{ "status": "completed", "applicable_count": 13, "completed_count": 13, "failed_count": 0, "schema_version": 3, "config_hash": "589fbbe97ce5cd0a", "data": { "contis": { "S1sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S1sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S2sh2": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S3sh2": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S4sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S5sh9": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S5sh9.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L06B02.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the rooftop apartment's entry area, where the daughter is putting on her shoes beside her mother. Daylight from the small living-room window reaches the home.\n\nSHOT TEXT (authoritative, Korean): 수리영이 강민숙의 어깨 쪽에 코를 묻은 채 눈을 감고 미소 짓는 옆모습\n\nCARRIED STATE (persist exactly): Min-suk is still wearing her apron, and the small circular mark remains on her wrist even before Su-ri-young notices it.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At shoulder height beside both women, the dolly-in settles into a close side composition perpendicular to 수리영's profile, placing her closed eyes and smile in the left-center as her nose rests near 강민숙's shoulder. 강민숙's shoulder and upper arm form the right foreground edge, leaving the lower frame open for the coming descent toward her wrist.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 수리영 in the middle-left of the frame, midground; 강민숙 in the middle-right of the frame, foreground.\n- KEY BACKGROUND ELEMENTS: 현관 공간 (수리영 is dressed to go out and putting on her shoes); used as Soft background context for the affectionate pause near the exit; 거실의 작은 창 (Letting in a thin line of sunlight) — Sunlight is visible entering through the window into the room; used as Secondary interior context behind the figures.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L06B02.png" ], [ "char:강민숙", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/0461c6ab-96d8-4179-8e2a-a20cc65a163d.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "7d385d39-964a-4fd5-a706-3e64a8862c52" }, "S5sh10": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S6sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S7sh2": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S7sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S8sh4": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S8sh4.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L11B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the large supermarket on the merchandise floor, beside employees stocking the displays under store lighting.\n\nSHOT TEXT (authoritative, Korean): 수리영이 눈을 동그랗게 뜬 채 의아한 표정으로 서 있는 얼굴 클로즈업\n\nCARRIED STATE (persist exactly): Su-ri-young’s bicycle remains parked outside the mart, and she still has the phone she used to contact Min-suk.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From inside the store on the employees’ side, an eye-level dolly-in resolves into a tight close-up of 수리영, with her widened eyes held near the upper-center and her tense mouth in the lower third. Her face is seen at a three-quarter angle as the store shelving falls softly out of focus, emphasizing only the reduced camera distance at the end of the inward move.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, foreground.\n- KEY BACKGROUND ELEMENTS: 마트 진열대 (Present in the store; no further state specified) — A partial aisle-facing side recedes behind 수리영; used as Softly defocused context behind the close facial framing.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L11B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "a1fc06d1-d542-46ae-a4ac-1e9cf285e2a8" }, "S8sh5": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S8sh5.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L11B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Just outside the large supermarket entrance at dusk, where she stops to make a call.\n\nSHOT TEXT (authoritative, Korean): 마트 밖으로 나온 수리영이 휴대폰을 귀에 댄 채 불안한 표정으로 멈춰 선 전신\n\nCARRIED STATE (persist exactly): Su-ri-young still has her phone and is beside the bicycle she parked at the mart, ready to head home.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Outside the store, the camera tracks several meters ahead and slightly to the side of 수리영 before settling into a locked full-body hold when she stops. She occupies the middle-right of frame with the phone pressed to her ear, while the store exterior and commercial street retain enough depth around her to make the sudden halt feel exposed.\n- FRAMING SCALE: wide shot\n- KEY BACKGROUND ELEMENTS: 대형 마트 외부 (Exterior visible; entrance state not specified) — The entrance-facing side sits behind and to the left of 수리영; used as Background spatial anchor showing that she has just exited; 번화가 네온사인 (Present along the commercial street) — Several sign faces are angled toward the camera; their specific text and operating state are not established; used as Layered background activity around the isolated full-body figure; 택시 (Present on the street) — Their side and three-quarter faces pass through the deeper street plane; used as Moving background context beyond the stopped subject.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L11B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "7b545cc1-5dd0-4085-9927-9c968c2f82d6" }, "S9sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S10sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S12sh8": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S12sh8.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L06B05.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the daughter's bedroom, on the bloodied floor behind the opened curtain. Only faint spill from the living-room floor lamp reaches the nighttime apartment.\n\nSHOT TEXT (authoritative, Korean): 커튼이 젖혀진 바닥에 강민숙이 고개를 떨구고 앉은 채 미동도 하지 않는 정지 상태\n\nIMMOBILE CHARACTER POSE — CANONICAL (identical wherever this character appears in ANY panel; on any conflict THIS POSE WINS): She is seated motionless on the floor behind the curtain with her torso slumped and her head dropped forward; one rigid hand is closed around a crumpled photograph.\n\nCARRIED STATE (persist exactly): Min-suk is seated motionless on the floor behind the opened curtain with her torso slumped and her head dropped forward, amid the blood and bloody footprints. One rigid hand is closed around the crumpled photograph later revealed in close-up, and the circular mark remains on her wrist.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At knee height facing the opened curtain, the static camera frames 강민숙’s seated form from the lowered head through the collapsed legs, with the curtain edges forming narrow foreground brackets. She occupies the central midground while visible blood on the floor and her injured shoulder supply the only sharp crimson accents within the otherwise restrained room.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: 커튼 (Pulled aside) — Its drawn-aside edges face inward toward the revealed seated figure; used as Opened foreground frame that reveals the body; 바닥의 혈흔 (Pooled across the floor with bloody footprints leading to the curtain); used as Lower-frame path leading visually to 강민숙.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L06B05.png" ], [ "char:강민숙", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/0461c6ab-96d8-4179-8e2a-a20cc65a163d.png" ] ], "asset_id": "1e78368b-7243-4eb7-b07f-d9f570cd322d" }, "S12sh15": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S12sh18": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S13sh4": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S13sh4.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L05B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: In the villa's courtyard at night, near the foot of the exterior stairs leading to the rooftop apartment.\n\nSHOT TEXT (authoritative, Korean): 계단 아래에 서서 초점 없는 눈으로 허공을 응시하는 수리영의 정면 클로즈업\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At eye level directly in front of 수리영, the camera holds an uncompromising close-up with her unfocused eyes just above center and only a narrow suggestion of the stair area behind her. Her face is frontal for this moment of psychological rupture, but her gaze passes through the lens rather than meeting it.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 수리영 isolated at the bottom of the stairs in the middle-center of the frame, foreground.\n- KEY BACKGROUND ELEMENTS: 계단 아래 공간 (No specific state established) — The staircase axis recedes behind her but remains indistinct in the close framing; used as Softly reduced background cue locating her at the foot of the descent.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L05B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "1e555b60-7769-477f-8d33-ca4323fa78d2" }, "S13sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S14sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S14sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S15sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S16sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S16sh1.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L13B02.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: At the open doorway leading into the police office at night, with the duty room beyond lit for work.\n\nSHOT TEXT (authoritative, Korean): 경찰서 열린 문간에 서서 귀에 휴대폰을 댄 채 굳은 표정으로 멈춰 있는 혜수의 상체\n\nCARRIED STATE (persist exactly): Hye-su has her phone to her ear, and Min-suk’s number continues to give no response.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From just inside the police office at chest height, frame the open doorway in a medium shot as 혜수 pauses on its threshold, the phone pressed to her ear and her upper body held in three-quarter view. Leave open office space behind the camera-facing side of the threshold so her eventual movement toward 김형사 has a clear path for the backward track.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: office doorway (Open) — The inner sides of the doorway face the camera from within the office; used as Frames 혜수 at the boundary between entry and office space; police office interior (Occupied only by 김형사 before 혜수 enters); used as Provides clear depth behind the threshold and the route for 혜수's entrance.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L13B02.png" ], [ "char:혜수", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/dec16387-8df1-4454-9fdd-3c6bfa4356e8.png" ] ], "asset_id": "a3866cd7-3cab-4de3-a772-c74735a89e34" }, "S16sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S17sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S18sh10": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S18sh13": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S19sh6": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S19sh6.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L10B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Outside the supermarket, directly beneath the section of exterior wall fitted with a CCTV camera.\n\nSHOT TEXT (authoritative, Korean): 마트 밖, 수리영과 마트 남자 직원이 나란히 서서 건물 외벽의 CCTV 카메라를 올려다보는 뒷모습\n\nCARRIED STATE (persist exactly): Su-ri-young’s bicycle remains parked at the mart, and she has brought her doll-adorned backpack and phone with her.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From eye level several meters behind them, hold a static wide view of 수리영 and 마트 남자 직원 side by side, both backs to camera as they tilt their heads toward the CCTV camera above on the exterior wall. Keep their full figures in the lower half and the surveillance camera high within the same frame, establishing a clean vertical sightline for the upcoming tilt.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 수리영 in the lower-left of the frame, midground, looks toward exterior CCTV camera; 마트 남자 직원 in the lower-right of the frame, midground, looks toward exterior CCTV camera; exterior CCTV camera in the upper-center of the frame, background.\n- KEY BACKGROUND ELEMENTS: exterior CCTV camera (Mounted outside the mart) — Its lens side points toward the area the pair are checking, while the camera sees it from below and behind them; used as Provides the elevated target shared by both characters and the endpoint for the next upward tilt; mart exterior wall (Visible in the early morning) — The wall face carrying the CCTV camera is visible beyond the two figures; used as Establishes the exterior location and supports the CCTV camera's position above the pair.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L10B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "47e96e44-d9d5-41ee-98ee-5c0f911c1db6" }, "S19sh8": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S20sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S20sh1.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L15B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the supermarket's security office, at a desk with a CCTV monitor under office lighting.\n\nSHOT TEXT (authoritative, Korean): 책상 앞 모니터를 향해 앉은 40대 한국인 남성 보안직원과 혜수의 뒷모습, 그 뒤에 선 수리영의 굳은 정면 구도\n\nCARRIED STATE (persist exactly): The relevant section of the mart CCTV recording remains uniquely dark and impossible to identify through repeated playback. Su-ri-young still has her doll-adorned backpack with her.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Hold a static medium-wide composition from seated eye level behind the security employee and Hyesu, placing their backs across the lower left and right while the monitor sits between their shoulder lines. Suriyoung remains rigidly frontal in the central background, creating a compressed line of monitor, seated observers, and anxious witness before the later forward move.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 40대 한국인 남성 보안직원 in the lower-left of the frame, foreground; 혜수 in the lower-right of the frame, foreground; 수리영 in the upper-center of the frame, background, looks toward CCTV monitor.\n- KEY BACKGROUND ELEMENTS: CCTV 모니터 (On and replaying footage) — Its active front face is visible, displaying CCTV playback with one section markedly darker and difficult to identify; used as Central visual anchor framed between the two seated figures; 책상 (In use) — The monitor-facing edge runs across the frame between the seated figures and Suriyoung; used as Supports the monitor and establishes the office work area across the midground; 의자 두 개 (Occupied) — The backs face the camera while the seats face the monitor; used as Forms two foreground blocks that compress Suriyoung in depth.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L15B01.png" ], [ "char:혜수", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/dec16387-8df1-4454-9fdd-3c6bfa4356e8.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "1c54d66f-6211-4ad4-8e35-ff6dfc68265f" }, "S20sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S21sh10": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S21sh11": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S21sh13": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S22sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S22sh2.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L14B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: On the street immediately outside the police station in daylight, accelerating away on a bicycle.\n\nSHOT TEXT (authoritative, Korean): 수리영이 상체를 굽히고 자전거 페달을 강하게 밟으며 앞으로 질주하는 순간의 전신, 머리카락과 옷자락이 뒤로 날리는 상태\n\nCARRIED STATE (persist exactly): Su-ri-young rides away on her bicycle with the folded coordinate note still in her pocket and her doll-adorned backpack and phone still with her.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Track parallel at waist height from Suriyoung's lateral side, holding her full body and bicycle in a wide profile as she leans forward and drives the pedals. Keep her near the middle of frame while the travel path streams toward screen right, preserving the stage's stable side axis and emphasizing acceleration rather than changing camera angle.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, midground, moves toward screen-right travel path; screen-right travel path in the middle-right of the frame, background.\n- KEY BACKGROUND ELEMENTS: 자전거 (Moving and accelerating) — Its lateral side faces the camera, keeping both the frame and pedaling motion readable; used as Carries Suriyoung through the frame and supplies the visible pedaling action; 경찰서 외부 (Visible behind the moving bicycle) — The outward-facing exterior recedes behind her direction of travel; used as Background origin for her departure.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L14B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/297fbc32-bf38-4e47-b914-a327c2c4d9d0.png" ] ], "asset_id": "8241e7b3-b2a4-45ff-8ab9-f8d1e2f8af04" }, "S23sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S23sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S24sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S25sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S25sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S25sh10": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S26sh2": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "no_plate", "error": null }, "S26sh7": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S26sh10": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S27sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S27sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S28sh6": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S28sh10": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/conti_S28sh10.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L19B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the small fishing boat's wheelhouse at sunset, directly at the wooden helm.\n\nSHOT TEXT (authoritative, Korean): 인우의 두 손이 조타실의 나무 타륜을 꽉 쥐고 팔뚝에 힘줄이 불거진 손 클로즈업\n\nCARRIED STATE (persist exactly): In-woo is trying to turn the same boat back from inside the wheelhouse. Su-ri-young follows with the old photograph, while her backpack, maps, coordinate note, and phone remain aboard.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At wheel height inside the wheelhouse, the camera completes its tilt across 인우's tensed forearms and settles on both hands clamped around the wooden wheel. The hands and forearms occupy the central two-thirds, with the wheel rim and spokes held below the nonhuman-object occupancy limit and the surrounding wheelhouse reduced to narrow edge context.\n- FRAMING SCALE: close-up\n- KEY BACKGROUND ELEMENTS: wooden ship's wheel (Gripped tightly by both hands) — The rim and spokes are seen obliquely from wheel height, crossing behind both forearms; used as Primary tactile anchor beneath 인우's hands, retaining enough visible rim and spokes to identify the steering action; wheelhouse interior (Visible only at the frame edges); used as Narrow peripheral context that establishes the shot inside the wheelhouse.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L19B01.png" ], [ "char:인우", "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/reference/7d4accd3-650e-4e74-b908-a5371f27fb99.png" ] ], "asset_id": "6f1de6c6-4147-423e-a9d3-398a24b5336f" }, "S29sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S29sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S29sh9": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S30sh2": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null } }, "map_conti": {}, "conti_pack": "2.202607201545", "lane_conti": { "S4sh1": { "lane": "structure_plate", "group_id": "bg_rooftop_residence", "segment_id": "SEG_STRUCTURE_EXTERIOR", "status": "ab_select_bypass", "seed_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/seed_bg_rooftop_residence_sel.png", "seed_asset_id": "1c233795-b3ed-42eb-9f57-21e212cfaa60", "seed_status": "ok", "bg_source": "plate", "bg_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L04B02.png", "bg_reason": "", "bypass_reason": "bg_only" }, "S7sh4": { "lane": "structure_plate", "group_id": "bg_animal_shelter_kennels", "segment_id": "SEG_01", "status": "ab_select_bypass", "seed_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/seed_bg_animal_shelter_kennels_sel.png", "seed_asset_id": "3ba772de-46ff-429c-a206-12539145279d", "seed_status": "ok", "bg_source": "seed", "bg_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/seed_bg_animal_shelter_kennels_sel.png", "bg_reason": "", "bypass_reason": "prev" }, "S10sh4": { "lane": "structure_plate", "group_id": "bg_rooftop_residence", "segment_id": "SEG_STRUCTURE_EXTERIOR", "status": "ab_select_bypass", "seed_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/seed_bg_rooftop_residence_sel.png", "seed_asset_id": "1c233795-b3ed-42eb-9f57-21e212cfaa60", "seed_status": "ok", "bg_source": "plate", "bg_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L04B03.png", "bg_reason": "", "bypass_reason": "bg_only" }, "S11sh3": { "lane": "map_marker", "group_id": "bg_rooftop_residence", "segment_id": "SEG_ROOFTOP_APPROACH", "sketch_attempts": 1, "status": "ok", "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/lane_sketch_S11sh3.png", "base_map_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/canon_bg_rooftop_residence_map.png", "base_map_asset_id": "9d144c7a-2f84-4472-9fe0-faaf8de0ac0c", "geometry": { "camera": { "look_target": { "x": 0.49, "y": 0.27 }, "origin": { "x": 0.34, "y": 0.43 } }, "entity_placements": [ { "slot": "E1", "subject_en": "startled young woman", "x": 0.41, "y": 0.35 } ], "rationale_ko": "수리영은 외부 계단(S1) 상단에서 열린 옥상(R1)으로 막 들어선 지점에 멈춰, 앞쪽 오른편의 반쯤 열린 철문(R3)을 바라보도록 배치했다. 카메라는 그녀의 뒤쪽이자 옆인 좌하단에 두고 철문 방향을 바라보게 하여, 전신과 문 사이의 비어 있는 옥상 공간이 함께 보이는 고정 와이드 구도를 만든다." }, "geometry_attempts": 1, "leakage": { "has_marker_leakage": false, "details_ko": "도면 기호나 텍스트 마커가 발견되지 않음." }, "prompt": "Draw a single CAMERA-VIEW storyboard frame (16:9) of the scene staged\non the attached TOP-DOWN SITE PLAN, seen from the camera position\ngiven in the STAGING GEOMETRY data below.\n\nJurisdiction of sources — follow all three, they do not conflict:\n- The attached SITE PLAN is the SOT for what exists on the site and\n how its zones and landmarks are arranged relative to each other.\n- The STAGING GEOMETRY data below is the SOT for XY POSITIONS and\n horizontal heading ONLY: where each subject stands on that plan,\n where the camera stands, and which way it looks. Distances,\n directions and relative depths between subjects come from these\n coordinates. Subjects outside the camera's horizontal field of\n view are out of frame.\n- The CAMERA DIRECTION text below (when present) is the SOT for the\n VERTICAL angle, elevation, tilt and framing (eye-level, high angle,\n overhead crane, low angle, ...). If it asks for a high or overhead\n angle, draw that angle — the site plan being top-down does NOT mean\n the frame must be eye-level.\n\nSTYLE — LIGHT STORYBOARD FRAME: thin uniform dark outlines on plain\npaper. No shading, no hatching, no texture, no facial features beyond\na minimal head shape, no costume detail. Human figures are correctly\nproportioned full-body outlines in their canonical poses. Environment\nis reduced to a few placement lines (ground line, key landmark\nsilhouettes) — just enough to read positions and depth.\n\nSTAGING GEOMETRY — PLANNING DATA ONLY, NEVER RENDER IT: the lines\nbelow are normalized map coordinates on the attached site plan\n(x runs left→right 0..1, y runs top→bottom 0..1). Use them solely to\nplace the camera and subjects. Do NOT draw any of this data in the\nimage — no numbers, no coordinates, no labels, no arrows, no cones,\nno dots, no diagram symbols of any kind.\n- the camera stands at (x=0.34, y=0.43) and looks toward (x=0.49, y=0.27); subjects outside the camera's horizontal field of view are out of frame\n- startled young woman stands at (x=0.41, y=0.35)\n\nCAMERA DIRECTION (vertical angle / elevation / framing SOT): From eye level behind and to the side of 수리영, the camera holds a locked wide composition that includes her full body in the lower-left and the half-open iron entrance door ahead in the upper-right. Her interrupted stride and the empty interval between her and the door turn the rooftop into a rigid line of apprehension.\n\nTHE LOCATION: 인천 변두리 낡은 빌라 마당과 옥상 외부계단\n\nSHOT TEXT (authoritative, Korean): 옥상에 도착한 수리영이 반쯤 열린 현관 철문을 멍하니 응시하며 굳어버린 전신\n\nCRITICAL — THE SITE PLAN IS A STAGING REFERENCE, NOT CONTENT: do NOT\ndraw the plan itself, and do NOT draw any diagram elements in the\nframe — no circles, dots, wedges, cones, arrows, callouts, codes or\nany other overlay symbols. The output is a clean storyboard drawing\nof the scene as seen by the camera only.\n\nNo text, no letters, no numbers, no captions anywhere in the image.", "asset_id": "d37fb115-b974-48eb-b8f4-3c9d01015edf" }, "S15sh5": { "lane": "map_marker", "group_id": "bg_seaside_bus_stop", "segment_id": "SEG_02", "sketch_attempts": 1, "status": "ok", "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/lane_sketch_S15sh5.png", "base_map_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/canon_bg_seaside_bus_stop_map.png", "base_map_asset_id": "b3937e6f-41ba-495b-b21b-9978be322be9", "geometry": { "camera": { "look_target": { "x": 0.565, "y": 0.405 }, "origin": { "x": 0.485, "y": 0.535 } }, "entity_placements": [ { "slot": "E1", "subject_en": "shouting adult woman", "x": 0.515, "y": 0.495 }, { "slot": "E2", "subject_en": "running young woman", "x": 0.61, "y": 0.345 } ], "rationale_ko": "혜수는 B1 해안 버스 정차 지점의 벤치 가까이에 두고, 수리영은 B3 육지 접근 가장자리로 이어지는 이탈 방향에 더 멀리 배치했다. 카메라는 벤치 인근에서 두 인물의 깊이축을 비스듬히 바라보며, 전경 쪽 혜수의 3/4 정면과 멀어지는 수리영의 뒷모습이 함께 잡히도록 설정했다." }, "geometry_attempts": 1, "leakage": { "has_marker_leakage": false, "details_ko": "다이어그램, 마커, 텍스트가 보이지 않습니다." }, "prompt": "Draw a single CAMERA-VIEW storyboard frame (16:9) of the scene staged\non the attached TOP-DOWN SITE PLAN, seen from the camera position\ngiven in the STAGING GEOMETRY data below.\n\nJurisdiction of sources — follow all three, they do not conflict:\n- The attached SITE PLAN is the SOT for what exists on the site and\n how its zones and landmarks are arranged relative to each other.\n- The STAGING GEOMETRY data below is the SOT for XY POSITIONS and\n horizontal heading ONLY: where each subject stands on that plan,\n where the camera stands, and which way it looks. Distances,\n directions and relative depths between subjects come from these\n coordinates. Subjects outside the camera's horizontal field of\n view are out of frame.\n- The CAMERA DIRECTION text below (when present) is the SOT for the\n VERTICAL angle, elevation, tilt and framing (eye-level, high angle,\n overhead crane, low angle, ...). If it asks for a high or overhead\n angle, draw that angle — the site plan being top-down does NOT mean\n the frame must be eye-level.\n\nSTYLE — LIGHT STORYBOARD FRAME: thin uniform dark outlines on plain\npaper. No shading, no hatching, no texture, no facial features beyond\na minimal head shape, no costume detail. Human figures are correctly\nproportioned full-body outlines in their canonical poses. Environment\nis reduced to a few placement lines (ground line, key landmark\nsilhouettes) — just enough to read positions and depth.\n\nSTAGING GEOMETRY — PLANNING DATA ONLY, NEVER RENDER IT: the lines\nbelow are normalized map coordinates on the attached site plan\n(x runs left→right 0..1, y runs top→bottom 0..1). Use them solely to\nplace the camera and subjects. Do NOT draw any of this data in the\nimage — no numbers, no coordinates, no labels, no arrows, no cones,\nno dots, no diagram symbols of any kind.\n- the camera stands at (x=0.48, y=0.54) and looks toward (x=0.56, y=0.41); subjects outside the camera's horizontal field of view are out of frame\n- shouting adult woman stands at (x=0.52, y=0.49)\n- running young woman stands at (x=0.61, y=0.34)\n\nCAMERA DIRECTION (vertical angle / elevation / framing SOT): Near the bench at chest height, hold 혜수 in a medium three-quarter frontal composition on the near side of frame while 수리영 recedes in the direction of her call. Keep the camera static at the peak of 혜수's shout, using the depth separation between her open mouth in the midground and 수리영's running back farther away.\n\nTHE LOCATION: 밤바다 인근 버스정류장\n\nSHOT TEXT (authoritative, Korean): 혜수가 멀어지는 수리영을 향해 입을 크게 벌리고 소리치는 정지 상태\n\nCRITICAL — THE SITE PLAN IS A STAGING REFERENCE, NOT CONTENT: do NOT\ndraw the plan itself, and do NOT draw any diagram elements in the\nframe — no circles, dots, wedges, cones, arrows, callouts, codes or\nany other overlay symbols. The output is a clean storyboard drawing\nof the scene as seen by the camera only.\n\nNo text, no letters, no numbers, no captions anywhere in the image.", "asset_id": "d34c99d0-d414-404a-b7ff-9b18ec14c2ef" }, "S17sh1": { "lane": "structure_plate", "group_id": "bg_rooftop_residence", "segment_id": "SEG_STRUCTURE_EXTERIOR", "status": "ab_select_bypass", "seed_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/seed_bg_rooftop_residence_sel.png", "seed_asset_id": "1c233795-b3ed-42eb-9f57-21e212cfaa60", "seed_status": "ok", "bg_source": "plate", "bg_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L04B01.png", "bg_reason": "", "bypass_reason": "bg_only" }, "S28sh1": { "lane": "map_marker", "group_id": "bg_small_fishing_vessel", "segment_id": "SEG_01", "sketch_attempts": 1, "status": "ok", "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/01ed4c59-d34e-424d-90e1-fe33226f008d/conti/lane_sketch_S28sh1.png", "base_map_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/canon_bg_small_fishing_vessel_map.png", "base_map_asset_id": "905b52ac-15b3-450f-b8aa-5e05e7dd2e55", "geometry": { "camera": { "look_target": { "x": 0.5, "y": 0.5 }, "origin": { "x": 0.12, "y": 0.88 } }, "entity_placements": [ { "slot": "E1", "subject_en": "small fishing vessel", "x": 0.5, "y": 0.5 } ], "rationale_ko": "소형 어선을 D1 선체의 중심이자 주변 바다 S1의 중앙 부근에 배치했다. 카메라는 선박에서 크게 떨어진 바다 상공에서 선체 중앙을 내려다보도록 설정해, 어선이 광활한 바다 속 작은 형상으로 보이는 정적인 초광각 전경을 구성한다." }, "geometry_attempts": 1, "leakage": { "has_marker_leakage": false, "details_ko": "기호나 마커 유출 없음." }, "prompt": "Draw a single CAMERA-VIEW storyboard frame (16:9) of the scene staged\non the attached TOP-DOWN SITE PLAN, seen from the camera position\ngiven in the STAGING GEOMETRY data below.\n\nJurisdiction of sources — follow all three, they do not conflict:\n- The attached SITE PLAN is the SOT for what exists on the site and\n how its zones and landmarks are arranged relative to each other.\n- The STAGING GEOMETRY data below is the SOT for XY POSITIONS and\n horizontal heading ONLY: where each subject stands on that plan,\n where the camera stands, and which way it looks. Distances,\n directions and relative depths between subjects come from these\n coordinates. Subjects outside the camera's horizontal field of\n view are out of frame.\n- The CAMERA DIRECTION text below (when present) is the SOT for the\n VERTICAL angle, elevation, tilt and framing (eye-level, high angle,\n overhead crane, low angle, ...). If it asks for a high or overhead\n angle, draw that angle — the site plan being top-down does NOT mean\n the frame must be eye-level.\n\nSTYLE — LIGHT STORYBOARD FRAME: thin uniform dark outlines on plain\npaper. No shading, no hatching, no texture, no facial features beyond\na minimal head shape, no costume detail. Human figures are correctly\nproportioned full-body outlines in their canonical poses. Environment\nis reduced to a few placement lines (ground line, key landmark\nsilhouettes) — just enough to read positions and depth.\n\nSTAGING GEOMETRY — PLANNING DATA ONLY, NEVER RENDER IT: the lines\nbelow are normalized map coordinates on the attached site plan\n(x runs left→right 0..1, y runs top→bottom 0..1). Use them solely to\nplace the camera and subjects. Do NOT draw any of this data in the\nimage — no numbers, no coordinates, no labels, no arrows, no cones,\nno dots, no diagram symbols of any kind.\n- the camera stands at (x=0.12, y=0.88) and looks toward (x=0.50, y=0.50); subjects outside the camera's horizontal field of view are out of frame\n- small fishing vessel stands at (x=0.50, y=0.50)\n\nCAMERA DIRECTION (vertical angle / elevation / framing SOT): From high above the sea at a great distance, the static widest frame places the small fishing boat near the center as a minor shape within the surrounding water. The golden sunset reflection stretches broadly around it, emphasizing distance and isolation while keeping the boat far below the object-occupancy limit.\n\nTHE LOCATION: 소형 어선 갑판\n\nSHOT TEXT (authoritative, Korean): 황금빛 노을이 반사되는 바다 위에 소형 어선 한 척이 떠 있는 넓은 전경\n\nCRITICAL — THE SITE PLAN IS A STAGING REFERENCE, NOT CONTENT: do NOT\ndraw the plan itself, and do NOT draw any diagram elements in the\nframe — no circles, dots, wedges, cones, arrows, callouts, codes or\nany other overlay symbols. The output is a clean storyboard drawing\nof the scene as seen by the camera only.\n\nNo text, no letters, no numbers, no captions anywhere in the image.", "asset_id": "46286530-5407-48af-a887-26c48bbca0d7" } }, "plate_authority": { "S5sh9": { "assigned": "L06B02", "chosen": "L06B02", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L06B02.png", "record": { "candidates": { "A": "L06B01", "B": "L06B02", "C": "L06B03", "D": "L06B04", "E": "L06B05" }, "assigned": "L06B02", "choice": "Candidate B", "confident": false, "reason_ko": "지문이 인물들의 밀착된 행동(어깨에 코를 묻음)만을 묘사하고 있어 특정 공간(침실, 거실 등)을 명확히 한정하지 않으므로, 현재 할당된 후보를 유지함.", "kept": "L06B02" }, "fingerprint": "56eb204f34bd40a9" }, "S12sh8": { "assigned": "L06B04", "chosen": "L06B04", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L06B05.png", "record": { "candidates": { "A": "L06B01", "B": "L06B02", "C": "L06B03", "D": "L06B04", "E": "L06B05" }, "assigned": "L06B04", "choice": "Candidate D", "confident": true, "reason_ko": "\"커튼이 젖혀진 바닥\"이라는 묘사는 큰 커튼이 있는 침실 공간을 가리키며, 현재 배정된 Candidate D가 이에 가장 부합합니다.", "kept": "L06B04" }, "fingerprint": "6d976835f9000085" }, "S13sh4": { "assigned": "L05B01", "chosen": "L05B01", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L05B01.png", "record": { "candidates": { "A": "L05B01", "B": "L05B02" }, "assigned": "L05B01", "choice": "Candidate A", "confident": true, "reason_ko": "샷 텍스트에 '계단 아래에 서서'라고 명시되어 있으므로, 옥상이 아닌 계단 밑 마당 공간인 Candidate A가 정확한 배경입니다.", "kept": "L05B01" }, "fingerprint": "05f258f8b08a58b9" }, "S16sh1": { "assigned": "L13B02", "chosen": "L13B02", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L13B02.png", "record": { "candidates": { "A": "L13B01", "B": "L13B02" }, "assigned": "L13B02", "choice": "Candidate B", "confident": true, "reason_ko": "지문에서 '열린 문간에 서서'라고 명시하고 있으므로, 사무실 안을 바라보는 문간 뷰인 현재 할당된 후보가 적합합니다.", "kept": "L13B02" }, "fingerprint": "634a750f513ab636" } } }, "step_id": "shot_conti_light", "run_id": "8c00c11b-7a02-49bd-a4b8-c5cbeca56e4f", "resolved_model": "gpt-image-2", "updated_at": "2026-07-20T13:00:00.831090+00:00", "project_config_snapshot": {} }