{
  "status": "completed",
  "applicable_count": 10,
  "completed_count": 10,
  "failed_count": 0,
  "schema_version": 2,
  "config_hash": "3a511fcda8b53d10",
  "data": {
    "groups": {
      "bg_city_alley": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_city_alley_sel.png",
        "seed_asset_id": "1347a0cb-ef06-45f8-be08-8019793a7df6",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow city back-alley passage is the main subject in a dense, currently inhabited South Korean low-rise neighborhood in 2026. The immediate fabric is three-storey, flat-roofed reinforced-concrete walk-ups with red-brown clay-brick and off-white or light-gray cement-render façades, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. The surfaces have routine rain streaks, patch repairs, and maintained wear. The target is a linear alley rather than a standalone building, so it has no storeys. Its single open access end leads directly into an uninterrupted narrow passage paved in worn dark-gray asphalt. Farther inward, one pale-gray precast-concrete utility pole stands beside the right edge. One streetlight stands separately along the left edge on a hot-dip galvanized-gray steel support with a simple gray LED fixture. The access area, alley passage, pole section, and streetlight remain physically connected.\n\nTHE LOCATION: A narrow city back-alley passage in a dense South Korean low-rise neighborhood, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDim nighttime streetlight illumination; Man and woman beside the utility pole; Woman collapsed in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "The target location is a narrow linear city back-alley passage, not a standalone building, so no target-building storey count applies. It has exactly one open access end leading through uninterrupted dark-gray asphalt alley space to one pale-gray precast-concrete utility pole beside the right edge. Exactly one streetlight stands separately along the left edge on a galvanized-gray steel support with a simple gray LED fixture. The alley is enclosed by an inhabited 2026 South Korean low-rise neighborhood of three-storey, flat-roofed reinforced-concrete walk-ups with red-brown clay-brick and off-white or light-gray cement-render façades, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. Surfaces show ordinary weathering and maintenance, not abandonment. No target façade or additional target opening is established beyond the single open alley access end.",
          "location_line_en": "A narrow city back-alley passage in a dense South Korean low-rise neighborhood, 2026.",
          "variants": [
            {
              "approach_ko": "원문 공간 단서 중심",
              "evidence_ko": [
                "도시 뒷골목",
                "도심",
                "가로등",
                "전봇대"
              ],
              "prompt_en": "A narrow city back-alley passage is the main subject in a dense, currently inhabited South Korean low-rise neighborhood in 2026. The immediate fabric is three-storey, flat-roofed reinforced-concrete walk-ups with red-brown clay-brick and off-white or light-gray cement-render façades, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. The surfaces have routine rain streaks, patch repairs, and maintained wear. The target is a linear alley rather than a standalone building, so it has no storeys. Its single open access end leads directly into an uninterrupted narrow passage paved in worn dark-gray asphalt. Farther inward, one pale-gray precast-concrete utility pole stands beside the right edge. One streetlight stands separately along the left edge on a hot-dip galvanized-gray steel support with a simple gray LED fixture. The access area, alley passage, pole section, and streetlight remain physically connected.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권과 골목 맥락 우선",
              "evidence_ko": [],
              "prompt_en": "The location belongs to an ordinary inhabited low-rise district in a South Korean city in 2026. Three-storey reinforced-concrete walk-ups form the alley edges, with flat muted-green waterproofed roofs, red-brown clay-brick and restrained off-white or light-gray cement-render façades, dark-gray aluminum frames, and gray painted-steel entrance doors. Their modest staining and localized repairs show continuous use rather than abandonment. The main subject is the narrow linear back alley itself, which is not a building and has no storeys. One open access end joins an uninterrupted worn dark-gray asphalt passage. The passage continues inward to one pale-gray precast-concrete utility pole beside its right edge. A single streetlight occupies the left edge on a separate galvanized-gray steel support with a simple gray LED fixture. No barrier divides the entrance from the utility-pole section.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 기반시설 중심",
              "evidence_ko": [],
              "prompt_en": "Worn dark-gray asphalt defines one narrow, uninterrupted city back-alley passage from its single open access end to the inner utility-pole section. The target is this linear passage, not a standalone building, and therefore has no storeys. One pale-gray precast-concrete utility pole stands beside the right edge beyond the entrance. One separate hot-dip galvanized-gray steel streetlight support stands along the left edge and carries a simple gray LED fixture. The surrounding inhabited 2026 South Korean neighborhood is built from three-storey, flat-roofed reinforced-concrete walk-ups. Their exteriors combine red-brown clay brick with off-white or light-gray cement render, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. Rain marks, faded patches, and practical repairs remain moderate and maintained. The enclosing urban fabric is lived-in and continuous around the alley, not an isolated compound or an empty site.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow city back-alley passage is the main subject in a dense, currently inhabited South Korean low-rise neighborhood in 2026. The immediate fabric is three-storey, flat-roofed reinforced-concrete walk-ups with red-brown clay-brick and off-white or light-gray cement-render façades, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. The surfaces have routine rain streaks, patch repairs, and maintained wear. The target is a linear alley rather than a standalone building, so it has no storeys. Its single open access end leads directly into an uninterrupted narrow passage paved in worn dark-gray asphalt. Farther inward, one pale-gray precast-concrete utility pole stands beside the right edge. One streetlight stands separately along the left edge on a hot-dip galvanized-gray steel support with a simple gray LED fixture. The access area, alley passage, pole section, and streetlight remain physically connected.\n\nTHE LOCATION: A narrow city back-alley passage in a dense South Korean low-rise neighborhood, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDim nighttime streetlight illumination; Man and woman beside the utility pole; Woman collapsed in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to an ordinary inhabited low-rise district in a South Korean city in 2026. Three-storey reinforced-concrete walk-ups form the alley edges, with flat muted-green waterproofed roofs, red-brown clay-brick and restrained off-white or light-gray cement-render façades, dark-gray aluminum frames, and gray painted-steel entrance doors. Their modest staining and localized repairs show continuous use rather than abandonment. The main subject is the narrow linear back alley itself, which is not a building and has no storeys. One open access end joins an uninterrupted worn dark-gray asphalt passage. The passage continues inward to one pale-gray precast-concrete utility pole beside its right edge. A single streetlight occupies the left edge on a separate galvanized-gray steel support with a simple gray LED fixture. No barrier divides the entrance from the utility-pole section.\n\nTHE LOCATION: A narrow city back-alley passage in a dense South Korean low-rise neighborhood, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDim nighttime streetlight illumination; Man and woman beside the utility pole; Woman collapsed in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWorn dark-gray asphalt defines one narrow, uninterrupted city back-alley passage from its single open access end to the inner utility-pole section. The target is this linear passage, not a standalone building, and therefore has no storeys. One pale-gray precast-concrete utility pole stands beside the right edge beyond the entrance. One separate hot-dip galvanized-gray steel streetlight support stands along the left edge and carries a simple gray LED fixture. The surrounding inhabited 2026 South Korean neighborhood is built from three-storey, flat-roofed reinforced-concrete walk-ups. Their exteriors combine red-brown clay brick with off-white or light-gray cement render, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. Rain marks, faded patches, and practical repairs remain moderate and maintained. The enclosing urban fabric is lived-in and continuous around the alley, not an isolated compound or an empty site.\n\nTHE LOCATION: A narrow city back-alley passage in a dense South Korean low-rise neighborhood, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDim nighttime streetlight illumination; Man and woman beside the utility pole; Woman collapsed in the alley\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target location is a narrow linear city back-alley passage, not a standalone building, so no target-building storey count applies. It has exactly one open access end leading through uninterrupted dark-gray asphalt alley space to one pale-gray precast-concrete utility pole beside the right edge. Exactly one streetlight stands separately along the left edge on a galvanized-gray steel support with a simple gray LED fixture. The alley is enclosed by an inhabited 2026 South Korean low-rise neighborhood of three-storey, flat-roofed reinforced-concrete walk-ups with red-brown clay-brick and off-white or light-gray cement-render façades, muted-green waterproofed roofs, dark-gray aluminum frames, and gray painted-steel entrance doors. Surfaces show ordinary weathering and maintenance, not abandonment. No target façade or additional target opening is established beyond the single open alley access end.\n\nTHE LOCATION: A narrow city back-alley passage in a dense South Korean low-rise neighborhood, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDim nighttime streetlight illumination; Man and woman beside the utility pole; Woman collapsed in the alley",
        "seed_decision": {
          "input_fingerprint": "6653a1fe7585cba5",
          "totals": {
            "A": 7,
            "B": 3,
            "C": 4
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "Accurately depicts the single-access alley, 3-storey structures, correct material finishes, and strong photographic plausibility with authentic regional details."
            },
            {
              "label": "B",
              "score": 3,
              "verdict_ko": "Violates photographic plausibility (evident 3D render) and fails the brief by presenting 2-storey structures instead of the mandated 3 storeys."
            },
            {
              "label": "C",
              "score": 4,
              "verdict_ko": "Violates photographic plausibility as a clear 3D render with artificial textures and features an unrequested elevated vantage point."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "주변 건물들이 브리프에 명시된 3층이 아닌 2층으로 묘사되었습니다.",
                "fix_en": "Add a third storey to the two-storey adjacent buildings to make them three-storey walk-ups."
              },
              {
                "issue_ko": "건물의 지붕이 평지붕이 아니라 경사진(만사르드 형태의) 지붕으로 표현되었습니다.",
                "fix_en": "Change the sloped green roof structures to flat roofs."
              },
              {
                "issue_ko": "오른쪽 가장자리의 전봇대 외에 배경 안쪽에 또 다른 전봇대가 존재하여 '정확히 하나의 전봇대' 조건을 위반합니다.",
                "fix_en": "Remove the extra utility pole visible in the background further down the alley."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a third storey to the two-storey adjacent buildings to make them three-storey walk-ups.\n- Change the sloped green roof structures to flat roofs.\n- Remove the extra utility pole visible in the background further down the alley.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_coastal_road_stop": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_coastal_road_stop_sel.png",
        "seed_asset_id": "337c2c67-aabd-44aa-a8b9-d5a443c1d501",
        "seed_selected": "A",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited low-rise coastal neighborhood on South Korea’s West Coast extends along a dark-gray asphalt road in 2026. Ordinary off-white and light-gray rendered concrete and masonry buildings give the area the appearance of a working coastal settlement. The main subject is a single-storey rectangular roadside bus shelter on a gray concrete stopping area directly adjoining the road. It has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, and a pale-gray flat metal roof. One full-width front side is open; there are no doors or window openings. The coastal road continues past the stop in both directions, and the neighboring sea is openly visible from the bus-stop area.\n\nTHE LOCATION: A roadside bus stop in an inhabited coastal neighborhood on South Korea’s West Coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; earphones; purchased beverage; rainstorm, thunder, lightning, and storm clouds; dog barking\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same single-storey rectangular roadside bus shelter in a lived-in South Korean West Coast neighborhood in 2026. The shelter has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, a pale-gray flat metal roof, one full-width open front, and no doors or window openings. Its gray concrete stopping area directly adjoins a dark-gray asphalt coastal road that continues in both directions. The sea lies beside the road and remains openly visible from the stop. Ordinary low-rise off-white and light-gray rendered concrete and masonry buildings continue through the inhabited coastal neighborhood.",
          "location_line_en": "A roadside bus stop in an inhabited coastal neighborhood on South Korea’s West Coast in 2026.",
          "variants": [
            {
              "approach_ko": "원문 장면의 공간 단서를 직접 시각화",
              "evidence_ko": [
                "해안가 도로",
                "해안도로",
                "해안가. 버스정류장 부근",
                "바다를 바라보며"
              ],
              "prompt_en": "An inhabited low-rise coastal neighborhood on South Korea’s West Coast extends along a dark-gray asphalt road in 2026. Ordinary off-white and light-gray rendered concrete and masonry buildings give the area the appearance of a working coastal settlement. The main subject is a single-storey rectangular roadside bus shelter on a gray concrete stopping area directly adjoining the road. It has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, and a pale-gray flat metal roof. One full-width front side is open; there are no doors or window openings. The coastal road continues past the stop in both directions, and the neighboring sea is openly visible from the bus-stop area.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "해안 마을과 도로의 관계를 먼저 설정",
              "evidence_ko": [
                "해안가 도로",
                "해안도로",
                "버스정류장 부근",
                "바다를 바라보며"
              ],
              "prompt_en": "A believable inhabited West Coast village neighborhood surrounds a roadside stopping point in South Korea in 2026. Low-rise off-white and light-gray rendered concrete and masonry buildings continue along the coast in ordinary regional finishes. A dark-gray asphalt coastal road runs through the site beside the sea and continues in both directions. Directly beside the road, a gray concrete bus-stop area holds one single-storey rectangular shelter with an unobstructed view toward the water. The shelter has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, and a pale-gray flat metal roof. Its only major opening is one full-width open front, with no doors or window openings.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 구조 형식을 중심으로 장소를 확정",
              "evidence_ko": [
                "해안가",
                "해안도로",
                "버스정류장 부근",
                "바다를 바라보며"
              ],
              "prompt_en": "The target is one single-storey rectangular South Korean roadside bus shelter built in standard 2026 municipal materials. A dark-gray powder-coated metal frame supports a pale-gray flat metal roof, with clear tempered-glass panels across the rear and both ends. The front is one full-width opening, and the shelter has no doors or window openings. It stands on a gray concrete stopping area that directly meets a dark-gray asphalt coastal road. The road passes the stop and continues along the neighboring sea in both directions, leaving an open sea view from the shelter. The site belongs to an active low-rise West Coast neighborhood of off-white and light-gray rendered concrete and masonry buildings, with the ordinary surroundings of an inhabited coastal settlement.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited low-rise coastal neighborhood on South Korea’s West Coast extends along a dark-gray asphalt road in 2026. Ordinary off-white and light-gray rendered concrete and masonry buildings give the area the appearance of a working coastal settlement. The main subject is a single-storey rectangular roadside bus shelter on a gray concrete stopping area directly adjoining the road. It has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, and a pale-gray flat metal roof. One full-width front side is open; there are no doors or window openings. The coastal road continues past the stop in both directions, and the neighboring sea is openly visible from the bus-stop area.\n\nTHE LOCATION: A roadside bus stop in an inhabited coastal neighborhood on South Korea’s West Coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; earphones; purchased beverage; rainstorm, thunder, lightning, and storm clouds; dog barking\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA believable inhabited West Coast village neighborhood surrounds a roadside stopping point in South Korea in 2026. Low-rise off-white and light-gray rendered concrete and masonry buildings continue along the coast in ordinary regional finishes. A dark-gray asphalt coastal road runs through the site beside the sea and continues in both directions. Directly beside the road, a gray concrete bus-stop area holds one single-storey rectangular shelter with an unobstructed view toward the water. The shelter has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, and a pale-gray flat metal roof. Its only major opening is one full-width open front, with no doors or window openings.\n\nTHE LOCATION: A roadside bus stop in an inhabited coastal neighborhood on South Korea’s West Coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; earphones; purchased beverage; rainstorm, thunder, lightning, and storm clouds; dog barking\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is one single-storey rectangular South Korean roadside bus shelter built in standard 2026 municipal materials. A dark-gray powder-coated metal frame supports a pale-gray flat metal roof, with clear tempered-glass panels across the rear and both ends. The front is one full-width opening, and the shelter has no doors or window openings. It stands on a gray concrete stopping area that directly meets a dark-gray asphalt coastal road. The road passes the stop and continues along the neighboring sea in both directions, leaving an open sea view from the shelter. The site belongs to an active low-rise West Coast neighborhood of off-white and light-gray rendered concrete and masonry buildings, with the ordinary surroundings of an inhabited coastal settlement.\n\nTHE LOCATION: A roadside bus stop in an inhabited coastal neighborhood on South Korea’s West Coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; earphones; purchased beverage; rainstorm, thunder, lightning, and storm clouds; dog barking\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same single-storey rectangular roadside bus shelter in a lived-in South Korean West Coast neighborhood in 2026. The shelter has a dark-gray powder-coated metal frame, clear tempered-glass rear and end panels, a pale-gray flat metal roof, one full-width open front, and no doors or window openings. Its gray concrete stopping area directly adjoins a dark-gray asphalt coastal road that continues in both directions. The sea lies beside the road and remains openly visible from the stop. Ordinary low-rise off-white and light-gray rendered concrete and masonry buildings continue through the inhabited coastal neighborhood.\n\nTHE LOCATION: A roadside bus stop in an inhabited coastal neighborhood on South Korea’s West Coast in 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; earphones; purchased beverage; rainstorm, thunder, lightning, and storm clouds; dog barking",
        "seed_decision": {
          "input_fingerprint": "524dbb04034d4887",
          "totals": {
            "A": 7,
            "B": 3,
            "C": 6
          },
          "ranking": [
            "A",
            "C",
            "B"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 7,
              "verdict_ko": "Perfectly executes the brief with highly accurate regional authenticity, perfectly legible Korean signage, and coherent structural details without any violations."
            },
            {
              "label": "B",
              "score": 3,
              "verdict_ko": "Hard violation; includes leaked prompt text ('TARGET STRUCTURE') on the shelter roof, visible people in the background, and prohibited bicycles."
            },
            {
              "label": "C",
              "score": 6,
              "verdict_ko": "Strong conformance capturing the authentic West Coast mudflats, but slightly held back by minor AI artifacts in the overhead wires and slightly garbled signage compared to the winner."
            }
          ],
          "critique": {
            "issues": []
          },
          "fix_skipped": true
        }
      },
      "bg_foggy_harbor": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_foggy_harbor_sel.png",
        "seed_asset_id": "f4919d67-8117-4242-ba55-c2fdd30d1e6c",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nSalt-weathered charcoal-gray natural rock, muted gray-green seawater, weathered gray reinforced concrete, and one yellow-painted steel mooring fixture define the permanent harbor site. It is a zero-storey open-air structure with no walls, roof, doors, windows, or building faces. The rocky outcrop directly adjoins the harbor water and faces the open sea. At another usable part of the same waterfront, the concrete landing meets that water at an accessible edge, with the single mooring fixture standing beside it. No directional relationship or distance between the outcrop and landing is fixed. The site belongs to a currently inhabited low-rise South Korean West Coast fishing-harbor neighborhood, surrounded by ordinary working waterfront development in authentic regional materials and finishes.\n\nTHE LOCATION: A small working West Coast harbor in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; recent rain shower; arriving boat; boat mooring line; smartphone with vibration alert\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "The target is a zero-storey open-air harbor site, not a building. It has no walls, roof, doors, windows, or building faces. Its fixed topology consists of a charcoal-gray natural rocky outcrop adjoining gray-green harbor water and facing the open sea; the same water also adjoins a separate accessible landing of weathered gray reinforced concrete; one region-standard yellow-painted steel mooring fixture stands beside the landing edge within reach of the water. No direction or distance between the rocky shore and landing is established. A believable, currently inhabited low-rise working fishing-harbor neighborhood surrounds the waterfront in regionally typical South Korean materials and finishes.",
          "location_line_en": "A small working West Coast harbor in South Korea at dusk, 2026.",
          "variants": [
            {
              "approach_ko": "원문 장면의 공간 단서를 직접 시각화한 접근",
              "evidence_ko": [
                "포구 / 해질 무렵",
                "갯바위에 앉아있는",
                "바다를 바라보는데",
                "배에서 내린",
                "닷줄을 고정시키고 있다"
              ],
              "prompt_en": "A currently inhabited low-rise fishing-harbor neighborhood surrounds this South Korean West Coast waterfront at dusk, with ordinary working buildings and region-standard local finishes. The main subject is a definite zero-storey open-air harbor site, not a building. A salt-weathered charcoal-gray natural rocky outcrop adjoins muted gray-green harbor water and faces the open sea. At another accessible section of the same waterfront, a weathered gray reinforced-concrete harbor landing meets the water at its landing edge. One yellow-painted steel mooring fixture stands beside that edge. The target has no walls, roof, doors, windows, or building faces, and no direction or distance is imposed between the rocky shore and landing.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활 항구의 주변 동네에서 대상 부지로 좁혀가는 접근",
              "evidence_ko": [
                "포구를 몇 시간째 돌아다니다",
                "갯바위",
                "바다",
                "배에서 내린",
                "닷줄을 고정시키고 있다"
              ],
              "prompt_en": "This is an ordinary, currently inhabited working fishing-harbor neighborhood on South Korea's West Coast in 2026. Compact low-rise waterfront development with typical regional materials and finishes gives the harbor a maintained, lived-in setting rather than an isolated or abandoned compound. Within it, the main subject is one zero-storey open-air harbor site with no building mass. Muted gray-green harbor water touches a salt-worn charcoal-gray rocky outcrop that overlooks the open sea. The water also reaches a separate accessible landing made of weathered gray reinforced concrete. A single yellow-painted steel mooring fixture stands immediately beside the landing edge. The target contains no walls, roof, doors, windows, or building faces; the rocky shore and landing have no specified direction or separation.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 고정 지형의 연결 관계를 우선한 접근",
              "evidence_ko": [
                "텅 빈 포구",
                "갯바위에",
                "바다를 바라보며",
                "배에서 내린",
                "닷줄을 고정시키고 있다"
              ],
              "prompt_en": "Salt-weathered charcoal-gray natural rock, muted gray-green seawater, weathered gray reinforced concrete, and one yellow-painted steel mooring fixture define the permanent harbor site. It is a zero-storey open-air structure with no walls, roof, doors, windows, or building faces. The rocky outcrop directly adjoins the harbor water and faces the open sea. At another usable part of the same waterfront, the concrete landing meets that water at an accessible edge, with the single mooring fixture standing beside it. No directional relationship or distance between the outcrop and landing is fixed. The site belongs to a currently inhabited low-rise South Korean West Coast fishing-harbor neighborhood, surrounded by ordinary working waterfront development in authentic regional materials and finishes.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited low-rise fishing-harbor neighborhood surrounds this South Korean West Coast waterfront at dusk, with ordinary working buildings and region-standard local finishes. The main subject is a definite zero-storey open-air harbor site, not a building. A salt-weathered charcoal-gray natural rocky outcrop adjoins muted gray-green harbor water and faces the open sea. At another accessible section of the same waterfront, a weathered gray reinforced-concrete harbor landing meets the water at its landing edge. One yellow-painted steel mooring fixture stands beside that edge. The target has no walls, roof, doors, windows, or building faces, and no direction or distance is imposed between the rocky shore and landing.\n\nTHE LOCATION: A small working West Coast harbor in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; recent rain shower; arriving boat; boat mooring line; smartphone with vibration alert\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is an ordinary, currently inhabited working fishing-harbor neighborhood on South Korea's West Coast in 2026. Compact low-rise waterfront development with typical regional materials and finishes gives the harbor a maintained, lived-in setting rather than an isolated or abandoned compound. Within it, the main subject is one zero-storey open-air harbor site with no building mass. Muted gray-green harbor water touches a salt-worn charcoal-gray rocky outcrop that overlooks the open sea. The water also reaches a separate accessible landing made of weathered gray reinforced concrete. A single yellow-painted steel mooring fixture stands immediately beside the landing edge. The target contains no walls, roof, doors, windows, or building faces; the rocky shore and landing have no specified direction or separation.\n\nTHE LOCATION: A small working West Coast harbor in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; recent rain shower; arriving boat; boat mooring line; smartphone with vibration alert\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nSalt-weathered charcoal-gray natural rock, muted gray-green seawater, weathered gray reinforced concrete, and one yellow-painted steel mooring fixture define the permanent harbor site. It is a zero-storey open-air structure with no walls, roof, doors, windows, or building faces. The rocky outcrop directly adjoins the harbor water and faces the open sea. At another usable part of the same waterfront, the concrete landing meets that water at an accessible edge, with the single mooring fixture standing beside it. No directional relationship or distance between the outcrop and landing is fixed. The site belongs to a currently inhabited low-rise South Korean West Coast fishing-harbor neighborhood, surrounded by ordinary working waterfront development in authentic regional materials and finishes.\n\nTHE LOCATION: A small working West Coast harbor in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; recent rain shower; arriving boat; boat mooring line; smartphone with vibration alert\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey open-air harbor site, not a building. It has no walls, roof, doors, windows, or building faces. Its fixed topology consists of a charcoal-gray natural rocky outcrop adjoining gray-green harbor water and facing the open sea; the same water also adjoins a separate accessible landing of weathered gray reinforced concrete; one region-standard yellow-painted steel mooring fixture stands beside the landing edge within reach of the water. No direction or distance between the rocky shore and landing is established. A believable, currently inhabited low-rise working fishing-harbor neighborhood surrounds the waterfront in regionally typical South Korean materials and finishes.\n\nTHE LOCATION: A small working West Coast harbor in South Korea at dusk, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; recent rain shower; arriving boat; boat mooring line; smartphone with vibration alert",
        "seed_decision": {
          "input_fingerprint": "ebc9d3444f96b029",
          "totals": {
            "C": 7,
            "A": 5,
            "B": 4
          },
          "ranking": [
            "C",
            "A",
            "B"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "지침을 전반적으로 잘 준수했습니다. 분리된 콘크리트 선착장, 암석 지대, 그리고 금지된 계류줄(mooring line)이 없는 노란색 계류 기둥(bollard)이 정확하게 묘사되었습니다."
            },
            {
              "label": "A",
              "score": 5,
              "verdict_ko": "환경과 구조는 지침과 잘 맞으나, 명시적으로 금지된 '보트 계류줄(boat mooring line)'이 노란색 기둥에 묶여 있어 지침을 위반했습니다."
            },
            {
              "label": "B",
              "score": 4,
              "verdict_ko": "요구된 '노란색 계류 기둥' 대신 노란색 소형 크레인 구조물이 배치되어 핵심 구조물 요건을 충족하지 못했습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "도로와 콘크리트 바닥이 젖어 빛을 반사하고 있어, 제외해야 할 대본상의 일시적 상태인 '최근 내린 소나기'를 묘사하고 있습니다.",
                "fix_en": "Make all asphalt and concrete ground surfaces completely dry and unreflective."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Make all asphalt and concrete ground surfaces completely dry and unreflective.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_forest": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_forest_sel.png",
        "seed_asset_id": "71b2454b-51c4-44c2-9e7f-c53a2ff4622c",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is an ordinary established woodland in South Korea, embedded within a broader continuous forest rather than isolated on empty land. No building or other constructed target exists. The permanent site consists of a continuous brown soil forest floor, naturally scattered forest trees, and dense green undergrowth occupying the spaces around and between the trunks. These three elements remain intermingled across the full usable interior. There is no built boundary, fence, gate, road, formal entrance, or fixed directional axis; passage remains within the vegetation.\n\nTHE LOCATION: A dense temperate forest interior in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk illumination; Fleeing man; Dislodged shoe; Bite wound and blood; Black figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "A single continuous South Korean temperate forest interior in 2026, with no building, storeys, walls, roof, doors, windows, gates, fences, built boundary, entrance, road, or fixed directional axis. Naturally distributed forest trees intermingle with dense green undergrowth, and a continuous brown soil ground plane with ordinary leaf litter extends beneath and between them. The usable area remains wholly inside the same living forest, with movement space threading through the undergrowth and no connection to infrastructure.",
          "location_line_en": "A dense temperate forest interior in South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "원문 공간 묘사 중심 접근",
              "evidence_ko": [
                "숲속",
                "우거진 수풀을 헤치며"
              ],
              "prompt_en": "A real, living South Korean temperate forest surrounds the site on every side, with the ordinary natural density of established woodland rather than a cleared or abandoned tract. The target site is one continuous forest interior with no built structure, storeys, walls, roof, openings, fence, gate, road, entrance, or fixed directional axis. Forest trees stand naturally distributed throughout the area and intermingle with dense green undergrowth. A continuous brown soil ground plane with ordinary leaf litter lies beneath the trees and vegetation. Usable passages thread directly through the undergrowth without connecting to infrastructure.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "지형과 식생 배치 중심 접근",
              "evidence_ko": [
                "숲속 / 해 질 무렵",
                "우거진 수풀"
              ],
              "prompt_en": "The setting is an ordinary established woodland in South Korea, embedded within a broader continuous forest rather than isolated on empty land. No building or other constructed target exists. The permanent site consists of a continuous brown soil forest floor, naturally scattered forest trees, and dense green undergrowth occupying the spaces around and between the trunks. These three elements remain intermingled across the full usable interior. There is no built boundary, fence, gate, road, formal entrance, or fixed directional axis; passage remains within the vegetation.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재질과 자연성 중심 접근",
              "evidence_ko": [
                "숲속",
                "우거진 수풀"
              ],
              "prompt_en": "A dense, ecologically active South Korean forest forms both the target site and its surrounding context. The site has no constructed massing, storeys, exterior faces, openings, roof, paving, railing, fence, gate, or entrance. Its continuous ground plane is natural brown soil with regionally ordinary leaf litter and low vegetation. Forest trees are distributed throughout this ground and mixed directly with thick green shrubs, grasses, and other undergrowth. The woodland remains continuous in every direction, with informal movement space threading through the vegetation and no specified road or structure.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real, living South Korean temperate forest surrounds the site on every side, with the ordinary natural density of established woodland rather than a cleared or abandoned tract. The target site is one continuous forest interior with no built structure, storeys, walls, roof, openings, fence, gate, road, entrance, or fixed directional axis. Forest trees stand naturally distributed throughout the area and intermingle with dense green undergrowth. A continuous brown soil ground plane with ordinary leaf litter lies beneath the trees and vegetation. Usable passages thread directly through the undergrowth without connecting to infrastructure.\n\nTHE LOCATION: A dense temperate forest interior in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk illumination; Fleeing man; Dislodged shoe; Bite wound and blood; Black figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is an ordinary established woodland in South Korea, embedded within a broader continuous forest rather than isolated on empty land. No building or other constructed target exists. The permanent site consists of a continuous brown soil forest floor, naturally scattered forest trees, and dense green undergrowth occupying the spaces around and between the trunks. These three elements remain intermingled across the full usable interior. There is no built boundary, fence, gate, road, formal entrance, or fixed directional axis; passage remains within the vegetation.\n\nTHE LOCATION: A dense temperate forest interior in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk illumination; Fleeing man; Dislodged shoe; Bite wound and blood; Black figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA dense, ecologically active South Korean forest forms both the target site and its surrounding context. The site has no constructed massing, storeys, exterior faces, openings, roof, paving, railing, fence, gate, or entrance. Its continuous ground plane is natural brown soil with regionally ordinary leaf litter and low vegetation. Forest trees are distributed throughout this ground and mixed directly with thick green shrubs, grasses, and other undergrowth. The woodland remains continuous in every direction, with informal movement space threading through the vegetation and no specified road or structure.\n\nTHE LOCATION: A dense temperate forest interior in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk illumination; Fleeing man; Dislodged shoe; Bite wound and blood; Black figure\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nA single continuous South Korean temperate forest interior in 2026, with no building, storeys, walls, roof, doors, windows, gates, fences, built boundary, entrance, road, or fixed directional axis. Naturally distributed forest trees intermingle with dense green undergrowth, and a continuous brown soil ground plane with ordinary leaf litter extends beneath and between them. The usable area remains wholly inside the same living forest, with movement space threading through the undergrowth and no connection to infrastructure.\n\nTHE LOCATION: A dense temperate forest interior in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDusk illumination; Fleeing man; Dislodged shoe; Bite wound and blood; Black figure",
        "seed_decision": {
          "input_fingerprint": "8875f81868d35e1a",
          "totals": {
            "B": 8,
            "C": 7,
            "A": 6
          },
          "ranking": [
            "B",
            "C",
            "A"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 8,
              "verdict_ko": "자연스러운 갈색 토양과 낙엽층이 덤불 사이로 이어지며, 인위적인 길이나 축이 없어 지침에 가장 잘 부합합니다."
            },
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "지침의 요구사항을 잘 따르나, 덤불 사이로 이어지는 공간이라기보다 다소 넓은 공터의 느낌이 강합니다."
            },
            {
              "label": "A",
              "score": 6,
              "verdict_ko": "명확하게 다져진 Y자형 등산로가 나타나 있어 '고정된 방향축이나 도로가 없음'이라는 지침과 다소 충돌합니다."
            }
          ],
          "critique": {
            "issues": []
          },
          "fix_skipped": true
        }
      },
      "bg_incident_site": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_incident_site_sel.png",
        "seed_asset_id": "1adbfee5-8ff4-4e87-91bc-bb44e08b66d7",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited urban neighborhood in South Korea surrounds the target in 2026. Its adjacent buildings retain normal regional construction and finishes, making the setting read as working city fabric rather than an isolated or abandoned compound. At its center is a zero-storey, building-free exterior site formed by one uninterrupted medium-gray asphalt ground plane, modestly worn and marked only by subtle darker surface repairs. No opening, entrance, stair, wall, gate, fence, fixed boundary, internal division, or permanent access route is present. The site's outer connections are not defined. The overall visual rendering has the restrained tonal range and slightly low resolution of local news.\n\nTHE LOCATION: An undivided paved exterior ground area in an inhabited urban neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice control line; Police personnel conducting examination; Motionless figures in character; Detective group including Hyesu\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image shows the same zero-storey target site: one single, continuous, undivided exterior ground plane of worn medium-gray asphalt with subtle darker repairs. No building, facade, roof, door, window, entrance, stair, fixed boundary, gate, fence, persistent subdivision, or established access route belongs to the target; all evidenced opening counts are therefore zero. Its outer edges and connections remain visually unspecified. The site sits within a believable, currently inhabited South Korean urban neighborhood in 2026, with adjacent ordinary buildings and region-standard finishes. The location reads as active urban fabric rather than an abandoned lot, empty compound, prison-like enclosure, or studio set. The visual texture has restrained local-news contrast and slightly low resolution.",
          "location_line_en": "An undivided paved exterior ground area in an inhabited urban neighborhood in South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "원문 장면의 낮 시간대와 지역 뉴스 화면을 직접 시각화한다.",
              "evidence_ko": [
                "S#3. 현장 / D",
                "지역 뉴스 화면."
              ],
              "prompt_en": "A daytime exterior site in a currently inhabited South Korean urban neighborhood in 2026. Adjacent ordinary buildings with region-standard contemporary finishes place it within active city fabric. The target is a zero-storey site rather than a building: one continuous, undivided plane of worn medium-gray asphalt with subtle darker repairs. It has no facade, roof, openings, entrance, stair, fixed boundary, gate, fence, persistent subdivision, or established access route. Its outer edges and connections remain unspecified. Restrained contrast and slightly low-resolution local-news texture.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활감 있는 도심 주변 환경에서 대상 부지를 먼저 규정한다.",
              "evidence_ko": [
                "지역 뉴스 화면.",
                "도심 외부 사건 현장이다."
              ],
              "prompt_en": "An ordinary, currently inhabited urban neighborhood in South Korea surrounds the target in 2026. Its adjacent buildings retain normal regional construction and finishes, making the setting read as working city fabric rather than an isolated or abandoned compound. At its center is a zero-storey, building-free exterior site formed by one uninterrupted medium-gray asphalt ground plane, modestly worn and marked only by subtle darker surface repairs. No opening, entrance, stair, wall, gate, fence, fixed boundary, internal division, or permanent access route is present. The site's outer connections are not defined. The overall visual rendering has the restrained tonal range and slightly low resolution of local news.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "재료와 영구 지형의 단순한 위계를 중심으로 구성한다.",
              "evidence_ko": [
                "S#3. 현장 / D",
                "지역 뉴스 화면의 제한된 명암과 다소 낮은 해상도로 보이는 도심 외부 사건 현장이다."
              ],
              "prompt_en": "The target consists entirely of one flat, continuous exterior surface: weathered medium-gray asphalt with faint aggregate texture and restrained darker patch repairs. It has zero storeys and no building mass, roof, facade, door, window, entrance, stair, railing, wall, fence, gate, fixed subdivision, or established access route. The perimeter and its connections remain unspecified. A currently inhabited 2026 South Korean urban neighborhood immediately surrounds the ground area, with adjacent ordinary buildings using region-standard materials and finishes. The setting remains integrated with everyday city fabric, not isolated or derelict. Daylight appears through limited local-news contrast and a slightly low-resolution image texture.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA daytime exterior site in a currently inhabited South Korean urban neighborhood in 2026. Adjacent ordinary buildings with region-standard contemporary finishes place it within active city fabric. The target is a zero-storey site rather than a building: one continuous, undivided plane of worn medium-gray asphalt with subtle darker repairs. It has no facade, roof, openings, entrance, stair, fixed boundary, gate, fence, persistent subdivision, or established access route. Its outer edges and connections remain unspecified. Restrained contrast and slightly low-resolution local-news texture.\n\nTHE LOCATION: An undivided paved exterior ground area in an inhabited urban neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice control line; Police personnel conducting examination; Motionless figures in character; Detective group including Hyesu\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited urban neighborhood in South Korea surrounds the target in 2026. Its adjacent buildings retain normal regional construction and finishes, making the setting read as working city fabric rather than an isolated or abandoned compound. At its center is a zero-storey, building-free exterior site formed by one uninterrupted medium-gray asphalt ground plane, modestly worn and marked only by subtle darker surface repairs. No opening, entrance, stair, wall, gate, fence, fixed boundary, internal division, or permanent access route is present. The site's outer connections are not defined. The overall visual rendering has the restrained tonal range and slightly low resolution of local news.\n\nTHE LOCATION: An undivided paved exterior ground area in an inhabited urban neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice control line; Police personnel conducting examination; Motionless figures in character; Detective group including Hyesu\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target consists entirely of one flat, continuous exterior surface: weathered medium-gray asphalt with faint aggregate texture and restrained darker patch repairs. It has zero storeys and no building mass, roof, facade, door, window, entrance, stair, railing, wall, fence, gate, fixed subdivision, or established access route. The perimeter and its connections remain unspecified. A currently inhabited 2026 South Korean urban neighborhood immediately surrounds the ground area, with adjacent ordinary buildings using region-standard materials and finishes. The setting remains integrated with everyday city fabric, not isolated or derelict. Daylight appears through limited local-news contrast and a slightly low-resolution image texture.\n\nTHE LOCATION: An undivided paved exterior ground area in an inhabited urban neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice control line; Police personnel conducting examination; Motionless figures in character; Detective group including Hyesu\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same zero-storey target site: one single, continuous, undivided exterior ground plane of worn medium-gray asphalt with subtle darker repairs. No building, facade, roof, door, window, entrance, stair, fixed boundary, gate, fence, persistent subdivision, or established access route belongs to the target; all evidenced opening counts are therefore zero. Its outer edges and connections remain visually unspecified. The site sits within a believable, currently inhabited South Korean urban neighborhood in 2026, with adjacent ordinary buildings and region-standard finishes. The location reads as active urban fabric rather than an abandoned lot, empty compound, prison-like enclosure, or studio set. The visual texture has restrained local-news contrast and slightly low resolution.\n\nTHE LOCATION: An undivided paved exterior ground area in an inhabited urban neighborhood in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nPolice control line; Police personnel conducting examination; Motionless figures in character; Detective group including Hyesu",
        "seed_decision": {
          "input_fingerprint": "92bae747bc3120cc",
          "totals": {
            "A": 4,
            "B": 7,
            "C": 3
          },
          "ranking": [
            "B",
            "A",
            "C"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "Shows a functional street with sidewalks and painted road lines, violating the requirement for an undivided ground plane with no established access route."
            },
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "Accurately presents a continuous, undivided asphalt plane with subtle repairs, lacking subdivisions, situated within a believable Korean urban context."
            },
            {
              "label": "C",
              "score": 3,
              "verdict_ko": "Heavily violates the 'no persistent subdivision' constraint by covering the target area with painted parking bays, arrows, and concrete wheel stops."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "대상 부지(아스팔트 바닥) 가장자리에 연석과 같은 고정된 경계가 명확하게 존재하여, 외곽 연결부가 시각적으로 특정되지 않아야 한다는 지침을 위반했습니다.",
                "fix_en": "Remove the curbs and bordering lines around the central asphalt plane so its outer edges remain completely undefined and undivided."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the curbs and bordering lines around the central asphalt plane so its outer edges remain completely undefined and undivided.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_large_market": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_large_market_sel.png",
        "seed_asset_id": "40c6cf7b-afda-4940-a200-18e70c018255",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a one-storey supermarket formed as a broad, low rectangular commercial box large enough to support a full sales floor and office functions. Its exterior boundary is clad in light-gray insulated metal panels. A charcoal-gray metal fascia conceals a shallow silver-gray galvanized-steel roof. The access face contains exactly one prominent entrance opening, fitted with a silver anodized-aluminum framed, two-panel automatic sliding clear-glass door that opens directly from outside into the store. A gray concrete apron occupies the entrance approach immediately against this wall and continues to the local street edge. One white weatherproof surveillance camera is mounted beside the doorway on the same outdoor access side and is angled across the approach. Panel seams have restrained rain streaks and discoloration, while the lower wall has routine scuffing and remains maintained. The building is embedded among adjacent low-rise residential and commercial properties in a currently inhabited South Korean working neighborhood, not isolated from its surroundings.\n\nTHE LOCATION: A large neighborhood supermarket in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image shows the same one-storey, broad low rectangular South Korean neighborhood supermarket in 2026. The target has light-gray insulated metal-panel walls, a charcoal-gray metal fascia, and a shallow silver-gray galvanized-steel roof concealed behind the fascia. Its access face has exactly one prominent exterior entrance opening: a silver anodized-aluminum framed, two-panel automatic sliding clear-glass door opening directly from the exterior approach into the store. A gray concrete entrance apron lies immediately outside. One white weatherproof surveillance camera is mounted on the same exterior access side beside the entrance and is aimed across the outdoor approach. The wall has light rain streaking, joint discoloration, and lower-edge scuffs but remains maintained and occupied. No additional prominent storefront opening is present. The supermarket stands along a local street among adjacent low-rise residential and commercial buildings in a believable, currently inhabited working neighborhood.",
          "location_line_en": "A large neighborhood supermarket in South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "원문 장면의 외부 동선과 감시 위치를 직접 반영한 접근",
              "evidence_ko": [
                "S#19. 마트 / D",
                "자전거를 주차하고 안으로 들어가는 수리영.",
                "/ 마트 밖",
                "엄마와 남자 직원 CCTV 위치를 확인하다. 찍혔을 만한 위치다."
              ],
              "prompt_en": "A currently inhabited South Korean working neighborhood surrounds the target, with the supermarket fronting a local street among adjacent low-rise residential and commercial buildings. The target is a one-storey, broad low rectangular supermarket. Light-gray insulated metal panels clad its exterior boundary walls, with a charcoal-gray metal fascia and a shallow silver-gray galvanized-steel roof concealed behind it. The access face has one prominent entrance opening only: a two-panel automatic sliding clear-glass door in a silver anodized-aluminum frame, opening directly into the store. A gray concrete entrance apron immediately outside connects the doorway to the street edge. One white weatherproof surveillance camera is fixed to the same exterior access side beside the entrance and points across the outdoor approach. Light rain streaks mark panel joints, and the lower cladding has ordinary scuffs without neglect.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "생활권과 인접 건물의 현실성을 먼저 확립하는 접근",
              "evidence_ko": [
                "S#19. 마트 / D",
                "이른 아침, 아직은 한산한 마트 안.",
                "/ 마트 밖",
                "CCTV 위치를 확인하다. 찍혔을 만한 위치다."
              ],
              "prompt_en": "The site belongs to an occupied mixed residential and commercial neighborhood in South Korea in 2026. A local street and adjoining low-rise buildings continue around the property, making it an ordinary working supermarket rather than an isolated compound. The target is a broad, low, one-storey rectangular retail building. Its walls are light-gray insulated metal panels beneath a charcoal-gray metal fascia, with a shallow silver-gray galvanized-steel roof hidden behind the fascia. One wide exterior entrance is set into the access-facing boundary wall. It is a single opening fitted with a two-panel automatic sliding clear-glass door and a silver anodized-aluminum frame, leading directly from the approach into the store. The immediate approach is a gray concrete apron joined to the street edge. A single white weatherproof surveillance camera occupies a separate wall-mounted position beside the entrance on the same access side, covering the apron. Subtle rain streaking, darkened panel joints, and lower-wall scuffs show normal use and maintenance.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "대형 동네 마트의 건축 유형과 외장 재료를 우선하는 접근",
              "evidence_ko": [
                "대형 마트 내부 매장",
                "대형 마트 총무과 사무실",
                "마트 외벽과 출입구",
                "감시 카메라가 설치된 곳이다."
              ],
              "prompt_en": "The target is a one-storey supermarket formed as a broad, low rectangular commercial box large enough to support a full sales floor and office functions. Its exterior boundary is clad in light-gray insulated metal panels. A charcoal-gray metal fascia conceals a shallow silver-gray galvanized-steel roof. The access face contains exactly one prominent entrance opening, fitted with a silver anodized-aluminum framed, two-panel automatic sliding clear-glass door that opens directly from outside into the store. A gray concrete apron occupies the entrance approach immediately against this wall and continues to the local street edge. One white weatherproof surveillance camera is mounted beside the doorway on the same outdoor access side and is angled across the approach. Panel seams have restrained rain streaks and discoloration, while the lower wall has routine scuffing and remains maintained. The building is embedded among adjacent low-rise residential and commercial properties in a currently inhabited South Korean working neighborhood, not isolated from its surroundings.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited South Korean working neighborhood surrounds the target, with the supermarket fronting a local street among adjacent low-rise residential and commercial buildings. The target is a one-storey, broad low rectangular supermarket. Light-gray insulated metal panels clad its exterior boundary walls, with a charcoal-gray metal fascia and a shallow silver-gray galvanized-steel roof concealed behind it. The access face has one prominent entrance opening only: a two-panel automatic sliding clear-glass door in a silver anodized-aluminum frame, opening directly into the store. A gray concrete entrance apron immediately outside connects the doorway to the street edge. One white weatherproof surveillance camera is fixed to the same exterior access side beside the entrance and points across the outdoor approach. Light rain streaks mark panel joints, and the lower cladding has ordinary scuffs without neglect.\n\nTHE LOCATION: A large neighborhood supermarket in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to an occupied mixed residential and commercial neighborhood in South Korea in 2026. A local street and adjoining low-rise buildings continue around the property, making it an ordinary working supermarket rather than an isolated compound. The target is a broad, low, one-storey rectangular retail building. Its walls are light-gray insulated metal panels beneath a charcoal-gray metal fascia, with a shallow silver-gray galvanized-steel roof hidden behind the fascia. One wide exterior entrance is set into the access-facing boundary wall. It is a single opening fitted with a two-panel automatic sliding clear-glass door and a silver anodized-aluminum frame, leading directly from the approach into the store. The immediate approach is a gray concrete apron joined to the street edge. A single white weatherproof surveillance camera occupies a separate wall-mounted position beside the entrance on the same access side, covering the apron. Subtle rain streaking, darkened panel joints, and lower-wall scuffs show normal use and maintenance.\n\nTHE LOCATION: A large neighborhood supermarket in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a one-storey supermarket formed as a broad, low rectangular commercial box large enough to support a full sales floor and office functions. Its exterior boundary is clad in light-gray insulated metal panels. A charcoal-gray metal fascia conceals a shallow silver-gray galvanized-steel roof. The access face contains exactly one prominent entrance opening, fitted with a silver anodized-aluminum framed, two-panel automatic sliding clear-glass door that opens directly from outside into the store. A gray concrete apron occupies the entrance approach immediately against this wall and continues to the local street edge. One white weatherproof surveillance camera is mounted beside the doorway on the same outdoor access side and is angled across the approach. Panel seams have restrained rain streaks and discoloration, while the lower wall has routine scuffing and remains maintained. The building is embedded among adjacent low-rise residential and commercial properties in a currently inhabited South Korean working neighborhood, not isolated from its surroundings.\n\nTHE LOCATION: A large neighborhood supermarket in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same one-storey, broad low rectangular South Korean neighborhood supermarket in 2026. The target has light-gray insulated metal-panel walls, a charcoal-gray metal fascia, and a shallow silver-gray galvanized-steel roof concealed behind the fascia. Its access face has exactly one prominent exterior entrance opening: a silver anodized-aluminum framed, two-panel automatic sliding clear-glass door opening directly from the exterior approach into the store. A gray concrete entrance apron lies immediately outside. One white weatherproof surveillance camera is mounted on the same exterior access side beside the entrance and is aimed across the outdoor approach. The wall has light rain streaking, joint discoloration, and lower-edge scuffs but remains maintained and occupied. No additional prominent storefront opening is present. The supermarket stands along a local street among adjacent low-rise residential and commercial buildings in a believable, currently inhabited working neighborhood.\n\nTHE LOCATION: A large neighborhood supermarket in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle",
        "seed_decision": {
          "input_fingerprint": "b169cf6716d067da",
          "totals": {
            "C": 7,
            "B": 4,
            "A": 3
          },
          "ranking": [
            "C",
            "B",
            "A"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "지시문을 가장 충실히 따름. 직사각형 형태, 단일 출입구, 추가 개구부 없음, 1대의 카메라 등 핵심 요건을 잘 구현함."
            },
            {
              "label": "B",
              "score": 4,
              "verdict_ko": "출입문 좌측에 커다란 상점 창문들을 배치하여 '추가적인 눈에 띄는 상점 개구부 없음'이라는 명시적 제한을 위반함."
            },
            {
              "label": "A",
              "score": 3,
              "verdict_ko": "직사각형이 아닌 모따기된 구조, 띠장 뒤로 숨겨지지 않은 지붕, 1대가 아닌 2대의 카메라를 배치하여 지시문을 다수 위반함."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "입구 개구부가 지정된 2패널 슬라이딩 도어의 크기를 넘어 상단 채광창과 측면 고정 유리가 포함된 대형 상점 전면창(storefront) 형태로 나타나 있습니다.",
                "fix_en": "Reduce the large multi-pane glass opening to a smaller wall opening sized exactly and only for the two-panel automatic sliding glass door, removing all transoms and side lites."
              },
              {
                "issue_ko": "지붕이 전면 패널(fascia) 뒤에 완전히 가려지지 않고, 왼쪽 부분에서 박공지붕 형태가 패널 위로 솟아올라 노출되어 있습니다.",
                "fix_en": "Lower the visible pitched roof structure on the left side so that the entire roof is completely concealed behind the flat charcoal-gray metal fascia."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Reduce the large multi-pane glass opening to a smaller wall opening sized exactly and only for the two-panel automatic sliding glass door, removing all transoms and side lites.\n- Lower the visible pitched roof structure on the left side so that the entire roof is completely concealed behind the flat charcoal-gray metal fascia.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_open_sea": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_open_sea_sel.png",
        "seed_asset_id": "e27ac364-9da6-4e78-9c0f-4c13978edc5f",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nMuted gray-blue West Sea water forms one broad, continuous horizontal expanse within South Korea's inhabited maritime region in 2026. The ordinary natural surface has restrained small-scale variation typical of open coastal sea, without any fixed feature breaking its continuity. The site has zero storeys and no built mass, facade, material, opening, boundary, subdivision, access structure, or persistent landmark. Open water occupies the full visible area.\n\nTHE LOCATION: Open waters of the West Sea, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense fog bank; Golden sunset reflection; In-woo's boat; V-shaped wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same zero-storey natural maritime site: one uninterrupted expanse of muted gray-blue West Sea water occupying the entire visible mapped area. There is no target building, built massing, construction material, wall, roof, door, window, opening, subdivision, built edge, access structure, or persistent landmark. The water belongs to the inhabited working maritime region of South Korea in 2026, but no fixed coastal feature enters the site. Dense fog, golden sunset reflections, boats, and wakes are absent.",
          "location_line_en": "Open waters of the West Sea, South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "원문 공간 묘사에 직접 근거한 접근",
              "evidence_ko": [
                "바다 / 해질 무렵",
                "바다위에",
                "망망대해"
              ],
              "prompt_en": "An open-sea location in the inhabited working maritime region of South Korea's West Sea in 2026. The visible site is a single continuous expanse of muted gray-blue seawater extending across the full area. This is a zero-storey natural site with no building, built material, fixed subdivision, built edge, access structure, opening, or persistent landmark. The broad horizontal water surface remains uninterrupted under neutral late-day light.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "해역의 영구 지형을 우선한 접근",
              "evidence_ko": [],
              "prompt_en": "A real working maritime setting in the West Sea region of South Korea in 2026. One uninterrupted body of muted gray-blue open water fills the entire mapped site and continues beyond it. The target is a zero-storey natural expanse rather than a structure. It has no walls, roofs, construction materials, doors, windows, fixed boundaries, internal divisions, access works, or permanent landmarks. The surrounding regional context reads as inhabited coastal waters while the visible site remains entirely open sea.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "수면 재질과 수평적 규모를 우선한 접근",
              "evidence_ko": [],
              "prompt_en": "Muted gray-blue West Sea water forms one broad, continuous horizontal expanse within South Korea's inhabited maritime region in 2026. The ordinary natural surface has restrained small-scale variation typical of open coastal sea, without any fixed feature breaking its continuity. The site has zero storeys and no built mass, facade, material, opening, boundary, subdivision, access structure, or persistent landmark. Open water occupies the full visible area.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn open-sea location in the inhabited working maritime region of South Korea's West Sea in 2026. The visible site is a single continuous expanse of muted gray-blue seawater extending across the full area. This is a zero-storey natural site with no building, built material, fixed subdivision, built edge, access structure, opening, or persistent landmark. The broad horizontal water surface remains uninterrupted under neutral late-day light.\n\nTHE LOCATION: Open waters of the West Sea, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense fog bank; Golden sunset reflection; In-woo's boat; V-shaped wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real working maritime setting in the West Sea region of South Korea in 2026. One uninterrupted body of muted gray-blue open water fills the entire mapped site and continues beyond it. The target is a zero-storey natural expanse rather than a structure. It has no walls, roofs, construction materials, doors, windows, fixed boundaries, internal divisions, access works, or permanent landmarks. The surrounding regional context reads as inhabited coastal waters while the visible site remains entirely open sea.\n\nTHE LOCATION: Open waters of the West Sea, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense fog bank; Golden sunset reflection; In-woo's boat; V-shaped wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nMuted gray-blue West Sea water forms one broad, continuous horizontal expanse within South Korea's inhabited maritime region in 2026. The ordinary natural surface has restrained small-scale variation typical of open coastal sea, without any fixed feature breaking its continuity. The site has zero storeys and no built mass, facade, material, opening, boundary, subdivision, access structure, or persistent landmark. Open water occupies the full visible area.\n\nTHE LOCATION: Open waters of the West Sea, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense fog bank; Golden sunset reflection; In-woo's boat; V-shaped wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same zero-storey natural maritime site: one uninterrupted expanse of muted gray-blue West Sea water occupying the entire visible mapped area. There is no target building, built massing, construction material, wall, roof, door, window, opening, subdivision, built edge, access structure, or persistent landmark. The water belongs to the inhabited working maritime region of South Korea in 2026, but no fixed coastal feature enters the site. Dense fog, golden sunset reflections, boats, and wakes are absent.\n\nTHE LOCATION: Open waters of the West Sea, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense fog bank; Golden sunset reflection; In-woo's boat; V-shaped wake",
        "seed_decision": {
          "input_fingerprint": "45606c0d2e5e687e",
          "totals": {
            "A": 3,
            "B": 3,
            "C": 7
          },
          "ranking": [
            "C",
            "B",
            "A"
          ],
          "verdicts": [
            {
              "label": "A",
              "score": 3,
              "verdict_ko": "Fails completely by showing a harbor, buildings, and boats, violating the requirement for an uninterrupted expanse of water with no coastal features."
            },
            {
              "label": "B",
              "score": 3,
              "verdict_ko": "Fails due to the visible presence of boats, wakes, and a distant coastline, violating the strict exclusions of vessels and fixed landmasses."
            },
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "Perfectly satisfies the brief by depicting an uninterrupted expanse of muted gray-blue water with zero coastal features or excluded transients."
            }
          ],
          "critique": {
            "issues": []
          },
          "fix_skipped": true
        }
      },
      "bg_police_station": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_police_station_sel.png",
        "seed_asset_id": "4b175e45-050b-4ee2-9b04-21cdb2d52588",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active, inhabited South Korean working neighborhood surrounds a police station and its everyday street frontage in 2026. The station is integrated with adjacent neighborhood buildings rather than isolated on open ground. It is a four-storey, broad rectangular civic building with a flat parapet roof. The walls are clad in light gray granite panels over a dark gray granite plinth, with blue-gray glazing in silver aluminum frames. The street-facing facade has one understated recessed glazed main entrance and a restrained arrangement of ordinary office windows. Mild runoff marks and slight urban discoloration soften an otherwise maintained exterior. The building directly borders a gray concrete-paved frontage. A normal asphalt road follows the frontage's outer edge and provides the everyday stopping area outside the station. No fence, gate, exterior stair or visible rooftop tank interrupts this connection.\n\nTHE LOCATION: The exterior frontage of a neighborhood police station in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same four-storey, broad rectangular South Korean police station with a flat parapet roof. Its exterior uses light gray granite panels, a dark gray granite plinth, blue-gray glazing and silver aluminum frames, with one understated recessed glazed main entrance and restrained, regionally ordinary office windows; no window count is established by the evidence. The finish is maintained but lightly weathered by normal urban exposure. The building directly adjoins a gray concrete-paved frontage, and an ordinary asphalt road runs along the frontage's outer edge. No fence, gate, exterior stair or visible rooftop tank is present. The station remains the main subject within a believable, active, inhabited South Korean working neighborhood in 2026.",
          "location_line_en": "The exterior frontage of a neighborhood police station in South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "시나리오 원문의 외부 공간과 주간 도로 조건을 직접 시각화한다.",
              "evidence_ko": [
                "경찰서 밖 / D",
                "주차된 자전거를 타고 이내 달리는 수리영"
              ],
              "prompt_en": "A daytime exterior frontage belongs to an active police station in an inhabited South Korean working neighborhood in 2026. The ordinary asphalt road outside supports routine short stops and local movement. The police station is a definite four-storey, broad rectangular civic block with a flat parapet roof. Light gray granite panels cover the walls above a dark gray granite plinth. Blue-gray glazing sits in silver aluminum frames. One understated recessed glazed main entrance and restrained, regionally ordinary office windows face the frontage. The maintained facade has light streaking and minor discoloration from normal urban exposure. The building exterior directly adjoins a gray concrete-paved frontage, with the asphalt road along its outer edge. There is no fence, gate, exterior stair or visible rooftop tank. Adjacent buildings and ordinary surroundings complete the active neighborhood without making the station look isolated or staged.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "주변 생활권에서 경찰서와 전면 도로의 관계를 먼저 확정한다.",
              "evidence_ko": [
                "경찰서 밖",
                "경찰서 건물 앞의 차량 및 자전거가 정차할 수 있는 일반 도로다."
              ],
              "prompt_en": "An active, inhabited South Korean working neighborhood surrounds a police station and its everyday street frontage in 2026. The station is integrated with adjacent neighborhood buildings rather than isolated on open ground. It is a four-storey, broad rectangular civic building with a flat parapet roof. The walls are clad in light gray granite panels over a dark gray granite plinth, with blue-gray glazing in silver aluminum frames. The street-facing facade has one understated recessed glazed main entrance and a restrained arrangement of ordinary office windows. Mild runoff marks and slight urban discoloration soften an otherwise maintained exterior. The building directly borders a gray concrete-paved frontage. A normal asphalt road follows the frontage's outer edge and provides the everyday stopping area outside the station. No fence, gate, exterior stair or visible rooftop tank interrupts this connection.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "현대 한국 공공청사의 재료와 단정한 건물 유형을 중심으로 구성한다.",
              "evidence_ko": [
                "경찰서 밖 / D",
                "현대적인 파티션과 책상, PC 모니터가 있는 행정 및 수사 사무 공간"
              ],
              "prompt_en": "The main subject is a maintained four-storey police station in a believable, inhabited South Korean neighborhood in 2026. Its broad rectangular mass and flat parapet roof identify a compact modern civic office building. Light gray granite facade panels, a dark gray granite plinth, blue-gray glazing and silver aluminum window frames use ordinary contemporary public-building finishes. One modest recessed glazed entrance faces the street, accompanied by restrained office windows rather than an elaborate glass facade. Fine rain streaks and small areas of traffic-related discoloration show normal service wear. A gray concrete-paved frontage touches the building exterior directly, and an ordinary asphalt road runs along its outer edge. No fence, gate, exterior stair or visible rooftop tank is present. Neighboring buildings and normal local surroundings keep the station embedded in an active working district rather than an empty compound.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA daytime exterior frontage belongs to an active police station in an inhabited South Korean working neighborhood in 2026. The ordinary asphalt road outside supports routine short stops and local movement. The police station is a definite four-storey, broad rectangular civic block with a flat parapet roof. Light gray granite panels cover the walls above a dark gray granite plinth. Blue-gray glazing sits in silver aluminum frames. One understated recessed glazed main entrance and restrained, regionally ordinary office windows face the frontage. The maintained facade has light streaking and minor discoloration from normal urban exposure. The building exterior directly adjoins a gray concrete-paved frontage, with the asphalt road along its outer edge. There is no fence, gate, exterior stair or visible rooftop tank. Adjacent buildings and ordinary surroundings complete the active neighborhood without making the station look isolated or staged.\n\nTHE LOCATION: The exterior frontage of a neighborhood police station in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active, inhabited South Korean working neighborhood surrounds a police station and its everyday street frontage in 2026. The station is integrated with adjacent neighborhood buildings rather than isolated on open ground. It is a four-storey, broad rectangular civic building with a flat parapet roof. The walls are clad in light gray granite panels over a dark gray granite plinth, with blue-gray glazing in silver aluminum frames. The street-facing facade has one understated recessed glazed main entrance and a restrained arrangement of ordinary office windows. Mild runoff marks and slight urban discoloration soften an otherwise maintained exterior. The building directly borders a gray concrete-paved frontage. A normal asphalt road follows the frontage's outer edge and provides the everyday stopping area outside the station. No fence, gate, exterior stair or visible rooftop tank interrupts this connection.\n\nTHE LOCATION: The exterior frontage of a neighborhood police station in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is a maintained four-storey police station in a believable, inhabited South Korean neighborhood in 2026. Its broad rectangular mass and flat parapet roof identify a compact modern civic office building. Light gray granite facade panels, a dark gray granite plinth, blue-gray glazing and silver aluminum window frames use ordinary contemporary public-building finishes. One modest recessed glazed entrance faces the street, accompanied by restrained office windows rather than an elaborate glass facade. Fine rain streaks and small areas of traffic-related discoloration show normal service wear. A gray concrete-paved frontage touches the building exterior directly, and an ordinary asphalt road runs along its outer edge. No fence, gate, exterior stair or visible rooftop tank is present. Neighboring buildings and normal local surroundings keep the station embedded in an active working district rather than an empty compound.\n\nTHE LOCATION: The exterior frontage of a neighborhood police station in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same four-storey, broad rectangular South Korean police station with a flat parapet roof. Its exterior uses light gray granite panels, a dark gray granite plinth, blue-gray glazing and silver aluminum frames, with one understated recessed glazed main entrance and restrained, regionally ordinary office windows; no window count is established by the evidence. The finish is maintained but lightly weathered by normal urban exposure. The building directly adjoins a gray concrete-paved frontage, and an ordinary asphalt road runs along the frontage's outer edge. No fence, gate, exterior stair or visible rooftop tank is present. The station remains the main subject within a believable, active, inhabited South Korean working neighborhood in 2026.\n\nTHE LOCATION: The exterior frontage of a neighborhood police station in South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nParked bicycle",
        "seed_decision": {
          "input_fingerprint": "cd36db08e585f863",
          "totals": {
            "B": 7,
            "A": 4,
            "C": 3
          },
          "ranking": [
            "B",
            "A",
            "C"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "Accurately features the required four-storey structure and correct materials while successfully excluding forbidden transients and avoiding hard violations."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "Violates brief conformance by depicting a three-storey building instead of four, and includes the explicitly forbidden parked bicycle near the bins on the right."
            },
            {
              "label": "C",
              "score": 3,
              "verdict_ko": "Hard violation: contains multiple people (pedestrians on the sidewalk and a scooter rider), which disqualifies the candidate."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "건물이 4층이 아닌 3층으로 묘사되었습니다.",
                "fix_en": "Add one more level of light gray granite and windows to make the building exactly four storeys tall."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add one more level of light gray granite and windows to make the building exactly four storeys tall.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_rooftop_villa": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_rooftop_villa_sel.png",
        "seed_asset_id": "32be4774-9c13-4ca3-8108-3c20400f84a1",
        "seed_selected": "C",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is a real, currently inhabited low-rise villa district in outer Incheon, with the target embedded among the adjoining residential buildings of a narrow local alley. Its surroundings follow the ordinary materials and density of an aging South Korean urban-edge neighborhood in 2026. The target is one narrow rectangular three-storey reinforced-concrete multi-unit villa. Its principal exterior is weathered red-brown brick veneer, its service faces are gray cement, and its roof is flat. A single compact rooftop room of pale-gray rendered concrete forms a partial fourth level. The rooftop deck is finished in worn faded-green waterproof coating. One blue polyethylene water tank stands outside the room, and a pale-gray rendered-concrete boundary wall defines an edge nearby. The rooftop room contains exactly one faded dark-green painted iron entrance door facing directly onto the deck and exactly one adjacent dark-bronze aluminum-framed exterior window. One steep narrow gray-painted steel exterior stair with simple steel railings connects the deck to the narrow gray concrete yard below. The yard connects through exactly one recessed dark-bronze aluminum-framed glazed ground-level communal entrance door to the villa alley. Brick, render, metalwork, waterproofing, and concrete carry normal weathering from continuous residential use without severe decay.\n\nTHE LOCATION: An aging multi-unit villa with a rooftop room in an inhabited outer-Incheon residential neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; wooden platform; dried Acorus roots and leaves; advertising leaflet in the door gap; bicycle; arriving vehicle; black cat; partly open entrance-door state; illuminated rooftop-room state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image must show the same target: a narrow three-storey rectangular reinforced-concrete multi-unit villa with weathered red-brown brick veneer and gray cement service faces, plus one compact single-storey pale-gray rendered-concrete rooftop room forming a partial fourth level. The flat rooftop deck has faded green waterproofing. A continuous route runs from the narrow villa alley through exactly one recessed dark-bronze aluminum-framed glazed ground-level entrance door into a narrow gray concrete yard, then up one steep narrow gray-painted steel exterior stair to the rooftop deck. The rooftop room occupies part of the deck and has exactly one faded dark-green painted iron entrance door opening onto the deck and exactly one nearby dark-bronze aluminum-framed exterior window. One blue polyethylene water tank occupies another part of the deck, and a pale-gray rendered-concrete boundary wall runs along an exterior edge near the room. The villa must stand within a believable, currently inhabited low-rise outer-Incheon residential neighborhood, not in isolation.",
          "location_line_en": "An aging multi-unit villa with a rooftop room in an inhabited outer-Incheon residential neighborhood, South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "원문 장면의 공간 단서를 직접 시각화",
              "evidence_ko": [
                "인천 변두리 부감, 오래된 빌라 옥탑방 전경.",
                "옥탑방 옥상. 물탱크.",
                "옥탑방 철문 현관",
                "창문",
                "골목길",
                "다세대 빌라 문",
                "마당 후미진 곳",
                "옥탑방과 연결되는 계단",
                "담"
              ],
              "prompt_en": "An aging multi-unit villa stands in a currently inhabited low-rise residential alley neighborhood on the outskirts of Incheon. The site belongs to the close, ordinary fabric of older villas and small homes rather than an isolated compound. The target is a narrow rectangular three-storey reinforced-concrete villa with weathered red-brown brick veneer, gray cement service faces, and a flat roof. One compact single-storey rooftop room forms a partial fourth level; it is pale-gray rendered concrete with modest age staining. The alley reaches exactly one recessed ground-level communal entrance door, made of dark-bronze aluminum framing and glass. This door leads into a narrow gray concrete yard. One steep narrow gray-painted steel exterior stair with matching steel railings rises from the yard to the rooftop deck. The deck surrounds the rooftop room and has worn faded-green waterproof coating. Exactly one faded dark-green painted iron entrance door opens from the rooftop room directly onto the deck. Exactly one dark-bronze aluminum-framed exterior window is set near that entrance. One blue polyethylene water tank stands on another part of the deck. A pale-gray rendered-concrete boundary wall follows an exterior edge near the rooftop room. All surfaces show ordinary long-term use and maintenance, not abandonment.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "동네와 연속 진입 동선을 우선 구성",
              "evidence_ko": [
                "인천 변두리",
                "골목길",
                "다세대 빌라 문",
                "마당 후미진 곳",
                "옥탑방과 연결되는 계단",
                "옥상에 올라와",
                "옥탑방 철문 현관",
                "물탱크"
              ],
              "prompt_en": "A currently inhabited outer-Incheon neighborhood of closely spaced older low-rise housing encloses a narrow villa alley. The target villa remains part of this ordinary working residential fabric, with neighboring buildings and everyday surroundings continuing around it. The alley route enters exactly one recessed dark-bronze aluminum-framed glazed communal door at ground level. Beyond it is a narrow gray concrete yard, and one steep narrow gray-painted steel exterior stair with steel railings climbs from the yard to the roof. The building is a narrow rectangular three-storey reinforced-concrete multi-unit villa clad in weathered red-brown brick veneer, with gray cement-finished service faces and a flat roof. A compact single-storey rooftop room creates a partial fourth-level mass and occupies part of the rooftop deck. Its walls are pale-gray rendered concrete with restrained age staining. The surrounding deck has worn faded-green waterproof coating. The room has exactly one faded dark-green painted iron entrance door opening directly onto the deck and exactly one nearby dark-bronze aluminum-framed exterior window. One blue polyethylene water tank occupies another part of the deck. A pale-gray rendered-concrete boundary wall runs along an exterior edge beside the rooftop room. The property reads as used, maintained, and residential rather than vacant or institutional.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "지역 건축 유형과 재료를 중심으로 구체화",
              "evidence_ko": [
                "오래된 빌라 옥탑방 전경",
                "다세대 빌라",
                "좁은 시멘트 마당",
                "가파르고 좁은 야외 연결 통로",
                "파란색 물탱크",
                "낡은 철문"
              ],
              "prompt_en": "The location is a real, currently inhabited low-rise villa district in outer Incheon, with the target embedded among the adjoining residential buildings of a narrow local alley. Its surroundings follow the ordinary materials and density of an aging South Korean urban-edge neighborhood in 2026. The target is one narrow rectangular three-storey reinforced-concrete multi-unit villa. Its principal exterior is weathered red-brown brick veneer, its service faces are gray cement, and its roof is flat. A single compact rooftop room of pale-gray rendered concrete forms a partial fourth level. The rooftop deck is finished in worn faded-green waterproof coating. One blue polyethylene water tank stands outside the room, and a pale-gray rendered-concrete boundary wall defines an edge nearby. The rooftop room contains exactly one faded dark-green painted iron entrance door facing directly onto the deck and exactly one adjacent dark-bronze aluminum-framed exterior window. One steep narrow gray-painted steel exterior stair with simple steel railings connects the deck to the narrow gray concrete yard below. The yard connects through exactly one recessed dark-bronze aluminum-framed glazed ground-level communal entrance door to the villa alley. Brick, render, metalwork, waterproofing, and concrete carry normal weathering from continuous residential use without severe decay.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn aging multi-unit villa stands in a currently inhabited low-rise residential alley neighborhood on the outskirts of Incheon. The site belongs to the close, ordinary fabric of older villas and small homes rather than an isolated compound. The target is a narrow rectangular three-storey reinforced-concrete villa with weathered red-brown brick veneer, gray cement service faces, and a flat roof. One compact single-storey rooftop room forms a partial fourth level; it is pale-gray rendered concrete with modest age staining. The alley reaches exactly one recessed ground-level communal entrance door, made of dark-bronze aluminum framing and glass. This door leads into a narrow gray concrete yard. One steep narrow gray-painted steel exterior stair with matching steel railings rises from the yard to the rooftop deck. The deck surrounds the rooftop room and has worn faded-green waterproof coating. Exactly one faded dark-green painted iron entrance door opens from the rooftop room directly onto the deck. Exactly one dark-bronze aluminum-framed exterior window is set near that entrance. One blue polyethylene water tank stands on another part of the deck. A pale-gray rendered-concrete boundary wall follows an exterior edge near the rooftop room. All surfaces show ordinary long-term use and maintenance, not abandonment.\n\nTHE LOCATION: An aging multi-unit villa with a rooftop room in an inhabited outer-Incheon residential neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; wooden platform; dried Acorus roots and leaves; advertising leaflet in the door gap; bicycle; arriving vehicle; black cat; partly open entrance-door state; illuminated rooftop-room state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited outer-Incheon neighborhood of closely spaced older low-rise housing encloses a narrow villa alley. The target villa remains part of this ordinary working residential fabric, with neighboring buildings and everyday surroundings continuing around it. The alley route enters exactly one recessed dark-bronze aluminum-framed glazed communal door at ground level. Beyond it is a narrow gray concrete yard, and one steep narrow gray-painted steel exterior stair with steel railings climbs from the yard to the roof. The building is a narrow rectangular three-storey reinforced-concrete multi-unit villa clad in weathered red-brown brick veneer, with gray cement-finished service faces and a flat roof. A compact single-storey rooftop room creates a partial fourth-level mass and occupies part of the rooftop deck. Its walls are pale-gray rendered concrete with restrained age staining. The surrounding deck has worn faded-green waterproof coating. The room has exactly one faded dark-green painted iron entrance door opening directly onto the deck and exactly one nearby dark-bronze aluminum-framed exterior window. One blue polyethylene water tank occupies another part of the deck. A pale-gray rendered-concrete boundary wall runs along an exterior edge beside the rooftop room. The property reads as used, maintained, and residential rather than vacant or institutional.\n\nTHE LOCATION: An aging multi-unit villa with a rooftop room in an inhabited outer-Incheon residential neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; wooden platform; dried Acorus roots and leaves; advertising leaflet in the door gap; bicycle; arriving vehicle; black cat; partly open entrance-door state; illuminated rooftop-room state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is a real, currently inhabited low-rise villa district in outer Incheon, with the target embedded among the adjoining residential buildings of a narrow local alley. Its surroundings follow the ordinary materials and density of an aging South Korean urban-edge neighborhood in 2026. The target is one narrow rectangular three-storey reinforced-concrete multi-unit villa. Its principal exterior is weathered red-brown brick veneer, its service faces are gray cement, and its roof is flat. A single compact rooftop room of pale-gray rendered concrete forms a partial fourth level. The rooftop deck is finished in worn faded-green waterproof coating. One blue polyethylene water tank stands outside the room, and a pale-gray rendered-concrete boundary wall defines an edge nearby. The rooftop room contains exactly one faded dark-green painted iron entrance door facing directly onto the deck and exactly one adjacent dark-bronze aluminum-framed exterior window. One steep narrow gray-painted steel exterior stair with simple steel railings connects the deck to the narrow gray concrete yard below. The yard connects through exactly one recessed dark-bronze aluminum-framed glazed ground-level communal entrance door to the villa alley. Brick, render, metalwork, waterproofing, and concrete carry normal weathering from continuous residential use without severe decay.\n\nTHE LOCATION: An aging multi-unit villa with a rooftop room in an inhabited outer-Incheon residential neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; wooden platform; dried Acorus roots and leaves; advertising leaflet in the door gap; bicycle; arriving vehicle; black cat; partly open entrance-door state; illuminated rooftop-room state\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same target: a narrow three-storey rectangular reinforced-concrete multi-unit villa with weathered red-brown brick veneer and gray cement service faces, plus one compact single-storey pale-gray rendered-concrete rooftop room forming a partial fourth level. The flat rooftop deck has faded green waterproofing. A continuous route runs from the narrow villa alley through exactly one recessed dark-bronze aluminum-framed glazed ground-level entrance door into a narrow gray concrete yard, then up one steep narrow gray-painted steel exterior stair to the rooftop deck. The rooftop room occupies part of the deck and has exactly one faded dark-green painted iron entrance door opening onto the deck and exactly one nearby dark-bronze aluminum-framed exterior window. One blue polyethylene water tank occupies another part of the deck, and a pale-gray rendered-concrete boundary wall runs along an exterior edge near the room. The villa must stand within a believable, currently inhabited low-rise outer-Incheon residential neighborhood, not in isolation.\n\nTHE LOCATION: An aging multi-unit villa with a rooftop room in an inhabited outer-Incheon residential neighborhood, South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nrooftop clothesline; wooden platform; dried Acorus roots and leaves; advertising leaflet in the door gap; bicycle; arriving vehicle; black cat; partly open entrance-door state; illuminated rooftop-room state",
        "seed_decision": {
          "input_fingerprint": "6aa26464b3739d4e",
          "totals": {
            "C": 7,
            "B": 5,
            "A": 4
          },
          "ranking": [
            "C",
            "B",
            "A"
          ],
          "verdicts": [
            {
              "label": "C",
              "score": 7,
              "verdict_ko": "전반적인 지시문 일치도가 가장 높고 후퇴한 출입문과 옥상 세부 사항을 잘 구현했으나, 3층이 아닌 2층 본관을 생성하여 층수 제약을 위반했습니다."
            },
            {
              "label": "B",
              "score": 5,
              "verdict_ko": "3층 층수 제약을 위반(2층 묘사)했으며, 명시된 단일 후퇴형 출입문 대신 벽과 평행한 양개형 문을 생성했습니다."
            },
            {
              "label": "A",
              "score": 4,
              "verdict_ko": "층수 제약 위반은 물론, 외부 계단 중간에 물리적으로 불가능한 위치의 두 번째 단면 녹색 문을 추가하고, 제외 대상인 자전거를 배치하는 위반을 범했습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "메인 건물이 지상 3층이 아닌 2층으로 묘사되었습니다.",
                "fix_en": "Add one more full storey to the main building below the rooftop level to make it a three-storey structure."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add one more full storey to the main building below the rooftop level to make it a three-storey structure.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      },
      "bg_small_fishing_boat": {
        "status": "ok",
        "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/background_chain/seed_bg_small_fishing_boat_sel.png",
        "seed_asset_id": "42e2196c-5f41-4d95-9b74-3b69da0f29ad",
        "seed_selected": "B",
        "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is a believable inhabited working coast in South Korea in 2026, extending from offshore fishing water toward an ordinary low-rise coastal district. A single weathered small fishing vessel remains the main subject within this maritime neighborhood. Its low fiberglass hull is faded white above a worn blue-painted lower hull. The principal exterior zone is one open deck made from rough brown timber planking patched with dull galvanized steel. A compact box-shaped wheelhouse rises one storey and directly adjoins the deck. It uses an off-white fiberglass shell, blue-painted steel edging, a dull gray metal roof, and dark clear glass held by black rubber seals. One blue-painted metal deck-facing access is the sole evidenced passage into the wheelhouse. The bow supplies the forward reference, while the wheelhouse relationship to fore or aft remains unspecified. Scraped paint, salt staining, mild oxidation and utilitarian repairs are consistent across the vessel.\n\nTHE LOCATION: A small working fishing vessel in the inhabited coastal fishing waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld map; Handheld photograph; Dusk condition; Occupant positions on the deck and in the wheelhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
        "seed_variants": {
          "conformance_brief_en": "Every image shows the same low, compact small fishing vessel afloat in a believable inhabited South Korean working-coast setting in 2026. The vessel has a weathered white fiberglass hull with a blue-painted lower hull, one principal open working deck of worn brown timber and dull galvanized steel, and one boxy single-storey wheelhouse directly adjoining that deck. The wheelhouse has an off-white fiberglass shell, blue-painted steel trim, a dull gray metal roof, dark clear glazing in black rubber seals, and exactly one blue-painted metal deck-facing access providing direct passage from the deck. The bow clearly establishes the vessel's forward orientation, without imposing an unsupported fore-or-aft relationship between bow and wheelhouse. No additional prominent target openings are introduced. The wider maritime neighborhood remains active, ordinary and regionally authentic rather than empty, abandoned or staged.",
          "location_line_en": "A small working fishing vessel in the inhabited coastal fishing waters of South Korea, 2026.",
          "variants": [
            {
              "approach_ko": "시나리오 원문 중심의 공간 재구성",
              "evidence_ko": [
                "바다위에 떠있는 소형어선.",
                "한참 떠나온 듯 하다.",
                "인우, 발작적으로 일어나 조타실로 달려가 뱃머리를 돌리려 한다.",
                "수리영, 조타실로 따라들어가"
              ],
              "prompt_en": "Offshore water belongs to an active, inhabited South Korean coastal fishing district, with its ordinary working maritime surroundings visible in the wider setting. The main subject is one aging, low and compact small fishing vessel afloat beyond the harbor. It has a weathered white fiberglass hull with a blue-painted lower hull and one open working deck surfaced in worn brown timber and dull galvanized steel. A boxy single-storey wheelhouse directly adjoins the deck. Its shell is off-white fiberglass with blue-painted steel trim, a dull gray metal roof, and dark clear glazing set in black rubber seals. Exactly one blue-painted metal access faces the deck and directly joins the deck to the wheelhouse interior. The bow clearly marks the forward orientation. The wheelhouse has no asserted fore-or-aft position relative to the bow. Salt fading, scuffs, oxidized fittings and practical repairs show continued working use.",
              "variant_id": "v1"
            },
            {
              "approach_ko": "재료와 노후 흔적 중심의 현장 답사",
              "evidence_ko": [
                "낡은 소형 어선 갑판",
                "바다 위에 떠 있는 낡은 배의 외부 공간.",
                "나무와 금속이 혼재된 거친 질감"
              ],
              "prompt_en": "The setting is a believable inhabited working coast in South Korea in 2026, extending from offshore fishing water toward an ordinary low-rise coastal district. A single weathered small fishing vessel remains the main subject within this maritime neighborhood. Its low fiberglass hull is faded white above a worn blue-painted lower hull. The principal exterior zone is one open deck made from rough brown timber planking patched with dull galvanized steel. A compact box-shaped wheelhouse rises one storey and directly adjoins the deck. It uses an off-white fiberglass shell, blue-painted steel edging, a dull gray metal roof, and dark clear glass held by black rubber seals. One blue-painted metal deck-facing access is the sole evidenced passage into the wheelhouse. The bow supplies the forward reference, while the wheelhouse relationship to fore or aft remains unspecified. Scraped paint, salt staining, mild oxidation and utilitarian repairs are consistent across the vessel.",
              "variant_id": "v2"
            },
            {
              "approach_ko": "선박 유형과 영구 동선 중심의 구조 정리",
              "evidence_ko": [
                "낡은 소형 어선 조타실",
                "배를 조종하는 비좁은 실내 공간.",
                "갑판",
                "조타실",
                "뱃머리"
              ],
              "prompt_en": "An active South Korean fishing coast forms the vessel's inhabited maritime neighborhood, with ordinary regionally typical coastal development and working-water context in the broader surroundings. The target is one definite small fishing vessel with a low compact hull, a single open working deck and a boxy single-storey wheelhouse. The hull is weathered white fiberglass with a blue-painted lower section. The deck combines worn brown timber with dull galvanized steel and remains the principal exterior area. The adjoining wheelhouse is off-white fiberglass with blue-painted steel trim, a dull gray metal roof, and restrained dark clear glazing in black rubber seals. Exactly one blue-painted metal access is set in the deck-facing wheelhouse boundary and directly connects the two zones. The bow visibly defines forward direction, without assigning the wheelhouse an unsupported position ahead of or behind it. Faded coatings, salt wear, oxidized metal and functional patching preserve the appearance of a maintained working vessel.",
              "variant_id": "v3"
            }
          ]
        },
        "seed_roll_prompts": {
          "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOffshore water belongs to an active, inhabited South Korean coastal fishing district, with its ordinary working maritime surroundings visible in the wider setting. The main subject is one aging, low and compact small fishing vessel afloat beyond the harbor. It has a weathered white fiberglass hull with a blue-painted lower hull and one open working deck surfaced in worn brown timber and dull galvanized steel. A boxy single-storey wheelhouse directly adjoins the deck. Its shell is off-white fiberglass with blue-painted steel trim, a dull gray metal roof, and dark clear glazing set in black rubber seals. Exactly one blue-painted metal access faces the deck and directly joins the deck to the wheelhouse interior. The bow clearly marks the forward orientation. The wheelhouse has no asserted fore-or-aft position relative to the bow. Salt fading, scuffs, oxidized fittings and practical repairs show continued working use.\n\nTHE LOCATION: A small working fishing vessel in the inhabited coastal fishing waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld map; Handheld photograph; Dusk condition; Occupant positions on the deck and in the wheelhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe setting is a believable inhabited working coast in South Korea in 2026, extending from offshore fishing water toward an ordinary low-rise coastal district. A single weathered small fishing vessel remains the main subject within this maritime neighborhood. Its low fiberglass hull is faded white above a worn blue-painted lower hull. The principal exterior zone is one open deck made from rough brown timber planking patched with dull galvanized steel. A compact box-shaped wheelhouse rises one storey and directly adjoins the deck. It uses an off-white fiberglass shell, blue-painted steel edging, a dull gray metal roof, and dark clear glass held by black rubber seals. One blue-painted metal deck-facing access is the sole evidenced passage into the wheelhouse. The bow supplies the forward reference, while the wheelhouse relationship to fore or aft remains unspecified. Scraped paint, salt staining, mild oxidation and utilitarian repairs are consistent across the vessel.\n\nTHE LOCATION: A small working fishing vessel in the inhabited coastal fishing waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld map; Handheld photograph; Dusk condition; Occupant positions on the deck and in the wheelhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.",
          "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn active South Korean fishing coast forms the vessel's inhabited maritime neighborhood, with ordinary regionally typical coastal development and working-water context in the broader surroundings. The target is one definite small fishing vessel with a low compact hull, a single open working deck and a boxy single-storey wheelhouse. The hull is weathered white fiberglass with a blue-painted lower section. The deck combines worn brown timber with dull galvanized steel and remains the principal exterior area. The adjoining wheelhouse is off-white fiberglass with blue-painted steel trim, a dull gray metal roof, and restrained dark clear glazing in black rubber seals. Exactly one blue-painted metal access is set in the deck-facing wheelhouse boundary and directly connects the two zones. The bow visibly defines forward direction, without assigning the wheelhouse an unsupported position ahead of or behind it. Faded coatings, salt wear, oxidized metal and functional patching preserve the appearance of a maintained working vessel.\n\nTHE LOCATION: A small working fishing vessel in the inhabited coastal fishing waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld map; Handheld photograph; Dusk condition; Occupant positions on the deck and in the wheelhouse\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day."
        },
        "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image shows the same low, compact small fishing vessel afloat in a believable inhabited South Korean working-coast setting in 2026. The vessel has a weathered white fiberglass hull with a blue-painted lower hull, one principal open working deck of worn brown timber and dull galvanized steel, and one boxy single-storey wheelhouse directly adjoining that deck. The wheelhouse has an off-white fiberglass shell, blue-painted steel trim, a dull gray metal roof, dark clear glazing in black rubber seals, and exactly one blue-painted metal deck-facing access providing direct passage from the deck. The bow clearly establishes the vessel's forward orientation, without imposing an unsupported fore-or-aft relationship between bow and wheelhouse. No additional prominent target openings are introduced. The wider maritime neighborhood remains active, ordinary and regionally authentic rather than empty, abandoned or staged.\n\nTHE LOCATION: A small working fishing vessel in the inhabited coastal fishing waters of South Korea, 2026.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nHandheld map; Handheld photograph; Dusk condition; Occupant positions on the deck and in the wheelhouse",
        "seed_decision": {
          "input_fingerprint": "f3147d1303155564",
          "totals": {
            "B": 7,
            "A": 6,
            "C": 5
          },
          "ranking": [
            "B",
            "A",
            "C"
          ],
          "verdicts": [
            {
              "label": "B",
              "score": 7,
              "verdict_ko": "탁월한 지역적 진정성을 보여주며, 배경의 한국어 간판(위판장, 직판장 등)이 완벽하게 구현되었습니다. 금속 지붕, 목재 갑판, 고무 실링 등 지시된 재질 요건도 정확히 충족합니다."
            },
            {
              "label": "A",
              "score": 6,
              "verdict_ko": "선박의 전반적인 형태와 재질은 잘 반영되었으나, 조타실 지붕이 금속보다는 파이버글라스처럼 보이며 배경의 간판 텍스트가 뭉개져 지역적 진정성이 다소 떨어집니다."
            },
            {
              "label": "C",
              "score": 5,
              "verdict_ko": "지시 사항을 대체로 따랐으나, 배경의 간판이 의미 없는 글자들로 이루어져 있고 주변 선박들과 시각적으로 겹쳐 타겟 구조물의 실루엣이 다소 혼란스럽습니다."
            }
          ],
          "critique": {
            "issues": [
              {
                "issue_ko": "배경의 좌측 식당 앞과 우측 선착장 주변에 사람들이 작게 묘사되어 있어 '프레임 내 인물 배제(Clean Plate)' 규칙을 위반함.",
                "fix_en": "Remove all people visible on the background docks and around the storefronts."
              }
            ]
          },
          "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all people visible on the background docks and around the storefronts.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
        }
      }
    }
  },
  "step_id": "outdoor_structure_seed",
  "run_id": "7b336f94-8a42-4c9e-8eba-f9c1ae46ee92",
  "resolved_model": "gemini-image",
  "updated_at": "2026-07-21T00:00:47.219163+00:00",
  "project_config_snapshot": {}
}