{ "bg_animal_shelter_kennels": { "author_fp": "8e4763ef89dc3c84", "author": { "conformance_brief_en": "Every image shows the same one-storey, long, low rectangular open-air shelter pavilion in South Korea in 2026. It has a shallow-pitched light blue-gray factory-coated corrugated steel canopy, a silver-gray hot-dip galvanized steel frame, galvanized vertical-bar and chain-link confinement partitions, and a gray cast-concrete floor and work apron. There are no solid exterior walls or decorative facade openings. The kennel zone contains the dog confinement enclosures; the outdoor animal care work area directly adjoins them with functional access between the two zones. No numerical opening count is evidenced, so no prominent repeated facade openings may be invented. Finishes show modest working wear but remain maintained. The complete site stands within a believable, active, low-rise semi-urban service and light-industrial neighborhood rather than on isolated or abandoned ground.", "location_line_en": "A working stray-dog shelter in a low-rise semi-urban service neighborhood in South Korea, 2026.", "variants": [ { "approach_ko": "원문 장면 근거 중심", "evidence_ko": [ "유기견 보호원", "갇혀있는 개들", "털깎고, 연고 바르고, 목욕시키고등" ], "prompt_en": "An active stray-dog shelter occupies an ordinary low-rise semi-urban service and light-industrial neighborhood in contemporary South Korea. Adjacent properties and the normal street or alley context surround the maintained working site. The target structure is a one-storey, long, low rectangular open-air shelter pavilion with no solid exterior walls. A shallow-pitched light blue-gray factory-coated corrugated steel canopy rests on a silver-gray hot-dip galvanized steel frame. Galvanized vertical-bar and chain-link partitions form the dog confinement enclosures in the kennel zone. A gray cast-concrete animal care work area lies directly beside the enclosures, with direct functional access between confinement and handling spaces. The roof coating is mildly faded, lower metalwork is scuffed, and the concrete carries ordinary work stains without neglect.", "variant_id": "v1" }, { "approach_ko": "주변 생활권 우선 접근", "evidence_ko": [ "철창과 펜스로 나뉜 유기견 수용 공간이다.", "동물을 다루기 위한 간이 진료 도구와 목욕 시설이 갖춰져 있다." ], "prompt_en": "The site belongs to an inhabited, working low-rise service and light-industrial neighborhood in South Korea in 2026, enclosed by adjacent everyday properties and a normal local street or alley. At its center stands a maintained one-storey kennel pavilion with a long, low rectangular mass. It is open-sided, without solid exterior walls or decorative facade openings. Its shallow-pitched canopy is light blue-gray factory-coated corrugated steel on a silver-gray hot-dip galvanized steel frame. The kennel zone is divided into dog confinement enclosures by galvanized vertical bars and chain-link fencing. The adjoining outdoor animal care work area is a gray cast-concrete apron connected directly to the enclosures. Mild fading, scuffed lower rails, and routine concrete staining show sustained daily use rather than abandonment.", "variant_id": "v2" }, { "approach_ko": "재료와 시설 유형 중심", "evidence_ko": [ "유기견 보호원: 철창과 펜스로 나뉜 유기견 수용 공간이다.", "대형견이 갇혀 있는 우리가 있고, 동물을 다루기 위한 간이 진료 도구와 목욕 시설이 갖춰져 있다." ], "prompt_en": "Silver-gray hot-dip galvanized steel and gray cast concrete define a practical South Korean animal-shelter site. The target is one storey and forms a long, low rectangular open-air pavilion beneath a shallow-pitched light blue-gray factory-coated corrugated steel canopy. It has no solid exterior walls. Galvanized vertical-bar panels and chain-link partitions create the dog confinement enclosures within the kennel zone, using only functional enclosure access rather than prominent facade openings. The animal care work area is an outdoor concrete work apron directly beside and directly connected to the enclosures. The coating is lightly faded, the lower steel surfaces are scuffed, and the concrete is routinely stained but maintained. The pavilion remains embedded among the adjacent buildings and ordinary street or alley fabric of an active low-rise semi-urban service and light-industrial neighborhood in South Korea in 2026.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "8a6fe2c538ef694e", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same one-storey, long, low rectangular open-air shelter pavilion in South Korea in 2026. It has a shallow-pitched light blue-gray factory-coated corrugated steel canopy, a silver-gray hot-dip galvanized steel frame, galvanized vertical-bar and chain-link confinement partitions, and a gray cast-concrete floor and work apron. There are no solid exterior walls or decorative facade openings. The kennel zone contains the dog confinement enclosures; the outdoor animal care work area directly adjoins them with functional access between the two zones. No numerical opening count is evidenced, so no prominent repeated facade openings may be invented. Finishes show modest working wear but remain maintained. The complete site stands within a believable, active, low-rise semi-urban service and light-industrial neighborhood rather than on isolated or abandoned ground.\n\nTHE LOCATION: A working stray-dog shelter in a low-rise semi-urban service neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; confined dogs; injection equipment; grooming, ointment, and bathing supplies", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active stray-dog shelter occupies an ordinary low-rise semi-urban service and light-industrial neighborhood in contemporary South Korea. Adjacent properties and the normal street or alley context surround the maintained working site. The target structure is a one-storey, long, low rectangular open-air shelter pavilion with no solid exterior walls. A shallow-pitched light blue-gray factory-coated corrugated steel canopy rests on a silver-gray hot-dip galvanized steel frame. Galvanized vertical-bar and chain-link partitions form the dog confinement enclosures in the kennel zone. A gray cast-concrete animal care work area lies directly beside the enclosures, with direct functional access between confinement and handling spaces. The roof coating is mildly faded, lower metalwork is scuffed, and the concrete carries ordinary work stains without neglect.\n\nTHE LOCATION: A working stray-dog shelter in a low-rise semi-urban service neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; confined dogs; injection equipment; grooming, ointment, and bathing supplies\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an inhabited, working low-rise service and light-industrial neighborhood in South Korea in 2026, enclosed by adjacent everyday properties and a normal local street or alley. At its center stands a maintained one-storey kennel pavilion with a long, low rectangular mass. It is open-sided, without solid exterior walls or decorative facade openings. Its shallow-pitched canopy is light blue-gray factory-coated corrugated steel on a silver-gray hot-dip galvanized steel frame. The kennel zone is divided into dog confinement enclosures by galvanized vertical bars and chain-link fencing. The adjoining outdoor animal care work area is a gray cast-concrete apron connected directly to the enclosures. Mild fading, scuffed lower rails, and routine concrete staining show sustained daily use rather than abandonment.\n\nTHE LOCATION: A working stray-dog shelter in a low-rise semi-urban service neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; confined dogs; injection equipment; grooming, ointment, and bathing supplies\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nSilver-gray hot-dip galvanized steel and gray cast concrete define a practical South Korean animal-shelter site. The target is one storey and forms a long, low rectangular open-air pavilion beneath a shallow-pitched light blue-gray factory-coated corrugated steel canopy. It has no solid exterior walls. Galvanized vertical-bar panels and chain-link partitions create the dog confinement enclosures within the kennel zone, using only functional enclosure access rather than prominent facade openings. The animal care work area is an outdoor concrete work apron directly beside and directly connected to the enclosures. The coating is lightly faded, the lower steel surfaces are scuffed, and the concrete is routinely stained but maintained. The pavilion remains embedded among the adjacent buildings and ordinary street or alley fabric of an active low-rise semi-urban service and light-industrial neighborhood in South Korea in 2026.\n\nTHE LOCATION: A working stray-dog shelter in a low-rise semi-urban service neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRottweiler; confined dogs; injection equipment; grooming, ointment, and bathing supplies\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 3, "B": 7, "C": 4 }, "selected": "B", "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "A", "score": 3, "verdict_ko": "Hard violation: contains 'TARGET STRUCTURE' and '2026' text overlays directly on the image." }, { "label": "B", "score": 7, "verdict_ko": "Faithfully matches all brief requirements, featuring the correct galvanized steel frame and bar partitions in a believable Korean semi-urban setting." }, { "label": "C", "score": 4, "verdict_ko": "Violates brief by including solid metal lower panels on partitions and thick concrete/painted pillars instead of the required galvanized steel frame." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "구조물 우측 끝부분이 단단한 외벽과 문으로 밀폐되어 있어, '단단한 외벽이 없는 사방이 트인 구조'라는 지침에 어긋납니다.", "fix_en": "Remove the solid pale green wall and door at the far right end of the pavilion, replacing them with open galvanized bars and fencing to keep the entire structure open-sided." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the solid pale green wall and door at the far right end of the pavilion, replacing them with open galvanized bars and fencing to keep the entire structure open-sided.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_city_back_alley": { "author_fp": "a3b9468bc5d8e3a3", "author": { "conformance_brief_en": "The target is a zero-storey, open-air alley infrastructure site rather than a standalone building, so it has no façades or openings. It consists of exactly one narrow, linear back-alley passage surfaced in worn, patched charcoal-gray asphalt, exactly one aged gray concrete utility pole at one edge of the route, and exactly one dull-gray metal streetlight fixture positioned along the alley to serve the passage. The route, pole-side position, and streetlight fixture remain clearly connected and mutually visible. The site is enclosed by a believable, currently inhabited low-rise working neighborhood in contemporary South Korea.", "location_line_en": "A worn urban back alley in contemporary South Korea, 2026.", "variants": [ { "approach_ko": "원문 시각 단서 중심", "evidence_ko": [ "도시 뒷골목", "도심", "가로등", "전봇대" ], "prompt_en": "A narrow urban back alley occupies a currently inhabited low-rise working neighborhood in contemporary South Korea. Ordinary neighboring buildings closely define the passage. The target is a zero-storey open-air alley site with no façades or openings. A single linear route has worn, patched charcoal-gray asphalt and an aged, low-saturation appearance. One weathered gray concrete utility pole stands at one edge of the passage and creates the distinct pole-side position. One utilitarian dull-gray metal streetlight fixture is set along the alley to serve the route. The passage, utility-pole edge, and streetlight fixture remain directly connected and clearly visible from one another.", "variant_id": "v1" }, { "approach_ko": "생활 골목과 주변 지역 우선", "evidence_ko": [], "prompt_en": "A real, currently inhabited low-rise working neighborhood surrounds a tight South Korean urban back alley. The ordinary adjacent buildings form a continuous lived-in setting rather than an isolated compound. The target site is a zero-storey, open-air linear passage with no building façades or openings of its own. Its narrow surface is worn charcoal-gray asphalt with subdued patching and age marks. Exactly one aged gray concrete utility pole occupies one edge of the route, fixing a usable pole-side position while remaining accessible from the alley. Exactly one dull-gray metal streetlight fixture stands along the passage and serves it. The route maintains clear physical and visual continuity with both permanent fixtures.", "variant_id": "v2" }, { "approach_ko": "재료와 영구 배치 중심", "evidence_ko": [], "prompt_en": "Worn charcoal-gray asphalt defines one narrow linear back-alley passage. A single weathered gray concrete utility pole stands directly at one edge, and a single utilitarian streetlight fixture with a dull-gray metal housing is positioned along the route. These elements form a zero-storey open-air target site with no façades or openings; the pole-side position remains accessible from the passage, and the route, pole, and streetlight fixture remain mutually visible. The materials have the subdued wear of an old but active urban alley. A believable, currently inhabited low-rise South Korean working neighborhood closely surrounds and defines the site.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "1c690a6b21ffa988", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey, open-air alley infrastructure site rather than a standalone building, so it has no façades or openings. It consists of exactly one narrow, linear back-alley passage surfaced in worn, patched charcoal-gray asphalt, exactly one aged gray concrete utility pole at one edge of the route, and exactly one dull-gray metal streetlight fixture positioned along the alley to serve the passage. The route, pole-side position, and streetlight fixture remain clearly connected and mutually visible. The site is enclosed by a believable, currently inhabited low-rise working neighborhood in contemporary South Korea.\n\nTHE LOCATION: A worn urban back alley in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Attack and collapse beside the utility pole; Dim streetlight illumination", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow urban back alley occupies a currently inhabited low-rise working neighborhood in contemporary South Korea. Ordinary neighboring buildings closely define the passage. The target is a zero-storey open-air alley site with no façades or openings. A single linear route has worn, patched charcoal-gray asphalt and an aged, low-saturation appearance. One weathered gray concrete utility pole stands at one edge of the passage and creates the distinct pole-side position. One utilitarian dull-gray metal streetlight fixture is set along the alley to serve the route. The passage, utility-pole edge, and streetlight fixture remain directly connected and clearly visible from one another.\n\nTHE LOCATION: A worn urban back alley in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Attack and collapse beside the utility pole; Dim streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real, currently inhabited low-rise working neighborhood surrounds a tight South Korean urban back alley. The ordinary adjacent buildings form a continuous lived-in setting rather than an isolated compound. The target site is a zero-storey, open-air linear passage with no building façades or openings of its own. Its narrow surface is worn charcoal-gray asphalt with subdued patching and age marks. Exactly one aged gray concrete utility pole occupies one edge of the route, fixing a usable pole-side position while remaining accessible from the alley. Exactly one dull-gray metal streetlight fixture stands along the passage and serves it. The route maintains clear physical and visual continuity with both permanent fixtures.\n\nTHE LOCATION: A worn urban back alley in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Attack and collapse beside the utility pole; Dim streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWorn charcoal-gray asphalt defines one narrow linear back-alley passage. A single weathered gray concrete utility pole stands directly at one edge, and a single utilitarian streetlight fixture with a dull-gray metal housing is positioned along the route. These elements form a zero-storey open-air target site with no façades or openings; the pole-side position remains accessible from the passage, and the route, pole, and streetlight fixture remain mutually visible. The materials have the subdued wear of an old but active urban alley. A believable, currently inhabited low-rise South Korean working neighborhood closely surrounds and defines the site.\n\nTHE LOCATION: A worn urban back alley in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Attack and collapse beside the utility pole; Dim streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 5, "C": 3 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Highly authentic regional architecture and realistic surfacing; successfully features the specified infrastructure elements, though a distant secondary pole slightly challenges the exact count." }, { "label": "B", "score": 5, "verdict_ko": "Captures the alley and main infrastructure elements, but includes a secondary background pole and suffers from structural artifacts (mangled bicycle, floating laundry) that reduce photographic plausibility." }, { "label": "C", "score": 3, "verdict_ko": "Hard violation: disqualified due to leaked diagrammatic markers (yellow and red lines) explicitly drawn onto the image." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_coastal_road": { "author_fp": "421e9e6375f9114a", "author": { "conformance_brief_en": "The target is a single-level, non-building coastal roadway with no storeys, walls, roof, doors, windows, or other architectural openings. It is a continuous two-lane undivided road of dark charcoal-gray asphalt, marked by one yellow thermoplastic centerline and white thermoplastic edge lines. The sea directly adjoins the coastal side throughout the site. The immediate road edge has no fixed roadside structures or permanent access features. A believable, currently inhabited South Korean west-coast settlement occupies the inland surroundings beyond the immediate roadside zone.", "location_line_en": "A paved coastal road beside the sea on South Korea's west coast in 2026.", "variants": [ { "approach_ko": "시나리오의 해안도로와 바다 인접성을 직접 시각화한 접근", "evidence_ko": [ "해안가 도로", "수리영 자전거를 타고 해안가 도로를 달린다.", "바다냄새를 실컷 마신다.", "해안도로를 자전거를 타고 바삐 집으로 달려가는 수리영." ], "prompt_en": "A real, currently inhabited west-coast South Korean settlement extends through the inland surroundings beyond the immediate roadside zone. The target is a single-level linear coastal road, not a building, with no storeys or architectural openings. It is a continuous two-lane undivided roadway paved in weathered dark charcoal-gray asphalt, with one yellow thermoplastic centerline and white thermoplastic edge lines. The road is broad enough for ordinary cycling and follows the coast with the sea directly adjoining its coastal side. Salt exposure subtly fades the pavement and painted markings. No fixed roadside structures or permanent access features occupy the immediate road edge.", "variant_id": "v1" }, { "approach_ko": "생활 해안 마을의 맥락을 먼저 확립하는 접근", "evidence_ko": [ "S#6. 해안가 도로 / D", "S#9. 해안가 / N", "해안도로를 자전거를 타고 바삐 집으로 달려가는 수리영." ], "prompt_en": "The location belongs to an ordinary, currently inhabited coastal settlement on South Korea's west coast, with regionally typical neighborhood fabric continuing inland beyond the immediate roadside zone. Its central subject is one continuous, single-level coastal roadway with no storeys, walls, roof, doors, windows, or other architectural openings. The road is a two-lane undivided strip of dark charcoal-gray asphalt with a yellow thermoplastic centerline and white thermoplastic edge lines. The sea directly borders the entire coastal side of the route. The asphalt and markings show restrained salt-air fading and normal working-road wear. The immediate road edge remains free of fixed roadside structures and permanent access features.", "variant_id": "v2" }, { "approach_ko": "도로 재료와 영구 지형 위계를 우선하는 접근", "evidence_ko": [ "해안가 도로", "해안도로", "바다냄새를 실컷 마신다." ], "prompt_en": "Dark charcoal-gray asphalt forms a continuous two-lane undivided coastal road, finished with one yellow thermoplastic centerline and white thermoplastic edge lines typical of contemporary South Korea. This non-building target is single-level and linear, with no storeys, roof, walls, doors, windows, or other openings. Mild abrasion, salt fading, and repaired pavement wear remain consistent along the route. The sea occupies the adjoining coastal side with no fixed roadside structures or permanent access features between the route and its coastal setting. Beyond the immediate inland roadside zone, a real, currently inhabited South Korean west-coast neighborhood provides ordinary regional context without making the site appear isolated or staged.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "62a1b44be8f619e7", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a single-level, non-building coastal roadway with no storeys, walls, roof, doors, windows, or other architectural openings. It is a continuous two-lane undivided road of dark charcoal-gray asphalt, marked by one yellow thermoplastic centerline and white thermoplastic edge lines. The sea directly adjoins the coastal side throughout the site. The immediate road edge has no fixed roadside structures or permanent access features. A believable, currently inhabited South Korean west-coast settlement occupies the inland surroundings beyond the immediate roadside zone.\n\nTHE LOCATION: A paved coastal road beside the sea on South Korea's west coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; rider; earphones; storm conditions; unseen barking dog", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real, currently inhabited west-coast South Korean settlement extends through the inland surroundings beyond the immediate roadside zone. The target is a single-level linear coastal road, not a building, with no storeys or architectural openings. It is a continuous two-lane undivided roadway paved in weathered dark charcoal-gray asphalt, with one yellow thermoplastic centerline and white thermoplastic edge lines. The road is broad enough for ordinary cycling and follows the coast with the sea directly adjoining its coastal side. Salt exposure subtly fades the pavement and painted markings. No fixed roadside structures or permanent access features occupy the immediate road edge.\n\nTHE LOCATION: A paved coastal road beside the sea on South Korea's west coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; rider; earphones; storm conditions; unseen barking dog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to an ordinary, currently inhabited coastal settlement on South Korea's west coast, with regionally typical neighborhood fabric continuing inland beyond the immediate roadside zone. Its central subject is one continuous, single-level coastal roadway with no storeys, walls, roof, doors, windows, or other architectural openings. The road is a two-lane undivided strip of dark charcoal-gray asphalt with a yellow thermoplastic centerline and white thermoplastic edge lines. The sea directly borders the entire coastal side of the route. The asphalt and markings show restrained salt-air fading and normal working-road wear. The immediate road edge remains free of fixed roadside structures and permanent access features.\n\nTHE LOCATION: A paved coastal road beside the sea on South Korea's west coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; rider; earphones; storm conditions; unseen barking dog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark charcoal-gray asphalt forms a continuous two-lane undivided coastal road, finished with one yellow thermoplastic centerline and white thermoplastic edge lines typical of contemporary South Korea. This non-building target is single-level and linear, with no storeys, roof, walls, doors, windows, or other openings. Mild abrasion, salt fading, and repaired pavement wear remain consistent along the route. The sea occupies the adjoining coastal side with no fixed roadside structures or permanent access features between the route and its coastal setting. Beyond the immediate inland roadside zone, a real, currently inhabited South Korean west-coast neighborhood provides ordinary regional context without making the site appear isolated or staged.\n\nTHE LOCATION: A paved coastal road beside the sea on South Korea's west coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; rider; earphones; storm conditions; unseen barking dog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 5, "C": 4 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Accurately depicts the continuous two-lane road with a single yellow centerline and features a believable, authentic South Korean coastal settlement." }, { "label": "B", "score": 5, "verdict_ko": "Fails brief conformance by displaying a double yellow centerline instead of one, and includes an intersection and a bus stop structure on the immediate road edge." }, { "label": "C", "score": 4, "verdict_ko": "Violates regional authenticity with an invented, picturesque crenellated yellow-and-white concrete barrier along the coast." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "중경의 상점 앞에 인물 포함됨", "fix_en": "Remove the person standing outside the storefront in the mid-ground." }, { "issue_ko": "도로 우측에 점선이 있어 2차선 구성을 위반함", "fix_en": "Remove the dashed white line on the right side to leave exactly two lanes marked only by the yellow centerline and solid white edge lines." }, { "issue_ko": "해안측 도로 가장자리에 고정된 콘크리트 장벽 구조물 존재", "fix_en": "Remove the raised concrete wall along the left edge of the road so the road edge has no fixed roadside structures." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the person standing outside the storefront in the mid-ground.\n- Remove the dashed white line on the right side to leave exactly two lanes marked only by the yellow centerline and solid white edge lines.\n- Remove the raised concrete wall along the left edge of the road so the road edge has no fixed roadside structures.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_dense_forest": { "author_fp": "db9ac1a5a70e9f52", "author": { "conformance_brief_en": "The target is a zero-storey natural forest-interior site, not a building. It consists only of enclosing South Korean forest growth and dense green undergrowth intermingled throughout one continuous usable interior zone. Brown-gray trunks, natural green foliage and dark brown forest soil use ordinary regional finishes and textures. There is no distinct path, clearing, building, gate, fence, boundary structure or fixed entrance. The surrounding woodland must feel like a real, currently used part of an inhabited contemporary South Korean region, never an abandoned compound or studio set.", "location_line_en": "A dense forest interior in contemporary South Korea, 2026.", "variants": [ { "approach_ko": "원문 공간 묘사에 직접 근거한 접근", "evidence_ko": [ "숲속", "우거진 수풀을 헤치며" ], "prompt_en": "A real forest interior lies within the continuous mountain woodland of an inhabited contemporary South Korean region. The surrounding locality feels ordinary and currently used, while no buildings or other constructed features enter this interior. The target is a zero-storey natural site with no built massing. Enclosing forest growth surrounds dense green undergrowth, and the undergrowth fills and intermingles with the same continuous interior space. Natural brown-gray trunks rise through regionally typical green foliage above dark brown forest soil. There is no distinct path, clearing, building, fence, gate, boundary structure or fixed entrance.", "variant_id": "v1" }, { "approach_ko": "영구 지형 배치를 우선한 접근", "evidence_ko": [], "prompt_en": "The location belongs to a believable, inhabited South Korean mountain-forest locality in 2026, with ordinary continuous woodland extending around it. It is a real outdoor place rather than an empty compound or constructed set. The target has zero storeys and no architectural mass. One uninterrupted forest-interior zone contains dense green undergrowth distributed among enclosing forest growth, with no separation between the vegetation and the usable interior space. Brown-gray tree trunks, natural green foliage and dark brown forest soil have normal regional textures and wear. No path, clearing, building, boundary structure, fence, gate or fixed entrance is present.", "variant_id": "v2" }, { "approach_ko": "지역 산림의 재질과 식생을 우선한 접근", "evidence_ko": [], "prompt_en": "Ordinary contemporary South Korean woodland forms the wider setting, connected to a currently inhabited regional landscape rather than isolated as an abandoned site. The target is a zero-storey forest interior without any constructed structure. Regionally typical forest growth encloses a single continuous interior filled with dense green undergrowth. The undergrowth remains intermingled among brown-gray trunks and natural green foliage across dark brown forest soil, without forming a separate route or open area. The site has no distinct path, clearing, building, fence, gate, boundary structure or permanent entrance.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "a90551bb32afc543", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey natural forest-interior site, not a building. It consists only of enclosing South Korean forest growth and dense green undergrowth intermingled throughout one continuous usable interior zone. Brown-gray trunks, natural green foliage and dark brown forest soil use ordinary regional finishes and textures. There is no distinct path, clearing, building, gate, fence, boundary structure or fixed entrance. The surrounding woodland must feel like a real, currently used part of an inhabited contemporary South Korean region, never an abandoned compound or studio set.\n\nTHE LOCATION: A dense forest interior in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk lighting; Loose shoe; Bite wound and flowing blood; Fleeing man; Incoming dark figure", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real forest interior lies within the continuous mountain woodland of an inhabited contemporary South Korean region. The surrounding locality feels ordinary and currently used, while no buildings or other constructed features enter this interior. The target is a zero-storey natural site with no built massing. Enclosing forest growth surrounds dense green undergrowth, and the undergrowth fills and intermingles with the same continuous interior space. Natural brown-gray trunks rise through regionally typical green foliage above dark brown forest soil. There is no distinct path, clearing, building, fence, gate, boundary structure or fixed entrance.\n\nTHE LOCATION: A dense forest interior in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk lighting; Loose shoe; Bite wound and flowing blood; Fleeing man; Incoming dark figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a believable, inhabited South Korean mountain-forest locality in 2026, with ordinary continuous woodland extending around it. It is a real outdoor place rather than an empty compound or constructed set. The target has zero storeys and no architectural mass. One uninterrupted forest-interior zone contains dense green undergrowth distributed among enclosing forest growth, with no separation between the vegetation and the usable interior space. Brown-gray tree trunks, natural green foliage and dark brown forest soil have normal regional textures and wear. No path, clearing, building, boundary structure, fence, gate or fixed entrance is present.\n\nTHE LOCATION: A dense forest interior in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk lighting; Loose shoe; Bite wound and flowing blood; Fleeing man; Incoming dark figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOrdinary contemporary South Korean woodland forms the wider setting, connected to a currently inhabited regional landscape rather than isolated as an abandoned site. The target is a zero-storey forest interior without any constructed structure. Regionally typical forest growth encloses a single continuous interior filled with dense green undergrowth. The undergrowth remains intermingled among brown-gray trunks and natural green foliage across dark brown forest soil, without forming a separate route or open area. The site has no distinct path, clearing, building, fence, gate, boundary structure or permanent entrance.\n\nTHE LOCATION: A dense forest interior in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk lighting; Loose shoe; Bite wound and flowing blood; Fleeing man; Incoming dark figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 8, "B": 4, "C": 3 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 8, "verdict_ko": "Captures the continuous forest interior perfectly with dense undergrowth and no paths or buildings, fulfilling the brief's primary constraints." }, { "label": "B", "score": 4, "verdict_ko": "Depicts a forest edge bordering a village, violating the requirement for an enclosed interior site with no buildings or distinct paths." }, { "label": "C", "score": 3, "verdict_ko": "Shows the exterior edge of a woodland next to a paved road, bus stop, and houses, failing the interior-only constraint." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "오른쪽에 뚜렷한 흙길과 나무에 묶인 주황색 산악 리본이 있음.", "fix_en": "Cover the bare dirt path on the right with dense green undergrowth and remove the orange ribbon from the tree." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Cover the bare dirt path on the right with dense green undergrowth and remove the orange ribbon from the tree.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_foggy_harbor": { "author_fp": "4d821ced079ccf73", "author": { "conformance_brief_en": "The target is a zero-storey, low horizontal harbor-shore site with no building, roof, walls, doors, windows, or other openings. Dark charcoal-gray natural tidal rocks with damp surfaces and subdued brown-green tidal staining form the principal shore zone. Muted blue-gray harbor water directly borders the rocks and extends outward. A separate narrow waterside access edge of worn light-gray concrete lies beside the rocks and meets the same water boundary directly; it is not a dock, pier, or freestanding platform. The site sits within a believable, currently inhabited low-rise working fishing-port neighborhood in contemporary South Korea.", "location_line_en": "A small working harbor shore in a low-rise coastal neighborhood in South Korea at dusk, 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심 접근", "evidence_ko": [ "S#26. 포구 / 해질 무렵", "포구를 몇 시간째 돌아다니다 지친.", "갯바위에 앉아있는 수리영.", "하염없이 안개가 몰려오는 바다를 바라보는데" ], "prompt_en": "A small South Korean working harbor sits within a currently inhabited low-rise coastal neighborhood at dusk in 2026. The target is a zero-storey, low horizontal shore site with no building or openings. Dark charcoal-gray natural tidal rocks form the principal shore zone, their damp surfaces carrying subdued brown-green tidal staining. Muted blue-gray harbor water directly adjoins the rocks and extends outward. Beside the rocks, a separate narrow edge of worn light-gray concrete reaches the same water boundary directly. It is a simple shore access edge, not a dock, pier, or freestanding platform.", "variant_id": "v1" }, { "approach_ko": "주변 포구와 생활권 우선 접근", "evidence_ko": [ "포구 / 해질 무렵", "갯바위에 앉아있는 수리영.", "바다를 바라보는데" ], "prompt_en": "A believable, currently inhabited South Korean fishing-port neighborhood surrounds a small working harbor, with ordinary low-rise coastal development and regionally typical finishes. At dusk, the main subject is a zero-storey shoreline site with a broad, low horizontal massing and no building, roof, walls, doors, windows, or other openings. The principal shore area is dark charcoal-gray tidal rock, naturally damp and marked by muted brown-green tidal wear. Blue-gray harbor water meets the rocks directly. A separate narrow light-gray concrete access edge, worn by salt and use, lies immediately beside the rocks and also meets the water directly, without forming a dock or pier.", "variant_id": "v2" }, { "approach_ko": "재료와 해안 지형 우선 접근", "evidence_ko": [ "축축한 갯바위가 있으며", "작은 항구다.", "포구 / 해질 무렵" ], "prompt_en": "Dark charcoal-gray tidal rock, damp at the harbor boundary and lightly stained brown-green by tidal exposure, defines the principal shore zone. Muted blue-gray harbor water directly borders this rock and spreads outward. A separate narrow strip of worn light-gray concrete sits beside the tidal rocks as the direct waterside access edge; it remains part of the shore and is not a dock, pier, or raised platform. The target has zero storeys and no architectural openings or building mass. Around it is a currently inhabited, ordinary low-rise working harbor neighborhood typical of coastal South Korea in 2026, seen at dusk.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "b56066ed1d4fa96b", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey, low horizontal harbor-shore site with no building, roof, walls, doors, windows, or other openings. Dark charcoal-gray natural tidal rocks with damp surfaces and subdued brown-green tidal staining form the principal shore zone. Muted blue-gray harbor water directly borders the rocks and extends outward. A separate narrow waterside access edge of worn light-gray concrete lies beside the rocks and meets the same water boundary directly; it is not a dock, pier, or freestanding platform. The site sits within a believable, currently inhabited low-rise working fishing-port neighborhood in contemporary South Korea.\n\nTHE LOCATION: A small working harbor shore in a low-rise coastal neighborhood in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain shower; Empty-harbor condition; Arriving boat; Mooring line", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA small South Korean working harbor sits within a currently inhabited low-rise coastal neighborhood at dusk in 2026. The target is a zero-storey, low horizontal shore site with no building or openings. Dark charcoal-gray natural tidal rocks form the principal shore zone, their damp surfaces carrying subdued brown-green tidal staining. Muted blue-gray harbor water directly adjoins the rocks and extends outward. Beside the rocks, a separate narrow edge of worn light-gray concrete reaches the same water boundary directly. It is a simple shore access edge, not a dock, pier, or freestanding platform.\n\nTHE LOCATION: A small working harbor shore in a low-rise coastal neighborhood in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain shower; Empty-harbor condition; Arriving boat; Mooring line\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable, currently inhabited South Korean fishing-port neighborhood surrounds a small working harbor, with ordinary low-rise coastal development and regionally typical finishes. At dusk, the main subject is a zero-storey shoreline site with a broad, low horizontal massing and no building, roof, walls, doors, windows, or other openings. The principal shore area is dark charcoal-gray tidal rock, naturally damp and marked by muted brown-green tidal wear. Blue-gray harbor water meets the rocks directly. A separate narrow light-gray concrete access edge, worn by salt and use, lies immediately beside the rocks and also meets the water directly, without forming a dock or pier.\n\nTHE LOCATION: A small working harbor shore in a low-rise coastal neighborhood in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain shower; Empty-harbor condition; Arriving boat; Mooring line\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark charcoal-gray tidal rock, damp at the harbor boundary and lightly stained brown-green by tidal exposure, defines the principal shore zone. Muted blue-gray harbor water directly borders this rock and spreads outward. A separate narrow strip of worn light-gray concrete sits beside the tidal rocks as the direct waterside access edge; it remains part of the shore and is not a dock, pier, or raised platform. The target has zero storeys and no architectural openings or building mass. Around it is a currently inhabited, ordinary low-rise working harbor neighborhood typical of coastal South Korea in 2026, seen at dusk.\n\nTHE LOCATION: A small working harbor shore in a low-rise coastal neighborhood in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain shower; Empty-harbor condition; Arriving boat; Mooring line\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 6, "B": 5, "A": 4 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 6, "verdict_ko": "Accurately depicts the narrow concrete access edge without reading as a formal dock, though visible mooring lines violate the transient exclusion." }, { "label": "B", "score": 5, "verdict_ko": "Fails the narrow access edge constraint; the concrete structure functions as a wide, elevated roadway and wharf rather than a simple shoreline path." }, { "label": "A", "score": 4, "verdict_ko": "Violates the brief by designing the concrete edge as a formal dock with bollards and fenders, and includes prominent forbidden mooring lines." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "제외해야 할 임시 요소로 지정된 계류선(정박용 밧줄)이 배와 육지 사이에 묘사됨.", "fix_en": "Remove the mooring lines connecting the boats to the shore." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the mooring lines connecting the boats to the shore.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_large_retail_store": { "author_fp": "a7630a450d0fd0a4", "author": { "conformance_brief_en": "Every image must show the same broad, deep two-storey rectangular retail building in a currently inhabited harbor-adjacent commercial district in South Korea in 2026. The building has light warm-gray painted concrete walls, charcoal-gray metal cladding at street level, and a low flat roof with a gray waterproof membrane concealed by a parapet. Its street-facing facade has one evidenced main entrance: a single recessed automatic sliding clear-glass doorway in a silver aluminum frame, with no additional prominent entrance. A light-gray concrete-paved frontage lies directly between this entrance and the adjoining dark-gray asphalt commercial street. The frontage includes a galvanized-steel bicycle rack area and one outward-facing security camera in a white housing on a dark-gray metal bracket. The exterior has restrained salt-air streaking, mildly faded paint, and ordinary scuffing at the base. Regionally typical low-rise commercial buildings in muted off-white, light gray, and beige finishes surround the store. The harbor is adjacent to the district, but no particular side of the street is assigned to it.", "location_line_en": "A large retail store on a harbor-adjacent commercial street in contemporary South Korea, 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "포구와 인접해 있는 번화가", "번화가·대형 마트", "마트에 도착해 자전거를 세우고, 안으로 들어간다.", "수리영 마트 밖을 나오면서", "상가 건물인 대형 마트의 정문 앞 공간이다.", "자전거를 주차할 수 있는 거치 공간이 있고, 보안용 CCTV 카메라가 밖을 향해 설치되어 있다." ], "prompt_en": "A currently inhabited South Korean commercial district adjoins a working harbor in 2026. Its dark-gray asphalt street is lined by ordinary low-rise commercial buildings with muted off-white, light-gray, and beige regional finishes. The target is a broad, deep two-storey rectangular retail building with light warm-gray painted concrete walls, charcoal-gray metal cladding at street level, and a low flat roof with a gray waterproof membrane behind a parapet. Restrained salt-air streaking marks the walls; the paint is mildly faded and the base is ordinarily scuffed. The street-facing facade has one main entrance, a single recessed automatic sliding clear-glass doorway in a silver aluminum frame, with no other prominent entrance. A light-gray concrete-paved frontage connects the doorway directly to the commercial street. This frontage contains a galvanized-steel bicycle rack area and one outward-facing security camera in a white housing on a dark-gray metal bracket. The harbor remains adjacent to the district without fixing which side of the street faces it.", "variant_id": "v1" }, { "approach_ko": "항구 상권과 거리 맥락 우선", "evidence_ko": [ "포구와 인접해 있는 번화가", "대형 마트 / 해질 무렵", "마트에 도착해 자전거를 세우고, 안으로 들어간다.", "상가 건물인 대형 마트의 정문 앞 공간이다.", "자전거를 주차할 수 있는 거치 공간이 있고", "보안용 CCTV 카메라가 밖을 향해 설치되어 있다." ], "prompt_en": "The site belongs to an ordinary, currently inhabited harbor-side commercial neighborhood in South Korea in 2026. Regionally typical low-rise commercial buildings in muted off-white, light gray, and beige continue along a dark-gray asphalt street; the adjoining harbor has no prescribed position relative to the street. A light-gray concrete-paved store frontage forms the outdoor transition from that street to the target building. It includes a galvanized-steel bicycle rack area and one white-housed security camera fixed to a dark-gray metal bracket and aimed outward. Directly behind the frontage stands a broad, deep two-storey rectangular retail block. Its exterior is light warm-gray painted concrete with charcoal-gray metal cladding across the street level. A parapet hides the low flat roof and its gray waterproof membrane. Mild fading, restrained salt-air streaks, and scuffing along the base show normal coastal commercial use. One recessed automatic sliding entrance of clear glass and silver aluminum opens from the frontage into the store; no additional entrance is prominent.", "variant_id": "v2" }, { "approach_ko": "상가 유형과 외장 재료 우선", "evidence_ko": [ "대형 마트", "상가 건물인 대형 마트의 정문 앞 공간이다.", "마트에 도착해 자전거를 세우고, 안으로 들어간다.", "포구와 인접해 있는 번화가", "자전거를 주차할 수 있는 거치 공간이 있고, 보안용 CCTV 카메라가 밖을 향해 설치되어 있다." ], "prompt_en": "The target structure is a broad and deep two-storey rectangular South Korean retail building. Light warm-gray paint finishes its concrete walls, charcoal-gray metal panels finish the street-level exterior, and a parapet conceals a low flat roof covered by a gray waterproof membrane. The coastal exterior has restrained salt-air streaking, mildly faded paint, and routine scuffing at the base. Its street face contains one main opening: a single recessed automatic sliding entrance made of clear glass in a silver aluminum frame. No other entrance or prominent facade opening competes with it. Immediately outside, a light-gray concrete-paved frontage extends to the adjoining dark-gray asphalt commercial street. A galvanized-steel bicycle rack area occupies part of this frontage, and one security camera with a white housing and dark-gray metal bracket faces outward. The complete site sits within a believable, currently inhabited commercial neighborhood of regionally typical low-rise buildings in muted off-white, light-gray, and beige finishes. This South Korean district adjoins a working harbor in 2026, without assigning the harbor to either side of the street.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "3101576d3e4b0679", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same broad, deep two-storey rectangular retail building in a currently inhabited harbor-adjacent commercial district in South Korea in 2026. The building has light warm-gray painted concrete walls, charcoal-gray metal cladding at street level, and a low flat roof with a gray waterproof membrane concealed by a parapet. Its street-facing facade has one evidenced main entrance: a single recessed automatic sliding clear-glass doorway in a silver aluminum frame, with no additional prominent entrance. A light-gray concrete-paved frontage lies directly between this entrance and the adjoining dark-gray asphalt commercial street. The frontage includes a galvanized-steel bicycle rack area and one outward-facing security camera in a white housing on a dark-gray metal bracket. The exterior has restrained salt-air streaking, mildly faded paint, and ordinary scuffing at the base. Regionally typical low-rise commercial buildings in muted off-white, light gray, and beige finishes surround the store. The harbor is adjacent to the district, but no particular side of the street is assigned to it.\n\nTHE LOCATION: A large retail store on a harbor-adjacent commercial street in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle; taxis in the commercial district; street vendor stalls; neon signs visible in the district; street solicitation activity", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited South Korean commercial district adjoins a working harbor in 2026. Its dark-gray asphalt street is lined by ordinary low-rise commercial buildings with muted off-white, light-gray, and beige regional finishes. The target is a broad, deep two-storey rectangular retail building with light warm-gray painted concrete walls, charcoal-gray metal cladding at street level, and a low flat roof with a gray waterproof membrane behind a parapet. Restrained salt-air streaking marks the walls; the paint is mildly faded and the base is ordinarily scuffed. The street-facing facade has one main entrance, a single recessed automatic sliding clear-glass doorway in a silver aluminum frame, with no other prominent entrance. A light-gray concrete-paved frontage connects the doorway directly to the commercial street. This frontage contains a galvanized-steel bicycle rack area and one outward-facing security camera in a white housing on a dark-gray metal bracket. The harbor remains adjacent to the district without fixing which side of the street faces it.\n\nTHE LOCATION: A large retail store on a harbor-adjacent commercial street in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle; taxis in the commercial district; street vendor stalls; neon signs visible in the district; street solicitation activity\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an ordinary, currently inhabited harbor-side commercial neighborhood in South Korea in 2026. Regionally typical low-rise commercial buildings in muted off-white, light gray, and beige continue along a dark-gray asphalt street; the adjoining harbor has no prescribed position relative to the street. A light-gray concrete-paved store frontage forms the outdoor transition from that street to the target building. It includes a galvanized-steel bicycle rack area and one white-housed security camera fixed to a dark-gray metal bracket and aimed outward. Directly behind the frontage stands a broad, deep two-storey rectangular retail block. Its exterior is light warm-gray painted concrete with charcoal-gray metal cladding across the street level. A parapet hides the low flat roof and its gray waterproof membrane. Mild fading, restrained salt-air streaks, and scuffing along the base show normal coastal commercial use. One recessed automatic sliding entrance of clear glass and silver aluminum opens from the frontage into the store; no additional entrance is prominent.\n\nTHE LOCATION: A large retail store on a harbor-adjacent commercial street in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle; taxis in the commercial district; street vendor stalls; neon signs visible in the district; street solicitation activity\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target structure is a broad and deep two-storey rectangular South Korean retail building. Light warm-gray paint finishes its concrete walls, charcoal-gray metal panels finish the street-level exterior, and a parapet conceals a low flat roof covered by a gray waterproof membrane. The coastal exterior has restrained salt-air streaking, mildly faded paint, and routine scuffing at the base. Its street face contains one main opening: a single recessed automatic sliding entrance made of clear glass in a silver aluminum frame. No other entrance or prominent facade opening competes with it. Immediately outside, a light-gray concrete-paved frontage extends to the adjoining dark-gray asphalt commercial street. A galvanized-steel bicycle rack area occupies part of this frontage, and one security camera with a white housing and dark-gray metal bracket faces outward. The complete site sits within a believable, currently inhabited commercial neighborhood of regionally typical low-rise buildings in muted off-white, light-gray, and beige finishes. This South Korean district adjoins a working harbor in 2026, without assigning the harbor to either side of the street.\n\nTHE LOCATION: A large retail store on a harbor-adjacent commercial street in contemporary South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle; taxis in the commercial district; street vendor stalls; neon signs visible in the district; street solicitation activity\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "B": 5, "A": 4 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "단일 출입구, 진회색 금속 외장재, 어두운 회색 브래킷에 설치된 보안 카메라 등 프롬프트의 요구사항을 가장 충실하게 반영했습니다." }, { "label": "B", "score": 5, "verdict_ko": "카메라 브래킷이 명시된 어두운 회색이 아니며, 1층 정면에 지시되지 않은 대형 유리창들이 배치되어 있어 감점되었습니다." }, { "label": "A", "score": 4, "verdict_ko": "보안 카메라가 어두운 회색 브래킷이 아닌 독립된 은색 기둥에 설치되어 있으며, 측면에 언급되지 않은 연속된 유리창이 존재합니다." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "건물 우측면의 1층 외벽이 지시된 짙은 회색 금속 패널이 아닌, 회색으로 칠해진 콘크리트로 마감되어 있습니다.", "fix_en": "Apply charcoal-gray metal panels to the street-level exterior of the right side wall to match the front facade." }, { "issue_ko": "보안 카메라의 장착 브래킷이 명시된 어두운 회색 금속이 아닌 흰색으로 되어 있습니다.", "fix_en": "Change the security camera's mounting bracket to dark-gray metal." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Apply charcoal-gray metal panels to the street-level exterior of the right side wall to match the front facade.\n- Change the security camera's mounting bracket to dark-gray metal.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_open_sea": { "author_fp": "eaa073484c740ce7", "author": { "conformance_brief_en": "The image shows only a continuous expanse of dark, deep-toned Yellow Sea water extending to an uninterrupted marine horizon. There is no target building: storey count, architectural massing, openings, construction materials, and attached site elements are not applicable. No land, fixed structures, permanent subdivisions, or site markers appear. The water must read as a real offshore part of contemporary South Korea rather than a tank, set, or enclosed compound.", "location_line_en": "The open Yellow Sea far offshore from South Korea in 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심 접근", "evidence_ko": [ "바다", "바다위에" ], "prompt_en": "A real open-sea location far offshore in South Korea's Yellow Sea, with no land visible and an uninterrupted marine horizon. The entire site is one continuous expanse of naturally dark, deep-toned seawater, with ordinary regional surface texture and no permanent subdivisions. There is no building or other target structure, so there are no storeys, walls, roofs, openings, materials, or attached site elements. The surrounding maritime environment reads as part of a real, actively used contemporary South Korean region, not an enclosed tank or studio set.", "variant_id": "v1" }, { "approach_ko": "해역 환경 우선 접근", "evidence_ko": [], "prompt_en": "The site belongs to the far-offshore Yellow Sea of contemporary South Korea. Its broader setting is a believable working maritime region, while the visible location remains entirely open water with no coast or land on the horizon. Dark, dense-toned seawater fills one undivided zone. No target building exists here: the site has no storeys, architectural massing, openings, construction finishes, fixed structures, or permanent site connections.", "variant_id": "v2" }, { "approach_ko": "영구 지형 위상 중심 접근", "evidence_ko": [], "prompt_en": "One continuous open-sea expanse forms the complete permanent location. Naturally dark Yellow Sea water extends without interruption to a clear offshore horizon, surrounded only by the ordinary marine context of South Korea in 2026. No land, fixed structure, enclosure, subdivision, or permanent marker occupies the site. Architectural attributes are inapplicable because there is no building: no storey count, walls, roof, doors, windows, stairs, railings, gates, or attached elements.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "62584b2e2dcfb1d6", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image shows only a continuous expanse of dark, deep-toned Yellow Sea water extending to an uninterrupted marine horizon. There is no target building: storey count, architectural massing, openings, construction materials, and attached site elements are not applicable. No land, fixed structures, permanent subdivisions, or site markers appear. The water must read as a real offshore part of contemporary South Korea rather than a tank, set, or enclosed compound.\n\nTHE LOCATION: The open Yellow Sea far offshore from South Korea in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nGolden sunset reflection; Dense fog band; In-woo's vessel", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real open-sea location far offshore in South Korea's Yellow Sea, with no land visible and an uninterrupted marine horizon. The entire site is one continuous expanse of naturally dark, deep-toned seawater, with ordinary regional surface texture and no permanent subdivisions. There is no building or other target structure, so there are no storeys, walls, roofs, openings, materials, or attached site elements. The surrounding maritime environment reads as part of a real, actively used contemporary South Korean region, not an enclosed tank or studio set.\n\nTHE LOCATION: The open Yellow Sea far offshore from South Korea in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nGolden sunset reflection; Dense fog band; In-woo's vessel\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to the far-offshore Yellow Sea of contemporary South Korea. Its broader setting is a believable working maritime region, while the visible location remains entirely open water with no coast or land on the horizon. Dark, dense-toned seawater fills one undivided zone. No target building exists here: the site has no storeys, architectural massing, openings, construction finishes, fixed structures, or permanent site connections.\n\nTHE LOCATION: The open Yellow Sea far offshore from South Korea in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nGolden sunset reflection; Dense fog band; In-woo's vessel\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOne continuous open-sea expanse forms the complete permanent location. Naturally dark Yellow Sea water extends without interruption to a clear offshore horizon, surrounded only by the ordinary marine context of South Korea in 2026. No land, fixed structure, enclosure, subdivision, or permanent marker occupies the site. Architectural attributes are inapplicable because there is no building: no storey count, walls, roof, doors, windows, stairs, railings, gates, or attached elements.\n\nTHE LOCATION: The open Yellow Sea far offshore from South Korea in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nGolden sunset reflection; Dense fog band; In-woo's vessel\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 4, "B": 3, "C": 7 }, "selected": "C", "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 4, "verdict_ko": "수면에 선박들이 존재하여 '끝없이 펼쳐진 수면만 보여야 한다'는 조건과 배제된 요소(인우의 배) 규칙을 위반했습니다." }, { "label": "B", "score": 3, "verdict_ko": "대규모 고정 구조물과 구획이 등장하여 '고정 구조물이나 영구 구획이 없어야 한다'는 핵심 조건을 정면으로 위반했습니다." }, { "label": "C", "score": 7, "verdict_ko": "인공 구조물, 육지, 선박 없이 어둡고 짙은 바다와 끊김 없는 수평선만을 완벽하게 묘사하여 브리프의 모든 조건을 충족했습니다." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_outdoor_crime_scene": { "author_fp": "036ec96f55801a3a", "author": { "conformance_brief_en": "The target is one continuous, zero-storey outdoor ground zone with no built massing. Its permanent surface is low-chroma brown compacted soil mixed with gray crushed aggregate and sparse muted-green grass. It has zero walls, roofs, doors, windows, stairs, railings, tanks, fences, gates, or other openings, and no permanent trail, roadway, boundary, building, or entrance configuration. A believable, currently inhabited low-rise urban-fringe neighborhood in standard contemporary South Korean materials and finishes surrounds the site without encroaching on the single usable ground zone.", "location_line_en": "A single open outdoor ground site within an inhabited urban-fringe neighborhood in South Korea, 2026.", "variants": [ { "approach_ko": "원문 현장 표현을 직접 시각화한 접근", "evidence_ko": [ "현장 / D", "씬1, 2 현장을 감식하는 경찰, 폴리스 라인을 치고 시신을 수거한다." ], "prompt_en": "A daylight outdoor site occupies one usable ground zone within an ordinary, currently inhabited urban-fringe neighborhood in contemporary South Korea. Occupied low-rise residential and light-commercial buildings in standard 2026 South Korean materials and finishes provide the surrounding context. The target is a zero-storey, unbuilt horizontal ground plane surfaced with low-chroma brown compacted soil, gray crushed aggregate, and sparse muted-green grass, with ordinary wear from regular local use. It has no walls, roof, doors, windows, stairs, railings, tanks, fence, gate, built openings, permanent trail, roadway, boundary, building, or defined entrance.", "variant_id": "v1" }, { "approach_ko": "생활권과 주변 맥락을 먼저 정립한 접근", "evidence_ko": [ "현장 / D" ], "prompt_en": "An ordinary inhabited South Korean urban-fringe neighborhood surrounds a single open exterior site in daylight. The nearby low-rise residential and light-commercial fabric uses regionally standard contemporary materials and finishes and shows routine occupancy and upkeep. At its center, the target is one continuous zero-storey ground zone with no built massing. Its permanent surface consists of low-chroma brown compacted soil, gray crushed aggregate, and sparse muted-green grass with normal surface wear. There are no walls, roofs, doors, windows, stairs, railings, tanks, fences, gates, openings, permanent trails, roadways, boundaries, buildings, or fixed entrances on the target site.", "variant_id": "v2" }, { "approach_ko": "지면 재료와 고정 토폴로지를 우선한 접근", "evidence_ko": [ "현장 / D" ], "prompt_en": "The main subject is one continuous outdoor ground zone: zero storeys, no vertical mass, and a broad unbuilt surface of low-chroma brown compacted soil mixed with gray crushed aggregate and sparse muted-green grass. The surface has subdued, ordinary weathering consistent with regular use in contemporary South Korea. No permanent wall, roof, door, window, stair, railing, tank, fence, gate, opening, trail, roadway, boundary, building, or entrance divides or occupies the zone. The site remains embedded in a believable, currently inhabited low-rise urban-fringe neighborhood whose residential and light-commercial surroundings carry standard 2026 South Korean materials, colors, and finishes.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "1ef23ec28012f597", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is one continuous, zero-storey outdoor ground zone with no built massing. Its permanent surface is low-chroma brown compacted soil mixed with gray crushed aggregate and sparse muted-green grass. It has zero walls, roofs, doors, windows, stairs, railings, tanks, fences, gates, or other openings, and no permanent trail, roadway, boundary, building, or entrance configuration. A believable, currently inhabited low-rise urban-fringe neighborhood in standard contemporary South Korean materials and finishes surrounds the site without encroaching on the single usable ground zone.\n\nTHE LOCATION: A single open outdoor ground site within an inhabited urban-fringe neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line tape; police investigators; motionless figures in character; forensic equipment and collection tools; body bags and lighting equipment; red prop marks on the ground", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA daylight outdoor site occupies one usable ground zone within an ordinary, currently inhabited urban-fringe neighborhood in contemporary South Korea. Occupied low-rise residential and light-commercial buildings in standard 2026 South Korean materials and finishes provide the surrounding context. The target is a zero-storey, unbuilt horizontal ground plane surfaced with low-chroma brown compacted soil, gray crushed aggregate, and sparse muted-green grass, with ordinary wear from regular local use. It has no walls, roof, doors, windows, stairs, railings, tanks, fence, gate, built openings, permanent trail, roadway, boundary, building, or defined entrance.\n\nTHE LOCATION: A single open outdoor ground site within an inhabited urban-fringe neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line tape; police investigators; motionless figures in character; forensic equipment and collection tools; body bags and lighting equipment; red prop marks on the ground\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited South Korean urban-fringe neighborhood surrounds a single open exterior site in daylight. The nearby low-rise residential and light-commercial fabric uses regionally standard contemporary materials and finishes and shows routine occupancy and upkeep. At its center, the target is one continuous zero-storey ground zone with no built massing. Its permanent surface consists of low-chroma brown compacted soil, gray crushed aggregate, and sparse muted-green grass with normal surface wear. There are no walls, roofs, doors, windows, stairs, railings, tanks, fences, gates, openings, permanent trails, roadways, boundaries, buildings, or fixed entrances on the target site.\n\nTHE LOCATION: A single open outdoor ground site within an inhabited urban-fringe neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line tape; police investigators; motionless figures in character; forensic equipment and collection tools; body bags and lighting equipment; red prop marks on the ground\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is one continuous outdoor ground zone: zero storeys, no vertical mass, and a broad unbuilt surface of low-chroma brown compacted soil mixed with gray crushed aggregate and sparse muted-green grass. The surface has subdued, ordinary weathering consistent with regular use in contemporary South Korea. No permanent wall, roof, door, window, stair, railing, tank, fence, gate, opening, trail, roadway, boundary, building, or entrance divides or occupies the zone. The site remains embedded in a believable, currently inhabited low-rise urban-fringe neighborhood whose residential and light-commercial surroundings carry standard 2026 South Korean materials, colors, and finishes.\n\nTHE LOCATION: A single open outdoor ground site within an inhabited urban-fringe neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line tape; police investigators; motionless figures in character; forensic equipment and collection tools; body bags and lighting equipment; red prop marks on the ground\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "B": 6, "A": 3 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Fully satisfies the brief with a highly realistic, unoccupied dirt and gravel lot correctly mixed with sparse grass, set within an authentic South Korean urban-fringe neighborhood." }, { "label": "B", "score": 6, "verdict_ko": "Meets most requirements but presents the crushed aggregate as unnatural, isolated gray patches rather than a mixed surface, and architecture lacks top-tier photographic realism." }, { "label": "A", "score": 3, "verdict_ko": "Hard violation: A person is clearly visible crouching on the sidewalk near the background corner building." } ], "refs": [], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_police_station": { "author_fp": "dc564a84d7839902", "author": { "conformance_brief_en": "Every image shows the same four-storey rectangular police station in a currently inhabited South Korean urban neighborhood in 2026. The station is a reinforced-concrete civic block with off-white exterior panels, pale gray painted concrete, a dark gray granite base, a flat roof, blue-gray aluminum-framed windows, and one recessed public entrance with clear glass doors in dark aluminum frames. Mild rain streaks, road dust, and ordinary edge wear are visible. An asphalt station-side approach directly adjoins one long side of the building and continues past it as an outdoor movement zone without requiring passage through the interior. The believable working neighborhood and its adjoining urban street remain present around the station.", "location_line_en": "Exterior of a neighborhood police station in urban South Korea, 2026.", "variants": [ { "approach_ko": "원문 장면의 경찰서 밖과 도심 거리 단서를 직접 시각화", "evidence_ko": [ "경찰서 밖", "경찰서 외부 거리", "경찰서 건물 주변의 도심 거리다.", "일반적인 관공서 외부의 아스팔트 포장도로와 입구의 형태를 띤다." ], "prompt_en": "A currently inhabited working neighborhood surrounds a police station on an ordinary urban street in contemporary South Korea. The setting has the natural density and everyday finish of a real municipal district, not an isolated compound. The target is a four-storey rectangular reinforced-concrete civic block clad in off-white exterior panels and pale gray painted concrete, with a dark gray granite base and a flat roof. Blue-gray aluminum-framed windows follow a restrained modern government-building pattern. One recessed public entrance has clear glass doors in dark aluminum frames. Mild rain streaks, road dust, and worn edges mark the exterior without making it derelict. An asphalt station-side approach directly adjoins one long side of the building and extends past it as the usable outdoor movement zone, with no interior passage required.", "variant_id": "v1" }, { "approach_ko": "주변 도심 생활권에서 경찰서로 좁혀 가는 장소 중심 접근", "evidence_ko": [ "경찰서 건물 주변의 도심 거리다.", "경찰서 밖", "아스팔트 포장도로", "입구의 형태" ], "prompt_en": "This is a believable, currently inhabited urban neighborhood in South Korea in 2026, with the ordinary built density and practical finishes found around a functioning local government facility. The adjoining street continues naturally around the site. Within it stands one definite four-storey police station, a broad rectangular reinforced-concrete block with a flat roof. Its exterior combines off-white panels, pale gray painted concrete, and a dark gray granite base. Regular blue-gray aluminum-framed windows serve the office floors, and one recessed public entrance uses clear glass doors in dark aluminum frames. Subtle rain marks, road grime, and routine edge wear show continuous use. A paved asphalt approach runs directly alongside one long wall of the station and continues beyond the building as an independent exterior route and movement area.", "variant_id": "v2" }, { "approach_ko": "현대 한국 관공서의 재료와 건물 유형을 우선한 접근", "evidence_ko": [ "전형적인 현대 한국의 경찰 수사 사무실 공간이다.", "일반적인 관공서 외부", "경찰서 건물", "아스팔트 포장도로" ], "prompt_en": "A real working police station occupies an established, currently inhabited South Korean urban neighborhood in 2026. Its surrounding street environment reads as ordinary civic fabric rather than a secured, empty, or staged compound. The station is a four-storey, broad rectangular reinforced-concrete building with a flat roof and restrained contemporary government-office construction. Off-white exterior panels and pale gray painted concrete cover the upper walls above a dark gray granite base. Blue-gray aluminum frames hold the windows, while one recessed public entrance contains clear glass doors in dark aluminum frames. Rain streaking, road dust, and modest wear soften the maintained finishes. Directly beside one long face, an asphalt station-side approach forms the exterior movement and working area and carries on past the building without connecting through its interior.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "d10fd4f488de93db", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same four-storey rectangular police station in a currently inhabited South Korean urban neighborhood in 2026. The station is a reinforced-concrete civic block with off-white exterior panels, pale gray painted concrete, a dark gray granite base, a flat roof, blue-gray aluminum-framed windows, and one recessed public entrance with clear glass doors in dark aluminum frames. Mild rain streaks, road dust, and ordinary edge wear are visible. An asphalt station-side approach directly adjoins one long side of the building and continues past it as an outdoor movement zone without requiring passage through the interior. The believable working neighborhood and its adjoining urban street remain present around the station.\n\nTHE LOCATION: Exterior of a neighborhood police station in urban South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working neighborhood surrounds a police station on an ordinary urban street in contemporary South Korea. The setting has the natural density and everyday finish of a real municipal district, not an isolated compound. The target is a four-storey rectangular reinforced-concrete civic block clad in off-white exterior panels and pale gray painted concrete, with a dark gray granite base and a flat roof. Blue-gray aluminum-framed windows follow a restrained modern government-building pattern. One recessed public entrance has clear glass doors in dark aluminum frames. Mild rain streaks, road dust, and worn edges mark the exterior without making it derelict. An asphalt station-side approach directly adjoins one long side of the building and extends past it as the usable outdoor movement zone, with no interior passage required.\n\nTHE LOCATION: Exterior of a neighborhood police station in urban South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a believable, currently inhabited urban neighborhood in South Korea in 2026, with the ordinary built density and practical finishes found around a functioning local government facility. The adjoining street continues naturally around the site. Within it stands one definite four-storey police station, a broad rectangular reinforced-concrete block with a flat roof. Its exterior combines off-white panels, pale gray painted concrete, and a dark gray granite base. Regular blue-gray aluminum-framed windows serve the office floors, and one recessed public entrance uses clear glass doors in dark aluminum frames. Subtle rain marks, road grime, and routine edge wear show continuous use. A paved asphalt approach runs directly alongside one long wall of the station and continues beyond the building as an independent exterior route and movement area.\n\nTHE LOCATION: Exterior of a neighborhood police station in urban South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real working police station occupies an established, currently inhabited South Korean urban neighborhood in 2026. Its surrounding street environment reads as ordinary civic fabric rather than a secured, empty, or staged compound. The station is a four-storey, broad rectangular reinforced-concrete building with a flat roof and restrained contemporary government-office construction. Off-white exterior panels and pale gray painted concrete cover the upper walls above a dark gray granite base. Blue-gray aluminum frames hold the windows, while one recessed public entrance contains clear glass doors in dark aluminum frames. Rain streaking, road dust, and modest wear soften the maintained finishes. Directly beside one long face, an asphalt station-side approach forms the exterior movement and working area and carries on past the building without connecting through its interior.\n\nTHE LOCATION: Exterior of a neighborhood police station in urban South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 8, "B": 6, "A": 3 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 8, "verdict_ko": "지정된 4층 규모, 마감재, 단일 주출입구 구조를 정확히 구현했으며, 아스팔트가 긴 벽면에 보도블록 없이 직접 맞닿아 있어 지시문에 가장 충실함." }, { "label": "B", "score": 6, "verdict_ko": "지정된 단일 주출입구 외에 좌측면에 추가 출입구가 존재하여 개구부 제약을 위반했으며, 아스팔트와 건물 사이에 보도가 있어 직접 맞닿지 않음." }, { "label": "A", "score": 3, "verdict_ko": "좌측 하단에 보행자와 자전거 탑승자가 명확히 확인되어 사람 및 동물 배제라는 강력한 금지 항목을 위반함." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "건물이 4층이 아닌 3층으로 묘사되었습니다.", "fix_en": "Insert an additional storey of off-white panels, pale gray concrete, and blue-gray aluminum-framed windows between the current second and top floors to make the building exactly four storeys tall." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Insert an additional storey of off-white panels, pale gray concrete, and blue-gray aluminum-framed windows between the current second and top floors to make the building exactly four storeys tall.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_rooftop_residence": { "author_fp": "f4a2865293f160c0", "author": { "conformance_brief_en": "Every image shows the same inhabited outer-Incheon site in 2026: a four-storey rectangular reinforced-concrete multi-family villa clad in faded pale-beige ceramic brick tile, with a single-storey compact rectangular rooftop dwelling finished in weathered off-white cement render. One narrow gray asphalt alley leads to one dull-brown painted-steel villa entrance; circulation continues to a cramped gray concrete rear yard, where one narrow, steep gray concrete exterior stair rises to the open weathered-gray concrete rooftop. The rooftop contains one large dark-blue polyethylene water tank, the rooftop dwelling, and one low faded-gray reinforced-concrete wall bordering one side near the dwelling. The rooftop dwelling has exactly one faded blue-gray painted-steel entrance door opening onto the roof and exactly one silver-aluminum-framed exterior window on another wall. Ordinary regional residential openings elsewhere remain subdued. Adjacent low-rise buildings and believable everyday neighborhood fabric surround the villa; the site reads as occupied and working, never isolated or abandoned.", "location_line_en": "An old multi-family villa with a rooftop dwelling in an inhabited outer-Incheon neighborhood, South Korea, 2026.", "variants": [ { "approach_ko": "시나리오 동선과 외부 단서를 직접 시각화한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관 앞", "창문", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에", "옥탑방과 연결되는 계단" ], "prompt_en": "An ordinary inhabited working neighborhood in outer Incheon surrounds the site with adjacent low-rise residential buildings and normal contemporary South Korean street fabric. A narrow gray asphalt alley leads directly to one dull-brown painted-steel entrance in a four-storey rectangular reinforced-concrete multi-family villa clad in faded pale-beige ceramic brick tile, with age-darkened joints and restrained weather staining. Beyond the entrance is a cramped gray concrete rear yard. One narrow, steep gray concrete exterior stair begins beside the yard and reaches the open weathered-gray concrete rooftop. A compact rectangular single-storey rooftop dwelling stands on the roof, finished in worn off-white cement render. It has exactly one faded blue-gray painted-steel entrance door facing the open rooftop and exactly one silver-aluminum-framed exterior window on another wall. One large dark-blue polyethylene water tank occupies the open roof. One low reinforced-concrete wall with a faded gray waterproof finish borders one side of the rooftop near the dwelling. Ordinary villa openings remain subdued and region-normal.", "variant_id": "v1" }, { "approach_ko": "인천 변두리 주거지에서 건물로 좁혀 가는 입지 중심 접근", "evidence_ko": [ "인천 변두리 낡은 빌라 옥상과 옥탑방 외부", "오래된 저층 다세대 주택의 옥상 공간이다.", "낡은 빌라 1층의 후미진 마당 공간", "옥상으로 이어지는 좁고 가파른 시멘트 계단이다." ], "prompt_en": "The location belongs to a dense, ordinary, currently inhabited outer-Incheon low-rise residential neighborhood in 2026. Adjacent buildings continue the normal South Korean villa street fabric around a narrow gray asphalt alley rather than leaving the site isolated. The alley terminates at one dull-brown painted-steel entrance in a four-storey rectangular reinforced-concrete villa. Its exterior is faded pale-beige ceramic brick tile with darkened joints and practical weather wear. The entrance circulation passes through the building to a cramped gray concrete rear yard. From beside this yard, one narrow and steep gray concrete exterior stair rises directly to the open weathered-gray concrete rooftop. The roof supports a compact rectangular single-storey rooftop dwelling in worn off-white cement render and a large dark-blue polyethylene water tank. The dwelling has exactly one faded blue-gray painted-steel door opening onto the rooftop and exactly one silver-aluminum-framed window in another exterior wall. A low reinforced-concrete wall with faded gray waterproof coating borders one rooftop side near the dwelling. Other residential openings are quiet regional-standard features.", "variant_id": "v2" }, { "approach_ko": "노후 다세대주택의 재료와 유형을 우선 확정한 접근", "evidence_ko": [ "낡은 콘크리트 바닥", "커다란 물탱크", "옥탑방으로 통하는 낡은 철문", "거실, 작은 주방, 침실들로 이루어진 낡고 좁은 주거 공간이다." ], "prompt_en": "A weathered four-storey rectangular reinforced-concrete villa is the main structure. Faded pale-beige ceramic brick tile covers its exterior, with age-darkened joints and modest rain staining typical of an older outer-Incheon multi-family building. One dull-brown painted-steel entrance connects a narrow gray asphalt alley to a cramped gray concrete rear yard through the villa. One narrow, steep gray concrete exterior stair starts beside the rear yard and ends on the open weathered-gray concrete rooftop. The roof carries a compact but broad rectangular single-storey rooftop dwelling, sufficient for a small subdivided residence, with worn off-white cement-rendered walls. Exactly one faded blue-gray painted-steel entrance door faces the open roof. Exactly one silver-aluminum-framed exterior window occupies another wall. A large dark-blue polyethylene water tank stands in the rooftop circulation area. One low faded-gray waterproofed reinforced-concrete wall borders one side near the rooftop dwelling. The complete site is embedded among adjacent low-rise buildings in an ordinary inhabited working neighborhood of outer Incheon, with restrained region-normal residential openings and surroundings.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "ba3c768e3f83f6d9", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same inhabited outer-Incheon site in 2026: a four-storey rectangular reinforced-concrete multi-family villa clad in faded pale-beige ceramic brick tile, with a single-storey compact rectangular rooftop dwelling finished in weathered off-white cement render. One narrow gray asphalt alley leads to one dull-brown painted-steel villa entrance; circulation continues to a cramped gray concrete rear yard, where one narrow, steep gray concrete exterior stair rises to the open weathered-gray concrete rooftop. The rooftop contains one large dark-blue polyethylene water tank, the rooftop dwelling, and one low faded-gray reinforced-concrete wall bordering one side near the dwelling. The rooftop dwelling has exactly one faded blue-gray painted-steel entrance door opening onto the roof and exactly one silver-aluminum-framed exterior window on another wall. Ordinary regional residential openings elsewhere remain subdued. Adjacent low-rise buildings and believable everyday neighborhood fabric surround the villa; the site reads as occupied and working, never isolated or abandoned.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer-Incheon neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform on the rooftop; Dried sweet-flag leaves; Advertising flyer in the door gap; Bicycle in the rear yard; Half-open state of the iron entrance door; Vehicle used for arrival; Black cat; Illuminated state of the rooftop room", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited working neighborhood in outer Incheon surrounds the site with adjacent low-rise residential buildings and normal contemporary South Korean street fabric. A narrow gray asphalt alley leads directly to one dull-brown painted-steel entrance in a four-storey rectangular reinforced-concrete multi-family villa clad in faded pale-beige ceramic brick tile, with age-darkened joints and restrained weather staining. Beyond the entrance is a cramped gray concrete rear yard. One narrow, steep gray concrete exterior stair begins beside the yard and reaches the open weathered-gray concrete rooftop. A compact rectangular single-storey rooftop dwelling stands on the roof, finished in worn off-white cement render. It has exactly one faded blue-gray painted-steel entrance door facing the open rooftop and exactly one silver-aluminum-framed exterior window on another wall. One large dark-blue polyethylene water tank occupies the open roof. One low reinforced-concrete wall with a faded gray waterproof finish borders one side of the rooftop near the dwelling. Ordinary villa openings remain subdued and region-normal.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer-Incheon neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform on the rooftop; Dried sweet-flag leaves; Advertising flyer in the door gap; Bicycle in the rear yard; Half-open state of the iron entrance door; Vehicle used for arrival; Black cat; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a dense, ordinary, currently inhabited outer-Incheon low-rise residential neighborhood in 2026. Adjacent buildings continue the normal South Korean villa street fabric around a narrow gray asphalt alley rather than leaving the site isolated. The alley terminates at one dull-brown painted-steel entrance in a four-storey rectangular reinforced-concrete villa. Its exterior is faded pale-beige ceramic brick tile with darkened joints and practical weather wear. The entrance circulation passes through the building to a cramped gray concrete rear yard. From beside this yard, one narrow and steep gray concrete exterior stair rises directly to the open weathered-gray concrete rooftop. The roof supports a compact rectangular single-storey rooftop dwelling in worn off-white cement render and a large dark-blue polyethylene water tank. The dwelling has exactly one faded blue-gray painted-steel door opening onto the rooftop and exactly one silver-aluminum-framed window in another exterior wall. A low reinforced-concrete wall with faded gray waterproof coating borders one rooftop side near the dwelling. Other residential openings are quiet regional-standard features.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer-Incheon neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform on the rooftop; Dried sweet-flag leaves; Advertising flyer in the door gap; Bicycle in the rear yard; Half-open state of the iron entrance door; Vehicle used for arrival; Black cat; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA weathered four-storey rectangular reinforced-concrete villa is the main structure. Faded pale-beige ceramic brick tile covers its exterior, with age-darkened joints and modest rain staining typical of an older outer-Incheon multi-family building. One dull-brown painted-steel entrance connects a narrow gray asphalt alley to a cramped gray concrete rear yard through the villa. One narrow, steep gray concrete exterior stair starts beside the rear yard and ends on the open weathered-gray concrete rooftop. The roof carries a compact but broad rectangular single-storey rooftop dwelling, sufficient for a small subdivided residence, with worn off-white cement-rendered walls. Exactly one faded blue-gray painted-steel entrance door faces the open roof. Exactly one silver-aluminum-framed exterior window occupies another wall. A large dark-blue polyethylene water tank stands in the rooftop circulation area. One low faded-gray waterproofed reinforced-concrete wall borders one side near the rooftop dwelling. The complete site is embedded among adjacent low-rise buildings in an ordinary inhabited working neighborhood of outer Incheon, with restrained region-normal residential openings and surroundings.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer-Incheon neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform on the rooftop; Dried sweet-flag leaves; Advertising flyer in the door gap; Bicycle in the rear yard; Half-open state of the iron entrance door; Vehicle used for arrival; Black cat; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 3, "C": 5 }, "selected": "A", "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지시된 영구적 요소와 재질을 정확히 반영했으며 금지된 임시 요소도 없습니다. 층수가 3층으로 보이는 점을 제외하면 가장 현실적이고 일치하는 구조입니다." }, { "label": "B", "score": 3, "verdict_ko": "옥탑방 아래 공중에 떠 있는 불가능한 구조(물리적 오류)와 금지된 임시 요소(빨랫줄)가 포함되어 심각한 규정 위반입니다." }, { "label": "C", "score": 5, "verdict_ko": "대체로 지시문을 따르고 있으나, 뒷마당에 요구되지 않은 파란색 문이 추가되었으며 지붕 및 계단 구조의 형태가 다소 부자연스럽습니다." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "대상 빌라가 4층이 아닌 2층 높이로 생성되었습니다.", "fix_en": "Increase the main body of the ceramic-brick villa to exactly four storeys tall." }, { "issue_ko": "옥탑방의 문이 있는 벽에 추가 창문이 있어, 다른 벽에 창문이 단 하나만 있어야 한다는 설정을 위반했습니다.", "fix_en": "Remove the small window located on the same wall as the door on the rooftop dwelling, leaving only the one window on the other wall." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Increase the main body of the ceramic-brick villa to exactly four storeys tall.\n- Remove the small window located on the same wall as the door on the rooftop dwelling, leaving only the one window on the other wall.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_seaside_bus_stop": { "author_fp": "90df6dfd32eb7af2", "author": { "conformance_brief_en": "Every image shows the same one-storey, one-bay rectangular coastal bus shelter in South Korea in 2026. It has a weather-faded medium-blue powder-coated steel mono-pitch roof, gray hot-dip galvanized steel frame, clear tempered-glass rear and side screens, one open frontage, and a gray concrete slab. One worn fixed brown hardwood-slat bench with galvanized supports faces the visible sea. One gray galvanized steel streetlight stands beside the shelter. The stopping point lies between the sea on its coastal side and an asphalt land access edge on the opposite side. Salt haze, minor rust spotting, and ordinary wear are visible. A believable, currently inhabited low-rise working coastal neighborhood and adjacent buildings continue along the landward edge; the site is not isolated or abandoned.", "location_line_en": "A coastal bus stop in a currently inhabited South Korean seaside neighborhood at night in 2026.", "variants": [ { "approach_ko": "원문 공간 단서 중심 접근", "evidence_ko": [ "해안가. 버스정류장 부근 / N", "바다를 바라보며 멍한 채로 앉아있는 수리영" ], "prompt_en": "A currently inhabited low-rise working coastal neighborhood borders the site on the landward side, with ordinary neighboring buildings continuing along the access edge. The sea is directly visible on the opposite coastal side at night. The main subject is a one-storey, one-bay rectangular bus shelter with a weather-faded medium-blue powder-coated steel mono-pitch roof, a gray hot-dip galvanized steel frame, clear tempered-glass rear and side screens, one open frontage, and a gray concrete slab. One worn fixed brown hardwood-slat bench with galvanized supports faces the sea. One gray galvanized steel streetlight stands beside the shelter. The stopping point sits between the sea-facing side and the adjoining asphalt land access edge. Salt haze, minor rust spotting, and ordinary coastal wear mark the structure without making it abandoned.", "variant_id": "v1" }, { "approach_ko": "재료와 해안 풍화 중심 접근", "evidence_ko": [ "밤바다 인근 버스정류장", "낡은 벤치와 단일 가로등 하나" ], "prompt_en": "An ordinary, currently inhabited South Korean coastal neighborhood surrounds the stopping point, with low-rise neighboring buildings along the landward access edge and the dark sea immediately opposite. The target is a one-storey, one-bay rectangular bus shelter on a gray concrete slab. Its shallow mono-pitch roof is weather-faded medium-blue powder-coated steel. Its frame is gray hot-dip galvanized steel, and its rear and side screens are clear tempered glass around one open frontage. Salt haze, small rust spots, dulled paint, and routine wear show long coastal use. A single worn fixed bench of brown hardwood slats on galvanized supports faces the sea. One gray galvanized steel streetlight stands beside it. The shelter remains directly connected to the asphalt land access edge, while the visible sea occupies the coastal side.", "variant_id": "v2" }, { "approach_ko": "배치 구조와 생활권 중심 접근", "evidence_ko": [ "해안가. 버스정류장 부근 / N", "바다를 바라보며", "집에 가봐야 겠어" ], "prompt_en": "The site belongs to a believable, currently inhabited low-rise working seaside neighborhood in South Korea, not an isolated compound. Ordinary adjacent buildings continue beside the asphalt land access edge. Between that landward edge and the visible night sea stands the main subject: a definite one-storey, one-bay rectangular bus shelter. It has a gray concrete slab, gray hot-dip galvanized steel posts, clear tempered-glass rear and side screens, one open frontage, and a shallow weather-faded medium-blue powder-coated steel mono-pitch roof. One worn fixed brown hardwood-slat bench with galvanized supports is oriented toward the sea. A single gray galvanized steel streetlight adjoins the shelter. Salt haze, minor rust spotting, and normal surface wear unify the permanent elements while the stop remains functional and lived-in.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "03631a218b5da0ad", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same one-storey, one-bay rectangular coastal bus shelter in South Korea in 2026. It has a weather-faded medium-blue powder-coated steel mono-pitch roof, gray hot-dip galvanized steel frame, clear tempered-glass rear and side screens, one open frontage, and a gray concrete slab. One worn fixed brown hardwood-slat bench with galvanized supports faces the visible sea. One gray galvanized steel streetlight stands beside the shelter. The stopping point lies between the sea on its coastal side and an asphalt land access edge on the opposite side. Salt haze, minor rust spotting, and ordinary wear are visible. A believable, currently inhabited low-rise working coastal neighborhood and adjacent buildings continue along the landward edge; the site is not isolated or abandoned.\n\nTHE LOCATION: A coastal bus stop in a currently inhabited South Korean seaside neighborhood at night in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nportable seating bench; purchased beverage", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited low-rise working coastal neighborhood borders the site on the landward side, with ordinary neighboring buildings continuing along the access edge. The sea is directly visible on the opposite coastal side at night. The main subject is a one-storey, one-bay rectangular bus shelter with a weather-faded medium-blue powder-coated steel mono-pitch roof, a gray hot-dip galvanized steel frame, clear tempered-glass rear and side screens, one open frontage, and a gray concrete slab. One worn fixed brown hardwood-slat bench with galvanized supports faces the sea. One gray galvanized steel streetlight stands beside the shelter. The stopping point sits between the sea-facing side and the adjoining asphalt land access edge. Salt haze, minor rust spotting, and ordinary coastal wear mark the structure without making it abandoned.\n\nTHE LOCATION: A coastal bus stop in a currently inhabited South Korean seaside neighborhood at night in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nportable seating bench; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited South Korean coastal neighborhood surrounds the stopping point, with low-rise neighboring buildings along the landward access edge and the dark sea immediately opposite. The target is a one-storey, one-bay rectangular bus shelter on a gray concrete slab. Its shallow mono-pitch roof is weather-faded medium-blue powder-coated steel. Its frame is gray hot-dip galvanized steel, and its rear and side screens are clear tempered glass around one open frontage. Salt haze, small rust spots, dulled paint, and routine wear show long coastal use. A single worn fixed bench of brown hardwood slats on galvanized supports faces the sea. One gray galvanized steel streetlight stands beside it. The shelter remains directly connected to the asphalt land access edge, while the visible sea occupies the coastal side.\n\nTHE LOCATION: A coastal bus stop in a currently inhabited South Korean seaside neighborhood at night in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nportable seating bench; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a believable, currently inhabited low-rise working seaside neighborhood in South Korea, not an isolated compound. Ordinary adjacent buildings continue beside the asphalt land access edge. Between that landward edge and the visible night sea stands the main subject: a definite one-storey, one-bay rectangular bus shelter. It has a gray concrete slab, gray hot-dip galvanized steel posts, clear tempered-glass rear and side screens, one open frontage, and a shallow weather-faded medium-blue powder-coated steel mono-pitch roof. One worn fixed brown hardwood-slat bench with galvanized supports is oriented toward the sea. A single gray galvanized steel streetlight adjoins the shelter. Salt haze, minor rust spotting, and normal surface wear unify the permanent elements while the stop remains functional and lived-in.\n\nTHE LOCATION: A coastal bus stop in a currently inhabited South Korean seaside neighborhood at night in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nportable seating bench; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "A": 7, "B": 3, "C": 2 }, "selected": "A", "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Strong conformance to the brief's structure, materials, and residential coastal setting. The image correctly excludes transient items and people, though it misses slightly on orientation as the bench faces the street rather than the visible sea." }, { "label": "B", "score": 3, "verdict_ko": "HARD VIOLATION: There are people clearly visible sitting in the background on the left side of the street, which disqualifies the candidate. The bench also faces away from the sea." }, { "label": "C", "score": 2, "verdict_ko": "HARD VIOLATION: A person is visible standing behind the shelter's center glass panel. Furthermore, the shelter is placed nonsensically over painted road markings, and features a multi-bay frontage rather than the requested one-bay." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "버스 정류장 내부의 벤치가 바다가 아닌 도로 쪽을 향하고 있습니다.", "fix_en": "Rotate the bench so that it faces the sea instead of the road." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Rotate the bench so that it faces the sea instead of the road.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_small_fishing_vessel": { "author_fp": "0aa9c0109c7d824f", "author": { "conformance_brief_en": "Every image shows the same operational South Korean small fishing vessel in 2026: a low, narrow, single-deck painted-steel hull with a tapered forward bow, chalky off-white upper hull, faded medium-blue gunwale band, and dull brick-red antifouling below the waterline. A compact rectangular one-storey wheelhouse of off-white painted steel stands within the hull footprint and directly adjoins the weathered gray-brown timber deck. Exactly one deck-level access opening with a faded blue painted-steel door connects the deck to the wheelhouse. Finishes show salt dulling, chipped paint, restrained rust streaks, and ordinary working wear without abandonment. Open sea surrounds every side of the hull, and the wider field reads as believable, active South Korean working coastal waters rather than an empty set or isolated compound.", "location_line_en": "A small working fishing vessel in the open coastal waters of South Korea, 2026.", "variants": [ { "approach_ko": "원문 장면의 공간 단서를 직접 시각화한 접근", "evidence_ko": [ "바다위에 떠있는 소형어선.", "한참 떠나온 듯 하다.", "거긴 아무것도 없어요. 그냥 바다야.", "갑판", "조타실", "뱃머리" ], "prompt_en": "Open sea surrounds the vessel on every side, with no nearby land. The wider maritime neighborhood reads as ordinary, active South Korean coastal working water in 2026, with believable regional activity remaining distant and subordinate. The main subject is one low, narrow, single-deck small fishing vessel with a tapered forward bow. Its painted-steel hull has a chalky off-white upper section, a faded medium-blue gunwale band, and dull brick-red antifouling below the waterline. A weathered gray-brown timber deck lies within the hull perimeter. A compact rectangular one-storey wheelhouse of off-white painted steel stands within the vessel footprint and directly adjoins the deck. Its low steel roof matches the off-white walls. Exactly one deck-level access opening with a faded blue painted-steel door connects the deck directly to the wheelhouse. Salt-dulled surfaces, chipped paint, restrained rust streaks, and worn timber show long service while the vessel remains maintained and operational.", "variant_id": "v1" }, { "approach_ko": "해상 작업 환경에서 선박으로 좁혀가는 장소 우선 접근", "evidence_ko": [ "바다위에 떠있는 소형어선.", "거긴 아무것도 없어요. 그냥 바다야.", "뱃머리", "조타실" ], "prompt_en": "This is a believable working-maritime neighborhood in open South Korean coastal waters in 2026. Uninterrupted sea surrounds the hull, while the distant field carries the ordinary regional context of active coastal fishing rather than the emptiness of a staged or abandoned setting. At its center is a low, narrow, single-deck fishing vessel with a clearly tapered forward bow. The steel hull is chalky off-white above the waterline, marked by one faded medium-blue gunwale band, with dull brick-red antifouling below. The enclosed deck is weathered gray-brown timber. Within the hull footprint, a compact box-shaped one-storey wheelhouse directly adjoins the exterior deck. It has off-white painted-steel walls and a matching low steel roof. Exactly one deck-level access opening occupies their shared edge; its door is faded blue painted steel. Chipped coatings, salt dulling, modest rust streaks, and worn timber establish an old but operational Korean working boat.", "variant_id": "v2" }, { "approach_ko": "지역 어선의 재료와 노후 상태를 중심으로 구성한 접근", "evidence_ko": [ "소형어선", "갑판", "조타실", "뱃머리", "그냥 바다야." ], "prompt_en": "The setting is open working water off South Korea in 2026, with sea extending around every side of the vessel. Its broader maritime neighborhood feels active and routinely used, with ordinary regional context held in the distance and no sense of a studio set or abandoned site. The vessel is a definite low, narrow, single-deck steel fishing craft with a tapered bow at its forward end. Chalky off-white paint covers the upper hull, a faded medium-blue band follows the gunwale, and dull brick-red antifouling covers the hull below the waterline. The deck inside the hull perimeter is old gray-brown timber with salt wear. A compact rectangular one-storey wheelhouse of off-white painted steel is attached within the footprint and shares an edge with the deck. Its low roof is matching off-white steel. Exactly one deck-level access opening connects these spaces, closed by a faded blue painted-steel door. The materials carry chipped paint, subdued corrosion, salt-softened color, and practical working wear while remaining sound and operational.", "variant_id": "v3" } ] }, "record": { "input_fingerprint": "0ddb04a003dc1f4a", "prompt": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same operational South Korean small fishing vessel in 2026: a low, narrow, single-deck painted-steel hull with a tapered forward bow, chalky off-white upper hull, faded medium-blue gunwale band, and dull brick-red antifouling below the waterline. A compact rectangular one-storey wheelhouse of off-white painted steel stands within the hull footprint and directly adjoins the weathered gray-brown timber deck. Exactly one deck-level access opening with a faded blue painted-steel door connects the deck to the wheelhouse. Finishes show salt dulling, chipped paint, restrained rust streaks, and ordinary working wear without abandonment. Open sea surrounds every side of the hull, and the wider field reads as believable, active South Korean working coastal waters rather than an empty set or isolated compound.\n\nTHE LOCATION: A small working fishing vessel in the open coastal waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; loose fishing gear and ropes; sunset illumination and sea reflection", "roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOpen sea surrounds the vessel on every side, with no nearby land. The wider maritime neighborhood reads as ordinary, active South Korean coastal working water in 2026, with believable regional activity remaining distant and subordinate. The main subject is one low, narrow, single-deck small fishing vessel with a tapered forward bow. Its painted-steel hull has a chalky off-white upper section, a faded medium-blue gunwale band, and dull brick-red antifouling below the waterline. A weathered gray-brown timber deck lies within the hull perimeter. A compact rectangular one-storey wheelhouse of off-white painted steel stands within the vessel footprint and directly adjoins the deck. Its low steel roof matches the off-white walls. Exactly one deck-level access opening with a faded blue painted-steel door connects the deck directly to the wheelhouse. Salt-dulled surfaces, chipped paint, restrained rust streaks, and worn timber show long service while the vessel remains maintained and operational.\n\nTHE LOCATION: A small working fishing vessel in the open coastal waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; loose fishing gear and ropes; sunset illumination and sea reflection\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a believable working-maritime neighborhood in open South Korean coastal waters in 2026. Uninterrupted sea surrounds the hull, while the distant field carries the ordinary regional context of active coastal fishing rather than the emptiness of a staged or abandoned setting. At its center is a low, narrow, single-deck fishing vessel with a clearly tapered forward bow. The steel hull is chalky off-white above the waterline, marked by one faded medium-blue gunwale band, with dull brick-red antifouling below. The enclosed deck is weathered gray-brown timber. Within the hull footprint, a compact box-shaped one-storey wheelhouse directly adjoins the exterior deck. It has off-white painted-steel walls and a matching low steel roof. Exactly one deck-level access opening occupies their shared edge; its door is faded blue painted steel. Chipped coatings, salt dulling, modest rust streaks, and worn timber establish an old but operational Korean working boat.\n\nTHE LOCATION: A small working fishing vessel in the open coastal waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; loose fishing gear and ropes; sunset illumination and sea reflection\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is open working water off South Korea in 2026, with sea extending around every side of the vessel. Its broader maritime neighborhood feels active and routinely used, with ordinary regional context held in the distance and no sense of a studio set or abandoned site. The vessel is a definite low, narrow, single-deck steel fishing craft with a tapered bow at its forward end. Chalky off-white paint covers the upper hull, a faded medium-blue band follows the gunwale, and dull brick-red antifouling covers the hull below the waterline. The deck inside the hull perimeter is old gray-brown timber with salt wear. A compact rectangular one-storey wheelhouse of off-white painted steel is attached within the footprint and shares an edge with the deck. Its low roof is matching off-white steel. Exactly one deck-level access opening connects these spaces, closed by a faded blue painted-steel door. The materials carry chipped paint, subdued corrosion, salt-softened color, and practical working wear while remaining sound and operational.\n\nTHE LOCATION: A small working fishing vessel in the open coastal waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph; loose fishing gear and ropes; sunset illumination and sea reflection\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "totals": { "C": 7, "B": 5, "A": 4 }, "selected": "C", "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Accurately realizes the brief, correctly depicting exactly one wheelhouse opening with a single blue door in the specified open-sea coastal setting." }, { "label": "B", "score": 5, "verdict_ko": "Features a double-door layout instead of the specified single blue door, and a taut line extending off the bow contradicts the unmoored open-sea requirement." }, { "label": "A", "score": 4, "verdict_ko": "Violates brief conformance by rendering two separate deck-level access doors on the wheelhouse instead of exactly one." } ], "refs": [], "critique": { "issues": [ { "issue_ko": "갑판에 흩어진 밧줄과 어구가 보입니다(제외해야 할 임시 요소).", "fix_en": "Remove all loose coiled ropes and fishing gear from the timber deck." }, { "issue_ko": "조타실 문이 열려 있습니다(프롬프트에 닫힌 파란색 문으로 명시되었으며 연출된 상태 금지).", "fix_en": "Close the faded blue painted-steel door on the wheelhouse." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all loose coiled ropes and fishing gear from the timber deck.\n- Close the faded blue painted-steel door on the wheelhouse.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } }