilized_subject

S12sh7 environment
S12sh12 close_insert

• [subject_pose/high] The immobilized subject remains seated and motionless on the bedroom floor behind the pulled-aside curtain.
  “젖혀진 커튼 뒤, 머리를 푹 숙인 채 방바닥에 앉아 미동도 없는”
• [subject_pose/high] The seated body stays slumped with the head bowed deeply downward.
  “앉은 채로 고개를 떨군 채 죽어있는”
• [surface_state/high] The shoulder and collarbone retain the exposed, roughly torn wounds with dangling flesh and blood running from the damaged areas.
  “살점이 뜯긴 어깨와 쇄골, 마치 동물에게 물어뜯긴 듯한 거친 상처가 고스란히 드러나있다. 덜렁거리는 살점과 뜯겨진 부위에 흘러내리는 피.”
• [held_prop/high] One lowered, limp hand remains closed around a crumpled photograph, with part of the photograph protruding from the grasp; the hand's side is unspecified.
  “죽은 손아귀 안에 구겨진 사진 한 장이 살짝 삐져나온 클로즈업.”

subject_anchor C02 dead

shared_state_contract: The immobilized subject remains seated motionless on the bedroom floor behind the pulled-aside curtain, slumped with the head bowed deeply downward and the torn shoulder and collarbone wounds unchanged. One lowered limp hand stays closed around the same crumpled photograph with part of it protruding; no left or right hand is specified.

per_shot_visible_focus

• sh12: The insert shows only the lowered dead hand and its closed grasp around the crumpled photograph, including the portion protruding from the fingers; the rest of the body may remain off-frame.
• sh7: The wide frame shows the immobilized subject seated motionless on the bedroom floor behind the pulled-aside curtain, with the body slumped and the head bowed; the exposed shoulder and collarbone wounds may also be visible.

{"12:7": {"enforce_state_continuity": true}, "12:12": {"enforce_state_continuity": true}}