{ "status": "completed", "applicable_count": 10, "completed_count": 10, "failed_count": 0, "schema_version": 6, "config_hash": "f3013fbe8ceb4734", "data": { "groups": { "bg_apartment_home": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_apartment_home_sel.png", "seed_asset_id": "a0b48e7f-ee0c-4fea-b260-8bf3490af68b", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The corridor elevator entrance opens directly onto an elevator landing. From that landing, a long apartment access corridor extends along the building. Residential entrances occupy the building-facing side of the corridor, while a continuous safety boundary defines the opposite outer side. Fixed unit identifiers face the corridor at the residential entrances. The Sun-young apartment entrance is located along this corridor and has its own unit identifier and an adjacent fixed doorbell, both accessible from the corridor approach.\n- corridor elevator entrance: The elevator entrance opens onto the elevator landing that directly connects to the apartment access corridor.\n- elevator landing beside the access corridor: The landing occupies the transition between the corridor elevator entrance and the long apartment access corridor.\n- long apartment access corridor: The corridor extends away from the elevator landing, with apartment entrances arranged along its building-facing side.\n- apartment unit identifiers along the corridor: The unit identifiers are fixed at the apartment entrances along the long access corridor so individual homes can be located.\n- outer safety boundary of the access corridor: The safety boundary follows the outer side of the long access corridor, opposite the apartment entrances.\n- Sun-young apartment entrance: The apartment entrance is one of the residential access points along the building-facing side of the long corridor, reached from the elevator landing by following the corridor.\n- doorbell at Sun-young apartment entrance: The fixed doorbell is mounted immediately beside the Sun-young apartment entrance and is reachable from the corridor.\n- unit identifier at Sun-young apartment entrance: The unit identifier is fixed at the Sun-young apartment entrance, facing the corridor for identification from the approach.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 선영네 집 아파트 복도: 2010년대 중후반의 전형적인 복도식 아파트 야외 복도와 엘리베이터 입구다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선영네 집 내부: 2000년대 초반과 2010년대 후반의 물건들이 교차하는 가정집으로, 과거에는 두꺼운 모니터가 있는 어두운 방과 햇살 드는 거실이며, 현재는 시위 용품과 낡은 상자가 놓인 좁은 실내다.\n\nTHE LOCATION: **S#42. 선영네 집, 아파트 복도 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Open state of the elevator doors; Two visitors moving along the corridor; Hands covering and pressing the doorbell\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "733c2036-983c-443d-b802-b182cc2e4990", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_apartment_home/rounds/r001/cand_01.png", "sha256": "d0ca3c0d645497b1d89eb542c28cc592e0ee50cf420ec4e488347d06022f30f5", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "b8e0489c110c68d6", "totals": { "B": 1375, "A": 250 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1375, "verdict_ko": "건물의 전체적인 형태와 복도 구조를 인위적인 절단 없이 지시된 외부 쿼터뷰 앵글로 온전하게 구현하였습니다." }, { "label": "A", "score": 250, "verdict_ko": "단면도(cutaway)를 금지하고 외벽을 인위적으로 제거하지 말라는 명시적 지시를 어기고, 엘리베이터 승강장 측면을 절단하여 내부를 노출한 치명적인 위반이 있습니다. ★위반: [gemini-pro] cutaway / [gemini-pro] artificially remove walls to reveal interiors / [gemini-pro] physically impossible anatomy or staging" } ], "critique": { "issues": [ { "issue_ko": "건물 우측의 매싱(massing)과 평면 구조가 잘못되었습니다. 가장 오른쪽의 개방형 발코니들(문이 있는 곳)이 메인 복도와 완전히 단절되어 있어, 승강장과 복도가 직접 연결된다는 구조 지침에 위배됩니다.", "fix_en": "Merge the isolated balconies on the far right into the main horizontal corridors by removing the dividing vertical walls, creating a continuous walkway. Preserve the building's overall footprint, the lighting, and the framing.", "needs_regeneration": true, "unfixable": false }, { "issue_ko": "화면 왼쪽 아래에 주차된 차량들이 보입니다. 프롬프트는 일시적인 차량이 없는 빈 배경(Empty Scene)을 요구했습니다.", "fix_en": "Remove all vehicles from the parking lot in the bottom left corner, replacing them with empty asphalt pavement. Preserve the building, the trees, the lighting, and the existing framing.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all vehicles from the parking lot in the bottom left corner, replacing them with empty asphalt pavement. Preserve the building, the trees, the lighting, and the existing framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "건물 우측의 매싱(massing)과 평면 구조가 잘못되었습니다. 가장 오른쪽의 개방형 발코니들(문이 있는 곳)이 메인 복도와 완전히 단절되어 있어, 승강장과 복도가 직접 연결된다는 구조 지침에 위배됩니다.", "fix_en": "Merge the isolated balconies on the far right into the main horizontal corridors by removing the dividing vertical walls, creating a continuous walkway. Preserve the building's overall footprint, the lighting, and the framing.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_correctional_facility": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_correctional_facility_sel.png", "seed_asset_id": "85a4fb4c-e2c7-4ffa-9833-aed0072b219a", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The exterior approach leads directly to the prison's main gate. The main gate forms a controlled opening in the secure perimeter boundary, with the gate passage connecting the exterior approach to the prison compound. The prison facility mass stands inside the perimeter and is visible from the approach and through the gate area.\n- exterior vehicular approach to the prison gate: The vehicular approach lies outside the secure perimeter and terminates directly at the main gate passage.\n- prison main gate: The main gate forms the controlled entrance between the exterior vehicular approach and the prison compound.\n- vehicular passage through the prison main gate: The gate passage runs through the main gate, continuing from the exterior vehicular approach into the prison compound.\n- prison facility mass beyond the main gate: The prison facility mass occupies the secured side of the main gate and is visible from the exterior approach.\n- secure perimeter boundary around the prison compound: The secure perimeter encloses the prison compound and meets both sides of the main gate, leaving the gate passage as the controlled opening from the exterior approach.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주교도소 앞: 보안이 철저하고 위압감이 느껴지는 교도소의 높은 외곽 시설물이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 광주교도소 조사실: 꾸밈없이 차갑고 폐쇄된 느낌을 주는 교도소 내 조사 공간이다. / 광주교도소 복도: 창살과 철문들이 일정 간격으로 늘어선 차갑고 긴 교정시설의 통로다. / 광주교도소 독방: 수용자 1인이 기거하는 매우 좁고 통제된 폐쇄 공간이다. / 광주교도소 면담실: 외부인과 재소자가 마주 보고 대화하기 위한 비좁고 답답한 작은 방이다. / 광주교도소 보건실: 의무관이 재소자를 진찰하는 간이 진료소 형태의 흰색 방이다. / 광주교도소 면회실: 투명 가림판으로 면회객과 재소자의 신체 접촉을 차단한 접견 시설이다.\n\nTHE LOCATION: **S#36. 광주교도소 앞 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Starex vehicle passing through the main gate; Taek-su seated in the rear of the vehicle\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "2565a31f-632a-4377-9ba4-d06f4d2d2ac3", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_correctional_facility/rounds/r001/cand_03.png", "sha256": "77cb80037697ec9cbf5cf49f54360b9bbe0b5226f4f8f51a3dc14150fdee0747", "fittings": [ { "target_native": "교도소 차량 출입 정문", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_correctional_facility/rounds/r001/cand_09.png", "sha256": "e524963aa3eed5cea76710c58e318aca3b6d07ac546141c0fa3dcefd8820e729" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "366a7d0fad4cb889", "totals": { "A": 8, "B": 3 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 8, "verdict_ko": "형태 참고 이미지와 부속 참고 이미지를 적절히 결합하여 요구된 교도소 정문과 외곽 구조를 훌륭하게 구현했으나, 간판 텍스트를 프롬프트(광주)가 아닌 참고 이미지(서울)에서 그대로 가져온 점이 유일한 감점 요인입니다." }, { "label": "B", "score": 3, "verdict_ko": "참고 이미지에서 건물의 형태만 가져오고 주변 환경은 절대 복사하지 말라는 강력한 지시에도 불구하고 우측 도로, 가로등, 교통 표지판 등 배경 전체를 그대로 복사하여 지시사항을 크게 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "정문 상단 간판에 '서울구치소'라는 텍스트가 선명하게 생성되어, 설정된 장소인 '광주교도소'와 모순되며 레퍼런스 사진의 텍스트를 그대로 복사하는 프롬프트 위반이 발생했습니다.", "fix_en": "Remove all text, characters, and logos from the large overhead sign and the vertical green plaque on the right pillar, leaving them as completely blank surfaces. Preserve the white brick gate pillars, the green fences, the background prison buildings, the road, and the daytime lighting exactly as they are.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all text, characters, and logos from the large overhead sign and the vertical green plaque on the right pillar, leaving them as completely blank surfaces. Preserve the white brick gate pillars, the green fences, the background prison buildings, the road, and the daytime lighting exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_district_court": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_district_court_sel.png", "seed_asset_id": "1553e74a-4920-425e-8e68-d31b4c56c912", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The Gwangju District Court building defines the rear side of the exterior site. A persistent exit opens from its front-facing side directly onto an exterior pedestrian approach. The approach extends outward from the building and provides the continuous circulation area needed for views back toward the complete courthouse frontage and for movement away from the exit. The entrance zone is the building-adjacent camera area, while the outer front approach provides the more distant frontal and three-quarter camera positions.\n- Gwangju District Court building: The courthouse occupies the rear side of the site, with its front-facing exterior oriented toward the pedestrian approach.\n- front courthouse exit: The exit is set into the front-facing side of the courthouse and opens directly onto the pedestrian approach.\n- courthouse front pedestrian approach: The pedestrian approach directly adjoins the front courthouse exit and extends outward from the building as the site's exterior access and circulation area.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주지방법원 앞 및 광장: 햇볕이 밝게 내리쬐는 웅장한 규모의 법원 건물 전면부와 넓은 진입 공간이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 광주지방법원 법정: 현대적인 디지털 장비(스크린, 실물화상기)가 구비된 엄숙하고 넓은 목재 톤의 재판정이다.\n\nTHE LOCATION: S#72. 광주지방법원 앞 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): October 2016 title overlay; bright sunlight; Taksu and Lee Mi-gyeong positions and movement\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "de047ef3-27cb-43a2-a40b-80667f2f5450", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_district_court/rounds/r001/cand_06.png", "sha256": "09e378e01cf214e9c6f8699a2643cb2f1ec07073a81b1f0a6ca5ac3e0ed59660", "fittings": [ { "target_native": "지방법원 청사 전면", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_district_court/rounds/r001/cand_08.png", "sha256": "769d8bdea2d6a94a8f47ff377304110148bc161e303bea109f7c1bb10159920e" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "7eeabf6382108105", "totals": { "A": 9, "B": 5 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "프롬프트가 명시한 '약간 높은 위치의 3/4 측면 뷰'를 정확히 구현하여 건물의 입체감과 여러 면을 잘 보여주며, 강한 햇빛과 사람을 배제하라는 지시도 완벽히 따랐습니다." }, { "label": "B", "score": 5, "verdict_ko": "건물의 형태와 제외 요소 지시는 잘 따랐으나, 프롬프트에서 핵심적으로 요구한 '3/4 측면 뷰(three-quarter view)'를 무시하고 평면적인 정면 뷰를 생성하여 감점되었습니다." } ], "critique": { "issues": [ { "issue_ko": "형태 참고 사진(Form Reference 1)에는 주 건물 좌측에 낮은 부속 건물이 연결되어 있으나, 생성된 이미지는 이를 우측에 잘못 배치하여 건물의 전체적인 구조와 매싱(massing)이 일치하지 않습니다.", "fix_en": "Remove the lower building section attached to the right side of the main structure, and add the attached lower building section to the left side instead, maintaining the exact design of the main facade, the Korean text on the building, the overcast sky, and the empty plaza.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "형태 참고 사진(Form Reference 1)에는 주 건물 좌측에 낮은 부속 건물이 연결되어 있으나, 생성된 이미지는 이를 우측에 잘못 배치하여 건물의 전체적인 구조와 매싱(massing)이 일치하지 않습니다.", "fix_en": "Remove the lower building section attached to the right side of the main structure, and add the attached lower building section to the left side instead, maintaining the exact design of the main facade, the Korean text on the building, the overcast sky, and the empty plaza.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_district_police_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_district_police_station_sel.png", "seed_asset_id": "9a057280-ea34-4e04-894f-2ae68b9a0e17", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A linear metasequoia-lined entrance avenue leads through the police station's main gate into a vehicle-accessible arrival area at the front of the station building. The building's main entrance opens toward this front area. A designated exterior rest area occupies part of the station-front exterior and is reachable from the same arrival area. The rooftop occupies the top of the station building and is reached through a fixed roof access point. A perimeter railing defines the rooftop edge facing the agricultural land below, with the rice-field expanse extending outward beyond that edge.\n- metasequoia-lined station entrance avenue: Runs toward the police station's main gate and connects the outer approach to the station-front arrival area.\n- opposing rows of metasequoia trees: Extend along both sides of the station entrance avenue, defining its long central approach axis toward the main gate.\n- police station main gate: Stands at the station end of the entrance avenue and opens into the station-front grounds.\n- station-front vehicle arrival area: Adjoins the inner side of the main gate, receives the entrance avenue, and lies directly in front of the police station building.\n- modest Naju Police Station building: Faces the station-front arrival area beyond the main gate avenue.\n- main public entrance of the police station building: Is set into the building face oriented toward the station-front arrival area, providing access from the front grounds into the station.\n- station-front exterior rest area: Occupies a designated part of the police station's front exterior and is accessible from the station-front arrival area.\n- police station rooftop: Occupies the top of the police station building above the station-front grounds.\n- rice-field-facing rooftop railing: Defines the rooftop edge overlooking the agricultural land below.\n- fixed rooftop access point: Connects the police station interior to the rooftop within the roof area.\n- rice-field expanse below the police station rooftop: Extends beyond and below the outward-facing rooftop railing as the principal landscape visible from the roof edge.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 나주 경찰서 정문 가로수길: 높은 메타세콰이어 나무들이 일렬로 길게 늘어선 진입로다. / 나주 경찰서 앞: 세월의 흔적이 묻어나는 소박하고 오래된 3~4층 규모의 관공서 외관이다. / 나주 경찰서 앞 휴게공간: 경찰서 건물 바깥에 마련된 소박한 흡연 및 휴식 구역이다. / 나주 경찰서 옥상: 경찰서 건물 꼭대기의 야외 공간으로, 아래로 농경지가 한눈에 내려다보이는 탁 트인 곳이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 나주 경찰서 복도: 형광등 불빛 아래 부서 출입문들이 늘어선 다소 건조한 관공서 복도다. / 나주 경찰서 대회의실: 경찰서 내부의 열을 맞춘 좌석과 전면 단상이 구비된 전형적인 회의 공간이다. / 나주 경찰서 강력반 사무실: 책상과 서류 더미가 어지럽게 널려 있고 형사들이 분주하게 움직이는 실용적인 업무 공간이다. / 나주 경찰서 수사과장실: 응접용 가구와 중역용 책상이 배치된 독립된 간부 집무실이다. / 나주 경찰서 자료실: 천장까지 닿는 철제 선반들에 낡은 문서 상자가 빽빽하게 찬 어둡고 먼지 쌓인 보관소다. / 나주 경찰서장실: 경찰서장의 지위가 나타나는 단정하고 넓은 집무실 공간이다.\n\nTHE LOCATION: **S#8. 나주 경찰서 정문 가로수길 - 아침**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): black SUV on the entrance avenue; movable chair in the exterior rest area; cigarette in use; green seasonal appearance of the rice fields; wind moving across the rice fields\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "cadba452-db2e-4101-8c44-c530944f37de", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_district_police_station/rounds/r001/cand_01.png", "sha256": "1469230cfa5f42e0665ea2b8f4a89ca9577c11d10ab6317d9157882fec6fb689", "fittings": [ { "target_native": "메타세쿼이아 가로수길", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_district_police_station/rounds/r001/cand_07.png", "sha256": "23dd7704bec1a3d85b5b4484cc355bb387e53843806625a2ca1b57cdb8d47c9f" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "c91760936be7f063", "totals": { "A": 1250, "B": 1714 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "요구된 3/4 측면 구도를 잘 구현하여 건물의 입체감을 살렸으나, 메타세쿼이아 진입로가 정문을 관통하지 않고 부지 옆을 빗겨가는 평행 도로로 잘못 배치된 점이 아쉽습니다. ★위반: [openrouter:x-ai/grok-4.6] 빈 장면인데 옥상에 인물로 보이는 형체가 있다" }, { "label": "B", "score": 1714, "verdict_ko": "메타세쿼이아 진입로가 정문 바깥이 아닌 안쪽에 배치된 오류가 있으며, 무엇보다 우선순위가 높은 카메라 앵글 조건(3/4 측면 뷰)을 무시하고 완전한 정면 구도로 렌더링되어 건물의 입체적 형태를 보여주지 못해 감점되었습니다." } ], "critique": { "issues": [ { "issue_ko": "경찰서 건물 정문 주출입구 위에 텍스트가 렌더링되었습니다. 지침에서 텍스트를 포함하는 것을 엄격히 금지하고 있습니다.", "fix_en": "Remove the text above the police station's main entrance, replacing that area with plain, blank concrete that matches the surrounding facade. Preserve the police station building, the trees, the gate, the rice fields, the lighting, and the exact framing.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "메타세콰이어 나무들이 갈색으로 렌더링되었습니다. 제공된 피팅 레퍼런스 이미지에 나타난 형태와 재질(푸른 잎)을 따라야 합니다.", "fix_en": "Replace the brown foliage of the metasequoia trees with lush green foliage to match the reference photographs. Preserve the brown rice fields, the police station building, the gate, the rest area, the lighting, and the exact framing.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the text above the police station's main entrance, replacing that area with plain, blank concrete that matches the surrounding facade. Preserve the police station building, the trees, the gate, the rice fields, the lighting, and the exact framing.\n- Replace the brown foliage of the metasequoia trees with lush green foliage to match the reference photographs. Preserve the brown rice fields, the police station building, the gate, the rest area, the lighting, and the exact framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_kindergarten_complex": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_kindergarten_complex_sel.png", "seed_asset_id": "393493a8-1d7b-4990-97c9-34a61bfc267a", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The kindergarten frontage road forms the public edge of the site. One roadside adjoins the kindergarten property, while the opposite roadside lies directly across the road and supports the across-road view toward the entrance. Inside the property, the kindergarten building stands behind the frontage with its principal exterior entrance facing the road. A fixed entrance approach runs from the kindergarten-side road edge to that doorway. The outdoor playground occupies the interior kindergarten grounds adjoining the building and away from the opposite roadside. A protective boundary defines the playground, and a fixed opening on its building-facing side provides access between the building side of the grounds and the play area.\n- Kindergarten frontage road: The road runs along the public-facing edge of the kindergarten property, in front of the building entrance.\n- Roadside opposite the kindergarten entrance: This roadside lies across the kindergarten frontage road from the entrance side and provides the opposing side of the established across-road sightline.\n- Kindergarten building: The building stands inside the kindergarten property behind its road-facing frontage, with its principal exterior entrance oriented toward the frontage road.\n- Road-facing kindergarten entrance: The entrance is set into the frontage side of the kindergarten building and faces the approach from the road.\n- Entrance approach between the frontage road and kindergarten doorway: The approach directly connects the kindergarten-side edge of the frontage road to the road-facing entrance, forming the fixed access path into the building.\n- Kindergarten outdoor playground: The playground occupies an outdoor part of the kindergarten grounds adjoining the building on the interior side of the property rather than across the frontage road.\n- Protective boundary around the kindergarten playground: The boundary defines the outer edge of the playground within the kindergarten grounds and separates the children's outdoor area from the frontage and adjoining exterior access areas.\n- Fixed access opening into the kindergarten playground: The access opening interrupts the playground boundary on the building-facing side and connects the playground to the kindergarten building side of the grounds.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 유치원 앞 도로 및 현관: 흐린 날 소나기가 내리는 유치원 건물 앞 진입로와 비를 피할 수 있는 입구 처마다. / 유치원 놀이터: 유치원 시설 내에 마련된 밝고 화사한 아이들 전용 실외 놀이 공간이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 유치원 내부: 밝고 따뜻한 색감으로 꾸며진 어린이 보육 및 교육용 실내 공간이다.\n\nTHE LOCATION: S#78. 유치원 앞 도로 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Kindergarten shuttle bus; Children in the playground; Rainfall at the entrance; Handheld umbrella; Smartphone displaying the photograph\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "6b39f2d0-f870-4cee-bcfc-a80b2868affb", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_kindergarten_complex/rounds/r001/cand_01.png", "sha256": "8b969323be75ee37d71de6a1e65e99d5bec1831ae99f190d813a4cb636bd2d0e", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "7f18091688b2dadc", "totals": { "A": 10, "B": 7 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "제시된 '약간 위에서 내려다본 3/4 측면 구도'를 정확히 구현하였으며, 레퍼런스 이미지의 주출입구 형태(아치형 캐노피, 황금색 문, 공룡 동상, 화분 등)를 새로운 건물 스케일과 배치에 맞춰 매우 충실하게 반영한 훌륭한 결과물입니다." }, { "label": "B", "score": 7, "verdict_ko": "건물과 놀이터의 전반적인 배치는 지시문을 따르고 있으나, 요청된 3/4 측면 구도가 아닌 정면에 가까운 앵글이며 레퍼런스 이미지에 나타난 출입구의 핵심적인 형태와 디테일 반영이 부족합니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트에서 텍스트 생성을 엄격히 금지했으나 건물 정면의 벽돌 벽에 '유치원'이라는 글자가 생성되었습니다. (치명적 오류)", "fix_en": "Remove the text from the brick wall above the entrance canopy, replacing it entirely with plain red brickwork that seamlessly matches the surrounding wall. Preserve the building's architecture, the entrance canopy, the playground, the fencing, the wet road, and all lighting exactly as they are.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "놀이터와 건물 진입로 측면을 연결하는 울타리 개구부(출입구)가 요구되었으나, 녹색 울타리가 막힌 채로 이어져 있습니다. (주요 오류)", "fix_en": "", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the text from the brick wall above the entrance canopy, replacing it entirely with plain red brickwork that seamlessly matches the surrounding wall. Preserve the building's architecture, the entrance canopy, the playground, the fencing, the wet road, and all lighting exactly as they are.\n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_memorial_ossuary": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_memorial_ossuary_sel.png", "seed_asset_id": "09256b75-5a37-404b-a01b-73fb5bf1b045", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around an outdoor parking area directly in front of the ossuary building. The building's public-facing side forms one edge of the parking area, and its entrance opens toward that exterior space so visitors can move from the parking area into the ossuary. A vehicle access way connects to the parking area's outer edge and continues away from the facility, providing the required vehicular connection to the site. Camera positions can therefore be grounded either within the parking area looking toward the ossuary frontage and entrance, or near the entrance frontage looking back across the parking area toward its vehicle access connection.\n- ossuary-front parking area: The parking area occupies the outdoor space directly in front of the ossuary building and provides the principal exterior camera-standing zone.\n- vehicle access way serving the ossuary parking area: The vehicle access way joins the outer edge of the ossuary-front parking area and extends away from the facility to connect the parking area with external circulation.\n- ossuary building facing the parking area: The ossuary building stands along one edge of the parking area, with its public-facing side oriented toward the exterior space from which visitors approach.\n- public entrance from the parking area into the ossuary: The public entrance is set into the parking-facing side of the ossuary building and directly receives pedestrian movement from the parking area.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 납골당 앞 주차장: 붉은 저녁노을이 짙게 깔려 차분한 분위기의 추모 시설 야외 주차 공간이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 납골당 내부: 유리문 뒤로 유골함과 사진들이 정갈하게 안치된 엄숙한 실내 안치소다.\n\nTHE LOCATION: S#91. 납골당 앞 주차장 - 해질녘\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Three visitors outside the ossuary; Joined-hand gesture; Dusk conditions\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "f668a24e-16ca-43b7-8caa-730347afcef3", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_memorial_ossuary/rounds/r001/cand_05.png", "sha256": "4debad242b0202d0b9a1041704621ad36e03bd12c9b7a9868298b02582465bda", "fittings": [ { "target_native": "납골당 건물", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_memorial_ossuary/rounds/r001/cand_08.png", "sha256": "b3de61c14ec5eb94fbb58a1c8f88ffe65c5a42a9e2e327b17fd363f2f35fe27b" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "a029ec052717ae47", "totals": { "B": 3, "A": 1 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 3, "verdict_ko": "좌측 계단과 주차장의 물리적 구조는 정상적이나, 지정된 메인 건물 형태 참고 이미지(Reference 1)를 완전히 무시하고 다른 부속 참고 이미지(Reference 2)를 바탕으로 전체 건물을 생성하는 치명적인 오류를 범했습니다." }, { "label": "A", "score": 1, "verdict_ko": "지정된 형태 참고 이미지(Reference 1)를 무시한 채 피팅 참고 이미지(Reference 2)로 건물을 잘못 생성했으며, 좌측 야외 계단이 출입구 없는 막힌 벽으로 이어지는 심각한 구조적 오류까지 존재합니다." } ], "critique": { "issues": [ { "issue_ko": "주요 건축물의 형태, 매스, 재질이 폼 레퍼런스로 지정된 곡선형 유리 파사드 건물이 아닌, 피팅 레퍼런스인 회색 직사각형 건물을 그대로 모방하여 잘못 생성되었습니다.", "fix_en": "Replace the entire grey rectangular building with a curved structure featuring a wide green glass facade and a prominent entrance canopy, matching the architectural form and materials of the first reference image exactly.", "needs_regeneration": true, "unfixable": false } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "주요 건축물의 형태, 매스, 재질이 폼 레퍼런스로 지정된 곡선형 유리 파사드 건물이 아닌, 피팅 레퍼런스인 회색 직사각형 건물을 그대로 모방하여 잘못 생성되었습니다.", "fix_en": "Replace the entire grey rectangular building with a curved structure featuring a wide green glass facade and a prominent entrance canopy, matching the architectural form and materials of the first reference image exactly.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_old_commercial_alley": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_old_commercial_alley_sel.png", "seed_asset_id": "57ace7fb-2710-402e-bd70-9e8020a76cbf", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a residential commercial alley fork. A residential alley approach enters the fork area, with a streetlight standing beside that approach. The chicken shop storefront occupies a corner directly adjoining the fork. Across the junction, the convenience store storefront faces back toward the fork from the opposing alley side. Beyond that side, the neighborhood circulation divides into a right-hand residential branch and a left-hand residential branch. The grouped site also contains a connected food-alley segment; the source does not establish which residential branch provides that connection, so its exact left-right relationship to the central fork should remain unassigned. Within the food alley, bar storefronts and their installed business signs adjoin the circulation corridor. The Jamae Restaurant frontage sits among those businesses, with its own sign facing the food alley.\n- residential alley approach: This alley segment forms an approach within the residential alley network and continues toward the commercial fork area.\n- streetlight beside the residential alley approach: The streetlight stands beside the residential alley approach before it reaches the fork area.\n- residential commercial alley fork: The fork is the central junction where the residential alley approach meets the branching neighborhood routes.\n- chicken shop storefront at the alley fork: The chicken shop storefront occupies a corner directly adjoining the residential commercial alley fork.\n- convenience store storefront across the fork: The convenience store storefront faces the fork from the opposing alley side, across from the chicken shop side.\n- right-hand residential branch beyond the convenience-store side: From the convenience-store side of the junction, this branch extends to plan-right and continues deeper into the residential neighborhood.\n- left-hand residential branch beyond the convenience-store side: From the convenience-store side of the junction, this branch separates toward plan-left and continues into the residential neighborhood.\n- food alley circulation corridor: The food alley is a pedestrian-facing commercial corridor within the grouped alley network, lined by its associated businesses.\n- bar storefronts surrounding the food alley: The bar storefronts adjoin the food alley corridor around the Jamae Restaurant frontage.\n- surrounding food-alley business signs: These installed business signs are distributed around the neighboring commercial frontages within the food alley.\n- Jamae Restaurant frontage: The Jamae Restaurant frontage directly adjoins the food alley corridor among the surrounding bar storefronts.\n- Jamae Restaurant sign: The installed Jamae Restaurant sign is fixed to or immediately associated with the Jamae Restaurant frontage and faces the food alley corridor.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주 월산동 골목: 2000년대 초반의 양식이 남아 있는 오래된 주택가 상업지구와 좁은 주택가 갈림길이다.\n\nTHE LOCATION: **S#16. 광주 월산동 골목, 드들강변(과거) - 늦은 밤**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Red compact car; Food-alley crowd activity and noise\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "5e112ce6-0a7c-4207-bcb2-159f865db6b4", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_old_commercial_alley/rounds/r001/cand_01.png", "sha256": "29d16813b505f4a0a0ea85b5846ef8dee89dea7db06c7b556ee7f6780a3fd526", "fittings": [ { "target_native": "오래된 식당 간판", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_old_commercial_alley/rounds/r001/cand_03.png", "sha256": "52a09b8467278bcb5bc7372a929074eb5f166700b89164689f42289cbb35cffe" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "4a13d429b6aef9ef", "totals": { "B": 9, "A": 4 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 9, "verdict_ko": "지정된 약간 높은 3/4 시점을 정확히 구현했으며, 교차로 구조와 자매식당, 주점 간판이 늘어선 먹자골목까지 프롬프트의 요구사항을 매우 충실히 반영했습니다." }, { "label": "A", "score": 4, "verdict_ko": "카메라 앵글이 지상 시점으로 설정되어 뷰포인트 요구사항을 어겼으며, 자매식당과 먹자골목 등 주요 상업 표지판 요소들이 누락되었습니다." } ], "critique": { "issues": [ { "issue_ko": "편의점(우측 오렌지색 간판 건물) 너머에서 골목이 좌우 두 갈래의 주거지 방면으로 나뉘어야 한다는 프롬프트의 공간 배치 지시와 달리, 해당 건물을 지나 갈라지는 길이 존재하지 않아 구조적 형상이 완전히 틀렸습니다.", "fix_en": "", "needs_regeneration": true }, { "issue_ko": "레퍼런스 사진에서 배경 건물에 있던 십자가 탑과 벽돌 구조물이 좌측 닭집 지붕 위에 직접 붙어 있는 형태로 잘못 합성되어 생성되었습니다 (구조적 환각).", "fix_en": "Remove the brick pedestal and cross from the roof of the left-hand corner building, replacing them with the flat roof surface matching the rest of the structure. Preserve the building itself, the adjacent structures, the street layout, the lighting, and the framing exactly as they are." }, { "issue_ko": "좌측 닭집 간판 옆의 은색 배기 파이프가 지붕에서 아래로 꺾인 채 녹색 차양 위 허공에 떠 있는 불가능한 형태로 렌더링되었습니다.", "fix_en": "Remove the floating silver exhaust pipe that curves downwards over the green awning of the left-hand corner building, leaving the awning and building front clear. Preserve the awning, the sign behind it, the building facade, the street, the lighting, and the framing exactly as they are." }, { "issue_ko": "자매식당 간판은 해당 식당 전면에 부착되거나 인접해야 한다는 지시와 달리, 우측 하단 텅 빈 교차로 도로변에 식당 건물과 분리된 거대한 입간판 형태로 잘못 배치되어 있습니다.", "fix_en": "Remove the large white illuminated standing sign from the bottom right corner of the foreground street, replacing the area it occupied with dark paved street surface matching the surrounding road. Preserve the road lines, the background alleyway, all buildings, the lighting, and the framing exactly as they are." }, { "issue_ko": "간판의 텍스트는 프롬프트 설명에서만 가져와야 한다는 규칙을 위반하고, 레퍼런스 사진의 '광릉불고기' 및 '호구포 식당' 글씨를 아무 관련 없는 건물들에 그대로 복사하여 렌더링했습니다 (주요 오류).", "fix_en": "" } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the brick pedestal and cross from the roof of the left-hand corner building, replacing them with the flat roof surface matching the rest of the structure. Preserve the building itself, the adjacent structures, the street layout, the lighting, and the framing exactly as they are.\n- Remove the floating silver exhaust pipe that curves downwards over the green awning of the left-hand corner building, leaving the awning and building front clear. Preserve the awning, the sign behind it, the building facade, the street, the lighting, and the framing exactly as they are.\n- Remove the large white illuminated standing sign from the bottom right corner of the foreground street, replacing the area it occupied with dark paved street surface matching the surrounding road. Preserve the road lines, the background alleyway, all buildings, the lighting, and the framing exactly as they are.\n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "편의점(우측 오렌지색 간판 건물) 너머에서 골목이 좌우 두 갈래의 주거지 방면으로 나뉘어야 한다는 프롬프트의 공간 배치 지시와 달리, 해당 건물을 지나 갈라지는 길이 존재하지 않아 구조적 형상이 완전히 틀렸습니다.", "fix_en": "", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_prosecutors_office": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_prosecutors_office_sel.png", "seed_asset_id": "07e080a5-2e85-45ba-8a25-a23a69d53eb2", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized along a continuous vehicle path. A public frontage area and the outer vehicle approach occupy the space immediately before the main gate. The approach meets the main gate at the site edge, where the gate opening interrupts the site boundary. Beyond the gate, the route continues across the inner vehicular forecourt toward the prosecutors' office building. The building stands within the inner office grounds and forms the principal backdrop when viewed from the public frontage and gate threshold.\n- public frontage area outside the main gate: Located immediately outside the main gate, adjoining the outer vehicle approach and facing the office grounds across the gate threshold.\n- outer vehicle approach to the main gate: Runs through the public frontage and meets the main gate from outside the office grounds.\n- main vehicle gate of the prosecutors' office: Set at the edge of the office grounds between the public frontage and the inner vehicular forecourt, aligned with the outer and inner vehicle routes.\n- site boundary adjoining the main vehicle gate: Defines the division between the public frontage and the office grounds, with the main vehicle gate forming an opening through it.\n- inner vehicular forecourt behind the main gate: Begins directly inside the main gate and continues toward the prosecutors' office building as the internal extension of the vehicle approach.\n- Gwangju prosecutors' office building: Stands within the inner office grounds beyond the main gate and inner vehicular forecourt, visible as the site's principal building from the frontage.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주지방검찰청 앞: 거대한 법조 건물 정문 앞의 진입 도로와 뙤약볕 아래의 시위 현장이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 광주지검 차장검사실: 검찰 고위 간부의 무게감이 느껴지는 고급스럽고 권위적인 사무실이다. / 광주지검 장원섭 사무실: 수많은 사건 기록과 수사 자료로 포화 상태인 실무 검사의 바쁜 집무실이다. / 광주지검 조사실: 교도소 조사실과 유사하나 검찰청 내부에 있는 폐쇄적인 소형 신문 방이다. / 광주지검 엘리베이터: 현대식 관공서 건물에 설치된 금속 재질의 승강기 내부 통로다. / 광주지검 세미나실: 조명을 낮춘 상태에서 프레젠테이션 스크린이 빛을 발하는 대회의장이다. / 광주지검 세미나실 앞 복도: 회의장 내부를 들여다볼 수 있는 작은 창문이 달린 출입문 밖의 통로다. / 광주지검 브리핑실: 기자회견을 위해 다수의 카메라와 노트북 취재진이 모여 있는 공식 발표 공간이다.\n\nTHE LOCATION: **S#34. 광주지검 앞 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Taeksu's entering car; protest participants outside the main gate; protest pickets; midday sunlight condition\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "8f472fcc-21ca-4f46-aac6-830dcb96a2b0", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_prosecutors_office/rounds/r001/cand_01.png", "sha256": "47f40ab265a237db4b0fd8a82ebc661ed3a49b02c054639727da3831ab14d0c9", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "c72bc1b268a451d8", "totals": { "A": 9, "B": 2 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "참조 이미지의 건축적 형태(평평한 캐노피 등)를 정확하게 재현했으며, 프롬프트가 요구한 대로 차량과 사람이 전혀 없는 완벽한 빈 공간을 구현하여 지침을 훌륭히 준수했습니다." }, { "label": "B", "score": 2, "verdict_ko": "엄격히 금지된 일시적 차량(주차된 차들)을 화면에 포함시켰으며, 1층 캐노피의 구조를 참조와 전혀 다른 경사진 유리 형태로 임의 변형하여 심각한 형태 왜곡을 발생시켰습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트는 건물의 전체 형태와 측면을 함께 보여주는 '4분의 3 측면 구도(three-quarter view)'를 명시했으나, 생성된 사진은 건물의 정면만 보이는 평면적인 정면 구도(frontal elevation)입니다.", "fix_en": "The camera angle is a direct frontal view instead of the requested three-quarter view. Since changing the perspective requires moving the camera and revealing hidden geometry, this cannot be fixed in-place.", "needs_regeneration": true }, { "issue_ko": "프롬프트의 제외 사항(EXCLUDED)에 '정오의 햇빛(midday sunlight condition)'이 포함되어 있으나, 건물 캐노피, 출입구, 나무 등의 그림자가 수직으로 짧게 떨어져 명백한 한낮의 조명 상태를 띠고 있습니다.", "fix_en": "Adjust the overall lighting to a late afternoon or early morning condition, making objects cast long, angled shadows to remove the excluded midday sunlight effect. Preserve the building's architecture, the gate structure, the completely empty forecourt, and the exact current camera framing." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Adjust the overall lighting to a late afternoon or early morning condition, making objects cast long, angled shadows to remove the excluded midday sunlight effect. Preserve the building's architecture, the gate structure, the completely empty forecourt, and the exact current camera framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "프롬프트는 건물의 전체 형태와 측면을 함께 보여주는 '4분의 3 측면 구도(three-quarter view)'를 명시했으나, 생성된 사진은 건물의 정면만 보이는 평면적인 정면 구도(frontal elevation)입니다.", "fix_en": "The camera angle is a direct frontal view instead of the requested three-quarter view. Since changing the perspective requires moving the camera and revealing hidden geometry, this cannot be fixed in-place.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_retro_cafe_entrance": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_retro_cafe_entrance_sel.png", "seed_asset_id": "b9c8de76-28e3-42e1-9a6c-68d9d5db0153", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as a street-facing cafe frontage. The street runs along the front of the property and meets an entrance approach used to move between the street edge and the cafe entrance. The entrance is set into the cafe frontage, with the cafe identification sign fixed at the frontage in direct association with that entrance. Camera positions can occupy either the street edge, looking toward the entrance and sign, or the entrance frontage, looking across the approach toward the street.\n- quiet street in front of Yangji Cafe: Runs along the front of the cafe site and directly adjoins the entrance approach.\n- street-facing entrance to Yangji Cafe: Set into the cafe frontage and reached from the adjoining entrance approach at the street side.\n- Yangji Cafe identification sign: Fixed at the cafe frontage in direct visual association with the street-facing entrance.\n- entrance approach between the street and cafe doorway: Occupies the access line directly between the street edge and the street-facing cafe entrance.\n- street-facing Yangji Cafe frontage: Forms the cafe boundary facing the street, contains the entrance, and supports the cafe identification sign.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 양지다방 앞: 인적 드문 지방 소도시 거리의 옛날식 다방 출입구 주변이다.\n\nTHE LOCATION: S#56. 양지다방 앞 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): delivery scooter; cloth-wrapped coffee delivery set\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "5a22d9ae-2672-4e18-9a62-cc29e4684884", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_retro_cafe_entrance/rounds/r001/cand_06.png", "sha256": "76e94608dfed3b68d10529655749134ba3805ca2f7994fb1e28f2cf07a5bf2ae", "fittings": [ { "target_native": "옛날식 다방 간판", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_retro_cafe_entrance/rounds/r001/cand_13.png", "sha256": "c92125d2604c095cb9c2f0f8dbd13974e113778a9c5207f26898efe28d16fe09" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "db36f74eee64c55f", "totals": { "A": 4, "B": 9 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 4, "verdict_ko": "프롬프트에서 명시한 '양지다방'이라는 이름 대신 폼 레퍼런스의 텍스트('닐 다방')를 그대로 사용하여 텍스트 반영 지시를 위반함." }, { "label": "B", "score": 9, "verdict_ko": "요구된 '양지다방' 텍스트를 모든 간판과 창문에 정확히 반영했고, 자전거 등 금지된 임시 요소를 성공적으로 제거하여 높은 완성도를 보임." } ], "critique": { "issues": [ { "issue_ko": "다방의 메인 간판이 두 번째 레퍼런스 사진(피팅 레퍼런스)에 지시된 입체적인 구조와 재질(두꺼운 돌출형 박스, 3D 양각 글자, 색상 분할 패널)을 따르지 않고, 첫 번째 폼 레퍼런스의 평면적인 간판 형태를 그대로 유지했습니다.", "fix_en": "Replace the flat white cafe signboard above the entrance with a thick, wedge-shaped vintage box sign matching the exact construction of the second reference image. The new sign must have a deep aged casing, thick raised 3D lettering for the cafe name, and distinct colored background blocks instead of a plain white surface. Preserve the brick building facade, the orange awning, the glass storefront, the neighboring shops, the empty sidewalk, and the current camera framing exactly as they are." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the flat white cafe signboard above the entrance with a thick, wedge-shaped vintage box sign matching the exact construction of the second reference image. The new sign must have a deep aged casing, thick raised 3D lettering for the cafe name, and distinct colored background blocks instead of a plain white surface. Preserve the brick building facade, the orange awning, the glass storefront, the neighboring shops, the empty sidewalk, and the current camera framing exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_roadside_bus_stop": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/background_chain/seed_bg_roadside_bus_stop_sel.png", "seed_asset_id": "37c616bc-e139-4551-8bfb-ab29811453bc", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2001–2017; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as a roadside bus-stop area adjoining a through street. The roadside bus-stop shelter stands at the street edge, with its boarding side facing the portion of the street where buses stop. A fixed bus-stop identification sign stands beside the shelter to mark the boarding location. On the opposite, passenger-access side of the shelter, a pedestrian approach runs along the street and provides continuous movement into the shelter and onward through the surrounding street area. Camera positions can therefore be grounded either within and immediately around the shelter or along the adjoining pedestrian and street corridor.\n- roadside bus-stop shelter: Set at the street edge, with its passenger side connected to the pedestrian approach and its boarding side facing the adjacent bus stopping lane.\n- fixed bus-stop identification sign: Fixed beside the roadside bus-stop shelter where it can identify the boarding location from the adjacent street and pedestrian approach.\n- street beside the bus stop: Runs directly past the boarding side of the roadside bus-stop shelter and continues beyond the stop in both directions.\n- pedestrian approach beside the bus stop: Adjoins the passenger side of the roadside bus-stop shelter and continues along the street as the fixed access route to and from the stop.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 유치원 인근 버스정류장 및 거리: 소나기가 갑자기 쏟아져 바닥이 젖고 하늘이 어두운 도로변의 버스 쉘터다.\n\nTHE LOCATION: S#82. 유치원 인근 거리 - 아침\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Stopped bus; Rain shower and falling raindrops; Shared umbrella; Pedestrians at the bus stop and along the street\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "0fd4016d-6c70-40da-8e06-c4753cd22667", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/5bddbdfc-2681-42a6-9837-43f35f60049d/images/f5372927-bbec-405d-ad2c-100d587f5373/structure_form_refs/bg_roadside_bus_stop/rounds/r001/cand_04.png", "sha256": "4874246be34974b3f80f61f86cdb336341425b82ea26edc6789f5d24060927e7", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "8233b62eb857939c", "totals": { "A": 10, "B": 7 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "레퍼런스의 구조와 디테일(노선도, 포스터, 태양광 패널 등)을 매우 정확하게 재현했으며, 젖은 노면과 배경의 어린이집(유치원) 등 프롬프트의 환경 설정도 완벽하게 반영했습니다." }, { "label": "B", "score": 7, "verdict_ko": "구조물의 기본적인 배치는 따랐으나 표지판 하단의 형태가 왜곡되었고, 쉘터 좌측 패널이 비어 있으며 유치원 인근이라는 배경 컨텍스트가 시각적으로 드러나지 않습니다." } ], "critique": { "issues": [ { "issue_ko": "버스 쉘터 지붕이 참고 이미지의 불투명한 평판 형태가 아니라, 가로 뼈대가 노출된 개방형 또는 투명한 슬랫(slat) 구조로 잘못 묘사되어 구조적 형태가 다릅니다.", "fix_en": "Redraw the bus shelter's roof as a solid, opaque, dark grey flat panel with a clean underside, removing all the exposed horizontal rafters/joists, while preserving the shelter's supporting pillars, glass walls, all attached posters, the adjacent standalone sign pole, the wet street, and the background building.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "정류장 내부 벤치의 하단 구조가 참고 이미지의 꽉 막힌 통짜 상자 형태가 아니라, 다리가 분리되어 바닥이 뚫려있는 개방형으로 다르게 생성되었습니다.", "fix_en": "Replace the open legs under the wooden bench with a solid, continuous dark rectangular block base that spans the width of the seat and meets the ground, keeping the wooden seat slats, the backrest, the glass walls with route maps behind it, and the ground surface exactly as they are.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Redraw the bus shelter's roof as a solid, opaque, dark grey flat panel with a clean underside, removing all the exposed horizontal rafters/joists, while preserving the shelter's supporting pillars, glass walls, all attached posters, the adjacent standalone sign pole, the wet street, and the background building.\n- Replace the open legs under the wooden bench with a solid, continuous dark rectangular block base that spans the width of the seat and meets the ground, keeping the wooden seat slats, the backrest, the glass walls with route maps behind it, and the ground surface exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "f40c56d8-4141-478b-b14e-fd523e49fb11", "resolved_model": "gemini-image", "updated_at": "2026-08-17T15:35:45.422492+00:00", "project_config_snapshot": {} }