{ "status": "completed", "applicable_count": 9, "completed_count": 9, "failed_count": 0, "schema_version": 2, "config_hash": "32a78c507f400873", "data": { "groups": { "bg_coastal_bus_stop": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_coastal_bus_stop_sel.png", "seed_asset_id": "4200f803-f5c3-47e7-a532-9a0ae0e7f67f", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a maintained 2026 Incheon bus shelter built as a one-storey rectangular steel-and-glass structure, 4.8 metres wide, 1.8 metres deep, and 2.5 metres high. Dark-gray powder-coated steel forms the frame, clear tempered glass encloses the rear and both ends, and the single sea-facing front remains fully open. A flat dark-gray metal canopy covers the structure above a pale-gray concrete pad. Its integrated dark-gray aluminum fascia bears clearly legible white lettering reading 해안전망정류장. Coastal exposure leaves light salt-weathering on the maintained materials. The shelter faces the sea across its outward side at night, with usable land around it and an ordinary, currently inhabited coastal residential and neighborhood-commercial district on the landward side. The stop and its outdoor area visibly carry ordinary signs of active public-transport service. No second shelter, additional fixed stop furniture, or fixed departure route is present.\n\nTHE LOCATION: A sea-facing coastal bus stop in an inhabited Incheon neighborhood, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안전망정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuriyeong and Hyesu; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same one-storey coastal bus shelter in Incheon at night in 2026. The shelter measures 4.8 metres wide by 1.8 metres deep and 2.5 metres high, with a rectangular dark-gray powder-coated steel frame, clear tempered-glass rear and end panels, a flat dark-gray metal canopy, and a pale-gray concrete pad. It has one fully open sea-facing front; no doors or separate windows are evidenced or permitted. Its integrated dark-gray aluminum fascia must carry the clearly legible white lettering 해안전망정류장. Light, maintained salt-weathering is visible. The sea occupies the outward side faced by the shelter, while the usable land-based vicinity and an ordinary currently inhabited coastal residential and neighborhood-commercial district extend behind and around it. The stop and its outdoor area visibly carry ordinary signs of active public-transport service. There is no second shelter, additional fixed stop furniture, or fixed departure route.", "location_line_en": "A sea-facing coastal bus stop in an inhabited Incheon neighborhood, South Korea, at night in 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "한국의 운행 중인 버스정류장은 정류장명을 표시하는 식별 표지가 필요하다.", "signage_required": true, "signage_text": "해안전망정류장", "variants": [ { "approach_ko": "원문 공간 단서 중심 접근", "evidence_ko": [ "S#15. 해안가. 버스정류장 부근 / N", "바다를 바라보며" ], "prompt_en": "At night, a coastal bus stop in Incheon faces directly toward the sea. Its usable land-based vicinity connects to an ordinary, currently inhabited coastal residential and neighborhood-commercial district. The target is a one-storey rectangular shelter measuring 4.8 metres wide, 1.8 metres deep, and 2.5 metres high. It has a dark-gray powder-coated steel frame, clear tempered-glass panels across the rear and both ends, one fully open sea-facing front, a flat dark-gray metal canopy, and a pale-gray concrete pad. A dark-gray aluminum fascia carries the clearly legible white lettering 해안전망정류장. The maintained surfaces show light salt-weathering, and the shelter and surrounding outdoor area visibly carry ordinary signs of active public-transport service. The sea fills the outward side beyond the shelter; no second shelter, additional fixed stop furniture, or fixed departure route is present.", "variant_id": "v1" }, { "approach_ko": "해안 생활권과 주변 맥락 우선 접근", "evidence_ko": [ "해안가. 버스정류장 부근", "바다를 바라보며" ], "prompt_en": "An ordinary, currently inhabited coastal residential and neighborhood-commercial district occupies the landward side of this Incheon site at night. The sea occupies the opposite outward view, directly faced by the bus stop, while usable ground remains around the land-based stop vicinity. The target shelter is a one-storey rectangular volume, 4.8 metres wide by 1.8 metres deep and 2.5 metres high. Its construction is a dark-gray powder-coated steel frame with clear tempered-glass rear and end panels, one fully open sea-facing front, a flat dark-gray metal canopy, and a pale-gray concrete pad. The integrated dark-gray aluminum fascia displays the legible white lettering 해안전망정류장. Light salt-weathering remains maintained rather than derelict. The stop and its outdoor area visibly show ordinary signs of active public-transport service, without a second shelter, additional fixed stop furniture, or a fixed departure route.", "variant_id": "v2" }, { "approach_ko": "재료와 지역형 승강장 유형 중심 접근", "evidence_ko": [ "S#15. 해안가. 버스정류장 부근 / N", "바다를 바라보며" ], "prompt_en": "The target is a maintained 2026 Incheon bus shelter built as a one-storey rectangular steel-and-glass structure, 4.8 metres wide, 1.8 metres deep, and 2.5 metres high. Dark-gray powder-coated steel forms the frame, clear tempered glass encloses the rear and both ends, and the single sea-facing front remains fully open. A flat dark-gray metal canopy covers the structure above a pale-gray concrete pad. Its integrated dark-gray aluminum fascia bears clearly legible white lettering reading 해안전망정류장. Coastal exposure leaves light salt-weathering on the maintained materials. The shelter faces the sea across its outward side at night, with usable land around it and an ordinary, currently inhabited coastal residential and neighborhood-commercial district on the landward side. The stop and its outdoor area visibly carry ordinary signs of active public-transport service. No second shelter, additional fixed stop furniture, or fixed departure route is present.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAt night, a coastal bus stop in Incheon faces directly toward the sea. Its usable land-based vicinity connects to an ordinary, currently inhabited coastal residential and neighborhood-commercial district. The target is a one-storey rectangular shelter measuring 4.8 metres wide, 1.8 metres deep, and 2.5 metres high. It has a dark-gray powder-coated steel frame, clear tempered-glass panels across the rear and both ends, one fully open sea-facing front, a flat dark-gray metal canopy, and a pale-gray concrete pad. A dark-gray aluminum fascia carries the clearly legible white lettering 해안전망정류장. The maintained surfaces show light salt-weathering, and the shelter and surrounding outdoor area visibly carry ordinary signs of active public-transport service. The sea fills the outward side beyond the shelter; no second shelter, additional fixed stop furniture, or fixed departure route is present.\n\nTHE LOCATION: A sea-facing coastal bus stop in an inhabited Incheon neighborhood, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안전망정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuriyeong and Hyesu; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary, currently inhabited coastal residential and neighborhood-commercial district occupies the landward side of this Incheon site at night. The sea occupies the opposite outward view, directly faced by the bus stop, while usable ground remains around the land-based stop vicinity. The target shelter is a one-storey rectangular volume, 4.8 metres wide by 1.8 metres deep and 2.5 metres high. Its construction is a dark-gray powder-coated steel frame with clear tempered-glass rear and end panels, one fully open sea-facing front, a flat dark-gray metal canopy, and a pale-gray concrete pad. The integrated dark-gray aluminum fascia displays the legible white lettering 해안전망정류장. Light salt-weathering remains maintained rather than derelict. The stop and its outdoor area visibly show ordinary signs of active public-transport service, without a second shelter, additional fixed stop furniture, or a fixed departure route.\n\nTHE LOCATION: A sea-facing coastal bus stop in an inhabited Incheon neighborhood, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안전망정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuriyeong and Hyesu; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe target is a maintained 2026 Incheon bus shelter built as a one-storey rectangular steel-and-glass structure, 4.8 metres wide, 1.8 metres deep, and 2.5 metres high. Dark-gray powder-coated steel forms the frame, clear tempered glass encloses the rear and both ends, and the single sea-facing front remains fully open. A flat dark-gray metal canopy covers the structure above a pale-gray concrete pad. Its integrated dark-gray aluminum fascia bears clearly legible white lettering reading 해안전망정류장. Coastal exposure leaves light salt-weathering on the maintained materials. The shelter faces the sea across its outward side at night, with usable land around it and an ordinary, currently inhabited coastal residential and neighborhood-commercial district on the landward side. The stop and its outdoor area visibly carry ordinary signs of active public-transport service. No second shelter, additional fixed stop furniture, or fixed departure route is present.\n\nTHE LOCATION: A sea-facing coastal bus stop in an inhabited Incheon neighborhood, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안전망정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuriyeong and Hyesu; purchased beverage\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same one-storey coastal bus shelter in Incheon at night in 2026. The shelter measures 4.8 metres wide by 1.8 metres deep and 2.5 metres high, with a rectangular dark-gray powder-coated steel frame, clear tempered-glass rear and end panels, a flat dark-gray metal canopy, and a pale-gray concrete pad. It has one fully open sea-facing front; no doors or separate windows are evidenced or permitted. Its integrated dark-gray aluminum fascia must carry the clearly legible white lettering 해안전망정류장. Light, maintained salt-weathering is visible. The sea occupies the outward side faced by the shelter, while the usable land-based vicinity and an ordinary currently inhabited coastal residential and neighborhood-commercial district extend behind and around it. The stop and its outdoor area visibly carry ordinary signs of active public-transport service. There is no second shelter, additional fixed stop furniture, or fixed departure route.\n\nTHE LOCATION: A sea-facing coastal bus stop in an inhabited Incheon neighborhood, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안전망정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nSuriyeong and Hyesu; purchased beverage", "seed_decision": { "input_fingerprint": "558321edc2f89e32", "totals": { "C": 7, "A": 5, "B": 3 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Best satisfies the structural and orientation constraints, placing the land behind the shelter and facing outward, though it lacks required signs of active use." }, { "label": "A", "score": 5, "verdict_ko": "Orientation violation: the open front faces the inland street while the sea occupies the rear, reversing the brief's required layout." }, { "label": "B", "score": 3, "verdict_ko": "Hard violation (physically impossible): the shelter is perched on a raised ledge with a sheer drop in front, making bus access impossible." } ], "critique": { "issues": [ { "issue_ko": "정류장의 개방된 전면이 바다가 아닌 도로(내륙)를 향해 있습니다.", "fix_en": "Change the street-facing side of the shelter to clear glass and make the sea-facing side fully open.", "unfixable": false }, { "issue_ko": "정류장 내부와 콘크리트 바닥이 텅 비어 있고 대중교통 이용에 따른 일상적인 흔적이 전혀 없습니다.", "fix_en": "Add ordinary, unstaged everyday traces of active public-transport use to the shelter and its concrete pad.", "unfixable": false }, { "issue_ko": "배경의 상점 간판과 건물들에 지시되지 않은 읽을 수 있는 문자와 숫자가 포함되어 있습니다.", "fix_en": "Remove all readable text from the background signs and buildings.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the street-facing side of the shelter to clear glass and make the sea-facing side fully open.\n- Add ordinary, unstaged everyday traces of active public-transport use to the shelter and its concrete pad.\n- Remove all readable text from the background signs and buildings.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_road": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_coastal_road_sel.png", "seed_asset_id": "ae58b168-b78f-4d75-acf4-1bbff41f2068", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark charcoal-gray asphalt forms an approximately 5.5-metre-wide continuous road corridor along the Incheon coast in 2026. The pavement carries normal regional wear and visibly remains maintained and in active everyday service. Muted green-gray coastal water directly adjoins one side of the road, preserving the simple lengthwise relationship between land travel and sea. There is no target building, upper mass, facade, or opening. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage is added. A believable, currently inhabited Incheon coastal neighborhood surrounds the corridor through ordinary neighboring development and unstaged everyday surroundings.\n\nTHE LOCATION: A continuously inhabited coastal road corridor beside the sea in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle and rider; Earphones; Dog barking; Rain, storm clouds, thunder, and lightning; Parked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target site is a continuous, approximately 5.5-metre-wide dark charcoal-gray asphalt coastal road corridor running lengthwise beside the muted green-gray waters of the Incheon coast. The sea remains on one side of the road. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage may be invented. There is no target building, so storey count, facade colors and materials, massing above ground, and opening counts are not applicable. The linear road surface and adjoining sea are the only fixed site elements. The corridor must sit within a believable, currently inhabited coastal district of Incheon in 2026, with ordinary neighboring development and everyday surroundings beyond the defined site. The road and its outdoor setting must visibly read as maintained and in active everyday service, never abandoned, sterile, prison-like, or a studio set.", "location_line_en": "A continuously inhabited coastal road corridor beside the sea in Incheon, South Korea, in 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "해안도로 자체는 시설명을 표시하는 고정 간판이 필요한 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문에 명시된 해안도로와 바다의 관계를 직접 시각화한다.", "evidence_ko": [ "해안가 도로", "해안도로를 자전거를 타고", "바다냄새" ], "prompt_en": "A continuous coastal road runs lengthwise through a currently inhabited Incheon coastal district in 2026. Ordinary neighboring development and everyday surroundings belong to the wider working neighborhood without defining any particular building. The target site is an approximately 5.5-metre-wide dark charcoal-gray asphalt carriageway, with muted green-gray coastal water directly adjoining one side. Its linear ground-level form continues through the location. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage is established. The asphalt has ordinary regional weathering, and the corridor and adjoining outdoor setting visibly remain maintained and in active everyday service.", "variant_id": "v1" }, { "approach_ko": "생활 중인 인천 해안 지역의 맥락에서 도로를 먼저 확립한다.", "evidence_ko": [ "해안가 도로 / D", "해안가 / N", "해안도로" ], "prompt_en": "This is a real, currently inhabited coastal district of Incheon in 2026, with ordinary neighboring development and everyday surroundings extending around the defined site. The main subject is the working coastal travel corridor within that neighborhood. An approximately 5.5-metre-wide dark charcoal-gray asphalt road follows the coast continuously, while muted green-gray sea water adjoins one side. The road is a linear ground-plane structure with no storeys or openings. No particular intersection, roadside barrier, separate access point, featured building, or identifying road signage belongs to the fixed topology. Regional wear and visible active maintenance make the road and outdoor setting read as regularly used rather than empty or abandoned.", "variant_id": "v2" }, { "approach_ko": "포장 재료와 선형 기반시설의 형태를 중심으로 장소를 규정한다.", "evidence_ko": [ "해안도로", "해안가", "바다냄새를 실컷 마신다" ], "prompt_en": "Dark charcoal-gray asphalt forms an approximately 5.5-metre-wide continuous road corridor along the Incheon coast in 2026. The pavement carries normal regional wear and visibly remains maintained and in active everyday service. Muted green-gray coastal water directly adjoins one side of the road, preserving the simple lengthwise relationship between land travel and sea. There is no target building, upper mass, facade, or opening. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage is added. A believable, currently inhabited Incheon coastal neighborhood surrounds the corridor through ordinary neighboring development and unstaged everyday surroundings.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA continuous coastal road runs lengthwise through a currently inhabited Incheon coastal district in 2026. Ordinary neighboring development and everyday surroundings belong to the wider working neighborhood without defining any particular building. The target site is an approximately 5.5-metre-wide dark charcoal-gray asphalt carriageway, with muted green-gray coastal water directly adjoining one side. Its linear ground-level form continues through the location. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage is established. The asphalt has ordinary regional weathering, and the corridor and adjoining outdoor setting visibly remain maintained and in active everyday service.\n\nTHE LOCATION: A continuously inhabited coastal road corridor beside the sea in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle and rider; Earphones; Dog barking; Rain, storm clouds, thunder, and lightning; Parked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real, currently inhabited coastal district of Incheon in 2026, with ordinary neighboring development and everyday surroundings extending around the defined site. The main subject is the working coastal travel corridor within that neighborhood. An approximately 5.5-metre-wide dark charcoal-gray asphalt road follows the coast continuously, while muted green-gray sea water adjoins one side. The road is a linear ground-plane structure with no storeys or openings. No particular intersection, roadside barrier, separate access point, featured building, or identifying road signage belongs to the fixed topology. Regional wear and visible active maintenance make the road and outdoor setting read as regularly used rather than empty or abandoned.\n\nTHE LOCATION: A continuously inhabited coastal road corridor beside the sea in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle and rider; Earphones; Dog barking; Rain, storm clouds, thunder, and lightning; Parked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nDark charcoal-gray asphalt forms an approximately 5.5-metre-wide continuous road corridor along the Incheon coast in 2026. The pavement carries normal regional wear and visibly remains maintained and in active everyday service. Muted green-gray coastal water directly adjoins one side of the road, preserving the simple lengthwise relationship between land travel and sea. There is no target building, upper mass, facade, or opening. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage is added. A believable, currently inhabited Incheon coastal neighborhood surrounds the corridor through ordinary neighboring development and unstaged everyday surroundings.\n\nTHE LOCATION: A continuously inhabited coastal road corridor beside the sea in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle and rider; Earphones; Dog barking; Rain, storm clouds, thunder, and lightning; Parked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target site is a continuous, approximately 5.5-metre-wide dark charcoal-gray asphalt coastal road corridor running lengthwise beside the muted green-gray waters of the Incheon coast. The sea remains on one side of the road. No specific intersection, roadside barrier, separate access point, featured building, or identifying road signage may be invented. There is no target building, so storey count, facade colors and materials, massing above ground, and opening counts are not applicable. The linear road surface and adjoining sea are the only fixed site elements. The corridor must sit within a believable, currently inhabited coastal district of Incheon in 2026, with ordinary neighboring development and everyday surroundings beyond the defined site. The road and its outdoor setting must visibly read as maintained and in active everyday service, never abandoned, sterile, prison-like, or a studio set.\n\nTHE LOCATION: A continuously inhabited coastal road corridor beside the sea in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle and rider; Earphones; Dog barking; Rain, storm clouds, thunder, and lightning; Parked bicycle", "seed_decision": { "input_fingerprint": "4f72475669103a04", "totals": { "C": 7, "B": 5, "A": 3 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "지시문의 5.5m 도로 폭(표준 2차선)과 해안가 배경을 정확히 구현했으며, 인물이나 금지된 요소 없이 일상적인 형태를 잘 반영했습니다." }, { "label": "B", "score": 5, "verdict_ko": "요청된 5.5m 도로 폭을 크게 초과하여 묘사되었으며, 차선이 없는 넓은 도로가 비어있는 느낌을 주어 활발한 사용감을 충족하지 못합니다." }, { "label": "A", "score": 3, "verdict_ko": "치명적 위반: 흰색 트럭 근처 인도에 사람들이 명확하게 묘사되어 인물 배제 지시를 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "지시문은 바닷물이 도로 한쪽에 직접 맞닿아 있어야 한다고 명시했으나, 이미지에서는 도로와 바다 사이에 바위와 풀이 있는 넓은 제방이 있어 바닷물이 도로와 직접 닿지 않습니다.", "fix_en": "Remove the rocky embankment and vegetation so the water directly adjoins the side of the road.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the rocky embankment and vegetation so the water directly adjoins the side of the road.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_fishing_vessel": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_fishing_vessel_sel.png", "seed_asset_id": "f2bc4368-d3d7-477f-b65c-0f576ca7be06", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a definite 2026 Incheon coastal fishing-vessel type: a 9-metre hull with a 3-metre beam, one open working deck and one single-storey enclosed wheelhouse. The wheelhouse footprint is about 2.8 by 2.4 metres and its exterior height is 2.2 metres, providing real-world space for the single evidenced wheelhouse control room. It is integrated into the main vessel and directly adjoins the deck. Exactly one 1.9-metre-high entrance passes through their shared edge, while its fore-aft position remains undefined. Narrow wheelhouse glazing follows ordinary local fishing-vessel practice in dark gray aluminum and rubber frames. The hull, wheelhouse and roof are weathered white fiberglass, the lower hull is dark blue, and the working deck is faded blue-green with weathered brown timber and galvanized gray metal surfaces. Salt streaks, chipped coating and damp sea-fog residue establish continued exposure. The vessel sits on offshore water near Incheon at dusk, surrounded by a believable active fishing neighborhood and ordinary regional maritime context. It visibly remains in active fishing service without staged arrangements. The exterior identification is clearly legible as 인천해성호.\n\nTHE LOCATION: A small working fishing vessel in the offshore fishing waters of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 소형 어선 조타실: 어선의 좁은 내부 조종 공간으로, 좁은 유리창과 낡은 계기판들이 배치되어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"인천해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same 9-metre-long, 3-metre-beam small fishing vessel with one open working deck and one single-storey enclosed wheelhouse measuring about 2.8 by 2.4 metres and 2.2 metres high. This footprint must plausibly contain the single evidenced wheelhouse control room at real-world scale. The main vessel must physically support the wheelhouse. The wheelhouse directly adjoins the deck, and exactly one 1.9-metre-high deck-to-wheelhouse entrance occupies their shared edge; its fore-aft location remains unspecified. Narrow wheelhouse glazing follows ordinary 2026 Incheon fishing-vessel practice, with no unsupported prominent openings. The hull and wheelhouse are weathered white fiberglass with a dark blue lower hull, the deck has faded blue-green marine coating, exposed working timber is weathered brown, and working metal is galvanized gray. Salt wear, chipped coating and damp sea-fog residue are visible. The exact identifying lettering 인천해성호 is present and legible. The vessel appears within a believable active offshore fishing neighborhood around Incheon rather than against sterile featureless water. The vessel and outdoor deck must visibly carry ordinary, unstaged signs of active fishing service; a bare, abandoned or studio-set appearance is a violation.", "location_line_en": "A small working fishing vessel in the offshore fishing waters of Incheon, South Korea, in 2026.", "room_inventory": [ { "evidence_ko": "S#29. 조타실 / 해질 무렵", "label_en": "fishing-vessel wheelhouse control room", "scene_index": 29 } ], "room_inventory_applicable": true, "signage_reason_ko": "현역 조업 어선은 외부에 식별 가능한 선명을 표시하는 것이 일반적이다.", "signage_required": true, "signage_text": "인천해성호", "variants": [ { "approach_ko": "원문 장면의 공간 단서를 직접 시각화하는 접근", "evidence_ko": [ "S#28. 바다 + 갑판 / 해질 무렵", "바다위에 떠있는 소형어선. 한참 떠나온 듯 하다.", "인우, 발작적으로 일어나 조타실로 달려가 뱃머리를 돌리려 한다. 이를 눈치 챈 수리영, 조타실로 따라들어가 막으면서" ], "prompt_en": "The main subject is a small working fishing vessel on offshore water near Incheon at dusk. Its wider setting reads as an active 2026 fishing neighborhood with ordinary regional maritime surroundings, not empty or abandoned water. The vessel is 9 metres long with a 3-metre beam, one open working deck and one single-storey enclosed wheelhouse. The wheelhouse is about 2.8 by 2.4 metres and rises 2.2 metres above the deck, enough to contain its evidenced control room. It directly adjoins the deck. Exactly one 1.9-metre-high entrance connects them at their shared edge, with no specified fore-aft position. The hull and wheelhouse are weathered white fiberglass over a dark blue lower hull. The deck carries faded blue-green marine coating, weathered brown timber surfaces and galvanized gray working metal. Narrow wheelhouse windows use dark gray aluminum and rubber framing. Chipped coating, salt streaking and damp sea-fog residue show its age. The vessel and deck visibly carry ordinary unstaged signs of active fishing service. The identifying lettering 인천해성호 is present and legible on the exterior.", "variant_id": "v1" }, { "approach_ko": "재료와 해풍 노후감을 우선하는 접근", "evidence_ko": [ "오래된 소형 조업선의 외부 공간으로, 습하고 거친 바다 안개가 내려앉은 금속과 나무 표면이 특징이다.", "소형 어선 조타실: 어선의 좁은 내부 조종 공간으로, 좁은 유리창과 낡은 계기판들이 배치되어 있다." ], "prompt_en": "Weathered white fiberglass forms the hull, wheelhouse walls and wheelhouse roof, with a dark blue lower hull. Faded blue-green marine deck coating meets weathered brown working timber and galvanized gray metal. Chipped finishes, salt streaks and a damp film from coarse sea fog remain visible. These surfaces belong to the same 9-metre-long, 3-metre-beam small Incheon fishing vessel. It has one open working deck and one enclosed single-storey wheelhouse measuring about 2.8 by 2.4 metres and 2.2 metres high, sufficient for the evidenced control room. The wheelhouse directly adjoins the deck. Their shared edge contains exactly one 1.9-metre-high entrance; its fore-aft placement is unspecified. Narrow glazed wheelhouse windows have dark gray aluminum and rubber frames, without prominent unsupported openings. The vessel is in offshore water at dusk within an ordinary active 2026 Incheon fishing neighborhood. Its maritime surroundings read as working and regionally authentic rather than sterile. Ordinary unstaged signs of active fishing service remain visible across the vessel and outdoor deck. The exterior carries the clear identifying lettering 인천해성호.", "variant_id": "v2" }, { "approach_ko": "어선 유형과 공간 연결을 우선하는 접근", "evidence_ko": [ "바다위에 떠있는 소형어선. 한참 떠나온 듯 하다.", "S#29. 조타실 / 해질 무렵" ], "prompt_en": "This is a definite 2026 Incheon coastal fishing-vessel type: a 9-metre hull with a 3-metre beam, one open working deck and one single-storey enclosed wheelhouse. The wheelhouse footprint is about 2.8 by 2.4 metres and its exterior height is 2.2 metres, providing real-world space for the single evidenced wheelhouse control room. It is integrated into the main vessel and directly adjoins the deck. Exactly one 1.9-metre-high entrance passes through their shared edge, while its fore-aft position remains undefined. Narrow wheelhouse glazing follows ordinary local fishing-vessel practice in dark gray aluminum and rubber frames. The hull, wheelhouse and roof are weathered white fiberglass, the lower hull is dark blue, and the working deck is faded blue-green with weathered brown timber and galvanized gray metal surfaces. Salt streaks, chipped coating and damp sea-fog residue establish continued exposure. The vessel sits on offshore water near Incheon at dusk, surrounded by a believable active fishing neighborhood and ordinary regional maritime context. It visibly remains in active fishing service without staged arrangements. The exterior identification is clearly legible as 인천해성호.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe main subject is a small working fishing vessel on offshore water near Incheon at dusk. Its wider setting reads as an active 2026 fishing neighborhood with ordinary regional maritime surroundings, not empty or abandoned water. The vessel is 9 metres long with a 3-metre beam, one open working deck and one single-storey enclosed wheelhouse. The wheelhouse is about 2.8 by 2.4 metres and rises 2.2 metres above the deck, enough to contain its evidenced control room. It directly adjoins the deck. Exactly one 1.9-metre-high entrance connects them at their shared edge, with no specified fore-aft position. The hull and wheelhouse are weathered white fiberglass over a dark blue lower hull. The deck carries faded blue-green marine coating, weathered brown timber surfaces and galvanized gray working metal. Narrow wheelhouse windows use dark gray aluminum and rubber framing. Chipped coating, salt streaking and damp sea-fog residue show its age. The vessel and deck visibly carry ordinary unstaged signs of active fishing service. The identifying lettering 인천해성호 is present and legible on the exterior.\n\nTHE LOCATION: A small working fishing vessel in the offshore fishing waters of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 소형 어선 조타실: 어선의 좁은 내부 조종 공간으로, 좁은 유리창과 낡은 계기판들이 배치되어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"인천해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered white fiberglass forms the hull, wheelhouse walls and wheelhouse roof, with a dark blue lower hull. Faded blue-green marine deck coating meets weathered brown working timber and galvanized gray metal. Chipped finishes, salt streaks and a damp film from coarse sea fog remain visible. These surfaces belong to the same 9-metre-long, 3-metre-beam small Incheon fishing vessel. It has one open working deck and one enclosed single-storey wheelhouse measuring about 2.8 by 2.4 metres and 2.2 metres high, sufficient for the evidenced control room. The wheelhouse directly adjoins the deck. Their shared edge contains exactly one 1.9-metre-high entrance; its fore-aft placement is unspecified. Narrow glazed wheelhouse windows have dark gray aluminum and rubber frames, without prominent unsupported openings. The vessel is in offshore water at dusk within an ordinary active 2026 Incheon fishing neighborhood. Its maritime surroundings read as working and regionally authentic rather than sterile. Ordinary unstaged signs of active fishing service remain visible across the vessel and outdoor deck. The exterior carries the clear identifying lettering 인천해성호.\n\nTHE LOCATION: A small working fishing vessel in the offshore fishing waters of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 소형 어선 조타실: 어선의 좁은 내부 조종 공간으로, 좁은 유리창과 낡은 계기판들이 배치되어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"인천해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a definite 2026 Incheon coastal fishing-vessel type: a 9-metre hull with a 3-metre beam, one open working deck and one single-storey enclosed wheelhouse. The wheelhouse footprint is about 2.8 by 2.4 metres and its exterior height is 2.2 metres, providing real-world space for the single evidenced wheelhouse control room. It is integrated into the main vessel and directly adjoins the deck. Exactly one 1.9-metre-high entrance passes through their shared edge, while its fore-aft position remains undefined. Narrow wheelhouse glazing follows ordinary local fishing-vessel practice in dark gray aluminum and rubber frames. The hull, wheelhouse and roof are weathered white fiberglass, the lower hull is dark blue, and the working deck is faded blue-green with weathered brown timber and galvanized gray metal surfaces. Salt streaks, chipped coating and damp sea-fog residue establish continued exposure. The vessel sits on offshore water near Incheon at dusk, surrounded by a believable active fishing neighborhood and ordinary regional maritime context. It visibly remains in active fishing service without staged arrangements. The exterior identification is clearly legible as 인천해성호.\n\nTHE LOCATION: A small working fishing vessel in the offshore fishing waters of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 소형 어선 조타실: 어선의 좁은 내부 조종 공간으로, 좁은 유리창과 낡은 계기판들이 배치되어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"인천해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same 9-metre-long, 3-metre-beam small fishing vessel with one open working deck and one single-storey enclosed wheelhouse measuring about 2.8 by 2.4 metres and 2.2 metres high. This footprint must plausibly contain the single evidenced wheelhouse control room at real-world scale. The main vessel must physically support the wheelhouse. The wheelhouse directly adjoins the deck, and exactly one 1.9-metre-high deck-to-wheelhouse entrance occupies their shared edge; its fore-aft location remains unspecified. Narrow wheelhouse glazing follows ordinary 2026 Incheon fishing-vessel practice, with no unsupported prominent openings. The hull and wheelhouse are weathered white fiberglass with a dark blue lower hull, the deck has faded blue-green marine coating, exposed working timber is weathered brown, and working metal is galvanized gray. Salt wear, chipped coating and damp sea-fog residue are visible. The exact identifying lettering 인천해성호 is present and legible. The vessel appears within a believable active offshore fishing neighborhood around Incheon rather than against sterile featureless water. The vessel and outdoor deck must visibly carry ordinary, unstaged signs of active fishing service; a bare, abandoned or studio-set appearance is a violation.\n\nTHE LOCATION: A small working fishing vessel in the offshore fishing waters of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 소형 어선 조타실: 어선의 좁은 내부 조종 공간으로, 좁은 유리창과 낡은 계기판들이 배치되어 있다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"인천해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nhandheld map; handheld photograph", "seed_decision": { "input_fingerprint": "d23e14de558de5b5", "totals": { "C": 10, "A": 8, "B": 6 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 10, "verdict_ko": "모든 구조적 요구사항과 재질을 정확히 반영했으며, 추가적인 텍스트 없이 지정된 선명만을 완벽하게 묘사하여 지시문을 가장 훌륭하게 준수했습니다." }, { "label": "A", "score": 8, "verdict_ko": "전반적인 선박의 형태와 어업 환경의 묘사는 우수하나, 레이더 돔과 배경의 선박에 지시문에서 금지한 읽을 수 있는 영문 텍스트가 추가되어 감점되었습니다." }, { "label": "B", "score": 6, "verdict_ko": "지정된 선명이 조타실 전면과 측면, 심지어 배경의 다른 선박에까지 중복되어 나타나며, 레이더 장비에 금지된 추가 텍스트가 포함되어 서명 규칙을 크게 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "조타실 문이 활짝 열려 있어 '장면 연출을 위해 열어둔 문 불가'라는 클린 플레이트 규칙을 위반함.", "fix_en": "Close the wheelhouse door completely so it no longer stands open.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Close the wheelhouse door completely so it no longer stands open.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_foggy_harbor": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_foggy_harbor_sel.png", "seed_asset_id": "d90b0f22-b7eb-4e2b-9bf9-479fb77509d1", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working harbor neighborhood in Incheon surrounds the waterfront, with adjacent coastal buildings and an ordinary access street. The harbor remains visibly in active daily maritime use rather than bare, sterile, or abandoned. The main subject is a zero-storey permanent shoreline site with no enclosed building or architectural openings. A rough, naturally mottled gray-brown tidal rock outcrop faces across enclosed gray-green harbor water toward the blue-gray open sea. The harbor water opens outward on the seaward side. One weathered gray marine-concrete boat landing edge directly adjoins the rock zone and meets the harbor water. One safety-yellow painted steel mooring point stands immediately beside the landing edge. The rock and landing zones connect directly without a separate permanent route. Salt weathering and tidal staining are established surface wear. Clear late-day visibility reveals the open sea from the rock outcrop. No signage is present.\n\nTHE LOCATION: A working harbor shoreline in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain and post-rain wetness; Empty-harbor condition; Approaching boat; Mooring line; People and their scene positions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The main subject is a zero-storey permanent harbor shoreline site with no enclosed building, rooms, doors, windows, or architectural frontage. Its single horizontal composition consists of a rough mottled gray-brown tidal rock outcrop directly adjoining one weathered gray marine-concrete boat landing edge, with one safety-yellow painted steel mooring point immediately beside the landing edge and no separate permanent route between the rock and landing zones. The enclosed gray-green harbor water lies alongside the rock and landing edge, opens seaward to the blue-gray open sea, and provides an unobstructed sea outlook from the rock. The surroundings must be a believable, currently inhabited working harbor neighborhood in Incheon in 2026, including adjacent coastal buildings and an ordinary waterfront access street. The harbor site and its outdoor areas must visibly carry ordinary signs of active daily maritime use; a bare, sterile, abandoned, or empty-harbor presentation is nonconforming. Use clear late-day visibility. No signage is present.", "location_line_en": "A working harbor shoreline in Incheon, South Korea, in 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "건물 전면이 없는 갯바위와 선착장 가장자리이므로 식별 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 장소 단서 중심", "evidence_ko": [ "S#26. 포구 / 해질 무렵", "갯바위에 앉아있는 수리영.", "하염없이 안개가 몰려오는 바다를 바라보는데,", "배에서 내린 인우(24세. 남)는 닷줄을 고정시키고 있다." ], "prompt_en": "A currently inhabited working harbor neighborhood in Incheon surrounds the waterfront, with adjacent coastal buildings and an ordinary access street. The harbor remains visibly in active daily maritime use rather than bare, sterile, or abandoned. The main subject is a zero-storey permanent shoreline site with no enclosed building or architectural openings. A rough, naturally mottled gray-brown tidal rock outcrop faces across enclosed gray-green harbor water toward the blue-gray open sea. The harbor water opens outward on the seaward side. One weathered gray marine-concrete boat landing edge directly adjoins the rock zone and meets the harbor water. One safety-yellow painted steel mooring point stands immediately beside the landing edge. The rock and landing zones connect directly without a separate permanent route. Salt weathering and tidal staining are established surface wear. Clear late-day visibility reveals the open sea from the rock outcrop. No signage is present.", "variant_id": "v1" }, { "approach_ko": "항구 지형과 연결 관계 중심", "evidence_ko": [ "포구를 몇 시간째 돌아다니다 지친.", "그때 안개를 뚫고 배 한척이 다가오는 게 보인다.", "배로 다가가는 수리영.", "인우(24세. 남)는 닷줄을 고정시키고 있다." ], "prompt_en": "The location belongs to a currently inhabited, actively working Incheon harbor neighborhood in 2026. Adjacent coastal buildings and the ordinary waterfront street establish a real neighborhood, while the harbor grounds visibly retain the normal signs of ongoing maritime service. The main subject has zero storeys and no enclosed building, rooms, doors, windows, or frontage. Its massing is a single horizontal shoreline composition: a rough mottled gray-brown tidal rock outcrop beside an enclosed gray-green harbor basin, one weathered gray marine-concrete landing edge at the water, and one safety-yellow painted steel mooring point immediately beside that edge. The rock outcrop and landing edge adjoin directly, with no added permanent path between them. The harbor water opens toward the blue-gray open sea, which is visible across the water from the rocks. Permanent salt wear and tidal discoloration mark the rock, concrete, and painted steel. The site is seen in clear late-day conditions. Signage is absent.", "variant_id": "v2" }, { "approach_ko": "재료와 지역 항구 유형 중심", "evidence_ko": [ "포구 / 해질 무렵", "안개 낀 포구와 갯바위: 시야를 가리는 짙은 안개로 덮인 텅 빈 포구와 거친 질감의 바위지대다.", "바다로 다시 나갈 건가요?", "어느 섬으로 갈건데..." ], "prompt_en": "An ordinary inhabited harbor district in Incheon surrounds the site, with regionally typical adjacent coastal buildings and a waterfront access street. The setting reads as an active 2026 working harbor, with unstaged everyday signs of maritime use throughout its outdoor areas. The zero-storey main subject contains no enclosed structure and no architectural openings. Rough tidal rock forms a mottled gray-brown outcrop with ingrained salt and tide marks. Beside it, a single fixed landing edge is weathered gray marine concrete meeting the enclosed gray-green harbor water. A single safety-yellow painted steel mooring point, worn by marine exposure, is fixed immediately beside the landing edge. The rock zone meets the landing zone directly without any separate permanent route. Beyond them, the harbor water opens to the blue-gray open sea, maintaining a direct sea outlook from the outcrop. Clear late-day light keeps the shoreline and sea legible. There is no signage.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited working harbor neighborhood in Incheon surrounds the waterfront, with adjacent coastal buildings and an ordinary access street. The harbor remains visibly in active daily maritime use rather than bare, sterile, or abandoned. The main subject is a zero-storey permanent shoreline site with no enclosed building or architectural openings. A rough, naturally mottled gray-brown tidal rock outcrop faces across enclosed gray-green harbor water toward the blue-gray open sea. The harbor water opens outward on the seaward side. One weathered gray marine-concrete boat landing edge directly adjoins the rock zone and meets the harbor water. One safety-yellow painted steel mooring point stands immediately beside the landing edge. The rock and landing zones connect directly without a separate permanent route. Salt weathering and tidal staining are established surface wear. Clear late-day visibility reveals the open sea from the rock outcrop. No signage is present.\n\nTHE LOCATION: A working harbor shoreline in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain and post-rain wetness; Empty-harbor condition; Approaching boat; Mooring line; People and their scene positions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently inhabited, actively working Incheon harbor neighborhood in 2026. Adjacent coastal buildings and the ordinary waterfront street establish a real neighborhood, while the harbor grounds visibly retain the normal signs of ongoing maritime service. The main subject has zero storeys and no enclosed building, rooms, doors, windows, or frontage. Its massing is a single horizontal shoreline composition: a rough mottled gray-brown tidal rock outcrop beside an enclosed gray-green harbor basin, one weathered gray marine-concrete landing edge at the water, and one safety-yellow painted steel mooring point immediately beside that edge. The rock outcrop and landing edge adjoin directly, with no added permanent path between them. The harbor water opens toward the blue-gray open sea, which is visible across the water from the rocks. Permanent salt wear and tidal discoloration mark the rock, concrete, and painted steel. The site is seen in clear late-day conditions. Signage is absent.\n\nTHE LOCATION: A working harbor shoreline in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain and post-rain wetness; Empty-harbor condition; Approaching boat; Mooring line; People and their scene positions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited harbor district in Incheon surrounds the site, with regionally typical adjacent coastal buildings and a waterfront access street. The setting reads as an active 2026 working harbor, with unstaged everyday signs of maritime use throughout its outdoor areas. The zero-storey main subject contains no enclosed structure and no architectural openings. Rough tidal rock forms a mottled gray-brown outcrop with ingrained salt and tide marks. Beside it, a single fixed landing edge is weathered gray marine concrete meeting the enclosed gray-green harbor water. A single safety-yellow painted steel mooring point, worn by marine exposure, is fixed immediately beside the landing edge. The rock zone meets the landing zone directly without any separate permanent route. Beyond them, the harbor water opens to the blue-gray open sea, maintaining a direct sea outlook from the outcrop. Clear late-day light keeps the shoreline and sea legible. There is no signage.\n\nTHE LOCATION: A working harbor shoreline in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain and post-rain wetness; Empty-harbor condition; Approaching boat; Mooring line; People and their scene positions\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe main subject is a zero-storey permanent harbor shoreline site with no enclosed building, rooms, doors, windows, or architectural frontage. Its single horizontal composition consists of a rough mottled gray-brown tidal rock outcrop directly adjoining one weathered gray marine-concrete boat landing edge, with one safety-yellow painted steel mooring point immediately beside the landing edge and no separate permanent route between the rock and landing zones. The enclosed gray-green harbor water lies alongside the rock and landing edge, opens seaward to the blue-gray open sea, and provides an unobstructed sea outlook from the rock. The surroundings must be a believable, currently inhabited working harbor neighborhood in Incheon in 2026, including adjacent coastal buildings and an ordinary waterfront access street. The harbor site and its outdoor areas must visibly carry ordinary signs of active daily maritime use; a bare, sterile, abandoned, or empty-harbor presentation is nonconforming. Use clear late-day visibility. No signage is present.\n\nTHE LOCATION: A working harbor shoreline in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nDense harbor fog; Rain and post-rain wetness; Empty-harbor condition; Approaching boat; Mooring line; People and their scene positions", "seed_decision": { "input_fingerprint": "2f020b6db4dfe62c", "totals": { "A": 10, "B": 7, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "Flawless conformance; perfectly captures the single horizontal composition of the rock directly adjoining the concrete landing, features a clear yellow steel mooring point, and prominently displays signs of active daily maritime use." }, { "label": "B", "score": 7, "verdict_ko": "Structurally conforms, but the yellow mooring point is malformed and indistinct, while the concrete landing area itself appears relatively bare of the required active maritime use." }, { "label": "C", "score": 4, "verdict_ko": "Structural violation; places the yellow mooring point on a separate, disconnected foreground pier across the water from the rock, breaking the committed single adjoining composition." } ], "critique": { "issues": [ { "issue_ko": "간판이 없어야 한다는 지침에도 불구하고 왼쪽 항구 건물들과 흰색 트럭에 간판과 텍스트가 있습니다.", "fix_en": "Remove all signage and text from the buildings and the truck.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all signage and text from the buildings and the truck.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_mountain_forest": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_mountain_forest_sel.png", "seed_asset_id": "21ae1700-ad11-40db-8f89-96f7ba33d58e", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real urban-fringe mountain woodland in Incheon, continuous with the broader lived-in surroundings and visibly functioning as an actively used and maintained local forest rather than an abandoned site or empty compound. The target location has zero storeys because it contains no building. Its gray-brown tree cover extends across the interior and encloses a portion of dense green undergrowth set among and directly adjoining the trees. Brown natural soil forms one uninterrupted ground plane beneath the tree cover and undergrowth. No architectural openings, frontage, or signage exist.\n\nTHE LOCATION: Geumwolsan forest interior in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ntemporary police control line; bodies under police recovery; loose single shoe; flowing blood from the injured man\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The image must show the same 2026 Geumwolsan forest interior in Incheon, South Korea. There is no constructed structure: zero storeys, zero architectural openings, and no walls, roof, doors, windows, stairs, railings, fence, or gate. Gray-brown tree cover spans and surrounds a portion of dense green undergrowth, while a continuous brown natural soil ground plane extends beneath both. The site must sit within a believable, actively used and maintained urban-fringe mountain woodland that reads as part of Incheon's lived-in surroundings, not as an empty lot, abandoned compound, studio set, or remote pristine wilderness. The permanent topology is limited to the surrounding tree cover, the adjoining dense undergrowth among the trees, and the continuous forest ground. No signage or excluded transient investigative or bodily evidence may appear.", "location_line_en": "Geumwolsan forest interior in Incheon, South Korea, in 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "자연 숲속 현장에는 시설을 식별하는 상설 간판이 없다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문에 직접 근거한 현장 구성", "evidence_ko": [ "숲속 / 해 질 무렵", "우거진 수풀", "현장 / D" ], "prompt_en": "The location is an interior portion of Geumwolsan forest within Incheon's lived-in urban fringe, surrounded by the ordinary continuity of an actively used and maintained local mountain woodland. There is no constructed structure and no storey or architectural opening. Gray-brown tree cover spans the forest interior and surrounds dense green undergrowth growing among and adjoining the trees. A continuous brown natural soil ground plane extends beneath both vegetation layers. The forest materials and natural wear are ordinary for Incheon in 2026, with no signage and no imposed facility frontage.", "variant_id": "v1" }, { "approach_ko": "주변 산림 환경부터 확정하는 입지 중심 구성", "evidence_ko": [ "숲속", "우거진 수풀을 헤치며", "현장을 감식하는" ], "prompt_en": "This is a real urban-fringe mountain woodland in Incheon, continuous with the broader lived-in surroundings and visibly functioning as an actively used and maintained local forest rather than an abandoned site or empty compound. The target location has zero storeys because it contains no building. Its gray-brown tree cover extends across the interior and encloses a portion of dense green undergrowth set among and directly adjoining the trees. Brown natural soil forms one uninterrupted ground plane beneath the tree cover and undergrowth. No architectural openings, frontage, or signage exist.", "variant_id": "v2" }, { "approach_ko": "재료와 지면의 연속성을 우선한 구성", "evidence_ko": [ "우거진 수풀", "숲속", "현장 / D" ], "prompt_en": "The broader setting is Incheon's ordinary lived-in urban-edge mountain forest in 2026, with the unstaged character of woodland that remains in active local use and maintenance. The target is a natural forest interior, not a constructed structure, so it has zero storeys and zero architectural openings. Regionally typical gray-brown trunks and green foliage form tree cover around a dense green undergrowth portion. The undergrowth grows among and adjoins the surrounding trees. A continuous brown soil surface provides the forest ground beneath both, with natural regional weathering and no signage or architectural frontage.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is an interior portion of Geumwolsan forest within Incheon's lived-in urban fringe, surrounded by the ordinary continuity of an actively used and maintained local mountain woodland. There is no constructed structure and no storey or architectural opening. Gray-brown tree cover spans the forest interior and surrounds dense green undergrowth growing among and adjoining the trees. A continuous brown natural soil ground plane extends beneath both vegetation layers. The forest materials and natural wear are ordinary for Incheon in 2026, with no signage and no imposed facility frontage.\n\nTHE LOCATION: Geumwolsan forest interior in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ntemporary police control line; bodies under police recovery; loose single shoe; flowing blood from the injured man\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real urban-fringe mountain woodland in Incheon, continuous with the broader lived-in surroundings and visibly functioning as an actively used and maintained local forest rather than an abandoned site or empty compound. The target location has zero storeys because it contains no building. Its gray-brown tree cover extends across the interior and encloses a portion of dense green undergrowth set among and directly adjoining the trees. Brown natural soil forms one uninterrupted ground plane beneath the tree cover and undergrowth. No architectural openings, frontage, or signage exist.\n\nTHE LOCATION: Geumwolsan forest interior in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ntemporary police control line; bodies under police recovery; loose single shoe; flowing blood from the injured man\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe broader setting is Incheon's ordinary lived-in urban-edge mountain forest in 2026, with the unstaged character of woodland that remains in active local use and maintenance. The target is a natural forest interior, not a constructed structure, so it has zero storeys and zero architectural openings. Regionally typical gray-brown trunks and green foliage form tree cover around a dense green undergrowth portion. The undergrowth grows among and adjoins the surrounding trees. A continuous brown soil surface provides the forest ground beneath both, with natural regional weathering and no signage or architectural frontage.\n\nTHE LOCATION: Geumwolsan forest interior in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ntemporary police control line; bodies under police recovery; loose single shoe; flowing blood from the injured man\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe image must show the same 2026 Geumwolsan forest interior in Incheon, South Korea. There is no constructed structure: zero storeys, zero architectural openings, and no walls, roof, doors, windows, stairs, railings, fence, or gate. Gray-brown tree cover spans and surrounds a portion of dense green undergrowth, while a continuous brown natural soil ground plane extends beneath both. The site must sit within a believable, actively used and maintained urban-fringe mountain woodland that reads as part of Incheon's lived-in surroundings, not as an empty lot, abandoned compound, studio set, or remote pristine wilderness. The permanent topology is limited to the surrounding tree cover, the adjoining dense undergrowth among the trees, and the continuous forest ground. No signage or excluded transient investigative or bodily evidence may appear.\n\nTHE LOCATION: Geumwolsan forest interior in Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ntemporary police control line; bodies under police recovery; loose single shoe; flowing blood from the injured man", "seed_decision": { "input_fingerprint": "92470d6f4581b50e", "totals": { "B": 7, "A": 5, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "자연스러운 숲의 내부를 구조물 없이 정확하게 묘사했으며, 도시 외곽의 생활권이라는 설정도 잘 보여줍니다." }, { "label": "A", "score": 5, "verdict_ko": "지침에서 명시적으로 금지한 벽과 난간(우측 하단 콘크리트 옹벽 및 철제 가드레일)이 포함되어 감점 요인이 되었습니다." }, { "label": "C", "score": 4, "verdict_ko": "숲 내부에 나무 벤치가 배치되어, 영구적 지형지물은 자연물로만 제한된다는 조건을 위반했습니다." } ], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_open_sea": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_open_sea_sel.png", "seed_asset_id": "5f16a551-c697-4604-88f8-f5b57a424d85", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is open sea in the Yellow Sea off Incheon in 2026. Gray-green seawater extends without interruption to the marine horizon. The sea is the sole subject and persistent spatial reference. No land edge, building, route, boundary structure, fixed landmark, storey, wall, roof, opening, or signage exists. The surrounding maritime territory is currently active working water and visibly carries ordinary signs of regional use without changing the all-sea topology. This is a real open-water location, not a constructed set.\n\nTHE LOCATION: Open sea in the Yellow Sea off Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog band; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The established location is an open-sea expanse in the Yellow Sea off Incheon in 2026. The sea surface is gray-green seawater and occupies the entire outdoor site. There is no target structure: the committed storey count is zero, with no massing, exterior walls, roof, materials, doors, windows, stairs, signage, routes, boundaries, land edges, or connected fixed landmarks. Evidenced opening count is zero. The sea is the sole persistent spatial reference. The broader setting must read as real, currently active working waters associated with inhabited Incheon and must visibly carry ordinary region-appropriate signs of ongoing maritime use, while preserving the uninterrupted all-sea topology and adding no permanent feature.", "location_line_en": "Open sea in the Yellow Sea off Incheon, South Korea, in 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "고정 구조물이 없는 외해이므로 식별 간판이 없다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문에 직접 근거한 해상 공간 중심 접근", "evidence_ko": [ "바다" ], "prompt_en": "The location is open sea in the Yellow Sea off Incheon in 2026. Gray-green seawater extends without interruption to the marine horizon. The sea is the sole subject and persistent spatial reference. No land edge, building, route, boundary structure, fixed landmark, storey, wall, roof, opening, or signage exists. The surrounding maritime territory is currently active working water and visibly carries ordinary signs of regional use without changing the all-sea topology. This is a real open-water location, not a constructed set.", "variant_id": "v1" }, { "approach_ko": "영구 지형과 부재 요소를 우선하는 위상 중심 접근", "evidence_ko": [ "서해 먼바다" ], "prompt_en": "An uninterrupted expanse of gray-green Yellow Sea water occupies the entire established site off Incheon in 2026. Its permanent topology consists only of open sea. The location has zero storeys and no structure, façade, roof, door, window, stair, route, enclosure, shoreline, pavement, or fixed landmark. The wider setting belongs to the actively used maritime territory of inhabited Incheon and visibly retains ordinary regional signs of ongoing work, with no permanent addition to the water-only site.", "variant_id": "v2" }, { "approach_ko": "인천 외해의 현실적 해역 특성을 우선하는 지역성 중심 접근", "evidence_ko": [ "서해 먼바다", "바다" ], "prompt_en": "This is contemporary open water in the Yellow Sea beyond Incheon. Regionally natural gray-green seawater fills the site and continues to an unobstructed marine horizon. Open sea is the only persistent spatial element; no target building or other fixed construction exists, and the opening count is zero. The broader waters read as part of a currently active maritime region serving inhabited Incheon, with visible ordinary signs of that use left unstaged and regionally authentic. No land-based neighborhood or permanent landmark intrudes into the established sea expanse.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is open sea in the Yellow Sea off Incheon in 2026. Gray-green seawater extends without interruption to the marine horizon. The sea is the sole subject and persistent spatial reference. No land edge, building, route, boundary structure, fixed landmark, storey, wall, roof, opening, or signage exists. The surrounding maritime territory is currently active working water and visibly carries ordinary signs of regional use without changing the all-sea topology. This is a real open-water location, not a constructed set.\n\nTHE LOCATION: Open sea in the Yellow Sea off Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog band; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn uninterrupted expanse of gray-green Yellow Sea water occupies the entire established site off Incheon in 2026. Its permanent topology consists only of open sea. The location has zero storeys and no structure, façade, roof, door, window, stair, route, enclosure, shoreline, pavement, or fixed landmark. The wider setting belongs to the actively used maritime territory of inhabited Incheon and visibly retains ordinary regional signs of ongoing work, with no permanent addition to the water-only site.\n\nTHE LOCATION: Open sea in the Yellow Sea off Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog band; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is contemporary open water in the Yellow Sea beyond Incheon. Regionally natural gray-green seawater fills the site and continues to an unobstructed marine horizon. Open sea is the only persistent spatial element; no target building or other fixed construction exists, and the opening count is zero. The broader waters read as part of a currently active maritime region serving inhabited Incheon, with visible ordinary signs of that use left unstaged and regionally authentic. No land-based neighborhood or permanent landmark intrudes into the established sea expanse.\n\nTHE LOCATION: Open sea in the Yellow Sea off Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog band; In-woo's boat; boat wake\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe established location is an open-sea expanse in the Yellow Sea off Incheon in 2026. The sea surface is gray-green seawater and occupies the entire outdoor site. There is no target structure: the committed storey count is zero, with no massing, exterior walls, roof, materials, doors, windows, stairs, signage, routes, boundaries, land edges, or connected fixed landmarks. Evidenced opening count is zero. The sea is the sole persistent spatial reference. The broader setting must read as real, currently active working waters associated with inhabited Incheon and must visibly carry ordinary region-appropriate signs of ongoing maritime use, while preserving the uninterrupted all-sea topology and adding no permanent feature.\n\nTHE LOCATION: Open sea in the Yellow Sea off Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nsetting sun and golden reflection; dense fog band; In-woo's boat; boat wake", "seed_decision": { "input_fingerprint": "f63bdb7ff19bc1ea", "totals": { "A": 10, "B": 3, "C": 7 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "해수면이 야외 공간 전체를 차지하며 육지 가장자리나 영구적인 공간 참조점 없이 배들이 오가는 모습을 통해 지침의 모든 시각적 조건을 완벽히 충족합니다." }, { "label": "B", "score": 3, "verdict_ko": "수평선 너머로 육지와 거대한 항구 시설이 뚜렷하게 나타나 '육지 가장자리가 없고 해수면이 전체 야외를 차지한다'는 핵심 지침을 정면으로 위반했습니다." }, { "label": "C", "score": 7, "verdict_ko": "육지는 보이지 않으나 수면에 다수의 양식장 구조물과 부표들이 배치되어 있어 '영구적인 지형지물이나 지속적인 공간 참조점을 추가하지 않는다'는 조건을 다소 위반합니다." } ], "critique": { "issues": [ { "issue_ko": "화면 좌측의 배 뒤편과 우측 하단 수면에 스크립트 제외 요소인 배의 항적(boat wake)이 묘사되어 있습니다.", "fix_en": "Remove the boat wakes trailing behind the vessel on the left and in the foreground water.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the boat wakes trailing behind the vessel on the left and in the foreground water.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_retail_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_retail_store_sel.png", "seed_asset_id": "40c8635a-28fd-4d3f-b913-166aac4c1a19", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited commercial neighborhood near Incheon’s port surrounds the site, with the ordinary built density and everyday surroundings of a working district in 2026. The target is a one-storey rectangular supermarket approximately 45 metres wide, 35 metres deep, and 5.5 metres high to a straight parapet. Its reinforced-concrete and steel shell has off-white aluminum composite cladding, a charcoal-gray base, and a concealed flat roof. Minor rain streaks mark panel joints, and the base carries ordinary use wear without neglect. One prominent customer entrance is set into the street frontage as a clear-glass automatic sliding entrance with natural aluminum framing and region-typical adjoining frontage glazing. A blue-and-white sign band above it carries the fully legible text 우리동네마트. A fixed white weatherproof CCTV camera is mounted on the same frontage and faces the connected outdoor area. Gray concrete paving joins the entrance directly to the outdoor frontage area and the neighborhood street edge. The supermarket and its exterior visibly carry the ordinary signs of active commercial use.\n\nTHE LOCATION: A large supermarket in a port-adjacent commercial district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 일반적인 현대 한국의 대형 마트 내부로, 물품이 진열된 밝고 정리된 상업 공간이다. / 대형 마트 총무과: 마트 내부의 보안 및 관리 사무실로, 다수의 모니터와 사무용 집기가 배치된 공간이다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네마트\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every candidate must show the same currently operating one-storey Incheon supermarket: a broad rectangular commercial mass approximately 45 metres across the frontage, 35 metres deep, and 5.5 metres high to the parapet. This floor plate must plausibly contain a full large-supermarket sales area and a separate security and administration office at ordinary real-world room sizes. The shell is reinforced concrete and steel, clad in off-white aluminum composite panels above a charcoal-gray base, with a concealed flat roof, minor rain streaking at panel joints, and ordinary base wear. The street frontage has one prominent customer entrance opening, formed as a clear-glass automatic sliding entrance in natural aluminum framing. Region-typical frontage glazing may accompany the entrance without becoming additional prominent entrances. A blue-and-white sign band must display the exact, fully legible lettering 우리동네마트. A fixed white weatherproof CCTV camera is mounted on the same frontage and points toward the connected gray concrete outdoor entrance area. Do not add, remove, duplicate, or relocate these topology elements, and do not add unsupported prominent openings. The supermarket and its outdoor area must visibly carry ordinary signs of active commercial use. The complete frontage must stand within a believable, currently inhabited port-adjacent commercial neighborhood in Incheon rather than on empty ground or in a sterile compound.", "location_line_en": "A large supermarket in a port-adjacent commercial district of Incheon, South Korea, in 2026.", "room_inventory": [ { "evidence_ko": "마트에 도착해 자전거를 세우고, 안으로 들어간다. 민숙은 이 마트의 진열담당 직원. 이리저리 엄마를 찾아보지만 보이지 않는다", "label_en": "supermarket sales floor", "scene_index": 8 }, { "evidence_ko": "S#20. 마트 총무과 / 실내", "label_en": "security and administration office", "scene_index": 20 } ], "room_inventory_applicable": true, "signage_reason_ko": "대형 마트는 2026년 한국에서 식별 가능한 상호 간판을 갖는 상업시설이다.", "signage_required": true, "signage_text": "우리동네마트", "variants": [ { "approach_ko": "시나리오 원문에 직접 근거한 외부 공간 구성", "evidence_ko": [ "포구와 인접해 있는 번화가", "마트에 도착해 자전거를 세우고, 안으로 들어간다.", "/ 마트 밖\n엄마와 남자 직원 CCTV 위치를 확인하다. 찍혔을 만한 위치다." ], "prompt_en": "A currently inhabited commercial neighborhood near Incheon’s port surrounds the site, with the ordinary built density and everyday surroundings of a working district in 2026. The target is a one-storey rectangular supermarket approximately 45 metres wide, 35 metres deep, and 5.5 metres high to a straight parapet. Its reinforced-concrete and steel shell has off-white aluminum composite cladding, a charcoal-gray base, and a concealed flat roof. Minor rain streaks mark panel joints, and the base carries ordinary use wear without neglect. One prominent customer entrance is set into the street frontage as a clear-glass automatic sliding entrance with natural aluminum framing and region-typical adjoining frontage glazing. A blue-and-white sign band above it carries the fully legible text 우리동네마트. A fixed white weatherproof CCTV camera is mounted on the same frontage and faces the connected outdoor area. Gray concrete paving joins the entrance directly to the outdoor frontage area and the neighborhood street edge. The supermarket and its exterior visibly carry the ordinary signs of active commercial use.", "variant_id": "v1" }, { "approach_ko": "항구 인접 상업 동네에서 건물로 접근하는 구성", "evidence_ko": [ "포구와 인접해 있는 번화가, 네온사인, 택시, 호객 행위, 길거리 포장마차 사이로 능숙하게 자전거를 모는 수리영.", "마트 밖을 나오면서", "그게 CCTV에 찍혔을까." ], "prompt_en": "The site belongs to a dense, currently inhabited port-adjacent commercial neighborhood in Incheon, not an isolated parcel. Its surrounding buildings and street fabric read as an ordinary working district in 2026, with unstaged regional everyday detail. Along this street edge stands a one-storey supermarket mass measuring about 45 metres across the frontage, 35 metres in depth, and 5.5 metres to the parapet. The broad rectangular shell is reinforced concrete and steel beneath off-white aluminum composite panels, with a charcoal-gray lower wall and a flat roof hidden behind the parapet. The finish shows restrained rain streaking and routine commercial wear. The frontage contains one prominent customer opening: a clear-glass automatic sliding entrance in natural aluminum framing, integrated with normal Korean supermarket frontage glazing. Its blue-and-white signage band displays 우리동네마트 in crisp, fully legible lettering. A fixed white weatherproof CCTV camera belongs to this frontage and is directed across the connected exterior entrance area. That area is finished in gray concrete and leads directly between the entrance and the neighborhood street. The premises visibly remain in active commercial service.", "variant_id": "v2" }, { "approach_ko": "재료와 현대 한국 대형 마트 유형을 우선한 구성", "evidence_ko": [ "S#8. 번화가·대형 마트 / 해질 무렵", "민숙은 이 마트의 진열담당 직원.", "CCTV 같은 거 볼 수 있을까요?", "/ 마트 밖" ], "prompt_en": "Off-white aluminum composite panels define a one-storey Korean supermarket frontage, with a charcoal-gray base, natural aluminum entrance framing, and clear commercial glazing. The reinforced-concrete and steel building is a broad rectangular volume approximately 45 metres wide by 35 metres deep, rising 5.5 metres to a parapet that conceals its flat roof. Panel joints have minor rain streaks, while the lower finish shows ordinary wear from continued operation rather than abandonment. One prominent automatic sliding customer entrance is embedded in the frontage. Directly above the entrance zone, a blue-and-white commercial sign band presents the exact legible text 우리동네마트. A fixed white weatherproof CCTV camera is attached to the same exterior frontage and points over the connected gray concrete outdoor area. This paving forms the direct exterior approach between the entrance and the street edge. The complete market frontage sits within a believable, currently inhabited commercial neighborhood near Incheon’s port, surrounded by ordinary regional urban fabric. The building and outdoor area visibly show normal active supermarket use.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited commercial neighborhood near Incheon’s port surrounds the site, with the ordinary built density and everyday surroundings of a working district in 2026. The target is a one-storey rectangular supermarket approximately 45 metres wide, 35 metres deep, and 5.5 metres high to a straight parapet. Its reinforced-concrete and steel shell has off-white aluminum composite cladding, a charcoal-gray base, and a concealed flat roof. Minor rain streaks mark panel joints, and the base carries ordinary use wear without neglect. One prominent customer entrance is set into the street frontage as a clear-glass automatic sliding entrance with natural aluminum framing and region-typical adjoining frontage glazing. A blue-and-white sign band above it carries the fully legible text 우리동네마트. A fixed white weatherproof CCTV camera is mounted on the same frontage and faces the connected outdoor area. Gray concrete paving joins the entrance directly to the outdoor frontage area and the neighborhood street edge. The supermarket and its exterior visibly carry the ordinary signs of active commercial use.\n\nTHE LOCATION: A large supermarket in a port-adjacent commercial district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 일반적인 현대 한국의 대형 마트 내부로, 물품이 진열된 밝고 정리된 상업 공간이다. / 대형 마트 총무과: 마트 내부의 보안 및 관리 사무실로, 다수의 모니터와 사무용 집기가 배치된 공간이다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네마트\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site belongs to a dense, currently inhabited port-adjacent commercial neighborhood in Incheon, not an isolated parcel. Its surrounding buildings and street fabric read as an ordinary working district in 2026, with unstaged regional everyday detail. Along this street edge stands a one-storey supermarket mass measuring about 45 metres across the frontage, 35 metres in depth, and 5.5 metres to the parapet. The broad rectangular shell is reinforced concrete and steel beneath off-white aluminum composite panels, with a charcoal-gray lower wall and a flat roof hidden behind the parapet. The finish shows restrained rain streaking and routine commercial wear. The frontage contains one prominent customer opening: a clear-glass automatic sliding entrance in natural aluminum framing, integrated with normal Korean supermarket frontage glazing. Its blue-and-white signage band displays 우리동네마트 in crisp, fully legible lettering. A fixed white weatherproof CCTV camera belongs to this frontage and is directed across the connected exterior entrance area. That area is finished in gray concrete and leads directly between the entrance and the neighborhood street. The premises visibly remain in active commercial service.\n\nTHE LOCATION: A large supermarket in a port-adjacent commercial district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 일반적인 현대 한국의 대형 마트 내부로, 물품이 진열된 밝고 정리된 상업 공간이다. / 대형 마트 총무과: 마트 내부의 보안 및 관리 사무실로, 다수의 모니터와 사무용 집기가 배치된 공간이다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네마트\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOff-white aluminum composite panels define a one-storey Korean supermarket frontage, with a charcoal-gray base, natural aluminum entrance framing, and clear commercial glazing. The reinforced-concrete and steel building is a broad rectangular volume approximately 45 metres wide by 35 metres deep, rising 5.5 metres to a parapet that conceals its flat roof. Panel joints have minor rain streaks, while the lower finish shows ordinary wear from continued operation rather than abandonment. One prominent automatic sliding customer entrance is embedded in the frontage. Directly above the entrance zone, a blue-and-white commercial sign band presents the exact legible text 우리동네마트. A fixed white weatherproof CCTV camera is attached to the same exterior frontage and points over the connected gray concrete outdoor area. This paving forms the direct exterior approach between the entrance and the street edge. The complete market frontage sits within a believable, currently inhabited commercial neighborhood near Incheon’s port, surrounded by ordinary regional urban fabric. The building and outdoor area visibly show normal active supermarket use.\n\nTHE LOCATION: A large supermarket in a port-adjacent commercial district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 일반적인 현대 한국의 대형 마트 내부로, 물품이 진열된 밝고 정리된 상업 공간이다. / 대형 마트 총무과: 마트 내부의 보안 및 관리 사무실로, 다수의 모니터와 사무용 집기가 배치된 공간이다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네마트\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery candidate must show the same currently operating one-storey Incheon supermarket: a broad rectangular commercial mass approximately 45 metres across the frontage, 35 metres deep, and 5.5 metres high to the parapet. This floor plate must plausibly contain a full large-supermarket sales area and a separate security and administration office at ordinary real-world room sizes. The shell is reinforced concrete and steel, clad in off-white aluminum composite panels above a charcoal-gray base, with a concealed flat roof, minor rain streaking at panel joints, and ordinary base wear. The street frontage has one prominent customer entrance opening, formed as a clear-glass automatic sliding entrance in natural aluminum framing. Region-typical frontage glazing may accompany the entrance without becoming additional prominent entrances. A blue-and-white sign band must display the exact, fully legible lettering 우리동네마트. A fixed white weatherproof CCTV camera is mounted on the same frontage and points toward the connected gray concrete outdoor entrance area. Do not add, remove, duplicate, or relocate these topology elements, and do not add unsupported prominent openings. The supermarket and its outdoor area must visibly carry ordinary signs of active commercial use. The complete frontage must stand within a believable, currently inhabited port-adjacent commercial neighborhood in Incheon rather than on empty ground or in a sterile compound.\n\nTHE LOCATION: A large supermarket in a port-adjacent commercial district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 대형 마트 매장 내부: 일반적인 현대 한국의 대형 마트 내부로, 물품이 진열된 밝고 정리된 상업 공간이다. / 대형 마트 총무과: 마트 내부의 보안 및 관리 사무실로, 다수의 모니터와 사무용 집기가 배치된 공간이다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 2\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 2 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"우리동네마트\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nparked bicycle", "seed_decision": { "input_fingerprint": "3285a504f58add8c", "totals": { "A": 9, "B": 6, "C": 0 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "지시문과 거의 완벽하게 일치합니다. 진회색 기단 위 미색 패널, 단일 출입구, 정확한 간판 텍스트와 CCTV가 모두 지침대로 반영되었습니다. 전면부 길이가 45m보다는 약간 작아 보이지만, 허위 개구부나 불필요한 장식 없이 명세서를 가장 충실히 따랐습니다." }, { "label": "B", "score": 6, "verdict_ko": "활발한 상업적 사용 흔적(적재물 등)은 잘 표현되었으나, 지시문에 없는 회색 띠를 외벽 중간에 추가하고 우측면에 불필요한 창문을 뚫어 구조 및 색상 명세(단일 출입구, 미색 패널)를 위반했습니다." }, { "label": "C", "score": 0, "verdict_ko": "심각한 위반(Hard Violation): 지시문에 내부 크기 참고용으로만 제시된 방 이름('대형 마트 총무과')이 좌측 하단 간판에 텍스트로 유출되었습니다. 또한 지시되지 않은 다수의 문과 창문이 벽면 곳곳에 추가되었습니다." } ], "critique": { "issues": [ { "issue_ko": "지정된 간판 외에 주변 건물과 거리에 읽을 수 있는 수많은 텍스트(한글 간판 등)가 포함되어 있어, 이미지 내 다른 읽을 수 있는 텍스트를 추가하지 말라는 지침을 위반했습니다.", "fix_en": "Remove all legible text and characters from the surrounding buildings, vehicles, and street elements, leaving '우리동네마트' as the only readable text in the entire image." }, { "issue_ko": "주변 거리에 활기가 있음에도 불구하고 마트 앞 넓은 콘크리트 야외 공간이 완전히 비어 있어, 활발히 영업 중인 상업 시설의 일상적인 사용 흔적이 전혀 없는 생기 없는 장소로 보입니다.", "fix_en": "Add ordinary, unstaged everyday traces of active commercial use, such as stacked delivery crates, a stray shopping cart, or small localized wear, to the bare concrete area directly in front of the supermarket entrance." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all legible text and characters from the surrounding buildings, vehicles, and street elements, leaving '우리동네마트' as the only readable text in the entire image.\n- Add ordinary, unstaged everyday traces of active commercial use, such as stacked delivery crates, a stray shopping cart, or small localized wear, to the bare concrete area directly in front of the supermarket entrance.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_rooftop_residence": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_rooftop_residence_sel.png", "seed_asset_id": "605fee83-c4e3-45fc-8b9a-bd7d7a504772", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in 2026 Incheon outskirts neighborhood encloses the target within an older low-rise villa alley. Its adjacent residential buildings and everyday surroundings form continuous urban fabric rather than empty ground. The target villa is a three-storey, 14-by-11-metre concrete mass finished in faded pale-beige cement render, with gray patch repairs, weather staining and worn surfaces. Its flat roof carries a weathered green urethane waterproof layer. A single-storey rooftop dwelling occupies a 9-by-7-metre footprint while leaving open roof space around all four sides. The dwelling uses the same pale-beige rendered concrete and a flat concrete roof. Exactly one dark-gray painted steel entrance door faces the open rooftop beside the stair head. Exactly one exterior window with a silver aluminum frame occupies another visible wall. A dull-silver stainless-steel water tank remains outside the room in the open rooftop area. A pale-beige rendered concrete perimeter wall runs along an exposed roof edge within sight of the room and window. A steep gray concrete exterior stairway connects the rooftop stair head to the villa's rear yard. The yard sits behind one dark-brown painted steel ground-level entrance door reached directly from the alley. The dwelling, villa and outdoor areas visibly show ordinary active residential use in forms natural to Incheon in 2026.\n\nTHE LOCATION: An inhabited older low-rise villa alley in the outskirts of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 작은 창으로 빛이 들어오는 좁고 낡은 주거 공간으로, 생활감이 묻어나는 거실, 침실, 욕실이 이어진다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndried sweet-flag herbs and loose leaves; rooftop platform bed; rooftop clothesline; advertising leaflet in the door gap; bicycle in the rear yard; half-open state of the rooftop-room entrance door; illumination visible through the rooftop-room window; black cat at the rooftop boundary; vehicles and people outside the villa; figures and shadows visible at the rooftop-room window\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "Every image must show the same inhabited 2026 Incheon residential site: a three-storey, 14-by-11-metre multifamily villa supporting a single-storey, 9-by-7-metre rooftop dwelling. The villa and rooftop room are faded pale-beige cement-rendered concrete with exposed gray repairs and age-related staining. The villa has a flat concrete roof with weathered green urethane waterproofing. The rooftop dwelling has a flat concrete roof, exactly one dark-gray painted steel entrance door facing the rooftop near the stair head, and exactly one exterior window with a silver aluminum frame on another visible wall. Its 63-square-metre footprint must plausibly contain a living room, two separate bedrooms, a bathroom and an entrance area at real-world room sizes. The 14-by-11-metre main mass and roof must physically support that dwelling while retaining an open rooftop area around all exterior sides. The alley leads to exactly one dark-brown painted steel ground-level entrance door; that door leads into the rear yard; a steep gray concrete exterior stairway rises from the yard along the villa to the rooftop stair head beside the rooftop-room approach. The surrounding rooftop contains a dull-silver stainless-steel water tank, and a pale-beige rendered concrete perimeter wall follows an exposed roof edge within sight of the room and its window. The site must stand within a believable older low-rise residential alley neighborhood in the Incheon outskirts, with adjacent buildings and ordinary regional surroundings. The villa, rooftop dwelling and outdoor areas must visibly carry ordinary signs of active residential use as found in Incheon in 2026. A bare, sterile, abandoned or isolated candidate fails. No signage is present.", "location_line_en": "An inhabited older low-rise villa alley in the outskirts of Incheon, South Korea, in 2026.", "room_inventory": [ { "evidence_ko": "/거실", "label_en": "Living room", "scene_index": 12 }, { "evidence_ko": "/민숙 방", "label_en": "Mother's bedroom", "scene_index": 12 }, { "evidence_ko": "/수리영 방", "label_en": "Daughter's bedroom", "scene_index": 12 }, { "evidence_ko": "/현관", "label_en": "Entrance area", "scene_index": 14 }, { "evidence_ko": "/욕실 안", "label_en": "Bathroom", "scene_index": 18 } ], "room_inventory_applicable": true, "signage_reason_ko": "일반 사유 다세대주택은 업종이나 기관을 식별하는 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 단서를 직접 외관 사실로 전환한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "그 시각. 옥탑방 옥상. 물탱크.", "신발은 옥탑방 철문 현관 앞에 멈춰 선다.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고, 옥탑방과 연결되는 계단을 급히 오른다.", "새벽녘, 고양이 울음소리. 검은 고양이가 불이 켜져 있는 옥탑 방을 슬쩍 보더니 담을 넘는다" ], "prompt_en": "An older low-rise residential alley neighborhood occupies the outskirts of Incheon in 2026. Adjacent homes and the ordinary regional fabric surround the site, and the neighborhood reads as inhabited and in daily use. The target is a three-storey multifamily villa with a 14-by-11-metre main mass and a single-storey 9-by-7-metre rooftop dwelling. Both are concrete with faded pale-beige cement render, exposed gray repairs, age staining and worn edges. The flat villa roof has weathered green urethane waterproofing and remains open around every side of the rooftop dwelling. The rooftop room has a flat concrete roof, one dark-gray painted steel entrance door facing the open roof near the stair head, and one exterior window with a silver aluminum frame on another visible wall. A dull-silver stainless-steel water tank stands in the open rooftop area without fixing its side relative to the room. A pale-beige rendered concrete perimeter wall follows an exposed roof edge and remains visible with the room and window. The gray concrete exterior stairway rises steeply along the villa from the rear yard and ends beside the rooftop-room approach. At ground level, the alley reaches one dark-brown painted steel entrance door, which opens into the rear yard and the stair access. The structure and all outdoor residential areas visibly carry ordinary signs of active use appropriate to this Incheon neighborhood.", "variant_id": "v1" }, { "approach_ko": "재료와 노후 상태를 중심으로 정리한 로케이션 접근", "evidence_ko": [ "오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "반쯤 열린 현관 철문.", "옥탑방과 연결되는 계단을 급히 오른다." ], "prompt_en": "A lived-in 2026 Incheon outskirts neighborhood encloses the target within an older low-rise villa alley. Its adjacent residential buildings and everyday surroundings form continuous urban fabric rather than empty ground. The target villa is a three-storey, 14-by-11-metre concrete mass finished in faded pale-beige cement render, with gray patch repairs, weather staining and worn surfaces. Its flat roof carries a weathered green urethane waterproof layer. A single-storey rooftop dwelling occupies a 9-by-7-metre footprint while leaving open roof space around all four sides. The dwelling uses the same pale-beige rendered concrete and a flat concrete roof. Exactly one dark-gray painted steel entrance door faces the open rooftop beside the stair head. Exactly one exterior window with a silver aluminum frame occupies another visible wall. A dull-silver stainless-steel water tank remains outside the room in the open rooftop area. A pale-beige rendered concrete perimeter wall runs along an exposed roof edge within sight of the room and window. A steep gray concrete exterior stairway connects the rooftop stair head to the villa's rear yard. The yard sits behind one dark-brown painted steel ground-level entrance door reached directly from the alley. The dwelling, villa and outdoor areas visibly show ordinary active residential use in forms natural to Incheon in 2026.", "variant_id": "v2" }, { "approach_ko": "골목에서 옥상까지의 연결 동선을 우선한 유형학적 접근", "evidence_ko": [ "자전거를 타고 골목길을 달리는 수리영.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고, 옥탑방과 연결되는 계단을 급히 오른다.", "옥상에 올라와 보니 반쯤 열린 현관 철문.", "옥탑방 옥상. 물탱크." ], "prompt_en": "An inhabited older villa district in the Incheon outskirts surrounds a paved residential alley in 2026. The target remains embedded between adjacent low-rise neighborhood buildings with ordinary regionally appropriate surroundings. The site forms one continuous route from alley to roof. The alley meets one dark-brown painted steel entrance door in the three-storey multifamily villa. Beyond it is the rear yard, where a steep gray concrete exterior stairway begins and rises along the building to a rooftop stair head. The villa is a 14-by-11-metre concrete mass with faded pale-beige cement render, exposed gray repairs and age staining. Its flat roof has weathered green urethane waterproofing. A single-storey, 9-by-7-metre rooftop dwelling stands within the roof area, leaving open rooftop circulation around every side. Its pale-beige rendered concrete walls support a flat concrete roof. One dark-gray painted steel entrance door faces the open roof beside the stair head, and one silver aluminum-framed exterior window is set into another visible wall. A dull-silver stainless-steel water tank occupies the surrounding open rooftop without a fixed side. A pale-beige rendered concrete perimeter wall follows an exposed rooftop edge while remaining visually connected to the dwelling and window. The complete residential route, yard, stair, rooftop and dwelling visibly retain ordinary signs of current daily use.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn older low-rise residential alley neighborhood occupies the outskirts of Incheon in 2026. Adjacent homes and the ordinary regional fabric surround the site, and the neighborhood reads as inhabited and in daily use. The target is a three-storey multifamily villa with a 14-by-11-metre main mass and a single-storey 9-by-7-metre rooftop dwelling. Both are concrete with faded pale-beige cement render, exposed gray repairs, age staining and worn edges. The flat villa roof has weathered green urethane waterproofing and remains open around every side of the rooftop dwelling. The rooftop room has a flat concrete roof, one dark-gray painted steel entrance door facing the open roof near the stair head, and one exterior window with a silver aluminum frame on another visible wall. A dull-silver stainless-steel water tank stands in the open rooftop area without fixing its side relative to the room. A pale-beige rendered concrete perimeter wall follows an exposed roof edge and remains visible with the room and window. The gray concrete exterior stairway rises steeply along the villa from the rear yard and ends beside the rooftop-room approach. At ground level, the alley reaches one dark-brown painted steel entrance door, which opens into the rear yard and the stair access. The structure and all outdoor residential areas visibly carry ordinary signs of active use appropriate to this Incheon neighborhood.\n\nTHE LOCATION: An inhabited older low-rise villa alley in the outskirts of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 작은 창으로 빛이 들어오는 좁고 낡은 주거 공간으로, 생활감이 묻어나는 거실, 침실, 욕실이 이어진다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndried sweet-flag herbs and loose leaves; rooftop platform bed; rooftop clothesline; advertising leaflet in the door gap; bicycle in the rear yard; half-open state of the rooftop-room entrance door; illumination visible through the rooftop-room window; black cat at the rooftop boundary; vehicles and people outside the villa; figures and shadows visible at the rooftop-room window\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in 2026 Incheon outskirts neighborhood encloses the target within an older low-rise villa alley. Its adjacent residential buildings and everyday surroundings form continuous urban fabric rather than empty ground. The target villa is a three-storey, 14-by-11-metre concrete mass finished in faded pale-beige cement render, with gray patch repairs, weather staining and worn surfaces. Its flat roof carries a weathered green urethane waterproof layer. A single-storey rooftop dwelling occupies a 9-by-7-metre footprint while leaving open roof space around all four sides. The dwelling uses the same pale-beige rendered concrete and a flat concrete roof. Exactly one dark-gray painted steel entrance door faces the open rooftop beside the stair head. Exactly one exterior window with a silver aluminum frame occupies another visible wall. A dull-silver stainless-steel water tank remains outside the room in the open rooftop area. A pale-beige rendered concrete perimeter wall runs along an exposed roof edge within sight of the room and window. A steep gray concrete exterior stairway connects the rooftop stair head to the villa's rear yard. The yard sits behind one dark-brown painted steel ground-level entrance door reached directly from the alley. The dwelling, villa and outdoor areas visibly show ordinary active residential use in forms natural to Incheon in 2026.\n\nTHE LOCATION: An inhabited older low-rise villa alley in the outskirts of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 작은 창으로 빛이 들어오는 좁고 낡은 주거 공간으로, 생활감이 묻어나는 거실, 침실, 욕실이 이어진다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndried sweet-flag herbs and loose leaves; rooftop platform bed; rooftop clothesline; advertising leaflet in the door gap; bicycle in the rear yard; half-open state of the rooftop-room entrance door; illumination visible through the rooftop-room window; black cat at the rooftop boundary; vehicles and people outside the villa; figures and shadows visible at the rooftop-room window\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited older villa district in the Incheon outskirts surrounds a paved residential alley in 2026. The target remains embedded between adjacent low-rise neighborhood buildings with ordinary regionally appropriate surroundings. The site forms one continuous route from alley to roof. The alley meets one dark-brown painted steel entrance door in the three-storey multifamily villa. Beyond it is the rear yard, where a steep gray concrete exterior stairway begins and rises along the building to a rooftop stair head. The villa is a 14-by-11-metre concrete mass with faded pale-beige cement render, exposed gray repairs and age staining. Its flat roof has weathered green urethane waterproofing. A single-storey, 9-by-7-metre rooftop dwelling stands within the roof area, leaving open rooftop circulation around every side. Its pale-beige rendered concrete walls support a flat concrete roof. One dark-gray painted steel entrance door faces the open roof beside the stair head, and one silver aluminum-framed exterior window is set into another visible wall. A dull-silver stainless-steel water tank occupies the surrounding open rooftop without a fixed side. A pale-beige rendered concrete perimeter wall follows an exposed rooftop edge while remaining visually connected to the dwelling and window. The complete residential route, yard, stair, rooftop and dwelling visibly retain ordinary signs of current daily use.\n\nTHE LOCATION: An inhabited older low-rise villa alley in the outskirts of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 작은 창으로 빛이 들어오는 좁고 낡은 주거 공간으로, 생활감이 묻어나는 거실, 침실, 욕실이 이어진다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndried sweet-flag herbs and loose leaves; rooftop platform bed; rooftop clothesline; advertising leaflet in the door gap; bicycle in the rear yard; half-open state of the rooftop-room entrance door; illumination visible through the rooftop-room window; black cat at the rooftop boundary; vehicles and people outside the villa; figures and shadows visible at the rooftop-room window\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same inhabited 2026 Incheon residential site: a three-storey, 14-by-11-metre multifamily villa supporting a single-storey, 9-by-7-metre rooftop dwelling. The villa and rooftop room are faded pale-beige cement-rendered concrete with exposed gray repairs and age-related staining. The villa has a flat concrete roof with weathered green urethane waterproofing. The rooftop dwelling has a flat concrete roof, exactly one dark-gray painted steel entrance door facing the rooftop near the stair head, and exactly one exterior window with a silver aluminum frame on another visible wall. Its 63-square-metre footprint must plausibly contain a living room, two separate bedrooms, a bathroom and an entrance area at real-world room sizes. The 14-by-11-metre main mass and roof must physically support that dwelling while retaining an open rooftop area around all exterior sides. The alley leads to exactly one dark-brown painted steel ground-level entrance door; that door leads into the rear yard; a steep gray concrete exterior stairway rises from the yard along the villa to the rooftop stair head beside the rooftop-room approach. The surrounding rooftop contains a dull-silver stainless-steel water tank, and a pale-beige rendered concrete perimeter wall follows an exposed roof edge within sight of the room and its window. The site must stand within a believable older low-rise residential alley neighborhood in the Incheon outskirts, with adjacent buildings and ordinary regional surroundings. The villa, rooftop dwelling and outdoor areas must visibly carry ordinary signs of active residential use as found in Incheon in 2026. A bare, sterile, abandoned or isolated candidate fails. No signage is present.\n\nTHE LOCATION: An inhabited older low-rise villa alley in the outskirts of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 작은 창으로 빛이 들어오는 좁고 낡은 주거 공간으로, 생활감이 묻어나는 거실, 침실, 욕실이 이어진다.\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndried sweet-flag herbs and loose leaves; rooftop platform bed; rooftop clothesline; advertising leaflet in the door gap; bicycle in the rear yard; half-open state of the rooftop-room entrance door; illumination visible through the rooftop-room window; black cat at the rooftop boundary; vehicles and people outside the villa; figures and shadows visible at the rooftop-room window", "seed_decision": { "input_fingerprint": "1f0c0370e565d064", "totals": { "B": 8, "C": 5, "A": 4 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "B", "score": 8, "verdict_ko": "가장 우수한 구조적 일치도를 보입니다. 요구된 3층 규모의 매스를 유일하게 충족하며, 옥탑방의 출입문 1개와 창문 1개를 서로 다른 벽면에 정확히 배치했습니다. 옥탑방 전면에 용도를 알 수 없는 열린 계단실 구조가 추가되었고 골목에 스쿠터(제외 대상인 외부 차량)가 있는 점은 아쉽지만, 다른 후보들의 치명적인 구조적 누락을 성공적으로 피했습니다." }, { "label": "C", "score": 5, "verdict_ko": "요구된 3층 건물이 아닌 2층 규모로 묘사하여 주요 매싱 조건을 위반했습니다. 또한 옥탑방의 문과 창문이 서로 다른 벽면이 아닌 동일한 벽면에 배치되었으며, 지시사항에서 명시적으로 제외하도록 한 '옥상 빨랫줄(rooftop clothesline)'이 옥상에 그대로 묘사되어 감점되었습니다." }, { "label": "A", "score": 4, "verdict_ko": "지정된 3층 규모가 아닌 2층 건물로 묘사되어 매싱 조건을 위반했습니다. 옥탑방 전면에 출입문이 1개가 아닌 2개로 중복 생성되는 구조적 오류를 범했으며, 건물 외부에 주차된 차량들이 나타나 제외 대상(차량 및 사람) 조건 또한 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "옥탑방의 은색 알루미늄 창문이 출입문과 같은 벽면에 배치되어 있습니다 (지침은 '다른 보이는 벽면'을 요구함).", "fix_en": "Move the silver aluminum window from the front wall to the side wall of the rooftop dwelling.", "unfixable": false }, { "issue_ko": "옥탑방 정면 벽에 출입문과 창문 외에 지침에 없는 어두운 개방형 통로(계단실 입구 형태)가 뚫려 있어 개구부 수량 지침을 위반합니다.", "fix_en": "Fill in the dark, unclosed rectangular opening next to the dark-gray entrance door with solid pale-beige rendered concrete.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Move the silver aluminum window from the front wall to the side wall of the rooftop dwelling.\n- Fill in the dark, unclosed rectangular opening next to the dark-gray entrance door with solid pale-beige rendered concrete.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_urban_alley": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/79670d0c-2096-4d40-88cf-30b407411548/images/background_chain/seed_bg_urban_alley_sel.png", "seed_asset_id": "12e20d62-7c57-461f-90a0-6d4563db75fc", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWorn dark gray asphalt forms one continuous, narrow urban back-alley corridor in Incheon in 2026. A weathered gray concrete utility pole stands within the passage, and the area beside it remains directly reachable from the alley. One dull gray metal streetlight fixture serves the corridor in a standard regional installation; its exact mount, side, and relationship to the pole are left unresolved. The target contains no enclosed structure and therefore has no storeys or interior mass. It has no established wall, gate, adjoining entrance, or additional permanent site element. Ordinary occupied inner-city buildings surround the corridor as a believable lived-in residential and working neighborhood. Both the alley and its outdoor edges visibly carry the ordinary signs of active daily use. Night conditions produce a dark, strongly low-key contrast.\n\nTHE LOCATION: An inhabited inner-city back alley in Incheon, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Fallen woman; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "seed_variants": { "conformance_brief_en": "The target is an exterior site rather than an enclosed building, so it has no storeys, rooms, facade, or enclosed mass. It is one continuous, aged, narrow urban back-alley corridor with a worn dark gray asphalt surface. One weathered gray concrete utility pole stands within the passage and creates a directly accessible pole-side area. One dull gray metal streetlight fixture serves the same corridor, but its mounting point, side, and distance from the utility pole are not prescribed. Do not add a wall, gate, adjoining entrance, or separate target building as part of the established site topology. The corridor must remain embedded among ordinary occupied inner-city Incheon buildings rather than isolated on empty ground. The surrounding neighborhood and the alley visibly carry ordinary signs of current residential and local working use appropriate to Incheon in 2026. The setting is night with dark, low-key visual contrast. No identifying signage belongs to the target site.", "location_line_en": "An inhabited inner-city back alley in Incheon, South Korea, at night in 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "도시 뒷골목은 자체 식별 간판을 갖는 시설이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "도시 뒷골목 / N", "도심 희미한 가로등 불빛.", "전봇대" ], "prompt_en": "An aged, narrow urban back-alley corridor in inner-city Incheon at night in 2026. It runs continuously through an ordinary inhabited neighborhood of occupied residential and local working buildings with regionally typical finishes. The alley and its surroundings visibly carry ordinary signs of current daily use. The target site has no enclosed building mass or storeys. Its worn dark gray asphalt passage contains one weathered gray concrete utility pole with a directly accessible pole-side area. One dull gray metal streetlight fixture serves the corridor in a region-standard installation; its mounting point, side, and distance from the utility pole remain unspecified. No wall, gate, adjoining entrance, or separate building is established as part of the target topology. Dark nighttime conditions create strong low-key contrast.", "variant_id": "v1" }, { "approach_ko": "생활권 골목 맥락 우선", "evidence_ko": [ "S#2. 도시 뒷골목 / N", "도심", "가로등", "전봇대" ], "prompt_en": "A continuous back-alley passage belongs to a currently inhabited inner-city neighborhood in Incheon in 2026. Occupied residential and local working buildings stand around it with ordinary regionally authentic finishes, and the alley visibly shows normal ongoing neighborhood use. The target is the exterior corridor itself, with no storeys, rooms, facade, or enclosed mass. The passage is narrow and surfaced in worn dark gray asphalt. One weathered gray concrete utility pole stands inside the corridor and leaves its pole-side area accessible from the passage. A single dull gray metal streetlight fixture serves the alley through a typical local installation, without prescribing its mount, side, or spacing from the pole. No permanent wall, gate, adjoining entrance, or separate target building is added. The night setting has dark, low-key contrast.", "variant_id": "v2" }, { "approach_ko": "재료와 고정 배치 중심", "evidence_ko": [ "낡고 좁은 골목길", "낡은 전봇대", "어둡고 로우키 대비가 강한 조명 환경", "야간 공간" ], "prompt_en": "Worn dark gray asphalt forms one continuous, narrow urban back-alley corridor in Incheon in 2026. A weathered gray concrete utility pole stands within the passage, and the area beside it remains directly reachable from the alley. One dull gray metal streetlight fixture serves the corridor in a standard regional installation; its exact mount, side, and relationship to the pole are left unresolved. The target contains no enclosed structure and therefore has no storeys or interior mass. It has no established wall, gate, adjoining entrance, or additional permanent site element. Ordinary occupied inner-city buildings surround the corridor as a believable lived-in residential and working neighborhood. Both the alley and its outdoor edges visibly carry the ordinary signs of active daily use. Night conditions produce a dark, strongly low-key contrast.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn aged, narrow urban back-alley corridor in inner-city Incheon at night in 2026. It runs continuously through an ordinary inhabited neighborhood of occupied residential and local working buildings with regionally typical finishes. The alley and its surroundings visibly carry ordinary signs of current daily use. The target site has no enclosed building mass or storeys. Its worn dark gray asphalt passage contains one weathered gray concrete utility pole with a directly accessible pole-side area. One dull gray metal streetlight fixture serves the corridor in a region-standard installation; its mounting point, side, and distance from the utility pole remain unspecified. No wall, gate, adjoining entrance, or separate building is established as part of the target topology. Dark nighttime conditions create strong low-key contrast.\n\nTHE LOCATION: An inhabited inner-city back alley in Incheon, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Fallen woman; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA continuous back-alley passage belongs to a currently inhabited inner-city neighborhood in Incheon in 2026. Occupied residential and local working buildings stand around it with ordinary regionally authentic finishes, and the alley visibly shows normal ongoing neighborhood use. The target is the exterior corridor itself, with no storeys, rooms, facade, or enclosed mass. The passage is narrow and surfaced in worn dark gray asphalt. One weathered gray concrete utility pole stands inside the corridor and leaves its pole-side area accessible from the passage. A single dull gray metal streetlight fixture serves the alley through a typical local installation, without prescribing its mount, side, or spacing from the pole. No permanent wall, gate, adjoining entrance, or separate target building is added. The night setting has dark, low-key contrast.\n\nTHE LOCATION: An inhabited inner-city back alley in Incheon, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Fallen woman; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWorn dark gray asphalt forms one continuous, narrow urban back-alley corridor in Incheon in 2026. A weathered gray concrete utility pole stands within the passage, and the area beside it remains directly reachable from the alley. One dull gray metal streetlight fixture serves the corridor in a standard regional installation; its exact mount, side, and relationship to the pole are left unresolved. The target contains no enclosed structure and therefore has no storeys or interior mass. It has no established wall, gate, adjoining entrance, or additional permanent site element. Ordinary occupied inner-city buildings surround the corridor as a believable lived-in residential and working neighborhood. Both the alley and its outdoor edges visibly carry the ordinary signs of active daily use. Night conditions produce a dark, strongly low-key contrast.\n\nTHE LOCATION: An inhabited inner-city back alley in Incheon, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Fallen woman; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. The generic, everyday signs of a place's\nactive use are NOT staging — they are part of the place itself: when\nthe SHARED CONFORMANCE BRIEF commits current active use, the TARGET\nSTRUCTURE's own surfaces, entries and outdoor areas carry the\nordinary, accumulated traces of the use they serve, exactly as a\nscout would find the place on an ordinary day, and a target that\nreads bare or emptied out in a way inconsistent with that committed\nactive use is wrong. Which particular things show the use is the\nimage's own choice. The brief's own statements always win over this\nrule: a committed different use or occupancy state — empty, derelict,\ninstitutional or not yet occupied — and any committed age or\ncondition, including new construction, are facts to keep, never\nviolations." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is an exterior site rather than an enclosed building, so it has no storeys, rooms, facade, or enclosed mass. It is one continuous, aged, narrow urban back-alley corridor with a worn dark gray asphalt surface. One weathered gray concrete utility pole stands within the passage and creates a directly accessible pole-side area. One dull gray metal streetlight fixture serves the same corridor, but its mounting point, side, and distance from the utility pole are not prescribed. Do not add a wall, gate, adjoining entrance, or separate target building as part of the established site topology. The corridor must remain embedded among ordinary occupied inner-city Incheon buildings rather than isolated on empty ground. The surrounding neighborhood and the alley visibly carry ordinary signs of current residential and local working use appropriate to Incheon in 2026. The setting is night with dark, low-key visual contrast. No identifying signage belongs to the target site.\n\nTHE LOCATION: An inhabited inner-city back alley in Incheon, South Korea, at night in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people beside the utility pole; Fallen woman; Faint streetlight illumination", "seed_decision": { "input_fingerprint": "eea750b610edaef2", "totals": { "C": 7, "B": 6, "A": 2 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "우수한 구현입니다. 지시문대로 통로 내에 위치한 전봇대와 어둡고 대비가 낮은 야간 환경을 잘 표현했으며, 배제해야 할 임시 요소들도 모두 나타나지 않았습니다." }, { "label": "B", "score": 6, "verdict_ko": "구조와 환경 조건은 잘 만족시켰으나, 전반적인 조명이 지시문이 요구한 '어둡고 대비가 낮은(low-key)' 시각적 분위기보다 다소 밝고 대비가 강합니다." }, { "label": "A", "score": 2, "verdict_ko": "치명적 위반: 화면 중앙의 가로등 아래로 붉은색 수직선(다이어그램/마커)이 누출되어 이미지에 포함되었습니다." } ], "critique": { "issues": [] }, "fix_skipped": true } } } }, "step_id": "outdoor_structure_seed", "run_id": "73805914-69f9-470e-974c-dc65210bccac", "resolved_model": "gemini-image", "updated_at": "2026-07-23T15:27:20.650776+00:00", "project_config_snapshot": {} }