{ "bg_city_back_alley": { "author_fp": "d9163486a9a32f3e", "author": { "conformance_brief_en": "The target is a zero-storey open city back-alley passage, not a standalone building. It has worn dark-gray asphalt with ordinary patched areas and is enclosed by closely spaced, inhabited low-rise South Korean neighborhood buildings in regionally standard concrete, brick, tile, metal, and glass finishes. One pale-gray precast-concrete utility pole stands within or immediately along the passage, and one standard gray metal streetlight fixture is located along the same passage; the streetlight's side and its relationship to the pole remain unspecified. No additional target-site structures or duplicated fixtures are present.", "location_line_en": "A city back-alley passage in a lived-in urban neighborhood in contemporary South Korea, 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심 접근", "evidence_ko": [ "도시 뒷골목", "도심 희미한 가로등 불빛", "전봇대" ], "prompt_en": "A lived-in city back alley runs through a closely built contemporary South Korean neighborhood of ordinary occupied low-rise buildings. The target is the zero-storey open passage itself, not a standalone building. Its surface is worn dark-gray asphalt with routine patched areas. One pale-gray precast-concrete utility pole stands within or immediately along the passage and remains directly accessible from the wider alley. One standard gray metal streetlight fixture is located along the passage, with its side and its relationship to the pole left unspecified. The surrounding buildings use typical local concrete, brick, tile, metal, and glass finishes with ordinary urban weathering.", "variant_id": "v1" }, { "approach_ko": "생활 골목과 주변 지역 우선 접근", "evidence_ko": [ "도시 뒷골목", "가로등 불빛", "전봇대에" ], "prompt_en": "An ordinary inhabited urban neighborhood encloses a narrow working back-alley passage, with closely spaced low-rise South Korean buildings continuing naturally beyond it. The buildings have regionally typical concrete, brick, tile, metal, and glass exteriors with practical repairs and everyday weathering. The target site is a zero-storey open alley rather than a building, surfaced in worn dark-gray asphalt with common patched sections. A single pale-gray precast-concrete utility pole stands within or immediately beside the passage. A single standard gray metal streetlight fixture is also present along the passage, without defining its side or its position relative to the utility pole.", "variant_id": "v2" }, { "approach_ko": "재료와 영구 배치 중심 접근", "evidence_ko": [ "도시 뒷골목", "가로등", "전봇대" ], "prompt_en": "The target is one zero-storey city back-alley passage with no standalone target building. Worn dark-gray asphalt and restrained patch repairs form its continuous circulation surface. One pale-gray precast-concrete utility pole occupies a position within or immediately along the passage and is accessible from the wider alley area. One standard gray metal streetlight fixture lies along the same passage; its side and its relationship to the utility pole are not specified. Closely packed, currently inhabited low-rise neighborhood buildings surround the alley in ordinary contemporary South Korean concrete, brick, tile, metal, and glass construction, with realistic age, maintenance, and weathering.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "73ec7dc9dee5e4d9", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey open city back-alley passage, not a standalone building. It has worn dark-gray asphalt with ordinary patched areas and is enclosed by closely spaced, inhabited low-rise South Korean neighborhood buildings in regionally standard concrete, brick, tile, metal, and glass finishes. One pale-gray precast-concrete utility pole stands within or immediately along the passage, and one standard gray metal streetlight fixture is located along the same passage; the streetlight's side and its relationship to the pole remain unspecified. No additional target-site structures or duplicated fixtures are present.\n\nTHE LOCATION: A city back-alley passage in a lived-in urban neighborhood in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nMan and woman at the utility pole; Dim streetlight illumination; Woman collapsing in the alley", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in city back alley runs through a closely built contemporary South Korean neighborhood of ordinary occupied low-rise buildings. The target is the zero-storey open passage itself, not a standalone building. Its surface is worn dark-gray asphalt with routine patched areas. One pale-gray precast-concrete utility pole stands within or immediately along the passage and remains directly accessible from the wider alley. One standard gray metal streetlight fixture is located along the passage, with its side and its relationship to the pole left unspecified. The surrounding buildings use typical local concrete, brick, tile, metal, and glass finishes with ordinary urban weathering.\n\nTHE LOCATION: A city back-alley passage in a lived-in urban neighborhood in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nMan and woman at the utility pole; Dim streetlight illumination; Woman collapsing in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited urban neighborhood encloses a narrow working back-alley passage, with closely spaced low-rise South Korean buildings continuing naturally beyond it. The buildings have regionally typical concrete, brick, tile, metal, and glass exteriors with practical repairs and everyday weathering. The target site is a zero-storey open alley rather than a building, surfaced in worn dark-gray asphalt with common patched sections. A single pale-gray precast-concrete utility pole stands within or immediately beside the passage. A single standard gray metal streetlight fixture is also present along the passage, without defining its side or its position relative to the utility pole.\n\nTHE LOCATION: A city back-alley passage in a lived-in urban neighborhood in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nMan and woman at the utility pole; Dim streetlight illumination; Woman collapsing in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is one zero-storey city back-alley passage with no standalone target building. Worn dark-gray asphalt and restrained patch repairs form its continuous circulation surface. One pale-gray precast-concrete utility pole occupies a position within or immediately along the passage and is accessible from the wider alley area. One standard gray metal streetlight fixture lies along the same passage; its side and its relationship to the utility pole are not specified. Closely packed, currently inhabited low-rise neighborhood buildings surround the alley in ordinary contemporary South Korean concrete, brick, tile, metal, and glass construction, with realistic age, maintenance, and weathering.\n\nTHE LOCATION: A city back-alley passage in a lived-in urban neighborhood in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nMan and woman at the utility pole; Dim streetlight illumination; Woman collapsing in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 8, "B": 6, "C": 5 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 8, "verdict_ko": "Conforms well to the brief; exactly one utility pole and one streetlight fixture are present with no duplicates, and transients are correctly excluded." }, { "label": "B", "score": 6, "verdict_ko": "Violates the brief by including a second utility pole in the background down the left alley, contradicting the 'no duplicated fixtures' constraint." }, { "label": "C", "score": 5, "verdict_ko": "Fails the negative constraint by showing multiple utility poles and multiple streetlight fixtures down the length of the passage." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "골목 안쪽 배경 왼쪽에 두 번째 전봇대가 존재하여 '단 하나의 전봇대' 조건에 위배됩니다.", "fix_en": "Remove the second utility pole visible in the background on the left side of the alley." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the second utility pole visible in the background on the left side of the alley.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_road_stop": { "author_fp": "827bd1f9d23fb773", "author": { "conformance_brief_en": "Every image shows the same one-storey coastal bus shelter in contemporary South Korea: a narrow rectangular open-front pavilion with a shallow flat dark-gray powder-coated galvanized-steel roof and frame, clear tempered-glass rear and end panels, and one silver stainless-steel bench. Its single open face is oriented toward the coastal road and the sea beyond. The shelter stands directly beside a dark asphalt coastal road that continues past it in both directions, with the sea running alongside the corridor. No additional prominent openings or duplicated shelters appear. An ordinary, currently inhabited Korean coastal neighborhood of low-rise homes and small working premises occupies the landward surroundings.", "location_line_en": "A coastal roadside bus stop in an inhabited South Korean seaside settlement, 2026.", "variants": [ { "approach_ko": "시나리오의 해안도로와 바다를 향한 정류장 배치를 직접 시각화한다.", "evidence_ko": [ "해안가 도로", "해안도로", "해안가. 버스정류장 부근", "바다를 바라보며", "바다와 인접해 있는 아스팔트 도로", "바다가 보이는 도로변에 벤치와 함께 설치된 버스 정류장 구조물" ], "prompt_en": "An ordinary inhabited South Korean coastal neighborhood surrounds a dark asphalt road running beside the sea, with low-rise homes and small working premises on the landward side. The road continues along the coast in both directions. The target is one definite one-storey bus shelter directly beside the road: a narrow rectangular open-front pavilion with a shallow flat dark-gray powder-coated galvanized-steel roof and frame, clear tempered-glass rear and end panels, and one silver stainless-steel bench. Its single open face is oriented toward the road and the sea beyond. The structure has light salt exposure and routine wear but remains maintained and in service.", "variant_id": "v1" }, { "approach_ko": "생활 중인 해안 마을의 도로 맥락에서 정류장을 먼저 자리 잡는다.", "evidence_ko": [ "해안가 도로를 달린다", "해안도로를 자전거를 타고", "해안가. 버스정류장 부근", "바다를 바라보며" ], "prompt_en": "A currently inhabited Korean seaside settlement follows a continuous coastal road, with ordinary low-rise homes and small working premises forming the landward neighborhood. The dark asphalt corridor extends beyond the bus-stop vicinity in both directions, while the sea lies alongside it. At one roadside point stands the target one-storey shelter, a narrow rectangular pavilion with one open face toward the road and sea. It has a shallow flat roof and frame of dark-gray powder-coated galvanized steel, clear tempered-glass panels across the rear and both ends, and one silver stainless-steel bench. Mild salt weathering and normal daily wear mark the maintained surfaces.", "variant_id": "v2" }, { "approach_ko": "현대 한국 해안 정류장의 재료와 구조 유형을 중심으로 정리한다.", "evidence_ko": [ "바다와 인접해 있는 아스팔트 도로", "자전거가 달릴 수 있는 탁 트인 길", "바다가 보이는 도로변", "벤치와 함께 설치된 버스 정류장 구조물" ], "prompt_en": "The target structure is a maintained one-storey South Korean coastal bus shelter with a narrow rectangular mass and a shallow flat roof. Dark-gray powder-coated galvanized steel forms the roof and frame; clear tempered glass closes the rear and two end faces; one silver stainless-steel bench sits inside; the roadside face is the single open face. The opening faces a dark asphalt coastal road and the sea beyond, with the road continuing past the shelter in both directions. Light salt exposure softens the finish without making the structure derelict. A believable inhabited coastal neighborhood of low-rise homes and small working premises remains present on the landward side.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "460741557f53dbba", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same one-storey coastal bus shelter in contemporary South Korea: a narrow rectangular open-front pavilion with a shallow flat dark-gray powder-coated galvanized-steel roof and frame, clear tempered-glass rear and end panels, and one silver stainless-steel bench. Its single open face is oriented toward the coastal road and the sea beyond. The shelter stands directly beside a dark asphalt coastal road that continues past it in both directions, with the sea running alongside the corridor. No additional prominent openings or duplicated shelters appear. An ordinary, currently inhabited Korean coastal neighborhood of low-rise homes and small working premises occupies the landward surroundings.\n\nTHE LOCATION: A coastal roadside bus stop in an inhabited South Korean seaside settlement, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycles ridden along the coastal road; People occupying the road and bus-stop vicinity; Earphones worn on the road; Purchased beverage; Rainstorm, clouds, thunder, and lightning; Dog-bark sound", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited South Korean coastal neighborhood surrounds a dark asphalt road running beside the sea, with low-rise homes and small working premises on the landward side. The road continues along the coast in both directions. The target is one definite one-storey bus shelter directly beside the road: a narrow rectangular open-front pavilion with a shallow flat dark-gray powder-coated galvanized-steel roof and frame, clear tempered-glass rear and end panels, and one silver stainless-steel bench. Its single open face is oriented toward the road and the sea beyond. The structure has light salt exposure and routine wear but remains maintained and in service.\n\nTHE LOCATION: A coastal roadside bus stop in an inhabited South Korean seaside settlement, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycles ridden along the coastal road; People occupying the road and bus-stop vicinity; Earphones worn on the road; Purchased beverage; Rainstorm, clouds, thunder, and lightning; Dog-bark sound\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited Korean seaside settlement follows a continuous coastal road, with ordinary low-rise homes and small working premises forming the landward neighborhood. The dark asphalt corridor extends beyond the bus-stop vicinity in both directions, while the sea lies alongside it. At one roadside point stands the target one-storey shelter, a narrow rectangular pavilion with one open face toward the road and sea. It has a shallow flat roof and frame of dark-gray powder-coated galvanized steel, clear tempered-glass panels across the rear and both ends, and one silver stainless-steel bench. Mild salt weathering and normal daily wear mark the maintained surfaces.\n\nTHE LOCATION: A coastal roadside bus stop in an inhabited South Korean seaside settlement, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycles ridden along the coastal road; People occupying the road and bus-stop vicinity; Earphones worn on the road; Purchased beverage; Rainstorm, clouds, thunder, and lightning; Dog-bark sound\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target structure is a maintained one-storey South Korean coastal bus shelter with a narrow rectangular mass and a shallow flat roof. Dark-gray powder-coated galvanized steel forms the roof and frame; clear tempered glass closes the rear and two end faces; one silver stainless-steel bench sits inside; the roadside face is the single open face. The opening faces a dark asphalt coastal road and the sea beyond, with the road continuing past the shelter in both directions. Light salt exposure softens the finish without making the structure derelict. A believable inhabited coastal neighborhood of low-rise homes and small working premises remains present on the landward side.\n\nTHE LOCATION: A coastal roadside bus stop in an inhabited South Korean seaside settlement, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycles ridden along the coastal road; People occupying the road and bus-stop vicinity; Earphones worn on the road; Purchased beverage; Rainstorm, clouds, thunder, and lightning; Dog-bark sound\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "B": 6, "A": 4 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Accurately realizes the dark-gray shelter, clear panels, and silver bench in a highly authentic Korean coastal setting with no excluded transients present." }, { "label": "B", "score": 6, "verdict_ko": "Meets core architectural requirements within a plausible setting, but the bench design is overly blocky and slightly lacks regional authenticity." }, { "label": "A", "score": 4, "verdict_ko": "Shelter features generally match, but the concrete foundation exhibits impossible geometry against the sloped road, violating physical plausibility." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "버스 정류장의 먼 쪽 측면(왼쪽 끝)에 하단 프레임과 유리 패널이 누락되어 개방되어 있으며, 이는 도로를 향한 전면만 유일하게 뚫려 있고 양쪽 측면은 모두 유리로 닫혀 있다는 설정과 어긋납니다.", "fix_en": "Add a bottom horizontal dark-gray steel frame and a clear tempered-glass panel to fully close the far-left end face of the shelter." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a bottom horizontal dark-gray steel frame and a clear tempered-glass panel to fully close the far-left end face of the shelter.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_crime_scene": { "author_fp": "7fe0518aaaf3fb4c", "author": { "conformance_brief_en": "The image must show one continuous forest interior in contemporary South Korea, with dense green undergrowth filling and spatially defining the entire site. Mature woodland trunks rise through brown leaf litter and naturally weathered ground. There is no built structure: storey count, exterior materials, openings, entrances, gates, fences and permanent access features are all zero. Do not introduce a path, clearing, directional edge or subdivision. The wider context belongs to an ordinary inhabited South Korean locality, but the visible location remains uninterrupted woodland rather than an isolated building compound.", "location_line_en": "A dense forest interior within an inhabited locality in contemporary South Korea, 2026.", "variants": [ { "approach_ko": "원문 장면의 공간 표현을 직접 시각화한 접근", "evidence_ko": [ "숲속 / 해 질 무렵", "우거진 수풀을 헤치며", "우거진 수풀이 덮여 있는 숲 속 공간" ], "prompt_en": "The location is a wooded interior within an ordinary inhabited South Korean locality in 2026. Its immediate setting is continuous forest, with no visible settlement edge or access feature. Dense green undergrowth covers and defines the entire traversable area beneath mature woodland trunks. Brown leaf litter and naturally weathered soil remain partly visible between the plants. The site has no building, no storeys, no architectural materials and no openings. No path, clearing, entrance, fixed boundary or internal subdivision interrupts the forest. Dark natural light near sunset filters through the canopy.", "variant_id": "v1" }, { "approach_ko": "한국의 실제 숲 바닥과 식생 재질을 우선한 접근", "evidence_ko": [ "숲속", "우거진 수풀", "해 질 무렵의 어두운 조명" ], "prompt_en": "This is a real forest pocket belonging to a currently inhabited South Korean area in 2026, not a landscaped ground or an empty compound. The visible site remains an uninterrupted woodland interior. Thick green undergrowth, brown fallen leaves, exposed soil and naturally weathered tree trunks form the complete physical setting. Vegetation fills the space without a fixed route or open center. There is no built structure, so the permanent storey count and opening count are zero. There are no permanent walls, roofs, doors, stairs, railings, fences, gates or paved surfaces. Subdued dusk light reaches the forest floor through the canopy.", "variant_id": "v2" }, { "approach_ko": "연속된 숲 내부의 지형 구조를 우선한 접근", "evidence_ko": [ "우거진 수풀을 헤치며", "숲 속 공간", "현장" ], "prompt_en": "The wider context is an ordinary inhabited locality in contemporary South Korea, while the location itself is a single continuous forest interior. Dense green undergrowth occupies the whole site and determines the limited space between mature trees. Natural brown leaf litter and weathered earth spread beneath the vegetation. The woodland has no path, clearing, entrance, directional edge or separate zone. No building exists here: there are zero storeys, zero architectural faces and zero evidenced openings. No permanent access construction or boundary element alters the uninterrupted wooded topology. The forest is seen under dark late-day natural light.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "0f4b664a38ee9117", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image must show one continuous forest interior in contemporary South Korea, with dense green undergrowth filling and spatially defining the entire site. Mature woodland trunks rise through brown leaf litter and naturally weathered ground. There is no built structure: storey count, exterior materials, openings, entrances, gates, fences and permanent access features are all zero. Do not introduce a path, clearing, directional edge or subdivision. The wider context belongs to an ordinary inhabited South Korean locality, but the visible location remains uninterrupted woodland rather than an isolated building compound.\n\nTHE LOCATION: A dense forest interior within an inhabited locality in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTemporary police line; Recovered bodies; Discarded single shoe; Blood from the injured man; Attacker and fleeing man; Police investigation personnel; Detective group", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is a wooded interior within an ordinary inhabited South Korean locality in 2026. Its immediate setting is continuous forest, with no visible settlement edge or access feature. Dense green undergrowth covers and defines the entire traversable area beneath mature woodland trunks. Brown leaf litter and naturally weathered soil remain partly visible between the plants. The site has no building, no storeys, no architectural materials and no openings. No path, clearing, entrance, fixed boundary or internal subdivision interrupts the forest. Dark natural light near sunset filters through the canopy.\n\nTHE LOCATION: A dense forest interior within an inhabited locality in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTemporary police line; Recovered bodies; Discarded single shoe; Blood from the injured man; Attacker and fleeing man; Police investigation personnel; Detective group\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real forest pocket belonging to a currently inhabited South Korean area in 2026, not a landscaped ground or an empty compound. The visible site remains an uninterrupted woodland interior. Thick green undergrowth, brown fallen leaves, exposed soil and naturally weathered tree trunks form the complete physical setting. Vegetation fills the space without a fixed route or open center. There is no built structure, so the permanent storey count and opening count are zero. There are no permanent walls, roofs, doors, stairs, railings, fences, gates or paved surfaces. Subdued dusk light reaches the forest floor through the canopy.\n\nTHE LOCATION: A dense forest interior within an inhabited locality in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTemporary police line; Recovered bodies; Discarded single shoe; Blood from the injured man; Attacker and fleeing man; Police investigation personnel; Detective group\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe wider context is an ordinary inhabited locality in contemporary South Korea, while the location itself is a single continuous forest interior. Dense green undergrowth occupies the whole site and determines the limited space between mature trees. Natural brown leaf litter and weathered earth spread beneath the vegetation. The woodland has no path, clearing, entrance, directional edge or separate zone. No building exists here: there are zero storeys, zero architectural faces and zero evidenced openings. No permanent access construction or boundary element alters the uninterrupted wooded topology. The forest is seen under dark late-day natural light.\n\nTHE LOCATION: A dense forest interior within an inhabited locality in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTemporary police line; Recovered bodies; Discarded single shoe; Blood from the injured man; Attacker and fleeing man; Police investigation personnel; Detective group\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 3, "C": 3 }, "selected": "A", "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "건물이 전혀 없는 연속된 숲의 내부를 구현하여 '인공 구조물 없음'이라는 핵심 지침을 가장 잘 준수했습니다." }, { "label": "B", "score": 3, "verdict_ko": "지침에서 명시적으로 배제한 인접 건물, 골목길, 상가 간판 등이 뚜렷하게 나타나 연속된 숲이라는 조건을 심각하게 위반했습니다." }, { "label": "C", "score": 3, "verdict_ko": "지침에 어긋나게 다세대 주택, 주차된 차량, 포장도로 등 인공 구조물과 뚜렷한 경계가 포함되어 조건을 위반했습니다." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "우측 하단에서 숲 안쪽으로 이어지는 뚜렷한 흙길이 있으며, 이는 프롬프트의 '길이나 공터가 없을 것'이라는 지시를 위반합니다.", "fix_en": "Cover the bare dirt path on the right with dense green undergrowth and leaf litter to create an uninterrupted continuous forest floor." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Cover the bare dirt path on the right with dense green undergrowth and leaf litter to create an uninterrupted continuous forest floor.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_harbor_fishing_boat": { "author_fp": "a20cd1adc4ecfe79", "author": { "conformance_brief_en": "Every image shows the same zero-storey harbor site with no target building, enclosed mass, building faces, or openings. The target is a low, linear South Korean harbor waterfront surfaced in weathered gray concrete with ordinary salt staining, adjoining an irregular section of dark gray-brown natural tidal rocks and blue-gray harbor water. The tidal rocks occupy part of the waterfront and directly face the water; the harbor water continues seaward into the adjoining open sea. No additional permanent target-site elements alter this topology. A believable, currently inhabited low-rise working fishing-port neighborhood stands immediately landward.", "location_line_en": "A small working fishing harbor and tidal-rock waterfront on the South Korean coast in 2026.", "variants": [ { "approach_ko": "시나리오의 포구와 갯바위 묘사를 직접 시각화한 접근", "evidence_ko": [ "S#26. 포구 / 해질 무렵", "텅 빈 포구.", "갯바위에 앉아있는 수리영.", "하염없이 안개가 몰려오는 바다를 바라보는데", "거긴 아무것도 없어요. 그냥 바다야." ], "prompt_en": "A currently inhabited working fishing-port neighborhood occupies the landward side of this contemporary South Korean coastal site. It is an ordinary low-rise concrete-and-masonry harbor district in restrained regional finishes. The target is the harbor waterfront itself, with no target building or enclosed structure and a storey count of zero. Its overall massing is a low linear edge of weathered gray concrete with ordinary salt staining. An irregular area of dark gray-brown natural tidal rocks occupies one section beside the waterfront and directly faces the blue-gray harbor water. The waterfront adjoins both the rocks and the harbor water, and the water continues seaward into the open sea. There are no target building faces or openings. Late-day light defines the shoreline clearly.", "variant_id": "v1" }, { "approach_ko": "영구적인 해안 지형의 연결 관계를 우선한 접근", "evidence_ko": [ "포구를 몇 시간째 돌아다니다 지친.", "갯바위에 앉아있는 수리영.", "바다위에 떠있는 소형어선.", "한참 떠나온 듯 하다." ], "prompt_en": "An ordinary, currently inhabited South Korean fishing-port neighborhood extends inland from the shoreline, formed by low-rise concrete-and-masonry development with typical contemporary regional finishes. The target has zero storeys because it is a harbor-edge site rather than a building. A low horizontal strip of worn gray concrete forms the waterfront. Dark gray-brown natural tidal rocks occupy part of that edge and meet it directly. Blue-gray harbor water adjoins the concrete waterfront and faces the tidal rocks, then opens continuously into the sea beyond the harbor. The target contains no enclosed mass, building faces, doors, or windows. The connected waterfront, rock section, harbor water, and open sea remain the dominant late-day composition.", "variant_id": "v2" }, { "approach_ko": "지역 표준 재료와 염해 흔적을 중심으로 정리한 접근", "evidence_ko": [ "S#26. 포구 / 해질 무렵", "갯바위에 앉아있는 수리영.", "바다를 바라보며", "그냥 바다야." ], "prompt_en": "A currently inhabited low-rise working harbor neighborhood borders the site on the landward side. Its concrete-and-masonry fabric and subdued finishes are typical of a contemporary South Korean fishing port. The target is a zero-storey waterfront with no building volume. Weathered gray concrete creates a long, low harbor edge, with practical wear and pale salt staining rather than dereliction. One section is occupied by irregular dark gray-brown tidal rocks in their natural stone finish. These rocks adjoin the waterfront and face blue-gray harbor water. The same water runs along the waterfront and continues outward into the open sea. No target facades or openings exist. Clear late-day light shows the material boundaries and the complete shoreline topology.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "bbada12647815d52", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same zero-storey harbor site with no target building, enclosed mass, building faces, or openings. The target is a low, linear South Korean harbor waterfront surfaced in weathered gray concrete with ordinary salt staining, adjoining an irregular section of dark gray-brown natural tidal rocks and blue-gray harbor water. The tidal rocks occupy part of the waterfront and directly face the water; the harbor water continues seaward into the adjoining open sea. No additional permanent target-site elements alter this topology. A believable, currently inhabited low-rise working fishing-port neighborhood stands immediately landward.\n\nTHE LOCATION: A small working fishing harbor and tidal-rock waterfront on the South Korean coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat and onboard deck spaces; mooring line; fog and rain conditions; handheld phone; map and photograph", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working fishing-port neighborhood occupies the landward side of this contemporary South Korean coastal site. It is an ordinary low-rise concrete-and-masonry harbor district in restrained regional finishes. The target is the harbor waterfront itself, with no target building or enclosed structure and a storey count of zero. Its overall massing is a low linear edge of weathered gray concrete with ordinary salt staining. An irregular area of dark gray-brown natural tidal rocks occupies one section beside the waterfront and directly faces the blue-gray harbor water. The waterfront adjoins both the rocks and the harbor water, and the water continues seaward into the open sea. There are no target building faces or openings. Late-day light defines the shoreline clearly.\n\nTHE LOCATION: A small working fishing harbor and tidal-rock waterfront on the South Korean coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat and onboard deck spaces; mooring line; fog and rain conditions; handheld phone; map and photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited South Korean fishing-port neighborhood extends inland from the shoreline, formed by low-rise concrete-and-masonry development with typical contemporary regional finishes. The target has zero storeys because it is a harbor-edge site rather than a building. A low horizontal strip of worn gray concrete forms the waterfront. Dark gray-brown natural tidal rocks occupy part of that edge and meet it directly. Blue-gray harbor water adjoins the concrete waterfront and faces the tidal rocks, then opens continuously into the sea beyond the harbor. The target contains no enclosed mass, building faces, doors, or windows. The connected waterfront, rock section, harbor water, and open sea remain the dominant late-day composition.\n\nTHE LOCATION: A small working fishing harbor and tidal-rock waterfront on the South Korean coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat and onboard deck spaces; mooring line; fog and rain conditions; handheld phone; map and photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited low-rise working harbor neighborhood borders the site on the landward side. Its concrete-and-masonry fabric and subdued finishes are typical of a contemporary South Korean fishing port. The target is a zero-storey waterfront with no building volume. Weathered gray concrete creates a long, low harbor edge, with practical wear and pale salt staining rather than dereliction. One section is occupied by irregular dark gray-brown tidal rocks in their natural stone finish. These rocks adjoin the waterfront and face blue-gray harbor water. The same water runs along the waterfront and continues outward into the open sea. No target facades or openings exist. Clear late-day light shows the material boundaries and the complete shoreline topology.\n\nTHE LOCATION: A small working fishing harbor and tidal-rock waterfront on the South Korean coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsmall fishing boat and onboard deck spaces; mooring line; fog and rain conditions; handheld phone; map and photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 6, "C": 4 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Conforms well to the brief, accurately featuring a linear concrete waterfront adjoining natural tidal rocks and a believable Korean fishing neighborhood." }, { "label": "B", "score": 6, "verdict_ko": "Generally fits the brief with natural tidal rocks and appropriate setting, though the waterfront layout is slightly less linear than specified." }, { "label": "C", "score": 4, "verdict_ko": "Violates the brief by depicting constructed riprap stones rather than the requested natural tidal rocks." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "프롬프트에서 제외해야 할 씬 트랜지언트로 명시된 소형 어선과 계류 선이 항구에 묘사되어 있습니다.", "fix_en": "Remove the small fishing boats and mooring lines from the harbor water and dock." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the small fishing boats and mooring lines from the harbor water and dock.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_open_sea": { "author_fp": "3add4350bf0ae9a5", "author": { "conformance_brief_en": "The image must show a zero-storey, entirely unbuilt site in the Yellow Sea off South Korea in 2026. A single continuous expanse of muted blue-gray, naturally turbid open seawater occupies the whole mapped area. There are no walls, roofs, openings, boundaries, shoreline, buildings, fixed structures, or access points. The water must extend into a believable contemporary working maritime region rather than resemble an enclosed, abandoned, or artificial set.", "location_line_en": "Open waters of the Yellow Sea off South Korea, 2026.", "variants": [ { "approach_ko": "시나리오의 바다 공간을 직접 시각화한 접근", "evidence_ko": [ "바다", "바다위에", "세상과 경계를 지우는 것 같은" ], "prompt_en": "The location is open water in the Yellow Sea off South Korea, within a real contemporary working maritime region. The site is a zero-storey, entirely unbuilt expanse of naturally turbid blue-gray seawater. One continuous open sea fills the entire area without shoreline, fixed boundary, built structure, permanent access point, walls, roofs, or openings. The broad water surface and uninterrupted marine setting are the sole permanent subject.", "variant_id": "v1" }, { "approach_ko": "서해의 지역적 해수 특성을 우선한 접근", "evidence_ko": [ "서해 해상", "망망대해" ], "prompt_en": "A believable contemporary South Korean offshore environment surrounds the site as part of the ordinary working Yellow Sea region. The target is one continuous, zero-storey open-water site, with muted blue-gray, sediment-rich seawater typical of the Yellow Sea. The sea occupies the full area and has no persistent shoreline, enclosure, fixed boundary, structure, access point, roof, wall, or opening. Nothing interrupts the permanent open-water topology.", "variant_id": "v2" }, { "approach_ko": "무구조 해상 부지의 위상을 우선한 접근", "evidence_ko": [ "망망대해", "수면 위" ], "prompt_en": "The site belongs to the inhabited maritime geography of contemporary South Korea, surrounded only by the wider open waters of a real working Yellow Sea region. It is definitively a zero-storey site with no building or constructed massing. A single uninterrupted field of subdued blue-gray, naturally opaque seawater covers the entire mapped location. There is no shoreline, fixed edge, permanent access, built element, wall, roof, door, window, or other opening; the open sea itself is the complete location.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "175132c18ef7e4f3", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image must show a zero-storey, entirely unbuilt site in the Yellow Sea off South Korea in 2026. A single continuous expanse of muted blue-gray, naturally turbid open seawater occupies the whole mapped area. There are no walls, roofs, openings, boundaries, shoreline, buildings, fixed structures, or access points. The water must extend into a believable contemporary working maritime region rather than resemble an enclosed, abandoned, or artificial set.\n\nTHE LOCATION: Open waters of the Yellow Sea off South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog bank; In-woo's boat; boat wake", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is open water in the Yellow Sea off South Korea, within a real contemporary working maritime region. The site is a zero-storey, entirely unbuilt expanse of naturally turbid blue-gray seawater. One continuous open sea fills the entire area without shoreline, fixed boundary, built structure, permanent access point, walls, roofs, or openings. The broad water surface and uninterrupted marine setting are the sole permanent subject.\n\nTHE LOCATION: Open waters of the Yellow Sea off South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog bank; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable contemporary South Korean offshore environment surrounds the site as part of the ordinary working Yellow Sea region. The target is one continuous, zero-storey open-water site, with muted blue-gray, sediment-rich seawater typical of the Yellow Sea. The sea occupies the full area and has no persistent shoreline, enclosure, fixed boundary, structure, access point, roof, wall, or opening. Nothing interrupts the permanent open-water topology.\n\nTHE LOCATION: Open waters of the Yellow Sea off South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog bank; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to the inhabited maritime geography of contemporary South Korea, surrounded only by the wider open waters of a real working Yellow Sea region. It is definitively a zero-storey site with no building or constructed massing. A single uninterrupted field of subdued blue-gray, naturally opaque seawater covers the entire mapped location. There is no shoreline, fixed edge, permanent access, built element, wall, roof, door, window, or other opening; the open sea itself is the complete location.\n\nTHE LOCATION: Open waters of the Yellow Sea off South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog bank; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 4, "C": 3 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Best realizes the unbuilt open water site; although a distant shoreline and buildings are visible contrary to strict exclusions, it correctly avoids walls, roofs, and fixed structures in the main mapped area." }, { "label": "B", "score": 4, "verdict_ko": "Violates the brief by featuring a massive aquaculture grid in the foreground that includes sheds, introducing forbidden roofs, walls, and fixed structures." }, { "label": "C", "score": 3, "verdict_ko": "Hard violation of the brief's exclusions, as the site is heavily cluttered with aquaculture grids, floating docks, and huts containing forbidden walls and roofs." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "해안선과 건물이 없어야 한다는 지침과 달리 배경에 해안선, 언덕, 도시가 보입니다.", "fix_en": "Remove the distant shoreline, hills, and cityscape to leave an uninterrupted horizon of open sea." }, { "issue_ko": "제외해야 할 일시적 요소인 배의 물살(boat wake)이 묘사되어 있습니다.", "fix_en": "Remove the white wakes trailing behind the moving boats on the water." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the distant shoreline, hills, and cityscape to leave an uninterrupted horizon of open sea.\n- Remove the white wakes trailing behind the moving boats on the water.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_rooftop_villa": { "author_fp": "495e92ab1aa36ac0", "author": { "conformance_brief_en": "Every image must show the same narrow rectangular three-storey reinforced-concrete multifamily villa with a single compact rooftop dwelling forming a partial fourth level. The main block has weathered red-brown brick veneer; the rooftop room and rooftop boundary wall have pale gray cement render. The site has one narrow pale-gray concrete alley leading to exactly one dark-green painted-steel ground entrance door, with a small concrete yard and recessed area beyond it. One steep dark-gray painted-steel exterior stair rises from beside the recessed yard along the building to the rooftop. A faded green polyurethane-waterproofed open deck surrounds the rooftop room. The room has exactly one dark-green painted-steel entrance door near the stair arrival and exactly one separate silver aluminum-framed exterior window. One cylindrical silver stainless-steel water tank occupies another part of the deck, and one pale-gray rendered boundary wall remains within sight of the window. The finishes are old, faded, stained, chipped and locally rusted. The complete site stands among adjacent low-rise villas in a believable, currently inhabited working neighborhood on the outskirts of Incheon in 2026.", "location_line_en": "An aging low-rise multifamily villa with a rooftop dwelling in an inhabited neighborhood on the outskirts of Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심 구성", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "그 시각. 옥탑방 옥상. 물탱크.", "신발은 옥탑방 철문 현관 앞에 멈춰 선다.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고, 옥탑방과 연결되는 계단을 급히 오른다." ], "prompt_en": "An aging, currently inhabited low-rise residential neighborhood surrounds the site on the outskirts of Incheon, with adjacent villas enclosing a narrow ordinary alley. The target is one narrow rectangular three-storey reinforced-concrete multifamily villa with weathered red-brown brick veneer and a single compact rooftop dwelling as a partial fourth level. The pale-gray concrete alley reaches exactly one dark-green painted-steel ground entrance door. Beyond the door is a small concrete yard with a recessed area beside the base of one steep dark-gray painted-steel exterior stair. The stair rises along the villa exterior and terminates on the rooftop. A faded green polyurethane-waterproofed open deck surrounds the pale-gray cement-rendered rooftop room. Exactly one dark-green painted-steel entrance door opens from the room onto the deck near the stair arrival, and exactly one separate exterior window has a silver aluminum frame. One cylindrical silver stainless-steel water tank occupies another part of the deck. One pale-gray cement-rendered boundary wall borders the rooftop-room exterior area within sight of the window. Brick, render and concrete are stained and faded; painted steel is chipped with localized rust.", "variant_id": "v1" }, { "approach_ko": "골목과 대지 동선 중심 구성", "evidence_ko": [ "인천 변두리", "자전거를 타고 골목길을 달리는 수리영.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에", "옥탑방과 연결되는 계단을 급히 오른다." ], "prompt_en": "The site belongs to a dense, currently inhabited working neighborhood of aging low-rise villas on the outskirts of Incheon. Its narrow pale-gray concrete alley is enclosed by ordinary adjacent residential buildings and leads directly to the target. The target is a narrow rectangular three-storey reinforced-concrete villa faced in faded red-brown brick, with one compact pale-gray rendered rooftop dwelling forming a partial fourth level. Exactly one dark-green painted-steel entrance door separates the alley from a small concrete yard. The yard includes a recessed pocket beside the base of one steep exterior stair of worn dark-gray painted steel. This stair follows the villa wall to a flat rooftop deck finished in faded green polyurethane waterproofing. The open deck surrounds the rooftop room. Near the stair arrival, exactly one dark-green painted-steel room door opens onto the deck; exactly one separate silver aluminum-framed window occupies another exterior face. One cylindrical silver stainless-steel water tank stands elsewhere on the deck. One pale-gray cement-rendered boundary wall borders the room’s exterior area and remains visible from the window. The masonry is dulled and stained, the deck is patch-worn, and the steel has chipped paint and minor rust.", "variant_id": "v2" }, { "approach_ko": "재료와 건물 유형 중심 구성", "evidence_ko": [ "오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관", "반쯤 열린 현관 철문." ], "prompt_en": "A believable, currently inhabited 2026 Incheon neighborhood surrounds the target, formed by closely adjoining older low-rise villas and ordinary working residential fabric. The target is one narrow rectangular three-storey reinforced-concrete multifamily block with a single compact rooftop dwelling as a partial fourth level. Its principal finish is aged red-brown brick veneer, while the rooftop room is pale-gray cement render. One pale-gray poured-concrete alley approaches exactly one dark-green painted-steel ground entrance door, which opens into a small concrete yard with a recessed section beside the exterior stair base. One steep dark-gray painted-steel stair rises along the building and arrives on the rooftop. Faded green polyurethane waterproofing covers the open deck around the rooftop room. The room has exactly one dark-green painted-steel entrance door opening onto the deck near the stair arrival and exactly one separate clear-glazed window in a silver aluminum frame. One cylindrical silver stainless-steel water tank occupies a different part of the deck. One pale-gray cement-rendered boundary wall borders the rooftop-room exterior area within sight of the window. The brick is unevenly faded, the render carries age stains, the concrete is worn, and both steel doors and the stair show chipped paint and restrained rust.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "7452e5a735f47b38", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same narrow rectangular three-storey reinforced-concrete multifamily villa with a single compact rooftop dwelling forming a partial fourth level. The main block has weathered red-brown brick veneer; the rooftop room and rooftop boundary wall have pale gray cement render. The site has one narrow pale-gray concrete alley leading to exactly one dark-green painted-steel ground entrance door, with a small concrete yard and recessed area beyond it. One steep dark-gray painted-steel exterior stair rises from beside the recessed yard along the building to the rooftop. A faded green polyurethane-waterproofed open deck surrounds the rooftop room. The room has exactly one dark-green painted-steel entrance door near the stair arrival and exactly one separate silver aluminum-framed exterior window. One cylindrical silver stainless-steel water tank occupies another part of the deck, and one pale-gray rendered boundary wall remains within sight of the window. The finishes are old, faded, stained, chipped and locally rusted. The complete site stands among adjacent low-rise villas in a believable, currently inhabited working neighborhood on the outskirts of Incheon in 2026.\n\nTHE LOCATION: An aging low-rise multifamily villa with a rooftop dwelling in an inhabited neighborhood on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo leaves; advertising leaflet in the entrance-door gap; half-open entrance-door state; bicycle in the recessed yard; arriving vehicle; illuminated rooftop-room state; window reflections and human shadows", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn aging, currently inhabited low-rise residential neighborhood surrounds the site on the outskirts of Incheon, with adjacent villas enclosing a narrow ordinary alley. The target is one narrow rectangular three-storey reinforced-concrete multifamily villa with weathered red-brown brick veneer and a single compact rooftop dwelling as a partial fourth level. The pale-gray concrete alley reaches exactly one dark-green painted-steel ground entrance door. Beyond the door is a small concrete yard with a recessed area beside the base of one steep dark-gray painted-steel exterior stair. The stair rises along the villa exterior and terminates on the rooftop. A faded green polyurethane-waterproofed open deck surrounds the pale-gray cement-rendered rooftop room. Exactly one dark-green painted-steel entrance door opens from the room onto the deck near the stair arrival, and exactly one separate exterior window has a silver aluminum frame. One cylindrical silver stainless-steel water tank occupies another part of the deck. One pale-gray cement-rendered boundary wall borders the rooftop-room exterior area within sight of the window. Brick, render and concrete are stained and faded; painted steel is chipped with localized rust.\n\nTHE LOCATION: An aging low-rise multifamily villa with a rooftop dwelling in an inhabited neighborhood on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo leaves; advertising leaflet in the entrance-door gap; half-open entrance-door state; bicycle in the recessed yard; arriving vehicle; illuminated rooftop-room state; window reflections and human shadows\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a dense, currently inhabited working neighborhood of aging low-rise villas on the outskirts of Incheon. Its narrow pale-gray concrete alley is enclosed by ordinary adjacent residential buildings and leads directly to the target. The target is a narrow rectangular three-storey reinforced-concrete villa faced in faded red-brown brick, with one compact pale-gray rendered rooftop dwelling forming a partial fourth level. Exactly one dark-green painted-steel entrance door separates the alley from a small concrete yard. The yard includes a recessed pocket beside the base of one steep exterior stair of worn dark-gray painted steel. This stair follows the villa wall to a flat rooftop deck finished in faded green polyurethane waterproofing. The open deck surrounds the rooftop room. Near the stair arrival, exactly one dark-green painted-steel room door opens onto the deck; exactly one separate silver aluminum-framed window occupies another exterior face. One cylindrical silver stainless-steel water tank stands elsewhere on the deck. One pale-gray cement-rendered boundary wall borders the room’s exterior area and remains visible from the window. The masonry is dulled and stained, the deck is patch-worn, and the steel has chipped paint and minor rust.\n\nTHE LOCATION: An aging low-rise multifamily villa with a rooftop dwelling in an inhabited neighborhood on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo leaves; advertising leaflet in the entrance-door gap; half-open entrance-door state; bicycle in the recessed yard; arriving vehicle; illuminated rooftop-room state; window reflections and human shadows\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable, currently inhabited 2026 Incheon neighborhood surrounds the target, formed by closely adjoining older low-rise villas and ordinary working residential fabric. The target is one narrow rectangular three-storey reinforced-concrete multifamily block with a single compact rooftop dwelling as a partial fourth level. Its principal finish is aged red-brown brick veneer, while the rooftop room is pale-gray cement render. One pale-gray poured-concrete alley approaches exactly one dark-green painted-steel ground entrance door, which opens into a small concrete yard with a recessed section beside the exterior stair base. One steep dark-gray painted-steel stair rises along the building and arrives on the rooftop. Faded green polyurethane waterproofing covers the open deck around the rooftop room. The room has exactly one dark-green painted-steel entrance door opening onto the deck near the stair arrival and exactly one separate clear-glazed window in a silver aluminum frame. One cylindrical silver stainless-steel water tank occupies a different part of the deck. One pale-gray cement-rendered boundary wall borders the rooftop-room exterior area within sight of the window. The brick is unevenly faded, the render carries age stains, the concrete is worn, and both steel doors and the stair show chipped paint and restrained rust.\n\nTHE LOCATION: An aging low-rise multifamily villa with a rooftop dwelling in an inhabited neighborhood on the outskirts of Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo leaves; advertising leaflet in the entrance-door gap; half-open entrance-door state; bicycle in the recessed yard; arriving vehicle; illuminated rooftop-room state; window reflections and human shadows\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 5, "C": 3 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Matches most layout and material constraints, accurately applying the pale gray render to the boundary wall, but only depicts a two-storey main block rather than three." }, { "label": "B", "score": 5, "verdict_ko": "Misses the storey count and fails material conformance by cladding the rooftop boundary wall in brick instead of the requested pale gray render." }, { "label": "C", "score": 3, "verdict_ko": "Hard violation: features a physically impossible floating green entrance door on the upper brick facade with no means of access." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "메인 빌라가 3층이 아닌 2층으로 묘사되어 옥탑방이 4층이 아닌 3층에 위치해 있습니다.", "fix_en": "Add one full brick storey to the main building to make it three storeys tall before the rooftop level." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add one full brick storey to the main building to make it three storeys tall before the rooftop level.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_supermarket_complex": { "author_fp": "4867e380979a844c", "author": { "conformance_brief_en": "Every image must show the same two-storey, broad low rectangular supermarket at the frontage of a harbor-adjacent commercial street in South Korea in 2026. The reinforced-concrete building is clad in pale gray and off-white aluminum composite panels, with a flat roof concealed by a pale gray metal-clad parapet, a lightly weathered exterior, and a darker grime band near the base. Its street face has one broad exterior entrance consisting of clear automatic sliding glass doors in dark gray aluminum frames; no other prominent frontage openings are present. A small gray concrete-paved approach connects that entrance directly to the gray asphalt commercial street. Multicolored neon signs are distributed along the street route. The harbor adjoins the commercial district without a fixed direction relative to the supermarket. The surrounding low- and mid-rise commercial neighborhood must appear currently occupied, maintained, ordinary, and regionally authentic.", "location_line_en": "A large street-front supermarket in a harbor-adjacent commercial district in contemporary South Korea, 2026.", "variants": [ { "approach_ko": "원문 공간 동선 중심 구성", "evidence_ko": [ "포구와 인접해 있는 번화가", "네온사인", "대형 마트", "마트에 도착해", "마트 밖을 나오면서" ], "prompt_en": "A currently occupied commercial neighborhood adjoins a working harbor in South Korea in 2026. A gray asphalt street runs through maintained low- and mid-rise commercial fabric, with multicolored neon signs distributed along the route; the harbor has no fixed directional placement relative to the supermarket. The supermarket is a definite two-storey, broad low rectangular reinforced-concrete building occupying the street frontage. Pale gray and off-white aluminum composite panels cover the exterior, and a flat roof sits behind a pale gray metal-clad parapet. Light surface weathering and a darker grime band mark the base. The mostly solid street face contains one broad entrance of clear automatic sliding glass doors in dark gray aluminum frames. A small gray concrete-paved approach immediately outside the entrance connects its threshold directly to the commercial street.", "variant_id": "v1" }, { "approach_ko": "항구 상권의 생활 환경 우선 구성", "evidence_ko": [ "포구와 인접해 있는 번화가", "번화가·대형 마트", "네온사인" ], "prompt_en": "The site belongs to an ordinary, currently occupied harbor-side commercial district in South Korea in 2026. Maintained low- and mid-rise commercial buildings enclose a gray asphalt street, and multicolored neon signs continue along its route toward the supermarket; the adjoining harbor is not assigned to any compass side. At the street frontage stands a two-storey supermarket with a broad, low rectangular mass. Its reinforced-concrete shell has pale gray and off-white aluminum composite panel cladding, a flat roof, and a pale gray metal-clad parapet. The finish is lightly weathered, with darker grime close to the base. One broad street-facing entrance uses clear automatic sliding glass doors and dark gray aluminum frames, while the remaining frontage is mostly solid. The entrance opens onto a small gray concrete-paved approach that joins the commercial street directly.", "variant_id": "v2" }, { "approach_ko": "상업 건축 재료와 유형 중심 구성", "evidence_ko": [ "대형 마트", "포구와 인접해 있는 번화가", "네온사인", "마트 밖" ], "prompt_en": "A believable, maintained commercial neighborhood surrounds the site in a harbor-adjacent South Korean district in 2026. Its gray asphalt street passes through ordinary low- and mid-rise commercial fabric, with multicolored neon signs positioned along the street route; the harbor remains adjacent without a specified orientation. The target is one broad, low, two-storey rectangular supermarket built from reinforced concrete. Pale gray and off-white aluminum composite panels form its exterior skin, and a pale gray metal-clad parapet hides the flat roof. Mild streaking, panel wear, and a darker grime band at ground level show routine exposure without neglect. The street elevation is largely solid and has exactly one prominent entrance: clear automatic sliding glass doors held in dark gray aluminum frames. Immediately outside, a compact gray concrete-paved approach links the entrance to the commercial street.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "de38335488cbb48e", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same two-storey, broad low rectangular supermarket at the frontage of a harbor-adjacent commercial street in South Korea in 2026. The reinforced-concrete building is clad in pale gray and off-white aluminum composite panels, with a flat roof concealed by a pale gray metal-clad parapet, a lightly weathered exterior, and a darker grime band near the base. Its street face has one broad exterior entrance consisting of clear automatic sliding glass doors in dark gray aluminum frames; no other prominent frontage openings are present. A small gray concrete-paved approach connects that entrance directly to the gray asphalt commercial street. Multicolored neon signs are distributed along the street route. The harbor adjoins the commercial district without a fixed direction relative to the supermarket. The surrounding low- and mid-rise commercial neighborhood must appear currently occupied, maintained, ordinary, and regionally authentic.\n\nTHE LOCATION: A large street-front supermarket in a harbor-adjacent commercial district in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young's bicycle; taxis on the commercial street; street stalls; street hawking activity; dusk condition", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently occupied commercial neighborhood adjoins a working harbor in South Korea in 2026. A gray asphalt street runs through maintained low- and mid-rise commercial fabric, with multicolored neon signs distributed along the route; the harbor has no fixed directional placement relative to the supermarket. The supermarket is a definite two-storey, broad low rectangular reinforced-concrete building occupying the street frontage. Pale gray and off-white aluminum composite panels cover the exterior, and a flat roof sits behind a pale gray metal-clad parapet. Light surface weathering and a darker grime band mark the base. The mostly solid street face contains one broad entrance of clear automatic sliding glass doors in dark gray aluminum frames. A small gray concrete-paved approach immediately outside the entrance connects its threshold directly to the commercial street.\n\nTHE LOCATION: A large street-front supermarket in a harbor-adjacent commercial district in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young's bicycle; taxis on the commercial street; street stalls; street hawking activity; dusk condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an ordinary, currently occupied harbor-side commercial district in South Korea in 2026. Maintained low- and mid-rise commercial buildings enclose a gray asphalt street, and multicolored neon signs continue along its route toward the supermarket; the adjoining harbor is not assigned to any compass side. At the street frontage stands a two-storey supermarket with a broad, low rectangular mass. Its reinforced-concrete shell has pale gray and off-white aluminum composite panel cladding, a flat roof, and a pale gray metal-clad parapet. The finish is lightly weathered, with darker grime close to the base. One broad street-facing entrance uses clear automatic sliding glass doors and dark gray aluminum frames, while the remaining frontage is mostly solid. The entrance opens onto a small gray concrete-paved approach that joins the commercial street directly.\n\nTHE LOCATION: A large street-front supermarket in a harbor-adjacent commercial district in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young's bicycle; taxis on the commercial street; street stalls; street hawking activity; dusk condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable, maintained commercial neighborhood surrounds the site in a harbor-adjacent South Korean district in 2026. Its gray asphalt street passes through ordinary low- and mid-rise commercial fabric, with multicolored neon signs positioned along the street route; the harbor remains adjacent without a specified orientation. The target is one broad, low, two-storey rectangular supermarket built from reinforced concrete. Pale gray and off-white aluminum composite panels form its exterior skin, and a pale gray metal-clad parapet hides the flat roof. Mild streaking, panel wear, and a darker grime band at ground level show routine exposure without neglect. The street elevation is largely solid and has exactly one prominent entrance: clear automatic sliding glass doors held in dark gray aluminum frames. Immediately outside, a compact gray concrete-paved approach links the entrance to the commercial street.\n\nTHE LOCATION: A large street-front supermarket in a harbor-adjacent commercial district in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young's bicycle; taxis on the commercial street; street stalls; street hawking activity; dusk condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 4, "C": 5 }, "selected": "A", "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Captures all mandated elements and avoids exclusions, though its overall plausibility is hindered by a noticeably rendered, non-photographic aesthetic." }, { "label": "B", "score": 4, "verdict_ko": "Violates brief conformance by lacking the required harbor context entirely and introducing an extra prominent paneled opening on the frontage." }, { "label": "C", "score": 5, "verdict_ko": "Violates brief conformance by including an explicitly excluded scene transient (a taxi is clearly visible on the street in the lower right)." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "건물이 명확한 2층 구조가 아닌 단일 층고의 높은 상자형 건물로 보입니다.", "fix_en": "Divide the exterior cladding with a horizontal architectural seam midway up to clearly establish a two-storey structure." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Divide the exterior cladding with a horizontal architectural seam midway up to clearly establish a two-storey structure.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } }