layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).
S1sh1, S1sh4, S3sh2
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 숲속 수풀: at the near left side of the frame. - 폴리스 라인 (path): runs from the far center of the frame to the far center of the frame. FIGURES: - 금월산 남성 피해자 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the 폴리스 라인.
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 숲속 수풀: at the near center of the frame. - 폴리스 라인 (path): runs from the mid-distance left side of the frame to the far right side of the frame. FIGURES: - 검은 인영 (C02): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the 폴리스 라인. - 금월산 남성 피해자 (C01): at the mid-distance right side of the frame; about 1.4x as far from the camera as the nearest figure, so they must appear roughly 0.73x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 금월산 남성 피해자 is farther than 검은 인영 and must read visibly smaller and deeper in the frame.
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 숲속 수풀: at the far left side of the frame. - 폴리스 라인 (path): runs from the far left side of the frame to the far center of the frame. FIGURES: - 혜수: at the near center of the frame — NEAREST figure to the camera.
e1704ca898e0f1bb→7b5e6066da3bd648Photorealistic cinematic still. C01O01 in a dark hiking outfit, a Korean adult male, lies sprawled visibly smaller and deeper at the mid-distance right side of the shared forest floor. Positioned at three-quarter angle from the left, C01O01 gazes up at the incoming threat with a severely injured, pained expression, his pale, sweating face marked by minor scratches and his dark unkempt hair disheveled. He remains immobilized in the dense brush, missing one shoe, his thigh bearing a large bleeding bite wound. A dark adult figure in right profile is suspended mid-air at the near left side of the frame, already partway along the 폴리스 라인 as it leads toward the mid-distance right side of the frame, leaping with arms extended toward C01O01, the figure's garments trailing slightly in the direction opposite to the downward motion. The attacker appears as a backlit figure, body volume preserved with cold rim light tracing the shoulders against the dim ambient fill, eyes fixed on the victim below, face fully swallowed in deep shadow with no discernible features. Captured from a static ground-level lateral view aiming across the low vegetation, restrained desaturated low-key dusk illumination casts deep shadows through the thick, overlapping branches. The deep-crimson blood offers a stark accent against the bleak, threatening forest environment.
01240be0096b45be→058398d09d9c3489Photorealistic cinematic still. C06O05 in a dark detective jacket, a Korean middle-aged woman with dark hair, upper body visible from a chest-to-eye level camera. She stands at center frame, turned at a three-quarter angle from the right, a radio gripped near her lower chest, looking off-screen with a fixed, serious expression. Behind her, a yellow police line runs softly across the midground. Blurred police officers in uniform stand near the exterior crime scene, with a subdued body recovery operation visible in the deep background. Daylight exterior, restrained and desaturated broadcast contrast, sharp focus on the primary figure.
S2sh3
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 골목 바닥: at the mid-distance center of the frame. - 전봇대: at the mid-distance center of the frame. - 가로등: at the far left side of the frame. FIGURES: - 효장동 여성 피해자 (C03): at the near center of the frame — NEAREST figure to the camera. - 효장동 한국인 남성 (포식자 활성 상태) (C05): at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.76x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 효장동 한국인 남성 (포식자 활성 상태) is farther than 효장동 여성 피해자 and must read visibly smaller and deeper in the frame.
299bf2db74e497e7→6f94c48e1110591aPhotorealistic cinematic still. A Korean adult woman, the 효장동 여성 피해자, lies motionless in the lower-center foreground, sharing the cold alley ground with the 효장동 한국인 남성 (포식자 활성 상태), C05O04 in a dark jacket, a Korean adult man, positioned visibly smaller and deeper in the center midground. Seen from knee height, the woman is collapsed loose on the pavement at a three-quarter angle from the right, eyes closed, completely lifeless, her body stretching across the lower frame. C05O04 is seen at a three-quarter angle from the left, his torso lifted, gazing off-screen. Controlled deep-crimson accents of blood at his mouth and his red eyes stand out against his pale face. [L02: A desaturated dark city alley, illuminated by faint low-key light from a distant streetlight, a tall utility pole rising behind the pair in the dim background].
S4sh1, S10sh3, S10sh5, S17sh2
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 오래된 다세대 빌라 옥상: at the far right side of the frame. - 옥탑방: at the far center of the frame. - 옥탑방 철문 현관: at the mid-distance center of the frame. - 옥탑방 창문: at the far left side of the frame. - 물탱크: at the far center of the frame. - 담벼락 (path): runs from the far right side of the frame to the far left side of the frame. FIGURES: - 옥탑방 전단지 남성 (C15): at the near center of the frame — NEAREST figure to the camera.
SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 오래된 다세대 빌라 옥상: at the mid-distance right side of the frame. - 옥탑방: at the mid-distance center of the frame. - 옥탑방 철문 현관: at the near right side of the frame. - 옥탑방 창문: at the near center of the frame. - 물탱크: at the mid-distance left side of the frame. - 담벼락 (path): runs from the near left side of the frame to the mid-distance right side of the frame. FIGURES: - 강민숙 (C07): at the near center of the frame — NEAREST figure to the camera. - 거대한 그림자 (C16): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 0.98x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near center of the frame; NOT heading into the 물탱크. DEPTH CONTRACT: 거대한 그림자 is farther than 강민숙 and must read visibly smaller and deeper in the frame.
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 오래된 다세대 빌라 옥상: at the far center of the frame. - 옥탑방: at the far center of the frame. - 옥탑방 철문 현관: at the mid-distance center of the frame. - 옥탑방 창문: at the mid-distance center of the frame. - 물탱크: at the far center of the frame. - 담벼락 (path): runs from the near right side of the frame to the far left side of the frame. FIGURES: - 검은 고양이 (C18): at the near center of the frame — NEAREST figure to the camera.
198ec979928599d7→bc18f7fee9f8b5d7Photorealistic cinematic still. An Asian middle-aged woman in casual clothes, representing 강민숙 reflected in window, appears in the middle-center midground. She is positioned at a three-quarter angle from the right, recoiling under attack and looking off-screen. Overlapping her space at the near center, a large Asian adult male figure in dark workwear appears visibly slightly smaller at roughly 0.98x her height and deeper in the frame, in left profile, already partway through his lunge toward the near center of the frame rather than into the water tank, with his head reaching her shoulder, his eyes fixed on her. They are shown entirely as stark silhouettes reflected on the surface of the lit window. Their body volumes are preserved against the bright interior illumination, with faint rim light tracing the large figure's shoulder and the woman's back contour. The camera faces the window directly from the outside. The surrounding rooftop night exterior is a bleak, desaturated space with concentrated low-key contrast, leaving the outer environment in deep shadow.
3fb019f1acd4c380→b11ef09e51243c2aPhotorealistic cinematic still. The existing black cat in the center midground looks toward the existing lit rooftop window in the upper-right background. Captured at the cat's eye level from a medium distance, the medium framing holds a static profile composition. The cat stands in right profile, with its front paws braced firmly on the top edge of the existing parapet which forms a level base beneath it. The lit window faces the camera obliquely, with the existing rooftop room perceptible beyond it. The dawn light remains subdued and desaturated in cool hues, while the explicitly lit window provides a contained, warm contrast behind the cat.
S6sh1, S9sh1
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 해안가 도로 (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame. - 바다: at the mid-distance center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance left side of the frame; their path follows the 해안가 도로; NOT heading into the 바다.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 해안가 도로 (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame. - 바다: at the mid-distance center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance left side of the frame; their path follows the 해안가 도로; NOT heading into the 바다.
9987c10a5b9bc1c7→d6e436cc0e215ec0Photorealistic cinematic still. C09O09 in casual activewear, a young Korean woman with dark hair, occupies the middle-center midground, already partway along the coastal road and heading toward the mid-distance left side of the frame, not into the ocean. Seen from a wide right profile matching her speed, she is seated on the saddle of the bicycle in mid-pedal, driving one pedal fully downward, gazing into the distance with a bright expression. The bicycle frame and both wheels remain fully visible within the frame, her hair trailing backward in the direction opposite to her motion. A clear daytime roadway provides the horizontal motion axis beneath the tires, with the coastal ocean stretching out beyond the road. The scene is illuminated by clear natural daylight with restrained saturation and open mid-key contrast, highlighting her energetic ride against the bleak coastal environment.
S7sh2, S7sh5
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 보호견 우리 내부: at the near left side of the frame. - 철창 경계 (path): runs from the mid-distance right side of the frame to the far left side of the frame. FIGURES: - 로트와일러 (C09): at the near center of the frame — NEAREST figure to the camera. - 수리영 (C10): at the mid-distance center of the frame; about 1.8x as far from the camera as the nearest figure, so they must appear roughly 0.56x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 수리영 is farther than 로트와일러 and must read visibly smaller and deeper in the frame.
SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 보호견 우리 내부: at the mid-distance center of the frame. - 철창 경계 (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame. FIGURES: - 수리영 (C10): at the near left side of the frame — NEAREST figure to the camera.
fe762489eb18d8f9→2386bec838a4b151Photorealistic cinematic still. C09O09 in utilitarian work clothes, a 21-year-old Korean woman, stands at the mid-distance center, deeper in the frame and visibly smaller than the Rottweiler, looking toward the large Rottweiler's eyes inside the enclosure across the metal wire barrier in the middle-center midground. Captured from an observer at chest height, the large Rottweiler occupies the lower foreground edge in an over-the-shoulder view with its back to the camera, forelegs braced and muscular body tensed. C09O09 is facing the camera with her upper body visible behind the wire, her chin lowered, shoulders still, and unwavering eyes locked with the dog. The shared metal wire barrier physically separates the foreground dog from the woman. Natural daytime ambient light is controlled into a desaturated mid-key contrast, keeping C09O09's eyes clearly lit against the dim background of animal shelter cages.
01ae4fee3545c5b6→e6feb5971263818aPhotorealistic cinematic still. C09O09 in casual work clothes, an East Asian young woman, stands in the middle-left midground at three-quarter angle from the right, looking toward the confined dogs. The confined dogs and enclosures are visible in the middle-left background. Framed from chest height, she holds P01 tightly to her ear, her face frozen in an arrested posture with slightly parted lips. The metal wire barriers of the shelter angle away over her left shoulder, establishing the utilitarian environment. Restrained, desaturated daytime ambient light casts a low-to-mid-key contrast across her features, emphasizing her worried pause while keeping the metal grating subtly shadowed.
S8sh1, S8sh4, S19sh4
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the busy street (path): runs from the mid-distance right side of the frame to the far left side of the frame. - the large mart: at the mid-distance center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the busy street (path): runs from the mid-distance left side of the frame to the far right side of the frame. - the large mart: at the far right side of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near right side of the frame; their path follows the busy street.
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the busy street (path): runs from the mid-distance right side of the frame to the far left side of the frame. - the large mart: at the mid-distance center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.
9aa41b1cea8b42e6→688ce6a74c80bf43Photorealistic cinematic still. C09O09 in casual morning attire, a 21-year-old Korean woman, stands at three-quarter angle from the left in the lower-center midground, her arm raised and finger pointing toward the CCTV camera beneath the eave in the upper-center background. Captured from outside the store at chest height with a wide, slightly low-angle composition, leaving an uninterrupted diagonal gesture line between her finger and the lens-facing side of the CCTV camera. Her eyes are fixed off-screen toward the area being checked. The storefront exterior and the underside of the eave form the spatial boundary above. Natural early-morning exterior ambience bathes the scene in a restrained, desaturated color palette with controlled low-to-mid-key contrast.
539f6d39ecccf7a1→f989eca2269e9455Photorealistic cinematic still. C09O09 in casual functional street attire, a young Korean woman riding the bicycle, is positioned in the middle-center midground, already partway along the busy street and heading toward the near right side of the frame. Seen at a three-quarter angle from the left, she is caught in mid-pedal with one knee bent driving the pedal down and both hands firmly gripping the handlebars, gazing into the distance. Her clothes and dark hair flow back in the direction opposite to the forward motion, while the bicycle frame and wheels are fully visible beneath her. The wide lateral composition tracks parallel at street level, capturing the subdued, desaturated twilight street environment with a moody low-to-mid-key contrast. Illuminated neon signs turn their lit faces toward the street, forming legible luminous shapes in the darkening background. Operating street stalls with open customer-facing sides border both sides of the route, and taxis showing side faces pass through the wider background, completing the dusk street ambience without obstructing the rider.
ea78d1cb98193e73→353e0ae514ebe509Photorealistic cinematic still. Eye-level composition from directly ahead, holding C09O09 in casual functional street attire, a young Korean woman, occupying the center. She stands at three-quarter angle from the right on the sidewalk, paused with P01 raised in the lower central area. She is looking down, eyes fixed on the P01 screen with a serious expression. A narrow strip of the road extends along the edge to preserve location. The illuminated storefront is visible behind her. Desaturated twilight street ambience envelops the scene, while moody low-to-mid-key illumination from a nearby commercial fluorescent light catches her tense face against the darkening background.
S11sh3, S13sh1, S13sh3
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 골목길 (path): runs from the far left side of the frame to the far right side of the frame. - 다세대 빌라 마당: at the far center of the frame. - 옥탑방 외부 계단 (path): runs from the mid-distance center of the frame to the far left side of the frame. - 옥탑방과 반쯤 열린 현관 철문: at the far center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera. - 혜수 (C06): at the far left side of the frame; about 8.7x as far from the camera as the nearest figure, so they must appear roughly 0.11x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 골목길 (path): runs from the near left side of the frame to the mid-distance right side of the frame. - 다세대 빌라 마당: at the near right side of the frame. - 옥탑방 외부 계단 (path): runs from the near center of the frame to the mid-distance center of the frame. - 옥탑방과 반쯤 열린 현관 철문: at the mid-distance center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the 옥탑방 외부 계단; NOT heading into the 옥탑방과 반쯤 열린 현관 철문.
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 골목길 (path): runs from the far left side of the frame to the far right side of the frame. - 다세대 빌라 마당: at the far center of the frame. - 옥탑방 외부 계단 (path): runs from the mid-distance center of the frame to the far left side of the frame. - 옥탑방과 반쯤 열린 현관 철문: at the far center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera. - 혜수 (C06): at the far left side of the frame; about 8.7x as far from the camera as the nearest figure, so they must appear roughly 0.11x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.
ac930a8facb94c47→928564f455e1cc33Photorealistic cinematic still. The half-open rooftop room iron door stands in the middle-center background. Captured from shoulder height, C09O09 in a dark casual jacket, a 21-year-old Korean woman with dark hair, occupies the center of the frame in the foreground, seen from just behind and slightly offset, her upper body in the frame. The camera uses her shoulder and the back of her head as a soft foreground frame, her side profile faintly visible. She is leaning toward the entrance, her eyes fixed off-screen onto the dark opening beyond the doorframe. Low-key night ambience casts her as a restrained shape against the dim [L10B03: rooftop landing and brick wall]. The exterior face of the iron door angles away from the camera, exposing an unreadable negative space.
b2b06118f25df5ba→e23d2558766b3e49Photorealistic cinematic still. At chest height, a tight upper-body frame captures two figures sharing the narrow space. At the far left, visibly much smaller and deeper in the frame at roughly one-ninth scale, C06O05 in a dark detective coat, a middle-aged Korean woman at three-quarter angle from the right, gripping both shoulders of the figure opposite her, eyes fixed on C09O09. At center, C09O09 in a casual jacket, a young Korean female at three-quarter angle from the left, leaning back under the grip, eyes fixed on C06O05. Their joined shoulders anchor the center of the frame. C09O09 shows a pale and deeply terrified facial expression conveying severe emotional shock, alarm, and a loss of focus. The background is [L10B01: a bleak outdoor setting of a multi-family villa at night, characterized by a desaturated nighttime ambience and close low-to-mid-key contrast isolating the alarm passing between the two faces]. Only a narrow strip of the exterior space is visible behind them, showing the lower side of the exterior stair structure and a side portion of a police vehicle behind C06O05.
S15sh1, S15sh4
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - night sea (path): runs from the far left side of the frame to the far right side of the frame. - coastline (path): runs from the far right side of the frame to the far left side of the frame. - coastal road (path): runs from the mid-distance right side of the frame to the far left side of the frame. - bus stop: at the near center of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - night sea (path): runs from the far right side of the frame to the far right side of the frame. - coastline (path): runs from the far right side of the frame to the far right side of the frame. - coastal road (path): runs from the far center of the frame to the far center of the frame. - bus stop: at the mid-distance left side of the frame. FIGURES: - 수리영 (C09): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far center of the frame; their path follows the coastal road; NOT heading into the night sea.
be3ec6cccfc76cf0→048c8ff624d3c638Photorealistic cinematic still. C09O09 in a casual jacket, a young Korean woman, is seen in the middle-center midground, already partway along the coastal road and moving toward the coastal road ahead in the far-center background, following it toward the far center of the frame and not heading into the night sea. Captured from a waist-height camera a moderate distance behind her, her full figure is visible with her back to the camera. She is frozen in mid-stride along the dark pavement, one foot airborne and the other planted, looking off-screen forward. Her dark hair streams backward in the direction opposite to her running motion. The environment is a bleak, desaturated nighttime setting along the coastal road next to a dark sea. The space is sparsely lit by low-key ambient light, casting faint rim highlights on her shoulders to preserve her body volume against the gloomy, exposed coastal darkness.
{
"outdoor_location_count": 13,
"seed_group_count": 11,
"groups_extracted": 8,
"skipped": [
{
"shot": "S23sh2",
"reason": "zoom_continuity_member"
},
{
"shot": "S23sh3",
"reason": "zoom_continuity_member"
},
{
"shot": "S25sh1",
"reason": "zoom_continuity_member"
},
{
"shot": "S25sh2",
"reason": "zoom_continuity_member"
},
{
"seed": "location:L16",
"reason": "cap"
},
{
"seed": "location:L17",
"reason": "cap"
},
{
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"reason": "cap"
}
],
"layout_shape_violations": [],
"layout_side_conflicts": [],
"spatial_summary_skipped": [
{
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"reason": "no_spatial_summary"
}
],
"rewrite_failed": [],
"revised_prompt_audit_violations": [],
"zoom_member_exclusion_source": "shot_dependency_t2i",
"composition_guide_failed": [],
"composition_guide_candidate_skipped": [
{
"group": "osl-shared-l03-s10",
"reason": "judge_no_need",
"confidence": "high"
},
{
"group": "osl-single-l03-s17-sh2",
"shot": "S17sh2",
"reason": "pose_brief_unusable_fail_closed"
},
{
"group": "osl-single-l05-s9-sh1",
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}
],
"composition_guide_count": 15,
"seed_prefilter_meta": {
"1:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L01",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
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"available_structural_signal_names": [
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]
},
"1:4": {
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"location_source": "frame_visible",
"location_id": "L01",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"2:3": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L02",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"3:2": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L01",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"4:1": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
},
"6:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L05",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"7:2": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L06",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"7:5": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L06",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"8:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L09",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"8:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L09",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"9:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L05",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"10:3": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"10:5": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"11:3": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L10",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"13:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L10",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"13:3": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L10",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"15:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L11",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"15:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L11",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"17:2": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"19:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L09",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"25:6": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L16",
"figure_count": 2,
"framing_scale": "close",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"27:4": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L18",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"27:8": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L18",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"29:3": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L17",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
}
},
"single_shot_seed_lane_enabled": true,
"composition_guide_shared_model_enabled": true,
"shared_model_judge_enabled": true,
"shared_model_candidate_signals": [
{
"group_id": "osl-shared-l01-s1",
"location_id": "L01",
"scene_index": 1,
"member_shots": [
"S1sh1",
"S1sh4"
],
"cameras_non_identical": true,
"landmark_count": 2,
"per_shot_signals": {
"1:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
},
"1:4": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l01-s3-sh2",
"location_id": "L01",
"scene_index": 3,
"member_shots": [
"S3sh2"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"3:2": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l02-s2-sh3",
"location_id": "L02",
"scene_index": 2,
"member_shots": [
"S2sh3"
],
"cameras_non_identical": false,
"landmark_count": 3,
"per_shot_signals": {
"2:3": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l03-s10",
"location_id": "L03",
"scene_index": 10,
"member_shots": [
"S10sh3",
"S10sh5"
],
"cameras_non_identical": true,
"landmark_count": 6,
"per_shot_signals": {
"10:3": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"10:5": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l03-s17-sh2",
"location_id": "L03",
"scene_index": 17,
"member_shots": [
"S17sh2"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"17:2": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l05-s6-sh1",
"location_id": "L05",
"scene_index": 6,
"member_shots": [
"S6sh1"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"6:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l05-s9-sh1",
"location_id": "L05",
"scene_index": 9,
"member_shots": [
"S9sh1"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"9:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
}
}
},
{
"group_id": "osl-shared-l06-s7",
"location_id": "L06",
"scene_index": 7,
"member_shots": [
"S7sh2",
"S7sh5"
],
"cameras_non_identical": true,
"landmark_count": 2,
"per_shot_signals": {
"7:2": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
},
"7:5": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l09-s8",
"location_id": "L09",
"scene_index": 8,
"member_shots": [
"S8sh1",
"S8sh4"
],
"cameras_non_identical": true,
"landmark_count": 2,
"per_shot_signals": {
"8:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
},
"8:4": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l09-s19-sh4",
"location_id": "L09",
"scene_index": 19,
"member_shots": [
"S19sh4"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"19:4": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l10-s13",
"location_id": "L10",
"scene_index": 13,
"member_shots": [
"S13sh1",
"S13sh3"
],
"cameras_non_identical": true,
"landmark_count": 4,
"per_shot_signals": {
"13:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
},
"13:3": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l10-s11-sh3",
"location_id": "L10",
"scene_index": 11,
"member_shots": [
"S11sh3"
],
"cameras_non_identical": false,
"landmark_count": 4,
"per_shot_signals": {
"11:3": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l11-s15",
"location_id": "L11",
"scene_index": 15,
"member_shots": [
"S15sh1",
"S15sh4"
],
"cameras_non_identical": true,
"landmark_count": 4,
"per_shot_signals": {
"15:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"15:4": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
}
}
}
],
"shared_model_judge_decisions": [
{
"group_id": "osl-shared-l01-s1",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"figure_placement_continuity",
"depth_layering",
"camera_or_framing_risk",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "1:1",
"source_field": "camera_direction",
"quote": "nearby branches intermittently cross the foreground"
},
{
"shot_key": "1:4",
"source_field": "camera_direction",
"quote": "ground-level lateral view aimed across the fallen victim as the 검은 인영 crosses the upper portion of the frame"
}
],
"guide_scope": "group",
"risk_notes": "The group requires cross-shot continuity to maintain the same location across different camera angles. Shot 1:4 presents single-shot complexity with a ground-level extreme viewpoint and figures distributed across distinct depth layers. Shot 1:1 involves foreground occlusion from branches.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l01-s3-sh2",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "medium",
"reasons": [
"camera_or_framing_risk",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "3:2",
"source_field": "camera_direction",
"quote": "Continue the dolly inward from outside the police line"
}
],
"guide_scope": "single",
"risk_notes": "The camera directive specifies a dolly movement from outside a foreground element (the police line) to frame the subject, creating a specific depth and occlusion relationship that an unguided render might collapse or misplace.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l02-s2-sh3",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "2:3",
"source_field": "camera_direction",
"quote": "From knee height, hold a static view across the motionless 효장동 여성 피해자 in the foreground and tilt slightly upward to retain 효장동 한국인 남성 (포식자 활성 상태) behind her."
},
{
"shot_key": "2:3",
"source_field": "camera_direction",
"quote": "Her body stretches across the lower frame while his lifted head occupies the upper-right midground"
}
],
"guide_scope": "single",
"risk_notes": "The low camera angle (knee height, tilted upward) combined with two figures occupying distinct depth planes (foreground and midground) creates a high risk of the unguided render collapsing the intended depth or misplacing the bodies.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l03-s10",
"needs_shared_model_guide": false,
"decision_type": "no_guide",
"confidence": "high",
"reasons": [
"insufficient_evidence"
],
"evidence": [
{
"shot_key": "10:5",
"source_field": "camera_direction",
"quote": "Within the reflected image, 거대한 그림자 surges from one side toward 강민숙 at the exact instant its head reaches her shoulder, their overlapping silhouettes centered against the window surface."
},
{
"shot_key": "10:3",
"source_field": "camera_direction",
"quote": "Only 옥탑방 전단지 남성's hand enters from the frame edge; the fingertip, compressed flyer, and door seam occupy the central area while his face and upper body remain excluded."
}
],
"guide_scope": "none",
"risk_notes": "Shot 10:5 presents the subjects entirely as a reflection in a window, making it an optical risk that must be excluded from mannequin sketches. The only remaining shot, 10:3, is an extreme close-up of a hand where the character's body is explicitly excluded from the frame; a full-body layout sketch would be counterproductive here. Therefore, no guide is warranted.",
"admit": false,
"deny_reason": "judge_no_need"
},
{
"group_id": "osl-single-l03-s17-sh2",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "17:2",
"source_field": "camera_direction",
"quote": "The top of the wall forms a level base beneath its braced paws"
},
{
"shot_key": "17:2",
"source_field": "camera_view_brief",
"quote": "INSIDE the mapped area '오래된 다세대 빌라 옥상' while the camera is OUTSIDE that area"
}
],
"guide_scope": "single",
"risk_notes": "The shot requires precise placement of the figure on top of a wall and behind a boundary, creating spatial complexity that warrants a layout guide to ensure correct depth and occlusion.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l05-s6-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "6:1",
"source_field": "camera_direction",
"quote": "Track parallel at hip height in a wide side profile"
},
{
"shot_key": "6:1",
"source_field": "camera_direction",
"quote": "without cropping either wheel"
}
],
"guide_scope": "single",
"risk_notes": "The specific hip-height camera placement and the strict framing constraint to keep the entire bicycle uncropped present a framing risk that warrants a layout guide to ensure correct vertical placement and scale.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l05-s9-sh1",
"needs_shared_model_guide": false,
"decision_type": "no_guide",
"confidence": "high",
"reasons": [
"insufficient_evidence"
],
"evidence": [],
"guide_scope": "none",
"risk_notes": "Single shot with standard medium side profile framing and no complex depth layering or extreme camera angles; a single render should handle this unaided.",
"admit": false,
"deny_reason": "judge_no_need"
},
{
"group_id": "osl-shared-l06-s7",
"needs_shared_model_guide": true,
"decision_type": "cross_shot_continuity",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"figure_placement_continuity"
],
"evidence": [
{
"shot_key": "7:2",
"source_field": "camera_direction",
"quote": "frame her upper body frontally through the barrier while the back of 로트와일러's head and shoulders occupies a restrained lower foreground edge"
},
{
"shot_key": "7:5",
"source_field": "camera_direction",
"quote": "수리영 occupies the right-center with the phone at her ear, while the enclosure line and confined dogs remain visible over her left side"
}
],
"guide_scope": "group",
"risk_notes": "The shots share the same enclosure boundary and figure, requiring consistent placement of the barrier and the character across different camera angles.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l09-s8",
"needs_shared_model_guide": true,
"decision_type": "cross_shot_continuity",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity"
],
"evidence": [
{
"shot_key": "8:1",
"source_field": "camera_direction",
"quote": "Track parallel at street level from a front-side angle"
},
{
"shot_key": "8:4",
"source_field": "camera_direction",
"quote": "hold a static medium frame from directly ahead"
}
],
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"admit": true,
"deny_reason": null
},
{
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],
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"source_field": "camera_direction",
"quote": "slightly low-angle composition linking 수리영’s raised finger to the CCTV camera beneath the eave. She occupies the lower-left midground while the camera sits in the upper-center background"
}
],
"guide_scope": "single",
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"admit": true,
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},
{
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"quote": "track downward on a parallel path several meters ahead of 수리영, holding her full body near center as she descends toward the lens. Freeze the mid-track composition with one foot suspended above the next step, her body pitched forward while the stair run remains visible beneath and behind her."
},
{
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"quote": "finish the dolly-in as a tight upper-body two-shot, placing 혜수 on the left and 수리영 on the right with their joined shoulders at the center."
}
],
"guide_scope": "group",
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},
{
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}
],
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},
{
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"quote": "facing 수리영 on the bench with the dark sea extending behind her"
},
{
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"quote": "track directly along her running axis on the coastal road"
}
],
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}
],
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},
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},
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