{
 "S15sh5": {
  "input_fingerprint": "941bce6b7b6bc60e",
  "geometry": {
   "camera": {
    "look_target": {
     "x": 0.53,
     "y": 0.61
    },
    "origin": {
     "x": 0.44,
     "y": 0.65
    }
   },
   "entity_placements": [
    {
     "slot": "E1",
     "subject_en": "shouting adult woman",
     "x": 0.45,
     "y": 0.58
    },
    {
     "slot": "E2",
     "subject_en": "running young woman",
     "x": 0.66,
     "y": 0.67
    }
   ],
   "rationale_ko": "혜수는 B1 해안 버스정류장 앞에 두고, 수리영은 도로 쪽 출발 경로를 따라 오른쪽 아래로 멀어진 위치에 배치했다. 카메라는 혜수의 진행 방향 앞쪽이자 한쪽 측면에 가깝게 두어 혜수가 전경 왼쪽의 상반신으로 크게 보이고, 한 발을 든 채 달아나는 수리영은 배경 오른쪽에 작게 남도록 했다."
  },
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "다이어그램 기호나 마커 없이 정상적으로 렌더링됨."
  },
  "prompt": "Draw a single CAMERA-VIEW storyboard frame (16:9) of the scene staged\non the attached TOP-DOWN SITE PLAN, seen from the camera position\ngiven in the STAGING GEOMETRY data below.\n\nJurisdiction of sources — follow all three, they do not conflict:\n- The attached SITE PLAN is the SOT for what exists on the site and\n  how its zones and landmarks are arranged relative to each other.\n- The STAGING GEOMETRY data below is the SOT for XY POSITIONS and\n  horizontal heading ONLY: where each subject stands on that plan,\n  where the camera stands, and which way it looks. Distances,\n  directions and relative depths between subjects come from these\n  coordinates. Subjects outside the camera's horizontal field of\n  view are out of frame.\n- The CAMERA DIRECTION text below (when present) is the SOT for the\n  VERTICAL angle, elevation, tilt and framing (eye-level, high angle,\n  overhead crane, low angle, ...). If it asks for a high or overhead\n  angle, draw that angle — the site plan being top-down does NOT mean\n  the frame must be eye-level.\n\nSTYLE — LIGHT STORYBOARD FRAME: thin uniform dark outlines on plain\npaper. No shading, no hatching, no texture, no facial features beyond\na minimal head shape, no costume detail. Human figures are correctly\nproportioned full-body outlines in their canonical poses. Environment\nis reduced to a few placement lines (ground line, key landmark\nsilhouettes) — just enough to read positions and depth.\n\nSTAGING GEOMETRY — PLANNING DATA ONLY, NEVER RENDER IT: the lines\nbelow are normalized map coordinates on the attached site plan\n(x runs left→right 0..1, y runs top→bottom 0..1). Use them solely to\nplace the camera and subjects. Do NOT draw any of this data in the\nimage — no numbers, no coordinates, no labels, no arrows, no cones,\nno dots, no diagram symbols of any kind.\n- the camera stands at (x=0.44, y=0.65) and looks toward (x=0.53, y=0.61); subjects outside the camera's horizontal field of view are out of frame\n- shouting adult woman stands at (x=0.45, y=0.58)\n- running young woman stands at (x=0.66, y=0.67)\n\nCAMERA DIRECTION (vertical angle / elevation / framing SOT): The pan settles at Hyesu’s chest height from slightly in front and to one side, tightening on her upper body as she cups both hands around her open mouth. Hyesu occupies the foreground left while Suriyeong remains smaller in the background right, caught with one foot airborne as she runs away along the departure path.\n\nTHE LOCATION: 해안가 버스정류장\n\nSHOT TEXT (authoritative, Korean): 한쪽 발이 공중에 뜬 달리기 자세인 수리영의 뒷모습을 배경으로, 두 손을 입가에 모으고 입을 크게 벌린 혜수의 상반신.\n\nCRITICAL — THE SITE PLAN IS A STAGING REFERENCE, NOT CONTENT: do NOT\ndraw the plan itself, and do NOT draw any diagram elements in the\nframe — no circles, dots, wedges, cones, arrows, callouts, codes or\nany other overlay symbols. The output is a clean storyboard drawing\nof the scene as seen by the camera only.\n\nNo text, no letters, no numbers, no captions anywhere in the image."
 }
}