{
  "status": "completed",
  "applicable_count": 62,
  "completed_count": 62,
  "failed_count": 0,
  "schema_version": 3,
  "config_hash": "787c440f826114ed",
  "data": {
    "groups": {
      "L02B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L02",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L02B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권에서 볼 수 있는 소박한 동네 식당의 밤 마감 시간대 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 주방과 식당 사이의 개구부 가까이에 서 있으며, 약 1.6m의 사람 눈높이에서 35mm급 중간 광각 렌즈로 중앙 식사 구역을 대각선으로 가로질러 전면의 유리 미닫이 출입문을 바라본다. 프레임 가까운 가장자리에는 주방 서쪽 벽의 스테인리스 싱크대 일부가 보이고, 안쪽에는 북쪽 벽의 고정식 조리대가 자연스럽게 이어진다. 중앙의 주 통로는 출입문에서 주방 개구부까지 막힘없이 이어지며, 전면 오른쪽·중앙·후면 오른쪽의 평범한 식탁과 의자가 실제 영업 공간처럼 배치되어 있다. 동쪽 벽에는 식탁 방향을 향한 벽걸이 TV가 있고, 전면 미닫이 출입문 양옆에는 알루미늄 프레임의 상점 창이 있다. 21세기 초중반 한국 지방 도시의 오래 사용한 음식점답게 실용적인 형광등 조명, 약간 바랜 벽 마감, 닳은 바닥, 생활 얼룩이 남은 스테인리스, 현실적인 유리 반사, 합판과 금속 가구의 사용감이 보인다. 밤의 희미한 거리 빛이 전면 유리를 통해 들어오고 실내의 중성적인 형광등과 섞여 절제된 중성·차가운 색감과 자연스러운 명암을 만든다. 주방 개구부와 중앙 통로가 만나는 지점에는 방금 주고받기 위해 꺼낸 한국 지폐 몇 장이 작은 계산용 트레이 위에 잠시 놓여 있어 일시적인 현금 교환 상황을 암시한다. 사람, 얼굴, 손, 인체 형상의 장식물은 전혀 없으며 배경 공간만 비어 있다. 실제 콘크리트와 금속의 산화 흔적, 직물 결, 목재 무늬, 유리의 미세한 얼룩을 정확하게 표현하고, 자연스러운 피사계 심도와 현실적인 노출을 유지한다. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 참고용으로 후처리 없이 촬영한 사실적인 DSLR 또는 미러리스 사진이며, 위에서 내려다본 시점이나 평면도, 건축 도해가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "주방과 식당 사이의 개구부 가까이에서 중앙 통로와 식탁을 지나 전면 출입문까지 시선이 이어지게 한다. 주방 가장자리와 현금이 놓인 계산용 트레이가 가까운 전경에 자연스럽게 보이되 과도하게 확대하지 않고, 식당 전체의 마감 시간대 분위기를 유지한다. 화면에는 사람, 얼굴, 손, 인체 형상의 장식물을 넣지 않는다.",
            "shot_id": "S2_Shot8"
          },
          {
            "guide_text": "전면 미닫이 출입문과 중앙 식탁 주변의 빈 통로를 명확히 보여 주어 출입 동선이 가려지지 않게 한다. 주방 개구부와 가까운 가장자리도 프레임에 남겨 같은 공간임을 알 수 있게 하고, 현금 교환 흔적은 작은 계산용 트레이 위 지폐로만 절제해 표현한다. 화면에는 사람, 얼굴, 손, 인체 형상의 장식물을 넣지 않는다.",
            "shot_id": "S2_Shot9"
          }
        ],
        "shot_ids": [
          "S2_Shot8",
          "S2_Shot9"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 6 (kitchen-to-dining opening), facing diagonally across number 1 (dining zone) toward number 5 (sliding entrance), with number 7 (sink) at the near edge",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the entrance and central dining tables clearly visible for the departure and arrival crossing; retain part of the kitchen edge for the closing activity and money exchange."
        },
        "reference_decision": {
          "bg_id": "L02B01",
          "fp_id": "fp_restaurant_interior",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L02B01 is the only supplied clean anchor candidate and therefore establishes dwelling identity from the floor plan without a prior reference. A wide view from unit 1 toward unit 3 supports both consuming shots: contextual fixed elements can remain behind the close exchange in S2_Shot8, while unit 3 and opening marker 5 can support the threshold composition in S2_Shot9.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_restaurant_interior.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The identity anchor is rendered directly from the same-fp floor plan, and the candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              3,
              6
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the broad unit-1-to-unit-3 view to support the close exchange staging and the medium threshold staging while retaining readable fixed context from units 3 and 4.",
            "lens_enum": "wide",
            "look_at_cell": [
              9,
              4
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From unit 1, look broadly toward unit 3 through unit 4. Prioritize unit 3 and opening marker 5 for the threshold staging, retain fixed dining-context markers 9 and 10 where the cone admits them, and admit opening markers 13 and 14 only where supported by the wide view. Treat unit 2 and opening marker 6 as peripheral geometry rather than mandatory visible content.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [3,6] toward unit 3 at cell [8,3] with a wide 90-degree field of view. Use broad coverage of the foreground and the route toward unit 3 so that downstream crops can support the close staging of S2_Shot8 and the medium staging of S2_Shot9.",
            "subject_position_directive": "For S2_Shot8, reserve an upper-center close three-quarter subject position, a near over-shoulder edge, and lower-edge space for transient marker 15. For S2_Shot9, reserve a medium two-subject arrangement around opening marker 5, with the moving subject in middle-right and the threshold in middle-left; do not invent any additional subjects.",
            "state_cue_directive": "Carry transient marker 15 as the committed shot-specific state cue, with subdued neutral-to-cool nighttime illumination as specified by the consuming shots. Do not add state cues associated with ignored overlay markers 16 or 17.",
            "negative_continuity_directive": "Exclude ignored overlay markers 16 and 17. Do not force units, openings, or fixed markers outside the actual unit-1-to-unit-3 view cone into frame, and do not invent additional scenario-specific elements beyond numbered marker 15 and the committed shot staging."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 6]\n  - look_at_unit: 3\n  - look_at_cell: [9, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the broad unit-1-to-unit-3 view to support the close exchange staging and the medium threshold staging while retaining readable fixed context from units 3 and 4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, look broadly toward unit 3 through unit 4. Prioritize unit 3 and opening marker 5 for the threshold staging, retain fixed dining-context markers 9 and 10 where the cone admits them, and admit opening markers 13 and 14 only where supported by the wide view. Treat unit 2 and opening marker 6 as peripheral geometry rather than mandatory visible content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,6] toward unit 3 at cell [8,3] with a wide 90-degree field of view. Use broad coverage of the foreground and the route toward unit 3 so that downstream crops can support the close staging of S2_Shot8 and the medium staging of S2_Shot9.\n  - subject_position_directive: For S2_Shot8, reserve an upper-center close three-quarter subject position, a near over-shoulder edge, and lower-edge space for transient marker 15. For S2_Shot9, reserve a medium two-subject arrangement around opening marker 5, with the moving subject in middle-right and the threshold in middle-left; do not invent any additional subjects.\n  - state_cue_directive: Carry transient marker 15 as the committed shot-specific state cue, with subdued neutral-to-cool nighttime illumination as specified by the consuming shots. Do not add state cues associated with ignored overlay markers 16 or 17.\n  - negative_continuity_directive: Exclude ignored overlay markers 16 and 17. Do not force units, openings, or fixed markers outside the actual unit-1-to-unit-3 view cone into frame, and do not invent additional scenario-specific elements beyond numbered marker 15 and the committed shot staging.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 6]\n  - look_at_unit: 3\n  - look_at_cell: [9, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the broad unit-1-to-unit-3 view to support the close exchange staging and the medium threshold staging while retaining readable fixed context from units 3 and 4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, look broadly toward unit 3 through unit 4. Prioritize unit 3 and opening marker 5 for the threshold staging, retain fixed dining-context markers 9 and 10 where the cone admits them, and admit opening markers 13 and 14 only where supported by the wide view. Treat unit 2 and opening marker 6 as peripheral geometry rather than mandatory visible content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,6] toward unit 3 at cell [8,3] with a wide 90-degree field of view. Use broad coverage of the foreground and the route toward unit 3 so that downstream crops can support the close staging of S2_Shot8 and the medium staging of S2_Shot9.\n  - subject_position_directive: For S2_Shot8, reserve an upper-center close three-quarter subject position, a near over-shoulder edge, and lower-edge space for transient marker 15. For S2_Shot9, reserve a medium two-subject arrangement around opening marker 5, with the moving subject in middle-right and the threshold in middle-left; do not invent any additional subjects.\n  - state_cue_directive: Carry transient marker 15 as the committed shot-specific state cue, with subdued neutral-to-cool nighttime illumination as specified by the consuming shots. Do not add state cues associated with ignored overlay markers 16 or 17.\n  - negative_continuity_directive: Exclude ignored overlay markers 16 and 17. Do not force units, openings, or fixed markers outside the actual unit-1-to-unit-3 view cone into frame, and do not invent additional scenario-specific elements beyond numbered marker 15 and the committed shot staging.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 6]\n  - look_at_unit: 3\n  - look_at_cell: [9, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the broad unit-1-to-unit-3 view to support the close exchange staging and the medium threshold staging while retaining readable fixed context from units 3 and 4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, look broadly toward unit 3 through unit 4. Prioritize unit 3 and opening marker 5 for the threshold staging, retain fixed dining-context markers 9 and 10 where the cone admits them, and admit opening markers 13 and 14 only where supported by the wide view. Treat unit 2 and opening marker 6 as peripheral geometry rather than mandatory visible content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,6] toward unit 3 at cell [8,3] with a wide 90-degree field of view. Use broad coverage of the foreground and the route toward unit 3 so that downstream crops can support the close staging of S2_Shot8 and the medium staging of S2_Shot9.\n  - subject_position_directive: For S2_Shot8, reserve an upper-center close three-quarter subject position, a near over-shoulder edge, and lower-edge space for transient marker 15. For S2_Shot9, reserve a medium two-subject arrangement around opening marker 5, with the moving subject in middle-right and the threshold in middle-left; do not invent any additional subjects.\n  - state_cue_directive: Carry transient marker 15 as the committed shot-specific state cue, with subdued neutral-to-cool nighttime illumination as specified by the consuming shots. Do not add state cues associated with ignored overlay markers 16 or 17.\n  - negative_continuity_directive: Exclude ignored overlay markers 16 and 17. Do not force units, openings, or fixed markers outside the actual unit-1-to-unit-3 view cone into frame, and do not invent additional scenario-specific elements beyond numbered marker 15 and the committed shot staging.\n\n대한민국 전라남도·광주권에서 볼 수 있는 소박한 동네 식당의 밤 마감 시간대 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 주방과 식당 사이의 개구부 가까이에 서 있으며, 약 1.6m의 사람 눈높이에서 35mm급 중간 광각 렌즈로 중앙 식사 구역을 대각선으로 가로질러 전면의 유리 미닫이 출입문을 바라본다. 프레임 가까운 가장자리에는 주방 서쪽 벽의 스테인리스 싱크대 일부가 보이고, 안쪽에는 북쪽 벽의 고정식 조리대가 자연스럽게 이어진다. 중앙의 주 통로는 출입문에서 주방 개구부까지 막힘없이 이어지며, 전면 오른쪽·중앙·후면 오른쪽의 평범한 식탁과 의자가 실제 영업 공간처럼 배치되어 있다. 동쪽 벽에는 식탁 방향을 향한 벽걸이 TV가 있고, 전면 미닫이 출입문 양옆에는 알루미늄 프레임의 상점 창이 있다. 21세기 초중반 한국 지방 도시의 오래 사용한 음식점답게 실용적인 형광등 조명, 약간 바랜 벽 마감, 닳은 바닥, 생활 얼룩이 남은 스테인리스, 현실적인 유리 반사, 합판과 금속 가구의 사용감이 보인다. 밤의 희미한 거리 빛이 전면 유리를 통해 들어오고 실내의 중성적인 형광등과 섞여 절제된 중성·차가운 색감과 자연스러운 명암을 만든다. 주방 개구부와 중앙 통로가 만나는 지점에는 방금 주고받기 위해 꺼낸 한국 지폐 몇 장이 작은 계산용 트레이 위에 잠시 놓여 있어 일시적인 현금 교환 상황을 암시한다. 사람, 얼굴, 손, 인체 형상의 장식물은 전혀 없으며 배경 공간만 비어 있다. 실제 콘크리트와 금속의 산화 흔적, 직물 결, 목재 무늬, 유리의 미세한 얼룩을 정확하게 표현하고, 자연스러운 피사계 심도와 현실적인 노출을 유지한다. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 참고용으로 후처리 없이 촬영한 사실적인 DSLR 또는 미러리스 사진이며, 위에서 내려다본 시점이나 평면도, 건축 도해가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            3,
            6
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the broad unit-1-to-unit-3 view to support the close exchange staging and the medium threshold staging while retaining readable fixed context from units 3 and 4.",
          "lens_enum": "wide",
          "look_at_cell": [
            9,
            4
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 1, look broadly toward unit 3 through unit 4. Prioritize unit 3 and opening marker 5 for the threshold staging, retain fixed dining-context markers 9 and 10 where the cone admits them, and admit opening markers 13 and 14 only where supported by the wide view. Treat unit 2 and opening marker 6 as peripheral geometry rather than mandatory visible content.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [3,6] toward unit 3 at cell [8,3] with a wide 90-degree field of view. Use broad coverage of the foreground and the route toward unit 3 so that downstream crops can support the close staging of S2_Shot8 and the medium staging of S2_Shot9.",
          "subject_position_directive": "For S2_Shot8, reserve an upper-center close three-quarter subject position, a near over-shoulder edge, and lower-edge space for transient marker 15. For S2_Shot9, reserve a medium two-subject arrangement around opening marker 5, with the moving subject in middle-right and the threshold in middle-left; do not invent any additional subjects.",
          "state_cue_directive": "Carry transient marker 15 as the committed shot-specific state cue, with subdued neutral-to-cool nighttime illumination as specified by the consuming shots. Do not add state cues associated with ignored overlay markers 16 or 17.",
          "negative_continuity_directive": "Exclude ignored overlay markers 16 and 17. Do not force units, openings, or fixed markers outside the actual unit-1-to-unit-3 view cone into frame, and do not invent additional scenario-specific elements beyond numbered marker 15 and the committed shot staging."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_restaurant_interior",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_restaurant_interior"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L02B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L02B01",
        "reused_from_bg_id": "L02B01",
        "location_id": "L02",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L02B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시권에서 볼 수 있는 소박한 동네 식당의 조용한 야간 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2010년대 중후반의 생활감이 자연스럽게 남아 있는 실용적인 식당으로, 중앙과 전면에 공동 식사 공간이 있고 후면 왼쪽에는 식당 홀을 향해 열린 주방 출입 개구부가 있으며, 전면 중앙 오른쪽의 유리 미닫이 출입구와 그 양옆의 상점형 창문 너머로 어두운 밤이 보인다. 입구에서 중앙 홀을 지나 주방 쪽으로 이어지는 통로는 비어 있고, 전면 오른쪽·중앙·후면 오른쪽의 식탁과 의자는 영업 중 잠시 고요해진 듯 일상적인 사용 흔적만 남아 있다. 동쪽 벽의 벽걸이 TV는 사람이나 얼굴이 보이지 않는 어두운 대기 화면으로 처리한다.\n\n카메라는 후면 오른쪽 식탁 부근에서 중앙 식탁을 향해 대각선으로 놓고, 중앙 식탁 너머로 벽걸이 TV와 미닫이 출입구가 함께 보이게 한다. 촬영 높이는 앉은 자세와 일반 눈높이 사이인 약 1.3~1.5m, 35mm급 미러리스 또는 DSLR 카메라의 40mm 자연스러운 실내 렌즈 시야. 중앙 식탁의 친밀한 상차림을 강조하면서도 텅 빈 식당 홀, 통로, 출입구와 주방 개구부의 관계가 명확하게 읽히는 수평 구도이며, 평면도나 하향식 시점이 아니다.\n\n중앙 식탁 위에는 금방 끓여 낸 소박한 한 냄비 식사가 약한 불기운을 머금은 채 잔잔한 김을 올리고 있다. 바로 옆에는 개봉한 소주병과 작은 소주잔들이 놓여 있어 막 대화를 나누던 식사 자리의 일시적인 상태를 암시하지만, 공간에는 사람도 얼굴도 사람 형상의 장식도 없다. 음식에서 올라오는 수증기는 얇고 현실적이며 과장되지 않는다.\n\n야간 실내등은 한국의 오래된 소규모 식당에서 흔한 중성색 형광등과 주방 쪽의 약간 더 밝은 작업등이 섞인 자연스러운 밝기다. 창문과 유리문에는 어두운 외부와 약한 실내 반사만 나타나며 인물 반사는 없다. 실제 금속의 잔기스와 변색, 식탁 표면의 생활 흠집, 의자 재질의 마모, 유리의 얼룩, 바닥의 닦인 흔적과 미세한 사용감을 사실적으로 표현한다. 과도하게 정돈된 광고 사진이 아니라 실제 장소 참고 사진처럼 담담하고, 중성에서 약간 차가운 색조와 보통 수준의 대비, 자연스러운 명암 범위, 현실적인 피사계 심도, 무보정에 가까운 질감. CGI나 건축 시각화, 삽화가 아닌 실제 카메라 촬영본. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "후면 식탁 부근의 약 1.3~1.5m 높이에서 중앙 식탁을 대각선으로 바라본다. 김이 잔잔히 오르는 식사와 소주병, 잔을 주요 초점으로 두되, 비어 있는 홀과 동쪽 벽의 TV, 뒤쪽 미닫이 출입구가 함께 읽히는 자연스러운 중간 거리 구도를 유지한다. 사람이나 사람 형상의 이미지는 어디에도 넣지 않는다.",
            "shot_id": "S71_Shot4"
          },
          {
            "guide_text": "같은 후면 방향의 시점을 유지하면서 중앙 식탁 위의 따뜻한 식사 자리와 소주병, 잔이 친밀하게 느껴지도록 프레임의 중심을 잡는다. 주변의 빈 식탁과 통로, 벽걸이 TV 및 야간의 미닫이 출입구까지 공간적 관계가 분명하게 보이게 하며, 과장된 연출 없이 실제 식당 기록 사진처럼 촬영한다.",
            "shot_id": "S71_Shot10"
          }
        ],
        "shot_ids": [
          "S71_Shot4",
          "S71_Shot10"
        ],
        "scenes": [],
        "parent_id": "L02B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 11 (rear dining table), facing diagonally toward number 10 (central dining table), number 12 (television), and number 5 (sliding entrance)",
          "camera_height": "seated-to-eye-level, approximately 1.3 to 1.5 m",
          "lens_hint": "40mm natural interior lens",
          "framing_notes": "Emphasize the intimate central table setting while preserving a clear view of the quiet empty dining zone, television position, and entrance in the background."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L02B01",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L02B01",
              "space_description": "The same visible physical space framed from unit 1 toward unit 3 through unit 4."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match reference L02B01 from camera unit 1 at cell [3,6], looking toward unit 3 at cell [8,3], with a wide 90-degree field of view. Preserve broad plate coverage while reserving a medium crop with lower-foreground tabletop context for S71_Shot4 and a close center-right crop with a lower-left shoulder edge for S71_Shot10.",
          "negative_continuity_directive": "Exclude ignored overlay marker 15. Preserve the positions inherited from L02B01 for visible fixed markers and openings; do not shift markers 9 or 10 or redraw openings 5, 13, or 14 in new positions. Do not force units or markers outside the actual view cone into frame, and do not invent additional scenario-specific elements.",
          "state_cue_directive": "Carry transient markers 16 and 17 as the committed shot-specific cues and retain the subdued neutral-to-cool nighttime illumination specified by the consuming shots. Keep the surrounding space visually unoccupied beyond the staged subjects, and do not carry marker 15 from reference L02B01.",
          "subject_position_directive": "For S71_Shot4, reserve one seated subject beyond transient marker 16 in a medium upper-body position, with marker 17 at the subject's immediate action area and the lower foreground kept below the face and hands. For S71_Shot10, reserve the primary subject at center-right in close framing and a narrow, softly rendered over-shoulder edge at lower-left; do not invent additional subjects.",
          "visible_space_directive": "Reuse L02B01's view from unit 1 toward unit 3 through unit 4. Keep visible fixed markers 9 and 10, opening marker 5, and any admitted portions of opening markers 13 and 14 in the same positions as the reference, while using the fixed context only peripherally so transient markers 16 and 17 remain the staged focus."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_restaurant_interior",
          "prior_bg_ids": [
            "L02B01"
          ],
          "attached_ref_labels": [
            "bg:L02B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L04B04": {
        "status": "ok",
        "location_id": "L04",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L04B04.png",
        "t2i_prompt": "2001년 무렵 광주·전남권의 평범한 한국 주거 공간에 있는 자매 공동 침실의 깊은 밤. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 기록 사진처럼 담담하고 후처리 없는 현실적인 모습이다. 카메라는 침실 안 남동쪽 유선전화 부근에 있고 높이는 앉은 자세에서 일어서는 중간 정도인 약 1.5~1.6미터, 35mm급 보통 광각 렌즈로 북쪽과 남쪽 벽의 싱글 침대 두 개와 그 사이의 좁은 통로를 대각선으로 가로질러 북동쪽 컴퓨터 책상과 동쪽 방문을 바라본다. 방문 가까운 동쪽 벽에는 공동 옷장이 있으며, 열린 방문 너머로 중앙 공용 공간과 남동쪽 현관 동선의 일부가 자연스럽게 이어진다. 서쪽 외벽 창문으로 들어오는 매우 약한 밤빛 때문에 낡은 벽지, 생활 얼룩이 밴 비닐계 바닥, 저렴한 목재 무늬 가구, 금속 손잡이의 사용감, 침구의 실제 직물 조직이 희미하게 식별된다. 책상에는 2001년 당시 한국 가정에서 사용하던 베이지색 데스크톱 컴퓨터와 두꺼운 당대형 모니터가 놓여 있고, 차가운 청백색 빛은 오직 디스플레이 표면 안에서만 약하게 보인다. 남동쪽 내벽 옆에는 당시형 유선전화가 놓여 있으며 이후 세대의 스마트폰이나 현대식 디지털 기기는 없다. 한쪽 침대의 이불은 누군가 잠든 상태를 암시할 만큼 자연스럽게 눌리고 조금 흐트러져 있지만 사람 모양의 융기나 신체 실루엣은 만들지 않는다. 보라색 패딩 재킷은 방 안쪽에서 방문을 지나 현관 동선 쪽으로 향하는 순간을 암시하도록 방문 손잡이와 문턱 부근에 느슨하게 걸쳐져 있으며, 착용자 없이 실제 옷감의 주름과 충전재 질감만 보인다. 인물, 얼굴, 손발, 반사된 사람, 화면 속 사람, 마네킹이나 신체 형태의 형상은 전혀 없다. 과장된 연출 없이 어두운 실내의 자연스러운 노출, 절제된 중성·냉색 계열, 보통 수준의 대비, 정확한 콘크리트·금속·직물·목재 질감, 일상적인 마모와 얼룩, 자연스러운 심도로 촬영한다. 하향 평면도, 건축 도면, 삽화, 합성 이미지, 건축 시각화가 아닌 실제 카메라 촬영 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "유선전화가 있는 방 남동쪽 부근에서 약 1.5~1.6미터 높이로 촬영한다. 두 침대와 좁은 통로를 대각선으로 가로질러 컴퓨터 책상과 방문까지 한 프레임에 담아 어두운 공동 침실의 전체 관계를 분명히 보여 준다. 인물이나 신체 형태는 보이지 않게 한다.",
            "shot_id": "S3_Shot3"
          },
          {
            "guide_text": "같은 촬영축을 유지하되 컴퓨터 책상과 한쪽 침대의 비중을 조금 높인다. 모니터의 희미한 빛은 화면 표면 안에만 남기고, 한 침대의 자연스럽게 눌리고 흐트러진 이불로 잠든 사람이 있음을 간접적으로 암시한다. 사람이나 사람 모양의 이불 윤곽은 만들지 않는다.",
            "shot_id": "S3_Shot4"
          },
          {
            "guide_text": "방문과 그 너머의 공용 공간 방향을 더 또렷하게 포함한다. 보라색 패딩 재킷이 방문 손잡이와 문턱 부근에 느슨하게 걸쳐져 방 안쪽에서 문을 통과해 현관 동선 쪽으로 빠져나가는 은밀한 움직임을 암시하게 하되, 착용자나 신체 일부는 전혀 보이지 않게 한다. 침대와 모니터는 어두운 배경의 보조 단서로 유지한다.",
            "shot_id": "S3_Shot7"
          }
        ],
        "shot_ids": [
          "S3_Shot3",
          "S3_Shot4",
          "S3_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "inside number 1 (shared bedroom), near number 8 (wired telephone station), facing diagonally across number 5 (sibling beds) toward number 7 (computer desk) and number 9 (bedroom door)",
          "camera_height": "eye-level seated to standing transition, approximately 1.3-1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep number 16 on one bed, show number 15 within the monitor boundary at number 7, and preserve a clear departure route through number 9 into number 4. Number 17 should be associated with the departing figure rather than left as an unrelated loose object."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "interior_room",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2001년 무렵 광주·전남권의 평범한 한국 주거 공간에 있는 자매 공동 침실의 깊은 밤. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 기록 사진처럼 담담하고 후처리 없는 현실적인 모습이다. 카메라는 침실 안 남동쪽 유선전화 부근에 있고 높이는 앉은 자세에서 일어서는 중간 정도인 약 1.5~1.6미터, 35mm급 보통 광각 렌즈로 북쪽과 남쪽 벽의 싱글 침대 두 개와 그 사이의 좁은 통로를 대각선으로 가로질러 북동쪽 컴퓨터 책상과 동쪽 방문을 바라본다. 방문 가까운 동쪽 벽에는 공동 옷장이 있으며, 열린 방문 너머로 중앙 공용 공간과 남동쪽 현관 동선의 일부가 자연스럽게 이어진다. 서쪽 외벽 창문으로 들어오는 매우 약한 밤빛 때문에 낡은 벽지, 생활 얼룩이 밴 비닐계 바닥, 저렴한 목재 무늬 가구, 금속 손잡이의 사용감, 침구의 실제 직물 조직이 희미하게 식별된다. 책상에는 2001년 당시 한국 가정에서 사용하던 베이지색 데스크톱 컴퓨터와 두꺼운 당대형 모니터가 놓여 있고, 차가운 청백색 빛은 오직 디스플레이 표면 안에서만 약하게 보인다. 남동쪽 내벽 옆에는 당시형 유선전화가 놓여 있으며 이후 세대의 스마트폰이나 현대식 디지털 기기는 없다. 한쪽 침대의 이불은 누군가 잠든 상태를 암시할 만큼 자연스럽게 눌리고 조금 흐트러져 있지만 사람 모양의 융기나 신체 실루엣은 만들지 않는다. 보라색 패딩 재킷은 방 안쪽에서 방문을 지나 현관 동선 쪽으로 향하는 순간을 암시하도록 방문 손잡이와 문턱 부근에 느슨하게 걸쳐져 있으며, 착용자 없이 실제 옷감의 주름과 충전재 질감만 보인다. 인물, 얼굴, 손발, 반사된 사람, 화면 속 사람, 마네킹이나 신체 형태의 형상은 전혀 없다. 과장된 연출 없이 어두운 실내의 자연스러운 노출, 절제된 중성·냉색 계열, 보통 수준의 대비, 정확한 콘크리트·금속·직물·목재 질감, 일상적인 마모와 얼룩, 자연스러운 심도로 촬영한다. 하향 평면도, 건축 도면, 삽화, 합성 이미지, 건축 시각화가 아닌 실제 카메라 촬영 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_l04_main"
      },
      "L04B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L04",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L04B03.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 소박하고 실제 생활감 있는 21세기 초·중반 주거 내부. 개인실 가장자리 가까이에서 열린 여닫이문을 통해 공용 바닥을 가로질러 좁은 부엌 문턱과 동쪽의 열린 부엌 통로를 바라본다. 카메라는 약 1.55m 높이의 서 있는 사람 눈높이이며, 실제 DSLR 또는 미러리스 카메라와 35mm급 중간 광각 렌즈로 촬영한 시야다. 남쪽 외벽의 넓은 공용실 창과 부엌 작업대 위 창에서 자연스러운 아침빛이 들어오고, 넓은 공용실 창에서 시작된 부드럽고 선명한 대각선 햇빛 띠가 바닥을 가로질러 부엌 문턱 쪽까지 이어진다. 부엌 남쪽 벽에는 스테인리스 싱크대와 일자형 작업대, 동쪽 끝의 가열대가 이어지고 북동쪽에는 냉장고가 놓여 있다. 전남·광주권의 평범한 도시 주택에서 볼 수 있는 실용적인 창호, 약간 세월이 밴 바닥재, 미세한 사용 흔적이 남은 금속과 합판·무늬목 표면, 현실적인 이음새와 생활 얼룩을 세밀하게 표현한다. 조명은 오직 창을 통한 자연스러운 아침 햇빛과 실내의 약한 반사광이며, 중성에서 약간 차가운 색조와 보통 수준의 명암, 과장 없는 자연스러운 심도를 유지한다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 사실적이고 담담하며 인위적인 후처리 없이 정확한 재질과 노출을 보여준다. 사람, 얼굴, 인체 형태의 장식물은 전혀 없다. 위에서 내려다본 시점이나 평면도, 건축 도면, 컴퓨터 생성 이미지가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "개인실 가장자리 부근에서 선 사람의 눈높이로 촬영하듯, 열린 여닫이문을 전경의 자연스러운 프레임으로 삼아 공용 바닥과 부엌 문턱, 열린 부엌 통로 안쪽까지 한눈에 보이게 한다. 넓은 창에서 들어온 아침 햇빛의 대각선 띠가 공용 바닥을 가로질러 부엌 문턱으로 이어지도록 구성한다. 인물이나 얼굴, 사람 형태는 넣지 않는다.",
            "shot_id": "S4_Shot2"
          }
        ],
        "shot_ids": [
          "S4_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 3 (private room edge), looking through number 5 (swing door) across number 2 (shared floor zone) and number 4 (threshold zone) toward number 6 (open kitchen passage) and number 1 (kitchen)",
          "camera_height": "eye-level standing ~1.55m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the kitchen fixtures at numbers 9, 10, 11, and 12 readable beyond the open passage, while the morning sunlight cue at number 13 crosses the shared floor in the foreground. Number 13 is a transient overlay and is not printed on the base floor plan."
        },
        "reference_decision": {
          "bg_id": "L04B03",
          "fp_id": "fp_l04_kitchen",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L04B03 is the sole clean anchor candidate supplied for this fp and therefore establishes dwelling identity directly from the floor plan without a prior reference. The wide view from unit 2 toward unit 3 supports the surfaced shot's medium, rear three-quarter subject staging beside opening marker 5 while retaining right-side negative space oriented toward opening marker 6 and the unit 4/unit 1 side of the plan.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l04_kitchen.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 2 toward unit 3 so the oblique opening-side staging remains on the left while meaningful negative space toward units 4 and 1 can remain on the right.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              2
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 2 from the chosen camera position while looking toward unit 3, with opening marker 5 presented obliquely for the subject staging. The wide cone may retain sideward context toward opening marker 6 and units 4 and 1 where geometrically visible; preserve the numbered base structure and any visible fixed markers 9 through 12 at their committed plan positions.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [4,4], looking toward unit 3 at cell [3,1], with a wide 90-degree field of view. Use broad coverage suitable for a medium subject in the middle-left and preserve meaningful background negative space toward the right side of the frame.",
            "subject_position_directive": "Place the single committed subject in the midground at middle-left in a rear three-quarter presentation, leaning across the edge associated with opening marker 5, with the neck craned and attention directed off-screen into the middle-right negative space. Maintain the committed medium framing and do not add uncommitted subjects.",
            "state_cue_directive": "Carry transient marker 13 as the committed soft, realistic light cue across the floor, consistent with the surfaced shot's restrained neutral lighting description. No additional state overlay is committed, so refrain from inventing further state cues.",
            "negative_continuity_directive": "Do not invent unlisted overlay markers or scenario-specific elements. Marker 13 is the only committed state overlay. Keep base markers 1 through 12 in their floor-plan relationships, and do not force units or openings outside the actual 90-degree view cone into the image merely because the geometry lists visibility supersets."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [5, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 3 so the oblique opening-side staging remains on the left while meaningful negative space toward units 4 and 1 can remain on the right.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from the chosen camera position while looking toward unit 3, with opening marker 5 presented obliquely for the subject staging. The wide cone may retain sideward context toward opening marker 6 and units 4 and 1 where geometrically visible; preserve the numbered base structure and any visible fixed markers 9 through 12 at their committed plan positions.\n  - camera_framing_directive: Frame from camera unit 2 at cell [4,4], looking toward unit 3 at cell [3,1], with a wide 90-degree field of view. Use broad coverage suitable for a medium subject in the middle-left and preserve meaningful background negative space toward the right side of the frame.\n  - subject_position_directive: Place the single committed subject in the midground at middle-left in a rear three-quarter presentation, leaning across the edge associated with opening marker 5, with the neck craned and attention directed off-screen into the middle-right negative space. Maintain the committed medium framing and do not add uncommitted subjects.\n  - state_cue_directive: Carry transient marker 13 as the committed soft, realistic light cue across the floor, consistent with the surfaced shot's restrained neutral lighting description. No additional state overlay is committed, so refrain from inventing further state cues.\n  - negative_continuity_directive: Do not invent unlisted overlay markers or scenario-specific elements. Marker 13 is the only committed state overlay. Keep base markers 1 through 12 in their floor-plan relationships, and do not force units or openings outside the actual 90-degree view cone into the image merely because the geometry lists visibility supersets.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [5, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 3 so the oblique opening-side staging remains on the left while meaningful negative space toward units 4 and 1 can remain on the right.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from the chosen camera position while looking toward unit 3, with opening marker 5 presented obliquely for the subject staging. The wide cone may retain sideward context toward opening marker 6 and units 4 and 1 where geometrically visible; preserve the numbered base structure and any visible fixed markers 9 through 12 at their committed plan positions.\n  - camera_framing_directive: Frame from camera unit 2 at cell [4,4], looking toward unit 3 at cell [3,1], with a wide 90-degree field of view. Use broad coverage suitable for a medium subject in the middle-left and preserve meaningful background negative space toward the right side of the frame.\n  - subject_position_directive: Place the single committed subject in the midground at middle-left in a rear three-quarter presentation, leaning across the edge associated with opening marker 5, with the neck craned and attention directed off-screen into the middle-right negative space. Maintain the committed medium framing and do not add uncommitted subjects.\n  - state_cue_directive: Carry transient marker 13 as the committed soft, realistic light cue across the floor, consistent with the surfaced shot's restrained neutral lighting description. No additional state overlay is committed, so refrain from inventing further state cues.\n  - negative_continuity_directive: Do not invent unlisted overlay markers or scenario-specific elements. Marker 13 is the only committed state overlay. Keep base markers 1 through 12 in their floor-plan relationships, and do not force units or openings outside the actual 90-degree view cone into the image merely because the geometry lists visibility supersets.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [5, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 3 so the oblique opening-side staging remains on the left while meaningful negative space toward units 4 and 1 can remain on the right.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from the chosen camera position while looking toward unit 3, with opening marker 5 presented obliquely for the subject staging. The wide cone may retain sideward context toward opening marker 6 and units 4 and 1 where geometrically visible; preserve the numbered base structure and any visible fixed markers 9 through 12 at their committed plan positions.\n  - camera_framing_directive: Frame from camera unit 2 at cell [4,4], looking toward unit 3 at cell [3,1], with a wide 90-degree field of view. Use broad coverage suitable for a medium subject in the middle-left and preserve meaningful background negative space toward the right side of the frame.\n  - subject_position_directive: Place the single committed subject in the midground at middle-left in a rear three-quarter presentation, leaning across the edge associated with opening marker 5, with the neck craned and attention directed off-screen into the middle-right negative space. Maintain the committed medium framing and do not add uncommitted subjects.\n  - state_cue_directive: Carry transient marker 13 as the committed soft, realistic light cue across the floor, consistent with the surfaced shot's restrained neutral lighting description. No additional state overlay is committed, so refrain from inventing further state cues.\n  - negative_continuity_directive: Do not invent unlisted overlay markers or scenario-specific elements. Marker 13 is the only committed state overlay. Keep base markers 1 through 12 in their floor-plan relationships, and do not force units or openings outside the actual 90-degree view cone into the image merely because the geometry lists visibility supersets.\n\n대한민국 전라남도·광주권의 소박하고 실제 생활감 있는 21세기 초·중반 주거 내부. 개인실 가장자리 가까이에서 열린 여닫이문을 통해 공용 바닥을 가로질러 좁은 부엌 문턱과 동쪽의 열린 부엌 통로를 바라본다. 카메라는 약 1.55m 높이의 서 있는 사람 눈높이이며, 실제 DSLR 또는 미러리스 카메라와 35mm급 중간 광각 렌즈로 촬영한 시야다. 남쪽 외벽의 넓은 공용실 창과 부엌 작업대 위 창에서 자연스러운 아침빛이 들어오고, 넓은 공용실 창에서 시작된 부드럽고 선명한 대각선 햇빛 띠가 바닥을 가로질러 부엌 문턱 쪽까지 이어진다. 부엌 남쪽 벽에는 스테인리스 싱크대와 일자형 작업대, 동쪽 끝의 가열대가 이어지고 북동쪽에는 냉장고가 놓여 있다. 전남·광주권의 평범한 도시 주택에서 볼 수 있는 실용적인 창호, 약간 세월이 밴 바닥재, 미세한 사용 흔적이 남은 금속과 합판·무늬목 표면, 현실적인 이음새와 생활 얼룩을 세밀하게 표현한다. 조명은 오직 창을 통한 자연스러운 아침 햇빛과 실내의 약한 반사광이며, 중성에서 약간 차가운 색조와 보통 수준의 명암, 과장 없는 자연스러운 심도를 유지한다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 사실적이고 담담하며 인위적인 후처리 없이 정확한 재질과 노출을 보여준다. 사람, 얼굴, 인체 형태의 장식물은 전혀 없다. 위에서 내려다본 시점이나 평면도, 건축 도면, 컴퓨터 생성 이미지가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures and furniture. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 2 toward unit 3 so the oblique opening-side staging remains on the left while meaningful negative space toward units 4 and 1 can remain on the right.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            2
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 2 from the chosen camera position while looking toward unit 3, with opening marker 5 presented obliquely for the subject staging. The wide cone may retain sideward context toward opening marker 6 and units 4 and 1 where geometrically visible; preserve the numbered base structure and any visible fixed markers 9 through 12 at their committed plan positions.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [4,4], looking toward unit 3 at cell [3,1], with a wide 90-degree field of view. Use broad coverage suitable for a medium subject in the middle-left and preserve meaningful background negative space toward the right side of the frame.",
          "subject_position_directive": "Place the single committed subject in the midground at middle-left in a rear three-quarter presentation, leaning across the edge associated with opening marker 5, with the neck craned and attention directed off-screen into the middle-right negative space. Maintain the committed medium framing and do not add uncommitted subjects.",
          "state_cue_directive": "Carry transient marker 13 as the committed soft, realistic light cue across the floor, consistent with the surfaced shot's restrained neutral lighting description. No additional state overlay is committed, so refrain from inventing further state cues.",
          "negative_continuity_directive": "Do not invent unlisted overlay markers or scenario-specific elements. Marker 13 is the only committed state overlay. Keep base markers 1 through 12 in their floor-plan relationships, and do not force units or openings outside the actual 90-degree view cone into the image merely because the geometry lists visibility supersets."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l04_kitchen",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l04_kitchen",
            "same_loc_anchor:L04B04"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "same_loc_anchor_ref": {
          "anchor_bg_id": "L04B04",
          "loc_id": "L04"
        }
      },
      "L04B02": {
        "status": "ok",
        "location_id": "L04",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L04B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시권의 2015~2017년 무렵, 소박하고 실제 사용감이 남은 가족 공용 주거 공간의 낮 풍경. 중앙 공용 거실의 낮은 테이블을 가로질러 북동쪽의 소형 주방 개구부를 바라보며, 측면 배경에는 침실 문이 보이고 동쪽 외벽 창문에서 들어오는 부드러운 자연광이 실내를 밝힌다. 남동쪽 현관 쪽으로 이어지는 생활 동선이 답답하지 않게 드러나는 현실적인 소형 주택 구조다. 낮은 테이블 위에는 여러 잔의 뜨거운 커피가 놓여 가느다란 실제 수증기가 자연스럽게 올라오고, 테이블 한쪽에는 2015~2017년 당시의 평범한 노트북이 펼쳐져 있다. 공용 거실 가장자리 벽에는 시민 시위에 사용된 듯한 손팻말과 현수막이 기대어 있거나 일부 부착되어 있으며, 과장된 연출 없이 일상적으로 보관된 상태다. 구체적인 단체명이나 고유명사는 보이지 않으며 글자는 화면의 주제가 되지 않는다. 낮 시간의 가정 내 인터뷰를 준비한 듯한 차분하고 사실적인 상태지만 사람, 얼굴, 인체 형상은 전혀 없다. 실제 콘크리트와 도배 벽의 미세한 얼룩, 금속 부속의 자연스러운 사용 흔적, 직물의 짜임, 목재 테이블의 결 및 생활 흠집을 정확하게 표현한다. 절제된 중성·약간 서늘한 색조와 보통 수준의 명암 대비, 창문 자연광과 실내 반사광이 만드는 사실적인 밝기, 과도하게 정돈된 광고 사진이 아닌 생활감 있는 실제 장소 참고 사진. 공용 거실 가장자리에서 낮은 테이블 너머 주방 개구부를 향하는 구도이며, 침실 문은 측면 배경에 배치한다. 실제 DSLR 또는 미러리스 카메라와 35mm급 렌즈로 약 1.6m의 성인 눈높이에서 촬영한 다큐멘터리 풍 사진, 자연스러운 원근감과 피사계 심도, 무보정에 가까운 사실적인 사진. 하향식 시점, 평면도, 건축 도식, 삽화, CGI, 건축 시각화가 아닌 실제 카메라 촬영본. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "공용 거실 가장자리에서 낮은 테이블 너머의 주방 개구부를 바라보고, 침실 문이 측면 배경에 자연스럽게 들어오게 한다. 테이블 위의 김 나는 커피잔들과 한쪽에 펼쳐진 노트북이 전경과 중경의 핵심이 되며, 주변 벽의 시위용 손팻말과 현수막도 식별 가능해야 한다. 공간은 비어 있어야 하며 사람, 얼굴, 인체 형상은 포함하지 않는다.",
            "shot_id": "S43_Shot1"
          }
        ],
        "shot_ids": [
          "S43_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "at the edge of number 2 (common living area), facing across number 10 (low common table) toward number 11 (kitchen opening), with number 9 (bedroom door) in the side background",
          "camera_height": "eye-level seated, approximately 1.2-1.4 m",
          "lens_hint": "35mm natural interior wide angle",
          "framing_notes": "Center the interview grouping around number 10; show numbers 18 and 19 clearly on the tabletop and place number 22 against a peripheral wall without obscuring circulation."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "interior_room",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "대한민국 전라남도·광주광역시권의 2015~2017년 무렵, 소박하고 실제 사용감이 남은 가족 공용 주거 공간의 낮 풍경. 중앙 공용 거실의 낮은 테이블을 가로질러 북동쪽의 소형 주방 개구부를 바라보며, 측면 배경에는 침실 문이 보이고 동쪽 외벽 창문에서 들어오는 부드러운 자연광이 실내를 밝힌다. 남동쪽 현관 쪽으로 이어지는 생활 동선이 답답하지 않게 드러나는 현실적인 소형 주택 구조다. 낮은 테이블 위에는 여러 잔의 뜨거운 커피가 놓여 가느다란 실제 수증기가 자연스럽게 올라오고, 테이블 한쪽에는 2015~2017년 당시의 평범한 노트북이 펼쳐져 있다. 공용 거실 가장자리 벽에는 시민 시위에 사용된 듯한 손팻말과 현수막이 기대어 있거나 일부 부착되어 있으며, 과장된 연출 없이 일상적으로 보관된 상태다. 구체적인 단체명이나 고유명사는 보이지 않으며 글자는 화면의 주제가 되지 않는다. 낮 시간의 가정 내 인터뷰를 준비한 듯한 차분하고 사실적인 상태지만 사람, 얼굴, 인체 형상은 전혀 없다. 실제 콘크리트와 도배 벽의 미세한 얼룩, 금속 부속의 자연스러운 사용 흔적, 직물의 짜임, 목재 테이블의 결 및 생활 흠집을 정확하게 표현한다. 절제된 중성·약간 서늘한 색조와 보통 수준의 명암 대비, 창문 자연광과 실내 반사광이 만드는 사실적인 밝기, 과도하게 정돈된 광고 사진이 아닌 생활감 있는 실제 장소 참고 사진. 공용 거실 가장자리에서 낮은 테이블 너머 주방 개구부를 향하는 구도이며, 침실 문은 측면 배경에 배치한다. 실제 DSLR 또는 미러리스 카메라와 35mm급 렌즈로 약 1.6m의 성인 눈높이에서 촬영한 다큐멘터리 풍 사진, 자연스러운 원근감과 피사계 심도, 무보정에 가까운 사실적인 사진. 하향식 시점, 평면도, 건축 도식, 삽화, CGI, 건축 시각화가 아닌 실제 카메라 촬영본. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures and furniture. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "same_loc_anchor:L04B04"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        },
        "same_loc_anchor_ref": {
          "anchor_bg_id": "L04B04",
          "loc_id": "L04"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_l04_main"
      },
      "L04B01": {
        "status": "ok",
        "location_id": "L04",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L04B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시권의 소박한 공동주거 공용 거실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 공용 거실 중앙의 낮은 테이블 곁, 앉은 사람의 자연스러운 눈높이 약 1.2~1.4m에서 동쪽 벽의 침실 문을 향해 바라보며, 테이블 상판이 가까운 전경을 넉넉히 차지한다. 50mm 표준 렌즈의 친밀하고 사실적인 시야, 남동쪽 출입 동선에서 거실과 침실 문으로 이어지는 현실적인 공간 깊이, 동쪽 외부 창으로 들어오는 부드러운 낮빛. 테이블 위에는 유품 상자가 열린 채 놓여 있고, 사용감 있는 공책과 접힌 편지, 낱장의 종이와 오래된 인화사진들이 조심스럽게 펼쳐져 있다. 그 내용물 위에는 흰 테두리의 가족 즉석사진 한 장이 눈에 잘 띄도록 올려져 있으나, 인화면 속 사람이나 얼굴은 작고 흐릿해 식별되지 않으며 어떠한 사람 형태도 선명하게 드러나지 않는다. 상자와 종이는 막 살펴보는 중인 듯 자연스럽게 정돈되어 있으면서도 약간씩 겹쳐진 일시적 상태다. 2010년대 중후반 한국의 평범한 주거 실내에 맞는 절제된 마감과 생활 흔적, 실제 벽면과 바닥의 미세한 얼룩, 종이 섬유, 낡은 상자 표면, 목재 상판의 결, 문과 창호의 현실적인 재질을 세밀하게 표현한다. 중성에서 약간 차가운 색감, 보통 수준의 대비, 자연스러운 명암 범위와 피사계 심도, 과장 없는 낮 조명. 빈 공간만 촬영하며 실제 사람, 얼굴, 신체 형상, 사진 밖으로 입체화된 대상은 전혀 없다. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 기록용 DSLR 또는 미러리스 카메라 촬영본, 인위적 후처리 없이 일상적인 사용감이 남은 사실적 사진. 탑다운 시점, 평면도, 건축 도식이 아닌 사람 눈높이의 수평 구도. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "낮은 공용 테이블 곁에 앉은 사람의 눈높이인 약 1.2~1.4m에서 침실 문 방향을 바라본다. 50mm 표준 렌즈로 테이블 상판과 열린 유품 상자를 가까운 전경에 충분히 담고, 그 위의 공책·편지·사진 및 맨 위에 놓인 가족 즉석사진이 자연스럽게 주목되도록 한다. 사진 인화면의 인물이나 얼굴은 식별되지 않게 작고 흐릿하게 유지하며, 공간에는 실제 사람이나 사람 형태가 없어야 한다.",
            "shot_id": "S43_Shot12"
          }
        ],
        "shot_ids": [
          "S43_Shot12"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "beside number 10 (low common table) in number 2 (common living area), facing toward number 9 (bedroom door) while keeping the tabletop in the near foreground",
          "camera_height": "eye-level seated, approximately 1.2-1.4 m",
          "lens_hint": "50mm normal lens for an intimate tabletop view",
          "framing_notes": "Feature number 20 open on number 10 and make number 21 the clearest individual keepsake while preserving the surrounding room layout."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "interior_room",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시권의 소박한 공동주거 공용 거실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 공용 거실 중앙의 낮은 테이블 곁, 앉은 사람의 자연스러운 눈높이 약 1.2~1.4m에서 동쪽 벽의 침실 문을 향해 바라보며, 테이블 상판이 가까운 전경을 넉넉히 차지한다. 50mm 표준 렌즈의 친밀하고 사실적인 시야, 남동쪽 출입 동선에서 거실과 침실 문으로 이어지는 현실적인 공간 깊이, 동쪽 외부 창으로 들어오는 부드러운 낮빛. 테이블 위에는 유품 상자가 열린 채 놓여 있고, 사용감 있는 공책과 접힌 편지, 낱장의 종이와 오래된 인화사진들이 조심스럽게 펼쳐져 있다. 그 내용물 위에는 흰 테두리의 가족 즉석사진 한 장이 눈에 잘 띄도록 올려져 있으나, 인화면 속 사람이나 얼굴은 작고 흐릿해 식별되지 않으며 어떠한 사람 형태도 선명하게 드러나지 않는다. 상자와 종이는 막 살펴보는 중인 듯 자연스럽게 정돈되어 있으면서도 약간씩 겹쳐진 일시적 상태다. 2010년대 중후반 한국의 평범한 주거 실내에 맞는 절제된 마감과 생활 흔적, 실제 벽면과 바닥의 미세한 얼룩, 종이 섬유, 낡은 상자 표면, 목재 상판의 결, 문과 창호의 현실적인 재질을 세밀하게 표현한다. 중성에서 약간 차가운 색감, 보통 수준의 대비, 자연스러운 명암 범위와 피사계 심도, 과장 없는 낮 조명. 빈 공간만 촬영하며 실제 사람, 얼굴, 신체 형상, 사진 밖으로 입체화된 대상은 전혀 없다. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 기록용 DSLR 또는 미러리스 카메라 촬영본, 인위적 후처리 없이 일상적인 사용감이 남은 사실적 사진. 탑다운 시점, 평면도, 건축 도식이 아닌 사람 눈높이의 수평 구도. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures and furniture. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "same_loc_anchor:L04B04"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        },
        "same_loc_anchor_ref": {
          "anchor_bg_id": "L04B04",
          "loc_id": "L04"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_l04_main"
      },
      "L06B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L06",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L06B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시권에서 볼 수 있는 21세기 초·중반의 실용적인 공동주택 외부형 공용 복도. 해당 세대 문턱 가까이에 카메라를 두고, 세대 출입문과 문 잠금장치 쪽 벽에 부착된 초인종 패널을 가까운 전경에 강조하면서 대각선 방향으로 촬영한다. 긴 복도는 뒤쪽 엘리베이터 접근부와 엘리베이터 문까지 깊게 이어지며, 같은 벽을 따라 가까운 이웃 세대 문과 먼 이웃 세대 문이 일정한 공동주택식 간격으로 반복된다. 출입문 반대편의 개방된 복도 가장자리에는 연속된 금속 안전 난간이 놓여 복도 깊이와 외부 갤러리 구조를 드러낸다. 낮의 부드러운 자연광이 개방면에서 들어오고, 천장 아래의 그늘과 문 주변의 은은한 반사광이 실제 노출 범위 안에서 자연스럽게 나타난다. 도장된 콘크리트 벽과 바닥의 미세한 사용감, 금속 문의 도장 표면, 초인종 패널의 플라스틱과 금속 질감, 난간의 현실적인 마모와 옅은 산화 흔적을 과장 없이 표현한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 사람 형상의 장식이나 실루엣은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이, 풀프레임 미러리스 또는 디에스엘아르 카메라와 28밀리미터 광각 렌즈, 자연스러운 원근감과 피사계 심도. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 기록 사진처럼 담백하고 사실적이고 후처리 없는 결과. 평면도나 위에서 내려다본 시점, 건축 도면, 삽화, 삼차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "해당 세대 문턱 가까이에서 출입문과 문 옆 초인종 패널이 전경에 분명히 보이도록 대각선으로 바라본다. 동시에 복도의 긴 소실선이 엘리베이터 문까지 이어지고, 이웃 세대 문들의 반복과 반대편 안전 난간이 공간 구조를 설명하도록 넉넉하게 담는다. 사람이나 사람 형상의 요소는 넣지 않는다.",
            "shot_id": "S42_Shot3"
          },
          {
            "guide_text": "출입문 잠금장치 쪽 가장자리와 벽면 초인종 패널에 시선이 먼저 가도록 문턱 부분을 조금 더 가까이 잡되, 배경에는 긴 공용 복도와 엘리베이터 접근부가 자연스럽게 남아 있어야 한다. 실제 방문자가 도착해 서 있는 듯한 약 1.6미터 눈높이를 유지하고, 공간은 비어 있으며 평상시처럼 정돈된 상태로 표현한다.",
            "shot_id": "S42_Shot5"
          }
        ],
        "shot_ids": [
          "S42_Shot3",
          "S42_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 3 (featured unit threshold), facing diagonally toward number 5 (featured unit entrance) and number 8 (doorbell panel), with number 1 (long shared corridor) leading back toward number 4 (elevator doors)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Emphasize numbers 5 and 8 in the near foreground while preserving the long corridor depth toward numbers 2 and 4; allow numbers 6 and 7 to establish the repeating apartment-door pattern and number 9 to define the open gallery edge."
        },
        "reference_decision": {
          "bg_id": "L06B01",
          "fp_id": "fp_l06_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the only clean anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. Both consuming shots require an insert-scale view centered on base marker 8 beside opening marker 5; camera unit 3 at [4,6], looking toward [3,6] with a 25-degree telephoto field, supplies the required narrow and consistent framing.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l06_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              6
            ],
            "camera_unit": 3,
            "fov_deg": 25,
            "framing_notes": "Place the camera at hand height within unit marker 3 and use the narrow field to isolate base markers 8 and 5 while retaining only a slim portion of the surrounding fixed surface.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              3,
              6
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show a tightly restricted portion of unit marker 3 from camera cell [4,6] toward look-at cell [3,6], with persistent fixture marker 8 and the immediate surround of opening marker 5 visible. The telephoto view should exclude broader coverage of unit markers 1 and 2 and their associated openings.",
            "camera_framing_directive": "Frame from camera unit 3 at camera cell [4,6], looking within unit 3 toward look-at cell [3,6]. Use the telephoto lens at 25 degrees for compressed, narrow insert coverage centered on marker 8 and the immediate surround of opening marker 5.",
            "subject_position_directive": "For S42_Shot3, stage the C11 hand in the middle-center foreground over marker 8 and the C09 fingers entering toward it from middle-left. For S42_Shot5, keep the overlapping hands centered at the same contact point, with only a slim border of marker 8's fixed surround visible; do not introduce any additional subjects.",
            "state_cue_directive": "Maintain markers 5 and 8 as fixed elements in their committed positions. The covered or pressed condition described by the shots is produced by the staged foreground interaction rather than a persistent structural change. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional cues.",
            "negative_continuity_directive": "Keep units 1 and 2, openings 4, 6, and 7, and fixture marker 9 outside this narrow view. Preserve the fixed relationship between markers 8 and 5, and do not add uncommitted subjects, numbered elements, transient overlays, or scenario-specific objects to the background plate."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 6]\n  - look_at_unit: 3\n  - look_at_cell: [3, 6]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Place the camera at hand height within unit marker 3 and use the narrow field to isolate base markers 8 and 5 while retaining only a slim portion of the surrounding fixed surface.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a tightly restricted portion of unit marker 3 from camera cell [4,6] toward look-at cell [3,6], with persistent fixture marker 8 and the immediate surround of opening marker 5 visible. The telephoto view should exclude broader coverage of unit markers 1 and 2 and their associated openings.\n  - camera_framing_directive: Frame from camera unit 3 at camera cell [4,6], looking within unit 3 toward look-at cell [3,6]. Use the telephoto lens at 25 degrees for compressed, narrow insert coverage centered on marker 8 and the immediate surround of opening marker 5.\n  - subject_position_directive: For S42_Shot3, stage the C11 hand in the middle-center foreground over marker 8 and the C09 fingers entering toward it from middle-left. For S42_Shot5, keep the overlapping hands centered at the same contact point, with only a slim border of marker 8's fixed surround visible; do not introduce any additional subjects.\n  - state_cue_directive: Maintain markers 5 and 8 as fixed elements in their committed positions. The covered or pressed condition described by the shots is produced by the staged foreground interaction rather than a persistent structural change. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional cues.\n  - negative_continuity_directive: Keep units 1 and 2, openings 4, 6, and 7, and fixture marker 9 outside this narrow view. Preserve the fixed relationship between markers 8 and 5, and do not add uncommitted subjects, numbered elements, transient overlays, or scenario-specific objects to the background plate.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 6]\n  - look_at_unit: 3\n  - look_at_cell: [3, 6]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Place the camera at hand height within unit marker 3 and use the narrow field to isolate base markers 8 and 5 while retaining only a slim portion of the surrounding fixed surface.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a tightly restricted portion of unit marker 3 from camera cell [4,6] toward look-at cell [3,6], with persistent fixture marker 8 and the immediate surround of opening marker 5 visible. The telephoto view should exclude broader coverage of unit markers 1 and 2 and their associated openings.\n  - camera_framing_directive: Frame from camera unit 3 at camera cell [4,6], looking within unit 3 toward look-at cell [3,6]. Use the telephoto lens at 25 degrees for compressed, narrow insert coverage centered on marker 8 and the immediate surround of opening marker 5.\n  - subject_position_directive: For S42_Shot3, stage the C11 hand in the middle-center foreground over marker 8 and the C09 fingers entering toward it from middle-left. For S42_Shot5, keep the overlapping hands centered at the same contact point, with only a slim border of marker 8's fixed surround visible; do not introduce any additional subjects.\n  - state_cue_directive: Maintain markers 5 and 8 as fixed elements in their committed positions. The covered or pressed condition described by the shots is produced by the staged foreground interaction rather than a persistent structural change. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional cues.\n  - negative_continuity_directive: Keep units 1 and 2, openings 4, 6, and 7, and fixture marker 9 outside this narrow view. Preserve the fixed relationship between markers 8 and 5, and do not add uncommitted subjects, numbered elements, transient overlays, or scenario-specific objects to the background plate.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 6]\n  - look_at_unit: 3\n  - look_at_cell: [3, 6]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Place the camera at hand height within unit marker 3 and use the narrow field to isolate base markers 8 and 5 while retaining only a slim portion of the surrounding fixed surface.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a tightly restricted portion of unit marker 3 from camera cell [4,6] toward look-at cell [3,6], with persistent fixture marker 8 and the immediate surround of opening marker 5 visible. The telephoto view should exclude broader coverage of unit markers 1 and 2 and their associated openings.\n  - camera_framing_directive: Frame from camera unit 3 at camera cell [4,6], looking within unit 3 toward look-at cell [3,6]. Use the telephoto lens at 25 degrees for compressed, narrow insert coverage centered on marker 8 and the immediate surround of opening marker 5.\n  - subject_position_directive: For S42_Shot3, stage the C11 hand in the middle-center foreground over marker 8 and the C09 fingers entering toward it from middle-left. For S42_Shot5, keep the overlapping hands centered at the same contact point, with only a slim border of marker 8's fixed surround visible; do not introduce any additional subjects.\n  - state_cue_directive: Maintain markers 5 and 8 as fixed elements in their committed positions. The covered or pressed condition described by the shots is produced by the staged foreground interaction rather than a persistent structural change. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional cues.\n  - negative_continuity_directive: Keep units 1 and 2, openings 4, 6, and 7, and fixture marker 9 outside this narrow view. Preserve the fixed relationship between markers 8 and 5, and do not add uncommitted subjects, numbered elements, transient overlays, or scenario-specific objects to the background plate.\n\n대한민국 전라남도·광주광역시권에서 볼 수 있는 21세기 초·중반의 실용적인 공동주택 외부형 공용 복도. 해당 세대 문턱 가까이에 카메라를 두고, 세대 출입문과 문 잠금장치 쪽 벽에 부착된 초인종 패널을 가까운 전경에 강조하면서 대각선 방향으로 촬영한다. 긴 복도는 뒤쪽 엘리베이터 접근부와 엘리베이터 문까지 깊게 이어지며, 같은 벽을 따라 가까운 이웃 세대 문과 먼 이웃 세대 문이 일정한 공동주택식 간격으로 반복된다. 출입문 반대편의 개방된 복도 가장자리에는 연속된 금속 안전 난간이 놓여 복도 깊이와 외부 갤러리 구조를 드러낸다. 낮의 부드러운 자연광이 개방면에서 들어오고, 천장 아래의 그늘과 문 주변의 은은한 반사광이 실제 노출 범위 안에서 자연스럽게 나타난다. 도장된 콘크리트 벽과 바닥의 미세한 사용감, 금속 문의 도장 표면, 초인종 패널의 플라스틱과 금속 질감, 난간의 현실적인 마모와 옅은 산화 흔적을 과장 없이 표현한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 사람 형상의 장식이나 실루엣은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이, 풀프레임 미러리스 또는 디에스엘아르 카메라와 28밀리미터 광각 렌즈, 자연스러운 원근감과 피사계 심도. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 기록 사진처럼 담백하고 사실적이고 후처리 없는 결과. 평면도나 위에서 내려다본 시점, 건축 도면, 삽화, 삼차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            4,
            6
          ],
          "camera_unit": 3,
          "fov_deg": 25,
          "framing_notes": "Place the camera at hand height within unit marker 3 and use the narrow field to isolate base markers 8 and 5 while retaining only a slim portion of the surrounding fixed surface.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            3,
            6
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show a tightly restricted portion of unit marker 3 from camera cell [4,6] toward look-at cell [3,6], with persistent fixture marker 8 and the immediate surround of opening marker 5 visible. The telephoto view should exclude broader coverage of unit markers 1 and 2 and their associated openings.",
          "camera_framing_directive": "Frame from camera unit 3 at camera cell [4,6], looking within unit 3 toward look-at cell [3,6]. Use the telephoto lens at 25 degrees for compressed, narrow insert coverage centered on marker 8 and the immediate surround of opening marker 5.",
          "subject_position_directive": "For S42_Shot3, stage the C11 hand in the middle-center foreground over marker 8 and the C09 fingers entering toward it from middle-left. For S42_Shot5, keep the overlapping hands centered at the same contact point, with only a slim border of marker 8's fixed surround visible; do not introduce any additional subjects.",
          "state_cue_directive": "Maintain markers 5 and 8 as fixed elements in their committed positions. The covered or pressed condition described by the shots is produced by the staged foreground interaction rather than a persistent structural change. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional cues.",
          "negative_continuity_directive": "Keep units 1 and 2, openings 4, 6, and 7, and fixture marker 9 outside this narrow view. Preserve the fixed relationship between markers 8 and 5, and do not add uncommitted subjects, numbered elements, transient overlays, or scenario-specific objects to the background plate."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l06_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l06_corridor",
            "building_fp:fp_l04_kitchen"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l04_kitchen",
          "indoor_loc_sid": "L04",
          "group_id": "bg_apartment_home",
          "fp_asset_id": "a1703361-a0ee-44cd-9ceb-ddc7ebf8532d"
        }
      },
      "L10B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L10",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L10B01.png",
        "t2i_prompt": "대한민국 남서부 도시권의 조용한 해 질 무렵, 평범한 보급형 승용차 내부를 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 앞 조수석 부근의 앉은 사람 눈높이인 차량 바닥 위 약 1.2m에 있으며, 35mm급 중간 광각 렌즈로 운전석을 향해 대각선으로 바라본다. 왼쪽 운전석과 운전대, 앞쪽 대시보드와 계기판, 두 앞좌석 사이의 중앙 콘솔과 기어 선택 장치, 앞유리 상단 중앙의 실내 후사경, 그리고 뒤쪽 벤치 시트가 하나의 자연스러운 시선 안에 들어온다. 문과 측면 유리창, 앞유리와 뒷유리, 외부 거울은 실제 승용차 구조에 맞는 깊이와 비례로 보인다. 실내는 번쩍이는 전시용 차량이 아니라 일상적으로 사용된 상태로, 직물 시트의 섬유 조직과 눌림, 무광 플라스틱 대시보드의 잔잔한 긁힘, 금속과 고무 부품의 미세한 마모, 유리의 옅은 먼지와 손자국이 사실적으로 드러난다. 운전석과 중앙 콘솔 가까이에는 모서리와 표면이 닳은 지갑이 잠시 놓여 있고 그 곁에 작은 인화 사진이 함께 있으나, 사진 내용은 뒤집히거나 초점에서 벗어나 얼굴이나 사람 형상을 식별할 수 없다. 바깥의 푸른 회색 황혼빛이 실내를 낮고 자연스럽게 채우며, 측면 유리창 너머로 지나가는 촛불 거리 행렬의 따뜻한 불빛 점들이 보이고 창유리와 거울에 약하게 반사된다. 행렬의 사람이나 몸 형태의 실루엣은 프레임에 나타나지 않고 촛불과 거리의 빛만 실제 외부 공간에서 관찰된다. 조용하고 사적인 정적이 창밖의 촛불 반사로 서서히 바뀌는 순간이지만 과장된 조명이나 연출 없이 담담하게 기록한다. 자연스러운 노출, 절제된 중성에서 차가운 색조, 보통 수준의 명암 대비, 현실적인 초점 거리와 자연스러운 심도, 실제 장소 참고 사진 같은 질감, 후처리 없는 사실적인 촬영. 인물, 얼굴, 신체 형태의 조형물이나 실루엣은 전혀 없으며, 삽화·컴퓨터 생성 이미지·건축 시각화가 아닌 실제 카메라 사진이다. 위에서 내려다본 시점, 평면도, 도식 표현이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "조수석 부근의 앉은 눈높이에서 운전석과 중앙 콘솔을 대각선으로 바라보며, 운전대와 실내 후사경 너머로 뒷좌석까지 자연스럽게 이어지게 한다. 운전자 가까이에 놓인 낡은 지갑과 내용이 식별되지 않는 인화 사진이 보이되, 빈 차량 실내라는 원칙을 유지한다.",
            "shot_id": "S7_Shot4"
          },
          {
            "guide_text": "같은 조수석 시점을 유지하되 중앙 콘솔과 운전석 주변의 사용감, 해 질 무렵 유리창으로 들어오는 차가운 잔광을 조금 더 분명히 보여 준다. 지갑과 인화 사진은 과장하지 않고 실제 생활 소품처럼 놓으며 얼굴이나 인물 형상은 나타내지 않는다.",
            "shot_id": "S7_Shot6"
          },
          {
            "guide_text": "운전석 제어부와 뒷좌석이 한 시선 안에 들어오도록 구성하고, 측면 유리창 너머 촛불 행렬의 따뜻한 불빛 점과 유리 반사를 포착한다. 행렬 참가자는 프레임 밖에 두고 사람이나 실루엣 없이 촛불과 거리의 빛만 보이게 한다.",
            "shot_id": "S90_Shot5"
          },
          {
            "guide_text": "해 질 무렵의 어두워지는 차량 실내와 창문을 스치는 촛불 반사의 대비를 중심으로 삼되, 대시보드·운전대·후사경·뒷좌석의 실제 공간 관계가 읽히게 한다. 빈 실내의 조용한 정적과 따뜻한 외부 촛불빛이 자연스럽게 공존해야 한다.",
            "shot_id": "S90_Shot7"
          }
        ],
        "shot_ids": [
          "S7_Shot4",
          "S7_Shot6",
          "S90_Shot5",
          "S90_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "inside the front passenger area near number 7, facing diagonally toward number 6, number 22, and number 8, with the driver controls and rear passengers sharing the sightline",
          "camera_height": "seated eye level, approximately 1.2 m above the cabin floor",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Use a restrained interior-wide composition that includes the driver seat, rearview mirror, rear bench, and side glazing; allow closer crops toward number 11 and number 25 for the private wallet moment, and toward numbers 18 through 21 and number 26 for the candlelit street passage."
        },
        "reference_decision": {
          "bg_id": "L10B01",
          "fp_id": "fp_vehicle_cabin",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L10B01 is the sole supplied clean-anchor candidate and the only render-ready BG. It therefore seeds the dwelling identity directly from the floor plan without a prior reference. The wide camera at unit 3 cell [5,4], looking toward unit 2 cell [2,5], is an advertised geometry record and gives broad fixed-structure coverage suitable for the surfaced staging that spans rear-compartment, glazing-layered, front-control, and close transient-detail compositions.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_vehicle_cabin.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_refs",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              4
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use the advertised broad view from unit 3 toward unit 2 to establish the fixed cabin identity while retaining layered context for the surfaced wide, medium, and close shot staging.",
            "lens_enum": "wide",
            "look_at_cell": [
              2,
              3
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 3, show the advertised visible-unit candidates 1 and 2 across the broad 90-degree view toward unit 2. Maintain the fixed relationships among base unit markers 1, 2, and 3; furniture markers 6, 7, and 8; fixture markers 9, 10, 11, 22, 23, and 24; and only those opening markers from 12 through 21 that fall within this unit-3-to-unit-2 view.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [5,4] toward look-at unit 2 at cell [2,5] with the advertised wide lens and 90-degree field of view. Use broad coverage that preserves layered depth across the fixed seating, fixture, and glazing markers while allowing downstream shot-specific crops for the surfaced wide, medium, and close staging.",
            "subject_position_directive": "The surfaced staging commits multiple shot-specific subject arrangements rather than one permanent background placement: a close overhead detail centered on marker 25; a medium three-quarter subject in the front control area with a hand near the ignition and gaze through the forward glazing; subjects beyond side glazing in a wide layered exterior view; and a seated close-profile subject in the rear area looking toward side glazing. Keep these as removable shot layers and do not invent subjects beyond those staged arrangements.",
            "state_cue_directive": "Carry the two committed transient cues: marker 25 as the shot-specific close-detail object and marker 26 as the exterior cue visible beyond glazing where required by the surfaced staging. Preserve the subdued evening or dusk treatment, including the staged reflected and exterior light cues, without inventing additional state cues.",
            "negative_continuity_directive": "Do not alter the floor-plan placement of base markers 1 through 24, do not place spaces outside units 1 and 2 into the committed forward view from unit 3, and do not invent additional scenario-specific objects or state overlays beyond transient markers 25 and 26. Treat the visible-opening list as a superset and include only opening markers consistent with the unit-3-to-unit-2 view cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [5, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 3 toward unit 2 to establish the fixed cabin identity while retaining layered context for the surfaced wide, medium, and close shot staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 3, show the advertised visible-unit candidates 1 and 2 across the broad 90-degree view toward unit 2. Maintain the fixed relationships among base unit markers 1, 2, and 3; furniture markers 6, 7, and 8; fixture markers 9, 10, 11, 22, 23, and 24; and only those opening markers from 12 through 21 that fall within this unit-3-to-unit-2 view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [5,4] toward look-at unit 2 at cell [2,5] with the advertised wide lens and 90-degree field of view. Use broad coverage that preserves layered depth across the fixed seating, fixture, and glazing markers while allowing downstream shot-specific crops for the surfaced wide, medium, and close staging.\n  - subject_position_directive: The surfaced staging commits multiple shot-specific subject arrangements rather than one permanent background placement: a close overhead detail centered on marker 25; a medium three-quarter subject in the front control area with a hand near the ignition and gaze through the forward glazing; subjects beyond side glazing in a wide layered exterior view; and a seated close-profile subject in the rear area looking toward side glazing. Keep these as removable shot layers and do not invent subjects beyond those staged arrangements.\n  - state_cue_directive: Carry the two committed transient cues: marker 25 as the shot-specific close-detail object and marker 26 as the exterior cue visible beyond glazing where required by the surfaced staging. Preserve the subdued evening or dusk treatment, including the staged reflected and exterior light cues, without inventing additional state cues.\n  - negative_continuity_directive: Do not alter the floor-plan placement of base markers 1 through 24, do not place spaces outside units 1 and 2 into the committed forward view from unit 3, and do not invent additional scenario-specific objects or state overlays beyond transient markers 25 and 26. Treat the visible-opening list as a superset and include only opening markers consistent with the unit-3-to-unit-2 view cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [5, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 3 toward unit 2 to establish the fixed cabin identity while retaining layered context for the surfaced wide, medium, and close shot staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 3, show the advertised visible-unit candidates 1 and 2 across the broad 90-degree view toward unit 2. Maintain the fixed relationships among base unit markers 1, 2, and 3; furniture markers 6, 7, and 8; fixture markers 9, 10, 11, 22, 23, and 24; and only those opening markers from 12 through 21 that fall within this unit-3-to-unit-2 view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [5,4] toward look-at unit 2 at cell [2,5] with the advertised wide lens and 90-degree field of view. Use broad coverage that preserves layered depth across the fixed seating, fixture, and glazing markers while allowing downstream shot-specific crops for the surfaced wide, medium, and close staging.\n  - subject_position_directive: The surfaced staging commits multiple shot-specific subject arrangements rather than one permanent background placement: a close overhead detail centered on marker 25; a medium three-quarter subject in the front control area with a hand near the ignition and gaze through the forward glazing; subjects beyond side glazing in a wide layered exterior view; and a seated close-profile subject in the rear area looking toward side glazing. Keep these as removable shot layers and do not invent subjects beyond those staged arrangements.\n  - state_cue_directive: Carry the two committed transient cues: marker 25 as the shot-specific close-detail object and marker 26 as the exterior cue visible beyond glazing where required by the surfaced staging. Preserve the subdued evening or dusk treatment, including the staged reflected and exterior light cues, without inventing additional state cues.\n  - negative_continuity_directive: Do not alter the floor-plan placement of base markers 1 through 24, do not place spaces outside units 1 and 2 into the committed forward view from unit 3, and do not invent additional scenario-specific objects or state overlays beyond transient markers 25 and 26. Treat the visible-opening list as a superset and include only opening markers consistent with the unit-3-to-unit-2 view cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [5, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 3 toward unit 2 to establish the fixed cabin identity while retaining layered context for the surfaced wide, medium, and close shot staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 3, show the advertised visible-unit candidates 1 and 2 across the broad 90-degree view toward unit 2. Maintain the fixed relationships among base unit markers 1, 2, and 3; furniture markers 6, 7, and 8; fixture markers 9, 10, 11, 22, 23, and 24; and only those opening markers from 12 through 21 that fall within this unit-3-to-unit-2 view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [5,4] toward look-at unit 2 at cell [2,5] with the advertised wide lens and 90-degree field of view. Use broad coverage that preserves layered depth across the fixed seating, fixture, and glazing markers while allowing downstream shot-specific crops for the surfaced wide, medium, and close staging.\n  - subject_position_directive: The surfaced staging commits multiple shot-specific subject arrangements rather than one permanent background placement: a close overhead detail centered on marker 25; a medium three-quarter subject in the front control area with a hand near the ignition and gaze through the forward glazing; subjects beyond side glazing in a wide layered exterior view; and a seated close-profile subject in the rear area looking toward side glazing. Keep these as removable shot layers and do not invent subjects beyond those staged arrangements.\n  - state_cue_directive: Carry the two committed transient cues: marker 25 as the shot-specific close-detail object and marker 26 as the exterior cue visible beyond glazing where required by the surfaced staging. Preserve the subdued evening or dusk treatment, including the staged reflected and exterior light cues, without inventing additional state cues.\n  - negative_continuity_directive: Do not alter the floor-plan placement of base markers 1 through 24, do not place spaces outside units 1 and 2 into the committed forward view from unit 3, and do not invent additional scenario-specific objects or state overlays beyond transient markers 25 and 26. Treat the visible-opening list as a superset and include only opening markers consistent with the unit-3-to-unit-2 view cone.\n\n대한민국 남서부 도시권의 조용한 해 질 무렵, 평범한 보급형 승용차 내부를 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 앞 조수석 부근의 앉은 사람 눈높이인 차량 바닥 위 약 1.2m에 있으며, 35mm급 중간 광각 렌즈로 운전석을 향해 대각선으로 바라본다. 왼쪽 운전석과 운전대, 앞쪽 대시보드와 계기판, 두 앞좌석 사이의 중앙 콘솔과 기어 선택 장치, 앞유리 상단 중앙의 실내 후사경, 그리고 뒤쪽 벤치 시트가 하나의 자연스러운 시선 안에 들어온다. 문과 측면 유리창, 앞유리와 뒷유리, 외부 거울은 실제 승용차 구조에 맞는 깊이와 비례로 보인다. 실내는 번쩍이는 전시용 차량이 아니라 일상적으로 사용된 상태로, 직물 시트의 섬유 조직과 눌림, 무광 플라스틱 대시보드의 잔잔한 긁힘, 금속과 고무 부품의 미세한 마모, 유리의 옅은 먼지와 손자국이 사실적으로 드러난다. 운전석과 중앙 콘솔 가까이에는 모서리와 표면이 닳은 지갑이 잠시 놓여 있고 그 곁에 작은 인화 사진이 함께 있으나, 사진 내용은 뒤집히거나 초점에서 벗어나 얼굴이나 사람 형상을 식별할 수 없다. 바깥의 푸른 회색 황혼빛이 실내를 낮고 자연스럽게 채우며, 측면 유리창 너머로 지나가는 촛불 거리 행렬의 따뜻한 불빛 점들이 보이고 창유리와 거울에 약하게 반사된다. 행렬의 사람이나 몸 형태의 실루엣은 프레임에 나타나지 않고 촛불과 거리의 빛만 실제 외부 공간에서 관찰된다. 조용하고 사적인 정적이 창밖의 촛불 반사로 서서히 바뀌는 순간이지만 과장된 조명이나 연출 없이 담담하게 기록한다. 자연스러운 노출, 절제된 중성에서 차가운 색조, 보통 수준의 명암 대비, 현실적인 초점 거리와 자연스러운 심도, 실제 장소 참고 사진 같은 질감, 후처리 없는 사실적인 촬영. 인물, 얼굴, 신체 형태의 조형물이나 실루엣은 전혀 없으며, 삽화·컴퓨터 생성 이미지·건축 시각화가 아닌 실제 카메라 사진이다. 위에서 내려다본 시점, 평면도, 도식 표현이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            5,
            4
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use the advertised broad view from unit 3 toward unit 2 to establish the fixed cabin identity while retaining layered context for the surfaced wide, medium, and close shot staging.",
          "lens_enum": "wide",
          "look_at_cell": [
            2,
            3
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 3, show the advertised visible-unit candidates 1 and 2 across the broad 90-degree view toward unit 2. Maintain the fixed relationships among base unit markers 1, 2, and 3; furniture markers 6, 7, and 8; fixture markers 9, 10, 11, 22, 23, and 24; and only those opening markers from 12 through 21 that fall within this unit-3-to-unit-2 view.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [5,4] toward look-at unit 2 at cell [2,5] with the advertised wide lens and 90-degree field of view. Use broad coverage that preserves layered depth across the fixed seating, fixture, and glazing markers while allowing downstream shot-specific crops for the surfaced wide, medium, and close staging.",
          "subject_position_directive": "The surfaced staging commits multiple shot-specific subject arrangements rather than one permanent background placement: a close overhead detail centered on marker 25; a medium three-quarter subject in the front control area with a hand near the ignition and gaze through the forward glazing; subjects beyond side glazing in a wide layered exterior view; and a seated close-profile subject in the rear area looking toward side glazing. Keep these as removable shot layers and do not invent subjects beyond those staged arrangements.",
          "state_cue_directive": "Carry the two committed transient cues: marker 25 as the shot-specific close-detail object and marker 26 as the exterior cue visible beyond glazing where required by the surfaced staging. Preserve the subdued evening or dusk treatment, including the staged reflected and exterior light cues, without inventing additional state cues.",
          "negative_continuity_directive": "Do not alter the floor-plan placement of base markers 1 through 24, do not place spaces outside units 1 and 2 into the committed forward view from unit 3, and do not invent additional scenario-specific objects or state overlays beyond transient markers 25 and 26. Treat the visible-opening list as a superset and include only opening markers consistent with the unit-3-to-unit-2 view cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_vehicle_cabin",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_vehicle_cabin"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L12B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L12",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L12B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 현실적인 중소 규모 경찰서 정문 진입로와 전면 외관을 촬영한 실제 카메라 다큐멘터리 풍 사진. 남쪽 진입 지점에서 북쪽의 청사를 향해 바라보며, 중앙의 포장 진입로 양옆으로 성숙한 메타세쿼이아 나무 열이 길고 거의 대칭적인 원근선을 만든다. 진입로 끝의 열린 정문 너머에는 단정한 전면 마당이 있고, 보행로가 마당을 가로질러 소박한 공공기관 건물의 주 출입구까지 곧게 이어진다. 청사는 과장되지 않은 낮은 규모이며, 실용적인 콘크리트와 석재 마감, 금속 창틀, 출입구 옆으로 반복되는 규칙적인 전면 창 배열에서 2010년대 중후반 한국 지방 공공청사의 현실적인 건축 감각이 드러난다. 아침의 부드러운 자연광과 약간 서늘한 중성 색조, 온화한 명암, 실제 아스팔트의 미세한 균열과 얼룩, 콘크리트의 생활 마모, 금속의 옅은 산화 흔적, 나무껍질과 잎의 자연스러운 질감을 사실적으로 표현한다. 어두운 색의 스포츠유틸리티차량 한 대가 진입로 중앙을 따라 북쪽 정문을 향해 이동 중이며, 차량의 위치와 약한 바퀴 움직임만으로 도착 순간이 자연스럽게 느껴진다. 사람, 얼굴, 인체 형태의 조형물은 전혀 없다. 서 있는 사람의 눈높이 약 1.6미터에서 실제 디지털 일안 반사식 또는 미러리스 카메라와 35밀리미터급 보통 광각 렌즈로 촬영하고, 나무가 늘어선 긴 시선축과 전면 마당 너머의 청사를 한 프레임에 담는다. 건물은 장엄하거나 거대하지 않게 유지하며 주 출입구와 창의 반복 리듬이 분명히 보이게 한다. 자연스러운 피사계 심도와 현실적인 광학 원근, 실제 장소 기록 사진다운 절제된 질감, 인위적인 후보정 없는 담백한 사진. 깨끗한 상업용 스톡 사진, 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 하향 조감도가 아닌 실제 현장 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "진입로 남쪽 중앙에서 정문과 청사를 향해 바라보는 도착 시점의 넓은 구도. 양쪽 메타세쿼이아 열이 만드는 길고 대칭적인 원근선을 유지하고, 어두운 스포츠유틸리티차량이 진입로를 따라 정문 쪽으로 이동하는 모습과 그 너머의 소박한 경찰서 전면을 함께 담는다.",
            "shot_id": "S8_Shot1"
          },
          {
            "guide_text": "정문 진입로의 축을 유지한 채 전면 마당과 청사까지의 공간적 깊이를 명확히 보여준다. 이동 중인 어두운 스포츠유틸리티차량이 건물을 가리지 않도록 배치하고, 주 출입구와 규칙적인 전면 창 배열이 식별되는 자연스러운 아침 도착 장면으로 구성한다.",
            "shot_id": "S9_Shot2"
          }
        ],
        "shot_ids": [
          "S8_Shot1",
          "S9_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "on number 1 (approach drive), initially between numbers 5 and 6 (tree rows), facing through number 4 (front gate) toward number 3 (station building), with number 10 (arriving vehicle) ahead; for the forecourt view, move near number 2 and face number 7 (main entrance) and number 8 (front window band)",
          "camera_height": "eye-level standing approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Preserve the long symmetrical tree-lined sightline in the arrival shot. Keep the building modest in scale, with the entrance and regular window rhythm clearly visible beyond the forecourt."
        },
        "reference_decision": {
          "bg_id": "L12B01",
          "fp_id": "fp_l12_station_approach",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L12B01 is the sole clean-anchor fallback candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. A wide camera at unit marker 1 looking toward unit marker 3 follows the committed central-axis framing, supports the moving midground subject in S8_Shot1, and keeps the background focus required by S9_Shot2.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l12_station_approach.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_without_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference is available; this first node must seed the fixed identity directly from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the advertised wide view from unit marker 1 toward unit marker 3, preserving the central depth axis while allowing units 2 and 9 and the relevant numbered openings and fixtures to provide broad context for both consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              1,
              5
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show the view from unit marker 1 toward unit marker 3 with broad contextual coverage of target unit markers 2 and 9 where admitted by the wide cone. Preserve the central relationship among base markers 1, 2, 3, and 9; include opening markers 4, 7, and 8 and fixed fixture markers 5 and 6 only in positions established by the floor-plan readback.",
            "camera_framing_directive": "Frame from camera unit marker 1 at cell [7,5] toward look-at unit marker 3 at cell [1,5] with the advertised wide lens and 90-degree field of view. Maintain broad coverage along the central axis, with the lower-middle and foreground edges available for the staged subjects and the fixed background extending through units 9 and 2 toward unit 3.",
            "subject_position_directive": "For S8_Shot1, hold the committed moving subject at middle center in the midground, facing and moving toward the camera along the central axis. For S9_Shot2, reserve one lower foreground edge for the back-to-camera subject with chin raised toward the background focus; do not add any other subjects.",
            "state_cue_directive": "Carry transient marker number 10 as committed by the dossier, using only its staged slow-arrival state where applicable. Preserve base markers 1 through 9 as the fixed setting under the supplied natural morning ambient-light staging, and add no unlisted state cues.",
            "negative_continuity_directive": "Do not invent numbered elements, subjects, or state overlays beyond the committed facts. Keep content outside the wide view from unit marker 1 toward unit marker 3 out of frame, and do not alter the fixed positions of base markers 1 through 9. There are no committed ignored element numbers or ignored state-overlay marker numbers for this BG."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 3\n  - look_at_cell: [1, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit marker 1 toward unit marker 3, preserving the central depth axis while allowing units 2 and 9 and the relevant numbered openings and fixtures to provide broad context for both consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view from unit marker 1 toward unit marker 3 with broad contextual coverage of target unit markers 2 and 9 where admitted by the wide cone. Preserve the central relationship among base markers 1, 2, 3, and 9; include opening markers 4, 7, and 8 and fixed fixture markers 5 and 6 only in positions established by the floor-plan readback.\n  - camera_framing_directive: Frame from camera unit marker 1 at cell [7,5] toward look-at unit marker 3 at cell [1,5] with the advertised wide lens and 90-degree field of view. Maintain broad coverage along the central axis, with the lower-middle and foreground edges available for the staged subjects and the fixed background extending through units 9 and 2 toward unit 3.\n  - subject_position_directive: For S8_Shot1, hold the committed moving subject at middle center in the midground, facing and moving toward the camera along the central axis. For S9_Shot2, reserve one lower foreground edge for the back-to-camera subject with chin raised toward the background focus; do not add any other subjects.\n  - state_cue_directive: Carry transient marker number 10 as committed by the dossier, using only its staged slow-arrival state where applicable. Preserve base markers 1 through 9 as the fixed setting under the supplied natural morning ambient-light staging, and add no unlisted state cues.\n  - negative_continuity_directive: Do not invent numbered elements, subjects, or state overlays beyond the committed facts. Keep content outside the wide view from unit marker 1 toward unit marker 3 out of frame, and do not alter the fixed positions of base markers 1 through 9. There are no committed ignored element numbers or ignored state-overlay marker numbers for this BG.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 3\n  - look_at_cell: [1, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit marker 1 toward unit marker 3, preserving the central depth axis while allowing units 2 and 9 and the relevant numbered openings and fixtures to provide broad context for both consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view from unit marker 1 toward unit marker 3 with broad contextual coverage of target unit markers 2 and 9 where admitted by the wide cone. Preserve the central relationship among base markers 1, 2, 3, and 9; include opening markers 4, 7, and 8 and fixed fixture markers 5 and 6 only in positions established by the floor-plan readback.\n  - camera_framing_directive: Frame from camera unit marker 1 at cell [7,5] toward look-at unit marker 3 at cell [1,5] with the advertised wide lens and 90-degree field of view. Maintain broad coverage along the central axis, with the lower-middle and foreground edges available for the staged subjects and the fixed background extending through units 9 and 2 toward unit 3.\n  - subject_position_directive: For S8_Shot1, hold the committed moving subject at middle center in the midground, facing and moving toward the camera along the central axis. For S9_Shot2, reserve one lower foreground edge for the back-to-camera subject with chin raised toward the background focus; do not add any other subjects.\n  - state_cue_directive: Carry transient marker number 10 as committed by the dossier, using only its staged slow-arrival state where applicable. Preserve base markers 1 through 9 as the fixed setting under the supplied natural morning ambient-light staging, and add no unlisted state cues.\n  - negative_continuity_directive: Do not invent numbered elements, subjects, or state overlays beyond the committed facts. Keep content outside the wide view from unit marker 1 toward unit marker 3 out of frame, and do not alter the fixed positions of base markers 1 through 9. There are no committed ignored element numbers or ignored state-overlay marker numbers for this BG.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 3\n  - look_at_cell: [1, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit marker 1 toward unit marker 3, preserving the central depth axis while allowing units 2 and 9 and the relevant numbered openings and fixtures to provide broad context for both consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view from unit marker 1 toward unit marker 3 with broad contextual coverage of target unit markers 2 and 9 where admitted by the wide cone. Preserve the central relationship among base markers 1, 2, 3, and 9; include opening markers 4, 7, and 8 and fixed fixture markers 5 and 6 only in positions established by the floor-plan readback.\n  - camera_framing_directive: Frame from camera unit marker 1 at cell [7,5] toward look-at unit marker 3 at cell [1,5] with the advertised wide lens and 90-degree field of view. Maintain broad coverage along the central axis, with the lower-middle and foreground edges available for the staged subjects and the fixed background extending through units 9 and 2 toward unit 3.\n  - subject_position_directive: For S8_Shot1, hold the committed moving subject at middle center in the midground, facing and moving toward the camera along the central axis. For S9_Shot2, reserve one lower foreground edge for the back-to-camera subject with chin raised toward the background focus; do not add any other subjects.\n  - state_cue_directive: Carry transient marker number 10 as committed by the dossier, using only its staged slow-arrival state where applicable. Preserve base markers 1 through 9 as the fixed setting under the supplied natural morning ambient-light staging, and add no unlisted state cues.\n  - negative_continuity_directive: Do not invent numbered elements, subjects, or state overlays beyond the committed facts. Keep content outside the wide view from unit marker 1 toward unit marker 3 out of frame, and do not alter the fixed positions of base markers 1 through 9. There are no committed ignored element numbers or ignored state-overlay marker numbers for this BG.\n\n대한민국 전라남도·광주권의 현실적인 중소 규모 경찰서 정문 진입로와 전면 외관을 촬영한 실제 카메라 다큐멘터리 풍 사진. 남쪽 진입 지점에서 북쪽의 청사를 향해 바라보며, 중앙의 포장 진입로 양옆으로 성숙한 메타세쿼이아 나무 열이 길고 거의 대칭적인 원근선을 만든다. 진입로 끝의 열린 정문 너머에는 단정한 전면 마당이 있고, 보행로가 마당을 가로질러 소박한 공공기관 건물의 주 출입구까지 곧게 이어진다. 청사는 과장되지 않은 낮은 규모이며, 실용적인 콘크리트와 석재 마감, 금속 창틀, 출입구 옆으로 반복되는 규칙적인 전면 창 배열에서 2010년대 중후반 한국 지방 공공청사의 현실적인 건축 감각이 드러난다. 아침의 부드러운 자연광과 약간 서늘한 중성 색조, 온화한 명암, 실제 아스팔트의 미세한 균열과 얼룩, 콘크리트의 생활 마모, 금속의 옅은 산화 흔적, 나무껍질과 잎의 자연스러운 질감을 사실적으로 표현한다. 어두운 색의 스포츠유틸리티차량 한 대가 진입로 중앙을 따라 북쪽 정문을 향해 이동 중이며, 차량의 위치와 약한 바퀴 움직임만으로 도착 순간이 자연스럽게 느껴진다. 사람, 얼굴, 인체 형태의 조형물은 전혀 없다. 서 있는 사람의 눈높이 약 1.6미터에서 실제 디지털 일안 반사식 또는 미러리스 카메라와 35밀리미터급 보통 광각 렌즈로 촬영하고, 나무가 늘어선 긴 시선축과 전면 마당 너머의 청사를 한 프레임에 담는다. 건물은 장엄하거나 거대하지 않게 유지하며 주 출입구와 창의 반복 리듬이 분명히 보이게 한다. 자연스러운 피사계 심도와 현실적인 광학 원근, 실제 장소 기록 사진다운 절제된 질감, 인위적인 후보정 없는 담백한 사진. 깨끗한 상업용 스톡 사진, 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 하향 조감도가 아닌 실제 현장 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            7,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the advertised wide view from unit marker 1 toward unit marker 3, preserving the central depth axis while allowing units 2 and 9 and the relevant numbered openings and fixtures to provide broad context for both consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            1,
            5
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the view from unit marker 1 toward unit marker 3 with broad contextual coverage of target unit markers 2 and 9 where admitted by the wide cone. Preserve the central relationship among base markers 1, 2, 3, and 9; include opening markers 4, 7, and 8 and fixed fixture markers 5 and 6 only in positions established by the floor-plan readback.",
          "camera_framing_directive": "Frame from camera unit marker 1 at cell [7,5] toward look-at unit marker 3 at cell [1,5] with the advertised wide lens and 90-degree field of view. Maintain broad coverage along the central axis, with the lower-middle and foreground edges available for the staged subjects and the fixed background extending through units 9 and 2 toward unit 3.",
          "subject_position_directive": "For S8_Shot1, hold the committed moving subject at middle center in the midground, facing and moving toward the camera along the central axis. For S9_Shot2, reserve one lower foreground edge for the back-to-camera subject with chin raised toward the background focus; do not add any other subjects.",
          "state_cue_directive": "Carry transient marker number 10 as committed by the dossier, using only its staged slow-arrival state where applicable. Preserve base markers 1 through 9 as the fixed setting under the supplied natural morning ambient-light staging, and add no unlisted state cues.",
          "negative_continuity_directive": "Do not invent numbered elements, subjects, or state overlays beyond the committed facts. Keep content outside the wide view from unit marker 1 toward unit marker 3 out of frame, and do not alter the fixed positions of base markers 1 through 9. There are no committed ignored element numbers or ignored state-overlay marker numbers for this BG."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l12_station_approach",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l12_station_approach",
            "building_fp:fp_l17_investigation_chief_office"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l17_investigation_chief_office",
          "indoor_loc_sid": "L17",
          "group_id": "bg_district_police_station",
          "fp_asset_id": "20b50564-80db-463d-a460-c9553555956d"
        }
      },
      "L13B03": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L13B02",
        "reused_from_bg_id": "L13B02",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B02.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2010년대 중후반 관공서 경찰 수사 부서 내부를 연상시키는 낮 시간의 긴 공용 복도. 실제 사용 중인 지방 관공서답게 옅은 중성색 도장 벽, 오래 닦여 은은하게 마모된 바닥, 단순한 금속 문틀과 사무실 출입문, 실용적인 형광등 설비, 남쪽 연속 창으로 들어오는 흐린 자연광을 사실적으로 표현한다. 복도 북쪽의 수사 책임자 사무실 근처에 카메라를 두고, 복도 남쪽 중앙부에 있는 강력범죄 수사 사무실 출입구를 향해 길게 바라본 구도이며, 동쪽 끝의 계단참과 아래로 꺾여 내려가는 계단 구조가 공간의 깊이를 뒷받침한다. 강력범죄 수사 사무실 문턱과 바로 인접한 복도 바닥에는 내부의 갑작스러운 소란이 바깥으로 번진 듯 종이 몇 장과 가벼운 사무용품이 불규칙하게 밀려나와 흐트러져 있다. 파손이나 자극적인 흔적보다는 업무 공간에서 막 발생한 현실적인 혼란의 상태로 절제해 표현한다. 사람, 얼굴, 신체 형상, 사람 모양 장식은 전혀 없다. 약 1.6m의 서 있는 사람 눈높이에서 32mm 준광각 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 실제 콘크리트와 도장면의 미세한 얼룩, 금속의 생활 흠집과 묵은 광택, 종이 질감, 바닥의 마모와 청소 자국을 정확하게 보여 주며 자연스러운 원근감과 심도를 유지한다. 차분한 중성·한색 계열과 보통 수준의 대비, 현실적인 낮 조명, 과도하게 정돈된 홍보 사진이 아닌 실제 장소 기록 사진, 인위적 후처리 없음. 하향 조감도, 평면도, 건축 도면, 삽화, 3D 시각화가 아닌 실제 카메라 촬영 장면. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "수사 책임자 사무실 가까운 복도 안에서 서서 강력범죄 수사 사무실 출입구 방향을 바라본다. 약 1.6m 눈높이와 32mm 준광각으로 긴 복도의 깊이, 출입구 문턱, 그 주변 바닥까지 한 프레임에 담는다. 문턱을 넘어 복도 쪽으로 번진 종이와 가벼운 사무용품의 흐트러짐이 분명히 보이되 과장하거나 선정적으로 강조하지 않는다. 사람이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S10_Shot4"
          }
        ],
        "shot_ids": [
          "S10_Shot4"
        ],
        "scenes": [],
        "parent_id": "L13B02",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "inside number 1 (main corridor), near number 4 (chief office), facing along the corridor toward number 3 (violent-crimes office doorway)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "32mm moderate wide angle",
          "framing_notes": "Keep number 3 prominent and show the disturbance represented by number 11 spilling from the doorway into the corridor; retain enough corridor depth to establish the office relationship."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L13B02",
          "selected_refs": [
            {
              "physical_space_id": "ps_fp_l13_1",
              "ref_bg_id": "L13B02",
              "space_description": "Same fixed unit-8-to-unit-2 view with overlapping units 1, 2, 4, 8, and 9 and openings 3, 5, and 10."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Retain L13B02's broad 90-degree framing from camera unit 8 at [4,8] toward look-at unit 2 at [5,4]. Use the wide coverage to hold opening marker 3 obliquely with unit 1 providing the lateral action area.",
          "negative_continuity_directive": "Exclude overlay markers 12, 13, and 14, including marker 13 if it is visible in the L13B02 reference. Preserve the fixed positions inherited from L13B02 for units 1, 2, 4, 8, and 9 and openings 3, 5, and 10; do not shift those elements or add spaces outside the unit-8 view-cone superset.",
          "state_cue_directive": "Carry transient marker 11 and the temporary half-open state associated by the surfaced staging with opening marker 3. Use numbered elements 1, 2, 3, 4, 5, 8, 9, and 10, and introduce no additional state cues.",
          "subject_position_directive": "For S10_Shot4, place the two primary committed subjects across center-left and right on an oblique three-quarter action axis, with the right-side subject breaking backward. Place the third committed subject in the background at opening marker 3, bracing its temporary half-open state and observing the action.",
          "visible_space_directive": "Match L13B02's fixed view from unit 8 toward unit 2, keeping units 1, 2, 4, 8, and 9 in their established relationships. Opening marker 3 must expose the staged partial view into unit 2, while opening marker 5 and base marker 10 remain positioned consistently with the reference."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_station_corridor",
          "prior_bg_ids": [
            "L13B02"
          ],
          "attached_ref_labels": [
            "bg:L13B02"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L13B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 21세기 초·중반 경찰 관서 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 낮 시간의 길고 실용적인 공용 복도이며, 북쪽 복도 벽의 수사과장실 출입문이 동쪽 계단참 가까이에 있고 남쪽 창문 열을 통해 흐린 자연광이 들어온다. 계단참 근처에 카메라를 두고 수사과장실 출입문 쪽을 대각선으로 바라보며, 계단참에서 방향을 틀어 아래층으로 내려가는 계단도 프레임 안에 계속 보이게 한다. 카메라 높이는 서 있는 사람의 눈높이인 약 1.6미터, 35밀리미터급 적당한 광각 렌즈의 자연스러운 원근감이다. 출입문은 문틀에 완전히 닫혀 있고 손잡이와 잠금장치가 체결되어 있으며, 문턱에도 벌어진 틈이 없어 현재 잠겨 있는 상태가 현실적으로 읽힌다. 오래 사용한 한국 공공기관 특유의 무광 도장 벽, 실제 금속 손잡이와 난간의 잔잔한 마모와 변색, 계단 모서리의 생활 마모, 약간의 얼룩과 광택이 남은 바닥, 단순한 직관형 천장 조명을 사실적으로 표현한다. 창문에서 들어오는 자연광과 켜진 실내 조명이 과장 없이 섞이고, 중성에서 약간 차가운 색조와 보통 수준의 명암, 자연스러운 심도와 정확한 재료 질감을 유지한다. 사람이 실제로 사용하는 장소답게 일상적인 마모와 미세한 얼룩은 있으나 과도하게 정돈된 광고 사진처럼 보이지 않게 한다. 사람, 얼굴, 신체 형태의 인형이나 실루엣은 전혀 포함하지 않는다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 하며, 후처리 효과가 없는 담담한 사진으로 표현한다. 하향식 시점, 평면도, 건축 도면, 건축 시각화가 아닌 실제 눈높이의 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "계단참 가까운 위치에서 수사과장실 출입문을 대각선으로 바라본다. 닫혀 잠긴 문과 손잡이 부분이 명확히 읽히되 과도하게 확대하지 않고, 화면 한쪽에 아래층으로 꺾여 내려가는 계단을 함께 남겨 복도 끝의 공간 관계를 보여준다. 사람이나 사람 형태의 장식물은 배치하지 않는다.",
            "shot_id": "S10_Shot8"
          },
          {
            "guide_text": "같은 계단참 시점과 주간 조명을 유지한다. 수사과장실 출입문, 복도 깊이, 창문에서 들어오는 자연광, 내려가는 계단이 한 프레임 안에서 이어지도록 구성하고, 문이 잠겨 열리지 않는 상태는 손잡이와 잠금장치가 체결된 현실적인 모습으로만 절제해 표현한다. 사람, 얼굴, 신체 형상은 포함하지 않는다.",
            "shot_id": "S10_Shot13"
          }
        ],
        "shot_ids": [
          "S10_Shot8",
          "S10_Shot13"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 8 (stair landing), facing diagonally toward number 5 (chief-office door) with number 9 (stair run) remaining visible",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the locked chief-office door state represented by number 12 while preserving a clear view of the connected landing and descending stair."
        },
        "reference_decision": {
          "bg_id": "L13B01",
          "fp_id": "fp_l13_station_corridor",
          "node_index": 2,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L13B01 overlaps L13B02 in units 1, 4, 8, and 9 and therefore belongs to the same physical space, but its staged emphasis requires a different look-at axis toward unit 4 and opening marker 5. L13B02 is retained as the single continuity parent for fixed structure, while the changed geometry warrants a new plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B02.png"
          ],
          "source_bg_ids": [
            "L13B02"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "ps_fp_l13_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space_new_view",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "ps_fp_l13_1",
                "ref_bg_id": "L13B02",
                "space_description": "Same connected physical space, reoriented from unit 8 toward unit 4 and opening marker 5."
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because the required units are part of the same connected physical space established by L13B02; no consuming shot commits two distinct co-visible spaces."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              8
            ],
            "camera_unit": 8,
            "fov_deg": 90,
            "framing_notes": "Use the listed camera cell in unit 8 and look toward unit 4 through listed look-at cell [3,3], giving broad coverage of the corridor-to-stair relationship and the opening marked 5.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              3
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "From unit 8 toward unit 4, show the connected structure of units 8, 1, 4, and 9. Keep opening marker 5 visible on the unit-4-facing side and retain base marker 10 only where the wide view permits, preserving the positions of all shared fixed elements established by L13B02.",
            "camera_framing_directive": "Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 4 at cell [3,3] with a 90-degree wide lens. Establish the long unit-1 axis and retain enough upper and lateral coverage for unit 8, unit 9, and opening marker 5.",
            "subject_position_directive": "For S10_Shot8, place the committed subject with back to camera in the distant centered midground, with one hand at opening marker 5 and that opening closing the background perspective line. For S10_Shot13, place one partial subject at lower-left foreground and the second committed subject off-axis at upper right on the unit-8/unit-9 stair structure.",
            "state_cue_directive": "Carry transient marker 12 as the only committed overlay cue and apply the staged closed and locked state at opening marker 5. Use numbered elements 1, 4, 5, 8, 9, and 10 without inventing additional state cues.",
            "negative_continuity_directive": "Exclude overlay markers 11, 13, and 14. Preserve from L13B02 the fixed placement of shared units 1, 4, 8, and 9 and the shared opening geometry, but do not copy L13B02's unit-2-centered framing or marker-13 overlay into this unit-4-centered view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L13B02' physical_space_id='ps_fp_l13_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 4\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera cell in unit 8 and look toward unit 4 through listed look-at cell [3,3], giving broad coverage of the corridor-to-stair relationship and the opening marked 5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8 toward unit 4, show the connected structure of units 8, 1, 4, and 9. Keep opening marker 5 visible on the unit-4-facing side and retain base marker 10 only where the wide view permits, preserving the positions of all shared fixed elements established by L13B02.\n  - camera_framing_directive: Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 4 at cell [3,3] with a 90-degree wide lens. Establish the long unit-1 axis and retain enough upper and lateral coverage for unit 8, unit 9, and opening marker 5.\n  - subject_position_directive: For S10_Shot8, place the committed subject with back to camera in the distant centered midground, with one hand at opening marker 5 and that opening closing the background perspective line. For S10_Shot13, place one partial subject at lower-left foreground and the second committed subject off-axis at upper right on the unit-8/unit-9 stair structure.\n  - state_cue_directive: Carry transient marker 12 as the only committed overlay cue and apply the staged closed and locked state at opening marker 5. Use numbered elements 1, 4, 5, 8, 9, and 10 without inventing additional state cues.\n  - negative_continuity_directive: Exclude overlay markers 11, 13, and 14. Preserve from L13B02 the fixed placement of shared units 1, 4, 8, and 9 and the shared opening geometry, but do not copy L13B02's unit-2-centered framing or marker-13 overlay into this unit-4-centered view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L13B02' physical_space_id='ps_fp_l13_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 4\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera cell in unit 8 and look toward unit 4 through listed look-at cell [3,3], giving broad coverage of the corridor-to-stair relationship and the opening marked 5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8 toward unit 4, show the connected structure of units 8, 1, 4, and 9. Keep opening marker 5 visible on the unit-4-facing side and retain base marker 10 only where the wide view permits, preserving the positions of all shared fixed elements established by L13B02.\n  - camera_framing_directive: Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 4 at cell [3,3] with a 90-degree wide lens. Establish the long unit-1 axis and retain enough upper and lateral coverage for unit 8, unit 9, and opening marker 5.\n  - subject_position_directive: For S10_Shot8, place the committed subject with back to camera in the distant centered midground, with one hand at opening marker 5 and that opening closing the background perspective line. For S10_Shot13, place one partial subject at lower-left foreground and the second committed subject off-axis at upper right on the unit-8/unit-9 stair structure.\n  - state_cue_directive: Carry transient marker 12 as the only committed overlay cue and apply the staged closed and locked state at opening marker 5. Use numbered elements 1, 4, 5, 8, 9, and 10 without inventing additional state cues.\n  - negative_continuity_directive: Exclude overlay markers 11, 13, and 14. Preserve from L13B02 the fixed placement of shared units 1, 4, 8, and 9 and the shared opening geometry, but do not copy L13B02's unit-2-centered framing or marker-13 overlay into this unit-4-centered view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L13B02' physical_space_id='ps_fp_l13_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 4\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera cell in unit 8 and look toward unit 4 through listed look-at cell [3,3], giving broad coverage of the corridor-to-stair relationship and the opening marked 5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8 toward unit 4, show the connected structure of units 8, 1, 4, and 9. Keep opening marker 5 visible on the unit-4-facing side and retain base marker 10 only where the wide view permits, preserving the positions of all shared fixed elements established by L13B02.\n  - camera_framing_directive: Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 4 at cell [3,3] with a 90-degree wide lens. Establish the long unit-1 axis and retain enough upper and lateral coverage for unit 8, unit 9, and opening marker 5.\n  - subject_position_directive: For S10_Shot8, place the committed subject with back to camera in the distant centered midground, with one hand at opening marker 5 and that opening closing the background perspective line. For S10_Shot13, place one partial subject at lower-left foreground and the second committed subject off-axis at upper right on the unit-8/unit-9 stair structure.\n  - state_cue_directive: Carry transient marker 12 as the only committed overlay cue and apply the staged closed and locked state at opening marker 5. Use numbered elements 1, 4, 5, 8, 9, and 10 without inventing additional state cues.\n  - negative_continuity_directive: Exclude overlay markers 11, 13, and 14. Preserve from L13B02 the fixed placement of shared units 1, 4, 8, and 9 and the shared opening geometry, but do not copy L13B02's unit-2-centered framing or marker-13 overlay into this unit-4-centered view.\n\n대한민국 전라남도·광주권의 21세기 초·중반 경찰 관서 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 낮 시간의 길고 실용적인 공용 복도이며, 북쪽 복도 벽의 수사과장실 출입문이 동쪽 계단참 가까이에 있고 남쪽 창문 열을 통해 흐린 자연광이 들어온다. 계단참 근처에 카메라를 두고 수사과장실 출입문 쪽을 대각선으로 바라보며, 계단참에서 방향을 틀어 아래층으로 내려가는 계단도 프레임 안에 계속 보이게 한다. 카메라 높이는 서 있는 사람의 눈높이인 약 1.6미터, 35밀리미터급 적당한 광각 렌즈의 자연스러운 원근감이다. 출입문은 문틀에 완전히 닫혀 있고 손잡이와 잠금장치가 체결되어 있으며, 문턱에도 벌어진 틈이 없어 현재 잠겨 있는 상태가 현실적으로 읽힌다. 오래 사용한 한국 공공기관 특유의 무광 도장 벽, 실제 금속 손잡이와 난간의 잔잔한 마모와 변색, 계단 모서리의 생활 마모, 약간의 얼룩과 광택이 남은 바닥, 단순한 직관형 천장 조명을 사실적으로 표현한다. 창문에서 들어오는 자연광과 켜진 실내 조명이 과장 없이 섞이고, 중성에서 약간 차가운 색조와 보통 수준의 명암, 자연스러운 심도와 정확한 재료 질감을 유지한다. 사람이 실제로 사용하는 장소답게 일상적인 마모와 미세한 얼룩은 있으나 과도하게 정돈된 광고 사진처럼 보이지 않게 한다. 사람, 얼굴, 신체 형태의 인형이나 실루엣은 전혀 포함하지 않는다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 하며, 후처리 효과가 없는 담담한 사진으로 표현한다. 하향식 시점, 평면도, 건축 도면, 건축 시각화가 아닌 실제 눈높이의 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            4,
            8
          ],
          "camera_unit": 8,
          "fov_deg": 90,
          "framing_notes": "Use the listed camera cell in unit 8 and look toward unit 4 through listed look-at cell [3,3], giving broad coverage of the corridor-to-stair relationship and the opening marked 5.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            3
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From unit 8 toward unit 4, show the connected structure of units 8, 1, 4, and 9. Keep opening marker 5 visible on the unit-4-facing side and retain base marker 10 only where the wide view permits, preserving the positions of all shared fixed elements established by L13B02.",
          "camera_framing_directive": "Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 4 at cell [3,3] with a 90-degree wide lens. Establish the long unit-1 axis and retain enough upper and lateral coverage for unit 8, unit 9, and opening marker 5.",
          "subject_position_directive": "For S10_Shot8, place the committed subject with back to camera in the distant centered midground, with one hand at opening marker 5 and that opening closing the background perspective line. For S10_Shot13, place one partial subject at lower-left foreground and the second committed subject off-axis at upper right on the unit-8/unit-9 stair structure.",
          "state_cue_directive": "Carry transient marker 12 as the only committed overlay cue and apply the staged closed and locked state at opening marker 5. Use numbered elements 1, 4, 5, 8, 9, and 10 without inventing additional state cues.",
          "negative_continuity_directive": "Exclude overlay markers 11, 13, and 14. Preserve from L13B02 the fixed placement of shared units 1, 4, 8, and 9 and the shared opening geometry, but do not copy L13B02's unit-2-centered framing or marker-13 overlay into this unit-4-centered view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_station_corridor",
          "prior_bg_ids": [
            "L13B02"
          ],
          "attached_ref_labels": [
            "bg:L13B02",
            "building_anchor:L12B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L12B01",
          "group_id": "bg_district_police_station"
        }
      },
      "L13B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시권의 실제 지방 경찰서 내부에서 촬영한 듯한, 업무가 한창인 낮 시간의 긴 중앙 복도와 동쪽 계단 구역. 2010년대 중후반 한국의 오래 사용된 공공기관 건물에 어울리는 담백하고 실용적인 실내로, 밝은 회색 계열의 도장 벽, 사용감과 얼룩이 남은 바닥, 평범한 사무실 문과 부서 표지, 금속 난간, 직선형 형광등을 현실적으로 표현한다. 카메라는 긴 중앙 복도에서 북쪽의 수사 책임자실 문과 남쪽의 강력반 출입구 사이에 서서 동쪽 끝 계단참과 그 너머로 방향을 틀어 내려가는 계단을 바라본다. 진행 방향 기준 왼쪽에는 수사 책임자실 문, 오른쪽에는 강력반 출입구와 남쪽 외벽의 창문열이 공간 구조에 맞게 보이며, 창문으로 들어오는 자연스러운 낮빛과 천장 형광등이 함께 복도를 비춘다. 계단참과 강력반 출입구 사이의 복도 구간은 업무 중인 여러 관계자가 서로 맞서는 순간처럼 동선의 압박감과 팽팽한 긴장이 집중된 대치 공간으로 읽히지만, 인물, 얼굴, 신체, 실루엣, 사람 모양 형상은 전혀 보이지 않는 빈 배경이어야 한다. 과장된 장식 없이 실제 경찰서의 일상적인 마모, 문틀의 작은 흠집, 금속의 미세한 변색, 바닥의 불균일한 광택, 벽면의 생활 얼룩을 사실적으로 담는다. 절제된 중성·냉색 계열과 보통 수준의 명암, 자연스러운 색온도와 현실적인 심도를 유지한다. 약 1.6m의 서 있는 사람 눈높이, 35mm급 다큐멘터리 광각 렌즈, 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 꾸밈없고 후처리 없는 질감. 위에서 내려다본 시점이나 평면도, 건축 도면, 삽화, CGI, 건축 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "긴 복도 안에서 수사 책임자실 문과 강력반 출입구 사이에 카메라를 두고 동쪽 계단참을 정면으로 바라본다. 계단참과 강력반 출입구 사이의 대치 구간이 프레임 중경에 자연스럽게 들어오도록 하되, 인물이나 사람 형태는 전혀 배치하지 않는다.",
            "shot_id": "S51_Shot1"
          },
          {
            "guide_text": "사람 눈높이의 35mm 광각 시야를 유지하고, 복도의 좌우 출입구와 전방 계단참이 한 공간으로 읽히게 구성한다. 업무가 한창인 낮의 긴장감은 자연광과 형광등, 오래 사용된 공공기관 마감의 현실적인 흔적으로 표현하며 인물은 묘사하지 않는다.",
            "shot_id": "S51_Shot4"
          },
          {
            "guide_text": "앞선 숏들과 동일한 카메라 축과 공간 방향을 유지한다. 전방 계단참으로 이어지는 깊이, 남쪽 창문에서 들어오는 낮빛, 계단참과 강력반 출입구 사이에 집중된 대치 순간의 팽팽한 공간감을 빈 배경으로 보여 준다.",
            "shot_id": "S51_Shot7"
          }
        ],
        "shot_ids": [
          "S51_Shot1",
          "S51_Shot4",
          "S51_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "in number 1 (main corridor), between number 5 (chief-office door) and number 3 (violent-crimes office doorway), facing toward number 8 (stair landing)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm documentary wide angle",
          "framing_notes": "Allow a three-person confrontation represented by number 13 to occupy the corridor without blocking the visible route between the stair landing and office doorway."
        },
        "reference_decision": {
          "bg_id": "L13B02",
          "fp_id": "fp_l13_station_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L13B02 is an allowed clean-anchor fallback candidate and has the broadest committed base-marker coverage among the candidate BGs. A wide view from unit 8 toward unit 2 establishes the dwelling identity across units 8, 1, and 2 while supporting the stair-side, corridor-axis, and doorway-facing staging in S51_Shot1, S51_Shot4, and S51_Shot7 without relying on a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l13_station_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "anchor_has_no_reference_dedup",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The dwelling-identity anchor is rendered directly from the floor plan, so no prior reference is selected."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              8
            ],
            "camera_unit": 8,
            "fov_deg": 90,
            "framing_notes": "Use the listed unit-8 camera cell and a broad axis toward unit 2 through look-at cell [5,4], supporting the staged corridor, stair, and doorway context across the consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 8, show the connected fixed structure of units 1 and 2, with supporting visibility toward units 4 and 9 where the wide cone permits. Include committed base markers 1, 2, 3, 4, 5, 8, 9, and 10; treat openings 3, 5, and 10 as the required visible opening set within the geometry's opening superset.",
            "camera_framing_directive": "Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 2 at cell [5,4] with the wide 90-degree lens. Preserve a clear diagonal connection from the unit-8 end into unit 1 and toward unit 2, with enough breadth for both stair-side and corridor-axis staging.",
            "subject_position_directive": "Follow the surfaced staging only: S51_Shot1 places one committed subject halted on the stair diagonal with attention directed down and off frame; S51_Shot4 places one committed foreground subject at middle right with a pointing action toward the left frame edge; S51_Shot7 places one committed subject in the centered midground with only a soft foreground shoulder sliver.",
            "state_cue_directive": "Carry transient marker 13 as the only committed overlay state cue, together with numbered elements 1, 2, 3, 4, 5, 8, 9, and 10. Keep all other state cues uncommitted and do not add them.",
            "negative_continuity_directive": "Exclude overlay markers 11, 12, and 14. Do not introduce units outside the unit-8 visible-unit candidate superset or openings outside opening markers 3, 5, 7, and 10, and do not invent scenario-specific objects beyond the committed marker-13 cue and staged subjects."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 2\n  - look_at_cell: [5, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-8 camera cell and a broad axis toward unit 2 through look-at cell [5,4], supporting the staged corridor, stair, and doorway context across the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8, show the connected fixed structure of units 1 and 2, with supporting visibility toward units 4 and 9 where the wide cone permits. Include committed base markers 1, 2, 3, 4, 5, 8, 9, and 10; treat openings 3, 5, and 10 as the required visible opening set within the geometry's opening superset.\n  - camera_framing_directive: Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 2 at cell [5,4] with the wide 90-degree lens. Preserve a clear diagonal connection from the unit-8 end into unit 1 and toward unit 2, with enough breadth for both stair-side and corridor-axis staging.\n  - subject_position_directive: Follow the surfaced staging only: S51_Shot1 places one committed subject halted on the stair diagonal with attention directed down and off frame; S51_Shot4 places one committed foreground subject at middle right with a pointing action toward the left frame edge; S51_Shot7 places one committed subject in the centered midground with only a soft foreground shoulder sliver.\n  - state_cue_directive: Carry transient marker 13 as the only committed overlay state cue, together with numbered elements 1, 2, 3, 4, 5, 8, 9, and 10. Keep all other state cues uncommitted and do not add them.\n  - negative_continuity_directive: Exclude overlay markers 11, 12, and 14. Do not introduce units outside the unit-8 visible-unit candidate superset or openings outside opening markers 3, 5, 7, and 10, and do not invent scenario-specific objects beyond the committed marker-13 cue and staged subjects.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 2\n  - look_at_cell: [5, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-8 camera cell and a broad axis toward unit 2 through look-at cell [5,4], supporting the staged corridor, stair, and doorway context across the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8, show the connected fixed structure of units 1 and 2, with supporting visibility toward units 4 and 9 where the wide cone permits. Include committed base markers 1, 2, 3, 4, 5, 8, 9, and 10; treat openings 3, 5, and 10 as the required visible opening set within the geometry's opening superset.\n  - camera_framing_directive: Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 2 at cell [5,4] with the wide 90-degree lens. Preserve a clear diagonal connection from the unit-8 end into unit 1 and toward unit 2, with enough breadth for both stair-side and corridor-axis staging.\n  - subject_position_directive: Follow the surfaced staging only: S51_Shot1 places one committed subject halted on the stair diagonal with attention directed down and off frame; S51_Shot4 places one committed foreground subject at middle right with a pointing action toward the left frame edge; S51_Shot7 places one committed subject in the centered midground with only a soft foreground shoulder sliver.\n  - state_cue_directive: Carry transient marker 13 as the only committed overlay state cue, together with numbered elements 1, 2, 3, 4, 5, 8, 9, and 10. Keep all other state cues uncommitted and do not add them.\n  - negative_continuity_directive: Exclude overlay markers 11, 12, and 14. Do not introduce units outside the unit-8 visible-unit candidate superset or openings outside opening markers 3, 5, 7, and 10, and do not invent scenario-specific objects beyond the committed marker-13 cue and staged subjects.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 2\n  - look_at_cell: [5, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-8 camera cell and a broad axis toward unit 2 through look-at cell [5,4], supporting the staged corridor, stair, and doorway context across the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8, show the connected fixed structure of units 1 and 2, with supporting visibility toward units 4 and 9 where the wide cone permits. Include committed base markers 1, 2, 3, 4, 5, 8, 9, and 10; treat openings 3, 5, and 10 as the required visible opening set within the geometry's opening superset.\n  - camera_framing_directive: Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 2 at cell [5,4] with the wide 90-degree lens. Preserve a clear diagonal connection from the unit-8 end into unit 1 and toward unit 2, with enough breadth for both stair-side and corridor-axis staging.\n  - subject_position_directive: Follow the surfaced staging only: S51_Shot1 places one committed subject halted on the stair diagonal with attention directed down and off frame; S51_Shot4 places one committed foreground subject at middle right with a pointing action toward the left frame edge; S51_Shot7 places one committed subject in the centered midground with only a soft foreground shoulder sliver.\n  - state_cue_directive: Carry transient marker 13 as the only committed overlay state cue, together with numbered elements 1, 2, 3, 4, 5, 8, 9, and 10. Keep all other state cues uncommitted and do not add them.\n  - negative_continuity_directive: Exclude overlay markers 11, 12, and 14. Do not introduce units outside the unit-8 visible-unit candidate superset or openings outside opening markers 3, 5, 7, and 10, and do not invent scenario-specific objects beyond the committed marker-13 cue and staged subjects.\n\n대한민국 전라남도·광주광역시권의 실제 지방 경찰서 내부에서 촬영한 듯한, 업무가 한창인 낮 시간의 긴 중앙 복도와 동쪽 계단 구역. 2010년대 중후반 한국의 오래 사용된 공공기관 건물에 어울리는 담백하고 실용적인 실내로, 밝은 회색 계열의 도장 벽, 사용감과 얼룩이 남은 바닥, 평범한 사무실 문과 부서 표지, 금속 난간, 직선형 형광등을 현실적으로 표현한다. 카메라는 긴 중앙 복도에서 북쪽의 수사 책임자실 문과 남쪽의 강력반 출입구 사이에 서서 동쪽 끝 계단참과 그 너머로 방향을 틀어 내려가는 계단을 바라본다. 진행 방향 기준 왼쪽에는 수사 책임자실 문, 오른쪽에는 강력반 출입구와 남쪽 외벽의 창문열이 공간 구조에 맞게 보이며, 창문으로 들어오는 자연스러운 낮빛과 천장 형광등이 함께 복도를 비춘다. 계단참과 강력반 출입구 사이의 복도 구간은 업무 중인 여러 관계자가 서로 맞서는 순간처럼 동선의 압박감과 팽팽한 긴장이 집중된 대치 공간으로 읽히지만, 인물, 얼굴, 신체, 실루엣, 사람 모양 형상은 전혀 보이지 않는 빈 배경이어야 한다. 과장된 장식 없이 실제 경찰서의 일상적인 마모, 문틀의 작은 흠집, 금속의 미세한 변색, 바닥의 불균일한 광택, 벽면의 생활 얼룩을 사실적으로 담는다. 절제된 중성·냉색 계열과 보통 수준의 명암, 자연스러운 색온도와 현실적인 심도를 유지한다. 약 1.6m의 서 있는 사람 눈높이, 35mm급 다큐멘터리 광각 렌즈, 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 꾸밈없고 후처리 없는 질감. 위에서 내려다본 시점이나 평면도, 건축 도면, 삽화, CGI, 건축 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            4,
            8
          ],
          "camera_unit": 8,
          "fov_deg": 90,
          "framing_notes": "Use the listed unit-8 camera cell and a broad axis toward unit 2 through look-at cell [5,4], supporting the staged corridor, stair, and doorway context across the consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 8, show the connected fixed structure of units 1 and 2, with supporting visibility toward units 4 and 9 where the wide cone permits. Include committed base markers 1, 2, 3, 4, 5, 8, 9, and 10; treat openings 3, 5, and 10 as the required visible opening set within the geometry's opening superset.",
          "camera_framing_directive": "Frame broad coverage from camera unit 8 at cell [4,8] toward look-at unit 2 at cell [5,4] with the wide 90-degree lens. Preserve a clear diagonal connection from the unit-8 end into unit 1 and toward unit 2, with enough breadth for both stair-side and corridor-axis staging.",
          "subject_position_directive": "Follow the surfaced staging only: S51_Shot1 places one committed subject halted on the stair diagonal with attention directed down and off frame; S51_Shot4 places one committed foreground subject at middle right with a pointing action toward the left frame edge; S51_Shot7 places one committed subject in the centered midground with only a soft foreground shoulder sliver.",
          "state_cue_directive": "Carry transient marker 13 as the only committed overlay state cue, together with numbered elements 1, 2, 3, 4, 5, 8, 9, and 10. Keep all other state cues uncommitted and do not add them.",
          "negative_continuity_directive": "Exclude overlay markers 11, 12, and 14. Do not introduce units outside the unit-8 visible-unit candidate superset or openings outside opening markers 3, 5, 7, and 10, and do not invent scenario-specific objects beyond the committed marker-13 cue and staged subjects."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_station_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l13_station_corridor",
            "building_anchor:L12B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L12B01",
          "group_id": "bg_district_police_station"
        }
      },
      "L13B04": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B04.png",
        "t2i_prompt": "2015~2017년 무렵 전라남도·광주권의 실제 지방 경찰서 내부, 조용한 낮의 서장실 앞 복도. 북쪽 벽의 서장실 문 바로 바깥에 카메라를 두고 동서로 길게 이어지는 주 복도를 따라 동쪽 끝의 계단참과 그곳에서 꺾여 아래로 내려가는 계단을 바라본다. 남쪽 외벽을 따라 난 연속 창으로 부드러운 자연광이 들어오고, 오래 사용한 회백색 도장 벽, 미세한 얼룩과 긁힘이 남은 회색 계열 바닥재, 낡은 금속 창틀, 평범한 사무실 문과 작은 명패, 천장의 실용적인 형광등 설비가 보인다. 복도는 비어 있고 낮 시간의 행정기관다운 조용한 정적이 흐르며, 과도하게 정돈된 홍보 사진이 아니라 실제 업무 공간의 자연스러운 마모와 생활 흔적이 남아 있다. 서장실 문밖 문턱 가까이에는 방금 건네진 흰 테두리의 인화 사진 한 장이 잠시 뒤집힌 채 반듯하게 놓여 있다. 사진은 얇은 평면 인화지로만 표현하고 내부 이미지, 얼굴, 인물 형상은 드러내지 않는다. 사람, 얼굴, 손, 신체 일부, 사람을 닮은 형상은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이, 40밀리미터급 자연스러운 원근감, 실제 35밀리미터 규격 디지털 카메라로 촬영한 다큐멘터리 풍 사진. 창에서 들어오는 실제 낮빛, 중성에서 약간 서늘한 자연 색감, 적당한 명암, 정확한 콘크리트·금속·유리·도장면 재질, 자연스러운 심도와 사실적인 노출. 컴퓨터 그래픽이나 삽화, 건축 시각화, 배치도, 위에서 내려다본 시점이 아니라 실제 장소 기록 사진처럼 표현하며 인위적인 후처리는 하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서장실 문 바로 바깥의 사람 눈높이에서 긴 복도와 멀리 있는 계단참을 함께 보여 주는 넓은 구도. 남쪽 창으로 들어오는 낮빛과 비어 있는 복도의 깊이를 중심으로 하며, 문턱 가까이에 잠시 놓인 인화 사진이 전경에서 작지만 식별되게 한다. 사람, 얼굴, 손, 신체 일부는 보이지 않는다.",
            "shot_id": "S94_Shot6"
          },
          {
            "guide_text": "같은 시선축과 실제 공간 관계를 유지하되 서장실 문 주변과 막 전달된 인화 사진을 조금 더 분명하게 포함한다. 사진은 평평한 인화지로만 보이고 뒤집혀 있어 내부에 얼굴이나 인물 형상이 나타나지 않으며, 배경의 창과 계단참은 자연스러운 원근감 속에 남긴다.",
            "shot_id": "S94_Shot8"
          },
          {
            "guide_text": "서장실 문 앞에서 동쪽 계단참 방향으로 길게 빠지는 빈 복도를 강조한다. 조용한 낮의 작별 이후처럼 절제된 정적과 일상적인 경찰서 복도의 사용 흔적을 담고, 문턱 옆의 인화 사진은 과장하지 않은 일시적 흔적으로 배치한다. 사람이나 사람을 닮은 형상은 전혀 포함하지 않는다.",
            "shot_id": "S94_Shot11"
          }
        ],
        "shot_ids": [
          "S94_Shot6",
          "S94_Shot8",
          "S94_Shot11"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "just outside number 7 (station-head office door), facing down number 1 (main corridor) with number 8 (stair landing) in the background",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "40mm natural perspective",
          "framing_notes": "Keep the corridor quiet and uncluttered; reserve clear midground space for the photograph handoff represented by number 14 and the subsequent farewell."
        },
        "reference_decision": {
          "bg_id": "L13B04",
          "fp_id": "fp_l13_station_corridor",
          "node_index": 3,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L13B04 shares units 1, 8, and 9 with the established physical space but targets unit 6 and opening marker 7, which were not the central slice in L13B02. The different look-at unit and opening reveal require a new same-space plate; L13B02 remains the continuity parent for the connected fixed structure and lighting identity.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B02.png"
          ],
          "source_bg_ids": [
            "L13B02"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "ps_fp_l13_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space_new_view",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "ps_fp_l13_1",
                "ref_bg_id": "L13B02",
                "space_description": "Same connected physical space, with a new unit-8-to-unit-6 view emphasizing opening marker 7."
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because the staged views remain within the connected physical space established by L13B02, while the changed unit-6 target requires only a new camera-facing slice rather than a second distinct-space reference."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              8
            ],
            "camera_unit": 8,
            "fov_deg": 90,
            "framing_notes": "Use the listed unit-8 camera cell and orient toward unit 6 through listed look-at cell [3,6], providing a broad corridor axis while allowing tighter crops for the close and medium consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              6
            ],
            "look_at_unit": 6
          },
          "render_guidance": {
            "visible_space_directive": "From unit 8 toward unit 6, show the fixed relationships of units 8, 1, 6, and 9, with opening marker 7 on the unit-6-facing side and base marker 10 included where the wide cone permits. Keep all shared unit and opening positions consistent with L13B02 while revealing this distinct structural slice.",
            "camera_framing_directive": "Use broad 90-degree coverage from camera unit 8 at [4,8] toward look-at unit 6 at [3,6]. Maintain the unit-1 receding axis and unit-6-facing side in the full plate, allowing the surfaced close and medium shots to crop within that established geometry.",
            "subject_position_directive": "For S94_Shot6, reserve the extreme foreground at waist height for the committed hand action and transient marker 14, leaving only a narrow soft strip of the fixed background. For S94_Shot8, place one committed subject centrally in the midground with marker 14 at lower center. For S94_Shot11, place two partial backs at lower left and lower right and one committed subject several meters ahead at middle center on the receding unit-1 axis.",
            "state_cue_directive": "Carry transient marker 14 only where required by the surfaced staging, together with numbered elements 1, 6, 7, 8, 9, and 10. Keep the underlying space otherwise free of uncommitted state cues.",
            "negative_continuity_directive": "Exclude overlay markers 11, 12, and 13. Preserve from L13B02 the fixed placement of shared units 1, 8, and 9 and their connected openings, but do not substitute the unit-2-facing opening marker 3 for the required unit-6-facing opening marker 7 or introduce spaces outside the unit-8 visibility superset."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L13B02' physical_space_id='ps_fp_l13_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 6\n  - look_at_cell: [3, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-8 camera cell and orient toward unit 6 through listed look-at cell [3,6], providing a broad corridor axis while allowing tighter crops for the close and medium consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8 toward unit 6, show the fixed relationships of units 8, 1, 6, and 9, with opening marker 7 on the unit-6-facing side and base marker 10 included where the wide cone permits. Keep all shared unit and opening positions consistent with L13B02 while revealing this distinct structural slice.\n  - camera_framing_directive: Use broad 90-degree coverage from camera unit 8 at [4,8] toward look-at unit 6 at [3,6]. Maintain the unit-1 receding axis and unit-6-facing side in the full plate, allowing the surfaced close and medium shots to crop within that established geometry.\n  - subject_position_directive: For S94_Shot6, reserve the extreme foreground at waist height for the committed hand action and transient marker 14, leaving only a narrow soft strip of the fixed background. For S94_Shot8, place one committed subject centrally in the midground with marker 14 at lower center. For S94_Shot11, place two partial backs at lower left and lower right and one committed subject several meters ahead at middle center on the receding unit-1 axis.\n  - state_cue_directive: Carry transient marker 14 only where required by the surfaced staging, together with numbered elements 1, 6, 7, 8, 9, and 10. Keep the underlying space otherwise free of uncommitted state cues.\n  - negative_continuity_directive: Exclude overlay markers 11, 12, and 13. Preserve from L13B02 the fixed placement of shared units 1, 8, and 9 and their connected openings, but do not substitute the unit-2-facing opening marker 3 for the required unit-6-facing opening marker 7 or introduce spaces outside the unit-8 visibility superset.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L13B02' physical_space_id='ps_fp_l13_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 6\n  - look_at_cell: [3, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-8 camera cell and orient toward unit 6 through listed look-at cell [3,6], providing a broad corridor axis while allowing tighter crops for the close and medium consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8 toward unit 6, show the fixed relationships of units 8, 1, 6, and 9, with opening marker 7 on the unit-6-facing side and base marker 10 included where the wide cone permits. Keep all shared unit and opening positions consistent with L13B02 while revealing this distinct structural slice.\n  - camera_framing_directive: Use broad 90-degree coverage from camera unit 8 at [4,8] toward look-at unit 6 at [3,6]. Maintain the unit-1 receding axis and unit-6-facing side in the full plate, allowing the surfaced close and medium shots to crop within that established geometry.\n  - subject_position_directive: For S94_Shot6, reserve the extreme foreground at waist height for the committed hand action and transient marker 14, leaving only a narrow soft strip of the fixed background. For S94_Shot8, place one committed subject centrally in the midground with marker 14 at lower center. For S94_Shot11, place two partial backs at lower left and lower right and one committed subject several meters ahead at middle center on the receding unit-1 axis.\n  - state_cue_directive: Carry transient marker 14 only where required by the surfaced staging, together with numbered elements 1, 6, 7, 8, 9, and 10. Keep the underlying space otherwise free of uncommitted state cues.\n  - negative_continuity_directive: Exclude overlay markers 11, 12, and 13. Preserve from L13B02 the fixed placement of shared units 1, 8, and 9 and their connected openings, but do not substitute the unit-2-facing opening marker 3 for the required unit-6-facing opening marker 7 or introduce spaces outside the unit-8 visibility superset.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L13B02' physical_space_id='ps_fp_l13_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 8\n  - camera_cell: [4, 8]\n  - look_at_unit: 6\n  - look_at_cell: [3, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-8 camera cell and orient toward unit 6 through listed look-at cell [3,6], providing a broad corridor axis while allowing tighter crops for the close and medium consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 8 toward unit 6, show the fixed relationships of units 8, 1, 6, and 9, with opening marker 7 on the unit-6-facing side and base marker 10 included where the wide cone permits. Keep all shared unit and opening positions consistent with L13B02 while revealing this distinct structural slice.\n  - camera_framing_directive: Use broad 90-degree coverage from camera unit 8 at [4,8] toward look-at unit 6 at [3,6]. Maintain the unit-1 receding axis and unit-6-facing side in the full plate, allowing the surfaced close and medium shots to crop within that established geometry.\n  - subject_position_directive: For S94_Shot6, reserve the extreme foreground at waist height for the committed hand action and transient marker 14, leaving only a narrow soft strip of the fixed background. For S94_Shot8, place one committed subject centrally in the midground with marker 14 at lower center. For S94_Shot11, place two partial backs at lower left and lower right and one committed subject several meters ahead at middle center on the receding unit-1 axis.\n  - state_cue_directive: Carry transient marker 14 only where required by the surfaced staging, together with numbered elements 1, 6, 7, 8, 9, and 10. Keep the underlying space otherwise free of uncommitted state cues.\n  - negative_continuity_directive: Exclude overlay markers 11, 12, and 13. Preserve from L13B02 the fixed placement of shared units 1, 8, and 9 and their connected openings, but do not substitute the unit-2-facing opening marker 3 for the required unit-6-facing opening marker 7 or introduce spaces outside the unit-8 visibility superset.\n\n2015~2017년 무렵 전라남도·광주권의 실제 지방 경찰서 내부, 조용한 낮의 서장실 앞 복도. 북쪽 벽의 서장실 문 바로 바깥에 카메라를 두고 동서로 길게 이어지는 주 복도를 따라 동쪽 끝의 계단참과 그곳에서 꺾여 아래로 내려가는 계단을 바라본다. 남쪽 외벽을 따라 난 연속 창으로 부드러운 자연광이 들어오고, 오래 사용한 회백색 도장 벽, 미세한 얼룩과 긁힘이 남은 회색 계열 바닥재, 낡은 금속 창틀, 평범한 사무실 문과 작은 명패, 천장의 실용적인 형광등 설비가 보인다. 복도는 비어 있고 낮 시간의 행정기관다운 조용한 정적이 흐르며, 과도하게 정돈된 홍보 사진이 아니라 실제 업무 공간의 자연스러운 마모와 생활 흔적이 남아 있다. 서장실 문밖 문턱 가까이에는 방금 건네진 흰 테두리의 인화 사진 한 장이 잠시 뒤집힌 채 반듯하게 놓여 있다. 사진은 얇은 평면 인화지로만 표현하고 내부 이미지, 얼굴, 인물 형상은 드러내지 않는다. 사람, 얼굴, 손, 신체 일부, 사람을 닮은 형상은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이, 40밀리미터급 자연스러운 원근감, 실제 35밀리미터 규격 디지털 카메라로 촬영한 다큐멘터리 풍 사진. 창에서 들어오는 실제 낮빛, 중성에서 약간 서늘한 자연 색감, 적당한 명암, 정확한 콘크리트·금속·유리·도장면 재질, 자연스러운 심도와 사실적인 노출. 컴퓨터 그래픽이나 삽화, 건축 시각화, 배치도, 위에서 내려다본 시점이 아니라 실제 장소 기록 사진처럼 표현하며 인위적인 후처리는 하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            4,
            8
          ],
          "camera_unit": 8,
          "fov_deg": 90,
          "framing_notes": "Use the listed unit-8 camera cell and orient toward unit 6 through listed look-at cell [3,6], providing a broad corridor axis while allowing tighter crops for the close and medium consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            6
          ],
          "look_at_unit": 6
        },
        "shot_aware_plan_node_index": 3,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From unit 8 toward unit 6, show the fixed relationships of units 8, 1, 6, and 9, with opening marker 7 on the unit-6-facing side and base marker 10 included where the wide cone permits. Keep all shared unit and opening positions consistent with L13B02 while revealing this distinct structural slice.",
          "camera_framing_directive": "Use broad 90-degree coverage from camera unit 8 at [4,8] toward look-at unit 6 at [3,6]. Maintain the unit-1 receding axis and unit-6-facing side in the full plate, allowing the surfaced close and medium shots to crop within that established geometry.",
          "subject_position_directive": "For S94_Shot6, reserve the extreme foreground at waist height for the committed hand action and transient marker 14, leaving only a narrow soft strip of the fixed background. For S94_Shot8, place one committed subject centrally in the midground with marker 14 at lower center. For S94_Shot11, place two partial backs at lower left and lower right and one committed subject several meters ahead at middle center on the receding unit-1 axis.",
          "state_cue_directive": "Carry transient marker 14 only where required by the surfaced staging, together with numbered elements 1, 6, 7, 8, 9, and 10. Keep the underlying space otherwise free of uncommitted state cues.",
          "negative_continuity_directive": "Exclude overlay markers 11, 12, and 13. Preserve from L13B02 the fixed placement of shared units 1, 8, and 9 and their connected openings, but do not substitute the unit-2-facing opening marker 3 for the required unit-6-facing opening marker 7 or introduce spaces outside the unit-8 visibility superset."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_station_corridor",
          "prior_bg_ids": [
            "L13B02"
          ],
          "attached_ref_labels": [
            "bg:L13B02",
            "building_anchor:L12B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L12B01",
          "group_id": "bg_district_police_station"
        }
      },
      "L14B01": {
        "status": "ok",
        "location_id": "L14",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L14B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2010년대 중후반 지방 관공서 전면에 마련된 조용한 주간 야외 휴게공간. 경찰서 전면 벽 바로 앞의 포장된 휴게구역에 고정 벤치가 벽과 평행하게 놓여 있고, 뒤쪽에는 실용적인 관공서 외벽 마감과 전면 창, 옆으로 단정한 주출입문이 이어진다. 휴게구역 남쪽과 동쪽의 보행로가 출입구 문턱으로 연결되고, 서쪽과 남쪽 가장자리에는 관리된 낮은 식재가 포장면을 둘러싼다. 지방 관공서에서 흔히 볼 수 있는 소박하고 기능적인 외관, 햇빛과 비에 조금 바랜 금속과 도장면, 미세한 먼지와 사용 흔적이 남은 실제 포장재, 자연스러운 유리 반사와 금속 파티나, 벤치 재료의 사실적인 표면 질감을 표현한다. 맑지만 강하지 않은 낮의 자연광, 중성에서 약간 서늘한 색조, 적당한 명암과 현실적인 노출, 조용하고 일상적인 근무시간 분위기. 벤치 좌면 가장자리에는 누군가 피우다 잠시 손에서 내려놓은 듯한 담배 한 개가 놓여 있어 이 순간의 일시적인 흡연 흔적을 드러내지만, 사람이나 얼굴, 손, 신체 일부, 사람 형태의 형상은 전혀 보이지 않는다. 남쪽과 동쪽 보행로 가까운 위치에서 약 1.5m 높이의 사람 눈높이로, 벤치를 향해 대각선으로 바라보고 벤치 뒤에 경찰서 전면 벽과 창이 보이도록 촬영한다. 실제 미러리스 또는 DSLR 카메라와 35mm급 중간 광각 렌즈로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 심도, 실제 장소 기록 사진처럼 담담한 구도, 과도하게 정돈된 스톡 사진이 아닌 생활 마모와 얼룩이 있는 현실적인 현장, 인위적 후처리 없음. 위에서 내려다본 시점, 평면도, 건축 도면, 건축 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽과 동쪽을 잇는 보행로 가까이에서 약 1.5m 높이로 촬영한다. 고정 벤치를 향해 대각선으로 바라보며, 벤치 뒤에 경찰서 전면 벽과 창이 자연스럽게 겹쳐 보이게 한다. 주출입문은 화면 한쪽에 공간의 연결 관계가 읽힐 정도로 포함한다. 사람이나 신체 일부는 전혀 나타내지 않고, 벤치에 잠시 내려놓은 담배 한 개만 낮은 강도의 일시적 단서로 보이게 한다.",
            "shot_id": "S11_Shot1"
          }
        ],
        "shot_ids": [
          "S11_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 7 (pedestrian access walk), facing diagonally toward number 4 (bench), with number 2 (station frontage strip) and number 6 (frontage window bay) behind it",
          "camera_height": "eye-level seated-to-standing transition, approximately 1.5m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep number 4 prominent enough for one seated person, allow standing space for two people behind or beside the bench, and retain number 5 at the edge of the station frontage. Depict number 9 only as a small transient handheld cigarette in the scene, not as a floor-plan marker."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "exterior_plate",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "대한민국 전라남도·광주권의 2010년대 중후반 지방 관공서 전면에 마련된 조용한 주간 야외 휴게공간. 경찰서 전면 벽 바로 앞의 포장된 휴게구역에 고정 벤치가 벽과 평행하게 놓여 있고, 뒤쪽에는 실용적인 관공서 외벽 마감과 전면 창, 옆으로 단정한 주출입문이 이어진다. 휴게구역 남쪽과 동쪽의 보행로가 출입구 문턱으로 연결되고, 서쪽과 남쪽 가장자리에는 관리된 낮은 식재가 포장면을 둘러싼다. 지방 관공서에서 흔히 볼 수 있는 소박하고 기능적인 외관, 햇빛과 비에 조금 바랜 금속과 도장면, 미세한 먼지와 사용 흔적이 남은 실제 포장재, 자연스러운 유리 반사와 금속 파티나, 벤치 재료의 사실적인 표면 질감을 표현한다. 맑지만 강하지 않은 낮의 자연광, 중성에서 약간 서늘한 색조, 적당한 명암과 현실적인 노출, 조용하고 일상적인 근무시간 분위기. 벤치 좌면 가장자리에는 누군가 피우다 잠시 손에서 내려놓은 듯한 담배 한 개가 놓여 있어 이 순간의 일시적인 흡연 흔적을 드러내지만, 사람이나 얼굴, 손, 신체 일부, 사람 형태의 형상은 전혀 보이지 않는다. 남쪽과 동쪽 보행로 가까운 위치에서 약 1.5m 높이의 사람 눈높이로, 벤치를 향해 대각선으로 바라보고 벤치 뒤에 경찰서 전면 벽과 창이 보이도록 촬영한다. 실제 미러리스 또는 DSLR 카메라와 35mm급 중간 광각 렌즈로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 심도, 실제 장소 기록 사진처럼 담담한 구도, 과도하게 정돈된 스톡 사진이 아닌 생활 마모와 얼룩이 있는 현실적인 현장, 인위적 후처리 없음. 위에서 내려다본 시점, 평면도, 건축 도면, 건축 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_anchor:L12B01",
            "building_fp:fp_l17_investigation_chief_office"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l17_investigation_chief_office",
          "indoor_loc_sid": "L17",
          "group_id": "bg_district_police_station",
          "fp_asset_id": "20b50564-80db-463d-a460-c9553555956d"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L12B01",
          "group_id": "bg_district_police_station"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_l14_front_break_area"
      },
      "L15B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L15",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L15B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시권의 21세기 초·중반 지방 경찰서에 있는 실용적인 대회의실. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 실제 DSLR 또는 미러리스 카메라와 28mm 정도의 적당한 광각 렌즈를 사용한 현장 기록 사진처럼 보여야 한다. 카메라는 북쪽의 낮은 발표 단상 앞 왼쪽 모서리 부근, 서 있는 사람의 눈높이 약 1.6m에 놓고 중앙 통로를 따라 남쪽 후면 양개문 쪽을 대각선으로 바라본다. 직사각형 회의실 안에서 중앙 통로 양옆의 좌우 좌석 구역이 여러 줄로 전방을 향하고, 양쪽 벽의 창 배열을 통해 부드러운 오전 자연광이 들어온다. 관공서 회의실 특유의 절제된 중성색과 약간 차가운 색조, 평범하고 기능적인 마감, 실제 벽과 바닥의 미세한 사용 흔적, 금속 부품의 자연스러운 마모, 좌석 직물의 현실적인 짜임과 눌림을 정확히 표현한다. 양쪽 좌석 구역은 뒷줄까지 회의 참석자들이 착석해 사용 중인 상태임을 좌석의 눌림과 미세한 흐트러짐으로만 암시한다. 발표 단상 바로 앞 중앙 바닥은 새 책임자의 발언이 진행되는 중심 위치로 읽히도록 시선이 모이는 열린 지점으로 두되, 발언자를 포함한 사람, 얼굴, 신체 일부 또는 사람 모양 형상은 전혀 묘사하지 않는다. 과장된 장식 없이 대한민국 공공기관의 엄숙하고 일상적인 오전 회의 분위기, 적당한 대비와 자연스러운 명암 범위, 실제 재료 질감, 현실적인 원근감과 자연스러운 심도를 적용한다. 깨끗한 광고 사진이나 건축 시각화가 아니라 별도 후처리 없이 실제 장소를 기록한 담담한 사진이어야 하며, 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 3D 그래픽처럼 보이지 않아야 한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "발표 단상 앞쪽 왼편의 서 있는 사람 눈높이에서 중앙 통로를 따라 후면 양개문 방향을 바라본다. 양쪽 좌석 구역과 뒷줄까지 회의가 진행 중인 사용 흔적이 자연스럽게 느껴지게 하되, 사람이나 얼굴, 신체 형상은 화면에 넣지 않는다. 단상 바로 앞 중앙 바닥은 현재 발언이 이루어지는 중심 위치로 읽히도록 명확히 확보한다.",
            "shot_id": "S12_Shot3"
          },
          {
            "guide_text": "같은 대회의실의 공간 연속성을 유지하며, 28mm 정도의 적당한 광각으로 발표 구역에서 좌우 좌석과 중앙 통로, 후면 출입구까지 한눈에 보이게 구성한다. 오전 창빛과 실내 조명이 섞인 현실적인 밝기를 유지하고, 현재 사용 중인 회의장의 미세한 좌석 흐트러짐만 암시하며 인물은 프레임 밖에 둔다.",
            "shot_id": "S12_Shot4"
          }
        ],
        "shot_ids": [
          "S12_Shot3",
          "S12_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near the front-left corner of number 8 (presentation platform), facing diagonally south along number 4 (central aisle) toward numbers 6 and 7 (seating banks) and number 10 (rear entry)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Keep number 14 in the near foreground as the addressing speaker position, show number 13 across the occupied seating banks, and preserve a clear view of the rear row for audience reactions."
        },
        "reference_decision": {
          "bg_id": "L15B01",
          "fp_id": "fp_l15_conference_hall",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L15B01 is the sole clean-anchor candidate supplied for this fp and must establish the dwelling identity without a prior reference. A wide view from camera unit 5 toward unit 2 provides a fresh structural plate covering the shared fixed context required by both consuming shots, including the seating markers and the axis connecting the staged front-side and rear-row positions.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l15_conference_hall.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp candidate references are available, and this first node is the required floor-plan-seeded identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              6
            ],
            "camera_unit": 5,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 5 toward unit 2 so the plate supports both the isolated front-side subject staging and the widened rear-row reaction staging while retaining markers 6 and 7 as stable depth context.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              2
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 5, look toward unit 2 with broad coverage of the fixed numbered context required by this BG. Maintain markers 1, 2, 3, 4, 5, 6, 7, and 8 in their floor-plan relationships where they fall within the selected cone; markers 10, 11, and 12 are opening-visibility candidates and should appear only when supported by the chosen framing.",
            "camera_framing_directive": "Frame from camera unit 5 at cell [7,6] toward look-at unit 2 at cell [4,2] with a wide 90-degree field of view. Use broad coverage that preserves enough surrounding structure for the medium isolated-subject staging in S12_Shot3 and the widened medium two-subject staging in S12_Shot4.",
            "subject_position_directive": "For S12_Shot3, reserve the middle-center midground for one upper-body subject at the committed front-side speaking position, with weight directed toward the rear row and gaze beyond frame. For S12_Shot4, support two seated subjects on the same rear-row depth plane, one at frame left and one at frame right, with the chair backs running obliquely behind them. Do not add subjects beyond those committed by the surfaced staging.",
            "state_cue_directive": "Carry the committed state overlays through marker 13 and marker 14, together with the numbered elements listed for use. Because clean_background_expected is false, retain these two staged state cues, but do not introduce any additional unlisted state cue.",
            "negative_continuity_directive": "Do not invent unlisted scenario-specific elements or additional state overlays. Keep units outside the chosen unit-5-to-unit-2 view cone out of frame, and treat openings 10, 11, and 12 only as visibility candidates rather than requiring all three. Preserve the numbered structural and furniture relationships without adding ignored or unsupported markers."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [7, 6]\n  - look_at_unit: 2\n  - look_at_cell: [4, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 so the plate supports both the isolated front-side subject staging and the widened rear-row reaction staging while retaining markers 6 and 7 as stable depth context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, look toward unit 2 with broad coverage of the fixed numbered context required by this BG. Maintain markers 1, 2, 3, 4, 5, 6, 7, and 8 in their floor-plan relationships where they fall within the selected cone; markers 10, 11, and 12 are opening-visibility candidates and should appear only when supported by the chosen framing.\n  - camera_framing_directive: Frame from camera unit 5 at cell [7,6] toward look-at unit 2 at cell [4,2] with a wide 90-degree field of view. Use broad coverage that preserves enough surrounding structure for the medium isolated-subject staging in S12_Shot3 and the widened medium two-subject staging in S12_Shot4.\n  - subject_position_directive: For S12_Shot3, reserve the middle-center midground for one upper-body subject at the committed front-side speaking position, with weight directed toward the rear row and gaze beyond frame. For S12_Shot4, support two seated subjects on the same rear-row depth plane, one at frame left and one at frame right, with the chair backs running obliquely behind them. Do not add subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed state overlays through marker 13 and marker 14, together with the numbered elements listed for use. Because clean_background_expected is false, retain these two staged state cues, but do not introduce any additional unlisted state cue.\n  - negative_continuity_directive: Do not invent unlisted scenario-specific elements or additional state overlays. Keep units outside the chosen unit-5-to-unit-2 view cone out of frame, and treat openings 10, 11, and 12 only as visibility candidates rather than requiring all three. Preserve the numbered structural and furniture relationships without adding ignored or unsupported markers.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [7, 6]\n  - look_at_unit: 2\n  - look_at_cell: [4, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 so the plate supports both the isolated front-side subject staging and the widened rear-row reaction staging while retaining markers 6 and 7 as stable depth context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, look toward unit 2 with broad coverage of the fixed numbered context required by this BG. Maintain markers 1, 2, 3, 4, 5, 6, 7, and 8 in their floor-plan relationships where they fall within the selected cone; markers 10, 11, and 12 are opening-visibility candidates and should appear only when supported by the chosen framing.\n  - camera_framing_directive: Frame from camera unit 5 at cell [7,6] toward look-at unit 2 at cell [4,2] with a wide 90-degree field of view. Use broad coverage that preserves enough surrounding structure for the medium isolated-subject staging in S12_Shot3 and the widened medium two-subject staging in S12_Shot4.\n  - subject_position_directive: For S12_Shot3, reserve the middle-center midground for one upper-body subject at the committed front-side speaking position, with weight directed toward the rear row and gaze beyond frame. For S12_Shot4, support two seated subjects on the same rear-row depth plane, one at frame left and one at frame right, with the chair backs running obliquely behind them. Do not add subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed state overlays through marker 13 and marker 14, together with the numbered elements listed for use. Because clean_background_expected is false, retain these two staged state cues, but do not introduce any additional unlisted state cue.\n  - negative_continuity_directive: Do not invent unlisted scenario-specific elements or additional state overlays. Keep units outside the chosen unit-5-to-unit-2 view cone out of frame, and treat openings 10, 11, and 12 only as visibility candidates rather than requiring all three. Preserve the numbered structural and furniture relationships without adding ignored or unsupported markers.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [7, 6]\n  - look_at_unit: 2\n  - look_at_cell: [4, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 so the plate supports both the isolated front-side subject staging and the widened rear-row reaction staging while retaining markers 6 and 7 as stable depth context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, look toward unit 2 with broad coverage of the fixed numbered context required by this BG. Maintain markers 1, 2, 3, 4, 5, 6, 7, and 8 in their floor-plan relationships where they fall within the selected cone; markers 10, 11, and 12 are opening-visibility candidates and should appear only when supported by the chosen framing.\n  - camera_framing_directive: Frame from camera unit 5 at cell [7,6] toward look-at unit 2 at cell [4,2] with a wide 90-degree field of view. Use broad coverage that preserves enough surrounding structure for the medium isolated-subject staging in S12_Shot3 and the widened medium two-subject staging in S12_Shot4.\n  - subject_position_directive: For S12_Shot3, reserve the middle-center midground for one upper-body subject at the committed front-side speaking position, with weight directed toward the rear row and gaze beyond frame. For S12_Shot4, support two seated subjects on the same rear-row depth plane, one at frame left and one at frame right, with the chair backs running obliquely behind them. Do not add subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed state overlays through marker 13 and marker 14, together with the numbered elements listed for use. Because clean_background_expected is false, retain these two staged state cues, but do not introduce any additional unlisted state cue.\n  - negative_continuity_directive: Do not invent unlisted scenario-specific elements or additional state overlays. Keep units outside the chosen unit-5-to-unit-2 view cone out of frame, and treat openings 10, 11, and 12 only as visibility candidates rather than requiring all three. Preserve the numbered structural and furniture relationships without adding ignored or unsupported markers.\n\n대한민국 전라남도·광주광역시권의 21세기 초·중반 지방 경찰서에 있는 실용적인 대회의실. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 실제 DSLR 또는 미러리스 카메라와 28mm 정도의 적당한 광각 렌즈를 사용한 현장 기록 사진처럼 보여야 한다. 카메라는 북쪽의 낮은 발표 단상 앞 왼쪽 모서리 부근, 서 있는 사람의 눈높이 약 1.6m에 놓고 중앙 통로를 따라 남쪽 후면 양개문 쪽을 대각선으로 바라본다. 직사각형 회의실 안에서 중앙 통로 양옆의 좌우 좌석 구역이 여러 줄로 전방을 향하고, 양쪽 벽의 창 배열을 통해 부드러운 오전 자연광이 들어온다. 관공서 회의실 특유의 절제된 중성색과 약간 차가운 색조, 평범하고 기능적인 마감, 실제 벽과 바닥의 미세한 사용 흔적, 금속 부품의 자연스러운 마모, 좌석 직물의 현실적인 짜임과 눌림을 정확히 표현한다. 양쪽 좌석 구역은 뒷줄까지 회의 참석자들이 착석해 사용 중인 상태임을 좌석의 눌림과 미세한 흐트러짐으로만 암시한다. 발표 단상 바로 앞 중앙 바닥은 새 책임자의 발언이 진행되는 중심 위치로 읽히도록 시선이 모이는 열린 지점으로 두되, 발언자를 포함한 사람, 얼굴, 신체 일부 또는 사람 모양 형상은 전혀 묘사하지 않는다. 과장된 장식 없이 대한민국 공공기관의 엄숙하고 일상적인 오전 회의 분위기, 적당한 대비와 자연스러운 명암 범위, 실제 재료 질감, 현실적인 원근감과 자연스러운 심도를 적용한다. 깨끗한 광고 사진이나 건축 시각화가 아니라 별도 후처리 없이 실제 장소를 기록한 담담한 사진이어야 하며, 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 3D 그래픽처럼 보이지 않아야 한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            7,
            6
          ],
          "camera_unit": 5,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 5 toward unit 2 so the plate supports both the isolated front-side subject staging and the widened rear-row reaction staging while retaining markers 6 and 7 as stable depth context.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            2
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 5, look toward unit 2 with broad coverage of the fixed numbered context required by this BG. Maintain markers 1, 2, 3, 4, 5, 6, 7, and 8 in their floor-plan relationships where they fall within the selected cone; markers 10, 11, and 12 are opening-visibility candidates and should appear only when supported by the chosen framing.",
          "camera_framing_directive": "Frame from camera unit 5 at cell [7,6] toward look-at unit 2 at cell [4,2] with a wide 90-degree field of view. Use broad coverage that preserves enough surrounding structure for the medium isolated-subject staging in S12_Shot3 and the widened medium two-subject staging in S12_Shot4.",
          "subject_position_directive": "For S12_Shot3, reserve the middle-center midground for one upper-body subject at the committed front-side speaking position, with weight directed toward the rear row and gaze beyond frame. For S12_Shot4, support two seated subjects on the same rear-row depth plane, one at frame left and one at frame right, with the chair backs running obliquely behind them. Do not add subjects beyond those committed by the surfaced staging.",
          "state_cue_directive": "Carry the committed state overlays through marker 13 and marker 14, together with the numbered elements listed for use. Because clean_background_expected is false, retain these two staged state cues, but do not introduce any additional unlisted state cue.",
          "negative_continuity_directive": "Do not invent unlisted scenario-specific elements or additional state overlays. Keep units outside the chosen unit-5-to-unit-2 view cone out of frame, and treat openings 10, 11, and 12 only as visibility candidates rather than requiring all three. Preserve the numbered structural and furniture relationships without adding ignored or unsupported markers."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l15_conference_hall",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l15_conference_hall"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L16B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L16",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L16B02.png",
        "t2i_prompt": "대한민국 남서부 지방의 2010년대 중후반 경찰서에 있는 강력범죄 수사팀 공용 사무공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 복도 출입문 바로 안쪽에서 약 1.6미터 높이로 서서, 풀프레임 카메라의 28밀리미터 광각 렌즈로 중앙과 동쪽의 공용 업무공간을 대각선 방향으로 바라본 넓은 시야. 중앙 통로를 사이에 둔 두 개의 실용적인 책상 군집이 화면의 중심을 이루고, 안쪽을 향한 책상 가장자리에는 2015~2017년 무렵의 데스크톱 업무 단말이 전원이 들어온 채 배치되어 있으며 접근하기 쉬운 모서리마다 유선전화가 놓여 있다. 북서쪽 뒤편에는 업무 좌석과 시각적으로 구분된 증거 보관 구역이 있고, 북쪽 벽의 잠금식 철제 증거 보관함과 서쪽 벽의 사건 기록 선반이 깊이감 속에서 보인다. 남서쪽 출입 동선 옆에는 복사기와 프린터가 있는 업무 지원 구역이 있으며, 그 옆 남쪽 벽에는 직원용 철제 사물함장이 자리한다. 동쪽 외벽의 연속 창으로 들어오는 밝은 낮 자연광과 천장의 평범한 형광등 빛이 섞여, 분주하게 가동되는 주간 수사 사무실의 중성적이고 약간 서늘한 밝기를 만든다. 사람, 얼굴, 인체 형상은 전혀 없이 배경 공간만 담는다. 공간은 정돈되고 훼손되지 않은 사건 전 상태다. 실제 합판 책상의 미세한 마모, 도장된 철제 수납장의 생활 흔적과 금속 질감, 선반의 표면, 사무기기 플라스틱의 현실적인 반사, 오래 사용한 바닥과 벽의 자연스러운 사용감을 정확히 표현한다. 과도하게 깨끗한 광고 사진이 아니라 실제 근무 장소를 담은 담담한 현장 참고 사진이며, 자연스러운 원근과 심도, 적당한 명암 범위, 보정하지 않은 현실적인 색을 유지한다. 삽화나 건축 시각화, 컴퓨터 생성 이미지가 아닌 실제 디지털 일안 반사식 또는 미러리스 카메라 촬영본이며, 위에서 내려다본 평면도나 건축 다이어그램이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 복도 출입문 안쪽의 문턱 부근에서 서 있는 사람의 눈높이로 촬영한다. 중앙 통로를 따라 대각선으로 두 책상 군집을 넓게 담고, 책상 위 데스크톱 업무 단말과 유선전화가 명확히 보이게 하며 증거 보관 구역은 화면 뒤쪽 배경에 남긴다. 사람이나 사람 형상의 요소는 포함하지 않는다.",
            "shot_id": "S13_Shot3"
          },
          {
            "guide_text": "같은 남쪽 출입구 쪽 눈높이와 대각선 축을 유지하여 공간 연속성을 확보한다. 두 책상 군집과 가동 중인 데스크톱 업무 단말, 유선전화를 중심에 두고 동쪽 창의 주간광과 천장 형광등이 섞이는 현실적인 사무실 밝기를 유지한다. 뒤쪽 증거 보관 구역과 남서쪽 복사·인쇄 구역도 주변부에서 자연스럽게 읽히게 한다.",
            "shot_id": "S13_Shot6"
          }
        ],
        "shot_ids": [
          "S13_Shot3",
          "S13_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 (corridor entry door), facing diagonally across number 1 (shared work area) toward numbers 7 and 8 (desk clusters), with numbers 9 and 10 visible on the desks",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Use a broad office view that emphasizes the two active desk clusters, desktop workstations, and landline telephones; keep the evidence storage zone in the rear background."
        },
        "reference_decision": {
          "bg_id": "L16B02",
          "fp_id": "fp_l16_violent_crimes_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L16B02 is a clean anchor candidate and references base markers across units 1, 2, 3, and 4. A wide view from camera unit 2 toward unit 1 establishes the dwelling identity and fixed marker layout needed behind the close and medium staging in S13_Shot3 and S13_Shot6 without relying on a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l16_violent_crimes_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "no_reference_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The dwelling-identity anchor is rendered directly from the floor plan and therefore uses no prior reference."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              2
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use the broad unit-2-to-unit-1 axis to support the close and medium consuming shots while retaining fixed-element context across the targeted units.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              5
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show the unit-2 foreground looking toward unit 1, with broad coverage capable of retaining the targeted portions of units 3 and 4. Preserve base markers 1 through 14 in their committed positions where admitted by the view, including openings 5 and 6 and fixed markers 7 through 14.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [5,5] with a wide 90-degree lens, using broad coverage while preserving sufficient desk-height context for the close and medium consuming-shot crops.",
            "subject_position_directive": "For S13_Shot3, support one midground subject leaning toward a lower-edge handheld surface with a softened foreground shoulder at the near edge. For S13_Shot6, support one subject at middle-left and a softer second subject at background-right, with marker 10 and the desk plane providing the lower-foreground lead.",
            "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.",
            "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, and 19. Do not add spaces beyond units 1, 2, 3, and 4 or openings beyond markers 5 and 6, and do not invent scenario-specific objects or unlisted state overlays."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 2]\n  - look_at_unit: 1\n  - look_at_cell: [5, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the broad unit-2-to-unit-1 axis to support the close and medium consuming shots while retaining fixed-element context across the targeted units.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2 foreground looking toward unit 1, with broad coverage capable of retaining the targeted portions of units 3 and 4. Preserve base markers 1 through 14 in their committed positions where admitted by the view, including openings 5 and 6 and fixed markers 7 through 14.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [5,5] with a wide 90-degree lens, using broad coverage while preserving sufficient desk-height context for the close and medium consuming-shot crops.\n  - subject_position_directive: For S13_Shot3, support one midground subject leaning toward a lower-edge handheld surface with a softened foreground shoulder at the near edge. For S13_Shot6, support one subject at middle-left and a softer second subject at background-right, with marker 10 and the desk plane providing the lower-foreground lead.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, and 19. Do not add spaces beyond units 1, 2, 3, and 4 or openings beyond markers 5 and 6, and do not invent scenario-specific objects or unlisted state overlays.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 2]\n  - look_at_unit: 1\n  - look_at_cell: [5, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the broad unit-2-to-unit-1 axis to support the close and medium consuming shots while retaining fixed-element context across the targeted units.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2 foreground looking toward unit 1, with broad coverage capable of retaining the targeted portions of units 3 and 4. Preserve base markers 1 through 14 in their committed positions where admitted by the view, including openings 5 and 6 and fixed markers 7 through 14.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [5,5] with a wide 90-degree lens, using broad coverage while preserving sufficient desk-height context for the close and medium consuming-shot crops.\n  - subject_position_directive: For S13_Shot3, support one midground subject leaning toward a lower-edge handheld surface with a softened foreground shoulder at the near edge. For S13_Shot6, support one subject at middle-left and a softer second subject at background-right, with marker 10 and the desk plane providing the lower-foreground lead.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, and 19. Do not add spaces beyond units 1, 2, 3, and 4 or openings beyond markers 5 and 6, and do not invent scenario-specific objects or unlisted state overlays.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 2]\n  - look_at_unit: 1\n  - look_at_cell: [5, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the broad unit-2-to-unit-1 axis to support the close and medium consuming shots while retaining fixed-element context across the targeted units.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2 foreground looking toward unit 1, with broad coverage capable of retaining the targeted portions of units 3 and 4. Preserve base markers 1 through 14 in their committed positions where admitted by the view, including openings 5 and 6 and fixed markers 7 through 14.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [5,5] with a wide 90-degree lens, using broad coverage while preserving sufficient desk-height context for the close and medium consuming-shot crops.\n  - subject_position_directive: For S13_Shot3, support one midground subject leaning toward a lower-edge handheld surface with a softened foreground shoulder at the near edge. For S13_Shot6, support one subject at middle-left and a softer second subject at background-right, with marker 10 and the desk plane providing the lower-foreground lead.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, and 19. Do not add spaces beyond units 1, 2, 3, and 4 or openings beyond markers 5 and 6, and do not invent scenario-specific objects or unlisted state overlays.\n\n대한민국 남서부 지방의 2010년대 중후반 경찰서에 있는 강력범죄 수사팀 공용 사무공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 복도 출입문 바로 안쪽에서 약 1.6미터 높이로 서서, 풀프레임 카메라의 28밀리미터 광각 렌즈로 중앙과 동쪽의 공용 업무공간을 대각선 방향으로 바라본 넓은 시야. 중앙 통로를 사이에 둔 두 개의 실용적인 책상 군집이 화면의 중심을 이루고, 안쪽을 향한 책상 가장자리에는 2015~2017년 무렵의 데스크톱 업무 단말이 전원이 들어온 채 배치되어 있으며 접근하기 쉬운 모서리마다 유선전화가 놓여 있다. 북서쪽 뒤편에는 업무 좌석과 시각적으로 구분된 증거 보관 구역이 있고, 북쪽 벽의 잠금식 철제 증거 보관함과 서쪽 벽의 사건 기록 선반이 깊이감 속에서 보인다. 남서쪽 출입 동선 옆에는 복사기와 프린터가 있는 업무 지원 구역이 있으며, 그 옆 남쪽 벽에는 직원용 철제 사물함장이 자리한다. 동쪽 외벽의 연속 창으로 들어오는 밝은 낮 자연광과 천장의 평범한 형광등 빛이 섞여, 분주하게 가동되는 주간 수사 사무실의 중성적이고 약간 서늘한 밝기를 만든다. 사람, 얼굴, 인체 형상은 전혀 없이 배경 공간만 담는다. 공간은 정돈되고 훼손되지 않은 사건 전 상태다. 실제 합판 책상의 미세한 마모, 도장된 철제 수납장의 생활 흔적과 금속 질감, 선반의 표면, 사무기기 플라스틱의 현실적인 반사, 오래 사용한 바닥과 벽의 자연스러운 사용감을 정확히 표현한다. 과도하게 깨끗한 광고 사진이 아니라 실제 근무 장소를 담은 담담한 현장 참고 사진이며, 자연스러운 원근과 심도, 적당한 명암 범위, 보정하지 않은 현실적인 색을 유지한다. 삽화나 건축 시각화, 컴퓨터 생성 이미지가 아닌 실제 디지털 일안 반사식 또는 미러리스 카메라 촬영본이며, 위에서 내려다본 평면도나 건축 다이어그램이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            2,
            2
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use the broad unit-2-to-unit-1 axis to support the close and medium consuming shots while retaining fixed-element context across the targeted units.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            5
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the unit-2 foreground looking toward unit 1, with broad coverage capable of retaining the targeted portions of units 3 and 4. Preserve base markers 1 through 14 in their committed positions where admitted by the view, including openings 5 and 6 and fixed markers 7 through 14.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [5,5] with a wide 90-degree lens, using broad coverage while preserving sufficient desk-height context for the close and medium consuming-shot crops.",
          "subject_position_directive": "For S13_Shot3, support one midground subject leaning toward a lower-edge handheld surface with a softened foreground shoulder at the near edge. For S13_Shot6, support one subject at middle-left and a softer second subject at background-right, with marker 10 and the desk plane providing the lower-foreground lead.",
          "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.",
          "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, and 19. Do not add spaces beyond units 1, 2, 3, and 4 or openings beyond markers 5 and 6, and do not invent scenario-specific objects or unlisted state overlays."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l16_violent_crimes_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l16_violent_crimes_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L16B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L16",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L16B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 전라남도·광주권의 지방 수사부서 공동 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 복도 출입문 바로 안쪽에 카메라를 두고, 약 1.6m의 서 있는 사람 눈높이에서 35mm급 광각 렌즈로 중앙 동쪽의 주 책상 묶음과 바로 서쪽에 붙은 보조 책상 묶음을 바라본다. 출입문 안쪽 문턱 공간에서 주 업무 자리까지 이어지는 중앙 통로가 분명히 열려 있어 출입 동선과 사무실의 깊이가 자연스럽게 읽히는 가로 구도다.\n\n직사각형 공동 업무 공간의 대부분을 두 책상 묶음이 차지하며, 책상 안쪽 가장자리에는 해당 시기의 평범한 데스크톱 컴퓨터가 분산 배치되고 접근하기 쉬운 모서리에는 유선전화가 놓여 있다. 동쪽 외벽에는 연속된 창문 열이 있고, 남서쪽 출입 동선 옆 서비스 구역에는 실제 사용 중인 복사기와 프린터가 자리한다. 남쪽 벽의 서비스 구역과 공동 업무 공간 사이에는 직원용 금속 사물함이 있다. 오래 사용한 합판 책상의 실제 나뭇결과 모서리 마모, 금속 사물함의 잔잔한 긁힘과 무광 도장, 복합기 플라스틱의 생활감, 페인트 벽과 비닐계 바닥의 미세한 사용 흔적을 정확하고 과장 없이 표현한다.\n\n낮 시간의 자연광이 동쪽 창문을 통해 들어오고, 한국 공공기관 사무실에서 흔한 천장 형광등이 부드럽게 보조한다. 색감은 실제 장소의 중성에서 약간 차가운 범위이며 명암은 보통이고, 창가와 실내 안쪽의 노출 차이가 현실적이다. 공간은 깨끗하고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 인체 모양 형상은 전혀 포함하지 않는다.\n\n실제 DSLR 또는 미러리스 카메라로 촬영한 장소 기록 사진, 자연스러운 원근감과 피사계 심도, 정확한 콘크리트·금속·플라스틱·목재 질감, 일상적인 마모와 얼룩, 과도한 정돈이나 광고 사진 같은 완벽함 없이 담담하고 사실적인 현장 참고사진. 후처리 효과 없이 실제 자연광과 형광등의 혼합 조명으로 촬영하며, 위에서 내려다본 시점이나 평면도, 건축 도식, 삽화 또는 컴퓨터 그래픽이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 복도 출입문 바로 안쪽에서 서 있는 사람의 눈높이로 바라본 넓은 구도. 문턱에서 중앙 동쪽의 주 책상 묶음까지 이어지는 통로가 명확하게 보이고, 인접한 보조 책상 묶음과 동쪽 창문 열이 함께 들어오게 한다. 출입문과 업무 공간 사이의 거리와 동선을 쉽게 읽을 수 있도록 하되 사람이나 사람 모양 형상은 배치하지 않는다.",
            "shot_id": "S22_Shot7"
          },
          {
            "guide_text": "같은 출입문 안쪽 시점을 유지하면서 주 책상 묶음과 보조 책상 묶음의 관계를 조금 더 중심적으로 보여 준다. 출입문에서 주 업무 자리로 이어지는 빈 통로를 가리지 말고, 책상 위 데스크톱 업무기기와 유선전화, 남쪽 벽의 사물함 및 남서쪽 복합기 구역이 실제 사무실의 연속된 공간으로 자연스럽게 읽히게 한다. 사람, 얼굴, 인체 형상은 포함하지 않는다.",
            "shot_id": "S22_Shot10"
          }
        ],
        "shot_ids": [
          "S22_Shot7",
          "S22_Shot10"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "just inside number 5 (corridor entry door), facing number 7 (primary desk cluster) and number 8 (adjacent desk cluster) across number 4 (threshold zone)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Preserve a clear path from the doorway to the primary workstation so the arrival and introduction can occur between the entrance and desks."
        },
        "reference_decision": {
          "bg_id": "L16B01",
          "fp_id": "fp_l16_violent_crimes_office",
          "node_index": 3,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L16B01 depicts the same physical space as L16B02 but changes to a unit-1 camera looking toward unit 4, revealing the threshold-facing slice and marker 5 needed by S22_Shot10 while retaining fixed markers for the closer staging in S22_Shot7. The genuinely different camera and look-at geometry requires its own plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L16B02.png"
          ],
          "source_bg_ids": [
            "L16B02"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L16B02",
                "space_description": "The same physical space, viewed from unit 1 toward unit 4 with fixed markers 1, 3, 4, 5, 6, 7, 8, 9, 10, 13, and 14."
              }
            ],
            "why_single_ref_or_two_refs": "A single same-space reference fixes the layout, and neither consuming shot requires a second distinct physical space to be co-visible."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              6
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use a broad unit-1-to-unit-4 view to connect the fixed work-area markers with the threshold and opening required by the two consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              8,
              4
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 from the camera position and look toward unit 4, retaining unit 3 where the broad view admits it. Opening marker 5 must frame the threshold-facing staging, while opening marker 6 and fixed markers 7, 8, 9, 10, 13, and 14 remain in their reference-established positions where visible.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,6] toward unit 4 at look-at cell [8,4] with a wide 90-degree lens, using broad coverage for the threshold-facing view while allowing the close over-shoulder shot to crop within the same plate.",
            "subject_position_directive": "For S22_Shot7, support a foreground over-shoulder subject at middle-left and a second subject at middle-center, with their shared hand action along the lower edge and fixed markers 7, 8, and 9 behind them. For S22_Shot10, support one full-height subject at middle-center within opening marker 5 in the midground, with a fixed surface edge entering the interior foreground and no additional committed subjects in the held frame.",
            "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.",
            "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, and 19. Keep base markers 1, 3, 4, 5, 6, 7, 8, 9, 10, 13, and 14 in the positions committed by L16B02, and do not add spaces outside the unit-1-to-unit-4 view or unlisted scenario-specific objects."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L16B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 6]\n  - look_at_unit: 4\n  - look_at_cell: [8, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad unit-1-to-unit-4 view to connect the fixed work-area markers with the threshold and opening required by the two consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from the camera position and look toward unit 4, retaining unit 3 where the broad view admits it. Opening marker 5 must frame the threshold-facing staging, while opening marker 6 and fixed markers 7, 8, 9, 10, 13, and 14 remain in their reference-established positions where visible.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,6] toward unit 4 at look-at cell [8,4] with a wide 90-degree lens, using broad coverage for the threshold-facing view while allowing the close over-shoulder shot to crop within the same plate.\n  - subject_position_directive: For S22_Shot7, support a foreground over-shoulder subject at middle-left and a second subject at middle-center, with their shared hand action along the lower edge and fixed markers 7, 8, and 9 behind them. For S22_Shot10, support one full-height subject at middle-center within opening marker 5 in the midground, with a fixed surface edge entering the interior foreground and no additional committed subjects in the held frame.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, and 19. Keep base markers 1, 3, 4, 5, 6, 7, 8, 9, 10, 13, and 14 in the positions committed by L16B02, and do not add spaces outside the unit-1-to-unit-4 view or unlisted scenario-specific objects.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L16B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 6]\n  - look_at_unit: 4\n  - look_at_cell: [8, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad unit-1-to-unit-4 view to connect the fixed work-area markers with the threshold and opening required by the two consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from the camera position and look toward unit 4, retaining unit 3 where the broad view admits it. Opening marker 5 must frame the threshold-facing staging, while opening marker 6 and fixed markers 7, 8, 9, 10, 13, and 14 remain in their reference-established positions where visible.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,6] toward unit 4 at look-at cell [8,4] with a wide 90-degree lens, using broad coverage for the threshold-facing view while allowing the close over-shoulder shot to crop within the same plate.\n  - subject_position_directive: For S22_Shot7, support a foreground over-shoulder subject at middle-left and a second subject at middle-center, with their shared hand action along the lower edge and fixed markers 7, 8, and 9 behind them. For S22_Shot10, support one full-height subject at middle-center within opening marker 5 in the midground, with a fixed surface edge entering the interior foreground and no additional committed subjects in the held frame.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, and 19. Keep base markers 1, 3, 4, 5, 6, 7, 8, 9, 10, 13, and 14 in the positions committed by L16B02, and do not add spaces outside the unit-1-to-unit-4 view or unlisted scenario-specific objects.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L16B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 6]\n  - look_at_unit: 4\n  - look_at_cell: [8, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad unit-1-to-unit-4 view to connect the fixed work-area markers with the threshold and opening required by the two consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from the camera position and look toward unit 4, retaining unit 3 where the broad view admits it. Opening marker 5 must frame the threshold-facing staging, while opening marker 6 and fixed markers 7, 8, 9, 10, 13, and 14 remain in their reference-established positions where visible.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,6] toward unit 4 at look-at cell [8,4] with a wide 90-degree lens, using broad coverage for the threshold-facing view while allowing the close over-shoulder shot to crop within the same plate.\n  - subject_position_directive: For S22_Shot7, support a foreground over-shoulder subject at middle-left and a second subject at middle-center, with their shared hand action along the lower edge and fixed markers 7, 8, and 9 behind them. For S22_Shot10, support one full-height subject at middle-center within opening marker 5 in the midground, with a fixed surface edge entering the interior foreground and no additional committed subjects in the held frame.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, and 19. Keep base markers 1, 3, 4, 5, 6, 7, 8, 9, 10, 13, and 14 in the positions committed by L16B02, and do not add spaces outside the unit-1-to-unit-4 view or unlisted scenario-specific objects.\n\n2015~2017년 무렵 대한민국 전라남도·광주권의 지방 수사부서 공동 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 복도 출입문 바로 안쪽에 카메라를 두고, 약 1.6m의 서 있는 사람 눈높이에서 35mm급 광각 렌즈로 중앙 동쪽의 주 책상 묶음과 바로 서쪽에 붙은 보조 책상 묶음을 바라본다. 출입문 안쪽 문턱 공간에서 주 업무 자리까지 이어지는 중앙 통로가 분명히 열려 있어 출입 동선과 사무실의 깊이가 자연스럽게 읽히는 가로 구도다.\n\n직사각형 공동 업무 공간의 대부분을 두 책상 묶음이 차지하며, 책상 안쪽 가장자리에는 해당 시기의 평범한 데스크톱 컴퓨터가 분산 배치되고 접근하기 쉬운 모서리에는 유선전화가 놓여 있다. 동쪽 외벽에는 연속된 창문 열이 있고, 남서쪽 출입 동선 옆 서비스 구역에는 실제 사용 중인 복사기와 프린터가 자리한다. 남쪽 벽의 서비스 구역과 공동 업무 공간 사이에는 직원용 금속 사물함이 있다. 오래 사용한 합판 책상의 실제 나뭇결과 모서리 마모, 금속 사물함의 잔잔한 긁힘과 무광 도장, 복합기 플라스틱의 생활감, 페인트 벽과 비닐계 바닥의 미세한 사용 흔적을 정확하고 과장 없이 표현한다.\n\n낮 시간의 자연광이 동쪽 창문을 통해 들어오고, 한국 공공기관 사무실에서 흔한 천장 형광등이 부드럽게 보조한다. 색감은 실제 장소의 중성에서 약간 차가운 범위이며 명암은 보통이고, 창가와 실내 안쪽의 노출 차이가 현실적이다. 공간은 깨끗하고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 인체 모양 형상은 전혀 포함하지 않는다.\n\n실제 DSLR 또는 미러리스 카메라로 촬영한 장소 기록 사진, 자연스러운 원근감과 피사계 심도, 정확한 콘크리트·금속·플라스틱·목재 질감, 일상적인 마모와 얼룩, 과도한 정돈이나 광고 사진 같은 완벽함 없이 담담하고 사실적인 현장 참고사진. 후처리 효과 없이 실제 자연광과 형광등의 혼합 조명으로 촬영하며, 위에서 내려다본 시점이나 평면도, 건축 도식, 삽화 또는 컴퓨터 그래픽이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            6
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use a broad unit-1-to-unit-4 view to connect the fixed work-area markers with the threshold and opening required by the two consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            8,
            4
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 3,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 from the camera position and look toward unit 4, retaining unit 3 where the broad view admits it. Opening marker 5 must frame the threshold-facing staging, while opening marker 6 and fixed markers 7, 8, 9, 10, 13, and 14 remain in their reference-established positions where visible.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,6] toward unit 4 at look-at cell [8,4] with a wide 90-degree lens, using broad coverage for the threshold-facing view while allowing the close over-shoulder shot to crop within the same plate.",
          "subject_position_directive": "For S22_Shot7, support a foreground over-shoulder subject at middle-left and a second subject at middle-center, with their shared hand action along the lower edge and fixed markers 7, 8, and 9 behind them. For S22_Shot10, support one full-height subject at middle-center within opening marker 5 in the midground, with a fixed surface edge entering the interior foreground and no additional committed subjects in the held frame.",
          "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.",
          "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, and 19. Keep base markers 1, 3, 4, 5, 6, 7, 8, 9, 10, 13, and 14 in the positions committed by L16B02, and do not add spaces outside the unit-1-to-unit-4 view or unlisted scenario-specific objects."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l16_violent_crimes_office",
          "prior_bg_ids": [
            "L16B02"
          ],
          "attached_ref_labels": [
            "bg:L16B02"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L16B03": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L16B02",
        "reused_from_bg_id": "L16B02",
        "location_id": "L16",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L16B02.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 남서부 지역의 실제 강력범죄 수사 사무실 안, 미제사건을 검토하는 전담 책상 구역의 낮 풍경. 중앙과 동쪽 대부분을 차지하는 공용 업무 공간에 서로 인접한 주 책상 군과 보조 책상 군이 중앙 통로를 향해 배치되어 있고, 책상 안쪽 가장자리에는 당시 세대의 데스크톱 업무용 컴퓨터가 놓여 있으며 접근하기 쉬운 모서리에는 유선전화가 있다. 동쪽 외벽의 연속된 창문으로 흐린 듯 부드러운 낮빛이 들어오고, 한국 공공기관 사무실 특유의 흰색 형광등과 함께 중성에서 약간 차가운 색조의 현실적인 실내광을 만든다. 업무 공간 뒤편 북서쪽에는 시각적으로 구분된 증거 보관 구역이 있으며, 북쪽 벽의 잠금식 금속 증거 보관장과 서쪽 벽의 사건 기록 선반이 보인다. 오래 사용한 합판 책상 표면, 금속 가구의 잔잔한 흠집과 무광택, 종이 기록철의 닳은 모서리, 바닥의 일상적인 마모와 가벼운 얼룩을 사실적으로 표현한다. 주 사건 검토 책상 위에는 사건 기록철이 임시로 여러 겹 쌓여 있고, 바로 옆에는 어둡게 복사된 부검 사진 자료가 종이 형태로 펼쳐져 있다. 부검 자료는 비그래픽하고 임상적인 복사물로만 보이며, 인체 윤곽과 얼굴 및 민감한 세부는 식별되지 않고 종이 매체의 경계 밖으로 확장되지 않는다. 사람, 얼굴, 인체 형상은 전혀 없는 빈 공간. 보조 책상 군 옆에서 주 책상 군을 향해 바라보고 그 뒤로 사건 기록 선반이 이어지는 시점, 약 1.4미터 높이의 앉은 자세와 선 자세 사이 눈높이, 40밀리미터 표준 광각 계열 렌즈. 하향식 시점이나 평면도, 건축 도식이 아닌 실제 공간의 수평 시선 구도. 실제 미러리스 또는 DSLR 카메라와 35밀리미터급 광학계로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 담담한 기록성, 자연스러운 원근과 심도, 정확한 콘크리트·금속·목재·종이 재질, 과도하게 정돈된 광고 사진이 아니며 별도의 인위적 후처리 없음. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "보조 책상 군 옆에서 주 책상 군을 바라보는 비교적 넓은 구도. 책상 위에 임시로 쌓인 사건 기록철과 그 옆의 어두운 부검 사진 복사물이 한눈에 들어오고, 업무 공간 뒤편으로 사건 기록 선반이 자연스럽게 보이게 한다. 사진 자료는 종이 매체 안에만 머물며 비그래픽하고 세부가 식별되지 않게 표현한다. 빈 사무실만 촬영하고 사람이나 얼굴, 인체 형상은 포함하지 않는다.",
            "shot_id": "S24_Shot4"
          },
          {
            "guide_text": "같은 방향과 공간 관계를 유지하면서 주 사건 검토 책상에 조금 더 집중한다. 쌓인 사건 기록철의 종이 모서리와 사용 흔적, 옆에 펼쳐진 어두운 복사 사진의 평면적인 인쇄 질감이 보이되 민감한 내용과 인체 윤곽은 판독되지 않게 한다. 뒤편 사건 기록 선반과 주변 업무 설비는 자연스러운 거리감 속에 남기며 사람은 배치하지 않는다.",
            "shot_id": "S24_Shot5"
          }
        ],
        "shot_ids": [
          "S24_Shot4",
          "S24_Shot5"
        ],
        "scenes": [],
        "parent_id": "L16B02",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "beside number 8 (secondary desk cluster), facing number 7 (primary desk cluster), with number 12 (case-record shelving) behind the work area",
          "camera_height": "seated-to-standing eye level ~1.4m",
          "lens_hint": "40mm normal-wide lens",
          "framing_notes": "Frame the desktop closely enough to show number 15 (stacked case records) and number 16 (dark photocopied autopsy photographs) as restrained, non-graphic paper records."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L16B02",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L16B02",
              "space_description": "The same fixed physical space represented by units 1 and 2 and shared base markers 1, 2, 6, 7, 8, 9, 10, 11, and 12."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [5,5] with a normal 50-degree lens, giving neutral coverage that supports the medium diagonal composition in S24_Shot4 and the closer over-shoulder crop in S24_Shot5.",
          "negative_continuity_directive": "Do not draw overlay markers 17, 18, or 19. Preserve the L16B02 positions of base markers 1, 2, 6, 7, 8, 9, 10, 11, and 12, and do not introduce units or openings outside the selected view or any unlisted scenario-specific objects.",
          "state_cue_directive": "Add transient markers 15 and 16 as the committed state cues on the relevant fixed surface, while retaining use-numbered elements 1, 2, 6, 7, 8, 9, 10, 11, and 12 in their established configuration. Do not add other state cues.",
          "subject_position_directive": "For S24_Shot4, support one subject at frame right beside the targeted fixed surface, looking downward, with markers 15 and 16 extending through the lower-left foreground. For S24_Shot5, support a seated subject at center-left in three-quarter view and a softened over-shoulder subject edge at frame right, with only a narrow lower-frame portion of the fixed surface visible.",
          "visible_space_directive": "Maintain the L16B02 fixed layout while viewing from unit 2 toward unit 1. Keep units 1 and 2 as the committed visible-space focus, with base markers 6, 7, 8, 9, 10, 11, and 12 fixed in the same positions established by the reference."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l16_violent_crimes_office",
          "prior_bg_ids": [
            "L16B02"
          ],
          "attached_ref_labels": [
            "bg:L16B02"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L16B04": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L16B02",
        "reused_from_bg_id": "L16B02",
        "location_id": "L16",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L16B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 남서부 지방 도시권의 경찰 수사 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 중앙과 동쪽 대부분은 공동 업무 구역이며, 중앙 통로를 향한 두 개의 책상 묶음이 서로 인접해 있고 안쪽 가장자리마다 당시 세대의 데스크톱 업무용 컴퓨터가 놓여 있다. 각 책상 모서리에는 유선전화가 있으며, 동쪽 외벽에는 야간의 어두운 외부가 보이는 연속 창문이 이어진다. 북쪽에는 사용감 있는 잠금식 금속 증거물 캐비닛, 서쪽에는 사건 기록을 보관하는 실용적인 선반이 자리한다. 책상은 목재 무늬 합판과 금속 프레임으로 이루어지고 모서리 마모와 잔잔한 생활 흔적이 자연스럽게 보이며, 캐비닛 표면에는 실제 금속의 미세한 긁힘과 손때가 남아 있다.\n\n야간 검토용 책상 중앙에 2015~2017년형 노트북이 임시로 펼쳐져 있다. 화면에는 부검 기록 사진임을 선명하게 알아볼 수 있는 임상 자료가 열려 있지만, 얼굴이나 전신 윤곽은 없고 노골적인 상처 세부도 보이지 않는 제한된 비그래픽 이미지이며 모든 민감한 내용은 노트북 화면 경계 안에만 존재한다. 노트북 바로 옆에는 개인적인 유품을 담은 작은 보관 상자가 임시로 놓여 있고, 그 곁에는 피해자의 일기가 펼쳐진 채 검토 중인 상태로 놓여 있다. 이 세 물건이 야간 검토 자리의 중심을 이루되 선정적이거나 과장된 표현은 없다.\n\n천장 실무 조명에서 나오는 중성에서 약간 차가운 빛과 창밖의 희미한 야간 환경광이 자연스럽게 섞인다. 과도하게 어둡거나 극적인 조명은 피하고, 실제 야간 사무실처럼 일부 구역만 켜진 현실적인 밝기와 보통 수준의 명암을 유지한다. 35mm 규격 풀프레임 디지털 일안 반사식 또는 미러리스 카메라, 앉은 사람의 눈높이 약 1.3m, 50mm 표준 렌즈. 노트북과 검토 자료를 중심으로 한 밀도 있는 시선 높이 구도이며 위에서 내려다보는 시점, 평면도, 건축 도식이 아니다. 실제 콘크리트와 금속의 질감, 합판의 나뭇결, 종이 섬유, 화면 유리의 약한 반사를 정확하게 표현하고 자연스러운 피사계 심도와 사실적인 노출을 사용한다. 인물, 얼굴, 사람 모양 형상은 전혀 없으며 깨끗한 광고 사진이나 컴퓨터 생성 이미지가 아닌 실제 장소 참고용 무보정 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "앉은 사람의 눈높이에서 50mm 표준 렌즈로 야간 검토 자리를 밀도 있게 담는다. 열린 노트북을 중심에 두고 그 옆의 보관 상자와 펼쳐진 일기가 한눈에 들어오게 하며, 뒤쪽 책상 묶음과 어두운 창문은 실제 사무실의 깊이를 제공한다. 노트북 속 부검 기록은 화면 내부에서만 식별 가능하고 비그래픽해야 한다.",
            "shot_id": "S49_Shot10"
          },
          {
            "guide_text": "동일한 야간 조명, 책상 배치, 전자기기 세대와 물건 위치를 유지한다. 노트북 화면과 펼쳐진 일기를 함께 읽을 수 있는 절제된 구도로 잡고, 보관 상자는 바로 옆에 놓인 임시 검토 자료로 보이게 한다. 사람이나 얼굴, 사람 모양 형상은 포함하지 않는다.",
            "shot_id": "S49_Shot14"
          },
          {
            "guide_text": "야간 미제사건 검토가 진행 중인 빈 업무 자리를 실제 기록 사진처럼 보여 준다. 노트북, 보관 상자, 펼쳐진 일기를 중심으로 프레임을 제한하면서 주변 데스크톱 업무 자리, 유선전화, 캐비닛과 기록 선반의 공간적 맥락을 유지한다. 민감한 부검 사진은 노트북 화면 밖으로 확장하지 않고 비선정적으로 표현한다.",
            "shot_id": "S49_Shot16"
          }
        ],
        "shot_ids": [
          "S49_Shot10",
          "S49_Shot14",
          "S49_Shot16"
        ],
        "scenes": [],
        "parent_id": "L16B02",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "at the inner side of number 8 (secondary desk cluster), facing number 17 (open laptop) with number 18 (keepsake box) and number 19 (victim diary) arranged within reach",
          "camera_height": "seated eye level ~1.3m",
          "lens_hint": "50mm normal lens",
          "framing_notes": "Create a contained night-work composition around the laptop and review materials; any sensitive images must remain non-graphic and confined to the laptop screen."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L16B02",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L16B02",
              "space_description": "The same fixed physical space centered on unit 1 and base markers 6, 7, 8, 9, 10, 11, and 12."
            }
          ]
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Frame from camera unit 2 at cell [2,2] toward unit 1 at look-at cell [2,5] with a telephoto 25-degree lens, producing compressed narrow coverage for the insert and close compositions while keeping the fixed support surface spatially consistent.",
          "negative_continuity_directive": "Do not carry overlay markers 15 or 16 into this BG. Keep base markers 6, 7, 8, 9, 10, 11, and 12 in the positions established by L16B02, omit spaces outside the narrow unit-1 view, and do not invent unlisted objects or state cues.",
          "state_cue_directive": "Carry transient markers 17, 18, and 19 as the only committed overlay cues and apply the subdued nighttime illumination stated by the consuming shots. Preserve use-numbered elements 1, 6, 7, 8, 9, 10, 11, and 12 without structural rearrangement.",
          "subject_position_directive": "For S49_Shot10, reserve the tight plane around marker 17 for extended forearms and hands, with a partial second subject at the opposite edge. For S49_Shot14, support one close subject leaning downward with marker 19 along the lower sightline. For S49_Shot16, reserve a lower-left to upper-right handoff diagonal around marker 19, with faces cropped and only a near hand and torso edge retained for scale.",
          "visible_space_directive": "Show a narrow slice of unit 1 from camera unit 2, centered near base marker 7 at look-at cell [2,5]. Preserve the reference-established positions of base markers 6, 7, 8, 9, 10, 11, and 12 where admitted by the telephoto view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l16_violent_crimes_office",
          "prior_bg_ids": [
            "L16B02"
          ],
          "attached_ref_labels": [
            "bg:L16B02"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L17B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L17B01",
        "reused_from_bg_id": "L17B01",
        "location_id": "L17",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L17B01.png",
        "t2i_prompt": "2015~2017년 대한민국 광주·전남권의 경찰 수사부서 과장실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 사무실 출입구 가까이에서 약 1.6미터 높이로 서서, 32밀리미터급 적당한 광각 시야로 북서쪽의 개인 업무 구역과 동쪽·남동쪽의 공동 회의 구역을 대각선으로 바라본다. 북서쪽에는 북쪽 벽과 나란한 긴 수사과장용 책상과 그 뒤의 업무 의자, 서쪽 벽의 붙박이 문서장이 있으며, 북쪽 창문 줄에서 들어오는 흐린 주간 자연광이 책상 표면을 부드럽게 밝힌다. 동쪽 벽에는 서쪽을 향한 세 자리 소파가 있고 맞은편 두 자리 소파와 북쪽의 안락의자가 중앙 직사각형 커피 테이블을 둘러싼다. 수사과장용 책상, 동쪽 소파, 커피 테이블이 한 프레임 안에서 분명히 보이도록 구성한다.\n\n증거 검토가 진행되던 순간처럼 여러 장의 검토 보고서와 사건 사진이 커피 테이블 위와 수사과장용 책상 가까운 가장자리에 잠시 펼쳐져 있다. 사건 사진은 인물이나 얼굴 없이 장소, 물체, 문서 세부만 담긴 절제된 비그래픽 기록 사진이며 선정적 내용이나 민감한 신체 표현은 없다. 2015~2017년 당시형 업무용 노트북 한 대가 커피 테이블 중앙에 놓여 공동 검토를 위한 증거 자료를 표시하되, 화면 내용은 디스플레이 경계 안의 일반적인 문서와 자료 목록으로만 보이고 인물 영상이나 얼굴은 없다.\n\n공공기관 사무실 특유의 실용적인 합판 무늬 책상, 약간 닳은 소파 직물, 잔흔이 남은 커피 테이블 표면, 무광 금속 손잡이, 오래 사용한 문서장 모서리와 소소한 얼룩을 실제 재질로 표현한다. 북쪽 창의 자연광과 평범한 천장 형광등이 함께 만드는 중성에서 약간 차가운 색조, 보통 수준의 대비와 자연스러운 명암 범위. 지나치게 정돈된 홍보 사진이 아니라 실제 업무가 이어지는 장소의 생활감이 있는 사실적 기록 사진이며, 과장된 연출이나 장식은 없다. 실제 디지털 일안 카메라 또는 미러리스 카메라 촬영, 정확한 콘크리트·금속·직물·목재 질감, 자연스러운 심도, 현실적인 렌즈 원근, 최소한의 후보정. 인물, 얼굴, 사람 형상의 조형물은 전혀 없고 모든 좌석은 비어 있다. 위에서 내려다본 시점, 평면도, 건축 도식이 아닌 사람 눈높이의 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 사무실 출입구 부근의 서 있는 사람 눈높이에서 북서쪽 수사과장용 책상과 동쪽 소파 회의 구역을 함께 담는다. 커피 테이블 위 노트북과 검토 서류·사건 사진, 책상 가까운 가장자리의 추가 자료가 한 프레임에서 명확히 읽히도록 하되 빈 사무실 배경으로 유지한다.",
            "shot_id": "S14_Shot4"
          },
          {
            "guide_text": "출입구 안쪽에서 대각선으로 촬영해 수사과장용 책상을 전경 한쪽에, 동쪽 벽의 긴 소파와 중앙 커피 테이블을 반대편에 배치한다. 증거 검토용 노트북과 펼쳐진 보고서·사건 사진이 자연스러운 업무 상태로 보이게 한다.",
            "shot_id": "S14_Shot7"
          },
          {
            "guide_text": "약 1.6미터 높이의 출입구 시점과 적당한 광각 원근을 유지한다. 북쪽 창의 낮 자연광이 책상과 회의 구역까지 이어지고, 커피 테이블의 노트북 화면과 서류는 과도한 반사 없이 확인되도록 한다.",
            "shot_id": "S17_Shot2"
          },
          {
            "guide_text": "수사과장용 책상, 동쪽의 세 자리 소파, 중앙 커피 테이블이 서로의 공간 관계를 분명히 보여 주도록 구성한다. 검토 자료는 커피 테이블과 책상 가까운 가장자리에만 자연스럽게 펼쳐 두며 인물이나 인물 형상은 넣지 않는다.",
            "shot_id": "S21_Shot3"
          },
          {
            "guide_text": "남서쪽 문턱에서 사무실 깊이를 바라보며 북서쪽 업무 구역과 동쪽 회의 구역을 균형 있게 담는다. 커피 테이블 중앙의 노트북을 핵심 임시 단서로 보이게 하되, 주변 보고서와 비인물 사건 사진도 함께 식별 가능하게 한다.",
            "shot_id": "S21_Shot5"
          },
          {
            "guide_text": "출입구 가까이에서 32밀리미터급 시야로 책상과 소파 모임을 한 장면에 담는다. 2015~2017년 대한민국 공공기관 사무실의 절제된 가구, 문서 보관 방식과 당시형 노트북이 실제 장소처럼 보이도록 한다.",
            "shot_id": "S50_Shot1"
          },
          {
            "guide_text": "회의 구역의 커피 테이블이 프레임 중심 가까이에 놓이고, 뒤쪽으로 동쪽 벽의 긴 소파와 북서쪽 수사과장용 책상이 함께 보이게 한다. 노트북과 수사 자료는 검토 중 잠시 펼쳐 둔 상태이며 사진 내용은 비인물·비그래픽 자료로 제한한다.",
            "shot_id": "S50_Shot5"
          },
          {
            "guide_text": "문에서 사무실 전체를 과장 없이 넓게 보여 주되 자연스러운 사람 눈높이와 수직선을 유지한다. 북쪽 창의 주간광, 천장 형광등의 보조광, 사용감 있는 목재와 직물 및 금속 표면을 사실적으로 담고 모든 좌석은 비워 둔다.",
            "shot_id": "S50_Shot6"
          }
        ],
        "shot_ids": [
          "S14_Shot4",
          "S14_Shot7",
          "S17_Shot2",
          "S21_Shot3",
          "S21_Shot5",
          "S50_Shot1",
          "S50_Shot5",
          "S50_Shot6"
        ],
        "scenes": [],
        "parent_id": "L17B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 4 (office doorway), facing diagonally across number 1 (private work zone) toward number 5 (executive desk) and number 2 (shared meeting zone)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "32mm moderate wide angle",
          "framing_notes": "Keep numbers 5, 7, 10, 13, and 14 prominent so the executive desk, sofa group, review documents, photographs, and evidence laptop can share the frame."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L17B01",
          "selected_refs": [
            {
              "physical_space_id": "ps_units_1_2_3",
              "ref_bg_id": "L17B01",
              "space_description": "The same connected physical space defined by units 1, 2, and 3 and base markers 4 through 12."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match reference L17B01 from camera unit 3 at cell [6,2], looking into unit 2 at cell [4,7] with a wide 90-degree field of view. Preserve a broad master frame that can support high-oblique inserts, neutral close crops, and wider seated-group compositions as shot-layer reframes.",
          "negative_continuity_directive": "Do not move or redesign fixed markers 4 through 12 inherited from L17B01. Treat markers 13 and 14 as transient rather than permanent fixtures, and do not introduce unsupported units, openings beyond markers 4 and 11, or additional scenario-specific elements outside the committed shot facts.",
          "state_cue_directive": "Carry transient markers 13 and 14 only in the states and placements required by the surfaced shots, including their shot-specific active or readable presentation. Keep markers 1 through 12 as the unchanged base layer and invent no additional persistent state cues.",
          "subject_position_directive": "Reserve crop-compatible positions for the staged variations: isolated arms or hands above committed support surfaces in S14_Shot4 and S21_Shot3; seated conversational axes with foreground and background subjects in S14_Shot7, S17_Shot2, and S21_Shot5; an uneven four-subject inward grouping in S50_Shot1; a tight staggered two-subject arrangement in S50_Shot5; and one isolated seated midground subject in S50_Shot6. Do not add subjects beyond each shot's staging.",
          "visible_space_directive": "Retain the same fixed physical layout as L17B01: unit 3 at the camera side, unit 2 around markers 7 through 10 as the primary look direction, and unit 1 with markers 5, 6, and 12 where the wide cone supports it. Keep openings 4 and 11 and all fixed markers 4 through 12 in the same positions established by L17B01."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l17_investigation_chief_office",
          "prior_bg_ids": [
            "L17B01"
          ],
          "attached_ref_labels": [
            "bg:L17B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L17B03": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L17B01",
        "reused_from_bg_id": "L17B01",
        "location_id": "L17",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L17B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 남서부 지역의 경찰 행정기관 안에 있는 수사과장실 응접 구역을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 책상 가까운 지점에서 약 1.5~1.6미터의 자연스러운 눈높이로 서서, 40밀리미터급 실내 화각을 사용해 직사각형 탁자와 소파 좌석군을 대각선으로 바라본다. 동쪽 벽에는 서쪽을 향한 긴 3인용 소파가 있고, 그 맞은편 서쪽 가장자리에는 동쪽을 향한 2인용 소파가 있으며, 응접 구역 북쪽의 안락의자는 탁자를 향한다. 이 좌석들과 중앙 탁자의 면담 관계를 화면의 중심으로 삼되, 북서쪽 업무 구역의 긴 간부용 책상과 그 북쪽 의자, 서쪽 벽의 붙박이 문서 수납장, 남서쪽 복도 출입문도 배경에 자연스럽게 남긴다. 북쪽 벽을 따라 이어지는 외부 창에서 평범한 낮의 자연광이 들어오며, 실내는 중립적이고 약간 차가운 색조와 보통 수준의 명암을 가진다. 한국 관공서 사무실에서 볼 법한 실용적인 도장 벽면과 상업용 바닥 마감, 짙고 절제된 소파 외피의 실제 질감, 탁자와 책상 및 수납장의 사실적인 목재 무늬, 손잡이 금속의 미세한 사용감과 가구 모서리의 자연스러운 마모를 세밀하게 표현한다. 지나치게 새것처럼 꾸민 광고 사진이 아니라 실제 업무 공간을 담은 담백한 현장 참고 사진이며, 과장된 연출이나 인위적인 후처리 없이 자연스러운 심도와 현실적인 노출을 유지한다. 공간은 정돈되어 있고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 인체 형상은 전혀 없으며, 위에서 내려다본 평면도나 건축 도면이 아닌 실제 실내 사진이다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "책상 가까운 위치의 약 1.5~1.6미터 눈높이에서 응접 구역을 대각선으로 바라본다. 직사각형 탁자를 중심으로 마주 보는 두 소파와 북쪽의 안락의자 사이의 대화 구조가 명확해야 하며, 책상과 남서쪽 출입문은 배경에 함께 남긴다. 사람이나 인체 형상 없이 실제 장소 기록 사진처럼 구성한다.",
            "shot_id": "S27_Shot6"
          },
          {
            "guide_text": "40밀리미터에 가까운 자연스러운 실내 화각으로 소파 좌석과 탁자의 거리감을 우선한다. 동쪽 벽의 긴 소파와 서쪽의 맞은편 소파가 한 프레임에서 관계를 이루고, 북쪽 창으로 들어오는 낮빛이 과장 없이 공간의 깊이를 드러내게 한다.",
            "shot_id": "S27_Shot10"
          },
          {
            "guide_text": "책상 부근에서 응접 구역 전체를 사선으로 담되 탁자와 세 종류의 좌석이 프레임의 중심을 이루게 한다. 뒤쪽의 책상과 수납장, 남서쪽 출입문은 수사과장실이라는 공간적 맥락을 제공하는 정도로 자연스럽게 포함한다. 눈높이의 실제 카메라 시점을 유지한다.",
            "shot_id": "S46_Shot5"
          },
          {
            "guide_text": "사적인 면담에 적합한 좌석 간 간격과 서로 마주 보는 방향을 읽을 수 있도록 안정적인 가로 구도를 사용한다. 창의 주간 자연광, 오래 사용한 가구 표면, 관공서 사무실의 담백한 마감이 사실적으로 보이게 하며 공간에는 사람이 없어야 한다.",
            "shot_id": "S46_Shot8"
          }
        ],
        "shot_ids": [
          "S27_Shot6",
          "S27_Shot10",
          "S46_Shot5",
          "S46_Shot8"
        ],
        "scenes": [],
        "parent_id": "L17B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 5 (executive desk), facing diagonally toward number 10 (coffee table), number 7 (main sofa), and number 8 (opposing sofa)",
          "camera_height": "eye-level seated-to-standing, approximately 1.5 m",
          "lens_hint": "40mm natural interior lens",
          "framing_notes": "Prioritize the conversational relationship among the sofa seats and coffee table while retaining the executive desk and doorway in the background."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L17B01",
          "selected_refs": [
            {
              "physical_space_id": "ps_units_1_2_3",
              "ref_bg_id": "L17B01",
              "space_description": "The same connected physical space defined by units 1, 2, and 3 and base markers 4 through 12."
            }
          ]
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match reference L17B01 from camera unit 3 at cell [6,2] toward unit 2 at cell [4,7], using the wide 90-degree master coverage. Preserve enough of the seating geometry for oblique close crops and over-shoulder crops without changing the underlying camera-cell or look-at-cell relationship.",
          "negative_continuity_directive": "Exclude ignored overlay markers 13 and 14. Keep fixed markers 4 through 12 in the positions inherited from L17B01, do not bake temporary shot objects or subject actions into the permanent structure, and do not show unsupported units or openings outside markers 4 and 11.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because this BG has no dossier-level transient markers. Refrain from inventing additional persistent cues; any temporary object or action specified by a surfaced shot must remain a removable shot-layer element.",
          "subject_position_directive": "Provide crop-compatible seating positions for the staged close views: a hand action immediately above a seat surface in S27_Shot6; an off-center seated subject facing a near-edge shoulder in S27_Shot10; two closely interacting subjects beside the seating in S46_Shot5; and an over-shoulder conversational axis in S46_Shot8. Keep all subjects and temporary actions confined to their respective shot layers.",
          "visible_space_directive": "Preserve the L17B01 layout with unit 3 on the camera side and unit 2 around markers 7, 8, 9, and 10 in the primary view. Allow unit 1 and its fixed markers only where supported by the wide cone. Maintain openings 4 and 11 and fixed markers 5 through 12 in exactly the same structural positions as the selected reference."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l17_investigation_chief_office",
          "prior_bg_ids": [
            "L17B01"
          ],
          "attached_ref_labels": [
            "bg:L17B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L17B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L17",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L17B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 21세기 초·중반 지방 경찰 관서에서 볼 수 있는 실용적인 수사과장실 내부. 남서쪽 사무실 출입구 가까이에 선 시점에서 동쪽과 남동쪽의 팀 회의 구역을 바라본다. 동쪽 벽을 따라 놓인 긴 3인용 소파와 그 맞은편의 2인용 소파, 북쪽 가장자리의 회의용 안락의자, 중앙의 직사각형 낮은 탁자가 자연스러운 대화형 배치를 이룬다. 소파군 주변에는 넉넉한 빈 바닥 공간을 두며, 북서쪽에는 북쪽 벽과 나란한 긴 집무 책상과 그 뒤의 집무 의자, 서쪽 벽의 붙박이 문서 수납장이 부차적인 사무 공간으로 보인다. 북쪽 벽의 넓은 창을 통해 들어오는 맑은 주간 자연광과 켜진 실용적인 천장 조명이 함께 비추어, 분주한 근무 시간대의 절제되고 긴장된 업무 분위기를 만든다. 한국 공공기관 사무실에 어울리는 무채색 벽, 내구성 있는 바닥재, 실제 목재 무늬와 금속 손잡이, 약간의 일상적인 마모와 사용감이 있는 가구 표면을 사실적으로 표현한다. 공간은 깨끗하게 정돈되어 있으며 손대지 않은 상태다. 인물, 얼굴, 사람 형태의 장식물 없이 완전히 비어 있는 배경 공간. 실제 디지털 일안 반사식 또는 미러리스 카메라와 28밀리미터 광각 렌즈로 촬영한 다큐멘터리 풍 사진, 약 1.6미터의 서 있는 사람 눈높이, 자연스러운 원근감과 피사계 심도, 정확한 콘크리트·금속·직물·목재 질감, 과장 없는 중성에서 차가운 색조와 자연스러운 명암. 깨끗한 광고 사진이나 컴퓨터 그래픽이 아니라 실제 장소 기록 사진처럼 담백하며 후처리 효과가 없다. 내려다보는 평면도, 건축 도면, 삽화가 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 사무실 출입구 가까이에서 약 1.6미터 눈높이로 촬영한다. 동쪽 벽의 긴 소파, 맞은편 소파와 중앙 탁자가 이루는 회의 구역을 넓게 담고, 주변 바닥 여백을 충분히 확보한다. 북서쪽 집무 책상과 문서 수납장은 프레임 왼쪽 뒤편에 부차적으로 보이게 한다. 인물이나 사람 형태는 넣지 않는다.",
            "shot_id": "S39_Shot2"
          },
          {
            "guide_text": "같은 출입구 쪽 시점과 공간 방향을 유지하되 소파군의 상호 마주 보는 배치와 중앙 탁자의 관계가 명확히 읽히도록 구성한다. 북쪽 창에서 들어오는 주간 자연광과 실용적인 천장 조명이 실제 사무실처럼 균형을 이루게 하고, 비어 있는 회의 구역의 폭과 깊이를 자연스럽게 보여 준다. 인물, 얼굴, 사람 모양 장식물은 배제한다.",
            "shot_id": "S39_Shot4"
          }
        ],
        "shot_ids": [
          "S39_Shot2",
          "S39_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (office doorway), facing into number 2 (shared meeting zone) toward number 7 (main sofa), number 8 (opposing sofa), and number 10 (coffee table)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Use a broad composition around the sofa group with enough open floor space for several team members; keep the executive desk visible as secondary context."
        },
        "reference_decision": {
          "bg_id": "L17B01",
          "fp_id": "fp_l17_investigation_chief_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L17B01 is a clean-background anchor candidate and covers target units 1, 2, and 3. A wide view from unit 3 toward marker 10 in unit 2 establishes the fixed marker layout needed by the broad seated-group shot while providing a stable plate for the close shot crop.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l17_investigation_chief_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The dwelling-identity anchor is rendered directly from the supplied floor plan and therefore uses no prior reference."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              2
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use the unit 3 camera position and center the broad view into unit 2 at base marker 10, retaining enough coverage for the wider group staging and tighter shot-specific crops.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              7
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 3 in the camera foreground and unit 2 around base markers 7, 8, 9, and 10 as the primary visible area, with unit 1 continuity where supported by the wide cone. Openings 4 and 11 may appear only where supported by this view. Establish base markers 5 through 12 in their committed floor-plan positions.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [6,2] toward unit 2 at cell [4,7] with a wide 90-degree field of view. Use broad coverage of the seated grouping around marker 10, leaving sufficient surrounding structure for the wide composition and for shot-specific close cropping.",
            "subject_position_directive": "For S39_Shot2, reserve the inward-facing seating around markers 7, 8, 9, and 10 for four distinctly posed seated subjects, with the open side facing the camera. For S39_Shot4, retain a crop-compatible axis for one central seated subject and one soft near-edge shoulder; do not invent additional subjects.",
            "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because this BG has no transient markers. Refrain from inventing additional state cues or persistent overlays.",
            "negative_continuity_directive": "Exclude ignored overlay markers 13 and 14. Do not add units outside 1, 2, and 3, openings other than supported markers 4 and 11, or uncommitted scenario-specific elements; keep all persistent markers 4 through 12 structurally stable."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 2]\n  - look_at_unit: 2\n  - look_at_cell: [4, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the unit 3 camera position and center the broad view into unit 2 at base marker 10, retaining enough coverage for the wider group staging and tighter shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 in the camera foreground and unit 2 around base markers 7, 8, 9, and 10 as the primary visible area, with unit 1 continuity where supported by the wide cone. Openings 4 and 11 may appear only where supported by this view. Establish base markers 5 through 12 in their committed floor-plan positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,2] toward unit 2 at cell [4,7] with a wide 90-degree field of view. Use broad coverage of the seated grouping around marker 10, leaving sufficient surrounding structure for the wide composition and for shot-specific close cropping.\n  - subject_position_directive: For S39_Shot2, reserve the inward-facing seating around markers 7, 8, 9, and 10 for four distinctly posed seated subjects, with the open side facing the camera. For S39_Shot4, retain a crop-compatible axis for one central seated subject and one soft near-edge shoulder; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because this BG has no transient markers. Refrain from inventing additional state cues or persistent overlays.\n  - negative_continuity_directive: Exclude ignored overlay markers 13 and 14. Do not add units outside 1, 2, and 3, openings other than supported markers 4 and 11, or uncommitted scenario-specific elements; keep all persistent markers 4 through 12 structurally stable.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 2]\n  - look_at_unit: 2\n  - look_at_cell: [4, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the unit 3 camera position and center the broad view into unit 2 at base marker 10, retaining enough coverage for the wider group staging and tighter shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 in the camera foreground and unit 2 around base markers 7, 8, 9, and 10 as the primary visible area, with unit 1 continuity where supported by the wide cone. Openings 4 and 11 may appear only where supported by this view. Establish base markers 5 through 12 in their committed floor-plan positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,2] toward unit 2 at cell [4,7] with a wide 90-degree field of view. Use broad coverage of the seated grouping around marker 10, leaving sufficient surrounding structure for the wide composition and for shot-specific close cropping.\n  - subject_position_directive: For S39_Shot2, reserve the inward-facing seating around markers 7, 8, 9, and 10 for four distinctly posed seated subjects, with the open side facing the camera. For S39_Shot4, retain a crop-compatible axis for one central seated subject and one soft near-edge shoulder; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because this BG has no transient markers. Refrain from inventing additional state cues or persistent overlays.\n  - negative_continuity_directive: Exclude ignored overlay markers 13 and 14. Do not add units outside 1, 2, and 3, openings other than supported markers 4 and 11, or uncommitted scenario-specific elements; keep all persistent markers 4 through 12 structurally stable.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 2]\n  - look_at_unit: 2\n  - look_at_cell: [4, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the unit 3 camera position and center the broad view into unit 2 at base marker 10, retaining enough coverage for the wider group staging and tighter shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 in the camera foreground and unit 2 around base markers 7, 8, 9, and 10 as the primary visible area, with unit 1 continuity where supported by the wide cone. Openings 4 and 11 may appear only where supported by this view. Establish base markers 5 through 12 in their committed floor-plan positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,2] toward unit 2 at cell [4,7] with a wide 90-degree field of view. Use broad coverage of the seated grouping around marker 10, leaving sufficient surrounding structure for the wide composition and for shot-specific close cropping.\n  - subject_position_directive: For S39_Shot2, reserve the inward-facing seating around markers 7, 8, 9, and 10 for four distinctly posed seated subjects, with the open side facing the camera. For S39_Shot4, retain a crop-compatible axis for one central seated subject and one soft near-edge shoulder; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because this BG has no transient markers. Refrain from inventing additional state cues or persistent overlays.\n  - negative_continuity_directive: Exclude ignored overlay markers 13 and 14. Do not add units outside 1, 2, and 3, openings other than supported markers 4 and 11, or uncommitted scenario-specific elements; keep all persistent markers 4 through 12 structurally stable.\n\n대한민국 전라남도·광주권의 21세기 초·중반 지방 경찰 관서에서 볼 수 있는 실용적인 수사과장실 내부. 남서쪽 사무실 출입구 가까이에 선 시점에서 동쪽과 남동쪽의 팀 회의 구역을 바라본다. 동쪽 벽을 따라 놓인 긴 3인용 소파와 그 맞은편의 2인용 소파, 북쪽 가장자리의 회의용 안락의자, 중앙의 직사각형 낮은 탁자가 자연스러운 대화형 배치를 이룬다. 소파군 주변에는 넉넉한 빈 바닥 공간을 두며, 북서쪽에는 북쪽 벽과 나란한 긴 집무 책상과 그 뒤의 집무 의자, 서쪽 벽의 붙박이 문서 수납장이 부차적인 사무 공간으로 보인다. 북쪽 벽의 넓은 창을 통해 들어오는 맑은 주간 자연광과 켜진 실용적인 천장 조명이 함께 비추어, 분주한 근무 시간대의 절제되고 긴장된 업무 분위기를 만든다. 한국 공공기관 사무실에 어울리는 무채색 벽, 내구성 있는 바닥재, 실제 목재 무늬와 금속 손잡이, 약간의 일상적인 마모와 사용감이 있는 가구 표면을 사실적으로 표현한다. 공간은 깨끗하게 정돈되어 있으며 손대지 않은 상태다. 인물, 얼굴, 사람 형태의 장식물 없이 완전히 비어 있는 배경 공간. 실제 디지털 일안 반사식 또는 미러리스 카메라와 28밀리미터 광각 렌즈로 촬영한 다큐멘터리 풍 사진, 약 1.6미터의 서 있는 사람 눈높이, 자연스러운 원근감과 피사계 심도, 정확한 콘크리트·금속·직물·목재 질감, 과장 없는 중성에서 차가운 색조와 자연스러운 명암. 깨끗한 광고 사진이나 컴퓨터 그래픽이 아니라 실제 장소 기록 사진처럼 담백하며 후처리 효과가 없다. 내려다보는 평면도, 건축 도면, 삽화가 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            6,
            2
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use the unit 3 camera position and center the broad view into unit 2 at base marker 10, retaining enough coverage for the wider group staging and tighter shot-specific crops.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            7
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 3 in the camera foreground and unit 2 around base markers 7, 8, 9, and 10 as the primary visible area, with unit 1 continuity where supported by the wide cone. Openings 4 and 11 may appear only where supported by this view. Establish base markers 5 through 12 in their committed floor-plan positions.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [6,2] toward unit 2 at cell [4,7] with a wide 90-degree field of view. Use broad coverage of the seated grouping around marker 10, leaving sufficient surrounding structure for the wide composition and for shot-specific close cropping.",
          "subject_position_directive": "For S39_Shot2, reserve the inward-facing seating around markers 7, 8, 9, and 10 for four distinctly posed seated subjects, with the open side facing the camera. For S39_Shot4, retain a crop-compatible axis for one central seated subject and one soft near-edge shoulder; do not invent additional subjects.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because this BG has no transient markers. Refrain from inventing additional state cues or persistent overlays.",
          "negative_continuity_directive": "Exclude ignored overlay markers 13 and 14. Do not add units outside 1, 2, and 3, openings other than supported markers 4 and 11, or uncommitted scenario-specific elements; keep all persistent markers 4 through 12 structurally stable."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l17_investigation_chief_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l17_investigation_chief_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L18B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L18",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L18B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 21세기 초중반 지방 공공기관에서 실제로 사용해 온 기록 자료실 내부. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 깨끗하게 연출된 광고 사진이 아니라 일상적인 마모와 오래된 사용 흔적이 남은 실제 장소 참고 사진처럼 보이게 한다. 남서쪽 복도 출입문 가까이, 약 1.6미터 높이의 서 있는 사람 눈높이에서 35밀리미터급 보통 광각 렌즈로 촬영한다. 출입 문턱을 가로질러 방 안쪽을 대각선으로 바라보며, 서쪽과 동쪽에 남북 방향으로 평행하게 놓인 금속 서가 사이의 좁은 중앙 통로가 화면 깊숙이 이어지고, 통로 너머 남동쪽의 회수 작업대가 보이는 구도다. 북쪽 벽에는 창문을 가리지 않는 벽면 서가가 이어지며, 중앙 통로 끝 위쪽의 외부 창문으로 흐린 주간 자연광이 들어온다.\n\n한국 공공기관 자료실에 흔한 회백색 도장 벽, 약간 누렇게 변색된 천장, 실용적인 직선형 형광등 설비, 회색 분체도장 금속 서가, 낡은 합판 또는 철제 작업대, 종이 기록 상자와 조밀한 서류 보관 상태를 사실적으로 표현한다. 금속 표면의 작은 긁힘과 산화 흔적, 종이 가장자리의 변색, 골판지 결, 목재 무늬, 바닥의 잔잔한 얼룩과 사용 마모를 정확한 실제 재질로 보여 준다. 창에서 들어오는 차갑고 부드러운 낮빛과 실내의 평범한 형광등 빛이 자연스럽게 섞이며, 과도한 대비나 인위적인 후처리 없이 절제된 중성에서 약간 차가운 색조와 자연스러운 명암 범위를 유지한다.\n\n서가에서 꺼낸 오래된 사건 기록 상자 하나가 중앙 통로의 회수 동선에 놓여 있다. 검토를 위해 꺼낸 두꺼운 문서 묶음들이 회수 작업대 위와 바로 주변에 조밀하지만 현실적으로 펼쳐져 있으며, 문서철과 묶인 종이의 두께 및 눌린 가장자리가 보인다. 사용 중인 통로의 상단 선반과 저장 상자 윗면에는 오랫동안 쌓인 고운 먼지가 불균일하게 남아 있다. 높은 선반에 닿기 위해 옮긴 실용적인 의자 한 개가 두 서가 사이 통로 안에 놓여 있어 원래 작업대 자리에서 이동된 상태임이 자연스럽게 느껴진다. 사람, 얼굴, 신체 형태의 인형이나 실루엣은 전혀 없고 배경 공간과 사물만 존재한다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 것처럼 자연스러운 원근, 현실적인 노출, 미세한 초점 변화와 자연스러운 피사계 심도를 적용한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아니라 서 있는 사람이 출입구에서 직접 바라본 실제 장소의 꾸밈없는 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 복도 출입문 바로 안쪽에서 서 있는 사람의 눈높이로 촬영한다. 문턱을 지나 서쪽과 동쪽 서가 사이의 좁은 통로를 대각선으로 바라보고, 통로 깊숙한 곳 너머에 회수 작업대가 함께 보이게 한다. 통로에 옮겨 둔 의자와 꺼내 놓은 오래된 사건 기록 상자를 자연스럽게 전경과 중경에 포함하며, 빈 자료실의 실제 폭과 깊이가 읽히는 보통 광각 구도를 유지한다.",
            "shot_id": "S15_Shot4"
          },
          {
            "guide_text": "같은 출입구 방향과 눈높이를 유지하되 서가 사이 통로와 그 너머 작업대에 시선이 더 모이도록 구성한다. 작업대 위와 주변에 검토를 위해 꺼낸 문서 묶음이 빽빽하게 놓여 있고, 상단 선반과 보관 상자 표면에 쌓인 먼지가 창에서 들어오는 낮빛에 은은하게 드러나게 한다. 사람이나 사람 형태의 형상 없이 사물의 배치와 사용 흔적만으로 기록 검토가 진행 중인 순간을 보여 준다.",
            "shot_id": "S15_Shot5"
          }
        ],
        "shot_ids": [
          "S15_Shot4",
          "S15_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (corridor entrance door), facing diagonally across number 3 (threshold zone) into the aisle between number 7 (west shelf bank) and number 8 (east shelf bank), with number 9 (retrieval worktable) visible beyond",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the narrow shelf aisle, the dusty shelving at number 12, the moved climbing chair at number 13, and the handoff area for number 10; keep number 11 visible as dense document bundles pulled into the workspace."
        },
        "reference_decision": {
          "bg_id": "L18B01",
          "fp_id": "fp_l18_records_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L18B01 is the only clean anchor candidate supplied and has no available same-fp references, so it establishes dwelling identity directly from the floor plan. Camera unit 2 at [8,6], looking toward unit 1 at [3,4] with the advertised wide 90-degree cone, provides broad fixed-marker context for the contextual frame edges in S15_Shot4 and the receding fixed backdrop in S15_Shot5.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l18_records_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_refs",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference is available; this first node must seed the dwelling identity from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              6
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use the advertised broad view from unit 2 toward unit 1, retaining sufficient fixed marker context to support both the steep insert framing and the close subject framing in the consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              3
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 2, show the fixed context toward unit 1, with unit 3 and openings 4 and 5 treated only as geometry-supported visibility candidates within the wide cone. Compose using requested base markers 1 through 9, prioritizing fixed markers 6, 7, 8, and 9 as contextual structure while retaining the floor-plan relationships among units 1, 2, and 3.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [8,6] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view, providing broad coverage that can support the narrow contextual edges required by the insert in S15_Shot4 and the fixed backdrop required by the close framing in S15_Shot5.",
            "subject_position_directive": "For S15_Shot4, reserve the central insert area for the committed overhead view of partial arms and hands bracing opposite edges, with only narrow fixed-context edges around them. For S15_Shot5, reserve the foreground for the committed close, offset three-quarter subject with downturned gaze and a held transient element along the lower frame edge; add no other subjects.",
            "state_cue_directive": "Carry the committed transient state cues represented by markers 10, 11, 12, and 13 together with the numbered elements selected for use; do not introduce any additional uncommitted state cue.",
            "negative_continuity_directive": "Do not invent elements outside markers 1 through 13, do not treat the visible-unit and visible-opening supersets as proof that every candidate must appear, and do not add uncommitted scenario-specific subjects, markings, or state cues. Preserve the floor-plan positions of base markers 1 through 9."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [8, 6]\n  - look_at_unit: 1\n  - look_at_cell: [4, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 2 toward unit 1, retaining sufficient fixed marker context to support both the steep insert framing and the close subject framing in the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2, show the fixed context toward unit 1, with unit 3 and openings 4 and 5 treated only as geometry-supported visibility candidates within the wide cone. Compose using requested base markers 1 through 9, prioritizing fixed markers 6, 7, 8, and 9 as contextual structure while retaining the floor-plan relationships among units 1, 2, and 3.\n  - camera_framing_directive: Frame from camera unit 2 at cell [8,6] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view, providing broad coverage that can support the narrow contextual edges required by the insert in S15_Shot4 and the fixed backdrop required by the close framing in S15_Shot5.\n  - subject_position_directive: For S15_Shot4, reserve the central insert area for the committed overhead view of partial arms and hands bracing opposite edges, with only narrow fixed-context edges around them. For S15_Shot5, reserve the foreground for the committed close, offset three-quarter subject with downturned gaze and a held transient element along the lower frame edge; add no other subjects.\n  - state_cue_directive: Carry the committed transient state cues represented by markers 10, 11, 12, and 13 together with the numbered elements selected for use; do not introduce any additional uncommitted state cue.\n  - negative_continuity_directive: Do not invent elements outside markers 1 through 13, do not treat the visible-unit and visible-opening supersets as proof that every candidate must appear, and do not add uncommitted scenario-specific subjects, markings, or state cues. Preserve the floor-plan positions of base markers 1 through 9.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [8, 6]\n  - look_at_unit: 1\n  - look_at_cell: [4, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 2 toward unit 1, retaining sufficient fixed marker context to support both the steep insert framing and the close subject framing in the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2, show the fixed context toward unit 1, with unit 3 and openings 4 and 5 treated only as geometry-supported visibility candidates within the wide cone. Compose using requested base markers 1 through 9, prioritizing fixed markers 6, 7, 8, and 9 as contextual structure while retaining the floor-plan relationships among units 1, 2, and 3.\n  - camera_framing_directive: Frame from camera unit 2 at cell [8,6] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view, providing broad coverage that can support the narrow contextual edges required by the insert in S15_Shot4 and the fixed backdrop required by the close framing in S15_Shot5.\n  - subject_position_directive: For S15_Shot4, reserve the central insert area for the committed overhead view of partial arms and hands bracing opposite edges, with only narrow fixed-context edges around them. For S15_Shot5, reserve the foreground for the committed close, offset three-quarter subject with downturned gaze and a held transient element along the lower frame edge; add no other subjects.\n  - state_cue_directive: Carry the committed transient state cues represented by markers 10, 11, 12, and 13 together with the numbered elements selected for use; do not introduce any additional uncommitted state cue.\n  - negative_continuity_directive: Do not invent elements outside markers 1 through 13, do not treat the visible-unit and visible-opening supersets as proof that every candidate must appear, and do not add uncommitted scenario-specific subjects, markings, or state cues. Preserve the floor-plan positions of base markers 1 through 9.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [8, 6]\n  - look_at_unit: 1\n  - look_at_cell: [4, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 2 toward unit 1, retaining sufficient fixed marker context to support both the steep insert framing and the close subject framing in the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2, show the fixed context toward unit 1, with unit 3 and openings 4 and 5 treated only as geometry-supported visibility candidates within the wide cone. Compose using requested base markers 1 through 9, prioritizing fixed markers 6, 7, 8, and 9 as contextual structure while retaining the floor-plan relationships among units 1, 2, and 3.\n  - camera_framing_directive: Frame from camera unit 2 at cell [8,6] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view, providing broad coverage that can support the narrow contextual edges required by the insert in S15_Shot4 and the fixed backdrop required by the close framing in S15_Shot5.\n  - subject_position_directive: For S15_Shot4, reserve the central insert area for the committed overhead view of partial arms and hands bracing opposite edges, with only narrow fixed-context edges around them. For S15_Shot5, reserve the foreground for the committed close, offset three-quarter subject with downturned gaze and a held transient element along the lower frame edge; add no other subjects.\n  - state_cue_directive: Carry the committed transient state cues represented by markers 10, 11, 12, and 13 together with the numbered elements selected for use; do not introduce any additional uncommitted state cue.\n  - negative_continuity_directive: Do not invent elements outside markers 1 through 13, do not treat the visible-unit and visible-opening supersets as proof that every candidate must appear, and do not add uncommitted scenario-specific subjects, markings, or state cues. Preserve the floor-plan positions of base markers 1 through 9.\n\n대한민국 전라남도·광주권의 21세기 초중반 지방 공공기관에서 실제로 사용해 온 기록 자료실 내부. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 깨끗하게 연출된 광고 사진이 아니라 일상적인 마모와 오래된 사용 흔적이 남은 실제 장소 참고 사진처럼 보이게 한다. 남서쪽 복도 출입문 가까이, 약 1.6미터 높이의 서 있는 사람 눈높이에서 35밀리미터급 보통 광각 렌즈로 촬영한다. 출입 문턱을 가로질러 방 안쪽을 대각선으로 바라보며, 서쪽과 동쪽에 남북 방향으로 평행하게 놓인 금속 서가 사이의 좁은 중앙 통로가 화면 깊숙이 이어지고, 통로 너머 남동쪽의 회수 작업대가 보이는 구도다. 북쪽 벽에는 창문을 가리지 않는 벽면 서가가 이어지며, 중앙 통로 끝 위쪽의 외부 창문으로 흐린 주간 자연광이 들어온다.\n\n한국 공공기관 자료실에 흔한 회백색 도장 벽, 약간 누렇게 변색된 천장, 실용적인 직선형 형광등 설비, 회색 분체도장 금속 서가, 낡은 합판 또는 철제 작업대, 종이 기록 상자와 조밀한 서류 보관 상태를 사실적으로 표현한다. 금속 표면의 작은 긁힘과 산화 흔적, 종이 가장자리의 변색, 골판지 결, 목재 무늬, 바닥의 잔잔한 얼룩과 사용 마모를 정확한 실제 재질로 보여 준다. 창에서 들어오는 차갑고 부드러운 낮빛과 실내의 평범한 형광등 빛이 자연스럽게 섞이며, 과도한 대비나 인위적인 후처리 없이 절제된 중성에서 약간 차가운 색조와 자연스러운 명암 범위를 유지한다.\n\n서가에서 꺼낸 오래된 사건 기록 상자 하나가 중앙 통로의 회수 동선에 놓여 있다. 검토를 위해 꺼낸 두꺼운 문서 묶음들이 회수 작업대 위와 바로 주변에 조밀하지만 현실적으로 펼쳐져 있으며, 문서철과 묶인 종이의 두께 및 눌린 가장자리가 보인다. 사용 중인 통로의 상단 선반과 저장 상자 윗면에는 오랫동안 쌓인 고운 먼지가 불균일하게 남아 있다. 높은 선반에 닿기 위해 옮긴 실용적인 의자 한 개가 두 서가 사이 통로 안에 놓여 있어 원래 작업대 자리에서 이동된 상태임이 자연스럽게 느껴진다. 사람, 얼굴, 신체 형태의 인형이나 실루엣은 전혀 없고 배경 공간과 사물만 존재한다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 것처럼 자연스러운 원근, 현실적인 노출, 미세한 초점 변화와 자연스러운 피사계 심도를 적용한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아니라 서 있는 사람이 출입구에서 직접 바라본 실제 장소의 꾸밈없는 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            6
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use the advertised broad view from unit 2 toward unit 1, retaining sufficient fixed marker context to support both the steep insert framing and the close subject framing in the consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            3
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 2, show the fixed context toward unit 1, with unit 3 and openings 4 and 5 treated only as geometry-supported visibility candidates within the wide cone. Compose using requested base markers 1 through 9, prioritizing fixed markers 6, 7, 8, and 9 as contextual structure while retaining the floor-plan relationships among units 1, 2, and 3.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [8,6] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view, providing broad coverage that can support the narrow contextual edges required by the insert in S15_Shot4 and the fixed backdrop required by the close framing in S15_Shot5.",
          "subject_position_directive": "For S15_Shot4, reserve the central insert area for the committed overhead view of partial arms and hands bracing opposite edges, with only narrow fixed-context edges around them. For S15_Shot5, reserve the foreground for the committed close, offset three-quarter subject with downturned gaze and a held transient element along the lower frame edge; add no other subjects.",
          "state_cue_directive": "Carry the committed transient state cues represented by markers 10, 11, 12, and 13 together with the numbered elements selected for use; do not introduce any additional uncommitted state cue.",
          "negative_continuity_directive": "Do not invent elements outside markers 1 through 13, do not treat the visible-unit and visible-opening supersets as proof that every candidate must appear, and do not add uncommitted scenario-specific subjects, markings, or state cues. Preserve the floor-plan positions of base markers 1 through 9."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l18_records_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l18_records_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L32B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L32",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L32B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 남서부 지방의 경찰 행정기관에 있는 서장실 응접 구역을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 복도 출입문 바로 안쪽의 문턱 구역에서 북서쪽을 향해 대각선으로 바라보며, 카메라는 약 1.5미터 높이의 자연스러운 사람 눈높이이고 35밀리미터급 중간 광각 렌즈를 사용한다. 절대로 천장에서 내려다보는 시점이나 평면도, 건축 도식이 아니다. 화면 중앙에는 서로 마주 보는 두 소파와 동쪽의 두 객석용 안락의자 사이에 커피 테이블이 놓이고, 북서쪽 소파가 응접 구역의 중심 좌석처럼 보인다. 북동쪽 배경에는 방 중앙과 출입구를 향한 집무 책상과 집무 의자가 보이며, 동쪽 벽의 낮은 붙박이 수납장도 공간의 깊이 안에 자연스럽게 이어진다. 북쪽의 연속 창으로 흐린 주간 자연광이 들어오고, 부분적으로 내려온 사무용 블라인드와 천장의 평범한 매립형 형광 조명이 과하지 않은 중성광을 보탠다. 밝은 회백색 벽, 실용적인 천장 마감, 짙은 목재 무늬 가구, 무채색 직물 소파처럼 2010년대 중후반 한국 공공기관 간부실의 절제된 실내를 보여 준다. 표면은 새것처럼 매끈하지 않고 실제 목재 무늬, 직물 짜임, 금속의 잔잔한 변색, 모서리의 생활 마모와 옅은 얼룩이 사실적으로 드러난다. 중앙 커피 테이블 위에는 당시 세대에 맞는 얇은 노트북이 열린 채 놓여 있고 화면은 북서쪽 소파를 향한다. 노트북에는 보도 영상이 재생 중이지만 영상은 반드시 디스플레이 테두리 안에만 존재하며, 주변 공간보다 낮은 해상도와 방송 자막 띠, 압축 흔적이 있는 실제 매체 화면처럼 보인다. 화면 안에도 사람, 얼굴, 인체 형상은 없고 공공 건물 외관이나 사건 결과를 알리는 비인물 보도 자료만 보인다. 노트북 옆에는 사건 처리 결과를 알리는 큰 활자 제목의 신문 여러 장이 자연스럽게 펼쳐져 있으며, 특정 인명이나 초상사진 없이 기사 제목 배열과 지면 편집만 식별된다. 공간 전체에는 사람이 없고 얼굴, 인체 형상, 인물 사진이나 사람 모양 장식도 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 원근, 현실적인 주간 노출, 적당한 피사계 심도와 절제된 중성~차가운 색조를 유지한다. 깨끗한 광고 사진이 아니라 사용 중인 공공 사무실을 담은 담담한 기록 사진이며, 과장된 조명이나 인위적인 후처리, 삽화풍 표현, 컴퓨터 그래픽 같은 질감은 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 출입문 안쪽 문턱 구역에서 응접 구역을 대각선으로 바라본다. 중앙 커피 테이블과 그 위의 열린 노트북 및 펼쳐진 신문이 명확히 보이고, 서로 마주 보는 소파와 뒤쪽 집무 책상이 한 프레임 안에서 자연스럽게 연결되도록 한다. 사람이나 인물 이미지는 배치하지 않는다.",
            "shot_id": "S33_Shot2"
          },
          {
            "guide_text": "높이 약 1.5미터의 눈높이와 35밀리미터급 화각을 유지한다. 커피 테이블을 화면 중심에 두고 노트북 화면은 북서쪽 소파를 향하게 하며, 신문의 사건 처리 결과 제목 지면이 옆에 펼쳐진 상태를 분명히 보여 준다.",
            "shot_id": "S33_Shot7"
          },
          {
            "guide_text": "응접 가구의 실제 거리감이 드러나는 중간 넓이 구도로 촬영한다. 북쪽 창에서 들어오는 주간광, 소파의 직물 결, 목재 무늬, 공공기관 사무실의 생활 마모를 사실적으로 유지하고 뒤쪽 집무 구역도 식별 가능하게 남긴다.",
            "shot_id": "S93_Shot1"
          },
          {
            "guide_text": "출입문 가까운 시점에서 북서쪽을 향한 축을 유지하며, 소파 사이의 커피 테이블과 열린 노트북을 시선의 중심으로 삼는다. 노트북 속 보도 영상은 화면 경계 안에서만 보이게 하고 화면 밖 공간과 섞이지 않도록 한다.",
            "shot_id": "S93_Shot3"
          },
          {
            "guide_text": "같은 주간 상태와 가구 배치를 유지한다. 노트북의 보도 화면과 사건 처리 결과를 다룬 신문 제목 면이 함께 읽히는 배경 정보가 되도록 하되 과장된 근접 촬영이나 연출 조명 없이 실제 장소 기록 사진처럼 담는다.",
            "shot_id": "S93_Shot5"
          }
        ],
        "shot_ids": [
          "S33_Shot2",
          "S33_Shot7",
          "S93_Shot1",
          "S93_Shot3",
          "S93_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 6 (corridor door) within number 2 (threshold zone), facing diagonally northwest across number 4 (formal meeting zone) toward numbers 10 and 11 (opposing sofas), with number 14 (coffee table) central and number 8 (executive desk) visible in the background",
          "camera_height": "eye-level seated-to-standing perspective, approximately 1.5m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Prioritize the formal sofa group and table. Show number 16 (open laptop with media footage) and number 17 (case-result headline newspapers) on number 14, while retaining enough of the executive desk and window bank to establish the office hierarchy."
        },
        "reference_decision": {
          "bg_id": "L32B01",
          "fp_id": "fp_l32_station_chief_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L32B01 is the only supplied clean-anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. A wide view from unit 1 toward unit 4 covers the fixed marker arrangement needed by the wide group staging and supplies contextual structure for the tighter and insert shots.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l32_station_chief_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp rendered reference is available, and this first node must establish the dwelling identity from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              9,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the listed camera cell in unit 1 and the listed look-at cell [4,2] associated with the fixed marker grouping in unit 4. The wide view supports the broad establishing compositions while retaining context that can be cropped for the close and insert consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              2
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 1, direct the wide view toward unit 4 at look-at cell [4,2], prioritizing the fixed marker-10 through marker-14 grouping. The geometry supplies units 2, 3, 4, and 5 and openings 6 and 7 as visibility candidates from unit 1; include only those portions supported by the 90-degree view while maintaining the floor-plan positions of base markers 1 through 15.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [9,5] toward unit 4 and look-at cell [4,2] with a wide 90-degree field of view. Use broad diagonal coverage of the fixed arrangement as the representative plate, leaving sufficient context for the surfaced wide shots and sufficient resolution around the committed fixed markers for downstream close and insert framing.",
            "subject_position_directive": "Treat subjects as shot-layer placements rather than permanent background structure. S33_Shot2 commits two midground subjects on middle-left and middle-right across the fixed marker-8 arrangement; S33_Shot7 commits one foreground subject at middle-center. S93_Shot1 commits five seated subjects distributed around the fixed marker-10 through marker-14 grouping; S93_Shot3 commits a tight primary subject with only a narrow foreground shoulder edge; S93_Shot5 commits no visible subject. Do not invent additional subjects.",
            "state_cue_directive": "Carry transient markers 16 and 17 only as committed shot-specific cues. Marker 16 follows the surfaced staging state: active in S33_Shot2 and paused in S33_Shot7. Marker 17 remains supported by the fixed surface for the S93 shots and is isolated in S93_Shot5. Preserve the restrained neutral-to-cool daytime illumination specified by the surfaced shots without adding uncommitted state cues.",
            "negative_continuity_directive": "Do not invent scenario-specific elements beyond numbered markers 1 through 17. There are no committed ignored numbered elements or ignored state-overlay markers. Keep all permanent markers 6 through 15 in their floor-plan positions, do not rearrange fixtures or openings, and do not imply visibility beyond the unit 2, 3, 4, and 5 and opening 6 and 7 candidate supersets for this camera unit."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [9, 5]\n  - look_at_unit: 4\n  - look_at_cell: [4, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera cell in unit 1 and the listed look-at cell [4,2] associated with the fixed marker grouping in unit 4. The wide view supports the broad establishing compositions while retaining context that can be cropped for the close and insert consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, direct the wide view toward unit 4 at look-at cell [4,2], prioritizing the fixed marker-10 through marker-14 grouping. The geometry supplies units 2, 3, 4, and 5 and openings 6 and 7 as visibility candidates from unit 1; include only those portions supported by the 90-degree view while maintaining the floor-plan positions of base markers 1 through 15.\n  - camera_framing_directive: Frame from camera unit 1 at cell [9,5] toward unit 4 and look-at cell [4,2] with a wide 90-degree field of view. Use broad diagonal coverage of the fixed arrangement as the representative plate, leaving sufficient context for the surfaced wide shots and sufficient resolution around the committed fixed markers for downstream close and insert framing.\n  - subject_position_directive: Treat subjects as shot-layer placements rather than permanent background structure. S33_Shot2 commits two midground subjects on middle-left and middle-right across the fixed marker-8 arrangement; S33_Shot7 commits one foreground subject at middle-center. S93_Shot1 commits five seated subjects distributed around the fixed marker-10 through marker-14 grouping; S93_Shot3 commits a tight primary subject with only a narrow foreground shoulder edge; S93_Shot5 commits no visible subject. Do not invent additional subjects.\n  - state_cue_directive: Carry transient markers 16 and 17 only as committed shot-specific cues. Marker 16 follows the surfaced staging state: active in S33_Shot2 and paused in S33_Shot7. Marker 17 remains supported by the fixed surface for the S93 shots and is isolated in S93_Shot5. Preserve the restrained neutral-to-cool daytime illumination specified by the surfaced shots without adding uncommitted state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements beyond numbered markers 1 through 17. There are no committed ignored numbered elements or ignored state-overlay markers. Keep all permanent markers 6 through 15 in their floor-plan positions, do not rearrange fixtures or openings, and do not imply visibility beyond the unit 2, 3, 4, and 5 and opening 6 and 7 candidate supersets for this camera unit.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [9, 5]\n  - look_at_unit: 4\n  - look_at_cell: [4, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera cell in unit 1 and the listed look-at cell [4,2] associated with the fixed marker grouping in unit 4. The wide view supports the broad establishing compositions while retaining context that can be cropped for the close and insert consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, direct the wide view toward unit 4 at look-at cell [4,2], prioritizing the fixed marker-10 through marker-14 grouping. The geometry supplies units 2, 3, 4, and 5 and openings 6 and 7 as visibility candidates from unit 1; include only those portions supported by the 90-degree view while maintaining the floor-plan positions of base markers 1 through 15.\n  - camera_framing_directive: Frame from camera unit 1 at cell [9,5] toward unit 4 and look-at cell [4,2] with a wide 90-degree field of view. Use broad diagonal coverage of the fixed arrangement as the representative plate, leaving sufficient context for the surfaced wide shots and sufficient resolution around the committed fixed markers for downstream close and insert framing.\n  - subject_position_directive: Treat subjects as shot-layer placements rather than permanent background structure. S33_Shot2 commits two midground subjects on middle-left and middle-right across the fixed marker-8 arrangement; S33_Shot7 commits one foreground subject at middle-center. S93_Shot1 commits five seated subjects distributed around the fixed marker-10 through marker-14 grouping; S93_Shot3 commits a tight primary subject with only a narrow foreground shoulder edge; S93_Shot5 commits no visible subject. Do not invent additional subjects.\n  - state_cue_directive: Carry transient markers 16 and 17 only as committed shot-specific cues. Marker 16 follows the surfaced staging state: active in S33_Shot2 and paused in S33_Shot7. Marker 17 remains supported by the fixed surface for the S93 shots and is isolated in S93_Shot5. Preserve the restrained neutral-to-cool daytime illumination specified by the surfaced shots without adding uncommitted state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements beyond numbered markers 1 through 17. There are no committed ignored numbered elements or ignored state-overlay markers. Keep all permanent markers 6 through 15 in their floor-plan positions, do not rearrange fixtures or openings, and do not imply visibility beyond the unit 2, 3, 4, and 5 and opening 6 and 7 candidate supersets for this camera unit.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [9, 5]\n  - look_at_unit: 4\n  - look_at_cell: [4, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera cell in unit 1 and the listed look-at cell [4,2] associated with the fixed marker grouping in unit 4. The wide view supports the broad establishing compositions while retaining context that can be cropped for the close and insert consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, direct the wide view toward unit 4 at look-at cell [4,2], prioritizing the fixed marker-10 through marker-14 grouping. The geometry supplies units 2, 3, 4, and 5 and openings 6 and 7 as visibility candidates from unit 1; include only those portions supported by the 90-degree view while maintaining the floor-plan positions of base markers 1 through 15.\n  - camera_framing_directive: Frame from camera unit 1 at cell [9,5] toward unit 4 and look-at cell [4,2] with a wide 90-degree field of view. Use broad diagonal coverage of the fixed arrangement as the representative plate, leaving sufficient context for the surfaced wide shots and sufficient resolution around the committed fixed markers for downstream close and insert framing.\n  - subject_position_directive: Treat subjects as shot-layer placements rather than permanent background structure. S33_Shot2 commits two midground subjects on middle-left and middle-right across the fixed marker-8 arrangement; S33_Shot7 commits one foreground subject at middle-center. S93_Shot1 commits five seated subjects distributed around the fixed marker-10 through marker-14 grouping; S93_Shot3 commits a tight primary subject with only a narrow foreground shoulder edge; S93_Shot5 commits no visible subject. Do not invent additional subjects.\n  - state_cue_directive: Carry transient markers 16 and 17 only as committed shot-specific cues. Marker 16 follows the surfaced staging state: active in S33_Shot2 and paused in S33_Shot7. Marker 17 remains supported by the fixed surface for the S93 shots and is isolated in S93_Shot5. Preserve the restrained neutral-to-cool daytime illumination specified by the surfaced shots without adding uncommitted state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements beyond numbered markers 1 through 17. There are no committed ignored numbered elements or ignored state-overlay markers. Keep all permanent markers 6 through 15 in their floor-plan positions, do not rearrange fixtures or openings, and do not imply visibility beyond the unit 2, 3, 4, and 5 and opening 6 and 7 candidate supersets for this camera unit.\n\n2015~2017년 무렵 대한민국 남서부 지방의 경찰 행정기관에 있는 서장실 응접 구역을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 복도 출입문 바로 안쪽의 문턱 구역에서 북서쪽을 향해 대각선으로 바라보며, 카메라는 약 1.5미터 높이의 자연스러운 사람 눈높이이고 35밀리미터급 중간 광각 렌즈를 사용한다. 절대로 천장에서 내려다보는 시점이나 평면도, 건축 도식이 아니다. 화면 중앙에는 서로 마주 보는 두 소파와 동쪽의 두 객석용 안락의자 사이에 커피 테이블이 놓이고, 북서쪽 소파가 응접 구역의 중심 좌석처럼 보인다. 북동쪽 배경에는 방 중앙과 출입구를 향한 집무 책상과 집무 의자가 보이며, 동쪽 벽의 낮은 붙박이 수납장도 공간의 깊이 안에 자연스럽게 이어진다. 북쪽의 연속 창으로 흐린 주간 자연광이 들어오고, 부분적으로 내려온 사무용 블라인드와 천장의 평범한 매립형 형광 조명이 과하지 않은 중성광을 보탠다. 밝은 회백색 벽, 실용적인 천장 마감, 짙은 목재 무늬 가구, 무채색 직물 소파처럼 2010년대 중후반 한국 공공기관 간부실의 절제된 실내를 보여 준다. 표면은 새것처럼 매끈하지 않고 실제 목재 무늬, 직물 짜임, 금속의 잔잔한 변색, 모서리의 생활 마모와 옅은 얼룩이 사실적으로 드러난다. 중앙 커피 테이블 위에는 당시 세대에 맞는 얇은 노트북이 열린 채 놓여 있고 화면은 북서쪽 소파를 향한다. 노트북에는 보도 영상이 재생 중이지만 영상은 반드시 디스플레이 테두리 안에만 존재하며, 주변 공간보다 낮은 해상도와 방송 자막 띠, 압축 흔적이 있는 실제 매체 화면처럼 보인다. 화면 안에도 사람, 얼굴, 인체 형상은 없고 공공 건물 외관이나 사건 결과를 알리는 비인물 보도 자료만 보인다. 노트북 옆에는 사건 처리 결과를 알리는 큰 활자 제목의 신문 여러 장이 자연스럽게 펼쳐져 있으며, 특정 인명이나 초상사진 없이 기사 제목 배열과 지면 편집만 식별된다. 공간 전체에는 사람이 없고 얼굴, 인체 형상, 인물 사진이나 사람 모양 장식도 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 원근, 현실적인 주간 노출, 적당한 피사계 심도와 절제된 중성~차가운 색조를 유지한다. 깨끗한 광고 사진이 아니라 사용 중인 공공 사무실을 담은 담담한 기록 사진이며, 과장된 조명이나 인위적인 후처리, 삽화풍 표현, 컴퓨터 그래픽 같은 질감은 없다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            9,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the listed camera cell in unit 1 and the listed look-at cell [4,2] associated with the fixed marker grouping in unit 4. The wide view supports the broad establishing compositions while retaining context that can be cropped for the close and insert consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            2
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 1, direct the wide view toward unit 4 at look-at cell [4,2], prioritizing the fixed marker-10 through marker-14 grouping. The geometry supplies units 2, 3, 4, and 5 and openings 6 and 7 as visibility candidates from unit 1; include only those portions supported by the 90-degree view while maintaining the floor-plan positions of base markers 1 through 15.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [9,5] toward unit 4 and look-at cell [4,2] with a wide 90-degree field of view. Use broad diagonal coverage of the fixed arrangement as the representative plate, leaving sufficient context for the surfaced wide shots and sufficient resolution around the committed fixed markers for downstream close and insert framing.",
          "subject_position_directive": "Treat subjects as shot-layer placements rather than permanent background structure. S33_Shot2 commits two midground subjects on middle-left and middle-right across the fixed marker-8 arrangement; S33_Shot7 commits one foreground subject at middle-center. S93_Shot1 commits five seated subjects distributed around the fixed marker-10 through marker-14 grouping; S93_Shot3 commits a tight primary subject with only a narrow foreground shoulder edge; S93_Shot5 commits no visible subject. Do not invent additional subjects.",
          "state_cue_directive": "Carry transient markers 16 and 17 only as committed shot-specific cues. Marker 16 follows the surfaced staging state: active in S33_Shot2 and paused in S33_Shot7. Marker 17 remains supported by the fixed surface for the S93 shots and is isolated in S93_Shot5. Preserve the restrained neutral-to-cool daytime illumination specified by the surfaced shots without adding uncommitted state cues.",
          "negative_continuity_directive": "Do not invent scenario-specific elements beyond numbered markers 1 through 17. There are no committed ignored numbered elements or ignored state-overlay markers. Keep all permanent markers 6 through 15 in their floor-plan positions, do not rearrange fixtures or openings, and do not imply visibility beyond the unit 2, 3, 4, and 5 and opening 6 and 7 candidate supersets for this camera unit."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l32_station_chief_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l32_station_chief_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L49B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L49",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L49B01.png",
        "t2i_prompt": "대한민국 전라남도 농촌 지역의 소규모 공공기관 옥상, 해 질 무렵의 고요한 실제 장소. 옥상 출입구 바로 바깥 착지 공간 부근에서 카메라를 세우고, 약 1.6m의 성인 눈높이로 중앙의 직사각형 옥상 데크를 가로질러 남쪽의 낮은 콘크리트 난간과 그 너머 넓게 펼쳐진 초록빛 논을 바라본다. 계단실과 출입문은 카메라 뒤쪽에 두어 화면에 들어오지 않게 하고, 비어 있는 데크에는 두 사람이 서 있을 수 있을 만큼 충분한 열린 공간을 남긴다. 난간은 화면에서 낮게 배치하여 바람에 잔잔하게 물결치는 논과 낮은 농촌 지평선이 prominent하게 보이도록 한다. 옥상 바닥의 실제 방수 콘크리트 질감, 난간 표면의 자연스러운 풍화와 미세한 얼룩, 습도 높은 남부 농촌의 부드러운 대기 원근을 사실적으로 표현한다. 저녁빛이 사라지기 직전의 중성에서 서늘한 자연광, 절제된 명암, 흐린 청회색 하늘과 남아 있는 은은한 주변광, 과장되지 않은 현실적인 색조. 공간은 깨끗하고 흐트러짐 없는 평온한 상태다. 사람, 얼굴, 인체 형상은 전혀 없다. 실제 DSLR 또는 미러리스 카메라와 35mm급 렌즈로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담담한 구도, 자연스러운 심도, 정확한 콘크리트와 식생의 재질, 일상적인 마모, 인위적인 후처리 없음. 하향 조감도나 평면도, 건축 도면이 아닌 수평의 실제 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "옥상 출입구 바로 바깥 착지 공간 부근에서 약 1.6m 높이로 바라본다. 비어 있는 데크를 가로질러 낮은 남쪽 난간과 바람에 흔들리는 넓은 논이 자연스럽게 이어지도록 하며, 난간이 원경을 과도하게 가리지 않게 구성한다. 계단실과 출입문은 카메라 뒤쪽에 둔다.",
            "shot_id": "S45_Shot3"
          },
          {
            "guide_text": "같은 출입구 앞 시점을 유지하되 옥상 중앙의 열린 여백과 난간 너머 논의 수평적 확장을 충분히 담는다. 35mm급 적당한 광각의 자연스러운 원근을 사용하고, 사람이나 인물형 요소 없이 고요한 해 질 무렵의 공간만 보여 준다.",
            "shot_id": "S45_Shot8"
          }
        ],
        "shot_ids": [
          "S45_Shot3",
          "S45_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_3",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 (threshold landing), facing across number 1 (rooftop deck) toward number 4 (field-facing parapet) and number 6 (rice-field sightline)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the parapet low enough in frame for the distant fields to remain prominent; show open deck space for two standing figures, while the stair headhouse and access door remain behind the camera."
        },
        "reference_decision": {
          "bg_id": "L49B01",
          "fp_id": "fp_l49_station_rooftop",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L49B01 is the sole clean anchor candidate and has no same-fp reference catalog entries, so it establishes dwelling identity directly from the floor plan. The wide camera from unit 2 at [2,5] toward unit 5 at [3,5] provides broad coverage of the target-marker set needed by both consuming shots while allowing downstream close and wide crops.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l49_station_rooftop.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this is the dwelling-identity anchor and the supplied same-fp reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              5
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use the listed wide view from unit 2 toward unit 5 so the clean plate supports both the close composition with narrow background look space and the later wide composition requiring markers 1, 4, 5, and 6.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              5
            ],
            "look_at_unit": 5
          },
          "render_guidance": {
            "visible_space_directive": "From unit 2 toward unit 5 with the wide lens, show marker 5 in the forward view and broad connected coverage of target and base markers 1, 4, and 6; marker 3 is only a visibility candidate and need not be emphasized.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [2,5] toward look-at unit 5 at cell [3,5] with the wide 90-degree lens, using broad coverage that preserves marker 5 ahead and enough surrounding context for target markers 1, 4, and 6.",
            "subject_position_directive": "The consuming staging reserves a foreground profile position with narrow background look space for S45_Shot3 and two lower-foreground positions beside marker 4 for S45_Shot8. Because this is a clean background plate, preserve those compositing zones without rendering invented subjects.",
            "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Keep the plate limited to the committed target and base markers 1, 4, 5, and 6 within the wide view from unit 2; do not invent additional numbered elements, scenario-specific objects, subjects, or spaces outside the supported view-cone candidate set."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 5]\n  - look_at_unit: 5\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed wide view from unit 2 toward unit 5 so the clean plate supports both the close composition with narrow background look space and the later wide composition requiring markers 1, 4, 5, and 6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2 toward unit 5 with the wide lens, show marker 5 in the forward view and broad connected coverage of target and base markers 1, 4, and 6; marker 3 is only a visibility candidate and need not be emphasized.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,5] toward look-at unit 5 at cell [3,5] with the wide 90-degree lens, using broad coverage that preserves marker 5 ahead and enough surrounding context for target markers 1, 4, and 6.\n  - subject_position_directive: The consuming staging reserves a foreground profile position with narrow background look space for S45_Shot3 and two lower-foreground positions beside marker 4 for S45_Shot8. Because this is a clean background plate, preserve those compositing zones without rendering invented subjects.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Keep the plate limited to the committed target and base markers 1, 4, 5, and 6 within the wide view from unit 2; do not invent additional numbered elements, scenario-specific objects, subjects, or spaces outside the supported view-cone candidate set.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 5]\n  - look_at_unit: 5\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed wide view from unit 2 toward unit 5 so the clean plate supports both the close composition with narrow background look space and the later wide composition requiring markers 1, 4, 5, and 6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2 toward unit 5 with the wide lens, show marker 5 in the forward view and broad connected coverage of target and base markers 1, 4, and 6; marker 3 is only a visibility candidate and need not be emphasized.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,5] toward look-at unit 5 at cell [3,5] with the wide 90-degree lens, using broad coverage that preserves marker 5 ahead and enough surrounding context for target markers 1, 4, and 6.\n  - subject_position_directive: The consuming staging reserves a foreground profile position with narrow background look space for S45_Shot3 and two lower-foreground positions beside marker 4 for S45_Shot8. Because this is a clean background plate, preserve those compositing zones without rendering invented subjects.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Keep the plate limited to the committed target and base markers 1, 4, 5, and 6 within the wide view from unit 2; do not invent additional numbered elements, scenario-specific objects, subjects, or spaces outside the supported view-cone candidate set.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 5]\n  - look_at_unit: 5\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed wide view from unit 2 toward unit 5 so the clean plate supports both the close composition with narrow background look space and the later wide composition requiring markers 1, 4, 5, and 6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2 toward unit 5 with the wide lens, show marker 5 in the forward view and broad connected coverage of target and base markers 1, 4, and 6; marker 3 is only a visibility candidate and need not be emphasized.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,5] toward look-at unit 5 at cell [3,5] with the wide 90-degree lens, using broad coverage that preserves marker 5 ahead and enough surrounding context for target markers 1, 4, and 6.\n  - subject_position_directive: The consuming staging reserves a foreground profile position with narrow background look space for S45_Shot3 and two lower-foreground positions beside marker 4 for S45_Shot8. Because this is a clean background plate, preserve those compositing zones without rendering invented subjects.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Keep the plate limited to the committed target and base markers 1, 4, 5, and 6 within the wide view from unit 2; do not invent additional numbered elements, scenario-specific objects, subjects, or spaces outside the supported view-cone candidate set.\n\n대한민국 전라남도 농촌 지역의 소규모 공공기관 옥상, 해 질 무렵의 고요한 실제 장소. 옥상 출입구 바로 바깥 착지 공간 부근에서 카메라를 세우고, 약 1.6m의 성인 눈높이로 중앙의 직사각형 옥상 데크를 가로질러 남쪽의 낮은 콘크리트 난간과 그 너머 넓게 펼쳐진 초록빛 논을 바라본다. 계단실과 출입문은 카메라 뒤쪽에 두어 화면에 들어오지 않게 하고, 비어 있는 데크에는 두 사람이 서 있을 수 있을 만큼 충분한 열린 공간을 남긴다. 난간은 화면에서 낮게 배치하여 바람에 잔잔하게 물결치는 논과 낮은 농촌 지평선이 prominent하게 보이도록 한다. 옥상 바닥의 실제 방수 콘크리트 질감, 난간 표면의 자연스러운 풍화와 미세한 얼룩, 습도 높은 남부 농촌의 부드러운 대기 원근을 사실적으로 표현한다. 저녁빛이 사라지기 직전의 중성에서 서늘한 자연광, 절제된 명암, 흐린 청회색 하늘과 남아 있는 은은한 주변광, 과장되지 않은 현실적인 색조. 공간은 깨끗하고 흐트러짐 없는 평온한 상태다. 사람, 얼굴, 인체 형상은 전혀 없다. 실제 DSLR 또는 미러리스 카메라와 35mm급 렌즈로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담담한 구도, 자연스러운 심도, 정확한 콘크리트와 식생의 재질, 일상적인 마모, 인위적인 후처리 없음. 하향 조감도나 평면도, 건축 도면이 아닌 수평의 실제 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            2,
            5
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use the listed wide view from unit 2 toward unit 5 so the clean plate supports both the close composition with narrow background look space and the later wide composition requiring markers 1, 4, 5, and 6.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            5
          ],
          "look_at_unit": 5
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 2 toward unit 5 with the wide lens, show marker 5 in the forward view and broad connected coverage of target and base markers 1, 4, and 6; marker 3 is only a visibility candidate and need not be emphasized.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [2,5] toward look-at unit 5 at cell [3,5] with the wide 90-degree lens, using broad coverage that preserves marker 5 ahead and enough surrounding context for target markers 1, 4, and 6.",
          "subject_position_directive": "The consuming staging reserves a foreground profile position with narrow background look space for S45_Shot3 and two lower-foreground positions beside marker 4 for S45_Shot8. Because this is a clean background plate, preserve those compositing zones without rendering invented subjects.",
          "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Keep the plate limited to the committed target and base markers 1, 4, 5, and 6 within the wide view from unit 2; do not invent additional numbered elements, scenario-specific objects, subjects, or spaces outside the supported view-cone candidate set."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l49_station_rooftop",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l49_station_rooftop",
            "building_anchor:L12B01",
            "building_fp:fp_l17_investigation_chief_office"
          ],
          "ref_used": "refs_3",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l17_investigation_chief_office",
          "indoor_loc_sid": "L17",
          "group_id": "bg_district_police_station",
          "fp_asset_id": "20b50564-80db-463d-a460-c9553555956d"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L12B01",
          "group_id": "bg_district_police_station"
        }
      },
      "L28B02": {
        "status": "ok",
        "location_id": "L28",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L28B02.png",
        "t2i_prompt": "2015~2017년 대한민국 광주광역시권에 실제로 존재할 법한 국가 법과학 감정 연구기관 건물의 밝고 조용한 낮 전경. 육중하고 기념비적인 노출 콘크리트 입면과 수직·수평 매스, 짙은 금속 창틀의 규칙적인 창, 깊게 들어간 유리 주 출입문과 절제된 금속 캐노피, 넓은 화강석 계단과 공공시설용 완만한 경사로가 보인다. 출입구 가까운 외벽 또는 독립형 석재 표지판에 NFS 법과학 감정기관임을 나타내는 단정한 한글·영문 기관 표기가 설치되어 있으며, 표지판은 건물과 함께 분명히 식별된다. 전면에는 깨끗하지만 약간의 일상적 마모와 빗물 자국이 남은 보도블록, 아스팔트 진입로, 낮은 금속 볼라드, 절제된 사각 화분, 드문드문 심어진 어린 조경수와 깃대가 있다. 사람과 얼굴, 차량은 전혀 없고 공간은 업무 시간 중임에도 유난히 고요하다. 맑은 날의 부드럽고 밝은 자연광, 옅은 청색 하늘, 짧고 연한 그림자, 중성에서 약간 차가운 색조와 자연스러운 명암. 실제 콘크리트의 미세한 기공과 거푸집 흔적, 금속의 은은한 산화와 손때, 유리의 현실적인 하늘 반사, 석재와 아스팔트의 정확한 질감과 작은 얼룩을 표현한다. 건물 전면 진입 공간의 보행자 위치에서 약간 비스듬히 바라본 설정 구도, 카메라 높이 약 1.6m, 35mm급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 수직선이 자연스럽고 과도한 광각 왜곡이 없으며, 입면의 규모와 출입구 및 기관 표지판이 함께 드러나는 자연스러운 원근감과 심도를 유지한다. 실제 장소 기록 사진처럼 담담하고 비가공적이며, 깨끗한 광고용 스톡 사진이 아닌 현실적인 공공기관 현장 사진. 삽화, CGI, 건축 시각화, 평면도, 다이어그램, 조감도, 탑다운 시점이 아니며 과도한 후처리가 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "건물 전면 진입부 바깥의 보행자 눈높이에서 정면보다 약간 비스듬한 위치로 촬영한다. 웅장한 콘크리트 입면, 주 출입구, 계단과 경사로, NFS 법과학 감정기관 표지판이 한 프레임에서 명확히 읽히는 밝고 조용한 낮의 설정 숏으로 구성한다. 과장된 광각 왜곡 없이 건물의 규모와 전면 공간의 깊이를 함께 보여 준다.",
            "shot_id": "S28_Shot1"
          }
        ],
        "shot_ids": [
          "S28_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "exterior_plate",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 대한민국 광주광역시권에 실제로 존재할 법한 국가 법과학 감정 연구기관 건물의 밝고 조용한 낮 전경. 육중하고 기념비적인 노출 콘크리트 입면과 수직·수평 매스, 짙은 금속 창틀의 규칙적인 창, 깊게 들어간 유리 주 출입문과 절제된 금속 캐노피, 넓은 화강석 계단과 공공시설용 완만한 경사로가 보인다. 출입구 가까운 외벽 또는 독립형 석재 표지판에 NFS 법과학 감정기관임을 나타내는 단정한 한글·영문 기관 표기가 설치되어 있으며, 표지판은 건물과 함께 분명히 식별된다. 전면에는 깨끗하지만 약간의 일상적 마모와 빗물 자국이 남은 보도블록, 아스팔트 진입로, 낮은 금속 볼라드, 절제된 사각 화분, 드문드문 심어진 어린 조경수와 깃대가 있다. 사람과 얼굴, 차량은 전혀 없고 공간은 업무 시간 중임에도 유난히 고요하다. 맑은 날의 부드럽고 밝은 자연광, 옅은 청색 하늘, 짧고 연한 그림자, 중성에서 약간 차가운 색조와 자연스러운 명암. 실제 콘크리트의 미세한 기공과 거푸집 흔적, 금속의 은은한 산화와 손때, 유리의 현실적인 하늘 반사, 석재와 아스팔트의 정확한 질감과 작은 얼룩을 표현한다. 건물 전면 진입 공간의 보행자 위치에서 약간 비스듬히 바라본 설정 구도, 카메라 높이 약 1.6m, 35mm급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 수직선이 자연스럽고 과도한 광각 왜곡이 없으며, 입면의 규모와 출입구 및 기관 표지판이 함께 드러나는 자연스러운 원근감과 심도를 유지한다. 실제 장소 기록 사진처럼 담담하고 비가공적이며, 깨끗한 광고용 스톡 사진이 아닌 현실적인 공공기관 현장 사진. 삽화, CGI, 건축 시각화, 평면도, 다이어그램, 조감도, 탑다운 시점이 아니며 과도한 후처리가 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L28B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L28",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L28B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 광주·전남권의 실용적인 연구실 안에 마련된 소파 상담 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남동쪽 출입문 가까이에서 약 1.5~1.6m의 사람 눈높이로 중앙 상담 공간을 대각선 방향으로 바라본다. 35mm급 보통 광각 렌즈를 사용해 서로 마주 보는 서쪽 소파와 동쪽 소파, 그 사이 중앙의 소파 테이블이 자연스럽게 한 화면에 들어오게 한다. 서쪽 외벽의 넓은 창으로 들어오는 흐린 낮의 자연광과 한국의 기관 연구실에서 흔한 절제된 천장 조명이 함께 공간을 밝히며, 중성에서 약간 차가운 색조와 과장 없는 보통 명암을 유지한다. 북쪽 벽 대부분과 출입문 북쪽의 동쪽 벽을 따라 얕은 붙박이 책장이 이어지고, 연구 참고서와 정리된 바인더가 일상적인 사용감과 함께 꽂혀 있다. 소파는 실제 직물의 짜임과 눌린 흔적이 보이고, 테이블과 책장에는 현실적인 목재 무늬와 모서리 마모, 문과 창에는 실제 금속 부속의 미세한 사용 흔적이 있다. 낮 시간의 법의학 상담이 진행되던 순간처럼 소파 테이블 위에 오래된 미제 사건 기록과 부검 소견을 포함한 법의학 서류 및 복사본이 일시적으로 펼쳐져 있다. 서류는 업무 검토를 위한 절제된 임상 기록으로 보이게 하며, 민감한 신체 정보나 신원 정보, 신체 사진은 식별하거나 확대할 수 없도록 비그래픽하게 처리한다. 사람, 얼굴, 인체 형상, 사람 모양 장식은 전혀 없는 빈 배경 공간이다. 실제 콘크리트와 도장면, 금속의 자연스러운 산화 흔적, 직물 짜임, 목재 결, 생활 얼룩을 정확히 표현하고 자연스러운 심도와 사실적인 낮 노출을 사용한다. 깨끗한 광고 사진이 아니라 실제 장소를 담담하게 기록한 미가공 DSLR 또는 미러리스 촬영본이며, 평면도나 위에서 내려다본 시점, 건축 도식, 삽화, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남동쪽 출입문 가까이의 약 1.5m 눈높이에서 중앙 상담 공간을 대각선으로 바라본다. 마주 보는 두 소파와 가운데 소파 테이블이 한 프레임에서 명확히 읽히고, 테이블 위에 펼쳐진 법의학 기록 서류가 상담 중인 상태임을 보여 주도록 구성한다. 공간은 비어 있어야 하며 사람이나 인물 사진, 신체 형상은 표현하지 않는다.",
            "shot_id": "S29_Shot1"
          },
          {
            "guide_text": "동일한 출입문 쪽 시점과 공간 축을 유지하되, 35mm 렌즈의 자연스러운 원근감으로 소파 테이블과 양쪽 소파의 관계를 안정적으로 보여 준다. 낮의 창빛과 연구실의 실용적인 조명이 기록 서류, 소파 천, 책장 표면의 실제 질감을 드러내게 하며 법의학 자료는 비그래픽하고 임상적인 문서 형태로만 보이게 한다.",
            "shot_id": "S29_Shot4"
          }
        ],
        "shot_ids": [
          "S29_Shot1",
          "S29_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 (entry door), facing diagonally across number 2 (consultation zone) toward numbers 9 and 10 (opposing sofas), with number 11 (sofa table) centered between them",
          "camera_height": "eye-level seated-to-standing height, approximately 1.5m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show the two facing sofas and table prominently, with number 12 represented in the background overlay as spread case records and clinical reports on the tabletop; retain part of the book-lined wall for context."
        },
        "reference_decision": {
          "bg_id": "L28B01",
          "fp_id": "fp_l28_research_lab",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This clean-anchor fallback candidate is the first renderable BG and establishes the dwelling identity directly from the floor plan. The wide camera from unit 1 toward unit 2 and base marker 11 supports the broad opposing-subject composition in S29_Shot1 while retaining sufficient fixed context for the tighter framing in S29_Shot4; no earlier same-fp reference is available.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l28_research_lab.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              0,
              0
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the committed wide framing from unit 1 toward unit 2, centering the view on base marker 11 so the opposing seating relation and the foreground-to-midground surface remain legible across the surfaced shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the view from unit 1 toward unit 2, centered on base marker 11, with the target-unit set 1, 2, 3, and 4 represented only where the 90-degree view permits. Maintain the floor-plan positions of openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11; treat geometry visibility lists as supersets rather than requiring every marker on screen.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [0,0] toward unit 2 at look-at cell [4,4] with a wide 90-degree field of view. Provide broad coverage around base marker 11, with room for the middle-left and middle-right subject placements and the lower-center foreground surface committed by S29_Shot1, while preserving usable fixed context for the tighter S29_Shot4 crop.",
            "subject_position_directive": "For S29_Shot1, reserve midground positions at middle-left and middle-right for two seated, mutually facing subjects, with marker 11 and the marker-12 material forming a lower-center foreground band between them. For S29_Shot4, allow a tighter frame on one subject seated against the relevant fixed seating back, left-weighted with restrained open space to the right. Add no other subjects.",
            "state_cue_directive": "Carry transient overlay marker 12 as committed by the BG facts and the surfaced-shot state descriptions. Preserve the subdued neutral-to-cool daytime illumination stated by S29_Shot1 and S29_Shot4, and do not add any unlisted state cue.",
            "negative_continuity_directive": "Exclude ignored overlay marker 13. Do not invent scenario-specific objects or additional state overlays, and do not imply visibility beyond the geometry supersets for units 2, 3, and 4 or openings 5 and 6. Keep base markers 5 through 11 in their floor-plan relationships without rearrangement."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [0, 0]\n  - look_at_unit: 2\n  - look_at_cell: [4, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the committed wide framing from unit 1 toward unit 2, centering the view on base marker 11 so the opposing seating relation and the foreground-to-midground surface remain legible across the surfaced shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view from unit 1 toward unit 2, centered on base marker 11, with the target-unit set 1, 2, 3, and 4 represented only where the 90-degree view permits. Maintain the floor-plan positions of openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11; treat geometry visibility lists as supersets rather than requiring every marker on screen.\n  - camera_framing_directive: Frame from camera unit 1 at cell [0,0] toward unit 2 at look-at cell [4,4] with a wide 90-degree field of view. Provide broad coverage around base marker 11, with room for the middle-left and middle-right subject placements and the lower-center foreground surface committed by S29_Shot1, while preserving usable fixed context for the tighter S29_Shot4 crop.\n  - subject_position_directive: For S29_Shot1, reserve midground positions at middle-left and middle-right for two seated, mutually facing subjects, with marker 11 and the marker-12 material forming a lower-center foreground band between them. For S29_Shot4, allow a tighter frame on one subject seated against the relevant fixed seating back, left-weighted with restrained open space to the right. Add no other subjects.\n  - state_cue_directive: Carry transient overlay marker 12 as committed by the BG facts and the surfaced-shot state descriptions. Preserve the subdued neutral-to-cool daytime illumination stated by S29_Shot1 and S29_Shot4, and do not add any unlisted state cue.\n  - negative_continuity_directive: Exclude ignored overlay marker 13. Do not invent scenario-specific objects or additional state overlays, and do not imply visibility beyond the geometry supersets for units 2, 3, and 4 or openings 5 and 6. Keep base markers 5 through 11 in their floor-plan relationships without rearrangement.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [0, 0]\n  - look_at_unit: 2\n  - look_at_cell: [4, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the committed wide framing from unit 1 toward unit 2, centering the view on base marker 11 so the opposing seating relation and the foreground-to-midground surface remain legible across the surfaced shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view from unit 1 toward unit 2, centered on base marker 11, with the target-unit set 1, 2, 3, and 4 represented only where the 90-degree view permits. Maintain the floor-plan positions of openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11; treat geometry visibility lists as supersets rather than requiring every marker on screen.\n  - camera_framing_directive: Frame from camera unit 1 at cell [0,0] toward unit 2 at look-at cell [4,4] with a wide 90-degree field of view. Provide broad coverage around base marker 11, with room for the middle-left and middle-right subject placements and the lower-center foreground surface committed by S29_Shot1, while preserving usable fixed context for the tighter S29_Shot4 crop.\n  - subject_position_directive: For S29_Shot1, reserve midground positions at middle-left and middle-right for two seated, mutually facing subjects, with marker 11 and the marker-12 material forming a lower-center foreground band between them. For S29_Shot4, allow a tighter frame on one subject seated against the relevant fixed seating back, left-weighted with restrained open space to the right. Add no other subjects.\n  - state_cue_directive: Carry transient overlay marker 12 as committed by the BG facts and the surfaced-shot state descriptions. Preserve the subdued neutral-to-cool daytime illumination stated by S29_Shot1 and S29_Shot4, and do not add any unlisted state cue.\n  - negative_continuity_directive: Exclude ignored overlay marker 13. Do not invent scenario-specific objects or additional state overlays, and do not imply visibility beyond the geometry supersets for units 2, 3, and 4 or openings 5 and 6. Keep base markers 5 through 11 in their floor-plan relationships without rearrangement.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [0, 0]\n  - look_at_unit: 2\n  - look_at_cell: [4, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the committed wide framing from unit 1 toward unit 2, centering the view on base marker 11 so the opposing seating relation and the foreground-to-midground surface remain legible across the surfaced shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view from unit 1 toward unit 2, centered on base marker 11, with the target-unit set 1, 2, 3, and 4 represented only where the 90-degree view permits. Maintain the floor-plan positions of openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11; treat geometry visibility lists as supersets rather than requiring every marker on screen.\n  - camera_framing_directive: Frame from camera unit 1 at cell [0,0] toward unit 2 at look-at cell [4,4] with a wide 90-degree field of view. Provide broad coverage around base marker 11, with room for the middle-left and middle-right subject placements and the lower-center foreground surface committed by S29_Shot1, while preserving usable fixed context for the tighter S29_Shot4 crop.\n  - subject_position_directive: For S29_Shot1, reserve midground positions at middle-left and middle-right for two seated, mutually facing subjects, with marker 11 and the marker-12 material forming a lower-center foreground band between them. For S29_Shot4, allow a tighter frame on one subject seated against the relevant fixed seating back, left-weighted with restrained open space to the right. Add no other subjects.\n  - state_cue_directive: Carry transient overlay marker 12 as committed by the BG facts and the surfaced-shot state descriptions. Preserve the subdued neutral-to-cool daytime illumination stated by S29_Shot1 and S29_Shot4, and do not add any unlisted state cue.\n  - negative_continuity_directive: Exclude ignored overlay marker 13. Do not invent scenario-specific objects or additional state overlays, and do not imply visibility beyond the geometry supersets for units 2, 3, and 4 or openings 5 and 6. Keep base markers 5 through 11 in their floor-plan relationships without rearrangement.\n\n2015~2017년 무렵 대한민국 광주·전남권의 실용적인 연구실 안에 마련된 소파 상담 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남동쪽 출입문 가까이에서 약 1.5~1.6m의 사람 눈높이로 중앙 상담 공간을 대각선 방향으로 바라본다. 35mm급 보통 광각 렌즈를 사용해 서로 마주 보는 서쪽 소파와 동쪽 소파, 그 사이 중앙의 소파 테이블이 자연스럽게 한 화면에 들어오게 한다. 서쪽 외벽의 넓은 창으로 들어오는 흐린 낮의 자연광과 한국의 기관 연구실에서 흔한 절제된 천장 조명이 함께 공간을 밝히며, 중성에서 약간 차가운 색조와 과장 없는 보통 명암을 유지한다. 북쪽 벽 대부분과 출입문 북쪽의 동쪽 벽을 따라 얕은 붙박이 책장이 이어지고, 연구 참고서와 정리된 바인더가 일상적인 사용감과 함께 꽂혀 있다. 소파는 실제 직물의 짜임과 눌린 흔적이 보이고, 테이블과 책장에는 현실적인 목재 무늬와 모서리 마모, 문과 창에는 실제 금속 부속의 미세한 사용 흔적이 있다. 낮 시간의 법의학 상담이 진행되던 순간처럼 소파 테이블 위에 오래된 미제 사건 기록과 부검 소견을 포함한 법의학 서류 및 복사본이 일시적으로 펼쳐져 있다. 서류는 업무 검토를 위한 절제된 임상 기록으로 보이게 하며, 민감한 신체 정보나 신원 정보, 신체 사진은 식별하거나 확대할 수 없도록 비그래픽하게 처리한다. 사람, 얼굴, 인체 형상, 사람 모양 장식은 전혀 없는 빈 배경 공간이다. 실제 콘크리트와 도장면, 금속의 자연스러운 산화 흔적, 직물 짜임, 목재 결, 생활 얼룩을 정확히 표현하고 자연스러운 심도와 사실적인 낮 노출을 사용한다. 깨끗한 광고 사진이 아니라 실제 장소를 담담하게 기록한 미가공 DSLR 또는 미러리스 촬영본이며, 평면도나 위에서 내려다본 시점, 건축 도식, 삽화, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            0,
            0
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the committed wide framing from unit 1 toward unit 2, centering the view on base marker 11 so the opposing seating relation and the foreground-to-midground surface remain legible across the surfaced shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the view from unit 1 toward unit 2, centered on base marker 11, with the target-unit set 1, 2, 3, and 4 represented only where the 90-degree view permits. Maintain the floor-plan positions of openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11; treat geometry visibility lists as supersets rather than requiring every marker on screen.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [0,0] toward unit 2 at look-at cell [4,4] with a wide 90-degree field of view. Provide broad coverage around base marker 11, with room for the middle-left and middle-right subject placements and the lower-center foreground surface committed by S29_Shot1, while preserving usable fixed context for the tighter S29_Shot4 crop.",
          "subject_position_directive": "For S29_Shot1, reserve midground positions at middle-left and middle-right for two seated, mutually facing subjects, with marker 11 and the marker-12 material forming a lower-center foreground band between them. For S29_Shot4, allow a tighter frame on one subject seated against the relevant fixed seating back, left-weighted with restrained open space to the right. Add no other subjects.",
          "state_cue_directive": "Carry transient overlay marker 12 as committed by the BG facts and the surfaced-shot state descriptions. Preserve the subdued neutral-to-cool daytime illumination stated by S29_Shot1 and S29_Shot4, and do not add any unlisted state cue.",
          "negative_continuity_directive": "Exclude ignored overlay marker 13. Do not invent scenario-specific objects or additional state overlays, and do not imply visibility beyond the geometry supersets for units 2, 3, and 4 or openings 5 and 6. Keep base markers 5 through 11 in their floor-plan relationships without rearrangement."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l28_research_lab",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l28_research_lab"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L28B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L28",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L28B03.png",
        "t2i_prompt": "대한민국 광주·전남권의 2010년대 중후반 연구기관 내부에서 실제 카메라로 촬영한 다큐멘터리 풍 사진. 밤의 조용하고 책이 많은 직사각형 연구실이며, 출입문 가까운 실내에서 상담 공간을 대각선으로 가로질러 서쪽의 넓은 창을 바라본다. 카메라 높이는 서 있는 사람의 눈높이 약 1.6m, 35mm급 카메라의 32mm 중간 광각 렌즈로 촬영한 자연스러운 원근감이다. 서로 마주 보는 두 소파와 그 사이의 낮은 테이블이 중경을 이루고, 북쪽과 동쪽 벽을 따라 이어지는 얕은 붙박이 책장이 화면 양쪽 가장자리에 걸리며 공간의 깊이를 드러낸다. 책장에는 실제 연구실에서 오래 사용한 책과 자료가 단정하게 꽂혀 있고, 목재 무늬와 모서리 마모, 소파 천의 직조와 미세한 사용 흔적, 바닥과 금속 창틀의 생활감이 과장 없이 사실적으로 보인다. 넓은 창밖은 깊은 밤이며, 창유리에는 낮은 밝기의 실내가 희미하게 반사되지만 사람이나 얼굴, 인체 형상은 전혀 없다. 중성에서 약간 차가운 실내조명, 적당한 명암, 자연스러운 색조와 현실적인 노출을 사용한다. 창턱 위나 바로 곁에는 유리 스노 글로브 하나가 잠시 놓여 있고, 투명한 구 안의 미세한 눈 입자가 은은한 실내빛을 받아 보이되 인물형 장식이나 초자연적 발광은 없다. 공간은 비어 있으며 선정적이거나 극적인 흔적 없이 차분한 야간 상태다. 실제 콘크리트와 금속의 산화 흔적, 직물의 결, 목재 무늬, 유리 반사, 일상적인 먼지와 옅은 얼룩을 충실히 표현하고 자연스러운 심도를 유지한다. 깨끗한 상업용 사진이나 건축 시각화가 아니라 실제 장소를 있는 그대로 기록한 DSLR 또는 미러리스 사진, 과도한 후보정 없음. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화는 금지한다. 사람, 얼굴, 인체 모양의 형상은 포함하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "출입문 가까운 실내 위치에서 약 1.6m 높이로 촬영한다. 서로 마주 보는 소파와 중앙 테이블 너머로 서쪽의 넓은 창이 보이게 하고, 북쪽과 동쪽 붙박이 책장이 화면 양쪽 가장자리에서 공간의 깊이를 잡도록 한다. 창가에 잠시 놓인 스노 글로브가 작지만 식별 가능해야 하며, 빈 연구실의 고요한 야간 상태를 유지한다.",
            "shot_id": "S81_Shot1"
          },
          {
            "guide_text": "32mm급 중간 광각의 자연스러운 원근을 유지하고, 출입문 쪽에서 상담 공간을 대각선으로 가로질러 창을 바라본다. 창유리에는 어두운 외부와 실내의 약한 반사만 사실적으로 나타내며, 별도의 존재나 인물 형상이 비치지 않게 한다. 창가의 스노 글로브와 책장, 소파의 위치 관계가 한눈에 읽혀야 한다.",
            "shot_id": "S81_Shot6"
          },
          {
            "guide_text": "기존 공간축을 바꾸지 말고 출입문 부근의 눈높이 시점을 유지한다. 소파 두 개와 테이블을 전경 및 중경에, 넓은 창과 창가의 스노 글로브를 후경에 두며, 붙박이 책장은 프레임 가장자리에 남긴다. 과장된 명암이나 장식적 연출 없이 조용한 야간 연구실의 실제 장소 기록사진처럼 표현한다.",
            "shot_id": "S81_Shot14"
          }
        ],
        "shot_ids": [
          "S81_Shot1",
          "S81_Shot6",
          "S81_Shot14"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 5 (entry door), facing diagonally through number 2 (consultation zone) toward number 6 (window), while keeping numbers 7 and 8 (built-in bookshelves) along the frame edges",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "32mm moderate wide angle",
          "framing_notes": "Emphasize the window, dense book-lined walls, and opposing sofa seating; represent number 13 in the background overlay on the window-side ledge or immediately beside the window, while keeping the tabletop clear of daytime case records."
        },
        "reference_decision": {
          "bg_id": "L28B03",
          "fp_id": "fp_l28_research_lab",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "All target units and base markers identify the same physical space established by L28B01, so that earlier node supplies fixed-layout continuity. The camera changes from unit 1 toward marker 11 to unit 4 toward unit 3 and marker 6, revealing a materially different structural slice needed for the wide rear-facing composition in S81_Shot1 and for the fixed background context behind the tighter S81_Shot6 and S81_Shot14 framings; therefore this requires its own view rather than low-delta plate reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L28B01.png"
          ],
          "source_bg_ids": [
            "L28B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l28_research_lab_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l28_research_lab_space_1",
                "ref_bg_id": "L28B01",
                "space_description": "The same physical space spanning unit markers 1, 2, 3, and 4 with fixed base markers 5 through 11."
              }
            ],
            "why_single_ref_or_two_refs": "A single earlier reference is sufficient because all consuming shots remain within the same physical space; no second distinct space is committed as co-visible."
          },
          "camera_decision": {
            "camera_cell": [
              9,
              7
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use a broad view from unit 4 toward unit 3, aiming at base marker 6 to establish the rear-to-forward staging and the surrounding fixed context required by the wide surfaced shot; tighter surfaced shots may crop within this committed structural view.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              0
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show the same fixed physical space as reference BG L28B01 from unit 4 toward unit 3, aimed at base marker 6. Keep openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11 in the same floor-plan positions established by the reference; include only portions of units 1, 2, and 3 that fall within the broad view and are needed by the surfaced shots.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [9,7] toward unit 3 at look-at cell [4,0] with a wide 90-degree field of view. Use broad coverage toward base marker 6 for the high rear composition in S81_Shot1, while preserving a coherent structural plate that can support the medium and close crops specified by S81_Shot6 and S81_Shot14.",
            "subject_position_directive": "For S81_Shot1, reserve the lower central midground for one back-facing subject leaning toward base marker 6, with the committed reflection held ahead. For S81_Shot6, allow a center-right medium seated placement against fixed furniture with a lowered gaze. For S81_Shot14, support a tight three-quarter subject crop with marker 13 at the lower edge beside the committed hand position. Add no subjects beyond those staged in the surfaced shots.",
            "state_cue_directive": "Carry transient overlay marker 13 in the positions and uses committed by S81_Shot1 and S81_Shot14. Preserve the subdued neutral-to-cool nighttime illumination and the reflection cue committed by S81_Shot1, without adding any unlisted state cues.",
            "negative_continuity_directive": "Exclude ignored overlay marker 12 and do not transfer its state from reference BG L28B01. Do not rearrange openings 5 and 6, fixtures 7 and 8, or furniture markers 9 through 11 inherited from L28B01. Do not invent scenario-specific objects, extra overlays, or spaces outside the geometry supersets for units 1, 2, and 3."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L28B01' physical_space_id='fp_l28_research_lab_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [9, 7]\n  - look_at_unit: 3\n  - look_at_cell: [4, 0]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad view from unit 4 toward unit 3, aiming at base marker 6 to establish the rear-to-forward staging and the surrounding fixed context required by the wide surfaced shot; tighter surfaced shots may crop within this committed structural view.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the same fixed physical space as reference BG L28B01 from unit 4 toward unit 3, aimed at base marker 6. Keep openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11 in the same floor-plan positions established by the reference; include only portions of units 1, 2, and 3 that fall within the broad view and are needed by the surfaced shots.\n  - camera_framing_directive: Frame from camera unit 4 at cell [9,7] toward unit 3 at look-at cell [4,0] with a wide 90-degree field of view. Use broad coverage toward base marker 6 for the high rear composition in S81_Shot1, while preserving a coherent structural plate that can support the medium and close crops specified by S81_Shot6 and S81_Shot14.\n  - subject_position_directive: For S81_Shot1, reserve the lower central midground for one back-facing subject leaning toward base marker 6, with the committed reflection held ahead. For S81_Shot6, allow a center-right medium seated placement against fixed furniture with a lowered gaze. For S81_Shot14, support a tight three-quarter subject crop with marker 13 at the lower edge beside the committed hand position. Add no subjects beyond those staged in the surfaced shots.\n  - state_cue_directive: Carry transient overlay marker 13 in the positions and uses committed by S81_Shot1 and S81_Shot14. Preserve the subdued neutral-to-cool nighttime illumination and the reflection cue committed by S81_Shot1, without adding any unlisted state cues.\n  - negative_continuity_directive: Exclude ignored overlay marker 12 and do not transfer its state from reference BG L28B01. Do not rearrange openings 5 and 6, fixtures 7 and 8, or furniture markers 9 through 11 inherited from L28B01. Do not invent scenario-specific objects, extra overlays, or spaces outside the geometry supersets for units 1, 2, and 3.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L28B01' physical_space_id='fp_l28_research_lab_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [9, 7]\n  - look_at_unit: 3\n  - look_at_cell: [4, 0]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad view from unit 4 toward unit 3, aiming at base marker 6 to establish the rear-to-forward staging and the surrounding fixed context required by the wide surfaced shot; tighter surfaced shots may crop within this committed structural view.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the same fixed physical space as reference BG L28B01 from unit 4 toward unit 3, aimed at base marker 6. Keep openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11 in the same floor-plan positions established by the reference; include only portions of units 1, 2, and 3 that fall within the broad view and are needed by the surfaced shots.\n  - camera_framing_directive: Frame from camera unit 4 at cell [9,7] toward unit 3 at look-at cell [4,0] with a wide 90-degree field of view. Use broad coverage toward base marker 6 for the high rear composition in S81_Shot1, while preserving a coherent structural plate that can support the medium and close crops specified by S81_Shot6 and S81_Shot14.\n  - subject_position_directive: For S81_Shot1, reserve the lower central midground for one back-facing subject leaning toward base marker 6, with the committed reflection held ahead. For S81_Shot6, allow a center-right medium seated placement against fixed furniture with a lowered gaze. For S81_Shot14, support a tight three-quarter subject crop with marker 13 at the lower edge beside the committed hand position. Add no subjects beyond those staged in the surfaced shots.\n  - state_cue_directive: Carry transient overlay marker 13 in the positions and uses committed by S81_Shot1 and S81_Shot14. Preserve the subdued neutral-to-cool nighttime illumination and the reflection cue committed by S81_Shot1, without adding any unlisted state cues.\n  - negative_continuity_directive: Exclude ignored overlay marker 12 and do not transfer its state from reference BG L28B01. Do not rearrange openings 5 and 6, fixtures 7 and 8, or furniture markers 9 through 11 inherited from L28B01. Do not invent scenario-specific objects, extra overlays, or spaces outside the geometry supersets for units 1, 2, and 3.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L28B01' physical_space_id='fp_l28_research_lab_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [9, 7]\n  - look_at_unit: 3\n  - look_at_cell: [4, 0]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad view from unit 4 toward unit 3, aiming at base marker 6 to establish the rear-to-forward staging and the surrounding fixed context required by the wide surfaced shot; tighter surfaced shots may crop within this committed structural view.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the same fixed physical space as reference BG L28B01 from unit 4 toward unit 3, aimed at base marker 6. Keep openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11 in the same floor-plan positions established by the reference; include only portions of units 1, 2, and 3 that fall within the broad view and are needed by the surfaced shots.\n  - camera_framing_directive: Frame from camera unit 4 at cell [9,7] toward unit 3 at look-at cell [4,0] with a wide 90-degree field of view. Use broad coverage toward base marker 6 for the high rear composition in S81_Shot1, while preserving a coherent structural plate that can support the medium and close crops specified by S81_Shot6 and S81_Shot14.\n  - subject_position_directive: For S81_Shot1, reserve the lower central midground for one back-facing subject leaning toward base marker 6, with the committed reflection held ahead. For S81_Shot6, allow a center-right medium seated placement against fixed furniture with a lowered gaze. For S81_Shot14, support a tight three-quarter subject crop with marker 13 at the lower edge beside the committed hand position. Add no subjects beyond those staged in the surfaced shots.\n  - state_cue_directive: Carry transient overlay marker 13 in the positions and uses committed by S81_Shot1 and S81_Shot14. Preserve the subdued neutral-to-cool nighttime illumination and the reflection cue committed by S81_Shot1, without adding any unlisted state cues.\n  - negative_continuity_directive: Exclude ignored overlay marker 12 and do not transfer its state from reference BG L28B01. Do not rearrange openings 5 and 6, fixtures 7 and 8, or furniture markers 9 through 11 inherited from L28B01. Do not invent scenario-specific objects, extra overlays, or spaces outside the geometry supersets for units 1, 2, and 3.\n\n대한민국 광주·전남권의 2010년대 중후반 연구기관 내부에서 실제 카메라로 촬영한 다큐멘터리 풍 사진. 밤의 조용하고 책이 많은 직사각형 연구실이며, 출입문 가까운 실내에서 상담 공간을 대각선으로 가로질러 서쪽의 넓은 창을 바라본다. 카메라 높이는 서 있는 사람의 눈높이 약 1.6m, 35mm급 카메라의 32mm 중간 광각 렌즈로 촬영한 자연스러운 원근감이다. 서로 마주 보는 두 소파와 그 사이의 낮은 테이블이 중경을 이루고, 북쪽과 동쪽 벽을 따라 이어지는 얕은 붙박이 책장이 화면 양쪽 가장자리에 걸리며 공간의 깊이를 드러낸다. 책장에는 실제 연구실에서 오래 사용한 책과 자료가 단정하게 꽂혀 있고, 목재 무늬와 모서리 마모, 소파 천의 직조와 미세한 사용 흔적, 바닥과 금속 창틀의 생활감이 과장 없이 사실적으로 보인다. 넓은 창밖은 깊은 밤이며, 창유리에는 낮은 밝기의 실내가 희미하게 반사되지만 사람이나 얼굴, 인체 형상은 전혀 없다. 중성에서 약간 차가운 실내조명, 적당한 명암, 자연스러운 색조와 현실적인 노출을 사용한다. 창턱 위나 바로 곁에는 유리 스노 글로브 하나가 잠시 놓여 있고, 투명한 구 안의 미세한 눈 입자가 은은한 실내빛을 받아 보이되 인물형 장식이나 초자연적 발광은 없다. 공간은 비어 있으며 선정적이거나 극적인 흔적 없이 차분한 야간 상태다. 실제 콘크리트와 금속의 산화 흔적, 직물의 결, 목재 무늬, 유리 반사, 일상적인 먼지와 옅은 얼룩을 충실히 표현하고 자연스러운 심도를 유지한다. 깨끗한 상업용 사진이나 건축 시각화가 아니라 실제 장소를 있는 그대로 기록한 DSLR 또는 미러리스 사진, 과도한 후보정 없음. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화는 금지한다. 사람, 얼굴, 인체 모양의 형상은 포함하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            9,
            7
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use a broad view from unit 4 toward unit 3, aiming at base marker 6 to establish the rear-to-forward staging and the surrounding fixed context required by the wide surfaced shot; tighter surfaced shots may crop within this committed structural view.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            0
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show the same fixed physical space as reference BG L28B01 from unit 4 toward unit 3, aimed at base marker 6. Keep openings 5 and 6, fixtures 7 and 8, and furniture markers 9, 10, and 11 in the same floor-plan positions established by the reference; include only portions of units 1, 2, and 3 that fall within the broad view and are needed by the surfaced shots.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [9,7] toward unit 3 at look-at cell [4,0] with a wide 90-degree field of view. Use broad coverage toward base marker 6 for the high rear composition in S81_Shot1, while preserving a coherent structural plate that can support the medium and close crops specified by S81_Shot6 and S81_Shot14.",
          "subject_position_directive": "For S81_Shot1, reserve the lower central midground for one back-facing subject leaning toward base marker 6, with the committed reflection held ahead. For S81_Shot6, allow a center-right medium seated placement against fixed furniture with a lowered gaze. For S81_Shot14, support a tight three-quarter subject crop with marker 13 at the lower edge beside the committed hand position. Add no subjects beyond those staged in the surfaced shots.",
          "state_cue_directive": "Carry transient overlay marker 13 in the positions and uses committed by S81_Shot1 and S81_Shot14. Preserve the subdued neutral-to-cool nighttime illumination and the reflection cue committed by S81_Shot1, without adding any unlisted state cues.",
          "negative_continuity_directive": "Exclude ignored overlay marker 12 and do not transfer its state from reference BG L28B01. Do not rearrange openings 5 and 6, fixtures 7 and 8, or furniture markers 9 through 11 inherited from L28B01. Do not invent scenario-specific objects, extra overlays, or spaces outside the geometry supersets for units 1, 2, and 3."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l28_research_lab",
          "prior_bg_ids": [
            "L28B01"
          ],
          "attached_ref_labels": [
            "bg:L28B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L30B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L30",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L30B01.png",
        "t2i_prompt": "2015~2017년 대한민국 전라남도·광주광역시권의 평범한 소형 원룸 거실과 주방 통합 공간을 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 밤 시간이며 실내는 손상 없이 정돈되어 있지만 지나치게 꾸민 전시 공간처럼 보이지 않고, 일상적인 사용 흔적과 조용한 긴장감이 남아 있다. 출입문 바로 안쪽에서 약 1.6미터 높이의 서 있는 사람 눈높이로 방 안을 대각선 방향으로 바라본다. 35밀리미터급 적당한 광각 렌즈로 서쪽 중앙의 천 소재 소파, 그 맞은편 동쪽 벽의 텔레비전과 낮은 콘솔, 북동쪽 벽을 따라 이어지는 소형 주방 조리대와 싱크대, 조리대 일체형 화구, 주방 끝의 냉장고가 자연스러운 깊이 안에서 함께 보이게 한다. 북쪽 외부 창은 깊은 밤의 어둠을 보여 주며, 실내의 주된 빛은 텔레비전에서 나오는 약한 청백색 빛이다. 텔레비전 화면에는 2010년대 중후반 한국 보도 방송 특유의 낮은 해상도 자료 화면, 절제된 하단 자막 띠와 보도 그래픽이 표시되어 있으나 사람, 얼굴, 신체 형상은 전혀 보이지 않는다. 뉴스 이미지는 반드시 텔레비전 화면의 물리적 테두리 안에만 존재하고 주변 벽이나 방 안으로 투사되거나 확장되지 않는다. 실제 비닐 바닥재의 미세한 마모, 벽지의 은은한 이음선과 생활 얼룩, 소파 천의 현실적인 짜임, 콘솔의 목재 무늬, 주방 조리대의 닳은 표면, 스테인리스 싱크대의 잔잔한 물자국과 금속 반사를 정확하게 표현한다. 중성에서 약간 차가운 색감, 적당한 명암, 자연스러운 야간 노출과 현실적인 심도로 기록하되 과도한 후처리 없이 실제 장소 답사 사진처럼 담담하게 촬영한다. 사람, 얼굴, 신체 형태의 장식이나 형상은 일절 없으며 깨끗한 광고 사진, 컴퓨터 생성 이미지, 일러스트, 건축 시각화가 아니다. 위에서 내려다본 시점, 평면도, 건축 도면이 아닌 실제 사람 눈높이의 장소 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "출입문 안쪽 부근에서 약 1.6미터 높이로 바라본 시점을 유지한다. 35밀리미터급 적당한 광각으로 원룸 내부를 대각선으로 가로질러 소파, 텔레비전과 낮은 콘솔, 그 너머의 소형 주방이 한 프레임에서 자연스럽게 읽히게 한다. 공간에는 사람이 없어야 하며, 텔레비전 뉴스 화면만 제한적인 푸른빛을 내는 고요한 야간 상태를 유지한다.",
            "shot_id": "S31_Shot2"
          },
          {
            "guide_text": "동일한 출입문 쪽 시점과 야간 연속성을 유지하고, 서쪽의 소파가 동쪽 벽 텔레비전을 향하는 관계와 북동쪽 주방의 깊이가 분명히 보이게 한다. 뉴스 자료 화면과 자막 그래픽은 오직 텔레비전 화면 내부에만 두고 인물이나 얼굴은 표시하지 않는다.",
            "shot_id": "S52_Shot1"
          },
          {
            "guide_text": "약 1.6미터 눈높이와 35밀리미터급 화각을 유지하면서 소파의 실제 천 짜임, 낮은 콘솔의 사용 흔적, 주방 조리대와 스테인리스 싱크대의 생활 얼룩이 과장 없이 보이게 한다. 야간의 어두운 창과 텔레비전 빛 사이의 자연스러운 명암만 사용하고 공간을 지나치게 밝히지 않는다.",
            "shot_id": "S52_Shot5"
          },
          {
            "guide_text": "출입구에서 방 안쪽을 대각선으로 보는 동일한 방향을 유지해 소파, 텔레비전, 냉장고와 소형 주방이 하나의 실제 원룸 공간으로 연결되게 한다. 텔레비전 화면의 낮은 해상도 보도 그래픽은 화면 테두리 안에만 남기고, 빈 실내의 정돈된 상태와 조용한 긴장감을 사실적으로 유지한다.",
            "shot_id": "S52_Shot8"
          }
        ],
        "shot_ids": [
          "S31_Shot2",
          "S52_Shot1",
          "S52_Shot5",
          "S52_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 (entrance door), facing diagonally across number 1 (main studio room) toward number 8 (sofa), number 9 (television), and number 2 (compact kitchen zone)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep number 8 in the near-to-middle foreground, number 9 clearly visible across the room, and numbers 10, 11, and 12 readable as the compact kitchen behind or beside the television area. Depict number 15 only inside the boundary of number 9."
        },
        "reference_decision": {
          "bg_id": "L30B01",
          "fp_id": "fp_l30_studio",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L30B01 is the sole clean-anchor candidate supplied for this dwelling and must establish identity directly from the floor plan because no same-fp references are available. A wide view from camera unit 4 at [8,2] toward unit 2 at [3,8] crosses unit 1 and supports the consuming shots' shared-space composition, marker-15 state cue, and tighter shot-specific framing around the unit-1 seating position.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l30_studio.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "anchor_has_no_prior_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this is the first dwelling-identity node and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              2
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 4 toward unit 2 through unit 1, establishing the fixed spatial relationship needed by the wide consuming shot while retaining sufficient surrounding structure for the close and medium shot-specific crops.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show broad geometry from unit 4 through unit 1 toward unit 2. Prioritize the committed relationships among unit markers 4, 1, and 2; opening markers 5 and 7; furniture markers 8 and 9; and fixed markers 10, 11, and 12. Treat other geometry visibility candidates as supersets rather than mandatory content.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [8,2] toward look-at unit 2 at cell [3,8] with a wide 90-degree field of view. Use broad coverage through unit 1 toward unit 2 so the plate can establish the shared fixed layout and support the wide composition, while allowing the consuming close and medium shots to use tighter framing within this established view.",
            "subject_position_directive": "For the wide consuming composition, place one committed seated subject in the lower-left foreground within unit 1 and the second committed subject in the upper-right background within unit 2. For the close consuming compositions, isolate the seated subject near frame center with only minimal surrounding boundary or marker-8 edge context. For the medium consuming composition, keep the seated subject firmly aligned with marker 8 and permit only the staged soft foreground-edge fragment of the addressee.",
            "state_cue_directive": "Carry state overlay marker 15 as committed, together with the subdued nighttime illumination and restrained screen-origin light specified by the consuming shots. Because clean_background_expected is false, marker 15 must remain a deliberate transient cue; add no uncommitted state cues.",
            "negative_continuity_directive": "Do not introduce numbered elements outside the committed set 1, 2, 4, 5, 7, 8, 9, 10, 11, 12, and 15. Do not invent additional state overlays, subjects, fixtures, openings, or spaces beyond the supplied staging and the geometry-supported view from unit 4 toward units 1 and 2. Keep fixed marker positions consistent across all crops derived from L30B01."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 2]\n  - look_at_unit: 2\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 toward unit 2 through unit 1, establishing the fixed spatial relationship needed by the wide consuming shot while retaining sufficient surrounding structure for the close and medium shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show broad geometry from unit 4 through unit 1 toward unit 2. Prioritize the committed relationships among unit markers 4, 1, and 2; opening markers 5 and 7; furniture markers 8 and 9; and fixed markers 10, 11, and 12. Treat other geometry visibility candidates as supersets rather than mandatory content.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,2] toward look-at unit 2 at cell [3,8] with a wide 90-degree field of view. Use broad coverage through unit 1 toward unit 2 so the plate can establish the shared fixed layout and support the wide composition, while allowing the consuming close and medium shots to use tighter framing within this established view.\n  - subject_position_directive: For the wide consuming composition, place one committed seated subject in the lower-left foreground within unit 1 and the second committed subject in the upper-right background within unit 2. For the close consuming compositions, isolate the seated subject near frame center with only minimal surrounding boundary or marker-8 edge context. For the medium consuming composition, keep the seated subject firmly aligned with marker 8 and permit only the staged soft foreground-edge fragment of the addressee.\n  - state_cue_directive: Carry state overlay marker 15 as committed, together with the subdued nighttime illumination and restrained screen-origin light specified by the consuming shots. Because clean_background_expected is false, marker 15 must remain a deliberate transient cue; add no uncommitted state cues.\n  - negative_continuity_directive: Do not introduce numbered elements outside the committed set 1, 2, 4, 5, 7, 8, 9, 10, 11, 12, and 15. Do not invent additional state overlays, subjects, fixtures, openings, or spaces beyond the supplied staging and the geometry-supported view from unit 4 toward units 1 and 2. Keep fixed marker positions consistent across all crops derived from L30B01.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 2]\n  - look_at_unit: 2\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 toward unit 2 through unit 1, establishing the fixed spatial relationship needed by the wide consuming shot while retaining sufficient surrounding structure for the close and medium shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show broad geometry from unit 4 through unit 1 toward unit 2. Prioritize the committed relationships among unit markers 4, 1, and 2; opening markers 5 and 7; furniture markers 8 and 9; and fixed markers 10, 11, and 12. Treat other geometry visibility candidates as supersets rather than mandatory content.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,2] toward look-at unit 2 at cell [3,8] with a wide 90-degree field of view. Use broad coverage through unit 1 toward unit 2 so the plate can establish the shared fixed layout and support the wide composition, while allowing the consuming close and medium shots to use tighter framing within this established view.\n  - subject_position_directive: For the wide consuming composition, place one committed seated subject in the lower-left foreground within unit 1 and the second committed subject in the upper-right background within unit 2. For the close consuming compositions, isolate the seated subject near frame center with only minimal surrounding boundary or marker-8 edge context. For the medium consuming composition, keep the seated subject firmly aligned with marker 8 and permit only the staged soft foreground-edge fragment of the addressee.\n  - state_cue_directive: Carry state overlay marker 15 as committed, together with the subdued nighttime illumination and restrained screen-origin light specified by the consuming shots. Because clean_background_expected is false, marker 15 must remain a deliberate transient cue; add no uncommitted state cues.\n  - negative_continuity_directive: Do not introduce numbered elements outside the committed set 1, 2, 4, 5, 7, 8, 9, 10, 11, 12, and 15. Do not invent additional state overlays, subjects, fixtures, openings, or spaces beyond the supplied staging and the geometry-supported view from unit 4 toward units 1 and 2. Keep fixed marker positions consistent across all crops derived from L30B01.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 2]\n  - look_at_unit: 2\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 toward unit 2 through unit 1, establishing the fixed spatial relationship needed by the wide consuming shot while retaining sufficient surrounding structure for the close and medium shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show broad geometry from unit 4 through unit 1 toward unit 2. Prioritize the committed relationships among unit markers 4, 1, and 2; opening markers 5 and 7; furniture markers 8 and 9; and fixed markers 10, 11, and 12. Treat other geometry visibility candidates as supersets rather than mandatory content.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,2] toward look-at unit 2 at cell [3,8] with a wide 90-degree field of view. Use broad coverage through unit 1 toward unit 2 so the plate can establish the shared fixed layout and support the wide composition, while allowing the consuming close and medium shots to use tighter framing within this established view.\n  - subject_position_directive: For the wide consuming composition, place one committed seated subject in the lower-left foreground within unit 1 and the second committed subject in the upper-right background within unit 2. For the close consuming compositions, isolate the seated subject near frame center with only minimal surrounding boundary or marker-8 edge context. For the medium consuming composition, keep the seated subject firmly aligned with marker 8 and permit only the staged soft foreground-edge fragment of the addressee.\n  - state_cue_directive: Carry state overlay marker 15 as committed, together with the subdued nighttime illumination and restrained screen-origin light specified by the consuming shots. Because clean_background_expected is false, marker 15 must remain a deliberate transient cue; add no uncommitted state cues.\n  - negative_continuity_directive: Do not introduce numbered elements outside the committed set 1, 2, 4, 5, 7, 8, 9, 10, 11, 12, and 15. Do not invent additional state overlays, subjects, fixtures, openings, or spaces beyond the supplied staging and the geometry-supported view from unit 4 toward units 1 and 2. Keep fixed marker positions consistent across all crops derived from L30B01.\n\n2015~2017년 대한민국 전라남도·광주광역시권의 평범한 소형 원룸 거실과 주방 통합 공간을 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 밤 시간이며 실내는 손상 없이 정돈되어 있지만 지나치게 꾸민 전시 공간처럼 보이지 않고, 일상적인 사용 흔적과 조용한 긴장감이 남아 있다. 출입문 바로 안쪽에서 약 1.6미터 높이의 서 있는 사람 눈높이로 방 안을 대각선 방향으로 바라본다. 35밀리미터급 적당한 광각 렌즈로 서쪽 중앙의 천 소재 소파, 그 맞은편 동쪽 벽의 텔레비전과 낮은 콘솔, 북동쪽 벽을 따라 이어지는 소형 주방 조리대와 싱크대, 조리대 일체형 화구, 주방 끝의 냉장고가 자연스러운 깊이 안에서 함께 보이게 한다. 북쪽 외부 창은 깊은 밤의 어둠을 보여 주며, 실내의 주된 빛은 텔레비전에서 나오는 약한 청백색 빛이다. 텔레비전 화면에는 2010년대 중후반 한국 보도 방송 특유의 낮은 해상도 자료 화면, 절제된 하단 자막 띠와 보도 그래픽이 표시되어 있으나 사람, 얼굴, 신체 형상은 전혀 보이지 않는다. 뉴스 이미지는 반드시 텔레비전 화면의 물리적 테두리 안에만 존재하고 주변 벽이나 방 안으로 투사되거나 확장되지 않는다. 실제 비닐 바닥재의 미세한 마모, 벽지의 은은한 이음선과 생활 얼룩, 소파 천의 현실적인 짜임, 콘솔의 목재 무늬, 주방 조리대의 닳은 표면, 스테인리스 싱크대의 잔잔한 물자국과 금속 반사를 정확하게 표현한다. 중성에서 약간 차가운 색감, 적당한 명암, 자연스러운 야간 노출과 현실적인 심도로 기록하되 과도한 후처리 없이 실제 장소 답사 사진처럼 담담하게 촬영한다. 사람, 얼굴, 신체 형태의 장식이나 형상은 일절 없으며 깨끗한 광고 사진, 컴퓨터 생성 이미지, 일러스트, 건축 시각화가 아니다. 위에서 내려다본 시점, 평면도, 건축 도면이 아닌 실제 사람 눈높이의 장소 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            8,
            2
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 4 toward unit 2 through unit 1, establishing the fixed spatial relationship needed by the wide consuming shot while retaining sufficient surrounding structure for the close and medium shot-specific crops.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show broad geometry from unit 4 through unit 1 toward unit 2. Prioritize the committed relationships among unit markers 4, 1, and 2; opening markers 5 and 7; furniture markers 8 and 9; and fixed markers 10, 11, and 12. Treat other geometry visibility candidates as supersets rather than mandatory content.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [8,2] toward look-at unit 2 at cell [3,8] with a wide 90-degree field of view. Use broad coverage through unit 1 toward unit 2 so the plate can establish the shared fixed layout and support the wide composition, while allowing the consuming close and medium shots to use tighter framing within this established view.",
          "subject_position_directive": "For the wide consuming composition, place one committed seated subject in the lower-left foreground within unit 1 and the second committed subject in the upper-right background within unit 2. For the close consuming compositions, isolate the seated subject near frame center with only minimal surrounding boundary or marker-8 edge context. For the medium consuming composition, keep the seated subject firmly aligned with marker 8 and permit only the staged soft foreground-edge fragment of the addressee.",
          "state_cue_directive": "Carry state overlay marker 15 as committed, together with the subdued nighttime illumination and restrained screen-origin light specified by the consuming shots. Because clean_background_expected is false, marker 15 must remain a deliberate transient cue; add no uncommitted state cues.",
          "negative_continuity_directive": "Do not introduce numbered elements outside the committed set 1, 2, 4, 5, 7, 8, 9, 10, 11, 12, and 15. Do not invent additional state overlays, subjects, fixtures, openings, or spaces beyond the supplied staging and the geometry-supported view from unit 4 toward units 1 and 2. Keep fixed marker positions consistent across all crops derived from L30B01."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l30_studio",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l30_studio"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L31B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L31",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L31B02.png",
        "t2i_prompt": "대한민국 2015~2017년 무렵 광주·전남권 공공기관의 차분하고 권위적인 간부 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 출입문 바로 안쪽에서 약 1.6미터의 서 있는 사람 눈높이로, 중앙 상담 구역을 대각선으로 가로질러 북쪽의 업무용 책상과 그 뒤 간부용 의자를 바라보는 시점이다. 35밀리미터급 렌즈의 자연스러운 광각 원근으로 책상 앞의 방문객용 의자 두 개, 남서쪽 소파와 낮은 탁자 일부, 서쪽 벽의 텔레비전, 동쪽 벽의 붙박이 문서장, 책상 뒤 북쪽 창문 띠가 실제 공간처럼 이어진다. 짙은 목재 무늬의 묵직한 업무용 책상, 사용 흔적이 있는 가죽 또는 합성가죽 의자, 금속 손잡이가 달린 문서장, 평범한 사무용 전화기와 당시 세대의 컴퓨터 모니터, 정돈된 종이 파일 등 2010년대 중후반 한국 관공서 사무실의 현실적인 세부를 반영한다. 밤이라 창밖은 거의 검고 희미한 도시 불빛만 보이며, 천장 조명은 대부분 꺼져 있거나 최소한으로 켜져 있다. 텔레비전에서 나오는 차갑고 불규칙한 빛이 책상 모서리, 빈 의자, 바닥과 문서장 표면에 약하게 닿아 질책이 진행되는 순간의 엄중하고 팽팽한 분위기를 만든다. 텔레비전 화면 안에만 한국의 시사 프로그램이 재생되고 있으며, 절제된 뉴스형 도표와 한국어 하단 자막, 당시 방송 특유의 약간 낮은 해상도와 화면 명암이 디스플레이 경계 내부에만 나타난다. 화면에도 진행자나 인터뷰이 같은 사람, 얼굴, 인체 형상은 보이지 않게 하고 정보 그래픽과 자막 중심으로 표현한다. 방 안에도 사람, 얼굴, 실루엣, 인체 모형은 전혀 없다. 실제 콘크리트와 도장 벽의 미세한 얼룩, 금속의 자연스러운 사용감, 직물 조직, 가죽 주름, 목재 무늬, 바닥의 생활 마모를 정확하게 표현한다. 중성에서 약간 차가운 자연스러운 화이트밸런스, 중간 정도의 명암 대비, 현실적인 노출과 자연스러운 심도, 과장 없는 현장 기록 사진의 질감. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소를 DSLR 또는 미러리스 카메라로 기록한 꾸밈없는 사진이며, 인위적인 후처리 없이 표현한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 회화, 합성 이미지, 3차원 렌더링이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "출입문 안쪽 부근의 약 1.6미터 눈높이에서 상담 구역을 대각선으로 가로질러 업무용 책상과 간부용 의자를 바라본다. 35밀리미터급 광각 화각으로 방문객용 의자와 책상, 서쪽 벽의 텔레비전 화면이 한 프레임 안에서 자연스럽게 연결되게 하며, 텔레비전 빛이 어두운 사무실 표면에 약하게 번지는 밤의 상태를 분명히 보여 준다. 인물은 배치하지 않는다.",
            "shot_id": "S32_Shot1"
          },
          {
            "guide_text": "같은 출입문 쪽 시점과 약 1.6미터 높이를 유지하되, 업무용 책상과 간부용 의자를 중심으로 조금 더 밀도 있게 잡는다. 프레임 한쪽에는 텔레비전 화면의 시사 프로그램이 디스플레이 경계 안에서 식별되도록 포함하고, 동쪽 문서장과 북쪽 창가의 어두운 밤빛으로 공간의 깊이를 만든다. 질책 장면에 어울리는 엄중한 분위기는 비어 있는 방문객용 의자와 절제된 조명으로만 전달하며 사람이나 얼굴은 나타내지 않는다.",
            "shot_id": "S32_Shot2"
          }
        ],
        "shot_ids": [
          "S32_Shot1",
          "S32_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 12 (exit door), facing diagonally across number 4 (consultation zone) toward number 6 (executive desk), number 7 (executive chair), and number 11 (television)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Keep the television and both sides of the desk interaction visible; the televised program associated with number 15 should remain confined to the television screen."
        },
        "reference_decision": {
          "bg_id": "L31B02",
          "fp_id": "fp_l31_deputy_chief_office",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "The consuming shots remain in the same physical space established by L31B01, so marker positions and fixed structure must carry forward. A new view is required because the camera moves from unit 3 to unit 1 and the narrow look direction centers marker 11 at [2,1], exposing a materially different slice and scale of the fixed structure.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L31B01.png"
          ],
          "source_bg_ids": [
            "L31B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L31B01",
                "space_description": "The same physical space containing base markers 1-14."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient because both consuming shots use the same physical space established by L31B01; no distinct second space is committed as co-visible."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              0
            ],
            "camera_unit": 1,
            "fov_deg": 25,
            "framing_notes": "Use narrow, compressed coverage from unit 1 toward unit 2, placing look-at cell [2,1] and marker 11 at the center of the planned view for the device-facing shot while retaining the same fixed physical space for the direct over-shoulder shot.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              2,
              1
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Center the telephoto view on marker 11 at look-at cell [2,1] from camera unit 1, directed toward unit 2. S32_Shot1 should restrict visible background to the marker-11 display boundary and marker 15 content; S32_Shot2 may retain only the narrow supported portions of units 1 and 2 needed behind the subjects. Inherit the fixed positions of markers 1-14 from L31B01.",
            "camera_framing_directive": "Place the camera in unit 1 at cell [4,0] and aim toward unit 2 using listed look-at cell [2,1]. Use the 25-degree telephoto lens for compressed, narrow coverage centered on marker 11, supporting the nearly edge-to-edge device view and the tightened over-shoulder framing.",
            "subject_position_directive": "For S32_Shot1, the staged subjects exist only within the content surface centered in the frame, with uneven spacing and no surrounding room context. For S32_Shot2, place a rigid near shoulder at the right edge and the focal subject leaning forward at left-center along the compressed eyeline.",
            "state_cue_directive": "Carry transient marker 15 on the numbered element associated with marker 11 as committed by the render facts. For S32_Shot1, preserve the active display-facing state and its subdued neutral-to-cool luminance; for S32_Shot2, preserve the committed nighttime ambience with restrained spill from that active element. Add no state cues beyond markers 1-15 and these staged lighting facts.",
            "negative_continuity_directive": "Keep the fixed positions of markers 1-14 identical to L31B01, including marker 11 at [2,1], rather than recomposing the layout. Do not introduce unlisted scenario-specific elements or show units and openings outside the narrow view cone. Do not copy L31B01's clean-state treatment over committed transient marker 15."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L31B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 0]\n  - look_at_unit: 2\n  - look_at_cell: [2, 1]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow, compressed coverage from unit 1 toward unit 2, placing look-at cell [2,1] and marker 11 at the center of the planned view for the device-facing shot while retaining the same fixed physical space for the direct over-shoulder shot.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Center the telephoto view on marker 11 at look-at cell [2,1] from camera unit 1, directed toward unit 2. S32_Shot1 should restrict visible background to the marker-11 display boundary and marker 15 content; S32_Shot2 may retain only the narrow supported portions of units 1 and 2 needed behind the subjects. Inherit the fixed positions of markers 1-14 from L31B01.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,0] and aim toward unit 2 using listed look-at cell [2,1]. Use the 25-degree telephoto lens for compressed, narrow coverage centered on marker 11, supporting the nearly edge-to-edge device view and the tightened over-shoulder framing.\n  - subject_position_directive: For S32_Shot1, the staged subjects exist only within the content surface centered in the frame, with uneven spacing and no surrounding room context. For S32_Shot2, place a rigid near shoulder at the right edge and the focal subject leaning forward at left-center along the compressed eyeline.\n  - state_cue_directive: Carry transient marker 15 on the numbered element associated with marker 11 as committed by the render facts. For S32_Shot1, preserve the active display-facing state and its subdued neutral-to-cool luminance; for S32_Shot2, preserve the committed nighttime ambience with restrained spill from that active element. Add no state cues beyond markers 1-15 and these staged lighting facts.\n  - negative_continuity_directive: Keep the fixed positions of markers 1-14 identical to L31B01, including marker 11 at [2,1], rather than recomposing the layout. Do not introduce unlisted scenario-specific elements or show units and openings outside the narrow view cone. Do not copy L31B01's clean-state treatment over committed transient marker 15.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L31B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 0]\n  - look_at_unit: 2\n  - look_at_cell: [2, 1]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow, compressed coverage from unit 1 toward unit 2, placing look-at cell [2,1] and marker 11 at the center of the planned view for the device-facing shot while retaining the same fixed physical space for the direct over-shoulder shot.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Center the telephoto view on marker 11 at look-at cell [2,1] from camera unit 1, directed toward unit 2. S32_Shot1 should restrict visible background to the marker-11 display boundary and marker 15 content; S32_Shot2 may retain only the narrow supported portions of units 1 and 2 needed behind the subjects. Inherit the fixed positions of markers 1-14 from L31B01.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,0] and aim toward unit 2 using listed look-at cell [2,1]. Use the 25-degree telephoto lens for compressed, narrow coverage centered on marker 11, supporting the nearly edge-to-edge device view and the tightened over-shoulder framing.\n  - subject_position_directive: For S32_Shot1, the staged subjects exist only within the content surface centered in the frame, with uneven spacing and no surrounding room context. For S32_Shot2, place a rigid near shoulder at the right edge and the focal subject leaning forward at left-center along the compressed eyeline.\n  - state_cue_directive: Carry transient marker 15 on the numbered element associated with marker 11 as committed by the render facts. For S32_Shot1, preserve the active display-facing state and its subdued neutral-to-cool luminance; for S32_Shot2, preserve the committed nighttime ambience with restrained spill from that active element. Add no state cues beyond markers 1-15 and these staged lighting facts.\n  - negative_continuity_directive: Keep the fixed positions of markers 1-14 identical to L31B01, including marker 11 at [2,1], rather than recomposing the layout. Do not introduce unlisted scenario-specific elements or show units and openings outside the narrow view cone. Do not copy L31B01's clean-state treatment over committed transient marker 15.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L31B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 0]\n  - look_at_unit: 2\n  - look_at_cell: [2, 1]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow, compressed coverage from unit 1 toward unit 2, placing look-at cell [2,1] and marker 11 at the center of the planned view for the device-facing shot while retaining the same fixed physical space for the direct over-shoulder shot.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Center the telephoto view on marker 11 at look-at cell [2,1] from camera unit 1, directed toward unit 2. S32_Shot1 should restrict visible background to the marker-11 display boundary and marker 15 content; S32_Shot2 may retain only the narrow supported portions of units 1 and 2 needed behind the subjects. Inherit the fixed positions of markers 1-14 from L31B01.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,0] and aim toward unit 2 using listed look-at cell [2,1]. Use the 25-degree telephoto lens for compressed, narrow coverage centered on marker 11, supporting the nearly edge-to-edge device view and the tightened over-shoulder framing.\n  - subject_position_directive: For S32_Shot1, the staged subjects exist only within the content surface centered in the frame, with uneven spacing and no surrounding room context. For S32_Shot2, place a rigid near shoulder at the right edge and the focal subject leaning forward at left-center along the compressed eyeline.\n  - state_cue_directive: Carry transient marker 15 on the numbered element associated with marker 11 as committed by the render facts. For S32_Shot1, preserve the active display-facing state and its subdued neutral-to-cool luminance; for S32_Shot2, preserve the committed nighttime ambience with restrained spill from that active element. Add no state cues beyond markers 1-15 and these staged lighting facts.\n  - negative_continuity_directive: Keep the fixed positions of markers 1-14 identical to L31B01, including marker 11 at [2,1], rather than recomposing the layout. Do not introduce unlisted scenario-specific elements or show units and openings outside the narrow view cone. Do not copy L31B01's clean-state treatment over committed transient marker 15.\n\n대한민국 2015~2017년 무렵 광주·전남권 공공기관의 차분하고 권위적인 간부 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 출입문 바로 안쪽에서 약 1.6미터의 서 있는 사람 눈높이로, 중앙 상담 구역을 대각선으로 가로질러 북쪽의 업무용 책상과 그 뒤 간부용 의자를 바라보는 시점이다. 35밀리미터급 렌즈의 자연스러운 광각 원근으로 책상 앞의 방문객용 의자 두 개, 남서쪽 소파와 낮은 탁자 일부, 서쪽 벽의 텔레비전, 동쪽 벽의 붙박이 문서장, 책상 뒤 북쪽 창문 띠가 실제 공간처럼 이어진다. 짙은 목재 무늬의 묵직한 업무용 책상, 사용 흔적이 있는 가죽 또는 합성가죽 의자, 금속 손잡이가 달린 문서장, 평범한 사무용 전화기와 당시 세대의 컴퓨터 모니터, 정돈된 종이 파일 등 2010년대 중후반 한국 관공서 사무실의 현실적인 세부를 반영한다. 밤이라 창밖은 거의 검고 희미한 도시 불빛만 보이며, 천장 조명은 대부분 꺼져 있거나 최소한으로 켜져 있다. 텔레비전에서 나오는 차갑고 불규칙한 빛이 책상 모서리, 빈 의자, 바닥과 문서장 표면에 약하게 닿아 질책이 진행되는 순간의 엄중하고 팽팽한 분위기를 만든다. 텔레비전 화면 안에만 한국의 시사 프로그램이 재생되고 있으며, 절제된 뉴스형 도표와 한국어 하단 자막, 당시 방송 특유의 약간 낮은 해상도와 화면 명암이 디스플레이 경계 내부에만 나타난다. 화면에도 진행자나 인터뷰이 같은 사람, 얼굴, 인체 형상은 보이지 않게 하고 정보 그래픽과 자막 중심으로 표현한다. 방 안에도 사람, 얼굴, 실루엣, 인체 모형은 전혀 없다. 실제 콘크리트와 도장 벽의 미세한 얼룩, 금속의 자연스러운 사용감, 직물 조직, 가죽 주름, 목재 무늬, 바닥의 생활 마모를 정확하게 표현한다. 중성에서 약간 차가운 자연스러운 화이트밸런스, 중간 정도의 명암 대비, 현실적인 노출과 자연스러운 심도, 과장 없는 현장 기록 사진의 질감. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소를 DSLR 또는 미러리스 카메라로 기록한 꾸밈없는 사진이며, 인위적인 후처리 없이 표현한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 회화, 합성 이미지, 3차원 렌더링이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            0
          ],
          "camera_unit": 1,
          "fov_deg": 25,
          "framing_notes": "Use narrow, compressed coverage from unit 1 toward unit 2, placing look-at cell [2,1] and marker 11 at the center of the planned view for the device-facing shot while retaining the same fixed physical space for the direct over-shoulder shot.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            2,
            1
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Center the telephoto view on marker 11 at look-at cell [2,1] from camera unit 1, directed toward unit 2. S32_Shot1 should restrict visible background to the marker-11 display boundary and marker 15 content; S32_Shot2 may retain only the narrow supported portions of units 1 and 2 needed behind the subjects. Inherit the fixed positions of markers 1-14 from L31B01.",
          "camera_framing_directive": "Place the camera in unit 1 at cell [4,0] and aim toward unit 2 using listed look-at cell [2,1]. Use the 25-degree telephoto lens for compressed, narrow coverage centered on marker 11, supporting the nearly edge-to-edge device view and the tightened over-shoulder framing.",
          "subject_position_directive": "For S32_Shot1, the staged subjects exist only within the content surface centered in the frame, with uneven spacing and no surrounding room context. For S32_Shot2, place a rigid near shoulder at the right edge and the focal subject leaning forward at left-center along the compressed eyeline.",
          "state_cue_directive": "Carry transient marker 15 on the numbered element associated with marker 11 as committed by the render facts. For S32_Shot1, preserve the active display-facing state and its subdued neutral-to-cool luminance; for S32_Shot2, preserve the committed nighttime ambience with restrained spill from that active element. Add no state cues beyond markers 1-15 and these staged lighting facts.",
          "negative_continuity_directive": "Keep the fixed positions of markers 1-14 identical to L31B01, including marker 11 at [2,1], rather than recomposing the layout. Do not introduce unlisted scenario-specific elements or show units and openings outside the narrow view cone. Do not copy L31B01's clean-state treatment over committed transient marker 15."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l31_deputy_chief_office",
          "prior_bg_ids": [
            "L31B01"
          ],
          "attached_ref_labels": [
            "bg:L31B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L31B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L31",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L31B01.png",
        "t2i_prompt": "2015~2017년 대한민국 남서부 지역의 지방 검찰청에 있을 법한 차장급 간부 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 낮 시간의 차분한 공공기관 집무실로, 북쪽 외벽의 넓은 창문을 통해 들어오는 자연광과 균일한 실내 조명이 중성에서 약간 차가운 색조와 자연스러운 명암을 만든다. 방문자 의자 부근에 카메라를 두고 약 1.6미터의 서 있는 사람 눈높이에서 북쪽의 집무책상과 그 뒤 집무용 의자를 바라본다. 35밀리미터 풀프레임 카메라의 40밀리미터 표준 광각 렌즈로 촬영하여 과장 없는 원근감과 자연스러운 심도를 유지한다. 집무책상 앞의 방문자 의자 두 개와 상담 공간이 중경을 이루고, 남동쪽 출입문은 화면 측면에 포함한다. 가능하면 남서쪽 벽의 사무용 소파와 앞쪽 커피 테이블 일부가 프레임 가장자리에 보이며, 서쪽 벽의 텔레비전과 동쪽 벽의 붙박이 문서 수납장이 실제 공간의 깊이를 형성한다. 책상 양쪽에서 서거나 앉아 대화할 수 있는 여유를 남긴 실용적인 구도이며, 공간은 비어 있고 사람, 얼굴, 인체 형태의 장식은 전혀 없다. 한국 공공기관 간부실에 어울리는 절제된 목재 무늬 책상, 무광 금속 부속, 직물 소파, 실용적인 수납장 표면을 사실적으로 표현하고, 실제 목재 결, 금속의 미세한 사용감, 직물 짜임, 바닥과 가구의 일상적인 마모를 과장 없이 담는다. 공간은 사건 이전처럼 정돈되고 흐트러지지 않은 상태다. 깨끗한 상업용 사진이 아니라 실제 장소를 담담하게 기록한 사진이며, 자연스러운 노출과 현실적인 색온도, 무리하지 않은 피사계 심도, 후처리 없는 질감을 유지한다. 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 내려다보는 구도가 아닌 실제 미러리스 또는 디에스엘아르 카메라 촬영본. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "방문자 의자 부근의 눈높이에서 집무책상 너머 집무용 의자를 정면에 가깝게 바라본다. 출입문은 화면 측면에 남기고, 책상 앞에서 서거나 앉는 동선을 모두 수용할 수 있도록 충분한 중경 공간을 확보한다.",
            "shot_id": "S59_Shot1"
          },
          {
            "guide_text": "같은 카메라 축과 주간 조도를 유지하되 집무책상 양쪽의 빈 공간이 분명히 보이도록 구성한다. 가능하면 화면 가장자리에 소파와 커피 테이블 일부를 포함하고, 사람이나 인물형 요소는 넣지 않는다.",
            "shot_id": "S59_Shot4"
          },
          {
            "guide_text": "집무책상과 집무용 의자를 중심으로 한 절제된 정면 구도를 유지하며, 출입문이 측면 배경에서 공간의 깊이와 이동 방향을 알려 주도록 한다. 과장된 광각 왜곡 없이 실제 서 있는 사람의 시야처럼 표현한다.",
            "shot_id": "S61_Shot3"
          },
          {
            "guide_text": "앞선 장면들과 동일한 재료, 가구 배치, 자연광 방향을 유지한다. 책상 앞 상담 영역과 방문자 의자 주변을 넉넉히 담고, 소파와 커피 테이블은 프레임 가장자리의 보조 공간으로만 보이게 한다.",
            "shot_id": "S61_Shot4"
          }
        ],
        "shot_ids": [
          "S59_Shot1",
          "S59_Shot4",
          "S61_Shot3",
          "S61_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 8 (visitor chairs), facing number 6 (executive desk) and number 7 (executive chair), with number 12 (exit door) along the side of the composition",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "40mm normal-wide lens",
          "framing_notes": "Allow both standing and seated confrontations across the desk; include part of number 9 (sofa) and number 10 (coffee table) at the frame edge when practical."
        },
        "reference_decision": {
          "bg_id": "L31B01",
          "fp_id": "fp_l31_deputy_chief_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L31B01 is the sole clean anchor candidate and establishes the dwelling identity directly from the floor plan. Its wide view from unit 3 toward unit 2 supports the consuming shots centered on the fixed marker-6 arrangement while establishing the positions of markers 1-14 for later continuity.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l31_deputy_chief_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp plate is required because this first node establishes the dwelling identity from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              2
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 3 toward unit 2, centering the fixed arrangement around marker 6 while retaining sufficient surrounding structure for the medium, close, and over-shoulder consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              2,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 3, show unit 2 around look-at cell [2,4] as the principal visible area, with unit 3 retained as the camera-side foreground. The wide cone may include supported portions of candidate-visible units 1, 4, and 5 and openings 12 and 13 where they intersect the cone. Establish the fixed positions of base markers 1-14, especially markers 6, 7, and 8 around the look direction.",
            "camera_framing_directive": "Place the camera in unit 3 at cell [8,2] and aim toward unit 2 at listed look-at cell [2,4]. Use the 90-degree wide lens for broad coverage of the fixed arrangement while allowing the consuming shots to crop to medium, close, and over-shoulder framing.",
            "subject_position_directive": "For S59_Shot1, place one committed subject in the middle-left foreground leaning across the marker-6 edge and another farther back in the middle-right. For S59_Shot4 and S61_Shot3, retain an over-shoulder foreground edge with the seated focal subject near center. For S61_Shot4, hold the single profile subject in the right two-thirds with the gaze directed leftward out of frame.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the staged subdued neutral-to-cool daytime illumination.",
            "negative_continuity_directive": "Exclude marker 15 and ignored state-overlay marker 15. Do not introduce unlisted scenario-specific elements, and do not depict units or openings as visible when they fall outside the chosen view cone. Preserve the floor-plan positions of markers 1-14."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [8, 2]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2, centering the fixed arrangement around marker 6 while retaining sufficient surrounding structure for the medium, close, and over-shoulder consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show unit 2 around look-at cell [2,4] as the principal visible area, with unit 3 retained as the camera-side foreground. The wide cone may include supported portions of candidate-visible units 1, 4, and 5 and openings 12 and 13 where they intersect the cone. Establish the fixed positions of base markers 1-14, especially markers 6, 7, and 8 around the look direction.\n  - camera_framing_directive: Place the camera in unit 3 at cell [8,2] and aim toward unit 2 at listed look-at cell [2,4]. Use the 90-degree wide lens for broad coverage of the fixed arrangement while allowing the consuming shots to crop to medium, close, and over-shoulder framing.\n  - subject_position_directive: For S59_Shot1, place one committed subject in the middle-left foreground leaning across the marker-6 edge and another farther back in the middle-right. For S59_Shot4 and S61_Shot3, retain an over-shoulder foreground edge with the seated focal subject near center. For S61_Shot4, hold the single profile subject in the right two-thirds with the gaze directed leftward out of frame.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the staged subdued neutral-to-cool daytime illumination.\n  - negative_continuity_directive: Exclude marker 15 and ignored state-overlay marker 15. Do not introduce unlisted scenario-specific elements, and do not depict units or openings as visible when they fall outside the chosen view cone. Preserve the floor-plan positions of markers 1-14.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [8, 2]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2, centering the fixed arrangement around marker 6 while retaining sufficient surrounding structure for the medium, close, and over-shoulder consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show unit 2 around look-at cell [2,4] as the principal visible area, with unit 3 retained as the camera-side foreground. The wide cone may include supported portions of candidate-visible units 1, 4, and 5 and openings 12 and 13 where they intersect the cone. Establish the fixed positions of base markers 1-14, especially markers 6, 7, and 8 around the look direction.\n  - camera_framing_directive: Place the camera in unit 3 at cell [8,2] and aim toward unit 2 at listed look-at cell [2,4]. Use the 90-degree wide lens for broad coverage of the fixed arrangement while allowing the consuming shots to crop to medium, close, and over-shoulder framing.\n  - subject_position_directive: For S59_Shot1, place one committed subject in the middle-left foreground leaning across the marker-6 edge and another farther back in the middle-right. For S59_Shot4 and S61_Shot3, retain an over-shoulder foreground edge with the seated focal subject near center. For S61_Shot4, hold the single profile subject in the right two-thirds with the gaze directed leftward out of frame.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the staged subdued neutral-to-cool daytime illumination.\n  - negative_continuity_directive: Exclude marker 15 and ignored state-overlay marker 15. Do not introduce unlisted scenario-specific elements, and do not depict units or openings as visible when they fall outside the chosen view cone. Preserve the floor-plan positions of markers 1-14.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [8, 2]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2, centering the fixed arrangement around marker 6 while retaining sufficient surrounding structure for the medium, close, and over-shoulder consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show unit 2 around look-at cell [2,4] as the principal visible area, with unit 3 retained as the camera-side foreground. The wide cone may include supported portions of candidate-visible units 1, 4, and 5 and openings 12 and 13 where they intersect the cone. Establish the fixed positions of base markers 1-14, especially markers 6, 7, and 8 around the look direction.\n  - camera_framing_directive: Place the camera in unit 3 at cell [8,2] and aim toward unit 2 at listed look-at cell [2,4]. Use the 90-degree wide lens for broad coverage of the fixed arrangement while allowing the consuming shots to crop to medium, close, and over-shoulder framing.\n  - subject_position_directive: For S59_Shot1, place one committed subject in the middle-left foreground leaning across the marker-6 edge and another farther back in the middle-right. For S59_Shot4 and S61_Shot3, retain an over-shoulder foreground edge with the seated focal subject near center. For S61_Shot4, hold the single profile subject in the right two-thirds with the gaze directed leftward out of frame.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the staged subdued neutral-to-cool daytime illumination.\n  - negative_continuity_directive: Exclude marker 15 and ignored state-overlay marker 15. Do not introduce unlisted scenario-specific elements, and do not depict units or openings as visible when they fall outside the chosen view cone. Preserve the floor-plan positions of markers 1-14.\n\n2015~2017년 대한민국 남서부 지역의 지방 검찰청에 있을 법한 차장급 간부 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 낮 시간의 차분한 공공기관 집무실로, 북쪽 외벽의 넓은 창문을 통해 들어오는 자연광과 균일한 실내 조명이 중성에서 약간 차가운 색조와 자연스러운 명암을 만든다. 방문자 의자 부근에 카메라를 두고 약 1.6미터의 서 있는 사람 눈높이에서 북쪽의 집무책상과 그 뒤 집무용 의자를 바라본다. 35밀리미터 풀프레임 카메라의 40밀리미터 표준 광각 렌즈로 촬영하여 과장 없는 원근감과 자연스러운 심도를 유지한다. 집무책상 앞의 방문자 의자 두 개와 상담 공간이 중경을 이루고, 남동쪽 출입문은 화면 측면에 포함한다. 가능하면 남서쪽 벽의 사무용 소파와 앞쪽 커피 테이블 일부가 프레임 가장자리에 보이며, 서쪽 벽의 텔레비전과 동쪽 벽의 붙박이 문서 수납장이 실제 공간의 깊이를 형성한다. 책상 양쪽에서 서거나 앉아 대화할 수 있는 여유를 남긴 실용적인 구도이며, 공간은 비어 있고 사람, 얼굴, 인체 형태의 장식은 전혀 없다. 한국 공공기관 간부실에 어울리는 절제된 목재 무늬 책상, 무광 금속 부속, 직물 소파, 실용적인 수납장 표면을 사실적으로 표현하고, 실제 목재 결, 금속의 미세한 사용감, 직물 짜임, 바닥과 가구의 일상적인 마모를 과장 없이 담는다. 공간은 사건 이전처럼 정돈되고 흐트러지지 않은 상태다. 깨끗한 상업용 사진이 아니라 실제 장소를 담담하게 기록한 사진이며, 자연스러운 노출과 현실적인 색온도, 무리하지 않은 피사계 심도, 후처리 없는 질감을 유지한다. 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 내려다보는 구도가 아닌 실제 미러리스 또는 디에스엘아르 카메라 촬영본. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            2
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 3 toward unit 2, centering the fixed arrangement around marker 6 while retaining sufficient surrounding structure for the medium, close, and over-shoulder consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            2,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 3, show unit 2 around look-at cell [2,4] as the principal visible area, with unit 3 retained as the camera-side foreground. The wide cone may include supported portions of candidate-visible units 1, 4, and 5 and openings 12 and 13 where they intersect the cone. Establish the fixed positions of base markers 1-14, especially markers 6, 7, and 8 around the look direction.",
          "camera_framing_directive": "Place the camera in unit 3 at cell [8,2] and aim toward unit 2 at listed look-at cell [2,4]. Use the 90-degree wide lens for broad coverage of the fixed arrangement while allowing the consuming shots to crop to medium, close, and over-shoulder framing.",
          "subject_position_directive": "For S59_Shot1, place one committed subject in the middle-left foreground leaning across the marker-6 edge and another farther back in the middle-right. For S59_Shot4 and S61_Shot3, retain an over-shoulder foreground edge with the seated focal subject near center. For S61_Shot4, hold the single profile subject in the right two-thirds with the gaze directed leftward out of frame.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the staged subdued neutral-to-cool daytime illumination.",
          "negative_continuity_directive": "Exclude marker 15 and ignored state-overlay marker 15. Do not introduce unlisted scenario-specific elements, and do not depict units or openings as visible when they fall outside the chosen view cone. Preserve the floor-plan positions of markers 1-14."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l31_deputy_chief_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l31_deputy_chief_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L33B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L33",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L33B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 광주광역시권의 지방 검찰청 정문과 차량 진입로를 밝은 낮에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 차량 접근로 위 약 1.6m의 서 있는 사람 눈높이에서 북쪽을 향해 바라보며, 35mm급 중간 광각 렌즈로 중앙 차량 정문 너머의 청사 정면까지 자연스러운 원근감으로 담는다. 보안 울타리가 남쪽 경계를 따라 이어지고, 차량 정문 안쪽에는 진입·출차 차로를 통제하는 금속 차단기가 있으며, 차량 게이트와 보행 동선 사이의 경비초소가 진입 경로 옆에 놓여 있다. 북쪽의 공공기관 청사는 절제된 2010년대 한국 관공서 건축으로, 밝은 석재와 노출 콘크리트, 유리창, 금속 프레임, 중앙 공공 출입문이 현실적인 비례와 사용 흔적을 보인다. 중앙 차량 차로에서는 2010년대 중후반형 평범한 승용차 한 대가 정문을 막 통과해 보안 구역 안으로 들어가고 있으며, 실내 탑승자나 얼굴, 신체 형상은 보이지 않는다. 맑고 밝은 주간의 자연광, 중성에서 약간 차가운 색감, 적당한 대비와 자연스러운 명암, 실제 아스팔트의 미세한 균열과 타이어 자국, 금속의 옅은 산화와 긁힘, 유리 반사, 콘크리트 얼룩 등 일상적인 마모를 사실적으로 표현한다. 과도하게 정돈된 광고 사진이 아니라 실제 장소 참고용으로 찍은 담담한 DSLR 또는 미러리스 사진이며, 자연스러운 피사계 심도와 무보정에 가까운 질감. 사람, 얼굴, 인체 형상, 조형 인물은 전혀 없고, 평면도·하향 시점·건축 도면·삽화가 아닌 실제 위치에서 촬영한 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 차량 진입로의 사람 눈높이에서 북쪽을 바라본다. 중앙 차로를 따라 승용차가 정문을 통과해 청사 부지 안으로 들어가는 순간을 포착하고, 진입 경로 옆의 경비초소와 차단기가 함께 읽히게 한다. 청사 정면과 중앙 출입문은 깊이감 있게 배경에 두며 사람은 전혀 보이지 않게 한다.",
            "shot_id": "S34_Shot1"
          }
        ],
        "shot_ids": [
          "S34_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "on the south vehicle approach within number 1, facing north through number 4 toward number 10, with number 6 and number 8 beside the entering path",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show number 13 crossing number 4 into the forecourt; retain a clear view of number 11 in the institutional frontage beyond the gate."
        },
        "reference_decision": {
          "bg_id": "L33B01",
          "fp_id": "fp_l33_prosecutors_office_front",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L33B01 is an allowed anchor candidate and establishes the fixed dwelling identity without a prior reference. Its consuming shot calls for wide coverage from unit 1 across the boundary toward unit 10, with markers 4, 6, 7, 8, 10, and 11 providing the committed structural context around transient marker 13.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l33_prosecutors_office_front.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor rendered directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 10, retaining marker 4 as the central boundary cue and enough surrounding structure for the staged midground movement.",
            "lens_enum": "wide",
            "look_at_cell": [
              1,
              4
            ],
            "look_at_unit": 10
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 from a camera position at [7,4], looking toward unit 10 through the structural axis defined by marker 4. Include the committed context from unit 6 and fixed markers 7 and 8 where supported by the broad view, with marker 11 on the unit-10 frontage.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [7,4] toward look-at unit 10 at cell [1,4] with a wide 90-degree field of view, giving broad coverage around the staged midground subject and the boundary alignment.",
            "subject_position_directive": "Place the committed subject associated with transient marker 13 in the midground middle-center, halfway across the boundary at marker 4 and moving toward the interior side, with the staged front three-quarter presentation maintained.",
            "state_cue_directive": "Carry transient marker 13 in the advancing state committed by S34_Shot1 while retaining numbered elements 1, 4, 6, 7, 8, 10, and 11. Do not introduce any additional uncommitted state cue.",
            "negative_continuity_directive": "Exclude ignored marker 14 and do not add uncommitted scenario-specific elements. Keep spaces outside the chosen unit-1-to-unit-10 view from being introduced, and preserve the floor-plan positions of markers 4, 6, 7, 8, 10, and 11."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 4]\n  - look_at_unit: 10\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 10, retaining marker 4 as the central boundary cue and enough surrounding structure for the staged midground movement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from a camera position at [7,4], looking toward unit 10 through the structural axis defined by marker 4. Include the committed context from unit 6 and fixed markers 7 and 8 where supported by the broad view, with marker 11 on the unit-10 frontage.\n  - camera_framing_directive: Frame from camera unit 1 at cell [7,4] toward look-at unit 10 at cell [1,4] with a wide 90-degree field of view, giving broad coverage around the staged midground subject and the boundary alignment.\n  - subject_position_directive: Place the committed subject associated with transient marker 13 in the midground middle-center, halfway across the boundary at marker 4 and moving toward the interior side, with the staged front three-quarter presentation maintained.\n  - state_cue_directive: Carry transient marker 13 in the advancing state committed by S34_Shot1 while retaining numbered elements 1, 4, 6, 7, 8, 10, and 11. Do not introduce any additional uncommitted state cue.\n  - negative_continuity_directive: Exclude ignored marker 14 and do not add uncommitted scenario-specific elements. Keep spaces outside the chosen unit-1-to-unit-10 view from being introduced, and preserve the floor-plan positions of markers 4, 6, 7, 8, 10, and 11.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 4]\n  - look_at_unit: 10\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 10, retaining marker 4 as the central boundary cue and enough surrounding structure for the staged midground movement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from a camera position at [7,4], looking toward unit 10 through the structural axis defined by marker 4. Include the committed context from unit 6 and fixed markers 7 and 8 where supported by the broad view, with marker 11 on the unit-10 frontage.\n  - camera_framing_directive: Frame from camera unit 1 at cell [7,4] toward look-at unit 10 at cell [1,4] with a wide 90-degree field of view, giving broad coverage around the staged midground subject and the boundary alignment.\n  - subject_position_directive: Place the committed subject associated with transient marker 13 in the midground middle-center, halfway across the boundary at marker 4 and moving toward the interior side, with the staged front three-quarter presentation maintained.\n  - state_cue_directive: Carry transient marker 13 in the advancing state committed by S34_Shot1 while retaining numbered elements 1, 4, 6, 7, 8, 10, and 11. Do not introduce any additional uncommitted state cue.\n  - negative_continuity_directive: Exclude ignored marker 14 and do not add uncommitted scenario-specific elements. Keep spaces outside the chosen unit-1-to-unit-10 view from being introduced, and preserve the floor-plan positions of markers 4, 6, 7, 8, 10, and 11.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 4]\n  - look_at_unit: 10\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 10, retaining marker 4 as the central boundary cue and enough surrounding structure for the staged midground movement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from a camera position at [7,4], looking toward unit 10 through the structural axis defined by marker 4. Include the committed context from unit 6 and fixed markers 7 and 8 where supported by the broad view, with marker 11 on the unit-10 frontage.\n  - camera_framing_directive: Frame from camera unit 1 at cell [7,4] toward look-at unit 10 at cell [1,4] with a wide 90-degree field of view, giving broad coverage around the staged midground subject and the boundary alignment.\n  - subject_position_directive: Place the committed subject associated with transient marker 13 in the midground middle-center, halfway across the boundary at marker 4 and moving toward the interior side, with the staged front three-quarter presentation maintained.\n  - state_cue_directive: Carry transient marker 13 in the advancing state committed by S34_Shot1 while retaining numbered elements 1, 4, 6, 7, 8, 10, and 11. Do not introduce any additional uncommitted state cue.\n  - negative_continuity_directive: Exclude ignored marker 14 and do not add uncommitted scenario-specific elements. Keep spaces outside the chosen unit-1-to-unit-10 view from being introduced, and preserve the floor-plan positions of markers 4, 6, 7, 8, 10, and 11.\n\n2015~2017년 무렵 대한민국 광주광역시권의 지방 검찰청 정문과 차량 진입로를 밝은 낮에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 차량 접근로 위 약 1.6m의 서 있는 사람 눈높이에서 북쪽을 향해 바라보며, 35mm급 중간 광각 렌즈로 중앙 차량 정문 너머의 청사 정면까지 자연스러운 원근감으로 담는다. 보안 울타리가 남쪽 경계를 따라 이어지고, 차량 정문 안쪽에는 진입·출차 차로를 통제하는 금속 차단기가 있으며, 차량 게이트와 보행 동선 사이의 경비초소가 진입 경로 옆에 놓여 있다. 북쪽의 공공기관 청사는 절제된 2010년대 한국 관공서 건축으로, 밝은 석재와 노출 콘크리트, 유리창, 금속 프레임, 중앙 공공 출입문이 현실적인 비례와 사용 흔적을 보인다. 중앙 차량 차로에서는 2010년대 중후반형 평범한 승용차 한 대가 정문을 막 통과해 보안 구역 안으로 들어가고 있으며, 실내 탑승자나 얼굴, 신체 형상은 보이지 않는다. 맑고 밝은 주간의 자연광, 중성에서 약간 차가운 색감, 적당한 대비와 자연스러운 명암, 실제 아스팔트의 미세한 균열과 타이어 자국, 금속의 옅은 산화와 긁힘, 유리 반사, 콘크리트 얼룩 등 일상적인 마모를 사실적으로 표현한다. 과도하게 정돈된 광고 사진이 아니라 실제 장소 참고용으로 찍은 담담한 DSLR 또는 미러리스 사진이며, 자연스러운 피사계 심도와 무보정에 가까운 질감. 사람, 얼굴, 인체 형상, 조형 인물은 전혀 없고, 평면도·하향 시점·건축 도면·삽화가 아닌 실제 위치에서 촬영한 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            7,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 10, retaining marker 4 as the central boundary cue and enough surrounding structure for the staged midground movement.",
          "lens_enum": "wide",
          "look_at_cell": [
            1,
            4
          ],
          "look_at_unit": 10
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 from a camera position at [7,4], looking toward unit 10 through the structural axis defined by marker 4. Include the committed context from unit 6 and fixed markers 7 and 8 where supported by the broad view, with marker 11 on the unit-10 frontage.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [7,4] toward look-at unit 10 at cell [1,4] with a wide 90-degree field of view, giving broad coverage around the staged midground subject and the boundary alignment.",
          "subject_position_directive": "Place the committed subject associated with transient marker 13 in the midground middle-center, halfway across the boundary at marker 4 and moving toward the interior side, with the staged front three-quarter presentation maintained.",
          "state_cue_directive": "Carry transient marker 13 in the advancing state committed by S34_Shot1 while retaining numbered elements 1, 4, 6, 7, 8, 10, and 11. Do not introduce any additional uncommitted state cue.",
          "negative_continuity_directive": "Exclude ignored marker 14 and do not add uncommitted scenario-specific elements. Keep spaces outside the chosen unit-1-to-unit-10 view from being introduced, and preserve the floor-plan positions of markers 4, 6, 7, 8, 10, and 11."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l33_prosecutors_office_front",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l33_prosecutors_office_front",
            "building_fp:fp_l31_deputy_chief_office"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l31_deputy_chief_office",
          "indoor_loc_sid": "L31",
          "group_id": "bg_prosecutors_office",
          "fp_asset_id": "3ff6a7e0-a74a-433c-bdf1-2903cae0a01c"
        }
      },
      "L33B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L33",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L33B02.png",
        "t2i_prompt": "대한민국 호남권 광역도시에 있는 2010년대 중후반 지방 검찰청 정문 앞을 정오에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 공공도로와 나란한 보행 전면부에서 약 1.6m의 성인 눈높이로 서서, 넓은 포장 집회 공간을 대각선으로 가로질러 보행자 출입구와 북쪽의 주 청사를 바라본 구도다. 중앙 차량 출입구 옆에 보행자 출입구와 소형 경비실이 있고, 보안 울타리가 청사 부지의 남쪽 경계와 양옆으로 이어진다. 안쪽 전면 마당 너머에는 당시 한국 공공기관에서 흔한 옅은 석재 외장과 실용적인 직선형 입면의 청사가 서 있으며, 남향 정면 중앙의 유리 출입문과 양쪽의 규칙적인 짙은 알루미늄 창 배열이 보인다. 실제 콘크리트 포장의 잔얼룩과 미세한 균열, 금속 울타리와 출입문의 생활 마모, 유리의 자연스러운 반사, 석재 외장의 색 편차를 사실적으로 표현한다. 정오의 밝은 자연광과 짧고 또렷한 그림자, 약간 서늘한 중립색의 현실적인 명암 범위로 기록한다. 집회 순간의 일시적 상태로, 종교 공동체가 사용하는 작은 십자가 기호와 일반적인 무죄 호소 문구가 있는 피켓들이 정문 밖 집회 공간 전반에 넓게 세워지거나 기대어 있어 공간이 점유된 인상을 준다. 특정 인명이나 사건명, 기관 고유 명칭은 표시하지 않는다. 사람, 얼굴, 신체 형태의 인물, 실루엣은 전혀 등장하지 않는 빈 배경 사진이다. 35mm급 실제 DSLR 또는 미러리스 카메라와 28mm 광각 렌즈로 촬영한 듯한 자연스러운 원근, 현실적인 초점 심도와 재질 세부, 과장 없는 현장 기록 사진이며 인위적인 후처리 없이 실제 장소 참고 사진처럼 보이게 한다. 평면도, 조감도, 건축 도면, 삽화, 건축 시각화가 아닌 거리 높이의 실사 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 보행 전면부에서 약 1.6m 높이로 서서, 집회용 포장 공간을 대각선으로 가로질러 보행자 출입구와 북쪽 청사를 바라본다. 28mm 광각 렌즈의 자연스러운 원근으로 출입구, 경비실, 울타리, 청사 정면의 관계가 한눈에 읽히게 하며, 무죄를 호소하는 종교 공동체의 피켓들은 집회 공간 전반에 넓게 세워진 일시적 집회 상태로 보이게 한다. 사람이나 얼굴, 실루엣은 프레임에 포함하지 않는다.",
            "shot_id": "S65_Shot2"
          }
        ],
        "shot_ids": [
          "S65_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 2 on the south pedestrian frontage, facing diagonally across number 3 toward number 5 and number 10",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Place number 14 prominently across the widened protest area while preserving the gate, guard booth, and institutional frontage as readable background anchors."
        },
        "reference_decision": {
          "bg_id": "L33B02",
          "fp_id": "fp_l33_prosecutors_office_front",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L33B02 uses L33B01 because both nodes depict the same connected physical space and overlap on markers 4, 6, 7, 10, and 11. The consuming shot requires a distinct compressed view from unit 2 toward unit 10 rather than the anchor's wide unit-1 view, so the fixed marker positions carry over while a new plate is planned.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L33B01.png"
          ],
          "source_bg_ids": [
            "L33B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_01"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_01",
                "ref_bg_id": "L33B01",
                "space_description": "Connected physical space containing units 1, 2, 3, 6, and 10 with shared fixed markers 4, 6, 7, 10, and 11."
              }
            ],
            "why_single_ref_or_two_refs": "A single earlier reference is sufficient because the consuming shot remains within the same connected physical space represented by L33B01; no second distinct visible space is committed."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              1
            ],
            "camera_unit": 2,
            "fov_deg": 25,
            "framing_notes": "Use compressed close coverage from unit 2 toward unit 10 so the staged foreground subjects dominate while markers 4, 5, 6, 7, 11, and 12 remain subordinate continuity cues.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              1,
              2
            ],
            "look_at_unit": 10
          },
          "render_guidance": {
            "visible_space_directive": "Show the unit-2 foreground toward unit 10, with units 3 and 6 supplying only the supported adjacent context. Preserve from L33B01 the fixed placement of markers 4, 6, 7, 10, and 11, and include markers 5 and 12 where the narrow view supports them.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [6,1] toward look-at unit 10 at cell [1,2] with a telephoto 25-degree field of view, producing narrow, compressed coverage appropriate to the committed close three-quarter staging.",
            "subject_position_directive": "Place the two committed primary subjects on the left and right foreground in close three-quarter side views, with raised elements sharing the upper frame without obscuring either face; keep additional committed subject fragments loose and asynchronous behind them.",
            "state_cue_directive": "Carry transient marker 14 with the varied raised-arm, head-turn, and weight-shift staging committed by S65_Shot2. Retain numbered elements 2, 3, 4, 5, 6, 7, 10, 11, and 12 without adding other state cues.",
            "negative_continuity_directive": "Exclude ignored marker 13 and do not redraw its transient state from reference L33B01. Do not shift the shared fixed positions of markers 4, 6, 7, 10, and 11, introduce spaces outside the narrow unit-2-to-unit-10 view, or add uncommitted scenario-specific elements."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L33B01' physical_space_id='physical_space_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 1]\n  - look_at_unit: 10\n  - look_at_cell: [1, 2]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use compressed close coverage from unit 2 toward unit 10 so the staged foreground subjects dominate while markers 4, 5, 6, 7, 11, and 12 remain subordinate continuity cues.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2 foreground toward unit 10, with units 3 and 6 supplying only the supported adjacent context. Preserve from L33B01 the fixed placement of markers 4, 6, 7, 10, and 11, and include markers 5 and 12 where the narrow view supports them.\n  - camera_framing_directive: Frame from camera unit 2 at cell [6,1] toward look-at unit 10 at cell [1,2] with a telephoto 25-degree field of view, producing narrow, compressed coverage appropriate to the committed close three-quarter staging.\n  - subject_position_directive: Place the two committed primary subjects on the left and right foreground in close three-quarter side views, with raised elements sharing the upper frame without obscuring either face; keep additional committed subject fragments loose and asynchronous behind them.\n  - state_cue_directive: Carry transient marker 14 with the varied raised-arm, head-turn, and weight-shift staging committed by S65_Shot2. Retain numbered elements 2, 3, 4, 5, 6, 7, 10, 11, and 12 without adding other state cues.\n  - negative_continuity_directive: Exclude ignored marker 13 and do not redraw its transient state from reference L33B01. Do not shift the shared fixed positions of markers 4, 6, 7, 10, and 11, introduce spaces outside the narrow unit-2-to-unit-10 view, or add uncommitted scenario-specific elements.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L33B01' physical_space_id='physical_space_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 1]\n  - look_at_unit: 10\n  - look_at_cell: [1, 2]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use compressed close coverage from unit 2 toward unit 10 so the staged foreground subjects dominate while markers 4, 5, 6, 7, 11, and 12 remain subordinate continuity cues.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2 foreground toward unit 10, with units 3 and 6 supplying only the supported adjacent context. Preserve from L33B01 the fixed placement of markers 4, 6, 7, 10, and 11, and include markers 5 and 12 where the narrow view supports them.\n  - camera_framing_directive: Frame from camera unit 2 at cell [6,1] toward look-at unit 10 at cell [1,2] with a telephoto 25-degree field of view, producing narrow, compressed coverage appropriate to the committed close three-quarter staging.\n  - subject_position_directive: Place the two committed primary subjects on the left and right foreground in close three-quarter side views, with raised elements sharing the upper frame without obscuring either face; keep additional committed subject fragments loose and asynchronous behind them.\n  - state_cue_directive: Carry transient marker 14 with the varied raised-arm, head-turn, and weight-shift staging committed by S65_Shot2. Retain numbered elements 2, 3, 4, 5, 6, 7, 10, 11, and 12 without adding other state cues.\n  - negative_continuity_directive: Exclude ignored marker 13 and do not redraw its transient state from reference L33B01. Do not shift the shared fixed positions of markers 4, 6, 7, 10, and 11, introduce spaces outside the narrow unit-2-to-unit-10 view, or add uncommitted scenario-specific elements.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L33B01' physical_space_id='physical_space_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 1]\n  - look_at_unit: 10\n  - look_at_cell: [1, 2]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use compressed close coverage from unit 2 toward unit 10 so the staged foreground subjects dominate while markers 4, 5, 6, 7, 11, and 12 remain subordinate continuity cues.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2 foreground toward unit 10, with units 3 and 6 supplying only the supported adjacent context. Preserve from L33B01 the fixed placement of markers 4, 6, 7, 10, and 11, and include markers 5 and 12 where the narrow view supports them.\n  - camera_framing_directive: Frame from camera unit 2 at cell [6,1] toward look-at unit 10 at cell [1,2] with a telephoto 25-degree field of view, producing narrow, compressed coverage appropriate to the committed close three-quarter staging.\n  - subject_position_directive: Place the two committed primary subjects on the left and right foreground in close three-quarter side views, with raised elements sharing the upper frame without obscuring either face; keep additional committed subject fragments loose and asynchronous behind them.\n  - state_cue_directive: Carry transient marker 14 with the varied raised-arm, head-turn, and weight-shift staging committed by S65_Shot2. Retain numbered elements 2, 3, 4, 5, 6, 7, 10, 11, and 12 without adding other state cues.\n  - negative_continuity_directive: Exclude ignored marker 13 and do not redraw its transient state from reference L33B01. Do not shift the shared fixed positions of markers 4, 6, 7, 10, and 11, introduce spaces outside the narrow unit-2-to-unit-10 view, or add uncommitted scenario-specific elements.\n\n대한민국 호남권 광역도시에 있는 2010년대 중후반 지방 검찰청 정문 앞을 정오에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 공공도로와 나란한 보행 전면부에서 약 1.6m의 성인 눈높이로 서서, 넓은 포장 집회 공간을 대각선으로 가로질러 보행자 출입구와 북쪽의 주 청사를 바라본 구도다. 중앙 차량 출입구 옆에 보행자 출입구와 소형 경비실이 있고, 보안 울타리가 청사 부지의 남쪽 경계와 양옆으로 이어진다. 안쪽 전면 마당 너머에는 당시 한국 공공기관에서 흔한 옅은 석재 외장과 실용적인 직선형 입면의 청사가 서 있으며, 남향 정면 중앙의 유리 출입문과 양쪽의 규칙적인 짙은 알루미늄 창 배열이 보인다. 실제 콘크리트 포장의 잔얼룩과 미세한 균열, 금속 울타리와 출입문의 생활 마모, 유리의 자연스러운 반사, 석재 외장의 색 편차를 사실적으로 표현한다. 정오의 밝은 자연광과 짧고 또렷한 그림자, 약간 서늘한 중립색의 현실적인 명암 범위로 기록한다. 집회 순간의 일시적 상태로, 종교 공동체가 사용하는 작은 십자가 기호와 일반적인 무죄 호소 문구가 있는 피켓들이 정문 밖 집회 공간 전반에 넓게 세워지거나 기대어 있어 공간이 점유된 인상을 준다. 특정 인명이나 사건명, 기관 고유 명칭은 표시하지 않는다. 사람, 얼굴, 신체 형태의 인물, 실루엣은 전혀 등장하지 않는 빈 배경 사진이다. 35mm급 실제 DSLR 또는 미러리스 카메라와 28mm 광각 렌즈로 촬영한 듯한 자연스러운 원근, 현실적인 초점 심도와 재질 세부, 과장 없는 현장 기록 사진이며 인위적인 후처리 없이 실제 장소 참고 사진처럼 보이게 한다. 평면도, 조감도, 건축 도면, 삽화, 건축 시각화가 아닌 거리 높이의 실사 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            6,
            1
          ],
          "camera_unit": 2,
          "fov_deg": 25,
          "framing_notes": "Use compressed close coverage from unit 2 toward unit 10 so the staged foreground subjects dominate while markers 4, 5, 6, 7, 11, and 12 remain subordinate continuity cues.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            1,
            2
          ],
          "look_at_unit": 10
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show the unit-2 foreground toward unit 10, with units 3 and 6 supplying only the supported adjacent context. Preserve from L33B01 the fixed placement of markers 4, 6, 7, 10, and 11, and include markers 5 and 12 where the narrow view supports them.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [6,1] toward look-at unit 10 at cell [1,2] with a telephoto 25-degree field of view, producing narrow, compressed coverage appropriate to the committed close three-quarter staging.",
          "subject_position_directive": "Place the two committed primary subjects on the left and right foreground in close three-quarter side views, with raised elements sharing the upper frame without obscuring either face; keep additional committed subject fragments loose and asynchronous behind them.",
          "state_cue_directive": "Carry transient marker 14 with the varied raised-arm, head-turn, and weight-shift staging committed by S65_Shot2. Retain numbered elements 2, 3, 4, 5, 6, 7, 10, 11, and 12 without adding other state cues.",
          "negative_continuity_directive": "Exclude ignored marker 13 and do not redraw its transient state from reference L33B01. Do not shift the shared fixed positions of markers 4, 6, 7, 10, and 11, introduce spaces outside the narrow unit-2-to-unit-10 view, or add uncommitted scenario-specific elements."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l33_prosecutors_office_front",
          "prior_bg_ids": [
            "L33B01"
          ],
          "attached_ref_labels": [
            "bg:L33B01",
            "building_fp:fp_l31_deputy_chief_office"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l31_deputy_chief_office",
          "indoor_loc_sid": "L31",
          "group_id": "bg_prosecutors_office",
          "fp_asset_id": "3ff6a7e0-a74a-433c-bdf1-2903cae0a01c"
        }
      },
      "L34B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L34",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L34B01.png",
        "t2i_prompt": "대한민국 광주·전남권의 2010년대 중후반 공공기관 검사 개인 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 복도 출입문 가까이에서 북쪽 창가의 업무 구역을 향해 대각선으로 바라보며, 카메라는 약 1.6m의 서 있는 사람 눈높이, 35mm급 보통 광각 렌즈를 사용한다. 중앙과 서쪽에는 서로 마주 보는 두 개의 방문객용 소파와 그 사이의 낮은 테이블이 차분한 사건 협의 공간을 이루고, 그 너머 북쪽에는 출입구 방향을 향한 업무 책상과 창 쪽의 책상 의자가 보인다. 동쪽 벽에는 실무 문서를 보관하는 붙박이 수납장이 연속해서 놓여 있다. 업무 책상 위에는 집중적인 문서 검토 도중 잠시 펼쳐 놓은 여러 묶음의 현행 사건 기록철과 서류 더미가 현실적으로 분산되어 있으며, 개인정보나 민감한 기록 내용은 읽을 수 없게 한다. 북쪽 외부 창으로 들어오는 흐린 낮의 자연광과 평범한 관공서 천장 조명이 함께 공간을 밝히고, 중성에서 약간 차가운 색조와 적당한 명암을 유지한다. 한국 공공기관 사무실에 흔한 무광 도장 벽, 실용적인 바닥 마감, 금속 수납장 손잡이, 직물 소파의 짜임, 목재 무늬 책상 표면에 자연스러운 마모와 생활 얼룩이 보인다. 지나치게 정돈된 홍보 사진이 아니라 실제 업무가 이어지는 장소의 담담한 기록 사진이며, 사람·얼굴·인체 형태의 장식은 전혀 없다. 실제 DSLR 또는 미러리스 카메라 촬영, 자연스러운 원근과 피사계 심도, 사실적인 재료 질감, 과도한 후보정 없음, CG나 삽화나 건축 시각화가 아닌 실제 장소 참고 사진. 탑다운 시점이나 평면도 구도가 아닌 수평 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 복도 출입문 부근에서 방문객 응대 구역 너머 북쪽 업무 책상을 대각선으로 바라본다. 마주 보는 소파와 중앙 테이블이 회의 공간의 깊이를 형성하고, 책상 위에 검토 중인 사건 기록철 더미가 자연스럽게 보이게 한다. 사람 없이 비어 있는 사무실로 유지한다.",
            "shot_id": "S35_Shot1"
          },
          {
            "guide_text": "출입구 쪽의 서 있는 눈높이를 유지하면서 두 소파와 방문객용 테이블을 전경과 중경에 두고, 북쪽 창 앞 업무 책상을 후경의 중심으로 잡는다. 낮의 자연광과 관공서 조명이 균형을 이루며 사건 기록철 더미가 책상 위에만 놓이게 한다.",
            "shot_id": "S35_Shot12"
          },
          {
            "guide_text": "35mm급 보통 광각으로 출입문에서 사무실 안쪽을 대각선으로 담는다. 중앙 회의 공간, 동쪽 문서 수납장, 북쪽 업무 구역의 공간 관계가 명확하되 과장된 원근은 피하고 실제 사무실 사진처럼 표현한다.",
            "shot_id": "S54_Shot7"
          },
          {
            "guide_text": "방문객용 소파와 테이블을 지나 업무 책상으로 시선이 이어지는 구도를 사용한다. 책상 위의 여러 사건 기록철은 집중적인 서류 검토가 진행 중인 일시적 상태로 보이게 하며, 바닥이나 소파 주변에는 불필요한 물건을 추가하지 않는다.",
            "shot_id": "S54_Shot12"
          },
          {
            "guide_text": "출입구 가까운 눈높이에서 회의 구역과 개인 업무 구역을 한 프레임에 담는다. 북쪽 창의 낮빛, 절제된 관공서 재료, 동쪽 수납장과 책상 위 기록철의 현실적인 사용감이 일관되게 보이도록 하고 인물은 배치하지 않는다.",
            "shot_id": "S54_Shot18"
          }
        ],
        "shot_ids": [
          "S35_Shot1",
          "S35_Shot12",
          "S54_Shot7",
          "S54_Shot12",
          "S54_Shot18"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 (corridor entry door), facing diagonally across number 2 (visitor zone) toward number 7 (work desk), with numbers 10, 11, and 12 defining the meeting area",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the facing sofas and visitor table prominent while retaining the work desk, document cabinets, and exterior window bank in the deeper frame. Number 13 is a transient daytime work-state cue for the desk surface and is not part of the base floor plan."
        },
        "reference_decision": {
          "bg_id": "L34B01",
          "fp_id": "fp_l34_wonseop_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L34B01 is the sole clean-anchor candidate supplied for this fp and must establish dwelling identity without a prior reference. A wide view from camera unit 4 at [8,1] toward unit 1 at [2,4] supports the consuming shots that require marker 7 as a foreground or lower-frame divider and markers 10, 11, and 12 as an opposing arrangement, while retaining broad continuity across the targeted units.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l34_wonseop_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_without_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp candidate references are available, so the sole anchor is rendered directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              1
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 4 toward unit 1 so the fixed elements associated with units 1 and 2 remain available for the wide, close, and insert consuming-shot crops.",
            "lens_enum": "wide",
            "look_at_cell": [
              2,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 4 looking toward unit 1 with a wide lens, show the continuous fixed layout needed across target units 1 and 2, with marker 7 retaining its committed position in unit 1 and markers 10, 11, and 12 retaining their facing arrangement in unit 2. Preserve the fixed placement of openings 5 and 6 and fixture marker 9 when they fall within the broad view; treat units 2 and 3 and openings 5 and 6 as visibility candidates rather than forcing elements outside the actual cone.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [8,1], looking toward unit 1 at cell [2,4], with a wide 90-degree field of view. Use broad coverage along the unit 4-to-unit 1 axis, preserving enough fixed context for wide compositions and later close or insert crops.",
            "subject_position_directive": "Across the surfaced shots, preserve staging capacity for two committed subjects facing one another across marker 7 in S35_Shot1, one committed subject near marker 7 for the S35_Shot12 close framing, two committed subjects facing across marker 12 between markers 10 and 11 in S54_Shot7, and hand or forearm action above marker 12 for S54_Shot12 and S54_Shot18. Keep these as shot-dependent subject placements rather than fixed background occupants.",
            "state_cue_directive": "Carry transient marker 13 as committed by the dossier together with the used base markers 1 through 12. Shot-specific actions and temporary object states in the surfaced shots should remain scene-layer cues rather than altering the fixed structure; do not invent additional state cues.",
            "negative_continuity_directive": "Do not move or redesign base markers 5 through 12, do not add spaces outside the geometry readback's candidate visibility for camera unit 4, and do not invent additional scenario-specific elements. No ignored numbered elements or ignored state-overlay markers are committed for this BG."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 1]\n  - look_at_unit: 1\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 toward unit 1 so the fixed elements associated with units 1 and 2 remain available for the wide, close, and insert consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4 looking toward unit 1 with a wide lens, show the continuous fixed layout needed across target units 1 and 2, with marker 7 retaining its committed position in unit 1 and markers 10, 11, and 12 retaining their facing arrangement in unit 2. Preserve the fixed placement of openings 5 and 6 and fixture marker 9 when they fall within the broad view; treat units 2 and 3 and openings 5 and 6 as visibility candidates rather than forcing elements outside the actual cone.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,1], looking toward unit 1 at cell [2,4], with a wide 90-degree field of view. Use broad coverage along the unit 4-to-unit 1 axis, preserving enough fixed context for wide compositions and later close or insert crops.\n  - subject_position_directive: Across the surfaced shots, preserve staging capacity for two committed subjects facing one another across marker 7 in S35_Shot1, one committed subject near marker 7 for the S35_Shot12 close framing, two committed subjects facing across marker 12 between markers 10 and 11 in S54_Shot7, and hand or forearm action above marker 12 for S54_Shot12 and S54_Shot18. Keep these as shot-dependent subject placements rather than fixed background occupants.\n  - state_cue_directive: Carry transient marker 13 as committed by the dossier together with the used base markers 1 through 12. Shot-specific actions and temporary object states in the surfaced shots should remain scene-layer cues rather than altering the fixed structure; do not invent additional state cues.\n  - negative_continuity_directive: Do not move or redesign base markers 5 through 12, do not add spaces outside the geometry readback's candidate visibility for camera unit 4, and do not invent additional scenario-specific elements. No ignored numbered elements or ignored state-overlay markers are committed for this BG.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 1]\n  - look_at_unit: 1\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 toward unit 1 so the fixed elements associated with units 1 and 2 remain available for the wide, close, and insert consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4 looking toward unit 1 with a wide lens, show the continuous fixed layout needed across target units 1 and 2, with marker 7 retaining its committed position in unit 1 and markers 10, 11, and 12 retaining their facing arrangement in unit 2. Preserve the fixed placement of openings 5 and 6 and fixture marker 9 when they fall within the broad view; treat units 2 and 3 and openings 5 and 6 as visibility candidates rather than forcing elements outside the actual cone.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,1], looking toward unit 1 at cell [2,4], with a wide 90-degree field of view. Use broad coverage along the unit 4-to-unit 1 axis, preserving enough fixed context for wide compositions and later close or insert crops.\n  - subject_position_directive: Across the surfaced shots, preserve staging capacity for two committed subjects facing one another across marker 7 in S35_Shot1, one committed subject near marker 7 for the S35_Shot12 close framing, two committed subjects facing across marker 12 between markers 10 and 11 in S54_Shot7, and hand or forearm action above marker 12 for S54_Shot12 and S54_Shot18. Keep these as shot-dependent subject placements rather than fixed background occupants.\n  - state_cue_directive: Carry transient marker 13 as committed by the dossier together with the used base markers 1 through 12. Shot-specific actions and temporary object states in the surfaced shots should remain scene-layer cues rather than altering the fixed structure; do not invent additional state cues.\n  - negative_continuity_directive: Do not move or redesign base markers 5 through 12, do not add spaces outside the geometry readback's candidate visibility for camera unit 4, and do not invent additional scenario-specific elements. No ignored numbered elements or ignored state-overlay markers are committed for this BG.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 1]\n  - look_at_unit: 1\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 toward unit 1 so the fixed elements associated with units 1 and 2 remain available for the wide, close, and insert consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4 looking toward unit 1 with a wide lens, show the continuous fixed layout needed across target units 1 and 2, with marker 7 retaining its committed position in unit 1 and markers 10, 11, and 12 retaining their facing arrangement in unit 2. Preserve the fixed placement of openings 5 and 6 and fixture marker 9 when they fall within the broad view; treat units 2 and 3 and openings 5 and 6 as visibility candidates rather than forcing elements outside the actual cone.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,1], looking toward unit 1 at cell [2,4], with a wide 90-degree field of view. Use broad coverage along the unit 4-to-unit 1 axis, preserving enough fixed context for wide compositions and later close or insert crops.\n  - subject_position_directive: Across the surfaced shots, preserve staging capacity for two committed subjects facing one another across marker 7 in S35_Shot1, one committed subject near marker 7 for the S35_Shot12 close framing, two committed subjects facing across marker 12 between markers 10 and 11 in S54_Shot7, and hand or forearm action above marker 12 for S54_Shot12 and S54_Shot18. Keep these as shot-dependent subject placements rather than fixed background occupants.\n  - state_cue_directive: Carry transient marker 13 as committed by the dossier together with the used base markers 1 through 12. Shot-specific actions and temporary object states in the surfaced shots should remain scene-layer cues rather than altering the fixed structure; do not invent additional state cues.\n  - negative_continuity_directive: Do not move or redesign base markers 5 through 12, do not add spaces outside the geometry readback's candidate visibility for camera unit 4, and do not invent additional scenario-specific elements. No ignored numbered elements or ignored state-overlay markers are committed for this BG.\n\n대한민국 광주·전남권의 2010년대 중후반 공공기관 검사 개인 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 복도 출입문 가까이에서 북쪽 창가의 업무 구역을 향해 대각선으로 바라보며, 카메라는 약 1.6m의 서 있는 사람 눈높이, 35mm급 보통 광각 렌즈를 사용한다. 중앙과 서쪽에는 서로 마주 보는 두 개의 방문객용 소파와 그 사이의 낮은 테이블이 차분한 사건 협의 공간을 이루고, 그 너머 북쪽에는 출입구 방향을 향한 업무 책상과 창 쪽의 책상 의자가 보인다. 동쪽 벽에는 실무 문서를 보관하는 붙박이 수납장이 연속해서 놓여 있다. 업무 책상 위에는 집중적인 문서 검토 도중 잠시 펼쳐 놓은 여러 묶음의 현행 사건 기록철과 서류 더미가 현실적으로 분산되어 있으며, 개인정보나 민감한 기록 내용은 읽을 수 없게 한다. 북쪽 외부 창으로 들어오는 흐린 낮의 자연광과 평범한 관공서 천장 조명이 함께 공간을 밝히고, 중성에서 약간 차가운 색조와 적당한 명암을 유지한다. 한국 공공기관 사무실에 흔한 무광 도장 벽, 실용적인 바닥 마감, 금속 수납장 손잡이, 직물 소파의 짜임, 목재 무늬 책상 표면에 자연스러운 마모와 생활 얼룩이 보인다. 지나치게 정돈된 홍보 사진이 아니라 실제 업무가 이어지는 장소의 담담한 기록 사진이며, 사람·얼굴·인체 형태의 장식은 전혀 없다. 실제 DSLR 또는 미러리스 카메라 촬영, 자연스러운 원근과 피사계 심도, 사실적인 재료 질감, 과도한 후보정 없음, CG나 삽화나 건축 시각화가 아닌 실제 장소 참고 사진. 탑다운 시점이나 평면도 구도가 아닌 수평 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            1
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 4 toward unit 1 so the fixed elements associated with units 1 and 2 remain available for the wide, close, and insert consuming-shot crops.",
          "lens_enum": "wide",
          "look_at_cell": [
            2,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 4 looking toward unit 1 with a wide lens, show the continuous fixed layout needed across target units 1 and 2, with marker 7 retaining its committed position in unit 1 and markers 10, 11, and 12 retaining their facing arrangement in unit 2. Preserve the fixed placement of openings 5 and 6 and fixture marker 9 when they fall within the broad view; treat units 2 and 3 and openings 5 and 6 as visibility candidates rather than forcing elements outside the actual cone.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [8,1], looking toward unit 1 at cell [2,4], with a wide 90-degree field of view. Use broad coverage along the unit 4-to-unit 1 axis, preserving enough fixed context for wide compositions and later close or insert crops.",
          "subject_position_directive": "Across the surfaced shots, preserve staging capacity for two committed subjects facing one another across marker 7 in S35_Shot1, one committed subject near marker 7 for the S35_Shot12 close framing, two committed subjects facing across marker 12 between markers 10 and 11 in S54_Shot7, and hand or forearm action above marker 12 for S54_Shot12 and S54_Shot18. Keep these as shot-dependent subject placements rather than fixed background occupants.",
          "state_cue_directive": "Carry transient marker 13 as committed by the dossier together with the used base markers 1 through 12. Shot-specific actions and temporary object states in the surfaced shots should remain scene-layer cues rather than altering the fixed structure; do not invent additional state cues.",
          "negative_continuity_directive": "Do not move or redesign base markers 5 through 12, do not add spaces outside the geometry readback's candidate visibility for camera unit 4, and do not invent additional scenario-specific elements. No ignored numbered elements or ignored state-overlay markers are committed for this BG."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l34_wonseop_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l34_wonseop_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L54B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L54",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L54B01.png",
        "t2i_prompt": "대한민국 지방 검찰청 건물 안의 좁고 긴 직사각형 조사실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 출입문 안쪽 문턱 부근에 카메라를 두고 방의 긴 방향을 따라 바라본다. 약 1.5미터의 사람 눈높이, 35밀리미터급 보통 광각 렌즈를 사용하며, 화면 가까운 한쪽 가장자리에 출입문 문틀의 얇은 일부가 보인다. 방 중앙에는 길이 방향으로 놓인 단정한 조사 탁자가 있고, 탁자의 가까운 쪽 좌석과 맞은편 좌석이 서로 직접 마주 본다. 탁자를 화면 중심에 두어 좁은 벽 사이의 간격과 답답하지만 기능적인 공공기관 조사실의 실제 비례가 분명히 드러나게 한다. 21세기 초·중반 대한민국 관공서에서 오래 사용되는 절제된 실내 마감으로, 옅은 중성색 도장 벽과 실용적인 바닥, 무광 적층재 탁자 표면, 성형 좌판과 금속 다리의 자연스러운 재료 질감과 일상적인 사용감을 사실적으로 표현한다. 낮 시간의 차분한 실내 밝기, 중립색에서 약간 차가운 색온도, 보통 수준의 명암, 실제 장소의 자연스러운 색과 깊이. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 인물, 얼굴, 신체 형상, 사람 모양 장식은 전혀 없다. 실제 DSLR 또는 미러리스 카메라로 촬영한 장소 기록 사진처럼 자연스러운 피사계 심도와 정확한 재질 표현을 사용하고, 광고용 스톡 사진 같은 과도한 정돈이나 인공적인 광택은 피한다. 무보정에 가까운 사실적인 사진이며 CGI, 일러스트, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "출입문 안쪽 가장자리에서 방의 긴 축을 따라 바라본 배경 구도를 유지한다. 중앙 조사 탁자를 화면 중심에 두고 가까운 좌석과 맞은편 좌석이 서로 정확히 마주 보는 관계를 분명하게 보여 주며, 화면 가까운 가장자리에 문틀 일부를 남긴다.",
            "shot_id": "S53_Shot5"
          },
          {
            "guide_text": "약 1.5미터 눈높이와 35밀리미터급 화각을 유지해 좁고 긴 조사실의 실제 비례를 보여 준다. 탁자와 두 좌석의 대칭적인 대면 배치가 한눈에 읽히도록 하되 과장된 원근이나 광각 왜곡은 피한다.",
            "shot_id": "S53_Shot11"
          },
          {
            "guide_text": "출입구 쪽에서 중앙 탁자를 넘어 맞은편 좌석을 바라보는 방향을 고정한다. 가까운 좌석도 프레임 안에 포함하고, 좁은 벽 사이의 간격과 기관 조사실 특유의 절제된 실용성을 사실적으로 유지한다.",
            "shot_id": "S53_Shot15"
          },
          {
            "guide_text": "문틀의 얇은 일부가 가까운 화면 가장자리에 보이는 입구 시점을 사용한다. 중앙 탁자가 방의 긴 축을 잡고 두 좌석이 정면으로 마주 보도록 하며, 낮 시간의 담담한 실내 밝기와 중립적 색감을 유지한다.",
            "shot_id": "S57_Shot3"
          },
          {
            "guide_text": "실제 조사실 위치 기록 사진처럼 과장 없이 정면에 가까운 구도를 사용한다. 중앙 탁자, 가까운 좌석, 맞은편 좌석의 거리 관계와 좁은 직사각형 공간의 깊이가 자연스럽게 드러나야 한다.",
            "shot_id": "S57_Shot6"
          }
        ],
        "shot_ids": [
          "S53_Shot5",
          "S53_Shot11",
          "S53_Shot15",
          "S57_Shot3",
          "S57_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (entry door) and number 2 (threshold zone), facing lengthwise across number 5 (central interview table) toward number 7 (far-side seat)",
          "camera_height": "eye-level seated-to-standing perspective, approximately 1.5 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the narrow room proportions, keep number 5 central, show numbers 6 and 7 as directly opposing seats, and retain a sliver of the entry door frame at the near edge."
        },
        "reference_decision": {
          "bg_id": "L54B01",
          "fp_id": "fp_l54_interview_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L54B01 is the sole clean anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 2 at [8,6], looking toward unit 1 at [3,4] with a 90-degree wide lens, provides broad coverage around markers 5, 6, and 7 for the surfaced insert, close, over-shoulder, and medium shots while preserving context from markers 1, 2, and 3.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l54_interview_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_without_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the required floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              6
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Broad coverage from unit 2 toward unit 1, centered on look-at cell [3,4] at base marker 5, supports the surfaced insert, close, over-shoulder, and medium across-table staging while retaining surrounding structural context.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show the portion of unit 1 reached from camera unit 2 through the wide view, centered on base marker 5 and retaining the fixed relationship of markers 6 and 7 on opposite sides. Preserve contextual continuity with unit 2 and the enclosing marker 3; include marker 4 only where it falls within this broad geometry-supported view.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [8,6] toward unit 1 at look-at cell [3,4] using the wide 90-degree view. Use broad coverage centered on marker 5, with enough lower-frame and lateral context to support insert, close, over-shoulder, and medium staging around markers 6 and 7.",
            "subject_position_directive": "The surfaced staging places subjects on opposing sides of marker 5, using the positions associated with markers 6 and 7 for close, over-shoulder, and medium relations; one insert isolates a hand immediately above marker 5. Preserve clear composition space for those committed positions, but keep the clean background plate free of invented subjects.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; retain only the committed numbered elements 1 through 7.",
            "negative_continuity_directive": "Keep markers 1 through 7 consistent with the floor-plan inventory, and do not relocate markers 4, 5, 6, or 7. Do not assert visibility of spaces outside the selected unit-2-to-unit-1 view cone, and do not add uncommitted numbered overlays, transient marker cues, or scenario-specific elements to the clean plate."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [8, 6]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad coverage from unit 2 toward unit 1, centered on look-at cell [3,4] at base marker 5, supports the surfaced insert, close, over-shoulder, and medium across-table staging while retaining surrounding structural context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the portion of unit 1 reached from camera unit 2 through the wide view, centered on base marker 5 and retaining the fixed relationship of markers 6 and 7 on opposite sides. Preserve contextual continuity with unit 2 and the enclosing marker 3; include marker 4 only where it falls within this broad geometry-supported view.\n  - camera_framing_directive: Frame from camera unit 2 at cell [8,6] toward unit 1 at look-at cell [3,4] using the wide 90-degree view. Use broad coverage centered on marker 5, with enough lower-frame and lateral context to support insert, close, over-shoulder, and medium staging around markers 6 and 7.\n  - subject_position_directive: The surfaced staging places subjects on opposing sides of marker 5, using the positions associated with markers 6 and 7 for close, over-shoulder, and medium relations; one insert isolates a hand immediately above marker 5. Preserve clear composition space for those committed positions, but keep the clean background plate free of invented subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; retain only the committed numbered elements 1 through 7.\n  - negative_continuity_directive: Keep markers 1 through 7 consistent with the floor-plan inventory, and do not relocate markers 4, 5, 6, or 7. Do not assert visibility of spaces outside the selected unit-2-to-unit-1 view cone, and do not add uncommitted numbered overlays, transient marker cues, or scenario-specific elements to the clean plate.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [8, 6]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad coverage from unit 2 toward unit 1, centered on look-at cell [3,4] at base marker 5, supports the surfaced insert, close, over-shoulder, and medium across-table staging while retaining surrounding structural context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the portion of unit 1 reached from camera unit 2 through the wide view, centered on base marker 5 and retaining the fixed relationship of markers 6 and 7 on opposite sides. Preserve contextual continuity with unit 2 and the enclosing marker 3; include marker 4 only where it falls within this broad geometry-supported view.\n  - camera_framing_directive: Frame from camera unit 2 at cell [8,6] toward unit 1 at look-at cell [3,4] using the wide 90-degree view. Use broad coverage centered on marker 5, with enough lower-frame and lateral context to support insert, close, over-shoulder, and medium staging around markers 6 and 7.\n  - subject_position_directive: The surfaced staging places subjects on opposing sides of marker 5, using the positions associated with markers 6 and 7 for close, over-shoulder, and medium relations; one insert isolates a hand immediately above marker 5. Preserve clear composition space for those committed positions, but keep the clean background plate free of invented subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; retain only the committed numbered elements 1 through 7.\n  - negative_continuity_directive: Keep markers 1 through 7 consistent with the floor-plan inventory, and do not relocate markers 4, 5, 6, or 7. Do not assert visibility of spaces outside the selected unit-2-to-unit-1 view cone, and do not add uncommitted numbered overlays, transient marker cues, or scenario-specific elements to the clean plate.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [8, 6]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad coverage from unit 2 toward unit 1, centered on look-at cell [3,4] at base marker 5, supports the surfaced insert, close, over-shoulder, and medium across-table staging while retaining surrounding structural context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the portion of unit 1 reached from camera unit 2 through the wide view, centered on base marker 5 and retaining the fixed relationship of markers 6 and 7 on opposite sides. Preserve contextual continuity with unit 2 and the enclosing marker 3; include marker 4 only where it falls within this broad geometry-supported view.\n  - camera_framing_directive: Frame from camera unit 2 at cell [8,6] toward unit 1 at look-at cell [3,4] using the wide 90-degree view. Use broad coverage centered on marker 5, with enough lower-frame and lateral context to support insert, close, over-shoulder, and medium staging around markers 6 and 7.\n  - subject_position_directive: The surfaced staging places subjects on opposing sides of marker 5, using the positions associated with markers 6 and 7 for close, over-shoulder, and medium relations; one insert isolates a hand immediately above marker 5. Preserve clear composition space for those committed positions, but keep the clean background plate free of invented subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; retain only the committed numbered elements 1 through 7.\n  - negative_continuity_directive: Keep markers 1 through 7 consistent with the floor-plan inventory, and do not relocate markers 4, 5, 6, or 7. Do not assert visibility of spaces outside the selected unit-2-to-unit-1 view cone, and do not add uncommitted numbered overlays, transient marker cues, or scenario-specific elements to the clean plate.\n\n대한민국 지방 검찰청 건물 안의 좁고 긴 직사각형 조사실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 출입문 안쪽 문턱 부근에 카메라를 두고 방의 긴 방향을 따라 바라본다. 약 1.5미터의 사람 눈높이, 35밀리미터급 보통 광각 렌즈를 사용하며, 화면 가까운 한쪽 가장자리에 출입문 문틀의 얇은 일부가 보인다. 방 중앙에는 길이 방향으로 놓인 단정한 조사 탁자가 있고, 탁자의 가까운 쪽 좌석과 맞은편 좌석이 서로 직접 마주 본다. 탁자를 화면 중심에 두어 좁은 벽 사이의 간격과 답답하지만 기능적인 공공기관 조사실의 실제 비례가 분명히 드러나게 한다. 21세기 초·중반 대한민국 관공서에서 오래 사용되는 절제된 실내 마감으로, 옅은 중성색 도장 벽과 실용적인 바닥, 무광 적층재 탁자 표면, 성형 좌판과 금속 다리의 자연스러운 재료 질감과 일상적인 사용감을 사실적으로 표현한다. 낮 시간의 차분한 실내 밝기, 중립색에서 약간 차가운 색온도, 보통 수준의 명암, 실제 장소의 자연스러운 색과 깊이. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 인물, 얼굴, 신체 형상, 사람 모양 장식은 전혀 없다. 실제 DSLR 또는 미러리스 카메라로 촬영한 장소 기록 사진처럼 자연스러운 피사계 심도와 정확한 재질 표현을 사용하고, 광고용 스톡 사진 같은 과도한 정돈이나 인공적인 광택은 피한다. 무보정에 가까운 사실적인 사진이며 CGI, 일러스트, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            6
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Broad coverage from unit 2 toward unit 1, centered on look-at cell [3,4] at base marker 5, supports the surfaced insert, close, over-shoulder, and medium across-table staging while retaining surrounding structural context.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the portion of unit 1 reached from camera unit 2 through the wide view, centered on base marker 5 and retaining the fixed relationship of markers 6 and 7 on opposite sides. Preserve contextual continuity with unit 2 and the enclosing marker 3; include marker 4 only where it falls within this broad geometry-supported view.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [8,6] toward unit 1 at look-at cell [3,4] using the wide 90-degree view. Use broad coverage centered on marker 5, with enough lower-frame and lateral context to support insert, close, over-shoulder, and medium staging around markers 6 and 7.",
          "subject_position_directive": "The surfaced staging places subjects on opposing sides of marker 5, using the positions associated with markers 6 and 7 for close, over-shoulder, and medium relations; one insert isolates a hand immediately above marker 5. Preserve clear composition space for those committed positions, but keep the clean background plate free of invented subjects.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; retain only the committed numbered elements 1 through 7.",
          "negative_continuity_directive": "Keep markers 1 through 7 consistent with the floor-plan inventory, and do not relocate markers 4, 5, 6, or 7. Do not assert visibility of spaces outside the selected unit-2-to-unit-1 view cone, and do not add uncommitted numbered overlays, transient marker cues, or scenario-specific elements to the clean plate."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l54_interview_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l54_interview_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L57B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L57",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L57B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시권의 2015~2017년 무렵 공공기관 건물에서 볼 수 있는 소형 승객용 엘리베이터 내부와 출입문을 촬영한 실제 카메라 다큐멘터리 풍 사진. 엘리베이터 객실 후면 서쪽 모서리에서 서 있는 사람의 눈높이 약 1.6m로 촬영하고, 35mm 풀프레임급 DSLR 또는 미러리스 카메라와 28mm 중간 광각 렌즈를 사용해 남쪽 중앙의 미닫이 출입문, 좁은 문턱, 출입문 옆 동쪽 조작 벽면과 엘리베이터 조작 패널을 대각선으로 바라본다. 출입문 위 중앙의 층 표시기가 프레임에 들어오며, 서쪽 또는 뒤쪽 벽에 고정된 객실 손잡이도 자연스럽게 보인다. 출입구와 문턱은 가려지지 않고 객실 바닥에는 넉넉한 빈 공간이 남아 있어 내부 구조와 출입 동선이 분명히 읽힌다.\n\n2010년대 중후반 한국 공공건물의 실용적인 엘리베이터답게 실제 스테인리스 벽면의 잔잔한 헤어라인과 미세한 손때, 금속 이음새, 단단한 바닥재의 현실적인 마모, 고무와 금속이 맞닿는 문턱의 사용감, 조작 버튼과 층 표시기의 당시형 단순한 디지털 외관을 정확하게 표현한다. 천장 조명의 중성에서 약간 차가운 백색광과 낮 시간 승강장 쪽에서 들어오는 자연광이 섞이며, 과장되지 않은 보통 명암과 자연스러운 색조를 유지한다. 표면은 새것처럼 반짝이는 홍보 사진이 아니라 일상적으로 관리되고 사용된 실제 장소의 질감이어야 한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다.\n\n사람, 얼굴, 신체, 사람 형태의 조형물은 전혀 포함하지 않는다. 실제 재료의 콘크리트·금속·고무 질감, 정확한 반사와 그림자, 자연스러운 원근감과 피사계 심도를 갖춘 현장 참고용 사실적 사진으로 표현한다. 후처리로 꾸민 이미지가 아닌 담담한 실제 장소 기록 사진이며, 평면도, 위에서 내려다본 시점, 건축 도면, 삽화, 그래픽 이미지, 인공적인 3차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "엘리베이터 후면 서쪽 모서리의 서 있는 사람 눈높이에서 출입문을 대각선으로 바라본다. 열린 출입구와 문턱, 동쪽 조작 벽면, 출입문 위 층 표시기가 한 프레임에 명확히 들어오고, 전경에는 비어 있는 객실 바닥을 충분히 남긴다. 인물이나 사람 형태의 장식은 포함하지 않는다.",
            "shot_id": "S62_Shot2"
          },
          {
            "guide_text": "같은 엘리베이터 내부의 후면 서쪽 시점을 유지하되 출입문과 문턱을 화면의 주된 공간 축으로 삼는다. 조작 패널과 상부 층 표시기를 함께 보여 주면서 출입 동선과 객실 중앙의 빈 공간이 가려지지 않게 구성한다. 배경만 촬영하고 사람은 배치하지 않는다.",
            "shot_id": "S62_Shot6"
          },
          {
            "guide_text": "후면 서쪽 모서리에서 28mm 화각으로 객실 내부와 출입구의 깊이를 함께 확보한다. 손잡이, 조작 벽면, 문턱, 상부 층 표시기의 공간 관계가 자연스럽게 읽히도록 하며, 두 사람이 설 수 있는 정도의 객실 바닥 면적은 비어 있는 상태로 프레임 안에 남긴다. 사람, 얼굴, 인체 형상은 묘사하지 않는다.",
            "shot_id": "S62_Shot9"
          }
        ],
        "shot_ids": [
          "S62_Shot2",
          "S62_Shot6",
          "S62_Shot9"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "inside the rear-west corner of number 1 (elevator cabin), facing diagonally toward number 2 (sliding doorway), number 3 (threshold), and number 5 (control panel)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Keep the doorway and threshold clear for a person rushing into the cabin; include the control wall and overhead floor indicator while retaining enough cabin floor for two standing figures."
        },
        "reference_decision": {
          "bg_id": "L57B01",
          "fp_id": "fp_l57_elevator",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole clean anchor candidate and has no prior same-fp reference, so it establishes dwelling identity directly from the floor plan. Camera unit 3 at [8,4] faces into unit 1 toward the permitted look-at cell [1,4]; the wide 90-degree framing supplies broad fixed-structure coverage for consuming shots that vary from a wide presentation of opening marker 2 to tighter crops around that opening.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l57_elevator.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp background reference is available, and this node must seed the dwelling identity from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              4
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 3 toward unit 1 so opening marker 2 and the fixed elements represented by markers 5, 6, and 7 can support the medium, wide, and close consuming-shot crops.",
            "lens_enum": "wide",
            "look_at_cell": [
              1,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 3, show opening marker 2 and the visible portion of unit 1 centered toward look-at cell [1,4]. The wide cone may include the supported edge of unit 4 while maintaining the supplied positions of base markers 1 through 7; do not imply visibility of any unlisted unit or opening.",
            "camera_framing_directive": "Place the camera in unit 3 at cell [8,4], aim toward unit 1 at look-at cell [1,4], and use the wide 90-degree view for broad coverage. Keep opening marker 2 available as the central framing boundary while preserving sufficient surrounding structure for the consuming shots' medium, wide, and close crops.",
            "subject_position_directive": "The consuming staging places two subjects beyond or across opening marker 2, generally reserving middle-left and middle-right positions, with tighter shots using the opening edges as foreground divisions. Because this is a clean background plate, preserve those placement lanes and depth planes but keep the rendered background free of subjects.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because no transient marker numbers are listed. Refrain from inventing additional state cues; shot-specific open, closing, or half-closed treatment associated with opening marker 2 must remain a downstream scene-layer variation rather than a new fixed structural condition.",
            "negative_continuity_directive": "Do not introduce elements outside base markers 1 through 7, do not invent additional units beyond those supported by the view cone, and do not bake shot-specific moving states at opening marker 2 or any subjects into this clean anchor plate. Preserve the floor-plan positions of unit markers 1, 3, and 4, opening marker 2, and fixed markers 5, 6, and 7."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [8, 4]\n  - look_at_unit: 1\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 1 so opening marker 2 and the fixed elements represented by markers 5, 6, and 7 can support the medium, wide, and close consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show opening marker 2 and the visible portion of unit 1 centered toward look-at cell [1,4]. The wide cone may include the supported edge of unit 4 while maintaining the supplied positions of base markers 1 through 7; do not imply visibility of any unlisted unit or opening.\n  - camera_framing_directive: Place the camera in unit 3 at cell [8,4], aim toward unit 1 at look-at cell [1,4], and use the wide 90-degree view for broad coverage. Keep opening marker 2 available as the central framing boundary while preserving sufficient surrounding structure for the consuming shots' medium, wide, and close crops.\n  - subject_position_directive: The consuming staging places two subjects beyond or across opening marker 2, generally reserving middle-left and middle-right positions, with tighter shots using the opening edges as foreground divisions. Because this is a clean background plate, preserve those placement lanes and depth planes but keep the rendered background free of subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because no transient marker numbers are listed. Refrain from inventing additional state cues; shot-specific open, closing, or half-closed treatment associated with opening marker 2 must remain a downstream scene-layer variation rather than a new fixed structural condition.\n  - negative_continuity_directive: Do not introduce elements outside base markers 1 through 7, do not invent additional units beyond those supported by the view cone, and do not bake shot-specific moving states at opening marker 2 or any subjects into this clean anchor plate. Preserve the floor-plan positions of unit markers 1, 3, and 4, opening marker 2, and fixed markers 5, 6, and 7.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [8, 4]\n  - look_at_unit: 1\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 1 so opening marker 2 and the fixed elements represented by markers 5, 6, and 7 can support the medium, wide, and close consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show opening marker 2 and the visible portion of unit 1 centered toward look-at cell [1,4]. The wide cone may include the supported edge of unit 4 while maintaining the supplied positions of base markers 1 through 7; do not imply visibility of any unlisted unit or opening.\n  - camera_framing_directive: Place the camera in unit 3 at cell [8,4], aim toward unit 1 at look-at cell [1,4], and use the wide 90-degree view for broad coverage. Keep opening marker 2 available as the central framing boundary while preserving sufficient surrounding structure for the consuming shots' medium, wide, and close crops.\n  - subject_position_directive: The consuming staging places two subjects beyond or across opening marker 2, generally reserving middle-left and middle-right positions, with tighter shots using the opening edges as foreground divisions. Because this is a clean background plate, preserve those placement lanes and depth planes but keep the rendered background free of subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because no transient marker numbers are listed. Refrain from inventing additional state cues; shot-specific open, closing, or half-closed treatment associated with opening marker 2 must remain a downstream scene-layer variation rather than a new fixed structural condition.\n  - negative_continuity_directive: Do not introduce elements outside base markers 1 through 7, do not invent additional units beyond those supported by the view cone, and do not bake shot-specific moving states at opening marker 2 or any subjects into this clean anchor plate. Preserve the floor-plan positions of unit markers 1, 3, and 4, opening marker 2, and fixed markers 5, 6, and 7.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [8, 4]\n  - look_at_unit: 1\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 1 so opening marker 2 and the fixed elements represented by markers 5, 6, and 7 can support the medium, wide, and close consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show opening marker 2 and the visible portion of unit 1 centered toward look-at cell [1,4]. The wide cone may include the supported edge of unit 4 while maintaining the supplied positions of base markers 1 through 7; do not imply visibility of any unlisted unit or opening.\n  - camera_framing_directive: Place the camera in unit 3 at cell [8,4], aim toward unit 1 at look-at cell [1,4], and use the wide 90-degree view for broad coverage. Keep opening marker 2 available as the central framing boundary while preserving sufficient surrounding structure for the consuming shots' medium, wide, and close crops.\n  - subject_position_directive: The consuming staging places two subjects beyond or across opening marker 2, generally reserving middle-left and middle-right positions, with tighter shots using the opening edges as foreground divisions. Because this is a clean background plate, preserve those placement lanes and depth planes but keep the rendered background free of subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because no transient marker numbers are listed. Refrain from inventing additional state cues; shot-specific open, closing, or half-closed treatment associated with opening marker 2 must remain a downstream scene-layer variation rather than a new fixed structural condition.\n  - negative_continuity_directive: Do not introduce elements outside base markers 1 through 7, do not invent additional units beyond those supported by the view cone, and do not bake shot-specific moving states at opening marker 2 or any subjects into this clean anchor plate. Preserve the floor-plan positions of unit markers 1, 3, and 4, opening marker 2, and fixed markers 5, 6, and 7.\n\n대한민국 전라남도·광주광역시권의 2015~2017년 무렵 공공기관 건물에서 볼 수 있는 소형 승객용 엘리베이터 내부와 출입문을 촬영한 실제 카메라 다큐멘터리 풍 사진. 엘리베이터 객실 후면 서쪽 모서리에서 서 있는 사람의 눈높이 약 1.6m로 촬영하고, 35mm 풀프레임급 DSLR 또는 미러리스 카메라와 28mm 중간 광각 렌즈를 사용해 남쪽 중앙의 미닫이 출입문, 좁은 문턱, 출입문 옆 동쪽 조작 벽면과 엘리베이터 조작 패널을 대각선으로 바라본다. 출입문 위 중앙의 층 표시기가 프레임에 들어오며, 서쪽 또는 뒤쪽 벽에 고정된 객실 손잡이도 자연스럽게 보인다. 출입구와 문턱은 가려지지 않고 객실 바닥에는 넉넉한 빈 공간이 남아 있어 내부 구조와 출입 동선이 분명히 읽힌다.\n\n2010년대 중후반 한국 공공건물의 실용적인 엘리베이터답게 실제 스테인리스 벽면의 잔잔한 헤어라인과 미세한 손때, 금속 이음새, 단단한 바닥재의 현실적인 마모, 고무와 금속이 맞닿는 문턱의 사용감, 조작 버튼과 층 표시기의 당시형 단순한 디지털 외관을 정확하게 표현한다. 천장 조명의 중성에서 약간 차가운 백색광과 낮 시간 승강장 쪽에서 들어오는 자연광이 섞이며, 과장되지 않은 보통 명암과 자연스러운 색조를 유지한다. 표면은 새것처럼 반짝이는 홍보 사진이 아니라 일상적으로 관리되고 사용된 실제 장소의 질감이어야 한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다.\n\n사람, 얼굴, 신체, 사람 형태의 조형물은 전혀 포함하지 않는다. 실제 재료의 콘크리트·금속·고무 질감, 정확한 반사와 그림자, 자연스러운 원근감과 피사계 심도를 갖춘 현장 참고용 사실적 사진으로 표현한다. 후처리로 꾸민 이미지가 아닌 담담한 실제 장소 기록 사진이며, 평면도, 위에서 내려다본 시점, 건축 도면, 삽화, 그래픽 이미지, 인공적인 3차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            8,
            4
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 3 toward unit 1 so opening marker 2 and the fixed elements represented by markers 5, 6, and 7 can support the medium, wide, and close consuming-shot crops.",
          "lens_enum": "wide",
          "look_at_cell": [
            1,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 3, show opening marker 2 and the visible portion of unit 1 centered toward look-at cell [1,4]. The wide cone may include the supported edge of unit 4 while maintaining the supplied positions of base markers 1 through 7; do not imply visibility of any unlisted unit or opening.",
          "camera_framing_directive": "Place the camera in unit 3 at cell [8,4], aim toward unit 1 at look-at cell [1,4], and use the wide 90-degree view for broad coverage. Keep opening marker 2 available as the central framing boundary while preserving sufficient surrounding structure for the consuming shots' medium, wide, and close crops.",
          "subject_position_directive": "The consuming staging places two subjects beyond or across opening marker 2, generally reserving middle-left and middle-right positions, with tighter shots using the opening edges as foreground divisions. Because this is a clean background plate, preserve those placement lanes and depth planes but keep the rendered background free of subjects.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because no transient marker numbers are listed. Refrain from inventing additional state cues; shot-specific open, closing, or half-closed treatment associated with opening marker 2 must remain a downstream scene-layer variation rather than a new fixed structural condition.",
          "negative_continuity_directive": "Do not introduce elements outside base markers 1 through 7, do not invent additional units beyond those supported by the view cone, and do not bake shot-specific moving states at opening marker 2 or any subjects into this clean anchor plate. Preserve the floor-plan positions of unit markers 1, 3, and 4, opening marker 2, and fixed markers 5, 6, and 7."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l57_elevator",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l57_elevator",
            "building_anchor:L33B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L33B01",
          "group_id": "bg_prosecutors_office"
        }
      },
      "L58B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L58",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L58B01.png",
        "t2i_prompt": "2015~2017년 대한민국 광주·전남권 공공기관에서 실제로 사용될 법한 검찰 시민위원회 세미나실의 주간 내부. 뒤쪽 중앙의 양쪽 여닫이 출입문 가까이에서 북쪽 벽을 향해 대각선으로 바라본다. 카메라는 약 1.6m의 서 있는 사람 눈높이이며 35mm급 실제 DSLR 또는 미러리스 카메라에 장착한 28mm 중광각 렌즈로 촬영한다. 중앙과 뒤쪽 대부분에는 위원회용 테이블과 스무 개의 의자가 중앙 통로를 사이에 두고 네 줄로 단정하게 배치되어 모두 앞쪽 발표 무대를 향한다. 북쪽 벽 전체 폭을 따라 낮은 발표 무대가 놓이고, 벽 중앙에는 투사 스크린, 무대 왼쪽 앞부분에는 절제된 공공기관용 연단이 있다. 좌석 구역 뒤쪽 위 천장 중심선에는 2010년대 중후반형 디지털 프로젝터가 설치되어 있다.\n\n투사 스크린 안에만 일반적인 공식 청문 절차를 알리는 간결한 한국어 제목 화면이 투사되어 있다. 투사 영상은 반드시 스크린의 사각 경계 안에 국한되며, 주변 벽이나 실내 공간으로 번지거나 별도의 물체처럼 나타나지 않는다. 화면 밝기와 해상도는 실제 프로젝터 특유의 약간 낮은 명암과 부드러운 가장자리를 보이고, 특정 기관명이나 고유명사는 표시하지 않는다.\n\n천장 형광등 또는 당시 공공기관에서 흔한 평판 조명이 켜져 있고, 창을 통해 유입되는 낮빛이 있다면 실내 조명과 자연스럽게 섞인 밝은 주간 상태로 표현한다. 흰색 또는 옅은 회색 도장 벽, 흡음 천장재, 무광 비닐계 바닥이나 단정한 저채도 카펫, 금속 다리 테이블, 합성수지와 패브릭이 섞인 의자 등 한국 공공기관 세미나실의 검소하고 실용적인 재료를 사용한다. 실제 콘크리트와 금속의 미세한 사용감, 천의 직조, 목재 또는 합판의 결, 바닥의 약한 마모와 일상적인 얼룩을 사실적으로 담는다. 공간은 스무 명 규모의 공식 회의를 위해 준비된 상태지만 사람, 얼굴, 신체 일부, 인체 모형이나 사람처럼 보이는 형상은 전혀 없다.\n\n절제된 중성색과 약간 차가운 실내 색온도, 과장되지 않은 보통 수준의 대비, 현실적인 자연광과 조명 노출, 자연스러운 피사계 심도. 깨끗한 광고용 스톡 사진이 아니라 실제 장소를 기록한 담담한 현장 참고 사진이며, 실제 카메라로 촬영한 다큐멘터리 풍 사진, 후처리 효과 없음. CGI, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "뒤쪽 중앙의 양쪽 여닫이 출입문 부근에서 서 있는 사람의 눈높이로 촬영한다. 중앙 통로와 네 줄의 위원회용 테이블 및 스무 개 의자를 대각선으로 가로질러 북쪽 발표 무대, 왼쪽 연단, 중앙 투사 스크린이 한 화면에 들어오게 한다. 28mm 중광각의 자연스러운 원근감을 유지하고, 좌석을 전경과 중경에 두어 공간의 깊이와 발표 방향이 명확하게 보이게 한다. 배경 전용이므로 사람, 얼굴, 인체 형상은 전혀 보이지 않게 한다.",
            "shot_id": "S66_Shot3"
          }
        ],
        "shot_ids": [
          "S66_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 7 (rear double doors), facing diagonally across number 1 (seminar seating zone) toward number 2 (presentation stage), number 5 (lectern), and number 4 (projection screen)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Show the orderly twenty-seat committee arrangement at number 6, the presenter position at number 5, and the generic hearing title projection represented by transient number 10."
        },
        "reference_decision": {
          "bg_id": "L58B01",
          "fp_id": "fp_l58_seminar_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L58B01 is the sole supplied clean-anchor candidate and therefore establishes dwelling identity directly from the floor plan. The unit-1 camera at [3,5] looking toward unit 2 at [1,5] aligns with S66_Shot3's front-oriented close composition while retaining restrained context from target units 1 and 2 and the required numbered elements.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l58_seminar_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp reference is available; this first node is the required floor-plan-seeded identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              3,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 1 toward unit 2, retaining enough peripheral context for markers 4, 5, 6, 7, and 9 while supporting the committed close framing in S66_Shot3.",
            "lens_enum": "normal",
            "look_at_cell": [
              2,
              5
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the portion of units 1 and 2 visible from camera cell [3,5] toward look-at cell [1,5]. Maintain the committed floor-plan relationships among markers 1, 2, 4, 5, 6, 7, and 9, with marker 4 only partially visible as required by the close staging and marker 7 limited to what the normal view cone permits.",
            "camera_framing_directive": "Place the camera in unit 1 at cell [3,5] and look toward unit 2 at cell [1,5] with a normal 50-degree field of view. Use neutral coverage that supports the close, subtly low, off-axis three-quarter staging of S66_Shot3 while preserving only restrained background context at the frame edges.",
            "subject_position_directive": "S66_Shot3 commits a speaking subject in the middle-right of a close upper-body frame, seen from a subtly low off-axis three-quarter position and directing attention beyond the lens. Committed seated listeners remain only as soft peripheral context.",
            "state_cue_directive": "Carry transient marker 10 as the committed state cue and retain the numbered elements 1, 2, 4, 5, 6, 7, and 9. No state represented by markers 11 or 12 applies to this BG, and no additional state cues should be invented.",
            "negative_continuity_directive": "Exclude state-overlay markers 11 and 12. Do not introduce uncommitted scenario-specific elements or depict units outside the chosen unit-1-to-unit-2 view as visible. Preserve the floor-plan positions of structural markers 1 and 2, fixed markers 4 and 9, furniture markers 5 and 6, and opening marker 7."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 2\n  - look_at_cell: [2, 5]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, retaining enough peripheral context for markers 4, 5, 6, 7, and 9 while supporting the committed close framing in S66_Shot3.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the portion of units 1 and 2 visible from camera cell [3,5] toward look-at cell [1,5]. Maintain the committed floor-plan relationships among markers 1, 2, 4, 5, 6, 7, and 9, with marker 4 only partially visible as required by the close staging and marker 7 limited to what the normal view cone permits.\n  - camera_framing_directive: Place the camera in unit 1 at cell [3,5] and look toward unit 2 at cell [1,5] with a normal 50-degree field of view. Use neutral coverage that supports the close, subtly low, off-axis three-quarter staging of S66_Shot3 while preserving only restrained background context at the frame edges.\n  - subject_position_directive: S66_Shot3 commits a speaking subject in the middle-right of a close upper-body frame, seen from a subtly low off-axis three-quarter position and directing attention beyond the lens. Committed seated listeners remain only as soft peripheral context.\n  - state_cue_directive: Carry transient marker 10 as the committed state cue and retain the numbered elements 1, 2, 4, 5, 6, 7, and 9. No state represented by markers 11 or 12 applies to this BG, and no additional state cues should be invented.\n  - negative_continuity_directive: Exclude state-overlay markers 11 and 12. Do not introduce uncommitted scenario-specific elements or depict units outside the chosen unit-1-to-unit-2 view as visible. Preserve the floor-plan positions of structural markers 1 and 2, fixed markers 4 and 9, furniture markers 5 and 6, and opening marker 7.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 2\n  - look_at_cell: [2, 5]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, retaining enough peripheral context for markers 4, 5, 6, 7, and 9 while supporting the committed close framing in S66_Shot3.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the portion of units 1 and 2 visible from camera cell [3,5] toward look-at cell [1,5]. Maintain the committed floor-plan relationships among markers 1, 2, 4, 5, 6, 7, and 9, with marker 4 only partially visible as required by the close staging and marker 7 limited to what the normal view cone permits.\n  - camera_framing_directive: Place the camera in unit 1 at cell [3,5] and look toward unit 2 at cell [1,5] with a normal 50-degree field of view. Use neutral coverage that supports the close, subtly low, off-axis three-quarter staging of S66_Shot3 while preserving only restrained background context at the frame edges.\n  - subject_position_directive: S66_Shot3 commits a speaking subject in the middle-right of a close upper-body frame, seen from a subtly low off-axis three-quarter position and directing attention beyond the lens. Committed seated listeners remain only as soft peripheral context.\n  - state_cue_directive: Carry transient marker 10 as the committed state cue and retain the numbered elements 1, 2, 4, 5, 6, 7, and 9. No state represented by markers 11 or 12 applies to this BG, and no additional state cues should be invented.\n  - negative_continuity_directive: Exclude state-overlay markers 11 and 12. Do not introduce uncommitted scenario-specific elements or depict units outside the chosen unit-1-to-unit-2 view as visible. Preserve the floor-plan positions of structural markers 1 and 2, fixed markers 4 and 9, furniture markers 5 and 6, and opening marker 7.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 2\n  - look_at_cell: [2, 5]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, retaining enough peripheral context for markers 4, 5, 6, 7, and 9 while supporting the committed close framing in S66_Shot3.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the portion of units 1 and 2 visible from camera cell [3,5] toward look-at cell [1,5]. Maintain the committed floor-plan relationships among markers 1, 2, 4, 5, 6, 7, and 9, with marker 4 only partially visible as required by the close staging and marker 7 limited to what the normal view cone permits.\n  - camera_framing_directive: Place the camera in unit 1 at cell [3,5] and look toward unit 2 at cell [1,5] with a normal 50-degree field of view. Use neutral coverage that supports the close, subtly low, off-axis three-quarter staging of S66_Shot3 while preserving only restrained background context at the frame edges.\n  - subject_position_directive: S66_Shot3 commits a speaking subject in the middle-right of a close upper-body frame, seen from a subtly low off-axis three-quarter position and directing attention beyond the lens. Committed seated listeners remain only as soft peripheral context.\n  - state_cue_directive: Carry transient marker 10 as the committed state cue and retain the numbered elements 1, 2, 4, 5, 6, 7, and 9. No state represented by markers 11 or 12 applies to this BG, and no additional state cues should be invented.\n  - negative_continuity_directive: Exclude state-overlay markers 11 and 12. Do not introduce uncommitted scenario-specific elements or depict units outside the chosen unit-1-to-unit-2 view as visible. Preserve the floor-plan positions of structural markers 1 and 2, fixed markers 4 and 9, furniture markers 5 and 6, and opening marker 7.\n\n2015~2017년 대한민국 광주·전남권 공공기관에서 실제로 사용될 법한 검찰 시민위원회 세미나실의 주간 내부. 뒤쪽 중앙의 양쪽 여닫이 출입문 가까이에서 북쪽 벽을 향해 대각선으로 바라본다. 카메라는 약 1.6m의 서 있는 사람 눈높이이며 35mm급 실제 DSLR 또는 미러리스 카메라에 장착한 28mm 중광각 렌즈로 촬영한다. 중앙과 뒤쪽 대부분에는 위원회용 테이블과 스무 개의 의자가 중앙 통로를 사이에 두고 네 줄로 단정하게 배치되어 모두 앞쪽 발표 무대를 향한다. 북쪽 벽 전체 폭을 따라 낮은 발표 무대가 놓이고, 벽 중앙에는 투사 스크린, 무대 왼쪽 앞부분에는 절제된 공공기관용 연단이 있다. 좌석 구역 뒤쪽 위 천장 중심선에는 2010년대 중후반형 디지털 프로젝터가 설치되어 있다.\n\n투사 스크린 안에만 일반적인 공식 청문 절차를 알리는 간결한 한국어 제목 화면이 투사되어 있다. 투사 영상은 반드시 스크린의 사각 경계 안에 국한되며, 주변 벽이나 실내 공간으로 번지거나 별도의 물체처럼 나타나지 않는다. 화면 밝기와 해상도는 실제 프로젝터 특유의 약간 낮은 명암과 부드러운 가장자리를 보이고, 특정 기관명이나 고유명사는 표시하지 않는다.\n\n천장 형광등 또는 당시 공공기관에서 흔한 평판 조명이 켜져 있고, 창을 통해 유입되는 낮빛이 있다면 실내 조명과 자연스럽게 섞인 밝은 주간 상태로 표현한다. 흰색 또는 옅은 회색 도장 벽, 흡음 천장재, 무광 비닐계 바닥이나 단정한 저채도 카펫, 금속 다리 테이블, 합성수지와 패브릭이 섞인 의자 등 한국 공공기관 세미나실의 검소하고 실용적인 재료를 사용한다. 실제 콘크리트와 금속의 미세한 사용감, 천의 직조, 목재 또는 합판의 결, 바닥의 약한 마모와 일상적인 얼룩을 사실적으로 담는다. 공간은 스무 명 규모의 공식 회의를 위해 준비된 상태지만 사람, 얼굴, 신체 일부, 인체 모형이나 사람처럼 보이는 형상은 전혀 없다.\n\n절제된 중성색과 약간 차가운 실내 색온도, 과장되지 않은 보통 수준의 대비, 현실적인 자연광과 조명 노출, 자연스러운 피사계 심도. 깨끗한 광고용 스톡 사진이 아니라 실제 장소를 기록한 담담한 현장 참고 사진이며, 실제 카메라로 촬영한 다큐멘터리 풍 사진, 후처리 효과 없음. CGI, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            3,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 1 toward unit 2, retaining enough peripheral context for markers 4, 5, 6, 7, and 9 while supporting the committed close framing in S66_Shot3.",
          "lens_enum": "normal",
          "look_at_cell": [
            2,
            5
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the portion of units 1 and 2 visible from camera cell [3,5] toward look-at cell [1,5]. Maintain the committed floor-plan relationships among markers 1, 2, 4, 5, 6, 7, and 9, with marker 4 only partially visible as required by the close staging and marker 7 limited to what the normal view cone permits.",
          "camera_framing_directive": "Place the camera in unit 1 at cell [3,5] and look toward unit 2 at cell [1,5] with a normal 50-degree field of view. Use neutral coverage that supports the close, subtly low, off-axis three-quarter staging of S66_Shot3 while preserving only restrained background context at the frame edges.",
          "subject_position_directive": "S66_Shot3 commits a speaking subject in the middle-right of a close upper-body frame, seen from a subtly low off-axis three-quarter position and directing attention beyond the lens. Committed seated listeners remain only as soft peripheral context.",
          "state_cue_directive": "Carry transient marker 10 as the committed state cue and retain the numbered elements 1, 2, 4, 5, 6, 7, and 9. No state represented by markers 11 or 12 applies to this BG, and no additional state cues should be invented.",
          "negative_continuity_directive": "Exclude state-overlay markers 11 and 12. Do not introduce uncommitted scenario-specific elements or depict units outside the chosen unit-1-to-unit-2 view as visible. Preserve the floor-plan positions of structural markers 1 and 2, fixed markers 4 and 9, furniture markers 5 and 6, and opening marker 7."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l58_seminar_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l58_seminar_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L58B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L58B01",
        "reused_from_bg_id": "L58B01",
        "location_id": "L58",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L58B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2010년대 중후반 공공기관 건물 안에 있는 검소하고 실용적인 위원회 세미나실. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 DSLR 또는 미러리스 카메라와 35mm급 와이드 노멀 렌즈를 사용한 현장 기록 사진처럼 보여야 한다. 카메라는 무대 옆 동쪽 벽 출입문 가까이, 약 1.5미터 높이의 서 있는 사람 눈높이에 놓고, 북쪽 벽을 따라 이어지는 발표 무대와 중앙 및 후면 좌석 구역을 대각선으로 바라본다. 북쪽 벽 중앙 위 무대의 투사 스크린을 구도의 핵심으로 두고, 무대 왼쪽에는 절제된 공공기관용 연단이 있다. 중앙 통로 양쪽으로 위원회 테이블과 빈 의자 스무 개가 네 줄로 질서 있게 놓여 모두 무대를 향하며, 좌석 구역 뒤쪽 상부의 천장 프로젝터가 스크린을 비춘다. 낮 시간이지만 발표를 위해 실내 전체가 어둡게 조절되어 있고, 희미한 현실적 주변광과 프로젝터의 차가운 빛만 남아 테이블 모서리와 의자 표면, 무대 바닥을 약하게 드러낸다. 스크린 경계 안에는 흑백 초상 사진 자료가 평면적인 투사 영상으로 표시되지만, 사진 속 얼굴이나 신체 형상은 전혀 식별되거나 묘사되지 않게 하며 투사면 밖에는 어떤 형상도 나타나지 않는다. 화면의 흑백 명암과 낮은 투사 해상도는 주변 현실 공간의 색과 질감에서 분명히 구분된다. 공간에는 사람이 없고 얼굴이나 사람 형태의 장식물도 없다. 실제 합판과 무늬목의 나뭇결, 무광 금속 프레임, 직물 의자의 짜임, 사용 흔적이 남은 바닥과 테이블 가장자리, 미세한 얼룩과 일상적인 마모를 사실적으로 표현한다. 과도하게 새것 같은 전시장이나 깨끗한 광고 사진이 아니라 실제 운영 중인 공공기관 회의실의 절제된 상태다. 중성에서 약간 차가운 색감, 현실적인 중간 대비, 자연스러운 피사계 심도와 정확한 원근감, 과장 없는 노출, 인위적인 후처리 없이 촬영한 실제 장소 참고 사진. 평면도 시점이나 위에서 내려다본 구도, 건축 도면, 삽화, CGI가 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "동쪽 벽의 무대 옆 출입문 가까이에서 약 1.5미터 높이로 촬영한다. 무대의 길이 방향과 좌석 구역을 대각선으로 함께 바라보며, 북쪽 벽 중앙의 투사 스크린을 가장 분명한 시각적 중심으로 둔다. 중앙 통로와 네 줄의 테이블이 공간의 깊이를 자연스럽게 만들도록 하고, 비어 있는 세미나실과 어두워진 낮 발표 조명을 유지한다.",
            "shot_id": "S68_Shot1"
          },
          {
            "guide_text": "같은 출입문 쪽 관찰축과 약 1.5미터 카메라 높이를 유지하되 스크린과 무대 쪽을 조금 더 밀도 있게 잡는다. 흑백 초상 사진 자료는 오직 투사 스크린의 사각 경계 안에만 보이게 하며, 사진 속 얼굴이나 신체 형상은 식별되거나 묘사되지 않게 한다. 전경의 테이블과 빈 의자를 일부 포함해 실제 위원회 세미나실의 규모와 어두운 발표 상태를 보여 준다.",
            "shot_id": "S68_Shot2"
          }
        ],
        "shot_ids": [
          "S68_Shot1",
          "S68_Shot2"
        ],
        "scenes": [],
        "parent_id": "L58B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 8 (front side door), facing diagonally along number 2 (presentation stage) and across number 1 (seminar seating zone), with number 4 (projection screen) prominent",
          "camera_height": "eye-level seated-to-standing transition, approximately 1.5 m",
          "lens_hint": "35mm wide-normal lens",
          "framing_notes": "Keep the black-and-white projected photograph represented by transient number 11 clearly confined to the screen, while showing committee faces in the darkened-room state represented by number 12."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L58B01",
          "selected_refs": [
            {
              "physical_space_id": "fp_l58_seminar_room_space_1",
              "ref_bg_id": "L58B01",
              "space_description": "The same physical space and unit-1-to-unit-2 view containing fixed markers 4, 5, 6, and 9."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Place the camera in unit 1 at cell [3,5] and look toward unit 2 at cell [1,5] with a normal 50-degree field of view. Preserve neutral coverage suitable for a shot-specific close crop centered on marker 4 in S68_Shot1 and a medium, slightly low off-axis upper-body crop in S68_Shot2.",
          "negative_continuity_directive": "Exclude state-overlay marker 10. Preserve the reference L58B01 positions of units 1 and 2 and fixed markers 4, 5, 6, and 9; do not shift their layout when applying markers 11 and 12. Do not invent additional subjects, numbered elements, or spaces outside the unit-1-to-unit-2 view cone.",
          "state_cue_directive": "Apply transient markers 11 and 12 as the committed state cues and retain numbered elements 1, 2, 4, 5, 6, 8, and 9. The state associated with marker 10 does not apply, and no additional state cues should be introduced.",
          "subject_position_directive": "For S68_Shot1, the committed projected subject is centered within marker 4, with a narrow oblique boundary of that fixed surface remaining visible. For S68_Shot2, the committed speaking subject occupies center-left in a medium upper-body composition while seated-listener fragments remain low and soft at the frame edge.",
          "visible_space_directive": "Reuse the L58B01 spatial relationships for units 1 and 2 from camera cell [3,5] toward look-at cell [1,5]. Keep fixed markers 4, 5, 6, and 9 in the same positions, represent opening marker 8 only within the normal view cone, and vary only the committed transient display and lighting state."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l58_seminar_room",
          "prior_bg_ids": [
            "L58B01"
          ],
          "attached_ref_labels": [
            "bg:L58B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L59B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L59",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L59B01.png",
        "t2i_prompt": "대한민국 남서부 지역의 공공기관이나 교육기관에서 볼 법한 조용한 낮 시간의 세미나실 앞 복도. 길게 이어지는 공용 복도 벽면에 세미나실의 닫힌 출입문이 있고, 문 상부 중앙에는 서 있는 사람의 눈높이에서 확인할 수 있는 작은 유리 관찰창이 설치되어 있다. 문 너머에는 세미나실이 이어지지만 출입문은 완전히 닫혀 있으며, 복도 쪽 문 바깥면과 관찰창이 구도의 중심이다. 21세기 초·중반 한국 제도권 건물에 흔한 담백한 실내 마감으로, 밝은 중성색 도장 벽, 내구성 있는 바닥재, 단정한 천장과 실용적인 천장 조명을 보여 준다. 실제 도장면과 금속 문틀, 유리의 반사와 투과, 바닥 재질의 미세한 사용감이 현실적으로 드러나며 지나치게 새것 같은 전시장이나 광고 사진처럼 보이지 않는다. 창이나 간접적인 외부 채광에서 들어오는 부드러운 주간광과 실내 조명이 자연스럽게 섞이고, 중성에서 약간 차가운 색조와 보통 수준의 대비, 현실적인 명암 범위를 유지한다. 공간은 깨끗하고 흐트러짐 없는 평상시 상태다. 복도 내부 약 1.6미터의 서 있는 사람 눈높이에서 닫힌 문과 작은 관찰창을 향해 비스듬히 바라보며, 35밀리미터급 보통 광각 렌즈로 복도의 깊이와 문 바깥면을 함께 담는다. 자연스러운 원근감과 심도, 실제 재료의 질감, 과장 없는 노출을 갖춘 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 현장 사진. 사람, 얼굴, 인체 형태의 장식이나 형상은 전혀 없다. 삽화, 컴퓨터 생성 영상, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니며 인위적인 후처리 없이 담담하게 촬영한 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 안의 약 1.6미터 높이에서 닫힌 세미나실 출입문을 향해 비스듬히 촬영한다. 문 바깥면을 화면의 주요 요소로 두고 상부 중앙의 작은 관찰창이 분명히 보이게 하며, 길게 이어지는 조용한 복도의 깊이도 함께 담는다. 사람이나 인물 형태는 포함하지 않는다.",
            "shot_id": "S67_Shot1"
          }
        ],
        "shot_ids": [
          "S67_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "within number 1 (corridor), facing diagonally toward number 3 (closed seminar-room door) and number 4 (small observation window), with number 2 (seminar room) lying beyond the doorway",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show the quiet institutional corridor and the exterior face of the closed door prominently; keep the small observation window clearly visible at standing eye height."
        },
        "reference_decision": {
          "bg_id": "L59B01",
          "fp_id": "fp_l59_seminar_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L59B01 is the sole clean anchor candidate and must establish the floor-plan identity without a prior reference. For S67_Shot1, camera unit 1 at [4,2] looks toward unit 2 and base marker 4 at [4,6]; a normal 50-degree view supports the committed medium, over-shoulder framing while retaining base marker 3 around marker 4.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l59_seminar_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              2
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 1 toward unit 2, centering the sightline on base marker 4 while retaining marker 3 as its surrounding planar opening structure.",
            "lens_enum": "normal",
            "look_at_cell": [
              4,
              6
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 1, show the corridor-side portion of unit 1 looking toward unit 2, with base markers 3 and 4 visible on the intervening view. Marker 4 is the primary sightline target and marker 3 supplies its surrounding closed planar structure.",
            "camera_framing_directive": "Place the camera in unit 1 at cell [4,2] and aim toward unit 2 at look-at cell [4,6]. Use the normal lens at 50 degrees for neutral medium coverage, with marker 4 near the upper center and marker 3 forming the surrounding midground plane, consistent with the committed over-shoulder staging.",
            "subject_position_directive": "Place the committed foreground subject at the middle-left, close to the camera with the near shoulder entering the lower-left edge and the upper body framed diagonally. The subject's neck and gaze are directed toward marker 4 near the upper center, with marker 3 in the midground.",
            "state_cue_directive": "Keep a clean residential space with no additional committed state cue or transient marker. Preserve the consuming shot's committed state of marker 3 as closed and marker 4 set within it; refrain from inventing further state cues or practical light sources.",
            "negative_continuity_directive": "Do not invent additional numbered elements, transient overlays, or scenario-specific objects. Keep units outside the camera-unit-1 view cone out of frame, and do not change the committed relationship among units 1 and 2 and base markers 3 and 4."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 2]\n  - look_at_unit: 2\n  - look_at_cell: [4, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, centering the sightline on base marker 4 while retaining marker 3 as its surrounding planar opening structure.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show the corridor-side portion of unit 1 looking toward unit 2, with base markers 3 and 4 visible on the intervening view. Marker 4 is the primary sightline target and marker 3 supplies its surrounding closed planar structure.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,2] and aim toward unit 2 at look-at cell [4,6]. Use the normal lens at 50 degrees for neutral medium coverage, with marker 4 near the upper center and marker 3 forming the surrounding midground plane, consistent with the committed over-shoulder staging.\n  - subject_position_directive: Place the committed foreground subject at the middle-left, close to the camera with the near shoulder entering the lower-left edge and the upper body framed diagonally. The subject's neck and gaze are directed toward marker 4 near the upper center, with marker 3 in the midground.\n  - state_cue_directive: Keep a clean residential space with no additional committed state cue or transient marker. Preserve the consuming shot's committed state of marker 3 as closed and marker 4 set within it; refrain from inventing further state cues or practical light sources.\n  - negative_continuity_directive: Do not invent additional numbered elements, transient overlays, or scenario-specific objects. Keep units outside the camera-unit-1 view cone out of frame, and do not change the committed relationship among units 1 and 2 and base markers 3 and 4.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 2]\n  - look_at_unit: 2\n  - look_at_cell: [4, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, centering the sightline on base marker 4 while retaining marker 3 as its surrounding planar opening structure.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show the corridor-side portion of unit 1 looking toward unit 2, with base markers 3 and 4 visible on the intervening view. Marker 4 is the primary sightline target and marker 3 supplies its surrounding closed planar structure.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,2] and aim toward unit 2 at look-at cell [4,6]. Use the normal lens at 50 degrees for neutral medium coverage, with marker 4 near the upper center and marker 3 forming the surrounding midground plane, consistent with the committed over-shoulder staging.\n  - subject_position_directive: Place the committed foreground subject at the middle-left, close to the camera with the near shoulder entering the lower-left edge and the upper body framed diagonally. The subject's neck and gaze are directed toward marker 4 near the upper center, with marker 3 in the midground.\n  - state_cue_directive: Keep a clean residential space with no additional committed state cue or transient marker. Preserve the consuming shot's committed state of marker 3 as closed and marker 4 set within it; refrain from inventing further state cues or practical light sources.\n  - negative_continuity_directive: Do not invent additional numbered elements, transient overlays, or scenario-specific objects. Keep units outside the camera-unit-1 view cone out of frame, and do not change the committed relationship among units 1 and 2 and base markers 3 and 4.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 2]\n  - look_at_unit: 2\n  - look_at_cell: [4, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, centering the sightline on base marker 4 while retaining marker 3 as its surrounding planar opening structure.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show the corridor-side portion of unit 1 looking toward unit 2, with base markers 3 and 4 visible on the intervening view. Marker 4 is the primary sightline target and marker 3 supplies its surrounding closed planar structure.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,2] and aim toward unit 2 at look-at cell [4,6]. Use the normal lens at 50 degrees for neutral medium coverage, with marker 4 near the upper center and marker 3 forming the surrounding midground plane, consistent with the committed over-shoulder staging.\n  - subject_position_directive: Place the committed foreground subject at the middle-left, close to the camera with the near shoulder entering the lower-left edge and the upper body framed diagonally. The subject's neck and gaze are directed toward marker 4 near the upper center, with marker 3 in the midground.\n  - state_cue_directive: Keep a clean residential space with no additional committed state cue or transient marker. Preserve the consuming shot's committed state of marker 3 as closed and marker 4 set within it; refrain from inventing further state cues or practical light sources.\n  - negative_continuity_directive: Do not invent additional numbered elements, transient overlays, or scenario-specific objects. Keep units outside the camera-unit-1 view cone out of frame, and do not change the committed relationship among units 1 and 2 and base markers 3 and 4.\n\n대한민국 남서부 지역의 공공기관이나 교육기관에서 볼 법한 조용한 낮 시간의 세미나실 앞 복도. 길게 이어지는 공용 복도 벽면에 세미나실의 닫힌 출입문이 있고, 문 상부 중앙에는 서 있는 사람의 눈높이에서 확인할 수 있는 작은 유리 관찰창이 설치되어 있다. 문 너머에는 세미나실이 이어지지만 출입문은 완전히 닫혀 있으며, 복도 쪽 문 바깥면과 관찰창이 구도의 중심이다. 21세기 초·중반 한국 제도권 건물에 흔한 담백한 실내 마감으로, 밝은 중성색 도장 벽, 내구성 있는 바닥재, 단정한 천장과 실용적인 천장 조명을 보여 준다. 실제 도장면과 금속 문틀, 유리의 반사와 투과, 바닥 재질의 미세한 사용감이 현실적으로 드러나며 지나치게 새것 같은 전시장이나 광고 사진처럼 보이지 않는다. 창이나 간접적인 외부 채광에서 들어오는 부드러운 주간광과 실내 조명이 자연스럽게 섞이고, 중성에서 약간 차가운 색조와 보통 수준의 대비, 현실적인 명암 범위를 유지한다. 공간은 깨끗하고 흐트러짐 없는 평상시 상태다. 복도 내부 약 1.6미터의 서 있는 사람 눈높이에서 닫힌 문과 작은 관찰창을 향해 비스듬히 바라보며, 35밀리미터급 보통 광각 렌즈로 복도의 깊이와 문 바깥면을 함께 담는다. 자연스러운 원근감과 심도, 실제 재료의 질감, 과장 없는 노출을 갖춘 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 현장 사진. 사람, 얼굴, 인체 형태의 장식이나 형상은 전혀 없다. 삽화, 컴퓨터 생성 영상, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니며 인위적인 후처리 없이 담담하게 촬영한 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            4,
            2
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 1 toward unit 2, centering the sightline on base marker 4 while retaining marker 3 as its surrounding planar opening structure.",
          "lens_enum": "normal",
          "look_at_cell": [
            4,
            6
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 1, show the corridor-side portion of unit 1 looking toward unit 2, with base markers 3 and 4 visible on the intervening view. Marker 4 is the primary sightline target and marker 3 supplies its surrounding closed planar structure.",
          "camera_framing_directive": "Place the camera in unit 1 at cell [4,2] and aim toward unit 2 at look-at cell [4,6]. Use the normal lens at 50 degrees for neutral medium coverage, with marker 4 near the upper center and marker 3 forming the surrounding midground plane, consistent with the committed over-shoulder staging.",
          "subject_position_directive": "Place the committed foreground subject at the middle-left, close to the camera with the near shoulder entering the lower-left edge and the upper body framed diagonally. The subject's neck and gaze are directed toward marker 4 near the upper center, with marker 3 in the midground.",
          "state_cue_directive": "Keep a clean residential space with no additional committed state cue or transient marker. Preserve the consuming shot's committed state of marker 3 as closed and marker 4 set within it; refrain from inventing further state cues or practical light sources.",
          "negative_continuity_directive": "Do not invent additional numbered elements, transient overlays, or scenario-specific objects. Keep units outside the camera-unit-1 view cone out of frame, and do not change the committed relationship among units 1 and 2 and base markers 3 and 4."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l59_seminar_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l59_seminar_corridor",
            "building_anchor:L33B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L33B01",
          "group_id": "bg_prosecutors_office"
        }
      },
      "L60B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L60",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L60B01.png",
        "t2i_prompt": "2015~2017년 대한민국 광주·전남권의 공공기관 언론 브리핑실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 후면 입석 구역에서 왼쪽 카메라 구역 쪽으로 조금 치우친 위치, 약 1.6미터의 서 있는 사람 눈높이에서 28~35밀리미터 상당의 적당한 광각 렌즈로 촬영한다. 정렬된 기자용 책상과 의자 줄을 대각선으로 가로질러 북쪽 중앙의 연단과 그 뒤 고정형 언론 브리핑 배경벽을 바라보는 후면 사분면 구도이며, 연단과 배경벽을 주요 초점으로 유지하면서 중앙 통로, 양쪽 카메라 구역, 남쪽 후면 공간 일부와 양쪽 출입구가 자연스럽게 프레임에 들어온다.\n\n2010년대 중후반 한국 공공기관의 실용적인 실내로, 중성색 벽면, 소박한 흡음 마감, 규격형 천장 조명, 실제 금속과 합판 가구의 질감, 책상 모서리의 미세한 닳음, 의자 천의 직조감, 바닥의 일상적인 사용 흔적을 사실적으로 표현한다. 낮 시간의 창백한 자연광과 천장 조명이 섞인 중성에서 약간 차가운 색온도, 절제된 대비와 자연스러운 명암 범위로 표현한다. 지나치게 정돈된 광고 사진이 아니라 실제 취재 현장을 기록한 담담한 장소 참고 사진처럼 보이게 한다.\n\n기자석 전반에는 2015~2017년형 노트북이 펼쳐져 있고, 전원선과 취재 장비가 책상 위에 실사용 상태로 놓여 있어 좌석들이 점유된 분주한 브리핑 순간을 암시한다. 좌우 카메라 구역에는 삼각대에 장착된 언론용 디지털 카메라 장비가 임시로 빽빽하게 자리한다. 양쪽 카메라 구역과 기자석 방향에서 연단을 향한 짧고 강한 플래시 발광이 동시에 터지는 순간을 포착하되, 빛은 실제 플래시의 순간 노출처럼 국소적인 반사와 밝기 변화만 만든다. 후면 입석 구역의 관찰자는 카메라 바로 뒤 프레임 밖에 있는 설정으로 처리한다. 사람, 얼굴, 신체, 인체형 실루엣, 거울이나 유리 속 인물 반사는 전혀 표현하지 않는다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 장소 기록 사진, 정확한 콘크리트·금속·직물·목재 질감, 현실적인 마모와 얼룩, 자연스러운 원근과 심도, 과장 없는 초점 이행, 후처리 없는 사실적 색감. 삽화나 건축 시각화가 아니며, 컴퓨터 생성 이미지처럼 매끈하거나 인위적으로 완벽하지 않다. 내려다보는 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "후면 입석 구역에서 왼쪽 카메라 구역 쪽으로 약간 치우친 눈높이 시점이다. 정렬된 기자석을 대각선으로 가로질러 북쪽의 연단과 고정형 브리핑 배경벽을 바라본다. 연단과 배경벽을 분명하게 유지하면서 양쪽 카메라 장비, 펼쳐진 노트북이 놓인 좌석 줄, 중앙 통로, 후면 공간 일부가 함께 보이게 한다. 플래시가 연단 방향으로 터지는 순간을 포착하되 사람이나 인체 형상은 화면에 나타내지 않는다.",
            "shot_id": "S69_Shot1"
          },
          {
            "guide_text": "같은 후면 좌측의 1.6미터 눈높이와 28~35밀리미터 상당의 적당한 광각 구도를 유지한다. 전경에는 후면 입석 구역 일부와 왼쪽 카메라 장비를 두고, 중경에는 노트북이 펼쳐진 기자석 줄과 중앙 통로, 원경에는 연단과 브리핑 배경벽이 이어지게 한다. 좌우 측면과 기자석 방향의 순간적인 플래시 발광으로 분주한 낮 브리핑 상태를 드러내되, 후면 관찰자를 포함한 모든 사람은 프레임 밖에 두고 얼굴·신체·실루엣·반사를 표현하지 않는다.",
            "shot_id": "S69_Shot4"
          }
        ],
        "shot_ids": [
          "S69_Shot1",
          "S69_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 8 (rear standing area), offset toward number 6 (left camera bay), facing diagonally across number 5 (reporter desks) toward number 3 (podium) and number 11 (press backdrop)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28–35mm moderate wide angle",
          "framing_notes": "Use a moderately wide rear three-quarter view that keeps the podium and backdrop prominent, shows the seated press rows and both camera bays, and leaves part of the rear standing area visible for the observer. Depict the busy daytime state with numbers 13 through 16 as transient overlay content."
        },
        "reference_decision": {
          "bg_id": "L60B01",
          "fp_id": "fp_l60_briefing_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L60B01 is the sole supplied clean-anchor candidate and has no earlier same-fp reference, so it establishes dwelling identity directly from the floor plan. Camera unit 6 at [4,1], aimed toward unit 2 at the listed look-at cell [1,4] with a wide 90-degree cone, supports S69_Shot1's front-left three-quarter staging while preserving broad fixed-space depth for the foreground and middle-right staging in S69_Shot4.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l60_briefing_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_without_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference candidates are available; this first node must seed the dwelling identity directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              1
            ],
            "camera_unit": 6,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 6 toward unit 2 and base marker 3, retaining enough depth across units 4 and 12 to support the differing subject placements committed for S69_Shot1 and S69_Shot4.",
            "lens_enum": "wide",
            "look_at_cell": [
              1,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the fixed space from unit 6 toward unit 2 and base marker 3, with broad visibility across the adjacent portions of units 4 and 12 and the fixed elements represented by markers 3, 5, and 11. Other units and openings listed by geometry are visibility supersets and should appear only where the selected 90-degree cone actually includes them.",
            "camera_framing_directive": "Frame from camera unit 6 at cell [4,1] toward look-at unit 2 at cell [1,4] using the wide lens at 90 degrees. Provide broad coverage around base marker 3, with receding depth through units 4 and 12 and sufficient lateral coverage for the committed left-center and middle-right subject zones.",
            "subject_position_directive": "For S69_Shot1, reserve the left-center around base marker 3 for the committed primary subject in a braced reading pose, with seated subjects receding on the right. For S69_Shot4, preserve a lower-left foreground layer at the final seated row and a full-figure subject zone in the middle-right midground with folded arms and an off-screen-left gaze. Add no subjects beyond those committed by the surfaced staging and transient markers.",
            "state_cue_directive": "Carry the committed transient state represented by markers 13, 14, 15, and 16, together with the in-use conditions specified by S69_Shot1 and S69_Shot4. Marker 15 is intermittent rather than a permanent lighting or structural change; do not add state cues beyond the listed markers and surfaced staging.",
            "negative_continuity_directive": "Preserve the floor-plan positions of base markers 1 through 12, especially fixed markers 3, 5, and 11. Do not invent additional numbered elements, uncommitted state cues, or spaces outside the camera-unit 6 view cone; openings 9 and 10 are geometry supersets and should not be forced into view when the chosen framing does not expose them."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [4, 1]\n  - look_at_unit: 2\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 6 toward unit 2 and base marker 3, retaining enough depth across units 4 and 12 to support the differing subject placements committed for S69_Shot1 and S69_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed space from unit 6 toward unit 2 and base marker 3, with broad visibility across the adjacent portions of units 4 and 12 and the fixed elements represented by markers 3, 5, and 11. Other units and openings listed by geometry are visibility supersets and should appear only where the selected 90-degree cone actually includes them.\n  - camera_framing_directive: Frame from camera unit 6 at cell [4,1] toward look-at unit 2 at cell [1,4] using the wide lens at 90 degrees. Provide broad coverage around base marker 3, with receding depth through units 4 and 12 and sufficient lateral coverage for the committed left-center and middle-right subject zones.\n  - subject_position_directive: For S69_Shot1, reserve the left-center around base marker 3 for the committed primary subject in a braced reading pose, with seated subjects receding on the right. For S69_Shot4, preserve a lower-left foreground layer at the final seated row and a full-figure subject zone in the middle-right midground with folded arms and an off-screen-left gaze. Add no subjects beyond those committed by the surfaced staging and transient markers.\n  - state_cue_directive: Carry the committed transient state represented by markers 13, 14, 15, and 16, together with the in-use conditions specified by S69_Shot1 and S69_Shot4. Marker 15 is intermittent rather than a permanent lighting or structural change; do not add state cues beyond the listed markers and surfaced staging.\n  - negative_continuity_directive: Preserve the floor-plan positions of base markers 1 through 12, especially fixed markers 3, 5, and 11. Do not invent additional numbered elements, uncommitted state cues, or spaces outside the camera-unit 6 view cone; openings 9 and 10 are geometry supersets and should not be forced into view when the chosen framing does not expose them.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [4, 1]\n  - look_at_unit: 2\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 6 toward unit 2 and base marker 3, retaining enough depth across units 4 and 12 to support the differing subject placements committed for S69_Shot1 and S69_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed space from unit 6 toward unit 2 and base marker 3, with broad visibility across the adjacent portions of units 4 and 12 and the fixed elements represented by markers 3, 5, and 11. Other units and openings listed by geometry are visibility supersets and should appear only where the selected 90-degree cone actually includes them.\n  - camera_framing_directive: Frame from camera unit 6 at cell [4,1] toward look-at unit 2 at cell [1,4] using the wide lens at 90 degrees. Provide broad coverage around base marker 3, with receding depth through units 4 and 12 and sufficient lateral coverage for the committed left-center and middle-right subject zones.\n  - subject_position_directive: For S69_Shot1, reserve the left-center around base marker 3 for the committed primary subject in a braced reading pose, with seated subjects receding on the right. For S69_Shot4, preserve a lower-left foreground layer at the final seated row and a full-figure subject zone in the middle-right midground with folded arms and an off-screen-left gaze. Add no subjects beyond those committed by the surfaced staging and transient markers.\n  - state_cue_directive: Carry the committed transient state represented by markers 13, 14, 15, and 16, together with the in-use conditions specified by S69_Shot1 and S69_Shot4. Marker 15 is intermittent rather than a permanent lighting or structural change; do not add state cues beyond the listed markers and surfaced staging.\n  - negative_continuity_directive: Preserve the floor-plan positions of base markers 1 through 12, especially fixed markers 3, 5, and 11. Do not invent additional numbered elements, uncommitted state cues, or spaces outside the camera-unit 6 view cone; openings 9 and 10 are geometry supersets and should not be forced into view when the chosen framing does not expose them.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [4, 1]\n  - look_at_unit: 2\n  - look_at_cell: [1, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 6 toward unit 2 and base marker 3, retaining enough depth across units 4 and 12 to support the differing subject placements committed for S69_Shot1 and S69_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed space from unit 6 toward unit 2 and base marker 3, with broad visibility across the adjacent portions of units 4 and 12 and the fixed elements represented by markers 3, 5, and 11. Other units and openings listed by geometry are visibility supersets and should appear only where the selected 90-degree cone actually includes them.\n  - camera_framing_directive: Frame from camera unit 6 at cell [4,1] toward look-at unit 2 at cell [1,4] using the wide lens at 90 degrees. Provide broad coverage around base marker 3, with receding depth through units 4 and 12 and sufficient lateral coverage for the committed left-center and middle-right subject zones.\n  - subject_position_directive: For S69_Shot1, reserve the left-center around base marker 3 for the committed primary subject in a braced reading pose, with seated subjects receding on the right. For S69_Shot4, preserve a lower-left foreground layer at the final seated row and a full-figure subject zone in the middle-right midground with folded arms and an off-screen-left gaze. Add no subjects beyond those committed by the surfaced staging and transient markers.\n  - state_cue_directive: Carry the committed transient state represented by markers 13, 14, 15, and 16, together with the in-use conditions specified by S69_Shot1 and S69_Shot4. Marker 15 is intermittent rather than a permanent lighting or structural change; do not add state cues beyond the listed markers and surfaced staging.\n  - negative_continuity_directive: Preserve the floor-plan positions of base markers 1 through 12, especially fixed markers 3, 5, and 11. Do not invent additional numbered elements, uncommitted state cues, or spaces outside the camera-unit 6 view cone; openings 9 and 10 are geometry supersets and should not be forced into view when the chosen framing does not expose them.\n\n2015~2017년 대한민국 광주·전남권의 공공기관 언론 브리핑실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 후면 입석 구역에서 왼쪽 카메라 구역 쪽으로 조금 치우친 위치, 약 1.6미터의 서 있는 사람 눈높이에서 28~35밀리미터 상당의 적당한 광각 렌즈로 촬영한다. 정렬된 기자용 책상과 의자 줄을 대각선으로 가로질러 북쪽 중앙의 연단과 그 뒤 고정형 언론 브리핑 배경벽을 바라보는 후면 사분면 구도이며, 연단과 배경벽을 주요 초점으로 유지하면서 중앙 통로, 양쪽 카메라 구역, 남쪽 후면 공간 일부와 양쪽 출입구가 자연스럽게 프레임에 들어온다.\n\n2010년대 중후반 한국 공공기관의 실용적인 실내로, 중성색 벽면, 소박한 흡음 마감, 규격형 천장 조명, 실제 금속과 합판 가구의 질감, 책상 모서리의 미세한 닳음, 의자 천의 직조감, 바닥의 일상적인 사용 흔적을 사실적으로 표현한다. 낮 시간의 창백한 자연광과 천장 조명이 섞인 중성에서 약간 차가운 색온도, 절제된 대비와 자연스러운 명암 범위로 표현한다. 지나치게 정돈된 광고 사진이 아니라 실제 취재 현장을 기록한 담담한 장소 참고 사진처럼 보이게 한다.\n\n기자석 전반에는 2015~2017년형 노트북이 펼쳐져 있고, 전원선과 취재 장비가 책상 위에 실사용 상태로 놓여 있어 좌석들이 점유된 분주한 브리핑 순간을 암시한다. 좌우 카메라 구역에는 삼각대에 장착된 언론용 디지털 카메라 장비가 임시로 빽빽하게 자리한다. 양쪽 카메라 구역과 기자석 방향에서 연단을 향한 짧고 강한 플래시 발광이 동시에 터지는 순간을 포착하되, 빛은 실제 플래시의 순간 노출처럼 국소적인 반사와 밝기 변화만 만든다. 후면 입석 구역의 관찰자는 카메라 바로 뒤 프레임 밖에 있는 설정으로 처리한다. 사람, 얼굴, 신체, 인체형 실루엣, 거울이나 유리 속 인물 반사는 전혀 표현하지 않는다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 장소 기록 사진, 정확한 콘크리트·금속·직물·목재 질감, 현실적인 마모와 얼룩, 자연스러운 원근과 심도, 과장 없는 초점 이행, 후처리 없는 사실적 색감. 삽화나 건축 시각화가 아니며, 컴퓨터 생성 이미지처럼 매끈하거나 인위적으로 완벽하지 않다. 내려다보는 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            1
          ],
          "camera_unit": 6,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 6 toward unit 2 and base marker 3, retaining enough depth across units 4 and 12 to support the differing subject placements committed for S69_Shot1 and S69_Shot4.",
          "lens_enum": "wide",
          "look_at_cell": [
            1,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the fixed space from unit 6 toward unit 2 and base marker 3, with broad visibility across the adjacent portions of units 4 and 12 and the fixed elements represented by markers 3, 5, and 11. Other units and openings listed by geometry are visibility supersets and should appear only where the selected 90-degree cone actually includes them.",
          "camera_framing_directive": "Frame from camera unit 6 at cell [4,1] toward look-at unit 2 at cell [1,4] using the wide lens at 90 degrees. Provide broad coverage around base marker 3, with receding depth through units 4 and 12 and sufficient lateral coverage for the committed left-center and middle-right subject zones.",
          "subject_position_directive": "For S69_Shot1, reserve the left-center around base marker 3 for the committed primary subject in a braced reading pose, with seated subjects receding on the right. For S69_Shot4, preserve a lower-left foreground layer at the final seated row and a full-figure subject zone in the middle-right midground with folded arms and an off-screen-left gaze. Add no subjects beyond those committed by the surfaced staging and transient markers.",
          "state_cue_directive": "Carry the committed transient state represented by markers 13, 14, 15, and 16, together with the in-use conditions specified by S69_Shot1 and S69_Shot4. Marker 15 is intermittent rather than a permanent lighting or structural change; do not add state cues beyond the listed markers and surfaced staging.",
          "negative_continuity_directive": "Preserve the floor-plan positions of base markers 1 through 12, especially fixed markers 3, 5, and 11. Do not invent additional numbered elements, uncommitted state cues, or spaces outside the camera-unit 6 view cone; openings 9 and 10 are geometry supersets and should not be forced into view when the chosen framing does not expose them."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l60_briefing_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l60_briefing_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L35B01": {
        "status": "ok",
        "location_id": "L35",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L35B01.png",
        "t2i_prompt": "2015~2017년 대한민국 광주광역시권의 교외에 자리한 대형 교정시설 정문 앞 진입로를 담은 실제 카메라 다큐멘터리 풍 사진. 사람과 얼굴은 전혀 없는 빈 공간이다. 카메라는 지면에서 약 1.6미터 높이의 서 있는 사람 눈높이로, 정문을 향해 들어가는 차량의 진행 방향과 같은 축에서 약간 옆으로 비켜 촬영한다. 35밀리미터급 렌즈의 자연스러운 원근감으로 넓은 아스팔트 진입로, 바랜 흰색 차선과 정지선, 차량 차단기, 단단한 금속제 보안 정문, 작은 콘크리트 경비실, 높은 철근콘크리트 담장, 담장 위 철제 보안 울타리, 감시 카메라, 단순한 가로등과 볼라드를 보여 준다. 정문 너머에는 여러 층의 무겁고 폐쇄적인 교정시설 본동과 수용동이 화면 중심 위쪽에 크게 솟아 있어, 도착하는 차량 앞을 압도하듯 가로막는다. 화면 아래쪽과 중앙 전경은 차량을 배치할 수 있도록 충분히 비워 두되, 시설로 이어지는 도로의 깊이와 정문 통과 동선이 명확해야 한다. 특정 기관의 고유 명칭이나 식별 가능한 표장은 없으며, 표지판은 일반적인 출입 통제 안내판 정도로만 보인다. 멀리 낮은 산자락과 짙은 녹지가 보이는 광주·전남권의 지형, 습기가 약간 남은 흐린 낮의 공기와 옅은 원거리 안개를 반영한다. 중성에서 약간 차가운 자연광, 절제된 명암, 과장 없는 색감이며 긴장감은 공간의 규모와 통제 설비에서만 발생한다. 실제 거친 콘크리트 표면, 빗물 자국과 먼지 얼룩, 금속 차단기의 미세한 녹과 도장 벗겨짐, 아스팔트 균열, 철망과 유리의 정확한 재질을 세밀하게 표현한다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 기록 사진처럼 자연스러운 심도와 광학적 선명도를 유지하고, 인위적인 후처리나 깨끗한 광고 사진 분위기 없이 일상적인 마모를 사실적으로 담는다. 조감도, 평면도, 건축 도면, 삽화, 시지아이, 건축 시각화가 아닌 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "카메라는 정문으로 접근하는 차량의 진행 방향과 같은 축에서 약간 한쪽으로 비켜 서서, 비어 있는 진입로와 보안 정문을 지나 안쪽의 육중한 교정시설 건물이 정면 배경에 크게 보이도록 한다. 화면 아래쪽과 중앙 전경에는 차량 배치를 위한 여유 공간을 확보하고, 정문·경비실·차단기·담장·감시 설비가 한눈에 읽히게 한다. 사람이나 얼굴은 포함하지 않는다.",
            "shot_id": "S36_Shot2"
          }
        ],
        "shot_ids": [
          "S36_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "site_surface",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 대한민국 광주광역시권의 교외에 자리한 대형 교정시설 정문 앞 진입로를 담은 실제 카메라 다큐멘터리 풍 사진. 사람과 얼굴은 전혀 없는 빈 공간이다. 카메라는 지면에서 약 1.6미터 높이의 서 있는 사람 눈높이로, 정문을 향해 들어가는 차량의 진행 방향과 같은 축에서 약간 옆으로 비켜 촬영한다. 35밀리미터급 렌즈의 자연스러운 원근감으로 넓은 아스팔트 진입로, 바랜 흰색 차선과 정지선, 차량 차단기, 단단한 금속제 보안 정문, 작은 콘크리트 경비실, 높은 철근콘크리트 담장, 담장 위 철제 보안 울타리, 감시 카메라, 단순한 가로등과 볼라드를 보여 준다. 정문 너머에는 여러 층의 무겁고 폐쇄적인 교정시설 본동과 수용동이 화면 중심 위쪽에 크게 솟아 있어, 도착하는 차량 앞을 압도하듯 가로막는다. 화면 아래쪽과 중앙 전경은 차량을 배치할 수 있도록 충분히 비워 두되, 시설로 이어지는 도로의 깊이와 정문 통과 동선이 명확해야 한다. 특정 기관의 고유 명칭이나 식별 가능한 표장은 없으며, 표지판은 일반적인 출입 통제 안내판 정도로만 보인다. 멀리 낮은 산자락과 짙은 녹지가 보이는 광주·전남권의 지형, 습기가 약간 남은 흐린 낮의 공기와 옅은 원거리 안개를 반영한다. 중성에서 약간 차가운 자연광, 절제된 명암, 과장 없는 색감이며 긴장감은 공간의 규모와 통제 설비에서만 발생한다. 실제 거친 콘크리트 표면, 빗물 자국과 먼지 얼룩, 금속 차단기의 미세한 녹과 도장 벗겨짐, 아스팔트 균열, 철망과 유리의 정확한 재질을 세밀하게 표현한다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 기록 사진처럼 자연스러운 심도와 광학적 선명도를 유지하고, 인위적인 후처리나 깨끗한 광고 사진 분위기 없이 일상적인 마모를 사실적으로 담는다. 조감도, 평면도, 건축 도면, 삽화, 시지아이, 건축 시각화가 아닌 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_fp:fp_l41_corridor"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l41_corridor",
          "indoor_loc_sid": "L41",
          "group_id": "bg_correctional_facility",
          "fp_asset_id": "83af7a9c-75df-4dfc-95b3-cd8ef09a53a7"
        }
      },
      "L36B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L36",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L36B01.png",
        "t2i_prompt": "대한민국 광주광역시권 교정시설 안의 낮 시간 조사실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 서쪽 벽 남서쪽의 보안 출입문 가까이, 실내로 막 들어선 지점에서 약 1.6m의 서 있는 사람 눈높이로 촬영한다. 35mm급 보통 광각 렌즈로 출입구 안쪽을 지나 방 중앙의 직사각형 조사 탁자와 그 너머 북쪽 벽 중앙의 높은 보안창을 대각선으로 바라본다. 탁자의 긴 축은 동서 방향이며, 북쪽에는 남쪽을 향한 재소자용 의자 한 개, 남서쪽과 남동쪽에는 북쪽을 향한 조사관용 의자 두 개가 놓여 있다. 남쪽 뒤편에는 관찰자용 의자가 한 걸음 물러나 있고, 출입구 가까운 남서쪽 후방에는 교도관용 의자가 탁자에서 떨어져 있다. 낮빛이 높은 보안창을 통해 제한적으로 들어오고 실내의 평범한 기관 조명이 이를 보완하여, 중성에서 약간 차가운 색감과 절제된 명암을 만든다. 2010년대 중후반 대한민국 교정기관의 기능적인 조사 공간답게 장식이 거의 없고, 실제 벽면 도장과 금속 문 표면, 탁자 상판, 의자 재질에 반복 사용으로 생긴 미세한 긁힘과 얼룩, 자연스러운 마모가 보인다. 조사관 쪽 탁자 위에는 담뱃갑과 라이터가 잠시 나란히 놓여 있어 현재 사용 중인 공간의 상태를 조용히 드러낸다. 사람, 얼굴, 신체 일부, 사람 모양 형상은 전혀 보이지 않는 빈 배경 사진이다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 피사계 심도와 현실적인 재료 질감, 과장 없는 낮 조명, 후처리 티가 없는 현장 기록사진으로 표현하며, 깨끗한 스톡 사진이나 CGI, 삽화가 아니라 실제 장소를 사실적으로 촬영한 모습이어야 한다. 위에서 내려다본 시점, 평면도, 건축 도식은 사용하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "보안 출입문 가까운 실내 눈높이에서 중앙 조사 탁자, 북쪽의 재소자용 의자, 높은 보안창이 한 프레임에 읽히도록 대각선 구도를 유지한다. 탁자 조사관 쪽의 담뱃갑과 라이터가 작지만 식별 가능하게 보이도록 하며, 사람이나 인체 형상은 넣지 않는다.",
            "shot_id": "S37_Shot2"
          },
          {
            "guide_text": "35mm급 보통 광각의 자연스러운 원근감으로 출입구 안쪽과 중앙 조사 구역의 깊이를 함께 보여준다. 중앙 탁자와 양쪽 의자의 방향, 북쪽 벽 높은 보안창의 위치 관계를 유지하고, 조사관 쪽에 잠시 놓인 담뱃갑과 라이터만 순간성 있는 소품으로 표현한다.",
            "shot_id": "S37_Shot17"
          },
          {
            "guide_text": "서쪽 출입문 부근에서 북동쪽을 향하는 동일한 눈높이 구도를 사용한다. 남쪽 뒤편 의자들과 중앙 탁자, 북쪽 재소자용 의자 및 높은 보안창이 실제 협소한 교정시설 조사실처럼 자연스럽게 이어지게 하고, 사람·얼굴·인체 모양 형상은 모두 제외한다.",
            "shot_id": "S37_Shot28"
          }
        ],
        "shot_ids": [
          "S37_Shot2",
          "S37_Shot17",
          "S37_Shot28"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 3 (secure entrance door), facing diagonally across number 2 (threshold zone) toward number 5 (central table), number 6 (inmate chair), and number 4 (high secure window)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep numbers 7 and 8 prominent opposite number 6, with numbers 9 and 10 visibly set back behind them. Allow the transient number 11 cigarette pack and lighter cue on the table during the active interrogation state."
        },
        "reference_decision": {
          "bg_id": "L36B01",
          "fp_id": "fp_l36_investigation_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L36B01 is the sole clean-anchor candidate supplied for this floor plan and therefore establishes dwelling identity without a prior reference. The wide view from camera unit 1 at [7,5] toward marker 5 at [3,5] supports the broad spatial relationships required by S37_Shot2 and provides a structurally consistent base for the tighter framing in S37_Shot17 and S37_Shot28.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l36_investigation_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward marker 5 within unit 1, accommodating the wide shared-space staging while retaining enough fixed geometry for the close and medium consuming-shot crops.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              5
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show the shared view associated with unit markers 1 and 2 from camera unit 1, organizing the frame around base marker 5 and its committed seating markers 6 through 10. Preserve opening markers 3 and 4 only where admitted by the wide view, with marker 2 and the geometry-supported transition from unit 1 providing rear or edge context rather than displacing the central marker arrangement.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [7,5] toward look-at unit 1 at cell [3,5] with a wide 90-degree field of view. Use broad coverage centered on marker 5 so the fixed table-and-seating geometry can support the wide composition in S37_Shot2 and stable close or medium crops for S37_Shot17 and S37_Shot28.",
            "subject_position_directive": "Follow the surfaced staging only: S37_Shot2 places two over-shoulder silhouettes at opposite foreground edges, one seated subject at middle center across marker 5, and two separated subjects in rear depth; S37_Shot17 isolates one seated subject near marker 5 with marker 11 raised near the face and only a narrow strip of marker 5 visible; S37_Shot28 balances two opposing profiles at middle left and middle right, with a restraining presence clipping the left edge and marker 5 forming the lower-center barrier.",
            "state_cue_directive": "Carry transient marker 11 as the only committed transient cue, while using numbered elements 1 through 10 as the structural, opening, and persistent-furniture base. Because a clean background is not expected, retain marker 11 only in the shot-appropriate scene layer and do not invent additional state cues.",
            "negative_continuity_directive": "Do not invent elements beyond numbered markers 1 through 11, do not move fixed markers 3 through 10 from their committed floor-plan relationships, and do not depict units or openings outside the geometry-supported view. Marker 11 is transient and must not be converted into a persistent structural or furniture element."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward marker 5 within unit 1, accommodating the wide shared-space staging while retaining enough fixed geometry for the close and medium consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the shared view associated with unit markers 1 and 2 from camera unit 1, organizing the frame around base marker 5 and its committed seating markers 6 through 10. Preserve opening markers 3 and 4 only where admitted by the wide view, with marker 2 and the geometry-supported transition from unit 1 providing rear or edge context rather than displacing the central marker arrangement.\n  - camera_framing_directive: Frame from camera unit 1 at cell [7,5] toward look-at unit 1 at cell [3,5] with a wide 90-degree field of view. Use broad coverage centered on marker 5 so the fixed table-and-seating geometry can support the wide composition in S37_Shot2 and stable close or medium crops for S37_Shot17 and S37_Shot28.\n  - subject_position_directive: Follow the surfaced staging only: S37_Shot2 places two over-shoulder silhouettes at opposite foreground edges, one seated subject at middle center across marker 5, and two separated subjects in rear depth; S37_Shot17 isolates one seated subject near marker 5 with marker 11 raised near the face and only a narrow strip of marker 5 visible; S37_Shot28 balances two opposing profiles at middle left and middle right, with a restraining presence clipping the left edge and marker 5 forming the lower-center barrier.\n  - state_cue_directive: Carry transient marker 11 as the only committed transient cue, while using numbered elements 1 through 10 as the structural, opening, and persistent-furniture base. Because a clean background is not expected, retain marker 11 only in the shot-appropriate scene layer and do not invent additional state cues.\n  - negative_continuity_directive: Do not invent elements beyond numbered markers 1 through 11, do not move fixed markers 3 through 10 from their committed floor-plan relationships, and do not depict units or openings outside the geometry-supported view. Marker 11 is transient and must not be converted into a persistent structural or furniture element.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward marker 5 within unit 1, accommodating the wide shared-space staging while retaining enough fixed geometry for the close and medium consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the shared view associated with unit markers 1 and 2 from camera unit 1, organizing the frame around base marker 5 and its committed seating markers 6 through 10. Preserve opening markers 3 and 4 only where admitted by the wide view, with marker 2 and the geometry-supported transition from unit 1 providing rear or edge context rather than displacing the central marker arrangement.\n  - camera_framing_directive: Frame from camera unit 1 at cell [7,5] toward look-at unit 1 at cell [3,5] with a wide 90-degree field of view. Use broad coverage centered on marker 5 so the fixed table-and-seating geometry can support the wide composition in S37_Shot2 and stable close or medium crops for S37_Shot17 and S37_Shot28.\n  - subject_position_directive: Follow the surfaced staging only: S37_Shot2 places two over-shoulder silhouettes at opposite foreground edges, one seated subject at middle center across marker 5, and two separated subjects in rear depth; S37_Shot17 isolates one seated subject near marker 5 with marker 11 raised near the face and only a narrow strip of marker 5 visible; S37_Shot28 balances two opposing profiles at middle left and middle right, with a restraining presence clipping the left edge and marker 5 forming the lower-center barrier.\n  - state_cue_directive: Carry transient marker 11 as the only committed transient cue, while using numbered elements 1 through 10 as the structural, opening, and persistent-furniture base. Because a clean background is not expected, retain marker 11 only in the shot-appropriate scene layer and do not invent additional state cues.\n  - negative_continuity_directive: Do not invent elements beyond numbered markers 1 through 11, do not move fixed markers 3 through 10 from their committed floor-plan relationships, and do not depict units or openings outside the geometry-supported view. Marker 11 is transient and must not be converted into a persistent structural or furniture element.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward marker 5 within unit 1, accommodating the wide shared-space staging while retaining enough fixed geometry for the close and medium consuming-shot crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the shared view associated with unit markers 1 and 2 from camera unit 1, organizing the frame around base marker 5 and its committed seating markers 6 through 10. Preserve opening markers 3 and 4 only where admitted by the wide view, with marker 2 and the geometry-supported transition from unit 1 providing rear or edge context rather than displacing the central marker arrangement.\n  - camera_framing_directive: Frame from camera unit 1 at cell [7,5] toward look-at unit 1 at cell [3,5] with a wide 90-degree field of view. Use broad coverage centered on marker 5 so the fixed table-and-seating geometry can support the wide composition in S37_Shot2 and stable close or medium crops for S37_Shot17 and S37_Shot28.\n  - subject_position_directive: Follow the surfaced staging only: S37_Shot2 places two over-shoulder silhouettes at opposite foreground edges, one seated subject at middle center across marker 5, and two separated subjects in rear depth; S37_Shot17 isolates one seated subject near marker 5 with marker 11 raised near the face and only a narrow strip of marker 5 visible; S37_Shot28 balances two opposing profiles at middle left and middle right, with a restraining presence clipping the left edge and marker 5 forming the lower-center barrier.\n  - state_cue_directive: Carry transient marker 11 as the only committed transient cue, while using numbered elements 1 through 10 as the structural, opening, and persistent-furniture base. Because a clean background is not expected, retain marker 11 only in the shot-appropriate scene layer and do not invent additional state cues.\n  - negative_continuity_directive: Do not invent elements beyond numbered markers 1 through 11, do not move fixed markers 3 through 10 from their committed floor-plan relationships, and do not depict units or openings outside the geometry-supported view. Marker 11 is transient and must not be converted into a persistent structural or furniture element.\n\n대한민국 광주광역시권 교정시설 안의 낮 시간 조사실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 서쪽 벽 남서쪽의 보안 출입문 가까이, 실내로 막 들어선 지점에서 약 1.6m의 서 있는 사람 눈높이로 촬영한다. 35mm급 보통 광각 렌즈로 출입구 안쪽을 지나 방 중앙의 직사각형 조사 탁자와 그 너머 북쪽 벽 중앙의 높은 보안창을 대각선으로 바라본다. 탁자의 긴 축은 동서 방향이며, 북쪽에는 남쪽을 향한 재소자용 의자 한 개, 남서쪽과 남동쪽에는 북쪽을 향한 조사관용 의자 두 개가 놓여 있다. 남쪽 뒤편에는 관찰자용 의자가 한 걸음 물러나 있고, 출입구 가까운 남서쪽 후방에는 교도관용 의자가 탁자에서 떨어져 있다. 낮빛이 높은 보안창을 통해 제한적으로 들어오고 실내의 평범한 기관 조명이 이를 보완하여, 중성에서 약간 차가운 색감과 절제된 명암을 만든다. 2010년대 중후반 대한민국 교정기관의 기능적인 조사 공간답게 장식이 거의 없고, 실제 벽면 도장과 금속 문 표면, 탁자 상판, 의자 재질에 반복 사용으로 생긴 미세한 긁힘과 얼룩, 자연스러운 마모가 보인다. 조사관 쪽 탁자 위에는 담뱃갑과 라이터가 잠시 나란히 놓여 있어 현재 사용 중인 공간의 상태를 조용히 드러낸다. 사람, 얼굴, 신체 일부, 사람 모양 형상은 전혀 보이지 않는 빈 배경 사진이다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 피사계 심도와 현실적인 재료 질감, 과장 없는 낮 조명, 후처리 티가 없는 현장 기록사진으로 표현하며, 깨끗한 스톡 사진이나 CGI, 삽화가 아니라 실제 장소를 사실적으로 촬영한 모습이어야 한다. 위에서 내려다본 시점, 평면도, 건축 도식은 사용하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            7,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward marker 5 within unit 1, accommodating the wide shared-space staging while retaining enough fixed geometry for the close and medium consuming-shot crops.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            5
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the shared view associated with unit markers 1 and 2 from camera unit 1, organizing the frame around base marker 5 and its committed seating markers 6 through 10. Preserve opening markers 3 and 4 only where admitted by the wide view, with marker 2 and the geometry-supported transition from unit 1 providing rear or edge context rather than displacing the central marker arrangement.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [7,5] toward look-at unit 1 at cell [3,5] with a wide 90-degree field of view. Use broad coverage centered on marker 5 so the fixed table-and-seating geometry can support the wide composition in S37_Shot2 and stable close or medium crops for S37_Shot17 and S37_Shot28.",
          "subject_position_directive": "Follow the surfaced staging only: S37_Shot2 places two over-shoulder silhouettes at opposite foreground edges, one seated subject at middle center across marker 5, and two separated subjects in rear depth; S37_Shot17 isolates one seated subject near marker 5 with marker 11 raised near the face and only a narrow strip of marker 5 visible; S37_Shot28 balances two opposing profiles at middle left and middle right, with a restraining presence clipping the left edge and marker 5 forming the lower-center barrier.",
          "state_cue_directive": "Carry transient marker 11 as the only committed transient cue, while using numbered elements 1 through 10 as the structural, opening, and persistent-furniture base. Because a clean background is not expected, retain marker 11 only in the shot-appropriate scene layer and do not invent additional state cues.",
          "negative_continuity_directive": "Do not invent elements beyond numbered markers 1 through 11, do not move fixed markers 3 through 10 from their committed floor-plan relationships, and do not depict units or openings outside the geometry-supported view. Marker 11 is transient and must not be converted into a persistent structural or furniture element."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l36_investigation_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l36_investigation_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L41B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L41",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L41B02.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 21세기 초·중반 교정시설에서 실제 카메라로 촬영한 다큐멘터리 풍 사진. 조사가 끝난 뒤 인기척 없이 고요하고 차갑게 가라앉은 감옥 복도와 동쪽 끝 독방 문턱을 보여준다. 카메라는 서쪽 가까운 북측 조사실 출입문 부근에 서서 긴 중앙 복도를 따라 동쪽 끝 독방 철문을 바라본다. 서 있는 사람의 자연스러운 눈높이 약 1.6미터, 35밀리미터급 광각 렌즈를 사용한 현실적인 원근감이며, 내려다본 평면도나 건축 도식이 아니다. 복도 양쪽에는 두껍고 실용적인 감방 철문들이 이어지고, 끝의 독방 문턱 너머로 북쪽 벽에 붙은 단단한 수면대가 보이는 구도다.\n\n대한민국 교정시설 특유의 소박하고 기능적인 구조를 사실적으로 표현한다. 오래 사용한 회백색 도장 벽, 부분적으로 벗겨지고 얼룩진 페인트, 차갑고 마모된 콘크리트 바닥, 손때와 미세한 녹이 남은 무거운 금속문, 단순한 천장 조명과 제한적인 실내광을 사용한다. 조명은 밝게 미화하지 않고 차가운 중성색에 가까우며, 복도 안쪽으로 갈수록 자연스럽게 약해진다. 과장된 명암이나 장식적 연출 없이 실제 제도시설의 담담한 상태와 일상적인 마모를 보여준다.\n\n독방 내부에서는 수면대 위쪽 또는 바로 옆의 벽에 여러 장의 종이 메모가 임시로 붙어 있다. 종이는 서로 조금씩 다른 높이와 간격으로 부착되어 있고 가장자리가 살짝 들뜨거나 구겨졌으며, 테이프나 접착 흔적이 현실적으로 보인다. 메모는 벽에 붙은 평평한 종이로만 표현하고 사람, 얼굴, 신체 형상이나 사진 이미지는 포함하지 않는다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 표현한다. 진짜 콘크리트의 거친 입자, 금속의 무게감과 산화 흔적, 종이 섬유, 도장면의 균열과 생활 얼룩을 정확하게 살리고 자연스러운 심도와 노출을 유지한다. 깨끗한 광고 사진이 아니며, 컴퓨터 생성 이미지나 삽화, 건축 시각화가 아닌 무보정에 가까운 사실적 기록 사진이다. 공간은 완전히 비어 있어야 하며 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서쪽 조사실 출입문 가까이에서 동쪽으로 길게 이어지는 복도의 축을 중심으로 잡는다. 양쪽 감방 철문과 낡은 복도 표면이 자연스럽게 원근을 만들고, 화면 깊숙한 곳의 독방 철문과 문턱 너머 수면대가 식별되도록 한다. 독방 내부 벽의 종이 메모는 작지만 실제로 붙어 있는 상태가 보이게 하며, 인물이나 사람 형태는 넣지 않는다.",
            "shot_id": "S38_Shot3"
          },
          {
            "guide_text": "같은 눈높이와 복도 방향을 유지하면서 동쪽 끝 독방 문턱 쪽의 시각 정보를 조금 더 명확히 한다. 열린 시선 너머로 북쪽 벽에 붙은 단단한 수면대와 그 위나 옆 벽에 부착된 여러 장의 종이 메모가 보이되, 복도의 길이와 차가운 철문 구조도 함께 남긴다. 메모의 글자는 과도하게 선명한 그래픽처럼 만들지 말고 실제 종이와 접착 흔적이 느껴지는 정도로 표현한다.",
            "shot_id": "S38_Shot4"
          }
        ],
        "shot_ids": [
          "S38_Shot3",
          "S38_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 8 (investigation-room door), facing along number 1 (main corridor) toward number 9 (solitary-cell door), with a secondary view across the threshold toward number 14 (sleeping platform)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Emphasize the long repetitive corridor and the isolated far-end threshold; number 17 applies only to the solitary-cell wall beyond number 9 and must be added as a transient overlay."
        },
        "reference_decision": {
          "bg_id": "L41B02",
          "fp_id": "fp_l41_corridor",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L41B02 remains within the same connected physical-space network established by L41B01 and overlaps its committed units and openings, so L41B01 is the appropriate continuity parent. The look-at target changes from unit 2 at [4,8] to unit 3 at [4,9], revealing opening marker 9, marker 14, and the marker-17 interior surface needed by S38_Shot3 and S38_Shot4; this materially different structural slice requires its own plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L41B01.png"
          ],
          "source_bg_ids": [
            "L41B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l41_corridor_space_network"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l41_corridor_space_network",
                "ref_bg_id": "L41B01",
                "space_description": "Connected unit and opening network established from unit 1"
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because the selected parent already commits the shared unit-1 structure and opening layout; the consuming shots require a new view into unit 3 rather than two distinct co-visible physical spaces."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 3 through opening marker 9 so the threshold crossing and the interior background plane carrying marker 17 can share one structurally continuous view.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              9
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show the unit-1 side of opening marker 9 and the visible portion of unit 3 beyond it. Keep opening marker 9, unit 3, persistent marker 14, and transient marker 17 spatially coherent with the fixed unit and opening arrangement established by L41B01; other units and openings remain continuity context unless they fall within this selected wide cone.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 3 at cell [4,9] with a wide 90-degree field of view. Use broad coverage across opening marker 9 so the threshold occupies a directional middle region and the unit-3 interior supplies the background depth required by both consuming shots.",
            "subject_position_directive": "For S38_Shot3, reserve the middle center for the committed subject crossing from camera unit 1 through opening marker 9 toward the unit-3 interior, with the threshold beneath the movement path. For S38_Shot4, reserve center-left foreground-to-midground placement for the paused subject and keep marker 17 visible on the background plane over the subject's shoulder; do not invent additional subjects.",
            "state_cue_directive": "Carry transient marker 17 on the committed interior background surface and retain use markers 1 through 14 as applicable to the selected view. Marker 17 must read as a shot-facing transient layer rather than a change to the fixed unit, opening, or marker-14 layout; invent no additional state cues.",
            "negative_continuity_directive": "Keep the fixed unit and opening positions inherited from reference bg_id L41B01, especially unit 1 and opening marker 9. Do not transfer ignored or unrelated transient cues from other views, do not add unlisted overlays beyond marker 17, and do not present visibility-superset units or openings outside the selected unit-1-to-unit-3 cone as committed on-screen content."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L41B01' physical_space_id='fp_l41_corridor_space_network'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 9]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 3 through opening marker 9 so the threshold crossing and the interior background plane carrying marker 17 can share one structurally continuous view.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-1 side of opening marker 9 and the visible portion of unit 3 beyond it. Keep opening marker 9, unit 3, persistent marker 14, and transient marker 17 spatially coherent with the fixed unit and opening arrangement established by L41B01; other units and openings remain continuity context unless they fall within this selected wide cone.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 3 at cell [4,9] with a wide 90-degree field of view. Use broad coverage across opening marker 9 so the threshold occupies a directional middle region and the unit-3 interior supplies the background depth required by both consuming shots.\n  - subject_position_directive: For S38_Shot3, reserve the middle center for the committed subject crossing from camera unit 1 through opening marker 9 toward the unit-3 interior, with the threshold beneath the movement path. For S38_Shot4, reserve center-left foreground-to-midground placement for the paused subject and keep marker 17 visible on the background plane over the subject's shoulder; do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 17 on the committed interior background surface and retain use markers 1 through 14 as applicable to the selected view. Marker 17 must read as a shot-facing transient layer rather than a change to the fixed unit, opening, or marker-14 layout; invent no additional state cues.\n  - negative_continuity_directive: Keep the fixed unit and opening positions inherited from reference bg_id L41B01, especially unit 1 and opening marker 9. Do not transfer ignored or unrelated transient cues from other views, do not add unlisted overlays beyond marker 17, and do not present visibility-superset units or openings outside the selected unit-1-to-unit-3 cone as committed on-screen content.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L41B01' physical_space_id='fp_l41_corridor_space_network'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 9]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 3 through opening marker 9 so the threshold crossing and the interior background plane carrying marker 17 can share one structurally continuous view.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-1 side of opening marker 9 and the visible portion of unit 3 beyond it. Keep opening marker 9, unit 3, persistent marker 14, and transient marker 17 spatially coherent with the fixed unit and opening arrangement established by L41B01; other units and openings remain continuity context unless they fall within this selected wide cone.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 3 at cell [4,9] with a wide 90-degree field of view. Use broad coverage across opening marker 9 so the threshold occupies a directional middle region and the unit-3 interior supplies the background depth required by both consuming shots.\n  - subject_position_directive: For S38_Shot3, reserve the middle center for the committed subject crossing from camera unit 1 through opening marker 9 toward the unit-3 interior, with the threshold beneath the movement path. For S38_Shot4, reserve center-left foreground-to-midground placement for the paused subject and keep marker 17 visible on the background plane over the subject's shoulder; do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 17 on the committed interior background surface and retain use markers 1 through 14 as applicable to the selected view. Marker 17 must read as a shot-facing transient layer rather than a change to the fixed unit, opening, or marker-14 layout; invent no additional state cues.\n  - negative_continuity_directive: Keep the fixed unit and opening positions inherited from reference bg_id L41B01, especially unit 1 and opening marker 9. Do not transfer ignored or unrelated transient cues from other views, do not add unlisted overlays beyond marker 17, and do not present visibility-superset units or openings outside the selected unit-1-to-unit-3 cone as committed on-screen content.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L41B01' physical_space_id='fp_l41_corridor_space_network'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 9]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 3 through opening marker 9 so the threshold crossing and the interior background plane carrying marker 17 can share one structurally continuous view.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-1 side of opening marker 9 and the visible portion of unit 3 beyond it. Keep opening marker 9, unit 3, persistent marker 14, and transient marker 17 spatially coherent with the fixed unit and opening arrangement established by L41B01; other units and openings remain continuity context unless they fall within this selected wide cone.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 3 at cell [4,9] with a wide 90-degree field of view. Use broad coverage across opening marker 9 so the threshold occupies a directional middle region and the unit-3 interior supplies the background depth required by both consuming shots.\n  - subject_position_directive: For S38_Shot3, reserve the middle center for the committed subject crossing from camera unit 1 through opening marker 9 toward the unit-3 interior, with the threshold beneath the movement path. For S38_Shot4, reserve center-left foreground-to-midground placement for the paused subject and keep marker 17 visible on the background plane over the subject's shoulder; do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 17 on the committed interior background surface and retain use markers 1 through 14 as applicable to the selected view. Marker 17 must read as a shot-facing transient layer rather than a change to the fixed unit, opening, or marker-14 layout; invent no additional state cues.\n  - negative_continuity_directive: Keep the fixed unit and opening positions inherited from reference bg_id L41B01, especially unit 1 and opening marker 9. Do not transfer ignored or unrelated transient cues from other views, do not add unlisted overlays beyond marker 17, and do not present visibility-superset units or openings outside the selected unit-1-to-unit-3 cone as committed on-screen content.\n\n대한민국 전라남도·광주권의 21세기 초·중반 교정시설에서 실제 카메라로 촬영한 다큐멘터리 풍 사진. 조사가 끝난 뒤 인기척 없이 고요하고 차갑게 가라앉은 감옥 복도와 동쪽 끝 독방 문턱을 보여준다. 카메라는 서쪽 가까운 북측 조사실 출입문 부근에 서서 긴 중앙 복도를 따라 동쪽 끝 독방 철문을 바라본다. 서 있는 사람의 자연스러운 눈높이 약 1.6미터, 35밀리미터급 광각 렌즈를 사용한 현실적인 원근감이며, 내려다본 평면도나 건축 도식이 아니다. 복도 양쪽에는 두껍고 실용적인 감방 철문들이 이어지고, 끝의 독방 문턱 너머로 북쪽 벽에 붙은 단단한 수면대가 보이는 구도다.\n\n대한민국 교정시설 특유의 소박하고 기능적인 구조를 사실적으로 표현한다. 오래 사용한 회백색 도장 벽, 부분적으로 벗겨지고 얼룩진 페인트, 차갑고 마모된 콘크리트 바닥, 손때와 미세한 녹이 남은 무거운 금속문, 단순한 천장 조명과 제한적인 실내광을 사용한다. 조명은 밝게 미화하지 않고 차가운 중성색에 가까우며, 복도 안쪽으로 갈수록 자연스럽게 약해진다. 과장된 명암이나 장식적 연출 없이 실제 제도시설의 담담한 상태와 일상적인 마모를 보여준다.\n\n독방 내부에서는 수면대 위쪽 또는 바로 옆의 벽에 여러 장의 종이 메모가 임시로 붙어 있다. 종이는 서로 조금씩 다른 높이와 간격으로 부착되어 있고 가장자리가 살짝 들뜨거나 구겨졌으며, 테이프나 접착 흔적이 현실적으로 보인다. 메모는 벽에 붙은 평평한 종이로만 표현하고 사람, 얼굴, 신체 형상이나 사진 이미지는 포함하지 않는다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 표현한다. 진짜 콘크리트의 거친 입자, 금속의 무게감과 산화 흔적, 종이 섬유, 도장면의 균열과 생활 얼룩을 정확하게 살리고 자연스러운 심도와 노출을 유지한다. 깨끗한 광고 사진이 아니며, 컴퓨터 생성 이미지나 삽화, 건축 시각화가 아닌 무보정에 가까운 사실적 기록 사진이다. 공간은 완전히 비어 있어야 하며 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 3 through opening marker 9 so the threshold crossing and the interior background plane carrying marker 17 can share one structurally continuous view.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            9
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show the unit-1 side of opening marker 9 and the visible portion of unit 3 beyond it. Keep opening marker 9, unit 3, persistent marker 14, and transient marker 17 spatially coherent with the fixed unit and opening arrangement established by L41B01; other units and openings remain continuity context unless they fall within this selected wide cone.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 3 at cell [4,9] with a wide 90-degree field of view. Use broad coverage across opening marker 9 so the threshold occupies a directional middle region and the unit-3 interior supplies the background depth required by both consuming shots.",
          "subject_position_directive": "For S38_Shot3, reserve the middle center for the committed subject crossing from camera unit 1 through opening marker 9 toward the unit-3 interior, with the threshold beneath the movement path. For S38_Shot4, reserve center-left foreground-to-midground placement for the paused subject and keep marker 17 visible on the background plane over the subject's shoulder; do not invent additional subjects.",
          "state_cue_directive": "Carry transient marker 17 on the committed interior background surface and retain use markers 1 through 14 as applicable to the selected view. Marker 17 must read as a shot-facing transient layer rather than a change to the fixed unit, opening, or marker-14 layout; invent no additional state cues.",
          "negative_continuity_directive": "Keep the fixed unit and opening positions inherited from reference bg_id L41B01, especially unit 1 and opening marker 9. Do not transfer ignored or unrelated transient cues from other views, do not add unlisted overlays beyond marker 17, and do not present visibility-superset units or openings outside the selected unit-1-to-unit-3 cone as committed on-screen content."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l41_corridor",
          "prior_bg_ids": [
            "L41B01"
          ],
          "attached_ref_labels": [
            "bg:L41B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L41B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L41",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L41B01.png",
        "t2i_prompt": "2015~2017년 대한민국 전라남도·광주권의 실제 교정시설을 기록한 듯한 긴 교도소 복도의 주간 사진. 서쪽 입구 가까운 복도 안에서 약 1.6m의 성인 눈높이로 서서, 35mm급 실제 DSLR 또는 미러리스 카메라와 32mm 광각 렌즈로 동쪽 끝을 향해 비스듬히 촬영한다. 카메라는 북쪽 벽의 조사실 문을 지나 복도 양쪽에 이어지는 감방 문들을 바라보며, 가까운 북쪽·남쪽 감방과 중간 지점의 북쪽·남쪽 감방을 거쳐 마지막 경계 너머 동쪽 끝 독방 문까지 깊게 보이게 한다. 조사실 문이 열린 시야에서는 방의 긴 축에 맞춘 조사용 탁자와 그 양쪽 및 뒤편에 놓인 면담용 의자들이 부분적으로 보인다. 대한민국 공공 교정시설에 맞는 두꺼운 철제 감방 문, 작은 관찰구, 도장된 철재의 미세한 마모와 손때, 오래 사용한 콘크리트 벽과 바닥의 현실적인 질감, 절제된 회색과 옅은 청록색 계열을 사실적으로 표현한다. 낮 시간의 담담하고 균일한 기관 실내광과 카메라 뒤쪽에서 유입되는 약한 자연광이 복도 안쪽으로 점차 줄어들며, 중간 정도의 명암과 자연스러운 색조, 과장되지 않은 원근감과 피사계 심도를 만든다. 전수조사가 진행되는 시간대의 엄정하고 절차적인 분위기를 유지하되, 인물·얼굴·인체 형상은 전혀 묘사하지 않는다. 공간은 정돈되고 훼손되지 않은 상태다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진과 구별되지 않는 재료 표현, 일상적인 사용감, 후보정이나 연출된 광고 사진 느낌 없음. 평면도, 위에서 내려다본 시점, 건축 도면, 삽화, 삼차원 시각화가 아닌 현실의 눈높이 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서쪽 입구 부근의 복도 안에서 성인 눈높이로 동쪽을 바라본다. 조사실 문을 비스듬히 스쳐 지나가며 양쪽 감방 문이 반복되는 긴 복도의 깊이와 맨 끝 독방 문까지 한 프레임에 읽히게 한다. 빈 공간만 촬영하고 인물이나 인체 형상은 넣지 않는다.",
            "shot_id": "S55_Shot1"
          },
          {
            "guide_text": "동일한 서쪽 시점과 같은 방향성을 유지해 배경 연속성을 확보한다. 조사실 출입구와 가까운 감방 문을 전경과 중경에 두고, 남쪽 중간 감방 문과 동쪽 끝 독방 문으로 이어지는 원근을 분명히 한다. 조사실 내부가 보이는 경우 탁자와 서로 마주 보는 의자 배치만 자연스럽게 드러내며, 공간은 비어 있어야 한다.",
            "shot_id": "S55_Shot8"
          }
        ],
        "shot_ids": [
          "S55_Shot1",
          "S55_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near the west entrance of number 1 (main corridor), facing diagonally past number 8 (investigation-room door) toward numbers 9 and 13 at the far end",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "32mm wide angle",
          "framing_notes": "Show the repeating secure door rhythm and allow a partial view into number 2 with numbers 15 and 16 visible; preserve a clean institutional state without number 17."
        },
        "reference_decision": {
          "bg_id": "L41B01",
          "fp_id": "fp_l41_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L41B01 is the sole clean anchor candidate and is therefore rendered fresh as the dwelling-identity anchor. Its consuming shots require both a broad receding view through unit 1 and continuity with the unit-2 setting containing markers 15 and 16, so a wide view from camera cell [4,4] toward the unit-2 interface at look-at cell [4,8] provides the most inclusive committed framing without a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l41_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No earlier same-fp node or catalog reference exists; this first node must establish the dwelling identity directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 2 and opening marker 8, retaining the receding unit-1 axis while also exposing the unit-2 interface required across the consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 as the primary broad visible axis, directed toward unit 2 through the interface associated with opening marker 8. Preserve the committed base-marker relationships for units 1 through 7, openings 8 through 13, and persistent markers 15 and 16, while treating units beyond the selected unit-1-to-unit-2 cone as continuity context rather than guaranteed on-screen content.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [4,8] with a wide 90-degree field of view, giving broad coverage of the receding unit-1 axis and the opening-marker-8 interface while retaining usable foreground, midground, and background depth.",
            "subject_position_directive": "For S55_Shot1, preserve staging room for a leading foreground subject at lower center and following subjects across the left and right midground along the receding axis. For S55_Shot8, preserve opposing near-side and far-side subject positions around marker 15, with marker 15 occupying the lower-center relation committed by staging; do not invent additional subjects.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Exclude marker 17 and ignored overlay marker 17. Do not add unlisted overlays or scenario-specific elements, and do not imply units or openings outside the broad unit-1-to-unit-2 view as directly visible merely because the geometry lists them in visibility supersets."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [4, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 and opening marker 8, retaining the receding unit-1 axis while also exposing the unit-2 interface required across the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the primary broad visible axis, directed toward unit 2 through the interface associated with opening marker 8. Preserve the committed base-marker relationships for units 1 through 7, openings 8 through 13, and persistent markers 15 and 16, while treating units beyond the selected unit-1-to-unit-2 cone as continuity context rather than guaranteed on-screen content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [4,8] with a wide 90-degree field of view, giving broad coverage of the receding unit-1 axis and the opening-marker-8 interface while retaining usable foreground, midground, and background depth.\n  - subject_position_directive: For S55_Shot1, preserve staging room for a leading foreground subject at lower center and following subjects across the left and right midground along the receding axis. For S55_Shot8, preserve opposing near-side and far-side subject positions around marker 15, with marker 15 occupying the lower-center relation committed by staging; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude marker 17 and ignored overlay marker 17. Do not add unlisted overlays or scenario-specific elements, and do not imply units or openings outside the broad unit-1-to-unit-2 view as directly visible merely because the geometry lists them in visibility supersets.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [4, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 and opening marker 8, retaining the receding unit-1 axis while also exposing the unit-2 interface required across the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the primary broad visible axis, directed toward unit 2 through the interface associated with opening marker 8. Preserve the committed base-marker relationships for units 1 through 7, openings 8 through 13, and persistent markers 15 and 16, while treating units beyond the selected unit-1-to-unit-2 cone as continuity context rather than guaranteed on-screen content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [4,8] with a wide 90-degree field of view, giving broad coverage of the receding unit-1 axis and the opening-marker-8 interface while retaining usable foreground, midground, and background depth.\n  - subject_position_directive: For S55_Shot1, preserve staging room for a leading foreground subject at lower center and following subjects across the left and right midground along the receding axis. For S55_Shot8, preserve opposing near-side and far-side subject positions around marker 15, with marker 15 occupying the lower-center relation committed by staging; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude marker 17 and ignored overlay marker 17. Do not add unlisted overlays or scenario-specific elements, and do not imply units or openings outside the broad unit-1-to-unit-2 view as directly visible merely because the geometry lists them in visibility supersets.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [4, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 and opening marker 8, retaining the receding unit-1 axis while also exposing the unit-2 interface required across the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the primary broad visible axis, directed toward unit 2 through the interface associated with opening marker 8. Preserve the committed base-marker relationships for units 1 through 7, openings 8 through 13, and persistent markers 15 and 16, while treating units beyond the selected unit-1-to-unit-2 cone as continuity context rather than guaranteed on-screen content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [4,8] with a wide 90-degree field of view, giving broad coverage of the receding unit-1 axis and the opening-marker-8 interface while retaining usable foreground, midground, and background depth.\n  - subject_position_directive: For S55_Shot1, preserve staging room for a leading foreground subject at lower center and following subjects across the left and right midground along the receding axis. For S55_Shot8, preserve opposing near-side and far-side subject positions around marker 15, with marker 15 occupying the lower-center relation committed by staging; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude marker 17 and ignored overlay marker 17. Do not add unlisted overlays or scenario-specific elements, and do not imply units or openings outside the broad unit-1-to-unit-2 view as directly visible merely because the geometry lists them in visibility supersets.\n\n2015~2017년 대한민국 전라남도·광주권의 실제 교정시설을 기록한 듯한 긴 교도소 복도의 주간 사진. 서쪽 입구 가까운 복도 안에서 약 1.6m의 성인 눈높이로 서서, 35mm급 실제 DSLR 또는 미러리스 카메라와 32mm 광각 렌즈로 동쪽 끝을 향해 비스듬히 촬영한다. 카메라는 북쪽 벽의 조사실 문을 지나 복도 양쪽에 이어지는 감방 문들을 바라보며, 가까운 북쪽·남쪽 감방과 중간 지점의 북쪽·남쪽 감방을 거쳐 마지막 경계 너머 동쪽 끝 독방 문까지 깊게 보이게 한다. 조사실 문이 열린 시야에서는 방의 긴 축에 맞춘 조사용 탁자와 그 양쪽 및 뒤편에 놓인 면담용 의자들이 부분적으로 보인다. 대한민국 공공 교정시설에 맞는 두꺼운 철제 감방 문, 작은 관찰구, 도장된 철재의 미세한 마모와 손때, 오래 사용한 콘크리트 벽과 바닥의 현실적인 질감, 절제된 회색과 옅은 청록색 계열을 사실적으로 표현한다. 낮 시간의 담담하고 균일한 기관 실내광과 카메라 뒤쪽에서 유입되는 약한 자연광이 복도 안쪽으로 점차 줄어들며, 중간 정도의 명암과 자연스러운 색조, 과장되지 않은 원근감과 피사계 심도를 만든다. 전수조사가 진행되는 시간대의 엄정하고 절차적인 분위기를 유지하되, 인물·얼굴·인체 형상은 전혀 묘사하지 않는다. 공간은 정돈되고 훼손되지 않은 상태다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진과 구별되지 않는 재료 표현, 일상적인 사용감, 후보정이나 연출된 광고 사진 느낌 없음. 평면도, 위에서 내려다본 시점, 건축 도면, 삽화, 삼차원 시각화가 아닌 현실의 눈높이 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 2 and opening marker 8, retaining the receding unit-1 axis while also exposing the unit-2 interface required across the consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 as the primary broad visible axis, directed toward unit 2 through the interface associated with opening marker 8. Preserve the committed base-marker relationships for units 1 through 7, openings 8 through 13, and persistent markers 15 and 16, while treating units beyond the selected unit-1-to-unit-2 cone as continuity context rather than guaranteed on-screen content.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [4,8] with a wide 90-degree field of view, giving broad coverage of the receding unit-1 axis and the opening-marker-8 interface while retaining usable foreground, midground, and background depth.",
          "subject_position_directive": "For S55_Shot1, preserve staging room for a leading foreground subject at lower center and following subjects across the left and right midground along the receding axis. For S55_Shot8, preserve opposing near-side and far-side subject positions around marker 15, with marker 15 occupying the lower-center relation committed by staging; do not invent additional subjects.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Exclude marker 17 and ignored overlay marker 17. Do not add unlisted overlays or scenario-specific elements, and do not imply units or openings outside the broad unit-1-to-unit-2 view as directly visible merely because the geometry lists them in visibility supersets."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l41_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l41_corridor"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L42B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L42",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L42B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주광역시권 교정시설의 조용한 낮 독방 내부를 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 동쪽 벽 남단의 보안문 안쪽 문턱 부근에서 서북서쪽을 바라보며, 카메라는 약 1.3~1.5미터 높이의 낮은 눈높이이고 35밀리미터급 보통 광각 렌즈를 사용한다. 내려다보는 평면 시점이 아니라 사람이 실내에 서서 바라보는 자연스러운 수평 시점이다. 좁은 독방의 북쪽 벽을 따라 고정식 침상 플랫폼이 길게 놓이고, 맞은편 서쪽 벽 중앙 높은 곳에는 작고 견고한 보안창이 있다. 보안문은 두꺼운 도장 금속과 실제 사용으로 생긴 미세한 긁힘과 닳은 가장자리를 보이며, 벽과 바닥은 교정시설 특유의 거친 콘크리트 질감, 오래된 도장면의 불균일함, 소박한 얼룩과 생활 마모가 사실적으로 드러난다. 높은 보안창을 통과한 제한된 낮빛이 실내에 차갑고 부드럽게 퍼지며, 중성에서 약간 차가운 색조와 보통 명암으로 침상의 표면과 벽의 요철을 자연스럽게 보여 준다. 북쪽 벽의 침상 위와 옆에는 소박한 종교 문구를 손으로 적은 종이 메모들이 몇 장 붙어 있다. 침상 위에는 작고 낡은 성경 소책자 한 권이 놓여 있고, 그 안쪽 페이지 사이에는 작은 가석방 심사 서식이 숨겨져 있어 종이 가장자리만 매우 은근하게 드러난다. 문구와 서류를 선정적으로 확대하지 않고 빈 공간 속 일상적인 흔적으로 절제해 표현한다. 사람, 얼굴, 신체, 사람 모양의 형상은 전혀 없다. 실제 콘크리트, 도장 금속, 종이 섬유와 침상 재료의 질감, 믿을 수 있는 사용 흔적, 자연스러운 원근과 심도를 갖춘 실제 장소 참고 사진이며 깨끗한 광고 사진이나 건축 시각화가 아니다. 인위적인 미술화나 과장된 후처리 없이 담담하게 촬영한 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "동쪽 출입구 안쪽에서 서북서쪽을 바라보는 낮은 눈높이의 넓은 구도. 북쪽 벽의 고정식 침상과 서쪽 높은 보안창이 함께 읽히고, 침상 주변의 종교 메모와 침상 위 소책자가 과장 없이 보이게 한다. 빈 독방의 좁은 폭과 조용한 낮 분위기를 우선하며 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S64_Shot2"
          },
          {
            "guide_text": "침상과 북쪽 벽을 조금 더 비중 있게 담되 공간 전체의 위치 관계가 유지되는 중간 거리 구도. 종교 메모, 침상 위의 작은 성경 소책자, 책자 안쪽에 숨겨져 가장자리만 희미하게 드러나는 가석방 심사 서식이 자연스럽게 식별되도록 한다. 소품을 연출된 정물처럼 과장하지 말고 실제 교정시설 기록 사진처럼 담는다.",
            "shot_id": "S64_Shot3"
          }
        ],
        "shot_ids": [
          "S64_Shot2",
          "S64_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (secure doorway), facing diagonally across number 1 (main cell zone) toward number 5 (bed platform), number 8 (high security window), and the wall location associated with number 9 (religious wall notes)",
          "camera_height": "eye-level seated or low standing, approximately 1.3–1.5 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the cell compressed and austere. Include the bed platform and wall-note location prominently, with enough bed surface for number 10 (religious booklet) and number 11 (concealed review slip); retain ceiling-facing space for the later reclining shot."
        },
        "reference_decision": {
          "bg_id": "L42B01",
          "fp_id": "fp_l42_solitary_cell",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L42B01 is the sole supplied clean-anchor candidate and must establish dwelling identity without a prior same-fp reference. A wide view from unit 3 at [4,7] toward unit 1 at [4,4] supports the contextual background required by S64_Shot2 while preserving a stable environmental plate around the tighter S64_Shot3 insert.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l42_solitary_cell.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp reference is available; this node is rendered fresh as the dwelling-identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              7
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 3 toward unit 1 to retain environmental context for the medium staging while providing a stable plate that can be cropped for the insert staging.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              1
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 3, show unit 1 as the primary looked-at space, with unit 2 only where supported by the wide view. Preserve base markers 1 and 3 as the committed target units and retain the geometry-supported openings at markers 4 and 8 plus fixed marker 5 where they fall within the 90-degree view.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [4,7] toward look-at unit 1 at cell [4,4] with a wide 90-degree field of view, using broad coverage around the medium subject staging and retaining enough surrounding context for a later insert crop.",
            "subject_position_directive": "For S64_Shot2, place the committed upper-body subject in the left half, with both hands and the open content surface across the lower center and attention directed downward. For S64_Shot3, no subject body is committed; preserve the steep close framing on transient markers 10 and 11 without inventing additional subjects.",
            "state_cue_directive": "The background is not designated clean: include the committed state cues represented by transient markers 9, 10, and 11, using them only in the states established by S64_Shot2 and S64_Shot3 and without adding further state cues.",
            "negative_continuity_directive": "Do not invent unlisted numbered elements, additional subjects, or spaces beyond the unit 1 and unit 2 visibility superset from camera unit 3. Keep base markers 4, 5, and 8 structurally consistent with their committed positions, and do not convert transient markers 9, 10, or 11 into permanent fixtures."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 7]\n  - look_at_unit: 1\n  - look_at_cell: [4, 1]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 1 to retain environmental context for the medium staging while providing a stable plate that can be cropped for the insert staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 3, show unit 1 as the primary looked-at space, with unit 2 only where supported by the wide view. Preserve base markers 1 and 3 as the committed target units and retain the geometry-supported openings at markers 4 and 8 plus fixed marker 5 where they fall within the 90-degree view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [4,7] toward look-at unit 1 at cell [4,4] with a wide 90-degree field of view, using broad coverage around the medium subject staging and retaining enough surrounding context for a later insert crop.\n  - subject_position_directive: For S64_Shot2, place the committed upper-body subject in the left half, with both hands and the open content surface across the lower center and attention directed downward. For S64_Shot3, no subject body is committed; preserve the steep close framing on transient markers 10 and 11 without inventing additional subjects.\n  - state_cue_directive: The background is not designated clean: include the committed state cues represented by transient markers 9, 10, and 11, using them only in the states established by S64_Shot2 and S64_Shot3 and without adding further state cues.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, additional subjects, or spaces beyond the unit 1 and unit 2 visibility superset from camera unit 3. Keep base markers 4, 5, and 8 structurally consistent with their committed positions, and do not convert transient markers 9, 10, or 11 into permanent fixtures.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 7]\n  - look_at_unit: 1\n  - look_at_cell: [4, 1]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 1 to retain environmental context for the medium staging while providing a stable plate that can be cropped for the insert staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 3, show unit 1 as the primary looked-at space, with unit 2 only where supported by the wide view. Preserve base markers 1 and 3 as the committed target units and retain the geometry-supported openings at markers 4 and 8 plus fixed marker 5 where they fall within the 90-degree view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [4,7] toward look-at unit 1 at cell [4,4] with a wide 90-degree field of view, using broad coverage around the medium subject staging and retaining enough surrounding context for a later insert crop.\n  - subject_position_directive: For S64_Shot2, place the committed upper-body subject in the left half, with both hands and the open content surface across the lower center and attention directed downward. For S64_Shot3, no subject body is committed; preserve the steep close framing on transient markers 10 and 11 without inventing additional subjects.\n  - state_cue_directive: The background is not designated clean: include the committed state cues represented by transient markers 9, 10, and 11, using them only in the states established by S64_Shot2 and S64_Shot3 and without adding further state cues.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, additional subjects, or spaces beyond the unit 1 and unit 2 visibility superset from camera unit 3. Keep base markers 4, 5, and 8 structurally consistent with their committed positions, and do not convert transient markers 9, 10, or 11 into permanent fixtures.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 7]\n  - look_at_unit: 1\n  - look_at_cell: [4, 1]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 1 to retain environmental context for the medium staging while providing a stable plate that can be cropped for the insert staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 3, show unit 1 as the primary looked-at space, with unit 2 only where supported by the wide view. Preserve base markers 1 and 3 as the committed target units and retain the geometry-supported openings at markers 4 and 8 plus fixed marker 5 where they fall within the 90-degree view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [4,7] toward look-at unit 1 at cell [4,4] with a wide 90-degree field of view, using broad coverage around the medium subject staging and retaining enough surrounding context for a later insert crop.\n  - subject_position_directive: For S64_Shot2, place the committed upper-body subject in the left half, with both hands and the open content surface across the lower center and attention directed downward. For S64_Shot3, no subject body is committed; preserve the steep close framing on transient markers 10 and 11 without inventing additional subjects.\n  - state_cue_directive: The background is not designated clean: include the committed state cues represented by transient markers 9, 10, and 11, using them only in the states established by S64_Shot2 and S64_Shot3 and without adding further state cues.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, additional subjects, or spaces beyond the unit 1 and unit 2 visibility superset from camera unit 3. Keep base markers 4, 5, and 8 structurally consistent with their committed positions, and do not convert transient markers 9, 10, or 11 into permanent fixtures.\n\n2010년대 중후반 대한민국 광주광역시권 교정시설의 조용한 낮 독방 내부를 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 동쪽 벽 남단의 보안문 안쪽 문턱 부근에서 서북서쪽을 바라보며, 카메라는 약 1.3~1.5미터 높이의 낮은 눈높이이고 35밀리미터급 보통 광각 렌즈를 사용한다. 내려다보는 평면 시점이 아니라 사람이 실내에 서서 바라보는 자연스러운 수평 시점이다. 좁은 독방의 북쪽 벽을 따라 고정식 침상 플랫폼이 길게 놓이고, 맞은편 서쪽 벽 중앙 높은 곳에는 작고 견고한 보안창이 있다. 보안문은 두꺼운 도장 금속과 실제 사용으로 생긴 미세한 긁힘과 닳은 가장자리를 보이며, 벽과 바닥은 교정시설 특유의 거친 콘크리트 질감, 오래된 도장면의 불균일함, 소박한 얼룩과 생활 마모가 사실적으로 드러난다. 높은 보안창을 통과한 제한된 낮빛이 실내에 차갑고 부드럽게 퍼지며, 중성에서 약간 차가운 색조와 보통 명암으로 침상의 표면과 벽의 요철을 자연스럽게 보여 준다. 북쪽 벽의 침상 위와 옆에는 소박한 종교 문구를 손으로 적은 종이 메모들이 몇 장 붙어 있다. 침상 위에는 작고 낡은 성경 소책자 한 권이 놓여 있고, 그 안쪽 페이지 사이에는 작은 가석방 심사 서식이 숨겨져 있어 종이 가장자리만 매우 은근하게 드러난다. 문구와 서류를 선정적으로 확대하지 않고 빈 공간 속 일상적인 흔적으로 절제해 표현한다. 사람, 얼굴, 신체, 사람 모양의 형상은 전혀 없다. 실제 콘크리트, 도장 금속, 종이 섬유와 침상 재료의 질감, 믿을 수 있는 사용 흔적, 자연스러운 원근과 심도를 갖춘 실제 장소 참고 사진이며 깨끗한 광고 사진이나 건축 시각화가 아니다. 인위적인 미술화나 과장된 후처리 없이 담담하게 촬영한 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            7
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 3 toward unit 1 to retain environmental context for the medium staging while providing a stable plate that can be cropped for the insert staging.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            1
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 3, show unit 1 as the primary looked-at space, with unit 2 only where supported by the wide view. Preserve base markers 1 and 3 as the committed target units and retain the geometry-supported openings at markers 4 and 8 plus fixed marker 5 where they fall within the 90-degree view.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [4,7] toward look-at unit 1 at cell [4,4] with a wide 90-degree field of view, using broad coverage around the medium subject staging and retaining enough surrounding context for a later insert crop.",
          "subject_position_directive": "For S64_Shot2, place the committed upper-body subject in the left half, with both hands and the open content surface across the lower center and attention directed downward. For S64_Shot3, no subject body is committed; preserve the steep close framing on transient markers 10 and 11 without inventing additional subjects.",
          "state_cue_directive": "The background is not designated clean: include the committed state cues represented by transient markers 9, 10, and 11, using them only in the states established by S64_Shot2 and S64_Shot3 and without adding further state cues.",
          "negative_continuity_directive": "Do not invent unlisted numbered elements, additional subjects, or spaces beyond the unit 1 and unit 2 visibility superset from camera unit 3. Keep base markers 4, 5, and 8 structurally consistent with their committed positions, and do not convert transient markers 9, 10, or 11 into permanent fixtures."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l42_solitary_cell",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l42_solitary_cell"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L45B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L45",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L45B01.png",
        "t2i_prompt": "대한민국 광주·전남권의 21세기 초·중반 교정시설에서 볼 수 있는 소규모 면회실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 방문객 구역과 보안 구역은 방 중앙을 전폭으로 가르는 투명 플라스틱 가림판으로 분리되어 있으며, 방문객용 의자와 보안 구역의 의자가 가림판을 사이에 두고 서로 마주 본다. 방문객 쪽에는 의자 바로 앞과 가림판 사이에 좁은 카운터 선반이 놓여 있다. 방문객용 통제문과 보안 구역의 통제문은 프레임 주변부에 보이되 중심 피사체가 되지 않는다. 방문객 의자 가까운 위치에서 약 1.2미터의 앉은 눈높이로, 카운터 선반과 투명 가림판을 비스듬히 지나 맞은편 의자와 보안 구역을 바라보는 시점. 35밀리미터급 보통 광각 렌즈로 두 의자와 가림판 전체를 한 화면에 분명히 담아, 양쪽 좌석이 물리적으로 차단되어 있음을 사실적으로 보여준다. 조용한 주간의 차분한 실내광, 절제된 중성에서 약간 차가운 자연색, 과장 없는 명암과 자연스러운 깊이감. 실제 투명 플라스틱의 두께와 반사, 도장된 콘크리트 벽과 바닥, 금속 통제문의 표면과 생활 마모, 카운터 선반의 실제 재질감을 세밀하고 사실적으로 표현한다. 공간은 정돈된 평상시 상태다. 인물, 얼굴, 사람 형태의 모형은 전혀 없으며 비어 있는 배경 공간만 촬영한다. 깨끗한 상업용 사진이나 컴퓨터 그래픽이 아니라 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 장소 기록 사진, 자연스러운 초점 심도, 현실적인 재질과 노출, 인위적 후처리 없음. 위에서 내려다본 시점, 평면도, 건축 도식이 아닌 실제 실내 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "방문객 의자 가까운 위치의 약 1.2미터 높이에서 카운터 선반과 투명 가림판을 사선으로 가로질러 맞은편 의자를 바라본다. 서로 마주 보는 두 의자와 가림판 전체가 한 화면에서 명확히 읽히도록 하고, 양쪽 통제문은 화면 가장자리에만 담는다. 인물 없이 조용한 주간의 정돈된 면회실을 유지한다.",
            "shot_id": "S63_Shot5"
          },
          {
            "guide_text": "방문객 구역에서 보안 구역 방향으로 약간 비스듬히 촬영해 투명 가림판이 양쪽 공간을 물리적으로 분리하는 관계를 선명하게 보여준다. 35밀리미터급 보통 광각의 자연스러운 원근감으로 두 의자와 방문객용 카운터 선반을 함께 담고, 통제문은 주변부에 절제해 배치한다. 인물이나 일시적인 물건 없이 평상시의 깨끗한 상태를 보여준다.",
            "shot_id": "S63_Shot7"
          }
        ],
        "shot_ids": [
          "S63_Shot5",
          "S63_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "on the visitor side near number 5 (visitor chair), facing diagonally across number 7 (visitor counter ledge) and number 4 (transparent partition) toward number 6 (prisoner chair) and number 2 (secure prisoner zone)",
          "camera_height": "seated eye level, approximately 1.2m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame both facing seats and the full transparent barrier prominently so the two occupants remain visibly separated; keep the controlled doors peripheral and do not depict temporary objects or event marks."
        },
        "reference_decision": {
          "bg_id": "L45B01",
          "fp_id": "fp_l45_visitation_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L45B01 is the sole clean anchor candidate and must establish the dwelling identity without a prior reference. Camera unit 1 at [6,4] looking toward unit 2 at the permitted look-at cell [3,4] gives the surfaced close shots access to fixed marker 4 and the opposing sides of the central fixed structure; a normal 50-degree lens provides neutral coverage that can support their close framing.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l45_visitation_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 1 toward unit 2, with the sightline centered near fixed markers 4, 6, and 7 to support both the close insert and close over-shoulder staging.",
            "lens_enum": "normal",
            "look_at_cell": [
              3,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the near portion of unit 1 looking toward unit 2, organized around fixed markers 4 and 7, with marker 5 on the near side and marker 6 on the opposite side. Unit 3 and openings 8 and 9 are geometry supersets only and should appear only if naturally contained by the selected normal view cone.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [6,4] toward look-at unit 2 at cell [3,4] with a normal 50-degree field of view. Maintain neutral close coverage across fixed marker 4 so the two sides remain spatially legible while allowing the consuming shots to crop to insert and close scales.",
            "subject_position_directive": "For S63_Shot5, reserve the near and opposite sides of marker 4 for two aligned hands, with one in the middle-right foreground, one in the middle-left background, and marker 4 legible between them. For S63_Shot7, support a seated-eye-height close view through marker 4, with the principal subject area at center-left and a narrow near-side shoulder and partial-head area at the right edge.",
            "state_cue_directive": "The background is expected to be clean and has no transient marker numbers to describe. No committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Do not invent numbered elements, transient overlays, or scenario-specific objects beyond the committed facts. Keep markers 4 and 7 fixed in their established positions, do not relocate markers 5 or 6, and do not force unit 3 or openings 8 and 9 into the frame when they fall outside the chosen unit-1-to-unit-2 view cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [6, 4]\n  - look_at_unit: 2\n  - look_at_cell: [3, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, with the sightline centered near fixed markers 4, 6, and 7 to support both the close insert and close over-shoulder staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the near portion of unit 1 looking toward unit 2, organized around fixed markers 4 and 7, with marker 5 on the near side and marker 6 on the opposite side. Unit 3 and openings 8 and 9 are geometry supersets only and should appear only if naturally contained by the selected normal view cone.\n  - camera_framing_directive: Frame from camera unit 1 at cell [6,4] toward look-at unit 2 at cell [3,4] with a normal 50-degree field of view. Maintain neutral close coverage across fixed marker 4 so the two sides remain spatially legible while allowing the consuming shots to crop to insert and close scales.\n  - subject_position_directive: For S63_Shot5, reserve the near and opposite sides of marker 4 for two aligned hands, with one in the middle-right foreground, one in the middle-left background, and marker 4 legible between them. For S63_Shot7, support a seated-eye-height close view through marker 4, with the principal subject area at center-left and a narrow near-side shoulder and partial-head area at the right edge.\n  - state_cue_directive: The background is expected to be clean and has no transient marker numbers to describe. No committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not invent numbered elements, transient overlays, or scenario-specific objects beyond the committed facts. Keep markers 4 and 7 fixed in their established positions, do not relocate markers 5 or 6, and do not force unit 3 or openings 8 and 9 into the frame when they fall outside the chosen unit-1-to-unit-2 view cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [6, 4]\n  - look_at_unit: 2\n  - look_at_cell: [3, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, with the sightline centered near fixed markers 4, 6, and 7 to support both the close insert and close over-shoulder staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the near portion of unit 1 looking toward unit 2, organized around fixed markers 4 and 7, with marker 5 on the near side and marker 6 on the opposite side. Unit 3 and openings 8 and 9 are geometry supersets only and should appear only if naturally contained by the selected normal view cone.\n  - camera_framing_directive: Frame from camera unit 1 at cell [6,4] toward look-at unit 2 at cell [3,4] with a normal 50-degree field of view. Maintain neutral close coverage across fixed marker 4 so the two sides remain spatially legible while allowing the consuming shots to crop to insert and close scales.\n  - subject_position_directive: For S63_Shot5, reserve the near and opposite sides of marker 4 for two aligned hands, with one in the middle-right foreground, one in the middle-left background, and marker 4 legible between them. For S63_Shot7, support a seated-eye-height close view through marker 4, with the principal subject area at center-left and a narrow near-side shoulder and partial-head area at the right edge.\n  - state_cue_directive: The background is expected to be clean and has no transient marker numbers to describe. No committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not invent numbered elements, transient overlays, or scenario-specific objects beyond the committed facts. Keep markers 4 and 7 fixed in their established positions, do not relocate markers 5 or 6, and do not force unit 3 or openings 8 and 9 into the frame when they fall outside the chosen unit-1-to-unit-2 view cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [6, 4]\n  - look_at_unit: 2\n  - look_at_cell: [3, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 2, with the sightline centered near fixed markers 4, 6, and 7 to support both the close insert and close over-shoulder staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the near portion of unit 1 looking toward unit 2, organized around fixed markers 4 and 7, with marker 5 on the near side and marker 6 on the opposite side. Unit 3 and openings 8 and 9 are geometry supersets only and should appear only if naturally contained by the selected normal view cone.\n  - camera_framing_directive: Frame from camera unit 1 at cell [6,4] toward look-at unit 2 at cell [3,4] with a normal 50-degree field of view. Maintain neutral close coverage across fixed marker 4 so the two sides remain spatially legible while allowing the consuming shots to crop to insert and close scales.\n  - subject_position_directive: For S63_Shot5, reserve the near and opposite sides of marker 4 for two aligned hands, with one in the middle-right foreground, one in the middle-left background, and marker 4 legible between them. For S63_Shot7, support a seated-eye-height close view through marker 4, with the principal subject area at center-left and a narrow near-side shoulder and partial-head area at the right edge.\n  - state_cue_directive: The background is expected to be clean and has no transient marker numbers to describe. No committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not invent numbered elements, transient overlays, or scenario-specific objects beyond the committed facts. Keep markers 4 and 7 fixed in their established positions, do not relocate markers 5 or 6, and do not force unit 3 or openings 8 and 9 into the frame when they fall outside the chosen unit-1-to-unit-2 view cone.\n\n대한민국 광주·전남권의 21세기 초·중반 교정시설에서 볼 수 있는 소규모 면회실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 방문객 구역과 보안 구역은 방 중앙을 전폭으로 가르는 투명 플라스틱 가림판으로 분리되어 있으며, 방문객용 의자와 보안 구역의 의자가 가림판을 사이에 두고 서로 마주 본다. 방문객 쪽에는 의자 바로 앞과 가림판 사이에 좁은 카운터 선반이 놓여 있다. 방문객용 통제문과 보안 구역의 통제문은 프레임 주변부에 보이되 중심 피사체가 되지 않는다. 방문객 의자 가까운 위치에서 약 1.2미터의 앉은 눈높이로, 카운터 선반과 투명 가림판을 비스듬히 지나 맞은편 의자와 보안 구역을 바라보는 시점. 35밀리미터급 보통 광각 렌즈로 두 의자와 가림판 전체를 한 화면에 분명히 담아, 양쪽 좌석이 물리적으로 차단되어 있음을 사실적으로 보여준다. 조용한 주간의 차분한 실내광, 절제된 중성에서 약간 차가운 자연색, 과장 없는 명암과 자연스러운 깊이감. 실제 투명 플라스틱의 두께와 반사, 도장된 콘크리트 벽과 바닥, 금속 통제문의 표면과 생활 마모, 카운터 선반의 실제 재질감을 세밀하고 사실적으로 표현한다. 공간은 정돈된 평상시 상태다. 인물, 얼굴, 사람 형태의 모형은 전혀 없으며 비어 있는 배경 공간만 촬영한다. 깨끗한 상업용 사진이나 컴퓨터 그래픽이 아니라 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 장소 기록 사진, 자연스러운 초점 심도, 현실적인 재질과 노출, 인위적 후처리 없음. 위에서 내려다본 시점, 평면도, 건축 도식이 아닌 실제 실내 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            6,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 1 toward unit 2, with the sightline centered near fixed markers 4, 6, and 7 to support both the close insert and close over-shoulder staging.",
          "lens_enum": "normal",
          "look_at_cell": [
            3,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the near portion of unit 1 looking toward unit 2, organized around fixed markers 4 and 7, with marker 5 on the near side and marker 6 on the opposite side. Unit 3 and openings 8 and 9 are geometry supersets only and should appear only if naturally contained by the selected normal view cone.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [6,4] toward look-at unit 2 at cell [3,4] with a normal 50-degree field of view. Maintain neutral close coverage across fixed marker 4 so the two sides remain spatially legible while allowing the consuming shots to crop to insert and close scales.",
          "subject_position_directive": "For S63_Shot5, reserve the near and opposite sides of marker 4 for two aligned hands, with one in the middle-right foreground, one in the middle-left background, and marker 4 legible between them. For S63_Shot7, support a seated-eye-height close view through marker 4, with the principal subject area at center-left and a narrow near-side shoulder and partial-head area at the right edge.",
          "state_cue_directive": "The background is expected to be clean and has no transient marker numbers to describe. No committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Do not invent numbered elements, transient overlays, or scenario-specific objects beyond the committed facts. Keep markers 4 and 7 fixed in their established positions, do not relocate markers 5 or 6, and do not force unit 3 or openings 8 and 9 into the frame when they fall outside the chosen unit-1-to-unit-2 view cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l45_visitation_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l45_visitation_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L48B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L48",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L48B01.png",
        "t2i_prompt": "대한민국 남서부 도시권의 평범한 21세기 유치원 교실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 서쪽 교실 탁자 가까이에서 착석한 성인 눈높이 약 1.2m로 카메라를 두고, 35mm급 중간 광각 렌즈로 넓은 교실 중앙을 대각선으로 가로질러 북동쪽 독서 공간을 바라본다. 북쪽 벽의 세 외부 창문에서 들어오는 부드러운 낮빛이 조용한 교실을 자연스럽게 밝히며, 독서 공간의 낮은 붙박이 책장과 독서용 깔개, 교실 쪽으로 비스듬히 향한 교사용 독서 의자가 분명히 보인다. 화면에는 서쪽과 동쪽 교실 탁자의 일부, 남쪽 벽을 따라 이어지는 통행로와 복도 출입문, 붙박이 아동용 수납장이 함께 보여 실제 유치원의 생활 동선과 공간 깊이를 전달한다. 한국 유아교육 시설에서 흔히 볼 수 있는 실용적인 마감과 아동 눈높이에 맞춘 낮은 가구 비례, 실제 목재 무늬와 직물 짜임, 금속과 도장면의 미세한 일상적 사용감, 바닥과 벽의 자연스러운 질감을 사실적으로 표현한다. 중성에서 약간 서늘한 색조와 보통 수준의 대비, 창가와 실내 사이의 현실적인 밝기 차이, 자연스러운 피사계 심도, 과도하게 깨끗한 광고 사진이 아닌 담담한 실제 장소 기록 사진. 공간은 깨끗하고 흐트러짐 없이 정돈된 상태다. 사람, 얼굴, 인체 모양 형상은 전혀 없으며 빈 배경 공간만 촬영한다. 실제 DSLR 또는 미러리스 카메라 촬영, 사실적인 자연광, 과장된 조명이나 후처리 없음, 삽화나 컴퓨터 그래픽이 아닌 실제 장소 참고 사진, 내려다보는 평면도나 건축 도식이 아닌 수평 시점. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서쪽 교실 탁자 부근의 착석한 성인 눈높이에서 교실 중앙을 대각선으로 가로질러 북동쪽 독서 공간을 바라본다. 독서 공간과 낮은 붙박이 책장, 교사용 독서 의자를 화면의 중심적인 배경 요소로 두고, 북쪽 벽의 세 창문이 그 뒤나 옆에 함께 보이게 한다. 전경과 측면에는 교실 탁자 일부와 남쪽 통행로를 남겨 유치원 교실의 규모와 연결 동선을 보여준다. 사람이나 얼굴, 인체 모양 형상은 포함하지 않는다.",
            "shot_id": "S44_Shot2"
          }
        ],
        "shot_ids": [
          "S44_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 13 (west classroom table), facing diagonally across number 1 (main classroom) toward number 2 (reading area), number 10 (low bookcase), and number 12 (teacher reading chair)",
          "camera_height": "seated adult eye level, approximately 1.2m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame the reading area prominently with the three north-wall windows behind or beside it; retain part of the classroom tables and circulation aisle to establish the preschool setting. Characters and the teacher's momentary expression are scene content, not floor-plan markers."
        },
        "reference_decision": {
          "bg_id": "L48B01",
          "fp_id": "fp_kindergarten_interior",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole clean anchor candidate and has no prior same-fp reference, so it seeds the fixed dwelling identity directly from the floor plan. The camera uses the exact unit 1 candidate cell and looks toward unit 2 with a telephoto view matching the consuming shot's tight close staging.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_kindergarten_interior.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference is available; this first node must establish the dwelling identity from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              3
            ],
            "camera_unit": 1,
            "fov_deg": 25,
            "framing_notes": "Use the advertised narrow view from unit 1 toward unit 2 to support the committed tight oblique three-quarter close framing while retaining a limited fixed-background slice behind the staged subject.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              3,
              7
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show a narrow view from unit marker 1 toward unit marker 2. Within that telephoto slice, preserve the floor-plan placement of applicable base markers 10, 11, and 12 when they fall inside the cone; treat other units and openings only as geometry supersets rather than committed visible content.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [1,3] toward look-at unit 2 at cell [3,6] with a telephoto lens at 25 degrees, producing compressed, narrow coverage consistent with the committed tight oblique three-quarter close framing and below-eye-height approach.",
            "subject_position_directive": "Reserve the middle-center midground for the committed subject in a tight oblique three-quarter close-up, with the face near the look direction and the gaze extending beyond the lower foreground. Reserve the lower-center foreground for the staged soft upper-edge line of the held content surface; introduce no additional subjects beyond the committed staging.",
            "state_cue_directive": "Natural daytime ambient light should remain neutral-to-cool with moderate contrast and no committed subjective distortion. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Do not invent scenario-specific elements or unlisted state overlays. Do not force units 3 or 4, openings 5 through 9, or numbered elements outside the actual 25-degree view cone into the narrow frame; preserve the floor-plan positions of any numbered fixed elements that do enter the frame."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [1, 3]\n  - look_at_unit: 2\n  - look_at_cell: [3, 7]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the advertised narrow view from unit 1 toward unit 2 to support the committed tight oblique three-quarter close framing while retaining a limited fixed-background slice behind the staged subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow view from unit marker 1 toward unit marker 2. Within that telephoto slice, preserve the floor-plan placement of applicable base markers 10, 11, and 12 when they fall inside the cone; treat other units and openings only as geometry supersets rather than committed visible content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [1,3] toward look-at unit 2 at cell [3,6] with a telephoto lens at 25 degrees, producing compressed, narrow coverage consistent with the committed tight oblique three-quarter close framing and below-eye-height approach.\n  - subject_position_directive: Reserve the middle-center midground for the committed subject in a tight oblique three-quarter close-up, with the face near the look direction and the gaze extending beyond the lower foreground. Reserve the lower-center foreground for the staged soft upper-edge line of the held content surface; introduce no additional subjects beyond the committed staging.\n  - state_cue_directive: Natural daytime ambient light should remain neutral-to-cool with moderate contrast and no committed subjective distortion. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements or unlisted state overlays. Do not force units 3 or 4, openings 5 through 9, or numbered elements outside the actual 25-degree view cone into the narrow frame; preserve the floor-plan positions of any numbered fixed elements that do enter the frame.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [1, 3]\n  - look_at_unit: 2\n  - look_at_cell: [3, 7]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the advertised narrow view from unit 1 toward unit 2 to support the committed tight oblique three-quarter close framing while retaining a limited fixed-background slice behind the staged subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow view from unit marker 1 toward unit marker 2. Within that telephoto slice, preserve the floor-plan placement of applicable base markers 10, 11, and 12 when they fall inside the cone; treat other units and openings only as geometry supersets rather than committed visible content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [1,3] toward look-at unit 2 at cell [3,6] with a telephoto lens at 25 degrees, producing compressed, narrow coverage consistent with the committed tight oblique three-quarter close framing and below-eye-height approach.\n  - subject_position_directive: Reserve the middle-center midground for the committed subject in a tight oblique three-quarter close-up, with the face near the look direction and the gaze extending beyond the lower foreground. Reserve the lower-center foreground for the staged soft upper-edge line of the held content surface; introduce no additional subjects beyond the committed staging.\n  - state_cue_directive: Natural daytime ambient light should remain neutral-to-cool with moderate contrast and no committed subjective distortion. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements or unlisted state overlays. Do not force units 3 or 4, openings 5 through 9, or numbered elements outside the actual 25-degree view cone into the narrow frame; preserve the floor-plan positions of any numbered fixed elements that do enter the frame.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [1, 3]\n  - look_at_unit: 2\n  - look_at_cell: [3, 7]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the advertised narrow view from unit 1 toward unit 2 to support the committed tight oblique three-quarter close framing while retaining a limited fixed-background slice behind the staged subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow view from unit marker 1 toward unit marker 2. Within that telephoto slice, preserve the floor-plan placement of applicable base markers 10, 11, and 12 when they fall inside the cone; treat other units and openings only as geometry supersets rather than committed visible content.\n  - camera_framing_directive: Frame from camera unit 1 at cell [1,3] toward look-at unit 2 at cell [3,6] with a telephoto lens at 25 degrees, producing compressed, narrow coverage consistent with the committed tight oblique three-quarter close framing and below-eye-height approach.\n  - subject_position_directive: Reserve the middle-center midground for the committed subject in a tight oblique three-quarter close-up, with the face near the look direction and the gaze extending beyond the lower foreground. Reserve the lower-center foreground for the staged soft upper-edge line of the held content surface; introduce no additional subjects beyond the committed staging.\n  - state_cue_directive: Natural daytime ambient light should remain neutral-to-cool with moderate contrast and no committed subjective distortion. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements or unlisted state overlays. Do not force units 3 or 4, openings 5 through 9, or numbered elements outside the actual 25-degree view cone into the narrow frame; preserve the floor-plan positions of any numbered fixed elements that do enter the frame.\n\n대한민국 남서부 도시권의 평범한 21세기 유치원 교실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 서쪽 교실 탁자 가까이에서 착석한 성인 눈높이 약 1.2m로 카메라를 두고, 35mm급 중간 광각 렌즈로 넓은 교실 중앙을 대각선으로 가로질러 북동쪽 독서 공간을 바라본다. 북쪽 벽의 세 외부 창문에서 들어오는 부드러운 낮빛이 조용한 교실을 자연스럽게 밝히며, 독서 공간의 낮은 붙박이 책장과 독서용 깔개, 교실 쪽으로 비스듬히 향한 교사용 독서 의자가 분명히 보인다. 화면에는 서쪽과 동쪽 교실 탁자의 일부, 남쪽 벽을 따라 이어지는 통행로와 복도 출입문, 붙박이 아동용 수납장이 함께 보여 실제 유치원의 생활 동선과 공간 깊이를 전달한다. 한국 유아교육 시설에서 흔히 볼 수 있는 실용적인 마감과 아동 눈높이에 맞춘 낮은 가구 비례, 실제 목재 무늬와 직물 짜임, 금속과 도장면의 미세한 일상적 사용감, 바닥과 벽의 자연스러운 질감을 사실적으로 표현한다. 중성에서 약간 서늘한 색조와 보통 수준의 대비, 창가와 실내 사이의 현실적인 밝기 차이, 자연스러운 피사계 심도, 과도하게 깨끗한 광고 사진이 아닌 담담한 실제 장소 기록 사진. 공간은 깨끗하고 흐트러짐 없이 정돈된 상태다. 사람, 얼굴, 인체 모양 형상은 전혀 없으며 빈 배경 공간만 촬영한다. 실제 DSLR 또는 미러리스 카메라 촬영, 사실적인 자연광, 과장된 조명이나 후처리 없음, 삽화나 컴퓨터 그래픽이 아닌 실제 장소 참고 사진, 내려다보는 평면도나 건축 도식이 아닌 수평 시점. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            1,
            3
          ],
          "camera_unit": 1,
          "fov_deg": 25,
          "framing_notes": "Use the advertised narrow view from unit 1 toward unit 2 to support the committed tight oblique three-quarter close framing while retaining a limited fixed-background slice behind the staged subject.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            3,
            7
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show a narrow view from unit marker 1 toward unit marker 2. Within that telephoto slice, preserve the floor-plan placement of applicable base markers 10, 11, and 12 when they fall inside the cone; treat other units and openings only as geometry supersets rather than committed visible content.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [1,3] toward look-at unit 2 at cell [3,6] with a telephoto lens at 25 degrees, producing compressed, narrow coverage consistent with the committed tight oblique three-quarter close framing and below-eye-height approach.",
          "subject_position_directive": "Reserve the middle-center midground for the committed subject in a tight oblique three-quarter close-up, with the face near the look direction and the gaze extending beyond the lower foreground. Reserve the lower-center foreground for the staged soft upper-edge line of the held content surface; introduce no additional subjects beyond the committed staging.",
          "state_cue_directive": "Natural daytime ambient light should remain neutral-to-cool with moderate contrast and no committed subjective distortion. With no transient marker numbers listed and clean_background_expected true, no committed state cue beyond a clean residential space applies; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Do not invent scenario-specific elements or unlisted state overlays. Do not force units 3 or 4, openings 5 through 9, or numbered elements outside the actual 25-degree view cone into the narrow frame; preserve the floor-plan positions of any numbered fixed elements that do enter the frame."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_kindergarten_interior",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_kindergarten_interior"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L65B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L65",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L65B01.png",
        "t2i_prompt": "대한민국 남서부 도시권에서 볼 수 있는 2010년대 중후반의 낮 시간 유치원 전면을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 맞은편 보도에 선 카메라가 넓은 차도를 가로질러 울타리 안쪽의 앞마당과 중앙 현관을 바라본다. 카메라 높이는 서 있는 성인의 눈높이인 약 1.6미터이며, 35밀리미터급 렌즈의 적당한 광각으로 촬영한다. 전경에는 맞은편 보도의 포장면을 넉넉히 두고, 그 뒤로 동서 방향 차도와 반대편 연석 및 배수로, 유치원 쪽 보도가 차례로 보이게 하여 거리의 폭과 공간적 분리를 분명하게 드러낸다. 배경에는 낮은 교육시설 건물의 전면부가 이어지고, 중앙의 이중 출입문과 그 위로 돌출된 차양, 양옆으로 묶여 배치된 창문이 자연스럽게 보인다. 건물 앞에는 금속 울타리로 둘러싸인 앞마당이 있으며, 중앙 출입 동선과 맞물린 보행자 출입문과 한쪽의 더 넓은 차량 출입문이 읽힌다. 출입문 부근의 표지판은 아무 글자도 없는 빈 판으로 표현한다. 대한민국의 일상적인 교육시설답게 실제 콘크리트와 보도 포장재의 고른 풍화, 금속 울타리의 자연스러운 산화와 도장 사용감, 유리창의 현실적인 반사, 문과 차양의 실재하는 접합 구조를 세밀하게 담는다. 낮의 자연광은 중성에서 약간 차가운 색감이며 명암 대비는 과하지 않고, 흐리지 않은 현실적인 대기와 자연스러운 심도로 건물 전면까지 충분히 식별된다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 넣지 않는다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 기록 사진처럼 사실적이고 담담하게 표현하며, 과도한 보정 없이 실제 장소의 재질과 비례를 유지한다. 조감도, 평면도, 건축 도해, 삽화, 컴퓨터 그래픽처럼 보이지 않게 한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "맞은편 보도에서 차도를 건너 유치원 중앙 현관을 정면에 가깝게 바라본다. 전경에는 비어 있는 맞은편 보도를 충분히 남기고, 차도가 명확한 공간적 간격을 만들도록 하며, 배경의 보행자 출입문과 울타리 안쪽 앞마당, 출입구 차양과 주 출입문이 한눈에 읽히게 구성한다. 카메라 높이는 약 1.6미터, 35밀리미터 상당의 적당한 광각으로 과도한 원근 왜곡 없이 촬영한다.",
            "shot_id": "S78_Shot3"
          }
        ],
        "shot_ids": [
          "S78_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 6 (opposite sidewalk), facing across number 5 (road carriageway) toward number 2 (entrance threshold), number 7 (main entrance doors), and number 10 (pedestrian gate)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the opposite sidewalk in the foreground for figures across the road, the road as clear spatial separation, and the kindergarten entrance and forecourt readable in the background. The departed shuttle bus must not appear."
        },
        "reference_decision": {
          "bg_id": "L65B01",
          "fp_id": "fp_kindergarten_frontage",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L65B01 is the sole clean anchor candidate and therefore establishes the fixed dwelling identity without a prior reference. The consuming close shot calls for a dominant foreground subject with the across-unit sightline softly retained, so camera unit 6 at [8,4] looks toward unit 2 at [2,4] through a 25-degree telephoto cone.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_kindergarten_frontage.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp reference exists; this node is the required floor-plan-seeded identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              4
            ],
            "camera_unit": 6,
            "fov_deg": 25,
            "framing_notes": "Use narrow, compressed coverage from unit 6 toward unit 2 so the close foreground subject remains dominant while markers associated with the road-to-threshold sightline stay softly readable behind the subject.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              2,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 6, retain the narrow sightline through units 5 and 4 toward target unit 2. Keep opening marker 7 and fixed marker 9 readable near the look-at region where the 25-degree cone permits, with marker 13 aligned along the intervening approach; other referenced markers may remain outside the narrow frame.",
            "camera_framing_directive": "Frame from camera unit 6 at cell [8,4] toward look-at unit 2 at cell [2,4] with a telephoto 25-degree field of view. Use compressed, narrow coverage along the unit 6-to-unit 2 axis, keeping the close foreground staging dominant and the fixed background softly retained.",
            "subject_position_directive": "For S78_Shot3, place the committed subject in a close foreground view near middle-center at eye height, using the staged three-quarter-left head turn, halted shoulders, and across-road gaze. Keep only part of the upper body visible and do not invent additional subjects beyond the staging.",
            "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional weather, object, lighting-action, or damage cues.",
            "negative_continuity_directive": "Exclude ignored overlay markers 15 and 16. Do not add unlisted state overlays or force markers outside the narrow view cone into frame; preserve the floor-plan positions of visible base markers 1 through 14 and keep marker 14 without added lettering."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [8, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow, compressed coverage from unit 6 toward unit 2 so the close foreground subject remains dominant while markers associated with the road-to-threshold sightline stay softly readable behind the subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 6, retain the narrow sightline through units 5 and 4 toward target unit 2. Keep opening marker 7 and fixed marker 9 readable near the look-at region where the 25-degree cone permits, with marker 13 aligned along the intervening approach; other referenced markers may remain outside the narrow frame.\n  - camera_framing_directive: Frame from camera unit 6 at cell [8,4] toward look-at unit 2 at cell [2,4] with a telephoto 25-degree field of view. Use compressed, narrow coverage along the unit 6-to-unit 2 axis, keeping the close foreground staging dominant and the fixed background softly retained.\n  - subject_position_directive: For S78_Shot3, place the committed subject in a close foreground view near middle-center at eye height, using the staged three-quarter-left head turn, halted shoulders, and across-road gaze. Keep only part of the upper body visible and do not invent additional subjects beyond the staging.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional weather, object, lighting-action, or damage cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 15 and 16. Do not add unlisted state overlays or force markers outside the narrow view cone into frame; preserve the floor-plan positions of visible base markers 1 through 14 and keep marker 14 without added lettering.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [8, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow, compressed coverage from unit 6 toward unit 2 so the close foreground subject remains dominant while markers associated with the road-to-threshold sightline stay softly readable behind the subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 6, retain the narrow sightline through units 5 and 4 toward target unit 2. Keep opening marker 7 and fixed marker 9 readable near the look-at region where the 25-degree cone permits, with marker 13 aligned along the intervening approach; other referenced markers may remain outside the narrow frame.\n  - camera_framing_directive: Frame from camera unit 6 at cell [8,4] toward look-at unit 2 at cell [2,4] with a telephoto 25-degree field of view. Use compressed, narrow coverage along the unit 6-to-unit 2 axis, keeping the close foreground staging dominant and the fixed background softly retained.\n  - subject_position_directive: For S78_Shot3, place the committed subject in a close foreground view near middle-center at eye height, using the staged three-quarter-left head turn, halted shoulders, and across-road gaze. Keep only part of the upper body visible and do not invent additional subjects beyond the staging.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional weather, object, lighting-action, or damage cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 15 and 16. Do not add unlisted state overlays or force markers outside the narrow view cone into frame; preserve the floor-plan positions of visible base markers 1 through 14 and keep marker 14 without added lettering.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [8, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow, compressed coverage from unit 6 toward unit 2 so the close foreground subject remains dominant while markers associated with the road-to-threshold sightline stay softly readable behind the subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 6, retain the narrow sightline through units 5 and 4 toward target unit 2. Keep opening marker 7 and fixed marker 9 readable near the look-at region where the 25-degree cone permits, with marker 13 aligned along the intervening approach; other referenced markers may remain outside the narrow frame.\n  - camera_framing_directive: Frame from camera unit 6 at cell [8,4] toward look-at unit 2 at cell [2,4] with a telephoto 25-degree field of view. Use compressed, narrow coverage along the unit 6-to-unit 2 axis, keeping the close foreground staging dominant and the fixed background softly retained.\n  - subject_position_directive: For S78_Shot3, place the committed subject in a close foreground view near middle-center at eye height, using the staged three-quarter-left head turn, halted shoulders, and across-road gaze. Keep only part of the upper body visible and do not invent additional subjects beyond the staging.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional weather, object, lighting-action, or damage cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 15 and 16. Do not add unlisted state overlays or force markers outside the narrow view cone into frame; preserve the floor-plan positions of visible base markers 1 through 14 and keep marker 14 without added lettering.\n\n대한민국 남서부 도시권에서 볼 수 있는 2010년대 중후반의 낮 시간 유치원 전면을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 맞은편 보도에 선 카메라가 넓은 차도를 가로질러 울타리 안쪽의 앞마당과 중앙 현관을 바라본다. 카메라 높이는 서 있는 성인의 눈높이인 약 1.6미터이며, 35밀리미터급 렌즈의 적당한 광각으로 촬영한다. 전경에는 맞은편 보도의 포장면을 넉넉히 두고, 그 뒤로 동서 방향 차도와 반대편 연석 및 배수로, 유치원 쪽 보도가 차례로 보이게 하여 거리의 폭과 공간적 분리를 분명하게 드러낸다. 배경에는 낮은 교육시설 건물의 전면부가 이어지고, 중앙의 이중 출입문과 그 위로 돌출된 차양, 양옆으로 묶여 배치된 창문이 자연스럽게 보인다. 건물 앞에는 금속 울타리로 둘러싸인 앞마당이 있으며, 중앙 출입 동선과 맞물린 보행자 출입문과 한쪽의 더 넓은 차량 출입문이 읽힌다. 출입문 부근의 표지판은 아무 글자도 없는 빈 판으로 표현한다. 대한민국의 일상적인 교육시설답게 실제 콘크리트와 보도 포장재의 고른 풍화, 금속 울타리의 자연스러운 산화와 도장 사용감, 유리창의 현실적인 반사, 문과 차양의 실재하는 접합 구조를 세밀하게 담는다. 낮의 자연광은 중성에서 약간 차가운 색감이며 명암 대비는 과하지 않고, 흐리지 않은 현실적인 대기와 자연스러운 심도로 건물 전면까지 충분히 식별된다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 넣지 않는다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 기록 사진처럼 사실적이고 담담하게 표현하며, 과도한 보정 없이 실제 장소의 재질과 비례를 유지한다. 조감도, 평면도, 건축 도해, 삽화, 컴퓨터 그래픽처럼 보이지 않게 한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            8,
            4
          ],
          "camera_unit": 6,
          "fov_deg": 25,
          "framing_notes": "Use narrow, compressed coverage from unit 6 toward unit 2 so the close foreground subject remains dominant while markers associated with the road-to-threshold sightline stay softly readable behind the subject.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            2,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 6, retain the narrow sightline through units 5 and 4 toward target unit 2. Keep opening marker 7 and fixed marker 9 readable near the look-at region where the 25-degree cone permits, with marker 13 aligned along the intervening approach; other referenced markers may remain outside the narrow frame.",
          "camera_framing_directive": "Frame from camera unit 6 at cell [8,4] toward look-at unit 2 at cell [2,4] with a telephoto 25-degree field of view. Use compressed, narrow coverage along the unit 6-to-unit 2 axis, keeping the close foreground staging dominant and the fixed background softly retained.",
          "subject_position_directive": "For S78_Shot3, place the committed subject in a close foreground view near middle-center at eye height, using the staged three-quarter-left head turn, halted shoulders, and across-road gaze. Keep only part of the upper body visible and do not invent additional subjects beyond the staging.",
          "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional weather, object, lighting-action, or damage cues.",
          "negative_continuity_directive": "Exclude ignored overlay markers 15 and 16. Do not add unlisted state overlays or force markers outside the narrow view cone into frame; preserve the floor-plan positions of visible base markers 1 through 14 and keep marker 14 without added lettering."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_kindergarten_frontage",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_kindergarten_frontage",
            "building_fp:fp_kindergarten_interior"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_kindergarten_interior",
          "indoor_loc_sid": "L48",
          "group_id": "bg_kindergarten_complex",
          "fp_asset_id": "2c2d078b-361f-4e20-aeb4-1025bfeb9921"
        }
      },
      "L65B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L65",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L65B02.png",
        "t2i_prompt": "비가 갠 아침, 대한민국 전라남도·광주광역시권의 21세기 초·중반에 실제로 사용되던 소규모 유치원 현관 앞을 촬영한 실제 카메라 다큐멘터리 풍 사진. 가까운 쪽 인도에서 보행자 출입구를 지나 울타리 안 앞마당과 현관 문턱, 중앙의 주 출입문, 그 위로 돌출된 현관 캐노피를 대각선으로 바라본다. 카메라는 서 있는 성인의 눈높이 약 1.6m, 35mm급 중간 광각 렌즈이며, 평면도나 하향 시점이 아닌 실제 보행자의 시야다. 인도에서 덮인 현관까지 이어지는 짧은 접근 동선을 강조하고, 문턱 주변과 통로 양옆에는 자연스러운 여유 공간을 둔다. 건물 전면 양쪽의 여러 창, 중앙 출입문, 실용적인 금속 울타리, 보행자용 출입구와 더 넓은 차량용 출입구, 도로 가장자리의 배수로, 글자가 전혀 없는 빈 안내판이 실제 위치 관계에 맞게 배경을 이룬다. 2000년대 초부터 2010년대 중후반까지 한국 지방 도시에서 흔히 볼 수 있는 실용적인 교육시설 외관으로, 도장된 금속의 미세한 바램과 녹 흔적, 콘크리트와 보도 포장의 사용감, 창유리와 문 표면의 현실적인 질감을 보여 준다. 막 비가 그친 상태라 인도, 앞마당 보행로, 현관 문턱과 연석 배수로가 고르게 젖어 있고, 흐린 아침 하늘의 부드러운 밝기가 젖은 표면에 과장 없이 희미하게 반사된다. 현관 접근부에는 펼쳐서 위로 든 우산 하나가 프레임 일부에 들어오되, 우산을 든 사람은 완전히 화면 밖에 있어 사람, 얼굴, 신체, 사람 형태의 형상은 전혀 보이지 않는다. 자연광은 중성에서 약간 서늘한 색조와 보통 대비를 유지하며, 실제 콘크리트, 금속의 산화와 도장면, 유리, 젖은 포장재의 재질을 정확히 표현한다. 자연스러운 피사계 심도와 일상적인 마모 및 얼룩이 있는 실제 장소 기록 사진이며, 깨끗하게 연출된 스톡 사진처럼 보이지 않고 과도한 후처리도 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "가까운 쪽 인도에서 보행자 출입구를 비스듬히 통과해 현관 문과 캐노피를 바라본다. 인도에서 덮인 현관까지 이어지는 짧은 동선, 비에 젖은 바닥의 자연스러운 반사, 화면 가장자리에서 든 상태로 보이는 우산을 함께 담되 사람이나 신체는 보이지 않게 한다.",
            "shot_id": "S83_Shot1"
          },
          {
            "guide_text": "같은 보행자 눈높이와 사선 방향을 유지하면서 현관 문턱과 캐노피 아래 공간을 조금 더 분명히 보여 준다. 젖은 앞마당 통로와 현관 문턱의 질감, 출입 동선 주변의 여유 공간, 프레임 일부에 들어온 펼쳐 든 우산을 사실적으로 담고 인물은 완전히 화면 밖에 둔다.",
            "shot_id": "S83_Shot6"
          }
        ],
        "shot_ids": [
          "S83_Shot1",
          "S83_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 4 (near-side sidewalk approach), facing diagonally through number 10 (pedestrian gate) toward number 2 (entrance threshold), number 7 (main entrance doors), and number 9 (entrance canopy)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the short route between the sidewalk and covered entrance, with enough lateral space for one person at the threshold and another walking away. Depict the post-rain condition and raised umbrella through the separate transient overlay."
        },
        "reference_decision": {
          "bg_id": "L65B02",
          "fp_id": "fp_kindergarten_frontage",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "The consuming shots remain within the same physical unit set and reuse the fixed structural identity established by L65B01, but their camera is staged beside unit 2 and looks outward toward unit 4 rather than using the anchor's unit 6-to-unit 2 view. This genuinely different camera/look-at geometry warrants a new same-physical-space plate with reference-locked marker positions.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L65B01.png"
          ],
          "source_bg_ids": [
            "L65B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "space_units_1_2_3_4_5_6"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "space_units_1_2_3_4_5_6",
                "ref_bg_id": "L65B01",
                "space_description": "Same physical space defined by unit markers 1 through 6 and base markers 7 through 14."
              }
            ],
            "why_single_ref_or_two_refs": "L65B01 is the single earlier representative of the same physical space; the consuming shots do not require two distinct co-visible spaces."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              4
            ],
            "camera_unit": 2,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 2 toward unit 4 to support the two staged medium and close-medium subject arrangements while retaining an oblique threshold-side background and the outward sightline.",
            "lens_enum": "normal",
            "look_at_cell": [
              5,
              4
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "Show the same fixed physical space as L65B01 from camera unit 2 looking toward unit 4. Retain opening marker 7 and fixture marker 9 obliquely behind the staged near subjects, with unit 3 and unit 4 providing the outward visible context; preserve the established positions of markers 8, 10, 11, 12, 13, and 14 wherever they fall within the normal 50-degree cone.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [2,4] toward look-at unit 4 at cell [5,4] with a normal 50-degree field of view. Use neutral coverage suitable for the staged medium and close-medium compositions, retaining the oblique unit 2 context behind the near subjects and the outward unit 4 sightline.",
            "subject_position_directive": "For S83_Shot1, place the primary upper-body subject in a tightened three-quarter view near unit 2, head lowered, with the second subject represented at the opposite edge by the committed near-shoulder staging and an interval of empty space between them. For S83_Shot6, place the second subject in close-medium three-quarter view toward unit 4 with marker 16 lifted by a bent elbow, while the first subject remains a soft near-edge shoulder profile. Do not invent additional subjects.",
            "state_cue_directive": "Carry transient marker 15 as the committed post-event surface state and marker 16 as the committed temporary object, consistent with the soft morning daylight stated for S83_Shot1 and S83_Shot6. Add no state cues beyond numbered elements 1 through 16 and the surfaced shot staging.",
            "negative_continuity_directive": "Keep the structural positions inherited from L65B01 fixed, especially openings 7, 8, 10, and 11 and fixtures 9, 12, 13, and 14. Do not transplant the anchor's unit 6-to-unit 2 framing into this unit 2-to-unit 4 view, do not force units outside the 50-degree cone into frame, and do not add unlisted overlays or lettering."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L65B01' physical_space_id='space_units_1_2_3_4_5_6'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 4]\n  - look_at_unit: 4\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 2 toward unit 4 to support the two staged medium and close-medium subject arrangements while retaining an oblique threshold-side background and the outward sightline.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the same fixed physical space as L65B01 from camera unit 2 looking toward unit 4. Retain opening marker 7 and fixture marker 9 obliquely behind the staged near subjects, with unit 3 and unit 4 providing the outward visible context; preserve the established positions of markers 8, 10, 11, 12, 13, and 14 wherever they fall within the normal 50-degree cone.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,4] toward look-at unit 4 at cell [5,4] with a normal 50-degree field of view. Use neutral coverage suitable for the staged medium and close-medium compositions, retaining the oblique unit 2 context behind the near subjects and the outward unit 4 sightline.\n  - subject_position_directive: For S83_Shot1, place the primary upper-body subject in a tightened three-quarter view near unit 2, head lowered, with the second subject represented at the opposite edge by the committed near-shoulder staging and an interval of empty space between them. For S83_Shot6, place the second subject in close-medium three-quarter view toward unit 4 with marker 16 lifted by a bent elbow, while the first subject remains a soft near-edge shoulder profile. Do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 15 as the committed post-event surface state and marker 16 as the committed temporary object, consistent with the soft morning daylight stated for S83_Shot1 and S83_Shot6. Add no state cues beyond numbered elements 1 through 16 and the surfaced shot staging.\n  - negative_continuity_directive: Keep the structural positions inherited from L65B01 fixed, especially openings 7, 8, 10, and 11 and fixtures 9, 12, 13, and 14. Do not transplant the anchor's unit 6-to-unit 2 framing into this unit 2-to-unit 4 view, do not force units outside the 50-degree cone into frame, and do not add unlisted overlays or lettering.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L65B01' physical_space_id='space_units_1_2_3_4_5_6'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 4]\n  - look_at_unit: 4\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 2 toward unit 4 to support the two staged medium and close-medium subject arrangements while retaining an oblique threshold-side background and the outward sightline.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the same fixed physical space as L65B01 from camera unit 2 looking toward unit 4. Retain opening marker 7 and fixture marker 9 obliquely behind the staged near subjects, with unit 3 and unit 4 providing the outward visible context; preserve the established positions of markers 8, 10, 11, 12, 13, and 14 wherever they fall within the normal 50-degree cone.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,4] toward look-at unit 4 at cell [5,4] with a normal 50-degree field of view. Use neutral coverage suitable for the staged medium and close-medium compositions, retaining the oblique unit 2 context behind the near subjects and the outward unit 4 sightline.\n  - subject_position_directive: For S83_Shot1, place the primary upper-body subject in a tightened three-quarter view near unit 2, head lowered, with the second subject represented at the opposite edge by the committed near-shoulder staging and an interval of empty space between them. For S83_Shot6, place the second subject in close-medium three-quarter view toward unit 4 with marker 16 lifted by a bent elbow, while the first subject remains a soft near-edge shoulder profile. Do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 15 as the committed post-event surface state and marker 16 as the committed temporary object, consistent with the soft morning daylight stated for S83_Shot1 and S83_Shot6. Add no state cues beyond numbered elements 1 through 16 and the surfaced shot staging.\n  - negative_continuity_directive: Keep the structural positions inherited from L65B01 fixed, especially openings 7, 8, 10, and 11 and fixtures 9, 12, 13, and 14. Do not transplant the anchor's unit 6-to-unit 2 framing into this unit 2-to-unit 4 view, do not force units outside the 50-degree cone into frame, and do not add unlisted overlays or lettering.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L65B01' physical_space_id='space_units_1_2_3_4_5_6'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 4]\n  - look_at_unit: 4\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 2 toward unit 4 to support the two staged medium and close-medium subject arrangements while retaining an oblique threshold-side background and the outward sightline.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the same fixed physical space as L65B01 from camera unit 2 looking toward unit 4. Retain opening marker 7 and fixture marker 9 obliquely behind the staged near subjects, with unit 3 and unit 4 providing the outward visible context; preserve the established positions of markers 8, 10, 11, 12, 13, and 14 wherever they fall within the normal 50-degree cone.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,4] toward look-at unit 4 at cell [5,4] with a normal 50-degree field of view. Use neutral coverage suitable for the staged medium and close-medium compositions, retaining the oblique unit 2 context behind the near subjects and the outward unit 4 sightline.\n  - subject_position_directive: For S83_Shot1, place the primary upper-body subject in a tightened three-quarter view near unit 2, head lowered, with the second subject represented at the opposite edge by the committed near-shoulder staging and an interval of empty space between them. For S83_Shot6, place the second subject in close-medium three-quarter view toward unit 4 with marker 16 lifted by a bent elbow, while the first subject remains a soft near-edge shoulder profile. Do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 15 as the committed post-event surface state and marker 16 as the committed temporary object, consistent with the soft morning daylight stated for S83_Shot1 and S83_Shot6. Add no state cues beyond numbered elements 1 through 16 and the surfaced shot staging.\n  - negative_continuity_directive: Keep the structural positions inherited from L65B01 fixed, especially openings 7, 8, 10, and 11 and fixtures 9, 12, 13, and 14. Do not transplant the anchor's unit 6-to-unit 2 framing into this unit 2-to-unit 4 view, do not force units outside the 50-degree cone into frame, and do not add unlisted overlays or lettering.\n\n비가 갠 아침, 대한민국 전라남도·광주광역시권의 21세기 초·중반에 실제로 사용되던 소규모 유치원 현관 앞을 촬영한 실제 카메라 다큐멘터리 풍 사진. 가까운 쪽 인도에서 보행자 출입구를 지나 울타리 안 앞마당과 현관 문턱, 중앙의 주 출입문, 그 위로 돌출된 현관 캐노피를 대각선으로 바라본다. 카메라는 서 있는 성인의 눈높이 약 1.6m, 35mm급 중간 광각 렌즈이며, 평면도나 하향 시점이 아닌 실제 보행자의 시야다. 인도에서 덮인 현관까지 이어지는 짧은 접근 동선을 강조하고, 문턱 주변과 통로 양옆에는 자연스러운 여유 공간을 둔다. 건물 전면 양쪽의 여러 창, 중앙 출입문, 실용적인 금속 울타리, 보행자용 출입구와 더 넓은 차량용 출입구, 도로 가장자리의 배수로, 글자가 전혀 없는 빈 안내판이 실제 위치 관계에 맞게 배경을 이룬다. 2000년대 초부터 2010년대 중후반까지 한국 지방 도시에서 흔히 볼 수 있는 실용적인 교육시설 외관으로, 도장된 금속의 미세한 바램과 녹 흔적, 콘크리트와 보도 포장의 사용감, 창유리와 문 표면의 현실적인 질감을 보여 준다. 막 비가 그친 상태라 인도, 앞마당 보행로, 현관 문턱과 연석 배수로가 고르게 젖어 있고, 흐린 아침 하늘의 부드러운 밝기가 젖은 표면에 과장 없이 희미하게 반사된다. 현관 접근부에는 펼쳐서 위로 든 우산 하나가 프레임 일부에 들어오되, 우산을 든 사람은 완전히 화면 밖에 있어 사람, 얼굴, 신체, 사람 형태의 형상은 전혀 보이지 않는다. 자연광은 중성에서 약간 서늘한 색조와 보통 대비를 유지하며, 실제 콘크리트, 금속의 산화와 도장면, 유리, 젖은 포장재의 재질을 정확히 표현한다. 자연스러운 피사계 심도와 일상적인 마모 및 얼룩이 있는 실제 장소 기록 사진이며, 깨끗하게 연출된 스톡 사진처럼 보이지 않고 과도한 후처리도 없다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            2,
            4
          ],
          "camera_unit": 2,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 2 toward unit 4 to support the two staged medium and close-medium subject arrangements while retaining an oblique threshold-side background and the outward sightline.",
          "lens_enum": "normal",
          "look_at_cell": [
            5,
            4
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show the same fixed physical space as L65B01 from camera unit 2 looking toward unit 4. Retain opening marker 7 and fixture marker 9 obliquely behind the staged near subjects, with unit 3 and unit 4 providing the outward visible context; preserve the established positions of markers 8, 10, 11, 12, 13, and 14 wherever they fall within the normal 50-degree cone.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [2,4] toward look-at unit 4 at cell [5,4] with a normal 50-degree field of view. Use neutral coverage suitable for the staged medium and close-medium compositions, retaining the oblique unit 2 context behind the near subjects and the outward unit 4 sightline.",
          "subject_position_directive": "For S83_Shot1, place the primary upper-body subject in a tightened three-quarter view near unit 2, head lowered, with the second subject represented at the opposite edge by the committed near-shoulder staging and an interval of empty space between them. For S83_Shot6, place the second subject in close-medium three-quarter view toward unit 4 with marker 16 lifted by a bent elbow, while the first subject remains a soft near-edge shoulder profile. Do not invent additional subjects.",
          "state_cue_directive": "Carry transient marker 15 as the committed post-event surface state and marker 16 as the committed temporary object, consistent with the soft morning daylight stated for S83_Shot1 and S83_Shot6. Add no state cues beyond numbered elements 1 through 16 and the surfaced shot staging.",
          "negative_continuity_directive": "Keep the structural positions inherited from L65B01 fixed, especially openings 7, 8, 10, and 11 and fixtures 9, 12, 13, and 14. Do not transplant the anchor's unit 6-to-unit 2 framing into this unit 2-to-unit 4 view, do not force units outside the 50-degree cone into frame, and do not add unlisted overlays or lettering."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_kindergarten_frontage",
          "prior_bg_ids": [
            "L65B01"
          ],
          "attached_ref_labels": [
            "bg:L65B01",
            "building_fp:fp_kindergarten_interior"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_kindergarten_interior",
          "indoor_loc_sid": "L48",
          "group_id": "bg_kindergarten_complex",
          "fp_asset_id": "2c2d078b-361f-4e20-aeb4-1025bfeb9921"
        }
      },
      "L66B01": {
        "status": "ok",
        "location_id": "L66",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L66B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시권의 평범한 유치원 놀이터 한편을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 서쪽 경계 울타리 옆 대화 구역 가장자리에서 서 있는 사람의 눈높이 약 1.6미터로 촬영하고, 35밀리미터급 적당한 광각 렌즈로 중앙의 넓은 개방형 놀이 바닥을 대각선으로 가로질러 북서쪽 미끄럼틀과 오르기 구조물, 북동쪽 그네를 바라본다. 남쪽과 서쪽 가장자리에는 좁은 포장 보행로가 이어지고 남서쪽에는 보행자 출입문이 자연스럽게 보이며, 모래 놀이터는 중앙 놀이 공간의 남동쪽 가장자리에 놓인다. 중후반 2010년대 한국 유치원에서 흔한 분체도장 금속 놀이기구, 햇빛에 조금 바랜 플라스틱, 실제 고무 안전 바닥의 미세한 마모와 얼룩, 모래의 불규칙한 결, 금속 울타리의 작은 긁힘과 생활 흔적을 정확하게 표현한다. 낮의 자연광은 흐리지 않은 부드러운 중성광으로 공간 전체에 고르게 퍼지고, 절제된 중성~차가운 색감과 보통 수준의 대비를 유지한다. 화면 가까운 서쪽 대화 위치에는 프레임 밖에서 들고 있는 상태의 스마트폰 화면만 보이며, 손이나 신체는 전혀 나오지 않는다. 스마트폰은 당시 세대에 맞는 형태이고 화면 경계 안에 알리바이 증빙 사진이 표시되어 있으며, 사진은 주변 현실 공간과 구분되는 디지털 밝기와 약한 화면 반사를 지닌 평면 이미지로만 보인다. 사진 안에도 식별 가능한 사람, 얼굴, 신체 형상은 나타내지 않는다. 놀이터에는 사람, 어린이, 얼굴, 손, 신체 모양의 장식이나 인형이 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 현장에서 기록한 사실적인 장소 참고 사진처럼 보이게 하고, 자연스러운 원근과 피사계 심도, 정확한 콘크리트·금속·고무·플라스틱·모래 질감, 과장되지 않은 일상적 마모를 담는다. 깨끗한 상업용 홍보 사진, 삽화, 삼차원 시각화, 건축 도면, 평면도, 위에서 내려다본 시점이 아니며 인위적인 후처리 효과가 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서쪽 대화 구역 가장자리의 서 있는 사람 눈높이에서 중앙 놀이 공간과 북쪽 놀이기구가 함께 보이는 중간 너비 구도. 화면 가까이에 프레임 밖에서 들고 있는 스마트폰 화면만 들어오게 하며, 알리바이 증빙 사진이 디스플레이 경계 안에서 식별되도록 한다. 사람, 손, 얼굴, 신체 형상은 보이지 않게 한다.",
            "shot_id": "S79_Shot3"
          },
          {
            "guide_text": "같은 서쪽 시점을 유지하되 스마트폰 화면의 비중을 조금 높인다. 화면 속 사진은 실제 디지털 디스플레이의 반사와 밝기, 화소감 안에만 존재하게 하고, 배경에는 중앙 놀이 바닥과 미끄럼틀·오르기 구조물의 공간 관계가 충분히 남도록 한다. 인물이나 신체 일부는 포함하지 않는다.",
            "shot_id": "S79_Shot4"
          },
          {
            "guide_text": "35밀리미터급 적당한 광각의 환경 중심 구도로, 스마트폰과 멀리 있는 그네 및 미끄럼틀 사이에 자연스러운 깊이를 만든다. 뒤쪽 경계 울타리가 서쪽 대화 위치를 받쳐 주고 남부 지역의 평범한 유치원 야외 공간이 사실적으로 읽히게 한다. 화면 속 사진 외에는 사건을 암시하는 추가 흔적이나 물건을 넣지 않는다.",
            "shot_id": "S79_Shot8"
          }
        ],
        "shot_ids": [
          "S79_Shot3",
          "S79_Shot4",
          "S79_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "at the edge of number 3 (conversation area), facing diagonally across number 2 (open play surface) toward numbers 5 and 6 (play equipment), with number 9 (perimeter fence) behind the conversation group",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Stage the confrontation prominently within number 3, include number 11 as a handheld smartphone displaying the photograph, and retain part of number 2 with playground activity in the middle background. Keep play equipment and the perimeter fence as spatial context without distracting from the conversation."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "site_surface",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시권의 평범한 유치원 놀이터 한편을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 서쪽 경계 울타리 옆 대화 구역 가장자리에서 서 있는 사람의 눈높이 약 1.6미터로 촬영하고, 35밀리미터급 적당한 광각 렌즈로 중앙의 넓은 개방형 놀이 바닥을 대각선으로 가로질러 북서쪽 미끄럼틀과 오르기 구조물, 북동쪽 그네를 바라본다. 남쪽과 서쪽 가장자리에는 좁은 포장 보행로가 이어지고 남서쪽에는 보행자 출입문이 자연스럽게 보이며, 모래 놀이터는 중앙 놀이 공간의 남동쪽 가장자리에 놓인다. 중후반 2010년대 한국 유치원에서 흔한 분체도장 금속 놀이기구, 햇빛에 조금 바랜 플라스틱, 실제 고무 안전 바닥의 미세한 마모와 얼룩, 모래의 불규칙한 결, 금속 울타리의 작은 긁힘과 생활 흔적을 정확하게 표현한다. 낮의 자연광은 흐리지 않은 부드러운 중성광으로 공간 전체에 고르게 퍼지고, 절제된 중성~차가운 색감과 보통 수준의 대비를 유지한다. 화면 가까운 서쪽 대화 위치에는 프레임 밖에서 들고 있는 상태의 스마트폰 화면만 보이며, 손이나 신체는 전혀 나오지 않는다. 스마트폰은 당시 세대에 맞는 형태이고 화면 경계 안에 알리바이 증빙 사진이 표시되어 있으며, 사진은 주변 현실 공간과 구분되는 디지털 밝기와 약한 화면 반사를 지닌 평면 이미지로만 보인다. 사진 안에도 식별 가능한 사람, 얼굴, 신체 형상은 나타내지 않는다. 놀이터에는 사람, 어린이, 얼굴, 손, 신체 모양의 장식이나 인형이 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 현장에서 기록한 사실적인 장소 참고 사진처럼 보이게 하고, 자연스러운 원근과 피사계 심도, 정확한 콘크리트·금속·고무·플라스틱·모래 질감, 과장되지 않은 일상적 마모를 담는다. 깨끗한 상업용 홍보 사진, 삽화, 삼차원 시각화, 건축 도면, 평면도, 위에서 내려다본 시점이 아니며 인위적인 후처리 효과가 없다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_anchor:L65B01",
            "building_fp:fp_kindergarten_interior"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_kindergarten_interior",
          "indoor_loc_sid": "L48",
          "group_id": "bg_kindergarten_complex",
          "fp_asset_id": "2c2d078b-361f-4e20-aeb4-1025bfeb9921"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L65B01",
          "group_id": "bg_kindergarten_complex"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_kindergarten_playground"
      },
      "L51B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L51",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L51B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 광주광역시 교외의 소박한 카페 실내를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 고객 출입문 안쪽의 문턱 부근에서, 비어 있는 주 통로를 가로질러 전면 중앙의 인터뷰용 테이블을 대각선으로 바라본 시점이다. 카메라 높이는 약 1.4~1.6미터의 자연스러운 사람 눈높이이며 35밀리미터급 보통 광각 렌즈를 사용한다. 인터뷰용 테이블이 화면의 주된 기준점이고, 세 방향에 놓인 의자와 남쪽 전면 창이 함께 보인다. 출입문은 테이블 뒤쪽 또는 화면 한편에 남아 있으며, 북쪽의 실용적인 서비스 카운터와 동쪽의 보조 테이블은 절제된 카페 배경으로 이어진다.\n\n조용한 낮 시간으로, 전면 창을 통과한 부드러운 자연광이 중성에서 약간 차가운 색감으로 실내에 퍼진다. 2010년대 중후반 한국 교외 카페에서 볼 수 있는 단정하지만 평범한 마감, 실제 목재 결이 드러나는 테이블과 의자, 미세한 긁힘과 닳은 모서리, 현실적인 금속 부품의 흔적, 바닥과 카운터의 가벼운 일상 얼룩을 표현한다. 지나치게 세련된 새 매장이나 깨끗한 광고 사진처럼 보이지 않으며, 보통의 천장 조명 기구와 자연광이 함께 만드는 사실적인 명암을 유지한다.\n\n인터뷰용 테이블 위에는 사용 중인 상태의 커피잔 여러 개가 자연스럽게 모여 있고, 질문을 기록하던 듯한 펼쳐진 공책 하나가 테이블 한쪽에 놓여 있다. 그 외 공간은 흐트러지지 않은 조용한 상태이며, 빈 의자 사이의 간격과 정돈된 정물의 고요함만으로 절제된 긴장감을 전달한다. 사람, 얼굴, 신체 형상, 사람처럼 보이는 장식물은 전혀 없다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현실적인 장소 참고 사진, 정확한 콘크리트·금속·목재·유리 재질, 자연스러운 원근과 피사계 심도, 과장 없는 노출, 후처리 없는 담담한 기록사진. 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "남서쪽 출입문 안쪽 부근에서 통로를 따라 대각선으로 인터뷰용 테이블을 바라본다. 테이블을 주된 시각적 중심으로 두고 세 방향의 의자와 남쪽 전면 창을 함께 포함하며, 출입문은 프레임 뒤쪽 또는 한쪽 가장자리에 남긴다. 눈높이 약 1.5미터, 35밀리미터급 화각의 자연스러운 넓은 구도이며 사람은 배치하지 않는다.",
            "shot_id": "S48_Shot6"
          },
          {
            "guide_text": "같은 카메라 축을 유지하되 출입문과 문턱 구역이 테이블 옆 배경에서 분명히 읽히도록 약간 넓게 잡는다. 비어 있는 통로가 출입문에서 인터뷰용 테이블과 서비스 카운터 방향으로 이어지고, 동쪽 보조 테이블은 조용한 카페 맥락으로만 약하게 보이게 한다. 사람이나 사람 형태의 장식물은 포함하지 않는다.",
            "shot_id": "S48_Shot9"
          },
          {
            "guide_text": "인터뷰용 테이블의 빈 좌석 배치와 테이블 위 커피잔 묶음, 펼쳐진 공책이 읽히도록 조금 더 밀도 있게 프레이밍한다. 전면 창에서 들어오는 낮빛과 서비스 카운터 일부를 남겨 공간의 방향성을 유지하고, 과장된 근접 촬영이나 인위적인 심도 효과 없이 실제 관찰 사진처럼 표현한다. 사람은 등장시키지 않는다.",
            "shot_id": "S48_Shot13"
          }
        ],
        "shot_ids": [
          "S48_Shot6",
          "S48_Shot9",
          "S48_Shot13"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 2 (entrance threshold), facing diagonally across number 9 (circulation aisle) toward number 4 (interview table), with number 5 (three-chair set) and number 7 (front window band) in view",
          "camera_height": "eye-level seated-to-standing range, approximately 1.4–1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep number 4 as the primary anchor for three-person interview coverage; include number 6 behind or to one side for the arriving-person entrance action, and retain number 12 as subdued cafe context. Depict numbers 10 and 11 only as scene-state objects on the interview table."
        },
        "reference_decision": {
          "bg_id": "L51B01",
          "fp_id": "fp_cafe_main",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L51B01 is the sole supplied clean-anchor candidate and the only render-ready BG. It therefore establishes dwelling identity directly from the floor plan without a prior reference. A wide view from camera unit 1 at [4,5] toward unit 2 at [7,1] supports the three consuming shots' shared seated-axis staging while covering their target units and persistent numbered elements.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_cafe_main.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 2 so the staged medium, two-subject, and close over-shoulder compositions can retain the committed table-axis relationship while preserving surrounding structural context.",
            "lens_enum": "wide",
            "look_at_cell": [
              7,
              5
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show camera unit 1 oriented toward unit 2, with broad coverage capable of retaining target units 1, 2, 3, and 9. Keep base markers 4 and 5 on the shared seated axis, marker 8 fixed on the unit-3 side, marker 12 in its committed position, and expose openings 6 and 7 only as supported by the wide view from unit 1.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,5] toward look-at unit 2 at cell [7,1] with the wide lens at 90 degrees. Use broad coverage along this axis, retaining enough lower-frame and foreground area for the staged seated arrangements while keeping the principal upper-body emphasis available to the consuming shots.",
            "subject_position_directive": "Across the surfaced shots, preserve the committed seated relationship around base markers 4 and 5: S48_Shot6 places one seated subject on the far side with upper torso above and hands in the lower frame; S48_Shot9 places two seated subjects across the same axis; S48_Shot13 places two soft shoulder lines at the lower-left and lower-right foreground with one seated subject centered in the midground. Add no subjects beyond these staged configurations.",
            "state_cue_directive": "Carry transient markers 10 and 11 as the committed state overlays and use numbered elements 1 through 12 only as listed in the BG facts. Maintain the restrained natural daytime ambience and moderate contrast committed by the surfaced shots; do not invent additional state cues.",
            "negative_continuity_directive": "There are no committed ignored numbered elements or ignored overlay markers. Preserve the floor-plan positions of base markers 1, 2, 3, 4, 5, 6, 7, 8, 9, and 12; do not introduce unlisted state overlays, and do not depict units or openings outside the camera-unit-1 visibility candidate sets of units 2, 3, and 9 and openings 6 and 7."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [7, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 so the staged medium, two-subject, and close over-shoulder compositions can retain the committed table-axis relationship while preserving surrounding structural context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show camera unit 1 oriented toward unit 2, with broad coverage capable of retaining target units 1, 2, 3, and 9. Keep base markers 4 and 5 on the shared seated axis, marker 8 fixed on the unit-3 side, marker 12 in its committed position, and expose openings 6 and 7 only as supported by the wide view from unit 1.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,5] toward look-at unit 2 at cell [7,1] with the wide lens at 90 degrees. Use broad coverage along this axis, retaining enough lower-frame and foreground area for the staged seated arrangements while keeping the principal upper-body emphasis available to the consuming shots.\n  - subject_position_directive: Across the surfaced shots, preserve the committed seated relationship around base markers 4 and 5: S48_Shot6 places one seated subject on the far side with upper torso above and hands in the lower frame; S48_Shot9 places two seated subjects across the same axis; S48_Shot13 places two soft shoulder lines at the lower-left and lower-right foreground with one seated subject centered in the midground. Add no subjects beyond these staged configurations.\n  - state_cue_directive: Carry transient markers 10 and 11 as the committed state overlays and use numbered elements 1 through 12 only as listed in the BG facts. Maintain the restrained natural daytime ambience and moderate contrast committed by the surfaced shots; do not invent additional state cues.\n  - negative_continuity_directive: There are no committed ignored numbered elements or ignored overlay markers. Preserve the floor-plan positions of base markers 1, 2, 3, 4, 5, 6, 7, 8, 9, and 12; do not introduce unlisted state overlays, and do not depict units or openings outside the camera-unit-1 visibility candidate sets of units 2, 3, and 9 and openings 6 and 7.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [7, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 so the staged medium, two-subject, and close over-shoulder compositions can retain the committed table-axis relationship while preserving surrounding structural context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show camera unit 1 oriented toward unit 2, with broad coverage capable of retaining target units 1, 2, 3, and 9. Keep base markers 4 and 5 on the shared seated axis, marker 8 fixed on the unit-3 side, marker 12 in its committed position, and expose openings 6 and 7 only as supported by the wide view from unit 1.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,5] toward look-at unit 2 at cell [7,1] with the wide lens at 90 degrees. Use broad coverage along this axis, retaining enough lower-frame and foreground area for the staged seated arrangements while keeping the principal upper-body emphasis available to the consuming shots.\n  - subject_position_directive: Across the surfaced shots, preserve the committed seated relationship around base markers 4 and 5: S48_Shot6 places one seated subject on the far side with upper torso above and hands in the lower frame; S48_Shot9 places two seated subjects across the same axis; S48_Shot13 places two soft shoulder lines at the lower-left and lower-right foreground with one seated subject centered in the midground. Add no subjects beyond these staged configurations.\n  - state_cue_directive: Carry transient markers 10 and 11 as the committed state overlays and use numbered elements 1 through 12 only as listed in the BG facts. Maintain the restrained natural daytime ambience and moderate contrast committed by the surfaced shots; do not invent additional state cues.\n  - negative_continuity_directive: There are no committed ignored numbered elements or ignored overlay markers. Preserve the floor-plan positions of base markers 1, 2, 3, 4, 5, 6, 7, 8, 9, and 12; do not introduce unlisted state overlays, and do not depict units or openings outside the camera-unit-1 visibility candidate sets of units 2, 3, and 9 and openings 6 and 7.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [7, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 so the staged medium, two-subject, and close over-shoulder compositions can retain the committed table-axis relationship while preserving surrounding structural context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show camera unit 1 oriented toward unit 2, with broad coverage capable of retaining target units 1, 2, 3, and 9. Keep base markers 4 and 5 on the shared seated axis, marker 8 fixed on the unit-3 side, marker 12 in its committed position, and expose openings 6 and 7 only as supported by the wide view from unit 1.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,5] toward look-at unit 2 at cell [7,1] with the wide lens at 90 degrees. Use broad coverage along this axis, retaining enough lower-frame and foreground area for the staged seated arrangements while keeping the principal upper-body emphasis available to the consuming shots.\n  - subject_position_directive: Across the surfaced shots, preserve the committed seated relationship around base markers 4 and 5: S48_Shot6 places one seated subject on the far side with upper torso above and hands in the lower frame; S48_Shot9 places two seated subjects across the same axis; S48_Shot13 places two soft shoulder lines at the lower-left and lower-right foreground with one seated subject centered in the midground. Add no subjects beyond these staged configurations.\n  - state_cue_directive: Carry transient markers 10 and 11 as the committed state overlays and use numbered elements 1 through 12 only as listed in the BG facts. Maintain the restrained natural daytime ambience and moderate contrast committed by the surfaced shots; do not invent additional state cues.\n  - negative_continuity_directive: There are no committed ignored numbered elements or ignored overlay markers. Preserve the floor-plan positions of base markers 1, 2, 3, 4, 5, 6, 7, 8, 9, and 12; do not introduce unlisted state overlays, and do not depict units or openings outside the camera-unit-1 visibility candidate sets of units 2, 3, and 9 and openings 6 and 7.\n\n2015~2017년 무렵 대한민국 광주광역시 교외의 소박한 카페 실내를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 고객 출입문 안쪽의 문턱 부근에서, 비어 있는 주 통로를 가로질러 전면 중앙의 인터뷰용 테이블을 대각선으로 바라본 시점이다. 카메라 높이는 약 1.4~1.6미터의 자연스러운 사람 눈높이이며 35밀리미터급 보통 광각 렌즈를 사용한다. 인터뷰용 테이블이 화면의 주된 기준점이고, 세 방향에 놓인 의자와 남쪽 전면 창이 함께 보인다. 출입문은 테이블 뒤쪽 또는 화면 한편에 남아 있으며, 북쪽의 실용적인 서비스 카운터와 동쪽의 보조 테이블은 절제된 카페 배경으로 이어진다.\n\n조용한 낮 시간으로, 전면 창을 통과한 부드러운 자연광이 중성에서 약간 차가운 색감으로 실내에 퍼진다. 2010년대 중후반 한국 교외 카페에서 볼 수 있는 단정하지만 평범한 마감, 실제 목재 결이 드러나는 테이블과 의자, 미세한 긁힘과 닳은 모서리, 현실적인 금속 부품의 흔적, 바닥과 카운터의 가벼운 일상 얼룩을 표현한다. 지나치게 세련된 새 매장이나 깨끗한 광고 사진처럼 보이지 않으며, 보통의 천장 조명 기구와 자연광이 함께 만드는 사실적인 명암을 유지한다.\n\n인터뷰용 테이블 위에는 사용 중인 상태의 커피잔 여러 개가 자연스럽게 모여 있고, 질문을 기록하던 듯한 펼쳐진 공책 하나가 테이블 한쪽에 놓여 있다. 그 외 공간은 흐트러지지 않은 조용한 상태이며, 빈 의자 사이의 간격과 정돈된 정물의 고요함만으로 절제된 긴장감을 전달한다. 사람, 얼굴, 신체 형상, 사람처럼 보이는 장식물은 전혀 없다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현실적인 장소 참고 사진, 정확한 콘크리트·금속·목재·유리 재질, 자연스러운 원근과 피사계 심도, 과장 없는 노출, 후처리 없는 담담한 기록사진. 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "camera_decision": {
          "camera_cell": [
            4,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 2 so the staged medium, two-subject, and close over-shoulder compositions can retain the committed table-axis relationship while preserving surrounding structural context.",
          "lens_enum": "wide",
          "look_at_cell": [
            7,
            5
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show camera unit 1 oriented toward unit 2, with broad coverage capable of retaining target units 1, 2, 3, and 9. Keep base markers 4 and 5 on the shared seated axis, marker 8 fixed on the unit-3 side, marker 12 in its committed position, and expose openings 6 and 7 only as supported by the wide view from unit 1.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,5] toward look-at unit 2 at cell [7,1] with the wide lens at 90 degrees. Use broad coverage along this axis, retaining enough lower-frame and foreground area for the staged seated arrangements while keeping the principal upper-body emphasis available to the consuming shots.",
          "subject_position_directive": "Across the surfaced shots, preserve the committed seated relationship around base markers 4 and 5: S48_Shot6 places one seated subject on the far side with upper torso above and hands in the lower frame; S48_Shot9 places two seated subjects across the same axis; S48_Shot13 places two soft shoulder lines at the lower-left and lower-right foreground with one seated subject centered in the midground. Add no subjects beyond these staged configurations.",
          "state_cue_directive": "Carry transient markers 10 and 11 as the committed state overlays and use numbered elements 1 through 12 only as listed in the BG facts. Maintain the restrained natural daytime ambience and moderate contrast committed by the surfaced shots; do not invent additional state cues.",
          "negative_continuity_directive": "There are no committed ignored numbered elements or ignored overlay markers. Preserve the floor-plan positions of base markers 1, 2, 3, 4, 5, 6, 7, 8, 9, and 12; do not introduce unlisted state overlays, and do not depict units or openings outside the camera-unit-1 visibility candidate sets of units 2, 3, and 9 and openings 6 and 7."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_cafe_main",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_cafe_main"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L52B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L52",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L52B01.png",
        "t2i_prompt": "대한민국 남서부 도시권의 조용한 야간 칵테일바 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2010년대 중후반 한국의 절제된 소규모 바 분위기로, 손님 좌석 구역의 카운터 의자 가까이에서 약 1.2미터의 앉은 눈높이에 카메라를 두고 긴 바 카운터를 대각선으로 건너 바텐더 작업 구역과 북쪽 벽의 뒤쪽 선반, 중앙의 얼음통과 음료 준비대를 바라본다. 삼십오 밀리미터급의 적당한 광각으로 카운터의 길이와 작업 공간의 깊이가 자연스럽게 함께 들어오며, 위에서 내려다본 시점이나 배치도 같은 구도가 아니다.\n\n길게 이어진 고정식 바 카운터와 손님 쪽에 나란히 놓인 카운터 의자, 서쪽의 테이블과 의자 한 조, 남동쪽의 또 다른 테이블과 의자 한 조가 실제 영업 공간다운 간격으로 보인다. 카운터 뒤에는 사용 흔적이 있는 선반, 북서쪽 싱크대, 중앙 얼음통과 준비대, 동쪽 하부 냉장고가 이어진다. 카운터 표면에는 닦인 자국과 미세한 물 얼룩, 목재 결 또는 현실적인 마감재의 생활 마모가 남아 있고, 금속 설비에는 자연스러운 반사와 약한 사용 흔적이 있다. 재료는 실제 목재 결, 금속의 미세한 변색, 유리의 정확한 투명도와 반사, 콘크리트나 도장면의 잔잔한 얼룩까지 사실적으로 표현한다.\n\n이 순간의 일시적인 상태로 손님 쪽 카운터 가장자리에 곧은 형태의 주류용 유리잔 두 개가 나란히 놓여 있다. 중앙 카운터 위나 바로 뒤에는 술을 보충하다 잠시 내려놓은 주류 병 한 개가 있으며, 중앙 준비대에는 실제 사용 중인 칵테일 혼합 도구들이 소박하게 놓여 있다. 물건을 과장하거나 장식적으로 배열하지 말고, 영업 중 잠시 멈춘 공간처럼 자연스럽게 보이게 한다.\n\n밤의 낮은 실내 조명은 중성에서 약간 차가운 색조이며 대비는 과하지 않고, 선반과 카운터 아래쪽은 현실적으로 어둡다. 조용한 음악이 흐르는 듯한 고요함과 긴장된 정적을 빈 공간, 절제된 조도, 멈춰 있는 잔과 도구로만 전달한다. 사람, 얼굴, 신체 일부, 사람 모양 장식은 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 노출, 현실적인 원근, 정확한 재질 질감, 과하지 않은 자연스러운 심도, 일상적인 마모와 얼룩을 담는다. 깨끗한 광고 사진이 아니며 인위적인 후처리 없이 실제 장소를 담담하게 기록한 사진이어야 한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "카운터 의자 가까운 손님 구역에서 약 1.2미터의 앉은 눈높이로 촬영한다. 긴 카운터 너머 중앙 준비대와 뒤쪽 선반이 함께 보이게 하고, 손님 쪽 가장자리의 두 잔과 중앙의 주류 병, 준비대의 혼합 도구가 자연스럽게 읽히도록 한다. 사람이나 인체 형상은 배치하지 않는다.",
            "shot_id": "S60_Shot2"
          },
          {
            "guide_text": "동일한 앉은 눈높이와 대각선 시선을 유지해 카운터, 바텐더 작업 구역, 뒤쪽 선반의 공간적 연속성을 보존한다. 두 잔과 리필용 주류 병은 과장하지 않고 실제 영업 중 잠시 놓인 물건처럼 보이게 하며, 빈 실내의 조용하고 팽팽한 야간 분위기를 유지한다.",
            "shot_id": "S60_Shot10"
          },
          {
            "guide_text": "삼십오 밀리미터급의 적당한 광각으로 카운터 좌석 가까이에서 중앙 준비대를 향한다. 혼합 도구, 두 잔, 주류 병이 같은 야간 상태에 일관되게 놓이고, 싱크대와 냉장고 및 뒤쪽 선반은 현실적인 깊이와 비례로 이어지게 한다. 사람, 얼굴, 인체를 닮은 장식은 제외한다.",
            "shot_id": "S60_Shot12"
          }
        ],
        "shot_ids": [
          "S60_Shot2",
          "S60_Shot10",
          "S60_Shot12"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 8 (counter stools) in number 1 (guest seating area), facing diagonally across number 7 (bar counter) toward number 2 (bartender work zone), number 11 (back-bar shelving), and number 13 (cocktail preparation station)",
          "camera_height": "eye-level seated at the counter, approximately 1.2m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the counter interaction dominant; show numbers 16 and 17 on the counter, number 18 within the bartender work area, and retain a narrow peripheral glimpse of numbers 9 and 10 to establish the surrounding quiet guest area."
        },
        "reference_decision": {
          "bg_id": "L52B01",
          "fp_id": "fp_cocktail_bar_main",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole readiness-ok BG and the sole supplied clean-anchor fallback candidate, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 1 at [5,5], looking toward unit 3 at [2,8] with a normal 50-degree lens, supports the surfaced shots' shared seated axis and receding marker 7 context while retaining neutral coverage suitable for medium and close staging.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_cocktail_bar_main.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 1 toward unit 3, preserving the receding fixed line required by the medium and close staged framings while allowing shot-level tightening around the seated axis.",
            "lens_enum": "normal",
            "look_at_cell": [
              2,
              7
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From unit 1 at [5,5], look toward unit 3 at [2,8] through neutral 50-degree coverage. Establish unit 1 and the fixed marker 7 axis with the referenced numbered elements 8, 9, 10, 11, 12, 13, and 14 only where supported by the cone; treat unit 3 and opening marker 15 as geometric visibility candidates rather than mandatory inclusions.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [5,5] toward look-at unit 3 at cell [2,8] with a normal 50-degree lens, giving neutral coverage along the established diagonal; preserve enough of the fixed marker 7 line for the medium staging and permit shot-level tightening to the committed close framings.",
            "subject_position_directive": "Follow the surfaced staging: keep the subjects seated along the receding marker 7 axis, with medium coverage allowing both staged positions and close coverage allowing one primary face while a narrow shoulder edge preserves the opposing position. Maintain the committed downward or counterpart-directed gaze and the specified seated, forward-leaning poses.",
            "state_cue_directive": "Carry transient marker numbers 16, 17, and 18 as the committed state cues, together with use-numbered elements 1, 2, 7, 8, 9, 10, 11, 12, 13, and 14; do not add unlisted state cues.",
            "negative_continuity_directive": "Do not invent fixed elements, openings, or spaces beyond the committed numbered facts and the view-cone supersets. Keep markers 7, 8, 9, 10, 11, 12, 13, and 14 structurally consistent with the floor plan, and do not relocate markers 16, 17, or 18 from their committed scene-layer relationship."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 5]\n  - look_at_unit: 3\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 3, preserving the receding fixed line required by the medium and close staged framings while allowing shot-level tightening around the seated axis.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1 at [5,5], look toward unit 3 at [2,8] through neutral 50-degree coverage. Establish unit 1 and the fixed marker 7 axis with the referenced numbered elements 8, 9, 10, 11, 12, 13, and 14 only where supported by the cone; treat unit 3 and opening marker 15 as geometric visibility candidates rather than mandatory inclusions.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,5] toward look-at unit 3 at cell [2,8] with a normal 50-degree lens, giving neutral coverage along the established diagonal; preserve enough of the fixed marker 7 line for the medium staging and permit shot-level tightening to the committed close framings.\n  - subject_position_directive: Follow the surfaced staging: keep the subjects seated along the receding marker 7 axis, with medium coverage allowing both staged positions and close coverage allowing one primary face while a narrow shoulder edge preserves the opposing position. Maintain the committed downward or counterpart-directed gaze and the specified seated, forward-leaning poses.\n  - state_cue_directive: Carry transient marker numbers 16, 17, and 18 as the committed state cues, together with use-numbered elements 1, 2, 7, 8, 9, 10, 11, 12, 13, and 14; do not add unlisted state cues.\n  - negative_continuity_directive: Do not invent fixed elements, openings, or spaces beyond the committed numbered facts and the view-cone supersets. Keep markers 7, 8, 9, 10, 11, 12, 13, and 14 structurally consistent with the floor plan, and do not relocate markers 16, 17, or 18 from their committed scene-layer relationship.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 5]\n  - look_at_unit: 3\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 3, preserving the receding fixed line required by the medium and close staged framings while allowing shot-level tightening around the seated axis.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1 at [5,5], look toward unit 3 at [2,8] through neutral 50-degree coverage. Establish unit 1 and the fixed marker 7 axis with the referenced numbered elements 8, 9, 10, 11, 12, 13, and 14 only where supported by the cone; treat unit 3 and opening marker 15 as geometric visibility candidates rather than mandatory inclusions.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,5] toward look-at unit 3 at cell [2,8] with a normal 50-degree lens, giving neutral coverage along the established diagonal; preserve enough of the fixed marker 7 line for the medium staging and permit shot-level tightening to the committed close framings.\n  - subject_position_directive: Follow the surfaced staging: keep the subjects seated along the receding marker 7 axis, with medium coverage allowing both staged positions and close coverage allowing one primary face while a narrow shoulder edge preserves the opposing position. Maintain the committed downward or counterpart-directed gaze and the specified seated, forward-leaning poses.\n  - state_cue_directive: Carry transient marker numbers 16, 17, and 18 as the committed state cues, together with use-numbered elements 1, 2, 7, 8, 9, 10, 11, 12, 13, and 14; do not add unlisted state cues.\n  - negative_continuity_directive: Do not invent fixed elements, openings, or spaces beyond the committed numbered facts and the view-cone supersets. Keep markers 7, 8, 9, 10, 11, 12, 13, and 14 structurally consistent with the floor plan, and do not relocate markers 16, 17, or 18 from their committed scene-layer relationship.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 5]\n  - look_at_unit: 3\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 3, preserving the receding fixed line required by the medium and close staged framings while allowing shot-level tightening around the seated axis.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1 at [5,5], look toward unit 3 at [2,8] through neutral 50-degree coverage. Establish unit 1 and the fixed marker 7 axis with the referenced numbered elements 8, 9, 10, 11, 12, 13, and 14 only where supported by the cone; treat unit 3 and opening marker 15 as geometric visibility candidates rather than mandatory inclusions.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,5] toward look-at unit 3 at cell [2,8] with a normal 50-degree lens, giving neutral coverage along the established diagonal; preserve enough of the fixed marker 7 line for the medium staging and permit shot-level tightening to the committed close framings.\n  - subject_position_directive: Follow the surfaced staging: keep the subjects seated along the receding marker 7 axis, with medium coverage allowing both staged positions and close coverage allowing one primary face while a narrow shoulder edge preserves the opposing position. Maintain the committed downward or counterpart-directed gaze and the specified seated, forward-leaning poses.\n  - state_cue_directive: Carry transient marker numbers 16, 17, and 18 as the committed state cues, together with use-numbered elements 1, 2, 7, 8, 9, 10, 11, 12, 13, and 14; do not add unlisted state cues.\n  - negative_continuity_directive: Do not invent fixed elements, openings, or spaces beyond the committed numbered facts and the view-cone supersets. Keep markers 7, 8, 9, 10, 11, 12, 13, and 14 structurally consistent with the floor plan, and do not relocate markers 16, 17, or 18 from their committed scene-layer relationship.\n\n대한민국 남서부 도시권의 조용한 야간 칵테일바 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2010년대 중후반 한국의 절제된 소규모 바 분위기로, 손님 좌석 구역의 카운터 의자 가까이에서 약 1.2미터의 앉은 눈높이에 카메라를 두고 긴 바 카운터를 대각선으로 건너 바텐더 작업 구역과 북쪽 벽의 뒤쪽 선반, 중앙의 얼음통과 음료 준비대를 바라본다. 삼십오 밀리미터급의 적당한 광각으로 카운터의 길이와 작업 공간의 깊이가 자연스럽게 함께 들어오며, 위에서 내려다본 시점이나 배치도 같은 구도가 아니다.\n\n길게 이어진 고정식 바 카운터와 손님 쪽에 나란히 놓인 카운터 의자, 서쪽의 테이블과 의자 한 조, 남동쪽의 또 다른 테이블과 의자 한 조가 실제 영업 공간다운 간격으로 보인다. 카운터 뒤에는 사용 흔적이 있는 선반, 북서쪽 싱크대, 중앙 얼음통과 준비대, 동쪽 하부 냉장고가 이어진다. 카운터 표면에는 닦인 자국과 미세한 물 얼룩, 목재 결 또는 현실적인 마감재의 생활 마모가 남아 있고, 금속 설비에는 자연스러운 반사와 약한 사용 흔적이 있다. 재료는 실제 목재 결, 금속의 미세한 변색, 유리의 정확한 투명도와 반사, 콘크리트나 도장면의 잔잔한 얼룩까지 사실적으로 표현한다.\n\n이 순간의 일시적인 상태로 손님 쪽 카운터 가장자리에 곧은 형태의 주류용 유리잔 두 개가 나란히 놓여 있다. 중앙 카운터 위나 바로 뒤에는 술을 보충하다 잠시 내려놓은 주류 병 한 개가 있으며, 중앙 준비대에는 실제 사용 중인 칵테일 혼합 도구들이 소박하게 놓여 있다. 물건을 과장하거나 장식적으로 배열하지 말고, 영업 중 잠시 멈춘 공간처럼 자연스럽게 보이게 한다.\n\n밤의 낮은 실내 조명은 중성에서 약간 차가운 색조이며 대비는 과하지 않고, 선반과 카운터 아래쪽은 현실적으로 어둡다. 조용한 음악이 흐르는 듯한 고요함과 긴장된 정적을 빈 공간, 절제된 조도, 멈춰 있는 잔과 도구로만 전달한다. 사람, 얼굴, 신체 일부, 사람 모양 장식은 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 노출, 현실적인 원근, 정확한 재질 질감, 과하지 않은 자연스러운 심도, 일상적인 마모와 얼룩을 담는다. 깨끗한 광고 사진이 아니며 인위적인 후처리 없이 실제 장소를 담담하게 기록한 사진이어야 한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            5,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 1 toward unit 3, preserving the receding fixed line required by the medium and close staged framings while allowing shot-level tightening around the seated axis.",
          "lens_enum": "normal",
          "look_at_cell": [
            2,
            7
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 1 at [5,5], look toward unit 3 at [2,8] through neutral 50-degree coverage. Establish unit 1 and the fixed marker 7 axis with the referenced numbered elements 8, 9, 10, 11, 12, 13, and 14 only where supported by the cone; treat unit 3 and opening marker 15 as geometric visibility candidates rather than mandatory inclusions.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [5,5] toward look-at unit 3 at cell [2,8] with a normal 50-degree lens, giving neutral coverage along the established diagonal; preserve enough of the fixed marker 7 line for the medium staging and permit shot-level tightening to the committed close framings.",
          "subject_position_directive": "Follow the surfaced staging: keep the subjects seated along the receding marker 7 axis, with medium coverage allowing both staged positions and close coverage allowing one primary face while a narrow shoulder edge preserves the opposing position. Maintain the committed downward or counterpart-directed gaze and the specified seated, forward-leaning poses.",
          "state_cue_directive": "Carry transient marker numbers 16, 17, and 18 as the committed state cues, together with use-numbered elements 1, 2, 7, 8, 9, 10, 11, 12, 13, and 14; do not add unlisted state cues.",
          "negative_continuity_directive": "Do not invent fixed elements, openings, or spaces beyond the committed numbered facts and the view-cone supersets. Keep markers 7, 8, 9, 10, 11, 12, 13, and 14 structurally consistent with the floor plan, and do not relocate markers 16, 17, or 18 from their committed scene-layer relationship."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_cocktail_bar_main",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_cocktail_bar_main"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L55B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L55",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L55B02.png",
        "t2i_prompt": "대한민국 남서부 도시권의 소박하고 비좁은 개인 침실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2010년대 중후반의 평범한 한국 주거 내부로, 남쪽 주출입문 가까이에서 문턱 구역과 서쪽 침실 출입구를 통과해 북쪽 벽을 따라 놓인 싱글 침대, 서쪽 벽의 옷장, 침대 발치 옆 외벽 창문을 바라본다. 침대와 옷장 사이의 좁은 통로와 답답한 실내 폭이 실제 크기로 명확하게 드러난다. 낮의 창문광이 방 안으로 자연스럽게 들어오며, 중성에서 약간 차가운 색감과 보통 수준의 대비, 현실적인 명암 범위를 유지한다. 침대 주변과 옷장 앞, 방바닥에는 수색 과정에서 꺼내진 상자와 잡다한 개인 물품이 일시적으로 흐트러져 있다. 문턱 쪽 침대 발치에는 압수물 수집 상자가 임시로 놓여 있고, 그 안과 주변에 분류 중인 내용물이 제한적으로 펼쳐져 있어 강도 높은 증거 수색이 진행 중인 상태가 드러난다. 과장되거나 선정적인 파손 없이, 실제 수사 현장의 어수선함을 절제되고 사실적으로 기록한다. 35mm 판형 DSLR 또는 미러리스 카메라, 28mm 광각 렌즈, 서 있는 사람의 눈높이 약 1.6m, 자연스러운 원근감과 피사계 심도. 실제 벽지의 이음매와 생활 얼룩, 금속 손잡이의 미세한 마모, 직물의 짜임, 목재 무늬와 모서리의 사용 흔적, 종이 상자의 눌림과 바닥의 잔흠집을 정확하게 표현한다. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 참고 사진처럼 담담하고 후처리 없는 결과. 위에서 내려다본 시점, 평면도, 건축 도면이 아니며 사람, 얼굴, 인체 형태의 장식이나 형상은 전혀 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "주출입문 가까이의 남쪽 문턱 구역에서 서 있는 사람의 눈높이 약 1.6m로 촬영한다. 28mm 광각 렌즈로 개인 침실 출입구 너머의 싱글 침대, 옷장, 창문을 한 프레임에 담고 침대와 옷장 사이의 좁은 여유 공간이 분명히 느껴지게 한다. 침대 주변과 바닥에 흐트러진 상자와 개인 물품, 문턱 쪽 침대 발치에 임시로 놓인 압수물 수집 상자와 분류 중인 내용물을 보여 주되, 사람이나 인체 형상은 포함하지 않는다.",
            "shot_id": "S58_Shot1"
          }
        ],
        "shot_ids": [
          "S58_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 10 (main entrance door), facing through number 4 (threshold zone) toward number 5 (single bed), number 6 (wardrobe), and number 14 (private-zone window)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Keep the narrow clearance between the bed and wardrobe evident; depict numbers 18 and 19 as scene-specific disturbed search overlays, not as permanent floor-plan fixtures."
        },
        "reference_decision": {
          "bg_id": "L55B02",
          "fp_id": "fp_l55_main",
          "node_index": 1,
          "mode": "related_style_new_space",
          "is_dwelling_identity_anchor": false,
          "rationale": "The consuming shot commits a composition spanning target units 4 and 1, while the earlier anchor depicts unit 2. These are deterministically different physical spaces, so L55B01 supplies dwelling-level visual identity only and the unit-4-to-unit-1 layout is composed from its own floor-plan markers. Camera cell [7,3] toward [4,1] supports the staged oblique medium layering across the two target units.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L55B01.png"
          ],
          "source_bg_ids": [
            "L55B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l55_main_unit_2_space"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_distinct_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l55_main_unit_2_space",
                "ref_bg_id": "L55B01",
                "space_description": "The earlier same-fp view centered on unit marker 2."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient for dwelling-level continuity; the consuming shot targets units 4 and 1 rather than the unit-2 physical space depicted by L55B01."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              3
            ],
            "camera_unit": 4,
            "fov_deg": 50,
            "framing_notes": "Use neutral medium coverage from unit 4 toward unit 1 and cell [4,1], layering the committed foreground and midground subjects while preserving portions of markers 5, 6, 10, 11, and 14.",
            "lens_enum": "normal",
            "look_at_cell": [
              4,
              1
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show the committed span from camera unit 4 into target unit 1. Retain base markers 1 and 4, fixed furniture markers 5 and 6, and opening markers 10, 11, and 14 where visible along this sightline. Use L55B01 only to preserve the same modest-residential visual identity, not its unit-2 arrangement.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [7,3], looking into unit 1 toward cell [4,1], with a normal 50-degree lens for neutral medium coverage. Preserve the staged foreground subject at middle-right, the second subject at middle-left in the midground, and partial fixed elements deeper in the frame.",
            "subject_position_directive": "Place the foreground committed subject across the center-right in an oblique over-shoulder orientation, acting as a visual barrier. Place the second committed subject in the middle-left midground, pressing forward with one arm raised, while leaving partial staged activity deeper in the frame without displacing the confrontation.",
            "state_cue_directive": "Show transient markers 18 and 19 as the only committed state overlays, integrated around the listed base elements without changing their fixed positions. The BG is not designated clean, but no state cue represented by markers 17, 20, or 21 should appear.",
            "negative_continuity_directive": "Exclude ignored overlay markers 17, 20, and 21. Do not copy the unit-2 layout of reference L55B01 into units 4 or 1; carry over only dwelling-level visual identity. Avoid showing uncommitted openings or units outside the unit-4-to-unit-1 composition."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows a related part of the same dwelling, not the current room. Inherit the overall material and lighting identity only; the new space is its own architectural room and must read as the same home.\n\nREFERENCE PLAN: mode='related_style_new_space'\n  - selected_refs[0]: ref_bg_id='L55B01' physical_space_id='fp_l55_main_unit_2_space'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [7, 3]\n  - look_at_unit: 1\n  - look_at_cell: [4, 1]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 4 toward unit 1 and cell [4,1], layering the committed foreground and midground subjects while preserving portions of markers 5, 6, 10, 11, and 14.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the committed span from camera unit 4 into target unit 1. Retain base markers 1 and 4, fixed furniture markers 5 and 6, and opening markers 10, 11, and 14 where visible along this sightline. Use L55B01 only to preserve the same modest-residential visual identity, not its unit-2 arrangement.\n  - camera_framing_directive: Frame from camera unit 4 at cell [7,3], looking into unit 1 toward cell [4,1], with a normal 50-degree lens for neutral medium coverage. Preserve the staged foreground subject at middle-right, the second subject at middle-left in the midground, and partial fixed elements deeper in the frame.\n  - subject_position_directive: Place the foreground committed subject across the center-right in an oblique over-shoulder orientation, acting as a visual barrier. Place the second committed subject in the middle-left midground, pressing forward with one arm raised, while leaving partial staged activity deeper in the frame without displacing the confrontation.\n  - state_cue_directive: Show transient markers 18 and 19 as the only committed state overlays, integrated around the listed base elements without changing their fixed positions. The BG is not designated clean, but no state cue represented by markers 17, 20, or 21 should appear.\n  - negative_continuity_directive: Exclude ignored overlay markers 17, 20, and 21. Do not copy the unit-2 layout of reference L55B01 into units 4 or 1; carry over only dwelling-level visual identity. Avoid showing uncommitted openings or units outside the unit-4-to-unit-1 composition.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows a related part of the same dwelling, not the current room. Inherit the overall material and lighting identity only; the new space is its own architectural room and must read as the same home.\n\nREFERENCE PLAN: mode='related_style_new_space'\n  - selected_refs[0]: ref_bg_id='L55B01' physical_space_id='fp_l55_main_unit_2_space'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [7, 3]\n  - look_at_unit: 1\n  - look_at_cell: [4, 1]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 4 toward unit 1 and cell [4,1], layering the committed foreground and midground subjects while preserving portions of markers 5, 6, 10, 11, and 14.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the committed span from camera unit 4 into target unit 1. Retain base markers 1 and 4, fixed furniture markers 5 and 6, and opening markers 10, 11, and 14 where visible along this sightline. Use L55B01 only to preserve the same modest-residential visual identity, not its unit-2 arrangement.\n  - camera_framing_directive: Frame from camera unit 4 at cell [7,3], looking into unit 1 toward cell [4,1], with a normal 50-degree lens for neutral medium coverage. Preserve the staged foreground subject at middle-right, the second subject at middle-left in the midground, and partial fixed elements deeper in the frame.\n  - subject_position_directive: Place the foreground committed subject across the center-right in an oblique over-shoulder orientation, acting as a visual barrier. Place the second committed subject in the middle-left midground, pressing forward with one arm raised, while leaving partial staged activity deeper in the frame without displacing the confrontation.\n  - state_cue_directive: Show transient markers 18 and 19 as the only committed state overlays, integrated around the listed base elements without changing their fixed positions. The BG is not designated clean, but no state cue represented by markers 17, 20, or 21 should appear.\n  - negative_continuity_directive: Exclude ignored overlay markers 17, 20, and 21. Do not copy the unit-2 layout of reference L55B01 into units 4 or 1; carry over only dwelling-level visual identity. Avoid showing uncommitted openings or units outside the unit-4-to-unit-1 composition.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows a related part of the same dwelling, not the current room. Inherit the overall material and lighting identity only; the new space is its own architectural room and must read as the same home.\n\nREFERENCE PLAN: mode='related_style_new_space'\n  - selected_refs[0]: ref_bg_id='L55B01' physical_space_id='fp_l55_main_unit_2_space'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [7, 3]\n  - look_at_unit: 1\n  - look_at_cell: [4, 1]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 4 toward unit 1 and cell [4,1], layering the committed foreground and midground subjects while preserving portions of markers 5, 6, 10, 11, and 14.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the committed span from camera unit 4 into target unit 1. Retain base markers 1 and 4, fixed furniture markers 5 and 6, and opening markers 10, 11, and 14 where visible along this sightline. Use L55B01 only to preserve the same modest-residential visual identity, not its unit-2 arrangement.\n  - camera_framing_directive: Frame from camera unit 4 at cell [7,3], looking into unit 1 toward cell [4,1], with a normal 50-degree lens for neutral medium coverage. Preserve the staged foreground subject at middle-right, the second subject at middle-left in the midground, and partial fixed elements deeper in the frame.\n  - subject_position_directive: Place the foreground committed subject across the center-right in an oblique over-shoulder orientation, acting as a visual barrier. Place the second committed subject in the middle-left midground, pressing forward with one arm raised, while leaving partial staged activity deeper in the frame without displacing the confrontation.\n  - state_cue_directive: Show transient markers 18 and 19 as the only committed state overlays, integrated around the listed base elements without changing their fixed positions. The BG is not designated clean, but no state cue represented by markers 17, 20, or 21 should appear.\n  - negative_continuity_directive: Exclude ignored overlay markers 17, 20, and 21. Do not copy the unit-2 layout of reference L55B01 into units 4 or 1; carry over only dwelling-level visual identity. Avoid showing uncommitted openings or units outside the unit-4-to-unit-1 composition.\n\n대한민국 남서부 도시권의 소박하고 비좁은 개인 침실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2010년대 중후반의 평범한 한국 주거 내부로, 남쪽 주출입문 가까이에서 문턱 구역과 서쪽 침실 출입구를 통과해 북쪽 벽을 따라 놓인 싱글 침대, 서쪽 벽의 옷장, 침대 발치 옆 외벽 창문을 바라본다. 침대와 옷장 사이의 좁은 통로와 답답한 실내 폭이 실제 크기로 명확하게 드러난다. 낮의 창문광이 방 안으로 자연스럽게 들어오며, 중성에서 약간 차가운 색감과 보통 수준의 대비, 현실적인 명암 범위를 유지한다. 침대 주변과 옷장 앞, 방바닥에는 수색 과정에서 꺼내진 상자와 잡다한 개인 물품이 일시적으로 흐트러져 있다. 문턱 쪽 침대 발치에는 압수물 수집 상자가 임시로 놓여 있고, 그 안과 주변에 분류 중인 내용물이 제한적으로 펼쳐져 있어 강도 높은 증거 수색이 진행 중인 상태가 드러난다. 과장되거나 선정적인 파손 없이, 실제 수사 현장의 어수선함을 절제되고 사실적으로 기록한다. 35mm 판형 DSLR 또는 미러리스 카메라, 28mm 광각 렌즈, 서 있는 사람의 눈높이 약 1.6m, 자연스러운 원근감과 피사계 심도. 실제 벽지의 이음매와 생활 얼룩, 금속 손잡이의 미세한 마모, 직물의 짜임, 목재 무늬와 모서리의 사용 흔적, 종이 상자의 눌림과 바닥의 잔흠집을 정확하게 표현한다. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 참고 사진처럼 담담하고 후처리 없는 결과. 위에서 내려다본 시점, 평면도, 건축 도면이 아니며 사람, 얼굴, 인체 형태의 장식이나 형상은 전혀 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            7,
            3
          ],
          "camera_unit": 4,
          "fov_deg": 50,
          "framing_notes": "Use neutral medium coverage from unit 4 toward unit 1 and cell [4,1], layering the committed foreground and midground subjects while preserving portions of markers 5, 6, 10, 11, and 14.",
          "lens_enum": "normal",
          "look_at_cell": [
            4,
            1
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "related_style_new_space",
        "render_guidance": {
          "visible_space_directive": "Show the committed span from camera unit 4 into target unit 1. Retain base markers 1 and 4, fixed furniture markers 5 and 6, and opening markers 10, 11, and 14 where visible along this sightline. Use L55B01 only to preserve the same modest-residential visual identity, not its unit-2 arrangement.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [7,3], looking into unit 1 toward cell [4,1], with a normal 50-degree lens for neutral medium coverage. Preserve the staged foreground subject at middle-right, the second subject at middle-left in the midground, and partial fixed elements deeper in the frame.",
          "subject_position_directive": "Place the foreground committed subject across the center-right in an oblique over-shoulder orientation, acting as a visual barrier. Place the second committed subject in the middle-left midground, pressing forward with one arm raised, while leaving partial staged activity deeper in the frame without displacing the confrontation.",
          "state_cue_directive": "Show transient markers 18 and 19 as the only committed state overlays, integrated around the listed base elements without changing their fixed positions. The BG is not designated clean, but no state cue represented by markers 17, 20, or 21 should appear.",
          "negative_continuity_directive": "Exclude ignored overlay markers 17, 20, and 21. Do not copy the unit-2 layout of reference L55B01 into units 4 or 1; carry over only dwelling-level visual identity. Avoid showing uncommitted openings or units outside the unit-4-to-unit-1 composition."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l55_main",
          "prior_bg_ids": [
            "L55B01"
          ],
          "attached_ref_labels": [
            "bg:L55B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L55B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L55",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L55B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2015~2017년 무렵, 공용 조사 공간에 딸린 소박한 서비스 수납 구역의 낮 시간 모습. 서비스 구역 출입구 바로 안쪽에서 북쪽 벽의 붙박이 수납 선반을 향해 바라보며, 동쪽 외벽 상부의 작은 높은 창이 화면 가장자리에 걸린다. 창으로 들어오는 제한된 자연광이 오래 사용한 도장 벽면, 실제 금속의 잔잔한 녹과 마모, 선반 표면의 생활 얼룩과 먼지를 사실적으로 드러낸다. 중성에서 약간 차가운 자연스러운 색감, 보통 명암 대비, 지방 기관 부속 공간다운 검소하고 실용적인 건축과 관리 상태를 보여준다.\n\n붙박이 수납 선반 곁에는 오래된 가족 사진첩 한 권이 이 순간에만 임시로 펼쳐져 있다. 낡은 표지, 두꺼운 종이 페이지, 바랜 사진 모서리와 투명 보호 필름의 실제 질감이 보이지만, 페이지 속 사진은 반사와 자연스러운 초점 흐림으로 세부가 읽히지 않으며 사람, 얼굴, 신체 형상은 전혀 묘사하거나 식별하지 않는다. 선정적이거나 연출된 증거물 배치가 아니라 실제 조사 과정에서 잠시 확인 중인 물건처럼 절제되고 일상적으로 놓여 있다.\n\n사람이 전혀 없는 배경 공간. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 서 있는 사람의 눈높이 약 1.6미터, 35밀리미터급 보통 광각 렌즈, 자연스러운 원근과 심도, 정확한 콘크리트·금속·종이 재질, 과도하게 깨끗한 광고 사진이 아닌 실제 장소 기록 사진, 인위적인 후처리 없음. 천장 내려다보기, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 정면에 가까운 현실적 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서비스 구역 출입구 바로 안쪽에서 북쪽 벽의 붙박이 수납 선반을 바라본다. 서 있는 사람의 눈높이 약 1.6미터와 35밀리미터급 보통 광각 시야를 적용하고, 동쪽 외벽의 높은 창은 화면 가장자리에 일부 들어오게 한다. 선반 곁에 임시로 펼쳐진 오래된 가족 사진첩이 증거물처럼 자연스럽게 보이되 과도하게 확대하지 않으며, 사진 속 인물이나 얼굴은 전혀 식별되지 않게 한다. 빈 공간만 촬영하고 사람은 배치하지 않는다.",
            "shot_id": "S58_Shot4"
          }
        ],
        "shot_ids": [
          "S58_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "just inside number 12 (service-zone doorway), facing number 7 (built-in storage shelving) with number 15 (high service-zone window) near the edge of the frame",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame the shelving closely enough for number 20, the opened family photo album overlay, to be the principal evidence item while preserving the cramped storage-room context."
        },
        "reference_decision": {
          "bg_id": "L55B01",
          "fp_id": "fp_l55_main",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L55B01 is the sole supplied clean-anchor candidate and therefore establishes dwelling identity directly from the floor plan. Its consuming shot centers unit 2 and fixed marker 7 while requiring outward context through markers 12 and 15, so a normal view from camera cell [2,6] toward [1,6] supports the committed medium framing without a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l55_main.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and must be rendered directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              6
            ],
            "camera_unit": 2,
            "fov_deg": 50,
            "framing_notes": "Use neutral medium coverage from unit 2 toward the fixed element at cell [1,6], retaining marker 12 and marker 15 as outward context where the geometry permits.",
            "lens_enum": "normal",
            "look_at_cell": [
              1,
              6
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 2 from its camera cell toward fixed marker 7 at cell [1,6]. Include base markers 2 and 7 as the primary visible structure, with opening markers 12 and 15 retained only where consistent with this unit-2 sightline.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [2,6], looking within unit 2 toward cell [1,6], with a normal 50-degree lens for neutral medium coverage. Keep the fixed element at marker 7 behind or beside the committed subject and retain an outward sightline toward markers 12 and 15.",
            "subject_position_directive": "Place the single committed subject at medium scale on one side of the frame, seen from a three-quarter side angle at chest height, holding the marker-20 cue at mid-torso with attention lowered toward it. Keep marker 7 immediately behind or beside the subject and preserve the outward doorway sightline.",
            "state_cue_directive": "Carry transient marker 20 as the committed open, examined cue associated with this BG. The background is not designated clean, but no additional state overlays beyond marker 20 and the listed numbered elements are authorized.",
            "negative_continuity_directive": "Exclude ignored overlay markers 17, 18, 19, and 21. Do not add units or openings outside the committed unit-2 view, and do not invent additional scenario-specific objects beyond marker 20 and the staged subject-held cue."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 6]\n  - look_at_unit: 2\n  - look_at_cell: [1, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 2 toward the fixed element at cell [1,6], retaining marker 12 and marker 15 as outward context where the geometry permits.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from its camera cell toward fixed marker 7 at cell [1,6]. Include base markers 2 and 7 as the primary visible structure, with opening markers 12 and 15 retained only where consistent with this unit-2 sightline.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,6], looking within unit 2 toward cell [1,6], with a normal 50-degree lens for neutral medium coverage. Keep the fixed element at marker 7 behind or beside the committed subject and retain an outward sightline toward markers 12 and 15.\n  - subject_position_directive: Place the single committed subject at medium scale on one side of the frame, seen from a three-quarter side angle at chest height, holding the marker-20 cue at mid-torso with attention lowered toward it. Keep marker 7 immediately behind or beside the subject and preserve the outward doorway sightline.\n  - state_cue_directive: Carry transient marker 20 as the committed open, examined cue associated with this BG. The background is not designated clean, but no additional state overlays beyond marker 20 and the listed numbered elements are authorized.\n  - negative_continuity_directive: Exclude ignored overlay markers 17, 18, 19, and 21. Do not add units or openings outside the committed unit-2 view, and do not invent additional scenario-specific objects beyond marker 20 and the staged subject-held cue.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 6]\n  - look_at_unit: 2\n  - look_at_cell: [1, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 2 toward the fixed element at cell [1,6], retaining marker 12 and marker 15 as outward context where the geometry permits.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from its camera cell toward fixed marker 7 at cell [1,6]. Include base markers 2 and 7 as the primary visible structure, with opening markers 12 and 15 retained only where consistent with this unit-2 sightline.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,6], looking within unit 2 toward cell [1,6], with a normal 50-degree lens for neutral medium coverage. Keep the fixed element at marker 7 behind or beside the committed subject and retain an outward sightline toward markers 12 and 15.\n  - subject_position_directive: Place the single committed subject at medium scale on one side of the frame, seen from a three-quarter side angle at chest height, holding the marker-20 cue at mid-torso with attention lowered toward it. Keep marker 7 immediately behind or beside the subject and preserve the outward doorway sightline.\n  - state_cue_directive: Carry transient marker 20 as the committed open, examined cue associated with this BG. The background is not designated clean, but no additional state overlays beyond marker 20 and the listed numbered elements are authorized.\n  - negative_continuity_directive: Exclude ignored overlay markers 17, 18, 19, and 21. Do not add units or openings outside the committed unit-2 view, and do not invent additional scenario-specific objects beyond marker 20 and the staged subject-held cue.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [2, 6]\n  - look_at_unit: 2\n  - look_at_cell: [1, 6]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 2 toward the fixed element at cell [1,6], retaining marker 12 and marker 15 as outward context where the geometry permits.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from its camera cell toward fixed marker 7 at cell [1,6]. Include base markers 2 and 7 as the primary visible structure, with opening markers 12 and 15 retained only where consistent with this unit-2 sightline.\n  - camera_framing_directive: Frame from camera unit 2 at cell [2,6], looking within unit 2 toward cell [1,6], with a normal 50-degree lens for neutral medium coverage. Keep the fixed element at marker 7 behind or beside the committed subject and retain an outward sightline toward markers 12 and 15.\n  - subject_position_directive: Place the single committed subject at medium scale on one side of the frame, seen from a three-quarter side angle at chest height, holding the marker-20 cue at mid-torso with attention lowered toward it. Keep marker 7 immediately behind or beside the subject and preserve the outward doorway sightline.\n  - state_cue_directive: Carry transient marker 20 as the committed open, examined cue associated with this BG. The background is not designated clean, but no additional state overlays beyond marker 20 and the listed numbered elements are authorized.\n  - negative_continuity_directive: Exclude ignored overlay markers 17, 18, 19, and 21. Do not add units or openings outside the committed unit-2 view, and do not invent additional scenario-specific objects beyond marker 20 and the staged subject-held cue.\n\n대한민국 전라남도·광주권의 2015~2017년 무렵, 공용 조사 공간에 딸린 소박한 서비스 수납 구역의 낮 시간 모습. 서비스 구역 출입구 바로 안쪽에서 북쪽 벽의 붙박이 수납 선반을 향해 바라보며, 동쪽 외벽 상부의 작은 높은 창이 화면 가장자리에 걸린다. 창으로 들어오는 제한된 자연광이 오래 사용한 도장 벽면, 실제 금속의 잔잔한 녹과 마모, 선반 표면의 생활 얼룩과 먼지를 사실적으로 드러낸다. 중성에서 약간 차가운 자연스러운 색감, 보통 명암 대비, 지방 기관 부속 공간다운 검소하고 실용적인 건축과 관리 상태를 보여준다.\n\n붙박이 수납 선반 곁에는 오래된 가족 사진첩 한 권이 이 순간에만 임시로 펼쳐져 있다. 낡은 표지, 두꺼운 종이 페이지, 바랜 사진 모서리와 투명 보호 필름의 실제 질감이 보이지만, 페이지 속 사진은 반사와 자연스러운 초점 흐림으로 세부가 읽히지 않으며 사람, 얼굴, 신체 형상은 전혀 묘사하거나 식별하지 않는다. 선정적이거나 연출된 증거물 배치가 아니라 실제 조사 과정에서 잠시 확인 중인 물건처럼 절제되고 일상적으로 놓여 있다.\n\n사람이 전혀 없는 배경 공간. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 서 있는 사람의 눈높이 약 1.6미터, 35밀리미터급 보통 광각 렌즈, 자연스러운 원근과 심도, 정확한 콘크리트·금속·종이 재질, 과도하게 깨끗한 광고 사진이 아닌 실제 장소 기록 사진, 인위적인 후처리 없음. 천장 내려다보기, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 정면에 가까운 현실적 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            2,
            6
          ],
          "camera_unit": 2,
          "fov_deg": 50,
          "framing_notes": "Use neutral medium coverage from unit 2 toward the fixed element at cell [1,6], retaining marker 12 and marker 15 as outward context where the geometry permits.",
          "lens_enum": "normal",
          "look_at_cell": [
            1,
            6
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 2 from its camera cell toward fixed marker 7 at cell [1,6]. Include base markers 2 and 7 as the primary visible structure, with opening markers 12 and 15 retained only where consistent with this unit-2 sightline.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [2,6], looking within unit 2 toward cell [1,6], with a normal 50-degree lens for neutral medium coverage. Keep the fixed element at marker 7 behind or beside the committed subject and retain an outward sightline toward markers 12 and 15.",
          "subject_position_directive": "Place the single committed subject at medium scale on one side of the frame, seen from a three-quarter side angle at chest height, holding the marker-20 cue at mid-torso with attention lowered toward it. Keep marker 7 immediately behind or beside the subject and preserve the outward doorway sightline.",
          "state_cue_directive": "Carry transient marker 20 as the committed open, examined cue associated with this BG. The background is not designated clean, but no additional state overlays beyond marker 20 and the listed numbered elements are authorized.",
          "negative_continuity_directive": "Exclude ignored overlay markers 17, 18, 19, and 21. Do not add units or openings outside the committed unit-2 view, and do not invent additional scenario-specific objects beyond marker 20 and the staged subject-held cue."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l55_main",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l55_main"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L55B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L55",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L55B03.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시권의 현실적인 공용 수사 업무실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 공용 수사 공간 출입구 가까이에서 북쪽 벽을 향해 비스듬히 바라보는 구도이며, 카메라는 약 1.6미터 높이의 서 있는 사람 눈높이, 32밀리미터급 광각 렌즈를 사용한다. 중앙의 증거 검토 작업대가 화면 아래쪽 전경을 차지하고, 북쪽 벽에 설치된 대형 화이트보드가 화면의 중심이자 가장 지배적인 요소가 되며, 동쪽 외벽의 창문도 측면에 자연스럽게 포함된다.\n\n화이트보드 표면 전체에는 이동 경로와 시간대별 기록을 정리한 인쇄 문서, 지도 조각, 메모, 비그래픽한 임상 부검 사진 복사본이 빽빽하게 부착되어 있다. 자료는 실제 수사 과정에서 반복해 검토한 듯 조금씩 겹치고 모서리가 들떠 있으며, 손으로 그은 연결선과 실무적인 표기가 섞여 있다. 부검 사진은 기록 매체의 평면 안에만 존재하고, 식별 가능한 얼굴이나 전신 형태 없이 제한적으로 잘린 임상 기록 수준으로 표현하며 선정적이거나 노골적인 신체 세부는 보이지 않는다. 작업대 둘레에는 압수품이 든 증거 봉투와 상자, 봉인된 꾸러미가 검토 도중 임시로 여러 겹 쌓여 있어 업무가 진행 중인 밤의 상태를 보여준다.\n\n늦은 밤 실내로, 천장의 실용적인 사무실 조명이 켜져 있지만 지나치게 밝지 않으며 중성에서 약간 차가운 빛이 화이트보드와 작업대 표면을 고르게 비춘다. 창밖은 깊은 밤의 어둠이고 유리에는 약한 실내광 반사만 나타난다. 2010년대 중후반 한국의 공공기관 업무 공간에 맞는 평범한 벽 마감, 실제 금속 프레임, 사용 흔적이 남은 작업대 표면, 종이의 섬유감, 투명 증거 봉투의 주름, 상자의 눌림과 테이프 자국을 정확하게 표현한다. 지나치게 정돈된 광고 사진이 아니라 일상적인 얼룩과 마모가 남은 실제 장소 참고 사진처럼 보이게 한다.\n\n사람, 얼굴, 신체, 사람 형태의 모형은 전혀 배치하지 않는다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 사실적인 현장 사진, 자연스러운 원근과 깊이감, 현실적인 초점 이탈과 재료 질감, 절제된 명암, 과도한 후보정 없음. 삽화, 컴퓨터 생성 이미지, 건축 시각화, 평면도, 위에서 내려다본 구도가 아닌 실제 장소의 수평 시점 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "공용 수사 공간 출입구 가까이에서 서 있는 사람의 눈높이로 촬영한다. 중앙 작업대를 비스듬히 가로질러 북쪽 벽의 화이트보드와 동쪽 창문을 바라보며, 화이트보드가 화면의 주된 시각 요소가 되게 한다. 작업대와 그 주변에 임시로 쌓인 압수품은 아래쪽 전경에 남기고, 야간 창밖은 어둡게 처리한다. 공간 안에는 사람, 얼굴, 인체 형태가 보이지 않아야 한다.",
            "shot_id": "S58_Shot8"
          }
        ],
        "shot_ids": [
          "S58_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 13 (shared-zone doorway), facing diagonally across number 8 (worktable) toward number 9 (wall-mounted whiteboard) and number 16 (shared-zone window)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "32mm wide angle",
          "framing_notes": "Make the whiteboard dominant while retaining the evidence-review table in the lower foreground; apply numbers 17 and 21 only as night-scene overlays."
        },
        "reference_decision": {
          "bg_id": "L55B03",
          "fp_id": "fp_l55_main",
          "node_index": 2,
          "mode": "related_style_new_space",
          "is_dwelling_identity_anchor": false,
          "rationale": "L55B03 centers unit 3 and its fixed markers 8 and 9, a different physical space from the unit-2 anchor. L55B01 therefore provides only same-dwelling visual identity. A wide 90-degree view from unit-3 camera cell [6,6] toward marker 9 at [4,6] supports the consuming shot's broad composition with marker 9 in the upper background and marker 8 below it.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L55B01.png"
          ],
          "source_bg_ids": [
            "L55B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l55_main_unit_2_space"
            ],
            "rejected_refs": [
              {
                "reason": "L55B02 spans units 4 and 1 and adds no required physical-space continuity for this unit-3 view.",
                "ref_bg_id": "L55B02"
              }
            ],
            "same_physical_space_dedup_decision": "single_reference_distinct_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l55_main_unit_2_space",
                "ref_bg_id": "L55B01",
                "space_description": "The dwelling-identity anchor centered on unit marker 2."
              }
            ],
            "why_single_ref_or_two_refs": "Only one reference is needed because the consuming shot is confined to unit 3 and does not commit two distinct reference spaces as co-visible."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              6
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage within unit 3 from cell [6,6] toward fixed marker 9 at cell [4,6], keeping marker 9 upper-central and marker 8 in the lower work-area layer.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              6
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 3 broadly from its camera cell toward fixed marker 9 at cell [4,6]. Include base markers 3, 8, and 9 as the principal visible structure, with opening markers 13 and 16 retained where consistent with the wide unit-3 view.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [6,6], looking within unit 3 toward cell [4,6], with a wide 90-degree lens for broad coverage. Honor the staged slightly downward composition without changing the committed cell geometry: marker 9 occupies the upper central background and the marker-8 work area fills the lower portion.",
            "subject_position_directive": "No subject is committed for this BG. Keep the frame free of invented subjects and organize only the staged background layers, with marker 9 upper-central and the marker-8 area with marker 21 below it.",
            "state_cue_directive": "Carry transient markers 17 and 21 as the committed dense upper-background and lower-area state overlays. Preserve the consuming shot's restrained neutral-to-cool nighttime illumination, and do not introduce any additional state cue beyond the listed numbered elements.",
            "negative_continuity_directive": "Exclude ignored overlay markers 18, 19, and 20. Do not copy the unit-2 layout of reference L55B01 into unit 3; preserve only dwelling-level visual identity. Avoid adding uncommitted subjects, units, openings, or scenario-specific objects outside markers 3, 8, 9, 13, 16, 17, and 21."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows a related part of the same dwelling, not the current room. Inherit the overall material and lighting identity only; the new space is its own architectural room and must read as the same home.\n\nREFERENCE PLAN: mode='related_style_new_space'\n  - selected_refs[0]: ref_bg_id='L55B01' physical_space_id='fp_l55_main_unit_2_space'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 6]\n  - look_at_unit: 3\n  - look_at_cell: [4, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage within unit 3 from cell [6,6] toward fixed marker 9 at cell [4,6], keeping marker 9 upper-central and marker 8 in the lower work-area layer.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 broadly from its camera cell toward fixed marker 9 at cell [4,6]. Include base markers 3, 8, and 9 as the principal visible structure, with opening markers 13 and 16 retained where consistent with the wide unit-3 view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,6], looking within unit 3 toward cell [4,6], with a wide 90-degree lens for broad coverage. Honor the staged slightly downward composition without changing the committed cell geometry: marker 9 occupies the upper central background and the marker-8 work area fills the lower portion.\n  - subject_position_directive: No subject is committed for this BG. Keep the frame free of invented subjects and organize only the staged background layers, with marker 9 upper-central and the marker-8 area with marker 21 below it.\n  - state_cue_directive: Carry transient markers 17 and 21 as the committed dense upper-background and lower-area state overlays. Preserve the consuming shot's restrained neutral-to-cool nighttime illumination, and do not introduce any additional state cue beyond the listed numbered elements.\n  - negative_continuity_directive: Exclude ignored overlay markers 18, 19, and 20. Do not copy the unit-2 layout of reference L55B01 into unit 3; preserve only dwelling-level visual identity. Avoid adding uncommitted subjects, units, openings, or scenario-specific objects outside markers 3, 8, 9, 13, 16, 17, and 21.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows a related part of the same dwelling, not the current room. Inherit the overall material and lighting identity only; the new space is its own architectural room and must read as the same home.\n\nREFERENCE PLAN: mode='related_style_new_space'\n  - selected_refs[0]: ref_bg_id='L55B01' physical_space_id='fp_l55_main_unit_2_space'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 6]\n  - look_at_unit: 3\n  - look_at_cell: [4, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage within unit 3 from cell [6,6] toward fixed marker 9 at cell [4,6], keeping marker 9 upper-central and marker 8 in the lower work-area layer.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 broadly from its camera cell toward fixed marker 9 at cell [4,6]. Include base markers 3, 8, and 9 as the principal visible structure, with opening markers 13 and 16 retained where consistent with the wide unit-3 view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,6], looking within unit 3 toward cell [4,6], with a wide 90-degree lens for broad coverage. Honor the staged slightly downward composition without changing the committed cell geometry: marker 9 occupies the upper central background and the marker-8 work area fills the lower portion.\n  - subject_position_directive: No subject is committed for this BG. Keep the frame free of invented subjects and organize only the staged background layers, with marker 9 upper-central and the marker-8 area with marker 21 below it.\n  - state_cue_directive: Carry transient markers 17 and 21 as the committed dense upper-background and lower-area state overlays. Preserve the consuming shot's restrained neutral-to-cool nighttime illumination, and do not introduce any additional state cue beyond the listed numbered elements.\n  - negative_continuity_directive: Exclude ignored overlay markers 18, 19, and 20. Do not copy the unit-2 layout of reference L55B01 into unit 3; preserve only dwelling-level visual identity. Avoid adding uncommitted subjects, units, openings, or scenario-specific objects outside markers 3, 8, 9, 13, 16, 17, and 21.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows a related part of the same dwelling, not the current room. Inherit the overall material and lighting identity only; the new space is its own architectural room and must read as the same home.\n\nREFERENCE PLAN: mode='related_style_new_space'\n  - selected_refs[0]: ref_bg_id='L55B01' physical_space_id='fp_l55_main_unit_2_space'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 6]\n  - look_at_unit: 3\n  - look_at_cell: [4, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage within unit 3 from cell [6,6] toward fixed marker 9 at cell [4,6], keeping marker 9 upper-central and marker 8 in the lower work-area layer.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 broadly from its camera cell toward fixed marker 9 at cell [4,6]. Include base markers 3, 8, and 9 as the principal visible structure, with opening markers 13 and 16 retained where consistent with the wide unit-3 view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,6], looking within unit 3 toward cell [4,6], with a wide 90-degree lens for broad coverage. Honor the staged slightly downward composition without changing the committed cell geometry: marker 9 occupies the upper central background and the marker-8 work area fills the lower portion.\n  - subject_position_directive: No subject is committed for this BG. Keep the frame free of invented subjects and organize only the staged background layers, with marker 9 upper-central and the marker-8 area with marker 21 below it.\n  - state_cue_directive: Carry transient markers 17 and 21 as the committed dense upper-background and lower-area state overlays. Preserve the consuming shot's restrained neutral-to-cool nighttime illumination, and do not introduce any additional state cue beyond the listed numbered elements.\n  - negative_continuity_directive: Exclude ignored overlay markers 18, 19, and 20. Do not copy the unit-2 layout of reference L55B01 into unit 3; preserve only dwelling-level visual identity. Avoid adding uncommitted subjects, units, openings, or scenario-specific objects outside markers 3, 8, 9, 13, 16, 17, and 21.\n\n2015~2017년 무렵 대한민국 전라남도·광주광역시권의 현실적인 공용 수사 업무실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 공용 수사 공간 출입구 가까이에서 북쪽 벽을 향해 비스듬히 바라보는 구도이며, 카메라는 약 1.6미터 높이의 서 있는 사람 눈높이, 32밀리미터급 광각 렌즈를 사용한다. 중앙의 증거 검토 작업대가 화면 아래쪽 전경을 차지하고, 북쪽 벽에 설치된 대형 화이트보드가 화면의 중심이자 가장 지배적인 요소가 되며, 동쪽 외벽의 창문도 측면에 자연스럽게 포함된다.\n\n화이트보드 표면 전체에는 이동 경로와 시간대별 기록을 정리한 인쇄 문서, 지도 조각, 메모, 비그래픽한 임상 부검 사진 복사본이 빽빽하게 부착되어 있다. 자료는 실제 수사 과정에서 반복해 검토한 듯 조금씩 겹치고 모서리가 들떠 있으며, 손으로 그은 연결선과 실무적인 표기가 섞여 있다. 부검 사진은 기록 매체의 평면 안에만 존재하고, 식별 가능한 얼굴이나 전신 형태 없이 제한적으로 잘린 임상 기록 수준으로 표현하며 선정적이거나 노골적인 신체 세부는 보이지 않는다. 작업대 둘레에는 압수품이 든 증거 봉투와 상자, 봉인된 꾸러미가 검토 도중 임시로 여러 겹 쌓여 있어 업무가 진행 중인 밤의 상태를 보여준다.\n\n늦은 밤 실내로, 천장의 실용적인 사무실 조명이 켜져 있지만 지나치게 밝지 않으며 중성에서 약간 차가운 빛이 화이트보드와 작업대 표면을 고르게 비춘다. 창밖은 깊은 밤의 어둠이고 유리에는 약한 실내광 반사만 나타난다. 2010년대 중후반 한국의 공공기관 업무 공간에 맞는 평범한 벽 마감, 실제 금속 프레임, 사용 흔적이 남은 작업대 표면, 종이의 섬유감, 투명 증거 봉투의 주름, 상자의 눌림과 테이프 자국을 정확하게 표현한다. 지나치게 정돈된 광고 사진이 아니라 일상적인 얼룩과 마모가 남은 실제 장소 참고 사진처럼 보이게 한다.\n\n사람, 얼굴, 신체, 사람 형태의 모형은 전혀 배치하지 않는다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 사실적인 현장 사진, 자연스러운 원근과 깊이감, 현실적인 초점 이탈과 재료 질감, 절제된 명암, 과도한 후보정 없음. 삽화, 컴퓨터 생성 이미지, 건축 시각화, 평면도, 위에서 내려다본 구도가 아닌 실제 장소의 수평 시점 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            6,
            6
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage within unit 3 from cell [6,6] toward fixed marker 9 at cell [4,6], keeping marker 9 upper-central and marker 8 in the lower work-area layer.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            6
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "related_style_new_space",
        "render_guidance": {
          "visible_space_directive": "Show unit 3 broadly from its camera cell toward fixed marker 9 at cell [4,6]. Include base markers 3, 8, and 9 as the principal visible structure, with opening markers 13 and 16 retained where consistent with the wide unit-3 view.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [6,6], looking within unit 3 toward cell [4,6], with a wide 90-degree lens for broad coverage. Honor the staged slightly downward composition without changing the committed cell geometry: marker 9 occupies the upper central background and the marker-8 work area fills the lower portion.",
          "subject_position_directive": "No subject is committed for this BG. Keep the frame free of invented subjects and organize only the staged background layers, with marker 9 upper-central and the marker-8 area with marker 21 below it.",
          "state_cue_directive": "Carry transient markers 17 and 21 as the committed dense upper-background and lower-area state overlays. Preserve the consuming shot's restrained neutral-to-cool nighttime illumination, and do not introduce any additional state cue beyond the listed numbered elements.",
          "negative_continuity_directive": "Exclude ignored overlay markers 18, 19, and 20. Do not copy the unit-2 layout of reference L55B01 into unit 3; preserve only dwelling-level visual identity. Avoid adding uncommitted subjects, units, openings, or scenario-specific objects outside markers 3, 8, 9, 13, 16, 17, and 21."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l55_main",
          "prior_bg_ids": [
            "L55B01"
          ],
          "attached_ref_labels": [
            "bg:L55B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L61B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L61",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L61B01.png",
        "t2i_prompt": "대한민국 남서부 대도시권에 자리한 21세기 초·중반의 대형 법원 청사 정면과 넓은 전면 광장을 담은 실제 카메라로 촬영한 다큐멘터리 풍 사진. 중앙 진입로의 남쪽 끝 부근에서 북쪽을 향해 바라보며, 서 있는 사람의 눈높이 약 1.6미터에서 28밀리미터 광각 렌즈로 촬영한다. 넓고 대칭적인 정면 구도 안에 장중한 직사각형 공공기관 청사의 전체 폭, 남향 벽 중앙의 주 출입문, 그 앞의 넓은 계단과 동쪽 경사로가 자연스럽게 보인다. 전경과 중경에는 탁 트인 직사각형 광장과 중앙 접근로가 깊이감을 만들고, 좌우 가장자리의 보행로와 식재 구역이 청사로 시선을 이끈다. 출입구 양옆에는 반복적인 창문 열이 질서 있게 이어진다. 한국의 사법기관 건축에서 볼 수 있는 절제된 기념비성, 밝은 회색 계열의 실제 석재 외장과 노출된 콘크리트 접합부, 짙은 금속 창틀, 두꺼운 유리 출입문, 햇빛과 비에 닳은 포장면의 미세한 색 차이를 사실적으로 표현한다. 맑고 화창한 낮의 자연광이 정면과 광장에 고르게 닿고, 짧고 선명한 그림자와 깨끗한 푸른 하늘이 보이되 과장된 채도는 피한다. 차분한 중성에서 약간 서늘한 색조, 보통 수준의 명암 대비, 자연스러운 계조와 실제 석재·금속·유리·포장재의 질감, 일상적인 미세한 풍화 흔적을 담는다. 공간은 깨끗하고 흐트러짐 없는 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 보이지 않는 빈 배경이어야 한다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 기록 사진처럼 자연스러운 원근과 심도를 유지하며, 깨끗한 광고 사진이나 컴퓨터 생성 이미지가 아닌 무보정의 사실적인 장소 참고 사진으로 표현한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화가 아닌 지상 눈높이의 실제 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "중앙 진입로 남쪽 끝 부근에서 북쪽을 바라본다. 서 있는 사람의 눈높이인 약 1.6미터에서 28밀리미터 광각 렌즈를 사용하고, 넓은 광장의 깊이와 중앙 출입구, 청사 전체의 좌우 폭이 대칭적으로 드러나는 정면 원경을 유지한다.",
            "shot_id": "S72_Shot1"
          },
          {
            "guide_text": "청사 정면을 중심축에 맞춘 넓고 대칭적인 설정 화면으로 촬영한다. 전경에는 중앙 진입로와 열린 광장을 충분히 담고, 양옆 보행 동선과 식재 구역, 정면 창문 열이 자연스럽게 프레임 안에 들어오도록 한다.",
            "shot_id": "S84_Shot1"
          }
        ],
        "shot_ids": [
          "S72_Shot1",
          "S84_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 6 at the south edge of the central approach, facing north toward number 5 and the centered number 2 entrance on number 1",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Use a wide, symmetrical establishing composition that shows the monumental breadth of number 1, the open depth of number 5, and the flanking landscape and circulation zones."
        },
        "reference_decision": {
          "bg_id": "L61B01",
          "fp_id": "fp_court_plaza",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L61B01 is the sole clean anchor candidate and supplies the complete fixed identity required by S72_Shot1 and S84_Shot1. A wide view from camera unit 4 at [7,4] toward unit 1 through look-at cell [3,4] supports the committed frontal establishing coverage, foreground scale, and full fixed elevation without relying on a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_court_plaza.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node establishes the dwelling identity directly from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              4
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use broad, frontal-axis coverage from unit 4 toward unit 1, preserving foreground depth and open area above the fixed structure for the consuming wide establishing shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 4, direct the view toward unit 1 and base opening marker 2. The broad view should organize base markers 1 through 12 consistently, with unit markers 3, 5, 6, 7, 8, 9, and 10 providing the committed foreground and lateral context and opening markers 11 and 12 remaining aligned with marker 1.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [7,4] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad coverage that keeps the complete fixed elevation legible, retains foreground depth, and preserves open frame area above the fixed structure as committed by S72_Shot1 and S84_Shot1.",
            "subject_position_directive": "Neither S72_Shot1 nor S84_Shot1 commits a subject within the background plate. Keep the background free of invented subjects while preserving the lower-center and centered fixed-structure placement required by those shots.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; any temporary content specified by a consuming shot must remain a separate scene layer.",
            "negative_continuity_directive": "Exclude ignored overlay markers 13 and 14. Do not bake shot-specific foreground content from S72_Shot1 into the clean plate, do not add scenario-specific elements, and do not imply spaces outside the wide view supported from camera unit 4."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [7, 4]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad, frontal-axis coverage from unit 4 toward unit 1, preserving foreground depth and open area above the fixed structure for the consuming wide establishing shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 4, direct the view toward unit 1 and base opening marker 2. The broad view should organize base markers 1 through 12 consistently, with unit markers 3, 5, 6, 7, 8, 9, and 10 providing the committed foreground and lateral context and opening markers 11 and 12 remaining aligned with marker 1.\n  - camera_framing_directive: Frame from camera unit 4 at cell [7,4] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad coverage that keeps the complete fixed elevation legible, retains foreground depth, and preserves open frame area above the fixed structure as committed by S72_Shot1 and S84_Shot1.\n  - subject_position_directive: Neither S72_Shot1 nor S84_Shot1 commits a subject within the background plate. Keep the background free of invented subjects while preserving the lower-center and centered fixed-structure placement required by those shots.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; any temporary content specified by a consuming shot must remain a separate scene layer.\n  - negative_continuity_directive: Exclude ignored overlay markers 13 and 14. Do not bake shot-specific foreground content from S72_Shot1 into the clean plate, do not add scenario-specific elements, and do not imply spaces outside the wide view supported from camera unit 4.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [7, 4]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad, frontal-axis coverage from unit 4 toward unit 1, preserving foreground depth and open area above the fixed structure for the consuming wide establishing shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 4, direct the view toward unit 1 and base opening marker 2. The broad view should organize base markers 1 through 12 consistently, with unit markers 3, 5, 6, 7, 8, 9, and 10 providing the committed foreground and lateral context and opening markers 11 and 12 remaining aligned with marker 1.\n  - camera_framing_directive: Frame from camera unit 4 at cell [7,4] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad coverage that keeps the complete fixed elevation legible, retains foreground depth, and preserves open frame area above the fixed structure as committed by S72_Shot1 and S84_Shot1.\n  - subject_position_directive: Neither S72_Shot1 nor S84_Shot1 commits a subject within the background plate. Keep the background free of invented subjects while preserving the lower-center and centered fixed-structure placement required by those shots.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; any temporary content specified by a consuming shot must remain a separate scene layer.\n  - negative_continuity_directive: Exclude ignored overlay markers 13 and 14. Do not bake shot-specific foreground content from S72_Shot1 into the clean plate, do not add scenario-specific elements, and do not imply spaces outside the wide view supported from camera unit 4.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [7, 4]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad, frontal-axis coverage from unit 4 toward unit 1, preserving foreground depth and open area above the fixed structure for the consuming wide establishing shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 4, direct the view toward unit 1 and base opening marker 2. The broad view should organize base markers 1 through 12 consistently, with unit markers 3, 5, 6, 7, 8, 9, and 10 providing the committed foreground and lateral context and opening markers 11 and 12 remaining aligned with marker 1.\n  - camera_framing_directive: Frame from camera unit 4 at cell [7,4] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad coverage that keeps the complete fixed elevation legible, retains foreground depth, and preserves open frame area above the fixed structure as committed by S72_Shot1 and S84_Shot1.\n  - subject_position_directive: Neither S72_Shot1 nor S84_Shot1 commits a subject within the background plate. Keep the background free of invented subjects while preserving the lower-center and centered fixed-structure placement required by those shots.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; any temporary content specified by a consuming shot must remain a separate scene layer.\n  - negative_continuity_directive: Exclude ignored overlay markers 13 and 14. Do not bake shot-specific foreground content from S72_Shot1 into the clean plate, do not add scenario-specific elements, and do not imply spaces outside the wide view supported from camera unit 4.\n\n대한민국 남서부 대도시권에 자리한 21세기 초·중반의 대형 법원 청사 정면과 넓은 전면 광장을 담은 실제 카메라로 촬영한 다큐멘터리 풍 사진. 중앙 진입로의 남쪽 끝 부근에서 북쪽을 향해 바라보며, 서 있는 사람의 눈높이 약 1.6미터에서 28밀리미터 광각 렌즈로 촬영한다. 넓고 대칭적인 정면 구도 안에 장중한 직사각형 공공기관 청사의 전체 폭, 남향 벽 중앙의 주 출입문, 그 앞의 넓은 계단과 동쪽 경사로가 자연스럽게 보인다. 전경과 중경에는 탁 트인 직사각형 광장과 중앙 접근로가 깊이감을 만들고, 좌우 가장자리의 보행로와 식재 구역이 청사로 시선을 이끈다. 출입구 양옆에는 반복적인 창문 열이 질서 있게 이어진다. 한국의 사법기관 건축에서 볼 수 있는 절제된 기념비성, 밝은 회색 계열의 실제 석재 외장과 노출된 콘크리트 접합부, 짙은 금속 창틀, 두꺼운 유리 출입문, 햇빛과 비에 닳은 포장면의 미세한 색 차이를 사실적으로 표현한다. 맑고 화창한 낮의 자연광이 정면과 광장에 고르게 닿고, 짧고 선명한 그림자와 깨끗한 푸른 하늘이 보이되 과장된 채도는 피한다. 차분한 중성에서 약간 서늘한 색조, 보통 수준의 명암 대비, 자연스러운 계조와 실제 석재·금속·유리·포장재의 질감, 일상적인 미세한 풍화 흔적을 담는다. 공간은 깨끗하고 흐트러짐 없는 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 보이지 않는 빈 배경이어야 한다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 기록 사진처럼 자연스러운 원근과 심도를 유지하며, 깨끗한 광고 사진이나 컴퓨터 생성 이미지가 아닌 무보정의 사실적인 장소 참고 사진으로 표현한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화가 아닌 지상 눈높이의 실제 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            7,
            4
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use broad, frontal-axis coverage from unit 4 toward unit 1, preserving foreground depth and open area above the fixed structure for the consuming wide establishing shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 4, direct the view toward unit 1 and base opening marker 2. The broad view should organize base markers 1 through 12 consistently, with unit markers 3, 5, 6, 7, 8, 9, and 10 providing the committed foreground and lateral context and opening markers 11 and 12 remaining aligned with marker 1.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [7,4] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad coverage that keeps the complete fixed elevation legible, retains foreground depth, and preserves open frame area above the fixed structure as committed by S72_Shot1 and S84_Shot1.",
          "subject_position_directive": "Neither S72_Shot1 nor S84_Shot1 commits a subject within the background plate. Keep the background free of invented subjects while preserving the lower-center and centered fixed-structure placement required by those shots.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; any temporary content specified by a consuming shot must remain a separate scene layer.",
          "negative_continuity_directive": "Exclude ignored overlay markers 13 and 14. Do not bake shot-specific foreground content from S72_Shot1 into the clean plate, do not add scenario-specific elements, and do not imply spaces outside the wide view supported from camera unit 4."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_court_plaza",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_court_plaza",
            "building_fp:fp_courtroom"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_courtroom",
          "indoor_loc_sid": "L62",
          "group_id": "bg_district_court",
          "fp_asset_id": "f3d54573-50de-43db-b683-73ef9eeb7bc6"
        }
      },
      "L61B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L61",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L61B02.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2015~2017년 무렵 공공 법원 청사 앞 광장을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 북쪽에는 밝은 회색 화강석과 노출된 콘크리트 마감이 섞인 넓고 절제된 관공서 정면이 있고, 중앙의 유리와 금속 출입문 앞에는 낮고 넓은 석재 계단이 놓여 있다. 계단 동쪽에는 금속 난간이 설치된 접근성 경사로가 자연스럽게 이어진다. 출입문 양옆에는 알루미늄 프레임의 반복적인 창문 열이 있으며, 남쪽으로는 오래 사용해 잔잔한 얼룩과 미세한 균열이 남은 석재 포장의 넓은 앞마당과 중앙 접근로가 길게 뻗는다. 광장 양쪽 순환로와 낮은 식재대가 외곽을 정리하지만 중앙 시야는 막지 않는다. 증언이 끝난 뒤의 조용하고 햇빛 밝은 낮, 맑은 자연광 아래 중성에서 약간 차가운 색조, 적당한 명암과 자연스러운 음영, 과장되지 않은 엄숙한 관공서 분위기. 남쪽 절반의 중앙 접근로에는 멀어져 가는 대상을 후반 합성할 수 있는 빈 동선을 남기고, 입구 계단 가까운 북쪽 앞마당에는 멈춰 선 대상을 배치할 수 있는 별도의 빈 공간을 확보하여 두 위치 사이에 상당한 개방 거리가 느껴지게 한다. 배경 자체에는 사람, 얼굴, 인체 실루엣, 사람 형태의 조형물을 전혀 넣지 않는다. 약 1.6미터의 서 있는 사람 눈높이, 35밀리미터급 적당한 광각 렌즈, 광장 건너편에서 출입구와 청사 정면 일부를 함께 담는 수평 구도, 길고 가림 없는 시선과 자연스러운 원근감, 실제 석재의 거친 결, 금속의 미세한 산화와 사용감, 유리 반사, 포장 오염을 사실적으로 표현한다. 자연스러운 피사계 심도와 현실적인 노출의 실제 미러리스 또는 디에스엘아르 촬영본, 과도한 보정 없는 현장 기록 사진, 깨끗한 광고 사진이나 건축 시각화가 아닌 실제 장소 참고 사진. 위에서 내려다본 시점, 평면도, 건축 도면이 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "서 있는 사람의 눈높이에서 중앙 접근로 너머 법원 출입구와 청사 정면 일부를 바라본다. 남쪽 접근로의 멀어지는 대상이 놓일 자리와 입구 계단 가까이의 정지한 대상이 놓일 자리 사이에 넓고 가림 없는 광장 공간을 확보하되, 배경 이미지 자체에는 사람이나 사람 형태를 그리지 않는다.",
            "shot_id": "S86_Shot4"
          },
          {
            "guide_text": "약 35밀리미터의 적당한 광각 시야로 출입구, 계단, 동쪽 경사로와 광장의 깊이를 함께 담는다. 화면 전후로 크게 떨어진 두 대상의 후반 합성 위치가 명확히 분리되도록 긴 시선을 유지하고, 구조물이나 식재가 중앙의 빈 공간을 가리지 않게 한다. 사람, 얼굴, 실루엣은 포함하지 않는다.",
            "shot_id": "S86_Shot6"
          }
        ],
        "shot_ids": [
          "S86_Shot4",
          "S86_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 2 at the main entrance, facing diagonally south across number 5 toward number 13, with number 14 remaining closer to the entrance",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Preserve a long, unobstructed sightline across the forecourt so numbers 13 and 14 are visibly separated by substantial open space; keep the entrance and part of the courthouse facade in frame."
        },
        "reference_decision": {
          "bg_id": "L61B02",
          "fp_id": "fp_court_plaza",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "S86_Shot4 and S86_Shot6 use the same physical exterior established by L61B01 but require an oblique lateral view rather than the anchor's frontal-axis view. Selecting L61B01 commits the positions of base markers 1 through 12, while camera unit 5 at [5,1] toward unit 1 at [3,4] provides the different structural slice needed for the close profile and wide separated-subject staging.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L61B01.png"
          ],
          "source_bg_ids": [
            "L61B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "ps_fp_court_plaza_exterior_01"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference_selected",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "ps_fp_court_plaza_exterior_01",
                "ref_bg_id": "L61B01",
                "space_description": "Same physical space containing base markers 1 through 12, viewed from an oblique camera unit."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient because both consuming shots occupy the same physical space established by L61B01; no second distinct visible space is committed."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              1
            ],
            "camera_unit": 5,
            "fov_deg": 90,
            "framing_notes": "Use a broad oblique plate from unit 5 toward unit 1 so the same fixed exterior can support both the close lateral composition and the wide separated-subject composition in the consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 5, look obliquely toward unit 1 and base opening marker 2. Preserve the L61B01 positions of base markers 1 through 12, including opening markers 2, 11, and 12 and the target-unit context supplied by markers 3, 4, 6, 7, 8, 9, and 10, while presenting the lateral depth needed by S86_Shot4 and S86_Shot6.",
            "camera_framing_directive": "Frame from camera unit 5 at cell [5,1] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad oblique coverage that can retain open lateral room for the close composition in S86_Shot4 and the full left-midground to right-background depth interval in S86_Shot6.",
            "subject_position_directive": "For S86_Shot4, reserve the left half for the committed close profile subject and preserve open looking room toward the off-screen target. For S86_Shot6, reserve the left midground for one committed full-body subject and the right background for the second, maintaining the staged depth separation across the visible exterior space.",
            "state_cue_directive": "Carry transient marker cues 13 and 14 only as specified for L61B02 and its consuming shots, while retaining numbered elements 1 through 12 as the fixed setting. Do not promote markers 13 or 14 into persistent structural elements or invent additional state cues.",
            "negative_continuity_directive": "Do not rearrange the fixed positions of base markers 1 through 12 inherited from L61B01. Do not convert the oblique camera-unit-5 view into the frontal camera-unit-4 anchor view, do not add unlisted marker cues, and do not introduce spaces outside the supported wide view cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L61B01' physical_space_id='ps_fp_court_plaza_exterior_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [5, 1]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad oblique plate from unit 5 toward unit 1 so the same fixed exterior can support both the close lateral composition and the wide separated-subject composition in the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 5, look obliquely toward unit 1 and base opening marker 2. Preserve the L61B01 positions of base markers 1 through 12, including opening markers 2, 11, and 12 and the target-unit context supplied by markers 3, 4, 6, 7, 8, 9, and 10, while presenting the lateral depth needed by S86_Shot4 and S86_Shot6.\n  - camera_framing_directive: Frame from camera unit 5 at cell [5,1] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad oblique coverage that can retain open lateral room for the close composition in S86_Shot4 and the full left-midground to right-background depth interval in S86_Shot6.\n  - subject_position_directive: For S86_Shot4, reserve the left half for the committed close profile subject and preserve open looking room toward the off-screen target. For S86_Shot6, reserve the left midground for one committed full-body subject and the right background for the second, maintaining the staged depth separation across the visible exterior space.\n  - state_cue_directive: Carry transient marker cues 13 and 14 only as specified for L61B02 and its consuming shots, while retaining numbered elements 1 through 12 as the fixed setting. Do not promote markers 13 or 14 into persistent structural elements or invent additional state cues.\n  - negative_continuity_directive: Do not rearrange the fixed positions of base markers 1 through 12 inherited from L61B01. Do not convert the oblique camera-unit-5 view into the frontal camera-unit-4 anchor view, do not add unlisted marker cues, and do not introduce spaces outside the supported wide view cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L61B01' physical_space_id='ps_fp_court_plaza_exterior_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [5, 1]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad oblique plate from unit 5 toward unit 1 so the same fixed exterior can support both the close lateral composition and the wide separated-subject composition in the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 5, look obliquely toward unit 1 and base opening marker 2. Preserve the L61B01 positions of base markers 1 through 12, including opening markers 2, 11, and 12 and the target-unit context supplied by markers 3, 4, 6, 7, 8, 9, and 10, while presenting the lateral depth needed by S86_Shot4 and S86_Shot6.\n  - camera_framing_directive: Frame from camera unit 5 at cell [5,1] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad oblique coverage that can retain open lateral room for the close composition in S86_Shot4 and the full left-midground to right-background depth interval in S86_Shot6.\n  - subject_position_directive: For S86_Shot4, reserve the left half for the committed close profile subject and preserve open looking room toward the off-screen target. For S86_Shot6, reserve the left midground for one committed full-body subject and the right background for the second, maintaining the staged depth separation across the visible exterior space.\n  - state_cue_directive: Carry transient marker cues 13 and 14 only as specified for L61B02 and its consuming shots, while retaining numbered elements 1 through 12 as the fixed setting. Do not promote markers 13 or 14 into persistent structural elements or invent additional state cues.\n  - negative_continuity_directive: Do not rearrange the fixed positions of base markers 1 through 12 inherited from L61B01. Do not convert the oblique camera-unit-5 view into the frontal camera-unit-4 anchor view, do not add unlisted marker cues, and do not introduce spaces outside the supported wide view cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L61B01' physical_space_id='ps_fp_court_plaza_exterior_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [5, 1]\n  - look_at_unit: 1\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad oblique plate from unit 5 toward unit 1 so the same fixed exterior can support both the close lateral composition and the wide separated-subject composition in the consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 5, look obliquely toward unit 1 and base opening marker 2. Preserve the L61B01 positions of base markers 1 through 12, including opening markers 2, 11, and 12 and the target-unit context supplied by markers 3, 4, 6, 7, 8, 9, and 10, while presenting the lateral depth needed by S86_Shot4 and S86_Shot6.\n  - camera_framing_directive: Frame from camera unit 5 at cell [5,1] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad oblique coverage that can retain open lateral room for the close composition in S86_Shot4 and the full left-midground to right-background depth interval in S86_Shot6.\n  - subject_position_directive: For S86_Shot4, reserve the left half for the committed close profile subject and preserve open looking room toward the off-screen target. For S86_Shot6, reserve the left midground for one committed full-body subject and the right background for the second, maintaining the staged depth separation across the visible exterior space.\n  - state_cue_directive: Carry transient marker cues 13 and 14 only as specified for L61B02 and its consuming shots, while retaining numbered elements 1 through 12 as the fixed setting. Do not promote markers 13 or 14 into persistent structural elements or invent additional state cues.\n  - negative_continuity_directive: Do not rearrange the fixed positions of base markers 1 through 12 inherited from L61B01. Do not convert the oblique camera-unit-5 view into the frontal camera-unit-4 anchor view, do not add unlisted marker cues, and do not introduce spaces outside the supported wide view cone.\n\n대한민국 전라남도·광주권의 2015~2017년 무렵 공공 법원 청사 앞 광장을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 북쪽에는 밝은 회색 화강석과 노출된 콘크리트 마감이 섞인 넓고 절제된 관공서 정면이 있고, 중앙의 유리와 금속 출입문 앞에는 낮고 넓은 석재 계단이 놓여 있다. 계단 동쪽에는 금속 난간이 설치된 접근성 경사로가 자연스럽게 이어진다. 출입문 양옆에는 알루미늄 프레임의 반복적인 창문 열이 있으며, 남쪽으로는 오래 사용해 잔잔한 얼룩과 미세한 균열이 남은 석재 포장의 넓은 앞마당과 중앙 접근로가 길게 뻗는다. 광장 양쪽 순환로와 낮은 식재대가 외곽을 정리하지만 중앙 시야는 막지 않는다. 증언이 끝난 뒤의 조용하고 햇빛 밝은 낮, 맑은 자연광 아래 중성에서 약간 차가운 색조, 적당한 명암과 자연스러운 음영, 과장되지 않은 엄숙한 관공서 분위기. 남쪽 절반의 중앙 접근로에는 멀어져 가는 대상을 후반 합성할 수 있는 빈 동선을 남기고, 입구 계단 가까운 북쪽 앞마당에는 멈춰 선 대상을 배치할 수 있는 별도의 빈 공간을 확보하여 두 위치 사이에 상당한 개방 거리가 느껴지게 한다. 배경 자체에는 사람, 얼굴, 인체 실루엣, 사람 형태의 조형물을 전혀 넣지 않는다. 약 1.6미터의 서 있는 사람 눈높이, 35밀리미터급 적당한 광각 렌즈, 광장 건너편에서 출입구와 청사 정면 일부를 함께 담는 수평 구도, 길고 가림 없는 시선과 자연스러운 원근감, 실제 석재의 거친 결, 금속의 미세한 산화와 사용감, 유리 반사, 포장 오염을 사실적으로 표현한다. 자연스러운 피사계 심도와 현실적인 노출의 실제 미러리스 또는 디에스엘아르 촬영본, 과도한 보정 없는 현장 기록 사진, 깨끗한 광고 사진이나 건축 시각화가 아닌 실제 장소 참고 사진. 위에서 내려다본 시점, 평면도, 건축 도면이 아니다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            5,
            1
          ],
          "camera_unit": 5,
          "fov_deg": 90,
          "framing_notes": "Use a broad oblique plate from unit 5 toward unit 1 so the same fixed exterior can support both the close lateral composition and the wide separated-subject composition in the consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From camera unit 5, look obliquely toward unit 1 and base opening marker 2. Preserve the L61B01 positions of base markers 1 through 12, including opening markers 2, 11, and 12 and the target-unit context supplied by markers 3, 4, 6, 7, 8, 9, and 10, while presenting the lateral depth needed by S86_Shot4 and S86_Shot6.",
          "camera_framing_directive": "Frame from camera unit 5 at cell [5,1] toward look-at unit 1 at cell [3,4] with a wide 90-degree field of view. Use broad oblique coverage that can retain open lateral room for the close composition in S86_Shot4 and the full left-midground to right-background depth interval in S86_Shot6.",
          "subject_position_directive": "For S86_Shot4, reserve the left half for the committed close profile subject and preserve open looking room toward the off-screen target. For S86_Shot6, reserve the left midground for one committed full-body subject and the right background for the second, maintaining the staged depth separation across the visible exterior space.",
          "state_cue_directive": "Carry transient marker cues 13 and 14 only as specified for L61B02 and its consuming shots, while retaining numbered elements 1 through 12 as the fixed setting. Do not promote markers 13 or 14 into persistent structural elements or invent additional state cues.",
          "negative_continuity_directive": "Do not rearrange the fixed positions of base markers 1 through 12 inherited from L61B01. Do not convert the oblique camera-unit-5 view into the frontal camera-unit-4 anchor view, do not add unlisted marker cues, and do not introduce spaces outside the supported wide view cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_court_plaza",
          "prior_bg_ids": [
            "L61B01"
          ],
          "attached_ref_labels": [
            "bg:L61B01",
            "building_fp:fp_courtroom"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_courtroom",
          "indoor_loc_sid": "L62",
          "group_id": "bg_district_court",
          "fp_asset_id": "f3d54573-50de-43db-b683-73ef9eeb7bc6"
        }
      },
      "L62B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L62B03",
        "reused_from_bg_id": "L62B03",
        "location_id": "L62",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L62B03.png",
        "t2i_prompt": "2015~2017년 대한민국 남서부 지역의 실제 형사법정 내부를 낮 시간에 촬영한 다큐멘터리 풍 사진. 남쪽 중앙의 방청객 출입구 가까이에서 약 1.6미터 높이로 서서, 방청석과 중앙 통로, 법정 난간 너머의 소송 구역을 가로질러 북쪽의 높아진 법대, 동쪽 증인석, 서쪽 벽의 투사 스크린을 대각선으로 바라본다. 28밀리미터 광각에 가까운 35밀리미터급 실제 카메라 시야로 법정의 전체 재판 축을 담되, 투사 스크린과 증인석, 양측 변론 테이블, 피고인석, 문서 영상 장치가 각각 식별 가능하고 과장된 원근 왜곡은 없다. 공간은 비어 있으며 사람, 얼굴, 인체 형상은 어디에도 없다.\n\n2010년대 중후반 한국 공공 법원에 맞는 절제된 실내로, 밝은 회색과 미색 벽, 부분적인 중간 톤 목재 마감, 실제 나뭇결이 남은 법대와 책상, 사용 흔적이 있는 방청석, 무광 금속 난간 부속, 약간 닳은 바닥과 문턱, 깨끗하지만 완벽히 새것 같지 않은 공공시설의 생활 얼룩을 사실적으로 표현한다. 동쪽 창문으로 들어오는 흐린 낮의 자연광과 천장의 실용적인 백색 조명이 섞이고, 중립에서 약간 차가운 색온도와 보통 명암, 자연스러운 계조를 유지한다. 재질은 실제 목재, 금속의 미세한 산화와 긁힘, 직물의 짜임, 유리 반사, 종이의 섬유감까지 현실적으로 보인다.\n\n증거는 재판 진행에 따라 차례로 제시되는 일시적 상태이며 한 장면에 모두 동시에 나타나지 않는다. 법의학 증언 순서에서는 투사 스크린 경계 안에 현장 표면이나 물체의 흔적을 기록한 비그래픽 법의학 사진만 표시한다. 알리바이 증언 순서에서는 같은 스크린 안에 시간과 장소 확인용 알리바이 사진 한 장만 표시하며 사람이나 얼굴은 보이지 않는다. 경로 논증 순서에서는 도로와 지형이 보이는 위성 지도만 표시한다. 자료 제출 순서에서는 사용감 있는 일기장 한 권이 법대 또는 서기 책상 중 한 곳에만 임시로 놓인다. 전문가 증언 순서에서는 스크린 안에 사람이나 신체 형상이 없는 실험 기록 사진만 표시하고, 증인석 위에는 소형 실험 시연 물체 몇 점이 임시로 놓인다. 각 화면 자료는 반드시 투사면의 경계 안에 머물며 주변 현실 공간과 구별되는 화면 밝기와 해상도를 갖고, 여러 종류의 증거를 콜라주처럼 합치거나 다른 증언 순서의 자료를 섞지 않는다.\n\n실제 미러리스 또는 디지털 일안 반사식 카메라로 촬영한 사실적인 장소 기록 사진, 서 있는 사람의 눈높이, 자연스러운 심도와 초점 변화, 과도하게 정돈된 광고 사진이 아닌 담담한 현장 참고 사진, 인위적인 후처리 없음. 위에서 내려다본 평면도, 건축 도식, 삽화, 삼차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 출입구 부근의 눈높이에서 방청석과 소송 구역을 지나 법대, 증인석, 투사 스크린까지 이어지는 재판 축을 확보한다. 이 숏에서는 스크린 경계 안에 비그래픽하고 임상적으로 절제된 법의학 사진 한 장만 표시하며, 사람이나 신체 형상은 보이지 않게 한다.",
            "shot_id": "S73_Shot5"
          },
          {
            "guide_text": "법의학 증언 순서의 공간 연속성을 유지한다. 스크린에는 현장 표면이나 물체의 흔적을 기록한 비그래픽 법의학 사진만 보이게 하고, 증인석과 문서 영상 장치도 함께 식별 가능하게 구성한다.",
            "shot_id": "S73_Shot6"
          },
          {
            "guide_text": "법대와 증인석, 스크린의 위치 관계를 명확히 유지한 넓은 법정 구도다. 법의학 사진은 투사면 안에서만 제한적으로 보이며 다른 증거 자료나 시연 물체는 등장시키지 않는다.",
            "shot_id": "S73_Shot9"
          },
          {
            "guide_text": "알리바이 증언 순서에 맞춰 스크린 안에 시간과 장소 확인용 알리바이 사진 한 장만 표시한다. 사진 속에는 얼굴이나 사람 형상이 없고, 다른 법의학 자료나 지도는 함께 띄우지 않는다.",
            "shot_id": "S75_Shot4"
          },
          {
            "guide_text": "남쪽에서 북쪽으로 이어지는 법정의 깊이를 유지하면서 스크린과 증인석을 읽기 쉽게 잡는다. 스크린 내부의 알리바이 사진은 주변 법정과 다른 화면 밝기와 해상도를 지닌 평면 기록 이미지로 표현한다.",
            "shot_id": "S75_Shot5"
          },
          {
            "guide_text": "알리바이 사진이 투사 스크린 경계 밖으로 확장되지 않도록 한다. 법대, 변론 테이블, 피고인석, 문서 영상 장치가 실제 법정 배치 속에서 자연스럽게 보이되 다른 증거 자료는 배제한다.",
            "shot_id": "S75_Shot6"
          },
          {
            "guide_text": "경로 논증 순서로, 스크린 안에 대한민국 남서부 지역의 도로와 지형이 보이는 위성 지도 한 장만 표시한다. 지도는 실제 디지털 프레젠테이션의 제한된 화면으로 보이게 하고 사진 자료나 일기장은 함께 강조하지 않는다.",
            "shot_id": "S80_Shot4"
          },
          {
            "guide_text": "자료 제출 순서로, 일기장 한 권을 법대 또는 서기 책상 중 한 곳에만 임시로 놓는다. 중복 배치하지 말고 스크린은 비활성 상태로 두어 일기장이 현재 제출된 자료임을 공간적으로 분명히 한다.",
            "shot_id": "S87_Shot1"
          },
          {
            "guide_text": "제출된 일기장이 법대나 서기 책상 위에 놓인 상태를 유지하며, 종이와 표지의 실제 사용감은 보이되 판독 가능한 개인 정보는 강조하지 않는다. 다른 사진 자료와 실험 물체는 등장시키지 않는다.",
            "shot_id": "S87_Shot5"
          },
          {
            "guide_text": "전문가 증언 순서로, 투사 스크린 안에는 사람이나 신체 형상이 없는 실험 기록 사진을 표시하고 증인석에는 소형 실험 시연 물체를 임시로 놓는다. 두 요소 모두 실제 증거 제시 상태로 절제되게 보이게 한다.",
            "shot_id": "S88_Shot1"
          },
          {
            "guide_text": "증인석의 실험 시연 물체와 스크린 속 실험 사진 사이의 관계가 읽히도록 구성한다. 실험 사진은 화면 경계 안의 평면 이미지로 유지하고, 다른 시점의 법의학 사진이나 알리바이 사진, 지도는 섞지 않는다.",
            "shot_id": "S88_Shot2"
          },
          {
            "guide_text": "남쪽 출입구 부근에서 법정 전체 축을 넓게 보여 주되 증인석의 시연 물체와 스크린의 실험 사진이 식별 가능해야 한다. 법대와 변론 테이블, 피고인석, 방청석은 자연스러운 깊이 속에 놓고 사람은 전혀 배치하지 않는다.",
            "shot_id": "S88_Shot6"
          }
        ],
        "shot_ids": [
          "S73_Shot5",
          "S73_Shot6",
          "S73_Shot9",
          "S75_Shot4",
          "S75_Shot5",
          "S75_Shot6",
          "S80_Shot4",
          "S87_Shot1",
          "S87_Shot5",
          "S88_Shot1",
          "S88_Shot2",
          "S88_Shot6"
        ],
        "scenes": [],
        "parent_id": "L62B03",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 15 (public entrance), facing diagonally across number 4 (gallery zone) and number 3 (litigation well) toward number 6 (judge bench), number 8 (witness stand), and number 13 (projection screen)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Establish the full trial axis while keeping the projection screen, witness stand, counsel tables, defendant dock, and document visualizer readable; evidence represented by numbers 22 through 27 is presented in turn rather than simultaneously."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L62B03",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L62B03",
              "space_description": "The same marker-1-21 physical space from the matching unit-3-to-unit-2 view."
            }
          ]
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match L62B03 with the camera in unit 3 at cell [0,8], aimed toward unit 2 at look-at cell [3,2], and use the wide 90-degree cone. Compose the representative plate for neutral crops ranging from marker-12 seating context through markers 8, 13, 9, and 6.",
          "negative_continuity_directive": "Exclude transient marker 28. Preserve the L62B03 positions of fixed markers 6-21, do not shift opening markers 15-20, and do not invent spaces beyond those supported by the unit-3 view cone.",
          "state_cue_directive": "Retain base numbered elements 1-21 and carry only the applicable committed transient overlays from markers 22, 23, 24, 25, 26, and 27 for each consuming shot. Do not add unlisted state cues.",
          "subject_position_directive": "Keep crop space available for staged subjects at marker-12 seating, marker-8 witness-side positions, marker-9 presentation-side positions, and marker-6 elevated positions. Support foreground-to-background gestures, isolated close reactions, full-figure testimony framing, and insert-scale temporary-object framing exactly as committed by the surfaced shots, without inventing additional subjects.",
          "visible_space_directive": "Preserve the L62B03 marker-1-21 layout from unit 3 toward unit 2. Maintain broad access to units 1, 4, and 5 where supported by the geometry, while showing candidate openings 15-20 only when they are actually within the wide cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [
            "L62B03"
          ],
          "attached_ref_labels": [
            "bg:L62B03"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L62B01": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L62B03",
        "reused_from_bg_id": "L62B03",
        "location_id": "L62",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L62B03.png",
        "t2i_prompt": "2015~2017년 대한민국 광주·전남권의 실제 지방 법원 법정 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 방청석 가까이에 카메라를 두고 약 1.6미터의 선 사람 눈높이에서 북동쪽을 향해 대각선으로 바라본다. 32밀리미터급 적당한 광각 화각으로 전경의 방청석과 중앙 통로, 법정 난간 너머의 검찰석과 변호인석, 피고인석, 증인석, 가장 안쪽의 높은 재판부석이 자연스러운 공간 깊이 안에 들어오게 한다. 재판부석 앞에는 서기석이 있고, 북서쪽 벽에는 법정용 투사 화면, 검찰석 곁에는 고정 연결된 문서 촬영 장치가 보인다. 남쪽 중앙의 공용 양문과 북동쪽의 보안용 측면문, 동쪽 벽을 따라 이어지는 여러 창문의 위치 관계가 실제 법정 구조처럼 설득력 있어야 한다.\n\n2010년대 중후반 한국 공공 법정 특유의 절제된 밝은 목재 무늬 마감, 짙은 목재 재판 가구, 미색 도장 벽, 흡음 패널, 회색 계열 바닥재, 실용적인 천장 조명과 단정한 창문 블라인드를 사용한다. 동쪽 창문으로 들어오는 흐린 낮빛과 중성적인 실내 조명이 섞인 차갑고 차분한 색조이며, 과도한 대비 없이 실제 눈으로 보는 자연스러운 명암을 유지한다. 목재 모서리의 잔흠집, 손이 자주 닿는 난간의 은은한 마모, 바닥의 미세한 사용 자국, 금속 부품의 현실적인 광택과 먼지처럼 일상적인 사용 흔적을 세밀하게 표현한다. 2015~2017년 이후 세대의 장비나 미래적인 설비는 넣지 않는다.\n\n격앙된 이의 제기와 고성이 이어지며 방청석 소란이 커진 낮 시간의 순간이다. 사람은 전혀 보이지 않지만, 방청석 사이에 놓였던 서류 몇 장이 통로 쪽으로 흐트러지고 가방 하나가 급히 밀린 듯 어긋나 있어 소란스러운 공간 상태가 드러난다. 그 외의 법정 가구와 고정 설비는 제자리에 유지하며 파손이나 과장된 난장판으로 만들지 않는다. 투사 화면에는 별도의 사건 자료나 인물 영상을 표시하지 않는다.\n\n실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 하며, 실제 콘크리트·금속·직물·목재의 물성과 자연스러운 원근, 현실적인 초점 심도를 구현한다. 깨끗한 광고 사진이 아니라 절제되고 사실적인 장소 기록사진이며 과도한 후처리는 없다. 그림, 삼차원 렌더링, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 사람, 얼굴, 신체, 사람 형태의 모형이나 형상은 모두 배제한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 방청석 가까이에서 선 사람의 눈높이로 촬영한다. 방청석 일부를 전경에 두고 검찰석과 변호인석, 증인석, 재판부석이 대각선 깊이 안에서 함께 읽히도록 한다. 방청석 사이의 흐트러진 서류와 밀려난 가방으로 소란의 흔적을 분명히 보이되 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S74_Shot3"
          },
          {
            "guide_text": "동일한 남서쪽 시선축을 유지하면서 중앙 소송 구역의 검찰석과 변호인석, 그 뒤 피고인석의 관계가 선명하게 보이도록 구성한다. 법정 난간과 중앙 통로가 방청 구역과 재판 구역을 자연스럽게 나누게 하고, 낮의 긴장된 소란 상태는 방청석 주변의 흐트러진 종이와 소지품으로만 전달한다.",
            "shot_id": "S74_Shot9"
          },
          {
            "guide_text": "32밀리미터급 적당한 광각으로 증인석에서 재판부석까지 이어지는 대각선 원근을 강조하되 왜곡은 최소화한다. 동쪽 창문의 낮빛과 천장 조명이 실제 법정처럼 섞이게 하고, 화면 가장자리의 방청석에서도 소란으로 흐트러진 상태가 확인되게 한다. 공간은 완전히 비어 있어야 하며 얼굴, 사람, 사람 형태의 형상은 배제한다.",
            "shot_id": "S74_Shot12"
          }
        ],
        "shot_ids": [
          "S74_Shot3",
          "S74_Shot9",
          "S74_Shot12"
        ],
        "scenes": [],
        "parent_id": "L62B03",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 12 (gallery benches) along the southwest side, facing diagonally toward number 9 (prosecution table), number 10 (defense table), number 8 (witness stand), and number 6 (judge bench)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "32mm moderate wide angle",
          "framing_notes": "Keep part of the gallery in the foreground so the commotion associated with number 28 can be staged behind the counsel area without obscuring the judge or witness."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L62B03",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L62B03",
              "space_description": "The same marker-1-21 physical space from the matching unit-3-to-unit-2 view."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match L62B03 with the camera in unit 3 at cell [0,8], aimed toward unit 2 at look-at cell [3,2], using wide 90-degree coverage. Preserve enough breadth for close crops near markers 8 and 9 and a widening composition around marker 12.",
          "negative_continuity_directive": "Do not redraw overlay markers 22, 23, 24, 25, 26, or 27. Keep markers 6-21 in the positions established by L62B03, and do not introduce spaces or openings outside the actual unit-3 wide cone.",
          "state_cue_directive": "Carry transient marker 28 as the only committed overlay cue, applied consistently with the surfaced shot staging. Retain base numbered elements 1-21 and do not invent additional state cues.",
          "subject_position_directive": "Reserve the witness-side foreground and opposing midground for the staged two-subject close composition near marker 8; reserve the marker-9 side for the staged rising subject and opposing edge presence; and reserve the marker-12 seating rows and aisle-side depth for the staged foreground rise and nonuniform background reactions.",
          "visible_space_directive": "Retain the L62B03 arrangement of base markers 1-21 from unit 3 toward unit 2. The wide cone may retain units 1, 4, and 5 as context where visible, with candidate openings 15-20 shown only where the geometry exposes them."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [
            "L62B03"
          ],
          "attached_ref_labels": [
            "bg:L62B03"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L62B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L62",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L62B03.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2010년대 중후반 지방 법원에 있을 법한 중형 형사 법정 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 공용 이중문 근처 중앙 통로에 카메라를 두고, 약 1.6m의 서 있는 사람 눈높이에서 북쪽의 높아진 재판부 단상과 중앙 법대를 정면으로 바라본다. 35mm급 적당한 광각 렌즈를 사용한 절제된 대칭 구도이며, 법대 앞쪽의 서기 책상, 북동쪽에서 법대를 향해 비스듬히 놓인 증인석, 중앙 소송 구역 양쪽의 검사 측 테이블과 변호인 측 테이블, 변호인 측 뒤편의 피고인석이 전방 시야 안에서 자연스럽게 구분된다. 동서 방향의 법정 난간이 소송 구역과 남쪽 방청 구역을 나누고, 중앙 통로가 난간의 통과부에서 여러 줄의 목재 방청석 사이를 지나 공용 출입구까지 곧게 이어진다. 북서쪽 벽에는 경계가 뚜렷한 빈 투사 스크린이 있고 검사 측 테이블 옆에는 고정 연결된 문서 영상 장치가 놓여 있다. 동쪽 벽에는 증인석과 변호인 측 구역, 앞뒤 방청석에 대응하는 세로형 창들이 있으며, 재판부 옆 북동쪽 벽에는 보안용 측면 출입문이 있다.\n\n2010년대 중후반 한국 공공기관 법정 특유의 실용적이고 보수적인 실내: 잔잔한 나뭇결이 보이는 짙은 갈색 목재 법대와 가구, 오래 사용해 모서리에 미세한 마모가 생긴 목재 방청석, 무광 도장 벽, 회색 계열 바닥재, 단정한 금속 손잡이와 난간 부속, 기능적인 천장 조명. 동쪽 창으로 들어오는 흐린 자연광과 중성적인 실내등이 섞여 과도한 대비 없이 공간을 고르게 밝힌다. 결정적인 증언과 엄숙한 선고가 진행되는 순간을 연상시키는 숨죽인 긴장감과 정숙함은 공간의 질서, 비어 있는 좌석, 절제된 중성·냉색 계열의 실제 조명만으로 표현한다. 인물, 얼굴, 신체 형태의 조형물은 전혀 보이지 않는 배경 전용 사진이다. 공간은 깨끗하고 흐트러지지 않은 평상 상태로 유지되어 있다.\n\n실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 사실적이어야 한다. 실제 콘크리트와 도장면의 미세한 요철, 금속의 자연스러운 사용 흔적, 목재의 정확한 결, 좌석 소재의 현실적인 직조감과 생활 마모를 표현하고, 자연스러운 원근과 깊이감, 과하지 않은 피사계 심도를 사용한다. 깨끗한 광고용 스톡 사진처럼 보이지 않으며 후처리 과장 없이 담담한 기록 사진이어야 한다. 하향식 시점, 평면도, 건축 도면, 삽화, 3D 시각화가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 공용 출입구 근처의 중앙 통로에서 북쪽 법대를 정면으로 바라보는 대칭 구도를 유지한다. 전방의 증인석, 검사 측 테이블, 변호인 측 테이블과 피고인석이 한눈에 읽히도록 하며, निर्ण정적 증언 장면에 사용할 수 있는 차분하고 긴장된 빈 법정 배경으로 구성한다.",
            "shot_id": "S85_Shot17"
          },
          {
            "guide_text": "서 있는 사람의 눈높이에서 중앙축을 흐트러뜨리지 말고 법대와 증인석의 시각적 관계가 분명하게 보이도록 한다. 방청석 난간과 양측 테이블을 프레임 안에 포함하되 인물이나 사건성 소품은 배치하지 않는다.",
            "shot_id": "S85_Shot19"
          },
          {
            "guide_text": "35mm 상당의 적당한 광각으로 중앙 통로의 깊이와 단상까지 이어지는 법정의 질서를 보여 준다. 비어 있는 투사 스크린은 화면 경계가 명확하게 보이되 시선을 과도하게 끌지 않게 처리한다.",
            "shot_id": "S85_Shot21"
          },
          {
            "guide_text": "선고 장면의 엄숙함을 받쳐 줄 수 있도록 법대를 구도의 중심에 두고 수평과 수직선을 안정적으로 맞춘다. 피고인석과 변호인 측 테이블, 법정 난간, 방청석 전열의 위치 관계가 자연스럽게 읽히는 빈 공간으로 촬영한다.",
            "shot_id": "S89_Shot16"
          },
          {
            "guide_text": "남쪽 출입구 부근에서 북쪽을 향한 절제된 정면 시점을 유지하고, 단상과 중앙 소송 구역 사이의 거리감을 자연스럽게 표현한다. 과장된 명암이나 극적인 연출 없이 정숙하고 팽팽한 실제 법정 분위기를 강조한다.",
            "shot_id": "S89_Shot18"
          },
          {
            "guide_text": "증언과 선고 모두에 재사용할 수 있도록 특정 사건 자료나 일시적인 흔적 없이 법정 전체의 기본 구조를 명료하게 담는다. 중앙 통로, 난간, 양측 법정 테이블, 증인석, 피고인석과 법대가 균형 있게 보이도록 한다.",
            "shot_id": "S89_Shot20"
          }
        ],
        "shot_ids": [
          "S85_Shot17",
          "S85_Shot19",
          "S85_Shot21",
          "S89_Shot16",
          "S89_Shot18",
          "S89_Shot20"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 15 (public entrance) on the central aisle, facing symmetrically toward number 6 (judge bench), with number 8 (witness stand), number 9 (prosecution table), number 10 (defense table), and number 11 (defendant dock) within the forward view",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Use a restrained, centered courtroom axis suitable for both decisive testimony and sentencing; leave the projection screen without event-specific evidence content."
        },
        "reference_decision": {
          "bg_id": "L62B03",
          "fp_id": "fp_courtroom",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L62B03 is the sole supplied clean anchor candidate and requires no transient overlays. A wide view from camera unit 3 toward unit 2 establishes the shared fixed identity for markers 1-21 while supporting consuming shots staged around markers 6, 8, 11, and 12 through downstream crops.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_courtroom.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node establishes the dwelling identity directly from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              0,
              8
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 3 toward unit 2 so the staged close, medium, and shared-space compositions can crop within one clean representative plate while retaining fixed-element context.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              2
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the fixed space from unit 3 toward unit 2, with units 1, 4, and 5 available as broad-cone context where the geometry permits. Preserve base markers 1-21, and include opening markers 15-20 only when they fall within the actual wide view.",
            "camera_framing_directive": "Place the camera in unit 3 at cell [0,8], aim toward unit 2 at look-at cell [3,2], and use the wide 90-degree cone for broad structural coverage suitable for the staged close and medium extractions.",
            "subject_position_directive": "The consuming staging places subjects at the positions associated with markers 6, 8, 11, and 12, including isolated close reactions, a seated speaking position, a two-subject seating composition, and an elevated-position composition. Keep the base plate free of invented subjects so those staged placements remain available.",
            "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.",
            "negative_continuity_directive": "Exclude overlay markers 22, 23, 24, 25, 26, 27, and 28. Do not add spaces outside the camera-unit-3 visibility candidate set or invent openings beyond candidate markers 15-20 that are actually exposed by the view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [0, 8]\n  - look_at_unit: 2\n  - look_at_cell: [3, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2 so the staged close, medium, and shared-space compositions can crop within one clean representative plate while retaining fixed-element context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed space from unit 3 toward unit 2, with units 1, 4, and 5 available as broad-cone context where the geometry permits. Preserve base markers 1-21, and include opening markers 15-20 only when they fall within the actual wide view.\n  - camera_framing_directive: Place the camera in unit 3 at cell [0,8], aim toward unit 2 at look-at cell [3,2], and use the wide 90-degree cone for broad structural coverage suitable for the staged close and medium extractions.\n  - subject_position_directive: The consuming staging places subjects at the positions associated with markers 6, 8, 11, and 12, including isolated close reactions, a seated speaking position, a two-subject seating composition, and an elevated-position composition. Keep the base plate free of invented subjects so those staged placements remain available.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 22, 23, 24, 25, 26, 27, and 28. Do not add spaces outside the camera-unit-3 visibility candidate set or invent openings beyond candidate markers 15-20 that are actually exposed by the view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [0, 8]\n  - look_at_unit: 2\n  - look_at_cell: [3, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2 so the staged close, medium, and shared-space compositions can crop within one clean representative plate while retaining fixed-element context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed space from unit 3 toward unit 2, with units 1, 4, and 5 available as broad-cone context where the geometry permits. Preserve base markers 1-21, and include opening markers 15-20 only when they fall within the actual wide view.\n  - camera_framing_directive: Place the camera in unit 3 at cell [0,8], aim toward unit 2 at look-at cell [3,2], and use the wide 90-degree cone for broad structural coverage suitable for the staged close and medium extractions.\n  - subject_position_directive: The consuming staging places subjects at the positions associated with markers 6, 8, 11, and 12, including isolated close reactions, a seated speaking position, a two-subject seating composition, and an elevated-position composition. Keep the base plate free of invented subjects so those staged placements remain available.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 22, 23, 24, 25, 26, 27, and 28. Do not add spaces outside the camera-unit-3 visibility candidate set or invent openings beyond candidate markers 15-20 that are actually exposed by the view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [0, 8]\n  - look_at_unit: 2\n  - look_at_cell: [3, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2 so the staged close, medium, and shared-space compositions can crop within one clean representative plate while retaining fixed-element context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed space from unit 3 toward unit 2, with units 1, 4, and 5 available as broad-cone context where the geometry permits. Preserve base markers 1-21, and include opening markers 15-20 only when they fall within the actual wide view.\n  - camera_framing_directive: Place the camera in unit 3 at cell [0,8], aim toward unit 2 at look-at cell [3,2], and use the wide 90-degree cone for broad structural coverage suitable for the staged close and medium extractions.\n  - subject_position_directive: The consuming staging places subjects at the positions associated with markers 6, 8, 11, and 12, including isolated close reactions, a seated speaking position, a two-subject seating composition, and an elevated-position composition. Keep the base plate free of invented subjects so those staged placements remain available.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.\n  - negative_continuity_directive: Exclude overlay markers 22, 23, 24, 25, 26, 27, and 28. Do not add spaces outside the camera-unit-3 visibility candidate set or invent openings beyond candidate markers 15-20 that are actually exposed by the view.\n\n대한민국 전라남도·광주권의 2010년대 중후반 지방 법원에 있을 법한 중형 형사 법정 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 공용 이중문 근처 중앙 통로에 카메라를 두고, 약 1.6m의 서 있는 사람 눈높이에서 북쪽의 높아진 재판부 단상과 중앙 법대를 정면으로 바라본다. 35mm급 적당한 광각 렌즈를 사용한 절제된 대칭 구도이며, 법대 앞쪽의 서기 책상, 북동쪽에서 법대를 향해 비스듬히 놓인 증인석, 중앙 소송 구역 양쪽의 검사 측 테이블과 변호인 측 테이블, 변호인 측 뒤편의 피고인석이 전방 시야 안에서 자연스럽게 구분된다. 동서 방향의 법정 난간이 소송 구역과 남쪽 방청 구역을 나누고, 중앙 통로가 난간의 통과부에서 여러 줄의 목재 방청석 사이를 지나 공용 출입구까지 곧게 이어진다. 북서쪽 벽에는 경계가 뚜렷한 빈 투사 스크린이 있고 검사 측 테이블 옆에는 고정 연결된 문서 영상 장치가 놓여 있다. 동쪽 벽에는 증인석과 변호인 측 구역, 앞뒤 방청석에 대응하는 세로형 창들이 있으며, 재판부 옆 북동쪽 벽에는 보안용 측면 출입문이 있다.\n\n2010년대 중후반 한국 공공기관 법정 특유의 실용적이고 보수적인 실내: 잔잔한 나뭇결이 보이는 짙은 갈색 목재 법대와 가구, 오래 사용해 모서리에 미세한 마모가 생긴 목재 방청석, 무광 도장 벽, 회색 계열 바닥재, 단정한 금속 손잡이와 난간 부속, 기능적인 천장 조명. 동쪽 창으로 들어오는 흐린 자연광과 중성적인 실내등이 섞여 과도한 대비 없이 공간을 고르게 밝힌다. 결정적인 증언과 엄숙한 선고가 진행되는 순간을 연상시키는 숨죽인 긴장감과 정숙함은 공간의 질서, 비어 있는 좌석, 절제된 중성·냉색 계열의 실제 조명만으로 표현한다. 인물, 얼굴, 신체 형태의 조형물은 전혀 보이지 않는 배경 전용 사진이다. 공간은 깨끗하고 흐트러지지 않은 평상 상태로 유지되어 있다.\n\n실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 사실적이어야 한다. 실제 콘크리트와 도장면의 미세한 요철, 금속의 자연스러운 사용 흔적, 목재의 정확한 결, 좌석 소재의 현실적인 직조감과 생활 마모를 표현하고, 자연스러운 원근과 깊이감, 과하지 않은 피사계 심도를 사용한다. 깨끗한 광고용 스톡 사진처럼 보이지 않으며 후처리 과장 없이 담담한 기록 사진이어야 한다. 하향식 시점, 평면도, 건축 도면, 삽화, 3D 시각화가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            0,
            8
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 3 toward unit 2 so the staged close, medium, and shared-space compositions can crop within one clean representative plate while retaining fixed-element context.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            2
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the fixed space from unit 3 toward unit 2, with units 1, 4, and 5 available as broad-cone context where the geometry permits. Preserve base markers 1-21, and include opening markers 15-20 only when they fall within the actual wide view.",
          "camera_framing_directive": "Place the camera in unit 3 at cell [0,8], aim toward unit 2 at look-at cell [3,2], and use the wide 90-degree cone for broad structural coverage suitable for the staged close and medium extractions.",
          "subject_position_directive": "The consuming staging places subjects at the positions associated with markers 6, 8, 11, and 12, including isolated close reactions, a seated speaking position, a two-subject seating composition, and an elevated-position composition. Keep the base plate free of invented subjects so those staged placements remain available.",
          "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional cues.",
          "negative_continuity_directive": "Exclude overlay markers 22, 23, 24, 25, 26, 27, and 28. Do not add spaces outside the camera-unit-3 visibility candidate set or invent openings beyond candidate markers 15-20 that are actually exposed by the view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_courtroom"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L63B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L63",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L63B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 2010년대 중후반 지역 경찰기관에 있는 대회의실 객석을 담은 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 후면의 서쪽과 동쪽 이중문 사이에 카메라를 두고, 약 1.5~1.6m의 서 있는 사람 눈높이에서 중앙 통로를 따라 북쪽의 단상과 무대 중앙 테이블을 정면으로 바라본다. 왜곡이 거의 없는 35mm급 중간 광각 렌즈로 직사각형 회의실 전체의 깊이, 중앙 통로 양쪽에 반복되는 전방향 객석 의자 열, 벽을 따라 난 양측 통로, 단상 위 테이블과 그 뒤에 대칭으로 정돈된 의자 열을 자연스럽게 담는다. 무대 뒤 북쪽 벽에는 공식 경찰 회의를 알리는 절제된 한글 행사 현수막이 일시적으로 설치되어 있으며, 공공기관 행사 특유의 단정하고 격식 있는 배치로 보인다. 사람, 얼굴, 제복을 입은 인물, 인체 형상의 장식이나 실루엣은 전혀 보이지 않는 빈 배경 공간이다. 주간의 차분한 실내 밝기, 천장 형광등의 균일한 중성광과 약한 자연광이 섞인 현실적인 조명, 중성에서 약간 차가운 색조와 보통 수준의 대비. 실제 벽 마감의 미세한 얼룩, 금속 문과 의자 프레임의 사용 흔적과 옅은 산화, 테이블의 진짜 목재 무늬, 의자 직물의 촘촘한 섬유 조직, 바닥의 일상적인 마모를 세밀하게 표현한다. 지나치게 새것 같은 전시장이나 깨끗한 스톡 사진이 아니라 실제 공공기관에서 오랫동안 사용된 장소의 절제된 상태이며, 자연스러운 원근과 깊이감, 현실적인 피사계 심도를 유지한다. 실제 DSLR 또는 미러리스 카메라로 현장에서 기록한 사실적인 장소 참고 사진, 후처리 없는 담담한 촬영본. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "회의실 남쪽 후면의 두 출입문 사이에서 중앙 통로의 축을 따라 북쪽 무대를 정면으로 바라본다. 약 1.5~1.6m 눈높이와 왜곡이 적은 35mm 중간 광각을 사용해 무대, 중앙 테이블, 대칭적인 무대 의자 열, 반복되는 객석 의자 열이 한눈에 읽히게 한다. 사람이나 인물 형상은 넣지 않는다.",
            "shot_id": "S76_Shot2"
          },
          {
            "guide_text": "같은 남쪽 후면 관찰축을 유지하되 중앙 통로와 무대의 공식적인 대칭성이 더욱 선명하게 보이도록 안정적으로 프레이밍한다. 무대 뒤 한글 행사 현수막이 식별 가능한 환경 요소로 보이게 하면서도 과장하지 않고, 빈 객석의 질서와 실제 공공기관 회의실의 깊이를 자연스럽게 보여준다. 사람, 얼굴, 신체 형상은 배제한다.",
            "shot_id": "S76_Shot3"
          }
        ],
        "shot_ids": [
          "S76_Shot2",
          "S76_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "at the south rear of number 1 (conference hall), between number 10 (west rear exit) and number 11 (east rear exit), facing north along number 7 (central aisle) toward number 2 (raised stage), number 4 (stage head table), and number 5 (stage officer chair row)",
          "camera_height": "eye-level seated-to-standing height, approximately 1.5–1.6 m",
          "lens_hint": "35mm moderate wide angle with minimal distortion",
          "framing_notes": "Use a centered, formal composition showing the rigid symmetry of number 6 seating rows, with the stage and transient number 3 event banner clearly visible beyond them. Keep both side aisles partially visible and frame the stage wide enough for the senior officers seated around the central speaker."
        },
        "reference_decision": {
          "bg_id": "L63B01",
          "fp_id": "fp_l63_conference_hall",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L63B01 is the sole supplied clean-anchor candidate and no same-fp references are available, so it establishes dwelling identity directly from the floor plan. Camera unit 7 matches the committed aisle-based staging, while the look-at cell at marker 6 supports the seated-row context shared by the medium shot and insert; a normal 50-degree lens provides neutral coverage without committing unsupported broad visibility.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l63_conference_hall.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference exists in the supplied catalog, so the required dwelling-identity anchor is rendered without a selected reference."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              1
            ],
            "camera_unit": 7,
            "fov_deg": 50,
            "framing_notes": "Use the unit 7 camera position for a neutral, aisle-based view into unit 1, targeting the audience-row marker at cell [8,4]. This supports the staged medium oblique coverage while retaining sufficient fixed spatial context for the tighter insert.",
            "lens_enum": "normal",
            "look_at_cell": [
              8,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 from the camera position in unit 7, prioritizing base marker 6 at look-at cell [8,4] and maintaining the fixed placement relationships of markers 4, 5, 6, 7, 8, and 9. Units 2, 8, and 9 and opening marker 10 are geometry-superset candidates and may appear only where the selected normal view cone actually exposes them.",
            "camera_framing_directive": "Place the camera in unit 7 at cell [1,1] and direct it into unit 1 toward cell [8,4] with a normal 50-degree field of view. Use neutral coverage centered on marker 6, allowing the staged medium oblique composition and preserving nearby seat-edge context needed by the insert.",
            "subject_position_directive": "For S76_Shot2, place the two committed principal subjects in the center and right midground within the marker 6 row context, with surrounding committed subjects staggered in depth as staged. For S76_Shot3, support the committed hip-height insert beside the seat with the partial body, reaching hand, and seat edge retained as scale references; invent no additional subjects.",
            "state_cue_directive": "Carry transient marker 3 as the committed state overlay and retain the numbered elements required by the BG where they fall within the selected view. Preserve the occupied-row state committed for S76_Shot2 and the localized activated-screen brightness committed for S76_Shot3 without adding unlisted state cues.",
            "negative_continuity_directive": "No numbered elements or state-overlay markers are explicitly ignored. Do not introduce spaces outside the chosen unit 7-to-unit 1 view cone, do not force marker 11 into view when it is not exposed by the geometry, do not duplicate transient marker 3, and do not invent additional subjects or scenario-specific elements beyond the committed staging."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 7\n  - camera_cell: [1, 1]\n  - look_at_unit: 1\n  - look_at_cell: [8, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the unit 7 camera position for a neutral, aisle-based view into unit 1, targeting the audience-row marker at cell [8,4]. This supports the staged medium oblique coverage while retaining sufficient fixed spatial context for the tighter insert.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from the camera position in unit 7, prioritizing base marker 6 at look-at cell [8,4] and maintaining the fixed placement relationships of markers 4, 5, 6, 7, 8, and 9. Units 2, 8, and 9 and opening marker 10 are geometry-superset candidates and may appear only where the selected normal view cone actually exposes them.\n  - camera_framing_directive: Place the camera in unit 7 at cell [1,1] and direct it into unit 1 toward cell [8,4] with a normal 50-degree field of view. Use neutral coverage centered on marker 6, allowing the staged medium oblique composition and preserving nearby seat-edge context needed by the insert.\n  - subject_position_directive: For S76_Shot2, place the two committed principal subjects in the center and right midground within the marker 6 row context, with surrounding committed subjects staggered in depth as staged. For S76_Shot3, support the committed hip-height insert beside the seat with the partial body, reaching hand, and seat edge retained as scale references; invent no additional subjects.\n  - state_cue_directive: Carry transient marker 3 as the committed state overlay and retain the numbered elements required by the BG where they fall within the selected view. Preserve the occupied-row state committed for S76_Shot2 and the localized activated-screen brightness committed for S76_Shot3 without adding unlisted state cues.\n  - negative_continuity_directive: No numbered elements or state-overlay markers are explicitly ignored. Do not introduce spaces outside the chosen unit 7-to-unit 1 view cone, do not force marker 11 into view when it is not exposed by the geometry, do not duplicate transient marker 3, and do not invent additional subjects or scenario-specific elements beyond the committed staging.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 7\n  - camera_cell: [1, 1]\n  - look_at_unit: 1\n  - look_at_cell: [8, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the unit 7 camera position for a neutral, aisle-based view into unit 1, targeting the audience-row marker at cell [8,4]. This supports the staged medium oblique coverage while retaining sufficient fixed spatial context for the tighter insert.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from the camera position in unit 7, prioritizing base marker 6 at look-at cell [8,4] and maintaining the fixed placement relationships of markers 4, 5, 6, 7, 8, and 9. Units 2, 8, and 9 and opening marker 10 are geometry-superset candidates and may appear only where the selected normal view cone actually exposes them.\n  - camera_framing_directive: Place the camera in unit 7 at cell [1,1] and direct it into unit 1 toward cell [8,4] with a normal 50-degree field of view. Use neutral coverage centered on marker 6, allowing the staged medium oblique composition and preserving nearby seat-edge context needed by the insert.\n  - subject_position_directive: For S76_Shot2, place the two committed principal subjects in the center and right midground within the marker 6 row context, with surrounding committed subjects staggered in depth as staged. For S76_Shot3, support the committed hip-height insert beside the seat with the partial body, reaching hand, and seat edge retained as scale references; invent no additional subjects.\n  - state_cue_directive: Carry transient marker 3 as the committed state overlay and retain the numbered elements required by the BG where they fall within the selected view. Preserve the occupied-row state committed for S76_Shot2 and the localized activated-screen brightness committed for S76_Shot3 without adding unlisted state cues.\n  - negative_continuity_directive: No numbered elements or state-overlay markers are explicitly ignored. Do not introduce spaces outside the chosen unit 7-to-unit 1 view cone, do not force marker 11 into view when it is not exposed by the geometry, do not duplicate transient marker 3, and do not invent additional subjects or scenario-specific elements beyond the committed staging.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 7\n  - camera_cell: [1, 1]\n  - look_at_unit: 1\n  - look_at_cell: [8, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the unit 7 camera position for a neutral, aisle-based view into unit 1, targeting the audience-row marker at cell [8,4]. This supports the staged medium oblique coverage while retaining sufficient fixed spatial context for the tighter insert.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from the camera position in unit 7, prioritizing base marker 6 at look-at cell [8,4] and maintaining the fixed placement relationships of markers 4, 5, 6, 7, 8, and 9. Units 2, 8, and 9 and opening marker 10 are geometry-superset candidates and may appear only where the selected normal view cone actually exposes them.\n  - camera_framing_directive: Place the camera in unit 7 at cell [1,1] and direct it into unit 1 toward cell [8,4] with a normal 50-degree field of view. Use neutral coverage centered on marker 6, allowing the staged medium oblique composition and preserving nearby seat-edge context needed by the insert.\n  - subject_position_directive: For S76_Shot2, place the two committed principal subjects in the center and right midground within the marker 6 row context, with surrounding committed subjects staggered in depth as staged. For S76_Shot3, support the committed hip-height insert beside the seat with the partial body, reaching hand, and seat edge retained as scale references; invent no additional subjects.\n  - state_cue_directive: Carry transient marker 3 as the committed state overlay and retain the numbered elements required by the BG where they fall within the selected view. Preserve the occupied-row state committed for S76_Shot2 and the localized activated-screen brightness committed for S76_Shot3 without adding unlisted state cues.\n  - negative_continuity_directive: No numbered elements or state-overlay markers are explicitly ignored. Do not introduce spaces outside the chosen unit 7-to-unit 1 view cone, do not force marker 11 into view when it is not exposed by the geometry, do not duplicate transient marker 3, and do not invent additional subjects or scenario-specific elements beyond the committed staging.\n\n대한민국 전라남도·광주권의 2010년대 중후반 지역 경찰기관에 있는 대회의실 객석을 담은 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 후면의 서쪽과 동쪽 이중문 사이에 카메라를 두고, 약 1.5~1.6m의 서 있는 사람 눈높이에서 중앙 통로를 따라 북쪽의 단상과 무대 중앙 테이블을 정면으로 바라본다. 왜곡이 거의 없는 35mm급 중간 광각 렌즈로 직사각형 회의실 전체의 깊이, 중앙 통로 양쪽에 반복되는 전방향 객석 의자 열, 벽을 따라 난 양측 통로, 단상 위 테이블과 그 뒤에 대칭으로 정돈된 의자 열을 자연스럽게 담는다. 무대 뒤 북쪽 벽에는 공식 경찰 회의를 알리는 절제된 한글 행사 현수막이 일시적으로 설치되어 있으며, 공공기관 행사 특유의 단정하고 격식 있는 배치로 보인다. 사람, 얼굴, 제복을 입은 인물, 인체 형상의 장식이나 실루엣은 전혀 보이지 않는 빈 배경 공간이다. 주간의 차분한 실내 밝기, 천장 형광등의 균일한 중성광과 약한 자연광이 섞인 현실적인 조명, 중성에서 약간 차가운 색조와 보통 수준의 대비. 실제 벽 마감의 미세한 얼룩, 금속 문과 의자 프레임의 사용 흔적과 옅은 산화, 테이블의 진짜 목재 무늬, 의자 직물의 촘촘한 섬유 조직, 바닥의 일상적인 마모를 세밀하게 표현한다. 지나치게 새것 같은 전시장이나 깨끗한 스톡 사진이 아니라 실제 공공기관에서 오랫동안 사용된 장소의 절제된 상태이며, 자연스러운 원근과 깊이감, 현실적인 피사계 심도를 유지한다. 실제 DSLR 또는 미러리스 카메라로 현장에서 기록한 사실적인 장소 참고 사진, 후처리 없는 담담한 촬영본. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "camera_decision": {
          "camera_cell": [
            1,
            1
          ],
          "camera_unit": 7,
          "fov_deg": 50,
          "framing_notes": "Use the unit 7 camera position for a neutral, aisle-based view into unit 1, targeting the audience-row marker at cell [8,4]. This supports the staged medium oblique coverage while retaining sufficient fixed spatial context for the tighter insert.",
          "lens_enum": "normal",
          "look_at_cell": [
            8,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 from the camera position in unit 7, prioritizing base marker 6 at look-at cell [8,4] and maintaining the fixed placement relationships of markers 4, 5, 6, 7, 8, and 9. Units 2, 8, and 9 and opening marker 10 are geometry-superset candidates and may appear only where the selected normal view cone actually exposes them.",
          "camera_framing_directive": "Place the camera in unit 7 at cell [1,1] and direct it into unit 1 toward cell [8,4] with a normal 50-degree field of view. Use neutral coverage centered on marker 6, allowing the staged medium oblique composition and preserving nearby seat-edge context needed by the insert.",
          "subject_position_directive": "For S76_Shot2, place the two committed principal subjects in the center and right midground within the marker 6 row context, with surrounding committed subjects staggered in depth as staged. For S76_Shot3, support the committed hip-height insert beside the seat with the partial body, reaching hand, and seat edge retained as scale references; invent no additional subjects.",
          "state_cue_directive": "Carry transient marker 3 as the committed state overlay and retain the numbered elements required by the BG where they fall within the selected view. Preserve the occupied-row state committed for S76_Shot2 and the localized activated-screen brightness committed for S76_Shot3 without adding unlisted state cues.",
          "negative_continuity_directive": "No numbered elements or state-overlay markers are explicitly ignored. Do not introduce spaces outside the chosen unit 7-to-unit 1 view cone, do not force marker 11 into view when it is not exposed by the geometry, do not duplicate transient marker 3, and do not invent additional subjects or scenario-specific elements beyond the committed staging."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l63_conference_hall",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l63_conference_hall"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L64B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L64",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L64B01.png",
        "t2i_prompt": "2015~2017년 대한민국 전라남도·광주권의 광역 경찰 공공청사 내부, 대회의실 앞의 조용한 주간 복도를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 복도 내부의 대회의실 문턱 가까이에 서서 중앙 양개문을 향해 사선으로 바라보고, 길게 이어지는 복도 끝의 출입문이 배경에 들어오게 한다. 카메라 높이는 서 있는 사람의 눈높이 약 1.6m, 35mm급 중간 광각 렌즈이며, 위에서 내려다보는 배치도 시점이 아닌 실제 현장 눈높이 구도다. 중앙의 동서 방향 통행로는 방해물 없이 비어 있고, 대회의실 양개문 앞에도 충분한 여유 공간이 남아 있다. 2010년대 중후반 한국 공공기관에 흔한 절제된 복도 마감, 실제 콘크리트와 도장 벽면의 미세한 얼룩, 금속 문 부속의 은은한 사용 흔적, 바닥재의 잔잔한 마모와 현실적인 반사를 세밀하게 표현한다. 천장 조명과 화면 밖에서 유입되는 낮의 간접광이 섞인 중성에서 약간 차가운 색온도, 보통 수준의 명암 대비, 과장되지 않은 자연스러운 노출을 사용한다. 대회의실 문턱 부근의 전경 가장자리에는 비공개 통화에 사용 중인 당시형 스마트폰만 부분적으로 보이게 하며, 사용자는 완전히 화면 밖에 있어 손, 얼굴, 신체 또는 사람 형상이 전혀 나타나지 않는다. 복도는 조용하고 비어 있지만 통화 순간의 절제된 긴장감이 느껴지는 상태다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 원근감과 심도, 정확한 재료 질감, 일상적인 마모와 얼룩을 유지한 사실적인 현장 기록 사진이며, 깨끗한 광고용 스톡 사진이나 CGI, 건축 시각화, 삽화처럼 보이지 않게 하고 인위적 후처리는 하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 안 대회의실 문턱 가까이에서 양개문을 사선으로 바라본다. 문 앞의 비어 있는 통행 공간과 조용한 낮 분위기를 충분히 보여 주고, 통화 중인 스마트폰은 문턱 부근 전경 가장자리에 기기 일부만 자연스럽게 보이게 한다. 사람, 손, 얼굴, 신체 형상은 포함하지 않는다.",
            "shot_id": "S77_Shot2"
          },
          {
            "guide_text": "양개문에서 복도 동쪽 끝 출입문까지 이어지는 깊이를 더 분명하게 잡아 긴 원근감을 만든다. 스마트폰은 전경 가장자리에 제한적으로 두되 복도 구조를 가리지 않으며, 적막한 공공기관 복도와 긴장된 통화 순간의 정적인 분위기를 유지한다. 사람이나 신체 일부는 보이지 않는다.",
            "shot_id": "S77_Shot4"
          }
        ],
        "shot_ids": [
          "S77_Shot2",
          "S77_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "inside number 1 (corridor), near number 3 (threshold zone), facing diagonally toward number 4 (conference hall double doors) with number 5 (corridor end door) in the background",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep number 4 prominent behind the caller, preserve the open central route of number 6, and depict number 7 as a handheld phone used during the private call."
        },
        "reference_decision": {
          "bg_id": "L64B01",
          "fp_id": "fp_l64_conference_hall_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L64B01 is the sole supplied clean-anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 3 places the view beside base opening marker 4 and directs neutral coverage through unit 6 toward base opening marker 5, retaining the structural context required by both consuming shots while allowing their close and medium subject framings.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/floor_plan/fp_l64_conference_hall_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_without_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp rendered reference is available; this first node must seed the dwelling identity from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              5
            ],
            "camera_unit": 3,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit marker 3, looking through unit marker 6 toward look-at cell [3,9]. This supports both the close foreground isolation in S77_Shot2 and the medium framing with modest open background space in S77_Shot4.",
            "lens_enum": "normal",
            "look_at_cell": [
              3,
              9
            ],
            "look_at_unit": 6
          },
          "render_guidance": {
            "visible_space_directive": "Show the continuous structural context of unit markers 3 and 6 from camera cell [6,5], looking toward cell [3,9], with unit marker 1 receding within the supported corridor context. Include base opening marker 4 near the unit-3 threshold and base opening marker 5 toward the look direction, while preserving base marker 6 as a clear circulation strip.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [6,5], looking through unit 6 toward cell [3,9], with a normal 50-degree lens and neutral coverage. Preserve enough background depth for the soft context required by S77_Shot2 and enough open space around the subject for the medium composition required by S77_Shot4.",
            "subject_position_directive": "For S77_Shot2, place the committed subject in the foreground at middle center in a close three-quarter presentation, with transient marker 7 held at the near side of the face and the background falling soft. For S77_Shot4, allow a medium three-quarter presentation with the subject on one side and modest open unit-6 context in the direction of the lifted, unfixed gaze.",
            "state_cue_directive": "Carry transient marker 7 in the active-use state committed by both consuming shots. Use the staged natural daytime illumination with restrained neutral-to-cool color and realistic tonal contrast; do not add state cues beyond marker 7 and the listed structural markers.",
            "negative_continuity_directive": "Do not introduce unlisted numbered elements or uncommitted state overlays. Keep the view limited to the structural context supported from unit 3 toward unit 6, and do not invent spaces outside the selected 50-degree view or additional scenario-specific elements beyond transient marker 7."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 5]\n  - look_at_unit: 6\n  - look_at_cell: [3, 9]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit marker 3, looking through unit marker 6 toward look-at cell [3,9]. This supports both the close foreground isolation in S77_Shot2 and the medium framing with modest open background space in S77_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the continuous structural context of unit markers 3 and 6 from camera cell [6,5], looking toward cell [3,9], with unit marker 1 receding within the supported corridor context. Include base opening marker 4 near the unit-3 threshold and base opening marker 5 toward the look direction, while preserving base marker 6 as a clear circulation strip.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,5], looking through unit 6 toward cell [3,9], with a normal 50-degree lens and neutral coverage. Preserve enough background depth for the soft context required by S77_Shot2 and enough open space around the subject for the medium composition required by S77_Shot4.\n  - subject_position_directive: For S77_Shot2, place the committed subject in the foreground at middle center in a close three-quarter presentation, with transient marker 7 held at the near side of the face and the background falling soft. For S77_Shot4, allow a medium three-quarter presentation with the subject on one side and modest open unit-6 context in the direction of the lifted, unfixed gaze.\n  - state_cue_directive: Carry transient marker 7 in the active-use state committed by both consuming shots. Use the staged natural daytime illumination with restrained neutral-to-cool color and realistic tonal contrast; do not add state cues beyond marker 7 and the listed structural markers.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements or uncommitted state overlays. Keep the view limited to the structural context supported from unit 3 toward unit 6, and do not invent spaces outside the selected 50-degree view or additional scenario-specific elements beyond transient marker 7.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 5]\n  - look_at_unit: 6\n  - look_at_cell: [3, 9]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit marker 3, looking through unit marker 6 toward look-at cell [3,9]. This supports both the close foreground isolation in S77_Shot2 and the medium framing with modest open background space in S77_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the continuous structural context of unit markers 3 and 6 from camera cell [6,5], looking toward cell [3,9], with unit marker 1 receding within the supported corridor context. Include base opening marker 4 near the unit-3 threshold and base opening marker 5 toward the look direction, while preserving base marker 6 as a clear circulation strip.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,5], looking through unit 6 toward cell [3,9], with a normal 50-degree lens and neutral coverage. Preserve enough background depth for the soft context required by S77_Shot2 and enough open space around the subject for the medium composition required by S77_Shot4.\n  - subject_position_directive: For S77_Shot2, place the committed subject in the foreground at middle center in a close three-quarter presentation, with transient marker 7 held at the near side of the face and the background falling soft. For S77_Shot4, allow a medium three-quarter presentation with the subject on one side and modest open unit-6 context in the direction of the lifted, unfixed gaze.\n  - state_cue_directive: Carry transient marker 7 in the active-use state committed by both consuming shots. Use the staged natural daytime illumination with restrained neutral-to-cool color and realistic tonal contrast; do not add state cues beyond marker 7 and the listed structural markers.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements or uncommitted state overlays. Keep the view limited to the structural context supported from unit 3 toward unit 6, and do not invent spaces outside the selected 50-degree view or additional scenario-specific elements beyond transient marker 7.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 5]\n  - look_at_unit: 6\n  - look_at_cell: [3, 9]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit marker 3, looking through unit marker 6 toward look-at cell [3,9]. This supports both the close foreground isolation in S77_Shot2 and the medium framing with modest open background space in S77_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the continuous structural context of unit markers 3 and 6 from camera cell [6,5], looking toward cell [3,9], with unit marker 1 receding within the supported corridor context. Include base opening marker 4 near the unit-3 threshold and base opening marker 5 toward the look direction, while preserving base marker 6 as a clear circulation strip.\n  - camera_framing_directive: Frame from camera unit 3 at cell [6,5], looking through unit 6 toward cell [3,9], with a normal 50-degree lens and neutral coverage. Preserve enough background depth for the soft context required by S77_Shot2 and enough open space around the subject for the medium composition required by S77_Shot4.\n  - subject_position_directive: For S77_Shot2, place the committed subject in the foreground at middle center in a close three-quarter presentation, with transient marker 7 held at the near side of the face and the background falling soft. For S77_Shot4, allow a medium three-quarter presentation with the subject on one side and modest open unit-6 context in the direction of the lifted, unfixed gaze.\n  - state_cue_directive: Carry transient marker 7 in the active-use state committed by both consuming shots. Use the staged natural daytime illumination with restrained neutral-to-cool color and realistic tonal contrast; do not add state cues beyond marker 7 and the listed structural markers.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements or uncommitted state overlays. Keep the view limited to the structural context supported from unit 3 toward unit 6, and do not invent spaces outside the selected 50-degree view or additional scenario-specific elements beyond transient marker 7.\n\n2015~2017년 대한민국 전라남도·광주권의 광역 경찰 공공청사 내부, 대회의실 앞의 조용한 주간 복도를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 복도 내부의 대회의실 문턱 가까이에 서서 중앙 양개문을 향해 사선으로 바라보고, 길게 이어지는 복도 끝의 출입문이 배경에 들어오게 한다. 카메라 높이는 서 있는 사람의 눈높이 약 1.6m, 35mm급 중간 광각 렌즈이며, 위에서 내려다보는 배치도 시점이 아닌 실제 현장 눈높이 구도다. 중앙의 동서 방향 통행로는 방해물 없이 비어 있고, 대회의실 양개문 앞에도 충분한 여유 공간이 남아 있다. 2010년대 중후반 한국 공공기관에 흔한 절제된 복도 마감, 실제 콘크리트와 도장 벽면의 미세한 얼룩, 금속 문 부속의 은은한 사용 흔적, 바닥재의 잔잔한 마모와 현실적인 반사를 세밀하게 표현한다. 천장 조명과 화면 밖에서 유입되는 낮의 간접광이 섞인 중성에서 약간 차가운 색온도, 보통 수준의 명암 대비, 과장되지 않은 자연스러운 노출을 사용한다. 대회의실 문턱 부근의 전경 가장자리에는 비공개 통화에 사용 중인 당시형 스마트폰만 부분적으로 보이게 하며, 사용자는 완전히 화면 밖에 있어 손, 얼굴, 신체 또는 사람 형상이 전혀 나타나지 않는다. 복도는 조용하고 비어 있지만 통화 순간의 절제된 긴장감이 느껴지는 상태다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 원근감과 심도, 정확한 재료 질감, 일상적인 마모와 얼룩을 유지한 사실적인 현장 기록 사진이며, 깨끗한 광고용 스톡 사진이나 CGI, 건축 시각화, 삽화처럼 보이지 않게 하고 인위적 후처리는 하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            6,
            5
          ],
          "camera_unit": 3,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit marker 3, looking through unit marker 6 toward look-at cell [3,9]. This supports both the close foreground isolation in S77_Shot2 and the medium framing with modest open background space in S77_Shot4.",
          "lens_enum": "normal",
          "look_at_cell": [
            3,
            9
          ],
          "look_at_unit": 6
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the continuous structural context of unit markers 3 and 6 from camera cell [6,5], looking toward cell [3,9], with unit marker 1 receding within the supported corridor context. Include base opening marker 4 near the unit-3 threshold and base opening marker 5 toward the look direction, while preserving base marker 6 as a clear circulation strip.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [6,5], looking through unit 6 toward cell [3,9], with a normal 50-degree lens and neutral coverage. Preserve enough background depth for the soft context required by S77_Shot2 and enough open space around the subject for the medium composition required by S77_Shot4.",
          "subject_position_directive": "For S77_Shot2, place the committed subject in the foreground at middle center in a close three-quarter presentation, with transient marker 7 held at the near side of the face and the background falling soft. For S77_Shot4, allow a medium three-quarter presentation with the subject on one side and modest open unit-6 context in the direction of the lifted, unfixed gaze.",
          "state_cue_directive": "Carry transient marker 7 in the active-use state committed by both consuming shots. Use the staged natural daytime illumination with restrained neutral-to-cool color and realistic tonal contrast; do not add state cues beyond marker 7 and the listed structural markers.",
          "negative_continuity_directive": "Do not introduce unlisted numbered elements or uncommitted state overlays. Keep the view limited to the structural context supported from unit 3 toward unit 6, and do not invent spaces outside the selected 50-degree view or additional scenario-specific elements beyond transient marker 7."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l64_conference_hall_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l64_conference_hall_corridor"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      }
    },
    "consumed_bg_catalog_hash": "be72c4b542881e1a",
    "consumed_shot_binding_hash": "4d67a7c6ebfbcbd1",
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        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L14B01.png",
        "mode": "missing_plan_direct_plate_fallback",
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        "source_bg_ids": [],
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        "source_kind": "missing_plan_direct_plate_fallback"
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      {
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        "source_kind": "shot_aware_plan"
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        "ingestion_order": 19,
        "source_kind": "shot_aware_plan_reuse"
      },
      {
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        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B01.png",
        "mode": "same_physical_space_view",
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        "ingestion_order": 20,
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      },
      {
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        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/episodes/f5372927-bbec-405d-ad2c-100d587f5373/images/background_chain/L13B04.png",
        "mode": "same_physical_space_view",
        "node_index": 3,
        "source_bg_ids": [
          "L13B02"
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        "ingestion_order": 21,
        "source_kind": "shot_aware_plan"
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