{ "status": "completed", "applicable_count": 3, "completed_count": 3, "failed_count": 0, "schema_version": 2, "config_hash": "b40116bf2436757a", "data": { "groups": { "bg_animal_shelter_yard": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/3d854b4e-d628-4d4e-a68c-c81a9c8fbf00/images/background_chain/seed_bg_animal_shelter_yard_sel.png", "seed_asset_id": "86bc55f9-d91a-478c-bc66-22ddcc4e3055", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active animal shelter occupies part of a currently inhabited, ordinary working neighborhood in coastal Incheon in 2026, surrounded by the normal mixed urban fabric of the area. The target is a single-level, ground-level outdoor kennel installation with no upper storey, formed as a low linear run of dog-holding enclosures. Rough, dull silver-gray galvanized steel wire mesh defines the enclosure faces, with modest working wear and light surface oxidation. The floor is worn medium-gray cement-finished concrete. A ground-level access area with the same concrete finish runs directly beside and adjoins one exterior side of the holding enclosure as its permanent approach and viewing zone. The shelter and its neighborhood remain maintained and in use, not isolated, abandoned, or prison-like.\n\nTHE LOCATION: An outdoor dog-holding enclosure and adjoining access area at an active animal shelter in a working coastal Incheon neighborhood, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; other sheltered dogs; injection syringe; mobile phone; ointment and grooming supplies; shelter workers and visitor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same single-level, ground-level outdoor kennel installation with no upper storey: a low linear dog-holding enclosure run made of rough, dull silver-gray galvanized steel wire mesh over a worn medium-gray cement-finished concrete floor. A ground-level access area of the same flooring directly adjoins one exterior side of the enclosure and follows it as the fixed approach and viewing zone. Zero target openings have a specifically evidenced count, so no prominent extra openings may be invented. The target must stand within a believable, currently inhabited working shelter neighborhood in coastal Incheon in 2026, not on isolated ground and not as an abandoned or prison-like compound.", "location_line_en": "An outdoor dog-holding enclosure and adjoining access area at an active animal shelter in a working coastal Incheon neighborhood, South Korea, in 2026.", "variants": [ { "approach_ko": "시나리오의 보호원 기능과 철장 구역을 직접 시각화한 접근", "evidence_ko": [ "유기견 보호원 / D", "갇혀있는 개들", "재들 전부 오늘 예방접종 맞히고 예쁘장하게 털도 깎아야 혀.", "털깎고, 연고 바르고, 목욕시키고등" ], "prompt_en": "An active animal shelter occupies part of a currently inhabited, ordinary working neighborhood in coastal Incheon in 2026, surrounded by the normal mixed urban fabric of the area. The target is a single-level, ground-level outdoor kennel installation with no upper storey, formed as a low linear run of dog-holding enclosures. Rough, dull silver-gray galvanized steel wire mesh defines the enclosure faces, with modest working wear and light surface oxidation. The floor is worn medium-gray cement-finished concrete. A ground-level access area with the same concrete finish runs directly beside and adjoins one exterior side of the holding enclosure as its permanent approach and viewing zone. The shelter and its neighborhood remain maintained and in use, not isolated, abandoned, or prison-like.", "variant_id": "v1" }, { "approach_ko": "해안 도시의 생활권과 보호원 입지를 먼저 확립한 접근", "evidence_ko": [], "prompt_en": "The location belongs to a currently inhabited working district of coastal Incheon in 2026. The active animal shelter is integrated into the ordinary neighborhood rather than standing alone on empty land. At its center is the target: a low linear outdoor dog-holding enclosure run occupying one ground level, with no upper storey. Its enclosure faces are rough galvanized steel wire mesh in a dull silver-gray finish, lightly oxidized and worn through routine use. Worn medium-gray cement-finished concrete covers the ground. The permanent enclosure access area directly adjoins one exterior side and continues beside the holding area on the same concrete surface, providing the fixed circulation and viewing zone. The overall site reads as functional, maintained, and in regular use.", "variant_id": "v2" }, { "approach_ko": "철망과 시멘트의 재료·마모 특성에서 공간 구성을 세운 접근", "evidence_ko": [], "prompt_en": "Rough dull silver-gray galvanized steel wire mesh and worn medium-gray cement-finished concrete establish the target structure. The mesh has restrained working wear and light surface oxidation without derelict damage. It forms a low linear run of outdoor dog-holding enclosures at one ground level, with no upper storey. The concrete floor continues into a permanent ground-level access area that immediately adjoins and follows one exterior side of the enclosure, creating the fixed approach and viewing zone. This active shelter area sits within the ordinary inhabited fabric of a working coastal Incheon neighborhood in 2026. The surrounding place is maintained and integrated with its neighborhood, never isolated or prison-like.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active animal shelter occupies part of a currently inhabited, ordinary working neighborhood in coastal Incheon in 2026, surrounded by the normal mixed urban fabric of the area. The target is a single-level, ground-level outdoor kennel installation with no upper storey, formed as a low linear run of dog-holding enclosures. Rough, dull silver-gray galvanized steel wire mesh defines the enclosure faces, with modest working wear and light surface oxidation. The floor is worn medium-gray cement-finished concrete. A ground-level access area with the same concrete finish runs directly beside and adjoins one exterior side of the holding enclosure as its permanent approach and viewing zone. The shelter and its neighborhood remain maintained and in use, not isolated, abandoned, or prison-like.\n\nTHE LOCATION: An outdoor dog-holding enclosure and adjoining access area at an active animal shelter in a working coastal Incheon neighborhood, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; other sheltered dogs; injection syringe; mobile phone; ointment and grooming supplies; shelter workers and visitor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently inhabited working district of coastal Incheon in 2026. The active animal shelter is integrated into the ordinary neighborhood rather than standing alone on empty land. At its center is the target: a low linear outdoor dog-holding enclosure run occupying one ground level, with no upper storey. Its enclosure faces are rough galvanized steel wire mesh in a dull silver-gray finish, lightly oxidized and worn through routine use. Worn medium-gray cement-finished concrete covers the ground. The permanent enclosure access area directly adjoins one exterior side and continues beside the holding area on the same concrete surface, providing the fixed circulation and viewing zone. The overall site reads as functional, maintained, and in regular use.\n\nTHE LOCATION: An outdoor dog-holding enclosure and adjoining access area at an active animal shelter in a working coastal Incheon neighborhood, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; other sheltered dogs; injection syringe; mobile phone; ointment and grooming supplies; shelter workers and visitor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nRough dull silver-gray galvanized steel wire mesh and worn medium-gray cement-finished concrete establish the target structure. The mesh has restrained working wear and light surface oxidation without derelict damage. It forms a low linear run of outdoor dog-holding enclosures at one ground level, with no upper storey. The concrete floor continues into a permanent ground-level access area that immediately adjoins and follows one exterior side of the enclosure, creating the fixed approach and viewing zone. This active shelter area sits within the ordinary inhabited fabric of a working coastal Incheon neighborhood in 2026. The surrounding place is maintained and integrated with its neighborhood, never isolated or prison-like.\n\nTHE LOCATION: An outdoor dog-holding enclosure and adjoining access area at an active animal shelter in a working coastal Incheon neighborhood, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; other sheltered dogs; injection syringe; mobile phone; ointment and grooming supplies; shelter workers and visitor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same single-level, ground-level outdoor kennel installation with no upper storey: a low linear dog-holding enclosure run made of rough, dull silver-gray galvanized steel wire mesh over a worn medium-gray cement-finished concrete floor. A ground-level access area of the same flooring directly adjoins one exterior side of the enclosure and follows it as the fixed approach and viewing zone. Zero target openings have a specifically evidenced count, so no prominent extra openings may be invented. The target must stand within a believable, currently inhabited working shelter neighborhood in coastal Incheon in 2026, not on isolated ground and not as an abandoned or prison-like compound.\n\nTHE LOCATION: An outdoor dog-holding enclosure and adjoining access area at an active animal shelter in a working coastal Incheon neighborhood, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; other sheltered dogs; injection syringe; mobile phone; ointment and grooming supplies; shelter workers and visitor", "seed_decision": { "input_fingerprint": "af89d804f0d5f445", "totals": { "A": 7, "B": 3, "C": 4 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Accurately presents the low linear wire mesh enclosure on a concrete floor within a convincing coastal Korean street setting, correctly excluding all specified transients." }, { "label": "B", "score": 3, "verdict_ko": "Disqualified due to physically impossible structures, such as the large pipe merging inexplicably into the left concrete wall and multiple mop handles fusing together on the right." }, { "label": "C", "score": 4, "verdict_ko": "Fails brief conformance by building the enclosure with massive concrete pillars and beams, violating the specified wire mesh material and low linear massing." } ], "critique": { "issues": [ { "issue_ko": "프롬프트의 지시(철망과 콘크리트 바닥으로 이루어짐)에 없는 불투명한 골판형 금속 지붕이 영구적인 구조물 요소로 추가되었습니다.", "fix_en": "Remove the unprompted solid corrugated metal roof, replacing it with the specified galvanized steel wire mesh to cover the top." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the unprompted solid corrugated metal roof, replacing it with the specified galvanized steel wire mesh to cover the top.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_large_market": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/3d854b4e-d628-4d4e-a68c-c81a9c8fbf00/images/background_chain/seed_bg_large_market_sel.png", "seed_asset_id": "77eb6a72-1f52-4db7-abd8-8899935a5b4e", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a modern one-storey supermarket built as a broad, deep rectangular commercial box. It has light warm-gray precast-concrete exterior panels, a continuous charcoal-gray aluminum-composite fascia, and a flat roof finished with a pale-gray membrane. The finish is maintained, with minor rain streaks and salt dulling consistent with coastal Incheon. Its street-facing wall contains exactly one wide recessed public entrance opening with clear-glass automatic sliding doors in silver anodized-aluminum frames. Directly outside is a light-gray concrete-paver entrance frontage, which joins the end of the asphalt commercial street approach without an intervening barrier. Plain side wall faces continue the same concrete-panel finish. The surrounding low- to mid-rise commercial neighborhood is occupied and working, with the harbor adjoining the wider district off to one side rather than breaking the route. Dusk daylight remains over the site.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial street in coastal Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSoo-ri-young's bicycle; Taxis on the commercial street; Street solicitors; Street vending stalls; Neon signs; Handheld smartphone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same one-storey, broad and deep rectangular supermarket at the end of an asphalt commercial-district street in coastal Incheon in 2026. Its flat-roofed exterior uses light warm-gray precast-concrete wall panels, a charcoal-gray aluminum-composite fascia, silver anodized-aluminum entrance framing, and a pale-gray membrane roof. The street-facing elevation has exactly one wide recessed public entrance opening fitted with clear-glass automatic sliding doors. A light-gray concrete-paver entrance frontage lies directly between that entrance and the street approach. The harbor adjoins the wider commercial district off to one side and does not interrupt the route. The building is maintained but has minor coastal salt dulling and rain streaks. A believable, occupied low- to mid-rise working commercial neighborhood must surround the route and supermarket.", "location_line_en": "A large supermarket at the end of a harbor-adjacent commercial street in coastal Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 동선과 장소 표현을 직접 시각화한 접근", "evidence_ko": [ "번화가·대형 마트 / 해질 무렵", "포구와 인접해 있는 번화가", "마트에 도착해 자전거를 세우고, 안으로 들어간다.", "수리영 마트 밖을 나오면서", "현대적인 대형 상업 건물의 출입구 주변", "유리로 된 자동문과 그 앞의 보도 공간" ], "prompt_en": "At dusk, an asphalt street runs through an occupied low- to mid-rise working commercial neighborhood in coastal Incheon and ends at a large supermarket. The harbor adjoins the wider district off to one side without crossing the route. The supermarket is a one-storey, broad and deep rectangular building with a flat pale-gray membrane roof, light warm-gray precast-concrete wall panels, and a charcoal-gray aluminum-composite fascia. Minor salt dulling and rain streaks mark the panel joints and base, while the property remains maintained and in use. The street-facing elevation has exactly one wide recessed public entrance opening, fitted with clear-glass automatic sliding doors in silver anodized-aluminum frames. A light-gray concrete-paver entrance frontage extends directly from the doors to the end of the street approach. The side faces are plain continuations of the same concrete-panel exterior.", "variant_id": "v1" }, { "approach_ko": "주변 상권과 항구의 공간 관계를 먼저 정리한 접근", "evidence_ko": [ "포구와 인접해 있는 번화가", "번화가·대형 마트", "마트에 도착해", "안으로 들어간다", "마트 밖을 나오면서" ], "prompt_en": "A maintained, occupied commercial district of ordinary low- to mid-rise buildings surrounds an asphalt street approach in coastal Incheon at dusk. The adjacent harbor belongs to the wider district off one side; it does not interrupt the street leading to the supermarket. At the end of the approach stands a one-storey supermarket with a broad, deep rectangular mass and a flat pale-gray membrane roof. Its walls are light warm-gray precast concrete, with a charcoal-gray aluminum-composite fascia and restrained coastal salt dulling and rain streaking at joints and along the base. The front elevation faces a light-gray concrete-paver entrance frontage. Exactly one wide recessed public entrance opening connects this frontage to the building, using clear-glass automatic sliding doors with silver anodized-aluminum frames. The frontage occupies the full connection between the entrance and the street approach, and the plain side elevations continue the same panel construction.", "variant_id": "v2" }, { "approach_ko": "건물 유형과 외장 재료를 중심으로 고정한 접근", "evidence_ko": [ "대형 마트", "현대적인 대형 상업 건물의 출입구 주변", "유리로 된 자동문", "그 앞의 보도 공간", "포구와 인접해 있는 번화가" ], "prompt_en": "The target is a modern one-storey supermarket built as a broad, deep rectangular commercial box. It has light warm-gray precast-concrete exterior panels, a continuous charcoal-gray aluminum-composite fascia, and a flat roof finished with a pale-gray membrane. The finish is maintained, with minor rain streaks and salt dulling consistent with coastal Incheon. Its street-facing wall contains exactly one wide recessed public entrance opening with clear-glass automatic sliding doors in silver anodized-aluminum frames. Directly outside is a light-gray concrete-paver entrance frontage, which joins the end of the asphalt commercial street approach without an intervening barrier. Plain side wall faces continue the same concrete-panel finish. The surrounding low- to mid-rise commercial neighborhood is occupied and working, with the harbor adjoining the wider district off to one side rather than breaking the route. Dusk daylight remains over the site.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAt dusk, an asphalt street runs through an occupied low- to mid-rise working commercial neighborhood in coastal Incheon and ends at a large supermarket. The harbor adjoins the wider district off to one side without crossing the route. The supermarket is a one-storey, broad and deep rectangular building with a flat pale-gray membrane roof, light warm-gray precast-concrete wall panels, and a charcoal-gray aluminum-composite fascia. Minor salt dulling and rain streaks mark the panel joints and base, while the property remains maintained and in use. The street-facing elevation has exactly one wide recessed public entrance opening, fitted with clear-glass automatic sliding doors in silver anodized-aluminum frames. A light-gray concrete-paver entrance frontage extends directly from the doors to the end of the street approach. The side faces are plain continuations of the same concrete-panel exterior.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial street in coastal Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSoo-ri-young's bicycle; Taxis on the commercial street; Street solicitors; Street vending stalls; Neon signs; Handheld smartphone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA maintained, occupied commercial district of ordinary low- to mid-rise buildings surrounds an asphalt street approach in coastal Incheon at dusk. The adjacent harbor belongs to the wider district off one side; it does not interrupt the street leading to the supermarket. At the end of the approach stands a one-storey supermarket with a broad, deep rectangular mass and a flat pale-gray membrane roof. Its walls are light warm-gray precast concrete, with a charcoal-gray aluminum-composite fascia and restrained coastal salt dulling and rain streaking at joints and along the base. The front elevation faces a light-gray concrete-paver entrance frontage. Exactly one wide recessed public entrance opening connects this frontage to the building, using clear-glass automatic sliding doors with silver anodized-aluminum frames. The frontage occupies the full connection between the entrance and the street approach, and the plain side elevations continue the same panel construction.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial street in coastal Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSoo-ri-young's bicycle; Taxis on the commercial street; Street solicitors; Street vending stalls; Neon signs; Handheld smartphone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a modern one-storey supermarket built as a broad, deep rectangular commercial box. It has light warm-gray precast-concrete exterior panels, a continuous charcoal-gray aluminum-composite fascia, and a flat roof finished with a pale-gray membrane. The finish is maintained, with minor rain streaks and salt dulling consistent with coastal Incheon. Its street-facing wall contains exactly one wide recessed public entrance opening with clear-glass automatic sliding doors in silver anodized-aluminum frames. Directly outside is a light-gray concrete-paver entrance frontage, which joins the end of the asphalt commercial street approach without an intervening barrier. Plain side wall faces continue the same concrete-panel finish. The surrounding low- to mid-rise commercial neighborhood is occupied and working, with the harbor adjoining the wider district off to one side rather than breaking the route. Dusk daylight remains over the site.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial street in coastal Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSoo-ri-young's bicycle; Taxis on the commercial street; Street solicitors; Street vending stalls; Neon signs; Handheld smartphone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same one-storey, broad and deep rectangular supermarket at the end of an asphalt commercial-district street in coastal Incheon in 2026. Its flat-roofed exterior uses light warm-gray precast-concrete wall panels, a charcoal-gray aluminum-composite fascia, silver anodized-aluminum entrance framing, and a pale-gray membrane roof. The street-facing elevation has exactly one wide recessed public entrance opening fitted with clear-glass automatic sliding doors. A light-gray concrete-paver entrance frontage lies directly between that entrance and the street approach. The harbor adjoins the wider commercial district off to one side and does not interrupt the route. The building is maintained but has minor coastal salt dulling and rain streaks. A believable, occupied low- to mid-rise working commercial neighborhood must surround the route and supermarket.\n\nTHE LOCATION: A large supermarket at the end of a harbor-adjacent commercial street in coastal Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSoo-ri-young's bicycle; Taxis on the commercial street; Street solicitors; Street vending stalls; Neon signs; Handheld smartphone", "seed_decision": { "input_fingerprint": "9cd45a6acabf90bc", "totals": { "C": 8, "B": 6, "A": 5 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 8, "verdict_ko": "지정된 직사각형태를 정확히 구현했으며 돌출부 없이 외벽 안으로 깔끔하게 들어간 출입구 구조가 지시문에 완벽히 부합합니다." }, { "label": "B", "score": 6, "verdict_ko": "건물 좌측 모서리가 깎여 있어 온전한 직사각형이 아니며, 출입구가 벽면 안으로 패인 형태가 아니라 바깥으로 돌출된 프레임을 덧대어 지시문과 어긋납니다." }, { "label": "A", "score": 5, "verdict_ko": "건물 모서리가 사선으로 잘려 있어 직사각형 요구를 충족하지 못하며, 출입구가 오목하게 들어간 형태가 아니라 평면 위에 캐노피가 추가된 구조입니다." } ], "critique": { "issues": [ { "issue_ko": "지정된 해질녘(dusk) 조명이 반영되지 않고 흐린 대낮으로 렌더링되었습니다.", "fix_en": "Change the global lighting and sky to reflect dusk daylight." }, { "issue_ko": "상업 거리가 건물 정면 진입로에서 끝나는 것이 아니라 측면을 따라 계속 이어지는 교차로 모퉁이에 배치되어 있습니다.", "fix_en": "Reconfigure the layout so the asphalt street approach terminates completely at the supermarket's front entrance frontage." }, { "issue_ko": "측면 벽이 평범한(plain) 형태가 아니라 돌출된 굵은 수직 기둥들로 구획되어 있습니다.", "fix_en": "Remove the protruding vertical columns along the side wall to render it as a flat, plain concrete-panel surface." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the global lighting and sky to reflect dusk daylight.\n- Reconfigure the layout so the asphalt street approach terminates completely at the supermarket's front entrance frontage.\n- Remove the protruding vertical columns along the side wall to render it as a flat, plain concrete-panel surface.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_rooftop_villa": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/3d854b4e-d628-4d4e-a68c-c81a9c8fbf00/images/background_chain/seed_bg_rooftop_villa_sel.png", "seed_asset_id": "94b066fc-41a4-4585-b22b-da082623153b", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a dense, lived-in outer Incheon neighborhood of closely packed older low-rise villas. A narrow patched dark gray asphalt alley approaches the target and ends at its single lower entry, with ordinary working-neighborhood surroundings continuing close around the property. The target villa is a definite three-full-storey rectangular reinforced-concrete block with a flat roof and a broad single-storey rooftop room above. Its alley-facing front and side faces are aged red-brown brick veneer, and the enclosed courtyard face is weathered gray cement render. One dark gray painted steel entry leads through the lower part of the villa into the rear courtyard. This confined courtyard includes a small parking hardstand on worn gray concrete. From its foot, one narrow and steep old concrete exterior stairway connects directly to the open rooftop beside the rooftop room. The rooftop is worn gray concrete and surrounds the pale gray cement-rendered masonry rooftop room. The room has exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window opening toward the rooftop. One dark blue polyethylene water tank occupies the open roof outside the room. One weathered gray concrete boundary wall follows an edge near the room. Coastal staining, localized rust, faded finishes and practical repairs make the old property clearly maintained and currently inhabited rather than derelict.\n\nTHE LOCATION: An old multi-family villa and rooftop dwelling at the end of a residential alley in coastal outer Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo; advertising flyer in the door gap; bicycle in the rear courtyard; vehicle near the villa; black cat on the rooftop; half-open entrance-door state; illuminated window state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "The target is one old three-full-storey rectangular reinforced-concrete multi-family villa with a flat roof and a broad, single-storey rooftop room above, not a fourth full storey. Its front and side elevations have aged red-brown brick veneer; its recessed courtyard face has weathered gray cement render. The alley is patched dark gray asphalt, while the rear courtyard, steep exterior stairway and open rooftop are worn gray concrete. One dark gray painted steel entry at the end of the alley leads into the rear courtyard and its small parking hardstand. The stairway rises directly from that courtyard to the rooftop beside the rooftop room. The rooftop room is pale gray cement-rendered masonry with exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window facing the roof. The open roof also contains one dark blue polyethylene water tank and one weathered gray concrete boundary wall along an edge near the room. Coastal staining, faded paint, minor rust and repaired surfaces show age without abandonment. A believable, currently inhabited low-rise outer Incheon neighborhood closely surrounds the villa.", "location_line_en": "An old multi-family villa and rooftop dwelling at the end of a residential alley in coastal outer Incheon, South Korea, in 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "그 시각. 옥탑방 옥상. 물탱크.", "신발은 옥탑방 철문 현관 앞에 멈춰 선다.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고, 옥탑방과 연결되는 계단을 급히 오른다.", "검은 고양이가 불이 켜져 있는 옥탑 방을 슬쩍 보더니 담을 넘는다" ], "prompt_en": "A dense, currently inhabited low-rise residential neighborhood in outer coastal Incheon surrounds the target at the end of a narrow patched dark gray asphalt alley. It is an ordinary working neighborhood of closely spaced older villas, not an isolated or abandoned site. The target is a rectangular three-full-storey reinforced-concrete multi-family villa with a flat roof and a broad single-storey rooftop room, not a fourth full storey. Aged red-brown brick veneer covers the front and side elevations, while the recessed courtyard face has weathered gray cement render with coastal staining and repaired patches. One dark gray painted steel entry terminates the alley and opens into a confined rear courtyard with a small parking hardstand and a worn, poorly sunlit gray concrete floor. A narrow, steep, aged concrete exterior stairway rises directly from this courtyard to the rooftop beside the rooftop room. The open rooftop has worn gray concrete paving. The rooftop room is a flat-roofed pale gray cement-rendered masonry volume with exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window facing the rooftop. One dark blue polyethylene water tank stands outside the room. One weathered gray concrete boundary wall runs along a rooftop edge near the room. Faded paint, minor rust, salt marks and routine repairs show long use while the property remains occupied.", "variant_id": "v1" }, { "approach_ko": "골목과 진입 동선 중심", "evidence_ko": [ "자전거를 타고 골목길을 달리는 수리영.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고, 옥탑방과 연결되는 계단을 급히 오른다.", "옥상에 올라와 보니 반쯤 열린 현관 철문.", "옥탑방 옥상. 물탱크." ], "prompt_en": "The site belongs to a dense, lived-in outer Incheon neighborhood of closely packed older low-rise villas. A narrow patched dark gray asphalt alley approaches the target and ends at its single lower entry, with ordinary working-neighborhood surroundings continuing close around the property. The target villa is a definite three-full-storey rectangular reinforced-concrete block with a flat roof and a broad single-storey rooftop room above. Its alley-facing front and side faces are aged red-brown brick veneer, and the enclosed courtyard face is weathered gray cement render. One dark gray painted steel entry leads through the lower part of the villa into the rear courtyard. This confined courtyard includes a small parking hardstand on worn gray concrete. From its foot, one narrow and steep old concrete exterior stairway connects directly to the open rooftop beside the rooftop room. The rooftop is worn gray concrete and surrounds the pale gray cement-rendered masonry rooftop room. The room has exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window opening toward the rooftop. One dark blue polyethylene water tank occupies the open roof outside the room. One weathered gray concrete boundary wall follows an edge near the room. Coastal staining, localized rust, faded finishes and practical repairs make the old property clearly maintained and currently inhabited rather than derelict.", "variant_id": "v2" }, { "approach_ko": "재료와 노후 흔적 중심", "evidence_ko": [ "오래된 빌라 옥탑방 전경.", "물탱크.", "옥탑방 철문 현관", "옥탑방과 연결되는 계단", "담을 넘는다" ], "prompt_en": "An ordinary, currently inhabited low-rise residential quarter of coastal outer Incheon encloses the target villa and its terminating alley. The surrounding neighborhood is dense and functional, with adjacent older villas close to the narrow patched dark gray asphalt approach. The target is one rectangular three-full-storey reinforced-concrete multi-family villa beneath a flat open roof, with a broad single-storey rooftop room rather than a complete fourth floor. Weathered red-brown brick veneer finishes the front and side elevations. Gray cement render finishes the recessed courtyard face, with salt streaks, old repair patches and restrained surface wear. At the alley end, one dark gray painted steel entry opens into a confined rear courtyard and small parking hardstand surfaced in worn gray concrete. A narrow, steep exterior stairway of aged gray concrete rises directly from this courtyard to the rooftop beside the rooftop room. The rooftop surface is worn gray concrete. The rooftop room is flat-roofed pale gray cement-rendered masonry. Its rooftop-facing wall contains exactly one faded dark green painted iron entrance door and exactly one small window with a silver aluminum frame. A single dark blue polyethylene water tank stands in the surrounding open roof area. A single weathered gray concrete boundary wall runs along an edge near the room. Minor rust, faded coatings and practical maintenance preserve the appearance of a long-used but occupied property.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA dense, currently inhabited low-rise residential neighborhood in outer coastal Incheon surrounds the target at the end of a narrow patched dark gray asphalt alley. It is an ordinary working neighborhood of closely spaced older villas, not an isolated or abandoned site. The target is a rectangular three-full-storey reinforced-concrete multi-family villa with a flat roof and a broad single-storey rooftop room, not a fourth full storey. Aged red-brown brick veneer covers the front and side elevations, while the recessed courtyard face has weathered gray cement render with coastal staining and repaired patches. One dark gray painted steel entry terminates the alley and opens into a confined rear courtyard with a small parking hardstand and a worn, poorly sunlit gray concrete floor. A narrow, steep, aged concrete exterior stairway rises directly from this courtyard to the rooftop beside the rooftop room. The open rooftop has worn gray concrete paving. The rooftop room is a flat-roofed pale gray cement-rendered masonry volume with exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window facing the rooftop. One dark blue polyethylene water tank stands outside the room. One weathered gray concrete boundary wall runs along a rooftop edge near the room. Faded paint, minor rust, salt marks and routine repairs show long use while the property remains occupied.\n\nTHE LOCATION: An old multi-family villa and rooftop dwelling at the end of a residential alley in coastal outer Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo; advertising flyer in the door gap; bicycle in the rear courtyard; vehicle near the villa; black cat on the rooftop; half-open entrance-door state; illuminated window state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a dense, lived-in outer Incheon neighborhood of closely packed older low-rise villas. A narrow patched dark gray asphalt alley approaches the target and ends at its single lower entry, with ordinary working-neighborhood surroundings continuing close around the property. The target villa is a definite three-full-storey rectangular reinforced-concrete block with a flat roof and a broad single-storey rooftop room above. Its alley-facing front and side faces are aged red-brown brick veneer, and the enclosed courtyard face is weathered gray cement render. One dark gray painted steel entry leads through the lower part of the villa into the rear courtyard. This confined courtyard includes a small parking hardstand on worn gray concrete. From its foot, one narrow and steep old concrete exterior stairway connects directly to the open rooftop beside the rooftop room. The rooftop is worn gray concrete and surrounds the pale gray cement-rendered masonry rooftop room. The room has exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window opening toward the rooftop. One dark blue polyethylene water tank occupies the open roof outside the room. One weathered gray concrete boundary wall follows an edge near the room. Coastal staining, localized rust, faded finishes and practical repairs make the old property clearly maintained and currently inhabited rather than derelict.\n\nTHE LOCATION: An old multi-family villa and rooftop dwelling at the end of a residential alley in coastal outer Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo; advertising flyer in the door gap; bicycle in the rear courtyard; vehicle near the villa; black cat on the rooftop; half-open entrance-door state; illuminated window state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited low-rise residential quarter of coastal outer Incheon encloses the target villa and its terminating alley. The surrounding neighborhood is dense and functional, with adjacent older villas close to the narrow patched dark gray asphalt approach. The target is one rectangular three-full-storey reinforced-concrete multi-family villa beneath a flat open roof, with a broad single-storey rooftop room rather than a complete fourth floor. Weathered red-brown brick veneer finishes the front and side elevations. Gray cement render finishes the recessed courtyard face, with salt streaks, old repair patches and restrained surface wear. At the alley end, one dark gray painted steel entry opens into a confined rear courtyard and small parking hardstand surfaced in worn gray concrete. A narrow, steep exterior stairway of aged gray concrete rises directly from this courtyard to the rooftop beside the rooftop room. The rooftop surface is worn gray concrete. The rooftop room is flat-roofed pale gray cement-rendered masonry. Its rooftop-facing wall contains exactly one faded dark green painted iron entrance door and exactly one small window with a silver aluminum frame. A single dark blue polyethylene water tank stands in the surrounding open roof area. A single weathered gray concrete boundary wall runs along an edge near the room. Minor rust, faded coatings and practical maintenance preserve the appearance of a long-used but occupied property.\n\nTHE LOCATION: An old multi-family villa and rooftop dwelling at the end of a residential alley in coastal outer Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo; advertising flyer in the door gap; bicycle in the rear courtyard; vehicle near the villa; black cat on the rooftop; half-open entrance-door state; illuminated window state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is one old three-full-storey rectangular reinforced-concrete multi-family villa with a flat roof and a broad, single-storey rooftop room above, not a fourth full storey. Its front and side elevations have aged red-brown brick veneer; its recessed courtyard face has weathered gray cement render. The alley is patched dark gray asphalt, while the rear courtyard, steep exterior stairway and open rooftop are worn gray concrete. One dark gray painted steel entry at the end of the alley leads into the rear courtyard and its small parking hardstand. The stairway rises directly from that courtyard to the rooftop beside the rooftop room. The rooftop room is pale gray cement-rendered masonry with exactly one faded dark green iron entrance door and exactly one small silver aluminum-framed window facing the roof. The open roof also contains one dark blue polyethylene water tank and one weathered gray concrete boundary wall along an edge near the room. Coastal staining, faded paint, minor rust and repaired surfaces show age without abandonment. A believable, currently inhabited low-rise outer Incheon neighborhood closely surrounds the villa.\n\nTHE LOCATION: An old multi-family villa and rooftop dwelling at the end of a residential alley in coastal outer Incheon, South Korea, in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; rooftop platform; dried seokchangpo; advertising flyer in the door gap; bicycle in the rear courtyard; vehicle near the villa; black cat on the rooftop; half-open entrance-door state; illuminated window state", "seed_decision": { "input_fingerprint": "76a4bd7e9f9268c6", "totals": { "B": 7, "A": 4, "C": 3 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "Provides the most accurate layout, materials, and element counts, correctly featuring exactly one water tank and a courtyard stairway, though it generates two full storeys instead of the requested three." }, { "label": "A", "score": 4, "verdict_ko": "Penalized for multiplying the strictly single water tank to three, including the excluded clothesline transient, and reducing the building's height to two storeys." }, { "label": "C", "score": 3, "verdict_ko": "Contains a hard violation for a physically impossible structure; the exterior stairway begins on an inaccessible first-floor ledge rather than rising directly from the courtyard as requested." } ], "critique": { "issues": [ { "issue_ko": "대상 빌라가 지정된 3층이 아닌 2층 구조로 묘사되었습니다.", "fix_en": "Insert a third full storey into the main brick-and-concrete villa block below the rooftop level." }, { "issue_ko": "제외해야 할 일시적 장면 요소인 열린 출입문 상태(골목 끝 대문)가 포함되었습니다.", "fix_en": "Close the dark gray steel courtyard entry gate completely." }, { "issue_ko": "제외해야 할 일시적 장면 요소인 빌라 근처의 차량(우측 도로의 흰색 트럭)이 포함되었습니다.", "fix_en": "Remove the white truck parked on the street next to the villa's right boundary wall." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Insert a third full storey into the main brick-and-concrete villa block below the rooftop level.\n- Close the dark gray steel courtyard entry gate completely.\n- Remove the white truck parked on the street next to the villa's right boundary wall.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } } }, "step_id": "outdoor_structure_seed", "run_id": "bc47a959-b812-48e6-8150-c278f8b692bd", "resolved_model": "gemini-image", "updated_at": "2026-07-16T20:32:59.073545+00:00", "project_config_snapshot": {} }