{
  "status": "completed",
  "applicable_count": 25,
  "completed_count": 25,
  "failed_count": 0,
  "schema_version": 3,
  "config_hash": "92c8bf5e2e6fe4d5",
  "data": {
    "groups": {
      "bg_coastal_cliff": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_coastal_cliff_sel.png",
        "seed_asset_id": "7dc9c6b2-b74e-4bff-a59b-b84d18d0242b",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered gray-brown coastal bedrock defines this natural location in contemporary South Korea. Gray-brown rocks stand in the sea directly below the cliff, and the high rock face rises without an intervening shore to a distinct brink. Above the brink lies open standing ground of exposed stone and compacted brown earth. Its inland boundary is a green coastal forest margin that opens directly onto the overlook. The complete inland-to-seaward sequence remains unobstructed and physically continuous. The wider inhabited island setting supplies ordinary regional context and visible signs of ongoing use without staged arrangements. No building, door, window, sign, fence, stair, railing, or other additional permanent site element exists.\n\nTHE LOCATION: A high coastal-cliff overlook on Geumwoldo, within an inhabited island landscape in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The target is a natural coastal-cliff site, not a building, so it has no storeys, rooms, doors, windows, constructed frontage, or signage. Preserve the exact inland-to-seaward topology: a green Korean coastal forest margin opens directly onto open standing ground of compacted brown earth and exposed gray-brown stone; that ground reaches a distinct high seaward brink; a weathered gray-brown bedrock cliff drops directly to the sea; gray-brown rocks occupy the water at the foot of the drop. Add no permanent site elements. The surrounding island landscape must read as currently inhabited and in ordinary ongoing use, with regionally natural wear and everyday context rather than a sterile, abandoned, or staged wilderness.",
          "location_line_en": "A high coastal-cliff overlook on Geumwoldo, within an inhabited island landscape in contemporary South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "자연 해안 절벽은 식별 간판을 갖는 시설 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문 공간 관계를 직접 시각화한 접근",
              "evidence_ko": [
                "숲에서 나온 산들이 영란 옆으로 다가선다.",
                "저 바다를 보아라.",
                "산들은 비명도 채 못 지르고 높은 절벽을 떨어진다.",
                "황 씨는 산들이 떨어진 절벽 아래, 그리고 바다를 확인한다.",
                "파도만 바위에 부딪쳐 부서질 뿐, 산들 모습은 보이지 않는다."
              ],
              "prompt_en": "A real coastal overlook on an inhabited South Korean island. Its surrounding island landscape carries ordinary signs of ongoing local use and regional weathering without staged features. A green coastal forest margin opens directly onto cliff-top standing ground of compacted brown earth and exposed gray-brown stone. The open ground extends seaward to a distinct high brink. Beyond it, a weathered gray-brown bedrock face drops directly to the sea. Gray-brown rocks occupy the water at the foot of the cliff. The natural landform is the main subject. No building, constructed frontage, openings, signage, or additional permanent site elements are present.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권과 해안 지형의 연결을 우선한 접근",
              "evidence_ko": [
                "97. 실외. 금월도 해안 절벽 - 낮",
                "숲에서 나온 산들이 영란 옆으로 다가선다.",
                "영란\n저 바다 너머가 육지야. 저기가 우리 고향이지. 금월도가 아니고…"
              ],
              "prompt_en": "The location belongs to the everyday landscape of a currently inhabited South Korean island, with believable regional surroundings continuing inland rather than empty wilderness. Ordinary signs of active local use remain visible in the outdoor ground as naturally as at a real coastal overlook. At the inland edge, green coastal forest opens directly onto open standing ground surfaced with compacted brown earth and exposed gray-brown stone. The ground runs to a clear seaward brink. A high, weathered gray-brown bedrock cliff descends directly from that brink to the sea, with gray-brown rocks in the water at its foot. The site contains no building, storeys, openings, signage, or added permanent structures.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "암반 재료와 지형 축을 우선한 접근",
              "evidence_ko": [
                "높은 절벽을 떨어진다.",
                "절벽 아래, 그리고 바다를 확인한다.",
                "파도만 바위에 부딪쳐 부서질 뿐, 산들 모습은 보이지 않는다."
              ],
              "prompt_en": "Weathered gray-brown coastal bedrock defines this natural location in contemporary South Korea. Gray-brown rocks stand in the sea directly below the cliff, and the high rock face rises without an intervening shore to a distinct brink. Above the brink lies open standing ground of exposed stone and compacted brown earth. Its inland boundary is a green coastal forest margin that opens directly onto the overlook. The complete inland-to-seaward sequence remains unobstructed and physically continuous. The wider inhabited island setting supplies ordinary regional context and visible signs of ongoing use without staged arrangements. No building, door, window, sign, fence, stair, railing, or other additional permanent site element exists.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real coastal overlook on an inhabited South Korean island. Its surrounding island landscape carries ordinary signs of ongoing local use and regional weathering without staged features. A green coastal forest margin opens directly onto cliff-top standing ground of compacted brown earth and exposed gray-brown stone. The open ground extends seaward to a distinct high brink. Beyond it, a weathered gray-brown bedrock face drops directly to the sea. Gray-brown rocks occupy the water at the foot of the cliff. The natural landform is the main subject. No building, constructed frontage, openings, signage, or additional permanent site elements are present.\n\nTHE LOCATION: A high coastal-cliff overlook on Geumwoldo, within an inhabited island landscape in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to the everyday landscape of a currently inhabited South Korean island, with believable regional surroundings continuing inland rather than empty wilderness. Ordinary signs of active local use remain visible in the outdoor ground as naturally as at a real coastal overlook. At the inland edge, green coastal forest opens directly onto open standing ground surfaced with compacted brown earth and exposed gray-brown stone. The ground runs to a clear seaward brink. A high, weathered gray-brown bedrock cliff descends directly from that brink to the sea, with gray-brown rocks in the water at its foot. The site contains no building, storeys, openings, signage, or added permanent structures.\n\nTHE LOCATION: A high coastal-cliff overlook on Geumwoldo, within an inhabited island landscape in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered gray-brown coastal bedrock defines this natural location in contemporary South Korea. Gray-brown rocks stand in the sea directly below the cliff, and the high rock face rises without an intervening shore to a distinct brink. Above the brink lies open standing ground of exposed stone and compacted brown earth. Its inland boundary is a green coastal forest margin that opens directly onto the overlook. The complete inland-to-seaward sequence remains unobstructed and physically continuous. The wider inhabited island setting supplies ordinary regional context and visible signs of ongoing use without staged arrangements. No building, door, window, sign, fence, stair, railing, or other additional permanent site element exists.\n\nTHE LOCATION: A high coastal-cliff overlook on Geumwoldo, within an inhabited island landscape in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a natural coastal-cliff site, not a building, so it has no storeys, rooms, doors, windows, constructed frontage, or signage. Preserve the exact inland-to-seaward topology: a green Korean coastal forest margin opens directly onto open standing ground of compacted brown earth and exposed gray-brown stone; that ground reaches a distinct high seaward brink; a weathered gray-brown bedrock cliff drops directly to the sea; gray-brown rocks occupy the water at the foot of the drop. Add no permanent site elements. The surrounding island landscape must read as currently inhabited and in ordinary ongoing use, with regionally natural wear and everyday context rather than a sterile, abandoned, or staged wilderness.\n\nTHE LOCATION: A high coastal-cliff overlook on Geumwoldo, within an inhabited island landscape in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople and worn clothing at the cliff; Handheld blade; Breaking waves and sea foam; Falling person beyond the cliff edge; Daylight sky and blue sea appearance",
        "seed_decision": {
          "input_fingerprint": "3f0b59e7f1ce06ff",
          "totals": {
            "C": 7,
            "A": 5,
            "B": 4
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "Conforms best by maintaining a bare, natural standing ground without adding any permanent site elements, while successfully establishing the inhabited context through the adjacent road and distant buildings."
            },
            {
              "label": "A",
              "score": 5,
              "verdict_ko": "Violates the brief by adding built stone cairns to the overlook, failing the requirement to add no permanent site elements to the natural site."
            },
            {
              "label": "B",
              "score": 4,
              "verdict_ko": "Violates the brief by placing an arranged stone seating circle and painted graffiti on the natural ground, failing the requirement to add no permanent site elements."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지침에서 제외하도록 명시된 특정 일시적 상태(낮 시간대의 하늘과 푸른 바다, 부서지는 파도와 바다 거품)가 이미지에 그대로 재현되었습니다.",
                "fix_en": "Change the lighting and weather to an overcast sky with calm, dull-colored water, and remove all white sea foam and breaking waves around the rocks."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the lighting and weather to an overcast sky with calm, dull-colored water, and remove all white sea foam and breaking waves around the rocks.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_coastal_rock_path": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_coastal_rock_path_sel.png",
        "seed_asset_id": "80a4bbbc-53f2-4f18-bb9e-05eadff2d923",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited South Korean island village neighborhood reaches the villageward end of a narrow coastal walking path. Neighboring buildings remain part of the working coastal settlement beyond that end, while the route and its outdoor areas visibly carry the ordinary signs of active local use. The path follows the shore on muted brown-gray compacted earth and local stone. Away from the village, the recognizable path ends and becomes a continuous steep run of rough dark charcoal-gray bedrock climbing toward dense green forest, with pale gray salt weathering on exposed faces. Tidal shoreline outcrops form the seaward boundary directly between the route and the blue-gray coastal sea. Open water extends from the rocks with a clear offshore view back toward both the narrow path and the forestward passage. The target is the natural route itself, with zero storeys, no building openings, no attached construction, and no signage.\n\nTHE LOCATION: A contemporary coastal rock path at the inhabited village edge of a South Korean island.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The target is a natural linear coastal route with no building, no storeys, no interior, no doors or windows, no attached volumes, and no signage. A narrow muted brown-gray path of compacted earth and local stone follows the coast from the inhabited villageward edge and ends where a continuous steep passage of rough dark charcoal-gray bedrock rises toward dense green forest. Pale gray salt weathering marks the exposed rock. Tidal shoreline outcrops occupy the entire seaward edge between the landward route and the blue-gray coastal sea, which extends offshore with a clear sightline back toward both the path and the forestward rock passage. The route connects physically to a believable, currently inhabited working South Korean island village neighborhood, and the path and its outdoor areas visibly carry ordinary signs of regular local use. No isolated, abandoned, sterile, prison-like, or studio-set treatment is acceptable.",
          "location_line_en": "A contemporary coastal rock path at the inhabited village edge of a South Korean island.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "자연 해안 바윗길은 시설 식별 간판을 필요로 하는 건축 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "시나리오의 이동 경로와 지형 표현을 직접 시각화한 접근",
              "evidence_ko": [
                "해안가 좁은 길",
                "길이 사라지며 가파른 바위들이 이어진다.",
                "바닷물에 빠지거나, 바위에 떨어져 크게 다칠만 한 상황.",
                "바위를 붙잡고 숲쪽으로 올라가는",
                "마을 쪽으로 발길을 재촉한다.",
                "갯바위와 바닷물 사이"
              ],
              "prompt_en": "A narrow coastal walking path runs from the inhabited edge of a contemporary South Korean island village. It belongs to an ordinary working coastal neighborhood with neighboring buildings beyond its villageward end, and the whole setting visibly carries the ordinary signs of current local use. The path is muted brown-gray compacted earth and local stone. In the opposite direction it disappears into a continuous steep passage of rough dark charcoal-gray coastal bedrock rising toward dense green forest. Pale gray salt weathering marks the rocks. Tidal rock outcrops line the seaward edge directly between the landward path and the blue-gray coastal sea. The sea meets the outcrops and extends offshore with an unobstructed sightline back toward the path and the forestward rock passage. This is a natural linear site with no target building, storeys, openings, railings, gates, or signage.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "해안 암석의 재질과 풍화 상태를 우선한 접근",
              "evidence_ko": [
                "가파른 바위들이 이어진다.",
                "자칫 발을 헛디디면 바닷물에 빠지거나, 바위에 떨어져 크게 다칠만 한 상황.",
                "해안가 바위길",
                "갯바위와 바닷물 사이"
              ],
              "prompt_en": "Rough dark charcoal-gray coastal bedrock defines the site, with pale gray salt weathering across exposed surfaces. A continuous steep rock passage climbs toward dense green forest where a narrow muted brown-gray path of compacted earth and local stone comes to an end. Tidal rock outcrops occupy the full seaward edge of both route sections and meet the blue-gray sea directly. The water extends offshore and keeps a clear sightline back to the walking path and the rising forestward rocks. The other end of the path connects to the inhabited edge of an ordinary working South Korean island village, with its lived-in neighborhood continuing beyond the route. The path and surrounding outdoor areas visibly show regular local use. No target building, storeys, openings, railings, gates, or signage exist.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "섬마을 생활권과 해안 경로의 연결 관계를 우선한 접근",
              "evidence_ko": [
                "마을 쪽으로 발길을 재촉한다.",
                "해안가 좁은 길",
                "길이 사라지며 가파른 바위들이 이어진다.",
                "숲쪽으로 올라가는",
                "갯바위와 바닷물 사이"
              ],
              "prompt_en": "An ordinary inhabited South Korean island village neighborhood reaches the villageward end of a narrow coastal walking path. Neighboring buildings remain part of the working coastal settlement beyond that end, while the route and its outdoor areas visibly carry the ordinary signs of active local use. The path follows the shore on muted brown-gray compacted earth and local stone. Away from the village, the recognizable path ends and becomes a continuous steep run of rough dark charcoal-gray bedrock climbing toward dense green forest, with pale gray salt weathering on exposed faces. Tidal shoreline outcrops form the seaward boundary directly between the route and the blue-gray coastal sea. Open water extends from the rocks with a clear offshore view back toward both the narrow path and the forestward passage. The target is the natural route itself, with zero storeys, no building openings, no attached construction, and no signage.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow coastal walking path runs from the inhabited edge of a contemporary South Korean island village. It belongs to an ordinary working coastal neighborhood with neighboring buildings beyond its villageward end, and the whole setting visibly carries the ordinary signs of current local use. The path is muted brown-gray compacted earth and local stone. In the opposite direction it disappears into a continuous steep passage of rough dark charcoal-gray coastal bedrock rising toward dense green forest. Pale gray salt weathering marks the rocks. Tidal rock outcrops line the seaward edge directly between the landward path and the blue-gray coastal sea. The sea meets the outcrops and extends offshore with an unobstructed sightline back toward the path and the forestward rock passage. This is a natural linear site with no target building, storeys, openings, railings, gates, or signage.\n\nTHE LOCATION: A contemporary coastal rock path at the inhabited village edge of a South Korean island.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nRough dark charcoal-gray coastal bedrock defines the site, with pale gray salt weathering across exposed surfaces. A continuous steep rock passage climbs toward dense green forest where a narrow muted brown-gray path of compacted earth and local stone comes to an end. Tidal rock outcrops occupy the full seaward edge of both route sections and meet the blue-gray sea directly. The water extends offshore and keeps a clear sightline back to the walking path and the rising forestward rocks. The other end of the path connects to the inhabited edge of an ordinary working South Korean island village, with its lived-in neighborhood continuing beyond the route. The path and surrounding outdoor areas visibly show regular local use. No target building, storeys, openings, railings, gates, or signage exist.\n\nTHE LOCATION: A contemporary coastal rock path at the inhabited village edge of a South Korean island.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited South Korean island village neighborhood reaches the villageward end of a narrow coastal walking path. Neighboring buildings remain part of the working coastal settlement beyond that end, while the route and its outdoor areas visibly carry the ordinary signs of active local use. The path follows the shore on muted brown-gray compacted earth and local stone. Away from the village, the recognizable path ends and becomes a continuous steep run of rough dark charcoal-gray bedrock climbing toward dense green forest, with pale gray salt weathering on exposed faces. Tidal shoreline outcrops form the seaward boundary directly between the route and the blue-gray coastal sea. Open water extends from the rocks with a clear offshore view back toward both the narrow path and the forestward passage. The target is the natural route itself, with zero storeys, no building openings, no attached construction, and no signage.\n\nTHE LOCATION: A contemporary coastal rock path at the inhabited village edge of a South Korean island.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a natural linear coastal route with no building, no storeys, no interior, no doors or windows, no attached volumes, and no signage. A narrow muted brown-gray path of compacted earth and local stone follows the coast from the inhabited villageward edge and ends where a continuous steep passage of rough dark charcoal-gray bedrock rises toward dense green forest. Pale gray salt weathering marks the exposed rock. Tidal shoreline outcrops occupy the entire seaward edge between the landward route and the blue-gray coastal sea, which extends offshore with a clear sightline back toward both the path and the forestward rock passage. The route connects physically to a believable, currently inhabited working South Korean island village neighborhood, and the path and its outdoor areas visibly carry ordinary signs of regular local use. No isolated, abandoned, sterile, prison-like, or studio-set treatment is acceptable.\n\nTHE LOCATION: A contemporary coastal rock path at the inhabited village edge of a South Korean island.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noffshore surveillance boat; human body caught at the waterline",
        "seed_decision": {
          "input_fingerprint": "026e263a3017801f",
          "totals": {
            "C": 7,
            "B": 5,
            "A": 4
          },
          "ranking": [
            "C",
            "B",
            "A"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "지문이 요구한 짙은 숯회색 암반과 해안가 암석의 옅은 회색 염분 풍화 대비를 가장 정확히 구현했으며, 자연스러운 암반 통로 끝자락과 활기찬 마을의 모습을 잘 반영했습니다."
            },
            {
              "label": "B",
              "score": 5,
              "verdict_ko": "마을의 묘사는 우수하나, 경로가 자연스러운 숯회색 암반 통로에서 끝나는 대신 인공적인 계단으로 이어지며 요구된 암석 색상의 시각적 대비가 부족합니다."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "경로가 암반 통로에서 끝나지 않고 숲을 향해 흙길로 계속 연장되며, 지정된 암석의 질감 및 색상 조건(숯회색 암반과 옅은 회색 풍화)을 충족하지 못했습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "바위 측면을 따라 수평으로 길게 조성된 인공 평탄로가 남아있습니다. (지시문: 마을에서 벗어나면 길은 끝나고 숲을 향해 오르는 가파른 암반으로 이어져야 함)",
                "fix_en": "Remove the flat constructed stone pathway cutting horizontally across the coastal rock face, restoring the continuous steep natural charcoal-gray bedrock climbing toward the forest.",
                "unfixable": false
              },
              {
                "issue_ko": "오른쪽 수평선 부근 바다에 배가 보입니다. (지시문: 앞바다 감시선 등 제외된 상황 요소)",
                "fix_en": "Remove the small boat visible on the water near the horizon on the right.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the flat constructed stone pathway cutting horizontally across the coastal rock face, restoring the continuous steep natural charcoal-gray bedrock climbing toward the forest.\n- Remove the small boat visible on the water near the horizon on the right.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_convenience_store": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_convenience_store_sel.png",
        "seed_asset_id": "89ec646a-041c-435a-942d-11b28d401759",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nNighttime outside a convenience store in an inhabited low-rise mixed residential-commercial neighborhood in contemporary South Korea. Ordinary neighborhood street lighting and storefront light reach the pedestrian frontage. The target is a one-storey rectangular reinforced-concrete building, 9 m across the customer frontage, 10 m deep, and 3.3 m to the parapet. Off-white enamel-coated metal panels cover the walls above a charcoal-gray base. An off-white parapet conceals a flat concrete roof with a gray waterproof finish. The customer face has dark-gray aluminum framing, clear region-typical shopfront glazing, and one clear-glass entrance opening directly onto gray interlocking-concrete paving. A white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점 near the entrance. One brown synthetic-timber and dark-gray steel bench stands directly outside, adjoining the uninterrupted frontage approach. The store and frontage visibly carry ordinary signs of active daily use, with natural wear and minor fading.\n\nTHE LOCATION: A neighborhood convenience store and its bench frontage in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean convenience store: a one-storey rectangular reinforced-concrete retail building with a 9 m customer frontage, 10 m depth, and 3.3 m floor-to-parapet height. This footprint must plausibly contain both a standard sales floor and a distinct refrigerator-back stock space at real-world room sizes. The exterior has off-white enamel-coated metal cladding, a charcoal-gray base, a flat gray waterproofed concrete roof behind an off-white parapet, dark-gray aluminum framing, clear storefront glass, and one clear-glass customer entrance. Do not duplicate the entrance or add prominent unsupported openings. A white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점 and is fixed to the customer-facing exterior near the entrance. The gray interlocking-concrete pedestrian frontage directly adjoins the entrance and remains contiguous with the bench area. One bench with brown synthetic-timber slats and a dark-gray powder-coated steel frame stands directly outside the store, with no detached structure between it and the entrance. The building and outdoor frontage must visibly show ordinary signs of active convenience-store use. The site must sit within a believable, currently inhabited, low-rise mixed residential-commercial neighborhood in contemporary South Korea; a bare, sterile, abandoned, or isolated candidate is invalid.",
          "location_line_en": "A neighborhood convenience store and its bench frontage in contemporary South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "각종 캔 음료들이 꽉 들어찬 냉장고 뒤편 빈 공간,",
              "label_en": "Refrigerator-back stock space",
              "scene_index": 5
            },
            {
              "evidence_ko": "11. 실내. 편의점 - 같은 시각",
              "label_en": "Convenience-store sales floor",
              "scene_index": 10
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "현대 한국의 편의점은 고객 전면에 식별 간판을 두는 상업시설이므로 필요하다.",
          "signage_required": true,
          "signage_text": "새봄 편의점",
          "variants": [
            {
              "approach_ko": "원문 장면의 야간 외부 단서 중심",
              "evidence_ko": [
                "7. 실외. 편의점 밖 - 밤",
                "9. 다시 편의점 밖 - 밤"
              ],
              "prompt_en": "Nighttime outside a convenience store in an inhabited low-rise mixed residential-commercial neighborhood in contemporary South Korea. Ordinary neighborhood street lighting and storefront light reach the pedestrian frontage. The target is a one-storey rectangular reinforced-concrete building, 9 m across the customer frontage, 10 m deep, and 3.3 m to the parapet. Off-white enamel-coated metal panels cover the walls above a charcoal-gray base. An off-white parapet conceals a flat concrete roof with a gray waterproof finish. The customer face has dark-gray aluminum framing, clear region-typical shopfront glazing, and one clear-glass entrance opening directly onto gray interlocking-concrete paving. A white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점 near the entrance. One brown synthetic-timber and dark-gray steel bench stands directly outside, adjoining the uninterrupted frontage approach. The store and frontage visibly carry ordinary signs of active daily use, with natural wear and minor fading.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권 골목과 상가 맥락 중심",
              "evidence_ko": [],
              "prompt_en": "An ordinary working low-rise residential-commercial neighborhood surrounds the site in contemporary South Korea. The convenience store meets a neighborhood side street through a contiguous gray interlocking-concrete pedestrian frontage, and the setting reads as currently inhabited rather than isolated or staged. The target building is a one-storey rectangular reinforced-concrete mass with a 9 m frontage, 10 m depth, and 3.3 m floor-to-parapet height. Its walls are clad in off-white enamel-coated metal panels with a charcoal-gray base; its flat gray waterproofed concrete roof sits behind an off-white parapet. Dark-gray aluminum frames hold the clear storefront glazing and the single clear-glass customer entrance. Beside that entrance, a white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점. The frontage runs without interruption from the entrance to one bench of brown synthetic-timber slats on a dark-gray powder-coated steel frame. Store and outdoor areas visibly show ordinary active convenience-store use and routine weathering.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "현대 한국 편의점 유형과 재료 중심",
              "evidence_ko": [],
              "prompt_en": "A contemporary South Korean neighborhood convenience store is the main subject, embedded in an inhabited low-rise mixed residential-commercial street. It has the definite regional form of a one-storey rectangular reinforced-concrete retail building, measuring 9 m along the customer face, 10 m deep, and 3.3 m high to the parapet. Off-white enamel-coated metal wall panels, a charcoal-gray base, and an off-white parapet define the exterior. The concealed flat concrete roof has a gray waterproof finish. The commercial frontage uses clear shopfront glass in dark-gray aluminum frames and exactly one clear-glass customer entrance. The fixed white acrylic sign is internally illuminated, carries dark-blue lettering with a thin orange rule, and reads 새봄 편의점 near the entrance. Gray interlocking-concrete paving directly joins the entrance to the outdoor bench area with no intervening detached structure. The single bench has brown synthetic-timber slats and a dark-gray powder-coated steel frame. Finishes show minor scuffing, dust, and sun fading. The premises visibly remain in active everyday service, and the surrounding neighborhood retains its ordinary unstaged local detail.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nNighttime outside a convenience store in an inhabited low-rise mixed residential-commercial neighborhood in contemporary South Korea. Ordinary neighborhood street lighting and storefront light reach the pedestrian frontage. The target is a one-storey rectangular reinforced-concrete building, 9 m across the customer frontage, 10 m deep, and 3.3 m to the parapet. Off-white enamel-coated metal panels cover the walls above a charcoal-gray base. An off-white parapet conceals a flat concrete roof with a gray waterproof finish. The customer face has dark-gray aluminum framing, clear region-typical shopfront glazing, and one clear-glass entrance opening directly onto gray interlocking-concrete paving. A white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점 near the entrance. One brown synthetic-timber and dark-gray steel bench stands directly outside, adjoining the uninterrupted frontage approach. The store and frontage visibly carry ordinary signs of active daily use, with natural wear and minor fading.\n\nTHE LOCATION: A neighborhood convenience store and its bench frontage in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary working low-rise residential-commercial neighborhood surrounds the site in contemporary South Korea. The convenience store meets a neighborhood side street through a contiguous gray interlocking-concrete pedestrian frontage, and the setting reads as currently inhabited rather than isolated or staged. The target building is a one-storey rectangular reinforced-concrete mass with a 9 m frontage, 10 m depth, and 3.3 m floor-to-parapet height. Its walls are clad in off-white enamel-coated metal panels with a charcoal-gray base; its flat gray waterproofed concrete roof sits behind an off-white parapet. Dark-gray aluminum frames hold the clear storefront glazing and the single clear-glass customer entrance. Beside that entrance, a white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점. The frontage runs without interruption from the entrance to one bench of brown synthetic-timber slats on a dark-gray powder-coated steel frame. Store and outdoor areas visibly show ordinary active convenience-store use and routine weathering.\n\nTHE LOCATION: A neighborhood convenience store and its bench frontage in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean neighborhood convenience store is the main subject, embedded in an inhabited low-rise mixed residential-commercial street. It has the definite regional form of a one-storey rectangular reinforced-concrete retail building, measuring 9 m along the customer face, 10 m deep, and 3.3 m high to the parapet. Off-white enamel-coated metal wall panels, a charcoal-gray base, and an off-white parapet define the exterior. The concealed flat concrete roof has a gray waterproof finish. The commercial frontage uses clear shopfront glass in dark-gray aluminum frames and exactly one clear-glass customer entrance. The fixed white acrylic sign is internally illuminated, carries dark-blue lettering with a thin orange rule, and reads 새봄 편의점 near the entrance. Gray interlocking-concrete paving directly joins the entrance to the outdoor bench area with no intervening detached structure. The single bench has brown synthetic-timber slats and a dark-gray powder-coated steel frame. Finishes show minor scuffing, dust, and sun fading. The premises visibly remain in active everyday service, and the surrounding neighborhood retains its ordinary unstaged local detail.\n\nTHE LOCATION: A neighborhood convenience store and its bench frontage in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean convenience store: a one-storey rectangular reinforced-concrete retail building with a 9 m customer frontage, 10 m depth, and 3.3 m floor-to-parapet height. This footprint must plausibly contain both a standard sales floor and a distinct refrigerator-back stock space at real-world room sizes. The exterior has off-white enamel-coated metal cladding, a charcoal-gray base, a flat gray waterproofed concrete roof behind an off-white parapet, dark-gray aluminum framing, clear storefront glass, and one clear-glass customer entrance. Do not duplicate the entrance or add prominent unsupported openings. A white internally illuminated acrylic sign with dark-blue lettering and a thin orange rule reads 새봄 편의점 and is fixed to the customer-facing exterior near the entrance. The gray interlocking-concrete pedestrian frontage directly adjoins the entrance and remains contiguous with the bench area. One bench with brown synthetic-timber slats and a dark-gray powder-coated steel frame stands directly outside the store, with no detached structure between it and the entrance. The building and outdoor frontage must visibly show ordinary signs of active convenience-store use. The site must sit within a believable, currently inhabited, low-rise mixed residential-commercial neighborhood in contemporary South Korea; a bare, sterile, abandoned, or isolated candidate is invalid.\n\nTHE LOCATION: A neighborhood convenience store and its bench frontage in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 편의점 냉장고 뒤편 공간: 편의점 내 캔 음료가 꽉 들어찬 투명 냉장고 문 뒤의 비좁은 재고 공간. / 편의점 내부: 형광등 조명의 평범한 현대식 편의점. 카운터와 통유리문.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"새봄 편의점\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOpened canned coffee; Mobile phone; Money envelope; Bench occupants",
        "seed_decision": {
          "input_fingerprint": "df0af508a8e48df6",
          "totals": {
            "A": 9,
            "B": 4,
            "C": 6
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 9,
              "verdict_ko": "지정된 간판 문구와 주황색 선, 연속된 회색 콘크리트 보도 위에 배치된 벤치 등 모든 구조적 요구를 정확히 만족하며, 매장 외부에 박스와 자전거 등 일상적인 사용 흔적이 잘 표현되어 가장 우수합니다."
            },
            {
              "label": "B",
              "score": 4,
              "verdict_ko": "벤치가 지시된 연속된 콘크리트 구역이 아닌 아스팔트 위에 놓여 있으며, 간판의 글자가 두 줄로 적혀 있고 주변 건물 창문에 지시되지 않은 텍스트가 누출되었습니다."
            },
            {
              "label": "C",
              "score": 6,
              "verdict_ko": "우측 인접 건물에 명확히 읽을 수 있는 텍스트('새주의 집')가 생성되어 '다른 읽을 수 있는 텍스트 추가 금지'라는 강력한 제약 조건을 위반했으며, 매장 외부가 사용 흔적 없이 지나치게 비어 있습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "브리프는 야간(Nighttime)을 명시했으나, 전체적인 조명과 뚜렷한 그림자가 낮이나 해 질 녘처럼 보입니다.",
                "fix_en": "Change the ambient lighting to dark nighttime, leaving only the practical streetlights and storefront lighting to illuminate the scene."
              },
              {
                "issue_ko": "지침에 없는 눈에 띄는 창문 2개가 건물 왼쪽 측면 벽에 추가되어 있습니다.",
                "fix_en": "Remove the windows on the left side wall and replace them with solid off-white metal panels matching the rest of the wall."
              },
              {
                "issue_ko": "연출을 위해 문을 열어두지 말라는 지침을 어기고 출입문이 열려 있습니다.",
                "fix_en": "Close the glass entrance door completely."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the ambient lighting to dark nighttime, leaving only the practical streetlights and storefront lighting to illuminate the scene.\n- Remove the windows on the left side wall and replace them with solid off-white metal panels matching the rest of the wall.\n- Close the glass entrance door completely.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_dream_forest_path": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_dream_forest_path_sel.png",
        "seed_asset_id": "037b79ac-0590-4f6a-a474-3a2d4e78956b",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary woodland route on an inhabited South Korean island belongs to the island community's everyday local landscape. Continuous mixed deciduous forest encloses the site, and the place visibly carries ordinary signs of current use and care as a functioning footpath. The main subject is one uninterrupted footpath surfaced in compacted brown earth with natural tan-brown leaf litter. Its lower reach continues directly into its upper reach on the same axis; they are divisions of one route, not separate tracks. Gray-brown trunks, regionally typical green foliage and understory border both reaches and remain continuous around the path. The site has no building, storey, architectural opening or signage. Natural daylight reveals ordinary surface wear without an abandoned or constructed-set appearance.\n\nTHE LOCATION: A continuous woodland footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The target is a non-building woodland footpath with zero storeys, zero architectural openings and no signage. One uninterrupted compacted brown-earth route forms the principal axis: its lower reach continues directly into its upper reach, and the two reaches must not appear as separate or branching paths. Continuous mixed deciduous woodland with gray-brown trunks, green foliage and natural tan-brown leaf litter borders both reaches and connects around the route. The path must read as a footpath rather than a vehicular road. It belongs to the everyday landscape of an inhabited contemporary South Korean island community and visibly carries ordinary signs of current use and care. No building or other permanent site element may be introduced within the enclosing woodland.",
          "location_line_en": "A continuous woodland footpath on Geumwoldo, an inhabited island in contemporary South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "숲속 오솔길은 식별 간판을 갖는 시설 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문 공간 표현을 직접 시각화한 접근",
              "evidence_ko": [
                "36. 실외. 금월도 숲속 오솔길 - 낮(수리영의 꿈)",
                "수리영이 오솔길에 홀로 서 있다.",
                "그 맞은 편, 위쪽 길 멀찍이 거리를 둔 채 서 있는 엄마 민숙."
              ],
              "prompt_en": "A contemporary woodland route on an inhabited South Korean island belongs to the island community's everyday local landscape. Continuous mixed deciduous forest encloses the site, and the place visibly carries ordinary signs of current use and care as a functioning footpath. The main subject is one uninterrupted footpath surfaced in compacted brown earth with natural tan-brown leaf litter. Its lower reach continues directly into its upper reach on the same axis; they are divisions of one route, not separate tracks. Gray-brown trunks, regionally typical green foliage and understory border both reaches and remain continuous around the path. The site has no building, storey, architectural opening or signage. Natural daylight reveals ordinary surface wear without an abandoned or constructed-set appearance.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "주변 섬 공동체와 숲의 맥락을 먼저 확립한 접근",
              "evidence_ko": [
                "금월도 숲속 오솔길 - 낮",
                "그 맞은 편, 위쪽 길 멀찍이 거리를 둔 채"
              ],
              "prompt_en": "The setting is the wooded part of an inhabited contemporary South Korean island community, with the settlement screened beyond continuous forest. This is an everyday local landscape in active use, not an isolated abandoned tract. A single compacted brown-earth footpath is the main subject. The lower reach runs without interruption into the upper reach along one principal axis, with no fork, break or second road. Connected mixed deciduous woodland lines both reaches and closes around the route, using the gray-brown bark, green foliage, understory and tan-brown fallen leaf material typical of the region. The path and its edges visibly show ordinary current use and care. No building, storey, architectural opening or sign is present.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "노면 재료와 연속 지형 구조를 우선한 접근",
              "evidence_ko": [
                "금월도 숲속 오솔길",
                "위쪽 길"
              ],
              "prompt_en": "Compacted brown earth and naturally scattered tan-brown leaf litter form the surface of one working forest footpath on an inhabited contemporary South Korean island. The lower reach connects directly to the upper reach as a continuous route on the same axis; neither reach becomes a separate road, branch or clearing. Mixed deciduous woodland remains joined along both sides and around the full route. Its visible materials are regionally typical gray-brown trunks, green canopy foliage and green understory growth. The surrounding island landscape is lived in, and the footpath visibly retains ordinary signs of active use and maintenance. The site contains no building, storey, architectural opening or signage and does not read as a studio set or abandoned compound.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary woodland route on an inhabited South Korean island belongs to the island community's everyday local landscape. Continuous mixed deciduous forest encloses the site, and the place visibly carries ordinary signs of current use and care as a functioning footpath. The main subject is one uninterrupted footpath surfaced in compacted brown earth with natural tan-brown leaf litter. Its lower reach continues directly into its upper reach on the same axis; they are divisions of one route, not separate tracks. Gray-brown trunks, regionally typical green foliage and understory border both reaches and remain continuous around the path. The site has no building, storey, architectural opening or signage. Natural daylight reveals ordinary surface wear without an abandoned or constructed-set appearance.\n\nTHE LOCATION: A continuous woodland footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is the wooded part of an inhabited contemporary South Korean island community, with the settlement screened beyond continuous forest. This is an everyday local landscape in active use, not an isolated abandoned tract. A single compacted brown-earth footpath is the main subject. The lower reach runs without interruption into the upper reach along one principal axis, with no fork, break or second road. Connected mixed deciduous woodland lines both reaches and closes around the route, using the gray-brown bark, green foliage, understory and tan-brown fallen leaf material typical of the region. The path and its edges visibly show ordinary current use and care. No building, storey, architectural opening or sign is present.\n\nTHE LOCATION: A continuous woodland footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nCompacted brown earth and naturally scattered tan-brown leaf litter form the surface of one working forest footpath on an inhabited contemporary South Korean island. The lower reach connects directly to the upper reach as a continuous route on the same axis; neither reach becomes a separate road, branch or clearing. Mixed deciduous woodland remains joined along both sides and around the full route. Its visible materials are regionally typical gray-brown trunks, green canopy foliage and green understory growth. The surrounding island landscape is lived in, and the footpath visibly retains ordinary signs of active use and maintenance. The site contains no building, storey, architectural opening or signage and does not read as a studio set or abandoned compound.\n\nTHE LOCATION: A continuous woodland footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a non-building woodland footpath with zero storeys, zero architectural openings and no signage. One uninterrupted compacted brown-earth route forms the principal axis: its lower reach continues directly into its upper reach, and the two reaches must not appear as separate or branching paths. Continuous mixed deciduous woodland with gray-brown trunks, green foliage and natural tan-brown leaf litter borders both reaches and connects around the route. The path must read as a footpath rather than a vehicular road. It belongs to the everyday landscape of an inhabited contemporary South Korean island community and visibly carries ordinary signs of current use and care. No building or other permanent site element may be introduced within the enclosing woodland.\n\nTHE LOCATION: A continuous woodland footpath on Geumwoldo, an inhabited island in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young on the footpath; Min-sook on the upper path; Smoke-like dissolution around Min-sook; Non-closing distance along the path",
        "seed_decision": {
          "input_fingerprint": "f407de69ddf79d17",
          "totals": {
            "A": 10,
            "B": 7,
            "C": 9
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 10,
              "verdict_ko": "단일하고 끊김 없는 흙길 보행로가 완벽하게 구현되었으며, 가장자리에 놓인 돌과 작은 단차가 지속적인 사용과 관리 상태를 매우 사실적으로 보여줍니다."
            },
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "지시된 숲속 길의 형태는 갖추었으나, 길 우측 하단의 흙 질감이 인위적으로 뭉개진 듯한 오류가 있어 사진적 현실성이 떨어집니다."
            },
            {
              "label": "C",
              "score": 9,
              "verdict_ko": "자연스러운 숲속 흙길을 훌륭하게 표현했으나, 길을 관리한 흔적(돌 테두리 등)이 A에 비해 덜 명확합니다."
            }
          ],
          "critique": {
            "issues": []
          },
          "fix_skipped": true
        }
      },
      "bg_fishing_boat": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_fishing_boat_sel.png",
        "seed_asset_id": "e6f2c697-eafa-4ffc-b339-d0a0588aecb4",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is an ordinary, currently inhabited fishing-harbor neighborhood on the contemporary South Korean coast. Its shore-fixed working dock is a weathered gray reinforced-concrete platform terminating at the water, and the surrounding harbor district has the unplanned everyday character of a real place in active service. The mobile main subject is afloat in open coastal sea, with water extending beyond both ends and no permanent relationship of side, distance, or orientation to the dock. The five-ton vessel has a white painted FRP hull measuring about 9.5 by 3 metres. A single working deck supports a single-storey white FRP wheelhouse amidships, with a footprint of about 3.2 by 2.4 metres and a human-scale interior height of about 2.1 metres. The forward end is an open bow deck and the aft end is an open stern deck. One central passage runs longitudinally between them alongside the wheelhouse. The fixed helm wheel remains inside the wheelhouse behind customary functional marine glazing, with no multiplied decorative openings. Light gray nonslip FRP covers the deck, and exposed rails are stainless steel. The finish carries maintained salt weathering and visible ordinary signs of ongoing fishing work. The hull bears the single legible name 해풍호.\n\nTHE LOCATION: A five-ton fishing vessel, open coastal sea, and shore-fixed dock in a contemporary working fishing-harbor neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean five-ton fishing vessel: a white painted FRP hull about 9.5 metres long and 3 metres in beam, one working deck, and one single-storey white FRP wheelhouse amidships with a human-scale interior height of about 2.1 metres. The wheelhouse footprint is about 3.2 by 2.4 metres, sufficient for the evidenced steering space and fixed helm wheel. The open bow deck is forward, the open stern deck is aft, and one central longitudinal passage links them alongside the wheelhouse. No upper storey or additional vessel volume is present. Wheelhouse windows use regionally standard functional marine glazing; no exact count is evidenced, so prominent extra openings must not be invented. Deck surfaces are light gray nonslip FRP, exposed guardrails are stainless steel, and normal salt wear and working-vessel weathering are visible. Open sea surrounds the vessel and extends beyond both ends while it is afloat. The separate shore-fixed gray reinforced-concrete dock ends at a waterside edge, with no fixed side, distance, orientation, or temporary alignment assigned between dock and vessel. The vessel name 해풍호 is present once as legible Korean identification. The dock belongs to a believable, currently inhabited working fishing-harbor neighborhood on the South Korean coast. The vessel, dock, and outdoor working areas visibly carry ordinary signs of active fishing and harbor service as such places do in contemporary South Korea; a bare, sterile, abandoned, or studio-set appearance is a violation.",
          "location_line_en": "A five-ton fishing vessel, open coastal sea, and shore-fixed dock in a contemporary working fishing-harbor neighborhood in South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "조타실, 핸들을 잡고 있는 거대한 체구, 넉넉한 인상의 황봉업(일명 황 씨/ 55).",
              "label_en": "Vessel wheelhouse",
              "scene_index": 17
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "한국 어선은 선체에 식별 가능한 선명을 표시한다.",
          "signage_required": true,
          "signage_text": "해풍호",
          "variants": [
            {
              "approach_ko": "원문 공간 단서를 직접 시각화한 접근",
              "evidence_ko": [
                "화면 가득 푸르게 넘실대는 바다에 5톤 짜리 낚시 어선이 하얀 포말을 만들며 지나간다.",
                "조타실, 핸들을 잡고 있는 거대한 체구, 넉넉한 인상의 황봉업(일명 황 씨/ 55).",
                "뱃머리에는 산들이 지휘자처럼 홀로 서서 탁 트인 바다를 감상하듯 바라본다.",
                "지후가 통로를 지나 멀찍이… 선수에 서 있는 산들의 뒷모습을 바라본다.",
                "황 씨는 껄껄 웃으며 이들을 보다가 선착장에 서 있는 창모에게 다가온다."
              ],
              "prompt_en": "A contemporary South Korean working fishing-harbor neighborhood surrounds a shore-fixed dock zone, and the place reads as currently inhabited and in service. Open coastal sea surrounds the afloat vessel and continues beyond its bow and stern. The main subject is a five-ton fishing vessel with a white painted FRP hull about 9.5 metres long and 3 metres in beam. It has one working deck and one single-storey white FRP wheelhouse amidships, about 3.2 by 2.4 metres with a 2.1-metre interior height. An open bow deck lies forward, an open stern deck lies aft, and a central longitudinal passage connects them alongside the wheelhouse. A fixed helm wheel occupies the glazed wheelhouse. The functional marine glazing follows the ordinary regional pattern without prominent extra openings. Deck surfaces are light gray nonslip FRP and exposed guardrails are stainless steel. Salt exposure, maintained paint wear, and ordinary signs of active fishing service are visible throughout. The legible vessel name 해풍호 appears once on the hull. The separate dock is weathered gray reinforced concrete and ends at a waterside edge, without any fixed side, distance, orientation, or alignment relative to the mobile vessel.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "항구 생활권을 먼저 확립하는 접근",
              "evidence_ko": [
                "술집 여자들과 낚싯꾼 무리까지 함께 올라타 배는 만원이다.",
                "황 씨는 껄껄 웃으며 이들을 보다가 선착장에 서 있는 창모에게 다가온다.",
                "지후가 통로를 지나 멀찍이… 선수에 서 있는 산들의 뒷모습을 바라본다."
              ],
              "prompt_en": "The setting is an ordinary, currently inhabited fishing-harbor neighborhood on the contemporary South Korean coast. Its shore-fixed working dock is a weathered gray reinforced-concrete platform terminating at the water, and the surrounding harbor district has the unplanned everyday character of a real place in active service. The mobile main subject is afloat in open coastal sea, with water extending beyond both ends and no permanent relationship of side, distance, or orientation to the dock. The five-ton vessel has a white painted FRP hull measuring about 9.5 by 3 metres. A single working deck supports a single-storey white FRP wheelhouse amidships, with a footprint of about 3.2 by 2.4 metres and a human-scale interior height of about 2.1 metres. The forward end is an open bow deck and the aft end is an open stern deck. One central passage runs longitudinally between them alongside the wheelhouse. The fixed helm wheel remains inside the wheelhouse behind customary functional marine glazing, with no multiplied decorative openings. Light gray nonslip FRP covers the deck, and exposed rails are stainless steel. The finish carries maintained salt weathering and visible ordinary signs of ongoing fishing work. The hull bears the single legible name 해풍호.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 선박 구조를 우선하는 접근",
              "evidence_ko": [
                "5톤 짜리 낚시 어선",
                "조타실, 핸들을 잡은 황씨는 인우를 노려보는 시선에 적대감이 가득하다.",
                "인우는 산들이 앉았던 선수에 서서 앞을 보려 애쓴다."
              ],
              "prompt_en": "White painted fiberglass forms the hull and amidships wheelhouse of a contemporary South Korean five-ton fishing vessel. The hull is about 9.5 metres long and 3 metres in beam, with one working deck and no upper storey. The single-storey wheelhouse measures about 3.2 by 2.4 metres and rises about 2.1 metres internally, providing sufficient real-world space for the evidenced steering position and its fixed helm wheel. Regionally standard marine glazing encloses the wheelhouse without unsupported prominent extra openings. The open bow deck occupies the forward end, the open stern deck occupies the aft end, and one central bow-to-stern passage passes alongside the wheelhouse. Deck surfaces are light gray nonslip FRP, and exposed guardrails are stainless steel. Maintained paint wear, salt weathering, and ordinary signs of active fishing service remain visible. The vessel carries the legible hull name 해풍호 once. Open coastal sea surrounds the afloat hull and extends beyond bow and stern. A separate gray reinforced-concrete dock ends at a waterside edge within a currently inhabited South Korean fishing-harbor neighborhood. The dock and its outdoor working area visibly remain in ordinary harbor service. No permanent side, distance, orientation, or alignment connects the dock to the mobile vessel.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean working fishing-harbor neighborhood surrounds a shore-fixed dock zone, and the place reads as currently inhabited and in service. Open coastal sea surrounds the afloat vessel and continues beyond its bow and stern. The main subject is a five-ton fishing vessel with a white painted FRP hull about 9.5 metres long and 3 metres in beam. It has one working deck and one single-storey white FRP wheelhouse amidships, about 3.2 by 2.4 metres with a 2.1-metre interior height. An open bow deck lies forward, an open stern deck lies aft, and a central longitudinal passage connects them alongside the wheelhouse. A fixed helm wheel occupies the glazed wheelhouse. The functional marine glazing follows the ordinary regional pattern without prominent extra openings. Deck surfaces are light gray nonslip FRP and exposed guardrails are stainless steel. Salt exposure, maintained paint wear, and ordinary signs of active fishing service are visible throughout. The legible vessel name 해풍호 appears once on the hull. The separate dock is weathered gray reinforced concrete and ends at a waterside edge, without any fixed side, distance, orientation, or alignment relative to the mobile vessel.\n\nTHE LOCATION: A five-ton fishing vessel, open coastal sea, and shore-fixed dock in a contemporary working fishing-harbor neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is an ordinary, currently inhabited fishing-harbor neighborhood on the contemporary South Korean coast. Its shore-fixed working dock is a weathered gray reinforced-concrete platform terminating at the water, and the surrounding harbor district has the unplanned everyday character of a real place in active service. The mobile main subject is afloat in open coastal sea, with water extending beyond both ends and no permanent relationship of side, distance, or orientation to the dock. The five-ton vessel has a white painted FRP hull measuring about 9.5 by 3 metres. A single working deck supports a single-storey white FRP wheelhouse amidships, with a footprint of about 3.2 by 2.4 metres and a human-scale interior height of about 2.1 metres. The forward end is an open bow deck and the aft end is an open stern deck. One central passage runs longitudinally between them alongside the wheelhouse. The fixed helm wheel remains inside the wheelhouse behind customary functional marine glazing, with no multiplied decorative openings. Light gray nonslip FRP covers the deck, and exposed rails are stainless steel. The finish carries maintained salt weathering and visible ordinary signs of ongoing fishing work. The hull bears the single legible name 해풍호.\n\nTHE LOCATION: A five-ton fishing vessel, open coastal sea, and shore-fixed dock in a contemporary working fishing-harbor neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWhite painted fiberglass forms the hull and amidships wheelhouse of a contemporary South Korean five-ton fishing vessel. The hull is about 9.5 metres long and 3 metres in beam, with one working deck and no upper storey. The single-storey wheelhouse measures about 3.2 by 2.4 metres and rises about 2.1 metres internally, providing sufficient real-world space for the evidenced steering position and its fixed helm wheel. Regionally standard marine glazing encloses the wheelhouse without unsupported prominent extra openings. The open bow deck occupies the forward end, the open stern deck occupies the aft end, and one central bow-to-stern passage passes alongside the wheelhouse. Deck surfaces are light gray nonslip FRP, and exposed guardrails are stainless steel. Maintained paint wear, salt weathering, and ordinary signs of active fishing service remain visible. The vessel carries the legible hull name 해풍호 once. Open coastal sea surrounds the afloat hull and extends beyond bow and stern. A separate gray reinforced-concrete dock ends at a waterside edge within a currently inhabited South Korean fishing-harbor neighborhood. The dock and its outdoor working area visibly remain in ordinary harbor service. No permanent side, distance, orientation, or alignment connects the dock to the mobile vessel.\n\nTHE LOCATION: A five-ton fishing vessel, open coastal sea, and shore-fixed dock in a contemporary working fishing-harbor neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean five-ton fishing vessel: a white painted FRP hull about 9.5 metres long and 3 metres in beam, one working deck, and one single-storey white FRP wheelhouse amidships with a human-scale interior height of about 2.1 metres. The wheelhouse footprint is about 3.2 by 2.4 metres, sufficient for the evidenced steering space and fixed helm wheel. The open bow deck is forward, the open stern deck is aft, and one central longitudinal passage links them alongside the wheelhouse. No upper storey or additional vessel volume is present. Wheelhouse windows use regionally standard functional marine glazing; no exact count is evidenced, so prominent extra openings must not be invented. Deck surfaces are light gray nonslip FRP, exposed guardrails are stainless steel, and normal salt wear and working-vessel weathering are visible. Open sea surrounds the vessel and extends beyond both ends while it is afloat. The separate shore-fixed gray reinforced-concrete dock ends at a waterside edge, with no fixed side, distance, orientation, or temporary alignment assigned between dock and vessel. The vessel name 해풍호 is present once as legible Korean identification. The dock belongs to a believable, currently inhabited working fishing-harbor neighborhood on the South Korean coast. The vessel, dock, and outdoor working areas visibly carry ordinary signs of active fishing and harbor service as such places do in contemporary South Korea; a bare, sterile, abandoned, or studio-set appearance is a violation.\n\nTHE LOCATION: A five-ton fishing vessel, open coastal sea, and shore-fixed dock in a contemporary working fishing-harbor neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낚시 어선 조타실: 어선의 조종간이 있는 좁은 공간. 유리창을 통해 외부가 보인다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npassengers and crew on the vessel; temporary seated passenger group at the stern; vessel wake and foam; fog over the sea; island visible from the vessel route; temporary vessel-to-dock alignment",
        "seed_decision": {
          "input_fingerprint": "4c93f29d0b923b1b",
          "totals": {
            "B": 10,
            "A": 7,
            "C": 5
          },
          "ranking": [
            "B",
            "A",
            "C"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 10,
              "verdict_ko": "Flawlessly meets all brief requirements, providing the correct single-storey wheelhouse massing, the specified light gray deck surfaces, and precisely one instance of the vessel name in a believable working harbor."
            },
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "Violates the material/color constraints by rendering the vessel's deck surfaces prominently in blue instead of the strictly specified light gray FRP."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "Fails structural constraints by adding a large, unprompted upper deck structure over the aft area (violating 'no upper storey or additional vessel volume'), and violates signage rules by displaying the vessel name twice."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "조타실 외부 앞벽에 스티어링 휠(또는 휠 모양의 장식)이 그대로 노출되어 있습니다 (조타 휠은 실내 유리창 뒤에 있어야 함).",
                "fix_en": "Remove the steering wheel element from the exterior front wall of the wheelhouse and replace it with a standard flat marine window.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the steering wheel element from the exterior front wall of the wheelhouse and replace it with a standard flat marine window.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_forest_entrance": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_entrance_sel.png",
        "seed_asset_id": "eeddfc40-e60c-4da2-819e-aed9eb1ae814",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location sits where a currently inhabited contemporary South Korean village neighborhood meets its surrounding forest. The village-edge setting is ordinary and active, and the outdoor access route visibly shows normal ongoing use without arranged details. Regionally typical outer approach ground joins the forest entrance directly. A single footpath of compacted soil and natural forest ground begins at this threshold and remains continuous through the woodland. Within the same forest interior, the terrain and path descend together toward lower ground. No separate clearing interrupts the route. No target building or architectural site element is present.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The subject is a continuous village-edge forest route in contemporary South Korea, not a building and not a compound. No storeys, architectural openings, frontage, gate, fence, stairs, railing, signage, or other structure exists. Outer approach ground on the inhabited village side directly meets one forest footpath entrance. One inward footpath continues from that threshold through the surrounding forest interior, reaches a descending hillside section, and proceeds toward lower ground. The approach, threshold, path, forest, and descent must read as one connected axis rather than separate clearings. Surfaces use regionally typical compacted earth and natural forest ground. The site and outdoor route visibly carry ordinary signs of ongoing local use. A believable, currently inhabited South Korean village-edge neighborhood adjoins the outward side of the forest entrance. Do not create a bare isolated wilderness site or a daylight-to-darkness effect across the entrance.",
          "location_line_en": "A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "마을 가장자리의 자연 숲길로서 식별 간판을 갖는 시설 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문에 드러난 입구와 숲속 하강 동선을 직접 시각화한 접근",
              "evidence_ko": [
                "숲으로 통하는 오솔길 입구",
                "숲 깊은 곳으로 들어간다.",
                "숲을 도망쳐 내려오는",
                "언덕 아래로"
              ],
              "prompt_en": "A real forest footpath begins at the inhabited edge of a contemporary South Korean village. The ordinary working neighborhood remains present beyond the outward side of the entrance, while the site visibly carries the unarranged signs of regular local use. Outer approach ground directly reaches a single natural footpath threshold. From that threshold, one compacted-earth path runs inward through continuous regional forest. The same route crosses a descending wooded hillside and continues toward lower ground. The approach, entrance, forest interior, and descent form one uninterrupted axis. There is no building, gate, fence, signage, or constructed compound.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "마을 가장자리와 숲의 연속된 관계를 먼저 확립하는 장소 중심 접근",
              "evidence_ko": [
                "숲속 입구",
                "숲으로 통하는 오솔길 입구",
                "언덕 아래로"
              ],
              "prompt_en": "The location sits where a currently inhabited contemporary South Korean village neighborhood meets its surrounding forest. The village-edge setting is ordinary and active, and the outdoor access route visibly shows normal ongoing use without arranged details. Regionally typical outer approach ground joins the forest entrance directly. A single footpath of compacted soil and natural forest ground begins at this threshold and remains continuous through the woodland. Within the same forest interior, the terrain and path descend together toward lower ground. No separate clearing interrupts the route. No target building or architectural site element is present.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "토질과 지형의 연결성을 우선하는 재료·지형 중심 접근",
              "evidence_ko": [
                "오솔길 입구",
                "숲 깊은 곳",
                "내려오는",
                "언덕 아래로"
              ],
              "prompt_en": "Regionally typical compacted earth forms the outer approach and continues naturally into one forest footpath at the edge of an inhabited South Korean village neighborhood. The surface transitions into ordinary woodland soil without a gate or built threshold. The path runs on a single inward axis through the surrounding forest, then follows the terrain down a wooded hillside toward lower ground. Forest vegetation, ground wear, and weathering are authentic to a regularly used contemporary South Korean village-edge route. The full site reads as one connected place in active local use, not an abandoned tract, isolated clearing, compound, or studio set. There is no building, signage, fence, or architectural opening.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real forest footpath begins at the inhabited edge of a contemporary South Korean village. The ordinary working neighborhood remains present beyond the outward side of the entrance, while the site visibly carries the unarranged signs of regular local use. Outer approach ground directly reaches a single natural footpath threshold. From that threshold, one compacted-earth path runs inward through continuous regional forest. The same route crosses a descending wooded hillside and continues toward lower ground. The approach, entrance, forest interior, and descent form one uninterrupted axis. There is no building, gate, fence, signage, or constructed compound.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location sits where a currently inhabited contemporary South Korean village neighborhood meets its surrounding forest. The village-edge setting is ordinary and active, and the outdoor access route visibly shows normal ongoing use without arranged details. Regionally typical outer approach ground joins the forest entrance directly. A single footpath of compacted soil and natural forest ground begins at this threshold and remains continuous through the woodland. Within the same forest interior, the terrain and path descend together toward lower ground. No separate clearing interrupts the route. No target building or architectural site element is present.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nRegionally typical compacted earth forms the outer approach and continues naturally into one forest footpath at the edge of an inhabited South Korean village neighborhood. The surface transitions into ordinary woodland soil without a gate or built threshold. The path runs on a single inward axis through the surrounding forest, then follows the terrain down a wooded hillside toward lower ground. Forest vegetation, ground wear, and weathering are authentic to a regularly used contemporary South Korean village-edge route. The full site reads as one connected place in active local use, not an abandoned tract, isolated clearing, compound, or studio set. There is no building, signage, fence, or architectural opening.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe subject is a continuous village-edge forest route in contemporary South Korea, not a building and not a compound. No storeys, architectural openings, frontage, gate, fence, stairs, railing, signage, or other structure exists. Outer approach ground on the inhabited village side directly meets one forest footpath entrance. One inward footpath continues from that threshold through the surrounding forest interior, reaches a descending hillside section, and proceeds toward lower ground. The approach, threshold, path, forest, and descent must read as one connected axis rather than separate clearings. Surfaces use regionally typical compacted earth and natural forest ground. The site and outdoor route visibly carry ordinary signs of ongoing local use. A believable, currently inhabited South Korean village-edge neighborhood adjoins the outward side of the forest entrance. Do not create a bare isolated wilderness site or a daylight-to-darkness effect across the entrance.\n\nTHE LOCATION: A village-edge forest footpath entrance and descending woodland route in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuri-young at the forest path entrance; Village youths carrying sacks; Yeo-sang and Suri-young descending through the forest; Black goat in the forest; Daylight-to-darkness contrast across the forest entrance",
        "seed_decision": {
          "input_fingerprint": "f427c73bececba7e",
          "totals": {
            "B": 8,
            "C": 6,
            "A": 4
          },
          "ranking": [
            "B",
            "C",
            "A"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 8,
              "verdict_ko": "Successfully captures the village-edge threshold and the explicitly required descending forest path, though it violates the negative constraint against signage by adding a warning sign at the entrance."
            },
            {
              "label": "C",
              "score": 6,
              "verdict_ko": "Follows the negative constraints by omitting stairs and signage, but structurally violates the brief's topography by showing an ascending path into the forest rather than the required descending hillside section."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "Fails multiple structural constraints by placing forbidden log stairs in the immediate foreground and keeping the path mostly flat along the village edge instead of descending into the forest interior."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지침에 표지판이 존재하지 않아야 한다고 명시되어 있으나, 숲 입구 쪽 전봇대에 표지판이 설치되어 있습니다.",
                "fix_en": "Remove the sign from the utility pole.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the sign from the utility pole.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_forest_goat_pen": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_goat_pen_sel.png",
        "seed_asset_id": "9cda3932-718d-4f69-a546-2097e82ce490",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is an in-service South Korean forest goat pen built as a roofless galvanized enclosure. It is a single-level rectangular massing of open holding space, 18 metres long and 12 metres wide, with a 1.5 metre-high perimeter of dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh. Exposure has dulled the zinc finish and produced restrained brown oxidation at connections. Exactly one access opening occupies each of two opposing short sides. The compacted brown-earth route aligns with both openings and passes continuously across the pen interior into the forest beyond. No other opening, roof, upper level, annex, enclosed room or sign is present. The clearing sits within mixed regional woodland belonging to a currently inhabited rural island neighborhood in contemporary South Korea. The pen and outdoor ground visibly show ordinary local signs of continuing livestock use without looking staged or derelict.\n\nTHE LOCATION: A working goat pen in a forest clearing within a contemporary rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same roofless, single-level goat pen in a forest clearing within a currently inhabited rural island neighborhood in contemporary South Korea. The target is an 18 by 12 metre rectangular enclosure with a 1.5 metre-high boundary of dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh, naturally weathered with brown oxidation at connections. It has exactly two access openings, one centered on each opposing short side, with no additional opening. A continuous compacted brown-earth route crosses the enclosure directly between those openings and continues into the surrounding forest at both ends. The mixed regional forest surrounds the entire clearing beyond the enclosure boundary and both route ends. There is no roof, upper level, annex, interior room, signage or prominent added opening. The enclosure and holding ground must visibly read as an in-service livestock pen with ordinary regional signs of active use, not as abandoned, sterile or staged. Its working rural forest neighborhood must feel inhabited and believable even though the pen itself stands in a clearing.",
          "location_line_en": "A working goat pen in a forest clearing within a contemporary rural island neighborhood in South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "숲속의 사적 가축 우리이므로 식별 간판이 필요하지 않다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "시나리오 원문의 장소와 통과 동선을 직접 시각화한 접근",
              "evidence_ko": [
                "실외. 숲속 염소 축사 - 밤",
                "낮에 섬 곳곳을 배회하던 검은 염소 수십 마리가 축사 안에 몰려있다.",
                "텅 빈 축사를 지나가는 수리영과 인우.",
                "검은 염소만 없을 뿐, 수리영은 그 밤, 그 길을 그대로 앞장 서 간다."
              ],
              "prompt_en": "A goat pen occupies a forest clearing in a currently inhabited rural island neighborhood in contemporary South Korea. Managed mixed woodland surrounds the clearing and continues beyond both ends of the route. The target is a roofless, single-level rectangular enclosure measuring 18 by 12 metres. Its 1.5 metre-high boundary uses dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh, with natural brown oxidation at connections. Exactly two access openings interrupt opposite short sides. A continuous compacted brown-earth route crosses the holding space directly between those openings and enters the forest at both ends. The enclosure has no upper level, annex, interior room or signage. The pen and its outdoor holding ground visibly carry the ordinary regional signs of active livestock use and remain part of a believable working neighborhood.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권에 속한 숲과 농촌 주변 환경을 먼저 확립하는 접근",
              "evidence_ko": [
                "숲속 염소 축사",
                "낮에 섬 곳곳을 배회하던",
                "축사 안에 몰려있다.",
                "텅 빈 축사를 지나가는"
              ],
              "prompt_en": "This is a currently inhabited rural island neighborhood in contemporary South Korea, with working forest land enclosing a livestock clearing. The ordinary surroundings read as maintained and in use rather than isolated, abandoned or institutional. In the clearing stands one roofless, single-level goat pen: an 18 by 12 metre rectangular enclosure bounded by 1.5 metre-high dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh. Weathering is practical and natural, including brown oxidation at metal connections. There are exactly two access openings, centered on opposing short sides. A compacted brown-earth route runs continuously from the forest, through one opening and across the holding space, then through the opposite opening back into the forest. No roof, annex, upper floor, interior room or signage is present. The enclosure and ground visibly retain the ordinary regional signs of an actively used livestock facility.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 가축 우리 유형을 중심으로 형태를 고정하는 접근",
              "evidence_ko": [
                "염소 축사 - 낮",
                "그 밤, 그 길을 그대로",
                "축사 안에",
                "숲속 염소 축사"
              ],
              "prompt_en": "The target is an in-service South Korean forest goat pen built as a roofless galvanized enclosure. It is a single-level rectangular massing of open holding space, 18 metres long and 12 metres wide, with a 1.5 metre-high perimeter of dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh. Exposure has dulled the zinc finish and produced restrained brown oxidation at connections. Exactly one access opening occupies each of two opposing short sides. The compacted brown-earth route aligns with both openings and passes continuously across the pen interior into the forest beyond. No other opening, roof, upper level, annex, enclosed room or sign is present. The clearing sits within mixed regional woodland belonging to a currently inhabited rural island neighborhood in contemporary South Korea. The pen and outdoor ground visibly show ordinary local signs of continuing livestock use without looking staged or derelict.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA goat pen occupies a forest clearing in a currently inhabited rural island neighborhood in contemporary South Korea. Managed mixed woodland surrounds the clearing and continues beyond both ends of the route. The target is a roofless, single-level rectangular enclosure measuring 18 by 12 metres. Its 1.5 metre-high boundary uses dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh, with natural brown oxidation at connections. Exactly two access openings interrupt opposite short sides. A continuous compacted brown-earth route crosses the holding space directly between those openings and enters the forest at both ends. The enclosure has no upper level, annex, interior room or signage. The pen and its outdoor holding ground visibly carry the ordinary regional signs of active livestock use and remain part of a believable working neighborhood.\n\nTHE LOCATION: A working goat pen in a forest clearing within a contemporary rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a currently inhabited rural island neighborhood in contemporary South Korea, with working forest land enclosing a livestock clearing. The ordinary surroundings read as maintained and in use rather than isolated, abandoned or institutional. In the clearing stands one roofless, single-level goat pen: an 18 by 12 metre rectangular enclosure bounded by 1.5 metre-high dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh. Weathering is practical and natural, including brown oxidation at metal connections. There are exactly two access openings, centered on opposing short sides. A compacted brown-earth route runs continuously from the forest, through one opening and across the holding space, then through the opposite opening back into the forest. No roof, annex, upper floor, interior room or signage is present. The enclosure and ground visibly retain the ordinary regional signs of an actively used livestock facility.\n\nTHE LOCATION: A working goat pen in a forest clearing within a contemporary rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is an in-service South Korean forest goat pen built as a roofless galvanized enclosure. It is a single-level rectangular massing of open holding space, 18 metres long and 12 metres wide, with a 1.5 metre-high perimeter of dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh. Exposure has dulled the zinc finish and produced restrained brown oxidation at connections. Exactly one access opening occupies each of two opposing short sides. The compacted brown-earth route aligns with both openings and passes continuously across the pen interior into the forest beyond. No other opening, roof, upper level, annex, enclosed room or sign is present. The clearing sits within mixed regional woodland belonging to a currently inhabited rural island neighborhood in contemporary South Korea. The pen and outdoor ground visibly show ordinary local signs of continuing livestock use without looking staged or derelict.\n\nTHE LOCATION: A working goat pen in a forest clearing within a contemporary rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same roofless, single-level goat pen in a forest clearing within a currently inhabited rural island neighborhood in contemporary South Korea. The target is an 18 by 12 metre rectangular enclosure with a 1.5 metre-high boundary of dull silver-gray galvanized steel-pipe posts and galvanized welded-wire mesh, naturally weathered with brown oxidation at connections. It has exactly two access openings, one centered on each opposing short side, with no additional opening. A continuous compacted brown-earth route crosses the enclosure directly between those openings and continues into the surrounding forest at both ends. The mixed regional forest surrounds the entire clearing beyond the enclosure boundary and both route ends. There is no roof, upper level, annex, interior room, signage or prominent added opening. The enclosure and holding ground must visibly read as an in-service livestock pen with ordinary regional signs of active use, not as abandoned, sterile or staged. Its working rural forest neighborhood must feel inhabited and believable even though the pen itself stands in a clearing.\n\nTHE LOCATION: A working goat pen in a forest clearing within a contemporary rural island neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nblack goat herd; people moving through the goat enclosure; carried sack and its contents",
        "seed_decision": {
          "input_fingerprint": "63895bac020940c5",
          "totals": {
            "C": 9,
            "A": 4,
            "B": 2
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 9,
              "verdict_ko": "Faithfully realizes the single rectangular enclosure, 1.5m boundary, and centered openings; active use is well evidenced by stacked feed sacks without triggering the excluded 'carried' transient, though the near route end exits the frame before reaching forest."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "Severe massing violation: depicts two separate enclosures flanking an exterior path rather than a single rectangular enclosure that the route crosses."
            },
            {
              "label": "B",
              "score": 2,
              "verdict_ko": "Hard violation: physically impossible structure where the bottom fence pipe continues unbroken across the ground through the open foreground gateway; also fails boundary height with randomly towering posts and breaks the forest clearing requirement with a highway."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "프롬프트에서 묘사하지 말라고 명시한 일시적 소품(sack)이 우측 하단에 무더기로 쌓여 있습니다.",
                "fix_en": "Remove the stack of beige sacks from the bottom right corner.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the stack of beige sacks from the bottom right corner.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_forest_ritual_clearing": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_ritual_clearing_sel.png",
        "seed_asset_id": "68c88d61-f5d8-4e78-8c60-d1e42e155653",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOne mottled gray granite ritual rock is the dominant permanent mass of this zero-storey open-air site. It is naturally weathered and measures approximately 6 metres high, 7 metres wide and 4 metres deep. A single low altar of worn but maintained pale-gray granite measures approximately 2.4 by 1.2 metres and 0.9 metres high. It stands immediately in front of the rock on the clearing side, fixing the central sequence of outer ground, altar and rock. The rock occupies the rear of a principal forecourt within an approximately 40-by-30-metre clearing, while ochre-brown earth and muted-green natural cover continue laterally and behind it. Managed mixed South Korean woodland forms an unbroken boundary on every side. A compacted brown earth approach traverses the forest edge into the outer clearing, with no compass direction assigned. The surrounding island woodland reads as part of a believable inhabited contemporary hinterland. The site contains no enclosed rooms, structural openings, walls, roof, fence, gate, paving, permanent fire installation or signage. Its permanent surfaces and outdoor ground visibly carry ordinary, unstaged evidence of ongoing ritual care and active use.\n\nTHE LOCATION: A forest-enclosed ritual clearing in the inhabited island hinterland of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean island ritual site: a zero-storey, open-air clearing approximately 40 metres deep by 30 metres wide, fully enclosed on every side by managed mixed woodland. A naturally weathered mottled gray granite rock approximately 6 metres high, 7 metres wide and 4 metres deep stands at the rear of the principal forecourt with open ground continuing laterally and behind it. One low rectangular pale-gray granite altar approximately 2.4 metres long, 1.2 metres deep and 0.9 metres high stands immediately in front of the rock on the clearing side, forming the fixed clearing–altar–rock axis. A brown compacted-earth approach enters the outer clearing through the forest edge without an assigned compass direction. The ground is ochre-brown earth with regionally natural muted-green cover. There are zero enclosed rooms, zero storeys and zero structural openings. No additional permanent structures, walls, roofs, fences, gates, paving, fire installations or signage may appear. The site and its outdoor areas must visibly read as maintained and in continuing ritual use, not abandoned or sterile. The surrounding woodland must read as part of a believable, currently inhabited island hinterland while remaining an unbroken forest enclosure around the clearing.",
          "location_line_en": "A forest-enclosed ritual clearing in the inhabited island hinterland of contemporary South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "숲속의 비공식 야외 제의 공간이므로 식별 간판이 필요하지 않다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문에 드러난 공간축과 이동 가능성을 직접 시각화한 접근",
              "evidence_ko": [
                "산 속 숲 한 가운데 공터처럼 뻥 뚫린 공간.",
                "성인 키 서너 배 높이의 거대한 바위가 떡하니 자리잡고 있다.",
                "영란이 품에서 무언가를 꺼내 바위 앞 제단에 올려놓는다.",
                "영란이 딸랑딸랑 무령을 흔들며 바위 주변을 돌아다닌다.",
                "그때, 숲을 나온 또다른 마을 청년이 다급히 뛰어온다."
              ],
              "prompt_en": "An open-air ritual clearing occupies approximately 40 by 30 metres within an unbroken edge of managed mixed South Korean woodland. The wider island hinterland reads as inhabited and in ordinary current use. The site has zero storeys and no enclosed structure. A naturally weathered mottled gray granite rock rises approximately 6 metres high, 7 metres wide and 4 metres deep at the rear of the principal forecourt. Open ochre-brown earth with muted-green natural cover extends beside and behind the rock. One low rectangular pale-gray granite altar, approximately 2.4 by 1.2 metres and 0.9 metres high, stands immediately before the rock and establishes the clearing–altar–rock axis. A brown compacted-earth approach passes through the forest edge into the outer clearing without a defined compass orientation. The permanent site has no structural openings, walls, roof, fence, gate, paving, fire installation or signage. The maintained ritual ground visibly carries ordinary, unstaged signs of continuing ritual use appropriate to contemporary South Korea.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "주변 섬 산림과 생활권의 맥락에서 중심 제의 공간으로 좁혀가는 접근",
              "evidence_ko": [
                "산 속 숲 한 가운데 공터처럼 뻥 뚫린 공간.",
                "바위 앞에 꿇어앉은 산들이 두 손을 뻗어 바위에 갖다댄다.",
                "거리를 두고 뒤에서 이를 지켜보는 산들과 몇몇 마을 사람들.",
                "그때, 숲을 나온 또다른 마을 청년이 다급히 뛰어온다."
              ],
              "prompt_en": "Managed mixed woodland encloses a ritual clearing on every side within the inhabited hinterland of a contemporary South Korean island. The forest remains continuous around the site, and one brown compacted-earth approach crosses its edge into the clearing from an unspecified direction. The open ground measures approximately 40 metres deep by 30 metres wide and consists of ochre-brown earth with muted-green natural cover. This is a zero-storey outdoor site with no enclosed rooms. At the rear of its principal forecourt stands one naturally weathered mottled gray granite rock approximately 6 metres high, 7 metres wide and 4 metres deep, with usable open ground continuing around its sides and rear. One pale-gray granite altar forms a low rectangular mass approximately 2.4 metres long, 1.2 metres deep and 0.9 metres high directly in front of the rock. The outer clearing, altar and rock align on one central axis. No openings, buildings, walls, roofs, fences, gates, paved surfaces, permanent fire installations or signage belong to the site. The clearing and altar visibly read as maintained and in continuing, ordinary ritual use rather than abandoned or sterile.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 영구 지형 요소를 먼저 확정하고 공간 위계를 정리한 접근",
              "evidence_ko": [
                "성인 키 서너 배 높이의 거대한 바위가 떡하니 자리잡고 있다.",
                "영란이 품에서 무언가를 꺼내 바위 앞 제단에 올려놓는다.",
                "바위 주변을 돌아다닌다.",
                "숲을 나온 또다른 마을 청년이 다급히 뛰어온다."
              ],
              "prompt_en": "One mottled gray granite ritual rock is the dominant permanent mass of this zero-storey open-air site. It is naturally weathered and measures approximately 6 metres high, 7 metres wide and 4 metres deep. A single low altar of worn but maintained pale-gray granite measures approximately 2.4 by 1.2 metres and 0.9 metres high. It stands immediately in front of the rock on the clearing side, fixing the central sequence of outer ground, altar and rock. The rock occupies the rear of a principal forecourt within an approximately 40-by-30-metre clearing, while ochre-brown earth and muted-green natural cover continue laterally and behind it. Managed mixed South Korean woodland forms an unbroken boundary on every side. A compacted brown earth approach traverses the forest edge into the outer clearing, with no compass direction assigned. The surrounding island woodland reads as part of a believable inhabited contemporary hinterland. The site contains no enclosed rooms, structural openings, walls, roof, fence, gate, paving, permanent fire installation or signage. Its permanent surfaces and outdoor ground visibly carry ordinary, unstaged evidence of ongoing ritual care and active use.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn open-air ritual clearing occupies approximately 40 by 30 metres within an unbroken edge of managed mixed South Korean woodland. The wider island hinterland reads as inhabited and in ordinary current use. The site has zero storeys and no enclosed structure. A naturally weathered mottled gray granite rock rises approximately 6 metres high, 7 metres wide and 4 metres deep at the rear of the principal forecourt. Open ochre-brown earth with muted-green natural cover extends beside and behind the rock. One low rectangular pale-gray granite altar, approximately 2.4 by 1.2 metres and 0.9 metres high, stands immediately before the rock and establishes the clearing–altar–rock axis. A brown compacted-earth approach passes through the forest edge into the outer clearing without a defined compass orientation. The permanent site has no structural openings, walls, roof, fence, gate, paving, fire installation or signage. The maintained ritual ground visibly carries ordinary, unstaged signs of continuing ritual use appropriate to contemporary South Korea.\n\nTHE LOCATION: A forest-enclosed ritual clearing in the inhabited island hinterland of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nManaged mixed woodland encloses a ritual clearing on every side within the inhabited hinterland of a contemporary South Korean island. The forest remains continuous around the site, and one brown compacted-earth approach crosses its edge into the clearing from an unspecified direction. The open ground measures approximately 40 metres deep by 30 metres wide and consists of ochre-brown earth with muted-green natural cover. This is a zero-storey outdoor site with no enclosed rooms. At the rear of its principal forecourt stands one naturally weathered mottled gray granite rock approximately 6 metres high, 7 metres wide and 4 metres deep, with usable open ground continuing around its sides and rear. One pale-gray granite altar forms a low rectangular mass approximately 2.4 metres long, 1.2 metres deep and 0.9 metres high directly in front of the rock. The outer clearing, altar and rock align on one central axis. No openings, buildings, walls, roofs, fences, gates, paved surfaces, permanent fire installations or signage belong to the site. The clearing and altar visibly read as maintained and in continuing, ordinary ritual use rather than abandoned or sterile.\n\nTHE LOCATION: A forest-enclosed ritual clearing in the inhabited island hinterland of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOne mottled gray granite ritual rock is the dominant permanent mass of this zero-storey open-air site. It is naturally weathered and measures approximately 6 metres high, 7 metres wide and 4 metres deep. A single low altar of worn but maintained pale-gray granite measures approximately 2.4 by 1.2 metres and 0.9 metres high. It stands immediately in front of the rock on the clearing side, fixing the central sequence of outer ground, altar and rock. The rock occupies the rear of a principal forecourt within an approximately 40-by-30-metre clearing, while ochre-brown earth and muted-green natural cover continue laterally and behind it. Managed mixed South Korean woodland forms an unbroken boundary on every side. A compacted brown earth approach traverses the forest edge into the outer clearing, with no compass direction assigned. The surrounding island woodland reads as part of a believable inhabited contemporary hinterland. The site contains no enclosed rooms, structural openings, walls, roof, fence, gate, paving, permanent fire installation or signage. Its permanent surfaces and outdoor ground visibly carry ordinary, unstaged evidence of ongoing ritual care and active use.\n\nTHE LOCATION: A forest-enclosed ritual clearing in the inhabited island hinterland of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean island ritual site: a zero-storey, open-air clearing approximately 40 metres deep by 30 metres wide, fully enclosed on every side by managed mixed woodland. A naturally weathered mottled gray granite rock approximately 6 metres high, 7 metres wide and 4 metres deep stands at the rear of the principal forecourt with open ground continuing laterally and behind it. One low rectangular pale-gray granite altar approximately 2.4 metres long, 1.2 metres deep and 0.9 metres high stands immediately in front of the rock on the clearing side, forming the fixed clearing–altar–rock axis. A brown compacted-earth approach enters the outer clearing through the forest edge without an assigned compass direction. The ground is ochre-brown earth with regionally natural muted-green cover. There are zero enclosed rooms, zero storeys and zero structural openings. No additional permanent structures, walls, roofs, fences, gates, paving, fire installations or signage may appear. The site and its outdoor areas must visibly read as maintained and in continuing ritual use, not abandoned or sterile. The surrounding woodland must read as part of a believable, currently inhabited island hinterland while remaining an unbroken forest enclosure around the clearing.\n\nTHE LOCATION: A forest-enclosed ritual clearing in the inhabited island hinterland of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nCircular arrangement of burning bonfires; Bonfire smoke around the ritual ground; Animal-blood hand traces on the giant rock; Bone necklace placed on the altar; Leather restraints at the altar; Ritual instruments and gathering equipment; Supernatural black smoke emerging from the rock; Circular formation of ritual participants",
        "seed_decision": {
          "input_fingerprint": "64edeb598f222ea2",
          "totals": {
            "C": 10,
            "A": 3,
            "B": 2
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 10,
              "verdict_ko": "Flawlessly executes the brief, placing the rock and altar axis within an unbroken, believable forest enclosure with the required approach path, without introducing any excluded structures, paving, or scene transients."
            },
            {
              "label": "A",
              "score": 3,
              "verdict_ko": "Fails the strict requirement for an 'unbroken forest enclosure' as the left side opens completely to a village view; additionally violates the brief by adding concrete paving under the altar, stone steles on the right, and excluded ritual gathering items on the altar."
            },
            {
              "label": "B",
              "score": 2,
              "verdict_ko": "Violates the 'unbroken forest enclosure' requirement by featuring an open background with highly visible houses and utility poles; also includes an anomalous secondary structure in front of the altar and an artificially geometric path."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지시문은 단 하나의 제단만 명시하고 추가 영구 구조물을 금지했으나, 주 제단 앞/아래에 지정되지 않은 작은 보조 석조 제단이 배치되어 있습니다.",
                "fix_en": "Remove the small secondary stone table positioned directly in front of and under the main altar.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the small secondary stone table positioned directly in front of and under the main altar.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_forest_slaughterhouse": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_slaughterhouse_sel.png",
        "seed_asset_id": "f18f32e2-ebd3-40f9-a6d8-bafff2256151",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered medium-brown rough timber framing and plank walls define a one-storey South Korean slaughterhouse building with a 12 m by 8 m rectangular mass and a gabled dull-gray corrugated galvanized-steel roof. The floor area plausibly contains the working slaughter hall and a separate enclosed 3 m by 4 m storeroom in its inner portion. Its frontage stands directly beside a compacted brown earth-and-gravel woodland path. Exactly one weathered brown timber entrance opens from that path, and exactly one prominent broken window has a dark-brown timber frame with dust and cobwebs around the damaged glass. A white-painted timber identification board displays the exact legible black lettering 마을 염소 도축장. Near the main building, the same compound contains a one-storey 6 m by 4 m livestock shed clad in weathered brown timber and roofed in dull-gray corrugated galvanized steel. Dense trees and grass enclose the immediate site, while an inhabited rural working neighborhood and its ordinary agricultural and service buildings continue naturally beyond the woodland. The slaughterhouse compound visibly remains in active service, with regionally ordinary evidence of ongoing use across its structures and outdoor areas, never a sterile or abandoned site.\n\nTHE LOCATION: A contemporary goat slaughterhouse compound in woodland within an inhabited rural working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"마을 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean woodland slaughterhouse compound in active service. The main building is a one-storey rectangular structure with a 12 m by 8 m footprint, a gabled dull-gray corrugated galvanized-steel roof, weathered medium-brown rough timber framing and plank walls, and a path-facing frontage. Its footprint must plausibly contain a slaughter hall and a separate enclosed 3 m by 4 m storeroom in the inner portion. The frontage has exactly one path-side exterior entrance with a weathered brown timber door and exactly one prominent broken window in a dark-brown timber frame, with dust and cobwebs around the damaged glass; no additional prominent target-building openings. A white-painted timber signboard must display the exact legible black lettering 마을 염소 도축장. A compacted brown earth-and-gravel path runs through dense woodland directly beside the frontage and reaches the entrance. A one-storey 6 m by 4 m livestock shed with weathered brown timber walls and a dull-gray corrugated galvanized-steel gabled roof stands near the main building within the same compound, on either side. The slaughterhouse, shed, and outdoor work areas must visibly carry ordinary regional signs of continuing operational use without appearing abandoned or sterile. The enclosing woodland must remain part of an inhabited rural working neighborhood, with believable agricultural and service properties continuing beyond it.",
          "location_line_en": "A contemporary goat slaughterhouse compound in woodland within an inhabited rural working neighborhood in South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "가건물 안은 도축장 같은 분위기: 벽에 줄줄이 매달린 다양한 크기의 칼,\n걸개 갈고리, 피받이 양동이 등 각종 도축 도구들이 가득하다.",
              "label_en": "slaughter hall",
              "scene_index": 32
            },
            {
              "evidence_ko": "창고 같아 보이는 문 하나를 열자,",
              "label_en": "enclosed storeroom",
              "scene_index": 59
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "현대 한국의 도축 시설은 용도를 알리는 식별 표지를 갖는 시설 유형이다.",
          "signage_required": true,
          "signage_text": "마을 염소 도축장",
          "variants": [
            {
              "approach_ko": "원문 공간 단서 중심",
              "evidence_ko": [
                "숲속 도축장 옆 길",
                "어둠 속 달빛 아래 염소 도축장이 보인다.",
                "축사에서는 매에에- 시끄럽게 염소 우는 소리가 들려온다.",
                "민숙은 대답도 없이 도축장 안으로 쑥 들어가버린다.",
                "이런 섬, 이런 숲속에 도저히 있을 것 같지 않은, 나무로 얼기설기 만든 가건물.",
                "그러다 유리가 깨진 창 하나를 발견한다.",
                "먼지와 거미줄이 잔뜩 껴 있긴 하지만 안을 볼 수는 있을 정도…"
              ],
              "prompt_en": "An inhabited rural working neighborhood continues beyond dense South Korean woodland, with ordinary agricultural and service properties belonging naturally to the area. A compacted brown earth-and-gravel path passes directly beside an active slaughterhouse compound among dense trees and grass. The path-facing main building is a one-storey, 12 m by 8 m rectangular provisional timber structure with a gabled dull-gray corrugated galvanized-steel roof, weathered medium-brown rough plank walls, and exposed timber framing. Its footprint holds a slaughter hall and a separate enclosed 3 m by 4 m storeroom in the inner portion. Exactly one weathered brown timber entrance connects the path to the interior. Exactly one prominent broken window has a dark-brown timber frame, damaged glass, dust, and cobwebs. A white-painted timber signboard carries the clear black lettering 마을 염소 도축장. A one-storey, 6 m by 4 m livestock shed with weathered brown timber walls and a dull-gray corrugated galvanized-steel gabled roof stands near the main building within the compound. The building, shed, and outdoor work areas visibly show ordinary signs of continuing slaughterhouse use and do not read as abandoned or sterile.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "주변 농촌 생활권 중심",
              "evidence_ko": [
                "숲속 도축장 옆 길",
                "나무와 풀이 무성한 길",
                "염소 도축장이 보인다.",
                "축사에서는 매에에- 시끄럽게 염소 우는 소리가 들려온다."
              ],
              "prompt_en": "This is a currently inhabited South Korean rural working neighborhood whose agricultural and service properties continue beyond a wooded enclosure. Dense local woodland surrounds a brown compacted earth-and-gravel path, and the path runs directly along the frontage of an operating goat slaughterhouse compound. The main slaughterhouse is one storey and occupies a 12 m by 8 m rectangular footprint, sufficient for a slaughter hall and a distinct enclosed 3 m by 4 m storeroom in the inner portion. It has weathered medium-brown rough timber framing and plank cladding beneath a gabled dull-gray corrugated galvanized-steel roof. The path-facing wall contains exactly one weathered brown timber entrance and exactly one prominent broken window with a dark-brown timber frame, dusty damaged glass, and cobwebs. The facility is identified by a white-painted timber board with legible black lettering 마을 염소 도축장. A one-storey 6 m by 4 m livestock shed of weathered brown timber and dull-gray corrugated galvanized steel stands near the main building within the same compound. All outdoor areas and both structures visibly retain ordinary signs of active regional working use rather than abandonment or staged emptiness.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 시설 유형 중심",
              "evidence_ko": [
                "나무로 얼기설기 만든 가건물.",
                "유리가 깨진 창 하나",
                "먼지와 거미줄이 잔뜩 껴 있긴 하지만",
                "도축장 문 앞",
                "창고 같아 보이는 문 하나를 열자,"
              ],
              "prompt_en": "Weathered medium-brown rough timber framing and plank walls define a one-storey South Korean slaughterhouse building with a 12 m by 8 m rectangular mass and a gabled dull-gray corrugated galvanized-steel roof. The floor area plausibly contains the working slaughter hall and a separate enclosed 3 m by 4 m storeroom in its inner portion. Its frontage stands directly beside a compacted brown earth-and-gravel woodland path. Exactly one weathered brown timber entrance opens from that path, and exactly one prominent broken window has a dark-brown timber frame with dust and cobwebs around the damaged glass. A white-painted timber identification board displays the exact legible black lettering 마을 염소 도축장. Near the main building, the same compound contains a one-storey 6 m by 4 m livestock shed clad in weathered brown timber and roofed in dull-gray corrugated galvanized steel. Dense trees and grass enclose the immediate site, while an inhabited rural working neighborhood and its ordinary agricultural and service buildings continue naturally beyond the woodland. The slaughterhouse compound visibly remains in active service, with regionally ordinary evidence of ongoing use across its structures and outdoor areas, never a sterile or abandoned site.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited rural working neighborhood continues beyond dense South Korean woodland, with ordinary agricultural and service properties belonging naturally to the area. A compacted brown earth-and-gravel path passes directly beside an active slaughterhouse compound among dense trees and grass. The path-facing main building is a one-storey, 12 m by 8 m rectangular provisional timber structure with a gabled dull-gray corrugated galvanized-steel roof, weathered medium-brown rough plank walls, and exposed timber framing. Its footprint holds a slaughter hall and a separate enclosed 3 m by 4 m storeroom in the inner portion. Exactly one weathered brown timber entrance connects the path to the interior. Exactly one prominent broken window has a dark-brown timber frame, damaged glass, dust, and cobwebs. A white-painted timber signboard carries the clear black lettering 마을 염소 도축장. A one-storey, 6 m by 4 m livestock shed with weathered brown timber walls and a dull-gray corrugated galvanized-steel gabled roof stands near the main building within the compound. The building, shed, and outdoor work areas visibly show ordinary signs of continuing slaughterhouse use and do not read as abandoned or sterile.\n\nTHE LOCATION: A contemporary goat slaughterhouse compound in woodland within an inhabited rural working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"마을 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a currently inhabited South Korean rural working neighborhood whose agricultural and service properties continue beyond a wooded enclosure. Dense local woodland surrounds a brown compacted earth-and-gravel path, and the path runs directly along the frontage of an operating goat slaughterhouse compound. The main slaughterhouse is one storey and occupies a 12 m by 8 m rectangular footprint, sufficient for a slaughter hall and a distinct enclosed 3 m by 4 m storeroom in the inner portion. It has weathered medium-brown rough timber framing and plank cladding beneath a gabled dull-gray corrugated galvanized-steel roof. The path-facing wall contains exactly one weathered brown timber entrance and exactly one prominent broken window with a dark-brown timber frame, dusty damaged glass, and cobwebs. The facility is identified by a white-painted timber board with legible black lettering 마을 염소 도축장. A one-storey 6 m by 4 m livestock shed of weathered brown timber and dull-gray corrugated galvanized steel stands near the main building within the same compound. All outdoor areas and both structures visibly retain ordinary signs of active regional working use rather than abandonment or staged emptiness.\n\nTHE LOCATION: A contemporary goat slaughterhouse compound in woodland within an inhabited rural working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"마을 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered medium-brown rough timber framing and plank walls define a one-storey South Korean slaughterhouse building with a 12 m by 8 m rectangular mass and a gabled dull-gray corrugated galvanized-steel roof. The floor area plausibly contains the working slaughter hall and a separate enclosed 3 m by 4 m storeroom in its inner portion. Its frontage stands directly beside a compacted brown earth-and-gravel woodland path. Exactly one weathered brown timber entrance opens from that path, and exactly one prominent broken window has a dark-brown timber frame with dust and cobwebs around the damaged glass. A white-painted timber identification board displays the exact legible black lettering 마을 염소 도축장. Near the main building, the same compound contains a one-storey 6 m by 4 m livestock shed clad in weathered brown timber and roofed in dull-gray corrugated galvanized steel. Dense trees and grass enclose the immediate site, while an inhabited rural working neighborhood and its ordinary agricultural and service buildings continue naturally beyond the woodland. The slaughterhouse compound visibly remains in active service, with regionally ordinary evidence of ongoing use across its structures and outdoor areas, never a sterile or abandoned site.\n\nTHE LOCATION: A contemporary goat slaughterhouse compound in woodland within an inhabited rural working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"마을 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean woodland slaughterhouse compound in active service. The main building is a one-storey rectangular structure with a 12 m by 8 m footprint, a gabled dull-gray corrugated galvanized-steel roof, weathered medium-brown rough timber framing and plank walls, and a path-facing frontage. Its footprint must plausibly contain a slaughter hall and a separate enclosed 3 m by 4 m storeroom in the inner portion. The frontage has exactly one path-side exterior entrance with a weathered brown timber door and exactly one prominent broken window in a dark-brown timber frame, with dust and cobwebs around the damaged glass; no additional prominent target-building openings. A white-painted timber signboard must display the exact legible black lettering 마을 염소 도축장. A compacted brown earth-and-gravel path runs through dense woodland directly beside the frontage and reaches the entrance. A one-storey 6 m by 4 m livestock shed with weathered brown timber walls and a dull-gray corrugated galvanized-steel gabled roof stands near the main building within the same compound, on either side. The slaughterhouse, shed, and outdoor work areas must visibly carry ordinary regional signs of continuing operational use without appearing abandoned or sterile. The enclosing woodland must remain part of an inhabited rural working neighborhood, with believable agricultural and service properties continuing beyond it.\n\nTHE LOCATION: A contemporary goat slaughterhouse compound in woodland within an inhabited rural working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 도축장 내부: 곳곳에 핏자국이 선명하고 도축용 도구들이 걸려 있는 끔찍한 실내 공간. / 도축장 부속 창고 내부: 도축장 안쪽에 위치한 비좁은 공간. 피가 배어 나온 포대자루들이 쌓여 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"마을 염소 도축장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nNight darkness and moonlight; Goats occupying the livestock shed; People moving between the path and slaughterhouse",
        "seed_decision": {
          "input_fingerprint": "90c529f8bdfa5b8d",
          "totals": {
            "C": 10,
            "A": 7,
            "B": 5
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 10,
              "verdict_ko": "완벽하게 지침을 준수함. 지시된 중간 갈색의 거친 목재 프레임과 널빤지 벽면(석고/회반죽 없음)을 정확히 묘사했으며, 12x8m 규모의 질량감과 간판의 띄어쓰기까지 완벽하게 일치함."
            },
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "재질 및 텍스트 위반: 외벽 상단에 지시된 널빤지 대신 하얀 회반죽/석고 패널이 사용되었으며, 간판 텍스트의 띄어쓰기가 누락됨."
            },
            {
              "label": "B",
              "score": 5,
              "verdict_ko": "재질 및 규모 위반: 지시된 목재 널빤지 벽면 대신 하얀 회반죽 벽면이 넓게 사용되었으며, 건물 전체의 규모가 요구된 12x8m 바닥 면적을 수용하기에 지나치게 작음."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "도축장 전면의 출입문이 활짝 열려 있어 '장면 연출을 위해 열어둔 문 불가'라는 클린 플레이트 규칙을 위반했습니다.",
                "fix_en": "Close the front timber entrance door completely so it sits shut within its frame.",
                "unfixable": false
              },
              {
                "issue_ko": "도축장 우측 벽면에 여러 개의 창문이 줄지어 있어 '지정된 것 외에 눈에 띄는 개구부 없음' 지침을 위반했습니다.",
                "fix_en": "Remove the row of windows along the side wall, replacing them with solid weathered brown timber planks matching the rest of the wall.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Close the front timber entrance door completely so it sits shut within its frame.\n- Remove the row of windows along the side wall, replacing them with solid weathered brown timber planks matching the rest of the wall.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_forest_stone_markers": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_forest_stone_markers_sel.png",
        "seed_asset_id": "2d311260-9069-4985-8468-b3ad84a36ec9",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary working mountain-edge neighborhood in contemporary South Korea surrounds this wooded site. The grove is part of an inhabited local landscape, and the route visibly remains in everyday use rather than reading as abandoned, isolated, or staged. Within the grove, one compacted-earth forest path forms the principal corridor. Several separate waist-high gray-granite markers occupy intervals along one path verge, never a single compact monument. They are old, weathered, and substantially covered by green moss. The stones vary individually, but each carries one faint, unpainted Korean inscription reading Suri-young. Dense Korean black pines enclose both the route and its marker verge; their trunks are dark gray-brown and their needles deep green. Regionally natural green and leaf-litter-brown undergrowth occupies the spaces between trunks and presses around the traversable margins. Passage continues beside the markers or through gaps bordered by undergrowth. This is a zero-storey outdoor ensemble with no enclosed structure, architectural openings, or signboard.\n\nTHE LOCATION: A forest path and scattered inscribed stone-marker site in a black-pine grove within an inhabited mountain-edge neighborhood of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The target is a zero-storey, open-air ensemble with no building, enclosed volume, doors, windows, or other openings. Several independent waist-high markers of weathered local gray granite stand at intervals along the verge of one compacted-earth forest path; they never form a compact monument. Green moss covers substantial areas of every marker. Each marker has one weathered, unpainted carved Korean inscription reading Suri-young, and the individual stones visibly differ. A dense grove of Korean black pines with dark gray-brown trunks and deep green needles encloses the path and marker verge. Natural green and leaf-litter-brown undergrowth fills the spaces between trunks and closes around the corridor margins without blocking the path. The path remains the principal passage beside the repeated markers and through gaps bordered by undergrowth. The grove belongs to a believable, currently inhabited mountain-edge neighborhood in contemporary South Korea, and the path and verge visibly show ordinary ongoing local use rather than abandonment or sterile staging. No commercial or institutional signboard is present.",
          "location_line_en": "A forest path and scattered inscribed stone-marker site in a black-pine grove within an inhabited mountain-edge neighborhood of contemporary South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "상업·공공 시설의 간판이 아닌 숲길의 비석 군이며, 글자는 각 비석에 새긴 명문이다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "시나리오의 숲길·비석 묘사를 직접 시각화한 접근",
              "evidence_ko": [
                "밤에는 보지 못 했던 허리 높이의 비석들이 눈에 띈다.",
                "표지석 처럼 군데군데 세워둔 모양.",
                "오래되었는 지 이끼가 잔뜩 낀 상태인데,",
                "빽빽한 해송 나무 숲… 나무 와 나무 사이 수풀 외에는 보이는 게 없다.",
                "곳곳에 보이는 몇 개의 비석들에 죄다 “수리영”이란 이름이 새겨져 있다.",
                "똑같은 건 아니고 조금씩 다르긴 한데,\n전부 써 있는 건 수리영이야."
              ],
              "prompt_en": "This is a currently used forest route within an ordinary inhabited mountain-edge neighborhood in contemporary South Korea. Its surrounding neighborhood context is believable, regionally typical, and unstaged. The target is a zero-storey open-air ensemble with no building or enclosed mass. Several independent waist-high markers of weathered local gray granite stand at intervals along one verge of a compacted-earth forest path rather than forming one monument. Substantial green moss covers the old stones. Every marker differs from the others and bears one weathered, unpainted Korean carving reading Suri-young. A dense Korean black-pine grove encloses the path and marker verge, with dark gray-brown trunks and deep green needles. Natural green and leaf-litter-brown undergrowth fills the spaces between trees and closes around the path margins. The path remains the principal corridor beside the repeated markers and through undergrowth-bordered gaps. The path and verge visibly carry ordinary signs of ongoing local use while the markers retain their age and moss. There are no doors, windows, architectural openings, or signboards.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권과 산자락 주변 환경을 먼저 확립하는 접근",
              "evidence_ko": [
                "숲이 무성한 산 속:",
                "그 나무와 수풀들에 그 이정표 같은 이끼 낀 비석.",
                "그런 게 몇 개나 더 있어.",
                "까딱하면 다시 이 자리로 돌아와.",
                "숲을 헤치며 앞으로 나아가는 수리영."
              ],
              "prompt_en": "An ordinary working mountain-edge neighborhood in contemporary South Korea surrounds this wooded site. The grove is part of an inhabited local landscape, and the route visibly remains in everyday use rather than reading as abandoned, isolated, or staged. Within the grove, one compacted-earth forest path forms the principal corridor. Several separate waist-high gray-granite markers occupy intervals along one path verge, never a single compact monument. They are old, weathered, and substantially covered by green moss. The stones vary individually, but each carries one faint, unpainted Korean inscription reading Suri-young. Dense Korean black pines enclose both the route and its marker verge; their trunks are dark gray-brown and their needles deep green. Regionally natural green and leaf-litter-brown undergrowth occupies the spaces between trunks and presses around the traversable margins. Passage continues beside the markers or through gaps bordered by undergrowth. This is a zero-storey outdoor ensemble with no enclosed structure, architectural openings, or signboard.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 선형 배치를 중심으로 장소의 구조를 확정하는 접근",
              "evidence_ko": [
                "“수리영” 글자가 흐릿하게 찍혀있는 비석.",
                "비석을 살펴본다.\n글자가 새겨져 있는데…",
                "그 이정표 같은 이끼 낀 비석.",
                "허리 높이의 비석들이 눈에 띈다.",
                "빽빽한 해송 나무 숲…"
              ],
              "prompt_en": "Weathered local gray granite, green moss, compacted brown earth, dark gray-brown pine trunks, and deep green needles define this contemporary South Korean forest site. The target has zero storeys and no building mass. It consists of several independent waist-high stone markers spaced along the verge of a single forest path. Their arrangement is linear and dispersed, not a compact memorial. Each marker has a different individual form, substantial moss growth, and one worn, unpainted Korean carving reading Suri-young. The compacted-earth path is the principal movement corridor beside the stones. Dense Korean black pines surround its outer sides. Green and leaf-litter-brown undergrowth fills the ground between the trunks and closes around the corridor margins while preserving passage through bordered gaps. The grove sits within a believable inhabited mountain-edge neighborhood, with ordinary contemporary regional surroundings left natural and unstaged. The route and verge visibly show ongoing local use. No doors, windows, other architectural openings, or signboards exist.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a currently used forest route within an ordinary inhabited mountain-edge neighborhood in contemporary South Korea. Its surrounding neighborhood context is believable, regionally typical, and unstaged. The target is a zero-storey open-air ensemble with no building or enclosed mass. Several independent waist-high markers of weathered local gray granite stand at intervals along one verge of a compacted-earth forest path rather than forming one monument. Substantial green moss covers the old stones. Every marker differs from the others and bears one weathered, unpainted Korean carving reading Suri-young. A dense Korean black-pine grove encloses the path and marker verge, with dark gray-brown trunks and deep green needles. Natural green and leaf-litter-brown undergrowth fills the spaces between trees and closes around the path margins. The path remains the principal corridor beside the repeated markers and through undergrowth-bordered gaps. The path and verge visibly carry ordinary signs of ongoing local use while the markers retain their age and moss. There are no doors, windows, architectural openings, or signboards.\n\nTHE LOCATION: A forest path and scattered inscribed stone-marker site in a black-pine grove within an inhabited mountain-edge neighborhood of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary working mountain-edge neighborhood in contemporary South Korea surrounds this wooded site. The grove is part of an inhabited local landscape, and the route visibly remains in everyday use rather than reading as abandoned, isolated, or staged. Within the grove, one compacted-earth forest path forms the principal corridor. Several separate waist-high gray-granite markers occupy intervals along one path verge, never a single compact monument. They are old, weathered, and substantially covered by green moss. The stones vary individually, but each carries one faint, unpainted Korean inscription reading Suri-young. Dense Korean black pines enclose both the route and its marker verge; their trunks are dark gray-brown and their needles deep green. Regionally natural green and leaf-litter-brown undergrowth occupies the spaces between trunks and presses around the traversable margins. Passage continues beside the markers or through gaps bordered by undergrowth. This is a zero-storey outdoor ensemble with no enclosed structure, architectural openings, or signboard.\n\nTHE LOCATION: A forest path and scattered inscribed stone-marker site in a black-pine grove within an inhabited mountain-edge neighborhood of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered local gray granite, green moss, compacted brown earth, dark gray-brown pine trunks, and deep green needles define this contemporary South Korean forest site. The target has zero storeys and no building mass. It consists of several independent waist-high stone markers spaced along the verge of a single forest path. Their arrangement is linear and dispersed, not a compact memorial. Each marker has a different individual form, substantial moss growth, and one worn, unpainted Korean carving reading Suri-young. The compacted-earth path is the principal movement corridor beside the stones. Dense Korean black pines surround its outer sides. Green and leaf-litter-brown undergrowth fills the ground between the trunks and closes around the corridor margins while preserving passage through bordered gaps. The grove sits within a believable inhabited mountain-edge neighborhood, with ordinary contemporary regional surroundings left natural and unstaged. The route and verge visibly show ongoing local use. No doors, windows, other architectural openings, or signboards exist.\n\nTHE LOCATION: A forest path and scattered inscribed stone-marker site in a black-pine grove within an inhabited mountain-edge neighborhood of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey, open-air ensemble with no building, enclosed volume, doors, windows, or other openings. Several independent waist-high markers of weathered local gray granite stand at intervals along the verge of one compacted-earth forest path; they never form a compact monument. Green moss covers substantial areas of every marker. Each marker has one weathered, unpainted carved Korean inscription reading Suri-young, and the individual stones visibly differ. A dense grove of Korean black pines with dark gray-brown trunks and deep green needles encloses the path and marker verge. Natural green and leaf-litter-brown undergrowth fills the spaces between trunks and closes around the corridor margins without blocking the path. The path remains the principal passage beside the repeated markers and through gaps bordered by undergrowth. The grove belongs to a believable, currently inhabited mountain-edge neighborhood in contemporary South Korea, and the path and verge visibly show ordinary ongoing local use rather than abandonment or sterile staging. No commercial or institutional signboard is present.\n\nTHE LOCATION: A forest path and scattered inscribed stone-marker site in a black-pine grove within an inhabited mountain-edge neighborhood of contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRotting meat portions before the stone markers; Large black goat; Pointed animal hand behind a tree; Handheld mobile phone",
        "seed_decision": {
          "input_fingerprint": "b2223d7c3f850e69",
          "totals": {
            "B": 10,
            "A": 7,
            "C": 6
          },
          "ranking": [
            "B",
            "A",
            "C"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 10,
              "verdict_ko": "Flawlessly realizes the brief with excellent regional authenticity; the mossy inscribed markers, compacted-earth path, enclosing black-pine grove, and lived-in neighborhood are perfectly depicted, with ordinary local use effectively anchoring the scene."
            },
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "Fails the enclosure requirement, as the right side of the path opens directly to a paved street rather than being enclosed by the dense pine grove; additionally, the third visible marker lacks the required inscription."
            },
            {
              "label": "C",
              "score": 6,
              "verdict_ko": "Violates the brief's strict material commitment by replacing the required compacted-earth forest path with a broom-swept poured concrete surface featuring a rigid cast edge."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "가장 앞쪽 비석 허리에 브리프에 명시되지 않은 색색의 천이 매달린 밧줄(금줄)이 묶여 있습니다.",
                "fix_en": "Remove the rope with colored cloth strips tied around the foremost stone marker.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the rope with colored cloth strips tied around the foremost stone marker.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_harbor_restaurant_deck": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_harbor_restaurant_deck_sel.png",
        "seed_asset_id": "c0499154-c729-4755-abfb-4cb490b4aafc",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working harbor-village neighborhood surrounds the restaurant near South Korea's mainland coast at night. Adjacent regional buildings and ordinary neighborhood fabric remain present without staged specificity. The target is a one-storey rectangular restaurant, 12 metres across its sea-facing side and 8 metres deep, with 3.4-metre walls and a 4.9-metre ridge. Its concrete-block and reinforced-concrete shell has warm-white cement render, a gray exposed-concrete plinth and restrained salt weathering. A 15-degree gable roof uses muted blue corrugated galvanized steel. A 12-by-5-metre dark-gray anti-slip composite deck forms the dedicated outdoor dining area along the sea-facing side. Exactly one clear-glass restaurant entrance in a silver anodized-aluminum frame directly joins the deck to the interior. Region-typical clear restaurant-front glazing remains subordinate to the committed massing. A navy acrylic signage band carries legible white lettering reading 푸른바다횟집. The offshore sea is visible straight outward beyond the deck, with the intervening waterfront left unspecified. The structure and its outdoor area visibly carry ordinary signs of an operating contemporary Korean restaurant.\n\nTHE LOCATION: A contemporary coastal-village raw-fish restaurant near a mainland harbor in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean coastal-village raw-fish restaurant: one storey, a rectangular reinforced-concrete and concrete-block main mass measuring 12 metres along the sea-facing side by 8 metres deep, with 3.4-metre walls and a 4.9-metre ridge beneath a 15-degree gable roof. The walls have warm-white cement render, a gray exposed-concrete plinth and salt-weathered surfaces; the roof is muted blue corrugated galvanized steel. The 96-square-metre footprint must plausibly contain the evidenced restaurant interior at real-world scale and must physically support the complete roof. A 12-by-5-metre dark-gray anti-slip composite deck forms the dedicated outdoor dining area along the sea-facing side. Exactly one evidenced restaurant entrance directly adjoins that deck, using a silver anodized-aluminum frame and clear glass. Region-typical clear restaurant-front glazing may accompany it without a prominent repeated opening pattern. A navy acrylic signage band with legible white Korean lettering reading 푸른바다횟집 must be present. The principal outward sightline from every part of the deck runs away from the building toward the visible offshore sea, but no direct shoreline contact may be assumed. The restaurant must stand within a believable, currently inhabited and working mainland harbor village neighborhood, with adjacent regional buildings and ordinary surroundings rather than empty ground. The building and outdoor area must visibly carry ordinary signs of an operating restaurant as such places genuinely do in contemporary South Korea; a bare, sterile, abandoned or prison-like candidate fails.",
          "location_line_en": "A contemporary coastal-village raw-fish restaurant near a mainland harbor in South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "50. 실내. 해안마을 횟집 - 밤",
              "label_en": "restaurant interior",
              "scene_index": 49
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "현대 한국의 횟집은 업종과 상호를 알리는 전면 간판을 통상 사용한다.",
          "signage_required": true,
          "signage_text": "푸른바다횟집",
          "variants": [
            {
              "approach_ko": "시나리오의 밤바다와 바깥 자리 관계를 직접 반영한 접근",
              "evidence_ko": [
                "50. 실내. 해안마을 횟집 - 밤",
                "깜깜한 밤바다 멀-리 불을 밝힌 야간 조업 어선들이 밤하늘 별처럼 떠 있다.",
                "그 풍경이 보이는 바깥 자리에 앉아"
              ],
              "prompt_en": "A currently inhabited working harbor-village neighborhood surrounds the restaurant near South Korea's mainland coast at night. Adjacent regional buildings and ordinary neighborhood fabric remain present without staged specificity. The target is a one-storey rectangular restaurant, 12 metres across its sea-facing side and 8 metres deep, with 3.4-metre walls and a 4.9-metre ridge. Its concrete-block and reinforced-concrete shell has warm-white cement render, a gray exposed-concrete plinth and restrained salt weathering. A 15-degree gable roof uses muted blue corrugated galvanized steel. A 12-by-5-metre dark-gray anti-slip composite deck forms the dedicated outdoor dining area along the sea-facing side. Exactly one clear-glass restaurant entrance in a silver anodized-aluminum frame directly joins the deck to the interior. Region-typical clear restaurant-front glazing remains subordinate to the committed massing. A navy acrylic signage band carries legible white lettering reading 푸른바다횟집. The offshore sea is visible straight outward beyond the deck, with the intervening waterfront left unspecified. The structure and its outdoor area visibly carry ordinary signs of an operating contemporary Korean restaurant.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "해안 지역의 재료와 염해 흔적을 우선한 접근",
              "evidence_ko": [
                "50. 실내. 해안마을 횟집 - 밤",
                "깜깜한 밤바다",
                "그 풍경이 보이는 바깥 자리"
              ],
              "prompt_en": "The restaurant stands within an inhabited contemporary South Korean mainland harbor village, integrated with adjacent working-neighborhood buildings and ordinary regional surroundings. Its reinforced-concrete and concrete-block mass is one storey, rectangular, 12 metres along the sea-facing elevation by 8 metres deep, with walls rising 3.4 metres and the roof ridge reaching 4.9 metres. Warm-white cement render covers the walls above a gray exposed-concrete plinth. Salt streaks, softened paint and routine coastal wear remain visible without dereliction. Muted blue corrugated galvanized steel forms the 15-degree gable roof. The sea-facing side adjoins a 12-by-5-metre outdoor dining deck surfaced in dark-gray anti-slip composite boards. Exactly one silver anodized-aluminum and clear-glass entrance opens directly between the deck and restaurant interior. Clear frontage glazing follows ordinary contemporary Korean restaurant practice without multiplying prominent openings. A navy acrylic sign band displays the legible white text 푸른바다횟집. The deck's outward view runs away from the building toward the offshore sea; shoreline distance and intervening waterfront features are not fixed. The premises visibly show ordinary active restaurant use.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "현대 한국 항구 마을 횟집의 업종 전면과 동네 맥락을 우선한 접근",
              "evidence_ko": [
                "해안마을 횟집",
                "그 풍경이 보이는 바깥 자리",
                "깜깜한 밤바다 멀-리"
              ],
              "prompt_en": "An ordinary inhabited mainland harbor village in contemporary South Korea encloses the site, with the restaurant belonging to its active coastal commercial fabric rather than standing alone. The same one-storey target building has a 12-by-8-metre rectangular reinforced-concrete and concrete-block mass, 3.4-metre walls and a 4.9-metre ridge beneath a 15-degree gable roof. Its exterior is warm-white cement render over a gray exposed-concrete plinth, with credible salt exposure and maintained wear. The roof is muted blue corrugated galvanized steel. The type-defining frontage includes a navy acrylic signage band with clear white lettering reading 푸른바다횟집 and region-typical clear glazing. Exactly one clear-glass entrance with a silver anodized-aluminum frame occupies the side adjoining the outdoor dining area. That area is a 12-by-5-metre dark-gray anti-slip composite deck running along the sea-facing exterior. From the deck, the principal sightline extends outward to the visible offshore sea without defining whether the site touches the shoreline. The building and deck visibly read as an operating raw-fish restaurant through ordinary, unstaged signs of active use appropriate to the region.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working harbor-village neighborhood surrounds the restaurant near South Korea's mainland coast at night. Adjacent regional buildings and ordinary neighborhood fabric remain present without staged specificity. The target is a one-storey rectangular restaurant, 12 metres across its sea-facing side and 8 metres deep, with 3.4-metre walls and a 4.9-metre ridge. Its concrete-block and reinforced-concrete shell has warm-white cement render, a gray exposed-concrete plinth and restrained salt weathering. A 15-degree gable roof uses muted blue corrugated galvanized steel. A 12-by-5-metre dark-gray anti-slip composite deck forms the dedicated outdoor dining area along the sea-facing side. Exactly one clear-glass restaurant entrance in a silver anodized-aluminum frame directly joins the deck to the interior. Region-typical clear restaurant-front glazing remains subordinate to the committed massing. A navy acrylic signage band carries legible white lettering reading 푸른바다횟집. The offshore sea is visible straight outward beyond the deck, with the intervening waterfront left unspecified. The structure and its outdoor area visibly carry ordinary signs of an operating contemporary Korean restaurant.\n\nTHE LOCATION: A contemporary coastal-village raw-fish restaurant near a mainland harbor in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe restaurant stands within an inhabited contemporary South Korean mainland harbor village, integrated with adjacent working-neighborhood buildings and ordinary regional surroundings. Its reinforced-concrete and concrete-block mass is one storey, rectangular, 12 metres along the sea-facing elevation by 8 metres deep, with walls rising 3.4 metres and the roof ridge reaching 4.9 metres. Warm-white cement render covers the walls above a gray exposed-concrete plinth. Salt streaks, softened paint and routine coastal wear remain visible without dereliction. Muted blue corrugated galvanized steel forms the 15-degree gable roof. The sea-facing side adjoins a 12-by-5-metre outdoor dining deck surfaced in dark-gray anti-slip composite boards. Exactly one silver anodized-aluminum and clear-glass entrance opens directly between the deck and restaurant interior. Clear frontage glazing follows ordinary contemporary Korean restaurant practice without multiplying prominent openings. A navy acrylic sign band displays the legible white text 푸른바다횟집. The deck's outward view runs away from the building toward the offshore sea; shoreline distance and intervening waterfront features are not fixed. The premises visibly show ordinary active restaurant use.\n\nTHE LOCATION: A contemporary coastal-village raw-fish restaurant near a mainland harbor in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited mainland harbor village in contemporary South Korea encloses the site, with the restaurant belonging to its active coastal commercial fabric rather than standing alone. The same one-storey target building has a 12-by-8-metre rectangular reinforced-concrete and concrete-block mass, 3.4-metre walls and a 4.9-metre ridge beneath a 15-degree gable roof. Its exterior is warm-white cement render over a gray exposed-concrete plinth, with credible salt exposure and maintained wear. The roof is muted blue corrugated galvanized steel. The type-defining frontage includes a navy acrylic signage band with clear white lettering reading 푸른바다횟집 and region-typical clear glazing. Exactly one clear-glass entrance with a silver anodized-aluminum frame occupies the side adjoining the outdoor dining area. That area is a 12-by-5-metre dark-gray anti-slip composite deck running along the sea-facing exterior. From the deck, the principal sightline extends outward to the visible offshore sea without defining whether the site touches the shoreline. The building and deck visibly read as an operating raw-fish restaurant through ordinary, unstaged signs of active use appropriate to the region.\n\nTHE LOCATION: A contemporary coastal-village raw-fish restaurant near a mainland harbor in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean coastal-village raw-fish restaurant: one storey, a rectangular reinforced-concrete and concrete-block main mass measuring 12 metres along the sea-facing side by 8 metres deep, with 3.4-metre walls and a 4.9-metre ridge beneath a 15-degree gable roof. The walls have warm-white cement render, a gray exposed-concrete plinth and salt-weathered surfaces; the roof is muted blue corrugated galvanized steel. The 96-square-metre footprint must plausibly contain the evidenced restaurant interior at real-world scale and must physically support the complete roof. A 12-by-5-metre dark-gray anti-slip composite deck forms the dedicated outdoor dining area along the sea-facing side. Exactly one evidenced restaurant entrance directly adjoins that deck, using a silver anodized-aluminum frame and clear glass. Region-typical clear restaurant-front glazing may accompany it without a prominent repeated opening pattern. A navy acrylic signage band with legible white Korean lettering reading 푸른바다횟집 must be present. The principal outward sightline from every part of the deck runs away from the building toward the visible offshore sea, but no direct shoreline contact may be assumed. The restaurant must stand within a believable, currently inhabited and working mainland harbor village neighborhood, with adjacent regional buildings and ordinary surroundings rather than empty ground. The building and outdoor area must visibly carry ordinary signs of an operating restaurant as such places genuinely do in contemporary South Korea; a bare, sterile, abandoned or prison-like candidate fails.\n\nTHE LOCATION: A contemporary coastal-village raw-fish restaurant near a mainland harbor in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"푸른바다횟집\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\noutdoor dining tables and chairs; alcohol bottles and drinking glasses; mobile phone displaying a CCTV image; offshore fishing boats and their lights",
        "seed_decision": {
          "input_fingerprint": "2368780107337bf2",
          "totals": {
            "A": 7,
            "B": 3,
            "C": 5
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "간판 텍스트, 외장재, 데크 규정을 가장 잘 준수했으나, 데크가 12m 바다 방향이 아닌 8m 측면에 위치한 구조적 아쉬움이 있습니다."
            },
            {
              "label": "B",
              "score": 3,
              "verdict_ko": "데크의 주요 시야가 바다가 아닌 도로를 향해 있으며, 지침에 없는 추가 간판과 텍스트가 다수 배치되어 지침을 심각하게 위반했습니다."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "전면 유리에 눈에 띄게 반복되는 개구부 패턴이 적용되었고, 요청하지 않은 텍스트(도로명 번호판, 입간판 등)가 추가되어 지침을 위반했습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "대본에 제외하도록 명시된 야외 식탁과 의자, 술병과 유리잔이 야외 데크에 그대로 묘사되어 있습니다.",
                "fix_en": "Remove the outdoor dining tables, chairs, alcohol bottles, and drinking glasses from the deck.",
                "unfixable": false
              },
              {
                "issue_ko": "대본에 제외하도록 명시된 조명을 밝힌 앞바다 어선들이 배경 바다에 그려져 있습니다.",
                "fix_en": "Remove the offshore fishing boats and their lights from the background sea.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the outdoor dining tables, chairs, alcohol bottles, and drinking glasses from the deck.\n- Remove the offshore fishing boats and their lights from the background sea.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_island_coastal_village": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_island_coastal_village_sel.png",
        "seed_asset_id": "1aa167eb-7e34-4b4c-bccb-497b7bdff3cf",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is a contemporary South Korean coastal village cluster of fewer than fifty actively used private dwellings, embedded in its inhabited island neighborhood. All houses are one-storey detached masonry buildings. Each uses an approximately 8 by 10 metre rectangular mass, white or light-gray cement render, and a low-pitched gable roof clad in factory-painted corrugated metal. Roof colors alternate among blue, green, and orange-red across the cluster. Lane-facing domestic doors and window frames have ordinary contemporary regional finishes and no conspicuous unsupported openings. Low gray masonry boundary walls run beside the village lane, with one gate interrupting each bounded frontage to give direct access to the house beyond. Straw rope hangs along these walls but is absent as gate decoration. Sweet-flag plantings fill the house-side frontage areas beyond or beside the boundaries. On the seaward side, the sea directly meets the rocky shore. The lane occupies the landward residential zone and leads through the settlement toward the forest beyond its inland side. The buildings and outdoor areas visibly retain ordinary signs of continuing domestic use. No signage is present.\n\nTHE LOCATION: A contemporary coastal residential village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The main subject is a contemporary South Korean coastal residential cluster of fewer than fifty detached houses, all one storey, each with an approximately 8 by 10 metre rectangular masonry mass and a low-pitched gable roof. Exterior walls are white or light-gray cement render; roofs are factory-painted corrugated metal alternating among blue, green, and orange-red; domestic doors and window frames use region-standard contemporary finishes without prominent invented openings. The map-readable site order is sea, directly adjoining rocky shore, then the landward village lane lined by residential fronts, low gray masonry boundary walls and frontage gates, then the inland forest reached through the village circulation. Each bounded frontage has a gate opening directly to the lane. Sweet-flag plantings occupy the house-side frontage areas beyond or beside the low walls. Straw rope hangs along boundary walls but not as gate decoration. The houses and frontage areas must visibly carry ordinary signs of active domestic use. The surrounding coastal village must read as an inhabited working neighborhood, never an isolated building, abandoned settlement, sterile compound or studio set. No signage is present.",
          "location_line_en": "A contemporary coastal residential village on Geumwoldo, South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "일반 민가로 이루어진 주거 마을이므로 식별 간판이 필요하지 않다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "시나리오의 해안·마을길·민가·숲 단서를 직접 시각화한 접근",
              "evidence_ko": [
                "갯바위에서 놀던 꼬마 아이들이 수리영을 보며 반갑게 손을 흔든다.",
                "집 앞 대문에 황 씨가 배에 걸었던 것과 비슷한 새끼줄 장식을 걸던 주민들,",
                "우리 금월도는 집집마다 요 석창포를 키운당께.",
                "어느새 야트막한 담 너머로 마을 사람들이 전부 수리영을 내다보는 것 같다.",
                "숲에는 절대 혼자 들어가덜 말어야.",
                "금월도 앞바다에 어슴프레 여명이 밝아오는가 싶더니… 붉은 빛이 드리우고 해가 뜨기 시작한다."
              ],
              "prompt_en": "The main subject is an inhabited contemporary coastal residential cluster on a South Korean island, surrounded by its ordinary working village neighborhood. Fewer than fifty detached houses occupy the land between the sea and an inland forest. Every house is one storey, with an approximately 8 by 10 metre rectangular masonry mass, white or light-gray cement-rendered walls, and a low-pitched gable roof of factory-painted corrugated metal in blue, green, or orange-red. The lane-facing elevations use ordinary regional domestic doors and window frames without emphasized extra openings. The sea directly meets a rocky shore. Landward of the rocks, the village lane passes between house fronts behind low gray masonry boundary walls. One gate interrupts each bounded frontage and opens directly from the lane toward its house. Sweet-flag plantings occupy the house-side frontage areas beyond or beside the walls. Straw rope hangs along the boundary walls, not as gate decoration. Village circulation continues inland toward the forest. The houses and outdoor frontage areas visibly carry ordinary signs of active domestic use. No signage is present.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "바다에서 숲까지 이어지는 공간 순서를 우선한 배치 중심 접근",
              "evidence_ko": [
                "금월도 앞바다에 어슴프레 여명이 밝아오는가 싶더니… 붉은 빛이 드리우고 해가 뜨기 시작한다.",
                "갯바위에서 놀던 꼬마 아이들이 수리영을 보며 반갑게 손을 흔든다.",
                "때마침 마을 길을 지나가는 수리영을 본다.",
                "어느새 야트막한 담 너머로 마을 사람들이 전부 수리영을 내다보는 것 같다.",
                "숲에는 절대 혼자 들어가덜 말어야."
              ],
              "prompt_en": "A real inhabited South Korean island neighborhood extends in a clear sequence from the coastal edge to the inland forest. The sea adjoins the rocky shore; behind the rocks, a village lane crosses the residential area and continues through inland branches toward the forest. The main subject is the lane-side cluster of fewer than fifty one-storey detached masonry houses. Each house has an approximately 8 by 10 metre rectangular footprint, white or light-gray cement-rendered walls, and a low-pitched corrugated-metal gable roof finished in blue, green, or orange-red factory paint. Ordinary regional domestic doors and window frames remain subordinate on the lane-facing elevations, with no prominent invented openings. Low gray masonry walls define the frontages along the lane, and one gate through each frontage connects the lane directly to its house. Sweet-flag plantings stand on the house side of or beside these boundaries. Straw rope lies along the boundary walls and does not decorate the gates. The houses and their frontage areas visibly show ordinary active domestic use. The setting is a working coastal village rather than an isolated structure or empty compound. No signage is present.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "현대 남해안 섬마을의 재료와 주거 유형을 우선한 접근",
              "evidence_ko": [
                "50여 가구 미만의 알록달록한 지붕을 가진 소담스러운 집들이 모인 마을.",
                "담장에는 새끼줄이 걸려 있다.",
                "우리 금월도는 집집마다 요 석창포를 키운당께.",
                "집 앞 대문에 황 씨가 배에 걸었던 것과 비슷한 새끼줄 장식을 걸던 주민들,"
              ],
              "prompt_en": "The main subject is a contemporary South Korean coastal village cluster of fewer than fifty actively used private dwellings, embedded in its inhabited island neighborhood. All houses are one-storey detached masonry buildings. Each uses an approximately 8 by 10 metre rectangular mass, white or light-gray cement render, and a low-pitched gable roof clad in factory-painted corrugated metal. Roof colors alternate among blue, green, and orange-red across the cluster. Lane-facing domestic doors and window frames have ordinary contemporary regional finishes and no conspicuous unsupported openings. Low gray masonry boundary walls run beside the village lane, with one gate interrupting each bounded frontage to give direct access to the house beyond. Straw rope hangs along these walls but is absent as gate decoration. Sweet-flag plantings fill the house-side frontage areas beyond or beside the boundaries. On the seaward side, the sea directly meets the rocky shore. The lane occupies the landward residential zone and leads through the settlement toward the forest beyond its inland side. The buildings and outdoor areas visibly retain ordinary signs of continuing domestic use. No signage is present.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is an inhabited contemporary coastal residential cluster on a South Korean island, surrounded by its ordinary working village neighborhood. Fewer than fifty detached houses occupy the land between the sea and an inland forest. Every house is one storey, with an approximately 8 by 10 metre rectangular masonry mass, white or light-gray cement-rendered walls, and a low-pitched gable roof of factory-painted corrugated metal in blue, green, or orange-red. The lane-facing elevations use ordinary regional domestic doors and window frames without emphasized extra openings. The sea directly meets a rocky shore. Landward of the rocks, the village lane passes between house fronts behind low gray masonry boundary walls. One gate interrupts each bounded frontage and opens directly from the lane toward its house. Sweet-flag plantings occupy the house-side frontage areas beyond or beside the walls. Straw rope hangs along the boundary walls, not as gate decoration. Village circulation continues inland toward the forest. The houses and outdoor frontage areas visibly carry ordinary signs of active domestic use. No signage is present.\n\nTHE LOCATION: A contemporary coastal residential village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real inhabited South Korean island neighborhood extends in a clear sequence from the coastal edge to the inland forest. The sea adjoins the rocky shore; behind the rocks, a village lane crosses the residential area and continues through inland branches toward the forest. The main subject is the lane-side cluster of fewer than fifty one-storey detached masonry houses. Each house has an approximately 8 by 10 metre rectangular footprint, white or light-gray cement-rendered walls, and a low-pitched corrugated-metal gable roof finished in blue, green, or orange-red factory paint. Ordinary regional domestic doors and window frames remain subordinate on the lane-facing elevations, with no prominent invented openings. Low gray masonry walls define the frontages along the lane, and one gate through each frontage connects the lane directly to its house. Sweet-flag plantings stand on the house side of or beside these boundaries. Straw rope lies along the boundary walls and does not decorate the gates. The houses and their frontage areas visibly show ordinary active domestic use. The setting is a working coastal village rather than an isolated structure or empty compound. No signage is present.\n\nTHE LOCATION: A contemporary coastal residential village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is a contemporary South Korean coastal village cluster of fewer than fifty actively used private dwellings, embedded in its inhabited island neighborhood. All houses are one-storey detached masonry buildings. Each uses an approximately 8 by 10 metre rectangular mass, white or light-gray cement render, and a low-pitched gable roof clad in factory-painted corrugated metal. Roof colors alternate among blue, green, and orange-red across the cluster. Lane-facing domestic doors and window frames have ordinary contemporary regional finishes and no conspicuous unsupported openings. Low gray masonry boundary walls run beside the village lane, with one gate interrupting each bounded frontage to give direct access to the house beyond. Straw rope hangs along these walls but is absent as gate decoration. Sweet-flag plantings fill the house-side frontage areas beyond or beside the boundaries. On the seaward side, the sea directly meets the rocky shore. The lane occupies the landward residential zone and leads through the settlement toward the forest beyond its inland side. The buildings and outdoor areas visibly retain ordinary signs of continuing domestic use. No signage is present.\n\nTHE LOCATION: A contemporary coastal residential village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe main subject is a contemporary South Korean coastal residential cluster of fewer than fifty detached houses, all one storey, each with an approximately 8 by 10 metre rectangular masonry mass and a low-pitched gable roof. Exterior walls are white or light-gray cement render; roofs are factory-painted corrugated metal alternating among blue, green, and orange-red; domestic doors and window frames use region-standard contemporary finishes without prominent invented openings. The map-readable site order is sea, directly adjoining rocky shore, then the landward village lane lined by residential fronts, low gray masonry boundary walls and frontage gates, then the inland forest reached through the village circulation. Each bounded frontage has a gate opening directly to the lane. Sweet-flag plantings occupy the house-side frontage areas beyond or beside the low walls. Straw rope hangs along boundary walls but not as gate decoration. The houses and frontage areas must visibly carry ordinary signs of active domestic use. The surrounding coastal village must read as an inhabited working neighborhood, never an isolated building, abandoned settlement, sterile compound or studio set. No signage is present.\n\nTHE LOCATION: A contemporary coastal residential village on Geumwoldo, South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRope decorations attached to house gates; Blooming and withering village flowers; Children, residents, and passing pedestrians; Sunset, nightfall, moon, and dawn conditions",
        "seed_decision": {
          "input_fingerprint": "b3bc90b03d62ad70",
          "totals": {
            "C": 8,
            "A": 6,
            "B": 2
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 8,
              "verdict_ko": "Wins by faithfully executing the strict map-readable site order (sea, rocky shore, lane, residential fronts, forest) which the others fail. It loses points only for substituting hip roofs for the committed gable roofs and including tiny address plaques despite the no-signage rule."
            },
            {
              "label": "A",
              "score": 6,
              "verdict_ko": "Fails the map-readable site order by placing a row of houses on the seaward side of the village lane, and like the winner, structurally violates the brief by featuring hip roofs instead of the required gable roofs."
            },
            {
              "label": "B",
              "score": 2,
              "verdict_ko": "HARD VIOLATION: Includes a visible pedestrian walking in the middle distance of the central village lane, directly violating the scene transients constraint against people."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "브리프에서 모든 집에 박공지붕(gable roof)을 지시했으나, 전경 뒤쪽의 많은 집들이 네 면에 경사가 있는 우진각/모임지붕(hipped roof) 형태를 띠고 있습니다.",
                "fix_en": "Change the hipped roofs on the background houses to low-pitched gable roofs to match the foreground house.",
                "unfixable": false
              },
              {
                "issue_ko": "어떠한 표지판도 없어야 한다는 지시와 달리, 전경에 위치한 집의 오른쪽 대문 기둥에 작은 파란색 주소판(표지판)이 부착되어 있습니다.",
                "fix_en": "Remove the small blue sign from the right gate post of the foreground house.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the hipped roofs on the background houses to low-pitched gable roofs to match the foreground house.\n- Remove the small blue sign from the right gate post of the foreground house.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_island_main_pier": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_island_main_pier_sel.png",
        "seed_asset_id": "5ba2e05d-ac67-457a-b8c7-d2a0003913a9",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary island fishing-village landing in South Korea occupies the transition between open sea and a village of fewer than fifty households. Regionally typical houses with varied muted blue, red and green roofs stand among autumn woodland around and behind the inland approach. The neighborhood is inhabited and working, with ordinary signs of continuing local use.\n\nA 45 m by 8 m pale-gray cast-concrete pier runs continuously from the village approach to its seaward terminal end. Salt staining and working wear mark the concrete without dereliction. Sea contacts the exposed sides, terminal end and boat-access berth edge. Standard dark galvanized-steel and black-rubber mooring fixtures serve the berth.\n\nThe village-side frontage contains two separate one-storey buildings facing the pier route. The fishing-gear warehouse is a 12 m by 8 m off-white painted concrete-block rectangle with 3.8 m eaves and a blue corrugated coated-steel gable roof. Its pier-facing wall has exactly one blue steel double-leaf doorway and one dusty natural-aluminum-framed window. The footprint supports one 96-square-metre open storage room. The restaurant is a 10 m by 8 m pale-cream rendered-masonry rectangle with a blue coated-steel gable roof, a region-typical natural-aluminum glazed frontage and one pier-visible entrance. A white frontage sign carries the legible dark-blue lettering 섬마을식당. The warehouse, restaurant and their outdoor frontage visibly remain in active everyday use.\n\nTHE LOCATION: A contemporary working pier in a woodland-set island fishing village in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"섬마을식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean island-pier ensemble. A 45 m by 8 m pale-gray weathered concrete pier extends continuously from the village approach to its seaward terminal end, with sea adjoining the exposed sides and terminal end and a water-contacting berth edge with standard dark galvanized-steel and black-rubber mooring fixtures along the boat-access side. At the landward frontage, the one-storey fishing-gear warehouse is a 12 m by 8 m rectangular off-white painted concrete-block building with a blue corrugated coated-steel gable roof, 3.8 m eaves, exactly one pier-facing blue steel double-leaf doorway and exactly one dusty natural-aluminum-framed window. Its 96-square-metre footprint must plausibly contain the single evidenced open storage room at real working-warehouse scale. The separate one-storey restaurant is a 10 m by 8 m pale-cream rendered-masonry rectangle with a blue coated-steel gable roof, natural-aluminum glazed frontage, exactly one pier-visible entrance and a legible white signboard bearing the exact dark-blue lettering 섬마을식당. Both buildings face the pier-to-village route. Inland, regionally authentic houses with varied colored roofs form a village of fewer than fifty households, interwoven with and backed by autumn woodland. The warehouse, restaurant, pier and outdoor areas visibly carry ordinary signs of active working use, and the surrounding village must read as inhabited rather than sterile, abandoned or set-like. Do not add, remove, relocate or duplicate any specified site element or prominent warehouse opening.",
          "location_line_en": "A contemporary working pier in a woodland-set island fishing village in South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "어둑한 창고 안 층층이 쌓인 어망, 낚싯대, 통발 등 어구 장비들, 그리고 큼직한 생선 바구니도 천장까지 높게 쌓여 발디딜 틈이 없어 보인다.",
              "label_en": "Open fishing-gear storage room",
              "scene_index": 80
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "현대 한국의 선착장 식당은 영업 식별 간판을 갖는 업종이다.",
          "signage_required": true,
          "signage_text": "섬마을식당",
          "variants": [
            {
              "approach_ko": "원문 동선과 공간 단서를 따라 구성한 접근",
              "evidence_ko": [
                "50여 가구가 채 안 되어 보이는 작은 섬 마을은 알록달록 한 지붕의 소담스런 집들이\n단풍이 한창인 나무, 숲과 어우러져 한폭의 그림 같은 풍경을 만들어낸다.",
                "이미 연락을 받았는지, 반월 식당 앞에 나온 영란이 마을 쪽으로 들어오는 인우를 지켜본다.",
                "어구 창고 문이 활짝 열리고 수리영, 인우, 민숙이 헐레벌떡 뛰어나온다.",
                "먼지가 잔뜩 껴서 흐릿한 창 밖으로 바깥 선착장 쪽 동태를 살피는 민숙.",
                "멀찍이 선착장 끝에 민숙이 바다를 보며 앉아있다.",
                "시멘트 바닥과 정박 시설이 있다."
              ],
              "prompt_en": "A contemporary island fishing-village landing in South Korea occupies the transition between open sea and a village of fewer than fifty households. Regionally typical houses with varied muted blue, red and green roofs stand among autumn woodland around and behind the inland approach. The neighborhood is inhabited and working, with ordinary signs of continuing local use.\n\nA 45 m by 8 m pale-gray cast-concrete pier runs continuously from the village approach to its seaward terminal end. Salt staining and working wear mark the concrete without dereliction. Sea contacts the exposed sides, terminal end and boat-access berth edge. Standard dark galvanized-steel and black-rubber mooring fixtures serve the berth.\n\nThe village-side frontage contains two separate one-storey buildings facing the pier route. The fishing-gear warehouse is a 12 m by 8 m off-white painted concrete-block rectangle with 3.8 m eaves and a blue corrugated coated-steel gable roof. Its pier-facing wall has exactly one blue steel double-leaf doorway and one dusty natural-aluminum-framed window. The footprint supports one 96-square-metre open storage room. The restaurant is a 10 m by 8 m pale-cream rendered-masonry rectangle with a blue coated-steel gable roof, a region-typical natural-aluminum glazed frontage and one pier-visible entrance. A white frontage sign carries the legible dark-blue lettering 섬마을식당. The warehouse, restaurant and their outdoor frontage visibly remain in active everyday use.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "마을 환경에서 선착장으로 좁혀가는 접근",
              "evidence_ko": [
                "50여 가구가 채 안 되어 보이는 작은 섬 마을",
                "알록달록 한 지붕의 소담스런 집들이",
                "단풍이 한창인 나무, 숲과 어우러져",
                "반월 식당 앞",
                "어구 창고 문",
                "흐릿한 창 밖으로 바깥 선착장 쪽"
              ],
              "prompt_en": "An inhabited contemporary South Korean island fishing village surrounds the landward approach to its working pier. Fewer than fifty households occupy regionally typical houses with varied muted blue, red and green roofs. Autumn woodland interweaves with the houses and continues behind them. The ordinary signs of year-round residential and harbor use are visible throughout the neighborhood.\n\nThe village route reaches a 45 m by 8 m continuous pale-gray concrete pier and continues to its seaward terminal end. The adjacent sea meets both exposed sides and the end. One boat-access side forms the water-contacting berth edge, fitted with region-standard dark galvanized-steel and black-rubber mooring fixtures. Salt weathering and routine surface wear remain visible on the concrete.\n\nFacing the route at the village-side landing is a one-storey, 12 m by 8 m fishing-gear warehouse. It has off-white painted concrete-block walls, 3.8 m eaves and a blue corrugated coated-steel gable roof. Exactly one blue steel double-leaf doorway opens toward the pier route, accompanied by exactly one dusty natural-aluminum-framed window. Its full footprint accommodates one 96-square-metre open storage room. A separate one-storey, 10 m by 8 m restaurant faces the same route. It has pale-cream rendered masonry, a blue coated-steel gable roof, natural-aluminum shopfront glazing and one visible entrance. Its white signboard clearly reads 섬마을식당 in dark blue. Both frontages visibly function as active local premises.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 항구 건축 유형을 우선한 접근",
              "evidence_ko": [
                "시멘트 바닥과 정박 시설이 있다.",
                "어구 창고",
                "어망, 낚싯대, 통발 등 어구 장비들",
                "천장까지 높게 쌓여",
                "먼지가 잔뜩 껴서 흐릿한 창",
                "금월도 앞바다"
              ],
              "prompt_en": "Weathered pale-gray concrete defines a contemporary working island pier in South Korea. The deck measures 45 m by 8 m and forms one continuous route between the village approach and the seaward terminal end. Sea directly adjoins the exposed sides, the terminal end and the vessel berth edge. Dark galvanized-steel and black-rubber mooring fixtures use the standard finish of a South Korean fishing landing. Salt marks and regular working wear are present, but the pier remains fully in service.\n\nAt the village-side frontage, the fishing-gear warehouse is a one-storey rectangular concrete-block structure measuring 12 m by 8 m, with 3.8 m eaves. Its walls are painted off-white and its gable roof is blue corrugated coated steel. The pier-facing elevation contains exactly one blue steel double-leaf doorway and one dusty natural-aluminum-framed window. The 96-square-metre footprint plausibly holds the single evidenced open storage room at real warehouse scale.\n\nBeside it, the separate one-storey restaurant measures 10 m by 8 m. Pale-cream rendered masonry supports a blue coated-steel gable roof. A natural-aluminum glazed restaurant frontage contains one pier-visible entrance and a white signboard with the exact legible dark-blue lettering 섬마을식당. Both buildings address the route from pier to village and visibly retain ordinary signs of active use. Beyond them, an inhabited village of fewer than fifty households has regionally typical houses with varied muted blue, red and green roofs, interwoven with autumn woodland.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary island fishing-village landing in South Korea occupies the transition between open sea and a village of fewer than fifty households. Regionally typical houses with varied muted blue, red and green roofs stand among autumn woodland around and behind the inland approach. The neighborhood is inhabited and working, with ordinary signs of continuing local use.\n\nA 45 m by 8 m pale-gray cast-concrete pier runs continuously from the village approach to its seaward terminal end. Salt staining and working wear mark the concrete without dereliction. Sea contacts the exposed sides, terminal end and boat-access berth edge. Standard dark galvanized-steel and black-rubber mooring fixtures serve the berth.\n\nThe village-side frontage contains two separate one-storey buildings facing the pier route. The fishing-gear warehouse is a 12 m by 8 m off-white painted concrete-block rectangle with 3.8 m eaves and a blue corrugated coated-steel gable roof. Its pier-facing wall has exactly one blue steel double-leaf doorway and one dusty natural-aluminum-framed window. The footprint supports one 96-square-metre open storage room. The restaurant is a 10 m by 8 m pale-cream rendered-masonry rectangle with a blue coated-steel gable roof, a region-typical natural-aluminum glazed frontage and one pier-visible entrance. A white frontage sign carries the legible dark-blue lettering 섬마을식당. The warehouse, restaurant and their outdoor frontage visibly remain in active everyday use.\n\nTHE LOCATION: A contemporary working pier in a woodland-set island fishing village in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"섬마을식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited contemporary South Korean island fishing village surrounds the landward approach to its working pier. Fewer than fifty households occupy regionally typical houses with varied muted blue, red and green roofs. Autumn woodland interweaves with the houses and continues behind them. The ordinary signs of year-round residential and harbor use are visible throughout the neighborhood.\n\nThe village route reaches a 45 m by 8 m continuous pale-gray concrete pier and continues to its seaward terminal end. The adjacent sea meets both exposed sides and the end. One boat-access side forms the water-contacting berth edge, fitted with region-standard dark galvanized-steel and black-rubber mooring fixtures. Salt weathering and routine surface wear remain visible on the concrete.\n\nFacing the route at the village-side landing is a one-storey, 12 m by 8 m fishing-gear warehouse. It has off-white painted concrete-block walls, 3.8 m eaves and a blue corrugated coated-steel gable roof. Exactly one blue steel double-leaf doorway opens toward the pier route, accompanied by exactly one dusty natural-aluminum-framed window. Its full footprint accommodates one 96-square-metre open storage room. A separate one-storey, 10 m by 8 m restaurant faces the same route. It has pale-cream rendered masonry, a blue coated-steel gable roof, natural-aluminum shopfront glazing and one visible entrance. Its white signboard clearly reads 섬마을식당 in dark blue. Both frontages visibly function as active local premises.\n\nTHE LOCATION: A contemporary working pier in a woodland-set island fishing village in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"섬마을식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered pale-gray concrete defines a contemporary working island pier in South Korea. The deck measures 45 m by 8 m and forms one continuous route between the village approach and the seaward terminal end. Sea directly adjoins the exposed sides, the terminal end and the vessel berth edge. Dark galvanized-steel and black-rubber mooring fixtures use the standard finish of a South Korean fishing landing. Salt marks and regular working wear are present, but the pier remains fully in service.\n\nAt the village-side frontage, the fishing-gear warehouse is a one-storey rectangular concrete-block structure measuring 12 m by 8 m, with 3.8 m eaves. Its walls are painted off-white and its gable roof is blue corrugated coated steel. The pier-facing elevation contains exactly one blue steel double-leaf doorway and one dusty natural-aluminum-framed window. The 96-square-metre footprint plausibly holds the single evidenced open storage room at real warehouse scale.\n\nBeside it, the separate one-storey restaurant measures 10 m by 8 m. Pale-cream rendered masonry supports a blue coated-steel gable roof. A natural-aluminum glazed restaurant frontage contains one pier-visible entrance and a white signboard with the exact legible dark-blue lettering 섬마을식당. Both buildings address the route from pier to village and visibly retain ordinary signs of active use. Beyond them, an inhabited village of fewer than fifty households has regionally typical houses with varied muted blue, red and green roofs, interwoven with autumn woodland.\n\nTHE LOCATION: A contemporary working pier in a woodland-set island fishing village in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"섬마을식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean island-pier ensemble. A 45 m by 8 m pale-gray weathered concrete pier extends continuously from the village approach to its seaward terminal end, with sea adjoining the exposed sides and terminal end and a water-contacting berth edge with standard dark galvanized-steel and black-rubber mooring fixtures along the boat-access side. At the landward frontage, the one-storey fishing-gear warehouse is a 12 m by 8 m rectangular off-white painted concrete-block building with a blue corrugated coated-steel gable roof, 3.8 m eaves, exactly one pier-facing blue steel double-leaf doorway and exactly one dusty natural-aluminum-framed window. Its 96-square-metre footprint must plausibly contain the single evidenced open storage room at real working-warehouse scale. The separate one-storey restaurant is a 10 m by 8 m pale-cream rendered-masonry rectangle with a blue coated-steel gable roof, natural-aluminum glazed frontage, exactly one pier-visible entrance and a legible white signboard bearing the exact dark-blue lettering 섬마을식당. Both buildings face the pier-to-village route. Inland, regionally authentic houses with varied colored roofs form a village of fewer than fifty households, interwoven with and backed by autumn woodland. The warehouse, restaurant, pier and outdoor areas visibly carry ordinary signs of active working use, and the surrounding village must read as inhabited rather than sterile, abandoned or set-like. Do not add, remove, relocate or duplicate any specified site element or prominent warehouse opening.\n\nTHE LOCATION: A contemporary working pier in a woodland-set island fishing village in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선착장 옆 어구 창고 내부: 선착장 부근에 위치한, 어망과 낚시 도구가 천장까지 층층이 쌓인 비좁은 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"섬마을식당\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\narriving or moored fishing boats; police patrol boat; straw-rope and paper-figure boat decorations; gathered villagers and welcoming crowd; body on the spread vinyl sack; handheld flashlights and portable lights; bright nighttime illumination state around the pier; people seated or standing at the pier end",
        "seed_decision": {
          "input_fingerprint": "577ec51e67991ae4",
          "totals": {
            "A": 9,
            "B": 7,
            "C": 5
          },
          "ranking": [
            "A",
            "B",
            "C"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 9,
              "verdict_ko": "창문 개수('정확히 1개')를 포함한 구조적 지시를 완벽히 준수하였으나, 배제해야 할 요소인 정박된 어선이 일부 포함되었습니다."
            },
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "어구 창고 전면에 창문이 2개 배치되어 '정확히 1개'라는 조건을 위반했으며, 배제 지시된 정박된 어선들도 존재합니다."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "창고에 3개의 창문(전면 2개, 측면 1개)을 배치해 창문 개수를 위반했으며, 식당 유리창에 요구되지 않은 식별 가능한 텍스트를 추가했습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "어구 창고의 선착장 방향 벽면에 창문이 두 개 있습니다 (지침은 정확히 한 개의 창문을 요구함).",
                "fix_en": "Remove one of the windows from the pier-facing wall of the warehouse so that there is exactly one window alongside the blue double doorway.",
                "unfixable": false
              },
              {
                "issue_ko": "식당 간판의 '식' 글자가 붉은색으로 렌더링되었습니다 (지침은 모든 글자가 짙은 파란색이어야 함을 요구함).",
                "fix_en": "Change the color of all characters on the restaurant's signboard to dark blue.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove one of the windows from the pier-facing wall of the warehouse so that there is exactly one window alongside the blue double doorway.\n- Change the color of all characters on the restaurant's signboard to dark blue.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_mainland_harbor": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_mainland_harbor_sel.png",
        "seed_asset_id": "ef8e2161-3434-4687-b5f7-c4f2dc082bb6",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working waterfront neighborhood establishes this as a contemporary South Korean coastal fishing village rather than an isolated facility. Adjacent village buildings and the surrounding harbor fabric use ordinary regional forms and finishes. The principal material sequence is dark-gray asphalt at the landside access area and salt-weathered light-gray reinforced concrete across the dock. The asphalt access area is 30 metres deep and 24 metres wide. It joins a 65-metre-long, 9-metre-wide rectangular dock with one open level and no enclosed rooms, doors, or windows. A fixed landing sign occupies the transition between these surfaces. Its silver galvanized-steel posts hold a blue panel with the legible white inscription 청해마을 선착장. The concrete dock runs outward on one axis and ends in a squared terminus. Weathered yellow safety paint marks the boat-facing edge without changing its concrete massing. Harbor water directly adjoins that edge for the dock's working length and continues around the terminus. The entire landing visibly shows ordinary active-service use appropriate to a contemporary South Korean village harbor.\n\nTHE LOCATION: A contemporary coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The image must show the same contemporary South Korean coastal village landing as a zero-storey open-air harbor facility with no enclosed rooms, doors, or windows. The dark-gray asphalt landside access area is 30 metres deep and 24 metres wide and joins the inland end of a 65-metre-long, 9-metre-wide rectangular reinforced-concrete dock. A fixed identification sign on silver galvanized-steel posts stands exactly at this transition; its blue panel must show the single legible white inscription 청해마을 선착장. The dock has salt-weathered light-gray concrete surfaces and weathered yellow paint along its boat-facing edge. That edge directly adjoins the harbor water for the working length, and the water continues around the squared outer terminus. The massing and access surface must plausibly support ordinary pedestrian and vehicle harbor use. The landing and its outdoor areas visibly carry ordinary signs of active service appropriate to a contemporary South Korean fishing-village harbor. An inhabited working waterfront neighborhood, including adjacent village buildings, must visibly surround the target facility; a bare, abandoned, sterile, prison-like, or isolated site is nonconforming.",
          "location_line_en": "A contemporary coastal village harbor landing in South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "마을 선착장은 도착 지점에서 명칭을 알리는 고정 식별 표지를 사용한다.",
          "signage_required": true,
          "signage_text": "청해마을 선착장",
          "variants": [
            {
              "approach_ko": "시나리오의 선착장·끝·어선 방향 표현을 직접 시각화한 접근",
              "evidence_ko": [
                "해안마을 선착장",
                "선착장 끝",
                "어선 위",
                "선착장 쪽",
                "낚시 어선 앞"
              ],
              "prompt_en": "A contemporary South Korean coastal fishing-village harbor and its inhabited working waterfront neighborhood surround the target landing. Adjacent village buildings and the ordinary regional fabric remain visible, and the location reads as currently in service. The target is a zero-storey open-air harbor facility with no enclosed rooms, doors, or windows. A dark-gray asphalt landside access area measures 30 metres deep by 24 metres wide. It meets the inland end of a rectangular reinforced-concrete dock measuring 65 metres long by 9 metres wide. At that transition, a fixed blue identification panel on silver galvanized-steel posts carries the clear white inscription 청해마을 선착장. The dock extends on one landside-to-water axis to a squared outer terminus. Its surfaces are salt-weathered light-gray concrete, with weathered yellow safety paint along the boat-facing edge. The boat-facing edge directly adjoins the harbor water throughout the working length, and the water continues around the outer terminus. The landing and its outdoor surfaces visibly retain the ordinary signs of active harbor use found at a contemporary South Korean coastal village.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "육지 진입부에서 바다 쪽 종단부까지의 축과 접속 관계를 우선한 접근",
              "evidence_ko": [
                "실외. 해안마을 선착장 - 낮",
                "선착장 끝, 저 쪽에",
                "선착장 쪽을 보는 창모"
              ],
              "prompt_en": "The site belongs to an inhabited contemporary South Korean fishing-village waterfront, with adjacent village buildings and an ordinary working harbor neighborhood continuing around it. The harbor remains visibly active and maintained for its normal use. A single landside-to-water axis organizes the zero-storey open-air landing. The 30-by-24-metre landside access area has a dark-gray asphalt surface and continuously joins the inland entrance of the main dock. A fixed sign stands at this exact junction: silver galvanized-steel posts support a blue panel bearing the legible white text 청해마을 선착장. From the sign, the 65-by-9-metre rectangular dock extends straight toward its squared outer terminus. The dock is reinforced concrete with a salt-weathered light-gray finish. Weathered yellow safety paint follows its boat-facing edge. Harbor water touches that edge along the full working length and wraps around the outer terminus. There are no enclosed structures, rooms, doors, or windows. The access area and dock carry the ordinary visible evidence of a coastal landing that is currently in service.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "현대 한국 어촌항의 재료와 사용 흔적을 중심으로 구성한 접근",
              "evidence_ko": [
                "육지 해안 마을 선착장",
                "어선",
                "선착장 앞"
              ],
              "prompt_en": "An inhabited working waterfront neighborhood establishes this as a contemporary South Korean coastal fishing village rather than an isolated facility. Adjacent village buildings and the surrounding harbor fabric use ordinary regional forms and finishes. The principal material sequence is dark-gray asphalt at the landside access area and salt-weathered light-gray reinforced concrete across the dock. The asphalt access area is 30 metres deep and 24 metres wide. It joins a 65-metre-long, 9-metre-wide rectangular dock with one open level and no enclosed rooms, doors, or windows. A fixed landing sign occupies the transition between these surfaces. Its silver galvanized-steel posts hold a blue panel with the legible white inscription 청해마을 선착장. The concrete dock runs outward on one axis and ends in a squared terminus. Weathered yellow safety paint marks the boat-facing edge without changing its concrete massing. Harbor water directly adjoins that edge for the dock's working length and continues around the terminus. The entire landing visibly shows ordinary active-service use appropriate to a contemporary South Korean village harbor.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean coastal fishing-village harbor and its inhabited working waterfront neighborhood surround the target landing. Adjacent village buildings and the ordinary regional fabric remain visible, and the location reads as currently in service. The target is a zero-storey open-air harbor facility with no enclosed rooms, doors, or windows. A dark-gray asphalt landside access area measures 30 metres deep by 24 metres wide. It meets the inland end of a rectangular reinforced-concrete dock measuring 65 metres long by 9 metres wide. At that transition, a fixed blue identification panel on silver galvanized-steel posts carries the clear white inscription 청해마을 선착장. The dock extends on one landside-to-water axis to a squared outer terminus. Its surfaces are salt-weathered light-gray concrete, with weathered yellow safety paint along the boat-facing edge. The boat-facing edge directly adjoins the harbor water throughout the working length, and the water continues around the outer terminus. The landing and its outdoor surfaces visibly retain the ordinary signs of active harbor use found at a contemporary South Korean coastal village.\n\nTHE LOCATION: A contemporary coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an inhabited contemporary South Korean fishing-village waterfront, with adjacent village buildings and an ordinary working harbor neighborhood continuing around it. The harbor remains visibly active and maintained for its normal use. A single landside-to-water axis organizes the zero-storey open-air landing. The 30-by-24-metre landside access area has a dark-gray asphalt surface and continuously joins the inland entrance of the main dock. A fixed sign stands at this exact junction: silver galvanized-steel posts support a blue panel bearing the legible white text 청해마을 선착장. From the sign, the 65-by-9-metre rectangular dock extends straight toward its squared outer terminus. The dock is reinforced concrete with a salt-weathered light-gray finish. Weathered yellow safety paint follows its boat-facing edge. Harbor water touches that edge along the full working length and wraps around the outer terminus. There are no enclosed structures, rooms, doors, or windows. The access area and dock carry the ordinary visible evidence of a coastal landing that is currently in service.\n\nTHE LOCATION: A contemporary coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working waterfront neighborhood establishes this as a contemporary South Korean coastal fishing village rather than an isolated facility. Adjacent village buildings and the surrounding harbor fabric use ordinary regional forms and finishes. The principal material sequence is dark-gray asphalt at the landside access area and salt-weathered light-gray reinforced concrete across the dock. The asphalt access area is 30 metres deep and 24 metres wide. It joins a 65-metre-long, 9-metre-wide rectangular dock with one open level and no enclosed rooms, doors, or windows. A fixed landing sign occupies the transition between these surfaces. Its silver galvanized-steel posts hold a blue panel with the legible white inscription 청해마을 선착장. The concrete dock runs outward on one axis and ends in a squared terminus. Weathered yellow safety paint marks the boat-facing edge without changing its concrete massing. Harbor water directly adjoins that edge for the dock's working length and continues around the terminus. The entire landing visibly shows ordinary active-service use appropriate to a contemporary South Korean village harbor.\n\nTHE LOCATION: A contemporary coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image must show the same contemporary South Korean coastal village landing as a zero-storey open-air harbor facility with no enclosed rooms, doors, or windows. The dark-gray asphalt landside access area is 30 metres deep and 24 metres wide and joins the inland end of a 65-metre-long, 9-metre-wide rectangular reinforced-concrete dock. A fixed identification sign on silver galvanized-steel posts stands exactly at this transition; its blue panel must show the single legible white inscription 청해마을 선착장. The dock has salt-weathered light-gray concrete surfaces and weathered yellow paint along its boat-facing edge. That edge directly adjoins the harbor water for the working length, and the water continues around the squared outer terminus. The massing and access surface must plausibly support ordinary pedestrian and vehicle harbor use. The landing and its outdoor areas visibly carry ordinary signs of active service appropriate to a contemporary South Korean fishing-village harbor. An inhabited working waterfront neighborhood, including adjacent village buildings, must visibly surround the target facility; a bare, abandoned, sterile, prison-like, or isolated site is nonconforming.\n\nTHE LOCATION: A contemporary coastal village harbor landing in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"청해마을 선착장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDrum-barrel fire setup; Police boundary line; Damaged body at the dock; Fishing vessel at the berth; Black van at the harbor",
        "seed_decision": {
          "input_fingerprint": "d7e75bae83ab635b",
          "totals": {
            "C": 10,
            "B": 7,
            "A": 4
          },
          "ranking": [
            "C",
            "B",
            "A"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 10,
              "verdict_ko": "완벽한 지침 준수. 명시된 크기와 구조(육지 측 아스팔트와 이어지는 콘크리트 부두)가 정확하며, 추가 텍스트 금지 조건과 제외해야 할 일시적 요소(차량 등)의 부재 지침을 완벽하게 따름."
            },
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "전반적인 형태는 양호하나, 화면 중앙 우측 선박에 'C 909'라는 추가 텍스트가 노출되어 '다른 읽을 수 있는 텍스트 추가 금지' 지침을 위반함."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "구조적 위반(부두가 아스팔트 끝에서 연장되지 않고 평행하게 배치됨), 제외해야 할 일시적 요소(아스팔트 주차 구역의 검은색 밴) 포함, 좌측 건물에 금지된 추가 텍스트가 존재함."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "가장자리의 노란색 페인트가 콘크리트 형태를 변형시키지 않아야 한다는 지침과 달리 돌출된 연석들 위에 칠해져 있습니다.",
                "fix_en": "Remove the raised blocks along the boat-facing edge and apply the weathered yellow paint directly onto the flat concrete surface.",
                "unfixable": false
              },
              {
                "issue_ko": "콘크리트 선창이 바다를 향해 뻗어 나가 사각의 끝단으로 마무리되지 않고, 아스팔트 구역과 평행하게 해안선을 따라 길게 이어져 있습니다.",
                "fix_en": "Reconfigure the concrete dock to extend outward from the asphalt into the water on a single axis, ending in a squared terminus surrounded by water.",
                "unfixable": true
              },
              {
                "issue_ko": "활발히 사용되는 항구임에도 불구하고 아스팔트 표면에 타이어 자국이나 일상적인 오염 등의 사용 흔적이 전혀 없이 비어 있습니다.",
                "fix_en": "Add tire marks, dirt stains, and ordinary everyday wear to the pristine black asphalt surface to reflect active working harbor use.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the raised blocks along the boat-facing edge and apply the weathered yellow paint directly onto the flat concrete surface.\n- Add tire marks, dirt stains, and ordinary everyday wear to the pristine black asphalt surface to reflect active working harbor use.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_multifamily_residence": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_multifamily_residence_sel.png",
        "seed_asset_id": "d5c560b6-50f1-45a8-aab7-8d195787f220",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in contemporary South Korean multifamily residential neighborhood surrounds the site after dark. The worn gray asphalt alley directly adjoins the residence and serves as its ground-level approach and vehicle-accessible circulation area. The target is one two-storey rectangular building with a 9 by 12 metre footprint and 2.8-metre storey heights. Red-brown face brick covers its reinforced-concrete walls above a gray concrete base. Gray aluminum window frames hold clear glass, and a flat reinforced-concrete roof sits behind a gray parapet with a region-standard waterproof finish. One exterior stair assembly begins at the alley-side frontage, rises along the outside wall, and reaches one upper-level access doorway. The stair has exposed gray concrete treads and dark gray galvanized-steel railings; the access door is dark gray painted steel. The floor plate supports a multifamily plan, including one unit with two distinct rooms and a separate living room at real-world room sizes. The brickwork, stair and frontage show maintained everyday weathering. The residence and its outdoor areas visibly carry the unspecified ordinary signs of active residential use found in this region. No identifying signage is present.\n\nTHE LOCATION: A contemporary South Korean two-storey multifamily residence beside a residential alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean two-storey multifamily residential building with a 9 by 12 metre rectangular footprint and 2.8-metre storey heights. Its maintained, weathered exterior is red-brown face brick over reinforced concrete, with a gray concrete base, gray aluminum window frames, clear glazing, a flat reinforced-concrete roof behind a gray parapet, and a region-standard waterproof roof finish. One attached exterior stair assembly of exposed gray concrete with dark gray galvanized-steel railings begins at the alley-side frontage, rises along the building, and terminates at one upper-level access doorway with a dark gray painted-steel door. The residence directly adjoins a worn gray asphalt alley that provides the ground-level approach and vehicle-accessible circulation to the stair base. Do not multiply the single evidenced access doorway or add prominent unsupported openings; other windows follow ordinary contemporary South Korean residential practice. The floor plate must plausibly accommodate a multifamily layout, including one unit containing two distinct rooms and a separate living room at real-world room sizes, and the main building must physically support the attached stair and upper landing. The building must stand within a believable, inhabited South Korean multifamily residential neighborhood rather than on isolated ground. The residence, stair frontage, alley edge and surrounding neighborhood must visibly carry unspecified ordinary signs of current residential use. No identifying signage is present.",
          "location_line_en": "A contemporary South Korean two-storey multifamily residence beside a residential alley.",
          "room_inventory": [
            {
              "evidence_ko": "단촐한 크기의 투 룸 다세대 주택 거실:",
              "label_en": "Living room",
              "scene_index": 9
            },
            {
              "evidence_ko": "단촐한 크기의 투 룸 다세대 주택 거실:",
              "label_en": "Room 1",
              "scene_index": 9
            },
            {
              "evidence_ko": "단촐한 크기의 투 룸 다세대 주택 거실:",
              "label_en": "Room 2",
              "scene_index": 9
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "일반 사유 다세대 주택은 시설명이나 상호 간판을 필수로 달지 않는다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문 동선과 장소 표현을 직접 시각화한 접근",
              "evidence_ko": [
                "12. 실외. 다세대 주택가 골목 - 밤",
                "두사람은 함께 한 다세대 주택 외부 계단을 다급히 올라간다.",
                "15. 실외. 다세대 주택 골목 - 저녁",
                "단촐한 크기의 투 룸 다세대 주택 거실:"
              ],
              "prompt_en": "A lived-in contemporary South Korean multifamily residential neighborhood surrounds the site after dark. The worn gray asphalt alley directly adjoins the residence and serves as its ground-level approach and vehicle-accessible circulation area. The target is one two-storey rectangular building with a 9 by 12 metre footprint and 2.8-metre storey heights. Red-brown face brick covers its reinforced-concrete walls above a gray concrete base. Gray aluminum window frames hold clear glass, and a flat reinforced-concrete roof sits behind a gray parapet with a region-standard waterproof finish. One exterior stair assembly begins at the alley-side frontage, rises along the outside wall, and reaches one upper-level access doorway. The stair has exposed gray concrete treads and dark gray galvanized-steel railings; the access door is dark gray painted steel. The floor plate supports a multifamily plan, including one unit with two distinct rooms and a separate living room at real-world room sizes. The brickwork, stair and frontage show maintained everyday weathering. The residence and its outdoor areas visibly carry the unspecified ordinary signs of active residential use found in this region. No identifying signage is present.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "주거 골목의 지역적 맥락을 먼저 확립하는 접근",
              "evidence_ko": [
                "다세대 주택가 골목 - 밤",
                "다세대 주택 골목 - 저녁",
                "한 다세대 주택 외부 계단",
                "민숙 집(다세대 주택)"
              ],
              "prompt_en": "The location belongs to an inhabited contemporary South Korean neighborhood of multifamily residences, with ordinary region-standard masonry and rendered-concrete finishes. A worn gray asphalt residential alley passes directly across the target frontage, providing the approach, stair access and vehicle-accessible circulation. Beside it stands the same two-storey multifamily building, a rectangular reinforced-concrete mass measuring 9 by 12 metres with 2.8-metre storey heights. Its exterior is maintained red-brown face brick with a gray concrete base, gray aluminum window frames and clear glazing. A flat reinforced-concrete roof has a region-standard waterproof finish behind a gray parapet. One attached exterior stair assembly starts at the alley-side base and rises along the wall to one upper-level access doorway. Exposed gray concrete forms the stair, dark gray galvanized steel forms its railings, and the landing meets a dark gray painted-steel door. The floor plate provides enough area for the multifamily arrangement and for one unit containing two distinct rooms and a separate living room at real-world dimensions. Everyday weathering remains visible on the brick, concrete and metalwork. The building, stair frontage and alley edge carry unspecified ordinary signs of ongoing residential use. No identifying signage is present.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 영구 구조의 연결 관계를 우선하는 접근",
              "evidence_ko": [
                "다세대 주택으로 오르는 외부 계단이 있다.",
                "다세대 주택 외부 계단",
                "현관문을 열고 들어온 민숙이",
                "단촐한 크기의 투 룸 다세대 주택 거실:"
              ],
              "prompt_en": "Red-brown face brick, gray reinforced concrete and dark gray metalwork define the same inhabited contemporary South Korean residence. The target building has two storeys, a 9 by 12 metre rectangular footprint and 2.8-metre storey heights. Its brick walls rise from a gray concrete base to a flat reinforced-concrete roof with a region-standard waterproof finish behind a gray parapet. Gray aluminum frames and clear glass give the residential openings their ordinary regional finish without prominent unsupported additions. One exposed gray concrete exterior stair assembly is attached to the alley-side wall. It begins at the frontage, follows the outside of the residence and ends at one upper-level access doorway fitted with a dark gray painted-steel door; dark gray galvanized-steel railings connect the stair base, run and landing. A worn gray asphalt alley directly adjoins the building and forms the approach and vehicle-accessible circulation area. The main mass and floor plate physically support the exterior stair and a multifamily plan, including one unit with two distinct rooms and a separate living room at real-world room sizes. Maintained weathering is visible across the brick, concrete and steel. The surrounding multifamily residential neighborhood is present, inhabited and finished in ordinary contemporary South Korean materials. Unspecified everyday signs of active residential use are visible throughout the building frontage and outdoor areas. No identifying signage is present.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in contemporary South Korean multifamily residential neighborhood surrounds the site after dark. The worn gray asphalt alley directly adjoins the residence and serves as its ground-level approach and vehicle-accessible circulation area. The target is one two-storey rectangular building with a 9 by 12 metre footprint and 2.8-metre storey heights. Red-brown face brick covers its reinforced-concrete walls above a gray concrete base. Gray aluminum window frames hold clear glass, and a flat reinforced-concrete roof sits behind a gray parapet with a region-standard waterproof finish. One exterior stair assembly begins at the alley-side frontage, rises along the outside wall, and reaches one upper-level access doorway. The stair has exposed gray concrete treads and dark gray galvanized-steel railings; the access door is dark gray painted steel. The floor plate supports a multifamily plan, including one unit with two distinct rooms and a separate living room at real-world room sizes. The brickwork, stair and frontage show maintained everyday weathering. The residence and its outdoor areas visibly carry the unspecified ordinary signs of active residential use found in this region. No identifying signage is present.\n\nTHE LOCATION: A contemporary South Korean two-storey multifamily residence beside a residential alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to an inhabited contemporary South Korean neighborhood of multifamily residences, with ordinary region-standard masonry and rendered-concrete finishes. A worn gray asphalt residential alley passes directly across the target frontage, providing the approach, stair access and vehicle-accessible circulation. Beside it stands the same two-storey multifamily building, a rectangular reinforced-concrete mass measuring 9 by 12 metres with 2.8-metre storey heights. Its exterior is maintained red-brown face brick with a gray concrete base, gray aluminum window frames and clear glazing. A flat reinforced-concrete roof has a region-standard waterproof finish behind a gray parapet. One attached exterior stair assembly starts at the alley-side base and rises along the wall to one upper-level access doorway. Exposed gray concrete forms the stair, dark gray galvanized steel forms its railings, and the landing meets a dark gray painted-steel door. The floor plate provides enough area for the multifamily arrangement and for one unit containing two distinct rooms and a separate living room at real-world dimensions. Everyday weathering remains visible on the brick, concrete and metalwork. The building, stair frontage and alley edge carry unspecified ordinary signs of ongoing residential use. No identifying signage is present.\n\nTHE LOCATION: A contemporary South Korean two-storey multifamily residence beside a residential alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nRed-brown face brick, gray reinforced concrete and dark gray metalwork define the same inhabited contemporary South Korean residence. The target building has two storeys, a 9 by 12 metre rectangular footprint and 2.8-metre storey heights. Its brick walls rise from a gray concrete base to a flat reinforced-concrete roof with a region-standard waterproof finish behind a gray parapet. Gray aluminum frames and clear glass give the residential openings their ordinary regional finish without prominent unsupported additions. One exposed gray concrete exterior stair assembly is attached to the alley-side wall. It begins at the frontage, follows the outside of the residence and ends at one upper-level access doorway fitted with a dark gray painted-steel door; dark gray galvanized-steel railings connect the stair base, run and landing. A worn gray asphalt alley directly adjoins the building and forms the approach and vehicle-accessible circulation area. The main mass and floor plate physically support the exterior stair and a multifamily plan, including one unit with two distinct rooms and a separate living room at real-world room sizes. Maintained weathering is visible across the brick, concrete and steel. The surrounding multifamily residential neighborhood is present, inhabited and finished in ordinary contemporary South Korean materials. Unspecified everyday signs of active residential use are visible throughout the building frontage and outdoor areas. No identifying signage is present.\n\nTHE LOCATION: A contemporary South Korean two-storey multifamily residence beside a residential alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean two-storey multifamily residential building with a 9 by 12 metre rectangular footprint and 2.8-metre storey heights. Its maintained, weathered exterior is red-brown face brick over reinforced concrete, with a gray concrete base, gray aluminum window frames, clear glazing, a flat reinforced-concrete roof behind a gray parapet, and a region-standard waterproof roof finish. One attached exterior stair assembly of exposed gray concrete with dark gray galvanized-steel railings begins at the alley-side frontage, rises along the building, and terminates at one upper-level access doorway with a dark gray painted-steel door. The residence directly adjoins a worn gray asphalt alley that provides the ground-level approach and vehicle-accessible circulation to the stair base. Do not multiply the single evidenced access doorway or add prominent unsupported openings; other windows follow ordinary contemporary South Korean residential practice. The floor plate must plausibly accommodate a multifamily layout, including one unit containing two distinct rooms and a separate living room at real-world room sizes, and the main building must physically support the attached stair and upper landing. The building must stand within a believable, inhabited South Korean multifamily residential neighborhood rather than on isolated ground. The residence, stair frontage, alley edge and surrounding neighborhood must visibly carry unspecified ordinary signs of current residential use. No identifying signage is present.\n\nTHE LOCATION: A contemporary South Korean two-storey multifamily residence beside a residential alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대 주택 내부: 난장판이 된 단촐한 투룸 빌라 거실. 가구와 화분이 부서져 있고 피가 묻어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 3\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 3 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nStopped car with a red roof beacon; Police vehicles with flashing beacons; Ambulance in the alley; Police personnel moving through the residence; Neighborhood onlookers; Handheld mobile phone; Arm sling",
        "seed_decision": {
          "input_fingerprint": "31b8a52f7c44f442",
          "totals": {
            "A": 10,
            "B": 6,
            "C": 5
          },
          "ranking": [
            "A",
            "B",
            "C"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 10,
              "verdict_ko": "요구된 짙은 회색 철제 계단 난간과 회색 알루미늄 창틀을 지문 그대로 정확히 구현했으며, 골목에서 계단 하단으로 바로 접근할 수 있는 배치와 풍부한 생활감까지 훌륭하게 표현했습니다."
            },
            {
              "label": "B",
              "score": 6,
              "verdict_ko": "지시문에서 명시한 철제 계단 난간 대신 참조 사진의 벽돌/콘크리트 계단벽을 그대로 차용하고, 회색이 아닌 브론즈/갈색 창틀을 적용하여 핵심 재질 지침을 위반했습니다."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "명시된 철제 계단 난간 및 회색 창틀 규정을 무시하고 벽돌 계단벽과 갈색 창틀을 묘사하여 재질 지침을 어겼으며, 전선과 구조물이 다소 어색하게 결합되어 있습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지상층 우측면과 계단 아래에 지시문에 없는 여러 개의 출입문이 추가로 묘사됨 (단일 출입문 조건 위반).",
                "fix_en": "Replace the extra ground-floor access doors with continuous brick walls and standard windows.",
                "unfixable": false
              },
              {
                "issue_ko": "밝게 켜진 실내 조명을 통해 내부 가구(옷걸이, 화분 등)와 방의 구조가 뚜렷하게 묘사됨 (내부 구조 및 가구 시각화 금지, 특정 상황을 암시하는 조명 금지 위반).",
                "fix_en": "Turn off the interior lights and remove all visible interior furnishings to obscure the layout behind the glass.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the extra ground-floor access doors with continuous brick walls and standard windows.\n- Turn off the interior lights and remove all visible interior furnishings to obscure the layout behind the glass.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_natural_cave": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_natural_cave_sel.png",
        "seed_asset_id": "cf15bf22-d776-4059-aabd-5729e3547256",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a currently inhabited rural island neighborhood in contemporary South Korea, with ordinary settlement context perceptible beyond the surrounding regionally typical woodland. It is neither an empty compound nor a detached wilderness landmark. A brown earth and gray stone cave-front approach runs continuously through the woodland to the threshold. The target is a single ground-level natural cave level with zero constructed storeys. Its only prominent opening is a natural mouth approximately 7 metres wide and 5 metres high in weathered gray and brown rock. A fixed arrangement of rough gray-brown weathered timber posts frames portions of the entrance and remains subordinate to the rock opening. No building stands between the approach and the mouth. The cave passage proceeds from the threshold on the same axis for at least 20 metres, with an average width of approximately 6 metres and clear height of approximately 4 metres. Daylight reveals the passage form. The entire site visibly reads as continually accessed and in use in the ordinary manner of such a woodland location.\n\nTHE LOCATION: A supported natural cave entrance in woodland within an inhabited rural island neighborhood, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The target is a single-level natural cave formation with zero constructed storeys. It has one large natural cave mouth, approximately 7 metres wide and 5 metres high, cut into weathered gray and brown rock. A fixed arrangement of rough, untreated timber posts with a weathered gray-brown finish frames portions of that mouth without forming an intervening building. The continuous brown earth and gray stone approach meets the threshold directly. Beyond it, one cave passage continues inward on the same axis for at least 20 metres, averaging approximately 6 metres wide with 4 metres of clear height, which plausibly accommodates the full evidenced cave interior at human scale. The surrounding rock mass must physically support this passage and the entrance posts. No additional prominent openings, structures, doors, gates, fences or signage may appear. The cave, approach and support arrangement visibly carry ordinary signs of continuing access and use appropriate to this site, rather than appearing abandoned, sterile or staged. Regionally typical woodland surrounds the approach and exterior entrance, while the broader setting reads as part of a currently inhabited rural island neighborhood in contemporary South Korea. The passage geometry remains visible in natural daytime illumination and must not have an artificially black appearance.",
          "location_line_en": "A supported natural cave entrance in woodland within an inhabited rural island neighborhood, contemporary South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "동굴 깊은 곳으로 조심스레 들어오는 수리영과 인우.",
              "label_en": "natural cave interior and deep passage",
              "scene_index": 71
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "자연 동굴은 식별 간판을 상시 갖추는 시설 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문 공간 단서 중심 접근",
              "evidence_ko": [
                "커다란 자연동굴에 사람이 나무 기둥으로 덧댄 것 같은 입구가 만들어져 있다.",
                "그 뒤로는 끝도 없이 깜깜한 동굴이 검은 아가리를 쩍 벌리고 있는데…"
              ],
              "prompt_en": "A regionally typical woodland surrounds the cave-front approach within a currently inhabited rural island neighborhood in contemporary South Korea. The location reads as an ordinary working landscape rather than isolated wilderness. The target is a single-level natural cave formation with zero constructed storeys. One natural cave mouth, approximately 7 metres wide and 5 metres high, opens through weathered gray and brown rock. Rough untreated timber posts, weathered gray-brown, form a fixed support arrangement around portions of the mouth without creating an intervening building. A continuous brown earth and gray stone approach reaches the threshold directly. One natural passage continues inward on the same access axis for at least 20 metres, averaging approximately 6 metres wide and 4 metres high. Natural daytime illumination keeps its rock geometry legible. The cave, approach and supports visibly carry ordinary signs of continuing access and use appropriate to this place.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권과 주변 환경 우선 접근",
              "evidence_ko": [
                "26. 실외. 숲속 동굴 앞 - 밤",
                "산들이 보며 서 있던 바로 그 동굴 입구에 선 두 사람"
              ],
              "prompt_en": "The site belongs to a currently inhabited rural island neighborhood in contemporary South Korea, with ordinary settlement context perceptible beyond the surrounding regionally typical woodland. It is neither an empty compound nor a detached wilderness landmark. A brown earth and gray stone cave-front approach runs continuously through the woodland to the threshold. The target is a single ground-level natural cave level with zero constructed storeys. Its only prominent opening is a natural mouth approximately 7 metres wide and 5 metres high in weathered gray and brown rock. A fixed arrangement of rough gray-brown weathered timber posts frames portions of the entrance and remains subordinate to the rock opening. No building stands between the approach and the mouth. The cave passage proceeds from the threshold on the same axis for at least 20 metres, with an average width of approximately 6 metres and clear height of approximately 4 metres. Daylight reveals the passage form. The entire site visibly reads as continually accessed and in use in the ordinary manner of such a woodland location.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "지질과 재료 구성 우선 접근",
              "evidence_ko": [
                "커다란 자연동굴에 사람이 나무 기둥으로 덧댄 것 같은 입구가 만들어져 있다.",
                "동굴 깊은 곳으로 조심스레 들어오는 수리영과 인우."
              ],
              "prompt_en": "Weathered gray and brown natural rock forms the target and its load-bearing mass. It contains one ground-level cave level and no constructed storeys. A single natural mouth measures approximately 7 metres across and 5 metres high. Rough untreated timber posts with a naturally weathered gray-brown surface are fixed around portions of the mouth as entrance supports; they do not form a facade or separate structure. The brown earth and gray stone exterior approach meets the rock threshold without interruption. From that threshold, one passage follows the same axis inward for at least 20 metres, averaging approximately 6 metres in width and 4 metres in clear height. Its stone form is readable under natural daytime illumination. Regionally typical woodland encloses the exterior approach, and the wider setting remains recognizably connected to a currently inhabited South Korean rural island neighborhood. The rock, timber supports and outdoor access surface visibly bear ordinary evidence of continued use, never abandonment or artificial set dressing.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA regionally typical woodland surrounds the cave-front approach within a currently inhabited rural island neighborhood in contemporary South Korea. The location reads as an ordinary working landscape rather than isolated wilderness. The target is a single-level natural cave formation with zero constructed storeys. One natural cave mouth, approximately 7 metres wide and 5 metres high, opens through weathered gray and brown rock. Rough untreated timber posts, weathered gray-brown, form a fixed support arrangement around portions of the mouth without creating an intervening building. A continuous brown earth and gray stone approach reaches the threshold directly. One natural passage continues inward on the same access axis for at least 20 metres, averaging approximately 6 metres wide and 4 metres high. Natural daytime illumination keeps its rock geometry legible. The cave, approach and supports visibly carry ordinary signs of continuing access and use appropriate to this place.\n\nTHE LOCATION: A supported natural cave entrance in woodland within an inhabited rural island neighborhood, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a currently inhabited rural island neighborhood in contemporary South Korea, with ordinary settlement context perceptible beyond the surrounding regionally typical woodland. It is neither an empty compound nor a detached wilderness landmark. A brown earth and gray stone cave-front approach runs continuously through the woodland to the threshold. The target is a single ground-level natural cave level with zero constructed storeys. Its only prominent opening is a natural mouth approximately 7 metres wide and 5 metres high in weathered gray and brown rock. A fixed arrangement of rough gray-brown weathered timber posts frames portions of the entrance and remains subordinate to the rock opening. No building stands between the approach and the mouth. The cave passage proceeds from the threshold on the same axis for at least 20 metres, with an average width of approximately 6 metres and clear height of approximately 4 metres. Daylight reveals the passage form. The entire site visibly reads as continually accessed and in use in the ordinary manner of such a woodland location.\n\nTHE LOCATION: A supported natural cave entrance in woodland within an inhabited rural island neighborhood, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered gray and brown natural rock forms the target and its load-bearing mass. It contains one ground-level cave level and no constructed storeys. A single natural mouth measures approximately 7 metres across and 5 metres high. Rough untreated timber posts with a naturally weathered gray-brown surface are fixed around portions of the mouth as entrance supports; they do not form a facade or separate structure. The brown earth and gray stone exterior approach meets the rock threshold without interruption. From that threshold, one passage follows the same axis inward for at least 20 metres, averaging approximately 6 metres in width and 4 metres in clear height. Its stone form is readable under natural daytime illumination. Regionally typical woodland encloses the exterior approach, and the wider setting remains recognizably connected to a currently inhabited South Korean rural island neighborhood. The rock, timber supports and outdoor access surface visibly bear ordinary evidence of continued use, never abandonment or artificial set dressing.\n\nTHE LOCATION: A supported natural cave entrance in woodland within an inhabited rural island neighborhood, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a single-level natural cave formation with zero constructed storeys. It has one large natural cave mouth, approximately 7 metres wide and 5 metres high, cut into weathered gray and brown rock. A fixed arrangement of rough, untreated timber posts with a weathered gray-brown finish frames portions of that mouth without forming an intervening building. The continuous brown earth and gray stone approach meets the threshold directly. Beyond it, one cave passage continues inward on the same axis for at least 20 metres, averaging approximately 6 metres wide with 4 metres of clear height, which plausibly accommodates the full evidenced cave interior at human scale. The surrounding rock mass must physically support this passage and the entrance posts. No additional prominent openings, structures, doors, gates, fences or signage may appear. The cave, approach and support arrangement visibly carry ordinary signs of continuing access and use appropriate to this site, rather than appearing abandoned, sterile or staged. Regionally typical woodland surrounds the approach and exterior entrance, while the broader setting reads as part of a currently inhabited rural island neighborhood in contemporary South Korea. The passage geometry remains visible in natural daytime illumination and must not have an artificially black appearance.\n\nTHE LOCATION: A supported natural cave entrance in woodland within an inhabited rural island neighborhood, contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 숲속 자연동굴 내부: 바닥에 인골과 피가 널려있고 천장에 박쥐가 매달린 거대하고 깊은 바위 동굴.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPerson standing before the cave; Two people at the cave entrance; Nighttime conditions; Dark appearance of the cave interior",
        "seed_decision": {
          "input_fingerprint": "a1affc0ba82bc98c",
          "totals": {
            "B": 7,
            "C": 5,
            "A": 4
          },
          "ranking": [
            "B",
            "C",
            "A"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "요구된 7x5m 규모, 단일 입구, 주변 환경 및 생활 흔적(장작, 상자 등)을 가장 잘 구현했으나, 동굴 내부가 인위적으로 까맣게 처리되어 가시성 및 제외된 장면 요소(어두운 내부) 지침을 위반했습니다."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "단일 입구와 주변 환경은 적절하나, 동굴 통로가 몇 미터 들어가지 않아 암석으로 막혀 있어 최소 20m 깊이의 통로가 있어야 한다는 구조적 요구를 심각하게 위반했습니다."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "동굴 내부가 밝게 보이지만, 전체적인 스케일이 요구된 7x5m보다 지나치게 거대하게 과장되었으며 우측에 요구되지 않은 두 번째 거대 개구부가 존재하여 구조적 위반이 큽니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "동굴 내부가 인위적으로 어둡게 묘사되어 내부 통로 형태가 보이지 않음.",
                "fix_en": "Illuminate the cave passage with natural ambient daylight so its inward geometry remains clearly visible.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Illuminate the cave passage with natural ambient daylight so its inward geometry remains clearly visible.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_pine_forest_trail": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_pine_forest_trail_sel.png",
        "seed_asset_id": "ba6dee53-bc0f-4af7-8d93-8a0d7a9ddb83",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nNaturally weathered Korean black-pine trunks with dark gray-brown bark rise through deep green needles over a forest floor of brown soil, pine litter, and low muted green and brown undergrowth. The dense grove stands within a currently inhabited rural island neighborhood in South Korea, with ordinary regional surroundings at the accessible margins and visible signs that the route remains in regular use. There is no constructed building: the target is a zero-storey connected forest site. Its single narrow earth footpath contains one ascending section linking lower and upper portions. The recognizable path then loses its form inside the dense grove and becomes a pathless interior route. Undergrowth continues across a hillside descending from that interior. Beyond the slope, one clearer sightline through the trees reconnects the interior route to the visible footpath. All terrain and vegetation show ordinary coastal exposure rather than decorative landscaping.\n\nTHE LOCATION: A Korean black-pine forest footpath and pathless hillside route on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The main subject is a zero-storey natural landscape site with no constructed building, enclosed floor area, architectural openings, signage, paving, fences, gates, stairs, railings, or artificial site volumes. It consists of one continuous route sequence: a narrow compacted-earth footpath through a dense Korean black-pine grove; one ascending section connecting its lower and upper portions; a transition where the defined path disappears into a pathless deep-forest interior; low undergrowth beside and between the pines; one descending forest hillside extending from that interior; and one opening in the tree cover where the visible footpath becomes accessible again. The grove has deep green needles, naturally weathered dark gray-brown bark, muted green and brown undergrowth, and brown soil with pine litter. The location must visibly carry ordinary signs of regular local use while remaining a forest route, and a believable, currently inhabited rural South Korean island neighborhood must surround the grove at its accessible margins. A bare, sterile, abandoned, institutional, or compound-like interpretation is nonconforming.",
          "location_line_en": "A Korean black-pine forest footpath and pathless hillside route on Geumwoldo in contemporary South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "자연 숲길이라 식별 간판을 두는 시설 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문에 나타난 이동 경로의 순서를 직접 시각화한 접근",
              "evidence_ko": [
                "울창한 해송 나무 숲",
                "어둑한 해송 나무 숲",
                "좁은 길을 간다.",
                "길이 사라지자",
                "숲 깊은 곳으로 들어간다.",
                "납작 수풀 뒤에",
                "언덕 저 아래로 사라져버린다.",
                "시야가 트이면서 나타나는 오솔길."
              ],
              "prompt_en": "A currently inhabited rural South Korean island neighborhood surrounds a dense Korean black-pine grove at its accessible margins. The forest route visibly carries the ordinary signs of regular local use without staged arrangements. The zero-storey natural site has no building or artificial site structure. A narrow footpath of compacted brown earth and pine litter passes through deep green pines with naturally weathered dark gray-brown bark. One section ascends between lower and upper ground. The defined trail then disappears into a pathless deep-forest interior with low muted green and brown undergrowth beneath and between the trees. The ground continues onto a descending forest hillside. Beyond the interior and slope, one opening in the tree cover reveals the visible footpath and makes it accessible again. The soil, bark, and vegetation show ordinary coastal weathering.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권과 숲 가장자리의 관계를 먼저 확립하는 접근",
              "evidence_ko": [
                "금월도 숲길",
                "해송 나무 숲",
                "숲길을 내려온다.",
                "숲길을 올라간다.",
                "마침내 시야가 트이면서 나타나는 오솔길."
              ],
              "prompt_en": "This forest belongs to an ordinary working island neighborhood in contemporary South Korea, with believable inhabited surroundings present at the grove's accessible margins. The route remains visibly in regular local use and does not read as abandoned, sterile, institutional, or enclosed. Its main subject is a zero-storey natural site without constructed volumes or architectural openings. A dense grove of Korean black pines encloses one narrow compacted-earth footpath. Deep green needles, dark gray-brown weathered bark, brown pine litter, and low muted undergrowth define the regional coastal forest. The footpath includes one ascending section between lower and upper ground. At a transition, its visible form ends and the route enters a pathless forest interior. From there, a hillside descends through the same undergrowth. Farther along the sequence, the tree cover opens once onto the visible and accessible footpath again.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "해송의 재질과 지형 연결성을 중심으로 정리한 접근",
              "evidence_ko": [
                "빽빽한 해송 나무가 가득한 어두운 숲속 오솔길과 비탈.",
                "잔가지며 수풀 등이 수없이 눈앞에 닥쳐오지만",
                "수풀을 데굴데굴 구르는가 싶더니",
                "숲 길을 뛰어간다."
              ],
              "prompt_en": "Naturally weathered Korean black-pine trunks with dark gray-brown bark rise through deep green needles over a forest floor of brown soil, pine litter, and low muted green and brown undergrowth. The dense grove stands within a currently inhabited rural island neighborhood in South Korea, with ordinary regional surroundings at the accessible margins and visible signs that the route remains in regular use. There is no constructed building: the target is a zero-storey connected forest site. Its single narrow earth footpath contains one ascending section linking lower and upper portions. The recognizable path then loses its form inside the dense grove and becomes a pathless interior route. Undergrowth continues across a hillside descending from that interior. Beyond the slope, one clearer sightline through the trees reconnects the interior route to the visible footpath. All terrain and vegetation show ordinary coastal exposure rather than decorative landscaping.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited rural South Korean island neighborhood surrounds a dense Korean black-pine grove at its accessible margins. The forest route visibly carries the ordinary signs of regular local use without staged arrangements. The zero-storey natural site has no building or artificial site structure. A narrow footpath of compacted brown earth and pine litter passes through deep green pines with naturally weathered dark gray-brown bark. One section ascends between lower and upper ground. The defined trail then disappears into a pathless deep-forest interior with low muted green and brown undergrowth beneath and between the trees. The ground continues onto a descending forest hillside. Beyond the interior and slope, one opening in the tree cover reveals the visible footpath and makes it accessible again. The soil, bark, and vegetation show ordinary coastal weathering.\n\nTHE LOCATION: A Korean black-pine forest footpath and pathless hillside route on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis forest belongs to an ordinary working island neighborhood in contemporary South Korea, with believable inhabited surroundings present at the grove's accessible margins. The route remains visibly in regular local use and does not read as abandoned, sterile, institutional, or enclosed. Its main subject is a zero-storey natural site without constructed volumes or architectural openings. A dense grove of Korean black pines encloses one narrow compacted-earth footpath. Deep green needles, dark gray-brown weathered bark, brown pine litter, and low muted undergrowth define the regional coastal forest. The footpath includes one ascending section between lower and upper ground. At a transition, its visible form ends and the route enters a pathless forest interior. From there, a hillside descends through the same undergrowth. Farther along the sequence, the tree cover opens once onto the visible and accessible footpath again.\n\nTHE LOCATION: A Korean black-pine forest footpath and pathless hillside route on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nNaturally weathered Korean black-pine trunks with dark gray-brown bark rise through deep green needles over a forest floor of brown soil, pine litter, and low muted green and brown undergrowth. The dense grove stands within a currently inhabited rural island neighborhood in South Korea, with ordinary regional surroundings at the accessible margins and visible signs that the route remains in regular use. There is no constructed building: the target is a zero-storey connected forest site. Its single narrow earth footpath contains one ascending section linking lower and upper portions. The recognizable path then loses its form inside the dense grove and becomes a pathless interior route. Undergrowth continues across a hillside descending from that interior. Beyond the slope, one clearer sightline through the trees reconnects the interior route to the visible footpath. All terrain and vegetation show ordinary coastal exposure rather than decorative landscaping.\n\nTHE LOCATION: A Korean black-pine forest footpath and pathless hillside route on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe main subject is a zero-storey natural landscape site with no constructed building, enclosed floor area, architectural openings, signage, paving, fences, gates, stairs, railings, or artificial site volumes. It consists of one continuous route sequence: a narrow compacted-earth footpath through a dense Korean black-pine grove; one ascending section connecting its lower and upper portions; a transition where the defined path disappears into a pathless deep-forest interior; low undergrowth beside and between the pines; one descending forest hillside extending from that interior; and one opening in the tree cover where the visible footpath becomes accessible again. The grove has deep green needles, naturally weathered dark gray-brown bark, muted green and brown undergrowth, and brown soil with pine litter. The location must visibly carry ordinary signs of regular local use while remaining a forest route, and a believable, currently inhabited rural South Korean island neighborhood must surround the grove at its accessible margins. A bare, sterile, abandoned, institutional, or compound-like interpretation is nonconforming.\n\nTHE LOCATION: A Korean black-pine forest footpath and pathless hillside route on Geumwoldo in contemporary South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld phone and flashlight illumination; Handcart and loaded sacks; Leaking dark-red liquid; Pale smoke crossing the sky; Moonlight and night-sky conditions; People moving or hiding within the forest",
        "seed_decision": {
          "input_fingerprint": "d96241c56382c44f",
          "totals": {
            "C": 10,
            "A": 6,
            "B": 5
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 10,
              "verdict_ko": "Fully conforms to the brief, clearly capturing the ascending section, deep-forest interior transition, and descending hillside in a single view without any forbidden structures, stairs, or signage."
            },
            {
              "label": "A",
              "score": 6,
              "verdict_ko": "Violates the negative constraint against stairs by featuring constructed log/stone steps on the trail, and fails to show the descending hillside sequence required by the brief."
            },
            {
              "label": "B",
              "score": 5,
              "verdict_ko": "Violates the negative constraint against signage by including signboards at the site boundaries, and the narrow strip of trees fails to present a believable pathless deep-forest interior."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "오솔길이 두 갈래로 뚜렷하게 나뉘어 있습니다. 지침은 하나의 연속된 경로가 깊은 숲 내부에서 길이 없는 상태로 사라져야 한다고 명시하고 있습니다.",
                "fix_en": "Remove the right-hand branching path to leave only a single narrow earth footpath that fades into the dense forest interior.",
                "unfixable": false
              },
              {
                "issue_ko": "화면 오른쪽 끝 밭에 엎드려 있는 사람이 찍혀 있어, 사람이나 동물이 없어야 한다는 클린 플레이트 규칙을 위반했습니다.",
                "fix_en": "Remove the person bending over in the vegetable patch on the far right.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the right-hand branching path to leave only a single narrow earth footpath that fades into the dense forest interior.\n- Remove the person bending over in the vegetable patch on the far right.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_police_patrol_boat": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_police_patrol_boat_sel.png",
        "seed_asset_id": "f01a72dd-1c7a-4752-9e6a-c272d65ec1c5",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nContemporary South Korean coastal waters at early evening form the setting. A working harbor and an ordinary inhabited coastal settlement remain visible at a believable distance, while open sea directly surrounds the vessel. The target is a 10.5-metre-long, 3.2-metre-beam police patrol boat with a white fiberglass hull, navy-blue lower hull, blue side stripe, and the legible side lettering 연안안전순찰. It has one exterior working deck and one enclosed control-cabin storey. The off-white fiberglass cabin has a 3.4-by-2.5-metre footprint, a 2.2-metre clear interior height, and regionally normal charcoal-tinted forward and side helm glazing. Its fixed helm faces the bow and open water ahead. A pale gray nonslip fiberglass forward deck occupies the bow immediately inside one stainless-steel bow-edge rail bar. One longitudinal exterior deck passage runs aft beside the cabin and ends at the stern deck. One stainless-steel safety rail borders the stern deck's water-facing edge. The materials show normal salt-weathering and maintained service wear. The vessel and all exterior working areas visibly carry the ordinary signs of active marine police use.\n\nTHE LOCATION: A contemporary South Korean police patrol boat in inhabited coastal waters near a working harbor.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전순찰\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean patrol boat in active service: a 10.5-metre-long, 3.2-metre-beam fiberglass hull with one exterior working deck and one enclosed control-cabin storey. The hull is white with a navy-blue lower hull and blue side stripe; the cabin is off-white fiberglass, the deck is pale gray nonslip fiberglass, the fixed bow rail bar and stern safety rail are stainless steel, and the helm glazing is charcoal tinted. The control cabin has a 3.4-by-2.5-metre footprint and 2.2-metre clear interior height, sufficient for the single evidenced control room and its bow-facing helm. The forward deck lies immediately inside the bow-edge rail bar; one longitudinal exterior passage runs aft beside the cabin and terminates at the stern deck; the fixed safety rail borders the stern deck's water-facing edge. The hull must be directly surrounded by open sea. No numerical window or door count is evidenced, so use only regionally normal forward-and-side helm glazing without prominent extra openings. The exact legible side lettering is 연안안전순찰. A believable inhabited South Korean coastal settlement and working harbor form the broader operating neighborhood at a distance without interrupting the open water around the hull. The vessel and its exterior working areas visibly carry ordinary signs of current marine service and must not appear abandoned, sterile, prison-like, or staged.",
          "location_line_en": "A contemporary South Korean police patrol boat in inhabited coastal waters near a working harbor.",
          "room_inventory": [
            {
              "evidence_ko": "보니, 조타실 키를 잡고 있는 사람은 다름아닌 구창모다.",
              "label_en": "patrol-boat control room",
              "scene_index": 88
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "현대 한국의 경찰 순찰정은 선체에 식별 문구를 표시하는 공공 운항 시설이다.",
          "signage_required": true,
          "signage_text": "연안안전순찰",
          "variants": [
            {
              "approach_ko": "시나리오의 공간 단서를 직접 시각화한 접근",
              "evidence_ko": [
                "어둑해진 초저녁 바다",
                "후진하는 순찰정 선수 가장자리 레일 바를 한 손으로 턱 붙잡는다.",
                "선수와 선미를 연결하는 통로",
                "선미에 주저앉아",
                "조타실 키를 잡고 있는 사람은 다름아닌 구창모다."
              ],
              "prompt_en": "Contemporary South Korean coastal waters at early evening form the setting. A working harbor and an ordinary inhabited coastal settlement remain visible at a believable distance, while open sea directly surrounds the vessel. The target is a 10.5-metre-long, 3.2-metre-beam police patrol boat with a white fiberglass hull, navy-blue lower hull, blue side stripe, and the legible side lettering 연안안전순찰. It has one exterior working deck and one enclosed control-cabin storey. The off-white fiberglass cabin has a 3.4-by-2.5-metre footprint, a 2.2-metre clear interior height, and regionally normal charcoal-tinted forward and side helm glazing. Its fixed helm faces the bow and open water ahead. A pale gray nonslip fiberglass forward deck occupies the bow immediately inside one stainless-steel bow-edge rail bar. One longitudinal exterior deck passage runs aft beside the cabin and ends at the stern deck. One stainless-steel safety rail borders the stern deck's water-facing edge. The materials show normal salt-weathering and maintained service wear. The vessel and all exterior working areas visibly carry the ordinary signs of active marine police use.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "영구 배치와 선체 동선을 우선한 접근",
              "evidence_ko": [
                "순찰정 선수 가장자리 레일 바",
                "선수와 선미를 연결하는 통로",
                "조타실 키",
                "순찰정은 점점 더 금월도에 가까와진다."
              ],
              "prompt_en": "The real operating neighborhood is an inhabited South Korean coastal district at early evening, with a working harbor and ordinary coastal settlement at a believable distance. Open sea remains continuous around every exposed hull and deck edge. The target patrol boat measures 10.5 metres long and 3.2 metres across the beam. Its longitudinal arrangement is fixed: the forward exterior deck is directly inside the bow-edge rail bar, a single exterior passage continues aft beside the control cabin, and that passage terminates at the stern exterior deck. A fixed safety rail follows the stern deck's water-facing edge. The boat has one working deck and one enclosed cabin storey. The cabin footprint is 3.4 by 2.5 metres with 2.2 metres of clear interior height, physically accommodating the evidenced control room and bow-facing helm. The hull is white fiberglass over a navy-blue lower hull with a blue side stripe and clear lettering reading 연안안전순찰. The cabin is off-white fiberglass with charcoal-tinted forward and side helm glazing. Deck surfaces are pale gray nonslip fiberglass, and both specified rails are stainless steel. All finishes carry maintained marine weathering, and the boat visibly reads as currently in police service rather than bare or abandoned.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "한국 연안 순찰정의 재료와 운항 유형을 우선한 접근",
              "evidence_ko": [
                "소형 경찰선의 외부 데크. 난간 바(rail bar)와 통로가 있다.",
                "순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.",
                "물살을 가르며 앞으로 나아가는 순찰정"
              ],
              "prompt_en": "This is an actively operated contemporary South Korean coastal patrol craft in open sea at early evening. Its broader neighborhood is a lived-in coastal settlement and working harbor at a realistic distance, with uninterrupted water immediately around the hull. The 10.5-by-3.2-metre fiberglass vessel has a white hull, navy-blue lower hull, blue side stripe, and one legible identification line reading 연안안전순찰. Pale gray nonslip fiberglass covers its single exterior working deck. An off-white fiberglass control cabin rises one storey above the deck and occupies a 3.4-by-2.5-metre footprint with 2.2 metres of clear interior height. Charcoal-tinted forward and side glazing serves the control room, and the fixed helm is oriented toward the bow. At the bow, the forward deck sits immediately behind the stainless-steel bow-edge rail bar. A single bow-to-stern exterior passage runs beside the cabin to the stern deck. The stern deck has one fixed stainless-steel safety rail along its water-facing edge. The hull, cabin, rails, glazing, and deck have regionally normal maintained salt exposure and everyday service wear. The complete craft and its outdoor work surfaces visibly carry ordinary signs of ongoing marine police use.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nContemporary South Korean coastal waters at early evening form the setting. A working harbor and an ordinary inhabited coastal settlement remain visible at a believable distance, while open sea directly surrounds the vessel. The target is a 10.5-metre-long, 3.2-metre-beam police patrol boat with a white fiberglass hull, navy-blue lower hull, blue side stripe, and the legible side lettering 연안안전순찰. It has one exterior working deck and one enclosed control-cabin storey. The off-white fiberglass cabin has a 3.4-by-2.5-metre footprint, a 2.2-metre clear interior height, and regionally normal charcoal-tinted forward and side helm glazing. Its fixed helm faces the bow and open water ahead. A pale gray nonslip fiberglass forward deck occupies the bow immediately inside one stainless-steel bow-edge rail bar. One longitudinal exterior deck passage runs aft beside the cabin and ends at the stern deck. One stainless-steel safety rail borders the stern deck's water-facing edge. The materials show normal salt-weathering and maintained service wear. The vessel and all exterior working areas visibly carry the ordinary signs of active marine police use.\n\nTHE LOCATION: A contemporary South Korean police patrol boat in inhabited coastal waters near a working harbor.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전순찰\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe real operating neighborhood is an inhabited South Korean coastal district at early evening, with a working harbor and ordinary coastal settlement at a believable distance. Open sea remains continuous around every exposed hull and deck edge. The target patrol boat measures 10.5 metres long and 3.2 metres across the beam. Its longitudinal arrangement is fixed: the forward exterior deck is directly inside the bow-edge rail bar, a single exterior passage continues aft beside the control cabin, and that passage terminates at the stern exterior deck. A fixed safety rail follows the stern deck's water-facing edge. The boat has one working deck and one enclosed cabin storey. The cabin footprint is 3.4 by 2.5 metres with 2.2 metres of clear interior height, physically accommodating the evidenced control room and bow-facing helm. The hull is white fiberglass over a navy-blue lower hull with a blue side stripe and clear lettering reading 연안안전순찰. The cabin is off-white fiberglass with charcoal-tinted forward and side helm glazing. Deck surfaces are pale gray nonslip fiberglass, and both specified rails are stainless steel. All finishes carry maintained marine weathering, and the boat visibly reads as currently in police service rather than bare or abandoned.\n\nTHE LOCATION: A contemporary South Korean police patrol boat in inhabited coastal waters near a working harbor.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전순찰\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is an actively operated contemporary South Korean coastal patrol craft in open sea at early evening. Its broader neighborhood is a lived-in coastal settlement and working harbor at a realistic distance, with uninterrupted water immediately around the hull. The 10.5-by-3.2-metre fiberglass vessel has a white hull, navy-blue lower hull, blue side stripe, and one legible identification line reading 연안안전순찰. Pale gray nonslip fiberglass covers its single exterior working deck. An off-white fiberglass control cabin rises one storey above the deck and occupies a 3.4-by-2.5-metre footprint with 2.2 metres of clear interior height. Charcoal-tinted forward and side glazing serves the control room, and the fixed helm is oriented toward the bow. At the bow, the forward deck sits immediately behind the stainless-steel bow-edge rail bar. A single bow-to-stern exterior passage runs beside the cabin to the stern deck. The stern deck has one fixed stainless-steel safety rail along its water-facing edge. The hull, cabin, rails, glazing, and deck have regionally normal maintained salt exposure and everyday service wear. The complete craft and its outdoor work surfaces visibly carry ordinary signs of ongoing marine police use.\n\nTHE LOCATION: A contemporary South Korean police patrol boat in inhabited coastal waters near a working harbor.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전순찰\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean patrol boat in active service: a 10.5-metre-long, 3.2-metre-beam fiberglass hull with one exterior working deck and one enclosed control-cabin storey. The hull is white with a navy-blue lower hull and blue side stripe; the cabin is off-white fiberglass, the deck is pale gray nonslip fiberglass, the fixed bow rail bar and stern safety rail are stainless steel, and the helm glazing is charcoal tinted. The control cabin has a 3.4-by-2.5-metre footprint and 2.2-metre clear interior height, sufficient for the single evidenced control room and its bow-facing helm. The forward deck lies immediately inside the bow-edge rail bar; one longitudinal exterior passage runs aft beside the cabin and terminates at the stern deck; the fixed safety rail borders the stern deck's water-facing edge. The hull must be directly surrounded by open sea. No numerical window or door count is evidenced, so use only regionally normal forward-and-side helm glazing without prominent extra openings. The exact legible side lettering is 연안안전순찰. A believable inhabited South Korean coastal settlement and working harbor form the broader operating neighborhood at a distance without interrupting the open water around the hull. The vessel and its exterior working areas visibly carry ordinary signs of current marine service and must not appear abandoned, sterile, prison-like, or staged.\n\nTHE LOCATION: A contemporary South Korean police patrol boat in inhabited coastal waters near a working harbor.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰 순찰정 조타실: 순찰정 선체 앞쪽의 유리로 덮인 좁은 조종석.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"연안안전순찰\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBody temporarily placed on the deck; Fishing boat temporarily adjoining the patrol boat; Loose life jackets, water container, and tube; Loose metal pipe and handguns; Wake, spray, and surface foam; Water temporarily covering parts of the deck passage",
        "seed_decision": {
          "input_fingerprint": "a88945ecadc2b33b",
          "totals": {
            "A": 8,
            "B": 2,
            "C": 6
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 8,
              "verdict_ko": "지시된 선박의 형태와 외관, 탁 트인 바다 배치 및 한글 사이니지(연안안전순찰)를 정확히 구현했으며, 현역으로 사용 중인 자연스러운 마모 흔적을 가장 잘 표현했습니다. 단, 레이더 돔에 요구되지 않은 식별 가능한 영문 텍스트가 작게 생성되어 만점에서 감점되었습니다."
            },
            {
              "label": "B",
              "score": 2,
              "verdict_ko": "선체 우측면에 프롬프트 지시어인 'TARGET STRUCTURE'가 그대로 노출되는 치명적인 위반(Leaked marker)을 범했으며, 선체가 탁 트인 바다로 둘러싸여 있어야 한다는 지시와 달리 부두에 바짝 정박해 있어 환경 요건도 위반했습니다."
            },
            {
              "label": "C",
              "score": 6,
              "verdict_ko": "형태적 비율과 수상 배치, 한글 사이니지는 요건에 부합하나, 실제 사용 중인 선박의 자연스러운 흔적을 요구한 지시문과 달리 지나치게 깨끗하고 인위적인 렌더링처럼 보이며, 레이더 돔에 불필요한 영문 텍스트가 추가되었습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지시문에서 허용하지 않은 눈에 띄는 추가 개구부(조타실 앞쪽 하단 측면의 검은색 테두리 타원형 창문)가 묘사됨.",
                "fix_en": "Remove the small black-framed oval window from the lower forward side of the cabin structure, leaving only the main helm glazing."
              },
              {
                "issue_ko": "이미지 내에 다른 읽을 수 있는 텍스트를 추가하지 말라는 지침을 어기고 레이더 돔에 영문 텍스트가 포함됨.",
                "fix_en": "Remove the readable lettering from the radar dome on top of the cabin."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the small black-framed oval window from the lower forward side of the cabin structure, leaving only the main helm glazing.\n- Remove the readable lettering from the radar dome on top of the cabin.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_police_station": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_police_station_sel.png",
        "seed_asset_id": "7a494879-d4dd-4937-8ac8-1ef99c5ade18",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean police station parking area stands within an inhabited, working civic and mixed-use neighborhood in daylight. The police station is a two-storey rectangular reinforced-concrete block with a 24 m by 16 m footprint and 3.6 m floor-to-floor heights, sufficient for a full detective division office. Its walls are off-white painted concrete above a pale gray granite base, with mild rain streaking and ordinary service wear. A flat dark gray membrane roof sits behind a plain parapet. Silver aluminum frames hold regionally normal windows without prominent unsupported openings. The parking-facing facade has one clear-glazed silver-aluminum station-side pedestrian entrance. A dark blue signage band carries the exact legible white lettering 한빛경찰서. The entrance directly adjoins a 28 m by 22 m dark gray asphalt parking area with worn white and yellow thermoplastic markings. An asphalt vehicle approach meets a different outer edge of the parking area, preserving the open central span. The station, entrance, and outdoor areas visibly carry ordinary signs of active public service typical of contemporary South Korea.\n\nTHE LOCATION: A contemporary police station exterior parking area in an inhabited working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한빛경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean police station and permanent site: a two-storey rectangular reinforced-concrete block with a 24 m by 16 m footprint, 3.6 m floor-to-floor heights, off-white painted walls, a pale gray granite base, a flat dark gray membrane roof behind a parapet, silver aluminum window frames, and one clear-glazed silver-aluminum station-side pedestrian entrance on the parking-facing facade. The footprint must plausibly contain the evidenced detective division office with multiple desks and computer monitors at real-world scale. A dark blue signage band must display the exact legible white lettering 한빛경찰서. A 28 m by 22 m dark gray asphalt parking area with worn white and yellow thermoplastic markings directly adjoins that entrance. An asphalt vehicle approach meets a different outer edge, leaving the central parking span open. The station and outdoor areas must visibly remain in active public service rather than appearing bare, sterile, abandoned, or prison-like. An inhabited, working contemporary South Korean civic and mixed-use neighborhood must surround the site. No additional prominent station entrance or unsupported attached volume may appear.",
          "location_line_en": "A contemporary police station exterior parking area in an inhabited working neighborhood in South Korea.",
          "room_inventory": [
            {
              "evidence_ko": "17. 실내. 경찰서 형사과 - 같은 시각",
              "label_en": "Detective division office",
              "scene_index": 16
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "현대 한국의 경찰서는 건물 정면에 기관명을 표시하는 식별 간판이 필요하다.",
          "signage_required": true,
          "signage_text": "한빛경찰서",
          "variants": [
            {
              "approach_ko": "시나리오 원문의 장소와 시간 정보를 직접 시각화하는 접근",
              "evidence_ko": [
                "실외. 경찰서 주차장 - 낮",
                "17. 실내. 경찰서 형사과 - 같은 시각",
                "컴퓨터 모니터 화면:"
              ],
              "prompt_en": "A contemporary South Korean police station parking area stands within an inhabited, working civic and mixed-use neighborhood in daylight. The police station is a two-storey rectangular reinforced-concrete block with a 24 m by 16 m footprint and 3.6 m floor-to-floor heights, sufficient for a full detective division office. Its walls are off-white painted concrete above a pale gray granite base, with mild rain streaking and ordinary service wear. A flat dark gray membrane roof sits behind a plain parapet. Silver aluminum frames hold regionally normal windows without prominent unsupported openings. The parking-facing facade has one clear-glazed silver-aluminum station-side pedestrian entrance. A dark blue signage band carries the exact legible white lettering 한빛경찰서. The entrance directly adjoins a 28 m by 22 m dark gray asphalt parking area with worn white and yellow thermoplastic markings. An asphalt vehicle approach meets a different outer edge of the parking area, preserving the open central span. The station, entrance, and outdoor areas visibly carry ordinary signs of active public service typical of contemporary South Korea.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "주변 생활권에서 경찰서 부지로 좁혀 들어가는 장소 우선 접근",
              "evidence_ko": [
                "경찰서 주차장 - 낮",
                "경찰서 형사과"
              ],
              "prompt_en": "An inhabited and working contemporary South Korean civic and mixed-use neighborhood encloses an active police station site. The surroundings have the ordinary density and regionally standard finishes of a real neighborhood rather than an isolated compound. Within it, a 28 m by 22 m dark gray asphalt parking area has worn white and yellow thermoplastic markings and an open central span. An asphalt vehicle approach meets one outer edge. On a different, building-facing edge, the parking area connects directly to one station-side pedestrian entrance. The station is a two-storey, 24 m by 16 m rectangular reinforced-concrete block with 3.6 m floor-to-floor heights, providing the massing required for a detective division office with several workstations. Off-white painted concrete walls rise from a pale gray granite base. The flat roof has a dark gray membrane behind a parapet. Regionally normal windows use silver aluminum frames. The single parking-facing entrance is clear glass in silver aluminum framing. Above it, a dark blue signage band displays the exact legible white lettering 한빛경찰서. Mild weathering and visible ordinary signs of continuing public service extend across the building and paved outdoor areas.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 공공건축 유형을 먼저 확정하는 물성 중심 접근",
              "evidence_ko": [
                "실외. 경찰서 주차장 - 낮",
                "17. 실내. 경찰서 형사과 - 같은 시각"
              ],
              "prompt_en": "Off-white painted reinforced concrete, a pale gray granite base, silver aluminum frames, and a flat dark gray membrane roof define a contemporary South Korean police station in active service. The building is one definite two-storey rectangular block, 24 m by 16 m in footprint with 3.6 m floor-to-floor heights, so its main mass plausibly accommodates the evidenced detective division office. Its surfaces show restrained rain streaking and routine institutional wear. Regionally normal windows remain subordinate to one clear-glazed silver-aluminum pedestrian entrance on the parking-facing facade. A dark blue identification band bears the exact legible white lettering 한빛경찰서. The entrance opens directly onto the building-facing edge of a 28 m by 22 m dark gray asphalt parking area marked with worn white and yellow thermoplastic lines. A matching asphalt vehicle approach joins a different outer edge, keeping the center of the parking area open. The station and its outdoor areas visibly carry ordinary signs of ongoing public service. A believable inhabited, working civic and mixed-use neighborhood surrounds the complete site in contemporary South Korea.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean police station parking area stands within an inhabited, working civic and mixed-use neighborhood in daylight. The police station is a two-storey rectangular reinforced-concrete block with a 24 m by 16 m footprint and 3.6 m floor-to-floor heights, sufficient for a full detective division office. Its walls are off-white painted concrete above a pale gray granite base, with mild rain streaking and ordinary service wear. A flat dark gray membrane roof sits behind a plain parapet. Silver aluminum frames hold regionally normal windows without prominent unsupported openings. The parking-facing facade has one clear-glazed silver-aluminum station-side pedestrian entrance. A dark blue signage band carries the exact legible white lettering 한빛경찰서. The entrance directly adjoins a 28 m by 22 m dark gray asphalt parking area with worn white and yellow thermoplastic markings. An asphalt vehicle approach meets a different outer edge of the parking area, preserving the open central span. The station, entrance, and outdoor areas visibly carry ordinary signs of active public service typical of contemporary South Korea.\n\nTHE LOCATION: A contemporary police station exterior parking area in an inhabited working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한빛경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited and working contemporary South Korean civic and mixed-use neighborhood encloses an active police station site. The surroundings have the ordinary density and regionally standard finishes of a real neighborhood rather than an isolated compound. Within it, a 28 m by 22 m dark gray asphalt parking area has worn white and yellow thermoplastic markings and an open central span. An asphalt vehicle approach meets one outer edge. On a different, building-facing edge, the parking area connects directly to one station-side pedestrian entrance. The station is a two-storey, 24 m by 16 m rectangular reinforced-concrete block with 3.6 m floor-to-floor heights, providing the massing required for a detective division office with several workstations. Off-white painted concrete walls rise from a pale gray granite base. The flat roof has a dark gray membrane behind a parapet. Regionally normal windows use silver aluminum frames. The single parking-facing entrance is clear glass in silver aluminum framing. Above it, a dark blue signage band displays the exact legible white lettering 한빛경찰서. Mild weathering and visible ordinary signs of continuing public service extend across the building and paved outdoor areas.\n\nTHE LOCATION: A contemporary police station exterior parking area in an inhabited working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한빛경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOff-white painted reinforced concrete, a pale gray granite base, silver aluminum frames, and a flat dark gray membrane roof define a contemporary South Korean police station in active service. The building is one definite two-storey rectangular block, 24 m by 16 m in footprint with 3.6 m floor-to-floor heights, so its main mass plausibly accommodates the evidenced detective division office. Its surfaces show restrained rain streaking and routine institutional wear. Regionally normal windows remain subordinate to one clear-glazed silver-aluminum pedestrian entrance on the parking-facing facade. A dark blue identification band bears the exact legible white lettering 한빛경찰서. The entrance opens directly onto the building-facing edge of a 28 m by 22 m dark gray asphalt parking area marked with worn white and yellow thermoplastic lines. A matching asphalt vehicle approach joins a different outer edge, keeping the center of the parking area open. The station and its outdoor areas visibly carry ordinary signs of ongoing public service. A believable inhabited, working civic and mixed-use neighborhood surrounds the complete site in contemporary South Korea.\n\nTHE LOCATION: A contemporary police station exterior parking area in an inhabited working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한빛경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean police station and permanent site: a two-storey rectangular reinforced-concrete block with a 24 m by 16 m footprint, 3.6 m floor-to-floor heights, off-white painted walls, a pale gray granite base, a flat dark gray membrane roof behind a parapet, silver aluminum window frames, and one clear-glazed silver-aluminum station-side pedestrian entrance on the parking-facing facade. The footprint must plausibly contain the evidenced detective division office with multiple desks and computer monitors at real-world scale. A dark blue signage band must display the exact legible white lettering 한빛경찰서. A 28 m by 22 m dark gray asphalt parking area with worn white and yellow thermoplastic markings directly adjoins that entrance. An asphalt vehicle approach meets a different outer edge, leaving the central parking span open. The station and outdoor areas must visibly remain in active public service rather than appearing bare, sterile, abandoned, or prison-like. An inhabited, working contemporary South Korean civic and mixed-use neighborhood must surround the site. No additional prominent station entrance or unsupported attached volume may appear.\n\nTHE LOCATION: A contemporary police station exterior parking area in an inhabited working neighborhood in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰서 형사과 사무실: 여러 대의 컴퓨터 모니터와 형사들의 책상이 놓인 사무실.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한빛경찰서\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPeople occupying the parking area; Thick money envelope; Parked police vehicles",
        "seed_decision": {
          "input_fingerprint": "3873c122c8a7bd3b",
          "totals": {
            "A": 10,
            "B": 6,
            "C": 8
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 10,
              "verdict_ko": "지정된 2층 구조와 정확한 '한빛경찰서' 메인 간판 요건을 완벽히 충족하며, 화분, 쓰레기통, 벤치, 실외기 등 일상적인 사용 흔적을 통해 활발하게 운영되는 공공 기관의 모습을 훌륭하게 구현했습니다."
            },
            {
              "label": "B",
              "score": 6,
              "verdict_ko": "건물 상단의 파란색 띠가 비어 있고 텍스트가 캐노피로 밀려난 구조적 아쉬움이 있으며, 외관과 주차장에 일상적인 사용 흔적이 전혀 없어 장소가 삭막하고 비어 보입니다."
            },
            {
              "label": "C",
              "score": 8,
              "verdict_ko": "지정된 매스와 출입구 요건을 대체로 충족하나 메인 외벽의 파란 띠가 비어 있고, 화분이나 벤치 등 활발한 사용감을 보여주는 일상적인 흔적이 부족하여 우승작에 비해 다소 비어 보입니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지붕 위에 지시문에 없는 옥탑 구조물이 추가되어 있습니다.",
                "fix_en": "Remove the rooftop structure to leave a completely flat roof behind the parapet.",
                "unfixable": false
              },
              {
                "issue_ko": "건물 좌측면에 지시문에 없는 추가 출입문과 부속 가건물이 부착되어 있습니다.",
                "fix_en": "Remove the side door, its canopy, and the attached shed from the left facade, replacing them with a continuous off-white wall and granite base.",
                "unfixable": false
              },
              {
                "issue_ko": "건물 우측면에 지시문에 없는 작은 부속 가건물이 부착되어 있습니다.",
                "fix_en": "Remove the small attached shed volume on the right side of the main building.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the rooftop structure to leave a completely flat roof behind the parapet.\n- Remove the side door, its canopy, and the attached shed from the left facade, replacing them with a continuous off-white wall and granite base.\n- Remove the small attached shed volume on the right side of the main building.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_reed_field_wooden_shed": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_reed_field_wooden_shed_sel.png",
        "seed_asset_id": "6b761304-1214-4cfa-9244-51ebf20b8393",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working rural settlement in late-sixteenth-century Joseon Korea remains visible beyond a surrounding reed field. The locality is active rather than abandoned, and its ordinary regional fabric frames the field without turning the site into an isolated compound. The target is a one-storey rectangular warehouse measuring 12 metres by 7 metres, with 2.7-metre eaves and a 4.3-metre ridge. Its frame is blackened-brown timber, its irregular wall infill is made from weathered grey-brown planks, and its gable roof is muted straw-coloured thatch. The front wall contains exactly one 1.9-metre-high dark weathered plank door and no prominent unsupported openings. The door opens directly across its threshold onto compacted tan-earth front ground extending 8 metres outward. Reeds surround the warehouse footprint and the outer sides of this front ground. The structure and outdoor work area visibly retain ordinary signs of active warehouse use appropriate to the region and period.\n\nTHE LOCATION: A reed-field warehouse beside an inhabited rural settlement in late-sixteenth-century Joseon Korea during Japanese military occupation.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same one-storey rectangular warehouse, 12 metres long by 7 metres deep, with eaves at 2.7 metres and a ridge at 4.3 metres. It has a blackened-brown timber frame, irregular weathered grey-brown plank walls, and a muted straw-coloured thatched gable roof. The front wall has exactly one evidenced opening: a 1.9-metre-high dark weathered plank door opening directly onto compacted tan-earth front ground that extends 8 metres from the threshold. Do not add prominent unsupported openings. The warehouse and front ground are enclosed on their outer sides by the surrounding reed field, with the spatial sequence reading from warehouse interior edge through the door and threshold to the front ground and then the reeds. The 12-by-7-metre footprint must plausibly contain the single open warehouse interior at real-world scale. The warehouse, its front ground, and the surrounding rural settlement must visibly carry ordinary signs of active use appropriate to a working late-sixteenth-century Korean locality; a bare, sterile, abandoned, prison-like, or isolated-compound result is invalid. Ordinary inhabited rural neighborhood fabric must remain visible beyond the reed-field setting. No signage is present.",
          "location_line_en": "A reed-field warehouse beside an inhabited rural settlement in late-sixteenth-century Joseon Korea during Japanese military occupation.",
          "room_inventory": [
            {
              "evidence_ko": "2. 실내. 창고 - 낮",
              "label_en": "open warehouse interior",
              "scene_index": 2
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "이 시대의 사설 가건물형 창고에는 식별 간판이 통상 필요하지 않다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "시나리오의 문과 갈대숲 공간 관계를 직접 시각화한 접근",
              "evidence_ko": [
                "갈대숲 창고 밖 - 낮",
                "조심스레 문을 열고 고개를 내미는",
                "창고 밖으로 나오려다가",
                "창고에서 나온 조선인들이"
              ],
              "prompt_en": "An inhabited working rural settlement in late-sixteenth-century Joseon Korea remains visible beyond a surrounding reed field. The locality is active rather than abandoned, and its ordinary regional fabric frames the field without turning the site into an isolated compound. The target is a one-storey rectangular warehouse measuring 12 metres by 7 metres, with 2.7-metre eaves and a 4.3-metre ridge. Its frame is blackened-brown timber, its irregular wall infill is made from weathered grey-brown planks, and its gable roof is muted straw-coloured thatch. The front wall contains exactly one 1.9-metre-high dark weathered plank door and no prominent unsupported openings. The door opens directly across its threshold onto compacted tan-earth front ground extending 8 metres outward. Reeds surround the warehouse footprint and the outer sides of this front ground. The structure and outdoor work area visibly retain ordinary signs of active warehouse use appropriate to the region and period.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "대지의 안쪽에서 갈대밭까지 이어지는 공간 위계 중심 접근",
              "evidence_ko": [
                "갈대숲 사이에 위치한 허름한 가건물 앞 공터.",
                "창고 문",
                "창고 밖으로"
              ],
              "prompt_en": "The site belongs to an inhabited and working late-sixteenth-century Korean rural neighborhood, whose ordinary built fabric is present beyond the reed-field perimeter. The permanent layout reads in one continuous sequence: the warehouse interior edge, one front door and threshold, compacted tan-earth front ground extending 8 metres, and the reed field enclosing the outer sides. The warehouse is a one-storey 12-by-7-metre rectangular timber mass with eaves at 2.7 metres and a gable ridge at 4.3 metres. Blackened-brown structural timbers support irregular weathered grey-brown plank walls and a muted straw-coloured thatched roof. Exactly one 1.9-metre-high dark weathered plank door occupies the front wall; no prominent additional openings appear. The warehouse and its exterior work ground visibly read as actively used in the ordinary regional manner, never sterile, abandoned, or detached from the inhabited settlement.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "시대에 맞는 목재와 초가지붕의 구축 방식 중심 접근",
              "evidence_ko": [
                "판자와 각목 등을 얼기설기 대충 덧대어 만든 가건물.",
                "갈대숲의 낡은 나무 창고 내부",
                "갈대숲 사이에 위치한 허름한 가건물 앞 공터."
              ],
              "prompt_en": "Weathered construction defines the target warehouse: a blackened-brown timber frame, irregular patched grey-brown plank walling, a dark weathered plank door, and a muted straw-coloured thatched gable roof, all consistent with late-sixteenth-century rural Korea. The rectangular building is one storey, 12 metres long and 7 metres deep, with 2.7-metre eaves and a 4.3-metre ridge, providing a plausible footprint for one open warehouse interior. Its front face has exactly one 1.9-metre-high door and no prominent unsupported openings. The threshold meets compacted tan-earth front ground that runs 8 metres away from the wall. The warehouse stands within reeds, which continue around its footprint and along the outer sides of the front ground. Beyond the reeds, an ordinary inhabited working rural neighborhood situates the structure in a real locality. The building and outdoor ground visibly show ordinary active warehouse use appropriate to their place and period rather than abandonment or staged emptiness.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited working rural settlement in late-sixteenth-century Joseon Korea remains visible beyond a surrounding reed field. The locality is active rather than abandoned, and its ordinary regional fabric frames the field without turning the site into an isolated compound. The target is a one-storey rectangular warehouse measuring 12 metres by 7 metres, with 2.7-metre eaves and a 4.3-metre ridge. Its frame is blackened-brown timber, its irregular wall infill is made from weathered grey-brown planks, and its gable roof is muted straw-coloured thatch. The front wall contains exactly one 1.9-metre-high dark weathered plank door and no prominent unsupported openings. The door opens directly across its threshold onto compacted tan-earth front ground extending 8 metres outward. Reeds surround the warehouse footprint and the outer sides of this front ground. The structure and outdoor work area visibly retain ordinary signs of active warehouse use appropriate to the region and period.\n\nTHE LOCATION: A reed-field warehouse beside an inhabited rural settlement in late-sixteenth-century Joseon Korea during Japanese military occupation.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an inhabited and working late-sixteenth-century Korean rural neighborhood, whose ordinary built fabric is present beyond the reed-field perimeter. The permanent layout reads in one continuous sequence: the warehouse interior edge, one front door and threshold, compacted tan-earth front ground extending 8 metres, and the reed field enclosing the outer sides. The warehouse is a one-storey 12-by-7-metre rectangular timber mass with eaves at 2.7 metres and a gable ridge at 4.3 metres. Blackened-brown structural timbers support irregular weathered grey-brown plank walls and a muted straw-coloured thatched roof. Exactly one 1.9-metre-high dark weathered plank door occupies the front wall; no prominent additional openings appear. The warehouse and its exterior work ground visibly read as actively used in the ordinary regional manner, never sterile, abandoned, or detached from the inhabited settlement.\n\nTHE LOCATION: A reed-field warehouse beside an inhabited rural settlement in late-sixteenth-century Joseon Korea during Japanese military occupation.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered construction defines the target warehouse: a blackened-brown timber frame, irregular patched grey-brown plank walling, a dark weathered plank door, and a muted straw-coloured thatched gable roof, all consistent with late-sixteenth-century rural Korea. The rectangular building is one storey, 12 metres long and 7 metres deep, with 2.7-metre eaves and a 4.3-metre ridge, providing a plausible footprint for one open warehouse interior. Its front face has exactly one 1.9-metre-high door and no prominent unsupported openings. The threshold meets compacted tan-earth front ground that runs 8 metres away from the wall. The warehouse stands within reeds, which continue around its footprint and along the outer sides of the front ground. Beyond the reeds, an ordinary inhabited working rural neighborhood situates the structure in a real locality. The building and outdoor ground visibly show ordinary active warehouse use appropriate to their place and period rather than abandonment or staged emptiness.\n\nTHE LOCATION: A reed-field warehouse beside an inhabited rural settlement in late-sixteenth-century Joseon Korea during Japanese military occupation.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same one-storey rectangular warehouse, 12 metres long by 7 metres deep, with eaves at 2.7 metres and a ridge at 4.3 metres. It has a blackened-brown timber frame, irregular weathered grey-brown plank walls, and a muted straw-coloured thatched gable roof. The front wall has exactly one evidenced opening: a 1.9-metre-high dark weathered plank door opening directly onto compacted tan-earth front ground that extends 8 metres from the threshold. Do not add prominent unsupported openings. The warehouse and front ground are enclosed on their outer sides by the surrounding reed field, with the spatial sequence reading from warehouse interior edge through the door and threshold to the front ground and then the reeds. The 12-by-7-metre footprint must plausibly contain the single open warehouse interior at real-world scale. The warehouse, its front ground, and the surrounding rural settlement must visibly carry ordinary signs of active use appropriate to a working late-sixteenth-century Korean locality; a bare, sterile, abandoned, prison-like, or isolated-compound result is invalid. Ordinary inhabited rural neighborhood fabric must remain visible beyond the reed-field setting. No signage is present.\n\nTHE LOCATION: A reed-field warehouse beside an inhabited rural settlement in late-sixteenth-century Joseon Korea during Japanese military occupation.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 갈대숲의 낡은 나무 창고 내부: 판자와 각목을 대충 덧대 만든 염전 소금창고 크기의 가건물 내부.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nfallen and wounded Japanese soldiers; blood covering the soldiers and ground; black smoke figure; white antler-tipped spear; extracted heart; village chief and surviving Koreans; full moon, eclipse, and red-moon appearance",
        "seed_decision": {
          "input_fingerprint": "20bcfbb8eee2a5ad",
          "totals": {
            "A": 10,
            "B": 0,
            "C": 2
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 10,
              "verdict_ko": "완벽하게 지침을 준수했습니다. 검게 그을린 목재 골조와 불규칙한 널빤지 벽면, 단 하나의 전면 출입문을 정확히 묘사했으며, 주변의 갈대밭과 그 너머 16세기 조선 시대 마을의 생활감 있는 풍경이 매우 사실적으로 표현되었습니다."
            },
            {
              "label": "B",
              "score": 0,
              "verdict_ko": "심각한 위반(Axis 1): 우측 원경의 들판에 여러 명의 사람(농사짓는 인물들)이 명확하게 포함되어 있어 즉시 실격입니다."
            },
            {
              "label": "C",
              "score": 2,
              "verdict_ko": "시대적 고증 및 지침 위반(Axis 3, 3b): 배경에 현대적인 전봇대가 뚜렷하게 보이며, 외벽이 지침에 명시된 널빤지 대신 진흙/회벽 패널로 혼합되어 있고, 우측이 갈대밭이 아닌 텃밭으로 둘러싸여 있습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "창고 왼쪽 벽에 브리프에서 지시하지 않은 창문이 있습니다.",
                "fix_en": "Remove the window on the left wall, leaving only continuous weathered grey-brown plank infill.",
                "unfixable": false
              },
              {
                "issue_ko": "앞마당 외곽이 갈대밭으로 둘러싸여야 한다는 지시와 달리, 우측 하단 전면에 다른 건물의 지붕이 배치되어 있습니다.",
                "fix_en": "Replace the thatched roof in the bottom right foreground with the tall reed field to fully enclose the outer side of the front ground.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the window on the left wall, leaving only continuous weathered grey-brown plank infill.\n- Replace the thatched roof in the bottom right foreground with the tall reed field to fully enclose the outer side of the front ground.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_restaurant_compound": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_restaurant_compound_sel.png",
        "seed_asset_id": "69cb1065-4089-4f87-94f0-4059c3fec052",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in working neighborhood of clustered low-rise buildings surrounds this restaurant property in a contemporary South Korean island village. An unpaved front alley meets a dirt village road aligned toward the restaurant entrance; the road continues uphill beside the site to the forest and mountain threshold. The target is a one-storey, 14 m by 10 m rectangular concrete-block building finished in faded pale-cream cement stucco, with salt staining, repaired wear and a low-pitched dark-gray corrugated galvanized-steel gable roof. Its footprint holds a classroom-scale combined dining and retail hall, a kitchen and two separate residential rooms. The public face has one silver-aluminum glazed sliding entrance, one adjacent glazed shopfront bay and a legible sign reading 해풍식당·슈퍼. One dark-brown painted-steel back entrance opens directly into the rear yard. The yard has a defined cultivated soil plot and a separate intact 5 m by 4 m timber-framed storage shed with weathered gray corrugated galvanized-steel walls and roof. Its single gray sheet-metal door faces the yard. Open circulation links the back entrance, garden edge and shed door. An unpainted gray concrete-block boundary defines the rear-yard perimeter while preserving access to the building and village-road side. The restaurant frontage, yard and garden visibly carry ordinary regional signs of active daily use.\n\nTHE LOCATION: A working restaurant and mixed village shop in a contemporary South Korean island settlement at the foot of a forested mountain.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍식당·슈퍼\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean island-village property. The organizing mass is a one-storey, 14 m by 10 m rectangular restaurant and mixed village shop with faded pale-cream cement stucco over concrete block, a low-pitched dark-gray corrugated galvanized-steel gable roof, salt staining and ordinary repaired wear. This footprint must plausibly contain a classroom-scale combined dining and retail hall, a working kitchen, two separate residential rooms and normal circulation at real-world dimensions. The public face has exactly one silver-aluminum glazed sliding front entrance, one adjacent region-typical glazed shopfront bay and a clearly legible sign reading 해풍식당·슈퍼. The rear face has exactly one dark-brown painted-steel back entrance. The front entrance opens to an unpaved restaurant-front alley met by a dirt village road aligned toward the entrance. That road continues uphill beside the property to the forest and mountain threshold. Directly behind the building is the rear yard, containing a defined cultivated soil plot and an intact but shabby separate 5 m by 4 m timber-framed shed clad and roofed in weathered gray corrugated galvanized steel. The shed has exactly one yard-facing gray sheet-metal door. Open yard circulation must connect the back entrance, garden edge and shed door. An unpainted gray concrete-block perimeter boundary defines the rear-yard edge while leaving the building and village-road connections open. The restaurant, shop frontage, yard and garden must visibly carry ordinary region-appropriate signs of active daily use without looking staged. A believable inhabited working island-village neighborhood of clustered low-rise buildings must surround the property; an isolated, sterile, abandoned or compound-like presentation fails.",
          "location_line_en": "A working restaurant and mixed village shop in a contemporary South Korean island settlement at the foot of a forested mountain.",
          "room_inventory": [
            {
              "evidence_ko": "말이 식당이지 초등학교 교실 정도 크기에 식당과 편의점, 낚시 용품점 등을 총 망라한 잡화점.",
              "label_en": "combined dining and retail hall",
              "scene_index": 21
            },
            {
              "evidence_ko": "산들이 주방에서 찌개를 끓이고, 육고기를 썰고… 식사 준비를 하는 동안,",
              "label_en": "restaurant kitchen",
              "scene_index": 21
            },
            {
              "evidence_ko": "주위를 돌아본다: 창을 타고 따스한 햇살이 스며드는 정갈하게 정돈된 방이다.",
              "label_en": "rear residential room",
              "scene_index": 36
            },
            {
              "evidence_ko": "활짝 문이 열린 할머니 방 안에는 화려한 붉은색 무녀복이 걸려있고,",
              "label_en": "grandmother's room",
              "scene_index": 48
            },
            {
              "evidence_ko": "어둑한 공간을 밝히는 십수 개의 촛불들… 향이 피어오르는 제단 위에는 검은 염소 머리.",
              "label_en": "detached storage shed interior",
              "scene_index": 27
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "식당과 편의점 및 낚시용품점을 겸한 영업시설이므로 식별 가능한 한글 간판이 필요하다.",
          "signage_required": true,
          "signage_text": "해풍식당·슈퍼",
          "variants": [
            {
              "approach_ko": "원문 공간 단서와 이동 연결을 직접 시각화한 접근",
              "evidence_ko": [
                "잘 꾸민 텃밭과 평상 위에 말려둔 시래기 같은 채소 뿐…",
                "문 밖으로 불빛이 새어나오는 허름한 창고가 눈에 띈다.",
                "마을길을 따라 조금만 올라가면 숲이 나오고, 산이 시작된다.",
                "영란이 식당 뒷문에 서서 수리영을 보고 있다.",
                "식당 밖 골목에 마을 주민, 청년들이 요소요소 자리를 잡고 있다.",
                "식당으로 향하는 마을길을 저벅저벅 올라오는 산들이다."
              ],
              "prompt_en": "A lived-in working neighborhood of clustered low-rise buildings surrounds this restaurant property in a contemporary South Korean island village. An unpaved front alley meets a dirt village road aligned toward the restaurant entrance; the road continues uphill beside the site to the forest and mountain threshold. The target is a one-storey, 14 m by 10 m rectangular concrete-block building finished in faded pale-cream cement stucco, with salt staining, repaired wear and a low-pitched dark-gray corrugated galvanized-steel gable roof. Its footprint holds a classroom-scale combined dining and retail hall, a kitchen and two separate residential rooms. The public face has one silver-aluminum glazed sliding entrance, one adjacent glazed shopfront bay and a legible sign reading 해풍식당·슈퍼. One dark-brown painted-steel back entrance opens directly into the rear yard. The yard has a defined cultivated soil plot and a separate intact 5 m by 4 m timber-framed storage shed with weathered gray corrugated galvanized-steel walls and roof. Its single gray sheet-metal door faces the yard. Open circulation links the back entrance, garden edge and shed door. An unpainted gray concrete-block boundary defines the rear-yard perimeter while preserving access to the building and village-road side. The restaurant frontage, yard and garden visibly carry ordinary regional signs of active daily use.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "섬마을 생활권과 도로 관계를 먼저 확립하는 접근",
              "evidence_ko": [
                "마을길을 따라 조금만 올라가면 숲이 나오고, 산이 시작된다.",
                "식당 밖 골목에 마을 주민, 청년들이 요소요소 자리를 잡고 있다.",
                "식당 문을 열고 나오는 수리영.",
                "영란이 식당 뒷문에 서서 수리영을 보고 있다.",
                "그냥 창고다: 밤에 봤던 그 괴기스런 제단은 흔적도 찾을 수가 없다."
              ],
              "prompt_en": "This is an inhabited, actively working island-village neighborhood in contemporary South Korea, with ordinary clustered low-rise buildings continuing around the target property. A dirt village road approaches the restaurant-front alley on an axis toward the public entrance, then runs uphill from the restaurant side until the settlement gives way to forest and the mountain threshold. The restaurant is the site's organizing mass: a one-storey rectangular building measuring 14 m by 10 m. Faded pale-cream cement stucco covers concrete-block walls, and a low dark-gray corrugated galvanized-steel gable roof caps the building. Salt exposure, patched stucco and routine wear are visible. The front contains one silver-aluminum glazed sliding entrance, one neighboring glazed shopfront bay and the clear sign 해풍식당·슈퍼. The interior capacity is expressed by the full footprint required for a classroom-scale dining and retail hall, a kitchen and two distinct residential rooms. Exactly one dark-brown painted-steel rear entrance connects the building to its yard. Behind it, open circulation reaches a maintained cultivated soil plot and the door of a separate 5 m by 4 m shed. The intact shed has timber framing, shabby weathered gray corrugated galvanized-steel cladding and roof, and one gray sheet-metal door facing the yard. An unpainted gray concrete-block perimeter boundary encloses the rear-yard extent without severing access toward the village road. The commercial frontage and all outdoor work areas visibly show ordinary local signs of continuing daily use.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "지역 건축 재료와 복합상점 전면 유형을 우선하는 접근",
              "evidence_ko": [
                "잘 꾸민 텃밭과 평상 위에 말려둔 시래기 같은 채소 뿐…",
                "문 밖으로 불빛이 새어나오는 허름한 창고가 눈에 띈다.",
                "마을길을 따라 조금만 올라가면 숲이 나오고, 산이 시작된다.",
                "식당으로 향하는 마을길을 저벅저벅 올라오는 산들이다."
              ],
              "prompt_en": "A contemporary South Korean island-village restaurant and mixed shop stands within a believable inhabited working neighborhood rather than on isolated ground. Its regional commercial frontage addresses an unpaved alley where the approaching dirt village road points directly toward the entrance. The target building is one storey and measures 14 m by 10 m, with a simple rectangular mass. Its concrete-block walls have faded pale-cream cement stucco marked by marine salt staining and practical patch repairs. The low-pitched gable roof is dark-gray corrugated galvanized steel with ordinary oxidation. A single silver-aluminum glazed sliding front entrance sits beside one glazed shopfront bay beneath the legible sign 해풍식당·슈퍼. The building has sufficient floor area for a classroom-scale combined dining and retail hall, a kitchen and two separate residential rooms. A single dark-brown painted-steel back entrance opens into the rear yard. The yard contains a defined cultivated soil plot while retaining open passage between the back entrance, garden edge and a separate 5 m by 4 m storage shed. The intact shabby shed uses timber framing and weathered gray corrugated galvanized-steel wall and roof sheets; its one gray sheet-metal door faces inward to the yard. An unpainted gray concrete-block boundary marks the yard perimeter and leaves its village-road-side connection open. The village road continues uphill to the forest and mountain threshold. The structure, storefront, garden and yard visibly retain the ordinary signs of active local use appropriate to their functions.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in working neighborhood of clustered low-rise buildings surrounds this restaurant property in a contemporary South Korean island village. An unpaved front alley meets a dirt village road aligned toward the restaurant entrance; the road continues uphill beside the site to the forest and mountain threshold. The target is a one-storey, 14 m by 10 m rectangular concrete-block building finished in faded pale-cream cement stucco, with salt staining, repaired wear and a low-pitched dark-gray corrugated galvanized-steel gable roof. Its footprint holds a classroom-scale combined dining and retail hall, a kitchen and two separate residential rooms. The public face has one silver-aluminum glazed sliding entrance, one adjacent glazed shopfront bay and a legible sign reading 해풍식당·슈퍼. One dark-brown painted-steel back entrance opens directly into the rear yard. The yard has a defined cultivated soil plot and a separate intact 5 m by 4 m timber-framed storage shed with weathered gray corrugated galvanized-steel walls and roof. Its single gray sheet-metal door faces the yard. Open circulation links the back entrance, garden edge and shed door. An unpainted gray concrete-block boundary defines the rear-yard perimeter while preserving access to the building and village-road side. The restaurant frontage, yard and garden visibly carry ordinary regional signs of active daily use.\n\nTHE LOCATION: A working restaurant and mixed village shop in a contemporary South Korean island settlement at the foot of a forested mountain.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍식당·슈퍼\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is an inhabited, actively working island-village neighborhood in contemporary South Korea, with ordinary clustered low-rise buildings continuing around the target property. A dirt village road approaches the restaurant-front alley on an axis toward the public entrance, then runs uphill from the restaurant side until the settlement gives way to forest and the mountain threshold. The restaurant is the site's organizing mass: a one-storey rectangular building measuring 14 m by 10 m. Faded pale-cream cement stucco covers concrete-block walls, and a low dark-gray corrugated galvanized-steel gable roof caps the building. Salt exposure, patched stucco and routine wear are visible. The front contains one silver-aluminum glazed sliding entrance, one neighboring glazed shopfront bay and the clear sign 해풍식당·슈퍼. The interior capacity is expressed by the full footprint required for a classroom-scale dining and retail hall, a kitchen and two distinct residential rooms. Exactly one dark-brown painted-steel rear entrance connects the building to its yard. Behind it, open circulation reaches a maintained cultivated soil plot and the door of a separate 5 m by 4 m shed. The intact shed has timber framing, shabby weathered gray corrugated galvanized-steel cladding and roof, and one gray sheet-metal door facing the yard. An unpainted gray concrete-block perimeter boundary encloses the rear-yard extent without severing access toward the village road. The commercial frontage and all outdoor work areas visibly show ordinary local signs of continuing daily use.\n\nTHE LOCATION: A working restaurant and mixed village shop in a contemporary South Korean island settlement at the foot of a forested mountain.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍식당·슈퍼\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean island-village restaurant and mixed shop stands within a believable inhabited working neighborhood rather than on isolated ground. Its regional commercial frontage addresses an unpaved alley where the approaching dirt village road points directly toward the entrance. The target building is one storey and measures 14 m by 10 m, with a simple rectangular mass. Its concrete-block walls have faded pale-cream cement stucco marked by marine salt staining and practical patch repairs. The low-pitched gable roof is dark-gray corrugated galvanized steel with ordinary oxidation. A single silver-aluminum glazed sliding front entrance sits beside one glazed shopfront bay beneath the legible sign 해풍식당·슈퍼. The building has sufficient floor area for a classroom-scale combined dining and retail hall, a kitchen and two separate residential rooms. A single dark-brown painted-steel back entrance opens into the rear yard. The yard contains a defined cultivated soil plot while retaining open passage between the back entrance, garden edge and a separate 5 m by 4 m storage shed. The intact shabby shed uses timber framing and weathered gray corrugated galvanized-steel wall and roof sheets; its one gray sheet-metal door faces inward to the yard. An unpainted gray concrete-block boundary marks the yard perimeter and leaves its village-road-side connection open. The village road continues uphill to the forest and mountain threshold. The structure, storefront, garden and yard visibly retain the ordinary signs of active local use appropriate to their functions.\n\nTHE LOCATION: A working restaurant and mixed village shop in a contemporary South Korean island settlement at the foot of a forested mountain.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍식당·슈퍼\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean island-village property. The organizing mass is a one-storey, 14 m by 10 m rectangular restaurant and mixed village shop with faded pale-cream cement stucco over concrete block, a low-pitched dark-gray corrugated galvanized-steel gable roof, salt staining and ordinary repaired wear. This footprint must plausibly contain a classroom-scale combined dining and retail hall, a working kitchen, two separate residential rooms and normal circulation at real-world dimensions. The public face has exactly one silver-aluminum glazed sliding front entrance, one adjacent region-typical glazed shopfront bay and a clearly legible sign reading 해풍식당·슈퍼. The rear face has exactly one dark-brown painted-steel back entrance. The front entrance opens to an unpaved restaurant-front alley met by a dirt village road aligned toward the entrance. That road continues uphill beside the property to the forest and mountain threshold. Directly behind the building is the rear yard, containing a defined cultivated soil plot and an intact but shabby separate 5 m by 4 m timber-framed shed clad and roofed in weathered gray corrugated galvanized steel. The shed has exactly one yard-facing gray sheet-metal door. Open yard circulation must connect the back entrance, garden edge and shed door. An unpainted gray concrete-block perimeter boundary defines the rear-yard edge while leaving the building and village-road connections open. The restaurant, shop frontage, yard and garden must visibly carry ordinary region-appropriate signs of active daily use without looking staged. A believable inhabited working island-village neighborhood of clustered low-rise buildings must surround the property; an isolated, sterile, abandoned or compound-like presentation fails.\n\nTHE LOCATION: A working restaurant and mixed village shop in a contemporary South Korean island settlement at the foot of a forested mountain.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 홀과 주방: 초등학교 교실 크기의 식당 겸 편의점, 낚시 용품점. 주방 공간과 식사 테이블이 있다. / 반월 식당 뒷방: 창문을 통해 햇살과 달빛이 들어오는 정갈한 방. / 반월 식당의 강영란 방: 화려한 붉은색 무녀복이 걸려있는 방. 제례 준비 용품이 놓여 있다. / 반월 식당 뒤뜰의 의례용 창고 내부: 십수 개의 촛불로 밝혀진 제단과 기괴한 무속 장식들이 있는 어두운 실내. / 반월 식당 뒤뜰의 평범한 창고 내부: 의례 장식 없이 식당 식자재와 낚시 용품이 쌓인 평범한 창고.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해풍식당·슈퍼\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nOutdoor platform with drying vegetables; Vegetables growing in the garden plot; Candle and altar-like arrangement inside the shed; Stored restaurant supplies and fishing equipment; Residents and youths positioned around the restaurant; Shed fire and rising smoke; Firefighting hoses and buckets; Burned-out and smoking condition of the shed",
        "seed_decision": {
          "input_fingerprint": "5f82e5f8c44652ec",
          "totals": {
            "A": 8,
            "B": 3,
            "C": 5
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 8,
              "verdict_ko": "Provides the best overall conformance, capturing the required active daily use, proper corrugated roof material, and correct village road layout. It does incur minor structural penalties for multiplying the shopfront bays to two and placing the back entrance on the side gable rather than the rear face."
            },
            {
              "label": "B",
              "score": 3,
              "verdict_ko": "Hard violation: adds unprompted Korean text to the main sign and windows. Additionally, it alters the committed rectangular footprint into a distinctly L-shaped massing and uses the yard wall to block open circulation to the shed."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "Maintains the rectangular massing but fails the material check by rendering the main roof in standing-seam metal rather than the required corrugated steel. It also adds an unprompted front window, places the back door on the side, and presents a sterile exterior lacking the required signs of active daily use."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "정면(public face)에 출입구 1개와 인접한 상점 진열창 베이 1개만 있어야 하지만, 출입구 양옆으로 진열창 베이가 2개 설치되어 있습니다.",
                "fix_en": "Replace the glazed shopfront bay on the left side of the front entrance with a solid pale-cream stucco wall.",
                "unfixable": false
              },
              {
                "issue_ko": "뒷문(back entrance)과 뒷마당(rear yard)이 건물의 바로 뒤쪽(후면)에 있어야 하지만, 건물의 우측 측면에 배치되어 있습니다.",
                "fix_en": "Move the dark-brown entrance, the yard, its soil plot, the shed, and the boundary wall to directly behind the building's rear face.",
                "unfixable": true
              },
              {
                "issue_ko": "마당의 테두리 담장은 건물과 마을 길의 연결부를 개방해 두어야 하나, 갈색 철제 대문이 설치되어 통로를 막고 있습니다.",
                "fix_en": "Remove the brown metal gate between the concrete-block boundary wall and the main building to leave the passage open.",
                "unfixable": false
              },
              {
                "issue_ko": "메인 건물의 지붕이 지시된 짙은 회색의 골함석(아연도금강판)이 아닌, 옅은 회색빛의 낡은 슬레이트 재질로 표현되었습니다.",
                "fix_en": "Change the main building's roof material to dark-gray corrugated galvanized steel.",
                "unfixable": false
              },
              {
                "issue_ko": "지시문에 명시되지 않은 큰 창문 두 개가 건물의 우측(마당 쪽) 외벽에 임의로 추가되어 있습니다.",
                "fix_en": "Remove the two windows on the right-side wall, replacing them with solid pale-cream stucco.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the glazed shopfront bay on the left side of the front entrance with a solid pale-cream stucco wall.\n- Remove the brown metal gate between the concrete-block boundary wall and the main building to leave the passage open.\n- Change the main building's roof material to dark-gray corrugated galvanized steel.\n- Remove the two windows on the right-side wall, replacing them with solid pale-cream stucco.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_roadside_gas_station": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_roadside_gas_station_sel.png",
        "seed_asset_id": "0241f7b3-ed6d-4a6a-b6b1-98bb768bb03e",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean rural highway-service neighborhood surrounds an operating roadside gas station, with adjacent low-rise occupied buildings and ordinary regional roadside fabric. The target is a zero-storey open-air fueling facility with no enclosed building or canopy. Its paved operating footprint measures approximately 24 meters along the highway and 18 meters deep. A dark asphalt national highway directly borders the site, and one asphalt approach crosses the roadside edge into a light-gray concrete fueling forecourt. Exactly one white powder-coated steel fuel dispenser with dark-gray hoses stands within the forecourt beside the vehicle circulation area. Exactly one blue-and-white painted steel identification sign on a galvanized steel support stands at the road-facing side beside the approach, carrying the clear, legible lettering 한길주유소. The highway, approach, forecourt, dispenser, and sign form one continuous road-to-fueling layout. Concrete, paint, and metal show ordinary service wear, and the facility and outdoor areas visibly carry the ordinary signs of active fueling use.\n\nTHE LOCATION: A contemporary rural national-highway gas station in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same contemporary South Korean national-highway gas station as a zero-storey, open-air facility with no enclosed building, canopy, doors, or windows. Its paved operating footprint measures approximately 24 meters along the highway by 18 meters deep. A dark asphalt national highway directly adjoins the site; one asphalt approach crosses the roadside edge into a light-gray concrete fueling forecourt; the forecourt surrounds and serves exactly one white powder-coated steel fuel dispenser with dark-gray hoses beside the vehicle circulation area. Exactly one blue-and-white painted steel identification sign on a galvanized steel support stands at the road-facing side beside the approach, with the exact legible lettering 한길주유소. The surfaces carry ordinary service wear. The facility and forecourt visibly show ordinary signs of ongoing fueling service. Adjacent low-rise buildings and the everyday fabric of an inhabited South Korean rural highway-service neighborhood must surround the site; a bare, abandoned, sterile, prison-like, or isolated compound is unacceptable. The highway, approach, forecourt, dispenser, and sign must form one continuous road-to-fueling layout without added permanent structures.",
          "location_line_en": "A contemporary rural national-highway gas station in South Korea.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "국도변 주유소는 도로에서 식별할 수 있는 상호 표지가 필요한 영업 시설이다.",
          "signage_required": true,
          "signage_text": "한길주유소",
          "variants": [
            {
              "approach_ko": "원문에 직접 근거한 현장 구성",
              "evidence_ko": [
                "43. 실외. 국도변 주유소 - 낮",
                "주유기 옆에 서 있는 아반테.",
                "주유하는 와중, 인우는 핸드폰 통화를 시도한다."
              ],
              "prompt_en": "A contemporary South Korean rural highway-service neighborhood surrounds an operating roadside gas station, with adjacent low-rise occupied buildings and ordinary regional roadside fabric. The target is a zero-storey open-air fueling facility with no enclosed building or canopy. Its paved operating footprint measures approximately 24 meters along the highway and 18 meters deep. A dark asphalt national highway directly borders the site, and one asphalt approach crosses the roadside edge into a light-gray concrete fueling forecourt. Exactly one white powder-coated steel fuel dispenser with dark-gray hoses stands within the forecourt beside the vehicle circulation area. Exactly one blue-and-white painted steel identification sign on a galvanized steel support stands at the road-facing side beside the approach, carrying the clear, legible lettering 한길주유소. The highway, approach, forecourt, dispenser, and sign form one continuous road-to-fueling layout. Concrete, paint, and metal show ordinary service wear, and the facility and outdoor areas visibly carry the ordinary signs of active fueling use.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "재료와 사용 흔적을 우선한 현장 구성",
              "evidence_ko": [
                "국도변 주유소",
                "주유기 옆에 서 있는 아반테.",
                "주유하는 와중"
              ],
              "prompt_en": "The location sits within an inhabited contemporary South Korean rural highway-service neighborhood of adjacent low-rise occupied buildings and ordinary regional roadside development. The gas station is a zero-storey open-air facility without an enclosed building or canopy, occupying a paved footprint approximately 24 meters along the highway by 18 meters deep. The forecourt is light-gray poured concrete with routine tire and service wear. Exactly one fuel dispenser is a white powder-coated steel cabinet with dark-gray hoses, positioned beside the forecourt circulation area. The adjoining national highway and the single connecting approach are dark asphalt in standard regional finish. At the road-facing edge beside the approach, exactly one identification sign uses blue-and-white painted steel on a galvanized steel support and displays the legible lettering 한길주유소. The road edge, approach, forecourt, dispenser, and sign remain physically continuous. All outdoor areas visibly read as in active fueling service rather than abandoned or sterile.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "도로에서 주유 지점까지의 동선을 우선한 현장 구성",
              "evidence_ko": [
                "43. 실외. 국도변 주유소 - 낮",
                "국도변 주유소",
                "주유기 옆에"
              ],
              "prompt_en": "An ordinary working rural highway-service neighborhood in contemporary South Korea encloses the site, with adjacent low-rise occupied buildings and regionally typical roadside surroundings. A dark asphalt national highway runs directly along the gas-station edge. One asphalt highway approach leads without interruption into a light-gray concrete fueling forecourt measuring within an overall operating footprint of approximately 24 meters of road frontage by 18 meters of depth. The forecourt surrounds and directly serves exactly one white powder-coated steel fuel dispenser with dark-gray hoses beside its circulation area. Exactly one fixed blue-and-white painted steel identification sign on a galvanized steel support stands by the approach at the road-facing edge, with the exact legible lettering 한길주유소. The target is zero storeys and entirely open-air, with no enclosed building, canopy, doors, or windows. Its concrete and painted metal retain ordinary operational weathering, and the full site visibly carries the normal signs of an actively serving gas station.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA contemporary South Korean rural highway-service neighborhood surrounds an operating roadside gas station, with adjacent low-rise occupied buildings and ordinary regional roadside fabric. The target is a zero-storey open-air fueling facility with no enclosed building or canopy. Its paved operating footprint measures approximately 24 meters along the highway and 18 meters deep. A dark asphalt national highway directly borders the site, and one asphalt approach crosses the roadside edge into a light-gray concrete fueling forecourt. Exactly one white powder-coated steel fuel dispenser with dark-gray hoses stands within the forecourt beside the vehicle circulation area. Exactly one blue-and-white painted steel identification sign on a galvanized steel support stands at the road-facing side beside the approach, carrying the clear, legible lettering 한길주유소. The highway, approach, forecourt, dispenser, and sign form one continuous road-to-fueling layout. Concrete, paint, and metal show ordinary service wear, and the facility and outdoor areas visibly carry the ordinary signs of active fueling use.\n\nTHE LOCATION: A contemporary rural national-highway gas station in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location sits within an inhabited contemporary South Korean rural highway-service neighborhood of adjacent low-rise occupied buildings and ordinary regional roadside development. The gas station is a zero-storey open-air facility without an enclosed building or canopy, occupying a paved footprint approximately 24 meters along the highway by 18 meters deep. The forecourt is light-gray poured concrete with routine tire and service wear. Exactly one fuel dispenser is a white powder-coated steel cabinet with dark-gray hoses, positioned beside the forecourt circulation area. The adjoining national highway and the single connecting approach are dark asphalt in standard regional finish. At the road-facing edge beside the approach, exactly one identification sign uses blue-and-white painted steel on a galvanized steel support and displays the legible lettering 한길주유소. The road edge, approach, forecourt, dispenser, and sign remain physically continuous. All outdoor areas visibly read as in active fueling service rather than abandoned or sterile.\n\nTHE LOCATION: A contemporary rural national-highway gas station in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary working rural highway-service neighborhood in contemporary South Korea encloses the site, with adjacent low-rise occupied buildings and regionally typical roadside surroundings. A dark asphalt national highway runs directly along the gas-station edge. One asphalt highway approach leads without interruption into a light-gray concrete fueling forecourt measuring within an overall operating footprint of approximately 24 meters of road frontage by 18 meters of depth. The forecourt surrounds and directly serves exactly one white powder-coated steel fuel dispenser with dark-gray hoses beside its circulation area. Exactly one fixed blue-and-white painted steel identification sign on a galvanized steel support stands by the approach at the road-facing edge, with the exact legible lettering 한길주유소. The target is zero storeys and entirely open-air, with no enclosed building, canopy, doors, or windows. Its concrete and painted metal retain ordinary operational weathering, and the full site visibly carries the normal signs of an actively serving gas station.\n\nTHE LOCATION: A contemporary rural national-highway gas station in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same contemporary South Korean national-highway gas station as a zero-storey, open-air facility with no enclosed building, canopy, doors, or windows. Its paved operating footprint measures approximately 24 meters along the highway by 18 meters deep. A dark asphalt national highway directly adjoins the site; one asphalt approach crosses the roadside edge into a light-gray concrete fueling forecourt; the forecourt surrounds and serves exactly one white powder-coated steel fuel dispenser with dark-gray hoses beside the vehicle circulation area. Exactly one blue-and-white painted steel identification sign on a galvanized steel support stands at the road-facing side beside the approach, with the exact legible lettering 한길주유소. The surfaces carry ordinary service wear. The facility and forecourt visibly show ordinary signs of ongoing fueling service. Adjacent low-rise buildings and the everyday fabric of an inhabited South Korean rural highway-service neighborhood must surround the site; a bare, abandoned, sterile, prison-like, or isolated compound is unacceptable. The highway, approach, forecourt, dispenser, and sign must form one continuous road-to-fueling layout without added permanent structures.\n\nTHE LOCATION: A contemporary rural national-highway gas station in South Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"한길주유소\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nAvante passenger car; In-woo's mobile phone; Geumwoldo map display",
        "seed_decision": {
          "input_fingerprint": "7785ff05adfb0dbc",
          "totals": {
            "A": 7,
            "B": 4,
            "C": 5
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "지정된 개방형 구조, 단일 주유기, 정확한 간판 텍스트(한길주유소)를 잘 구현했으며, 금지된 추가 텍스트 없이 지침을 가장 충실히 따름."
            },
            {
              "label": "B",
              "score": 4,
              "verdict_ko": "인접한 편의점 건물에 읽을 수 있는 의미 불명의 텍스트가 포함되어 '다른 텍스트 추가 불가' 지침을 명백히 위반함."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "주유소 구조와 배치는 양호하나, 주변 상가 간판에 읽을 수 있는 한글 텍스트(신뢰를최우선 등)가 다수 추가되어 텍스트 제한 지침을 위반함."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "지시문에는 도로 연석을 가로질러 콘크리트 주유 구역으로 이어지는 '아스팔트 진입로'가 있어야 한다고 명시되어 있으나, 사진에는 아스팔트 진입로 없이 콘크리트 바닥이 도로 연석과 직접 맞닿아 있습니다.",
                "fix_en": "Add an asphalt approach that crosses the roadside edge into the concrete fueling forecourt, breaking the continuous curb.",
                "unfixable": false
              },
              {
                "issue_ko": "운영 중인 주유소임에도 불구하고 주유 구역 바닥이 쓰레기통, 워셔액 양동이, 기름 얼룩 등 일상적인 사용 흔적 없이 완전히 비어 있어 생기 없는 장소(lifeless-place) 규정을 위반했습니다.",
                "fix_en": "Add ordinary, unstaged everyday traces of active fueling use to the bare concrete forecourt.",
                "unfixable": false
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add an asphalt approach that crosses the roadside edge into the concrete fueling forecourt, breaking the continuous curb.\n- Add ordinary, unstaged everyday traces of active fueling use to the bare concrete forecourt.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_village_speaker_tower": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_village_speaker_tower_sel.png",
        "seed_asset_id": "e96f7ba9-0b32-4181-8fa3-c441b56e835d",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited contemporary South Korean island fishing neighborhood occupies the edge between an uphill forest and a working waterfront. Its ordinary regional fabric continues around the village corner and visibly carries the signs of active everyday use. The main subject is one zero-storey public-address installation at the inland corner: a single 8-metre galvanized-steel pole in natural silver-gray, anchored to a square weathered-gray concrete footing, with a cluster of off-white metal horn loudspeakers at the top. It has no openings and no signage. The forest edge borders the uphill side. In the opposite direction, a one-storey rectangular fishing-gear warehouse with a 12-by-7-metre footprint stands immediately beside the dock. It has faded light-gray corrugated galvanized-steel walls, a low-pitched matching metal roof, and exactly one blue-gray corrugated-metal sliding entrance on the side accessible from the dock; the remaining faces have no prominent added openings. The weathered-gray concrete dock directly meets the sea. The site forms a continuous sequence from sea to dock and warehouse, through the loudspeaker corner, and uphill to the forest edge, while retaining a clear sightline to the warehouse. The utility installation and dockside areas visibly remain in service.\n\nTHE LOCATION: A contemporary South Korean island fishing-village corner connecting an uphill forest edge to a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The main subject is one zero-storey village public-address installation: a single 8-metre galvanized-steel pole in natural silver-gray, fixed to a square weathered-gray concrete footing and carrying a cluster of off-white metal horn loudspeakers. It has no openings and no signage. It occupies the inland village corner between the uphill forest edge and the dockside sightline. The opposite waterfront contains a one-storey rectangular fishing-gear warehouse with a 12-by-7-metre footprint, faded light-gray corrugated galvanized-steel walls, a low-pitched matching metal roof, and exactly one blue-gray corrugated-metal sliding entrance on the dock-access side; its other faces have no prominent added openings. The warehouse stands directly beside a weathered-gray concrete dock that meets the sea. The route and sightline connect sea, dock and warehouse, loudspeaker corner, and uphill forest edge in that order, with the warehouse still visible from the village-to-forest movement area. A believable, currently inhabited South Korean island fishing neighborhood surrounds the target, and the installation, warehouse and outdoor working areas visibly carry ordinary regional signs of active public and dockside use. A bare, abandoned, sterile or isolated compound is nonconforming.",
          "location_line_en": "A contemporary South Korean island fishing-village corner connecting an uphill forest edge to a working waterfront dock.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "마을 방송용 확성기 기둥은 통상 식별 간판을 달지 않는다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문 공간 단서 중심 접근",
              "evidence_ko": [
                "마을 확성기",
                "마을 전역에",
                "숲 쪽으로 다시 올라가려던",
                "선착장 옆 어구 창고",
                "멀리 바다에서 선착장을 향해"
              ],
              "prompt_en": "A currently inhabited contemporary South Korean island fishing neighborhood occupies the edge between an uphill forest and a working waterfront. Its ordinary regional fabric continues around the village corner and visibly carries the signs of active everyday use. The main subject is one zero-storey public-address installation at the inland corner: a single 8-metre galvanized-steel pole in natural silver-gray, anchored to a square weathered-gray concrete footing, with a cluster of off-white metal horn loudspeakers at the top. It has no openings and no signage. The forest edge borders the uphill side. In the opposite direction, a one-storey rectangular fishing-gear warehouse with a 12-by-7-metre footprint stands immediately beside the dock. It has faded light-gray corrugated galvanized-steel walls, a low-pitched matching metal roof, and exactly one blue-gray corrugated-metal sliding entrance on the side accessible from the dock; the remaining faces have no prominent added openings. The weathered-gray concrete dock directly meets the sea. The site forms a continuous sequence from sea to dock and warehouse, through the loudspeaker corner, and uphill to the forest edge, while retaining a clear sightline to the warehouse. The utility installation and dockside areas visibly remain in service.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "마을과 지형 우선 접근",
              "evidence_ko": [
                "실외. 마을 일각 - 낮",
                "숲 쪽으로",
                "선착장 옆 어구 창고",
                "마을 전역에"
              ],
              "prompt_en": "The site belongs to a currently inhabited working fishing neighborhood on a contemporary South Korean island. The neighborhood occupies the slope between an uphill forest edge and a dock that directly meets the sea, with ordinary local signs of active use throughout. At the inland village corner stands the main subject, one zero-storey public-address installation. It consists of a single 8-metre natural silver-gray galvanized-steel pole, a square weathered-gray concrete footing, and a top cluster of off-white metal horn loudspeakers. The installation has no openings or signage. The corner lies between the forest side and an uninterrupted dockside sightline. Immediately beside the dock is a one-storey, 12-by-7-metre rectangular fishing-gear warehouse clad in faded light-gray corrugated galvanized steel beneath a low-pitched matching metal roof. Exactly one blue-gray corrugated-metal sliding entrance occupies its dock-access side, with no prominent extra openings on the other faces. The dock is weathered-gray concrete. Sea, dock, warehouse, loudspeaker corner and uphill forest edge remain physically connected in that order, and the warehouse remains visible along the village-to-forest route. The public utility, warehouse and waterfront working areas visibly remain in service.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 시설 유형 중심 접근",
              "evidence_ko": [
                "확성기를 타고",
                "마을 전역에",
                "선착장 옆 어구 창고",
                "숲 쪽으로 다시 올라가려던"
              ],
              "prompt_en": "A single 8-metre galvanized-steel public-address pole is the main subject at a village corner in a contemporary South Korean island fishing neighborhood. The zero-storey installation has a natural silver-gray finish, a square weathered-gray concrete footing, and a cluster of off-white metal horn loudspeakers at its top. It has no openings and carries no signage. The installation and its surroundings show ordinary visible signs of an in-service village utility. A currently inhabited working neighborhood extends around it rather than leaving it isolated. The uphill boundary is the forest edge. The opposite direction leads through the village sector to a weathered-gray concrete waterfront dock meeting the sea. A one-storey rectangular fishing-gear warehouse stands directly beside that dock and remains visible from the route toward the forest. Its 12-by-7-metre mass has faded light-gray corrugated galvanized-steel walls and a low-pitched roof of matching corrugated metal. Exactly one blue-gray corrugated-metal sliding entrance is set into the dock-access side; no prominent additional openings appear on its other faces. The sea approach aligns with the dock, and the permanent site sequence continues through the warehouse and loudspeaker corner to the forest. The warehouse, dock and outdoor working areas visibly carry ordinary regional signs of active use.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited contemporary South Korean island fishing neighborhood occupies the edge between an uphill forest and a working waterfront. Its ordinary regional fabric continues around the village corner and visibly carries the signs of active everyday use. The main subject is one zero-storey public-address installation at the inland corner: a single 8-metre galvanized-steel pole in natural silver-gray, anchored to a square weathered-gray concrete footing, with a cluster of off-white metal horn loudspeakers at the top. It has no openings and no signage. The forest edge borders the uphill side. In the opposite direction, a one-storey rectangular fishing-gear warehouse with a 12-by-7-metre footprint stands immediately beside the dock. It has faded light-gray corrugated galvanized-steel walls, a low-pitched matching metal roof, and exactly one blue-gray corrugated-metal sliding entrance on the side accessible from the dock; the remaining faces have no prominent added openings. The weathered-gray concrete dock directly meets the sea. The site forms a continuous sequence from sea to dock and warehouse, through the loudspeaker corner, and uphill to the forest edge, while retaining a clear sightline to the warehouse. The utility installation and dockside areas visibly remain in service.\n\nTHE LOCATION: A contemporary South Korean island fishing-village corner connecting an uphill forest edge to a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a currently inhabited working fishing neighborhood on a contemporary South Korean island. The neighborhood occupies the slope between an uphill forest edge and a dock that directly meets the sea, with ordinary local signs of active use throughout. At the inland village corner stands the main subject, one zero-storey public-address installation. It consists of a single 8-metre natural silver-gray galvanized-steel pole, a square weathered-gray concrete footing, and a top cluster of off-white metal horn loudspeakers. The installation has no openings or signage. The corner lies between the forest side and an uninterrupted dockside sightline. Immediately beside the dock is a one-storey, 12-by-7-metre rectangular fishing-gear warehouse clad in faded light-gray corrugated galvanized steel beneath a low-pitched matching metal roof. Exactly one blue-gray corrugated-metal sliding entrance occupies its dock-access side, with no prominent extra openings on the other faces. The dock is weathered-gray concrete. Sea, dock, warehouse, loudspeaker corner and uphill forest edge remain physically connected in that order, and the warehouse remains visible along the village-to-forest route. The public utility, warehouse and waterfront working areas visibly remain in service.\n\nTHE LOCATION: A contemporary South Korean island fishing-village corner connecting an uphill forest edge to a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA single 8-metre galvanized-steel public-address pole is the main subject at a village corner in a contemporary South Korean island fishing neighborhood. The zero-storey installation has a natural silver-gray finish, a square weathered-gray concrete footing, and a cluster of off-white metal horn loudspeakers at its top. It has no openings and carries no signage. The installation and its surroundings show ordinary visible signs of an in-service village utility. A currently inhabited working neighborhood extends around it rather than leaving it isolated. The uphill boundary is the forest edge. The opposite direction leads through the village sector to a weathered-gray concrete waterfront dock meeting the sea. A one-storey rectangular fishing-gear warehouse stands directly beside that dock and remains visible from the route toward the forest. Its 12-by-7-metre mass has faded light-gray corrugated galvanized-steel walls and a low-pitched roof of matching corrugated metal. Exactly one blue-gray corrugated-metal sliding entrance is set into the dock-access side; no prominent additional openings appear on its other faces. The sea approach aligns with the dock, and the permanent site sequence continues through the warehouse and loudspeaker corner to the forest. The warehouse, dock and outdoor working areas visibly carry ordinary regional signs of active use.\n\nTHE LOCATION: A contemporary South Korean island fishing-village corner connecting an uphill forest edge to a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe main subject is one zero-storey village public-address installation: a single 8-metre galvanized-steel pole in natural silver-gray, fixed to a square weathered-gray concrete footing and carrying a cluster of off-white metal horn loudspeakers. It has no openings and no signage. It occupies the inland village corner between the uphill forest edge and the dockside sightline. The opposite waterfront contains a one-storey rectangular fishing-gear warehouse with a 12-by-7-metre footprint, faded light-gray corrugated galvanized-steel walls, a low-pitched matching metal roof, and exactly one blue-gray corrugated-metal sliding entrance on the dock-access side; its other faces have no prominent added openings. The warehouse stands directly beside a weathered-gray concrete dock that meets the sea. The route and sightline connect sea, dock and warehouse, loudspeaker corner, and uphill forest edge in that order, with the warehouse still visible from the village-to-forest movement area. A believable, currently inhabited South Korean island fishing neighborhood surrounds the target, and the installation, warehouse and outdoor working areas visibly carry ordinary regional signs of active public and dockside use. A bare, abandoned, sterile or isolated compound is nonconforming.\n\nTHE LOCATION: A contemporary South Korean island fishing-village corner connecting an uphill forest edge to a working waterfront dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nLoudspeaker voice broadcast; Approaching police patrol boat",
        "seed_decision": {
          "input_fingerprint": "40d262a1a2aae8d7",
          "totals": {
            "A": 7,
            "C": 5,
            "B": 4
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "Accurately realizes the required spatial sequence, structural materials, and active regional use without placing elements illogically."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "Follows the required sightline and structural details, but places the permanent pole physically in the middle of an active vehicular lane."
            },
            {
              "label": "B",
              "score": 4,
              "verdict_ko": "Violates the layout constraints by placing the loudspeaker installation on the dock rather than an inland corner, breaking the required sightline order."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "창고의 파란회색 출입문은 미닫이문(sliding entrance)이어야 하나, 상단 레일이 문 양옆으로 연장되지 않아 옆으로 밀어서 열 수 없는 구조입니다.",
                "fix_en": "Extend the top rail horizontally across the wall beyond the doorway so the blue-gray panels can actually function as a sliding entrance."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Extend the top rail horizontally across the wall beyond the doorway so the blue-gray panels can actually function as a sliding entrance.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_wave_battered_rocks": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_wave_battered_rocks_sel.png",
        "seed_asset_id": "b52621e1-ed0c-4e76-b1bd-43d4a5e4a724",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is the shore of a currently inhabited contemporary South Korean working-island neighborhood, with ordinary regional built fabric continuing landward beyond the permanent site. The broader coast visibly carries the ordinary signs of active island use, while the rock itself remains entirely free of facilities. The main subject is one zero-storey natural coastal rock outcrop with an exposed footprint of approximately 18 by 10 metres. Its continuous upper surface can physically support the gathering and prone-body actions evidenced by the source. The outcrop is sharp, rough natural bedrock, dark gray overall, salt-paled gray across exposed high surfaces and wet near-black at the waterline. Its irregular mass runs from the landward camera zone to a graspable sea-facing edge that directly meets the adjoining sea. There are no rooms, openings, signs, buildings, paths, landings or other fixed structures on the outcrop.\n\nTHE LOCATION: An exposed rock shore beside the sea in a contemporary inhabited South Korean island community.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "The main subject is one zero-storey natural coastal rock outcrop with an exposed footprint of approximately 18 by 10 metres, providing enough continuous upper rock surface for the gathering and prone-body actions evidenced by the scenes. It is rough, sharp-edged natural bedrock, dark gray overall, salt-paled gray on exposed high surfaces and wet near-black at the waterline. The outcrop directly meets the adjoining sea along one sea-facing rock edge. It has no rooms, openings, signage, building, path, landing, stair, railing, fence, gate or other fixed facility. The outcrop and sea must stand within the broader shore of a believable, currently inhabited contemporary South Korean working-island neighborhood whose ordinary regional signs of active coastal use remain visible beyond the permanent site; a bare, abandoned or studio-like setting is nonconforming.",
          "location_line_en": "An exposed rock shore beside the sea in a contemporary inhabited South Korean island community.",
          "room_inventory": [],
          "room_inventory_applicable": false,
          "signage_reason_ko": "자연 갯바위에는 식별 간판이 없다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "원문 공간 표현을 직접 시각화한 접근",
              "evidence_ko": [
                "금월도 갯바위",
                "갯바위를 콱 움켜잡고 바다에서 나오는 사람은…",
                "겨우 갯바위 위로 올라와 벌러덩 자빠져 눕는다.",
                "갯바위에 철벅거리는 파도…"
              ],
              "prompt_en": "The location is the shore of a currently inhabited contemporary South Korean working-island neighborhood, with ordinary regional built fabric continuing landward beyond the permanent site. The broader coast visibly carries the ordinary signs of active island use, while the rock itself remains entirely free of facilities. The main subject is one zero-storey natural coastal rock outcrop with an exposed footprint of approximately 18 by 10 metres. Its continuous upper surface can physically support the gathering and prone-body actions evidenced by the source. The outcrop is sharp, rough natural bedrock, dark gray overall, salt-paled gray across exposed high surfaces and wet near-black at the waterline. Its irregular mass runs from the landward camera zone to a graspable sea-facing edge that directly meets the adjoining sea. There are no rooms, openings, signs, buildings, paths, landings or other fixed structures on the outcrop.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활 중인 섬마을 해안 환경을 먼저 확립한 접근",
              "evidence_ko": [],
              "prompt_en": "A currently inhabited contemporary South Korean working-island neighborhood forms the landward context of this shore. Its ordinary regional fabric and visible signs of ongoing coastal use continue beyond the site without placing any fixed facility on the rock. One exposed coastal rock outcrop is the main subject. It is a zero-storey natural formation with an exposed footprint of approximately 18 by 10 metres and a continuous upper rock surface sufficient for all actions evidenced in the scenes. Dark gray bedrock forms the mass, with salt-paled gray upper faces, wet near-black stone at the waterline, sharp projections and rough weathering. The landward portion provides the principal solid rock area, and the same mass reaches an irregular sea-facing edge in direct contact with the adjoining sea. No room, opening, signage, building, path, landing or other constructed element occupies the outcrop.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "암석 재질과 육지·바다 경계 구조를 우선한 접근",
              "evidence_ko": [],
              "prompt_en": "One zero-storey bedrock outcrop occupies an exposed footprint of approximately 18 by 10 metres. It is dark gray natural coastal stone with salt-paled gray high surfaces, wet near-black coloration at the waterline, sharp edges and persistent rough weathering. The upper surface remains continuous and physically large enough for the gathering and prone-body actions established by the scenes. The rock mass extends from its landward camera area to one irregular sea-facing boundary, where bare stone directly meets the adjoining sea without a path, landing, stair, railing or building. It has no rooms, openings or signage. Beyond this permanent rock-and-water site, the landward shore belongs to a currently inhabited contemporary South Korean working-island neighborhood. The surrounding area retains ordinary regional signs of active coastal use and does not read as abandoned, isolated or constructed as a set.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is the shore of a currently inhabited contemporary South Korean working-island neighborhood, with ordinary regional built fabric continuing landward beyond the permanent site. The broader coast visibly carries the ordinary signs of active island use, while the rock itself remains entirely free of facilities. The main subject is one zero-storey natural coastal rock outcrop with an exposed footprint of approximately 18 by 10 metres. Its continuous upper surface can physically support the gathering and prone-body actions evidenced by the source. The outcrop is sharp, rough natural bedrock, dark gray overall, salt-paled gray across exposed high surfaces and wet near-black at the waterline. Its irregular mass runs from the landward camera zone to a graspable sea-facing edge that directly meets the adjoining sea. There are no rooms, openings, signs, buildings, paths, landings or other fixed structures on the outcrop.\n\nTHE LOCATION: An exposed rock shore beside the sea in a contemporary inhabited South Korean island community.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited contemporary South Korean working-island neighborhood forms the landward context of this shore. Its ordinary regional fabric and visible signs of ongoing coastal use continue beyond the site without placing any fixed facility on the rock. One exposed coastal rock outcrop is the main subject. It is a zero-storey natural formation with an exposed footprint of approximately 18 by 10 metres and a continuous upper rock surface sufficient for all actions evidenced in the scenes. Dark gray bedrock forms the mass, with salt-paled gray upper faces, wet near-black stone at the waterline, sharp projections and rough weathering. The landward portion provides the principal solid rock area, and the same mass reaches an irregular sea-facing edge in direct contact with the adjoining sea. No room, opening, signage, building, path, landing or other constructed element occupies the outcrop.\n\nTHE LOCATION: An exposed rock shore beside the sea in a contemporary inhabited South Korean island community.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOne zero-storey bedrock outcrop occupies an exposed footprint of approximately 18 by 10 metres. It is dark gray natural coastal stone with salt-paled gray high surfaces, wet near-black coloration at the waterline, sharp edges and persistent rough weathering. The upper surface remains continuous and physically large enough for the gathering and prone-body actions established by the scenes. The rock mass extends from its landward camera area to one irregular sea-facing boundary, where bare stone directly meets the adjoining sea without a path, landing, stair, railing or building. It has no rooms, openings or signage. Beyond this permanent rock-and-water site, the landward shore belongs to a currently inhabited contemporary South Korean working-island neighborhood. The surrounding area retains ordinary regional signs of active coastal use and does not read as abandoned, isolated or constructed as a set.\n\nTHE LOCATION: An exposed rock shore beside the sea in a contemporary inhabited South Korean island community.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe main subject is one zero-storey natural coastal rock outcrop with an exposed footprint of approximately 18 by 10 metres, providing enough continuous upper rock surface for the gathering and prone-body actions evidenced by the scenes. It is rough, sharp-edged natural bedrock, dark gray overall, salt-paled gray on exposed high surfaces and wet near-black at the waterline. The outcrop directly meets the adjoining sea along one sea-facing rock edge. It has no rooms, openings, signage, building, path, landing, stair, railing, fence, gate or other fixed facility. The outcrop and sea must stand within the broader shore of a believable, currently inhabited contemporary South Korean working-island neighborhood whose ordinary regional signs of active coastal use remain visible beyond the permanent site; a bare, abandoned or studio-like setting is nonconforming.\n\nTHE LOCATION: An exposed rock shore beside the sea in a contemporary inhabited South Korean island community.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\napproaching patrol boat; gathered village residents; waves striking the rocks; person emerging from the sea; person lying on the rock; descending evening darkness",
        "seed_decision": {
          "input_fingerprint": "3fc4295d0d7ba4f1",
          "totals": {
            "A": 10,
            "B": 5,
            "C": 7
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 10,
              "verdict_ko": "Perfectly realises the brief; the target is a correctly sized, sharp-edged natural bedrock outcrop with the specified coloration, seamlessly integrated into an authentic and actively used South Korean island neighborhood with no excluded transients present."
            },
            {
              "label": "B",
              "score": 5,
              "verdict_ko": "Violates the brief by depicting turbulent white water crashing against the outcrop, failing the explicit exclusion of the 'waves striking the rocks' scene transient."
            },
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "While the surrounding neighborhood features excellent regional authenticity, the rock itself reads more like a bulbous, isolated boulder dropped onto a concrete lot rather than the requested sharp-edged natural bedrock, and it lacks the wet near-black coloration at the waterline."
            }
          ],
          "critique": {
            "issues": []
          },
          "fix_skipped": true
        }
      },
      "bg_winter_reed_field": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/475e5694-7c25-4f3f-8dec-910412a1761d/images/background_chain/seed_bg_winter_reed_field_sel.png",
        "seed_asset_id": "ffd39cf5-49fe-455f-8636-8d6cfc715eb8",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently inhabited salt-working wetland neighborhood in late-sixteenth-century Joseon Korea. Dense straw-brown winter reeds cover the continuous immediate ground and surround a single structure; there is no separate road, yard, fence, gate, formal path, or additional building within the field. At the center stands a one-storey rectangular refuge house measuring 12 by 7 metres, with approximately 3.2-metre eaves and the usable footprint of a salt-farm storage building. Its construction is a dark-brown timber frame enclosed by weathered brown wooden planks beneath a muted straw-tan thatched gable roof. A single evidenced exterior entrance occupies one side and opens straight onto the reeds through a weathered dark-brown plank door. The mass has no annex or exterior stair and no prominent unsupported openings. Ordinary visible wear and signs of continuing shelter and storage use make the house and its outdoor edge active rather than derelict. The broader wetland neighborhood remains believable and lived in while the immediate reed-field site retains only this house.\n\nTHE LOCATION: A wooden refuge house in a winter reed field within a working salt-marsh wetland district of late-sixteenth-century Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same one-storey rectangular wooden refuge house in a continuous winter reed field in late-sixteenth-century Joseon Korea. The main mass is 12 metres long by 7 metres deep, sufficient for its evidenced house interior, with approximately 3.2-metre eaves, a dark-brown timber frame, weathered brown plank walls, and a muted straw-tan thatched gable roof. Exactly one evidenced exterior entrance is set into one side and has a weathered dark-brown plank door opening directly into the reeds; no separate road, yard, fence, gate, formal path, annex, stair, or other structure occupies the immediate field. Do not introduce prominent unsupported openings. The house and its outdoor edge visibly carry ordinary signs of current practical shelter and storage use. The surrounding reeds are dense, extensive, and winter straw-brown. The broader setting must read as a currently inhabited, working salt-marsh wetland neighborhood of the period rather than an abandoned compound or studio set, while the continuous immediate reed-field site contains only the specified house. No signage is present.",
          "location_line_en": "A wooden refuge house in a winter reed field within a working salt-marsh wetland district of late-sixteenth-century Joseon Korea.",
          "room_inventory": [
            {
              "evidence_ko": "때마침 염전 소금창고 정도 크기의 나무집을 발견, 안으로 숨어든다.",
              "label_en": "house interior",
              "scene_index": 1
            }
          ],
          "room_inventory_applicable": true,
          "signage_reason_ko": "갈대밭의 사설 피난·저장용 나무집은 식별 간판을 두는 유형이 아니다.",
          "signage_required": false,
          "signage_text": "",
          "variants": [
            {
              "approach_ko": "시나리오 원문에 직접 근거한 장소 구성",
              "evidence_ko": [
                "실외. 겨울 갈대숲 - 낮",
                "갈대숲 사이로",
                "때마침 염전 소금창고 정도 크기의 나무집을 발견, 안으로 숨어든다."
              ],
              "prompt_en": "A dense winter reed field forms the immediate site within a currently inhabited, working salt-marsh wetland neighborhood of late-sixteenth-century Joseon Korea. The field continues around every side of the target structure, with no road, yard, fence, formal path, or second building on the immediate site. The target is a one-storey rectangular wooden refuge house, 12 metres long and 7 metres deep, with approximately 3.2-metre eaves and the capacity of a salt-farm storage building. It has a dark-brown timber frame, weathered brown plank walls, and a muted straw-tan thatched gable roof. One exterior entrance is set into a side wall, fitted with a weathered dark-brown plank door, and opens directly into the adjoining reeds. No annex or exterior stair is present, and no prominent unsupported openings alter the plain regional construction. The house and its outdoor edge visibly show ordinary signs of current practical shelter and storage use. The extensive reeds are dense and winter straw-brown, and the broader working district supplies believable lived-in regional context beyond the single-structure field site.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "갈대 습지와 생활권을 먼저 확립하는 구성",
              "evidence_ko": [],
              "prompt_en": "The location belongs to a currently inhabited salt-working wetland neighborhood in late-sixteenth-century Joseon Korea. Dense straw-brown winter reeds cover the continuous immediate ground and surround a single structure; there is no separate road, yard, fence, gate, formal path, or additional building within the field. At the center stands a one-storey rectangular refuge house measuring 12 by 7 metres, with approximately 3.2-metre eaves and the usable footprint of a salt-farm storage building. Its construction is a dark-brown timber frame enclosed by weathered brown wooden planks beneath a muted straw-tan thatched gable roof. A single evidenced exterior entrance occupies one side and opens straight onto the reeds through a weathered dark-brown plank door. The mass has no annex or exterior stair and no prominent unsupported openings. Ordinary visible wear and signs of continuing shelter and storage use make the house and its outdoor edge active rather than derelict. The broader wetland neighborhood remains believable and lived in while the immediate reed-field site retains only this house.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "지역 목조 창고형 건축의 재료와 유형을 우선한 구성",
              "evidence_ko": [],
              "prompt_en": "The target structure follows the practical wooden storage-house construction of a late-sixteenth-century Joseon salt-marsh district. It is one storey, rectangular, 12 metres long by 7 metres deep, with approximately 3.2-metre eaves, a dark-brown exposed timber frame, weathered brown plank enclosure, and a muted straw-tan thatched gable roof. This footprint plausibly contains the evidenced house interior at real room scale. One exterior entrance is built into a side wall with a weathered dark-brown plank door and connects directly to the reed field. There is no annex, exterior stair, fence, gate, road, yard, or formal path, and no prominent unsupported openings appear on the plain exterior. Dense winter reeds adjoin all sides and continue across the immediate site, which contains no second building. The house and its exterior edge bear ordinary signs of active practical use for shelter and storage. Beyond the immediate field, the setting reads as a currently inhabited, working wetland neighborhood of Joseon Korea rather than an isolated ruin or empty compound.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA dense winter reed field forms the immediate site within a currently inhabited, working salt-marsh wetland neighborhood of late-sixteenth-century Joseon Korea. The field continues around every side of the target structure, with no road, yard, fence, formal path, or second building on the immediate site. The target is a one-storey rectangular wooden refuge house, 12 metres long and 7 metres deep, with approximately 3.2-metre eaves and the capacity of a salt-farm storage building. It has a dark-brown timber frame, weathered brown plank walls, and a muted straw-tan thatched gable roof. One exterior entrance is set into a side wall, fitted with a weathered dark-brown plank door, and opens directly into the adjoining reeds. No annex or exterior stair is present, and no prominent unsupported openings alter the plain regional construction. The house and its outdoor edge visibly show ordinary signs of current practical shelter and storage use. The extensive reeds are dense and winter straw-brown, and the broader working district supplies believable lived-in regional context beyond the single-structure field site.\n\nTHE LOCATION: A wooden refuge house in a winter reed field within a working salt-marsh wetland district of late-sixteenth-century Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently inhabited salt-working wetland neighborhood in late-sixteenth-century Joseon Korea. Dense straw-brown winter reeds cover the continuous immediate ground and surround a single structure; there is no separate road, yard, fence, gate, formal path, or additional building within the field. At the center stands a one-storey rectangular refuge house measuring 12 by 7 metres, with approximately 3.2-metre eaves and the usable footprint of a salt-farm storage building. Its construction is a dark-brown timber frame enclosed by weathered brown wooden planks beneath a muted straw-tan thatched gable roof. A single evidenced exterior entrance occupies one side and opens straight onto the reeds through a weathered dark-brown plank door. The mass has no annex or exterior stair and no prominent unsupported openings. Ordinary visible wear and signs of continuing shelter and storage use make the house and its outdoor edge active rather than derelict. The broader wetland neighborhood remains believable and lived in while the immediate reed-field site retains only this house.\n\nTHE LOCATION: A wooden refuge house in a winter reed field within a working salt-marsh wetland district of late-sixteenth-century Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target structure follows the practical wooden storage-house construction of a late-sixteenth-century Joseon salt-marsh district. It is one storey, rectangular, 12 metres long by 7 metres deep, with approximately 3.2-metre eaves, a dark-brown exposed timber frame, weathered brown plank enclosure, and a muted straw-tan thatched gable roof. This footprint plausibly contains the evidenced house interior at real room scale. One exterior entrance is built into a side wall with a weathered dark-brown plank door and connects directly to the reed field. There is no annex, exterior stair, fence, gate, road, yard, or formal path, and no prominent unsupported openings appear on the plain exterior. Dense winter reeds adjoin all sides and continue across the immediate site, which contains no second building. The house and its exterior edge bear ordinary signs of active practical use for shelter and storage. Beyond the immediate field, the setting reads as a currently inhabited, working wetland neighborhood of Joseon Korea rather than an isolated ruin or empty compound.\n\nTHE LOCATION: A wooden refuge house in a winter reed field within a working salt-marsh wetland district of late-sixteenth-century Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same one-storey rectangular wooden refuge house in a continuous winter reed field in late-sixteenth-century Joseon Korea. The main mass is 12 metres long by 7 metres deep, sufficient for its evidenced house interior, with approximately 3.2-metre eaves, a dark-brown timber frame, weathered brown plank walls, and a muted straw-tan thatched gable roof. Exactly one evidenced exterior entrance is set into one side and has a weathered dark-brown plank door opening directly into the reeds; no separate road, yard, fence, gate, formal path, annex, stair, or other structure occupies the immediate field. Do not introduce prominent unsupported openings. The house and its outdoor edge visibly carry ordinary signs of current practical shelter and storage use. The surrounding reeds are dense, extensive, and winter straw-brown. The broader setting must read as a currently inhabited, working salt-marsh wetland neighborhood of the period rather than an abandoned compound or studio set, while the continuous immediate reed-field site contains only the specified house. No signage is present.\n\nTHE LOCATION: A wooden refuge house in a winter reed field within a working salt-marsh wetland district of late-sixteenth-century Joseon Korea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSplattered blood; Fallen Korean woman; Fleeing Korean group; Advancing Japanese platoon; Carried rifles and spears",
        "seed_decision": {
          "input_fingerprint": "7d42e7e302d03777",
          "totals": {
            "A": 3,
            "B": 6,
            "C": 5
          },
          "ranking": [
            "B",
            "C",
            "A"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 3,
              "verdict_ko": "Violates period authenticity with modern utility poles and power lines visible in the background, and introduces an unprompted window and cleared yard."
            },
            {
              "label": "B",
              "score": 6,
              "verdict_ko": "Minimises structural violations by omitting roads and fences from the continuous reed field, winning structurally despite a sterile exterior that misses the required traces of active use."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "Successfully provides the required traces of active shelter and storage use, but violates strict structural constraints by adding a prominent mud road and a separate drying rack/fence."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "문 크기를 기준으로 볼 때 건물의 규모가 너무 작아, 지침에 명시된 12x7미터의 바닥 면적과 3.2미터의 처마 높이를 충족하지 못합니다.",
                "fix_en": "Scale up the structure's overall length, depth, and eave height relative to the door to meet the required 12-by-7-metre footprint and 3.2-metre eaves."
              },
              {
                "issue_ko": "문이 갈대밭으로 바로 열려야 하며 외부 계단이 없어야 한다는 지침과 달리, 출입구 앞에 나무 발판(계단)이 추가되어 있습니다.",
                "fix_en": "Remove the wooden step at the entrance so the door opens directly into the reeds."
              },
              {
                "issue_ko": "현재 사용 중인 대피처 및 창고라는 설정과 달리, 건물 주변 가장자리가 텅 비어 있고 일상적인 실사용 흔적이 전혀 없습니다.",
                "fix_en": "Add ordinary, unstaged everyday traces of practical shelter and storage use to the structure's surfaces and immediate outdoor edge."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Scale up the structure's overall length, depth, and eave height relative to the door to meet the required 12-by-7-metre footprint and 3.2-metre eaves.\n- Remove the wooden step at the entrance so the door opens directly into the reeds.\n- Add ordinary, unstaged everyday traces of practical shelter and storage use to the structure's surfaces and immediate outdoor edge.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      }
    }
  },
  "step_id": "outdoor_structure_seed",
  "run_id": "95cca66f-f2c8-48e4-a40b-918a83bfe3d9",
  "resolved_model": "gemini-image",
  "updated_at": "2026-07-29T04:39:05.678764+00:00",
  "project_config_snapshot": {}
}