{ "status": "completed", "applicable_count": 29, "completed_count": 29, "failed_count": 0, "schema_version": 3, "config_hash": "e2ea61ff4ab85328", "data": { "contis": { "S1sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S1sh2.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: A narrow path through dense forest undergrowth at dusk, enclosed by thick bushes.\n\nSHOT TEXT (authoritative, Korean): 우거진 수풀을 헤치며 앞으로 급하게 뛰쳐나가는 도중 상체가 앞으로 쏠린 자세로 굳은 한국인 남자의 잔뜩 겁에 질린 표정 정면.\n\nCARRIED STATE (persist exactly): The man remains missing one shoe, with a large bite wound on his thigh still bleeding.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At upper-torso height directly ahead of 숲속의 한국인 남자, the camera retreats at close range while holding his frightened face near frame center and his forward-pitched shoulders across the lower half. The eye-level frontal tracking keeps the surrounding foliage peripheral and unstable while his face remains comparatively locked in the composition.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 숲속의 한국인 남자 in the middle-center of the frame, midground, moves toward camera path ahead.\n- KEY BACKGROUND ELEMENTS: 우거진 수풀 (Being pushed aside along the escape path); used as Peripheral foliage parts around his shoulders and preserves the sense of forced passage; 허벅지의 이빨 자국과 피 (Large bite wound with blood flowing); used as A partial lower-frame injury cue beneath the face-centered composition.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:숲속의 한국인 남자", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/ed1fee1d-ae3a-499f-9ee2-1752392c00e7.png" ] ], "asset_id": "3853eb29-5169-4f12-8c12-0716218f4a2a" }, "S1sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S2sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S2sh1.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: A dark urban back alley beside a utility pole, dimly lit by a streetlamp.\n\nSHOT TEXT (authoritative, Korean): 어두운 가로등 불빛 아래 전봇대에 몸을 밀착한 채 서 있는 한국인 남녀.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At standing eye level near the alley entrance, a static wide frame places 도시 뒷골목의 한국인 남자 and 도시 뒷골목의 한국인 여자 together beside the utility pole on a slight three-quarter axis. Their intertwined bodies occupy the middle distance while open alley space in the foreground creates an uneasy observational gap for the eventual approach.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 도시 뒷골목의 한국인 남자 in the middle-left of the frame, midground; 도시 뒷골목의 한국인 여자 in the middle-right of the frame, midground; 전봇대 in the upper-center of the frame, background.\n- KEY BACKGROUND ELEMENTS: 전봇대 (Both figures are pressed against it) — The alley-facing side is visible behind the pair; used as Shared vertical anchor against which both figures are compressed; 도시 뒷골목 (Dimly visible at night); used as Provides the broad foreground approach corridor from the camera to the pair; 가로등 (On, casting faint light) — Its street-facing side is angled toward the pair; used as Established illumination above the figures without revealing their action clearly.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:도시 뒷골목의 한국인 남자 (포식 본능 활성화 상태)", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/525e9df8-75fa-4b71-9cb8-705689dff2b2.png" ], [ "char:도시 뒷골목의 한국인 여자", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/949db567-8821-460d-bcc9-e604ef3de221.png" ] ], "asset_id": "7ee16fc0-4fb9-41f1-a41f-7250ffab0708" }, "S2sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S3sh3": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S3sh3.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: The police-controlled center of an outdoor crime scene, within the cordoned investigative area.\n\nSHOT TEXT (authoritative, Korean): 경찰 무리 중앙에서 팔짱을 낀 채 서서 현장을 주시하는 혜수.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Presented as local-news footage, an eye-level dolly-in settles at medium distance on 혜수 at the center of the detective group, her crossed arms and fixed attention organizing the frame. The surrounding officers remain at the lateral edges and slightly behind her, creating a restrained command portrait rather than a frontal address to the viewer.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 혜수 in the middle-center of the frame, midground; 형사 무리 in the middle-right of the frame, background.\n- KEY BACKGROUND ELEMENTS: 지역 뉴스 화면 (Showing the field investigation) — Its visible front face carries the live crime-scene image centered on 혜수 and the detectives; used as Provides the mediated visual field containing the crime-scene coverage; 폴리스 라인 (Set around the scene) — Its camera-facing side runs laterally behind the detective group as a boundary marker; used as Creates a visible boundary deeper in the crime scene; 현장 감식 경찰 (Examining the scene and recovering bodies); used as Supplies peripheral investigative activity while the move isolates 혜수.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:혜수", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/80898df1-cb33-4bee-b9e2-45c62881c76a.png" ] ], "asset_id": "d9e9e79a-454d-40ca-996c-8a4c67276308" }, "S4sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S5sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S5sh2.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B02.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The compact living room of a rooftop apartment, with daylight entering through a small window and a television in view.\n\nSHOT TEXT (authoritative, Korean): 앞치마를 입고 거실에 서서 어두운 표정으로 TV 화면을 응시하는 강민숙(민숙).\n\nCARRIED STATE (persist exactly): Minsuk continues to wear her apron, and the small circular mark remains on her wrist as it has since Suryoung's childhood.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At chest height on 강민숙's three-quarter front, the camera dollies inward to a medium frame that holds her apron, tense upper body, and dark expression while her TV sightline crosses toward one side of the image. The TV remains visible beyond that sightline with its news-facing screen readable but smaller than 강민숙, keeping her reaction as the primary focus.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 강민숙 in the middle-center of the frame, midground, looks toward TV news screen; TV news screen in the middle-right of the frame, background.\n- KEY BACKGROUND ELEMENTS: TV (On) — The front screen faces partly toward camera and displays the ongoing news report; used as Receives 강민숙's fixed sightline and supplies the in-scene news content; 거실의 작은 창 (Sunlight entering) — Sunlight enters toward the living room; the exterior beyond is not resolved; used as Appears along one side of the living area and supplies the stated narrow daylight; 싱크대 (Water running from the faucet) — Its working side faces into the room; used as Adds grounded domestic activity behind the reaction shot; 냄비 (Water boiling with steam rising) — Its upper opening is partially visible from the living-area angle; used as Provides a secondary background cue from the cooking area.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B02.png" ], [ "char:강민숙", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/98144003-2064-4f9f-b507-49ac6d544e3f.png" ] ], "asset_id": "b39fa88a-1f77-46c7-96f4-5488f924644d" }, "S5sh8": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S5sh9": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S6sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S6sh1.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: An open coastal roadway beside the sea in daylight.\n\nSHOT TEXT (authoritative, Korean): 이어폰을 낀 채 밝은 표정으로 해안가 도로 위 자전거 안장에 앉아 한쪽 무릎을 굽혀 페달을 밟고 있는 중간 동작, 옷자락이 뒤로 흩날리는 수리영.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At 수리영's torso height, the camera tracks beside and slightly ahead of the bicycle at medium distance, looking back on her three-quarter profile as she pedals along the coastal road. Her bright face occupies the upper middle of the frame while the flexed knee and pedal cycle remain visible below, and her clothing trails toward the rear edge to reinforce forward travel.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, midground, moves toward road ahead at frame right; 해안가 도로 진행 방향 in the middle-right of the frame, background.\n- KEY BACKGROUND ELEMENTS: 해안가 도로 (수리영 is riding along it); used as Defines the lateral direction of the parallel tracking move and remains a scale reference beneath the bicycle; 바다 (Visible beside the road); used as Provides the coastal context beyond the moving rider; 자전거 (Moving forward) — Its near side faces the parallel-tracking camera; used as Keeps the seated posture and active pedal motion legible within the lower frame.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "49fc56b9-157e-4e4a-acec-45068c3cc30e" }, "S7sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S7sh2.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: An indoor kennel area of a stray-dog shelter, directly in front of the Rottweiler’s enclosure.\n\nSHOT TEXT (authoritative, Korean): 미간에 힘을 주고 로트와일러의 눈을 매섭게 응시하는 수리영의 정면.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At 수리영’s eye level, the camera completes the prescribed push-in and holds a tight frontal close-up, with her face occupying most of the center frame and the 로트와일러 remaining off screen on the lens axis. Her tightened brow and unwavering eyes carry the frame, while shallow focus suppresses the shelter context without changing the established eyeline.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, foreground.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "dac13ac6-6bfd-4601-89bf-88a1c88718e1" }, "S7sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S8sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S8sh1.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: A busy harbor-side commercial street at dusk, running between neon signs and street-food stalls.\n\nSHOT TEXT (authoritative, Korean): 화려한 네온사인과 포장마차가 있는 거리에서 앞으로 나아가는 자전거를 탄 채 바람에 머리카락이 뒤로 흩날리며 손잡이를 단단히 쥔 수리영의 상체.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At chest height ahead of 수리영, track backward at her speed and tighten to her upper body while retaining the handlebar and a narrow band of the moving street below. She stays near center in a slight three-quarter approach, hair streaming behind her as passing neon signs and street stalls slide laterally through the background.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, midground, moves toward forward street route.\n- KEY BACKGROUND ELEMENTS: 네온사인 (Illuminated) — Their sign faces turn toward the street and pass behind 수리영 with illuminated commercial graphics visible; used as Passing illuminated graphics establish the commercial street without overtaking the rider; 길거리 포장마차 (Present along the busy street) — Their street-facing and side elevations pass behind the bicycle as the camera retreats; used as Create intermittent layers of street activity in the rear and side background; 자전거 (In motion) — The handlebar front is angled toward the camera while the bicycle travels along the camera’s retreating axis; used as Provides moving scale beneath 수리영’s upper body without occupying more than a lower portion of frame.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "c5b9a41e-951f-4c05-a0d7-7bd4a8ae99a8" }, "S8sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S8sh2.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B02.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The sales floor inside a large supermarket, in an aisle between merchandise displays.\n\nSHOT TEXT (authoritative, Korean): 대형 마트 내부 진열대 사이에서 한쪽으로 고개를 튼 채 멈춰 서서 시선을 고정하고 있는 수리영.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At eye level across the aisle intersection, finish the pan in a wide, stable composition as 수리영 halts near center-left between the shelving lines. Her body remains caught in the forward search while only her head turns toward screen right, allowing the aisle geometry to carry her eyeline toward the unseen employees.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 수리영 in the middle-left of the frame, midground, looks toward employees off frame right.\n- KEY BACKGROUND ELEMENTS: 마트 진열대 (Arranged as retail aisles) — The shelving sides recede away from the aisle intersection, leaving a clear cross-aisle sightline toward screen right; used as Parallel shelving lines create converging search corridors on both sides of 수리영; 진열대 사이 교차 통로 (Clear enough for 수리영 to stop and look across it); used as Provides the open lateral path where the pan stops and her gaze exits frame.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B02.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "6d93d082-99ce-4190-8b65-595324fa347e" }, "S8sh6": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S8sh6.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B03.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The exterior entrance of a large supermarket, immediately outside the exit doors at dusk.\n\nSHOT TEXT (authoritative, Korean): 마트 밖 입구에 서서 한 손에 쥔 스마트폰 화면을 내려다보는 수리영.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Outside the entrance at chest height, hold a static medium frame lowered just enough to include 수리영’s hand and smartphone in the lower center while her face remains in the upper half. She leans slightly over the screen, isolated against the entrance as her downward eyeline closes the scene’s search movement into stillness.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: 마트 입구 (In use as she exits) — The exterior-facing side of the entrance sits behind her, aligned with her exit path; used as Marks the threshold immediately behind 수리영 after she leaves the mart; 스마트폰 (Held in one hand during the unanswered call) — The screen face tilts upward toward 수리영 and remains only obliquely visible to the camera; used as Held in the lower center as the practical focus of the unanswered contact attempt.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B03.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "5ec6c53d-c023-4985-95fd-1ee43d262b08" }, "S9sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S9sh1.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: A dark coastal road beside the sea at night.\n\nSHOT TEXT (authoritative, Korean): 어두운 밤, 해안도로에서 자전거 안장에 앉아 상체를 숙인 채 한쪽 무릎을 아래로 굽혀 페달을 밟고 있는 수리영의 측면, 머리카락이 진행 반대 방향으로 거세게 휘날리는 모습.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Track parallel at torso height in a perpendicular profile, framing 수리영 from her streaming hair through the lowered torso, saddle, and downward-driving knee. She rides toward screen right near the middle of frame while the coastal road slips horizontally behind her, preserving the matched-speed side observation.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, midground, moves toward screen-right road ahead.\n- KEY BACKGROUND ELEMENTS: 해안도로 (The route along which she rides home); used as Carries 수리영 laterally through the night composition and supplies environmental scale; 자전거 (Moving rapidly along the road) — Its full side plane faces the camera as it travels toward screen right; used as Keeps the saddle, frame, and pedaling mechanism legible beneath her lowered body.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "80e2678c-760b-411e-a002-7cd08781d89c" }, "S10sh4": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S10sh4.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L04B04.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The rooftop landing directly outside the rooftop apartment’s metal entrance door.\n\nSHOT TEXT (authoritative, Korean): 남자의 손가락이 광고 전단지를 문틈 사이로 꾹 밀어 넣은 채 멈춘 클로즈업.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At hand height beside the entrance, complete the dolly-in and freeze on the 옥탑방 침입 남자’s finger braced against the leaflet, with the door gap running vertically through the center third. The finger is the human-scale focal detail; the leaflet and door remain partial contextual elements rather than oversized objects, and the man’s face stays entirely outside frame.\n- FRAMING SCALE: insert close-up on a detail\n- FRAME LAYOUT: door gap in the middle-center of the frame, foreground.\n- KEY BACKGROUND ELEMENTS: 옥탑방 철문과 문틈 (Closed at the held instant before the lock releases) — The entrance-facing side is seen obliquely, with the closed edges forming a narrow vertical gap toward camera; used as Creates the narrow central channel into which the leaflet is pressed; 광고 전단지 (Being pressed firmly into the door gap) — Only a narrow portion of the printed face is visible while most of the leaflet is turned into the gap; used as Wedged into the door gap beneath the man’s pressing finger.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L04B04.png" ], [ "char:옥탑방 침입 남자", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/2a5d6279-61e5-4305-b11e-84904cfd0e51.png" ] ], "asset_id": "a74ed9f5-f800-42a9-bea6-78248f5ec293" }, "S10sh6": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S11sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S11sh2.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L13B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The exposed exterior stairway connecting the residential building to its rooftop apartment.\n\nSHOT TEXT (authoritative, Korean): 계단을 급히 오르던 중 한 발을 윗계단에 디딘 역동적인 자세로, 코를 찡그린 채 굳은 표정을 한 수리영.\n\nCARRIED STATE (persist exactly): The rooftop room's iron entrance door remains half open from the intrusion.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At chest height ahead of 수리영, retreat upward along the staircase and hold a slightly high-angle medium frame as she plants one foot on the higher step. Her torso pitches into the climb in the lower-middle frame, but her nose and expression tighten at the sudden smell, interrupting the upward momentum before the rooftop pivot.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 수리영 in the lower-center of the frame, midground, moves toward upper staircase and rooftop; upper staircase in the upper-center of the frame, background.\n- KEY BACKGROUND ELEMENTS: 옥탑방 연결 계단 (Being climbed rapidly) — The steps rise away from 수리영 toward the camera and continue into the upper center; used as Forms the steep movement axis from the lower frame toward the rooftop; 빌라 마당 (The area where she has just left the bicycle); used as Remains visible below the stairs as depth behind 수리영’s ascent.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L13B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "b3709c4a-8e65-4fa9-814f-8186bcc31c04" }, "S12sh6": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S12sh6.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: A bedroom inside the rooftop apartment, on the floor behind the window curtain.\n\nSHOT TEXT (authoritative, Korean): 살점이 뜯긴 어깨와 쇄골에 피를 흘리며 고개를 푹 숙인 채 앉아 있는 강민숙(민숙)의 끔찍한 형상.\n\nIMMOBILE CHARACTER POSE — CANONICAL (identical wherever this character appears in ANY panel; on any conflict THIS POSE WINS): She remains seated behind the curtain with her torso slumped forward and her head hanging fully down. One hand is closed around a crumpled photograph, while her bitten shoulder and collarbone are exposed, torn, and bleeding.\n\nCARRIED STATE (persist exactly): Minsuk remains dead, seated behind the curtain with her torso slumped forward and her head hanging fully down. One hand is closed around a crumpled photograph, while her bitten shoulder and collarbone are exposed, torn, and bleeding.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From shoulder height beside 수리영’s former approach axis, complete the dolly-in to a close view of 강민숙’s bowed head, torn shoulder, and exposed collarbone while keeping enough of her seated upper body to preserve the reveal. She occupies the center of frame alone, with the pulled curtain at one edge and the blood-marked floor only partially visible below.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 강민숙 in the middle-center of the frame, midground.\n- KEY BACKGROUND ELEMENTS: 커튼 (Pulled aside); used as Forms a narrow edge frame that marks where the body was concealed; 바닥의 혈흔과 피 묻은 발자국 (Blood is pooled on the floor, with footprints leading to the curtain); used as Appears only along the lower edge as evidence leading to the revealed body.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png" ], [ "char:강민숙", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/98144003-2064-4f9f-b507-49ac6d544e3f.png" ] ], "asset_id": "fc167c2a-5532-47bd-b62a-c23658817ce8" }, "S12sh11": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S13sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S13sh2.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L04B03.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The outdoor arrival area at the base of the old residential building, beside a police car flashing at night.\n\nSHOT TEXT (authoritative, Korean): 번쩍이는 경찰차 경광등 불빛 아래, 차 문을 열고 내린 채 굳은 표정으로 서 있는 혜수.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From the prescribed chest-height three-quarter position beside the vehicle, hold a static medium frame as 혜수 locks her weight beside the newly opened door, occupying the middle-right while the vehicle body and door define the left side. Keep her gaze projected beyond the frame toward 수리영, with the intermittent emergency-light pulses registering across her rigid expression.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: 경찰차 (문이 열려 있음) — The vehicle's side and the open door face the camera at a three-quarter angle; used as Its open door creates a hard lateral frame beside 혜수 and establishes her point of arrival; 경찰차 경광등 (번쩍이고 있음) — The camera-facing portions of the light assembly remain visible above the vehicle body; used as The active lights intermittently reshape the contrast across 혜수 and the vehicle.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L04B03.png" ], [ "char:혜수", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/80898df1-cb33-4bee-b9e2-45c62881c76a.png" ] ], "asset_id": "4e40834d-7fd0-4840-861e-263c34f9b9f8" }, "S13sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S14sh4": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S14sh4.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The unnaturally clean and orderly bedroom inside the rooftop apartment.\n\nSHOT TEXT (authoritative, Korean): 텅 빈 방 한가운데 서서 핏기가 가신 파리한 얼굴로 허공을 응시하는 수리영.\n\nCARRIED STATE (persist exactly): Suryoung's room is now unnaturally clean: Minsuk's corpse, the blood and footprints, and the red wall circle have all vanished.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From eye level near the room entrance, let the stage-prescribed dolly-in end in a medium view of 수리영 frozen near the center, her body slightly off-center against the conspicuously orderly room. The entrance edges retain a shallow spatial frame around her while the bed, wall, and former curtain-side location remain plainly empty; only the camera distance has changed from the preceding beat.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, midground; empty orderly room in the upper-center of the frame, background.\n- KEY BACKGROUND ELEMENTS: 방 입구 (열려 있음) — The camera looks through the entrance into the room, with both side edges partially visible; used as The entrance edges form a restrained frame around 수리영 and expose the room's unchanged layout; 침대 (깨끗하게 정돈되어 있음) — Its side and upper plane are visible behind 수리영; used as The bed anchors the location where the supernatural mark had previously appeared above it; 침대 위 벽 (붉은 표식이 없음); used as The bare area above the bed makes the missing red circle visually explicit; 커튼 (이전 위치에 시신이 없음) — Its room-facing side borders the rear portion of the frame; used as It marks the former location of 강민숙's body at the room edge; 방 바닥 (핏자국 없이 깨끗함); used as The immaculate floor remains visible around 수리영's feet as evidence against her memory.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "529a3237-a824-419c-9889-9a4d4240a551" }, "S14sh8": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S14sh8.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The rooftop apartment’s interior living area just outside the bedroom and near the dining table.\n\nSHOT TEXT (authoritative, Korean): 수리영의 양어깨를 두 손으로 감싸 쥔 채 멈춘 혜수의 다정한 모습.\n\nCARRIED STATE (persist exactly): The room remains unnaturally clean and empty of the corpse, blood, and wall mark; Suryoung's backpack and doll are left in slightly altered positions.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At eye level in front of the pair, complete the stage-prescribed advance in a medium-close two-shot, placing 혜수 slightly right of center and 수리영 slightly left as both of 혜수's hands remain fixed around 수리영's shoulders. Keep their upper bodies and the symmetrical contact fully visible while allowing the cleaned dining table to recede behind them; compared with the preceding beat, only camera distance tightens.\n- FRAMING SCALE: medium shot\n- FRAME LAYOUT: 수리영 in the middle-left of the frame, midground; 혜수 in the middle-right of the frame, midground, reaches for Suriyoung's shoulders.\n- KEY BACKGROUND ELEMENTS: 식탁 (깨끗하며 앞서 보였던 찻잔 두 개가 없음) — The near edge and upper surface angle away behind the two figures; used as Its cleared surface remains softly visible behind the pair, reinforcing the absence of 수리영's claimed evidence.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ], [ "char:혜수", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/80898df1-cb33-4bee-b9e2-45c62881c76a.png" ] ], "asset_id": "5e5e13ad-d585-4219-8aeb-f2ed0c5a6ffd" }, "S15sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S15sh1.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: An outdoor bus-stop bench along the coast, facing the dark night sea.\n\nSHOT TEXT (authoritative, Korean): 어두운 밤바다를 배경으로 버스정류장 벤치에 멍하니 앉아 있는 수리영의 측면.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Hold the flow's static side axis at seated shoulder height, framing 수리영 in right-facing profile on one side of the bench with the dark night sea extending beyond her. Use a wide composition that leaves substantial negative space toward the water, keeping her motionless seated figure small enough for the coastal isolation to register.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 수리영 in the middle-left of the frame, midground, looks toward night sea; night sea in the middle-right of the frame, background.\n- KEY BACKGROUND ELEMENTS: 버스정류장 벤치 (수리영이 앉아 있음) — The bench is seen broadside along the profile camera axis; used as It supports 수리영's seated silhouette and establishes the bus-stop location; 밤바다 (어둡게 보임); used as The sea occupies the distant negative space along 수리영's eyeline.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "fcb564f4-73b0-429c-bf08-61dedd5c4349" }, "S15sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S15sh5": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S16sh3": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S16sh3.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L14B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: A nighttime police office workspace beside the on-duty detective’s desk, under the office lighting.\n\nSHOT TEXT (authoritative, Korean): 김형사의 눈앞에 특정 번호가 뜬 스마트폰 화면을 바짝 들이민 채 멈춘 혜수의 굳은 옆얼굴.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At 혜수's shoulder height beside her, complete the prescribed dolly-in with her rigid side profile on the left and the smartphone held between her and 김형사 near the center, its screen angled cleanly toward both him and the camera. 김형사 remains on the right and slightly deeper, close enough to establish the phone as a demand rather than an isolated insert; only camera distance tightens from the preceding beat.\n- FRAMING SCALE: close-up\n- KEY BACKGROUND ELEMENTS: 혜수의 스마트폰 (화면이 켜져 있고 특정 번호가 표시됨) — The front screen faces diagonally toward 김형사 and the camera, displaying the saved number requested for tracing; used as The illuminated content plane forms the central focal bridge between 혜수 and 김형사; 경찰서 사무실 내부 (김형사가 혼자 당직 근무 중); used as The surrounding workspace remains subdued and incomplete at the frame edges, preserving the police-station context.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L14B01.png" ], [ "char:혜수", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/80898df1-cb33-4bee-b9e2-45c62881c76a.png" ] ], "asset_id": "65d75985-de8b-458a-a431-21c397025b13" }, "S17sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S18sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S18sh1.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B03.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The main bedroom inside the rooftop apartment, on the floor beside the bed in early daylight.\n\nSHOT TEXT (authoritative, Korean): 침대 가장자리 바닥에 주저앉아 매트리스에 머리를 기댄 채 눈을 감은 수리영.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From a static knee-height position beside the bed, frame 수리영 in a medium three-quarter view with her collapsed body low in the left half and the bed edge cutting diagonally through the midground. Her head rests against the mattress while the surrounding floor remains visible, holding the composition in an uneasy pause before the camera later rises with her.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: bed and mattress edge (Present beside 수리영) — The side edge faces the camera obliquely and recedes across the frame; used as Diagonal midground anchor supporting 수리영's head and defining the low camera position; bedside floor (Visible); used as Visible lower-frame context around 수리영's seated body.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B03.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "39bc0136-c92b-4986-9851-d68b72624c9f" }, "S18sh12": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S18sh16": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S19sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S19sh1.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L10B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The quiet exterior forecourt directly in front of a large supermarket entrance in the early morning.\n\nSHOT TEXT (authoritative, Korean): 이른 아침 한산한 마트 입구 앞, 자전거 핸들을 양손으로 쥔 채 서 있는 수리영의 전신.\n\nCARRIED STATE (persist exactly): Suryoung continues to carry the doll-adorned backpack she took from home.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From eye level directly outside the store entrance, hold a wide frontal view with 수리영 and the bicycle centered, her full body readable behind the handlebars and the entrance opening held in the background. Leave clear space behind her along the entry axis so the eventual backward retreat into the store feels continuous.\n- FRAMING SCALE: wide shot\n- KEY BACKGROUND ELEMENTS: store entrance (Open for entry) — The entrance faces the camera along the same axis as 수리영 and the bicycle; used as Background destination centered behind 수리영 and establishing the next camera path; bicycle (Stationary before being parked) — The handlebar and front of the bicycle face toward the camera; used as Foreground-midground physical anchor held by 수리영.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L10B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "dcaee74b-fb53-4e59-9650-f2ba7de921a1" }, "S19sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S20sh3": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S20sh3.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L11B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: A supermarket administration and security office, immediately behind the desk holding the CCTV monitor. The dim footage glows from the screen.\n\nSHOT TEXT (authoritative, Korean): 흐릿한 모니터 화면 불빛에 비친 수리영의 불안하게 확장된 눈동자 클로즈업.\n\nCARRIED STATE (persist exactly): Suryoung continues to have the doll-adorned backpack with her while watching the CCTV footage.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Continue the dolly directly along 수리영's eyeline until only her widened eyes and the bridge of her nose remain sharp, centered in a level extreme close view. The monitor image stays indistinct, registered only as unstable luminance across her eyes so the frame isolates her escalating anxiety rather than the footage.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 수리영's widened eyes in the middle-center of the frame, foreground.\n- KEY BACKGROUND ELEMENTS: CCTV monitor display (On, replaying footage with an unusually dark section) — The active image-bearing face is directed toward 수리영 and remains outside focus from the camera's position; used as Off-frame source of the indistinct luminance reflected across 수리영's eyes.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L11B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "1784ef17-cda3-46f8-9961-6d0ec3dd9ae5" }, "S21sh3": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S21sh3.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L14B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the police office at a detective’s desk, where enlarged crime-scene photographs are spread across the work surface.\n\nSHOT TEXT (authoritative, Korean): 양손으로 현장 사진을 꽉 쥔 채 공포에 질려 입을 크게 벌린 수리영의 얼굴 정면.\n\nCARRIED STATE (persist exactly): Suryoung still has her doll-adorned backpack with her as she examines the crime-scene photographs.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At seated eye level directly across the desk, finish the frontal push-in with 수리영's terrified face occupying most of the frame and both hands crushing the photographs along the lower edge. Preserve a narrow strip of desk and overlapping image corners as context, while her open mouth and rigid grip form the emotional center.\n- FRAMING SCALE: close-up\n- KEY BACKGROUND ELEMENTS: crime-scene photographs (Spread across the desk and gripped in both hands) — Their image-bearing faces angle upward toward 수리영 and partly toward the camera, revealing enlarged images of severe wounds; used as Lower-foreground trigger for 수리영's reaction, partially visible between her hands; desk surface (Covered with scattered enlarged photographs); used as Narrow lower-frame support for the photographs and hands.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L14B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "0146f448-4d04-4242-85bf-d5600807cd1f" }, "S21sh6": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S21sh9": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S22sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S22sh1.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L15B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The road directly outside the police station, beside the area where the bicycle was parked.\n\nSHOT TEXT (authoritative, Korean): 경찰서 밖 도로, 자전거 안장에 앉아 페달에 발을 올린 채 비장한 표정을 지은 수리영의 정면.\n\nCARRIED STATE (persist exactly): Suryoung continues to carry her backpack and the folded coordinate note in her pocket as she rides away.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Center the camera directly in front of 수리영 at her seated eye level, holding a wide frontal view that includes her determined face, hands on the handlebars, and both feet set on the pedals. Keep the road extending behind the camera axis and the police-station exterior behind her so the frame is poised for the backward tracking move as she accelerates.\n- FRAMING SCALE: wide shot\n- KEY BACKGROUND ELEMENTS: bicycle (Stationary at the instant before departure) — The front wheel and handlebars face directly toward the camera along the intended travel axis; used as Full-body movement platform and central compositional anchor; police-station exterior (Visible behind the bicycle) — Its outward-facing side sits behind 수리영; used as Background origin establishing where 수리영 is leaving from; road outside the police station (Clear in the direction of departure); used as Forward travel corridor aligned with the lens axis.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L15B01.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "ef30bdc8-6f7c-408d-b0bc-d950fb0f64de" }, "S23sh1": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S23sh1.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: A computer station inside an internet café, lit by the monitor and surrounding neon lighting.\n\nSHOT TEXT (authoritative, Korean): PC방의 화려한 네온 조명 아래, 모니터 화면을 매섭게 응시하며 마우스를 쥔 수리영의 상체.\n\nCARRIED STATE (persist exactly): Suryoung has her backpack and the coordinate note with her while locating the position on the computer.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At seated eye level, the camera completes its frontal three-quarter dolly toward 수리영 and holds at a firm medium distance, with her upper body placed just left of center and the monitor occupying the right midground. Her face and mouse hand remain simultaneously legible, while the workstation edges create a restrained frame around her fixed concentration.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: PC monitor (On) — The active display face is angled toward both 수리영 and the camera, showing the location and coordinate interface; used as Midground visual counterweight beside 수리영 and the target of her stare; PC café neon lighting (On); used as Provides the surrounding practical illumination and identifies the PC café setting; Computer workstation (In use) — Its user-facing side angles across the frame toward 수리영; used as Forms the lower and lateral boundaries of the workstation composition.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "b0f1fb60-0604-41f0-83ff-8fce0a1dde8f" }, "S23sh2": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S24sh2": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S24sh2.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: An exposed coastal road under a violent rain shower and dark storm clouds.\n\nSHOT TEXT (authoritative, Korean): 젖은 머리카락이 이마에 달라붙은 채 빗물 섞인 눈을 부릅뜬 수리영의 얼굴 정면.\n\nCARRIED STATE (persist exactly): Suryoung continues through the rain with the folded printed maps inside her backpack.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: The camera tracks backward at 수리영's eye level directly ahead of her, holding her rain-struck face in a close frontal composition while the bicycle's forward motion registers only at the lower margins. Her eyes occupy the upper central band, and her wet hair and tightened expression carry the frame without introducing a second subject.\n- FRAMING SCALE: close-up\n- FRAME LAYOUT: 수리영 in the middle-center of the frame, foreground, moves toward forward route along the coastal road; coastal road behind her in the lower-center of the frame, background.\n- KEY BACKGROUND ELEMENTS: Coastal road (Under heavy rain) — Its route recedes behind 수리영 along the central movement axis; used as Thin, softened background trace that preserves her forward travel direction; Heavy rain (Falling); used as Crosses her face and separates her eyes, hair, and skin into tactile details; Lightning (Intermittent); used as Briefly modulates exposure across her face without changing the camera axis.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "765dcf4a-32de-4475-b995-11a12d93a39b" }, "S25sh4": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S25sh6": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "bgonly", "error": null }, "S25sh8": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S25sh8.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B05.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The open front-door threshold of the rooftop apartment, between the ransacked interior and the exterior rooftop.\n\nSHOT TEXT (authoritative, Korean): 백팩을 메고 한 손에 구겨진 사진을 꽉 쥔 채 열린 현관문 턱을 한 발로 디딘 자세로 굳은 수리영.\n\nCARRIED STATE (persist exactly): Suryoung leaves wearing the backpack that contains the printed maps and keeps the crumpled, bloodstained old photograph tightly in one hand. The room remains ransacked behind her, with the red wall circle left in place without the photograph.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At eye level inside the living area, the parallel track settles roughly opposite the open entrance as 수리영 freezes with one foot planted on the threshold. She occupies the middle-right of the wide frame with the backpack close to her body and the crumpled photograph held visibly but naturally small in one fist, while the disturbed room remains behind her to the left.\n- FRAMING SCALE: wide shot\n- FRAME LAYOUT: 수리영 paused at threshold in the middle-right of the frame, midground; open entrance in the upper-right of the frame, background.\n- KEY BACKGROUND ELEMENTS: Entrance door (Open) — The open doorway faces diagonally toward the interior camera; used as Defines the exit line directly beside 수리영's paused body; Living area (Ransacked) — The room opens away from the entrance into the left background; used as Extends behind 수리영 and preserves evidence of the intrusion; Dining chairs (Overturned) — Their overturned sides and legs angle toward the camera from the background; used as Angular background obstacles that break the otherwise direct route to the exit; Living-room window (Open) — The open window provides a view beyond the room through its opening; used as Secondary opening visible within the disturbed living area.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B05.png" ], [ "char:수리영", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/0ba82811-efae-463b-affc-c94b6b14a4dc.png" ] ], "asset_id": "1b5e5766-4ded-4622-9921-39b79419e057" }, "S26sh5": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S26sh5.png", "plate_path": null, "prompt": "Every attached image is a CHARACTER REFERENCE for proportion only. There is no location photograph — stage the location purely from THE LOCATION and SHOT TEXT below.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nTHE LOCATION: The fogbound dockside beside a small fishing boat, at a mooring post where its heavy line is being secured.\n\nSHOT TEXT (authoritative, Korean): 선착장 기둥에 굵은 밧줄을 반쯤 감은 채 양손으로 팽팽하게 잡아당기고 있는 인우의 상체.\n\nCARRIED STATE (persist exactly): Suryoung still has her backpack, the folded maps inside it, and the bloodstained old photograph in her possession while Inwoo secures the boat.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: At chest height beside the docking point, the camera completes its dolly toward 인우 and holds a medium three-quarter view of his upper body and both hands. He is placed slightly off center with the half-wrapped rope crossing the lower frame toward the mooring post, preserving realistic scale and the force of his pull.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: Mooring post (Rope half-wrapped around it) — Its side faces the camera while the rope turns around it; used as Anchors the rope action beside 인우 in the lower side of the frame; Thick mooring rope (Pulled taut); used as Creates a taut diagonal between 인우's hands and the mooring post; Dense fog (Dense); used as Softens the harbor depth behind the close physical action; Harbor (Empty); used as Provides the isolated harbor context behind the docking point.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "no_plate": true, "ref_paths": [ [ "char:인우", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/5bde00d2-fd69-459d-9ebe-bb07d75861ef.png" ] ], "asset_id": "10e234f1-0012-42a4-befe-0d07de9912fd" }, "S26sh6": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S26sh9": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S27sh1": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S27sh3": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S28sh5": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S28sh5.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L18B02.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: The exposed deck of a small fishing boat underway at sea, beside the cabin entrance at dusk.\n\nSHOT TEXT (authoritative, Korean): 사진을 마주하고 두 눈이 커진 채 어깨를 흠칫 굳힌 인우의 상체.\n\nCARRIED STATE (persist exactly): Suryoung has brought the folded printed maps and the bloodstained old photograph aboard, while her doll-adorned backpack remains with her. The wheelhouse walls already bear the numerous circular markings revealed moments later.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: From close beside the axis connecting 인우 and the photograph, finish the pan on his three-quarter upper body and hold as his widened eyes drop toward the image and his shoulders lock. Keep the photograph small in the lower foreground and 인우 in the center-right midground, preserving enough deck context to ground his reaction.\n- FRAMING SCALE: medium shot\n- KEY BACKGROUND ELEMENTS: photograph (Held out before 인우) — Its image-bearing face is angled partly toward the camera and partly toward 인우, showing the photographed scene rather than its reverse; used as A small lower-foreground counterpoint connecting the reaction to its cause; fishing-boat deck (Visible around the seated position); used as Provides limited spatial context behind 인우 without competing with his reaction.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. NEVER enlarge a background object beyond its true perspective size.\n- For EVERY person draw one thin EYELINE ARROW from the eyes to the exact thing they look at; if something moves, one thin MOTION ARROW along its path.\n- All guides are simple thin pencil lines — layout language only, never objects in the scene, and still NO text, numbers or letters anywhere.", "skipped_reason": null, "error": null, "ref_paths": [ [ "plate", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L18B02.png" ], [ "char:인우", "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/reference/5bde00d2-fd69-459d-9ebe-bb07d75861ef.png" ] ], "asset_id": "930adb1e-0dd8-4620-9301-a22d75b1807d" }, "S28sh9": { "image_path": null, "plate_path": null, "prompt": null, "skipped_reason": "prev", "error": null }, "S29sh4": { "image_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/images/8a0a9553-3523-4c59-b883-177c901cb630/conti/conti_S29sh4.png", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L19B01.png", "prompt": "The FIRST attached image is the LOCATION PHOTOGRAPH (loose spatial reference only). Every following attached image is a CHARACTER REFERENCE for proportion.\n\nDraw ONE storyboard layout frame, 16:9, filling the entire image edge-to-edge.\n\nSTYLE — LAYOUT-ONLY THUMBNAIL SKETCH: the lightest possible\ndirector's layout drawing. THIN, CLEAN, UNIFORM PENCIL CONTOUR\nLINES ONLY on pure white paper. Absolutely NO shading, NO tone, NO\nhatching, NO texture, NO grayscale fill, NO light-and-shadow, NO\nfacial features beyond a bare head outline, NO clothing detail, NO\nmaterial rendering. The frame contains ONLY: the camera framing,\neach figure as a simple correct-proportion human contour in its\nexact pose and screen position/size, and the few major set masses\nas plain outline shapes. It must read as a quick layout guide,\nnever as a finished drawing.\n\nThe attached photograph is the LOCATION where this shot happens.\nUse it ONLY as a LOOSE spatial reference — the rough set masses\nand where things sit relative to each other. You do NOT need to\nfollow it exactly: do not copy its camera, its lighting or its\ndetails. Choose the camera and framing the SHOT TEXT needs, and\ndraw only the few set masses that matter as plain outline shapes.\n\nTHE LOCATION: Inside the cramped, worn wheelhouse of the small fishing boat, over the old photograph being shown between the two occupants.\n\nSHOT TEXT (authoritative, Korean): 낡은 사진 속 한국인 여자아이의 얼굴 위를 꾹 짚은 수리영의 떨리는 손가락 클로즈업.\n\nCARRIED STATE (persist exactly): Suryoung retains the backpack and maps, and she holds the same bloodstained old photograph while pointing to the girl identified as Minsuk. The wheelhouse's many circular wall markings remain in place.\n\nABSOLUTELY NO TEXT anywhere: no captions, no numbers, no labels of any kind.\n\nCAMERA & FRAME (follow exactly — this is the composition authority for this still; the reference images supply identity and place, never the framing):\n- CAMERA: Directly above the photograph at hand height, track into an isolated overhead detail of 수리영's trembling fingertip pressing the photographed girl's face. The finger and face share the center of the frame, while a narrow margin of the photograph remains visible to preserve its physical scale and worn condition.\n- FRAMING SCALE: insert close-up on a detail\n- KEY BACKGROUND ELEMENTS: worn photograph (Worn and being pressed firmly) — The image-bearing face is fully presented to the overhead camera, with the Korean girl's face visible directly beneath the fingertip; used as Primary image surface beneath 수리영's fingertip.\nCompose the frame exactly as specified above — camera angle, subject scale and screen placement. Keep true physical scale between people and background elements: fixtures and distant objects occupy only the small screen area their real size and distance dictate; never enlarge a background object into a foreground presence.\n\nPERSPECTIVE & SCALE GUIDES (draw these as part of the sketch — they are the whole point of this layout):\n- Draw the HORIZON LINE at the camera's eye height, and 2-3 thin PERSPECTIVE GUIDE LINES converging toward the vanishing point, so the depth of the space is explicit.\n- TRUE RELATIVE SIZE: draw every person and every set mass at the exact screen size that its real-world size and its distance from the camera dictate. A high wall-mounted device or any distant object stays SMALL against the architecture; people scale with their depth along the guide lines. 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TV 화면을 응시하는\"이라는 지문에 부합하게 거실 공간과 TV가 보이는 배경입니다.", "kept": "L05B02" }, "fingerprint": "7b8ae887fe1bde2b" }, "S8sh1": { "assigned": "L09B01", "chosen": "L09B01", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B01.png", "record": { "candidates": { "A": "L09B01", "B": "L09B02", "C": "L09B03" }, "assigned": "L09B01", "choice": "Candidate A", "confident": true, "reason_ko": "지문에서 '포장마차가 있는 거리'를 명시하고 있으므로, 길거리에 천막과 노점들이 늘어서 있는 A가 가장 적합한 공간입니다.", "kept": "L09B01" }, "fingerprint": "fa9ad115ab177a99" }, "S8sh2": { "assigned": "L09B02", "chosen": "L09B02", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B02.png", "record": { "candidates": { "A": "L09B01", "B": "L09B02", "C": "L09B03" }, "assigned": "L09B02", "choice": "Candidate B", "confident": true, "reason_ko": "\"대형 마트 내부 진열대 사이에서\"라는 지문에 부합하는 마트 내부 공간입니다.", "kept": "L09B02" }, "fingerprint": "ed958c7189ac642b" }, "S8sh6": { "assigned": "L09B03", "chosen": "L09B03", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L09B03.png", "record": { "candidates": { "A": "L09B01", "B": "L09B02", "C": "L09B03" }, "assigned": "L09B03", "choice": "Candidate C", "confident": true, "reason_ko": "\"마트 밖 입구에 서서\"라는 지문에 따라 마트 외부 출입구가 보이는 공간이어야 합니다.", "kept": "L09B03" }, "fingerprint": "ebdd822e0f116945" }, "S10sh4": { "assigned": "L04B04", "chosen": "L04B04", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L04B04.png", "record": { "candidates": { "A": "L04B01", "B": "L04B02", "C": "L04B03", "D": "L04B04" }, "assigned": "L04B04", "choice": "Candidate D", "confident": true, "reason_ko": "전단지를 밀어 넣는 '문틈'을 촬영하기 위해 옥탑방 현관문에 가장 가까이 접근한 앵글입니다.", "kept": "L04B04" }, "fingerprint": "70937095431b9a25" }, "S12sh6": { "assigned": "L05B06", "chosen": "L05B06", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png", "record": { "candidates": { "A": "L05B01", "B": "L05B02", "C": "L05B03", "D": "L05B04", "E": "L05B05", "F": "L05B06", "G": "L05B07" }, "assigned": "L05B06", "choice": "Candidate F", "confident": false, "reason_ko": "지문에서 인물이 특정 방이나 가구(침대, 커튼 등)와 함께 묘사되지 않고 단순히 앉아 있는 모습만 설명되어 있어, 서브공간을 명확히 특정할 근거가 부족하므로 기존 할당을 유지함.", "kept": "L05B06" }, "fingerprint": "376e5b3d28b13004" }, "S13sh2": { "assigned": "L04B03", "chosen": "L04B03", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L04B03.png", "record": { "candidates": { "A": "L04B01", "B": "L04B02", "C": "L04B03", "D": "L04B04" }, "assigned": "L04B03", "choice": "Candidate C", "confident": true, "reason_ko": "\"경찰차 경광등 불빛 아래\"라는 묘사에 부합하는 경찰차 조명 효과(적색/청색광)가 반영되어 있으며, 다른 서브공간으로 변경할 명확한 근거가 없으므로 현재 할당된 후보를 유지합니다.", "kept": "L04B03" }, "fingerprint": "033f110bbc3138b9" }, "S14sh4": { "assigned": "L05B07", "chosen": "L05B07", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png", "record": { "candidates": { "A": "L05B01", "B": "L05B02", "C": "L05B03", "D": "L05B04", "E": "L05B05", "F": "L05B06", "G": "L05B07" }, "assigned": "L05B07", "choice": "Candidate G", "confident": true, "reason_ko": "'텅 빈 방 한가운데 서서'라는 지문에 따라 가구가 비워진 넓은 바닥 공간이 잘 드러나는 현재 배정된 이미지가 가장 적합합니다.", "kept": "L05B07" }, "fingerprint": "8e1e378086511f62" }, "S14sh8": { "assigned": "L05B07", "chosen": "L05B07", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B07.png", "record": { "candidates": { "A": "L05B01", "B": "L05B02", "C": "L05B03", "D": "L05B04", "E": "L05B05", "F": "L05B06", "G": "L05B07" }, "assigned": "L05B07", "choice": "Candidate G", "confident": true, "reason_ko": "샷 내용(두 인물이 서로 어깨를 감싸 쥐는 모습)만으로는 아파트 내 특정 서브공간을 특정할 수 있는 단서(가구, 문 등)가 없으므로 기존에 할당된 후보를 유지함.", "kept": "L05B07" }, "fingerprint": "3f29f4f451cee018" }, "S16sh3": { "assigned": "L14B03", "chosen": "L14B03", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L14B01.png", "record": { "candidates": { "A": "L14B01", "B": "L14B02", "C": "L14B03" }, "assigned": "L14B03", "choice": "Candidate C", "confident": true, "reason_ko": "지문이 인물들의 클로즈업 액션(스마트폰을 들이미는 모습)에만 집중하고 있으며, 특정 서브공간이나 배경 요소를 요구하지 않으므로 기존 할당된 후보를 유지함.", "kept": "L14B03" }, "fingerprint": "f25bb93b4ccf1b38" }, "S18sh1": { "assigned": "L05B03", "chosen": "L05B03", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B03.png", "record": { "candidates": { "A": "L05B01", "B": "L05B02", "C": "L05B03", "D": "L05B04", "E": "L05B05", "F": "L05B06", "G": "L05B07" }, "assigned": "L05B03", "choice": "Candidate C", "confident": true, "reason_ko": "\"침대 가장자리 바닥에 주저앉아 매트리스에 머리를 기댄 채\"라는 묘사를 통해 침대가 있는 메인 침실 공간임을 알 수 있습니다.", "kept": "L05B03" }, "fingerprint": "6a32b1eafddb04c9" }, "S19sh1": { "assigned": "L10B01", "chosen": "L10B01", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L10B01.png", "record": { "candidates": { "A": "L10B01", "B": "L10B02" }, "assigned": "L10B01", "choice": "Candidate A", "confident": true, "reason_ko": "\"수리영의 전신\"을 담기 위해서는 인물 전체가 들어갈 수 있는 넓은 화각의 마트 입구 앞 배경(Candidate A)이 필요합니다.", "kept": "L10B01" }, "fingerprint": "1c7122440ae10008" }, "S21sh3": { "assigned": "L14B01", "chosen": "L14B01", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L14B01.png", "record": { "candidates": { "A": "L14B01", "B": "L14B02", "C": "L14B03" }, "assigned": "L14B01", "choice": "Candidate A", "confident": true, "reason_ko": "지문에서 인물이 현장 사진을 들고 있다고 묘사하고 있으며, 현재 할당된 후보 이미지의 책상 위에 현장 사진들이 놓여 있으므로 해당 작업 공간이 가장 적합합니다.", "kept": "L14B01" }, "fingerprint": "8ed2d5ecb803127c" }, "S25sh8": { "assigned": "L05B05", "chosen": "L05B05", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L05B05.png", "record": { "candidates": { "A": "L05B01", "B": "L05B02", "C": "L05B03", "D": "L05B04", "E": "L05B05", "F": "L05B06", "G": "L05B07" }, "assigned": "L05B05", "choice": "Candidate E", "confident": true, "reason_ko": "열린 현관문 턱에 서 있는 수리영을 묘사하고 있으므로, 열린 현관문이 직접적으로 보이는 서브공간이 필요합니다.", "kept": "L05B05" }, "fingerprint": "6ec04fed21d6720e" }, "S28sh5": { "assigned": "L18B02", "chosen": "L18B02", "plate_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/705ead84-e08d-44fd-a244-0a671a7a4f7e/episodes/8a0a9553-3523-4c59-b883-177c901cb630/images/background_chain/L18B02.png", "record": { "candidates": { "A": "L18B01", "B": "L18B02" }, "assigned": "L18B02", "choice": "Candidate B", "confident": true, "reason_ko": "지문에 명시된 '사진'이 갑판 위 초록색 상자에 놓여 있는 것을 Candidate B에서 확인할 수 있습니다.", "kept": "L18B02" }, "fingerprint": "318f7dca94a778e8" } } }, "step_id": "shot_conti_light", "run_id": "caabd5f4-cf8a-4184-b074-900297e2258a", "resolved_model": "gpt-image-2", "updated_at": "2026-07-21T02:19:16.676163+00:00", "project_config_snapshot": {} }