outdoor_site_layout — groups 7

layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 우거진 수풀의 숲속 현장: at the near center of the frame.
- 노란 폴리스 라인 (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
FIGURES:
- 거무스름한 인영 (C07): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; NOT heading into the 우거진 수풀의 숲속 현장.
- 금월산 피해 남성 (C06): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 금월산 피해 남성 is farther than 거무스름한 인영 and must read visibly smaller and deeper in the frame.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 우거진 수풀의 숲속 현장: at the near center of the frame.
- 노란 폴리스 라인 (path): runs from the near left side of the frame to the near right side of the frame.
FIGURES:
- 한국인 경찰들: at the near center of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. A severely injured Korean adult man with dark black hair, wearing an outdoor hiking outfit, occupies the center midground, visibly smaller and deeper in the frame than the dark figure, buckling backward mid-fall. A dark, unnamed figure at a three-quarter angle from the right is positioned at the near center of the frame, already partway along its path toward the near center and not heading into the dense forest site, exerting forceful momentum with a firm shoulder strike driven into the man. Viewed from upper-body height, the camera captures their torsos and arms, the shared contact point at the shoulder anchoring both figures in the tense space. The man, in left profile, gazes off-screen, folding under the intense impact. The dark figure's eyes are fixed on the man, its body volume preserved against the shadows. [L01: A dense forest with thick undergrowth], lit by low-key dusk light casting subtle rim-lit edges on the forms, maintaining a gritty cinematic texture.

Photorealistic cinematic still. A stretcher and black body bag occupy the middle-center midground, while the P05 yellow police line stretches across the lower-center foreground. Captured from chest height at a side angle just outside the barrier, mimicking local news footage. Several Asian police officers in worker uniform, positioned at the center of the frame at a three-quarter angle from the right, are heaving the heavy black bag onto the stretcher. Their faces are looking down at the bag. [L01: Daytime forest crime scene, dense trees and undergrowth under muted natural light]. The scene is lit by flat daylight with restrained broadcast contrast and subtle digital texture, keeping the grim recovery activity legible against the woods.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the mid-distance center of the frame.
- 옥상 담 (path): runs from the far left side of the frame to the far center of the frame.
- 옥탑방: at the far right side of the frame.
- 옥탑방 현관 철문 (path): runs from the near right side of the frame to the mid-distance left side of the frame.
- 닫힌 옥탑방 창문 (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- 옥상 문턱 (path): runs from the far left side of the frame to the far left side of the frame.
- 물탱크: at the far left side of the frame.
FIGURES:
- 옥탑방 침입 남성 (C11): at the near center of the frame — NEAREST figure to the camera.
- 검은 고양이: at the far center of the frame; about 11.2x as far from the camera as the nearest figure, so they must appear roughly 0.09x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 검은 고양이 is farther than 옥탑방 침입 남성 and must read visibly smaller and deeper in the frame.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the near left side of the frame.
- 옥상 담 (path): runs from the far right side of the frame to the far left side of the frame.
- 옥탑방: at the mid-distance left side of the frame.
- 옥탑방 현관 철문 (path): runs from the near left side of the frame to the mid-distance left side of the frame.
- 닫힌 옥탑방 창문 (path): runs from the near right side of the frame to the near center of the frame.
- 옥상 문턱 (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame.
- 물탱크: at the far left side of the frame.
FIGURES:
- 그림자 속 공격자 (C12): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; their path follows the 닫힌 옥탑방 창문; NOT heading into the 옥상.
- 그림자 속 피해자 (C13): at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.90x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 그림자 속 피해자 is farther than 그림자 속 공격자 and must read visibly smaller and deeper in the frame.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the far right side of the frame.
- 옥상 담 (path): runs from the far right side of the frame to the far left side of the frame.
- 옥탑방: at the far center of the frame.
- 옥탑방 현관 철문 (path): runs from the far center of the frame to the far center of the frame.
- 닫힌 옥탑방 창문 (path): runs from the far right side of the frame to the far right side of the frame.
- 옥상 문턱 (path): runs from the near right side of the frame to the mid-distance left side of the frame.
- 물탱크: at the far left side of the frame.
FIGURES:
- 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥상: at the mid-distance center of the frame.
- 옥상 담 (path): runs from the far left side of the frame to the far center of the frame.
- 옥탑방: at the far right side of the frame.
- 옥탑방 현관 철문 (path): runs from the near right side of the frame to the mid-distance left side of the frame.
- 닫힌 옥탑방 창문 (path): runs from the mid-distance right side of the frame to the far right side of the frame.
- 옥상 문턱 (path): runs from the far left side of the frame to the far left side of the frame.
- 물탱크: at the far left side of the frame.
FIGURES:
- 옥탑방 침입 남성 (C11): at the near center of the frame — NEAREST figure to the camera.
- 검은 고양이: at the far center of the frame; about 11.2x as far from the camera as the nearest figure, so they must appear roughly 0.09x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 검은 고양이 is farther than 옥탑방 침입 남성 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Seen from a static chest-height view in deep nighttime darkness, the closed illuminated window anchors the middle-center background. C11O10 in a dark jacket, an Asian man, the figure exerting force in right profile, appearing as a stark dark silhouette projected onto the bright glowing pane, body volume preserved through subtle shadow density, lunging with mouth open toward the shoulder of C04O04, eyes fixed on C04O04. C04O04 in a uniform, an Asian middle-aged woman, the figure being acted upon in left profile, rendered as a visibly smaller, deeper recoiling dark silhouette at the near center, slightly lower, shoulder recoiling backward, eyes fixed on C11O10. The tense low-key contrast isolates the overlapping shadow geometry against the interior illumination, plunging the surrounding exterior of the rooftop room into sparse blackness.

Photorealistic cinematic still. A half-open entrance door stands in the middle-center background, anchored across the same rooftop landing. Captured from a medium over-the-shoulder perspective at eye height, the blurred back and left shoulder of a young Asian woman in a dark casual jacket occupy the lower-left foreground, halted at the threshold with her back to the camera. Her unseen gaze is directed off-screen toward the door. The iron door is viewed obliquely, revealing both its front face and the dark gap of its opening behind the edge. Subdued low-key contrast preserves the deep night darkness, with only faint ambient light defining the fabric of the woman's shoulder and the metallic surface of the door, creating a tense spatial relationship between the foreground observer and the ominous endpoint.

Photorealistic cinematic still. A black cat with solid black fur, pointed ears, a slender feline face, and a long tail is crouched atop the boundary at the far center, appearing visibly small and deep in the frame, in right profile, gazing into the distance toward a lit rooftop-room window in the upper-right background. The static close camera stays at the cat's eye height, keeping its explicitly bright yellow eyes as the sharpest point of focus. The immediate surface is [L03: a narrow concrete boundary edge running laterally beneath the paws, one side facing the camera]. Subdued low-key dawn ambience envelops the frame, where cool morning shadows contrast with the restrained warmth of the distant window and the feline's glowing eyes.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far right side of the frame; their path follows the coastal road.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance right side of the frame to the far center of the frame.
- sea (path): runs from the far left side of the frame to the far left side of the frame.
- police station: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame; their path follows the coastal road; NOT heading into the sea.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far right side of the frame; their path follows the coastal road.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station: at the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the far right side of the frame; their path follows the coastal road.

Photorealistic cinematic still. C01O01, a Korean woman in her early 20s in a gray casual hoodie, occupies the middle-center midground, already partway along the coastal road, moving from the mid-distance left side toward the far right side of the frame rather than into the sea. Captured by a waist-height parallel camera at a full-body side distance, she is seen in right profile, folded over the handlebars and driving her weight into the pedals in mid-stroke. The bicycle frame and both wheels are fully visible below her as a single moving silhouette against the daylight exterior. She gazes into the distance with a tense expression, her hair flowing back in the direction opposite to the motion. The scene is rendered in muted neutrals with firm, low-key contrast, maintaining a taut sense of urgency along the lateral travel axis.

Photorealistic cinematic still. C01O01 in a gray casual hoodie, a Korean female in her early 20s with a natural oval face and dark black mid-length hair, facing the camera at eye level. Already partway along the coastal road, she is heading toward the mid-distance center of the frame, following the road as it leads from the right toward the far center, moving away from the sea on the far left and not heading into it. She is mid-pedal with her torso pitched forward, gazing into the distance just past the lens, her wet hair blown back in the direction opposite to motion. Her rain-soaked face is tightly framed, dominating the view. Storm-dark ambient light and intermittent lightning create hard contrast across her features against muted neutral colors. [: A heavily overcast sky with forceful rain streaks filling the peripheral frame edges behind and beside the tightly framed rider], the bicycle handlebar visible at the lower edge of the frame.

Photorealistic cinematic still. C01O01 in a gray casual hoodie, a Korean young woman in her early 20s, occupies the middle-center midground, already partway along the coastal road that runs from the mid-distance left side to the far right side of the frame, heading toward the far right side of the frame. Captured by a waist-height parallel observer, her torso and arms fill the central area, her mid-length dark black hair streaming back toward the left edge in the direction opposite to her forward motion. She is seen in right profile, seated on the saddle in mid-pedal, one knee bent driving the pedal downward, gazing into the distance with a lively expression on her natural oval face, white earphones visible in her ears. The bicycle's frame, handlebar, and upper portions of the wheels are clearly visible beneath her. The wide framing presents the paved coastal road stretching horizontally along the travel axis, bathed in bright daylight. The open sea provides a restrained natural backdrop behind the rider, offering clear separation and a sense of daytime freedom.

Photorealistic cinematic still. C01O01 in a gray hoodie, a Korean early 20s woman, occupies the middle-center midground at three-quarter angle from the left, riding a bicycle, already partway along the coastal road, heading toward the far right side of the frame. Captured from a parallel camera at bicycle-frame height, her hunched torso fills the upper-center frame while her weight-bearing leg and the bicycle pedal remain visible in the lower-right, driving the pedal downward in mid-pedal. The bicycle's front wheel and down tube are clearly visible below her, with her dark hair and jacket fabric flowing back in the direction opposite to motion. She is gazing into the distance, eyes fixed ahead. A stark blue streetlamp light from above cuts across the night scene, casting moody low-key contrast over her moving figure, leaving the coastal road and the surrounding palette subdued in deep shadows.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the market: at the mid-distance center of the frame.
- market entrance: at the mid-distance center of the frame.
- the street (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the market: at the far left side of the frame.
- market entrance: at the mid-distance left side of the frame.
- the street (path): runs from the far right side of the frame to the far left side of the frame.
FIGURES:
- 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the market: at the far left side of the frame.
- market entrance: at the mid-distance left side of the frame.
- the street (path): runs from the mid-distance left side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. C01O01 in a gray casual hoodie, a young Korean woman in her early 20s, stands in the lower-center midground in right profile, her neck craned upward as she looks toward the wall-mounted CCTV camera situated in the upper-right background. Captured from a chest-height side axis, the medium framing balances the figure and the elevated surveillance device. Her natural oval face is framed by dark black hair in a medium-length style, her gaze fixed steadily on the camera housing. The market exterior wall provides a vertical plane behind her, bathed in early-morning ambient light. A sliding door and a bicycle rack are softly visible in the subdued environment below. The scene features muted neutral colors and restrained contrast, conveying the quiet, uncrowded atmosphere of the dawn.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 밤바다 (path): runs from the far left side of the frame to the far right side of the frame.
- 버스정류장 벤치 (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame.
- 버스정류장 구조 (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
- departure path away from the bus stop (path): runs from the near left side of the frame to the far left side of the frame.
FIGURES:
- 수리영: at the near center of the frame — NEAREST figure to the camera.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 밤바다 (path): runs from the far center of the frame to the far right side of the frame.
- 버스정류장 벤치 (path): runs from the near right side of the frame to the mid-distance right side of the frame.
- 버스정류장 구조 (path): runs from the mid-distance center of the frame to the mid-distance right side of the frame.
- departure path away from the bus stop (path): runs from the near right side of the frame to the far center of the frame.
FIGURES:
- 혜수: at the near right side of the frame — NEAREST figure to the camera.
- 수리영: at the mid-distance center of the frame; about 2.0x as far from the camera as the nearest figure, so they must appear roughly 0.49x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the departure path away from the bus stop; moving away from 혜수; NOT heading into the 밤바다.
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Wide framing at seated eye level, looking across the bench. C01O01 in a gray casual hoodie, an East Asian young woman with a natural oval face and thick black mid-length hair, seated at the center of the frame in right profile, curled forward on the bus-stop bench. She is gazing into the distance toward the dark night sea. The long side of the bench crosses the frame toward the distant water, leaving empty space around her body. A partial side of the bus-stop structure faces the camera beside the bench. The coastal area is illuminated by natural night ambient light, maintaining a muted, neutral color palette with low-key contrast and a subtly rough visual texture.

Photorealistic cinematic still. C02O02 in a police uniform jacket, a Korean mid-40s woman, occupies the middle-right foreground, looking toward C01O01 running away, while C01O01 in a grey hoodie, a Korean early 20s woman, appears visibly smaller and deeper at the mid-distance center, roughly half C02O02’s apparent height, already partway along the departure path away from the bus stop across the shared coastal pavement they both occupy, heading toward the far center of the frame, moving away from C02O02 and not into the night sea. Captured from a chest-height position at a three-quarter angle from the left, C02O02 has her hands cupped around her open mouth, eyes fixed on C01O01. With back to camera, C01O01 is caught in a mid-airborne stride, one foot just lifted off the ground and hoodie flap streaming behind in the direction opposite to motion. The natural coastal night ambience provides low-key, muted neutral illumination with a subtly rough visual texture, creating enough separation to preserve the running silhouette of C01O01 behind C02O02. The side of an unoccupied bus stop bench is visible away from the primary action to anchor the environment.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Sea: at the far left side of the frame.
- Port shoreline (path): runs from the mid-distance right side of the frame to the far left side of the frame.
- Shore rocks: at the near left side of the frame.
- Docking point (path): runs from the mid-distance left side of the frame to the far left side of the frame.
FIGURES:
- 수리영: at the near left side of the frame — NEAREST figure to the camera.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Sea: at the mid-distance right side of the frame.
- Port shoreline (path): runs from the far left side of the frame to the far right side of the frame.
- Shore rocks: at the far right side of the frame.
- Docking point (path): runs from the near center of the frame to the mid-distance left side of the frame.
FIGURES:
- 인우: at the near center of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. Shot from waist height behind and slightly to one side, a wide frame placing C01O01 in a grey casual hoodie, an Asian woman in her early 20s with dark mid-length hair, on the left side of the frame on the foreground shore rocks. Seen from behind at a three-quarter angle from the left, she is seated hugging both knees in a compact posture, gazing into the distance. A dense, thick fog completely blankets the empty harbor at dusk, severely limiting visibility and obscuring the sea water to create vast negative space along her fixed line of sight. The heavy mist produces a soft, diffused dusk ambience with a subdued, low-key neutral tone and restrained contrast.

Photorealistic cinematic still. C03O03 in dark fisher workwear, a Korean man in his 20s with a smooth face and dark hair, stands near the center of the frame, turned at a three-quarter angle from the right, bracing over a thick mooring line on the small boat deck. His upper body occupies the center of the frame, captured from chest height beside the docking point, leaving the fogged harbor and the boat's docking edge visible along his working arm. He looks off-screen with an alive, focused expression. His hands tightly grip the mooring line, which runs diagonally away from his hands toward the docking point. The small boat serves as a midground platform, its docking side facing the camera at an oblique angle, while the boat-facing edge of the empty dock angles across the lower background. A dense, thick fog completely blankets the harbor at dusk, severely limiting visibility and isolating the boat. The fog-diffused dusk ambience creates a muted lighting environment, casting subdued, low-key neutral tones across the figure and the deck.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Sea: at the far center of the frame.
- Boat deck (path): runs from the far right side of the frame to the far center of the frame.
- Wheelhouse: at the far center of the frame.
FIGURES:
- 수리영: at the near left side of the frame — NEAREST figure to the camera.
- 인우: at the mid-distance center of the frame; about 1.9x as far from the camera as the nearest figure, so they must appear roughly 0.53x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 인우 is farther than 수리영 and must read visibly smaller and deeper in the frame.

SHOT 9 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Sea: at the mid-distance left side of the frame.
- Boat deck (path): runs from the far right side of the frame to the far left side of the frame.
- Wheelhouse: at the near right side of the frame.
FIGURES:
- 수리영: at the near left side of the frame — NEAREST figure to the camera.
- 인우: at the near right side of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 0.96x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 인우 is farther than 수리영 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Shot at hand height between two figures in close framing. In the central foreground, P02, a hand-sized old printed paper photograph, heavily crumpled and marked with deep red blood, occupies roughly a third of the frame. Its worn image-bearing front faces the camera, depicting a 1970s rural restaurant with a large circular roof structure, small written signage, and two 12-year-old East Asian girls sitting in front. On the left side of the frame, C01O01 in a grey hooded casual jacket, an East Asian woman in her 20s, appears from an over-the-shoulder view with only a sliver of her shoulder and arm extended forward holding the photograph, her gaze looking off-screen. Beyond the photograph, deeper at the mid-distance center of the frame and visibly smaller in scale, C03O03 in fisher workwear, an East Asian man in his 20s, is captured at a three-quarter angle from the left, recoiling his upper body away, looking down toward the photograph with alarmed eyes sharply readable. [: Soft, out-of-focus background of rugged boat deck lines receding at an oblique angle toward the distant sea, cast in subdued dusk lighting with muted low-key tones and deep shadows.]

Photorealistic cinematic still. At waist height with a restrained Dutch tilt, the frame tightly isolates the center of the physical clash, torsos and arms occupying the frame with heads implied beyond the upper edge. C01O01 in a gray casual hoodie, an East Asian young woman, stands on the left side of the frame at a three-quarter angle from the right, her gaze directed down. C03O03 in rugged fisher workwear, an East Asian young man, stands slightly deeper on the right side of the frame at a three-quarter angle from the left, appearing visibly smaller than C01O01, his gaze directed down. C01O01's two hands clamp firmly around C03O03's wrist in the center foreground, bracing into the joint as he is forcefully wrenching against her grip. Their torsos pull in opposing diagonals around the central anchor. [: The heavy wooden helm sits between them, its gripping side facing C03O03 and rim angled toward the camera, bordered by the tight, dark wheelhouse interior surfaces converging closely behind them in soft focus. Subdued dusk low-key lighting casts deep shadows across the tense interaction.]

diagnostics

{
 "outdoor_location_count": 12,
 "seed_group_count": 9,
 "groups_extracted": 7,
 "skipped": [
  {
   "shot": "S2sh1",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S2sh4",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S13sh1",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S13sh5",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S26sh3",
   "reason": "multiple_outdoor_locations",
   "locations": [
    "L16",
    "L17"
   ],
   "chosen": "L16"
  },
  {
   "seed": "location:L19",
   "reason": "cap"
  },
  {
   "seed": "location:L11",
   "reason": "layout_shape_invalid"
  }
 ],
 "layout_shape_violations": [
  {
   "seed": "location:L11",
   "violations": [
    "figures must be a non-empty list"
   ]
  }
 ],
 "layout_side_conflicts": [],
 "spatial_summary_skipped": [],
 "rewrite_failed": [],
 "revised_prompt_audit_violations": [],
 "zoom_member_exclusion_source": "shot_dependency_t2i",
 "composition_guide_failed": [],
 "composition_guide_candidate_skipped": [
  {
   "group": "osl-shared-l03-s10",
   "reason": "judge_no_need",
   "confidence": "high"
  },
  {
   "group": "osl-single-l03-s17-sh2",
   "shot": "S17sh2",
   "reason": "pose_brief_unusable_fail_closed"
  }
 ],
 "composition_guide_count": 16,
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  "1:3": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L01",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "3:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
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   "figure_count": 1,
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   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "4:1": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "frame_visible",
   "location_id": "L11",
   "figure_count": 0,
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   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  },
  "6:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
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   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
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   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "8:4": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L09",
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   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "9:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
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   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "10:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L03",
   "figure_count": 1,
   "framing_scale": "insert",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "10:4": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L03",
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   "available_structural_signal_names": [
    "framing_scale",
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    "frame_spatial_contract",
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   ]
  },
  "11:3": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
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   "figure_count": 1,
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   "available_structural_signal_names": [
    "framing_scale",
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    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "15:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L12",
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   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "15:5": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L12",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "17:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L03",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "19:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L09",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "19:3": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L09",
   "figure_count": 1,
   "framing_scale": "medium",
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   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "22:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "24:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "26:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L16",
   "figure_count": 1,
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   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "26:3": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
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   "figure_count": 1,
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   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "28:3": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L17",
   "figure_count": 2,
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   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "28:9": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L17",
   "figure_count": 2,
   "framing_scale": "close",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "30:3": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "frame_visible",
   "location_id": "L19",
   "figure_count": 0,
   "framing_scale": "wide",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  }
 },
 "single_shot_seed_lane_enabled": true,
 "composition_guide_shared_model_enabled": true,
 "shared_model_judge_enabled": true,
 "shared_model_candidate_signals": [
  {
   "group_id": "osl-single-l01-s1-sh3",
   "location_id": "L01",
   "scene_index": 1,
   "member_shots": [
    "S1sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "1:3": {
     "entity_count_bucket": "multiple",
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     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l01-s3-sh1",
   "location_id": "L01",
   "scene_index": 3,
   "member_shots": [
    "S3sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "3:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l03-s10",
   "location_id": "L03",
   "scene_index": 10,
   "member_shots": [
    "S10sh2",
    "S10sh4"
   ],
   "cameras_non_identical": true,
   "landmark_count": 7,
   "per_shot_signals": {
    "10:2": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": false
    },
    "10:4": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l03-s11-sh3",
   "location_id": "L03",
   "scene_index": 11,
   "member_shots": [
    "S11sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 7,
   "per_shot_signals": {
    "11:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l03-s17-sh2",
   "location_id": "L03",
   "scene_index": 17,
   "member_shots": [
    "S17sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 7,
   "per_shot_signals": {
    "17:2": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l05-s6-sh1",
   "location_id": "L05",
   "scene_index": 6,
   "member_shots": [
    "S6sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "6:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l05-s9-sh1",
   "location_id": "L05",
   "scene_index": 9,
   "member_shots": [
    "S9sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "9:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l05-s22-sh1",
   "location_id": "L05",
   "scene_index": 22,
   "member_shots": [
    "S22sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "22:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l05-s24-sh2",
   "location_id": "L05",
   "scene_index": 24,
   "member_shots": [
    "S24sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "24:2": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-shared-l09-s19",
   "location_id": "L09",
   "scene_index": 19,
   "member_shots": [
    "S19sh1",
    "S19sh3"
   ],
   "cameras_non_identical": true,
   "landmark_count": 3,
   "per_shot_signals": {
    "19:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "19:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l09-s8-sh4",
   "location_id": "L09",
   "scene_index": 8,
   "member_shots": [
    "S8sh4"
   ],
   "cameras_non_identical": false,
   "landmark_count": 3,
   "per_shot_signals": {
    "8:4": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l12-s15",
   "location_id": "L12",
   "scene_index": 15,
   "member_shots": [
    "S15sh1",
    "S15sh5"
   ],
   "cameras_non_identical": true,
   "landmark_count": 4,
   "per_shot_signals": {
    "15:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "15:5": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-shared-l16-s26",
   "location_id": "L16",
   "scene_index": 26,
   "member_shots": [
    "S26sh1",
    "S26sh3"
   ],
   "cameras_non_identical": true,
   "landmark_count": 4,
   "per_shot_signals": {
    "26:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "26:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l17-s28",
   "location_id": "L17",
   "scene_index": 28,
   "member_shots": [
    "S28sh3",
    "S28sh9"
   ],
   "cameras_non_identical": true,
   "landmark_count": 3,
   "per_shot_signals": {
    "28:3": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": false
    },
    "28:9": {
     "entity_count_bucket": "multiple",
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     "depth_planes": 2,
     "has_motion": false
    }
   }
  }
 ],
 "shared_model_judge_decisions": [
  {
   "group_id": "osl-single-l01-s1-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "occlusion_or_framing_risk",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "1:3",
     "source_field": "camera_direction",
     "quote": "The dark figure enters across the left midground into the contact point near center, while the victim folds toward the right side of frame"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The shot involves two figures interacting at a specific contact point with one figure moving into the frame and the other folding away, requiring a layout sketch to ensure correct spatial arrangement and framing of the action.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l01-s3-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "depth_layering",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "3:1",
     "source_field": "camera_direction",
     "quote": "The officers and raised black body bag occupy the central midground, while the police line cuts across the lower foreground"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The shot requires distinct depth layering between the foreground police line and the midground subjects.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l03-s10",
   "needs_shared_model_guide": false,
   "decision_type": "no_guide",
   "confidence": "high",
   "reasons": [
    "insufficient_evidence"
   ],
   "evidence": [
    {
     "shot_key": "10:2",
     "source_field": "camera_direction",
     "quote": "Crop out the man's face and body"
    },
    {
     "shot_key": "10:4",
     "source_field": "camera_direction",
     "quote": "attack reads only through shadow geometry"
    }
   ],
   "guide_scope": "none",
   "risk_notes": "Shot 10:4 relies on shadow geometry seen through a closed window, presenting an optical risk where 3D mannequins would fail to convey the intended silhouette effect. Shot 10:2 is an insert shot of a hand that explicitly crops out the body. Therefore, no layout guide is needed.",
   "admit": false,
   "deny_reason": "judge_no_need"
  },
  {
   "group_id": "osl-single-l03-s11-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "depth_layering"
   ],
   "evidence": [
    {
     "shot_key": "11:3",
     "source_field": "camera_direction",
     "quote": "tightening past her blurred shoulder so the half-open iron entrance door becomes the endpoint across the rooftop"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The over-the-shoulder framing establishes a specific depth relationship between the foreground figure and the background architectural element, requiring a layout guide to ensure correct spatial alignment and scale.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l03-s17-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "17:2",
     "source_field": "camera_direction",
     "quote": "At the black cat’s eye height beside the rooftop boundary"
    },
    {
     "shot_key": "17:2",
     "source_field": "camera_direction",
     "quote": "cat occupies the lower-center and middle-left while the lit rooftop-room window remains smaller in the background"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The very low camera angle (cat's eye height) and the specific foreground-background alignment required between the subject and the background window present a high framing risk that justifies a single-shot layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s6-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "figure_placement_continuity"
   ],
   "evidence": [
    {
     "shot_key": "6:1",
     "source_field": "camera_direction",
     "quote": "the camera travels parallel with her in a full-body side view as she rides from left to right along the coastal road"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The tracking camera and the figure's movement across the frame require a layout sketch to ensure the parallel framing and directional travel are correctly established.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s9-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "9:1",
     "source_field": "camera_direction",
     "quote": "Track parallel at bicycle-frame height from 수리영's front-left, tightening enough to bind her hunched upper body and the descending pedal stroke into one moving medium composition."
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The specific low-angle tracking shot at bicycle-frame height requires precise body placement within the frame to capture both the torso and the pedal stroke correctly.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s22-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "22:1",
     "source_field": "camera_direction",
     "quote": "Maintain the prescribed waist-height parallel track at full-body side distance, placing 수리영 and the bicycle across the middle of the frame as they accelerate toward screen right. Hold the profile axis"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The specific waist-height tracking profile shot requires precise framing and placement of the figure and bicycle within the frame, leaving forward space in the direction of travel.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s24-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "medium",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "24:2",
     "source_field": "camera_direction",
     "quote": "directly ahead of the bicycle, the camera tracks backward at matching speed, holding her rain-soaked face tightly"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The close tracking shot requires precise positioning of the figure relative to the camera to maintain the tight framing and intended spatial relationship.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l09-s19",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "figure_placement_continuity",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "19:1",
     "source_field": "camera_direction",
     "quote": "At eye level several meters before the market entrance, begin with a full-body view of 수리영"
    },
    {
     "shot_key": "19:3",
     "source_field": "camera_direction",
     "quote": "From the prescribed chest-height side axis, hold a medium profile of 수리영 in the lower-left portion while the wall-mounted CCTV camera sits above and across her eyeline in the upper-right."
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group requires cross-shot continuity to maintain the spatial relationship between the figure and the market entrance across wide and medium angles. Additionally, shot 19:3 presents a framing risk due to the specific diagonal composition required between the figure in the lower-left and the CCTV camera in the upper-right.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l09-s8-sh4",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "8:4",
     "source_field": "camera_direction",
     "quote": "She occupies the left half with the phone pressed to her ear, leaving the right background open as an uneasy continuation of her sightline."
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The camera direction specifies a precise spatial relationship between the character's placement on the left and the open background on the right to support her sightline, which an unguided render might fail to balance correctly.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l12-s15",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "depth_layering"
   ],
   "evidence": [
    {
     "shot_key": "15:1",
     "source_field": "camera_direction",
     "quote": "looks across the bench toward the night sea"
    },
    {
     "shot_key": "15:5",
     "source_field": "camera_direction",
     "quote": "Hyesu occupies the foreground left while Suriyeong remains smaller in the background right, caught with one foot airborne as she runs away along the departure path."
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots share the same structures (bus stop, bench, departure path, night sea) viewed from different angles, requiring cross-shot continuity. Shot 15:5 also features depth layering with figures in the foreground and background, warranting a guide for single-shot complexity.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l16-s26",
   "needs_shared_model_guide": true,
   "decision_type": "cross_shot_continuity",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity"
   ],
   "evidence": [
    {
     "shot_key": "26:1",
     "source_field": "camera_direction",
     "quote": "anchors the foreground rocks while the empty port and obscured water"
    },
    {
     "shot_key": "26:3",
     "source_field": "camera_direction",
     "quote": "beside the docking point"
    },
    {
     "shot_key": "26:3",
     "source_field": "camera_direction",
     "quote": "fogged harbor and the boat’s docking edge"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots share the same harbor/docking location from different angles, requiring consistent structural placement of the port, rocks, and docking point.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l17-s28",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
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   ],
   "evidence": [
    {
     "shot_key": "28:3",
     "source_field": "camera_direction",
     "quote": "keeping the crumpled photograph in the central foreground and 인우’s alarmed eyes sharply readable beyond it"
    },
    {
     "shot_key": "28:9",
     "source_field": "camera_direction",
     "quote": "Inside the wheelhouse beside the helm at waist height, the camera completes a forceful push to within close range of the joined arms, using a restrained Dutch tilt"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "Both shots require precise depth layering and framing of hands/arms in relation to the characters' bodies and the wheelhouse structures. A shared guide will ensure the boat deck and wheelhouse remain consistent across the different camera positions and complex framing directives.",
   "admit": true,
   "deny_reason": null
  }
 ],
 "shared_model_attach_decisions": [
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  },
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   "attached": true
  },
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   ],
   "attached": true
  },
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  },
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   "attached": true
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   ],
   "attached": true
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 ],
 "shared_model_single_shot_complexity_observation": [
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   "admit": true,
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   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
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   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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 ],
 "shared_model_pose_fail_closed": [
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 ],
 "shared_model_optical_risk_excluded": [],
 "shared_model_building_fp_link": {
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 },
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}