{ "status": "completed", "applicable_count": 25, "completed_count": 25, "failed_count": 0, "schema_version": 3, "config_hash": "ad439abbe5485751", "data": { "groups": { "bg_coastal_cliff": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_coastal_cliff_sel.png", "seed_asset_id": "7dc9c6b2-b74e-4bff-a59b-b84d18d0242b", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working island district in contemporary South Korea surrounds this natural coastal site, with ordinary regional signs of active coastal land use continuing inland beyond the forest. The overlook visibly carries the ordinary signs of regular local use and does not read as a sterile or abandoned wilderness. The target is a natural landform with zero built storeys. An inland margin of deep-green coastal forest with gray-brown trunks opens directly onto open cliff-top standing ground. Brown packed earth and exposed weathered dark-gray rock extend seaward from the forest to a distinct high brink. At the brink, the dark-gray bedrock drops near-vertically directly to the sea. Dark-gray rocks occupy the water at the foot of the cliff and remain visible from the top. The site forms one continuous inland-to-seaward sequence: forest margin, standing ground, high brink, vertical drop, sea and foot rocks.\n\nTHE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is a natural coastal landform with zero built storeys; architectural rooms, openings, frontage and signage are inapplicable. It consists of open cliff-top standing ground extending continuously from an adjoining inland forest margin to a distinct high seaward brink. The brink forms a near-vertical drop of weathered dark-gray coastal bedrock directly to the sea, with dark-gray rocks in the water at its foot and visible from the top. The standing surface is brown packed earth with exposed dark-gray rock, and the forest has regionally typical deep-green foliage and gray-brown trunks. The main top-side ground must physically span the full distance between forest and brink, and the forest must open directly onto it. The site belongs to a believable, currently inhabited working island district in contemporary South Korea; the broader surroundings and overlook must carry ordinary regional signs of active coastal land use rather than appearing abandoned, sterile or isolated from lived-in surroundings. Do not add a building or move, duplicate or omit any element of the inland-to-seaward topology.", "location_line_en": "A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "자연 해안 절벽은 통상 식별 간판을 갖는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 동선을 직접 시각화한 접근", "evidence_ko": [ "절벽에 서서 바다를 바라본다.", "숲에서 나온 산들이 영란 옆으로 다가선다.", "높은 절벽을 떨어진다.", "절벽 아래, 그리고 바다를 확인한다.", "바위에 부딪쳐 부서질 뿐" ], "prompt_en": "A currently inhabited working island district in contemporary South Korea surrounds this natural coastal site, with ordinary regional signs of active coastal land use continuing inland beyond the forest. The overlook visibly carries the ordinary signs of regular local use and does not read as a sterile or abandoned wilderness. The target is a natural landform with zero built storeys. An inland margin of deep-green coastal forest with gray-brown trunks opens directly onto open cliff-top standing ground. Brown packed earth and exposed weathered dark-gray rock extend seaward from the forest to a distinct high brink. At the brink, the dark-gray bedrock drops near-vertically directly to the sea. Dark-gray rocks occupy the water at the foot of the cliff and remain visible from the top. The site forms one continuous inland-to-seaward sequence: forest margin, standing ground, high brink, vertical drop, sea and foot rocks.", "variant_id": "v1" }, { "approach_ko": "생활권과 해안 지형의 관계를 우선한 접근", "evidence_ko": [ "숲에서 나온", "저 바다를 보아라.", "높은 절벽", "절벽 아래", "바다를 확인한다." ], "prompt_en": "This is part of a lived-in, working South Korean island district rather than an isolated scenic set. Ordinary regionally authentic signs of active coastal land use belong to the broader inhabited surroundings, and the cliff-top overlook visibly remains in regular local use. The target itself is a zero-storey natural coastal landform. Regionally typical deep-green forest forms its inland edge and opens straight onto a continuous area of brown earth and exposed dark-gray bedrock. That open standing ground runs seaward to a clearly defined high cliff brink. Weathered dark-gray rock forms a near-vertical drop from the brink directly to the sea. Dark-gray rocks stand in the water at the base and are plainly visible from the cliff top. The permanent spatial order remains forest, open standing ground, brink, drop, sea and rocks below.", "variant_id": "v2" }, { "approach_ko": "암석 재질과 지형 매스를 우선한 접근", "evidence_ko": [ "금월도 해안 절벽", "절벽에 서서", "숲에서 나온", "높은 절벽을 떨어진다.", "절벽 아래, 그리고 바다" ], "prompt_en": "The location belongs to a currently inhabited working island landscape in contemporary South Korea. Its surrounding district carries ordinary regional evidence of active coastal life, while the natural overlook itself shows believable regular local use. The target has zero built storeys and is formed by solid coastal terrain. Weathered dark-gray bedrock gives the cliff a high, near-vertical seaward face. Its upper surface is open standing ground of brown packed earth interrupted by exposed dark-gray stone. A deep-green coastal forest with gray-brown trunks directly adjoins the inland side and opens onto this ground. The upper ground continues without a break to the distinct seaward brink; beyond it, the rock face falls directly to the sea. Dark-gray rocks occupy the water at the foot of the drop and remain visible from above. The complete landform reads as one physically continuous mass supporting the forest margin, standing surface and cliff face.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working island district in contemporary South Korea surrounds this natural coastal site, with ordinary regional signs of active coastal land use continuing inland beyond the forest. The overlook visibly carries the ordinary signs of regular local use and does not read as a sterile or abandoned wilderness. The target is a natural landform with zero built storeys. An inland margin of deep-green coastal forest with gray-brown trunks opens directly onto open cliff-top standing ground. Brown packed earth and exposed weathered dark-gray rock extend seaward from the forest to a distinct high brink. At the brink, the dark-gray bedrock drops near-vertically directly to the sea. Dark-gray rocks occupy the water at the foot of the cliff and remain visible from the top. The site forms one continuous inland-to-seaward sequence: forest margin, standing ground, high brink, vertical drop, sea and foot rocks.\n\nTHE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is part of a lived-in, working South Korean island district rather than an isolated scenic set. Ordinary regionally authentic signs of active coastal land use belong to the broader inhabited surroundings, and the cliff-top overlook visibly remains in regular local use. The target itself is a zero-storey natural coastal landform. Regionally typical deep-green forest forms its inland edge and opens straight onto a continuous area of brown earth and exposed dark-gray bedrock. That open standing ground runs seaward to a clearly defined high cliff brink. Weathered dark-gray rock forms a near-vertical drop from the brink directly to the sea. Dark-gray rocks stand in the water at the base and are plainly visible from the cliff top. The permanent spatial order remains forest, open standing ground, brink, drop, sea and rocks below.\n\nTHE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently inhabited working island landscape in contemporary South Korea. Its surrounding district carries ordinary regional evidence of active coastal life, while the natural overlook itself shows believable regular local use. The target has zero built storeys and is formed by solid coastal terrain. Weathered dark-gray bedrock gives the cliff a high, near-vertical seaward face. Its upper surface is open standing ground of brown packed earth interrupted by exposed dark-gray stone. A deep-green coastal forest with gray-brown trunks directly adjoins the inland side and opens onto this ground. The upper ground continues without a break to the distinct seaward brink; beyond it, the rock face falls directly to the sea. Dark-gray rocks occupy the water at the foot of the drop and remain visible from above. The complete landform reads as one physically continuous mass supporting the forest margin, standing surface and cliff face.\n\nTHE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a natural coastal landform with zero built storeys; architectural rooms, openings, frontage and signage are inapplicable. It consists of open cliff-top standing ground extending continuously from an adjoining inland forest margin to a distinct high seaward brink. The brink forms a near-vertical drop of weathered dark-gray coastal bedrock directly to the sea, with dark-gray rocks in the water at its foot and visible from the top. The standing surface is brown packed earth with exposed dark-gray rock, and the forest has regionally typical deep-green foliage and gray-brown trunks. The main top-side ground must physically span the full distance between forest and brink, and the forest must open directly onto it. The site belongs to a believable, currently inhabited working island district in contemporary South Korea; the broader surroundings and overlook must carry ordinary regional signs of active coastal land use rather than appearing abandoned, sterile or isolated from lived-in surroundings. Do not add a building or move, duplicate or omit any element of the inland-to-seaward topology.\n\nTHE LOCATION: A high forest-backed coastal cliff on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance", "seed_decision": { "input_fingerprint": "a6cc3a03e1194638", "totals": { "A": 10, "B": 6, "C": 8 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "0 storeys found, 0 committed. Flawlessly realises the continuous natural cliff topology from the inland forest directly to the seaward brink. It provides excellent active regional surroundings in the background while successfully avoiding the excluded blue sea and breaking waves transients." }, { "label": "B", "score": 6, "verdict_ko": "1 storey found (on the added cliff-top houses), 0 committed. Violates the brief by placing built structures onto the target's cliff-top standing ground, interrupting the required natural inland-to-seaward topology." }, { "label": "C", "score": 8, "verdict_ko": "0 storeys found, 0 committed. Presents an accurate natural cliff topology, but fails by prominently reproducing the explicitly excluded scene transients of breaking waves, sea foam, and a bright blue sea appearance." } ], "critique": { "issues": [ { "issue_ko": "절벽 위 공간에 쇠사슬 울타리가 설치되어 있어 '개방된(open)' 절벽 위 평지라는 지침 및 폐쇄된 공간으로 보이지 않아야 한다는 지침에 위배됩니다.", "fix_en": "Remove the chain-link fence and its posts entirely to leave the cliff-top ground open and unobstructed.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the chain-link fence and its posts entirely to leave the cliff-top ground open and unobstructed.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_rock_path": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_coastal_rock_path_sel.png", "seed_asset_id": "80a4bbbc-53f2-4f18-bb9e-05eadff2d923", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited contemporary South Korean island village neighborhood meets a forested coast, and the route remains visibly in active everyday use. The target is an open-air coastal route with one ground-level walking course. A narrow path of worn gray-beige compacted mineral tread and native stone follows the landward side of the sea toward the village. In the opposite direction the recognizable tread disappears into a steep passage across continuous rough dark-gray and brown coastal rocks, rising toward the forest side. Pale salt weathering marks the stone. Tidal rock outcrops line the seaward edge between the walking and climbing areas and the blue-gray sea. The sea directly meets these outcrops and extends offshore with a clear sightline back toward both the narrow path and the forestward rock passage.\n\nTHE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is a contemporary open-air coastal route with one ground-level walking course transitioning into a forestward climb; building storeys are not applicable. The narrow villageward path has a worn gray-beige compacted mineral and native-stone tread. At its opposite end the recognizable path disappears into a steep passage over continuous rough dark-gray and brown coastal rock with pale salt weathering. Tidal rock outcrops occupy the seaward edge between the walking and climbing areas and the blue-gray coastal sea, which directly meets the rocks and preserves an offshore sightline back toward the path and forestward passage. The permanent topology and directional connections must remain unchanged. The site belongs to a currently inhabited South Korean island village neighborhood beside a forested coast and visibly carries ordinary signs of an actively used coastal route. It must not appear abandoned, sterile, isolated on empty ground, or constructed as a building.", "location_line_en": "A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "자연 해안 바윗길은 식별 간판을 필수로 하는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "시나리오 원문 동선 중심", "evidence_ko": [ "해안가 좁은 길", "길이 사라지며 가파른 바위들이 이어진다.", "가까스로 바위를 붙잡고 숲쪽으로 올라가는", "다시 해안가 바위길로 나온", "마을 쪽으로 발길을 재촉한다.", "갯바위와 바닷물 사이" ], "prompt_en": "A currently inhabited contemporary South Korean island village neighborhood meets a forested coast, and the route remains visibly in active everyday use. The target is an open-air coastal route with one ground-level walking course. A narrow path of worn gray-beige compacted mineral tread and native stone follows the landward side of the sea toward the village. In the opposite direction the recognizable tread disappears into a steep passage across continuous rough dark-gray and brown coastal rocks, rising toward the forest side. Pale salt weathering marks the stone. Tidal rock outcrops line the seaward edge between the walking and climbing areas and the blue-gray sea. The sea directly meets these outcrops and extends offshore with a clear sightline back toward both the narrow path and the forestward rock passage.", "variant_id": "v1" }, { "approach_ko": "해안마을 공간 관계 중심", "evidence_ko": [], "prompt_en": "The setting is the working coastal edge of a currently inhabited contemporary South Korean island village, joined directly to its ordinary neighborhood in the villageward direction and backed by forested land. The place visibly carries the ordinary signs of an in-service coastal walking route. Its single open-air circulation course runs along the landward side of the sea as a narrow gray-beige mineral-and-native-stone path. Villageward, the path continues into the settled neighborhood. At the other end its recognizable surface gives way to a steep forestward climb over continuous rough coastal rock. The rock is dark gray and brown with pale salt wear. Tidal outcrops occupy the entire seaward edge of the route, directly between the walking and climbing ground and the adjoining blue-gray sea. Open water preserves the sightline back to the path and rising rocks.", "variant_id": "v2" }, { "approach_ko": "암석 재질과 지형 전이 중심", "evidence_ko": [], "prompt_en": "Rough dark-gray and brown coastal stone with pale salt bleaching defines this actively used route on the edge of a currently inhabited contemporary South Korean island village. The surrounding neighborhood is ordinary village fabric connected to a forest-backed shoreline. A worn gray-beige compacted mineral and native-stone tread forms the narrow ground-level path along the landward side of the sea. It extends toward the village in one direction. In the opposite direction the formed tread ends and becomes a steep continuous rock passage climbing toward the forest side. Tidal shoreline outcrops remain on the seaward edge, directly separating the walking and climbing areas from the blue-gray coastal sea. The sea begins against the outcrops and extends offshore, keeping both the narrow path and forestward rock passage visible from the water.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited contemporary South Korean island village neighborhood meets a forested coast, and the route remains visibly in active everyday use. The target is an open-air coastal route with one ground-level walking course. A narrow path of worn gray-beige compacted mineral tread and native stone follows the landward side of the sea toward the village. In the opposite direction the recognizable tread disappears into a steep passage across continuous rough dark-gray and brown coastal rocks, rising toward the forest side. Pale salt weathering marks the stone. Tidal rock outcrops line the seaward edge between the walking and climbing areas and the blue-gray sea. The sea directly meets these outcrops and extends offshore with a clear sightline back toward both the narrow path and the forestward rock passage.\n\nTHE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is the working coastal edge of a currently inhabited contemporary South Korean island village, joined directly to its ordinary neighborhood in the villageward direction and backed by forested land. The place visibly carries the ordinary signs of an in-service coastal walking route. Its single open-air circulation course runs along the landward side of the sea as a narrow gray-beige mineral-and-native-stone path. Villageward, the path continues into the settled neighborhood. At the other end its recognizable surface gives way to a steep forestward climb over continuous rough coastal rock. The rock is dark gray and brown with pale salt wear. Tidal outcrops occupy the entire seaward edge of the route, directly between the walking and climbing ground and the adjoining blue-gray sea. Open water preserves the sightline back to the path and rising rocks.\n\nTHE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nRough dark-gray and brown coastal stone with pale salt bleaching defines this actively used route on the edge of a currently inhabited contemporary South Korean island village. The surrounding neighborhood is ordinary village fabric connected to a forest-backed shoreline. A worn gray-beige compacted mineral and native-stone tread forms the narrow ground-level path along the landward side of the sea. It extends toward the village in one direction. In the opposite direction the formed tread ends and becomes a steep continuous rock passage climbing toward the forest side. Tidal shoreline outcrops remain on the seaward edge, directly separating the walking and climbing areas from the blue-gray coastal sea. The sea begins against the outcrops and extends offshore, keeping both the narrow path and forestward rock passage visible from the water.\n\nTHE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a contemporary open-air coastal route with one ground-level walking course transitioning into a forestward climb; building storeys are not applicable. The narrow villageward path has a worn gray-beige compacted mineral and native-stone tread. At its opposite end the recognizable path disappears into a steep passage over continuous rough dark-gray and brown coastal rock with pale salt weathering. Tidal rock outcrops occupy the seaward edge between the walking and climbing areas and the blue-gray coastal sea, which directly meets the rocks and preserves an offshore sightline back toward the path and forestward passage. The permanent topology and directional connections must remain unchanged. The site belongs to a currently inhabited South Korean island village neighborhood beside a forested coast and visibly carries ordinary signs of an actively used coastal route. It must not appear abandoned, sterile, isolated on empty ground, or constructed as a building.\n\nTHE LOCATION: A contemporary coastal rock path beside an inhabited island village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline", "seed_decision": { "input_fingerprint": "a1709998e6529846", "totals": { "A": 9, "B": 7, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "Storeys: N/A (matches N/A); walking courses: 1 (matches 1). Passes the inhabited place check. Flawlessly integrates the compacted mineral tread and rocky transition while standing out by accurately including the specific yellow safety equipment box from the form reference, complete with perfectly authentic Korean regional signage (국가지점번호)." }, { "label": "B", "score": 7, "verdict_ko": "Storeys: N/A (matches N/A); walking courses: 1 (matches 1). Passes the inhabited place check. Correctly renders the prescribed path topology and materials, but loses points for omitting the distinct everyday fittings (the yellow safety box) established by the reference photograph." }, { "label": "C", "score": 4, "verdict_ko": "Storeys: N/A (matches N/A); walking courses: 1 (matches 1). Passes the inhabited place check. Fails regional authenticity by featuring a customized wooden life-ring holder bearing AI gibberish, directly violating the brief's mandate for authentic regional lettering and missing the required reference fittings." } ], "critique": { "issues": [ { "issue_ko": "왼쪽 슬레이트 지붕 건물 처마 아래에 사람들이 앉아 있습니다.", "fix_en": "Remove the people sitting under the eaves of the small building on the left.", "needs_regeneration": false }, { "issue_ko": "산책로 난간이 레퍼런스 이미지의 두꺼운 다단 난간이 아닌 얇은 기둥과 밧줄로 만들어져 있습니다.", "fix_en": "Replace the thin posts and rope along the path with the sturdy, multi-rail dark grey composite fencing shown in the reference photograph.", "needs_regeneration": false }, { "issue_ko": "마을 쪽 산책로 바닥이 브리프에 명시된 다져진 흙과 자연석이 아닌 콘크리트로 포장되어 있습니다.", "fix_en": "Change the flat concrete surface of the path to a worn gray-beige compacted mineral and native stone tread.", "needs_regeneration": false }, { "issue_ko": "전경의 노란색 장비함이 레퍼런스(구명조끼가 보이는 투명한 창이 있는 인명구조함)와 달리 내용물이 보이지 않는 막힌 상자로 되어 있습니다.", "fix_en": "Change the front of the solid yellow box to a transparent window displaying life-saving equipment inside, matching the reference photograph.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the people sitting under the eaves of the small building on the left.\n- Replace the thin posts and rope along the path with the sturdy, multi-rail dark grey composite fencing shown in the reference photograph.\n- Change the flat concrete surface of the path to a worn gray-beige compacted mineral and native stone tread.\n- Change the front of the solid yellow box to a transparent window displaying life-saving equipment inside, matching the reference photograph.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_convenience_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_convenience_store_sel.png", "seed_asset_id": "89ec646a-041c-435a-942d-11b28d401759", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited low-rise mixed residential-commercial neighborhood surrounds the site in contemporary South Korea at night. The convenience store and its outdoor frontage visibly carry the ordinary signs of active trading. The target is a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sized to contain the main sales area and the distinct rear refrigerator stock space. Pale gray painted-concrete walls carry an off-white aluminum-composite customer frontage, charcoal aluminum storefront frames, clear glazing and a clear-glass customer entrance. A flat roof has a dark gray waterproofed surface behind a concrete parapet. The single evidenced customer entrance opens directly onto a contiguous frontage of gray concrete pavers. A fixed illuminated white acrylic sign near the entrance bears the exact legible dark blue lettering 우리동네 편의점. A bench of brown synthetic-wood slats on a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage joins the bench position directly to the entrance, with the store exterior forming its inner edge. The surfaces have ordinary commercial scuffs, light grime and weather exposure.\n\nTHE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean convenience store at night: a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sufficient for the evidenced main sales area and the distinct rear refrigerator stock space at real-world sizes. The walls are pale gray painted concrete, the customer frontage is faced with off-white aluminum composite panels, the storefront frames are charcoal aluminum, the entrance is clear glass, and the flat roof has a dark gray waterproofed surface behind a concrete parapet. The customer-facing facade has the single evidenced customer entrance opening directly onto a contiguous frontage of gray concrete pavers. Region-typical storefront glazing remains part of the ordinary convenience-store frontage. A fixed illuminated white acrylic identification sign near the entrance displays the exact legible dark blue lettering 우리동네 편의점. A bench with brown synthetic-wood slats and a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage directly connects the bench position to the entrance, and the store exterior forms its inner edge. Materials show ordinary scuffing, grime and weather exposure while the store and outdoor areas visibly show active commercial use. The complete site stands within a believable, inhabited low-rise mixed residential-commercial neighborhood rather than isolated ground.", "location_line_en": "A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.", "room_inventory": [ { "evidence_ko": "각종 캔 음료들이 꽉 들어찬 냉장고 뒤편 빈 공간,", "label_en": "Rear refrigerator stock space", "scene_index": 5 }, { "evidence_ko": "11. 실내. 편의점 - 같은 시각", "label_en": "Main convenience-store sales area", "scene_index": 10 } ], "room_inventory_applicable": true, "signage_reason_ko": "현대 한국의 편의점은 고객 전면에 식별 간판을 갖춘 상업시설이다.", "signage_required": true, "signage_text": "우리동네 편의점", "variants": [ { "approach_ko": "원문 근거 중심", "evidence_ko": [ "7. 실외. 편의점 밖 - 밤", "벤치에", "매장 문에 매달린 방울", "각종 캔 음료들이 꽉 들어찬 냉장고 뒤편 빈 공간,", "11. 실내. 편의점 - 같은 시각" ], "prompt_en": "An inhabited low-rise mixed residential-commercial neighborhood surrounds the site in contemporary South Korea at night. The convenience store and its outdoor frontage visibly carry the ordinary signs of active trading. The target is a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sized to contain the main sales area and the distinct rear refrigerator stock space. Pale gray painted-concrete walls carry an off-white aluminum-composite customer frontage, charcoal aluminum storefront frames, clear glazing and a clear-glass customer entrance. A flat roof has a dark gray waterproofed surface behind a concrete parapet. The single evidenced customer entrance opens directly onto a contiguous frontage of gray concrete pavers. A fixed illuminated white acrylic sign near the entrance bears the exact legible dark blue lettering 우리동네 편의점. A bench of brown synthetic-wood slats on a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage joins the bench position directly to the entrance, with the store exterior forming its inner edge. The surfaces have ordinary commercial scuffs, light grime and weather exposure.", "variant_id": "v1" }, { "approach_ko": "동네 맥락 우선", "evidence_ko": [ "9. 다시 편의점 밖 - 밤", "벤치에", "11. 실내. 편의점 - 같은 시각" ], "prompt_en": "This is a currently inhabited contemporary South Korean side street with ordinary low-rise residential and commercial fabric continuing around the location. The active neighborhood convenience store belongs directly to that street frontage and reads as a working business. Its one-storey reinforced-concrete mass is rectangular, 12 metres wide by 8 metres deep, with a 3.4-metre height to the parapet; this volume plausibly holds the evidenced sales area and separate rear refrigerator stock space. Pale gray painted concrete covers the walls. Off-white aluminum composite panels finish the customer frontage, with charcoal aluminum frames, clear storefront glazing and the single clear-glass customer entrance. The flat roof carries a dark gray waterproofed finish behind its concrete parapet. An illuminated white acrylic identification sign attached near the entrance shows the exact legible dark blue text 우리동네 편의점. The entrance opens directly onto the gray concrete-paver pedestrian frontage. A brown synthetic-wood and charcoal powder-coated steel bench occupies the outdoor area beside that frontage. The continuous frontage connects the bench and entrance along the store exterior. Everyday wear, light grime and visible signs of active commercial use remain evident across the building and outdoor areas.", "variant_id": "v2" }, { "approach_ko": "재료와 동선 중심", "evidence_ko": [ "매장 문에 매달린 방울", "냉장고 뒤편 빈 공간", "벤치에", "7. 실외. 편의점 밖 - 밤" ], "prompt_en": "Gray concrete pavers form a continuous pedestrian frontage along an inhabited mixed residential-commercial neighborhood street in contemporary South Korea at night. The paved approach runs directly between the outdoor bench and the convenience-store entrance, while the store exterior defines the frontage's inner edge. The bench has brown synthetic-wood slats and a charcoal powder-coated steel frame. The store is a one-storey, 12-by-8-metre rectangular reinforced-concrete building rising 3.4 metres to a parapet, with enough floor area for the main sales area and distinct rear refrigerator stock space. Its walls are pale gray painted concrete, its customer-facing cladding is off-white aluminum composite panel, and its frames are charcoal aluminum. Clear storefront glazing incorporates the single evidenced clear-glass customer entrance. A dark gray waterproofed flat roof sits behind the concrete parapet. Beside the entrance, a fixed illuminated white acrylic sign carries the exact legible dark blue lettering 우리동네 편의점. Light grime, edge scuffing and ordinary weathering mark the materials. The structure and outdoor frontage visibly retain the ordinary signs of an actively trading convenience store within a currently inhabited working neighborhood.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited low-rise mixed residential-commercial neighborhood surrounds the site in contemporary South Korea at night. The convenience store and its outdoor frontage visibly carry the ordinary signs of active trading. The target is a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sized to contain the main sales area and the distinct rear refrigerator stock space. Pale gray painted-concrete walls carry an off-white aluminum-composite customer frontage, charcoal aluminum storefront frames, clear glazing and a clear-glass customer entrance. A flat roof has a dark gray waterproofed surface behind a concrete parapet. The single evidenced customer entrance opens directly onto a contiguous frontage of gray concrete pavers. A fixed illuminated white acrylic sign near the entrance bears the exact legible dark blue lettering 우리동네 편의점. A bench of brown synthetic-wood slats on a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage joins the bench position directly to the entrance, with the store exterior forming its inner edge. The surfaces have ordinary commercial scuffs, light grime and weather exposure.\n\nTHE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a currently inhabited contemporary South Korean side street with ordinary low-rise residential and commercial fabric continuing around the location. The active neighborhood convenience store belongs directly to that street frontage and reads as a working business. Its one-storey reinforced-concrete mass is rectangular, 12 metres wide by 8 metres deep, with a 3.4-metre height to the parapet; this volume plausibly holds the evidenced sales area and separate rear refrigerator stock space. Pale gray painted concrete covers the walls. Off-white aluminum composite panels finish the customer frontage, with charcoal aluminum frames, clear storefront glazing and the single clear-glass customer entrance. The flat roof carries a dark gray waterproofed finish behind its concrete parapet. An illuminated white acrylic identification sign attached near the entrance shows the exact legible dark blue text 우리동네 편의점. The entrance opens directly onto the gray concrete-paver pedestrian frontage. A brown synthetic-wood and charcoal powder-coated steel bench occupies the outdoor area beside that frontage. The continuous frontage connects the bench and entrance along the store exterior. Everyday wear, light grime and visible signs of active commercial use remain evident across the building and outdoor areas.\n\nTHE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nGray concrete pavers form a continuous pedestrian frontage along an inhabited mixed residential-commercial neighborhood street in contemporary South Korea at night. The paved approach runs directly between the outdoor bench and the convenience-store entrance, while the store exterior defines the frontage's inner edge. The bench has brown synthetic-wood slats and a charcoal powder-coated steel frame. The store is a one-storey, 12-by-8-metre rectangular reinforced-concrete building rising 3.4 metres to a parapet, with enough floor area for the main sales area and distinct rear refrigerator stock space. Its walls are pale gray painted concrete, its customer-facing cladding is off-white aluminum composite panel, and its frames are charcoal aluminum. Clear storefront glazing incorporates the single evidenced clear-glass customer entrance. A dark gray waterproofed flat roof sits behind the concrete parapet. Beside the entrance, a fixed illuminated white acrylic sign carries the exact legible dark blue lettering 우리동네 편의점. Light grime, edge scuffing and ordinary weathering mark the materials. The structure and outdoor frontage visibly retain the ordinary signs of an actively trading convenience store within a currently inhabited working neighborhood.\n\nTHE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean convenience store at night: a one-storey rectangular reinforced-concrete retail building with a 12-by-8-metre footprint and a 3.4-metre floor-to-parapet height, sufficient for the evidenced main sales area and the distinct rear refrigerator stock space at real-world sizes. The walls are pale gray painted concrete, the customer frontage is faced with off-white aluminum composite panels, the storefront frames are charcoal aluminum, the entrance is clear glass, and the flat roof has a dark gray waterproofed surface behind a concrete parapet. The customer-facing facade has the single evidenced customer entrance opening directly onto a contiguous frontage of gray concrete pavers. Region-typical storefront glazing remains part of the ordinary convenience-store frontage. A fixed illuminated white acrylic identification sign near the entrance displays the exact legible dark blue lettering 우리동네 편의점. A bench with brown synthetic-wood slats and a charcoal powder-coated steel frame stands directly outside beside the frontage. The frontage directly connects the bench position to the entrance, and the store exterior forms its inner edge. Materials show ordinary scuffing, grime and weather exposure while the store and outdoor areas visibly show active commercial use. The complete site stands within a believable, inhabited low-rise mixed residential-commercial neighborhood rather than isolated ground.\n\nTHE LOCATION: A neighborhood convenience store on an inhabited low-rise mixed-use side street in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants", "seed_decision": { "input_fingerprint": "4e2f72033f7dbe1b", "totals": { "A": 10, "C": 6, "B": 3 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "1 visible vs 1 committed storey. The candidate flawlessly realizes the brief, correctly depicting the night setting, the specified materials (including the dark gray waterproofed flat roof and off-white panels), the accurate main signage, and obeying the negative constraint by adding no other readable text." }, { "label": "C", "score": 6, "verdict_ko": "1 visible vs 1 committed storey. While it captures the correct night setting and structure type, it strictly violates the in-world signage negative constraint ('add no other readable text anywhere in the image') by generating prominently legible Korean text on the adjacent building's awning." }, { "label": "B", "score": 3, "verdict_ko": "1 visible vs 1 committed storey. This candidate fails a foundational scenario requirement by rendering the scene in broad daylight rather than at night, and includes two benches instead of the singular committed bench." } ], "critique": { "issues": [ { "issue_ko": "편의점 전면의 창문과 출입문 프레임이 지정된 짙은 회색(charcoal)이 아닌 밝은 은색 알루미늄으로 되어 있습니다.", "fix_en": "Recolor the storefront window and door frames from silver to charcoal gray aluminum.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "평지붕의 바닥면이 지정된 진회색 방수 마감이 아닌 밝은 회색 콘크리트 표면으로 보입니다.", "fix_en": "Change the flat roof surface inside the parapet to a dark gray waterproofed finish.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Recolor the storefront window and door frames from silver to charcoal gray aluminum.\n- Change the flat roof surface inside the parapet to a dark gray waterproofed finish.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_dream_forest_path": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_dream_forest_path_sel.png", "seed_asset_id": "037b79ac-0590-4f6a-a474-3a2d4e78956b", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nContinuous island woodland forms the everyday natural setting of an inhabited contemporary South Korean island. The area reads as a maintained, actively used local landscape rather than an abandoned wilderness or constructed set. Exactly one forest footpath runs through it at ground level, about 1.5 metres wide. Compacted reddish-brown earth, subdued gray natural stone and settled leaf litter form its weathered surface. The lower reach leads directly into the upper reach on the same uninterrupted axis, preserving an open route in either direction. The woodland adjoining each side of the lower reach continues seamlessly around both sides of the upper reach.\n\nTHE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is exactly one ground-level forest footpath in contemporary South Korea, about 1.5 metres wide, surfaced with compacted reddish-brown earth, subdued gray natural stone and leaf litter. Its lower reach continues directly into its upper reach as one uninterrupted aligned route; the reaches must not appear as separate paths. Continuous regionally typical island woodland borders both sides of both reaches and encloses the route. The setting must read as an ordinary maintained and actively used local foot route within an inhabited South Korean island environment, never as an abandoned tract or a staged set. The target is a landscape route, so architectural storeys and opening counts are not applicable. Do not depict dream-altered distance or any transient scene arrangement.", "location_line_en": "A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "숲속 오솔길은 식별 간판을 필수로 갖는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 표현을 직접 시각화한 접근", "evidence_ko": [ "금월도 숲속 오솔길 - 낮", "수리영이 오솔길에 홀로 서 있다.", "그 맞은 편, 위쪽 길 멀찍이 거리를 둔 채 서 있는 엄마 민숙." ], "prompt_en": "An ordinary forest footpath on an inhabited contemporary South Korean island, surrounded by continuous regionally typical island woodland. The maintained route visibly carries the ordinary signs of active use expected of a local footpath. Exactly one ground-level path, about 1.5 metres wide, has a compacted reddish-brown earth surface with subdued gray natural stone and leaf litter. Its lower reach continues directly into its upper reach along one uninterrupted alignment, with clear continuity in both directions. Woodland borders both sides of the lower and upper reaches and remains continuous around the route. Natural weathering and routine upkeep give the site the credible finish of a real daytime filming location.", "variant_id": "v1" }, { "approach_ko": "주변 숲과 생활권 맥락을 먼저 확립한 접근", "evidence_ko": [ "실외. 금월도 숲속 오솔길 - 낮", "그 맞은 편, 위쪽 길 멀찍이 거리를 둔 채" ], "prompt_en": "Continuous island woodland forms the everyday natural setting of an inhabited contemporary South Korean island. The area reads as a maintained, actively used local landscape rather than an abandoned wilderness or constructed set. Exactly one forest footpath runs through it at ground level, about 1.5 metres wide. Compacted reddish-brown earth, subdued gray natural stone and settled leaf litter form its weathered surface. The lower reach leads directly into the upper reach on the same uninterrupted axis, preserving an open route in either direction. The woodland adjoining each side of the lower reach continues seamlessly around both sides of the upper reach.", "variant_id": "v2" }, { "approach_ko": "노면 재료와 연속 지형을 중심으로 구성한 접근", "evidence_ko": [ "오솔길", "위쪽 길", "숲속" ], "prompt_en": "Compacted reddish-brown earth, subdued gray natural stone and natural leaf litter define an actively maintained forest path in contemporary South Korea. The surface shows ordinary regional weathering and visible signs of continuing use as a local foot route. The path is exactly one ground-level route about 1.5 metres wide. Its lower reach remains directly aligned with its upper reach, forming one physically uninterrupted passage rather than separate tracks. Regionally typical island woodland closely borders both sides throughout and connects continuously around the two reaches. The enclosing forest belongs to the ordinary lived-in environment of an inhabited South Korean island and has the completeness of a real daytime location.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary forest footpath on an inhabited contemporary South Korean island, surrounded by continuous regionally typical island woodland. The maintained route visibly carries the ordinary signs of active use expected of a local footpath. Exactly one ground-level path, about 1.5 metres wide, has a compacted reddish-brown earth surface with subdued gray natural stone and leaf litter. Its lower reach continues directly into its upper reach along one uninterrupted alignment, with clear continuity in both directions. Woodland borders both sides of the lower and upper reaches and remains continuous around the route. Natural weathering and routine upkeep give the site the credible finish of a real daytime filming location.\n\nTHE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nContinuous island woodland forms the everyday natural setting of an inhabited contemporary South Korean island. The area reads as a maintained, actively used local landscape rather than an abandoned wilderness or constructed set. Exactly one forest footpath runs through it at ground level, about 1.5 metres wide. Compacted reddish-brown earth, subdued gray natural stone and settled leaf litter form its weathered surface. The lower reach leads directly into the upper reach on the same uninterrupted axis, preserving an open route in either direction. The woodland adjoining each side of the lower reach continues seamlessly around both sides of the upper reach.\n\nTHE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nCompacted reddish-brown earth, subdued gray natural stone and natural leaf litter define an actively maintained forest path in contemporary South Korea. The surface shows ordinary regional weathering and visible signs of continuing use as a local foot route. The path is exactly one ground-level route about 1.5 metres wide. Its lower reach remains directly aligned with its upper reach, forming one physically uninterrupted passage rather than separate tracks. Regionally typical island woodland closely borders both sides throughout and connects continuously around the two reaches. The enclosing forest belongs to the ordinary lived-in environment of an inhabited South Korean island and has the completeness of a real daytime location.\n\nTHE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is exactly one ground-level forest footpath in contemporary South Korea, about 1.5 metres wide, surfaced with compacted reddish-brown earth, subdued gray natural stone and leaf litter. Its lower reach continues directly into its upper reach as one uninterrupted aligned route; the reaches must not appear as separate paths. Continuous regionally typical island woodland borders both sides of both reaches and encloses the route. The setting must read as an ordinary maintained and actively used local foot route within an inhabited South Korean island environment, never as an abandoned tract or a staged set. The target is a landscape route, so architectural storeys and opening counts are not applicable. Do not depict dream-altered distance or any transient scene arrangement.\n\nTHE LOCATION: A forest footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path", "seed_decision": { "input_fingerprint": "b30be0730bea247c", "totals": { "A": 0, "B": 9, "C": 6 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "A", "score": 0, "verdict_ko": "Hard violation: a person is clearly visible standing on the path in the middle distance, violating the strict ban on people and excluded scene transients." }, { "label": "B", "score": 9, "verdict_ko": "Faithfully depicts exactly one continuous, uninterrupted footpath of the correct width and surface materials, completely enclosed by woodland, with village buildings in the background firmly establishing the required inhabited island setting." }, { "label": "C", "score": 6, "verdict_ko": "Establishes a strong maintained atmosphere with a leaning rake and believable surface, but features a clear junction with a second trail branching off to the left, contradicting the brief's strict requirement for exactly one uninterrupted footpath." } ], "critique": { "issues": [ { "issue_ko": "오솔길 위쪽 구간 끝에 마을과 건물이 보여, 두 구간 양쪽 모두가 끊어지지 않는 연속된 숲으로 둘러싸여 있어야 한다는 지침을 위반합니다.", "fix_en": "Replace the distant buildings and clearing at the end of the path with continuous dense woodland that seamlessly joins the trees on either side to fully enclose the route.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the distant buildings and clearing at the end of the path with continuous dense woodland that seamlessly joins the trees on either side to fully enclose the route.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_fishing_boat": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_fishing_boat_sel.png", "seed_asset_id": "e6f2c697-eafa-4ffc-b339-d0a0588aecb4", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited South Korean fishing-harbor neighborhood meets open coastal water through a shore-fixed working dock. The dock is weathered gray poured concrete and ends at a waterside edge, carrying the ordinary regional configuration and visible active-use character of a functioning harbor. Its relationship to the mobile vessel remains variable. Offshore, the main subject is a five-ton fiberglass fishing vessel about 10 metres long and 3.2 metres across. Its definite massing is one working deck beneath a one-storey enclosed wheelhouse placed between the bow and stern deck areas. White fiberglass covers the hull and wheelhouse, dark blue antifouling paint covers the lower hull, and gray nonslip fiberglass forms the deck. The wheelhouse has region-standard dark marine glazing in aluminum frames; stainless steel forms the rails. The legible identification is 해솔호. The stern deck feeds into a central passage beside the wheelhouse, and that passage reaches the forward bow deck. A fixed helm wheel occupies a full human-scale steering position inside. Open sea surrounds the vessel and continues beyond bow and stern. Ordinary signs of active fishing work, routine upkeep and marine weathering remain visible across the vessel and dock.\n\nTHE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해솔호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every candidate must show the same contemporary South Korean five-ton fishing vessel as the main subject: an approximately 10-metre-long, 3.2-metre-beam fiberglass hull carrying one working deck and a one-storey enclosed wheelhouse. The hull and wheelhouse are white fiberglass, the lower hull has dark blue antifouling paint, the deck is gray nonslip fiberglass, the glazing is dark marine glass in aluminum frames, and the rails are stainless steel. Hull identification lettering must legibly read 해솔호. The hull must visibly support the forward bow deck, the aft stern deck, the enclosed wheelhouse between them, and the central longitudinal passage that begins at the stern deck, passes alongside the wheelhouse, and reaches the bow deck. A helm wheel is fixed inside the wheelhouse. The wheelhouse footprint must plausibly contain its steering position at real human scale. Opening treatment follows the quiet regional norm because the evidence supplies no numeric opening count. Open sea extends around the vessel and beyond its bow and stern while afloat. The separate shore-fixed gray concrete dock must terminate at a waterside edge, with its position relative to the mobile vessel remaining variable. The vessel, dock and outdoor working areas must visibly carry ordinary signs of active fishing and harbor use. The shore setting must belong to a believable, currently inhabited South Korean fishing-harbor neighborhood rather than an empty compound or studio set.", "location_line_en": "A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.", "room_inventory": [ { "evidence_ko": "조타실, 핸들을 잡고 있는 거대한 체구, 넉넉한 인상의 황봉업(일명 황 씨/ 55).", "label_en": "vessel wheelhouse", "scene_index": 17 } ], "room_inventory_applicable": true, "signage_reason_ko": "현대 한국의 작업 어선은 선체에 식별용 선명을 표시하는 유형이다.", "signage_required": true, "signage_text": "해솔호", "variants": [ { "approach_ko": "시나리오의 선체 규모와 갑판 동선을 직접 반영한 접근", "evidence_ko": [ "푸르게 넘실대는 바다에 5톤 짜리 낚시 어선이 하얀 포말을 만들며 지나간다.", "조타실, 핸들을 잡고 있는 거대한 체구, 넉넉한 인상의 황봉업(일명 황 씨/ 55).", "뱃머리에는 산들이 지휘자처럼 홀로 서서 탁 트인 바다를 감상하듯 바라본다.", "그리고 배 뒤쪽, 선미에는 서너 명의 낚싯꾼들이 모여앉아 떠들썩하게 잡담 중…", "지후가 통로를 지나 멀찍이… 선수에 서 있는 산들의 뒷모습을 바라본다.", "황 씨는 껄껄 웃으며 이들을 보다가 선착장에 서 있는 창모에게 다가온다." ], "prompt_en": "Contemporary South Korean coastal waters connect to a currently inhabited working fishing-harbor neighborhood and its shore-fixed dock. The dock is a weathered gray poured-concrete platform ending at the water, complete in the ordinary regional configuration for active harbor service. The main subject is a five-ton fishing vessel with an approximately 10-metre-long, 3.2-metre-beam fiberglass hull, one working deck and a one-storey enclosed wheelhouse. The hull and wheelhouse are weathered white fiberglass, the lower hull is dark blue antifouling paint, and the deck is gray nonslip fiberglass. Dark marine glass sits in aluminum wheelhouse frames, and the working rails are stainless steel. Legible hull identification reads 해솔호. The forward bow deck and aft stern deck lie at opposite ends. A central longitudinal passage begins at the stern deck, runs alongside the wheelhouse and reaches the bow deck. The wheelhouse stands between the open deck ends and contains a fixed helm wheel at a human-scale steering position. Open sea extends around the afloat vessel and beyond both ends. The vessel and dock visibly carry ordinary signs of active fishing and harbor use, with natural salt wear and maintained working finishes.", "variant_id": "v1" }, { "approach_ko": "생활감 있는 어항 환경에서 선박으로 좁혀 가는 접근", "evidence_ko": [ "화면 가득 푸르게 넘실대는 바다에 5톤 짜리 낚시 어선이 하얀 포말을 만들며 지나간다.", "지후가 통로를 지나 멀찍이… 선수에 서 있는 산들의 뒷모습을 바라본다.", "파도를 가르며 앞으로 나아가는 낚시 어선.", "선착장에 서 있는 창모에게 다가온다." ], "prompt_en": "A currently inhabited South Korean fishing-harbor neighborhood meets open coastal water through a shore-fixed working dock. The dock is weathered gray poured concrete and ends at a waterside edge, carrying the ordinary regional configuration and visible active-use character of a functioning harbor. Its relationship to the mobile vessel remains variable. Offshore, the main subject is a five-ton fiberglass fishing vessel about 10 metres long and 3.2 metres across. Its definite massing is one working deck beneath a one-storey enclosed wheelhouse placed between the bow and stern deck areas. White fiberglass covers the hull and wheelhouse, dark blue antifouling paint covers the lower hull, and gray nonslip fiberglass forms the deck. The wheelhouse has region-standard dark marine glazing in aluminum frames; stainless steel forms the rails. The legible identification is 해솔호. The stern deck feeds into a central passage beside the wheelhouse, and that passage reaches the forward bow deck. A fixed helm wheel occupies a full human-scale steering position inside. Open sea surrounds the vessel and continues beyond bow and stern. Ordinary signs of active fishing work, routine upkeep and marine weathering remain visible across the vessel and dock.", "variant_id": "v2" }, { "approach_ko": "현대 한국 작업 어선의 재료와 유형을 우선한 접근", "evidence_ko": [ "5톤 짜리 낚시 어선", "조타실, 핸들을 잡은 황씨", "인우는 산들이 앉았던 선수에 서서 앞을 보려 애쓴다.", "배 뒤쪽, 선미", "선착장" ], "prompt_en": "The target is a complete, ordinary contemporary South Korean five-ton working fishing vessel, set within open coastal sea associated with a lived-in fishing-harbor neighborhood. Its separate shore component is a fixed, weathered gray concrete dock platform terminating at the water and visibly remaining in active harbor service. The vessel has an approximately 10-by-3.2-metre fiberglass hull, a single working deck and one enclosed wheelhouse storey. Weathered white fiberglass defines the hull sides and wheelhouse, dark blue antifouling coating defines the lower hull, and gray nonslip fiberglass defines the deck surfaces. Dark marine glass, aluminum window frames and stainless-steel rails use standard Korean working-vessel finishes. The hull lettering is clearly legible as 해솔호. The wheelhouse occupies the middle of the hull between the forward bow deck and aft stern deck. The central passage starts at the stern deck, passes alongside the wheelhouse and reaches the bow deck. The wheelhouse footprint supports a human-scale steering position with a fixed helm wheel. Open water extends around the afloat hull and beyond both deck ends. Salt exposure, maintained wear and ordinary signs of active fishing use make the vessel and dock read as operational parts of a real harbor rather than staged objects.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nContemporary South Korean coastal waters connect to a currently inhabited working fishing-harbor neighborhood and its shore-fixed dock. The dock is a weathered gray poured-concrete platform ending at the water, complete in the ordinary regional configuration for active harbor service. The main subject is a five-ton fishing vessel with an approximately 10-metre-long, 3.2-metre-beam fiberglass hull, one working deck and a one-storey enclosed wheelhouse. The hull and wheelhouse are weathered white fiberglass, the lower hull is dark blue antifouling paint, and the deck is gray nonslip fiberglass. Dark marine glass sits in aluminum wheelhouse frames, and the working rails are stainless steel. Legible hull identification reads 해솔호. The forward bow deck and aft stern deck lie at opposite ends. A central longitudinal passage begins at the stern deck, runs alongside the wheelhouse and reaches the bow deck. The wheelhouse stands between the open deck ends and contains a fixed helm wheel at a human-scale steering position. Open sea extends around the afloat vessel and beyond both ends. The vessel and dock visibly carry ordinary signs of active fishing and harbor use, with natural salt wear and maintained working finishes.\n\nTHE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해솔호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited South Korean fishing-harbor neighborhood meets open coastal water through a shore-fixed working dock. The dock is weathered gray poured concrete and ends at a waterside edge, carrying the ordinary regional configuration and visible active-use character of a functioning harbor. Its relationship to the mobile vessel remains variable. Offshore, the main subject is a five-ton fiberglass fishing vessel about 10 metres long and 3.2 metres across. Its definite massing is one working deck beneath a one-storey enclosed wheelhouse placed between the bow and stern deck areas. White fiberglass covers the hull and wheelhouse, dark blue antifouling paint covers the lower hull, and gray nonslip fiberglass forms the deck. The wheelhouse has region-standard dark marine glazing in aluminum frames; stainless steel forms the rails. The legible identification is 해솔호. The stern deck feeds into a central passage beside the wheelhouse, and that passage reaches the forward bow deck. A fixed helm wheel occupies a full human-scale steering position inside. Open sea surrounds the vessel and continues beyond bow and stern. Ordinary signs of active fishing work, routine upkeep and marine weathering remain visible across the vessel and dock.\n\nTHE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해솔호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a complete, ordinary contemporary South Korean five-ton working fishing vessel, set within open coastal sea associated with a lived-in fishing-harbor neighborhood. Its separate shore component is a fixed, weathered gray concrete dock platform terminating at the water and visibly remaining in active harbor service. The vessel has an approximately 10-by-3.2-metre fiberglass hull, a single working deck and one enclosed wheelhouse storey. Weathered white fiberglass defines the hull sides and wheelhouse, dark blue antifouling coating defines the lower hull, and gray nonslip fiberglass defines the deck surfaces. Dark marine glass, aluminum window frames and stainless-steel rails use standard Korean working-vessel finishes. The hull lettering is clearly legible as 해솔호. The wheelhouse occupies the middle of the hull between the forward bow deck and aft stern deck. The central passage starts at the stern deck, passes alongside the wheelhouse and reaches the bow deck. The wheelhouse footprint supports a human-scale steering position with a fixed helm wheel. Open water extends around the afloat hull and beyond both deck ends. Salt exposure, maintained wear and ordinary signs of active fishing use make the vessel and dock read as operational parts of a real harbor rather than staged objects.\n\nTHE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해솔호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery candidate must show the same contemporary South Korean five-ton fishing vessel as the main subject: an approximately 10-metre-long, 3.2-metre-beam fiberglass hull carrying one working deck and a one-storey enclosed wheelhouse. The hull and wheelhouse are white fiberglass, the lower hull has dark blue antifouling paint, the deck is gray nonslip fiberglass, the glazing is dark marine glass in aluminum frames, and the rails are stainless steel. Hull identification lettering must legibly read 해솔호. The hull must visibly support the forward bow deck, the aft stern deck, the enclosed wheelhouse between them, and the central longitudinal passage that begins at the stern deck, passes alongside the wheelhouse, and reaches the bow deck. A helm wheel is fixed inside the wheelhouse. The wheelhouse footprint must plausibly contain its steering position at real human scale. Opening treatment follows the quiet regional norm because the evidence supplies no numeric opening count. Open sea extends around the vessel and beyond its bow and stern while afloat. The separate shore-fixed gray concrete dock must terminate at a waterside edge, with its position relative to the mobile vessel remaining variable. The vessel, dock and outdoor working areas must visibly carry ordinary signs of active fishing and harbor use. The shore setting must belong to a believable, currently inhabited South Korean fishing-harbor neighborhood rather than an empty compound or studio set.\n\nTHE LOCATION: A five-ton fishing vessel in the open coastal waters and working fishing harbor of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해솔호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment", "seed_decision": { "input_fingerprint": "7db5d745829e29da", "totals": { "A": 2, "B": 8, "C": 4 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "A", "score": 2, "verdict_ko": "조타실 1층 (지정 1층). 하드 위반: 레퍼런스의 흰색 검열 상자(유출된 마커)가 조타실과 배경 선박에 그대로 생성되었습니다. 또한 선체 간판에 'genau'라는 단어가 추가되었고, 배경 건물에도 금지된 읽을 수 있는 텍스트가 다수 포함되어 지시문을 위반했습니다." }, { "label": "B", "score": 8, "verdict_ko": "조타실 1층 (지정 1층). 유출된 마커나 금지된 추가 텍스트 없이 요구된 '해솔호' 간판을 정확하게 표출하여 하드 위반을 통과했습니다. 갑판이 지정된 회색이 아닌 파란색으로 렌더링된 점을 제외하면 지시문의 구조와 디테일을 가장 잘 따랐습니다." }, { "label": "C", "score": 4, "verdict_ko": "조타실 1층 (지정 1층). 하드 위반: 레퍼런스 이미지에 있던 흰색 검열 상자(유출된 마커)가 조타실 측면에 그대로 렌더링되었습니다. 갑판의 색상(회색) 등은 맞췄으나, 배경 건물들에 금지된 텍스트가 다수 포함되어 제약을 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "주 피사체인 선박의 구조가 지시문의 '단층 조타실' 및 참고 사진의 5톤급 소형 선박 형태를 벗어나, 선체 대부분을 차지하는 거대한 다층 객실 구조로 잘못 묘사되었습니다.", "fix_en": "Rebuild the vessel's superstructure into a small, simple one-storey enclosed wheelhouse that leaves a clear open passage along the deck.", "needs_regeneration": true, "unfixable": true }, { "issue_ko": "지시문에서 회색(gray) 미끄럼 방지 파이버글라스로 지정된 주 선박의 갑판 색상이 파란색으로 칠해져 있습니다.", "fix_en": "Recolor the bright blue deck surfaces and inner gunwales of the main vessel to gray.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "화면 내 인물을 배제하라는 규칙(Clean Plate Rules)을 어기고, 배경의 부두 쪽 오토바이 옆에 사람이 서 있습니다.", "fix_en": "Remove the person standing next to the parked motorcycle on the dock in the middle distance.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Recolor the bright blue deck surfaces and inner gunwales of the main vessel to gray.\n- Remove the person standing next to the parked motorcycle on the dock in the middle distance.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_entrance": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_entrance_sel.png", "seed_asset_id": "eeddfc40-e60c-4da2-819e-aed9eb1ae814", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited rural village-edge neighborhood in contemporary South Korea adjoins the outward side of the location. The target site is a connected forest route visibly carrying the ordinary signs of regular local use and woodland upkeep. Brown-gray compacted earth and local gravel form the outer approach ground and directly meet the forest footpath entrance. The path continues inward beneath dense deep green native foliage and gray-brown trunks, surrounded by the forest interior. Farther along the same axis, the naturally weathered ground descends toward lower terrain within the forest.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is a contemporary South Korean village-edge forest route rather than a building; architectural storeys, building massing, rooms, and opening counts are inapplicable. The image must show one spatially continuous inward axis: brown-gray compacted earth and local gravel on the outer approach ground directly meeting the forest footpath entrance, the footpath continuing through a dense native Korean forest interior, and the same terrain descending toward lower ground within the forest. Deep green foliage, gray-brown trunks, natural weathering, and ordinary signs of regular local use and woodland upkeep must be visible. The outward approach must remain part of a believable, currently inhabited rural village-edge neighborhood rather than an isolated clearing or abandoned site.", "location_line_en": "A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "자연 숲길 입구는 식별 간판을 필수로 하는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "시나리오 원문에 따른 공간 축 중심 접근", "evidence_ko": [ "숲속 입구", "숲으로 통하는 오솔길 입구", "숲 저쪽은 한낮인데도 빛이 닿지 않는 듯 어둑하기만 하다.", "숲 깊은 곳으로 들어간다.", "언덕 아래로" ], "prompt_en": "An ordinary inhabited rural village-edge neighborhood in contemporary South Korea adjoins the outward side of the location. The target site is a connected forest route visibly carrying the ordinary signs of regular local use and woodland upkeep. Brown-gray compacted earth and local gravel form the outer approach ground and directly meet the forest footpath entrance. The path continues inward beneath dense deep green native foliage and gray-brown trunks, surrounded by the forest interior. Farther along the same axis, the naturally weathered ground descends toward lower terrain within the forest.", "variant_id": "v1" }, { "approach_ko": "마을 가장자리에서 숲 안쪽으로 이어지는 동선 중심 접근", "evidence_ko": [ "수리영이 숲으로 통하는 오솔길 입구에 서 있다.", "숲 깊은 곳으로 들어간다.", "순식간에 언덕 아래로 사라지는 여상." ], "prompt_en": "The outward approach belongs to a believable, currently inhabited rural village-edge neighborhood in contemporary South Korea. Its ordinary surroundings connect directly to a regularly used woodland footpath. A brown-gray compacted-earth and local-gravel access surface reaches the forest footpath entrance. From that threshold, one continuous path runs inward through dense native Korean woodland with deep green foliage and gray-brown trunks. The route remains enclosed by the forest interior as its weathered terrain slopes down toward lower ground.", "variant_id": "v2" }, { "approach_ko": "지면 재료와 산림 지형을 우선한 로케이션 접근", "evidence_ko": [ "숲속 입구 - 낮", "숲으로 통하는 오솔길 입구", "숲속에서", "언덕 아래로" ], "prompt_en": "Brown-gray native soil and embedded local gravel define the outer approach at an inhabited contemporary South Korean village edge. The location reads as an active local route with ordinary evidence of continuing footpath use and woodland care. The approach ground directly joins the forest footpath entrance, where the same worn earth surface proceeds inward. Dense native woodland surrounds the route, with deep green foliage, gray-brown bark, and naturally weathered ground. Within the continuous forest interior, the hillside and path descend together toward lower terrain.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited rural village-edge neighborhood in contemporary South Korea adjoins the outward side of the location. The target site is a connected forest route visibly carrying the ordinary signs of regular local use and woodland upkeep. Brown-gray compacted earth and local gravel form the outer approach ground and directly meet the forest footpath entrance. The path continues inward beneath dense deep green native foliage and gray-brown trunks, surrounded by the forest interior. Farther along the same axis, the naturally weathered ground descends toward lower terrain within the forest.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe outward approach belongs to a believable, currently inhabited rural village-edge neighborhood in contemporary South Korea. Its ordinary surroundings connect directly to a regularly used woodland footpath. A brown-gray compacted-earth and local-gravel access surface reaches the forest footpath entrance. From that threshold, one continuous path runs inward through dense native Korean woodland with deep green foliage and gray-brown trunks. The route remains enclosed by the forest interior as its weathered terrain slopes down toward lower ground.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nBrown-gray native soil and embedded local gravel define the outer approach at an inhabited contemporary South Korean village edge. The location reads as an active local route with ordinary evidence of continuing footpath use and woodland care. The approach ground directly joins the forest footpath entrance, where the same worn earth surface proceeds inward. Dense native woodland surrounds the route, with deep green foliage, gray-brown bark, and naturally weathered ground. Within the continuous forest interior, the hillside and path descend together toward lower terrain.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a contemporary South Korean village-edge forest route rather than a building; architectural storeys, building massing, rooms, and opening counts are inapplicable. The image must show one spatially continuous inward axis: brown-gray compacted earth and local gravel on the outer approach ground directly meeting the forest footpath entrance, the footpath continuing through a dense native Korean forest interior, and the same terrain descending toward lower ground within the forest. Deep green foliage, gray-brown trunks, natural weathering, and ordinary signs of regular local use and woodland upkeep must be visible. The outward approach must remain part of a believable, currently inhabited rural village-edge neighborhood rather than an isolated clearing or abandoned site.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance", "seed_decision": { "input_fingerprint": "e19693b7324ba989", "totals": { "A": 10, "B": 3, "C": 7 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "Passes all requirements flawlessly. The approach smoothly meets the forest entrance, the terrain correctly descends into the woodland, and the log-and-earth step construction perfectly matches the form reference within a highly authentic, inhabited village-edge context." }, { "label": "B", "score": 3, "verdict_ko": "Severe structural violation: the terrain explicitly ascends into the forest rather than descending toward lower ground as the brief strictly commits." }, { "label": "C", "score": 7, "verdict_ko": "Captures the descending terrain and inhabited village edge, but the path construction is less faithful to the reference than A, and the scene is cluttered with illogical loose wooden steps resting on the right-side dirt mound." } ], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_forest_goat_pen": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_goat_pen_sel.png", "seed_asset_id": "9cda3932-718d-4f69-a546-2097e82ce490", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean island forest surrounds a working agricultural clearing, with the inhabited rural neighborhood continuing beyond the woodland. The target is a one-ground-level, fence-form goat pen occupying an approximately 20 by 15 metre rectangular footprint, large enough for dozens of full-grown goats at real-world scale. Its 1.8-metre enclosure uses silver-gray galvanized steel pipe posts and weathered green PVC-coated livestock mesh, with matching agricultural gate frames. Exactly two 2.4-metre-wide access openings interrupt opposite sides. A continuous compacted brown-earth route comes from the forest, passes through one opening, crosses the interior holding space, and leaves through the opposite opening into the forest. Mixed island woodland continues around the boundary and beyond both route ends. The enclosure, clearing and route visibly carry the ordinary signs of active livestock use in contemporary rural South Korea. The complete temporary agricultural structure is maintained and in service.\n\nTHE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean island goat pen in a forest clearing. The target is a one-ground-level, fence-form agricultural structure with an approximately 20 by 15 metre rectangular footprint and a 1.8-metre-high enclosure, sufficient to hold dozens of full-grown goats at real-world scale. Its permanent construction is silver-gray galvanized steel pipe framing with weathered green PVC-coated livestock mesh and matching agricultural gate frames. Exactly two route-end access openings occupy opposite sides of the enclosure. A continuous approximately 2.4-metre-wide compacted-earth route enters directly from the forest through one opening, crosses the interior holding space, and exits through the opposite opening back into the forest. The brown earth clearing and route show ordinary wear from livestock operations. Mixed Korean island woodland continues around the entire enclosure and beyond both route ends. The wider setting must read as a currently inhabited, working rural neighborhood beyond the surrounding woodland, while the pen and its outdoor area visibly carry ordinary signs of active livestock use. The structure must appear complete, ordinary and in service rather than bare, sterile, abandoned or institutional.", "location_line_en": "A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.", "room_inventory": [ { "evidence_ko": "낮에 섬 곳곳을 배회하던 검은 염소 수십 마리가 축사 안에 몰려있다.", "label_en": "livestock holding space inside the enclosure", "scene_index": 31 } ], "room_inventory_applicable": true, "signage_reason_ko": "사유 축산용 염소 우리는 통상 식별 간판을 두지 않는다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 표현을 직접 시각화한 접근", "evidence_ko": [ "숲속 염소 축사", "낮에 섬 곳곳을 배회하던 검은 염소 수십 마리가 축사 안에 몰려있다.", "텅 빈 축사를 지나가는 수리영과 인우.", "그 밤, 그 길을 그대로 앞장 서 간다." ], "prompt_en": "A contemporary South Korean island forest surrounds a working agricultural clearing, with the inhabited rural neighborhood continuing beyond the woodland. The target is a one-ground-level, fence-form goat pen occupying an approximately 20 by 15 metre rectangular footprint, large enough for dozens of full-grown goats at real-world scale. Its 1.8-metre enclosure uses silver-gray galvanized steel pipe posts and weathered green PVC-coated livestock mesh, with matching agricultural gate frames. Exactly two 2.4-metre-wide access openings interrupt opposite sides. A continuous compacted brown-earth route comes from the forest, passes through one opening, crosses the interior holding space, and leaves through the opposite opening into the forest. Mixed island woodland continues around the boundary and beyond both route ends. The enclosure, clearing and route visibly carry the ordinary signs of active livestock use in contemporary rural South Korea. The complete temporary agricultural structure is maintained and in service.", "variant_id": "v1" }, { "approach_ko": "지역 축산시설 유형을 우선한 접근", "evidence_ko": [ "울타리 형태의 가건물", "숲 깊은 곳에 위치한", "검은 염소 수십 마리가 축사 안에 몰려있다.", "텅 빈 축사를 지나가는" ], "prompt_en": "This is a complete, ordinary contemporary South Korean goat-husbandry enclosure in a forest clearing within a currently inhabited rural island district. The one-ground-level target has a rectangular footprint of approximately 20 by 15 metres, providing real livestock capacity for dozens of full-grown goats. A 1.8-metre-high fence-form structure of silver-gray galvanized pipe and weathered green PVC-coated stock mesh defines the holding space. Matching farm gate frames form exactly two access openings on opposing sides. An approximately 2.4-metre-wide compacted-earth route connects directly to the forest at one opening, continues across the pen interior, and reaches the forest through the opening opposite it. Natural brown soil fills the clearing. Regionally typical mixed woodland surrounds every side and continues beyond both ends of the route, with the broader working agricultural neighborhood beyond it. The pen and its outdoor ground visibly retain ordinary signs of ongoing livestock use and regular maintenance.", "variant_id": "v2" }, { "approach_ko": "재료와 영구 동선을 중심으로 한 접근", "evidence_ko": [ "숲속 염소 축사", "그 사이를 지나간다.", "그 길을 그대로 앞장 서 간다.", "다수의 덩치 큰 뿔 달린 검은 염소들이 몰려 있다." ], "prompt_en": "Mixed woodland typical of a contemporary South Korean island encloses an ochre-brown earth clearing, while the wider landscape belongs to an inhabited and working rural neighborhood. At its center stands the same one-ground-level rectangular goat pen, approximately 20 metres long and 15 metres wide, with capacity for dozens of full-grown animals at realistic agricultural spacing. Silver-gray galvanized steel pipes support a 1.8-metre-high enclosure of green PVC-coated livestock mesh, all carrying normal outdoor oxidation, soil staining and service wear. Opposing enclosure sides contain exactly two matching 2.4-metre-wide agricultural access openings. A worn compacted-earth route runs continuously from the surrounding forest through the first opening, across the interior holding area, and through the opposite opening to the forest beyond. The forest remains continuous around the enclosure and both route ends. The fence-form temporary structure is complete and operational, and the enclosure and clearing visibly show ordinary active livestock use rather than abandonment.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean island forest surrounds a working agricultural clearing, with the inhabited rural neighborhood continuing beyond the woodland. The target is a one-ground-level, fence-form goat pen occupying an approximately 20 by 15 metre rectangular footprint, large enough for dozens of full-grown goats at real-world scale. Its 1.8-metre enclosure uses silver-gray galvanized steel pipe posts and weathered green PVC-coated livestock mesh, with matching agricultural gate frames. Exactly two 2.4-metre-wide access openings interrupt opposite sides. A continuous compacted brown-earth route comes from the forest, passes through one opening, crosses the interior holding space, and leaves through the opposite opening into the forest. Mixed island woodland continues around the boundary and beyond both route ends. The enclosure, clearing and route visibly carry the ordinary signs of active livestock use in contemporary rural South Korea. The complete temporary agricultural structure is maintained and in service.\n\nTHE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete, ordinary contemporary South Korean goat-husbandry enclosure in a forest clearing within a currently inhabited rural island district. The one-ground-level target has a rectangular footprint of approximately 20 by 15 metres, providing real livestock capacity for dozens of full-grown goats. A 1.8-metre-high fence-form structure of silver-gray galvanized pipe and weathered green PVC-coated stock mesh defines the holding space. Matching farm gate frames form exactly two access openings on opposing sides. An approximately 2.4-metre-wide compacted-earth route connects directly to the forest at one opening, continues across the pen interior, and reaches the forest through the opening opposite it. Natural brown soil fills the clearing. Regionally typical mixed woodland surrounds every side and continues beyond both ends of the route, with the broader working agricultural neighborhood beyond it. The pen and its outdoor ground visibly retain ordinary signs of ongoing livestock use and regular maintenance.\n\nTHE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nMixed woodland typical of a contemporary South Korean island encloses an ochre-brown earth clearing, while the wider landscape belongs to an inhabited and working rural neighborhood. At its center stands the same one-ground-level rectangular goat pen, approximately 20 metres long and 15 metres wide, with capacity for dozens of full-grown animals at realistic agricultural spacing. Silver-gray galvanized steel pipes support a 1.8-metre-high enclosure of green PVC-coated livestock mesh, all carrying normal outdoor oxidation, soil staining and service wear. Opposing enclosure sides contain exactly two matching 2.4-metre-wide agricultural access openings. A worn compacted-earth route runs continuously from the surrounding forest through the first opening, across the interior holding area, and through the opposite opening to the forest beyond. The forest remains continuous around the enclosure and both route ends. The fence-form temporary structure is complete and operational, and the enclosure and clearing visibly show ordinary active livestock use rather than abandonment.\n\nTHE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean island goat pen in a forest clearing. The target is a one-ground-level, fence-form agricultural structure with an approximately 20 by 15 metre rectangular footprint and a 1.8-metre-high enclosure, sufficient to hold dozens of full-grown goats at real-world scale. Its permanent construction is silver-gray galvanized steel pipe framing with weathered green PVC-coated livestock mesh and matching agricultural gate frames. Exactly two route-end access openings occupy opposite sides of the enclosure. A continuous approximately 2.4-metre-wide compacted-earth route enters directly from the forest through one opening, crosses the interior holding space, and exits through the opposite opening back into the forest. The brown earth clearing and route show ordinary wear from livestock operations. Mixed Korean island woodland continues around the entire enclosure and beyond both route ends. The wider setting must read as a currently inhabited, working rural neighborhood beyond the surrounding woodland, while the pen and its outdoor area visibly carry ordinary signs of active livestock use. The structure must appear complete, ordinary and in service rather than bare, sterile, abandoned or institutional.\n\nTHE LOCATION: A contemporary goat pen in a forest clearing within a working rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents", "seed_decision": { "input_fingerprint": "d32a903fe45b64b2", "totals": { "A": 7, "B": 4, "C": 0 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Best conforms to the brief by depicting a single, unpartitioned interior holding space that the route crosses directly. The structure's footprint is smaller than the committed 20x15m, and the rural houses directly abut the back route end rather than being beyond continuing woodland, but it avoids the severe layout errors of B." }, { "label": "B", "score": 4, "verdict_ko": "Violates the brief's layout by dividing the enclosure with a fenced central corridor and multiple inner pens (copying the reference layout rather than following the text). The route fails to cross the interior holding space, as it is fenced off from it." }, { "label": "C", "score": 0, "verdict_ko": "HARD VIOLATION: A black goat is clearly visible standing inside the enclosure in the bottom left corner, violating the strict exclusion of animals." } ], "critique": { "issues": [ { "issue_ko": "경로가 숲을 통과해 이어져야 하지만, 배경의 길 끝이 숲이 아닌 건물들로 곧바로 연결되어 있습니다.", "fix_en": "Replace the houses at the far end of the route with continuous mixed forest woodland.", "needs_regeneration": true }, { "issue_ko": "전경의 출입구에 지정된 농업용 게이트 프레임이 누락되어 단순한 빈 공간으로 비워져 있습니다.", "fix_en": "Add a matching agricultural gate frame to the foreground access opening.", "needs_regeneration": false }, { "issue_ko": "클린 플레이트 규칙에 위배되게 연출된 요소인 포대 자루들이 곳곳에 쌓여 있습니다.", "fix_en": "Remove all the stacked sacks from the scene.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the houses at the far end of the route with continuous mixed forest woodland.\n- Add a matching agricultural gate frame to the foreground access opening.\n- Remove all the stacked sacks from the scene.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_ritual_clearing": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_ritual_clearing_sel.png", "seed_asset_id": "68c88d61-f5d8-4e78-8c60-d1e42e155653", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real open-air ritual site in a contemporary South Korean island-village district. Native woodland encloses the approximately 35-metre clearing on every side, while the inhabited working neighborhood continues beyond the trees. The site is maintained and visibly carries ordinary, regionally authentic signs of continuing ceremonial use. Storey count is zero. The clearing is compacted brown earth with muted green groundcover. A towering mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt, with natural weathering, pale lichen and a broad face directed into the open ground. A medium-gray dressed-granite altar, approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high, stands immediately before the rock. The fixed central axis runs from outer clearing to altar to giant rock. Open ground continues around both sides of the forecourt and around the rock. A compacted-earth traversable approach passes through the surrounding forest edge into the outer clearing.\n\nTHE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is a contemporary South Korean open-air ritual landscape with a storey count of zero. The usable clearing spans approximately 35 metres and is enclosed on every side by native island woodland, within a visibly inhabited and working island-village district continuing beyond the trees. The maintained ritual ground and altar must visibly carry regionally authentic signs of continuing ceremonial use. Compacted brown earth and muted green groundcover form the clearing. A towering, naturally weathered, mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt and presents its broad face toward the clearing. A medium-gray dressed-granite altar measuring approximately 2.2 by 1.0 metres and 0.8 metres high stands directly in front of the rock, forming the fixed outer-clearing–altar–rock axis. Open ground extends laterally around the forecourt and permits passage around the rock. A compacted-earth traversable approach crosses the surrounding forest edge into the outer clearing without establishing a compass direction. Building faces and opening counts are not applicable to this open-air site. The clearing, altar, rock, surrounding forest edge and approach must retain this topology in every image.", "location_line_en": "Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "야외 숲속 제의 터는 통상 식별 간판을 갖는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간축 중심", "evidence_ko": [ "산 속 숲 한 가운데 공터처럼 뻥 뚫린 공간.", "성인 키 서너 배 높이의 거대한 바위가 떡하니 자리잡고 있다.", "영란이 품에서 무언가를 꺼내 바위 앞 제단에 올려놓는다.", "영란이 딸랑딸랑 무령을 흔들며 바위 주변을 돌아다닌다.", "그때, 숲을 나온 또다른 마을 청년이 다급히 뛰어온다.", "활활 드높이 타오르는 모닥불… 불 주변으로 둥그렇게 원을 그린 수십 명의 검은옷 신도들." ], "prompt_en": "A real open-air ritual site in a contemporary South Korean island-village district. Native woodland encloses the approximately 35-metre clearing on every side, while the inhabited working neighborhood continues beyond the trees. The site is maintained and visibly carries ordinary, regionally authentic signs of continuing ceremonial use. Storey count is zero. The clearing is compacted brown earth with muted green groundcover. A towering mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt, with natural weathering, pale lichen and a broad face directed into the open ground. A medium-gray dressed-granite altar, approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high, stands immediately before the rock. The fixed central axis runs from outer clearing to altar to giant rock. Open ground continues around both sides of the forecourt and around the rock. A compacted-earth traversable approach passes through the surrounding forest edge into the outer clearing.", "variant_id": "v1" }, { "approach_ko": "주변 마을과 숲 경계 중심", "evidence_ko": [ "산 속 숲 한 가운데 공터처럼 뻥 뚫린 공간.", "그때, 숲을 나온 또다른 마을 청년이 다급히 뛰어온다.", "성인 키 서너 배 높이의 거대한 바위가 떡하니 자리잡고 있다." ], "prompt_en": "The location belongs to an ordinary inhabited and working island-village neighborhood in contemporary South Korea. Regional development continues beyond a belt of native woodland, and the forest edge encloses the ritual clearing on every side. A compacted-earth approach crosses that edge into approximately 35 metres of usable open ground. The maintained site visibly shows ordinary regional signs of ongoing ceremonial use. This is an open-air landscape with a storey count of zero. Brown compacted earth and muted green groundcover extend laterally from the principal forecourt and permit circulation around the rock. At the rear stands a towering, approximately 6-metre mass of naturally weathered cool-gray granite, mottled with pale lichen and facing the clearing. Directly before it is a medium-gray dressed-granite altar measuring approximately 2.2 by 1.0 metres and 0.8 metres high. Outer clearing, altar and giant rock remain aligned on the central sightline.", "variant_id": "v2" }, { "approach_ko": "재료와 지형 위계 중심", "evidence_ko": [ "성인 키 서너 배 높이의 거대한 바위가 떡하니 자리잡고 있다.", "바위 앞 제단에 올려놓는다.", "바위 주변을 돌아다닌다.", "산 속 숲 한 가운데 공터처럼 뻥 뚫린 공간." ], "prompt_en": "Compacted brown earth, muted green groundcover, gray granite and native Korean island woodland define this maintained contemporary ritual site. It visibly carries the ordinary, regionally authentic wear and upkeep of continuing ceremonial use. The target is a ground-level open-air landscape with a storey count of zero and an approximately 35-metre usable clearing. The forest edge encloses the clearing on every side within a lived-in island-village district whose ordinary working surroundings continue beyond the woodland. A towering cool-gray granite rock rises approximately 6 metres at the rear of the forecourt. Its broad clearing-facing surface has natural dark weathering, irregular mineral mottling and pale lichen. Immediately in front of it stands a medium-gray dressed-granite altar approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high. The permanent sequence is outer ritual ground, central altar, then giant rock. Lateral open ground continues around the forecourt and rock. A traversable compacted-earth forest approach enters the outer clearing from an unspecified side.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real open-air ritual site in a contemporary South Korean island-village district. Native woodland encloses the approximately 35-metre clearing on every side, while the inhabited working neighborhood continues beyond the trees. The site is maintained and visibly carries ordinary, regionally authentic signs of continuing ceremonial use. Storey count is zero. The clearing is compacted brown earth with muted green groundcover. A towering mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt, with natural weathering, pale lichen and a broad face directed into the open ground. A medium-gray dressed-granite altar, approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high, stands immediately before the rock. The fixed central axis runs from outer clearing to altar to giant rock. Open ground continues around both sides of the forecourt and around the rock. A compacted-earth traversable approach passes through the surrounding forest edge into the outer clearing.\n\nTHE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to an ordinary inhabited and working island-village neighborhood in contemporary South Korea. Regional development continues beyond a belt of native woodland, and the forest edge encloses the ritual clearing on every side. A compacted-earth approach crosses that edge into approximately 35 metres of usable open ground. The maintained site visibly shows ordinary regional signs of ongoing ceremonial use. This is an open-air landscape with a storey count of zero. Brown compacted earth and muted green groundcover extend laterally from the principal forecourt and permit circulation around the rock. At the rear stands a towering, approximately 6-metre mass of naturally weathered cool-gray granite, mottled with pale lichen and facing the clearing. Directly before it is a medium-gray dressed-granite altar measuring approximately 2.2 by 1.0 metres and 0.8 metres high. Outer clearing, altar and giant rock remain aligned on the central sightline.\n\nTHE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nCompacted brown earth, muted green groundcover, gray granite and native Korean island woodland define this maintained contemporary ritual site. It visibly carries the ordinary, regionally authentic wear and upkeep of continuing ceremonial use. The target is a ground-level open-air landscape with a storey count of zero and an approximately 35-metre usable clearing. The forest edge encloses the clearing on every side within a lived-in island-village district whose ordinary working surroundings continue beyond the woodland. A towering cool-gray granite rock rises approximately 6 metres at the rear of the forecourt. Its broad clearing-facing surface has natural dark weathering, irregular mineral mottling and pale lichen. Immediately in front of it stands a medium-gray dressed-granite altar approximately 2.2 metres long, 1.0 metre deep and 0.8 metres high. The permanent sequence is outer ritual ground, central altar, then giant rock. Lateral open ground continues around the forecourt and rock. A traversable compacted-earth forest approach enters the outer clearing from an unspecified side.\n\nTHE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a contemporary South Korean open-air ritual landscape with a storey count of zero. The usable clearing spans approximately 35 metres and is enclosed on every side by native island woodland, within a visibly inhabited and working island-village district continuing beyond the trees. The maintained ritual ground and altar must visibly carry regionally authentic signs of continuing ceremonial use. Compacted brown earth and muted green groundcover form the clearing. A towering, naturally weathered, mottled cool-gray granite rock rises approximately 6 metres at the rear of the principal forecourt and presents its broad face toward the clearing. A medium-gray dressed-granite altar measuring approximately 2.2 by 1.0 metres and 0.8 metres high stands directly in front of the rock, forming the fixed outer-clearing–altar–rock axis. Open ground extends laterally around the forecourt and permits passage around the rock. A compacted-earth traversable approach crosses the surrounding forest edge into the outer clearing without establishing a compass direction. Building faces and opening counts are not applicable to this open-air site. The clearing, altar, rock, surrounding forest edge and approach must retain this topology in every image.\n\nTHE LOCATION: Contemporary South Korea, a forest-enclosed ritual clearing within an inhabited island-village district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants", "seed_decision": { "input_fingerprint": "eddfa36374418502", "totals": { "A": 10, "B": 7, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "Storey count matches the brief (0). Perfectly realizes the committed topology by enclosing the clearing on every side with native woodland while revealing the village beyond. Regionally authentic signs of use (colorful Seonangdang ribbons on trees, small altar items) are present without introducing any of the excluded ritual instruments or gathering equipment." }, { "label": "B", "score": 7, "verdict_ko": "Storey count matches the brief (0). Avoids the excluded scene transients, but fails the committed layout topology: the clearing is not enclosed on every side by native woodland, as its right flank is completely open and directly exposed to the paved village road and neighboring structures." }, { "label": "C", "score": 4, "verdict_ko": "Storey count matches the brief (0). Commits a major transient violation by copying the reference image's staged setup, featuring explicitly excluded ritual instruments and gathering equipment (the shamanic fan, flag, and green folding mat). Like B, it also fails the topology requirement by lacking a woodland enclosure on the right side." } ], "critique": { "issues": [ { "issue_ko": "제단(폭 2.2m)의 크기와 비교할 때 공터의 폭이 10~15m 수준에 불과하여, 브리프가 요구한 35m 규모의 넓은 공터 규격에 크게 미달합니다.", "fix_en": "Expand the clearing's overall footprint to span approximately 35 metres across.", "needs_regeneration": true }, { "issue_ko": "바위 양측면에 나무와 덤불이 바짝 붙어 자라고 있어, 브리프에 명시된 '바위 주변을 돌아서 지나갈 수 있는 열린 빈 땅'이 존재하지 않습니다.", "fix_en": "Clear the dense foliage growing flush against the sides of the giant rock to leave an open ground passage continuing around it.", "needs_regeneration": true } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Expand the clearing's overall footprint to span approximately 35 metres across.\n- Clear the dense foliage growing flush against the sides of the giant rock to leave an open ground passage continuing around it.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_slaughterhouse": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_slaughterhouse_sel.png", "seed_asset_id": "f18f32e2-ebd3-40f9-a6d8-bafff2256151", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete working goat-slaughterhouse compound set inside woodland belonging to an inhabited contemporary South Korean rural district. The wooded site connects naturally to ordinary nearby rural premises, and a compacted tan-brown earth-and-gravel path recedes through the trees directly along the slaughterhouse frontage. The main building is a one-storey rectangular rural processing structure measuring 14 by 8 metres, with a 3.6-metre eave height. Its weathered grey-brown rough-board walls and shallow dull silver-grey corrugated galvanized-steel gable roof form a practical timber mass large enough for a full slaughter hall and a distinct internal storage room of at least 3 by 4.5 metres. The path-side face has a brown timber entrance leading directly indoors. One evidenced broken clear-glass window sits in a dark-brown timber frame with dust and cobweb weathering, while other ordinary openings remain recessive. The facility identity is clear on a white painted-metal frontage sign with dark-green legible lettering: 푸른들 염소 도축장. A one-storey livestock shed measuring about 8 by 5 metres occupies a nearby position within the same compound, using grey-brown timber and a dull corrugated galvanized-steel roof. The slaughterhouse, shed and outdoor service areas visibly show ordinary continuing use appropriate to an operating rural facility in South Korea.\n\nTHE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른들 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean goat-slaughterhouse compound in woodland within a currently inhabited working rural district. The main building is a single-storey rectangular timber utility building measuring about 14 by 8 metres, with a 3.6-metre eave height, weathered grey-brown rough-board walls and a shallow dull silver-grey corrugated galvanized-steel gable roof. This footprint must plausibly contain a full-scale slaughter hall and a separate internal storage room of at least 3 by 4.5 metres. The woodland path recedes directly beside the long building frontage, and the brown timber path-side entrance connects that route to the interior. The exterior carries one evidenced broken clear-glass window in a dark-brown timber frame, with dust and cobweb weathering; prominent duplicate windows violate the evidence. A white painted-metal sign with dark-green legible lettering reading 푸른들 염소 도축장 is mounted on the path-side frontage. A single-storey livestock shed measuring about 8 by 5 metres stands near the main building within the same compound, with grey-brown timber construction and a dull galvanized-steel roof; its side relative to the main building remains unfixed. The surrounding woods, tan-brown compacted earth-and-gravel path and ordinary neighboring rural premises must form a believable inhabited South Korean setting. The compound must look complete and visibly in active service as a rural slaughter facility, with ordinary signs of its continuing use chosen naturally rather than a bare, sterile or abandoned presentation.", "location_line_en": "A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.", "room_inventory": [ { "evidence_ko": "가건물 안은 도축장 같은 분위기: 벽에 줄줄이 매달린 다양한 크기의 칼,", "label_en": "main slaughter hall", "scene_index": 32 }, { "evidence_ko": "인우, 수리영을 끌고 재빠르게 창고 안으로 들어가 몸을 숨긴다.", "label_en": "internal storage room", "scene_index": 59 }, { "evidence_ko": "축사에서는 매에에- 시끄럽게 염소 우는 소리가 들려온다.", "label_en": "livestock shed interior", "scene_index": 76 } ], "room_inventory_applicable": true, "signage_reason_ko": "운영 중인 도축 시설은 전면에 시설명을 표시하는 것이 일반적이다.", "signage_required": true, "signage_text": "푸른들 염소 도축장", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "숲속 도축장 옆 길", "어둠 속 달빛 아래 염소 도축장이 보인다.", "축사에서는 매에에- 시끄럽게 염소 우는 소리가 들려온다.", "민숙은 대답도 없이 도축장 안으로 쑥 들어가버린다." ], "prompt_en": "A woodland path passes directly beside a working slaughterhouse compound in a currently inhabited rural district of contemporary South Korea. Ordinary neighboring rural premises continue beyond the enclosing woods, giving the site a real working context. The main goat-slaughterhouse building stands at the compound edge along the path. It is a single-storey rectangular timber utility building, about 14 metres long and 8 metres deep, with 3.6-metre eaves. Weathered grey-brown rough-board walls support a shallow gable roof of dull silver-grey corrugated galvanized steel. The footprint holds a full-scale slaughter hall and a separate internal storage room of at least 3 by 4.5 metres. A brown timber entrance on the path-side frontage connects the woodland approach directly to the interior. One evidenced exterior window has broken clear glass in a dark-brown timber frame, with accumulated dust and cobweb weathering; other regionally normal openings remain visually subdued. A white painted-metal frontage sign bears dark-green, fully legible lettering: 푸른들 염소 도축장. A single-storey livestock shed, about 8 by 5 metres, stands near the main building within the compound, built from grey-brown timber under a dull galvanized-steel roof. The receding path is tan-brown compacted earth and gravel amid dense regional woodland. The complete compound and its outdoor service areas visibly carry the ordinary signs of an operating rural slaughter facility.", "variant_id": "v1" }, { "approach_ko": "재료와 풍화 상태 중심", "evidence_ko": [ "숲속에 얼기설기 지어진 나무 가건물.", "먼지와 거미줄이 낀 깨진 창문이 있다.", "도축장 건물 밖으로 이어지는 나무와 풀이 무성한 길." ], "prompt_en": "Weathered grey-brown rough timber defines the main slaughterhouse building, with practical board construction and a shallow dull silver-grey corrugated galvanized-steel gable roof typical of a contemporary South Korean rural utility structure. The building is one storey, 14 by 8 metres in footprint and 3.6 metres high at the eaves, providing real-scale space for the slaughter hall and a separate storage room measuring at least 3 by 4.5 metres. Its long frontage occupies the edge of a woodland compound beside a tan-brown compacted earth-and-gravel path. A weathered brown timber entrance faces the path and leads into the building. One evidenced exterior window contains broken clear glazing in a dark-brown timber frame, visibly aged by dust and cobwebs; any regionally normal additional openings stay quiet and secondary. A white painted-metal sign on the path-side frontage displays dark-green legible text: 푸른들 염소 도축장. Near the main building is a one-storey livestock shed measuring about 8 by 5 metres, with grey-brown timber fabric and a dull galvanized-steel roof. Dense woodland encloses the immediate route, while the surrounding area reads as a currently inhabited working rural district with ordinary neighboring premises. The compound is complete for its function and visibly remains in active service, with natural signs of routine slaughterhouse use across the building and outdoor work areas.", "variant_id": "v2" }, { "approach_ko": "농촌 시설 유형과 주변 환경 중심", "evidence_ko": [ "숲속 도축장 옆 길", "염소 도축장이 보인다.", "축사에서는", "도축장 안으로 쑥 들어가버린다." ], "prompt_en": "This is a complete working goat-slaughterhouse compound set inside woodland belonging to an inhabited contemporary South Korean rural district. The wooded site connects naturally to ordinary nearby rural premises, and a compacted tan-brown earth-and-gravel path recedes through the trees directly along the slaughterhouse frontage. The main building is a one-storey rectangular rural processing structure measuring 14 by 8 metres, with a 3.6-metre eave height. Its weathered grey-brown rough-board walls and shallow dull silver-grey corrugated galvanized-steel gable roof form a practical timber mass large enough for a full slaughter hall and a distinct internal storage room of at least 3 by 4.5 metres. The path-side face has a brown timber entrance leading directly indoors. One evidenced broken clear-glass window sits in a dark-brown timber frame with dust and cobweb weathering, while other ordinary openings remain recessive. The facility identity is clear on a white painted-metal frontage sign with dark-green legible lettering: 푸른들 염소 도축장. A one-storey livestock shed measuring about 8 by 5 metres occupies a nearby position within the same compound, using grey-brown timber and a dull corrugated galvanized-steel roof. The slaughterhouse, shed and outdoor service areas visibly show ordinary continuing use appropriate to an operating rural facility in South Korea.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA woodland path passes directly beside a working slaughterhouse compound in a currently inhabited rural district of contemporary South Korea. Ordinary neighboring rural premises continue beyond the enclosing woods, giving the site a real working context. The main goat-slaughterhouse building stands at the compound edge along the path. It is a single-storey rectangular timber utility building, about 14 metres long and 8 metres deep, with 3.6-metre eaves. Weathered grey-brown rough-board walls support a shallow gable roof of dull silver-grey corrugated galvanized steel. The footprint holds a full-scale slaughter hall and a separate internal storage room of at least 3 by 4.5 metres. A brown timber entrance on the path-side frontage connects the woodland approach directly to the interior. One evidenced exterior window has broken clear glass in a dark-brown timber frame, with accumulated dust and cobweb weathering; other regionally normal openings remain visually subdued. A white painted-metal frontage sign bears dark-green, fully legible lettering: 푸른들 염소 도축장. A single-storey livestock shed, about 8 by 5 metres, stands near the main building within the compound, built from grey-brown timber under a dull galvanized-steel roof. The receding path is tan-brown compacted earth and gravel amid dense regional woodland. The complete compound and its outdoor service areas visibly carry the ordinary signs of an operating rural slaughter facility.\n\nTHE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른들 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered grey-brown rough timber defines the main slaughterhouse building, with practical board construction and a shallow dull silver-grey corrugated galvanized-steel gable roof typical of a contemporary South Korean rural utility structure. The building is one storey, 14 by 8 metres in footprint and 3.6 metres high at the eaves, providing real-scale space for the slaughter hall and a separate storage room measuring at least 3 by 4.5 metres. Its long frontage occupies the edge of a woodland compound beside a tan-brown compacted earth-and-gravel path. A weathered brown timber entrance faces the path and leads into the building. One evidenced exterior window contains broken clear glazing in a dark-brown timber frame, visibly aged by dust and cobwebs; any regionally normal additional openings stay quiet and secondary. A white painted-metal sign on the path-side frontage displays dark-green legible text: 푸른들 염소 도축장. Near the main building is a one-storey livestock shed measuring about 8 by 5 metres, with grey-brown timber fabric and a dull galvanized-steel roof. Dense woodland encloses the immediate route, while the surrounding area reads as a currently inhabited working rural district with ordinary neighboring premises. The compound is complete for its function and visibly remains in active service, with natural signs of routine slaughterhouse use across the building and outdoor work areas.\n\nTHE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른들 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete working goat-slaughterhouse compound set inside woodland belonging to an inhabited contemporary South Korean rural district. The wooded site connects naturally to ordinary nearby rural premises, and a compacted tan-brown earth-and-gravel path recedes through the trees directly along the slaughterhouse frontage. The main building is a one-storey rectangular rural processing structure measuring 14 by 8 metres, with a 3.6-metre eave height. Its weathered grey-brown rough-board walls and shallow dull silver-grey corrugated galvanized-steel gable roof form a practical timber mass large enough for a full slaughter hall and a distinct internal storage room of at least 3 by 4.5 metres. The path-side face has a brown timber entrance leading directly indoors. One evidenced broken clear-glass window sits in a dark-brown timber frame with dust and cobweb weathering, while other ordinary openings remain recessive. The facility identity is clear on a white painted-metal frontage sign with dark-green legible lettering: 푸른들 염소 도축장. A one-storey livestock shed measuring about 8 by 5 metres occupies a nearby position within the same compound, using grey-brown timber and a dull corrugated galvanized-steel roof. The slaughterhouse, shed and outdoor service areas visibly show ordinary continuing use appropriate to an operating rural facility in South Korea.\n\nTHE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른들 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean goat-slaughterhouse compound in woodland within a currently inhabited working rural district. The main building is a single-storey rectangular timber utility building measuring about 14 by 8 metres, with a 3.6-metre eave height, weathered grey-brown rough-board walls and a shallow dull silver-grey corrugated galvanized-steel gable roof. This footprint must plausibly contain a full-scale slaughter hall and a separate internal storage room of at least 3 by 4.5 metres. The woodland path recedes directly beside the long building frontage, and the brown timber path-side entrance connects that route to the interior. The exterior carries one evidenced broken clear-glass window in a dark-brown timber frame, with dust and cobweb weathering; prominent duplicate windows violate the evidence. A white painted-metal sign with dark-green legible lettering reading 푸른들 염소 도축장 is mounted on the path-side frontage. A single-storey livestock shed measuring about 8 by 5 metres stands near the main building within the same compound, with grey-brown timber construction and a dull galvanized-steel roof; its side relative to the main building remains unfixed. The surrounding woods, tan-brown compacted earth-and-gravel path and ordinary neighboring rural premises must form a believable inhabited South Korean setting. The compound must look complete and visibly in active service as a rural slaughter facility, with ordinary signs of its continuing use chosen naturally rather than a bare, sterile or abandoned presentation.\n\nTHE LOCATION: A working goat-slaughterhouse compound in woodland within a contemporary South Korean rural district.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른들 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse", "seed_decision": { "input_fingerprint": "31f1ecb9e00846e2", "totals": { "C": 8, "A": 5, "B": 0 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 8, "verdict_ko": "Main building shows 1 storey (matches 1); livestock shed shows 1 storey (matches 1). The exact requested sign text is beautifully reproduced and correctly mounted on the long frontage, which also features the required path-side entrance and broken window. Traces of everyday active use are present. However, a prominent duplicate window is added to the right of the door, which violates the strict single-window evidence." }, { "label": "A", "score": 5, "verdict_ko": "Main building shows 1 storey (matches 1); livestock shed shows 1 storey (matches 1). While the materials and atmosphere are good, it commits structural and text violations: the required sign is missing a space in the lettering (\"푸른들 염소도축장\") and is mounted vertically on the short gable end. Furthermore, the entrance is placed on this short gable end rather than the long building frontage as required." }, { "label": "B", "score": 0, "verdict_ko": "HARD VIOLATION: An animal (goat) is clearly visible standing inside the open doors of the main building, violating the negative prompt against any animals. Additionally, the sign is free-standing rather than mounted directly on the path-side frontage as specified." } ], "critique": { "issues": [ { "issue_ko": "간판이 지침에 명시된 길 옆 정면(path-side frontage)이 아닌, 카메라를 향한 짧은 박공벽에 설치되어 있습니다.", "fix_en": "Move the white sign to the long building wall that borders the path.", "needs_regeneration": false }, { "issue_ko": "눈에 띄는 큰 창문이 박공벽과 길 옆 벽면에 중복으로 배치되어 '눈에 띄는 창문 중복 금지' 지침을 위반합니다.", "fix_en": "Remove the prominent window on the long path-side wall, leaving only one broken window on the exterior.", "needs_regeneration": false }, { "issue_ko": "주 건물의 전체 크기(14x8m)와 처마 높이(3.6m)가 출입문(약 2m) 크기에 비례해 볼 때 지침의 수치보다 훨씬 작고 낮게 생성되었습니다.", "fix_en": "Scale up the main building's overall massing to 14 by 8 metres and raise its eave height to 3.6 metres.", "needs_regeneration": true }, { "issue_ko": "8x5미터 규모여야 할 가축 축사가 주변에 놓인 농기구 크기와 비교할 때 아주 작은 소형 공구 창고 크기로 축소되어 있습니다.", "fix_en": "Enlarge the footprint and massing of the livestock shed to measure about 8 by 5 metres.", "needs_regeneration": true } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Move the white sign to the long building wall that borders the path.\n- Remove the prominent window on the long path-side wall, leaving only one broken window on the exterior.\n- Scale up the main building's overall massing to 14 by 8 metres and raise its eave height to 3.6 metres.\n- Enlarge the footprint and massing of the livestock shed to measure about 8 by 5 metres.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_stone_markers": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_stone_markers_sel.png", "seed_asset_id": "2d311260-9069-4985-8468-b3ad84a36ec9", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited rural mountain-edge neighborhood continues beyond this enclosed woodland site in contemporary South Korea. The forest path remains a visibly used part of the district rather than an abandoned precinct. Weathered medium-gray local granite forms several freestanding markers, each about 0.9 metres high and carrying established dark-green moss. Their individual profiles vary, but every marker has the same legible carved lettering 수리영. The stones are separated at intervals along the verge of one compacted brown-earth path, creating a distributed linear group rather than a single monument. Dense black pines enclose the route with charcoal-brown bark and deep-green needles. Regionally natural green and brown undergrowth occupies the ground between the trunks and presses around the path margins while preserving the corridor and passage gaps. The whole site visibly carries ordinary signs of ongoing local passage and care.\n\nTHE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"수리영\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is a zero-storey, linearly distributed group of several freestanding marker stones beside one continuous forest path in contemporary South Korea. Each marker rises to about 0.9 metres above grade, is individually shaped from weathered medium-gray local granite, carries established dark-green moss, and bears the same legible carved lettering 수리영; the stones differ slightly from one another and remain spaced at intervals rather than forming a compact monument. The path is compacted brown earth with regionally ordinary natural stone, and it passes beside the marker verge through a dense black-pine grove. Charcoal-brown pine trunks, deep-green needles, and green and brown undergrowth enclose both outer sides while preserving the path as the principal corridor and leaving traversable gaps. Opening-count assessment is not applicable to freestanding marker stones. The grove belongs to a currently inhabited rural mountain-edge neighborhood, and the path and marker verge visibly carry ordinary signs of ongoing local passage and care rather than reading as an abandoned compound or constructed set.", "location_line_en": "A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "각 비석에 같은 식별 문구가 새겨진 장소이므로 해당 글자의 재현이 필수다.", "signage_required": true, "signage_text": "수리영", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "밤에는 보지 못 했던 허리 높이의 비석들이 눈에 띈다.", "표지석 처럼 군데군데 세워둔 모양.", "오래되었는 지 이끼가 잔뜩 낀 상태인데,", "빽빽한 해송 나무 숲… 나무 와 나무 사이 수풀 외에는 보이는 게 없다.", "곳곳에 보이는 몇 개의 비석들에 죄다 “수리영”이란 이름이 새겨져 있다.", "똑같은 건 아니고 조금씩 다르긴 한데,\n전부 써 있는 건 수리영이야." ], "prompt_en": "The site belongs to the woodland edge of a currently inhabited rural mountain neighborhood in contemporary South Korea. It reads as an ordinary working forest route within that wider district. One compacted brown-earth path passes through a dense black-pine grove. Several freestanding marker stones stand at intervals along its verge in a linear, scattered arrangement. Each marker rises about 0.9 metres above grade and is an individually shaped slab of weathered medium-gray local granite with established dark-green moss. Every stone bears the same weather-softened but legible carved lettering 수리영, while the stones differ slightly in form. Charcoal-brown pine trunks and deep-green needles surround the path. Green and brown undergrowth fills the spaces between trunks and closes around the corridor margins while retaining traversable gaps. The path and marker verge visibly carry ordinary signs of ongoing local passage and care.", "variant_id": "v1" }, { "approach_ko": "재료와 풍화 상태 중심", "evidence_ko": [ "그 나무와 수풀들에 그 이정표 같은 이끼 낀 비석.", "글자가 새겨져 있는데… 수리영 표정이 확 굳어버린다.", "바위에 쓰인 글자는 바로 “수 리 영”", "숲이 무성한 산 속: 열심히 걸어가는 수리영." ], "prompt_en": "A currently inhabited rural mountain-edge neighborhood continues beyond this enclosed woodland site in contemporary South Korea. The forest path remains a visibly used part of the district rather than an abandoned precinct. Weathered medium-gray local granite forms several freestanding markers, each about 0.9 metres high and carrying established dark-green moss. Their individual profiles vary, but every marker has the same legible carved lettering 수리영. The stones are separated at intervals along the verge of one compacted brown-earth path, creating a distributed linear group rather than a single monument. Dense black pines enclose the route with charcoal-brown bark and deep-green needles. Regionally natural green and brown undergrowth occupies the ground between the trunks and presses around the path margins while preserving the corridor and passage gaps. The whole site visibly carries ordinary signs of ongoing local passage and care.", "variant_id": "v2" }, { "approach_ko": "산길 위상과 지역 유형 중심", "evidence_ko": [ "그런데 열심히 걸어온 그 길이 이상하게도 아까 걸어온 길과 비슷하다.", "그 나무와 수풀들에 그 이정표 같은 이끼 낀 비석.", "곳곳에 보이는 몇 개의 비석들에 죄다 “수리영”이란 이름이 새겨져 있다.", "숲을 헤치며 앞으로 나아가는 수리영." ], "prompt_en": "This is an ordinary forest-route site serving a currently inhabited rural mountain neighborhood in contemporary South Korea. The wider lived-in district is present beyond the surrounding grove. A single compacted brown-earth path forms the principal corridor through dense black pines. Several zero-storey granite markers occupy its verge at separate intervals, establishing a linear sequence beside the route. Each marker rises about 0.9 metres above grade, uses weathered medium-gray local granite, and carries mature dark-green moss. The stones vary slightly in shape, and each displays the same readable carved lettering 수리영. Charcoal-brown trunks and deep-green pine crowns enclose the path and marker verge. Green and brown undergrowth fills the ground between trees and borders the traversable corridor, with passage continuing along the path and through natural gaps. Ordinary signs of ongoing local passage and care remain visible throughout the path and marker area.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to the woodland edge of a currently inhabited rural mountain neighborhood in contemporary South Korea. It reads as an ordinary working forest route within that wider district. One compacted brown-earth path passes through a dense black-pine grove. Several freestanding marker stones stand at intervals along its verge in a linear, scattered arrangement. Each marker rises about 0.9 metres above grade and is an individually shaped slab of weathered medium-gray local granite with established dark-green moss. Every stone bears the same weather-softened but legible carved lettering 수리영, while the stones differ slightly in form. Charcoal-brown pine trunks and deep-green needles surround the path. Green and brown undergrowth fills the spaces between trunks and closes around the corridor margins while retaining traversable gaps. The path and marker verge visibly carry ordinary signs of ongoing local passage and care.\n\nTHE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"수리영\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited rural mountain-edge neighborhood continues beyond this enclosed woodland site in contemporary South Korea. The forest path remains a visibly used part of the district rather than an abandoned precinct. Weathered medium-gray local granite forms several freestanding markers, each about 0.9 metres high and carrying established dark-green moss. Their individual profiles vary, but every marker has the same legible carved lettering 수리영. The stones are separated at intervals along the verge of one compacted brown-earth path, creating a distributed linear group rather than a single monument. Dense black pines enclose the route with charcoal-brown bark and deep-green needles. Regionally natural green and brown undergrowth occupies the ground between the trunks and presses around the path margins while preserving the corridor and passage gaps. The whole site visibly carries ordinary signs of ongoing local passage and care.\n\nTHE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"수리영\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is an ordinary forest-route site serving a currently inhabited rural mountain neighborhood in contemporary South Korea. The wider lived-in district is present beyond the surrounding grove. A single compacted brown-earth path forms the principal corridor through dense black pines. Several zero-storey granite markers occupy its verge at separate intervals, establishing a linear sequence beside the route. Each marker rises about 0.9 metres above grade, uses weathered medium-gray local granite, and carries mature dark-green moss. The stones vary slightly in shape, and each displays the same readable carved lettering 수리영. Charcoal-brown trunks and deep-green pine crowns enclose the path and marker verge. Green and brown undergrowth fills the ground between trees and borders the traversable corridor, with passage continuing along the path and through natural gaps. Ordinary signs of ongoing local passage and care remain visible throughout the path and marker area.\n\nTHE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"수리영\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey, linearly distributed group of several freestanding marker stones beside one continuous forest path in contemporary South Korea. Each marker rises to about 0.9 metres above grade, is individually shaped from weathered medium-gray local granite, carries established dark-green moss, and bears the same legible carved lettering 수리영; the stones differ slightly from one another and remain spaced at intervals rather than forming a compact monument. The path is compacted brown earth with regionally ordinary natural stone, and it passes beside the marker verge through a dense black-pine grove. Charcoal-brown pine trunks, deep-green needles, and green and brown undergrowth enclose both outer sides while preserving the path as the principal corridor and leaving traversable gaps. Opening-count assessment is not applicable to freestanding marker stones. The grove belongs to a currently inhabited rural mountain-edge neighborhood, and the path and marker verge visibly carry ordinary signs of ongoing local passage and care rather than reading as an abandoned compound or constructed set.\n\nTHE LOCATION: A stone-marker forest path in an inhabited rural mountain district of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"수리영\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone", "seed_decision": { "input_fingerprint": "9ed6142df588c998", "totals": { "B": 10, "C": 7, "A": 4 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "B", "score": 10, "verdict_ko": "Flawlessly realizes the brief. The markers perfectly match the rough-hewn, rectangular granite form of the reference, feature perfectly consistent '수리영' lettering across all stones, and the path includes highly authentic regional details (like the woven coir mat texture) alongside excellent signs of local care and use." }, { "label": "C", "score": 7, "verdict_ko": "Maintains correct and legible '수리영' lettering across the visible markers. However, the stones are smooth, round boulders that ignore the rough-hewn rectangular form established by the reference, and the left side of the path lacks the dense pine enclosure described in the brief." }, { "label": "A", "score": 4, "verdict_ko": "The lettering on the distant markers degrades into incorrect characters (e.g., '수머명'), failing the strict signage requirement. Additionally, the stones are identical, manufactured steles placed on uniform plinths, contradicting the 'individually shaped' instruction and the provided rough-hewn form reference." } ], "critique": { "issues": [ { "issue_ko": "두 번째 비석의 각인이 '수리영'이 아닌 '수리명'으로 되어 있으며, 뒤쪽에 있는 비석들의 글자도 지정된 문구와 다르거나 알아볼 수 없습니다.", "fix_en": "Edit the carved lettering on the second and all subsequent markers to clearly and exactly read '수리영'.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Edit the carved lettering on the second and all subsequent markers to clearly and exactly read '수리영'.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_harbor_restaurant_deck": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_harbor_restaurant_deck_sel.png", "seed_asset_id": "c0499154-c729-4755-abfb-4cb490b4aafc", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited working harbor-village neighborhood extends around the restaurant, with neighboring low-rise premises and the local street fabric establishing a real contemporary South Korean coastal setting at night. The restaurant is integrated into this neighborhood rather than isolated, and the offshore sea remains visible beyond its sea-facing exterior side at an unspecified waterfront setback. The target building is a one-storey rectangular commercial mass measuring about 14 by 9 metres, with 3.4-metre eaves beneath a low dark blue corrugated-steel gable roof. Off-white textured stucco finishes the concrete-block walls, and gray ceramic tile protects the base. Its region-typical restaurant frontage uses clear glass and silver aluminum framing beneath a white illuminated sign band with legible deep blue lettering reading 바다횟집. A 2.1-metre-high glazed entrance in matching silver aluminum framing stands directly beside the sea-facing outdoor dining area and opens into the restaurant interior. The dining area forms a 14-metre-long, 4-metre-deep deck of weathered reddish-brown wood-composite boards on galvanized steel, with stainless-steel railings. The deck faces outward toward the visible offshore sea. The full frontage, building and deck show ordinary active use as a functioning coastal restaurant.\n\nTHE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean coastal-village raw-fish restaurant at night: a one-storey rectangular main building measuring about 14 by 9 metres, with 3.4-metre eaves and a low gable roof. The walls are salt-weathered off-white textured stucco over concrete block, the plinth is gray ceramic tile, and the roof is dark blue corrugated steel. The sea-facing restaurant frontage uses clear glass in silver aluminum frames and carries a legible white illuminated fascia with deep blue lettering reading 바다횟집. The evidenced restaurant entrance is a 2.1-metre-high silver-aluminum-framed glazed door set directly in the side adjoining the outdoor dining area and connecting that area to the interior. The dedicated sea-facing outdoor dining area is a deck about 14 metres long and 4 metres deep, built from weathered reddish-brown wood-composite boards on a galvanized steel frame with stainless-steel railings. Its principal outward view runs away from the building toward the visible offshore sea, with the intervening waterfront distance left unspecified. The 14-by-9-metre footprint must plausibly contain the evidenced restaurant interior at real-world scale together with the ordinary support spaces of a working restaurant. The building, frontage and outdoor area visibly carry ordinary signs of active restaurant use. The complete site stands within a believable, currently inhabited working harbor-village neighborhood of adjacent low-rise buildings and ordinary local access streets, rather than on isolated ground.", "location_line_en": "A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.", "room_inventory": [ { "evidence_ko": "50. 실내. 해안마을 횟집 - 밤", "label_en": "restaurant interior", "scene_index": 49 } ], "room_inventory_applicable": true, "signage_reason_ko": "현대 한국의 횟집은 업종과 상호를 알리는 전면 간판을 통상 갖춘다.", "signage_required": true, "signage_text": "바다횟집", "variants": [ { "approach_ko": "원문 공간 관계와 밤의 해안 입지를 직접 시각화한 접근", "evidence_ko": [ "50. 실내. 해안마을 횟집 - 밤", "깜깜한 밤바다", "그 풍경이 보이는 바깥 자리" ], "prompt_en": "A currently inhabited working harbor-village neighborhood surrounds the location at night, with adjacent low-rise buildings and an ordinary local access street continuing around the restaurant. The offshore sea is visible from the settled waterfront at an unspecified intervening distance. The target is a one-storey rectangular raw-fish restaurant, about 14 metres by 9 metres, with 3.4-metre eaves and a low gable roof. Salt-weathered off-white textured stucco covers its concrete-block walls, gray ceramic tile finishes the plinth, and dark blue corrugated steel covers the roof. The sea-facing frontage has clear glass in silver aluminum frames and a white illuminated fascia with legible deep blue lettering reading 바다횟집. A 2.1-metre-high silver-aluminum-framed glazed restaurant entrance directly adjoins the outdoor dining area and connects it to the interior. The dedicated sea-facing dining deck runs about 14 metres along the building and projects about 4 metres, using weathered reddish-brown wood-composite boards on a galvanized steel frame with stainless-steel railings. Its principal outward sightline leads away from the building toward the dark offshore sea. The complete restaurant, frontage and deck visibly carry the ordinary signs of active use appropriate to this region.", "variant_id": "v1" }, { "approach_ko": "해풍에 노출된 재료와 마감의 사실성을 우선한 접근", "evidence_ko": [ "해안마을 횟집", "밤바다", "바깥 자리" ], "prompt_en": "The site belongs to a currently inhabited South Korean harbor village at night, enclosed by the ordinary low-rise fabric and access streets of a working coastal neighborhood. The visible offshore sea lies beyond the restaurant's outward-facing side, while the intervening waterfront remains naturally part of the surrounding village. The restaurant is a one-storey 14-by-9-metre rectangular concrete-block building with 3.4-metre eaves and a low gable roof. Its off-white textured stucco shows mild salt streaking and routine coastal wear above a gray ceramic-tile plinth. Dark blue corrugated steel roofing has subdued weathering along its exposed edges. Clear frontage glass sits in silver aluminum frames beneath a white illuminated fascia bearing the legible deep blue text 바다횟집. The adjoining entrance is a 2.1-metre-high silver-aluminum-framed glazed door connecting the restaurant interior directly to its sea-facing outdoor dining area. This area is a 14-by-4-metre deck of reddish-brown wood-composite boards supported by galvanized steel and edged with stainless-steel railings. The deck's outward axis faces the offshore sea. The building and outdoor area are complete for their type and visibly remain in active restaurant service.", "variant_id": "v2" }, { "approach_ko": "현대 한국 항구마을 횟집의 전형적 배치와 영업 전면을 우선한 접근", "evidence_ko": [ "해안마을 횟집", "그 풍경이 보이는 바깥 자리", "깜깜한 밤바다 멀-리" ], "prompt_en": "An ordinary, currently inhabited working harbor-village neighborhood extends around the restaurant, with neighboring low-rise premises and the local street fabric establishing a real contemporary South Korean coastal setting at night. The restaurant is integrated into this neighborhood rather than isolated, and the offshore sea remains visible beyond its sea-facing exterior side at an unspecified waterfront setback. The target building is a one-storey rectangular commercial mass measuring about 14 by 9 metres, with 3.4-metre eaves beneath a low dark blue corrugated-steel gable roof. Off-white textured stucco finishes the concrete-block walls, and gray ceramic tile protects the base. Its region-typical restaurant frontage uses clear glass and silver aluminum framing beneath a white illuminated sign band with legible deep blue lettering reading 바다횟집. A 2.1-metre-high glazed entrance in matching silver aluminum framing stands directly beside the sea-facing outdoor dining area and opens into the restaurant interior. The dining area forms a 14-metre-long, 4-metre-deep deck of weathered reddish-brown wood-composite boards on galvanized steel, with stainless-steel railings. The deck faces outward toward the visible offshore sea. The full frontage, building and deck show ordinary active use as a functioning coastal restaurant.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working harbor-village neighborhood surrounds the location at night, with adjacent low-rise buildings and an ordinary local access street continuing around the restaurant. The offshore sea is visible from the settled waterfront at an unspecified intervening distance. The target is a one-storey rectangular raw-fish restaurant, about 14 metres by 9 metres, with 3.4-metre eaves and a low gable roof. Salt-weathered off-white textured stucco covers its concrete-block walls, gray ceramic tile finishes the plinth, and dark blue corrugated steel covers the roof. The sea-facing frontage has clear glass in silver aluminum frames and a white illuminated fascia with legible deep blue lettering reading 바다횟집. A 2.1-metre-high silver-aluminum-framed glazed restaurant entrance directly adjoins the outdoor dining area and connects it to the interior. The dedicated sea-facing dining deck runs about 14 metres along the building and projects about 4 metres, using weathered reddish-brown wood-composite boards on a galvanized steel frame with stainless-steel railings. Its principal outward sightline leads away from the building toward the dark offshore sea. The complete restaurant, frontage and deck visibly carry the ordinary signs of active use appropriate to this region.\n\nTHE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a currently inhabited South Korean harbor village at night, enclosed by the ordinary low-rise fabric and access streets of a working coastal neighborhood. The visible offshore sea lies beyond the restaurant's outward-facing side, while the intervening waterfront remains naturally part of the surrounding village. The restaurant is a one-storey 14-by-9-metre rectangular concrete-block building with 3.4-metre eaves and a low gable roof. Its off-white textured stucco shows mild salt streaking and routine coastal wear above a gray ceramic-tile plinth. Dark blue corrugated steel roofing has subdued weathering along its exposed edges. Clear frontage glass sits in silver aluminum frames beneath a white illuminated fascia bearing the legible deep blue text 바다횟집. The adjoining entrance is a 2.1-metre-high silver-aluminum-framed glazed door connecting the restaurant interior directly to its sea-facing outdoor dining area. This area is a 14-by-4-metre deck of reddish-brown wood-composite boards supported by galvanized steel and edged with stainless-steel railings. The deck's outward axis faces the offshore sea. The building and outdoor area are complete for their type and visibly remain in active restaurant service.\n\nTHE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited working harbor-village neighborhood extends around the restaurant, with neighboring low-rise premises and the local street fabric establishing a real contemporary South Korean coastal setting at night. The restaurant is integrated into this neighborhood rather than isolated, and the offshore sea remains visible beyond its sea-facing exterior side at an unspecified waterfront setback. The target building is a one-storey rectangular commercial mass measuring about 14 by 9 metres, with 3.4-metre eaves beneath a low dark blue corrugated-steel gable roof. Off-white textured stucco finishes the concrete-block walls, and gray ceramic tile protects the base. Its region-typical restaurant frontage uses clear glass and silver aluminum framing beneath a white illuminated sign band with legible deep blue lettering reading 바다횟집. A 2.1-metre-high glazed entrance in matching silver aluminum framing stands directly beside the sea-facing outdoor dining area and opens into the restaurant interior. The dining area forms a 14-metre-long, 4-metre-deep deck of weathered reddish-brown wood-composite boards on galvanized steel, with stainless-steel railings. The deck faces outward toward the visible offshore sea. The full frontage, building and deck show ordinary active use as a functioning coastal restaurant.\n\nTHE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean coastal-village raw-fish restaurant at night: a one-storey rectangular main building measuring about 14 by 9 metres, with 3.4-metre eaves and a low gable roof. The walls are salt-weathered off-white textured stucco over concrete block, the plinth is gray ceramic tile, and the roof is dark blue corrugated steel. The sea-facing restaurant frontage uses clear glass in silver aluminum frames and carries a legible white illuminated fascia with deep blue lettering reading 바다횟집. The evidenced restaurant entrance is a 2.1-metre-high silver-aluminum-framed glazed door set directly in the side adjoining the outdoor dining area and connecting that area to the interior. The dedicated sea-facing outdoor dining area is a deck about 14 metres long and 4 metres deep, built from weathered reddish-brown wood-composite boards on a galvanized steel frame with stainless-steel railings. Its principal outward view runs away from the building toward the visible offshore sea, with the intervening waterfront distance left unspecified. The 14-by-9-metre footprint must plausibly contain the evidenced restaurant interior at real-world scale together with the ordinary support spaces of a working restaurant. The building, frontage and outdoor area visibly carry ordinary signs of active restaurant use. The complete site stands within a believable, currently inhabited working harbor-village neighborhood of adjacent low-rise buildings and ordinary local access streets, rather than on isolated ground.\n\nTHE LOCATION: A working coastal-village raw-fish restaurant near a mainland harbor in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights", "seed_decision": { "input_fingerprint": "4a6bda2650c5dc88", "totals": { "C": 9, "A": 6, "B": 4 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 9, "verdict_ko": "Shows 1 storey (matches 1). Perfectly aligns the layout with the brief by placing the glass frontage, the illuminated fascia, and the 14m deck on the long side facing the sea. Accurately renders all materials, colors, and massing details. Minor flaws: readable brand text on the truck violates the strict 'no other text' rule, and the main hinged door connects to the street rather than directly to the deck, but its structural and directional conformance remains unmatched." }, { "label": "A", "score": 6, "verdict_ko": "Shows 1 storey (matches 1). Accurately renders the materials, colors, and follows the signage rule perfectly with no extra readable text. However, it fails major directional and layout requirements: the fascia faces the street instead of the sea, and the 14m deck faces an alley rather than having an outward view toward the offshore sea." }, { "label": "B", "score": 4, "verdict_ko": "Shows 1 storey (matches 1). Fails multiple layout constraints: the deck is placed on the 9m gable end (failing the 14m length requirement), and the fascia is on the long side facing the street rather than the sea. Furthermore, the added vertical sign ('바다집') directly violates the strict rules against substituting the name and adding any other readable text." } ], "critique": { "issues": [ { "issue_ko": "길가 쪽 박공벽에 브리프에 명시되지 않은 대형 유리문과 창문, 회색 문이 임의로 추가되어 있습니다.", "fix_en": "Remove the glass doors, window, and solid gray door from the street-facing gable wall, replacing them with continuous off-white textured stucco and the gray ceramic tile plinth.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the glass doors, window, and solid gray door from the street-facing gable wall, replacing them with continuous off-white textured stucco and the gray ceramic tile plinth.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_island_coastal_village": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_island_coastal_village_sel.png", "seed_asset_id": "1aa167eb-7e34-4b4c-bccb-497b7bdff3cf", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean island village occupies a compact strip between a blue-gray sea and a green mixed coastal forest. The sea directly meets a dark gray rocky shore, and a weathered gray concrete lane runs landward through the residential area toward the forest. The target residential cluster contains fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Salt-weathered cement-stucco walls are off-white and pale gray. Coated corrugated-steel roofs vary among weathered red, blue, and green. Restrained doors and window frames are subdued gray or brown aluminum and painted steel in ordinary regional arrangements. House fronts face the lane behind low gray cement-rendered concrete-block walls. Blue or green painted-steel gates interrupt the walls and connect the lane directly to the frontages. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings fill frontage ground beyond or beside the boundaries. The houses and outdoor areas visibly carry ordinary signs of active lived-in use, and the surrounding working neighborhood is complete and regionally ordinary.\n\nTHE LOCATION: Geumwoldo coastal village, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same inhabited contemporary South Korean coastal village: a compact residential cluster of fewer than fifty plots, composed of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Walls are salt-weathered off-white and pale gray cement stucco; roofs are coated corrugated steel in weathered red, blue, and green; restrained doors and window frames use subdued gray or brown aluminum and painted steel in region-normal arrangements. A blue-gray sea directly meets a dark gray rocky shore. Landward, a weathered gray concrete village lane passes house fronts behind low gray cement-rendered concrete-block walls, with blue or green painted-steel gates connecting the lane to each frontage. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings occupy frontage ground beyond or beside the boundaries. The lane continues toward a green mixed coastal forest beyond the inland side of the residential cluster. The sea-to-rocky-shore-to-lane-and-frontages-to-forest progression must remain map-readable. The houses and outdoor areas visibly carry ordinary signs of active lived-in use and form a complete, believable working island neighborhood rather than a sterile collection of buildings. Opening layouts follow quiet contemporary regional residential norms because the evidence fixes no opening count.", "location_line_en": "Geumwoldo coastal village, contemporary South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "일반 사유 주택 군락은 식별 간판이 필수인 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "시나리오 원문 단서 중심", "evidence_ko": [ "금월도 앞바다", "갯바위", "집 앞 대문", "마을 길", "집집마다", "석창포", "야트막한 담 너머로", "숲에는" ], "prompt_en": "An inhabited contemporary South Korean island village occupies a compact strip between a blue-gray sea and a green mixed coastal forest. The sea directly meets a dark gray rocky shore, and a weathered gray concrete lane runs landward through the residential area toward the forest. The target residential cluster contains fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Salt-weathered cement-stucco walls are off-white and pale gray. Coated corrugated-steel roofs vary among weathered red, blue, and green. Restrained doors and window frames are subdued gray or brown aluminum and painted steel in ordinary regional arrangements. House fronts face the lane behind low gray cement-rendered concrete-block walls. Blue or green painted-steel gates interrupt the walls and connect the lane directly to the frontages. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings fill frontage ground beyond or beside the boundaries. The houses and outdoor areas visibly carry ordinary signs of active lived-in use, and the surrounding working neighborhood is complete and regionally ordinary.", "variant_id": "v1" }, { "approach_ko": "해안에서 숲으로 이어지는 배치 중심", "evidence_ko": [ "금월도 앞바다", "갯바위", "마을 길을 지나가는", "집 앞 대문", "야트막한 담 너머로", "우리 금월도는 집집마다 요 석창포를 키운당께.", "숲에는 절대 혼자 들어가덜 말어야." ], "prompt_en": "The permanent site forms a clear coastal sequence in contemporary South Korea: blue-gray sea, dark gray rocky shore, weathered gray concrete village lane, inhabited residential frontages, then green mixed coastal forest inland. The lane passes through a complete working island neighborhood and continues toward the forest. Its target cluster comprises fewer than fifty residential plots of one-storey detached rectangular masonry houses, each with a full dwelling footprint beneath a low-pitched gabled roof. The house walls are salt-weathered off-white and pale gray cement stucco. Their coated corrugated-steel roofs are weathered red, blue, and green. Subdued gray or brown aluminum and painted-steel doors and window frames follow restrained regional residential patterns. Low gray cement-rendered concrete-block walls line the lane-facing boundaries, interrupted by blue or green painted-steel gates that lead directly to the house frontages. Tan straw rope lies along portions of the low walls. Deep-green sweet-flag plantings occupy the house-side frontage ground beyond or beside these boundaries. Ordinary signs of active lived-in use remain visible throughout the houses and outdoor areas.", "variant_id": "v2" }, { "approach_ko": "지역 재료와 주거 유형 중심", "evidence_ko": [ "50여 가구 미만의 알록달록한 지붕을 가진 소담스러운 집들이 모인 마을.", "담장에는 새끼줄이 걸려 있다.", "우리 금월도는 집집마다 요 석창포를 키운당께.", "어느새 야트막한 담 너머로", "금월도 앞바다" ], "prompt_en": "A complete, inhabited contemporary South Korean island neighborhood stands between a blue-gray coastal sea and a green mixed forest inland. Dark gray shore rock borders the sea, while a weathered gray concrete lane threads through the residential cluster and continues toward the forest. The target consists of fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Off-white and pale gray cement-stucco walls show natural salt fading and rain staining. Weathered red, blue, and green coated corrugated-steel roofs create the established varied roofscape. Subdued gray or brown aluminum and painted-steel doors and window frames retain ordinary regional proportions and placement. Low gray cement-rendered concrete-block walls define each lane frontage. Blue or green painted-steel gates open directly from the lane into the frontage areas. Tan natural-straw rope hangs along portions of the walls, and deep-green sweet-flag plantings grow beyond or beside the boundaries on the house side. The built fabric and outdoor areas visibly carry ordinary signs of active lived-in use appropriate to a working Korean coastal village.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean island village occupies a compact strip between a blue-gray sea and a green mixed coastal forest. The sea directly meets a dark gray rocky shore, and a weathered gray concrete lane runs landward through the residential area toward the forest. The target residential cluster contains fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Salt-weathered cement-stucco walls are off-white and pale gray. Coated corrugated-steel roofs vary among weathered red, blue, and green. Restrained doors and window frames are subdued gray or brown aluminum and painted steel in ordinary regional arrangements. House fronts face the lane behind low gray cement-rendered concrete-block walls. Blue or green painted-steel gates interrupt the walls and connect the lane directly to the frontages. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings fill frontage ground beyond or beside the boundaries. The houses and outdoor areas visibly carry ordinary signs of active lived-in use, and the surrounding working neighborhood is complete and regionally ordinary.\n\nTHE LOCATION: Geumwoldo coastal village, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe permanent site forms a clear coastal sequence in contemporary South Korea: blue-gray sea, dark gray rocky shore, weathered gray concrete village lane, inhabited residential frontages, then green mixed coastal forest inland. The lane passes through a complete working island neighborhood and continues toward the forest. Its target cluster comprises fewer than fifty residential plots of one-storey detached rectangular masonry houses, each with a full dwelling footprint beneath a low-pitched gabled roof. The house walls are salt-weathered off-white and pale gray cement stucco. Their coated corrugated-steel roofs are weathered red, blue, and green. Subdued gray or brown aluminum and painted-steel doors and window frames follow restrained regional residential patterns. Low gray cement-rendered concrete-block walls line the lane-facing boundaries, interrupted by blue or green painted-steel gates that lead directly to the house frontages. Tan straw rope lies along portions of the low walls. Deep-green sweet-flag plantings occupy the house-side frontage ground beyond or beside these boundaries. Ordinary signs of active lived-in use remain visible throughout the houses and outdoor areas.\n\nTHE LOCATION: Geumwoldo coastal village, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA complete, inhabited contemporary South Korean island neighborhood stands between a blue-gray coastal sea and a green mixed forest inland. Dark gray shore rock borders the sea, while a weathered gray concrete lane threads through the residential cluster and continues toward the forest. The target consists of fewer than fifty plots of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Off-white and pale gray cement-stucco walls show natural salt fading and rain staining. Weathered red, blue, and green coated corrugated-steel roofs create the established varied roofscape. Subdued gray or brown aluminum and painted-steel doors and window frames retain ordinary regional proportions and placement. Low gray cement-rendered concrete-block walls define each lane frontage. Blue or green painted-steel gates open directly from the lane into the frontage areas. Tan natural-straw rope hangs along portions of the walls, and deep-green sweet-flag plantings grow beyond or beside the boundaries on the house side. The built fabric and outdoor areas visibly carry ordinary signs of active lived-in use appropriate to a working Korean coastal village.\n\nTHE LOCATION: Geumwoldo coastal village, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same inhabited contemporary South Korean coastal village: a compact residential cluster of fewer than fifty plots, composed of one-storey detached rectangular masonry houses with full dwelling footprints and low-pitched gabled roofs. Walls are salt-weathered off-white and pale gray cement stucco; roofs are coated corrugated steel in weathered red, blue, and green; restrained doors and window frames use subdued gray or brown aluminum and painted steel in region-normal arrangements. A blue-gray sea directly meets a dark gray rocky shore. Landward, a weathered gray concrete village lane passes house fronts behind low gray cement-rendered concrete-block walls, with blue or green painted-steel gates connecting the lane to each frontage. Tan straw rope hangs along portions of the low walls. Deep-green household sweet-flag plantings occupy frontage ground beyond or beside the boundaries. The lane continues toward a green mixed coastal forest beyond the inland side of the residential cluster. The sea-to-rocky-shore-to-lane-and-frontages-to-forest progression must remain map-readable. The houses and outdoor areas visibly carry ordinary signs of active lived-in use and form a complete, believable working island neighborhood rather than a sterile collection of buildings. Opening layouts follow quiet contemporary regional residential norms because the evidence fixes no opening count.\n\nTHE LOCATION: Geumwoldo coastal village, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions", "seed_decision": { "input_fingerprint": "48e83fd0b24fd6f2", "totals": { "A": 10, "B": 7, "C": 3 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "브리프의 모든 지시사항(골함석 지붕, 회색 블록 담장, 파란색 철제 대문, 짚줄, 창포 식재)을 정확히 준수했으며, 해안에서 숲으로 이어지는 지리적 흐름도 명확하게 구현되었습니다." }, { "label": "B", "score": 7, "verdict_ko": "지정된 식재와 담장 짚줄 등 훌륭한 디테일을 보여주나, 우측 가옥들의 지붕이 브리프가 명시한 '골함석(corrugated steel)'이 아닌 전통 기와로 렌더링되어 재질 지시를 위반했습니다." }, { "label": "C", "score": 3, "verdict_ko": "레퍼런스 이미지의 형태뿐만 아니라 브리프 텍스트가 명시적으로 덮어쓴 색상과 재질(청록색/분홍색 담장, 녹슨 목재/철제 대문, 기와 지붕)까지 그대로 복사하여 심각한 위반을 범했습니다." } ], "critique": { "issues": [ { "issue_ko": "낮은 경계벽이 시멘트로 매끄럽게 마감되지 않고 콘크리트 블록과 몰탈 줄눈이 그대로 노출되어 있습니다.", "fix_en": "Apply a smooth gray cement rendering over the exposed concrete-block boundary walls to hide the joints.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "담장 부근에 매달린 짚줄(금줄)이 아니라 수확 후 말리기 위해 널어놓은 두꺼운 짚단처럼 묘사되어 있습니다.", "fix_en": "Replace the thick draped straw bundles on the low walls with a single tan straw rope hanging horizontally.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "전경에 있는 주요 건물의 지붕이 단일 색상이 아니라 붉은색과 푸른색이 부자연스러운 사각형 패턴으로 섞여 있습니다.", "fix_en": "Change the unnatural blue rectangular patches on the main foreground roof to weathered red corrugated steel to match the rest of the roof.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Apply a smooth gray cement rendering over the exposed concrete-block boundary walls to hide the joints.\n- Replace the thick draped straw bundles on the low walls with a single tan straw rope hanging horizontally.\n- Change the unnatural blue rectangular patches on the main foreground roof to weathered red corrugated steel to match the rest of the roof.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_island_main_pier": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_island_main_pier_sel.png", "seed_asset_id": "5ba2e05d-ac67-457a-b8c7-d2a0003913a9", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited South Korean island village of fewer than about fifty households surrounds the landward approach. Regionally typical rendered masonry houses have varied painted-metal and tile roofs, with autumn-red, ochre, and green woodland interwoven among and behind them. A single-level pale-gray reinforced-concrete pier deck measures 55 by 8 metres and runs continuously from the village approach to the seaward terminal end. Blue-green sea adjoins its exposed sides. Its boat-access side forms a water-contacting berth edge with black rubber fenders and yellow-painted steel mooring bollards in the ordinary regional configuration. At the village-side frontage, the fishing-gear warehouse is a one-storey 9-by-6-metre concrete-block building with 3.6-metre eaves, light-gray cement render, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening onto the landing route, and one dusty aluminum-framed window overlooking the pier. Its footprint holds one full storage room with real-world capacity for densely packed fishing gear stacked to the ceiling. Banwol Restaurant faces the same pier-to-village route. It is a one-storey 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia with clearly legible white lettering 바다식당. The pier, warehouse, restaurant frontage, and outdoor working areas visibly carry ordinary signs of active daily service and upkeep.\n\nTHE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every candidate must show the same contemporary South Korean island landing as an inhabited working neighborhood. The main pier is a single-level, 55-by-8-metre pale-gray reinforced-concrete deck running continuously from the village approach to its seaward terminal end, with blue-green sea adjoining the exposed sides and a water-contacting berth edge equipped in the ordinary regional manner. The village-side frontage contains Banwol Restaurant and the fishing-gear warehouse in their specified positions. The warehouse is a one-storey, 9-by-6-metre rendered concrete-block building with 3.6-metre eaves, light-gray walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening toward the landing route, and one dusty aluminum-framed window overlooking the pier; its footprint must hold the evidenced single storage room at real-world scale, including densely packed fishing gear stacked to the ceiling. Banwol Restaurant is a one-storey, 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia carrying the clearly legible white lettering 바다식당. The landward concrete approach continues among village houses with regionally typical rendered masonry walls and varied painted-metal or tile roofs, while autumn woodland intermingles with and rises behind them. The pier, warehouse, restaurant frontage, and outdoor working areas must visibly carry ordinary signs of active daily use and upkeep. Reject isolated, sterile, abandoned, undersized, incorrectly connected, or differently colored candidates.", "location_line_en": "A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.", "room_inventory": [ { "evidence_ko": "어둑한 창고 안 층층이 쌓인 어망, 낚싯대, 통발 등 어구 장비들, 그리고 큼직한 생선 바구니도 천장까지 높게 쌓여 발디딜 틈이 없어 보인다.", "label_en": "Fishing-gear warehouse storage room", "scene_index": 80 } ], "room_inventory_applicable": true, "signage_reason_ko": "선착장 앞 식당은 영업을 식별하는 한글 간판이 필요한 상업 시설이다.", "signage_required": true, "signage_text": "바다식당", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "50여 가구가 채 안 되어 보이는 작은 섬 마을", "알록달록 한 지붕의 소담스런 집들이\n단풍이 한창인 나무, 숲과 어우러져", "선착장 끝", "이미 연락을 받았는지, 반월 식당 앞에 나온 영란이 마을 쪽으로 들어오는 인우를 지켜본다.", "어구 창고 문이 활짝 열리고", "먼지가 잔뜩 껴서 흐릿한 창 밖으로 바깥 선착장 쪽 동태를 살피는 민숙.", "이러코롬 넓은 디를 언제 다 뒤지고 자빠졌을라냐!" ], "prompt_en": "A currently inhabited South Korean island village of fewer than about fifty households surrounds the landward approach. Regionally typical rendered masonry houses have varied painted-metal and tile roofs, with autumn-red, ochre, and green woodland interwoven among and behind them. A single-level pale-gray reinforced-concrete pier deck measures 55 by 8 metres and runs continuously from the village approach to the seaward terminal end. Blue-green sea adjoins its exposed sides. Its boat-access side forms a water-contacting berth edge with black rubber fenders and yellow-painted steel mooring bollards in the ordinary regional configuration. At the village-side frontage, the fishing-gear warehouse is a one-storey 9-by-6-metre concrete-block building with 3.6-metre eaves, light-gray cement render, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening onto the landing route, and one dusty aluminum-framed window overlooking the pier. Its footprint holds one full storage room with real-world capacity for densely packed fishing gear stacked to the ceiling. Banwol Restaurant faces the same pier-to-village route. It is a one-storey 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia with clearly legible white lettering 바다식당. The pier, warehouse, restaurant frontage, and outdoor working areas visibly carry ordinary signs of active daily service and upkeep.", "variant_id": "v1" }, { "approach_ko": "마을 배치와 접근 동선 중심", "evidence_ko": [ "산들은 모르는 척 혼자 마을 쪽으로 멀어져 간다.", "반월 식당 앞에 나온 영란이 마을 쪽으로 들어오는 인우를 지켜본다.", "미친 듯 순찰정을 향해 달리는 수리영 일행.", "멀찍이 선착장 끝에 민숙이 바다를 보며 앉아있다." ], "prompt_en": "The location is an ordinary inhabited island-village landing in contemporary South Korea. A concrete approach passes through a settlement of fewer than about fifty households, where regionally typical rendered masonry houses carry varied painted-metal and tile roofs and autumn woodland grows among and behind the buildings. The approach meets a 55-by-8-metre, single-level pale-gray reinforced-concrete pier and continues as one uninterrupted deck to the seaward terminal end. Blue-green seawater directly surrounds the exposed pier sides. Along the boat-access side, the concrete berth edge meets the water and carries the landing's standard black rubber fenders and yellow-painted steel mooring bollards. The fishing-gear warehouse and Banwol Restaurant form the village-side frontage facing this route. The warehouse is one storey, 9 by 6 metres, with 3.6-metre eaves, light-gray rendered concrete-block walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel landing-side doorway, and one dusty aluminum-framed window facing the pier. The building encloses one full-scale storage room capable of holding ceiling-high layers of fishing gear. The restaurant is one storey, 10 by 7 metres, with 3.2-metre eaves, cream-painted concrete-block walls, a dark-red corrugated-metal roof, a dark aluminum-framed glazed shopfront, exactly one entrance addressing the pier-to-village route, and a blue fascia bearing clear white lettering 바다식당. Every working part of the pier frontage and its outdoor areas shows ordinary signs of continuing daily use and maintenance.", "variant_id": "v2" }, { "approach_ko": "재료와 항구 시설 유형 중심", "evidence_ko": [ "시멘트 바닥과 정박 시설이 있다.", "어구 장비들, 그리고 큼직한 생선 바구니도 천장까지 높게 쌓여", "먼지가 잔뜩 껴서 흐릿한 창 밖으로 바깥 선착장 쪽 동태를 살피는 민숙.", "금월도 앞바다는 노을빛을 받아 금빛으로 반짝인다." ], "prompt_en": "Salt-weathered pale-gray reinforced concrete defines the working island landing, with ordinary maintained wear rather than dereliction. The main pier is a single deck level measuring 55 by 8 metres, extending from the village-side concrete approach to a seaward terminal end beside blue-green water. Its boat-access edge directly contacts the sea and has the regionally standard working arrangement of black rubber fenders and yellow-painted steel mooring bollards. The village frontage contains two definite one-storey masonry buildings. The fishing-gear warehouse measures 9 by 6 metres with 3.6-metre eaves. It has light-gray cement-rendered concrete-block walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway facing the landing route, and one dusty aluminum-framed window overlooking the pier. Its full-scale single storage room accommodates densely layered fishing equipment up to ceiling height. Banwol Restaurant measures 10 by 7 metres with 3.2-metre eaves. It has cream-painted concrete-block walls, a dark-red corrugated-metal roof, a dark aluminum-framed glazed commercial frontage, exactly one pier-visible entrance, and a blue fascia displaying the legible white text 바다식당. The landward route enters a currently inhabited village of fewer than about fifty households, with regionally typical rendered masonry houses, varied painted-metal and tile roofs, and autumn woodland intermingled among and behind them. The complete pier, warehouse, restaurant frontage, and outdoor service areas visibly bear ordinary signs of active use appropriate to a contemporary South Korean island community.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited South Korean island village of fewer than about fifty households surrounds the landward approach. Regionally typical rendered masonry houses have varied painted-metal and tile roofs, with autumn-red, ochre, and green woodland interwoven among and behind them. A single-level pale-gray reinforced-concrete pier deck measures 55 by 8 metres and runs continuously from the village approach to the seaward terminal end. Blue-green sea adjoins its exposed sides. Its boat-access side forms a water-contacting berth edge with black rubber fenders and yellow-painted steel mooring bollards in the ordinary regional configuration. At the village-side frontage, the fishing-gear warehouse is a one-storey 9-by-6-metre concrete-block building with 3.6-metre eaves, light-gray cement render, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening onto the landing route, and one dusty aluminum-framed window overlooking the pier. Its footprint holds one full storage room with real-world capacity for densely packed fishing gear stacked to the ceiling. Banwol Restaurant faces the same pier-to-village route. It is a one-storey 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia with clearly legible white lettering 바다식당. The pier, warehouse, restaurant frontage, and outdoor working areas visibly carry ordinary signs of active daily service and upkeep.\n\nTHE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is an ordinary inhabited island-village landing in contemporary South Korea. A concrete approach passes through a settlement of fewer than about fifty households, where regionally typical rendered masonry houses carry varied painted-metal and tile roofs and autumn woodland grows among and behind the buildings. The approach meets a 55-by-8-metre, single-level pale-gray reinforced-concrete pier and continues as one uninterrupted deck to the seaward terminal end. Blue-green seawater directly surrounds the exposed pier sides. Along the boat-access side, the concrete berth edge meets the water and carries the landing's standard black rubber fenders and yellow-painted steel mooring bollards. The fishing-gear warehouse and Banwol Restaurant form the village-side frontage facing this route. The warehouse is one storey, 9 by 6 metres, with 3.6-metre eaves, light-gray rendered concrete-block walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel landing-side doorway, and one dusty aluminum-framed window facing the pier. The building encloses one full-scale storage room capable of holding ceiling-high layers of fishing gear. The restaurant is one storey, 10 by 7 metres, with 3.2-metre eaves, cream-painted concrete-block walls, a dark-red corrugated-metal roof, a dark aluminum-framed glazed shopfront, exactly one entrance addressing the pier-to-village route, and a blue fascia bearing clear white lettering 바다식당. Every working part of the pier frontage and its outdoor areas shows ordinary signs of continuing daily use and maintenance.\n\nTHE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nSalt-weathered pale-gray reinforced concrete defines the working island landing, with ordinary maintained wear rather than dereliction. The main pier is a single deck level measuring 55 by 8 metres, extending from the village-side concrete approach to a seaward terminal end beside blue-green water. Its boat-access edge directly contacts the sea and has the regionally standard working arrangement of black rubber fenders and yellow-painted steel mooring bollards. The village frontage contains two definite one-storey masonry buildings. The fishing-gear warehouse measures 9 by 6 metres with 3.6-metre eaves. It has light-gray cement-rendered concrete-block walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway facing the landing route, and one dusty aluminum-framed window overlooking the pier. Its full-scale single storage room accommodates densely layered fishing equipment up to ceiling height. Banwol Restaurant measures 10 by 7 metres with 3.2-metre eaves. It has cream-painted concrete-block walls, a dark-red corrugated-metal roof, a dark aluminum-framed glazed commercial frontage, exactly one pier-visible entrance, and a blue fascia displaying the legible white text 바다식당. The landward route enters a currently inhabited village of fewer than about fifty households, with regionally typical rendered masonry houses, varied painted-metal and tile roofs, and autumn woodland intermingled among and behind them. The complete pier, warehouse, restaurant frontage, and outdoor service areas visibly bear ordinary signs of active use appropriate to a contemporary South Korean island community.\n\nTHE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery candidate must show the same contemporary South Korean island landing as an inhabited working neighborhood. The main pier is a single-level, 55-by-8-metre pale-gray reinforced-concrete deck running continuously from the village approach to its seaward terminal end, with blue-green sea adjoining the exposed sides and a water-contacting berth edge equipped in the ordinary regional manner. The village-side frontage contains Banwol Restaurant and the fishing-gear warehouse in their specified positions. The warehouse is a one-storey, 9-by-6-metre rendered concrete-block building with 3.6-metre eaves, light-gray walls, a weathered blue corrugated-metal gable roof, exactly one blue-painted steel doorway opening toward the landing route, and one dusty aluminum-framed window overlooking the pier; its footprint must hold the evidenced single storage room at real-world scale, including densely packed fishing gear stacked to the ceiling. Banwol Restaurant is a one-storey, 10-by-7-metre cream-painted concrete-block building with 3.2-metre eaves, a dark-red corrugated-metal roof, a dark aluminum-framed glazed frontage, exactly one pier-visible entrance, and a blue fascia carrying the clearly legible white lettering 바다식당. The landward concrete approach continues among village houses with regionally typical rendered masonry walls and varied painted-metal or tile roofs, while autumn woodland intermingles with and rises behind them. The pier, warehouse, restaurant frontage, and outdoor working areas must visibly carry ordinary signs of active daily use and upkeep. Reject isolated, sterile, abandoned, undersized, incorrectly connected, or differently colored candidates.\n\nTHE LOCATION: A contemporary South Korean small-island village pier with its fishing-gear warehouse, restaurant frontage, clustered houses, and autumn woodland.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end", "seed_decision": { "input_fingerprint": "2de1af2fa9545492", "totals": { "A": 9, "B": 5, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "주거 및 작업 환경이 있는 실제 마을의 모습을 잘 구현하여 통과입니다. 어구 창고는 부두를 향해 난 파란색 철제 문 1개와 부두를 내려다보는 창문 1개의 개수 조건을 정확히 충족하며, 식당 간판 역시 추가된 텍스트 없이 '바다식당'만을 정확하게 표기하여 지시문을 완벽하게 준수했습니다. 부두 역시 단차가 없는 단일 형태를 띠고 있습니다." }, { "label": "B", "score": 5, "verdict_ko": "주거 환경으로서의 조건은 통과입니다. 그러나 어구 창고의 부두 측면에 창문이 2개 배치되어 '부두를 내려다보는 창문 1개'라는 개수 제약을 위반했으며, 식당 간판에 지정되지 않은 작은 문구들이 추가되었습니다. 또한 부두 가장자리에 계단식 구조가 생겨나 연속적인 단일 층 데크 조건을 어겼습니다." }, { "label": "C", "score": 4, "verdict_ko": "주거 환경으로서의 조건은 통과입니다. 그러나 창고 내부에 쌓인 어구를 보여주기 위해 벽면을 허물고 거대한 개방형 차고 문을 추가하여 '정확히 1개의 파란색 문'이라는 구조적 제약을 심각하게 위반했습니다. 식당 간판에도 영문 텍스트가 임의로 추가되어 탈락 요인이 되었습니다." } ], "critique": { "issues": [ { "issue_ko": "어구 창고의 부두 방향 벽면에 창문이 3개 묘사되어 있습니다. (시방서: 부두를 향한 창문 정확히 1개)", "fix_en": "Remove two of the three windows on the warehouse's pier-facing walls, replacing them with solid light-gray rendered concrete wall to leave exactly one window.", "needs_regeneration": false }, { "issue_ko": "식당 우측면에 흰색 문이 추가로 묘사되어 부두에서 보이는 출입문이 2개가 되었습니다. (시방서: 부두에서 보이는 출입문 정확히 1개)", "fix_en": "Erase the white door on the right-hand side wall of the restaurant, filling the space with continuous cream-painted concrete block.", "needs_regeneration": false }, { "issue_ko": "부두 가장자리의 계류용 볼라드가 지정된 노란색이 아닌 어둡고 녹슨 색으로 칠해져 있습니다.", "fix_en": "Recolor the dark steel mooring bollards along the pier edge to bright yellow.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove two of the three windows on the warehouse's pier-facing walls, replacing them with solid light-gray rendered concrete wall to leave exactly one window.\n- Erase the white door on the right-hand side wall of the restaurant, filling the space with continuous cream-painted concrete block.\n- Recolor the dark steel mooring bollards along the pier edge to bright yellow.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_mainland_harbor": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_mainland_harbor_sel.png", "seed_asset_id": "ef8e2161-3434-4687-b5f7-c4f2dc082bb6", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean coastal fishing-village neighborhood surrounds an inhabited working harbor, with connected low-rise waterfront fabric and ordinary regional access lanes. The landing is visibly in active service and carries the unstaged signs of routine harbor use. The target is a one-level open reinforced-concrete dock, about 45 metres long and 8 metres wide, extending on a straight landside-to-water axis. Its salt-weathered gray deck begins at a charcoal-gray paved harbor access area, provides normal working and vehicle-access space, and ends at an outer terminus. The boat-facing edge directly adjoins the harbor water along the dock, and the water continues around the terminus. A fixed landing identification sign stands at the transition from the access area to the inland dock entrance. It has a blue metal panel on galvanized-steel supports with legible white lettering reading 청해마을 선착장. Concrete bleaching, patched paving and working-surface wear are consistent with a maintained South Korean village harbor. The facility has the complete ordinary configuration of a coastal village landing.\n\nTHE LOCATION: A contemporary working coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean coastal village landing as the main subject: a one-level open reinforced-concrete dock measuring about 45 metres long by 8 metres wide, extending on a single landside-to-water axis from a charcoal-gray paved harbor access area to an outer terminus. The weathered gray working deck must provide the footprint required for normal landing operations, pedestrian circulation and vehicle access. Its boat-facing edge directly adjoins the harbor water along the working length, and water continues around the outer terminus. At the transition from the landside access area to the inland dock entrance, the fixed landing sign must have a blue metal panel, galvanized-steel supports and clearly legible white lettering reading 청해마을 선착장. The dock, sign and access area must retain this topology and have regionally authentic salt exposure, surface wear and ordinary working-harbor finishes. Evidenced opening count is not applicable to this open working-deck structure. The landing must be complete and ordinary for its facility type, visibly in active service rather than bare or derelict, with unstaged signs of routine use. An inhabited working fishing-village neighborhood with adjacent low-rise waterfront buildings and connected local access fabric must surround the site.", "location_line_en": "A contemporary working coastal village harbor landing in South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "마을 공공 선착장은 도착 지점에 명칭을 알리는 식별 표지가 필요하다.", "signage_required": true, "signage_text": "청해마을 선착장", "variants": [ { "approach_ko": "장면 문구에서 동선과 접안 관계를 직접 구축한 접근", "evidence_ko": [ "실외. 해안마을 선착장 - 낮", "선착장 끝, 저 쪽에 사람들이 왁자지껄 모여 있는 게 보인다.", "누가봐도 낚싯꾼 코스프레를 한 인우가 인상을 잔뜩 쓴 채 어선 위 황 씨를 노려본다.", "까만색 그랜드카니발에서 짧은 치마 여자 대여섯이 우루루 내린다.", "선착장 쪽을 보는 창모." ], "prompt_en": "A contemporary South Korean coastal fishing-village neighborhood surrounds an inhabited working harbor, with connected low-rise waterfront fabric and ordinary regional access lanes. The landing is visibly in active service and carries the unstaged signs of routine harbor use. The target is a one-level open reinforced-concrete dock, about 45 metres long and 8 metres wide, extending on a straight landside-to-water axis. Its salt-weathered gray deck begins at a charcoal-gray paved harbor access area, provides normal working and vehicle-access space, and ends at an outer terminus. The boat-facing edge directly adjoins the harbor water along the dock, and the water continues around the terminus. A fixed landing identification sign stands at the transition from the access area to the inland dock entrance. It has a blue metal panel on galvanized-steel supports with legible white lettering reading 청해마을 선착장. Concrete bleaching, patched paving and working-surface wear are consistent with a maintained South Korean village harbor. The facility has the complete ordinary configuration of a coastal village landing.", "variant_id": "v1" }, { "approach_ko": "주변 어촌의 생활권에서 선착장으로 좁혀 들어가는 접근", "evidence_ko": [], "prompt_en": "The site belongs to a contemporary inhabited South Korean fishing village, embedded among its low-rise working waterfront buildings and connected neighborhood circulation. The harbor edge reads as an ordinary place in continuous service, with natural signs of daily use left unstaged. At the waterline, the main subject is a one-level open dock built as a solid weathered-gray reinforced-concrete mass, about 45 metres in length and 8 metres in width. A charcoal-gray paved landside harbor access area flows directly into the inland entrance of the dock. The dock continues outward on the same axis to its outer terminus, while its boat-facing working edge touches the harbor water and the water wraps around the far end. At the access-to-dock transition stands the permanent landing sign: a blue metal panel carried by galvanized-steel posts, with clear white text reading 청해마을 선착장. Salt bleaching, repaired pavement and operational wear remain regionally normal and maintained. The landing is complete in the ordinary contemporary South Korean village-harbor configuration.", "variant_id": "v2" }, { "approach_ko": "재료와 항구 시설 유형을 우선해 형태를 확정한 접근", "evidence_ko": [], "prompt_en": "Salt-weathered gray reinforced concrete defines the one-level working deck, and charcoal-gray harbor paving defines its landside approach. The target dock measures about 45 metres by 8 metres and has the solid horizontal massing of a contemporary South Korean coastal village landing. It runs outward from the landside access area to an outer terminus on one continuous axis. Harbor water directly meets the boat-facing edge for the working length and continues around the terminus. A permanent identification sign occupies the transition between the paved access area and the inland dock entrance. Its construction is a blue painted-metal panel on galvanized-steel supports, carrying legible white lettering reading 청해마을 선착장. The surfaces show maintained salt exposure, patching and routine working wear. The facility is complete for its harbor function and visibly active through ordinary unstaged signs of use. An inhabited fishing-village neighborhood of regionally typical low-rise waterfront development and connected local circulation encloses the harbor setting.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean coastal fishing-village neighborhood surrounds an inhabited working harbor, with connected low-rise waterfront fabric and ordinary regional access lanes. The landing is visibly in active service and carries the unstaged signs of routine harbor use. The target is a one-level open reinforced-concrete dock, about 45 metres long and 8 metres wide, extending on a straight landside-to-water axis. Its salt-weathered gray deck begins at a charcoal-gray paved harbor access area, provides normal working and vehicle-access space, and ends at an outer terminus. The boat-facing edge directly adjoins the harbor water along the dock, and the water continues around the terminus. A fixed landing identification sign stands at the transition from the access area to the inland dock entrance. It has a blue metal panel on galvanized-steel supports with legible white lettering reading 청해마을 선착장. Concrete bleaching, patched paving and working-surface wear are consistent with a maintained South Korean village harbor. The facility has the complete ordinary configuration of a coastal village landing.\n\nTHE LOCATION: A contemporary working coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a contemporary inhabited South Korean fishing village, embedded among its low-rise working waterfront buildings and connected neighborhood circulation. The harbor edge reads as an ordinary place in continuous service, with natural signs of daily use left unstaged. At the waterline, the main subject is a one-level open dock built as a solid weathered-gray reinforced-concrete mass, about 45 metres in length and 8 metres in width. A charcoal-gray paved landside harbor access area flows directly into the inland entrance of the dock. The dock continues outward on the same axis to its outer terminus, while its boat-facing working edge touches the harbor water and the water wraps around the far end. At the access-to-dock transition stands the permanent landing sign: a blue metal panel carried by galvanized-steel posts, with clear white text reading 청해마을 선착장. Salt bleaching, repaired pavement and operational wear remain regionally normal and maintained. The landing is complete in the ordinary contemporary South Korean village-harbor configuration.\n\nTHE LOCATION: A contemporary working coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nSalt-weathered gray reinforced concrete defines the one-level working deck, and charcoal-gray harbor paving defines its landside approach. The target dock measures about 45 metres by 8 metres and has the solid horizontal massing of a contemporary South Korean coastal village landing. It runs outward from the landside access area to an outer terminus on one continuous axis. Harbor water directly meets the boat-facing edge for the working length and continues around the terminus. A permanent identification sign occupies the transition between the paved access area and the inland dock entrance. Its construction is a blue painted-metal panel on galvanized-steel supports, carrying legible white lettering reading 청해마을 선착장. The surfaces show maintained salt exposure, patching and routine working wear. The facility is complete for its harbor function and visibly active through ordinary unstaged signs of use. An inhabited fishing-village neighborhood of regionally typical low-rise waterfront development and connected local circulation encloses the harbor setting.\n\nTHE LOCATION: A contemporary working coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean coastal village landing as the main subject: a one-level open reinforced-concrete dock measuring about 45 metres long by 8 metres wide, extending on a single landside-to-water axis from a charcoal-gray paved harbor access area to an outer terminus. The weathered gray working deck must provide the footprint required for normal landing operations, pedestrian circulation and vehicle access. Its boat-facing edge directly adjoins the harbor water along the working length, and water continues around the outer terminus. At the transition from the landside access area to the inland dock entrance, the fixed landing sign must have a blue metal panel, galvanized-steel supports and clearly legible white lettering reading 청해마을 선착장. The dock, sign and access area must retain this topology and have regionally authentic salt exposure, surface wear and ordinary working-harbor finishes. Evidenced opening count is not applicable to this open working-deck structure. The landing must be complete and ordinary for its facility type, visibly in active service rather than bare or derelict, with unstaged signs of routine use. An inhabited working fishing-village neighborhood with adjacent low-rise waterfront buildings and connected local access fabric must surround the site.\n\nTHE LOCATION: A contemporary working coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor", "seed_decision": { "input_fingerprint": "2a98aaa6310e5440", "totals": { "A": 10, "B": 3, "C": 7 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "Passes all checks. The mandatory signage is perfectly spelled '청해마을 선착장' with no other text generated anywhere in the image. The transition zone from the landside correctly features the committed charcoal-gray pavement, and none of the excluded transients are present." }, { "label": "B", "score": 3, "verdict_ko": "Hard violation on signage: the first character is generated as '평' instead of '청', misspelling the mandatory name. It also fails the negative transient constraint by depicting a fishing vessel moored directly at the dock's berth, and features unrequested readable text on a building to the right." }, { "label": "C", "score": 7, "verdict_ko": "The mandatory sign spells the required text correctly, but the candidate fails the landside access material constraint (depicting light gray concrete at the transition instead of the required charcoal-gray pavement). It also violates the strict negative constraint against additional text by generating a readable sign on the building to the far right." } ], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_multifamily_residence": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_multifamily_residence_sel.png", "seed_asset_id": "d5c560b6-50f1-45a8-aab7-8d195787f220", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete, ordinary contemporary South Korean multifamily alley residence within a dense low-rise residential neighborhood. The vehicle-accessible gray paved alley directly adjoins the target frontage, and the whole place reads as inhabited and in active daily residential use. The residence is a three-storey rectangular reinforced-concrete block with a 12 by 16 metre footprint and several household units. One approximately 55-square-metre dwelling has sufficient area for two private rooms and a separate living room. The exterior is red-brown brick over a gray concrete base, with a muted green waterproofed flat roof behind a concrete parapet. Windows use dark bronze aluminum frames, and doors are beige painted steel. A permanent gray poured-concrete stair with dark gray painted-steel railings starts at the alley-side frontage and climbs along the outside wall to the second-floor access frontage and its evidenced dwelling entrance door. Its attachment and landing are fully supported by the main mass. Other openings and residential components follow the normal regional configuration without competing with the evidenced entrance. The site reads in the fixed sequence of alley approach, stair base, exterior stair run, and second-floor residence access.\n\nTHE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean three-storey, flat-roofed multifamily residence: a rectangular reinforced-concrete block with an approximately 12 by 16 metre footprint, red-brown brick cladding, a gray concrete base, a muted green waterproofed roof behind a concrete parapet, dark bronze aluminum window frames, and beige painted-steel doors. The floor plates and circulation must clearly support several households; one dwelling must have about 55 square metres, sufficient for two private rooms and a separate living room at real-world sizes. A gray poured-concrete exterior stair with dark gray painted-steel railings begins directly at the alley-side frontage, rises along the exterior wall, and reaches the second-floor access frontage and its one evidenced dwelling entrance door. The main block must be large enough to carry the stair and upper levels naturally. A worn gray paved residential alley directly adjoins the building, provides vehicle-accessible circulation, and leads to the stair base in the sequence alley, stair, second-floor entrance. Quiet region-standard openings may complete the multifamily type, while the evidenced entrance remains singular and prominent. The surrounding dense low-rise residential alley neighborhood must be believable, inhabited, and contemporary. The building and its outdoor circulation must visibly carry ordinary signs of active residential use appropriate to South Korea; a sterile, abandoned, or compound-like candidate fails.", "location_line_en": "A contemporary low-rise multifamily residence on a residential alley in South Korea.", "room_inventory": [ { "evidence_ko": "단촐한 크기의 투 룸 다세대 주택 거실:", "label_en": "Private room A", "scene_index": 9 }, { "evidence_ko": "단촐한 크기의 투 룸 다세대 주택 거실:", "label_en": "Private room B", "scene_index": 9 }, { "evidence_ko": "단촐한 크기의 투 룸 다세대 주택 거실:", "label_en": "Separate living room", "scene_index": 9 } ], "room_inventory_applicable": true, "signage_reason_ko": "일반 사적 주거용 다세대 주택이므로 식별 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 동선 중심 접근", "evidence_ko": [ "다세대 주택가 골목 - 밤", "두사람은 함께 한 다세대 주택 외부 계단을 다급히 올라간다.", "다세대 주택을 나와 인우에게 다가오는 40대 선배 노 형사.", "단촐한 크기의 투 룸 다세대 주택 거실:", "현관문을 열고 들어온 민숙이 지친 몸을 이끌고 거실로 올라서려 하다가…" ], "prompt_en": "A contemporary South Korean low-rise multifamily neighborhood fills a paved residential alley at night. It is an inhabited working neighborhood with ordinary regional surroundings, and the residence and outdoor circulation visibly show normal active residential use. The target is a three-storey rectangular reinforced-concrete multifamily building with an approximately 12 by 16 metre footprint. Its exterior has weathered red-brown brick cladding, a gray concrete base, a muted green waterproofed flat roof behind a concrete parapet, dark bronze aluminum window frames, and beige painted-steel doors. The floor plates accommodate several households, with one dwelling allocated about 55 square metres for two private rooms and a separate living room. The worn gray alley directly adjoins the frontage and provides vehicle access to the stair base. A gray poured-concrete exterior stair with dark gray painted-steel railings rises along the alley-facing wall and reaches the second-floor access frontage and its evidenced dwelling entrance door. Openings elsewhere follow the quiet regional norm for this building type. The building, stair, entrance, and alley form one physically continuous residential site.", "variant_id": "v1" }, { "approach_ko": "재료와 노후 상태 중심 접근", "evidence_ko": [ "다세대 주택가 골목", "한 다세대 주택 외부 계단", "다세대 주택 위아래를 오간다.", "투 룸 다세대 주택 거실", "현관문" ], "prompt_en": "Weathered residential materials define a contemporary South Korean alley location. A worn gray paved alley passes directly beside a three-storey reinforced-concrete multifamily residence and remains part of a dense, inhabited low-rise neighborhood. Ordinary signs of active residential use are visible across the building frontage and exterior circulation. The target building is a flat-roofed rectangular block about 12 metres by 16 metres. Red-brown brick covers the concrete walls above a gray concrete base; a muted green waterproofed roof sits behind a concrete parapet. Dark bronze aluminum frames and beige painted-steel doors use standard local finishes. The massing and floor area support several households, including a roughly 55-square-metre dwelling that can contain two private rooms and a separate living room at normal scale. At the alley-side frontage, a gray poured-concrete exterior stair with dark gray painted-steel railings begins at pavement level, runs against the exterior wall, and terminates at the second-floor access frontage and its evidenced dwelling entrance door. Region-standard openings remain visually subordinate. The alley provides the permanent vehicle-accessible approach to the stair and residence.", "variant_id": "v2" }, { "approach_ko": "지역 주거 유형과 배치 중심 접근", "evidence_ko": [ "다세대 주택가 골목 - 밤", "다세대 주택 골목 - 저녁", "다세대 주택 외부 계단", "민숙 집(다세대 주택)", "투 룸 다세대 주택 거실" ], "prompt_en": "This is a complete, ordinary contemporary South Korean multifamily alley residence within a dense low-rise residential neighborhood. The vehicle-accessible gray paved alley directly adjoins the target frontage, and the whole place reads as inhabited and in active daily residential use. The residence is a three-storey rectangular reinforced-concrete block with a 12 by 16 metre footprint and several household units. One approximately 55-square-metre dwelling has sufficient area for two private rooms and a separate living room. The exterior is red-brown brick over a gray concrete base, with a muted green waterproofed flat roof behind a concrete parapet. Windows use dark bronze aluminum frames, and doors are beige painted steel. A permanent gray poured-concrete stair with dark gray painted-steel railings starts at the alley-side frontage and climbs along the outside wall to the second-floor access frontage and its evidenced dwelling entrance door. Its attachment and landing are fully supported by the main mass. Other openings and residential components follow the normal regional configuration without competing with the evidenced entrance. The site reads in the fixed sequence of alley approach, stair base, exterior stair run, and second-floor residence access.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean low-rise multifamily neighborhood fills a paved residential alley at night. It is an inhabited working neighborhood with ordinary regional surroundings, and the residence and outdoor circulation visibly show normal active residential use. The target is a three-storey rectangular reinforced-concrete multifamily building with an approximately 12 by 16 metre footprint. Its exterior has weathered red-brown brick cladding, a gray concrete base, a muted green waterproofed flat roof behind a concrete parapet, dark bronze aluminum window frames, and beige painted-steel doors. The floor plates accommodate several households, with one dwelling allocated about 55 square metres for two private rooms and a separate living room. The worn gray alley directly adjoins the frontage and provides vehicle access to the stair base. A gray poured-concrete exterior stair with dark gray painted-steel railings rises along the alley-facing wall and reaches the second-floor access frontage and its evidenced dwelling entrance door. Openings elsewhere follow the quiet regional norm for this building type. The building, stair, entrance, and alley form one physically continuous residential site.\n\nTHE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered residential materials define a contemporary South Korean alley location. A worn gray paved alley passes directly beside a three-storey reinforced-concrete multifamily residence and remains part of a dense, inhabited low-rise neighborhood. Ordinary signs of active residential use are visible across the building frontage and exterior circulation. The target building is a flat-roofed rectangular block about 12 metres by 16 metres. Red-brown brick covers the concrete walls above a gray concrete base; a muted green waterproofed roof sits behind a concrete parapet. Dark bronze aluminum frames and beige painted-steel doors use standard local finishes. The massing and floor area support several households, including a roughly 55-square-metre dwelling that can contain two private rooms and a separate living room at normal scale. At the alley-side frontage, a gray poured-concrete exterior stair with dark gray painted-steel railings begins at pavement level, runs against the exterior wall, and terminates at the second-floor access frontage and its evidenced dwelling entrance door. Region-standard openings remain visually subordinate. The alley provides the permanent vehicle-accessible approach to the stair and residence.\n\nTHE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete, ordinary contemporary South Korean multifamily alley residence within a dense low-rise residential neighborhood. The vehicle-accessible gray paved alley directly adjoins the target frontage, and the whole place reads as inhabited and in active daily residential use. The residence is a three-storey rectangular reinforced-concrete block with a 12 by 16 metre footprint and several household units. One approximately 55-square-metre dwelling has sufficient area for two private rooms and a separate living room. The exterior is red-brown brick over a gray concrete base, with a muted green waterproofed flat roof behind a concrete parapet. Windows use dark bronze aluminum frames, and doors are beige painted steel. A permanent gray poured-concrete stair with dark gray painted-steel railings starts at the alley-side frontage and climbs along the outside wall to the second-floor access frontage and its evidenced dwelling entrance door. Its attachment and landing are fully supported by the main mass. Other openings and residential components follow the normal regional configuration without competing with the evidenced entrance. The site reads in the fixed sequence of alley approach, stair base, exterior stair run, and second-floor residence access.\n\nTHE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean three-storey, flat-roofed multifamily residence: a rectangular reinforced-concrete block with an approximately 12 by 16 metre footprint, red-brown brick cladding, a gray concrete base, a muted green waterproofed roof behind a concrete parapet, dark bronze aluminum window frames, and beige painted-steel doors. The floor plates and circulation must clearly support several households; one dwelling must have about 55 square metres, sufficient for two private rooms and a separate living room at real-world sizes. A gray poured-concrete exterior stair with dark gray painted-steel railings begins directly at the alley-side frontage, rises along the exterior wall, and reaches the second-floor access frontage and its one evidenced dwelling entrance door. The main block must be large enough to carry the stair and upper levels naturally. A worn gray paved residential alley directly adjoins the building, provides vehicle-accessible circulation, and leads to the stair base in the sequence alley, stair, second-floor entrance. Quiet region-standard openings may complete the multifamily type, while the evidenced entrance remains singular and prominent. The surrounding dense low-rise residential alley neighborhood must be believable, inhabited, and contemporary. The building and its outdoor circulation must visibly carry ordinary signs of active residential use appropriate to South Korea; a sterile, abandoned, or compound-like candidate fails.\n\nTHE LOCATION: A contemporary low-rise multifamily residence on a residential alley in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling", "seed_decision": { "input_fingerprint": "47d55fddad779528", "totals": { "C": 10, "A": 6, "B": 5 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 10, "verdict_ko": "Matches the 3 committed storeys (3/3). Flawlessly implements all material and structural requirements, prominently featuring the poured-concrete stair with painted-steel railings, a solid concrete parapet, dark bronze window frames, and beige doors." }, { "label": "A", "score": 6, "verdict_ko": "Matches the 3 committed storeys (3/3). Violates material specifications by showing solid masonry stair railings instead of the committed painted-steel, a brick parapet instead of concrete, and some white window frames instead of dark bronze." }, { "label": "B", "score": 5, "verdict_ko": "Matches the 3 committed storeys (3/3). Violates the brief by featuring dark brown doors instead of beige, solid brick stair railings instead of painted-steel, a brick parapet, and two doors on the second-floor landing instead of the singular evidenced one." } ], "critique": { "issues": [ { "issue_ko": "브리프에서 요구한 지상 3층 건물이 아니라 지상 2층 구조로 생성되었습니다.", "fix_en": "Add a complete third storey to the main building mass between the second floor and the roof parapet.", "needs_regeneration": true } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a complete third storey to the main building mass between the second floor and the roof parapet.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_natural_cave": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_natural_cave_sel.png", "seed_asset_id": "cf15bf22-d776-4059-aabd-5729e3547256", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete, ordinary woodland cave-access site within a currently inhabited and working rural district in contemporary South Korea. Mixed mountain woodland surrounds the cave-front area, while the wider lived-in neighborhood context remains present beyond the immediate trees and is left unenumerated. A continuous compacted-earth and exposed-gray-rock approach runs through the woodland to the cave threshold. It meets a single natural cave mouth directly. The mouth faces the approach and measures approximately 9 meters wide by 6 meters high within an irregular cool-gray and taupe rock mass. Weathered dark-brown untreated timber posts are fixed around portions of the mouth as its permanent entrance support. The target has one accessible ground-level cave level. Immediately past the threshold, the passage continues inward on the approach axis for at least 45 meters and reaches a roughly 12-by-18-meter interior zone with a ceiling near 7 meters. The enclosing mountain-rock mass visibly accommodates that depth, floor area and height. The access surface, cave entrance and timber support carry believable regional signs of active access and maintenance. Clear natural daylight establishes the complete permanent topology.\n\nTHE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every candidate must show the same contemporary South Korean woodland cave site in daylight. The target has one accessible ground-level cave level within an irregular gray-and-taupe mountain-rock mass. Its single evidenced natural cave mouth is approximately 9 meters wide and 6 meters high, faces the continuous compacted-earth and exposed-rock approach, and meets that approach directly at the threshold. Fixed weathered dark-brown untreated timber posts frame portions of the mouth. The passage begins immediately beyond the threshold on the same access axis, extends at least 45 meters, and reaches an interior zone approximately 12 by 18 meters with a ceiling near 7 meters, so the rock mass must visibly have enough depth and breadth to contain it. Regionally typical mixed mountain woodland surrounds the exterior approach and entrance. The broader setting must read as part of a believable, currently inhabited and working rural South Korean district. The cave entrance, timber support and outdoor access area must visibly carry ordinary regional signs of ongoing practical access and maintenance; a bare, sterile or abandoned-looking site is a violation.", "location_line_en": "A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.", "room_inventory": [ { "evidence_ko": "동굴 깊은 곳으로 조심스레 들어오는 수리영과 인우.", "label_en": "continuous cave passage and deep interior", "scene_index": 71 } ], "room_inventory_applicable": true, "signage_reason_ko": "자연동굴 입구는 통상 식별 간판을 필수로 갖는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 묘사를 직접 시각화한 접근", "evidence_ko": [ "커다란 자연동굴에 사람이 나무 기둥으로 덧댄 것 같은 입구가 만들어져 있다.", "그 뒤로는 끝도 없이 깜깜한 동굴이 검은 아가리를 쩍 벌리고 있는데…", "동굴 깊은 곳으로 조심스레 들어오는 수리영과 인우.", "깜깜했던 동굴이 밝아지며 수리영과 인우가 더 깊숙히 들어온다." ], "prompt_en": "A managed mountain woodland surrounds this cave-front approach in a currently inhabited, working rural district of contemporary South Korea. The broader neighborhood carries its ordinary regional context beyond the trees, with its particular everyday details left unstaged. The target has one accessible ground-level cave level within an irregular mountain-rock mass broad and deep enough to contain the full interior. Mottled cool-gray and taupe rock forms a natural cave mouth approximately 9 meters wide and 6 meters high. Fixed dark-brown untreated timber posts, weathered by outdoor exposure, support and frame portions of the mouth. The continuous approach is compacted brown earth and exposed gray rock, leading directly to the threshold. The passage begins immediately beyond it on the same axis, extends at least 45 meters, and reaches an interior zone approximately 12 by 18 meters with a ceiling near 7 meters. The cave entrance, timber support and approach visibly carry ordinary South Korean signs of ongoing practical access and maintenance. Natural daylight clearly establishes the rock face, threshold and visible passage.", "variant_id": "v1" }, { "approach_ko": "재료와 풍화 상태를 우선한 로케이션 접근", "evidence_ko": [ "숲속 자연동굴 입구: 커다란 바위 구멍에 나무 기둥이 덧대어져 있는 어두운 동굴 출입구.", "커다란 자연동굴에 사람이 나무 기둥으로 덧댄 것 같은 입구가 만들어져 있다.", "그런 인골들이 동굴 바닥 전체에 깔리고 쌓인 것처럼 보인다. 천장 쪽을 비춰본다." ], "prompt_en": "The location belongs to a lived-in and working rural South Korean mountain district, with regionally typical mixed woodland enclosing the immediate cave approach. Ordinary neighborhood context continues beyond the woodland and remains naturally unstaged. Weathered cool-gray and taupe mountain rock is the dominant material. It forms a single evidenced natural mouth approximately 9 meters across and 6 meters high in a one-level cave system. Dark-brown untreated timber posts are permanently fitted around portions of the opening as an exposed support arrangement. Compacted brown earth and areas of exposed gray rock form the exterior access surface and join the threshold directly. From that threshold, the cave passage follows the same axis for at least 45 meters and reaches an interior area approximately 12 by 18 meters beneath a ceiling near 7 meters. The surrounding rock mass has the breadth and depth required to hold this interior. The entrance, supports and approach show ordinary regional wear, upkeep and ongoing practical use. Daylight renders the materials and permanent connections clearly.", "variant_id": "v2" }, { "approach_ko": "지형 연결과 동굴 유형을 우선한 접근", "evidence_ko": [ "커다란 자연동굴에 사람이 나무 기둥으로 덧댄 것 같은 입구가 만들어져 있다.", "수리영이 먼저 동굴 안으로 발을 들여놓는다.", "동굴 깊은 곳으로 조심스레 들어오는 수리영과 인우.", "반대쪽 벽에 인우 역시 묶인 상태." ], "prompt_en": "This is a complete, ordinary woodland cave-access site within a currently inhabited and working rural district in contemporary South Korea. Mixed mountain woodland surrounds the cave-front area, while the wider lived-in neighborhood context remains present beyond the immediate trees and is left unenumerated. A continuous compacted-earth and exposed-gray-rock approach runs through the woodland to the cave threshold. It meets a single natural cave mouth directly. The mouth faces the approach and measures approximately 9 meters wide by 6 meters high within an irregular cool-gray and taupe rock mass. Weathered dark-brown untreated timber posts are fixed around portions of the mouth as its permanent entrance support. The target has one accessible ground-level cave level. Immediately past the threshold, the passage continues inward on the approach axis for at least 45 meters and reaches a roughly 12-by-18-meter interior zone with a ceiling near 7 meters. The enclosing mountain-rock mass visibly accommodates that depth, floor area and height. The access surface, cave entrance and timber support carry believable regional signs of active access and maintenance. Clear natural daylight establishes the complete permanent topology.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA managed mountain woodland surrounds this cave-front approach in a currently inhabited, working rural district of contemporary South Korea. The broader neighborhood carries its ordinary regional context beyond the trees, with its particular everyday details left unstaged. The target has one accessible ground-level cave level within an irregular mountain-rock mass broad and deep enough to contain the full interior. Mottled cool-gray and taupe rock forms a natural cave mouth approximately 9 meters wide and 6 meters high. Fixed dark-brown untreated timber posts, weathered by outdoor exposure, support and frame portions of the mouth. The continuous approach is compacted brown earth and exposed gray rock, leading directly to the threshold. The passage begins immediately beyond it on the same axis, extends at least 45 meters, and reaches an interior zone approximately 12 by 18 meters with a ceiling near 7 meters. The cave entrance, timber support and approach visibly carry ordinary South Korean signs of ongoing practical access and maintenance. Natural daylight clearly establishes the rock face, threshold and visible passage.\n\nTHE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a lived-in and working rural South Korean mountain district, with regionally typical mixed woodland enclosing the immediate cave approach. Ordinary neighborhood context continues beyond the woodland and remains naturally unstaged. Weathered cool-gray and taupe mountain rock is the dominant material. It forms a single evidenced natural mouth approximately 9 meters across and 6 meters high in a one-level cave system. Dark-brown untreated timber posts are permanently fitted around portions of the opening as an exposed support arrangement. Compacted brown earth and areas of exposed gray rock form the exterior access surface and join the threshold directly. From that threshold, the cave passage follows the same axis for at least 45 meters and reaches an interior area approximately 12 by 18 meters beneath a ceiling near 7 meters. The surrounding rock mass has the breadth and depth required to hold this interior. The entrance, supports and approach show ordinary regional wear, upkeep and ongoing practical use. Daylight renders the materials and permanent connections clearly.\n\nTHE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete, ordinary woodland cave-access site within a currently inhabited and working rural district in contemporary South Korea. Mixed mountain woodland surrounds the cave-front area, while the wider lived-in neighborhood context remains present beyond the immediate trees and is left unenumerated. A continuous compacted-earth and exposed-gray-rock approach runs through the woodland to the cave threshold. It meets a single natural cave mouth directly. The mouth faces the approach and measures approximately 9 meters wide by 6 meters high within an irregular cool-gray and taupe rock mass. Weathered dark-brown untreated timber posts are fixed around portions of the mouth as its permanent entrance support. The target has one accessible ground-level cave level. Immediately past the threshold, the passage continues inward on the approach axis for at least 45 meters and reaches a roughly 12-by-18-meter interior zone with a ceiling near 7 meters. The enclosing mountain-rock mass visibly accommodates that depth, floor area and height. The access surface, cave entrance and timber support carry believable regional signs of active access and maintenance. Clear natural daylight establishes the complete permanent topology.\n\nTHE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery candidate must show the same contemporary South Korean woodland cave site in daylight. The target has one accessible ground-level cave level within an irregular gray-and-taupe mountain-rock mass. Its single evidenced natural cave mouth is approximately 9 meters wide and 6 meters high, faces the continuous compacted-earth and exposed-rock approach, and meets that approach directly at the threshold. Fixed weathered dark-brown untreated timber posts frame portions of the mouth. The passage begins immediately beyond the threshold on the same access axis, extends at least 45 meters, and reaches an interior zone approximately 12 by 18 meters with a ceiling near 7 meters, so the rock mass must visibly have enough depth and breadth to contain it. Regionally typical mixed mountain woodland surrounds the exterior approach and entrance. The broader setting must read as part of a believable, currently inhabited and working rural South Korean district. The cave entrance, timber support and outdoor access area must visibly carry ordinary regional signs of ongoing practical access and maintenance; a bare, sterile or abandoned-looking site is a violation.\n\nTHE LOCATION: A timber-supported natural cave entrance in a managed mountain woodland of contemporary rural South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior", "seed_decision": { "input_fingerprint": "69efd87966f754ce", "totals": { "C": 9, "B": 5, "A": 0 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 9, "verdict_ko": "Matches the committed 9x6m opening scale (judged against the standard ~1.1m safety fencing) and features a continuous mountain rock mass clearly deep enough to house the required 45m passage and large interior volume. Shows clear signs of practical maintenance without triggering excluded transients." }, { "label": "B", "score": 5, "verdict_ko": "Fails the 'count it and compare it' scale check: based on the human-scale tools and firewood, the opening is substantially undersized (roughly 6x4m instead of 9x6m). The rock mass also drops off abruptly on the right, making it visually doubtful it could contain the massive interior capacity required." }, { "label": "A", "score": 0, "verdict_ko": "HARD VIOLATION: Physically impossible structure. Daylight is clearly visible through a very short tunnel just meters behind the entrance, making it impossible for this shallow rock mass to contain the committed 45-meter passage and 12x18m interior chamber." } ], "critique": { "issues": [ { "issue_ko": "동굴 입구에 금속 펜스가 설치되어 있어 폐쇄적이고 단절된 장소처럼 보이며, 접근로가 입구와 직접 맞닿아야 한다는 설정에 위배됩니다.", "fix_en": "Remove the metal fences and gates from the cave entrance so the compacted-earth approach meets the threshold completely unobstructed.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "동굴 입구와 주변 바위 구조물이 지정된 크기(폭 약 9m, 높이 6m) 및 층고 7m의 넓은 내부 공간을 수용해야 하는 설정에 비해 너무 작게 묘사되었습니다.", "fix_en": "Significantly enlarge the cave mouth and the entire enclosing rock mass so the opening reads as 9 meters wide and 6 meters high, capable of containing the massive interior.", "needs_regeneration": true, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the metal fences and gates from the cave entrance so the compacted-earth approach meets the threshold completely unobstructed.\n- Significantly enlarge the cave mouth and the entire enclosing rock mass so the opening reads as 9 meters wide and 6 meters high, capable of containing the massive interior.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_pine_forest_trail": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_pine_forest_trail_sel.png", "seed_asset_id": "ba6dee53-bc0f-4af7-8d93-8a0d7a9ddb83", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean island neighborhood continues around the wooded edge of this site, and the forest route belongs to the community's ordinary network of locally used paths. Its wider surroundings read as lived in and regionally authentic rather than staged. The principal route is a roughly 0.9-metre-wide medium-brown compacted-earth footpath enclosed by a dense Korean black-pine grove. Deep green needles crown trunks of dark gray-brown fissured bark, above a floor of brown pine duff and muted green-brown undergrowth. The defined path includes an inclined section that directly connects its lower and upper portions. At the next transition, the path loses its visible form while the route continues into the deep forest interior. Low concealing undergrowth occupies the ground beside this interior route and between the pines. The route arrives at the upper side of a descending forest hillside, where gray-brown earth and pine litter follow the falling terrain. Beyond the hillside segment, an opening through the trees restores a clear sightline to the same defined footpath, making it visible and accessible again. The path and its outdoor terrain show ordinary evidence of ongoing local use.\n\nTHE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is an open-air landscape site rather than a building, so storey count, facade openings, signage, and room capacity do not apply. It is a connected route sequence at the wooded edge of an inhabited contemporary South Korean island neighborhood. A roughly 0.9-metre-wide compacted-earth footpath runs through a dense Korean black-pine grove. Its inclined section connects lower and upper portions. At the transition beyond the defined trail, the visible path disappears into deep forest with low concealing undergrowth. This interior route reaches the upper side of a descending forest hillside, then continues toward an opening in the trees where the defined footpath becomes visible and accessible again. Required colors and materials are medium-brown compacted earth, brown pine duff, dark gray-brown pine bark, deep green needles, muted green-brown undergrowth, and naturally exposed gray-brown hillside soil. The route, grove, undergrowth, hillside, and reopened sightline must remain physically connected in this order. The site must visibly read as a currently used local foot route within a believable, inhabited rural island setting, with ordinary regionally authentic surroundings rather than a sterile or abandoned landscape.", "location_line_en": "A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "자연 숲길은 식별 간판을 필수로 하는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "시나리오의 길과 지형 표현을 직접 시각화한 접근", "evidence_ko": [ "울창한 해송 나무 숲", "어둑한 해송 나무 숲", "좁은 길을 간다", "길이 사라지자", "숲 깊은 곳으로 들어간다", "납작 수풀 뒤에 엎드려", "언덕 저 아래로 사라져버린다", "마침내 시야가 트이면서 나타나는 오솔길", "숲길을 내려온다", "숲길을 올라간다" ], "prompt_en": "The site lies at the wooded edge of an inhabited rural island neighborhood in contemporary South Korea and connects naturally to its ordinary local footpath network. The surroundings carry regionally typical materials and everyday signs of an active working community. A roughly 0.9-metre-wide compacted medium-brown earth footpath passes through a dense grove of Korean black pines with dark gray-brown fissured bark and deep green needles. Brown pine duff softens the trail margins. One inclined section links the lower and upper portions of the route. Beyond a clear transition, the visible trail disappears into the deep grove and the route continues across a pathless forest floor. Low muted green-brown undergrowth conceals parts of the ground between the trunks. The interior route reaches the upper side of a descending hillside surfaced with pine litter and naturally exposed gray-brown soil. Farther on, the tree cover opens into a clear sightline where the compacted-earth footpath becomes visible and accessible again. The entire connected route visibly carries the ordinary signs of current local use as an island forest passage.", "variant_id": "v1" }, { "approach_ko": "주변 섬마을과 숲길의 연결 관계를 우선한 접근", "evidence_ko": [ "금월도 숲길", "울창한 해송 나무 숲", "숲길을 내려온다", "숲길을 올라간다", "길이 사라지자", "마침내 시야가 트이면서 나타나는 오솔길" ], "prompt_en": "An inhabited contemporary South Korean island neighborhood continues around the wooded edge of this site, and the forest route belongs to the community's ordinary network of locally used paths. Its wider surroundings read as lived in and regionally authentic rather than staged. The principal route is a roughly 0.9-metre-wide medium-brown compacted-earth footpath enclosed by a dense Korean black-pine grove. Deep green needles crown trunks of dark gray-brown fissured bark, above a floor of brown pine duff and muted green-brown undergrowth. The defined path includes an inclined section that directly connects its lower and upper portions. At the next transition, the path loses its visible form while the route continues into the deep forest interior. Low concealing undergrowth occupies the ground beside this interior route and between the pines. The route arrives at the upper side of a descending forest hillside, where gray-brown earth and pine litter follow the falling terrain. Beyond the hillside segment, an opening through the trees restores a clear sightline to the same defined footpath, making it visible and accessible again. The path and its outdoor terrain show ordinary evidence of ongoing local use.", "variant_id": "v2" }, { "approach_ko": "해송 숲의 재료와 경사 지형을 우선한 접근", "evidence_ko": [ "해송 나무 숲", "잔가지며 수풀 등이 수없이", "수풀을 데굴데굴 구르는가 싶더니", "언덕 저 아래", "시야가 트이면서", "오솔길" ], "prompt_en": "Dark gray-brown, deeply fissured Korean black-pine trunks rise through deep green needles, brown fallen pine litter, and muted green-brown forest undergrowth. Medium-brown compacted earth defines a roughly 0.9-metre-wide footpath through this dense grove. The grove occupies the wooded edge of an inhabited rural island neighborhood in contemporary South Korea, with ordinary regionally authentic surroundings and visible signs that the route remains in current local use. The footpath climbs along an inclined section from its lower portion to its upper portion. At a distinct transition, its compacted track fades from view and becomes a pathless route through the deep pine interior. Low ground-covering vegetation conceals the forest floor beside the route and between the trunks. The pathless passage reaches the upper edge of a descending hillside, where naturally exposed gray-brown soil, pine duff, and undergrowth follow the downward slope. Past this interior and hillside sequence, the tree spacing opens into a clearer sightline. The defined earthen footpath appears again beyond the trees and is directly accessible from the forest route.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site lies at the wooded edge of an inhabited rural island neighborhood in contemporary South Korea and connects naturally to its ordinary local footpath network. The surroundings carry regionally typical materials and everyday signs of an active working community. A roughly 0.9-metre-wide compacted medium-brown earth footpath passes through a dense grove of Korean black pines with dark gray-brown fissured bark and deep green needles. Brown pine duff softens the trail margins. One inclined section links the lower and upper portions of the route. Beyond a clear transition, the visible trail disappears into the deep grove and the route continues across a pathless forest floor. Low muted green-brown undergrowth conceals parts of the ground between the trunks. The interior route reaches the upper side of a descending hillside surfaced with pine litter and naturally exposed gray-brown soil. Farther on, the tree cover opens into a clear sightline where the compacted-earth footpath becomes visible and accessible again. The entire connected route visibly carries the ordinary signs of current local use as an island forest passage.\n\nTHE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean island neighborhood continues around the wooded edge of this site, and the forest route belongs to the community's ordinary network of locally used paths. Its wider surroundings read as lived in and regionally authentic rather than staged. The principal route is a roughly 0.9-metre-wide medium-brown compacted-earth footpath enclosed by a dense Korean black-pine grove. Deep green needles crown trunks of dark gray-brown fissured bark, above a floor of brown pine duff and muted green-brown undergrowth. The defined path includes an inclined section that directly connects its lower and upper portions. At the next transition, the path loses its visible form while the route continues into the deep forest interior. Low concealing undergrowth occupies the ground beside this interior route and between the pines. The route arrives at the upper side of a descending forest hillside, where gray-brown earth and pine litter follow the falling terrain. Beyond the hillside segment, an opening through the trees restores a clear sightline to the same defined footpath, making it visible and accessible again. The path and its outdoor terrain show ordinary evidence of ongoing local use.\n\nTHE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark gray-brown, deeply fissured Korean black-pine trunks rise through deep green needles, brown fallen pine litter, and muted green-brown forest undergrowth. Medium-brown compacted earth defines a roughly 0.9-metre-wide footpath through this dense grove. The grove occupies the wooded edge of an inhabited rural island neighborhood in contemporary South Korea, with ordinary regionally authentic surroundings and visible signs that the route remains in current local use. The footpath climbs along an inclined section from its lower portion to its upper portion. At a distinct transition, its compacted track fades from view and becomes a pathless route through the deep pine interior. Low ground-covering vegetation conceals the forest floor beside the route and between the trunks. The pathless passage reaches the upper edge of a descending hillside, where naturally exposed gray-brown soil, pine duff, and undergrowth follow the downward slope. Past this interior and hillside sequence, the tree spacing opens into a clearer sightline. The defined earthen footpath appears again beyond the trees and is directly accessible from the forest route.\n\nTHE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is an open-air landscape site rather than a building, so storey count, facade openings, signage, and room capacity do not apply. It is a connected route sequence at the wooded edge of an inhabited contemporary South Korean island neighborhood. A roughly 0.9-metre-wide compacted-earth footpath runs through a dense Korean black-pine grove. Its inclined section connects lower and upper portions. At the transition beyond the defined trail, the visible path disappears into deep forest with low concealing undergrowth. This interior route reaches the upper side of a descending forest hillside, then continues toward an opening in the trees where the defined footpath becomes visible and accessible again. Required colors and materials are medium-brown compacted earth, brown pine duff, dark gray-brown pine bark, deep green needles, muted green-brown undergrowth, and naturally exposed gray-brown hillside soil. The route, grove, undergrowth, hillside, and reopened sightline must remain physically connected in this order. The site must visibly read as a currently used local foot route within a believable, inhabited rural island setting, with ordinary regionally authentic surroundings rather than a sterile or abandoned landscape.\n\nTHE LOCATION: A connected black-pine forest footpath and pathless hillside route on Geumwoldo Island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest", "seed_decision": { "input_fingerprint": "bca76fc2fc228726", "totals": { "B": 10, "A": 6, "C": 5 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 10, "verdict_ko": "Passes the inhabited setting check. Flawlessly realizes the complex spatial sequence—the path disappearing into concealing undergrowth and visibly re-emerging at an opening on the descending hillside—while correctly incorporating the post and rope fittings from the form reference. Contains no excluded transients." }, { "label": "A", "score": 6, "verdict_ko": "Passes the inhabited setting check. However, it structurally fails by entirely omitting the permanent post and rope fittings required by the form reference. Additionally, it misses the second half of the prescribed route sequence, as the path simply recedes without ever re-emerging from the forest." }, { "label": "C", "score": 5, "verdict_ko": "Passes the inhabited setting check and includes the necessary fittings, but fails the scene transient check by explicitly featuring a handcart and sacks on the right-hand pavement. Furthermore, the sequence is structurally incorrect, as the path abruptly drops off at a bare rock face rather than disappearing into undergrowth." } ], "critique": { "issues": [ { "issue_ko": "상단 산책로와 하단 산책로가 가파른 암벽으로 완전히 단절되어 있으며, 요구된 연결 경사 구간과 숲 내부로 이어지는 물리적으로 연결된 경로(connected route sequence)가 없습니다.", "fix_en": "Reconfigure the terrain and layout to physically connect the upper and lower path segments via an inclined section and a continuous pathless route traversing the forest and gray-brown hillside soil.", "needs_regeneration": true, "unfixable": true } ] }, "fix_skipped": true } }, "bg_police_patrol_boat": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_police_patrol_boat_sel.png", "seed_asset_id": "f01a72dd-1c7a-4752-9e6a-c272d65ec1c5", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real contemporary South Korean coastal operating area lies across open sea, with an inhabited island waterfront and its ordinary working harbor neighborhood visible at a distance in early-evening light. The main subject is a maintained police patrol boat approximately 12 metres long and 3.4 metres across, formed as a low elongated planing hull with one working deck and a one-storey enclosed control cabin. The hull and cabin are white fiberglass with a dark navy-blue hull band; the deck is pale gray nonslip composite, the marine glazing is dark tinted in black rubber frames, and the fixed rails are stainless steel. The legible service lettering reads 연안안전 순찰정. A bow-edge rail bar follows the exposed bow edge immediately outside the forward deck. The forward deck connects aft to a longitudinal exterior passage beside the control cabin, and the passage terminates at the stern deck. A fixed safety rail follows the stern deck's water-facing edge. Inside the glazed cabin, the helm faces the bow and forward sea. The hull has the footprint required to support the cabin, both exterior decks, and the connecting passage at full working scale. Open sea directly surrounds the hull beyond every exposed deck edge. Modest salt weathering and ordinary signs of active patrol service remain visible across the vessel and its working areas.\n\nTHE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전 순찰정\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean police patrol boat: an approximately 12-metre-long, 3.4-metre-beam low elongated planing hull with one working deck and a one-storey enclosed control cabin. The white fiberglass hull and cabin carry a dark navy-blue hull band, a pale gray nonslip composite deck, dark-tinted marine glazing in black rubber frames, stainless-steel rails, and modest salt and service wear. The legible identifying text is 연안안전 순찰정. The bow-edge rail bar directly borders the forward deck; the forward deck connects to a longitudinal exterior passage beside the control cabin; that passage reaches the stern deck; and a fixed stainless-steel safety rail borders the stern deck at the water-facing edge. The cabin helm faces the bow and forward water. The hull footprint must physically support the cabin, both exterior deck areas, and continuous passage, while the cabin must plausibly contain the narrow helm space at full human scale. Open sea directly surrounds every exposed deck edge. A distant inhabited South Korean island waterfront and working harbor neighborhood provide believable regional context. The vessel and exterior working areas must visibly read as maintained, equipped, and actively in service rather than bare, sterile, abandoned, or staged.", "location_line_en": "A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.", "room_inventory": [ { "evidence_ko": "보니, 조타실 키를 잡고 있는 사람은 다름아닌 구창모다.", "label_en": "control cabin helm space", "scene_index": 88 } ], "room_inventory_applicable": true, "signage_reason_ko": "현대 한국의 경찰 순찰정은 선체에 식별 문구를 표시하는 공공 업무 선박이다.", "signage_required": true, "signage_text": "연안안전 순찰정", "variants": [ { "approach_ko": "원문 공간 동선 중심 접근", "evidence_ko": [ "어둑해진 초저녁 바다", "후진하는 순찰정 선수 가장자리 레일 바", "선수와 선미를 연결하는 통로", "선미에 주저앉아", "조타실 키를 잡고 있는 사람은 다름아닌 구창모다." ], "prompt_en": "A real contemporary South Korean coastal operating area lies across open sea, with an inhabited island waterfront and its ordinary working harbor neighborhood visible at a distance in early-evening light. The main subject is a maintained police patrol boat approximately 12 metres long and 3.4 metres across, formed as a low elongated planing hull with one working deck and a one-storey enclosed control cabin. The hull and cabin are white fiberglass with a dark navy-blue hull band; the deck is pale gray nonslip composite, the marine glazing is dark tinted in black rubber frames, and the fixed rails are stainless steel. The legible service lettering reads 연안안전 순찰정. A bow-edge rail bar follows the exposed bow edge immediately outside the forward deck. The forward deck connects aft to a longitudinal exterior passage beside the control cabin, and the passage terminates at the stern deck. A fixed safety rail follows the stern deck's water-facing edge. Inside the glazed cabin, the helm faces the bow and forward sea. The hull has the footprint required to support the cabin, both exterior decks, and the connecting passage at full working scale. Open sea directly surrounds the hull beyond every exposed deck edge. Modest salt weathering and ordinary signs of active patrol service remain visible across the vessel and its working areas.", "variant_id": "v1" }, { "approach_ko": "재료와 마감 중심 접근", "evidence_ko": [], "prompt_en": "Open sea surrounds a contemporary South Korean working coast, while a distant inhabited island waterfront and ordinary harbor neighborhood establish the vessel's real regional setting. A 12-metre by 3.4-metre police patrol boat is the principal subject. Its low elongated one-deck hull is molded white fiberglass with a dark navy-blue band, and its single-storey control cabin uses matching white fiberglass, dark-tinted marine glass, and black rubber window frames. Pale gray nonslip composite covers the exterior deck surfaces. Stainless steel forms the bow-edge rail bar and the fixed stern safety rail. The finish carries restrained salt exposure and routine service wear, and the boat and outdoor working areas visibly remain maintained and active. The clear identifying lettering is 연안안전 순찰정. The rail bar borders the exposed bow immediately outside the forward deck. From that deck, a bow-to-stern exterior passage runs aft beside the control cabin and reaches the stern exterior deck. The stern rail protects the water-facing outer edge. The enclosed helm faces forward toward the bow and water. The hull mass and footprint fully carry the cabin, forward deck, stern deck, and continuous side passage at credible human scale. Surrounding water begins directly beyond all exposed deck edges and rails.", "variant_id": "v2" }, { "approach_ko": "현대 연안 순찰정 유형 중심 접근", "evidence_ko": [], "prompt_en": "This is a complete, ordinary contemporary South Korean coastal police patrol craft in its real maritime territory. Open sea directly encloses the hull, and an inhabited island waterfront with a functioning harbor neighborhood remains visible in the wider coastal setting. The boat has a low elongated planing form approximately 12 metres long and 3.4 metres in beam, with one working deck and a one-storey enclosed control cabin positioned between the forward and stern deck areas. White fiberglass covers the hull and cabin, a dark navy-blue band runs along the hull, and pale gray nonslip composite finishes the decks. Dark-tinted marine glazing sits in black rubber frames, while permanent exposed rails are stainless steel. Regional service identification is clearly legible as 연안안전 순찰정. The forward exterior deck occupies the bow immediately inside its edge rail bar. A longitudinal exterior passage leaves the forward deck, passes beside the control cabin, and arrives at the stern exterior deck. The stern deck carries a fixed safety rail along its water-facing boundary. The cabin contains a forward-oriented helm looking toward the bow and sea. The 12-metre hull provides sufficient area and structural mass for both decks, the cabin, and their continuous circulation route. Natural salt wear and ordinary evidence of ongoing patrol use make the vessel read as currently in service.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real contemporary South Korean coastal operating area lies across open sea, with an inhabited island waterfront and its ordinary working harbor neighborhood visible at a distance in early-evening light. The main subject is a maintained police patrol boat approximately 12 metres long and 3.4 metres across, formed as a low elongated planing hull with one working deck and a one-storey enclosed control cabin. The hull and cabin are white fiberglass with a dark navy-blue hull band; the deck is pale gray nonslip composite, the marine glazing is dark tinted in black rubber frames, and the fixed rails are stainless steel. The legible service lettering reads 연안안전 순찰정. A bow-edge rail bar follows the exposed bow edge immediately outside the forward deck. The forward deck connects aft to a longitudinal exterior passage beside the control cabin, and the passage terminates at the stern deck. A fixed safety rail follows the stern deck's water-facing edge. Inside the glazed cabin, the helm faces the bow and forward sea. The hull has the footprint required to support the cabin, both exterior decks, and the connecting passage at full working scale. Open sea directly surrounds the hull beyond every exposed deck edge. Modest salt weathering and ordinary signs of active patrol service remain visible across the vessel and its working areas.\n\nTHE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전 순찰정\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOpen sea surrounds a contemporary South Korean working coast, while a distant inhabited island waterfront and ordinary harbor neighborhood establish the vessel's real regional setting. A 12-metre by 3.4-metre police patrol boat is the principal subject. Its low elongated one-deck hull is molded white fiberglass with a dark navy-blue band, and its single-storey control cabin uses matching white fiberglass, dark-tinted marine glass, and black rubber window frames. Pale gray nonslip composite covers the exterior deck surfaces. Stainless steel forms the bow-edge rail bar and the fixed stern safety rail. The finish carries restrained salt exposure and routine service wear, and the boat and outdoor working areas visibly remain maintained and active. The clear identifying lettering is 연안안전 순찰정. The rail bar borders the exposed bow immediately outside the forward deck. From that deck, a bow-to-stern exterior passage runs aft beside the control cabin and reaches the stern exterior deck. The stern rail protects the water-facing outer edge. The enclosed helm faces forward toward the bow and water. The hull mass and footprint fully carry the cabin, forward deck, stern deck, and continuous side passage at credible human scale. Surrounding water begins directly beyond all exposed deck edges and rails.\n\nTHE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전 순찰정\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a complete, ordinary contemporary South Korean coastal police patrol craft in its real maritime territory. Open sea directly encloses the hull, and an inhabited island waterfront with a functioning harbor neighborhood remains visible in the wider coastal setting. The boat has a low elongated planing form approximately 12 metres long and 3.4 metres in beam, with one working deck and a one-storey enclosed control cabin positioned between the forward and stern deck areas. White fiberglass covers the hull and cabin, a dark navy-blue band runs along the hull, and pale gray nonslip composite finishes the decks. Dark-tinted marine glazing sits in black rubber frames, while permanent exposed rails are stainless steel. Regional service identification is clearly legible as 연안안전 순찰정. The forward exterior deck occupies the bow immediately inside its edge rail bar. A longitudinal exterior passage leaves the forward deck, passes beside the control cabin, and arrives at the stern exterior deck. The stern deck carries a fixed safety rail along its water-facing boundary. The cabin contains a forward-oriented helm looking toward the bow and sea. The 12-metre hull provides sufficient area and structural mass for both decks, the cabin, and their continuous circulation route. Natural salt wear and ordinary evidence of ongoing patrol use make the vessel read as currently in service.\n\nTHE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전 순찰정\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean police patrol boat: an approximately 12-metre-long, 3.4-metre-beam low elongated planing hull with one working deck and a one-storey enclosed control cabin. The white fiberglass hull and cabin carry a dark navy-blue hull band, a pale gray nonslip composite deck, dark-tinted marine glazing in black rubber frames, stainless-steel rails, and modest salt and service wear. The legible identifying text is 연안안전 순찰정. The bow-edge rail bar directly borders the forward deck; the forward deck connects to a longitudinal exterior passage beside the control cabin; that passage reaches the stern deck; and a fixed stainless-steel safety rail borders the stern deck at the water-facing edge. The cabin helm faces the bow and forward water. The hull footprint must physically support the cabin, both exterior deck areas, and continuous passage, while the cabin must plausibly contain the narrow helm space at full human scale. Open sea directly surrounds every exposed deck edge. A distant inhabited South Korean island waterfront and working harbor neighborhood provide believable regional context. The vessel and exterior working areas must visibly read as maintained, equipped, and actively in service rather than bare, sterile, abandoned, or staged.\n\nTHE LOCATION: A contemporary South Korean coastal police patrol boat in open sea off an inhabited island waterfront.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전 순찰정\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage", "seed_decision": { "input_fingerprint": "0eb035c6250c0f88", "totals": { "A": 10, "B": 8, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "모든 지침을 완벽하게 준수했습니다. 층수: 1 (지시문: 1). 지정된 텍스트 '연안안전 순찰정'이 정확하게 표기되었으며, 제외된 장면 일시적 요소(항적, 물보라 등)가 전혀 없이 선박과 항구의 구조가 사실적으로 묘사되었습니다." }, { "label": "B", "score": 8, "verdict_ko": "층수: 1 (지시문: 1). 제외된 장면 일시적 요소 없이 전반적인 지침을 잘 따랐으나, 와이퍼의 힌지 위치가 물리적으로 다소 어색하며 메인 텍스트가 두 번 중복 표기되어 A에 비해 구조적/시각적 완성도가 약간 떨어집니다." }, { "label": "C", "score": 4, "verdict_ko": "층수: 1 (지시문: 1). 선체와 텍스트 묘사는 우수하나, 지시문에서 명시적으로 제외하도록 요구한 특정 장면의 일시적 요소(선수 부분의 항적, 물보라, 수면 포말)가 뚜렷하게 렌더링되어 지침을 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "레이더 돔에 프롬프트에서 허용하지 않은 추가 텍스트('SAMTIO...')가 표시되어 있습니다.", "fix_en": "Remove the text from the radar dome, leaving its surface blank white.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the text from the radar dome, leaving its surface blank white.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_police_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_police_station_sel.png", "seed_asset_id": "7a494879-d4dd-4937-8ac8-1ef99c5ade18", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean urban neighborhood surrounds an actively operating police station site connected to the ordinary local street network. The main subject is a three-storey reinforced-concrete police station with a 30 by 18 metre rectangular footprint and a flat parapet roof. Its exterior has warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, and dark-gray aluminum window frames, all with ordinary maintained weathering. The public frontage carries the clearly legible lettering 새봄경찰서. An aluminum-framed glazed station entrance beneath a blue metal canopy directly adjoins the building-facing edge of a 32 by 24 metre asphalt parking area. White thermoplastic bay markings preserve the open central span. An asphalt vehicle approach meets a different outer edge and links the parking area to the surrounding access network. The station, entrance and outdoor areas visibly carry the ordinary signs of active public-service use. The building is complete and ordinary for its regional facility type, and its footprint and three-storey massing plausibly contain a real-scale detective division office as part of the full station program.\n\nTHE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean police station as the main subject: a three-storey reinforced-concrete building with a 30 by 18 metre rectangular footprint, a flat parapet roof, warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, dark-gray aluminum window frames, and a clear aluminum-framed glazed station entrance beneath a blue metal canopy. The legible main frontage lettering must read 새봄경찰서. The 32 by 24 metre asphalt parking area immediately adjoins the building; its thermoplastic bay markings leave an open central span. The asphalt vehicle approach meets an outer edge of the parking area, while the evidenced station-side pedestrian entrance occupies the distinct building-facing edge and connects directly to the interior. Do not prominently duplicate or relocate that evidenced entrance. The building footprint and three-storey massing must plausibly accommodate the detective division office at real-world scale as part of a complete operating police station. The structure, frontage, entrance and outdoor areas must visibly carry ordinary signs of active public-service use. Surround the site with a believable, currently inhabited Korean urban neighborhood connected to the same street network. Reject bare, sterile, abandoned, isolated or studio-set interpretations.", "location_line_en": "A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.", "room_inventory": [ { "evidence_ko": "17. 실내. 경찰서 형사과 - 같은 시각", "label_en": "Detective division office", "scene_index": 16 } ], "room_inventory_applicable": true, "signage_reason_ko": "현대 한국의 경찰서는 정면에 식별 가능한 기관 명칭을 표시한다.", "signage_required": true, "signage_text": "새봄경찰서", "variants": [ { "approach_ko": "시나리오의 경찰서 주차장과 형사과 공간을 직접 반영한 접근", "evidence_ko": [ "8. 실외. 경찰서 주차장 - 낮 (인우의 회상)", "17. 실내. 경찰서 형사과 - 같은 시각", "컴퓨터 모니터 화면: 기절한 지후를 안고 집에서 나오는 산들 모습." ], "prompt_en": "An inhabited contemporary South Korean urban neighborhood surrounds an actively operating police station site connected to the ordinary local street network. The main subject is a three-storey reinforced-concrete police station with a 30 by 18 metre rectangular footprint and a flat parapet roof. Its exterior has warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, and dark-gray aluminum window frames, all with ordinary maintained weathering. The public frontage carries the clearly legible lettering 새봄경찰서. An aluminum-framed glazed station entrance beneath a blue metal canopy directly adjoins the building-facing edge of a 32 by 24 metre asphalt parking area. White thermoplastic bay markings preserve the open central span. An asphalt vehicle approach meets a different outer edge and links the parking area to the surrounding access network. The station, entrance and outdoor areas visibly carry the ordinary signs of active public-service use. The building is complete and ordinary for its regional facility type, and its footprint and three-storey massing plausibly contain a real-scale detective division office as part of the full station program.", "variant_id": "v1" }, { "approach_ko": "주변 도시 조직과 주차장 연결 관계를 우선한 접근", "evidence_ko": [], "prompt_en": "A lived-in contemporary Korean working neighborhood encloses this police station within a normal urban street pattern. The asphalt access network feeds a vehicle approach that meets an outer edge of a 32 by 24 metre police-station parking area. The marked parking surface retains an open central span, and its building-facing edge meets the station-side pedestrian entrance on a different edge from the vehicle approach. The target building is a three-storey, 30 by 18 metre rectangular reinforced-concrete police station with a flat parapet roof. Warm-white painted render covers the main walls above a pale-gray granite base; restrained blue aluminum-composite fascia panels and dark-gray aluminum window frames give the frontage its standard contemporary public-service finish. A blue metal canopy shelters the aluminum-framed glazed entrance connecting the parking area directly to the interior. The main frontage displays the clearly legible lettering 새봄경찰서. The complete station and its outdoor areas visibly show ordinary active public-service use. Its three-storey massing provides real-world space for the detective division office within the larger station program.", "variant_id": "v2" }, { "approach_ko": "현대 한국 공공건축의 재료와 시설 유형을 우선한 접근", "evidence_ko": [], "prompt_en": "The target is an actively operating contemporary South Korean police station, complete and ordinary for its public-facility type. It has three storeys, a 30 by 18 metre rectangular reinforced-concrete mass, and a flat roof behind a parapet. Warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, dark-gray aluminum window frames, a blue metal entrance canopy and aluminum-framed entrance glazing use standard maintained regional finishes with credible everyday weathering. The identifying frontage sign is prominent and clearly legible as 새봄경찰서. The station-side entrance connects directly to the building-facing edge of an adjoining 32 by 24 metre asphalt parking area. White thermoplastic parking markings define the paved surface while retaining its open central span. A vehicle approach joins a different outer edge and continues into the surrounding access network. The building and outdoor areas visibly carry normal signs of active public-service use. Its footprint and three-storey volume readily support the evidenced detective division office at real-world scale within a full police-station program. An inhabited working urban neighborhood surrounds the site with regionally ordinary adjoining buildings and street context.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean urban neighborhood surrounds an actively operating police station site connected to the ordinary local street network. The main subject is a three-storey reinforced-concrete police station with a 30 by 18 metre rectangular footprint and a flat parapet roof. Its exterior has warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, and dark-gray aluminum window frames, all with ordinary maintained weathering. The public frontage carries the clearly legible lettering 새봄경찰서. An aluminum-framed glazed station entrance beneath a blue metal canopy directly adjoins the building-facing edge of a 32 by 24 metre asphalt parking area. White thermoplastic bay markings preserve the open central span. An asphalt vehicle approach meets a different outer edge and links the parking area to the surrounding access network. The station, entrance and outdoor areas visibly carry the ordinary signs of active public-service use. The building is complete and ordinary for its regional facility type, and its footprint and three-storey massing plausibly contain a real-scale detective division office as part of the full station program.\n\nTHE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in contemporary Korean working neighborhood encloses this police station within a normal urban street pattern. The asphalt access network feeds a vehicle approach that meets an outer edge of a 32 by 24 metre police-station parking area. The marked parking surface retains an open central span, and its building-facing edge meets the station-side pedestrian entrance on a different edge from the vehicle approach. The target building is a three-storey, 30 by 18 metre rectangular reinforced-concrete police station with a flat parapet roof. Warm-white painted render covers the main walls above a pale-gray granite base; restrained blue aluminum-composite fascia panels and dark-gray aluminum window frames give the frontage its standard contemporary public-service finish. A blue metal canopy shelters the aluminum-framed glazed entrance connecting the parking area directly to the interior. The main frontage displays the clearly legible lettering 새봄경찰서. The complete station and its outdoor areas visibly show ordinary active public-service use. Its three-storey massing provides real-world space for the detective division office within the larger station program.\n\nTHE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is an actively operating contemporary South Korean police station, complete and ordinary for its public-facility type. It has three storeys, a 30 by 18 metre rectangular reinforced-concrete mass, and a flat roof behind a parapet. Warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, dark-gray aluminum window frames, a blue metal entrance canopy and aluminum-framed entrance glazing use standard maintained regional finishes with credible everyday weathering. The identifying frontage sign is prominent and clearly legible as 새봄경찰서. The station-side entrance connects directly to the building-facing edge of an adjoining 32 by 24 metre asphalt parking area. White thermoplastic parking markings define the paved surface while retaining its open central span. A vehicle approach joins a different outer edge and continues into the surrounding access network. The building and outdoor areas visibly carry normal signs of active public-service use. Its footprint and three-storey volume readily support the evidenced detective division office at real-world scale within a full police-station program. An inhabited working urban neighborhood surrounds the site with regionally ordinary adjoining buildings and street context.\n\nTHE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean police station as the main subject: a three-storey reinforced-concrete building with a 30 by 18 metre rectangular footprint, a flat parapet roof, warm-white painted render, a pale-gray granite base, restrained blue aluminum-composite fascia panels, dark-gray aluminum window frames, and a clear aluminum-framed glazed station entrance beneath a blue metal canopy. The legible main frontage lettering must read 새봄경찰서. The 32 by 24 metre asphalt parking area immediately adjoins the building; its thermoplastic bay markings leave an open central span. The asphalt vehicle approach meets an outer edge of the parking area, while the evidenced station-side pedestrian entrance occupies the distinct building-facing edge and connects directly to the interior. Do not prominently duplicate or relocate that evidenced entrance. The building footprint and three-storey massing must plausibly accommodate the detective division office at real-world scale as part of a complete operating police station. The structure, frontage, entrance and outdoor areas must visibly carry ordinary signs of active public-service use. Surround the site with a believable, currently inhabited Korean urban neighborhood connected to the same street network. Reject bare, sterile, abandoned, isolated or studio-set interpretations.\n\nTHE LOCATION: A contemporary police station and its exterior parking area in an inhabited urban neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles", "seed_decision": { "input_fingerprint": "0cf88e41f02e1d85", "totals": { "A": 9, "B": 5, "C": 5 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "구조(3층)와 주변 환경의 요건을 잘 충족하며, 배제해야 할 '주차된 경찰 차량'을 지침에 따라 정확히 제외했습니다. 정면 간판 텍스트(새봄경찰서)도 정확하게 구현되었습니다." }, { "label": "B", "score": 5, "verdict_ko": "건물(3층)의 형태는 요건에 맞으나, 명시적으로 배제하도록 한 '주차된 경찰 차량'을 포함하는 치명적인 위반이 있습니다. 또한 캐노피의 간판 텍스트가 지침(새봄경찰서)과 다르게 왜곡되어 있습니다." }, { "label": "C", "score": 5, "verdict_ko": "3층 구조는 구현되었으나, 제외 대상인 '주차된 경찰 차량'이 다수 묘사된 점이 위반 사항입니다. 출입구 캐노피에 표기된 경찰서 이름 또한 일치하지 않고 왜곡되었습니다." } ], "critique": { "issues": [ { "issue_ko": "중앙 공간을 비워두라는 지침과 달리 아스팔트 주차장 중앙에 주차 구획선과 카스토퍼가 배치되어 있음.", "fix_en": "Erase the parking lines and wheel stops from the center of the asphalt lot to restore the open central span.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "주출입구를 중복하지 말라는 지침을 어기고 건물 좌측면에 파란색 캐노피가 달린 추가 출입구가 생성됨.", "fix_en": "Remove the secondary door and its blue canopy on the left facade, replacing them with the continuous granite base and wall.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "활발히 운영되는 경찰서라는 설정에도 불구하고 주차장과 건물 앞이 차량이나 일상적인 집기 없이 텅 비어 있어 단절되고 생기 없는 느낌을 줌.", "fix_en": "Add generic unstaged parked cars, including typical police vehicles, and everyday outdoor utility items to the parking area to show active public-service use.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Erase the parking lines and wheel stops from the center of the asphalt lot to restore the open central span.\n- Remove the secondary door and its blue canopy on the left facade, replacing them with the continuous granite base and wall.\n- Add generic unstaged parked cars, including typical police vehicles, and everyday outdoor utility items to the parking area to show active public-service use.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_reed_field_wooden_shed": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_reed_field_wooden_shed_sel.png", "seed_asset_id": "6b761304-1214-4cfa-9244-51ebf20b8393", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA late-sixteenth-century rural wetland working neighborhood in Japanese-occupied Joseon Korea surrounds a reed field. Ordinary period-authentic buildings and routes remain perceptible beyond the immediate reeds, and the district reads as inhabited and in service. The target is a one-storey rectangular warehouse with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its frame is squared pine, its walls are irregularly patched gray-brown pine planks, and gray fieldstone footings support the mass. A weathered tan straw-thatched gable roof covers the structure. The old boards are sun-bleached, unevenly repaired and darkened near the ground. The front wall contains one 1.8 by 2.1 metre doorway fitted with dark brown paired plank leaves and iron strap hardware. The door opens directly onto packed tan-earth front ground. This ground extends outward from the threshold and meets the surrounding field of tawny and muted-green reeds, which also occupies the outer sides of the front ground. The warehouse and its outdoor work area visibly carry ordinary signs of active storage use appropriate to this region and period.\n\nTHE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same late-sixteenth-century warehouse in Japanese-occupied Joseon Korea: a one-storey rectangular timber-frame mass with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its exterior is roughly patched gray-brown pine planks and squared pine timbers on gray fieldstone footings, under a weathered tan straw-thatched gable roof. The front wall has one evidenced 1.8 by 2.1 metre doorway with dark brown paired plank leaves and iron strap hardware. This footprint must plausibly contain the evidenced warehouse interior at full real-world storage-room scale. The door opens directly onto packed tan-earth front ground, which extends away from the threshold before meeting the reed field; the reeds surround the warehouse footprint and the outer sides of the front ground. The warehouse, doorway and front work ground must visibly carry ordinary signs of active storage use. The immediate reed-field setting must belong to a believable, inhabited rural wetland working neighborhood, with ordinary period-authentic surroundings perceptible beyond the reeds rather than an isolated or sterile compound.", "location_line_en": "A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.", "room_inventory": [ { "evidence_ko": "2. 실내. 창고 - 낮", "label_en": "warehouse interior", "scene_index": 2 } ], "room_inventory_applicable": true, "signage_reason_ko": "사유 창고형 가건물은 당시 식별 간판을 통상 달지 않는다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문의 공간어와 출입 동선을 직접 시각 사실로 전환", "evidence_ko": [ "99. 실외. 갈대숲 창고 앞 - 낮(과거)", "판자와 각목 등을 얼기설기 대충 덧대어 만든 가건물.", "그때, 벌컥 열리는 창고 문.", "조심스레 문을 열고 고개를 내미는 50 중반 조선인 남자: 촌주 같아 보이는 자." ], "prompt_en": "A late-sixteenth-century rural wetland working neighborhood in Japanese-occupied Joseon Korea surrounds a reed field. Ordinary period-authentic buildings and routes remain perceptible beyond the immediate reeds, and the district reads as inhabited and in service. The target is a one-storey rectangular warehouse with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its frame is squared pine, its walls are irregularly patched gray-brown pine planks, and gray fieldstone footings support the mass. A weathered tan straw-thatched gable roof covers the structure. The old boards are sun-bleached, unevenly repaired and darkened near the ground. The front wall contains one 1.8 by 2.1 metre doorway fitted with dark brown paired plank leaves and iron strap hardware. The door opens directly onto packed tan-earth front ground. This ground extends outward from the threshold and meets the surrounding field of tawny and muted-green reeds, which also occupies the outer sides of the front ground. The warehouse and its outdoor work area visibly carry ordinary signs of active storage use appropriate to this region and period.", "variant_id": "v1" }, { "approach_ko": "갈대 습지의 생활권과 작업지 맥락에서 건물을 규정", "evidence_ko": [ "3. 실내. 갈대숲 창고 밖 - 낮", "창고에 숨어있던 나머지 조선인들도 하나, 둘 밖으로 나온다.", "판자와 각목 등을 얼기설기 대충 덧대어 만든 가건물." ], "prompt_en": "The site belongs to an inhabited late-sixteenth-century wetland working district in Japanese-occupied Joseon Korea. A reed field forms its immediate landscape, while the ordinary fabric of the period working neighborhood remains perceptible beyond the reeds. Within the field, a one-storey rectangular warehouse measures 12 by 7 metres, with 3 metre eaves and a 4.5 metre gable ridge. The mass is a squared-pine frame on gray fieldstone footings, enclosed by roughly overlapped gray-brown pine planks. Its tan straw-thatched gable roof and exposed timber surfaces show longstanding weathering, sun bleaching and practical repairs. One front doorway measures 1.8 by 2.1 metres and carries dark brown paired plank leaves with iron strap hardware. Its threshold meets packed tan-earth ground immediately outside the wall. The front ground runs away from the doorway into the reed-field setting, with tawny and muted-green reeds wrapping around the warehouse and along both outer sides of that ground. The complete site reads as an operating warehouse property, with ordinary signs of active storage use visible across the structure and front work area.", "variant_id": "v2" }, { "approach_ko": "조선시대 목조 가건물의 재료와 창고 유형으로 형태를 고정", "evidence_ko": [ "판자와 각목 등을 얼기설기 대충 덧대어 만든 가건물.", "쾅!- 나무 문이 닫혀버린다.", "99. 실외. 갈대숲 창고 앞 - 낮(과거)" ], "prompt_en": "An inhabited rural wetland working neighborhood of late-sixteenth-century Japanese-occupied Joseon Korea lies around a reed-field site. The immediate landscape remains dominated by reeds, with the ordinary period settlement context continuing beyond them. The warehouse is fixed as a one-storey, 12 by 7 metre rectangular timber building with 3 metre eaves and a 4.5 metre gable ridge. Gray fieldstone footings carry a squared-pine frame. Rough gray-brown pine planks overlap unevenly across the walls, with weather-softened edges, darker lower boards and visible utilitarian patching. The roof is a weathered tan straw-thatched gable. A single evidenced opening in the front wall is a 1.8 by 2.1 metre doorway with paired dark brown plank leaves and iron strap hardware. The doorway opens at grade onto packed tan-earth front ground. That ground projects from the warehouse face before merging into tawny and muted-green reeds; the same reed field surrounds the building footprint and borders the outer sides of the front ground. The building and its exterior work surface visibly retain the ordinary signs of active warehouse service expected in this region and period.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA late-sixteenth-century rural wetland working neighborhood in Japanese-occupied Joseon Korea surrounds a reed field. Ordinary period-authentic buildings and routes remain perceptible beyond the immediate reeds, and the district reads as inhabited and in service. The target is a one-storey rectangular warehouse with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its frame is squared pine, its walls are irregularly patched gray-brown pine planks, and gray fieldstone footings support the mass. A weathered tan straw-thatched gable roof covers the structure. The old boards are sun-bleached, unevenly repaired and darkened near the ground. The front wall contains one 1.8 by 2.1 metre doorway fitted with dark brown paired plank leaves and iron strap hardware. The door opens directly onto packed tan-earth front ground. This ground extends outward from the threshold and meets the surrounding field of tawny and muted-green reeds, which also occupies the outer sides of the front ground. The warehouse and its outdoor work area visibly carry ordinary signs of active storage use appropriate to this region and period.\n\nTHE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an inhabited late-sixteenth-century wetland working district in Japanese-occupied Joseon Korea. A reed field forms its immediate landscape, while the ordinary fabric of the period working neighborhood remains perceptible beyond the reeds. Within the field, a one-storey rectangular warehouse measures 12 by 7 metres, with 3 metre eaves and a 4.5 metre gable ridge. The mass is a squared-pine frame on gray fieldstone footings, enclosed by roughly overlapped gray-brown pine planks. Its tan straw-thatched gable roof and exposed timber surfaces show longstanding weathering, sun bleaching and practical repairs. One front doorway measures 1.8 by 2.1 metres and carries dark brown paired plank leaves with iron strap hardware. Its threshold meets packed tan-earth ground immediately outside the wall. The front ground runs away from the doorway into the reed-field setting, with tawny and muted-green reeds wrapping around the warehouse and along both outer sides of that ground. The complete site reads as an operating warehouse property, with ordinary signs of active storage use visible across the structure and front work area.\n\nTHE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited rural wetland working neighborhood of late-sixteenth-century Japanese-occupied Joseon Korea lies around a reed-field site. The immediate landscape remains dominated by reeds, with the ordinary period settlement context continuing beyond them. The warehouse is fixed as a one-storey, 12 by 7 metre rectangular timber building with 3 metre eaves and a 4.5 metre gable ridge. Gray fieldstone footings carry a squared-pine frame. Rough gray-brown pine planks overlap unevenly across the walls, with weather-softened edges, darker lower boards and visible utilitarian patching. The roof is a weathered tan straw-thatched gable. A single evidenced opening in the front wall is a 1.8 by 2.1 metre doorway with paired dark brown plank leaves and iron strap hardware. The doorway opens at grade onto packed tan-earth front ground. That ground projects from the warehouse face before merging into tawny and muted-green reeds; the same reed field surrounds the building footprint and borders the outer sides of the front ground. The building and its exterior work surface visibly retain the ordinary signs of active warehouse service expected in this region and period.\n\nTHE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same late-sixteenth-century warehouse in Japanese-occupied Joseon Korea: a one-storey rectangular timber-frame mass with a 12 by 7 metre footprint, 3 metre eaves and a 4.5 metre gable ridge. Its exterior is roughly patched gray-brown pine planks and squared pine timbers on gray fieldstone footings, under a weathered tan straw-thatched gable roof. The front wall has one evidenced 1.8 by 2.1 metre doorway with dark brown paired plank leaves and iron strap hardware. This footprint must plausibly contain the evidenced warehouse interior at full real-world storage-room scale. The door opens directly onto packed tan-earth front ground, which extends away from the threshold before meeting the reed field; the reeds surround the warehouse footprint and the outer sides of the front ground. The warehouse, doorway and front work ground must visibly carry ordinary signs of active storage use. The immediate reed-field setting must belong to a believable, inhabited rural wetland working neighborhood, with ordinary period-authentic surroundings perceptible beyond the reeds rather than an isolated or sterile compound.\n\nTHE LOCATION: A reed-field warehouse in a rural wetland working district of late-sixteenth-century Japanese-occupied Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance", "seed_decision": { "input_fingerprint": "4c442bca3ddad864", "totals": { "A": 10, "B": 7, "C": 5 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "1 visible storey matches 1 committed. Correctly realizes the massing with the committed 3-metre eaves and 4.5-metre ridge; faithfully replicates the reference structure's proportions and timber paneling, with perfect materials and active storage use." }, { "label": "B", "score": 7, "verdict_ko": "1 visible storey matches 1 committed. Fails the massing constraint; the eaves are squashed to just above the 2.1m door, falling short of the committed 3-metre eave height." }, { "label": "C", "score": 5, "verdict_ko": "1 visible storey matches 1 committed. Fails the massing constraint with overly low eaves, and violates the exterior material constraint by featuring blackened or charred wood on the lower walls instead of the required gray-brown pine." } ], "critique": { "issues": [ { "issue_ko": "문의 크기(약 2m)에 비해 건물의 전체 규모가 지나치게 작아, 브리프에 명시된 12x7m 크기의 창고 질량감을 충족하지 못합니다.", "fix_en": "Expand the structure's footprint and overall massing to the committed 12 by 7 meters, making the walls significantly longer and wider relative to the door.", "needs_regeneration": true }, { "issue_ko": "16세기 후반 조선이라는 시대적 배경에 어울리지 않는 현대식 규격의 화물 운반용 목재 파렛트(shipping pallets)가 우측 바닥에 놓여 있습니다.", "fix_en": "Replace the modern wooden shipping pallets under the pots with period-appropriate rough wooden planks or woven straw mats.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Expand the structure's footprint and overall massing to the committed 12 by 7 meters, making the walls significantly longer and wider relative to the door.\n- Replace the modern wooden shipping pallets under the pots with period-appropriate rough wooden planks or woven straw mats.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_restaurant_compound": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_restaurant_compound_sel.png", "seed_asset_id": "69cb1065-4089-4f87-94f0-4059c3fec052", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited fishing-village neighborhood surrounds an active restaurant and mixed retail business on a contemporary South Korean island. Adjacent village buildings, the packed-earth alley and the connected packed-earth-and-gravel road form an ordinary working settlement. The target is a one-storey rectangular restaurant building with a 14-by-10-metre footprint. Its walls are sun-faded cream cement render over concrete masonry, and its shallow gable roof is dark-gray corrugated metal with ordinary coastal weathering. The footprint holds an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, together with a kitchen, separate rear room and separate proprietor's room at real-world room sizes. The public face has a silver aluminum-framed glazed commercial frontage centered on the sliding front entrance, with the legible sign 바다마을 식당·낚시점 above it. A dark-stained timber lattice restaurant window belongs to this frontage. The front entrance opens directly toward the restaurant-front alley, and the alley joins the village road on an axis toward the entrance. From the restaurant side, the road continues uphill to the forest and the beginning of the mountain. The rear face has a dark-brown painted steel back entrance and a silver aluminum-framed back-room window. The back entrance opens directly into a compacted-earth rear yard. A defined cultivated garden plot occupies part of the yard. Open circulation connects the back entrance, the garden edge and the door of a detached 4-by-3-metre storage shed. The shed has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the yard while preserving its connections to the building and village-road side. The building, commercial frontage, yard and shed visibly carry ordinary signs of active daily use appropriate to this island business.\n\nTHE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다마을 식당·낚시점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean island-village business site. The organizing mass is a one-storey, rectangular 14-by-10-metre restaurant building with sun-faded cream cement render over concrete masonry, a shallow dark-gray corrugated-metal gable roof, a silver aluminum-framed glazed commercial frontage, a sliding front entrance, a dark-brown painted steel back entrance, a dark-stained timber lattice restaurant window, and a silver aluminum-framed back-room window. The footprint must plausibly contain an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, plus a kitchen, a separate rear room and a separate proprietor's room at real-world sizes. The public frontage must carry the legible sign 바다마을 식당·낚시점. The front entrance opens directly to the packed-earth front alley; that alley joins a packed-earth-and-gravel village road aligned toward the entrance. The road continues uphill from the restaurant side to the forest and mountain threshold. The back entrance opens directly into the rear yard. The yard contains a defined cultivated garden plot and a detached, weathered 4-by-3-metre storage shed with gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. Open yard circulation must connect the back entrance, garden edge and shed door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the rear-yard extent while preserving the building and village-road connections. The shed must appear intact rather than burned. Opening evidence must remain restrained: the front entrance, back entrance and yard-facing shed door retain their stated positions, while the evidenced restaurant and back-room windows are not multiplied into decorative arrays. The restaurant, shop frontage, yard and shed visibly carry ordinary signs of active current use chosen naturally for this type of Korean island business. The surrounding inhabited fishing-village neighborhood, adjacent buildings, alley and road must remain visible and regionally credible; a bare, sterile, abandoned or isolated-site reading fails.", "location_line_en": "A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.", "room_inventory": [ { "evidence_ko": "말이 식당이지 초등학교 교실 정도 크기에 식당과 편의점, 낚시 용품점 등을 총 망라한 잡화점.", "label_en": "Combined restaurant hall and retail shop", "scene_index": 21 }, { "evidence_ko": "산들이 주방에서 찌개를 끓이고, 육고기를 썰고… 식사 준비를 하는 동안,", "label_en": "Kitchen", "scene_index": 21 }, { "evidence_ko": "주위를 돌아본다: 창을 타고 따스한 햇살이 스며드는 정갈하게 정돈된 방이다.", "label_en": "Rear room", "scene_index": 36 }, { "evidence_ko": "활짝 문이 열린 할머니 방 안에는 화려한 붉은색 무녀복이 걸려있고,", "label_en": "Proprietor's room", "scene_index": 48 }, { "evidence_ko": "어둑한 공간을 밝히는 십수 개의 촛불들… 향이 피어오르는 제단 위에는 검은 염소 머리.", "label_en": "Detached storage shed interior", "scene_index": 27 } ], "room_inventory_applicable": true, "signage_reason_ko": "식당·편의점·낚시용품점을 겸한 영업 시설이므로 식별 간판이 필요하다.", "signage_required": true, "signage_text": "바다마을 식당·낚시점", "variants": [ { "approach_ko": "시나리오의 공간 표현을 직접 외관 사실로 전환한 접근", "evidence_ko": [ "말이 식당이지 초등학교 교실 정도 크기에 식당과 편의점, 낚시 용품점 등을 총 망라한 잡화점.", "잘 꾸민 텃밭", "허름한 창고", "마을길을 따라 조금만 올라가면 숲이 나오고, 산이 시작된다.", "식당 밖 골목", "영란이 식당 뒷문에 서서", "식당 격자무늬 나무 창 밖" ], "prompt_en": "A currently inhabited fishing-village neighborhood surrounds an active restaurant and mixed retail business on a contemporary South Korean island. Adjacent village buildings, the packed-earth alley and the connected packed-earth-and-gravel road form an ordinary working settlement. The target is a one-storey rectangular restaurant building with a 14-by-10-metre footprint. Its walls are sun-faded cream cement render over concrete masonry, and its shallow gable roof is dark-gray corrugated metal with ordinary coastal weathering. The footprint holds an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, together with a kitchen, separate rear room and separate proprietor's room at real-world room sizes. The public face has a silver aluminum-framed glazed commercial frontage centered on the sliding front entrance, with the legible sign 바다마을 식당·낚시점 above it. A dark-stained timber lattice restaurant window belongs to this frontage. The front entrance opens directly toward the restaurant-front alley, and the alley joins the village road on an axis toward the entrance. From the restaurant side, the road continues uphill to the forest and the beginning of the mountain. The rear face has a dark-brown painted steel back entrance and a silver aluminum-framed back-room window. The back entrance opens directly into a compacted-earth rear yard. A defined cultivated garden plot occupies part of the yard. Open circulation connects the back entrance, the garden edge and the door of a detached 4-by-3-metre storage shed. The shed has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the yard while preserving its connections to the building and village-road side. The building, commercial frontage, yard and shed visibly carry ordinary signs of active daily use appropriate to this island business.", "variant_id": "v1" }, { "approach_ko": "재료와 해안 지역의 생활 마모를 우선해 구성한 접근", "evidence_ko": [ "반월 식당 앞의 비포장 또는 흙길 골목.", "식당 후면 공터.", "문 밖으로 불빛이 새어나오는 허름한 창고가 눈에 띈다.", "식당 격자무늬 나무 창 밖, 식당 쪽을 지켜보는 마을 청년들 모습이 보인다.", "마을길을 따라 조금만 올라가면 숲이 나오고, 산이 시작된다." ], "prompt_en": "This is an ordinary, actively used commercial property embedded among the buildings of a contemporary South Korean island fishing village. Its front alley is packed earth, its connecting village road mixes packed earth and gravel, and both belong visibly to an inhabited working neighborhood. A one-storey 14-by-10-metre rectangular masonry building organizes the site. Sun-faded cream cement render covers its concrete walls, with patched coastal wear near the base. A shallow dark-gray corrugated-metal gable roof caps the main mass. The floor area accommodates an approximately 8-by-8-metre restaurant and retail hall, a kitchen, a rear room and a proprietor's room at credible human scale. Silver aluminum framing forms the glazed commercial frontage and sliding front entrance. The frontage carries the clear lettering 바다마을 식당·낚시점, and a dark-stained timber lattice restaurant window is integrated into the public face. The front entrance faces directly onto the alley, where the village-road approach aligns toward it. That road also climbs away from the restaurant toward the forest and mountain threshold. A dark-brown painted steel back entrance and a silver aluminum-framed back-room window occupy the rear face. The back entrance reaches the compacted-earth rear yard directly. Within the yard, a defined cultivated garden plot leaves open circulation to a detached 4-by-3-metre shed. The shed is intact and weathered, built of gray concrete block under an oxidized corrugated galvanized-steel roof, with its galvanized-steel door facing the yard. The route between the restaurant back entrance, garden edge and shed door remains open and direct. A weathered gray concrete-block and galvanized-mesh boundary marks the rear-yard perimeter and maintains access toward the building and village-road side. All outdoor areas and business surfaces show the natural ordinary evidence of continuing restaurant, retail, garden and storage use.", "variant_id": "v2" }, { "approach_ko": "섬마을 복합 상점의 배치와 영업 전면을 우선한 접근", "evidence_ko": [ "식당과 편의점, 낚시 용품점 등을 총 망라한 잡화점.", "식당 문을 열고 나오는 수리영.", "영란이 식당 뒷문에 서서", "굳게 닫힌 창고 문", "식당으로 향하는 마을길을 저벅저벅 올라오는 산들이다.", "숲이 나오고, 산이 시작된다." ], "prompt_en": "A contemporary South Korean island fishing village encloses the site with adjacent inhabited buildings, an everyday earth alley and a village road. The target reads immediately as an operating restaurant combined with a convenience shop and fishing-supplies shop, complete and ordinary for this regional business type. Its main mass is a one-storey rectangular building measuring 14 by 10 metres. The concrete-masonry exterior has sun-faded cream cement render and a shallow dark-gray corrugated-metal gable roof. This mass provides enough floor area for an approximately 8-by-8-metre combined dining and retail hall, a kitchen, a separate rear room and a separate proprietor's room at full real-world sizes. The public front carries silver aluminum-framed shop glazing, the sliding front entrance, a dark-stained timber lattice restaurant window and the prominent legible sign 바다마을 식당·낚시점. The entrance opens onto the restaurant-front packed-earth alley. The alley meets the packed-earth-and-gravel village road, whose approach axis points toward the entrance. Beside the restaurant, the same road continues uphill until it meets the forest and mountain threshold. On the rear face, a dark-brown painted steel back entrance opens straight into the compacted-earth rear yard, accompanied by a silver aluminum-framed back-room window. A cultivated garden plot occupies a defined part of the yard while open circulation links the back entrance, the garden edge and the detached shed door. The separate storage shed measures 4 by 3 metres and has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a galvanized-steel door facing into the yard. A weathered gray concrete-block and galvanized-mesh perimeter boundary encloses the rear-yard extent while retaining the required connections to the restaurant and village-road side. The frontage, main building, garden area and storage shed all visibly express routine active use within the surrounding working neighborhood.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited fishing-village neighborhood surrounds an active restaurant and mixed retail business on a contemporary South Korean island. Adjacent village buildings, the packed-earth alley and the connected packed-earth-and-gravel road form an ordinary working settlement. The target is a one-storey rectangular restaurant building with a 14-by-10-metre footprint. Its walls are sun-faded cream cement render over concrete masonry, and its shallow gable roof is dark-gray corrugated metal with ordinary coastal weathering. The footprint holds an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, together with a kitchen, separate rear room and separate proprietor's room at real-world room sizes. The public face has a silver aluminum-framed glazed commercial frontage centered on the sliding front entrance, with the legible sign 바다마을 식당·낚시점 above it. A dark-stained timber lattice restaurant window belongs to this frontage. The front entrance opens directly toward the restaurant-front alley, and the alley joins the village road on an axis toward the entrance. From the restaurant side, the road continues uphill to the forest and the beginning of the mountain. The rear face has a dark-brown painted steel back entrance and a silver aluminum-framed back-room window. The back entrance opens directly into a compacted-earth rear yard. A defined cultivated garden plot occupies part of the yard. Open circulation connects the back entrance, the garden edge and the door of a detached 4-by-3-metre storage shed. The shed has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the yard while preserving its connections to the building and village-road side. The building, commercial frontage, yard and shed visibly carry ordinary signs of active daily use appropriate to this island business.\n\nTHE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다마을 식당·낚시점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is an ordinary, actively used commercial property embedded among the buildings of a contemporary South Korean island fishing village. Its front alley is packed earth, its connecting village road mixes packed earth and gravel, and both belong visibly to an inhabited working neighborhood. A one-storey 14-by-10-metre rectangular masonry building organizes the site. Sun-faded cream cement render covers its concrete walls, with patched coastal wear near the base. A shallow dark-gray corrugated-metal gable roof caps the main mass. The floor area accommodates an approximately 8-by-8-metre restaurant and retail hall, a kitchen, a rear room and a proprietor's room at credible human scale. Silver aluminum framing forms the glazed commercial frontage and sliding front entrance. The frontage carries the clear lettering 바다마을 식당·낚시점, and a dark-stained timber lattice restaurant window is integrated into the public face. The front entrance faces directly onto the alley, where the village-road approach aligns toward it. That road also climbs away from the restaurant toward the forest and mountain threshold. A dark-brown painted steel back entrance and a silver aluminum-framed back-room window occupy the rear face. The back entrance reaches the compacted-earth rear yard directly. Within the yard, a defined cultivated garden plot leaves open circulation to a detached 4-by-3-metre shed. The shed is intact and weathered, built of gray concrete block under an oxidized corrugated galvanized-steel roof, with its galvanized-steel door facing the yard. The route between the restaurant back entrance, garden edge and shed door remains open and direct. A weathered gray concrete-block and galvanized-mesh boundary marks the rear-yard perimeter and maintains access toward the building and village-road side. All outdoor areas and business surfaces show the natural ordinary evidence of continuing restaurant, retail, garden and storage use.\n\nTHE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다마을 식당·낚시점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean island fishing village encloses the site with adjacent inhabited buildings, an everyday earth alley and a village road. The target reads immediately as an operating restaurant combined with a convenience shop and fishing-supplies shop, complete and ordinary for this regional business type. Its main mass is a one-storey rectangular building measuring 14 by 10 metres. The concrete-masonry exterior has sun-faded cream cement render and a shallow dark-gray corrugated-metal gable roof. This mass provides enough floor area for an approximately 8-by-8-metre combined dining and retail hall, a kitchen, a separate rear room and a separate proprietor's room at full real-world sizes. The public front carries silver aluminum-framed shop glazing, the sliding front entrance, a dark-stained timber lattice restaurant window and the prominent legible sign 바다마을 식당·낚시점. The entrance opens onto the restaurant-front packed-earth alley. The alley meets the packed-earth-and-gravel village road, whose approach axis points toward the entrance. Beside the restaurant, the same road continues uphill until it meets the forest and mountain threshold. On the rear face, a dark-brown painted steel back entrance opens straight into the compacted-earth rear yard, accompanied by a silver aluminum-framed back-room window. A cultivated garden plot occupies a defined part of the yard while open circulation links the back entrance, the garden edge and the detached shed door. The separate storage shed measures 4 by 3 metres and has weathered gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a galvanized-steel door facing into the yard. A weathered gray concrete-block and galvanized-mesh perimeter boundary encloses the rear-yard extent while retaining the required connections to the restaurant and village-road side. The frontage, main building, garden area and storage shed all visibly express routine active use within the surrounding working neighborhood.\n\nTHE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다마을 식당·낚시점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean island-village business site. The organizing mass is a one-storey, rectangular 14-by-10-metre restaurant building with sun-faded cream cement render over concrete masonry, a shallow dark-gray corrugated-metal gable roof, a silver aluminum-framed glazed commercial frontage, a sliding front entrance, a dark-brown painted steel back entrance, a dark-stained timber lattice restaurant window, and a silver aluminum-framed back-room window. The footprint must plausibly contain an approximately 8-by-8-metre combined restaurant hall, convenience shop and fishing-supplies shop, plus a kitchen, a separate rear room and a separate proprietor's room at real-world sizes. The public frontage must carry the legible sign 바다마을 식당·낚시점. The front entrance opens directly to the packed-earth front alley; that alley joins a packed-earth-and-gravel village road aligned toward the entrance. The road continues uphill from the restaurant side to the forest and mountain threshold. The back entrance opens directly into the rear yard. The yard contains a defined cultivated garden plot and a detached, weathered 4-by-3-metre storage shed with gray concrete-block walls, an oxidized corrugated galvanized-steel roof and a yard-facing galvanized-steel door. Open yard circulation must connect the back entrance, garden edge and shed door. A weathered gray concrete-block and galvanized-mesh perimeter boundary defines the rear-yard extent while preserving the building and village-road connections. The shed must appear intact rather than burned. Opening evidence must remain restrained: the front entrance, back entrance and yard-facing shed door retain their stated positions, while the evidenced restaurant and back-room windows are not multiplied into decorative arrays. The restaurant, shop frontage, yard and shed visibly carry ordinary signs of active current use chosen naturally for this type of Korean island business. The surrounding inhabited fishing-village neighborhood, adjacent buildings, alley and road must remain visible and regionally credible; a bare, sterile, abandoned or isolated-site reading fails.\n\nTHE LOCATION: A working restaurant, convenience shop and fishing-supplies shop in a contemporary South Korean island fishing village.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nThis list describes ONE household or ONE tenancy inside the structure,\nnot the whole building. When the structure's type houses several\nhouseholds or units, size the building for all of them — never size it\nas if this single interior were everything it contains.\nRead this list for room make-up and capacity only. Damage, disorder,\nblood, broken furniture and anything else left behind by an event\nbelong to one moment, not to the size or the identity of the place.\nIgnore them completely when deciding how large the structure is.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"바다마을 식당·낚시점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed", "seed_decision": { "input_fingerprint": "43c2825048313137", "totals": { "A": 9, "B": 7, "C": 5 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "구조적 제약(1층, 직사각형 매싱, 정확한 개구부 수)과 간판 텍스트(띄어쓰기 포함)를 완벽하게 준수했습니다. 마당 내에 텃밭과 창고가 올바르게 배치되어 있으나, 제외되어야 할 작물이 자라는 모습이 포함된 점만 감점 요소입니다." }, { "label": "B", "score": 7, "verdict_ko": "지정된 1층 구조와 직사각형 매싱은 유지했으나, 간판 텍스트의 띄어쓰기가 누락되었고 지정된 텃밭을 마당 경계벽 너머 외부로 밀어내어 부지 구성 요건을 위반했습니다." }, { "label": "C", "score": 5, "verdict_ko": "측면에 돌출된 부속 건물을 추가해 직사각형 매싱을 위반했으며, 목재 격자창을 2개로 증식시키고 간판에 요구되지 않은 영문 텍스트를 임의로 추가하여 구조 및 간판 지침을 크게 어겼습니다." } ], "critique": { "issues": [ { "issue_ko": "정문이 다져진 흙 골목으로 바로 이어지지 않고, 건물 앞을 따라 콘크리트 단/기단이 설치되어 있습니다.", "fix_en": "Remove the raised concrete platform along the front facade so the entrance opens directly onto the packed-earth alley.", "needs_regeneration": false }, { "issue_ko": "지시문에서 건물 뒷면에 있어야 할 진한 갈색 철제 뒷문과 은색 알루미늄 창문이 건물 측면 벽에 배치되어 있습니다.", "fix_en": "Remove the dark-brown door and silver window from the side wall.", "needs_regeneration": false }, { "issue_ko": "뒤뜰의 바닥이 다져진 흙이 아니라 콘크리트로 포장되어 있습니다.", "fix_en": "Change the paved concrete surface in the yard area to compacted earth.", "needs_regeneration": false }, { "issue_ko": "식당 옆으로 이어지는 마을 도로가 다져진 흙과 자갈길이 아닌 콘크리트로 포장되어 있습니다.", "fix_en": "Replace the concrete pavement of the village road on the right with packed earth and gravel.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the raised concrete platform along the front facade so the entrance opens directly onto the packed-earth alley.\n- Remove the dark-brown door and silver window from the side wall.\n- Change the paved concrete surface in the yard area to compacted earth.\n- Replace the concrete pavement of the village road on the right with packed earth and gravel.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_roadside_gas_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_roadside_gas_station_sel.png", "seed_asset_id": "0241f7b3-ed6d-4a6a-b6b1-98bb768bb03e", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDaylight reveals a contemporary South Korean gas station directly beside a paved national highway. It belongs to a currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises. The gas station is the main subject and visibly operates as an ordinary working facility. A dark charcoal asphalt highway edge meets an asphalt station approach, which leads directly into a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre canopy of white-painted steel columns, white metal fascia, and a medium-blue identification band. Behind the forecourt stands a one-storey rectangular service building measuring roughly 18 by 8 metres, built of pale gray rendered reinforced concrete with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. The surfaces carry routine sun fading, rain streaking, road dust, and service wear. The structure and outdoor areas visibly carry the ordinary signs of active daily fueling service and remain complete and ordinary for this facility type.\n\nTHE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every candidate must show the same contemporary South Korean national-highway gas station as the main subject. A dark charcoal asphalt national highway directly adjoins an asphalt approach that enters a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre white-painted steel canopy with white metal fascia, a medium-blue identification band, and white-painted steel columns. A one-storey, roughly 18-by-8-metre rectangular service building stands behind the forecourt, with pale gray rendered reinforced-concrete walls, a flat reinforced-concrete roof with blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. The footprint must remain large enough for the ordinary support functions of an operating highway gas station. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. No exact target-building opening count is evidenced; openings must remain limited to the quiet regional norm rather than becoming prominent invented features. Materials show routine sun, rain, road dust, and service wear while the entire facility and its outdoor areas visibly carry ordinary signs of active daily use. The station is complete and ordinary for its facility type. It stands within a believable, currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises, not on isolated empty ground. The highway, approach, forecourt, dispenser zone, canopy, service building, and roadside sign must form one physically continuous and plausible road-to-fueling layout.", "location_line_en": "A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "현대 한국의 주유소는 도로에서 식별 가능한 업소 표지를 갖추는 시설이다.", "signage_required": true, "signage_text": "한길주유소", "variants": [ { "approach_ko": "원문에 명시된 국도변 주유소와 주유기 배치를 직접 시각화한다.", "evidence_ko": [ "실외. 국도변 주유소 - 낮", "주유기 옆에 서 있는 아반테.", "주유하는 와중" ], "prompt_en": "Daylight reveals a contemporary South Korean gas station directly beside a paved national highway. It belongs to a currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises. The gas station is the main subject and visibly operates as an ordinary working facility. A dark charcoal asphalt highway edge meets an asphalt station approach, which leads directly into a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre canopy of white-painted steel columns, white metal fascia, and a medium-blue identification band. Behind the forecourt stands a one-storey rectangular service building measuring roughly 18 by 8 metres, built of pale gray rendered reinforced concrete with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. The surfaces carry routine sun fading, rain streaking, road dust, and service wear. The structure and outdoor areas visibly carry the ordinary signs of active daily fueling service and remain complete and ordinary for this facility type.", "variant_id": "v1" }, { "approach_ko": "생활권과 도로의 연속성을 먼저 확정하는 입지 중심 접근이다.", "evidence_ko": [ "국도변 주유소", "주유기 옆에" ], "prompt_en": "An inhabited contemporary South Korean rural roadside neighborhood continues along a national highway, with ordinary low-rise development and active roadside premises surrounding the site. The main subject is a working gas station integrated into this neighborhood rather than isolated from it. The dark charcoal asphalt highway runs along the station edge. An asphalt approach crosses the roadside boundary and enters a pale gray concrete fueling forecourt, where the circulation area directly surrounds and serves regionally ordinary fuel-dispenser equipment. A roughly 24-by-12-metre white-painted steel canopy covers the dispenser zone, using white metal fascia, a medium-blue identification band, and white-painted steel columns. A one-storey service building stands behind the forecourt as an approximately 18-by-8-metre rectangular mass. Its exterior is pale gray rendered reinforced concrete, with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. At the highway-facing side, adjoining the approach, a fixed white-and-medium-blue painted-metal station sign legibly reads 한길주유소. Daylight shows routine weathering from sun, rain, dust, and continuous roadside service. The whole site visibly carries ordinary signs of active use and has the complete regional configuration of an operating highway gas station.", "variant_id": "v2" }, { "approach_ko": "재료와 시설 유형의 지역적 표준을 우선하는 물성 중심 접근이다.", "evidence_ko": [ "실외. 국도변 주유소 - 낮", "주유기" ], "prompt_en": "The main subject is a complete, actively operating contemporary South Korean highway gas station in daylight. Its materials follow ordinary regional practice: dark charcoal asphalt at the adjoining national highway and approach, pale gray poured concrete across the fueling forecourt, white-painted structural steel beneath the canopy, and restrained medium-blue identification bands. The forecourt circulation area connects continuously to the highway approach and directly serves the regionally ordinary roadside fuel-dispenser equipment. Above the dispenser zone is a roughly 24-by-12-metre canopy with white-painted steel columns and white metal fascia. Behind it is a one-storey, roughly 18-by-8-metre rectangular service building of pale gray rendered reinforced concrete. The building has a flat reinforced-concrete roof with blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign occupies the road-facing side beside the approach and legibly reads 한길주유소. Sun fading, rain marks, road dust, and routine service wear remain visible across the permanent surfaces. The station and its outdoor areas visibly carry ordinary signs of active daily use. A currently inhabited rural roadside neighborhood of low-rise buildings and active premises surrounds the site and gives the facility a credible working context.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDaylight reveals a contemporary South Korean gas station directly beside a paved national highway. It belongs to a currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises. The gas station is the main subject and visibly operates as an ordinary working facility. A dark charcoal asphalt highway edge meets an asphalt station approach, which leads directly into a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre canopy of white-painted steel columns, white metal fascia, and a medium-blue identification band. Behind the forecourt stands a one-storey rectangular service building measuring roughly 18 by 8 metres, built of pale gray rendered reinforced concrete with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. The surfaces carry routine sun fading, rain streaking, road dust, and service wear. The structure and outdoor areas visibly carry the ordinary signs of active daily fueling service and remain complete and ordinary for this facility type.\n\nTHE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean rural roadside neighborhood continues along a national highway, with ordinary low-rise development and active roadside premises surrounding the site. The main subject is a working gas station integrated into this neighborhood rather than isolated from it. The dark charcoal asphalt highway runs along the station edge. An asphalt approach crosses the roadside boundary and enters a pale gray concrete fueling forecourt, where the circulation area directly surrounds and serves regionally ordinary fuel-dispenser equipment. A roughly 24-by-12-metre white-painted steel canopy covers the dispenser zone, using white metal fascia, a medium-blue identification band, and white-painted steel columns. A one-storey service building stands behind the forecourt as an approximately 18-by-8-metre rectangular mass. Its exterior is pale gray rendered reinforced concrete, with a flat reinforced-concrete roof, blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. At the highway-facing side, adjoining the approach, a fixed white-and-medium-blue painted-metal station sign legibly reads 한길주유소. Daylight shows routine weathering from sun, rain, dust, and continuous roadside service. The whole site visibly carries ordinary signs of active use and has the complete regional configuration of an operating highway gas station.\n\nTHE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is a complete, actively operating contemporary South Korean highway gas station in daylight. Its materials follow ordinary regional practice: dark charcoal asphalt at the adjoining national highway and approach, pale gray poured concrete across the fueling forecourt, white-painted structural steel beneath the canopy, and restrained medium-blue identification bands. The forecourt circulation area connects continuously to the highway approach and directly serves the regionally ordinary roadside fuel-dispenser equipment. Above the dispenser zone is a roughly 24-by-12-metre canopy with white-painted steel columns and white metal fascia. Behind it is a one-storey, roughly 18-by-8-metre rectangular service building of pale gray rendered reinforced concrete. The building has a flat reinforced-concrete roof with blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. A fixed white-and-medium-blue painted-metal identification sign occupies the road-facing side beside the approach and legibly reads 한길주유소. Sun fading, rain marks, road dust, and routine service wear remain visible across the permanent surfaces. The station and its outdoor areas visibly carry ordinary signs of active daily use. A currently inhabited rural roadside neighborhood of low-rise buildings and active premises surrounds the site and gives the facility a credible working context.\n\nTHE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery candidate must show the same contemporary South Korean national-highway gas station as the main subject. A dark charcoal asphalt national highway directly adjoins an asphalt approach that enters a pale gray concrete fueling forecourt and its vehicle-circulation area. Regionally ordinary roadside fuel-dispenser equipment stands within the forecourt beneath a roughly 24-by-12-metre white-painted steel canopy with white metal fascia, a medium-blue identification band, and white-painted steel columns. A one-storey, roughly 18-by-8-metre rectangular service building stands behind the forecourt, with pale gray rendered reinforced-concrete walls, a flat reinforced-concrete roof with blue-gray metal coping, clear service-front glazing in dark aluminum frames, and gray painted-steel doors. The footprint must remain large enough for the ordinary support functions of an operating highway gas station. A fixed white-and-medium-blue painted-metal identification sign stands at the road-facing side beside the highway approach and legibly reads 한길주유소. No exact target-building opening count is evidenced; openings must remain limited to the quiet regional norm rather than becoming prominent invented features. Materials show routine sun, rain, road dust, and service wear while the entire facility and its outdoor areas visibly carry ordinary signs of active daily use. The station is complete and ordinary for its facility type. It stands within a believable, currently inhabited rural roadside neighborhood of low-rise buildings and active roadside premises, not on isolated empty ground. The highway, approach, forecourt, dispenser zone, canopy, service building, and roadside sign must form one physically continuous and plausible road-to-fueling layout.\n\nTHE LOCATION: A contemporary national-highway gas station in an inhabited rural roadside neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display", "seed_decision": { "input_fingerprint": "13b64d8b274cb169", "totals": { "A": 7, "B": 5, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Passes inhabited neighborhood check. Storeys: 1 (matches brief). Correctly spells the committed \"한길주유소\" on the canopy and roadside sign, though it violates the negative constraint against uncommitted text on adjacent buildings. Layout, materials, and colors strictly follow the brief." }, { "label": "B", "score": 5, "verdict_ko": "Passes inhabited neighborhood check. Storeys: 1 (matches brief). Mangles the spelling of the required text on the freestanding roadside identification sign and includes uncommitted readable text on an A-frame sign and background buildings." }, { "label": "C", "score": 4, "verdict_ko": "Passes inhabited neighborhood check. Storeys: 1 (matches brief). Entirely misses the required freestanding roadside identification sign and includes abundant uncommitted readable text on background structures." } ], "critique": { "issues": [ { "issue_ko": "진입로 옆에 독립적으로 서 있어야 할 철제 간판이 누락되었고, 대신 낮은 담벼락에 간판 텍스트가 칠해져 있습니다.", "fix_en": "Add a freestanding white-and-medium-blue painted-metal sign reading 한길주유소 beside the highway approach, and remove the text from the low concrete boundary wall.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "캐노피의 전면/측면 테두리와 매달린 표지판에 지시되지 않은 텍스트가 추가되어 있습니다.", "fix_en": "Remove all text from the canopy fascia and hanging signs, leaving only the plain white metal and blue band.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "인접한 상가 건물들의 간판과 주유소 전면 유리문에 지시되지 않은 읽을 수 있는 텍스트가 포함되어 있습니다.", "fix_en": "Erase all readable text from the neighboring buildings' signs and the vertical sticker on the gas station's front door.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "서비스 건물 전면의 창틀이 지시된 어두운 알루미늄이 아닌 밝은 은색 알루미늄 재질로 되어 있습니다.", "fix_en": "Recolor the service building's front glazing frames to dark aluminum.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a freestanding white-and-medium-blue painted-metal sign reading 한길주유소 beside the highway approach, and remove the text from the low concrete boundary wall.\n- Remove all text from the canopy fascia and hanging signs, leaving only the plain white metal and blue band.\n- Erase all readable text from the neighboring buildings' signs and the vertical sticker on the gas station's front door.\n- Recolor the service building's front glazing frames to dark aluminum.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_village_speaker_tower": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_village_speaker_tower_sel.png", "seed_asset_id": "e96f7ba9-0b32-4181-8fa3-c441b56e835d", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working fishing village occupies a connected contemporary South Korean island slope, with the sea and dock downhill, an inland village corner between them, and the forest edge uphill. Ordinary neighboring structures and public space continue around the target in regionally authentic contemporary materials. The fishing-gear warehouse is a one-storey, 14-by-8-metre rectangular volume with 4.5-metre eaves, standing immediately beside the dock. Its exterior combines a gray concrete-block plinth, salt-faded pale-blue corrugated-metal wall cladding, and a shallow gabled roof of dark-blue coated corrugated steel. The dockside face has a faded-blue corrugated-steel entrance opening onto the accessible gray concrete dock area. A white painted-metal signboard bears the exact legible dark-blue lettering 공동어구창고. The warehouse is complete for its type, holds a full-scale fishing-gear storage hall, and visibly bears the ordinary signs of active service. Faded coatings, scuffed concrete and modest corrosion at exposed fasteners establish realistic coastal wear. The concrete dock meets the sea, and the open-sea approach is aligned toward the dock. At the inland village corner, a galvanized-steel pole supports pale-gray public-address horn loudspeakers between the uphill forest edge and the waterfront sightline. The warehouse and dock remain visible from the village sector leading uphill toward the forest.\n\nTHE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"공동어구창고\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same contemporary South Korean island fishing-village edge and the same target warehouse: a one-storey, 14-by-8-metre rectangular fishing-gear warehouse with 4.5-metre eaves, a shallow gabled dark-blue coated corrugated-steel roof, salt-faded pale-blue corrugated-metal walls on a gray concrete-block plinth, and a faded-blue corrugated-steel dockside entrance. A white painted-metal signboard must carry the exact legible dark-blue text 공동어구창고. The warehouse footprint must plausibly contain the evidenced fishing-gear storage hall at real working scale. The evidence fixes the presence and dockside orientation of the entrance rather than a numerical opening count; any region-normal additional openings must remain unobtrusive. The main mass must physically support its roof and full storage footprint. The warehouse stands immediately beside the gray concrete village dock, which directly meets the sea and faces the open-sea approach. Inland, the village corner contains a galvanized-steel public-address pole with pale-gray horn loudspeakers, positioned between the uphill forest edge and the dockside sightline. The warehouse and waterfront remain visible from the village-to-forest movement area. A believable, currently inhabited working fishing neighborhood surrounds and connects these elements. The warehouse, dock and outdoor areas must visibly carry ordinary signs of active fishing use appropriate to contemporary South Korea and must not appear abandoned, sterile or staged.", "location_line_en": "A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.", "room_inventory": [ { "evidence_ko": "숲 쪽으로 다시 올라가려던 산들, 선착장 옆 어구 창고가 눈에 들어온다.", "label_en": "fishing-gear storage hall", "scene_index": 85 } ], "room_inventory_applicable": true, "signage_reason_ko": "어촌의 공동 어구 창고는 용도를 밝히는 식별 표지를 통상 갖춘다.", "signage_required": true, "signage_text": "공동어구창고", "variants": [ { "approach_ko": "원문에 드러난 공간 동선을 직접 시각화한 접근", "evidence_ko": [ "87. 실외. 마을 일각 - 낮", "마을 확성기를 타고 영란의 목소리가 흘러나온다.", "숲 쪽으로 다시 올라가려던 산들, 선착장 옆 어구 창고가 눈에 들어온다.", "멀리 바다에서 선착장을 향해 한 척의 배가 빠른 속도로 접근해온다" ], "prompt_en": "A currently inhabited working fishing neighborhood occupies the edge of a contemporary South Korean island village, extending from a waterfront dock through an inland village corner to an uphill forest edge. Its ordinary surrounding buildings and lanes have regionally typical contemporary finishes. The target is a one-storey rectangular fishing-gear warehouse immediately beside the dock, with a 14-by-8-metre footprint and 4.5-metre eaves. It has salt-faded pale-blue corrugated-metal walls on a gray concrete-block plinth and a shallow gabled roof of dark-blue coated corrugated steel. A faded-blue corrugated-steel entrance faces the accessible gray concrete dockside area. A white painted-metal signboard carries the clearly legible dark-blue text 공동어구창고. The complete warehouse has the ordinary working configuration of its type and visibly carries signs of active fishing use. The dock directly meets the sea, and the open-sea approach aligns toward it. Inland, a galvanized-steel public-address pole with pale-gray horn loudspeakers occupies the village corner between the dockside sightline and the uphill forest. The warehouse and waterfront remain visible from the village-to-forest movement area. Salt fading, scuffed concrete and restrained corrosion around metal joints give the permanent structures credible coastal wear.", "variant_id": "v1" }, { "approach_ko": "어촌 시설의 지역적 유형과 기능을 우선한 접근", "evidence_ko": [ "마을 전역에 쩌렁쩌렁 울리는 영란의 목소리.", "선착장 옆 어구 창고가 눈에 들어온다.", "어구 창고 쪽을 주시하는데…", "숲 쪽으로 다시 올라가려던" ], "prompt_en": "A lived-in contemporary South Korean island fishing neighborhood connects its active dockside sector to an inland village corner and an uphill forest edge. The neighborhood reads as an ordinary working settlement with regionally standard buildings, lanes and waterfront fabric. Immediately beside the gray concrete dock stands a complete one-storey fishing-gear warehouse of the local utilitarian type. Its rectangular main mass measures 14 by 8 metres with 4.5-metre eaves, providing a full working storage hall. Salt-faded pale-blue corrugated-metal walls rise from a gray concrete-block plinth beneath a shallow dark-blue coated corrugated-steel gable roof. The accessible dock-facing side contains a faded-blue corrugated-steel entrance. A white painted-metal identification sign displays 공동어구창고 in crisp, legible dark-blue lettering. The building and its outdoor working areas visibly show ordinary active fishing use appropriate to the region. The dock adjoins the sea directly, with the open-water approach oriented toward it. A galvanized-steel public-address pole carrying pale-gray horn loudspeakers stands at the inland village corner between the waterfront sightline and the uphill forest side. From the route toward the forest, the dock and warehouse remain visible in the opposite direction. Coastal salt fading, worn concrete and localized metal corrosion are consistent across the permanent site.", "variant_id": "v2" }, { "approach_ko": "재료와 해안 풍화 상태를 중심으로 장소성을 확정한 접근", "evidence_ko": [ "금월도에 도착할 때 환영방송이 나왔던 마을 확성기", "선착장 옆 어구 창고", "숲 쪽으로 다시 올라가려던", "바다에서 선착장을 향해" ], "prompt_en": "An inhabited working fishing village occupies a connected contemporary South Korean island slope, with the sea and dock downhill, an inland village corner between them, and the forest edge uphill. Ordinary neighboring structures and public space continue around the target in regionally authentic contemporary materials. The fishing-gear warehouse is a one-storey, 14-by-8-metre rectangular volume with 4.5-metre eaves, standing immediately beside the dock. Its exterior combines a gray concrete-block plinth, salt-faded pale-blue corrugated-metal wall cladding, and a shallow gabled roof of dark-blue coated corrugated steel. The dockside face has a faded-blue corrugated-steel entrance opening onto the accessible gray concrete dock area. A white painted-metal signboard bears the exact legible dark-blue lettering 공동어구창고. The warehouse is complete for its type, holds a full-scale fishing-gear storage hall, and visibly bears the ordinary signs of active service. Faded coatings, scuffed concrete and modest corrosion at exposed fasteners establish realistic coastal wear. The concrete dock meets the sea, and the open-sea approach is aligned toward the dock. At the inland village corner, a galvanized-steel pole supports pale-gray public-address horn loudspeakers between the uphill forest edge and the waterfront sightline. The warehouse and dock remain visible from the village sector leading uphill toward the forest.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working fishing neighborhood occupies the edge of a contemporary South Korean island village, extending from a waterfront dock through an inland village corner to an uphill forest edge. Its ordinary surrounding buildings and lanes have regionally typical contemporary finishes. The target is a one-storey rectangular fishing-gear warehouse immediately beside the dock, with a 14-by-8-metre footprint and 4.5-metre eaves. It has salt-faded pale-blue corrugated-metal walls on a gray concrete-block plinth and a shallow gabled roof of dark-blue coated corrugated steel. A faded-blue corrugated-steel entrance faces the accessible gray concrete dockside area. A white painted-metal signboard carries the clearly legible dark-blue text 공동어구창고. The complete warehouse has the ordinary working configuration of its type and visibly carries signs of active fishing use. The dock directly meets the sea, and the open-sea approach aligns toward it. Inland, a galvanized-steel public-address pole with pale-gray horn loudspeakers occupies the village corner between the dockside sightline and the uphill forest. The warehouse and waterfront remain visible from the village-to-forest movement area. Salt fading, scuffed concrete and restrained corrosion around metal joints give the permanent structures credible coastal wear.\n\nTHE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"공동어구창고\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in contemporary South Korean island fishing neighborhood connects its active dockside sector to an inland village corner and an uphill forest edge. The neighborhood reads as an ordinary working settlement with regionally standard buildings, lanes and waterfront fabric. Immediately beside the gray concrete dock stands a complete one-storey fishing-gear warehouse of the local utilitarian type. Its rectangular main mass measures 14 by 8 metres with 4.5-metre eaves, providing a full working storage hall. Salt-faded pale-blue corrugated-metal walls rise from a gray concrete-block plinth beneath a shallow dark-blue coated corrugated-steel gable roof. The accessible dock-facing side contains a faded-blue corrugated-steel entrance. A white painted-metal identification sign displays 공동어구창고 in crisp, legible dark-blue lettering. The building and its outdoor working areas visibly show ordinary active fishing use appropriate to the region. The dock adjoins the sea directly, with the open-water approach oriented toward it. A galvanized-steel public-address pole carrying pale-gray horn loudspeakers stands at the inland village corner between the waterfront sightline and the uphill forest side. From the route toward the forest, the dock and warehouse remain visible in the opposite direction. Coastal salt fading, worn concrete and localized metal corrosion are consistent across the permanent site.\n\nTHE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"공동어구창고\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working fishing village occupies a connected contemporary South Korean island slope, with the sea and dock downhill, an inland village corner between them, and the forest edge uphill. Ordinary neighboring structures and public space continue around the target in regionally authentic contemporary materials. The fishing-gear warehouse is a one-storey, 14-by-8-metre rectangular volume with 4.5-metre eaves, standing immediately beside the dock. Its exterior combines a gray concrete-block plinth, salt-faded pale-blue corrugated-metal wall cladding, and a shallow gabled roof of dark-blue coated corrugated steel. The dockside face has a faded-blue corrugated-steel entrance opening onto the accessible gray concrete dock area. A white painted-metal signboard bears the exact legible dark-blue lettering 공동어구창고. The warehouse is complete for its type, holds a full-scale fishing-gear storage hall, and visibly bears the ordinary signs of active service. Faded coatings, scuffed concrete and modest corrosion at exposed fasteners establish realistic coastal wear. The concrete dock meets the sea, and the open-sea approach is aligned toward the dock. At the inland village corner, a galvanized-steel pole supports pale-gray public-address horn loudspeakers between the uphill forest edge and the waterfront sightline. The warehouse and dock remain visible from the village sector leading uphill toward the forest.\n\nTHE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"공동어구창고\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean island fishing-village edge and the same target warehouse: a one-storey, 14-by-8-metre rectangular fishing-gear warehouse with 4.5-metre eaves, a shallow gabled dark-blue coated corrugated-steel roof, salt-faded pale-blue corrugated-metal walls on a gray concrete-block plinth, and a faded-blue corrugated-steel dockside entrance. A white painted-metal signboard must carry the exact legible dark-blue text 공동어구창고. The warehouse footprint must plausibly contain the evidenced fishing-gear storage hall at real working scale. The evidence fixes the presence and dockside orientation of the entrance rather than a numerical opening count; any region-normal additional openings must remain unobtrusive. The main mass must physically support its roof and full storage footprint. The warehouse stands immediately beside the gray concrete village dock, which directly meets the sea and faces the open-sea approach. Inland, the village corner contains a galvanized-steel public-address pole with pale-gray horn loudspeakers, positioned between the uphill forest edge and the dockside sightline. The warehouse and waterfront remain visible from the village-to-forest movement area. A believable, currently inhabited working fishing neighborhood surrounds and connects these elements. The warehouse, dock and outdoor areas must visibly carry ordinary signs of active fishing use appropriate to contemporary South Korea and must not appear abandoned, sterile or staged.\n\nTHE LOCATION: A contemporary South Korean island fishing-village edge connecting an uphill forest, an inhabited village corner and a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"공동어구창고\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat", "seed_decision": { "input_fingerprint": "765c21b759638718", "totals": { "C": 10, "A": 9, "B": 6 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 10, "verdict_ko": "Brief commits 1 storey; candidate shows 1. Flawlessly conforms to the brief. The public-address pole exactly matches the form reference, including the pyramidal base and secondary antenna. Signage is exact, and the faded-blue sliding dockside entrance correctly faces the waterfront. Proportions and regional materials are highly authentic." }, { "label": "A", "score": 9, "verdict_ko": "Brief commits 1 storey; candidate shows 1. Good overall conformance with exact signage and a correctly oriented dockside entrance. However, it fails to fully reproduce the form reference for the public-address pole, omitting the reference's pyramidal concrete base and vertical secondary antenna." }, { "label": "B", "score": 6, "verdict_ko": "Brief commits 1 storey; candidate shows 1. While the signage and overall materials are correct, the main entrance is placed on the long face pointing towards an inland alley rather than facing the water, violating the 'dockside entrance' requirement." } ], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_wave_battered_rocks": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_wave_battered_rocks_sel.png", "seed_asset_id": "b52621e1-ed0c-4e76-b1bd-43d4a5e4a724", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to the shore of a currently inhabited South Korean island settlement, with an ordinary working coastal neighborhood extending through the landward context. The surroundings visibly retain the everyday signs of continuing coastal use. At the water boundary, the target is one continuous, zero-storey natural bedrock mass. Its exposed surfaces are charcoal gray and medium gray with pale salt weathering, muted brown mineral stains, sharp fractures, and a rough coastal finish. Naturally stepped ledges meet a jagged sea-facing edge. Blue-green seawater lies immediately against this edge, preserving a direct rock-to-water transition and uninterrupted views from the water toward the outcrop. The permanent site is limited to the exposed rock outcrop, its sea-facing boundary, and the adjoining sea; the expressly established site has no separate building, path, landing structure, or fixed facility.\n\nTHE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is a natural coastal rock outcrop with zero architectural storeys and zero architectural openings. It is one continuous mass of exposed, sharply fractured charcoal-gray and medium-gray bedrock, marked by pale salt weathering and muted brown mineral staining, with irregular natural ledges descending to a jagged sea-facing edge. The sea directly adjoins that edge and provides uninterrupted water-side views back toward the rock boundary. The permanent site contains only the exposed outcrop, its sea-facing edge, and the adjoining sea; it has no separate building, path, landing structure, or fixed facility, as expressly established by the source specification. The landward context must read as part of a currently inhabited, working South Korean island coastal neighborhood, and the site and its surroundings must visibly carry ordinary signs of ongoing coastal use rather than appear abandoned, sterile, or studio-built.", "location_line_en": "A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "자연 갯바위와 바다로 이루어진 장소이므로 식별 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문에 명시된 갯바위와 바닷물의 직접적인 경계를 중심으로 구성", "evidence_ko": [ "금월도 갯바위", "실외. 갯바위 - 저녁", "바닷물", "갯바위 위로" ], "prompt_en": "A contemporary South Korean island coast within a currently inhabited working coastal neighborhood that continues inland beyond the natural site. Ordinary signs of ongoing coastal use are visible in the surroundings. The target is a natural outcrop with zero architectural storeys: one continuous mass of exposed charcoal-gray and medium-gray bedrock, sharply fractured and rough, with pale salt weathering and muted brown mineral staining. Irregular natural ledges descend to a jagged sea-facing edge. The blue-green sea directly adjoins the rock along that edge, forming an uninterrupted transition between water and exposed stone and allowing clear water-side views back toward the rock boundary. The site consists of the outcrop, its sea-facing edge, and the adjoining sea; the source establishes the absence of any separate building, path, landing structure, or other fixed facility.", "variant_id": "v1" }, { "approach_ko": "생활하는 섬마을의 해안 맥락에서 자연 지형으로 접근", "evidence_ko": [ "금월도 갯바위", "갯바위에 철벅거리는 파도…", "바다에서 나오는" ], "prompt_en": "The location belongs to the shore of a currently inhabited South Korean island settlement, with an ordinary working coastal neighborhood extending through the landward context. The surroundings visibly retain the everyday signs of continuing coastal use. At the water boundary, the target is one continuous, zero-storey natural bedrock mass. Its exposed surfaces are charcoal gray and medium gray with pale salt weathering, muted brown mineral stains, sharp fractures, and a rough coastal finish. Naturally stepped ledges meet a jagged sea-facing edge. Blue-green seawater lies immediately against this edge, preserving a direct rock-to-water transition and uninterrupted views from the water toward the outcrop. The permanent site is limited to the exposed rock outcrop, its sea-facing boundary, and the adjoining sea; the expressly established site has no separate building, path, landing structure, or fixed facility.", "variant_id": "v2" }, { "approach_ko": "암석의 재질과 풍화 상태를 우선해 실제 촬영지처럼 구체화", "evidence_ko": [ "금월도 갯바위", "갯바위 - 저녁", "바닷물을", "갯바위 위로 올라와" ], "prompt_en": "Charcoal-gray and medium-gray exposed coastal bedrock defines the target, with pale salt weathering, muted brown mineral staining, rough faces, sharp fractures, and irregular natural ledges. The formation is one continuous natural mass with zero architectural storeys, descending through fractured stone shelves to a jagged sea-facing edge. The adjoining sea is blue green and meets the rock directly along the full visible boundary, with clear water-side sightlines back to the edge. This natural site sits within the landward context of a currently inhabited, working South Korean island coastal neighborhood. The place and its surroundings visibly carry ordinary signs of continuing coastal use and read as a real lived-in island shore. Only the outcrop, its sea-facing edge, and the immediately adjoining sea form the permanent site; the source explicitly establishes the absence of a separate building, path, landing structure, or other fixed facility.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean island coast within a currently inhabited working coastal neighborhood that continues inland beyond the natural site. Ordinary signs of ongoing coastal use are visible in the surroundings. The target is a natural outcrop with zero architectural storeys: one continuous mass of exposed charcoal-gray and medium-gray bedrock, sharply fractured and rough, with pale salt weathering and muted brown mineral staining. Irregular natural ledges descend to a jagged sea-facing edge. The blue-green sea directly adjoins the rock along that edge, forming an uninterrupted transition between water and exposed stone and allowing clear water-side views back toward the rock boundary. The site consists of the outcrop, its sea-facing edge, and the adjoining sea; the source establishes the absence of any separate building, path, landing structure, or other fixed facility.\n\nTHE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to the shore of a currently inhabited South Korean island settlement, with an ordinary working coastal neighborhood extending through the landward context. The surroundings visibly retain the everyday signs of continuing coastal use. At the water boundary, the target is one continuous, zero-storey natural bedrock mass. Its exposed surfaces are charcoal gray and medium gray with pale salt weathering, muted brown mineral stains, sharp fractures, and a rough coastal finish. Naturally stepped ledges meet a jagged sea-facing edge. Blue-green seawater lies immediately against this edge, preserving a direct rock-to-water transition and uninterrupted views from the water toward the outcrop. The permanent site is limited to the exposed rock outcrop, its sea-facing boundary, and the adjoining sea; the expressly established site has no separate building, path, landing structure, or fixed facility.\n\nTHE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nCharcoal-gray and medium-gray exposed coastal bedrock defines the target, with pale salt weathering, muted brown mineral staining, rough faces, sharp fractures, and irregular natural ledges. The formation is one continuous natural mass with zero architectural storeys, descending through fractured stone shelves to a jagged sea-facing edge. The adjoining sea is blue green and meets the rock directly along the full visible boundary, with clear water-side sightlines back to the edge. This natural site sits within the landward context of a currently inhabited, working South Korean island coastal neighborhood. The place and its surroundings visibly carry ordinary signs of continuing coastal use and read as a real lived-in island shore. Only the outcrop, its sea-facing edge, and the immediately adjoining sea form the permanent site; the source explicitly establishes the absence of a separate building, path, landing structure, or other fixed facility.\n\nTHE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a natural coastal rock outcrop with zero architectural storeys and zero architectural openings. It is one continuous mass of exposed, sharply fractured charcoal-gray and medium-gray bedrock, marked by pale salt weathering and muted brown mineral staining, with irregular natural ledges descending to a jagged sea-facing edge. The sea directly adjoins that edge and provides uninterrupted water-side views back toward the rock boundary. The permanent site contains only the exposed outcrop, its sea-facing edge, and the adjoining sea; it has no separate building, path, landing structure, or fixed facility, as expressly established by the source specification. The landward context must read as part of a currently inhabited, working South Korean island coastal neighborhood, and the site and its surroundings must visibly carry ordinary signs of ongoing coastal use rather than appear abandoned, sterile, or studio-built.\n\nTHE LOCATION: A contemporary exposed coastal rock outcrop at Geumwoldo, within an inhabited South Korean island setting.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness", "seed_decision": { "input_fingerprint": "67138dc5ab4cfb12", "totals": { "B": 10, "C": 8, "A": 6 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "B", "score": 10, "verdict_ko": "0 건축 층수 (브리프와 일치). 대상 바위가 브리프의 '진회색 및 중간 회색 기반암'과 얇고 평평하게 층이 진 형태(레퍼런스와 일치)를 가장 정확히 구현했으며, 배후의 어촌 마을 디테일도 뛰어납니다." }, { "label": "C", "score": 8, "verdict_ko": "0 건축 층수 (브리프와 일치). 바위의 단이 지고 불규칙한 형태는 잘 표현되었으나, 레퍼런스의 얇게 층진 짙은 진회색 퇴적암보다는 다소 두껍고 밝은 톤의 암석으로 구현되어 완벽히 일치하지는 않습니다." }, { "label": "A", "score": 6, "verdict_ko": "0 건축 층수 (브리프와 일치). 대상 바위가 브리프에서 요구하고 레퍼런스에서 보여주는 진회색의 평탄하게 층진 기반암이 아닌, 밝은 회색의 둥글고 거대한 화강암 형태로 생성되어 재질과 형태 지시를 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "주요 피사체인 암반이 형태 참고 사진에 나타난 얇고 평평한 수평 퇴적층과 넓은 계단식 지형이 아닌, 두껍고 거대한 덩어리 형태의 바위들로 잘못 묘사되었습니다.", "fix_en": "Rebuild the rock outcrop entirely as horizontally stratified sedimentary rock with wide, flat, pancake-like stepped layers and ledges, exactly matching the geological structure and massing of the form reference.", "needs_regeneration": true, "unfixable": true } ] }, "fix_skipped": true } }, "bg_winter_reed_field": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_winter_reed_field_sel.png", "seed_asset_id": "ffd39cf5-49fe-455f-8636-8d6cfc715eb8", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA broad, dense winter reed field forms the continuous exterior ground of an inhabited working rural wetland district in early-twentieth-century Korea. The ordinary regional neighborhood remains perceptible beyond the reeds. A single complete wooden refuge house stands embedded among the reeds and visibly remains in regular use. It is one storey, approximately 18 metres long and 8 metres wide, with an elongated rectangular mass and eaves 3.5 metres above a low gray fieldstone plinth. Its timber frame and board walls are weathered dark brown. A dark charcoal-gray fired-clay tiled gable roof covers the full mass. The evidenced exterior entrance is a solid dark-brown timber-plank door set into one long side and opening directly onto the adjoining reed field. Other openings are restrained and follow the ordinary regional pattern. Reeds adjoin multiple sides and continue through every exterior approach. The house and its outdoor setting carry ordinary visible signs of active use and upkeep appropriate to a Korean rural working house of the period.\n\nTHE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show a single complete, actively used wooden refuge house embedded in a continuous broad, dense winter reed field in an inhabited working rural wetland district of early-twentieth-century Korea. The house is one storey, approximately 18 metres long by 8 metres wide, with an elongated rectangular mass, 3.5-metre eaves, weathered dark-brown timber-board walls and frame, a low gray fieldstone plinth, and a dark charcoal-gray fired-clay tiled gable roof. The evidenced exterior entrance is a solid dark-brown timber-plank door in one long side and opens directly onto the adjoining reeds. Any other openings remain restrained and regionally typical. Reeds extend continuously around multiple sides and form the exterior approach ground. The broader surroundings must read as a believable, inhabited and working Korean rural neighborhood rather than an isolated sterile set. The building and adjoining outdoor area must visibly carry ordinary signs of regular use and upkeep appropriate to this place and period.", "location_line_en": "A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "상업·공공 시설이 아닌 목조 피난 가옥이므로 식별 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 묘사 중심 접근", "evidence_ko": [ "실외. 겨울 갈대숲 - 낮", "갈대숲 사이로 모습을 드러내는", "때마침 염전 소금창고 정도 크기의 나무집을 발견, 안으로 숨어든다." ], "prompt_en": "A broad, dense winter reed field forms the continuous exterior ground of an inhabited working rural wetland district in early-twentieth-century Korea. The ordinary regional neighborhood remains perceptible beyond the reeds. A single complete wooden refuge house stands embedded among the reeds and visibly remains in regular use. It is one storey, approximately 18 metres long and 8 metres wide, with an elongated rectangular mass and eaves 3.5 metres above a low gray fieldstone plinth. Its timber frame and board walls are weathered dark brown. A dark charcoal-gray fired-clay tiled gable roof covers the full mass. The evidenced exterior entrance is a solid dark-brown timber-plank door set into one long side and opening directly onto the adjoining reed field. Other openings are restrained and follow the ordinary regional pattern. Reeds adjoin multiple sides and continue through every exterior approach. The house and its outdoor setting carry ordinary visible signs of active use and upkeep appropriate to a Korean rural working house of the period.", "variant_id": "v1" }, { "approach_ko": "주변 농촌 생활권 우선 접근", "evidence_ko": [ "겨울 갈대숲", "갈대를 가르며", "염전 소금창고 정도 크기의 나무집" ], "prompt_en": "The location belongs to an inhabited and actively working Korean rural wetland neighborhood of the early twentieth century. A broad, dense winter reed field fills the immediate site and connects it naturally to the ordinary regional landscape beyond. Embedded in this continuous field is one complete, actively used wooden refuge house. Its one-storey elongated rectangular body measures approximately 18 by 8 metres, with 3.5-metre eaves. Weathered dark-brown timber boards cover the timber frame above a low gray fieldstone plinth, and a dark charcoal-gray fired-clay tiled gable roof spans the building. A solid dark-brown timber-plank exterior door forms the evidenced entrance on one long side and opens directly into the surrounding reeds. Restrained regionally typical openings complete the working-house configuration. Dense reeds meet the building on multiple sides and supply its exterior approaches. Ordinary signs of regular use and upkeep are visible across the house and its adjoining outdoor area.", "variant_id": "v2" }, { "approach_ko": "재료와 건축 유형 우선 접근", "evidence_ko": [ "나무집", "염전 소금창고 정도 크기", "갈대숲 다른 곳" ], "prompt_en": "Weathered dark-brown timber boards over a timber frame define a complete Korean rural refuge house from the early twentieth century. The walls rise from a low gray fieldstone plinth to 3.5-metre eaves, and a dark charcoal-gray fired-clay tiled gable roof covers the elongated rectangular 18-by-8-metre footprint. The building is one storey and has the substantial mass of a period salt-storage building. Its evidenced exterior entrance is a solid dark-brown timber-plank door in one long wall, opening directly onto the adjoining field. Additional openings remain restrained and regionally typical. The single house stands within a broad, dense winter reed field that continues around multiple sides and across every exterior approach. The wider setting reads as an inhabited working rural wetland neighborhood in Korea. The structure and surrounding outdoor area show ordinary, unstaged signs of continuing use and maintenance appropriate to their regional type and period.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA broad, dense winter reed field forms the continuous exterior ground of an inhabited working rural wetland district in early-twentieth-century Korea. The ordinary regional neighborhood remains perceptible beyond the reeds. A single complete wooden refuge house stands embedded among the reeds and visibly remains in regular use. It is one storey, approximately 18 metres long and 8 metres wide, with an elongated rectangular mass and eaves 3.5 metres above a low gray fieldstone plinth. Its timber frame and board walls are weathered dark brown. A dark charcoal-gray fired-clay tiled gable roof covers the full mass. The evidenced exterior entrance is a solid dark-brown timber-plank door set into one long side and opening directly onto the adjoining reed field. Other openings are restrained and follow the ordinary regional pattern. Reeds adjoin multiple sides and continue through every exterior approach. The house and its outdoor setting carry ordinary visible signs of active use and upkeep appropriate to a Korean rural working house of the period.\n\nTHE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to an inhabited and actively working Korean rural wetland neighborhood of the early twentieth century. A broad, dense winter reed field fills the immediate site and connects it naturally to the ordinary regional landscape beyond. Embedded in this continuous field is one complete, actively used wooden refuge house. Its one-storey elongated rectangular body measures approximately 18 by 8 metres, with 3.5-metre eaves. Weathered dark-brown timber boards cover the timber frame above a low gray fieldstone plinth, and a dark charcoal-gray fired-clay tiled gable roof spans the building. A solid dark-brown timber-plank exterior door forms the evidenced entrance on one long side and opens directly into the surrounding reeds. Restrained regionally typical openings complete the working-house configuration. Dense reeds meet the building on multiple sides and supply its exterior approaches. Ordinary signs of regular use and upkeep are visible across the house and its adjoining outdoor area.\n\nTHE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered dark-brown timber boards over a timber frame define a complete Korean rural refuge house from the early twentieth century. The walls rise from a low gray fieldstone plinth to 3.5-metre eaves, and a dark charcoal-gray fired-clay tiled gable roof covers the elongated rectangular 18-by-8-metre footprint. The building is one storey and has the substantial mass of a period salt-storage building. Its evidenced exterior entrance is a solid dark-brown timber-plank door in one long wall, opening directly onto the adjoining field. Additional openings remain restrained and regionally typical. The single house stands within a broad, dense winter reed field that continues around multiple sides and across every exterior approach. The wider setting reads as an inhabited working rural wetland neighborhood in Korea. The structure and surrounding outdoor area show ordinary, unstaged signs of continuing use and maintenance appropriate to their regional type and period.\n\nTHE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show a single complete, actively used wooden refuge house embedded in a continuous broad, dense winter reed field in an inhabited working rural wetland district of early-twentieth-century Korea. The house is one storey, approximately 18 metres long by 8 metres wide, with an elongated rectangular mass, 3.5-metre eaves, weathered dark-brown timber-board walls and frame, a low gray fieldstone plinth, and a dark charcoal-gray fired-clay tiled gable roof. The evidenced exterior entrance is a solid dark-brown timber-plank door in one long side and opens directly onto the adjoining reeds. Any other openings remain restrained and regionally typical. Reeds extend continuously around multiple sides and form the exterior approach ground. The broader surroundings must read as a believable, inhabited and working Korean rural neighborhood rather than an isolated sterile set. The building and adjoining outdoor area must visibly carry ordinary signs of regular use and upkeep appropriate to this place and period.\n\nTHE LOCATION: A winter reed-field refuge house in an inhabited rural wetland district of Korea during the Japanese occupation in the early twentieth century.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears", "seed_decision": { "input_fingerprint": "9188829df1cf2606", "totals": { "A": 10, "B": 6, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "Shows 1 storey (matches brief: 1) and faithfully follows the brief's structural constraints, featuring the requested elongated rectangular mass and a single solid timber-plank door on the long side, with appropriate early-twentieth-century rural details and everyday signs of use." }, { "label": "B", "score": 6, "verdict_ko": "Shows 1 storey (matches brief: 1), but contradicts the brief by placing the prominent solid door on the short gable end instead of the long side, and alters the requested simple rectangular massing by adding a side lean-to structure." }, { "label": "C", "score": 4, "verdict_ko": "Shows 1 storey (matches brief: 1), but violates the brief by multiplying the entrance into several doors along the long side, and includes anachronistic modern utility poles and power lines that fail the early-twentieth-century regional authenticity requirement." } ], "critique": { "issues": [ { "issue_ko": "문 크기를 기준으로 볼 때 건물의 길이가 18m가 아닌 약 8m에 불과하며, 처마 높이도 3.5m에 못 미치는 약 2.5m로 지정된 거대한 직사각형 매스와 다릅니다.", "fix_en": "Expand the structure's footprint to be approximately 18 metres long and raise the roofline so the eaves stand 3.5 metres above the plinth.", "needs_regeneration": true }, { "issue_ko": "벽체가 수직으로 세워져 있어, 형태 레퍼런스에 명확히 나타난 안쪽으로 기울어진 독특한 목구조를 반영하지 않았습니다.", "fix_en": "Rebuild the structure to feature the inward-slanting timber walls and structural framing shown in the form reference.", "needs_regeneration": true }, { "issue_ko": "외벽의 목재 프레임 사이에 베이지색 흙/회반죽이 채워져 있어, 지침이 요구한 '나무 판자 벽(timber-board walls)' 조건에 위배됩니다.", "fix_en": "Change all beige plastered wall sections to continuous weathered dark-brown timber boards.", "needs_regeneration": false }, { "issue_ko": "건물 앞부분이 넓은 흙마당으로 비워져 있어, 문이 인접한 갈대밭으로 직접 열리며 갈대가 다가가는 진입로를 형성해야 한다는 지침과 어긋납니다.", "fix_en": "Fill the cleared dirt yard with dense winter reeds right up to the building's plinth so the entrance opens directly into the reed field.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Expand the structure's footprint to be approximately 18 metres long and raise the roofline so the eaves stand 3.5 metres above the plinth.\n- Rebuild the structure to feature the inward-slanting timber walls and structural framing shown in the form reference.\n- Change all beige plastered wall sections to continuous weathered dark-brown timber boards.\n- Fill the cleared dirt yard with dense winter reeds right up to the building's plinth so the entrance opens directly into the reed field.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } } }, "step_id": "outdoor_structure_seed", "run_id": "e307f7d3-30cb-45cb-b112-05e1e03fbb97", "resolved_model": "gemini-image", "updated_at": "2026-07-31T07:10:45.474655+00:00", "project_config_snapshot": {} }