{ "status": "completed", "applicable_count": 21, "completed_count": 21, "failed_count": 0, "schema_version": 6, "config_hash": "a7f8564c0932fe86", "data": { "groups": { "bg_convenience_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_convenience_store_sel.png", "seed_asset_id": "6b316d57-eb86-4867-a900-28574258e76a", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a police station parking area that forms the principal camera-accessible outdoor zone. A vehicular approach directly meets one edge of the parking area and connects it to the off-site road network. The source does not establish a fixed compass orientation, a visible police station facade, marked pedestrian paths, or other permanent structures, so those details remain unspecified.\n- police station parking area: The parking area occupies the principal outdoor space associated with the police station and provides the standing and walking ground used in the scene.\n- vehicular approach to the police station parking area: The vehicular approach directly joins one perimeter edge of the police station parking area and continues outward to the off-site road network.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 편의점 앞: 편의점 유리창 밖 도로변에 위치한 외부 공간. 가로등이나 매장 불빛에 비친 벤치가 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 편의점 냉장고 뒤편 창고: 매장 내 캔 음료가 가득 찬 워크인 냉장고의 뒤편 빈 공간. 폐기 처분 바구니와 짐들이 있고 바닥에 핏방울이 떨어져 있다. / 편의점 매장 내부: 현대적인 편의점 매장으로 카운터, 각종 물품 진열대, 유리창이 배치되어 있다. 밝은 형광등 불빛이 매장을 비춘다.\n\nTHE LOCATION: 8. 실외. 경찰서 주차장 - 낮 (인우의 회상)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): People temporarily occupying the parking area; Thick money envelope prop\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "ddda5e9a-3675-458a-9951-acee7ff4f7d0", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_convenience_store/rounds/r001/cand_05.png", "sha256": "d34d1952c2cc359618a1d5f74715c4551c10129094ab53615ed1d05dfba18832", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "c738d89084e6c7f9", "totals": { "A": 7, "B": 6, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지시된 약간 높은 3/4 측면 구도와 빈 주차장 조건을 충족하며, 참조 이미지의 건물 형태와 지붕 디테일을 가장 정확히 구현했습니다." }, { "label": "B", "score": 6, "verdict_ko": "건물 형태와 구도는 적절하나, 불투명한 차양 재질과 제시되지 않은 울타리 구조물이 주변에 추가되어 감점되었습니다." }, { "label": "C", "score": 4, "verdict_ko": "구도가 낮아 지붕 디테일이 누락되었으며, 명시적으로 금지된 내부 형태(편의점 파란 띠)가 창문에 묘사되어 규정을 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트에서 경찰서 건물 외관과 주변 도로 등은 지정되지 않았으며 레퍼런스의 레이아웃과 주변 환경을 복사하지 말라고 명시했으나, 레퍼런스의 건물, 교차로, 배경 나무 및 카메라 구도까지 그대로 복사되었습니다.", "fix_en": "Remove the police station building, adjacent street intersection, and background elements, leaving only the requested parking area and vehicular approach.", "needs_regeneration": true, "unfixable": true }, { "issue_ko": "레퍼런스 사진의 주차장 바닥에 있는 도색된 방향 지시 화살표와 텍스트 기입용 박스 등 표식들이 누락되고 단순한 빈 주차 선만 그려져 있습니다.", "fix_en": "Paint directional arrows and text marking boxes onto the asphalt surface of the parking lot to match the reference.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Paint directional arrows and text marking boxes onto the asphalt surface of the parking lot to match the reference.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_dream_forest_trail": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_dream_forest_trail_sel.png", "seed_asset_id": "3886e67d-ff26-465f-b78a-a09ba4f9ac59", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The established outdoor site is limited to a forest interior. No persistent trail course, entrance, boundary, structure, or connection to another mapped area is established by the supplied scene text, so the forest should remain a single undivided site zone. Dream-dependent distance distortion is not part of the persistent layout.\n- Referenced forest interior: Occupies the outdoor site referenced as the forest; the supplied scene text establishes no persistent path alignment, boundary, entrance, or adjoining structure within it.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 꿈속 금월도 숲속 오솔길: 거리감과 공간감이 왜곡되어 아무리 걸어도 제자리인 듯한 비현실적인 숲속 오솔길.\n\nTHE LOCATION: 37. 실내. 반월 식당 뒷방 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Dream-state distance distortion; Missing necklace state\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "25971ec8-cdb8-4c5c-bd6b-53ded9c8fb38", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_dream_forest_trail/rounds/r001/cand_01.png", "sha256": "51c8390956f727af3ee8514ff59fda782cba4da8962cd7fb771169ca61164a18", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "800b55d0912ac4d9", "totals": { "B": 6, "A": 5, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 6, "verdict_ko": "지정된 약간 위에서 내려다보는 3/4 측면 카메라 구도와 빈 장면 지침을 가장 잘 준수했으며, 레퍼런스의 덩굴이 감긴 소나무 숲 환경을 자연스럽게 반영했습니다." }, { "label": "A", "score": 5, "verdict_ko": "카메라 구도와 숲 환경 묘사는 우수하나, 구조물 주변 형태가 다소 복잡하여 단일 구조물의 형태를 명확히 보여주는 데 있어 B보다 약간 뒤처집니다." }, { "label": "C", "score": 4, "verdict_ko": "문이 열려 있어 내부가 노출되었으며(외관만 묘사하라는 의도에 어긋남), 목조 중심의 질감이 레퍼런스나 한국적 배경 맥락과 상대적으로 이질적입니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트에 숲 내부에 어떠한 구조물도 없어야 한다고 명시되어 있으나, 화면 중앙에 전통 가옥이 생성되었습니다.", "fix_en": "Remove the building entirely and replace it with continuous forest trees and undergrowth matching the surroundings.", "needs_regeneration": true, "unfixable": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_unfixable" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_fishing_boat": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_fishing_boat_sel.png", "seed_asset_id": "bac2f48d-abbf-4aa6-94c9-42103de83af2", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The fixed landing pier extends from the village-side shore into adjoining docking water. Its outer end is the waterward arrival point, while its landward connection feeds into the approach leading into the village. Banwol Restaurant stands in the village-side area reached from this approach, with its front area oriented toward the dockward line of movement. Elsewhere on the island shoreline, a tidal rock outcrop directly meets the sea; the source does not establish its bearing or distance from the landing pier, so it should remain a separate shoreline sector rather than be assigned an invented position relative to the dock.\n- Geumwoldo landing pier: The landing pier extends from the village-side shore into the docking water and connects at its landward end to the village approach.\n- waterward end of Geumwoldo landing pier: This is the outer terminus of the landing pier, opposite its connection to the village approach and immediately beside the docking water.\n- water adjoining Geumwoldo landing pier: The docking water directly adjoins the sides and waterward end of the landing pier so vessels can reach the landing structure.\n- dock-to-village approach: The approach begins at the landward connection of the landing pier and continues into the village, providing the necessary fixed passage between the dock and village-side buildings.\n- Banwol Restaurant building: The restaurant stands on the village side of the site, reached after moving inland from the landing pier; its front area faces the dock-to-village approach.\n- wave-edge tidal rock outcrop: The rock outcrop forms an exposed shoreline surface with one edge directly adjoining the sea.\n- sea adjoining the tidal rock outcrop: The sea directly borders the wave-edge side of the tidal rock outcrop.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 낚시 어선 외부 및 갑판: 푸른 바다 위를 달리는 5톤급 현대식 낚시 어선의 외부. 바다의 하얀 포말이 인다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낚시 어선 조타실: 낚시 어선의 선장이 조종하는 좁은 실내 공간. 조타기와 레이더 장비가 있다. / 낚시 어선 어창 내부: 배 갑판 아래에 위치한 물고기 보관용 창고. 어둡고 답답한 사각 해치 아래 비좁은 공간이다.\n\nTHE LOCATION: 19. 실내. 구형 산타페 SUV - 새벽(지후의 회상)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): arriving fishing boat; assembled village crowd; waves striking the tidal rocks; people occupying the pier and restaurant frontage\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "e894db74-b7fb-4a42-aa68-215947744367", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_fishing_boat/rounds/r001/cand_01.png", "sha256": "68cdf92da5bb9838f163bc6be30be413e08d403f074bf1ddbc80062d7d230b67", "fittings": [ { "target_native": "섬마을 선착장", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_fishing_boat/rounds/r001/cand_08.png", "sha256": "ae0a539bba9594a88671e4fc54abbacf4c0e381fc31d4e48c2f7b073464b9717" }, { "target_native": "물가 갯바위", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_fishing_boat/rounds/r001/cand_15.png", "sha256": "a4dcd9da5a0efd14fb0a9fd649dad92a51dbaa99044d1f7af6eddd4708327b78" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "ca1f8449e2b79fbe", "totals": { "C": 7, "B": 5, "A": 3 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "형태 참고 이미지의 좁고 긴 콘크리트 비율을 정확히 재현했으며, 보조 참고 이미지의 레이아웃을 모방하지 않고 부두와 마을의 배치를 지침에 맞게 잘 구현했습니다." }, { "label": "B", "score": 5, "verdict_ko": "부두가 형태 참고 이미지에 비해 너무 두껍고 원본에 없는 계단이 추가되어 형태 재현의 충실도가 떨어집니다." }, { "label": "A", "score": 3, "verdict_ko": "형태 참고 이미지를 무시하고 보조 참고 이미지의 방파제 구도와 장벽을 그대로 복사하여 레이아웃 차용 금지 지침을 심각하게 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "장소 설명에 '새벽' 시간대로 명시되어 있으나, 밝은 대낮의 조명과 하늘로 잘못 묘사되었습니다.", "fix_en": "Change the sky and overall lighting to a dim, early dawn atmosphere.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "지정된 형태 기준 이미지(Form Reference)는 바닥에 깔린 낮고 평평한 길 형태이나, 생성된 이미지는 수면 위로 높게 솟은 두꺼운 수직 콘크리트 방파제 형태로 잘못 구조화되었습니다.", "fix_en": "Rebuild the pier as a low, flat paved pathway laid flush with the surrounding ground, matching the construction type of the first reference image.", "needs_regeneration": true, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the sky and overall lighting to a dim, early dawn atmosphere.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "지정된 형태 기준 이미지(Form Reference)는 바닥에 깔린 낮고 평평한 길 형태이나, 생성된 이미지는 수면 위로 높게 솟은 두꺼운 수직 콘크리트 방파제 형태로 잘못 구조화되었습니다.", "fix_en": "Rebuild the pier as a low, flat paved pathway laid flush with the surrounding ground, matching the construction type of the first reference image.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_forest_cave": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_forest_cave_sel.png", "seed_asset_id": "c55a139c-93b6-44f8-89bb-912f4fb6fc2c", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A traversable exterior approach meets the cave mouth and continues through it into the inner cave passage. Inside, the passage is organized by a continuous cave floor between enclosing cave walls and beneath the cave ceiling. The floor provides the route from the entrance side toward a deeper cave corner. No permanent relationship to the restaurant backyard or warehouse from scene 26 is established for this site.\n- natural cave mouth: At the end of the exterior cave approach, opening directly into the inner cave passage.\n- exterior approach to the cave mouth: Outside and directly adjoining the natural cave mouth, providing access from the surrounding exterior into the cave.\n- inner cave passage floor: Extending inward from the cave mouth between the cave walls and continuing toward the deep cave corner.\n- inner cave ceiling: Above the inner cave passage floor and spanning between the enclosing cave walls.\n- enclosing inner cave walls: Along both sides of the inner cave passage floor, supporting the spatial enclosure beneath the cave ceiling.\n- deep cave corner: At the deeper end of the inner cave route, adjoining the cave floor and enclosing walls.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 숲속 동굴 입구: 거대한 자연 동굴의 입구. 나무 기둥과 판자를 얼기설기 덧대어 형태를 만들었고 내부는 캄캄하다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 금월도 숲속 동굴 내부: 빛이 들지 않는 깊고 축축한 자연 동굴. 바닥에 인골과 토막 난 시체가 널려 있다.\n\nTHE LOCATION: 27. 실외. 반월 식당 뒤뜰 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): broken human bones and severed remains; bat colony; blood pools and wall blood traces; restraining chain\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "ab9c3c3f-fb40-4fe8-8d87-0af7a6431aaa", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_cave/rounds/r001/cand_06.png", "sha256": "d59d0f7b7002f6095c0a1ba8188cc08319a47b5845700276d6b09259bbc8e192", "fittings": [ { "target_native": "동굴 천장에 매달린 박쥐 떼", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_cave/rounds/r001/cand_07.png", "sha256": "d4a7dbe09fb596d858cb67894744cfad41ed19897d286f6411b57ff501953a84" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "ac1283b17b6d9229", "totals": { "C": 7, "B": 5, "A": 4 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "지시된 3/4 측면 구도와 밤 시간대, 얼기설기 엮인 나무 구조물을 가장 충실하게 구현했습니다." }, { "label": "B", "score": 5, "verdict_ko": "나무 구조물의 형태는 잘 표현되었으나, 요구된 3/4 측면 구도가 아닌 정면 구도이며 밝은 낮으로 렌더링되었습니다." }, { "label": "A", "score": 4, "verdict_ko": "3/4 측면 구도는 어느 정도 반영되었으나 나무 구조물이 너무 빈약하고 주간으로 묘사되었습니다." } ], "critique": { "issues": [ { "issue_ko": "시간대가 '밤'으로 설정되어야 하나, 낮 시간대의 밝은 조명으로 렌더링되었습니다.", "fix_en": "Change the lighting to a night time environment, significantly darkening the exterior rocks, foliage, and ground, while maintaining the pitch-black darkness of the cave interior.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the lighting to a night time environment, significantly darkening the exterior rocks, foliage, and ground, while maintaining the pitch-black darkness of the cave interior.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_forest_ritual_clearing": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_forest_ritual_clearing_sel.png", "seed_asset_id": "dda47e7c-bf17-4f91-8e97-7bf6000f938b", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A descending approach path passes through pine woodland. Low forest understory flanks the path and provides a distinct ground-level cover area beneath the trees. The path reaches an open ritual clearing embedded within the same woodland, with the surrounding trees forming its outer spatial enclosure. The clearing provides a continuous central open area, while the ritual rock occupies an adjoining position inside the clearing and serves as its principal fixed focal feature. Movement through the site proceeds from the wooded path, past the understory edge, into the outer portion of the clearing, and then toward the ritual rock side.\n- descending forest approach path: The path descends through the woodland and provides the approach toward the forest ritual ground.\n- pine woodland surrounding the forest approach: The pine woodland occupies both sides of the descending approach path and continues around the ritual ground within the forest site.\n- low forest understory beside the approach path: The low understory borders the approach path beneath the surrounding trees and forms a ground-level cover zone beside the route.\n- open ritual clearing within the forest: The open ritual clearing lies within the surrounding woodland at the end of the forest approach and contains enough continuous open ground for a broad circular arrangement.\n- ritual rock inside the forest clearing: The ritual rock stands inside the clearing, adjoining the open area used as the center of the ritual ground.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 숲속 만월제 도당: 숲 한가운데 둥글게 트인 공터. 거대한 바위와 제단이 있고 커다란 모닥불들이 타오른다.\n\nTHE LOCATION: 54. 실외. 해안마을 선착장 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Active ritual bonfires; Ring of black-clad worshippers; Severed goat head and blood on the ritual rock; Blood-stained ritual clothing; Ritual performers, janggu, and drums; Full moon and lunar-eclipse state; Passing smoke above the forest; Handheld flashlight illumination\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "8fe979ca-8092-4fbe-b963-2f48410b7135", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_ritual_clearing/rounds/r001/cand_04.png", "sha256": "4bab95884fbe619d76df3bb4e12156b7e51215a812e58f435915228f9868beb9", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "da42eb229a3864cd", "totals": { "B": 7, "A": 6, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "지시문과 참조 이미지의 바위 형태를 충실히 반영했으며, 금지된 장식물이나 인위적인 구조물을 추가하지 않고 자연스러운 숲속 공터를 정확하게 구현했습니다." }, { "label": "A", "score": 6, "verdict_ko": "바위와 공터의 전반적인 구성은 훌륭하나, 지시문에 언급되지 않은 인위적인 돌 경계석을 공터 둘레에 임의로 추가한 점이 감점 요인입니다." }, { "label": "C", "score": 4, "verdict_ko": "자연물(바위와 식물)에는 인공적인 부착물이 없어야 한다는 명확한 지시를 어기고 참조 이미지에 있던 천 조각(리본)들을 그대로 묘사했습니다." } ], "critique": { "issues": [ { "issue_ko": "바위가 공터 한가운데에 위치하여 '중앙의 연속된 빈 공간'을 막고 있으며, '가장자리에 인접한 위치' 지시를 위반했습니다.", "fix_en": "The rock's central placement breaks the required continuous open area; fixing this layout requires rebuilding the scene's geometry.", "needs_regeneration": true, "unfixable": true }, { "issue_ko": "지시문에 명시된 '제단'이 바위 근처에 존재하지 않습니다.", "fix_en": "Add a prominent stone ritual altar at the base of the main rock.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add a prominent stone ritual altar at the base of the main rock.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_forest_slaughter_complex": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_forest_slaughter_complex_sel.png", "seed_asset_id": "6434b544-0a16-42ea-a909-412c18868a98", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a roughly assembled wooden slaughterhouse building enclosed by woodland. A navigable exterior perimeter follows the building walls, passes the exterior viewing window, and serves the inferred exterior entrance. From this perimeter, the forest escape trail runs outward through the surrounding woodland. A descending hillside falls away beside the trail before the route reaches a woodland opening. That opening delivers the trail onto a narrow forest footpath where the view opens. Across the footpath, an opposite woodland opening provides a facing approach from another part of the forest. The footpath continues through the meeting area between these opposing woodland boundaries, allowing cameras to stage the two approaches across its open width.\n- roughly assembled wooden slaughterhouse building: The building occupies the central developed footprint within the surrounding woodland and is bordered by a navigable exterior perimeter.\n- exterior viewing window: The window is set into one exterior wall of the wooden slaughterhouse building and faces the navigable exterior perimeter.\n- navigable slaughterhouse exterior perimeter: This circulation area directly follows the outside walls of the slaughterhouse building, including the wall containing the exterior viewing window, and connects to the forest escape trail.\n- slaughterhouse exterior entrance: The entrance is set into an exterior wall of the slaughterhouse building and opens directly onto the navigable exterior perimeter.\n- forest escape trail: The trail leads away from the slaughterhouse exterior perimeter through the surrounding woodland and eventually reaches the slaughterhouse-side woodland opening at the narrow footpath.\n- descending forest hillside: The hillside drops away beside the forest escape trail before the trail reaches the narrow footpath.\n- woodland surrounding the slaughterhouse: The woodland encloses the slaughterhouse exterior zone, contains the forest escape trail and descending hillside, and forms boundaries around the narrow footpath meeting area.\n- narrow forest footpath: The footpath crosses the end of the forest escape trail and continues through the meeting area between opposing woodland boundaries.\n- slaughterhouse-side woodland opening: This opening marks where the forest escape trail emerges from the woodland directly onto the narrow forest footpath.\n- opposite woodland opening: This opening meets the narrow forest footpath from the woodland side opposite the slaughterhouse-side woodland opening, establishing two facing approaches across the path.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 숲속 염소 축사: 해송 숲속 한가운데 나무와 그물망으로 거칠게 지어진 흙바닥 축사. / 숲속 도축장 외부 및 진입로: 숲속 깊은 곳 염소 축사 옆에 위치한 나무 가건물 외관.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 숲속 도축장 내부: 벽에 도축용 기구들이 널려 있는 가건물 내부. 바닥과 벽면에 검붉은 핏자국이 선명하다.\n\nTHE LOCATION: 33. 실외/ 실내. 도축장 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): black goat herd; dust and cobweb accumulation on the exterior window; handheld phone at the exterior window; slaughter tools and movable containers; people moving through the forest and around the path; blood and bodily residue; filled sacks stored inside the building\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "0e4652b0-a874-4da8-8287-14c87d8b1508", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_slaughter_complex/rounds/r001/cand_06.png", "sha256": "2a254fa543b6b219398bd2494b262605e4a81ea2a05db179edda54902420e740", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "a2772890ed7dc830", "totals": { "C": 8, "B": 5, "A": 4 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 8, "verdict_ko": "요구된 약간 높은 카메라 앵글과 레퍼런스 건축물을 잘 재현했으며, 오솔길 옆으로 떨어지는 내리막 경사면 지형까지 프롬프트에 맞게 가장 정확히 구현했습니다." }, { "label": "B", "score": 5, "verdict_ko": "레퍼런스의 건축물 형태와 밤 시간대는 잘 반영했으나, 요구된 상승된 뷰가 아니며 오솔길 옆의 내리막 경사면이 평탄하게 처리되어 지형 조건에서 감점되었습니다." }, { "label": "A", "score": 4, "verdict_ko": "건축물과 야간 배경은 일치하지만, 카메라 앵글이 지상 시점이며 프롬프트에 명시된 주변 지형(내리막 경사면 등)이 전혀 표현되지 않아 정확도가 떨어집니다." } ], "critique": { "issues": [ { "issue_ko": "주변 숲이 프롬프트에 명시된 '해송'(소나무) 숲이 아니라 잎이 넓은 활엽수림으로 표현되었습니다.", "fix_en": "Replace the surrounding broadleaf trees with black pines that have needle-like foliage.", "needs_regeneration": false, "unfixable": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_unfixable" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_coastal_path": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_coastal_path_sel.png", "seed_asset_id": "db224d93-349d-4756-ba61-84ffa536a9bf", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site has a wooded land sector and a waterfront dock sector. Within the woodland, a forest marker area contains the principal gravestone with the faint Suriyoung inscription, while additional variant markers bearing the same name occur at other unspecified points in the same wooded site. The surrounding woodland continues beyond the principal marker along the direction of passage through the vegetation. At the waterfront, the Geumwoldo dock stands between navigable water on its waterside edge and a landward access route on its opposite side. That access route provides the site-plan connection from the dock toward the wooded land sector, while its precise course, distance, and orientation remain undefined by the source.\n- Gravestone bearing the faint Suriyoung inscription: Fixed within the forest marker area, with its inscribed face accessible from the surrounding woodland ground.\n- Additional variant grave markers bearing the Suriyoung name: Distributed at other points within the same wooded site beyond the principal inscribed gravestone; their exact spacing and individual forms are unspecified.\n- Woodland surrounding the grave-marker route: Encloses the forest marker area and continues beyond it in the direction of travel through the vegetation.\n- Geumwoldo waterfront dock: Occupies the waterfront sector, with a landward side for site access and a waterside edge for vessels.\n- Navigable water adjoining the dock: Directly contacts the waterside edge of the Geumwoldo waterfront dock so vessels can berth there.\n- Landward access route to the waterfront dock: Meets the landward side of the Geumwoldo waterfront dock and provides the fixed circulation connection toward the wooded land sector; its exact alignment is unspecified.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 해안길: 섬 가장자리를 따라 굽이치는 좁은 길과 가파른 갯바위 지대.\n\nTHE LOCATION: 58. 실외. 숲속 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Decaying meat beside the grave markers; Body on the spread plastic sheet; Gathered island residents; Police patrol boat\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "8298aa7d-29ef-4c4d-95d6-2834c4411c32", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_coastal_path/rounds/r001/cand_08.png", "sha256": "9dc83ffdd45fd9d392106feb16ff7fceef0227f59f260e8928e45bdb080b7780", "fittings": [ { "target_native": "오래된 묘비", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_coastal_path/rounds/r001/cand_10.png", "sha256": "89ce3b8b9cdf8fb5cb18cabbb21eaf4d2b44c4dc04b500d5e27bb8ca520970d7" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "e335f1e80d91fa80", "totals": { "A": 7, "B": 3, "C": 5 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "레퍼런스의 형태만 정확히 추출하였고, 프롬프트에 명시된 숲 속 경로와 흐릿한 비문 등 세부 묘사 지침을 가장 잘 따랐습니다." }, { "label": "B", "score": 3, "verdict_ko": "레퍼런스 이미지의 배경(봉분 및 주변 석물)을 그대로 복사하여 주변 환경 모방 금지 지침을 심각하게 위반했습니다." }, { "label": "C", "score": 5, "verdict_ko": "주변 환경 모방 금지 지침을 지키며 숲 속에 비석을 배치했으나, A에 비해 숲을 통과하는 경로의 표현이 다소 부족합니다." } ], "critique": { "issues": [ { "issue_ko": "비석 너머 숲속 배경에 분포해야 할 추가적인 변형 묘비들이 보이지 않습니다.", "fix_en": "Add several variant grave markers scattered at different distances among the trees in the background woodland.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "비석의 비문이 요청된 '희미한 Suriyoung 명문'이 아닌 참고 사진의 한자를 그대로 복사하여 배치했습니다.", "fix_en": "Replace the copied Chinese characters on the gravestone's face with a faint, weathered inscription reading 'Suriyoung'.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add several variant grave markers scattered at different distances among the trees in the background woodland.\n- Replace the copied Chinese characters on the gravestone's face with a faint, weathered inscription reading 'Suriyoung'.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_dock": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_dock_sel.png", "seed_asset_id": "5920c8a3-9754-40bd-96db-d86a0391e5df", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around an island landing dock at the Geumwoldo shoreline. Inshore berthing water directly adjoins the dock's seaward side, while a shoreward access approach meets its landward side and continues toward the island interior. Fixed mooring fixtures line the water-facing portion of the dock. A fixed landing identification sign stands beside the shoreward access point, where it can identify the landing to people approaching from either the island or the dock. The adjoining shoreline extends to both sides of the landing and separates the inshore water from the island interior.\n- Geumwoldo island landing dock: The landing dock occupies the shoreline edge, directly adjoining the inshore berthing water on its seaward side and the shoreward dock approach on its landward side.\n- fixed dockside mooring fixtures: The fixed mooring fixtures are attached along the water-facing portion of the Geumwoldo island landing dock, within reach of vessels occupying the adjoining berthing water.\n- fixed Geumwoldo landing identification sign: The identification sign stands beside the landward end of the island landing dock, adjacent to the point where the shoreward dock approach meets the dock.\n- inshore water beside the island landing: The inshore water directly borders the seaward side of the island landing dock and the adjoining Geumwoldo shoreline, providing the vessel approach to the landing.\n- shoreward access approach to the island landing: The access approach meets the landward end of the island landing dock and connects it to the island interior.\n- shoreline flanking the Geumwoldo landing: The shoreline adjoins both sides of the island landing dock, with inshore water on one side and the island interior on the other.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 선착장: 섬으로 들어오는 시멘트 바닥의 선착장. 밧줄 묶는 쇠기둥과 어선들이 대어 있고 주변에 숲이 보인다.\n\nTHE LOCATION: 22. 실내. 반월 식당 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): moored fishing boats; police patrol boat approaching Geumwoldo; people waiting at the landing; arriving island settlers and welcoming residents; yellow police line\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "762d3175-7f31-4544-a4b6-f9ca3ecd402f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_dock/rounds/r001/cand_01.png", "sha256": "6e7b352977c2dc7aa868ccc0740ed3a2e2f5707254ab4f1062c0c8f20edf032f", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "d948c6a08d217cc4", "totals": { "B": 7, "A": 6, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "참조 이미지의 선착장 형태(비대칭적 확장)와 주변 환경을 가장 잘 재현했으며, 지정된 한국어 텍스트와 빈 풍경 조건을 정확히 충족합니다." }, { "label": "A", "score": 6, "verdict_ko": "지정된 텍스트와 필수 구조물은 잘 구현했으나, 선착장 바닥의 형태가 참조 이미지의 형태를 온전히 반영하지 못하고 단순화되었습니다." }, { "label": "C", "score": 4, "verdict_ko": "프롬프트에 없는 영문 텍스트가 표지판에 추가되었으며, 선착장 위에 불필요한 단차/벽 구조물이 생성되어 형태적 오류가 있습니다." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_open_sea": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_open_sea_sel.png", "seed_asset_id": "ea2145e9-3148-47b4-b459-c45c8c0b49cc", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A gear warehouse occupies the landward side of the site, with a fixed window facing an exterior dock. A service entrance in the warehouse exterior provides the building's permanent access. The dock lies outside the window-facing side of the warehouse and directly adjoins the water. Open water extends outward from the dock, forming the waterside edge of the site.\n- dockside fishing-gear warehouse: The warehouse stands on the landward side of the site, beside the exterior dock area.\n- dock-facing warehouse window: The window is set into an exterior wall of the fishing-gear warehouse and faces the dock outside.\n- fishing-gear warehouse service entrance: The service entrance is set into an exterior wall of the fishing-gear warehouse and connects the warehouse interior to the exterior access area serving the dock.\n- exterior dock beside the fishing-gear warehouse: The dock lies outside the wall faced by the warehouse window and meets the adjoining water along its waterside edge.\n- open water adjoining the warehouse dock: The open water directly adjoins the waterside edge of the dock and extends away from the warehouse side of the site.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 앞바다: 금월도를 둘러싼 넓은 바다. 햇살, 붉은 노을빛을 받거나 안개로 희뿌옇게 덮인다.\n\nTHE LOCATION: 86. 다시 어구 창고 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): dust covering the warehouse window; .38-caliber handgun; backpack; sunlight and red sunset illumination; sea fog; surface waves\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "5b18a4f1-bb00-47ec-892d-04050d2f2e95", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_open_sea/rounds/r001/cand_05.png", "sha256": "24ea7f2a86d9589bc2462155614bb54202ea625af89e78d215413f0b5acd01b8", "fittings": [ { "target_native": "오래된 어구 창고의 흐릿한 창문", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_open_sea/rounds/r001/cand_08.png", "sha256": "199d6344c57e363372182774cb563791fe6000ea9fae53e73d96c02106da5516" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "c8f9e405bd030440", "totals": { "A": 5, "B": 7, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "A", "score": 5, "verdict_ko": "구도와 배치는 무난하나, 참고 이미지의 핵심인 목재 박공을 금속으로 잘못 묘사해 형태 고증에서 감점되었습니다." }, { "label": "B", "score": 7, "verdict_ko": "지시된 3/4 부감 구도를 정확히 구현했으며, 목재 박공과 골판형 외벽 등 건물의 핵심 자재를 가장 충실히 재현했습니다." }, { "label": "C", "score": 4, "verdict_ko": "다중 박공 등 원본 사진의 배치를 모방하지 말라는 지시를 위반했으며, 출입구에 미지정된 흰색 구조물을 임의로 추가했습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트에서 '햇살(sunlight)'을 제외하도록 지시했으나, 이미지에 강한 직사광선과 뚜렷한 그림자가 렌더링되어 있습니다.", "fix_en": "Change the lighting to flat, overcast daylight, removing all directional sunlight and hard cast shadows.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "프롬프트에서 '수면의 파도(surface waves)'를 제외하도록 지시했으나, 수면에 잔물결과 파도가 뚜렷하게 보입니다.", "fix_en": "Smooth the water surface to be completely flat and still, removing all ripples and wave textures.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "창문이 부속품 참고 이미지(파란색 페인트가 벗겨진 낡은 나무 프레임)와 일치하지 않고 평범한 갈색 나무 프레임으로 생성되었습니다.", "fix_en": "Change the window frame to heavily weathered wood with peeling blue paint, matching the provided fitting reference.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the lighting to flat, overcast daylight, removing all directional sunlight and hard cast shadows.\n- Smooth the water surface to be completely flat and still, removing all ripples and wave textures.\n- Change the window frame to heavily weathered wood with peeling blue paint, matching the provided fitting reference.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_rocky_shore": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_rocky_shore_sel.png", "seed_asset_id": "b756929e-cc3c-4e67-9df3-0cabc92e4864", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Banwol Restaurant is the central fixed structure. Its front side addresses the restaurant front exterior area, with the front entrance doorway providing direct passage between that exterior area and the restaurant interior. The rear yard adjoins the opposite, rear side of the same building. The building therefore separates the two exterior camera zones: the front exterior area lies beyond the entrance side, while the rear yard lies beyond the rear side. An outer boundary completes the non-building edges of the rear yard, with its form left unspecified.\n- Banwol Restaurant front exterior area: Occupies the exterior immediately along the front side of Banwol Restaurant and directly faces the restaurant's front entrance.\n- Banwol Restaurant building: Borders the front exterior area on its front side and the restaurant rear yard on its rear side.\n- Banwol Restaurant front entrance doorway: Set into the front side of Banwol Restaurant, connecting the front exterior area to the restaurant interior.\n- Banwol Restaurant rear yard: Adjoins the rear side of Banwol Restaurant, opposite the front exterior area across the building.\n- rear-yard outer boundary: Defines the outer edge of the restaurant rear yard on the sides not occupied by the restaurant building; its physical form is unspecified.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 갯바위: 거친 파도가 철썩이며 부딪히는 해안가의 검고 날카로운 바위 지대.\n\nTHE LOCATION: 93. 실외. 식당 뒤뜰 - 해질녘\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): person scanning the rear yard; unseen lullaby sound; blood-covered person leaving the restaurant; hand-carried white antler spear; corpse visible inside the restaurant hall\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "20e7e786-b6ab-4977-a32e-5e3811788710", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_rocky_shore/rounds/r001/cand_06.png", "sha256": "2d3ef1c9a98f7b347712bd50e98854369883964d1604aa76530ec8ee297fbd24", "fittings": [ { "target_native": "식당 미닫이문", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_rocky_shore/rounds/r001/cand_07.png", "sha256": "dd23561d83094ffa9940ea459b4a9b6544eedb62218e5065dfc86c7ab367fd5e" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "e05f82be45172d23", "totals": { "A": 7, "B": 5, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지정된 해질녘 조명과 약간 높은 3/4 측면 구도를 잘 구현했고 해안가 배경을 유일하게 반영했으나, 식당 뒤뜰이 아닌 정면을 묘사한 점과 사진의 텍스트를 배제하지 않은 점이 아쉽습니다." }, { "label": "B", "score": 5, "verdict_ko": "레퍼런스의 정면 디테일은 유사하게 재현했으나, 필수적인 해안가 및 갯바위 환경을 완전히 누락하고 콘크리트 담장으로 배경을 차단했습니다." }, { "label": "C", "score": 4, "verdict_ko": "해안가 배경 지시를 무시하였으며, 건물 측면에 레퍼런스에 없는 유리 미닫이문을 임의로 대량 추가하여 구조적 일관성을 크게 훼손했습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트는 '식당 뒤뜰(rear yard)'을 지시했으나, 이미지는 정문이 있는 건물 앞면을 보여주고 있습니다.", "fix_en": "The prompt specifies the rear yard, but the image shows the front entrance; this cannot be fixed without relocating the camera to the opposite side of the structure.", "unfixable": true }, { "issue_ko": "주변 환경이 콘크리트 바닥과 평범한 배경으로 생성되었으나, 지시문에 따르면 거친 파도가 부딪히는 검고 날카로운 갯바위 지대여야 합니다.", "fix_en": "The concrete yard and background must be replaced with sharp, black coastal rocks and crashing waves; this cannot be fixed without rebuilding the scene's geometry.", "unfixable": true }, { "issue_ko": "참조 사진에 있던 텍스트('영업중', '착한가격 모범' 등)가 그대로 복사되었습니다. 지시문이 제공하지 않은 텍스트는 묘사할 수 없습니다.", "fix_en": "Remove all readable text from the glass doors and the round wall sign, leaving the underlying color fields and decorative layouts blank.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all readable text from the glass doors and the round wall sign, leaving the underlying color fields and decorative layouts blank.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_sea_cliff": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_sea_cliff_sel.png", "seed_asset_id": "9073d822-9fc7-4005-a659-6d0abcf88078", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a warehouse positioned at the edge of a reed stand. The warehouse front and its entrance face directly onto an exterior forecourt. The forecourt forms the primary open area in front of the building and provides an unobstructed connection to the entrance. The reed-stand margin adjoins the warehouse frontage and the outer side of the forecourt, establishing the surrounding landscape without separating the forecourt from the warehouse entrance.\n- warehouse at the reed-stand edge: Occupies one side of the site, with its front facing the adjoining exterior forecourt and its outer sides meeting the reed-stand margin.\n- front entrance of the reed-side warehouse: Set into the front of the warehouse and opening directly onto the warehouse forecourt.\n- exterior forecourt before the warehouse: Extends immediately outside the warehouse front and connects directly to the warehouse entrance; its outer side meets the reed-stand margin.\n- reed stand adjoining the warehouse site: Adjoins the warehouse frontage and the outer edge of the exterior forecourt.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 해안 절벽: 바다를 향해 수직으로 깎아지른 아찔한 바위 절벽 공간.\n\nTHE LOCATION: 99. 실외. 갈대숲 창고 앞 - 낮(과거)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): white antler spear; black smoke figure; Joseon village chief; Joseon survivors outside the warehouse; Japanese soldiers' bodies\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "587aca6a-dab7-4d42-91b7-0b00f07580a7", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_sea_cliff/rounds/r001/cand_03.png", "sha256": "cb19bdff942e6bf1b66674c288f977b13204c867ff2a0d3d3553b007acced81c", "fittings": [ { "target_native": "창고", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_sea_cliff/rounds/r001/cand_06.png", "sha256": "ae757d4edf0f5e28766d5d706f19650fdf69b05663ab793d27809f06b6f21a83" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "9ad142617eee2e5a", "totals": { "A": 7, "B": 6, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "레퍼런스의 건축물 형태를 정확히 재현했으며, 바다를 향해 깎아지른 아찔한 해안 절벽과 갈대숲 환경을 가장 잘 구현했습니다." }, { "label": "B", "score": 6, "verdict_ko": "건축물 묘사는 훌륭하나, 해안 절벽이 원경에 배치되어 프롬프트가 요구한 아찔한 공간감이 다소 부족합니다." }, { "label": "C", "score": 4, "verdict_ko": "건축물 재현도는 높으나, 바다가 전혀 묘사되지 않아 해안 절벽이라는 핵심 공간 설정이 누락되었습니다." } ], "critique": { "issues": [ { "issue_ko": "컨텍스트에 명시되지 않은 나무와 덤불(소나무 등)이 창고 우측과 뒤편에 임의로 생성되었습니다.", "fix_en": "Replace all the trees and bushes on the right side and behind the warehouse with clear sky and bare ground.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "갈대밭이 창고 앞면 및 앞마당 외곽과 맞닿아야 한다는 지시와 달리, 창고 왼쪽 옆면에만 위치하고 앞마당 쪽으로 이어지지 않았습니다.", "fix_en": "Extend the tall reeds forward from the left corner of the warehouse to border the left edge of the dirt forecourt in the foreground.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace all the trees and bushes on the right side and behind the warehouse with clear sky and bare ground.\n- Extend the tall reeds forward from the left corner of the warehouse to border the left edge of the dirt forecourt in the foreground.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_village": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_village_sel.png", "seed_asset_id": "06b17b12-bc26-4394-94b6-7ce08d1a5bdc", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as an inland forest sector and a coastal landing sector. In the forest sector, a footpath threshold marks the transition into a descending hillside route. Beyond that threshold, the route continues as an interior trail enclosed by dense pine forest. At the shoreline, the island landing concrete platform has a landward edge served by a fixed access and a waterward edge directly adjoining the sea. The landing access runs inland from the platform, but the source does not establish whether it connects directly to the forest footpath threshold; the site plan should therefore preserve these as distinct route sectors without inventing a junction between them. Mobile vessels and their onboard spaces are not part of the fixed site plan.\n- dense pine forest interior: The pine forest encloses the interior trail on both sides and continues beyond the visible path corridor.\n- pine forest interior trail: The trail runs through the dense pine forest and continues toward the forest footpath threshold.\n- forest footpath threshold: The threshold marks where the exterior approach becomes the footpath leading into the forest interior.\n- descending forest hillside: The forest path descends across this hillside toward the footpath threshold, with the lower ground lying outside the deeper forest.\n- island landing concrete platform: The fixed landing platform occupies the shoreline edge, with a landward side facing the island and a waterward edge directly adjoining the sea.\n- sea beside the island landing: The sea directly borders the waterward edge of the island landing and provides the navigable water area from which vessels approach or depart.\n- landward access from the island landing: This access meets the landward edge of the landing platform and continues away from the shoreline into the island; no direct connection to the forest threshold is fixed by the source.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 해안 마을: 50여 가구가 채 안 되는 섬마을. 비탈을 따라 알록달록한 지붕의 소담스러운 집들이 단풍 든 나무와 어우러져 있다.\n\nTHE LOCATION: 24. 실외. 금월도 숲길 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): police patrol boat and its deck fittings; large black goat; carried burlap sacks; loose life jackets, water container, and tube; sea foam at the fall point; handheld metal pipe\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "99fce1a1-418d-448f-9c2c-3f241192c3aa", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_village/rounds/r001/cand_02.png", "sha256": "87b8c464e14c09d1429328a976642daaea97de9c7841fc8acdd307148a362194", "fittings": [ { "target_native": "소규모 섬 선착장의 콘크리트 접안부", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_village/rounds/r001/cand_08.png", "sha256": "b99a77e010cae3346b32953f229242a51046c3b9d2395edc8201248aa6e21c7d" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "8cf857ee07dfee42", "totals": { "C": 7, "A": 5, "B": 3 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "구조물 목록에 없는 마을을 배제하는 제약을 정확히 지켰으며, 레퍼런스의 블록 디테일을 가장 잘 재현했습니다." }, { "label": "A", "score": 5, "verdict_ko": "마을을 배제한 점은 좋으나, 구조물 목록에 없는 가로등을 임의로 추가하여 감점되었습니다." }, { "label": "B", "score": 3, "verdict_ko": "구조물 목록에 없는 해안 마을과 집들을 임의로 추가하여 핵심 제약을 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "해안 선착장의 콘크리트 계단이 숲길과 직접 연결되어 있어, 두 경로 사이에 접점을 만들지 않고 분리된 구역으로 유지하라는 지침을 위반했습니다.", "fix_en": "Replace the lower section of the dirt path where it meets the top of the concrete stairs with undisturbed rocky terrain and vegetation to break the direct connection between the landing access and the forest trail.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the lower section of the dirt path where it meets the top of the concrete stairs with undisturbed rocky terrain and vegetation to break the direct connection between the landing access and the forest trail.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_mainland_harbor_dock": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_mainland_harbor_dock_sel.png", "seed_asset_id": "81ef185c-4c25-41b8-ad18-10745e6f506f", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as a landside-to-water sequence. The landside dock approach feeds directly into the inland side of the harbor dock apron. The apron extends toward the harbor and ends at a continuous waterside berthing edge. Harbor water directly abuts the opposite side of that edge, allowing vessels to approach the dock from the water while people and dock operations reach it from the landside approach. No fixed position is assigned to vessels, police barriers, fire containers, bodies, or crowds because those elements vary by moment.\n- harbor dock apron: The harbor dock apron occupies the landward working area beside the harbor water and connects the landside approach to the berthing edge.\n- waterside berthing edge: The waterside berthing edge runs along the water-facing side of the harbor dock apron, directly separating the apron from the harbor water.\n- landside dock approach: The landside dock approach joins the inland side of the harbor dock apron and provides continuous access between the dock and the surrounding mainland harbor area.\n- harbor water beside the dock: The harbor water directly adjoins the full water-facing side of the waterside berthing edge and provides the navigable side from which vessels can reach the dock.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 해안마을 선착장: 육지 쪽 항구의 선착장. 어선들이 정박해 있고 콘크리트 바닥에 폴리스 라인이 쳐져 있다.\n\nTHE LOCATION: 49. 실내. 반월 식당 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Moored fishing boats; Police line around the body; Barrel fire; Body on the dock; Onlooker crowd\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "cdf567b7-4aa2-4798-a3b8-acf5ee060509", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_mainland_harbor_dock/rounds/r001/cand_03.png", "sha256": "b3ca1e3f16802720e695dc6248f4db28d0a64242772b32fcc4fdd7a3a74905a4", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "e8d7f57b27f15802", "totals": { "B": 7, "A": 6, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "지시된 선착장의 형태와 육지 연결 구조를 완벽하게 구현했으며, 사실적인 질감과 웨더링 표현이 가장 뛰어납니다." }, { "label": "A", "score": 6, "verdict_ko": "구조적 요구사항은 잘 충족했으나, 웨더링이 다소 밋밋하고 육지 쪽 건물 옆에 지시에서 배제한 차량이 남아있습니다." }, { "label": "C", "score": 4, "verdict_ko": "선착장 안쪽 일부가 물과 접해 있어 육지와 직접 연결되어야 한다는 구조적 지시를 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "선착장 안쪽 작은 창고 건물 옆에 쌓여 있는 자재와 방수포 등은 일시적인 장비나 물품을 금지하는 '빈 배경(Empty Scene)' 규칙을 위반합니다.", "fix_en": "Remove the piles of loose materials, tarps, and boxes next to the small white building, leaving the concrete surface completely bare.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the piles of loose materials, tarps, and boxes next to the small white building, leaving the concrete surface completely bare.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_multifamily_residence": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_multifamily_residence_sel.png", "seed_asset_id": "d74f097c-288e-4fa6-ac33-f9284505f0ba", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around the residence structure containing Minsuk's home. Its entrance door opens onto an exterior pedestrian access surface that provides the minimum permanent connection between the residence and the surrounding circulation network. No alley geometry, exterior stair, neighboring building arrangement, boundary material, road connection, or exterior lighting fixture is fixed because the supplied scene text does not establish those features.\n- residence structure containing Minsuk's home: The structure contains Minsuk's home and stands directly behind its entrance door and exterior pedestrian access surface.\n- entrance door to Minsuk's home: The door is set into the residence structure at the transition between Minsuk's home and the exterior pedestrian access surface.\n- exterior pedestrian access surface at Minsuk's entrance: The access surface directly adjoins the outside of the entrance door and connects that threshold to the site's surrounding circulation network.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 다세대 주택가 골목 및 외부 계단: 빽빽하게 붙어 있는 다세대 주택들 사이의 좁고 어두운 골목길과 상층으로 연결되는 외부 철제/콘크리트 계단.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대 주택 내부: 투룸 구조의 거실과 현관. 부서진 가구와 깨진 등, 쏟아진 화분 흙과 바닥과 벽에 묻은 핏자국으로 난장판이 되어 있다.\n\nTHE LOCATION: 5. 실내. 달리는 퇴근 버스 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): wrecked interior furnishings and scattered household objects; visible interior bloodstains; picture frame held inside the residence\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "827ffaf1-10a8-4062-8385-fecf424dec91", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_multifamily_residence/rounds/r001/cand_05.png", "sha256": "f76c665c9951ef37bdbf97eb75445c6efa1b21e7162a02321b6efe94275f2f66", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "64e7bc7fcecb4139", "totals": { "B": 7, "C": 4, "A": 4 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "제시된 '밤' 시간대를 유일하게 반영하여 어두운 배경과 조명을 묘사했으나, 프롬프트에 명시된 외부 철제/콘크리트 계단 구조물은 잘 보이지 않습니다." }, { "label": "C", "score": 4, "verdict_ko": "지시된 시간대(밤)를 어기고 밝은 낮으로 렌더링되었으며, 요구된 외부 계단 묘사도 누락되었습니다." }, { "label": "A", "score": 4, "verdict_ko": "지시된 시간대(밤)를 위반하여 낮 풍경으로 묘사되었고, 필수 요소인 외부 계단 역시 구현되지 않았습니다." } ], "critique": { "issues": [ { "issue_ko": "장소가 '실내. 달리는 퇴근 버스'로 명시되었으나, 버스 내부가 아닌 건물 외부 풍경이 렌더링되었습니다.", "fix_en": "Change the entire scene to the interior of a running commuter bus.", "needs_regeneration": true, "unfixable": true }, { "issue_ko": "레퍼런스의 주변 환경을 복사하지 말라는 지시를 어기고 오른쪽의 붉은 벽돌 건물과 왼쪽의 회색 건물 등 이웃 건물의 형태를 그대로 복사했습니다.", "fix_en": "Replace the neighboring buildings on the far left and right edges with completely different structures to break the resemblance to the reference's surroundings.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "장소를 설명하는 패널이나 보드는 형태에 포함하지 말라는 지시와 달리, 1층 중앙 기둥과 현관문 위에 레퍼런스에 있던 파란색 주소판이 그대로 남아있습니다.", "fix_en": "Remove the small blue square panels from the ground floor's central pillar and the space above the glass entrance door, leaving bare stone.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the neighboring buildings on the far left and right edges with completely different structures to break the resemblance to the reference's surroundings.\n- Remove the small blue square panels from the ground floor's central pillar and the space above the glass entrance door, leaving bare stone.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_pine_forest_route": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_pine_forest_route_sel.png", "seed_asset_id": "803cc956-9eff-49c4-b977-3e62ad55fc55", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized along a forest path that enters from the outer forest zone and proceeds inward through a dense stand of pine trunks. At its inner end, the recognizable path disappears into a trackless deep-forest interior. Beyond and around this transition, several stone markers inscribed with Suri-young's name are distributed at separate points along the continuing walking line. Dense pine trunks enclose the route on both sides and continue past the path disappearance point. Undergrowth fills the spaces between the trunks, borders the path, and occupies the off-path ground around the dispersed marker stones.\n- Outer-to-deep forest path: Runs inward from the outer forest zone through the trees toward the deep forest marker route.\n- Forest path disappearance point: Occupies the inner end of the recognizable forest path and directly adjoins the trackless deep-forest interior.\n- Group of stone markers inscribed with Suri-young's name: Distributed at separate points within the deep forest along the walking route beyond the outer approach.\n- Dense pine trunk stand: Surrounds both the forest path and the deep marker route, continuing into the interior beyond the path disappearance point.\n- Intervening forest undergrowth: Fills the spaces between the dense pine trunks and borders the route, extending across the off-path interior around the marker stones.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 해송 숲길 및 숲속: 해송이 울창하게 우거져 빛이 잘 들지 않는 빽빽하고 좁은 흙길과 숲의 심층부. / 금월도 숲속 입구: 마을에서 산으로 이어지는 숲의 진입로. 숲 안쪽은 그늘져 어둡다.\n\nTHE LOCATION: 25. 실내. 반월 식당 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Rotten meat placed before the marker stones; Handcart at the end of the path; Carried sacks and their liquid trail; Large black goat in the forest; Animal-like hand behind a tree\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "d6fd4d0d-b26e-490b-953b-e9f4704633c9", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_pine_forest_route/rounds/r001/cand_08.png", "sha256": "a35fdf9b74094b2cc90b0b0f8dd388b8d4a77abfb639883f524ff9fae01f1ccd", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "ddda28cb1b31bcca", "totals": { "C": 7, "A": 6, "B": 6 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "어둡고 그늘진 숲의 분위기를 지문에 맞게 가장 잘 구현했으며, 비석의 질감과 각인된 텍스트를 참조와 완벽하게 일치시켰습니다." }, { "label": "A", "score": 6, "verdict_ko": "비석의 형태와 텍스트 재현율은 훌륭하나, '빛이 잘 들지 않는 어두운 숲'이라는 설정에 비해 전체적인 조명이 다소 밝습니다." }, { "label": "B", "score": 6, "verdict_ko": "비석의 세부 요소는 잘 묘사되었으나 조명이 밝은 편이며, 기단부 모서리의 부서진 디테일이 참조 이미지와 약간 다릅니다." } ], "critique": { "issues": [ { "issue_ko": "비석에 새겨진 텍스트가 프롬프트에 지시된 수리영의 이름이 아니라 레퍼런스 이미지의 문구(개미실 등)를 그대로 복사했습니다.", "fix_en": "Replace the large Korean characters on the stone and the small text on its base with the name '수리영' (Suri-young).", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "길을 따라 여러 개의 비석이 흩어져 있어야 한다는 프롬프트 지시와 달리, 전경에 단 하나의 비석만 존재합니다.", "fix_en": "Add another smaller stone marker visible further down the dirt path in the background.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "장소 설명에 야간(밤)으로 지정되어 있으나, 이미지는 낮 시간대의 숲으로 묘사되었습니다.", "fix_en": "Darken the overall scene and adjust the lighting to reflect night time.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the large Korean characters on the stone and the small text on its base with the name '수리영' (Suri-young).\n- Add another smaller stone marker visible further down the dirt path in the background.\n- Darken the overall scene and adjust the lighting to reflect night time.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_police_patrol_boat": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_police_patrol_boat_sel.png", "seed_asset_id": "62dfe2a8-f903-49b8-ab08-895e969c8bdf", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around the coastal boundary of the Geumwoldo rocky shoreline. The rocky-shore camera area occupies the landward side of this boundary and faces the adjoining coastal water. The water directly meets the outer edge of the rocky shoreline and continues on the seaward side of the site.\n- Geumwoldo rocky shoreline: Occupies the landward side of the coastal boundary and directly adjoins the coastal water along its outer edge.\n- Coastal water adjoining the Geumwoldo rocky shoreline: Directly adjoins the seaward edge of the Geumwoldo rocky shoreline and extends away from the land.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 경찰 순찰정 외부 및 갑판: 바다를 달리는 흰색 바탕의 소형 경찰 순찰정. 선수와 선미를 잇는 좁은 통로가 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰 순찰정 조타실: 경찰 순찰정의 작은 선장실 내부. 조타용 핸들과 항해 계기판이 있다.\n\nTHE LOCATION: 64. 실내. 반월 식당 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Approaching police patrol boat; People gathered on the rocky shore\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "75bb6a41-d254-4ef2-8323-7811c8aa8827", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_police_patrol_boat/rounds/r001/cand_06.png", "sha256": "3cf7f12c4843693552be549e1e6bad5fbce1bd1d13cb46e563f3a2600774950f", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "d47091e78811abf8", "totals": { "A": 4, "B": 3, "C": 2 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 4, "verdict_ko": "명시적으로 제외할 것을 요구한 '경찰 순찰정'을 그려 치명적인 지시 위반을 범했으나, 레퍼런스와 가장 유사한 형태의 둥근 바위 해변을 묘사하여 상대적으로 나은 평가를 받음." }, { "label": "B", "score": 3, "verdict_ko": "제외 대상인 순찰정을 묘사하여 지시를 위반했으며, 화면 내 피사체의 비중이 다소 멀고 작게 처리됨." }, { "label": "C", "score": 2, "verdict_ko": "제외 대상인 순찰정을 그리는 위반을 범했고, 바위의 형태 또한 레퍼런스의 흩어진 둥근 바위가 아닌 하나의 거대한 암반처럼 묘사됨." } ], "critique": { "issues": [ { "issue_ko": "제외 대상인 '경찰 순찰정(Approaching police patrol boat)'이 화면 중앙에 묘사되어 있습니다. (제외 지시가 외관 묘사보다 우선합니다)", "fix_en": "Remove the police patrol boat and its water wake completely, replacing them with empty coastal water.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "로케이션 설정에 따라 시간대가 '밤(Night)'이어야 하지만 주간으로 묘사되어 있습니다.", "fix_en": "Change the overall lighting, sky, and water to reflect a nighttime setting.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the police patrol boat and its water wake completely, replacing them with empty coastal water.\n- Change the overall lighting, sky, and water to reflect a nighttime setting.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_police_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_police_station_sel.png", "seed_asset_id": "0cf5b5bc-e330-492e-bdd2-adcd8d9b4e59", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The evidenced site is the exterior of a convenience store. A fixed convenience-store frontage defines one edge of a single camera-usable exterior zone. A customer entrance is incorporated into that frontage and opens directly onto a contiguous exterior approach area. The approach area runs along the frontage and provides access between the surrounding exterior and the store entrance. No police-station building, parking lot, patrol-car position, streetlamp, or permanent bench can be mapped from the supplied scene text.\n- convenience-store exterior frontage: The convenience-store exterior frontage forms the fixed inner edge of the exterior area used by the scene.\n- convenience-store customer entrance: The customer entrance is set within the convenience-store exterior frontage and connects the store interior directly to the exterior approach area.\n- convenience-store exterior approach area: The exterior approach area lies directly in front of the convenience-store frontage and adjoins the customer entrance, providing the necessary standing and circulation space outside the store.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 경찰서 주차장: 경찰차 경광등과 가로등 불빛이 켜진 경찰서 앞 아스팔트 주차장.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 경찰서 형사과 사무실: 책상들이 배열되어 있고 서류와 모니터들이 복잡하게 놓인 형사과 사무실. 백색 형광등이 실내를 밝힌다.\n\nTHE LOCATION: 9. 다시 편의점 밖 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): bench used for the seated conversation; money envelope; Ji-hoo and In-woo\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "71292b7a-535a-42c1-b152-94d9b19da773", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_police_station/rounds/r001/cand_01.png", "sha256": "8c4d18654fdf1bcfcd236c1457bc1f1cca98cd63cfd9f2c6962f5be6feeee44d", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "54837b48be7a3d03", "totals": { "A": 7, "B": 5, "C": 6 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지정된 야간 시간대와 빈 공간(인물 및 차량 없음) 조건을 정확히 충족했으며, 간판의 텍스트 배열과 건축물 디테일을 가장 충실하게 유지했습니다." }, { "label": "B", "score": 5, "verdict_ko": "야간 구조물이라는 조건은 따랐으나, 편의점 메인 간판의 영문 텍스트가 뭉개지고 좌측 간판의 디테일이 누락되었습니다." }, { "label": "C", "score": 6, "verdict_ko": "야간 분위기와 빈 씬의 요구사항을 잘 구현했지만, 좌측 및 우측 구조물의 간판 글자 수와 형태가 레퍼런스보다 다소 축소되었습니다." } ], "critique": { "issues": [ { "issue_ko": "레퍼런스 이미지의 구도와 주변 환경을 복사하지 말라는 지시를 어기고, 주변 건물과 경사진 도로 등 전체 배경을 그대로 생성했습니다.", "fix_en": "Remove the adjacent buildings on the left and right, and the sloped street, keeping only the convenience store exterior.", "needs_regeneration": true, "unfixable": true }, { "issue_ko": "프롬프트에 지정되지 않은 임의의 텍스트('광진장품', '메가스' 및 편의점 유리의 문구 등)가 간판과 외벽에 생성되었습니다.", "fix_en": "Erase all text and characters from the store's windows, awnings, and the signs on the adjacent buildings.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Erase all text and characters from the store's windows, awnings, and the signs on the adjacent buildings.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_reed_field_warehouse": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_reed_field_warehouse_sel.png", "seed_asset_id": "5ef5ad5c-d37f-47fa-9336-c90ab87da3ec", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as a reed field containing a salt-warehouse-sized wooden building. The reed field forms the surrounding exterior terrain and connects directly to a frontage along the building's entrance side. The wooden warehouse entrance door is set in the wall facing this frontage, creating the sole established connection between the exterior and the warehouse interior. The warehouse frontage therefore serves as the transition zone between the open reed-field terrain and the entrance threshold; no fixed path, compass orientation, or distant site boundary is established.\n- surrounding reed field: The reed field occupies the exterior site around the wooden warehouse and provides the terrain from which the warehouse entrance is reached.\n- salt-warehouse-sized wooden building: The wooden building stands within the reed field, with its entrance side adjoining the warehouse frontage.\n- wooden warehouse entrance door: The entrance door is set into the warehouse wall facing the frontage and connects the surrounding exterior site to the building interior.\n- warehouse entrance frontage: The entrance frontage lies directly outside the warehouse entrance door and joins the surrounding reed field, providing the necessary exterior access surface for the building.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 일제강점기 겨울 갈대숲: 황량하고 빽빽한 겨울 갈대밭. 차가운 흑백 톤의 시각적 텍스처를 띠며 군데군데 피가 흩뿌려진 핏자국이 있다. / 일제강점기 갈대숲 나무 소금창고 앞: 갈대숲 한가운데 위치한 염전 소금창고 크기의 낡은 나무 가건물 외부. 앞쪽 땅에 총격과 피가 낭자한 흔적이 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 일제강점기 갈대숲 나무 소금창고 내부: 판자와 각목을 얼기설기 대충 덧대어 만든 가건물의 좁고 어두운 실내 공간. 거친 목재 질감이 강조된다.\n\nTHE LOCATION: 1. 실외. 겨울 갈대숲 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Winter condition of the reed field; Blood spray and bloodstains; Fallen Korean civilians; Advancing Japanese military formation; Fallen Japanese soldiers outside the warehouse; Black smoky figure; White-antler-tipped spear; Open state of the warehouse door; Sudden night and lunar-eclipse condition\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "43bf0b73-c776-4b10-9303-b3200ace42aa", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_reed_field_warehouse/rounds/r001/cand_01.png", "sha256": "cb19bdff942e6bf1b66674c288f977b13204c867ff2a0d3d3553b007acced81c", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "e66d69e031d967de", "totals": { "C": 7, "A": 4, "B": 3 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "요구된 차가운 흑백 톤을 정확히 반영했으며, 금지 요소인 눈(겨울 상태)과 핏자국을 올바르게 배제하여 프롬프트 지시를 가장 충실히 이행했습니다." }, { "label": "A", "score": 4, "verdict_ko": "금지된 눈 덮인 겨울 상태는 피했으나, 필수 지시사항인 흑백 톤을 무시하고 컬러로 렌더링되었습니다." }, { "label": "B", "score": 3, "verdict_ko": "흑백 톤 지시를 어겼을 뿐만 아니라, 명시적으로 배제해야 할 눈(겨울 상태)을 묘사하여 제외 지침을 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "레퍼런스 사진에 있는 길게 뻗은 소금창고 형태와 달리, 건물의 측면 길이가 너무 짧은 작은 오두막 크기로 생성되어 전체적인 구조와 비율이 어긋납니다.", "fix_en": "The building is rendered too short; it must be regenerated with a significantly longer side footprint to match the extended massing of the reference warehouse.", "needs_regeneration": true, "unfixable": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_unfixable" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_restaurant_property": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_restaurant_property_sel.png", "seed_asset_id": "42e89fec-1bac-413f-a9c4-449f887fe56d", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Use the Banwol Restaurant building as the central divider of the property. Its front side faces the restaurant front access way, which directly serves the main restaurant entrance and continues outward to the local passage. The opposite side of the building opens into the Banwol Restaurant rear yard. The rear-yard storage building stands within that yard, with its entrance facing into the yard for direct access. The outer rear-yard boundary follows the yard perimeter away from the restaurant building and returns toward the building at both side edges. No fixed position should be assigned to temporary fire, firefighting equipment, blood, drying produce, or other activity-dependent objects.\n- Banwol Restaurant building: The restaurant building separates its front access side from the rear yard, with the rear yard directly adjoining the back of the building.\n- main restaurant entrance: The main entrance is set into the front side of the Banwol Restaurant building and opens directly onto the front access area.\n- restaurant front access way: The front access way directly adjoins the main restaurant entrance and continues outward to the local passage serving the property.\n- Banwol Restaurant rear yard: The rear yard lies directly behind the Banwol Restaurant building and contains the rear-yard storage building.\n- rear-yard storage building: The storage building stands within the Banwol Restaurant rear yard and is reached from the yard.\n- rear-yard storage entrance: The storage entrance is set into the side of the rear-yard storage building that opens onto the surrounding yard.\n- outer rear-yard boundary: The outer rear-yard boundary follows the perimeter of the yard away from the restaurant building and meets the property edges beside the building.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 반월 식당 뒤뜰: 식당 건물 뒤편의 흙마당. 잘 꾸며진 텃밭과 평상이 있고 낡은 창고 건물이 보인다. / 반월 식당 앞: 식당 건물 앞의 골목길 및 입구 흙길 지형.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 내부: 초등학교 교실 크기에 식당, 편의점, 낚시 용품점이 섞인 잡화점 느낌의 식당. 나무 테이블과 주방, 진열대가 혼재되어 있다. / 반월 식당 뒤뜰 창고 내부: 식당 뒤뜰에 있는 허름한 창고의 내부. 밤에는 기괴한 제단이 켜지고 낮에는 낚시 장비가 쌓인 모습이다. / 반월 식당 뒷방: 식당 건물 안쪽에 위치한 주거용 방. 정갈하게 정돈되어 햇살이 스며든다.\n\nTHE LOCATION: 28. 실내. 창고 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): fire on the rear-yard storage building; residents, hoses, buckets, and firefighting water; smoke plume above the rear yard; dark bloodstain on the front ground; bundles of drying radish greens; rear-yard wooden platform; cultivated vegetable plantings\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "03ddab55-35ab-4485-b5cc-2f5c466073ba", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_restaurant_property/rounds/r001/cand_01.png", "sha256": "5d80f58e3d249893f0ad9bd4a7db3befde12430cd32ad1b643f06232135454f3", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "15bcb9bda4e9df8a", "totals": { "B": 7, "A": 5, "C": 3 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "지침에 따라 텅 빈 씬을 잘 구현했으며, 참조 이미지에 있던 냉장고 등 임시 장비를 올바르게 제거하여 가장 우수합니다." }, { "label": "A", "score": 5, "verdict_ko": "구조물의 전반적인 형태는 양호하나, 명시적으로 배제해야 할 임시 장비(데크 위 냉장고)를 그대로 렌더링하여 감점되었습니다." }, { "label": "C", "score": 3, "verdict_ko": "내부가 보이도록 외벽을 인위적으로 제거하거나 투명하게 만들지 말라는 절대 지침을 어기고 건물의 좌측 벽면을 개방형으로 렌더링한 하드 위반입니다." } ], "critique": { "issues": [ { "issue_ko": "식당 건물이 앞쪽 진입로와 뒤뜰을 분리하는 중앙 분할기 역할을 해야 하지만, 창고 건물(왼쪽 구조물들)과 함께 동일한 마당 안에 배치되어 전체 부지 구조가 잘못되었습니다.", "fix_en": "Rebuild the site geometry so the restaurant building acts as a central divider, strictly separating the front access way from the rear yard where the storage building belongs.", "needs_regeneration": true, "unfixable": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_unfixable" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_roadside_gas_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_roadside_gas_station_sel.png", "seed_asset_id": "e75bcd31-95c7-4c7a-81a2-2579cdcad531", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A mountain forest path runs through dense trees and undergrowth. At one path-side verge, a moss-bearing grave-like stone marker stands within the vegetation close enough to be examined from the path. Its engraved face opens toward an adjoining frontage on the path side, and the three-character Su Ri-yeong inscription occupies that face. Travel along the woodland path leads directly past this marker frontage, while trees and undergrowth continue around both the path and the marker.\n- mountain forest path: The path runs through the mountain woodland and passes the vegetation containing the inscribed stone marker.\n- dense trees and undergrowth bordering the forest path: Trees and undergrowth enclose the forest path and form the vegetated verge around the stone marker.\n- moss-bearing grave-like stone marker: The stone marker stands among the trees and undergrowth immediately beside the forest path, with its inscribed face accessible from the adjoining path-side frontage.\n- three-character Su Ri-yeong inscription: The three-character name is engraved on the readable face of the moss-bearing grave-like stone marker.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 국도변 주유소: 시골 지방 국도변에 위치한 주유소의 외부 콘크리트 공간.\n\nTHE LOCATION: 44. 실외. 다시 숲속 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): rotten meat placed before the stone marker; handheld mobile phone\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "b1e440fe-df00-4f40-88cc-61e18b5dc909", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_roadside_gas_station/rounds/r001/cand_01.png", "sha256": "f70c909b6fa4b3c5c2b3067af356b6e658ba46e64ff025c4d7dba1ba31d64f2e", "fittings": [ { "target_native": "오래된 돌 묘비", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_roadside_gas_station/rounds/r001/cand_06.png", "sha256": "9dc83ffdd45fd9d392106feb16ff7fceef0227f59f260e8928e45bdb080b7780" }, { "target_native": "묘비에 새긴 이름 글씨", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_roadside_gas_station/rounds/r001/cand_13.png", "sha256": "f0ebc86f5fd76febe6c04a0b4d553bdffad1dd8cfe0a5c91330ed36605caffb3" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "7d17d8115391264d", "totals": { "B": 7, "A": 6, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "요구된 3글자 명칭(수리영/수리령)을 역사적 맥락에 어울리는 한자로 정확하고 자연스럽게 구현하여 가장 우수합니다." }, { "label": "A", "score": 6, "verdict_ko": "3글자 명칭은 반영되었으나, 현대적인 한글 폰트로 새겨져 레퍼런스의 고전적인 분위기와 약간의 괴리감이 있습니다." }, { "label": "C", "score": 4, "verdict_ko": "산길과 비석의 형태 등 전반적인 구성은 준수하나, 새겨진 3글자의 문자가 지시된 명칭과 일치하지 않습니다." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_seaside_restaurant_terrace": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_seaside_restaurant_terrace_sel.png", "seed_asset_id": "8cd56ef5-e3df-4d63-b2fb-2184a10e8936", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea, with historical flashbacks to 1670 Joseon and the Japanese military era in Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The restaurant occupies one edge of the site, with its back-room exterior wall directly bordering an alley. A window in that rear wall faces across the alley, establishing a clear sightline between the back room and the opposite side of the alley. The usable exterior camera areas are the restaurant-side edge of the alley and the opposite alley edge facing the window.\n- Banwol Restaurant rear building section: The restaurant's rear building section forms one side of the alley and contains the back room overlooking it.\n- alley-facing back-room window: Set into the restaurant's back-room exterior wall and oriented toward the alley.\n- alley beside Banwol Restaurant: Runs directly beside the restaurant's back-room wall, passing below the window and extending across its outward sightline.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 해안마을 횟집 야외 좌석: 밤바다가 내다보이는 육지 해안가 횟집의 야외 테이블 공간.\n\nTHE LOCATION: 51. 실내. 반월 식당 뒷방 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): village youths in the alley; back-room window curtain; near-full moon\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "c6087927-991a-496e-8ae7-6bb9c0a5cf77", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_seaside_restaurant_terrace/rounds/r001/cand_06.png", "sha256": "385fc48443b175ea8f15ceb4b558a12e922b8b98bc3409fc3a0027522c6046c0", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "e1178b6f349dd7e4", "totals": { "A": 7, "B": 3, "C": 5 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "지시된 구도와 야간 골목길의 분위기를 잘 살렸으며, 제외 항목인 커튼 없이 레퍼런스의 질감을 가장 충실히 반영했습니다." }, { "label": "B", "score": 3, "verdict_ko": "프롬프트에서 명시적으로 제외(EXCLUDED)한 '창문 커튼(back-room window curtain)'이 그려져 있어 감점되었습니다." }, { "label": "C", "score": 5, "verdict_ko": "제외 항목은 잘 지켰으나, 외벽 배관의 구조가 다소 부자연스럽고 창문 내부의 디테일이 레퍼런스 형태와 거리가 있습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트에서 명시적으로 제외(EXCLUDED)하도록 지시한 '뒷방 창문 커튼(back-room window curtain)'이 오른쪽 창문 안쪽에 묘사되어 있습니다.", "fix_en": "Remove the white curtain visible behind the glass on the right side of the window, leaving the window pane completely clear.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the white curtain visible behind the glass on the right side of the window, leaving the window pane completely clear.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "70078c31-3fbf-4bed-9367-6e7d53446ed9", "resolved_model": "gemini-image", "updated_at": "2026-08-05T07:52:20.712796+00:00", "project_config_snapshot": {} }