outdoor_site_layout — groups 2

SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥탑방 옥상: at the mid-distance left side of the frame.
- 옥탑방: at the mid-distance center of the frame.
- 푸른빛이 도는 창문 (path): runs from the near left side of the frame to the near right side of the frame.
- 옥탑방 철문 현관: at the mid-distance left side of the frame.
- 물탱크: at the far left side of the frame.
FIGURES:
- 다른 형체 (C19): at the near center of the frame — NEAREST figure to the camera.
- 거대한 형체 (C18): at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.90x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 거대한 형체 is farther than 다른 형체 and must read visibly smaller and deeper in the frame.

• C12O13, at a three-quarter angle from the left, exerts decisive downward force → C12O13, centered at a three-quarter angle from the left and set slightly deeper in the frame, its silhouette visibly smaller than C04O05's nearer silhouette, exerts decisive downward force
• C04O05, in right profile, is trapped → C04O05, centered in right profile, is trapped
• beneath the larger shadow → beneath the slightly smaller, deeper shadow

Photorealistic cinematic still. A low observer looking slightly upward at the dark rooftop room, where a cold blue interior glow turns the closed window into a shadow screen occupying the upper frame. C12O13 in a black outfit, an adult figure appearing as a humanlike outline with no visible face or details, and C04O05 in gray knit homewear, an East Asian woman in her 40s with dark hair, are cast as two enlarged silhouettes against the glowing blue pane from the inside. C12O13, centered at a three-quarter angle from the left and set slightly deeper in the frame, its silhouette visibly smaller than C04O05's nearer silhouette, exerts decisive downward force, pinning the other down from above. C04O05, centered in right profile, is trapped beneath the slightly smaller, deeper shadow, receiving the force with eyes closed in a pained expression, her shoulder volume preserved by subtle shifts in shadow density. The surrounding facade extends downward to the concrete floor at the lower edge, heavily shrouded in darkness and dampness, leaving only faint wet highlights visible under the stark blue ambient night light. Thin cold mist drifts across the dark exterior.

SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the sea (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame.
- coastline (path): runs from the mid-distance right side of the frame to the mid-distance left side of the frame.
- dark coastal road (path): runs from the near right side of the frame to the mid-distance left side of the frame.
- bus stop shelter: at the near center of the frame.
FIGURES:
- 혜수 (C02): at the near center of the frame — NEAREST figure to the camera.
- 수리영 (C01): at the mid-distance center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.81x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance center of the frame; moving away from 혜수; NOT heading into the sea.
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

• Photorealistic cinematic still. → Photorealistic cinematic still. The dark coastal road runs from the near right side of the frame toward the mid-distance left, with the bus stop shelter near center and the sea held across the mid-distance, not on C01O01's path.
• C01O01 in a blue-gray hooded jacket, a young Korean woman leaving frame, is captured in the lower-center background moving toward the dark road beyond the stop → C01O01 in a blue-gray hooded jacket, a young Korean woman leaving frame, is captured in the lower-center mid-distance, visibly smaller and deeper than C02O03, already partway along the dark road beyond the stop toward the mid-distance center, moving away from C02O03 and not heading into the sea
• C02O03 in a dark gray field jacket, a middle-aged Korean woman near the bus stop, stands in the lower-left background looking toward C01O01 leaving the bus stop → C02O03 in a dark gray field jacket, a middle-aged Korean woman near the bus stop, stands in the lower-center background looking toward C01O01 leaving the bus stop
• running away from the glowing bus stop into the deeper darkness → running away from the glowing bus stop along the dark coastal road into the deeper darkness toward the mid-distance center, away from C02O03 and not into the sea
• pulling away from the foreground → already partway along the dark road beyond the stop

Photorealistic cinematic still. The dark coastal road runs from the near right side of the frame toward the mid-distance left, with the bus stop shelter near center and the sea held across the mid-distance, not on C01O01's path. Foreground darkness masking the watcher heavily obscures the middle-center foreground, while C01O01 in a blue-gray hooded jacket, a young Korean woman leaving frame, is captured in the lower-center mid-distance, visibly smaller and deeper than C02O03, already partway along the dark road beyond the stop toward the mid-distance center, moving away from C02O03 and not heading into the sea, and C02O03 in a dark gray field jacket, a middle-aged Korean woman near the bus stop, stands in the lower-center background looking toward C01O01 leaving the bus stop. C01O01 is seen from behind, running away from the glowing bus stop along the dark coastal road into the deeper darkness toward the mid-distance center, away from C02O03 and not into the sea; her back is turned completely toward the camera, and her body is captured in a mid-run posture, already partway along the dark road beyond the stop, her gaze fixed off-screen. C02O03 stands at a three-quarter angle from the right, calling out, her eyes fixed on C01O01. The dark coastal bus stop area is engulfed in heavy blue-black negative space and sea mist. A weak, golden sodium-vapor light emits from the bus stop, casting a dim yellowish spill and thin rim light against the oppressive darkness of the surrounding roadside. Faint red roadside reflections dot the wet ground, anchoring the static, hidden eye-level perspective framed through irregular opaque edges.