visual_continuity_anchor — groups 4

vca-p07-prop printed_prop

S8sh6 environment
S16sh3 close_insert
S26sh3 close_insert
S26sh8 close_insert
S27sh1 environment

• [surface_state/high] The phone screen can show Min-suk’s saved phone number/contact information when Hyesu presents it for location tracking.
  “혜수 (핸드폰에 저장된 민숙번호 보여주며) 이 번호 위치 좀 따봐.”
• [held_prop/high] In the police-office shot, Hyesu holds the phone screen very close in front of Detective Kim’s face with her arm extended.
  “혜수의 손이 휴대전화 액정 화면을 김형사의 얼굴 앞으로 바짝 들이민 채 팔을 뻗어 고정된 상태.”
• [surface_state/high] The phone screen can show a bright missed-call notification from Hyesu while lying in Suriyeong’s palm.
  “수리영의 손바닥 안에 놓인 휴대전화 화면에 혜수의 부재중 전화 알림창이 밝게 떠 있는 클로즈업.”
• [held_prop/high] Suriyeong uses the phone as a calling device by holding it to her ear outside the mart.
  “마트 밖으로 나온 수리영이 휴대전화를 귀에 댄 채 미간을 찌푸린 컷.”
• [held_prop/high] Suriyeong later holds the phone close to her mouth while leaving a voice message against the foggy sea background.
  “선착장 끝, 수리영이 안개 낀 바다를 배경으로 휴대전화를 입가에 바짝 댄 채 눈을 내리깐 측면 얼굴 클로즈업.”
• [prop_state/medium] Hyesu uses the phone to check Suriyeong’s recorded voice message in the rooftop room.
  “수리영의 녹음메시지를 확인하는 혜수,”

prop_anchor P07

printed_content: The phone’s displayed content is ordinary Korean smartphone communication UI, not a fixed photograph: it may show Min-suk’s saved number/contact information, Hyesu’s missed-call notification, or Suriyeong’s recorded voice-message interface depending on the shot. No specific literal Korean wording is locked; preserve the structure of contact, missed-call, and voice-message screen content tied to Min-suk, Hyesu, and Suriyeong.

physical_form: A standard modern handheld smartphone: flat rectangular body, black glass screen, pocket-sized, realistic everyday condition with no specified distinctive damage or stains.

scale_contract: Keep the prop consistently the size of a normal handheld smartphone, fitting naturally in one hand and against a face or mouth when used for calls.

{"8:6": {"keep_real_scale": true}, "16:3": {"keep_real_scale": true}, "26:3": {"keep_real_scale": true}, "26:8": {"keep_real_scale": true}, "27:1": {"keep_real_scale": true}}

vca-p09-prop printed_prop

S12sh16 close_insert
S25sh5 close_insert
S29sh7 close_insert

prop_anchor P09

printed_content:

physical_form:

scale_contract:

{"12:16": {"keep_real_scale": true}, "25:5": {"keep_real_scale": true}, "29:7": {"keep_real_scale": true}}

vca-p10-prop printed_prop

S25sh5 close_insert
S29sh5 close_insert

• [prop_state/high] The prop is a single crumpled, old photograph with blood on it.
  “벽에 또 붉은 원이 그려져있다. 그 가운데 꽂혀있는 피묻은 사진 한 장!”
• [surface_state/high] The photograph’s image shows a rural restaurant that looks like it belongs to the 1970s–1980s.
  “7-80년대 쯤 보이는 시골 식당”
• [surface_state/high] A round circle-like structure is mounted on the restaurant roof, visually compared to a cross.
  “지붕위에 둥근 원이 설치된 (마치 십자가처럼)”
• [subject_pose/high] Two 12-year-old girls are sitting in front of the restaurant in the photograph.
  “식당 앞에는 어린 여자애 둘(12살)이 앉아있다.”
• [surface_state/high] One of the two girls in the photograph is Suriyoung’s mother as a child, later identified as Kang Min-sook.
  “이 사진속의 얘가 우리 엄마예요.”

prop_anchor P10

printed_content: The photograph shows a 1970s–1980s rural Korean restaurant with a distinctive round circle-like structure mounted on its roof like a cross. Sitting in front of the restaurant are two 12-year-old Korean girls; one is the young Kang Min-sook, Suriyoung’s mother, and the other is an unidentified 12-year-old Korean girl.

physical_form: A small handheld vintage paper photograph, crumpled and faded, with sharp creases, worn edges, gritty/damp aging, and visible blood staining.

scale_contract: Keep it the size of a real handheld printed photograph, small enough to be pinned to a wall and later held and pointed at in a person’s hand.

{"25:5": {"keep_real_scale": true}, "29:5": {"keep_real_scale": true}}

vca-s1-c01-immobilized immobilized_subject

S1sh1 environment
S1sh5 environment

• [surface_state/high] The immobilized subject is in the dense forest undergrowth during the dusk scene.
  “숲속 / 해 질 무렵 우거진 수풀을 헤치며 도망치는.”
• [prop_state/high] One shoe is missing from the immobilized subject, leaving only one shoe on.
  “벗겨진 한쪽 신발.”
• [subject_pose/high] The immobilized subject has a large tooth-mark wound on the thigh with blood flowing from it.
  “허벅지에 커다란 이빨 자국. 피가 흐르고.”
• [subject_pose/high] The immobilized subject keeps a terrified facial expression.
  “잔뜩 겁에 질린 남자 표정(T.S)”
• [subject_pose/medium] The immobilized subject is held in the moment of being pounced on by a black figure; the body must not shift between shots except by camera crop.
  “검은 인영이 남자를 덮친다.”

subject_anchor C01 severely_injured

shared_state_contract: Across all shots, the immobilized subject remains in the same forest-underbrush position at dusk, terrified, with one shoe missing and a large bleeding tooth-mark wound on the thigh. The body is fixed in the attacked configuration as the black figure pounces onto/against it; only the camera framing may change, not the subject’s posture, wound placement, or missing-shoe state.

per_shot_visible_focus

• sh1: A wide view includes the immobilized subject’s overall body in the undergrowth, including the frightened face, wounded thigh, and the missing-shoe state where visible.
• sh5: A medium view centers on the immobilized subject at the moment the black figure pounces onto the body; only the visible portion of the body and any visible wound or shoe state need appear within the crop.

{"1:1": {"enforce_state_continuity": true}, "1:5": {"enforce_state_continuity": true}}