{
 "input_fingerprint": "acc53f02f2c8a5cd",
 "prompt": "STYLE CONTRACT — ordinary, modest, lived-in residential interior. Treat the result as an actual reference photograph of a real home: everyday materials, believable wear, modest furniture in plain shapes, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract; treat the base markers as spatial guidance, not as overlay material.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [4, 4]\n  - look_at_unit: 6\n  - look_at_cell: [4, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from camera unit 4 at cell [4,4], directed toward look-at unit 6 through the verbatim candidate look-at cell [4,6]. This supports the close and medium consuming-shot crops while retaining a peripheral directional cue from unit 6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 4, orient the visible composition toward target unit 6 through look-at cell [4,6]. Preserve unit 6 as the principal directional structural cue; units 1, 2, and 3 and openings 5, 7, and 8 are visibility candidates from unit 4 and should appear only where supported inside the selected normal 50-degree cone. Maintain the floor-plan relationships of base markers 1 through 8.\n  - camera_framing_directive: Frame from camera unit 4 at cell [4,4] toward look-at unit 6 using candidate cell [4,6] with a normal 50-degree field of view. Maintain neutral coverage around the unit-6 directional cue so the plate permits a close crop for S13_Shot4 and a medium two-subject crop for S13_Shot5.\n  - subject_position_directive: For S13_Shot4, reserve the foreground middle-center position for target C08 at the bottom of the directional unit-6 cue, facing the camera with the background softly reduced. For S13_Shot5, reserve the left and right sides of the central band for C05 and C08 in opposing profiles, with their committed hand-to-shoulder contact visible and unit 6 remaining peripheral.\n  - state_cue_directive: Carry the committed transient cues represented by markers 9, 10, 11, 12, and 13, together with the low-key nighttime ambience specified by both consuming shots. Do not invent additional state cues beyond numbered elements 1 through 13 and the surfaced shot staging.\n  - negative_continuity_directive: Keep base markers 1 through 8 in their committed floor-plan relationships, do not add unlisted numbered elements, and do not imply structural areas outside the selected 50-degree view. No ignored numbered elements or ignored state-overlay markers are listed for this BG.\n\n2020년대 중반 대한민국 서해안권 도시 외곽의 오래된 저층 다세대 빌라 공용 마당과 외부계단 하부를 밤에 촬영한 실제 카메라 다큐멘터리 풍 사진. 카메라는 마당 대문 안쪽 가까이에 서 있으며, 약 1.6미터의 성인 눈높이에서 35 mm급 중간 광각 렌즈로 외부계단 밑을 사선으로 바라본다. 외부계단과 계단 하부 공간이 중앙 배경에서 뚜렷하게 보이고, 대문 쪽 프레임 가장자리에는 출입구 주변의 고정 설비와 구조물 일부가 남아 있으며, 뒤편의 어두운 자전거 보관 구석에는 실제 생활용 자전거와 자전거 거치대가 희미한 윤곽으로 보인다.\n\n주택 외벽은 한국의 노후한 저층 빌라에서 흔한 붉은 벽돌과 회색 화강석 무늬 타일이 부분적으로 혼용되어 있고, 줄눈의 때, 빗물 자국, 백화, 보수용 실리콘과 작은 균열이 자연스럽다. 외부계단은 닳고 얼룩진 콘크리트 또는 미끄럼 방지 타일 마감이며, 도장이 벗겨지고 녹이 밴 금속 난간이 달려 있다. 알루미늄 새시 창과 방범창, 외벽을 따라 노출된 가스 배관과 가스계량기, 배수관, 전선, 실외기와 냉매 배관, 낡은 전기 계량함, 작은 벽부등과 현실적인 CCTV 카메라가 층층이 붙어 있다. 계단 아래에는 주민들이 실제로 사용하는 화분, 접힌 빨래 건조대와 생활 잡동사니가 과하지 않게 놓이고, 마당 바닥은 오래된 콘크리트 포장으로 먼지, 타이어 자국, 배수구 주변의 습기와 작은 물고임이 보인다. 건물은 민무늬 요새가 아니라 좁은 골목의 다른 벽돌·타일 마감 다세대주택과 맞닿은 생활 주거지이며, 대문 너머로 이웃 건물의 새시 창, 전신주와 늘어진 전선, 좁은 골목의 일부가 제한적으로 보인다.\n\n경찰이 막 도착한 시각이므로 대문 밖의 보이지 않는 순찰차 경광등에서 나온 현실적인 적색과 청색 반사광이 외벽, 금속 난간, 대문 가장자리와 젖은 바닥에 간헐적으로 스며든다. 강한 붉은 반사는 작은 강조점으로만 남기고, 기본 조명은 차갑고 약한 벽부등과 주변 주택 창문에서 새는 생활 조명으로 구성한다. 전체 색은 야간의 실제 저조도 환경에서 자연스럽게 절제되고 채도가 낮으며, 계단 아래와 뒤편 자전거 구석은 세부가 완전히 사라지지 않는 깊은 그림자에 잠겨 있다. 사람, 경찰, 주민, 얼굴, 신체, 시신, 피는 전혀 없다.\n\n실제 DSLR 또는 미러리스 카메라로 현장에서 촬영한 무보정에 가까운 사실적인 장소 기록 사진. 실제 콘크리트의 거친 입자, 금속의 녹과 도장 벗겨짐, 벽돌과 타일의 얼룩, 고무 배관과 전선의 질감, 화분과 자전거의 일상적인 마모를 정확하게 표현한다. 현실적인 야간 노출과 자연스러운 심도, 과장되지 않은 렌즈 원근감. 깨끗한 광고용 사진이 아니며, 그림이나 설계도, 평면도, 건축 시각화가 아닌 실제 장소 사진이다. 내려다본 시점 금지. 16:9 가로 비율, 실제 카메라 촬영본.\n\nSITE LOOK REFERENCE: the attached photograph shows this exact place — the confirmed look of its structure and surroundings. Keep the structure's massing, storey count, materials, wear and the character of the surroundings consistent with that photograph while composing the viewpoint this plate needs. Do not copy its camera angle or framing.\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures, furniture and signage. Signage follows the place's nature: a commercial or public facility keeps its signage present and legible; a residential or private place has none unless the prompt says so. Reproduce any signage visible in the reference EXACTLY — same lettering, same design, same position; never invent different sign text from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Signage follows the place's nature: a commercial or public facility keeps its signage present and legible; a residential or private place has none unless the prompt says so. Reproduce any signage visible in the reference EXACTLY — same lettering, same design, same position; never invent different sign text from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nUNMANNED BACKGROUND CONTRACT — this image is an EMPTY BACKGROUND\nPLATE: absolutely NO people anywhere. No figures, no faces, no body\nparts, no hands, no silhouettes, no human shadows, no reflections of\npeople, no mannequins or statues that read as people, no crowds in\nthe distance. If any person or their action is mentioned above,\nrender the place AS IF that person is not there — keep only the\nenvironment they would occupy. On any conflict, THIS CONTRACT WINS.",
 "totals": {
  "A": 9,
  "B": 6,
  "C": 7
 },
 "selected": "A",
 "ranking": [
  "A",
  "C",
  "B"
 ],
 "verdicts": [
  {
   "label": "A",
   "score": 9,
   "verdict_ko": "레퍼런스의 매스감을 유지하면서 지시된 모든 소품, 조명(적/청색 경광등), 적벽돌과 타일 질감, 그리고 야간 다큐멘터리 룩을 가장 완벽하게 구현했습니다."
  },
  {
   "label": "B",
   "score": 6,
   "verdict_ko": "우측에 레퍼런스에 없는 필로티 주차 공간을 임의로 생성했으며, 경찰차의 청색광이 누락되고 대문을 관통하는 프레이밍이 지시와 다릅니다."
  },
  {
   "label": "C",
   "score": 7,
   "verdict_ko": "우측에 레퍼런스에 없는 개방형 빈 공간(필로티)을 만들었고 계단참 구조가 변형되었으나, 프롭과 조명 지시는 비교적 잘 반영했습니다."
  }
 ],
 "refs": [
  {
   "label": "SPATIAL REFERENCE — the same place this background belongs to: its layout, materials and fixed features are truth; keep every shared fixed feature identical where the views overlap. Never copy its camera framing.",
   "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/images/background_chain/seed_bg_rooftop_residence_sel.png"
  },
  {
   "label": "SPATIAL REFERENCE — the same place this background belongs to: its layout, materials and fixed features are truth; keep every shared fixed feature identical where the views overlap. Never copy its camera framing.",
   "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L05B02.png"
  },
  {
   "label": "SPATIAL REFERENCE — the same place this background belongs to: its layout, materials and fixed features are truth; keep every shared fixed feature identical where the views overlap. Never copy its camera framing.",
   "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/4a05e836-fcb8-4eb6-8d80-71b8f7bc97a1/episodes/01ed4c59-d34e-424d-90e1-fe33226f008d/images/background_chain/L04B02.png"
  }
 ],
 "critique": {
  "issues": [
   {
    "issue_ko": "외부계단이 레퍼런스의 공간 구조와 반대로 우측에서 좌측으로 올라가도록 생성되었습니다.",
    "fix_en": "Reverse the staircase layout so it ascends from left to right, matching the reference architecture."
   },
   {
    "issue_ko": "자전거가 뒤편의 어두운 구석에 희미하게 렌더링된다는 지시와 달리, 프레임 우측 전면에 밝고 뚜렷하게 배치되었습니다.",
    "fix_en": "Relocate the bicycles to a dark corner in the background and render them as dim outlines."
   }
  ]
 },
 "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Reverse the staircase layout so it ascends from left to right, matching the reference architecture.\n- Relocate the bicycles to a dark corner in the background and render them as dim outlines.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
}