layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).
S1sh3, S3sh2
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 우거진 수풀: at the near right side of the frame. - 숲속 도주 경로 (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame. - 폴리스 라인 (path): runs from the near right side of the frame to the mid-distance left side of the frame. FIGURES: - 검은 형상의 존재: at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near left side of the frame; their path follows the 숲속 도주 경로; NOT heading into the 우거진 수풀. - 금월산 남성 피해자: at the near left side of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.93x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance left side of the frame; their path follows the 숲속 도주 경로; NOT heading into the 우거진 수풀. DEPTH CONTRACT: 금월산 남성 피해자 is farther than 검은 형상의 존재 and must read visibly smaller and deeper in the frame.
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 우거진 수풀: at the mid-distance center of the frame. - 숲속 도주 경로 (path): runs from the far left side of the frame to the far right side of the frame. - 폴리스 라인 (path): runs from the mid-distance right side of the frame to the far left side of the frame. FIGURES: - 혜수: at the near left side of the frame — NEAREST figure to the camera.
5acaabb3af29b09e→dabff3eec47f7836Photorealistic cinematic still. Wide side-profile composition captured from waist height. C08O08 in a dark long coat, a Korean adult man with black hair, airborne in the near-center space, turned at a three-quarter angle from the right, already partway along the shared dirt path toward the near left side of the frame, following the forest escape route and not heading into the dense overgrown bushes, looking down, exerting heavy downward force onto the back of a severely injured Korean adult man in hiking clothes. The victim, already partway along the shared dirt path at the near left side of the frame, visibly smaller and deeper than C08O08, heading toward the mid-distance left side of the frame along the forest escape route and not into the dense overgrown bushes, pitching forward mid-stride in right profile, looking down with a pained expression, his thigh visibly wounded with a deep-crimson blood accent. Both figures physically locked together mid-collision above a shared dirt path. Dense overgrown bushes establishing the escape route behind them in the background. Dusk ambient light filtering through the trees in a cool desaturated palette with restrained low-key contrast, focusing on the physical tension of the airborne downward strike.
0add3bb366d5a4ae→e460ba4e0e26bacaPhotorealistic cinematic still. Captured from an observer camera at chest height, simulating local-news footage with a cool desaturated broadcast palette and raw documentary texture. C02O02 in a dark leather jacket, a Korean middle-aged woman with a mature oval face and black hair, occupies the left side of the frame in three-quarter left profile. She is leaning forward with shoulders set, looking off-screen toward the left edge. A yellow police line runs diagonally behind her as a shallow boundary. In the soft out-of-focus background, unnamed figures in police jackets are processing the forest scene among the trees, subordinate to her focus. Daylight illumination with restrained contrast and slight digital noise.
S2sh2
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 도시 뒷골목 (path): runs from the far left side of the frame to the far right side of the frame. - 전봇대: at the mid-distance right side of the frame. FIGURES: - 낯선 한국인 남성 (C08): at the near center of the frame — NEAREST figure to the camera. - 효장동 여성 피해자: at the near right side of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 0.97x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 효장동 여성 피해자 is farther than 낯선 한국인 남성 and must read visibly smaller and deeper in the frame.
a99232c6f1c7e017→62db65b6f94e2e62Photorealistic cinematic still. Extreme close-up from an oblique angle. C09O09 in a dark long coat, an adult Korean man, at three-quarter angle from the left, his glowing red eye occupying most of the central field, gazing off-screen. The figure exerting force has his jaw locked firmly into the neck of an adult Korean woman in an everyday dress, seen visibly smaller and deeper in the frame at the near right side, from an over-shoulder angle along the lower edge of the frame, severely injured with a pained expression. Sharp teeth are visible tearing into the flesh at the contact point. [: A narrow peripheral strip of a concrete utility pole] anchors the entwined bodies in the background. Faint streetlight shapes the faces in restrained low-key contrast within a cool desaturated palette, isolating the man's red iris as the strongest crimson accent.
S4sh1, S10sh3, S10sh4, S17sh1
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 오래된 다세대 빌라 옥상: at the near left side of the frame. - 옥탑방: at the mid-distance center of the frame. - 옥탑방 철문 현관: at the near left side of the frame. - 옥탑방 창문: at the near center of the frame. - 물탱크: at the mid-distance right side of the frame. - 담 (path): runs from the mid-distance left side of the frame to the far left side of the frame. FIGURES: - 강민숙 (C03): at the near center of the frame — NEAREST figure to the camera. - 낯선 한국인 남성 (C08): at the near center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.84x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near center of the frame; NOT heading into the 옥탑방. DEPTH CONTRACT: 낯선 한국인 남성 is farther than 강민숙 and must read visibly smaller and deeper in the frame.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 오래된 다세대 빌라 옥상: at the near center of the frame. - 옥탑방: at the near center of the frame. - 옥탑방 철문 현관: at the near left side of the frame. - 옥탑방 창문: at the near right side of the frame. - 물탱크: at the mid-distance right side of the frame. - 담 (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame. FIGURES: - 검은 고양이 (C12): at the near left side of the frame — NEAREST figure to the camera.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 오래된 다세대 빌라 옥상: at the near center of the frame. - 옥탑방: at the near center of the frame. - 옥탑방 철문 현관: at the near left side of the frame. - 옥탑방 창문: at the near right side of the frame. - 물탱크: at the mid-distance right side of the frame. - 담 (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame. FIGURES: - 검은 고양이 (C12): at the near left side of the frame — NEAREST figure to the camera.
1802324593da59c9→c40287777f8d342fPhotorealistic cinematic still. A lit rooftop room window in the middle-center midground glows against the dark exterior, revealing stark projections where C08 in a dark long coat, an Asian adult man, appearing as a visibly smaller shadow deeper in the frame at the near center, already partway along his path toward the near center and not heading into the rooftop room, looks toward C03 in a home wear, a Korean middle-aged woman, appearing as a shadow in the lower-center background. C08, the figure exerting force, is captured in three-quarter angle from the left, lunging forcefully and pinning the other down from above. C03, the figure receiving the force, is in right profile, folding abruptly beneath the attacker in a severely injured posture, her head looking down. The decisive, overlapping dark silhouettes flatten the body volume into sharp outlines against the illuminated curtain. The camera sits at chest height in a stable frontal alignment, retaining the window boundary symmetrically around the dramatic assault, isolated within the cool, desaturated night environment.
S11sh3, S13sh2
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 골목길 (path): runs from the far right side of the frame to the far right side of the frame. - 마당: at the far right side of the frame. - 옥탑방 연결 계단 (path): runs from the near right side of the frame to the far right side of the frame. - 옥상: at the mid-distance center of the frame. - 옥탑방: at the far center of the frame. - 반쯤 열린 현관 철문: at the mid-distance center of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 골목길 (path): runs from the near right side of the frame to the far right side of the frame. - 마당: at the mid-distance center of the frame. - 옥탑방 연결 계단 (path): runs from the mid-distance center of the frame to the far left side of the frame. - 옥상: at the far left side of the frame. - 옥탑방: at the far left side of the frame. - 반쯤 열린 현관 철문: at the far left side of the frame. FIGURES: - 혜수 (C02): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame. - 수리영 (C01): at the mid-distance center of the frame; about 1.9x as far from the camera as the nearest figure, so they must appear roughly 0.52x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.
489a7b86c20a3901→fd1726abd4f9247ePhotorealistic cinematic still. C01O01 in a casual hooded jumper, a 21-year-old Korean woman with long black hair, occupies the center foreground in three-quarter left profile, looking toward the [: narrow strip of a half-open iron door] in the middle-right background. The camera is positioned at eye level in a face-dominant close framing, focusing tightly on her anxious expression as one hand is clamped firmly over her nose. Her tense off-screen gaze is fixed strictly on the door edge. The immediate rooftop surroundings are enveloped in cool, desaturated natural night ambience, with restrained low-key contrast casting deep shadows across the side of her face and the metallic surface at the frame edge.
5f2be46c52f9ded8→ebb022d9a44827b7Photorealistic cinematic still. C01O01 in a casual hoodie jumper, a 21-year-old Korean woman, stands visibly smaller and deeper in the frame at the mid-distance center, while C02O02 in a leather jacket, a middle-aged Korean woman, in the center midground, already partway along her path and heading toward C01O01 at the mid-distance center. At eye height in a wide full-body composition, C01O01 is seen at three-quarter angle from the left, slack with weight unshifted, gazing into the distance. C02O02 is captured at three-quarter angle from the right, running mid-stride with one foot lifted off the shared courtyard they both occupy, eyes fixed on C01O01. Flashing lights from the police car behind C01O01 punctuate a cool desaturated night palette with restrained contrast, grounding both women. The lower approach of the exterior stair stands visibly behind the open space.
S6sh1, S9sh1
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame. - coast: at the far left side of the frame. FIGURES: - 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the coastal road; NOT heading into the coast.
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame. - coast: at the far left side of the frame. FIGURES: - 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the coastal road; NOT heading into the coast.
584dce54b91f7912→32e045f524c0ceebPhotorealistic cinematic still. C01O01 in a casual hooded jacket, an Asian young woman, occupies the left midground, already partway along her path, moving toward the road ahead along the coastal road toward the mid-distance right side of the frame, not into the coast. Seen at torso height from a stable medium lateral distance, in right profile, gazing into the distance. She is seated on the saddle of the bicycle in mid-pedal, one knee bent driving the pedal downward, the bicycle frame and wheels clearly visible beneath her. Her long black tied hair and jacket flap stream backward in the direction opposite to motion. She wears earphones. L06, the horizontal coastal road, runs behind and beneath her, with the adjacent coastal waters serving as a secondary lateral context. Lit by cool desaturated daylight with restrained contrast, revealing crisp tactile details in the moving hair and clothing.
dd6f3eead274a3e1→a058d147624afee6Photorealistic cinematic still. C01 in a dark hooded jacket, an Asian young woman in her 20s, occupies the left side of the midground, already partway along the coastal road and heading toward the mid-distance right side of the frame, away from the coast and not into it. Captured in strict left profile from rider-torso height in a parallel side view, she is bent low over the handlebar, driving the pedal fully down in a mid-pedal freeze. The bicycle's frame and wheels are visible beneath her, anchored to the lateral movement line of the coastal road. Her long tied hair and jacket flap trail backward in the direction opposite to her forward motion. Night ambient light renders her as a cool desaturated side silhouette with restrained contrast, her body volume preserved against the dim background while her face remains swallowed in deep shadow. Looking off-screen, her compressed diagonal posture fills the medium frame, sparse streetlights casting faint illumination over the empty asphalt.
S19sh4
SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 마트 건물: at the far right side of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
c8476c673bd164d8→599cd12f066b7ae7Photorealistic cinematic still. C01O01, an Asian woman in her 20s in a casual hood jumper, stands in the center foreground, looking up toward an exterior CCTV camera in the upper-right background. Shot from an observer perspective slightly below her eye level, her upturned face occupies most of the lower and middle frame at a three-quarter angle from the left, neck craned upward. The exterior CCTV camera remains clearly visible as a silhouette above her along the same sightline, anchored against [L10: an out-of-focus exterior wall surface]. The scene is captured with shallow focus, illuminated by natural ambient light of an early-morning exterior with a cool desaturated grade and controlled facial contrast.
S15sh1, S15sh5, S15sh6
SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - sea (path): runs from the mid-distance right side of the frame to the far left side of the frame. - coastline (path): runs from the mid-distance right side of the frame to the far left side of the frame. - bus stop structure: at the near right side of the frame. - departure path near the bus stop (path): runs from the near center of the frame to the mid-distance left side of the frame. FIGURES: - 수리영 (C01): at the near center of the frame — NEAREST figure to the camera.
SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - sea (path): runs from the mid-distance left side of the frame to the far right side of the frame. - coastline (path): runs from the mid-distance left side of the frame to the far right side of the frame. - bus stop structure: at the near left side of the frame. - departure path near the bus stop (path): runs from the near center of the frame to the far center of the frame. FIGURES: - 혜수 (C02): at the near center of the frame — NEAREST figure to the camera. - 수리영 (C01): at the mid-distance center of the frame; about 2.3x as far from the camera as the nearest figure, so they must appear roughly 0.44x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the departure path near the bus stop; moving away from 혜수; NOT heading into the sea. DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.
SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - sea (path): runs from the near left side of the frame to the mid-distance right side of the frame. - coastline (path): runs from the near left side of the frame to the mid-distance right side of the frame. - bus stop structure: at the near center of the frame. - departure path near the bus stop (path): runs from the near center of the frame to the mid-distance center of the frame. FIGURES: - 혜수 (C02): at the near center of the frame — NEAREST figure to the camera. - 수리영 (C01): at the mid-distance center of the frame; about 2.0x as far from the camera as the nearest figure, so they must appear roughly 0.51x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance center of the frame; their path follows the departure path near the bus stop; moving away from 혜수; NOT heading into the sea. DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.
d3b482f5d6c52327→2c92d257f5948088Photorealistic cinematic still. C01O01 in a casual hooded jumper, a young Korean woman with an oval face and tied long black straight hair, sits slumped on the bench edge in the center midground, looking toward the dark sea in the middle-right background. Captured from a seated eye-level wide view, the figure is seen in right profile, gazing into the distance across the broad negative space. The empty bus stop bench runs obliquely across the frame, exposing its front and one receding side. A coastal bus stop structure frames the isolated seating, one side facing the camera while its length recedes toward the water. Restrained low-key lighting casts deep shadows around her stillness, while a cool, desaturated palette dominates the coastal night environment, emphasizing the sparse atmospheric setting.
1f45774ac3c8e0e8→b2d155576b91cf47Photorealistic cinematic still. C02O02 in a casual leather jacket, a Korean middle-aged woman, stands in the center foreground looking toward the departing C01O01. C01O01 in a casual hood jumper, a young Korean woman, appears in the mid-distance center, already partway along the departure path near the bus stop, heading toward the far center of the frame, moving away from C02O02 and not heading into the sea, both sharing the same coastal road. Framed at chest height beside C02O02, her torso and arms occupy the foreground with her lower body implied beyond the bottom frame edge, captured at three-quarter angle from the right. Her hands are cupped firmly around her mouth projecting her voice, her mature oval face showing a tense expression, eyes fixed on C01O01. Positioned at the mid-distance center, deeper in the frame beyond C02O02's shoulder, C01O01 is captured visibly smaller than C02O02 with her back to camera, caught mid-run away, her limbs in an active running posture, long black straight hair flowing in the direction opposite to her motion. The dark coastal environment features a cool, desaturated color palette and restrained low-key lighting, maintaining a dimly lit peripheral sea that emphasizes the distance between the two figures.
84a1381c2c6cb801→8ec86e31b647b8c5Photorealistic cinematic still. A concealing structure edge heavily occludes the middle-left foreground, while C02O02 in a casual leather jacket, a Korean mid-40s woman, and C01O01 in a casual hooded jumper, a Korean 21-year-old woman, appear at a distance in the center background. They both occupy the same distant coastal bus stop vicinity, observed from a static standing eye-level viewpoint. C02O02 stands in right profile, both hands held near her mouth, her eyes fixed on C01O01. Already partway along the departure path near the bus stop, deeper in the frame and visibly smaller at roughly half C02O02’s apparent height, C01O01 is seen with her back to the camera, captured mid-run as she moves rapidly farther along that path toward the mid-distance center of the frame, moving away from C02O02 and not heading into the sea, looking off-screen. Low night ambience and a cool, desaturated color palette keep the near obstruction dense and dark, preserving the sparse, atmospheric outdoor setting.
S24sh2
SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - 해안가: at the near left side of the frame. FIGURES: - 수리영 (C01): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; NOT heading into the 해안가.
3d64c1ce142cad16→4be2498d6cd75bdbPhotorealistic cinematic still. Seen from a low chest-to-waist tracking angle, C01O01 in a casual hooded jumper, a Korean young woman, occupies the left-side midground in a wide lateral three-quarter composition, moving toward the frame-right coastal route. Her torso is pitched forward at three-quarter angle from the right, eyes fixed off-screen with intense desperation. Captured in mid-pedal, she drives the pedal forcefully downward, her weighted foot clear in the lower center. Hands firmly grip the handlebar, with the bicycle's main frame and front wheel fully visible below her body. Wet hair and jacket hem stream backward toward the left edge, opposite to the forward motion. Heavy rain cuts across the frame as visible diagonal texture, illuminated by cool desaturated storm light and brief lightning-driven highlights catching her wet skin and the metallic handlebars. Gloomy coastal surroundings and dark storm clouds recede into the upper background behind the rider.
{
"outdoor_location_count": 13,
"seed_group_count": 11,
"groups_extracted": 8,
"skipped": [
{
"shot": "S28sh1",
"reason": "multiple_outdoor_locations",
"locations": [
"L18",
"L19"
],
"chosen": "L18"
},
{
"seed": "location:L17",
"reason": "cap"
},
{
"seed": "location:L18",
"reason": "cap"
},
{
"seed": "location:L19",
"reason": "cap"
}
],
"layout_shape_violations": [],
"layout_side_conflicts": [],
"spatial_summary_skipped": [
{
"shot": "S10sh3",
"reason": "no_spatial_summary"
}
],
"rewrite_failed": [],
"revised_prompt_audit_violations": [],
"zoom_member_exclusion_source": "shot_dependency_t2i",
"composition_guide_failed": [],
"composition_guide_candidate_skipped": [
{
"group": "osl-single-l01-s3-sh2",
"reason": "judge_no_need",
"confidence": "high"
},
{
"group": "osl-single-l03-s10-sh4",
"shot": "S10sh4",
"reason": "optical_composition_risk"
},
{
"group": "osl-single-l03-s10-sh4",
"reason": "all_members_optical_risk"
},
{
"group": "osl-single-l03-s17-sh1",
"shot": "S17sh1",
"reason": "pose_brief_unusable_fail_closed"
},
{
"group": "osl-single-l04-s11-sh3",
"shot": "S11sh3",
"reason": "pose_brief_unusable_fail_closed"
}
],
"composition_guide_count": 11,
"seed_prefilter_meta": {
"1:3": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L01",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
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"character_angles",
"gaze_direction"
]
},
"2:2": {
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"location_source": "primary_location",
"location_id": "L02",
"figure_count": 2,
"framing_scale": "close",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
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"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"3:2": {
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"location_source": "frame_visible",
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"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
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]
},
"4:1": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
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]
},
"6:1": {
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"location_source": "frame_visible",
"location_id": "L06",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
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]
},
"9:1": {
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"location_source": "frame_visible",
"location_id": "L06",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
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]
},
"10:3": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 0,
"framing_scale": "close",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
},
"10:4": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"11:3": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L04",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"13:2": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L04",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"15:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L11",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"15:5": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L11",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"15:6": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L11",
"figure_count": 2,
"framing_scale": "wide",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"17:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L03",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"19:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L10",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"24:2": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L16",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"26:2": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L17",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"26:5": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L17",
"figure_count": 2,
"framing_scale": "close",
"character_angle_count": 2,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"28:1": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L18",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
},
"28:5": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L19",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"28:10": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L19",
"figure_count": 2,
"framing_scale": "insert",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"30:2": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L18",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale"
]
}
},
"single_shot_seed_lane_enabled": true,
"composition_guide_shared_model_enabled": true,
"shared_model_judge_enabled": true,
"shared_model_candidate_signals": [
{
"group_id": "osl-single-l01-s1-sh3",
"location_id": "L01",
"scene_index": 1,
"member_shots": [
"S1sh3"
],
"cameras_non_identical": false,
"landmark_count": 3,
"per_shot_signals": {
"1:3": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l01-s3-sh2",
"location_id": "L01",
"scene_index": 3,
"member_shots": [
"S3sh2"
],
"cameras_non_identical": false,
"landmark_count": 3,
"per_shot_signals": {
"3:2": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l02-s2-sh2",
"location_id": "L02",
"scene_index": 2,
"member_shots": [
"S2sh2"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"2:2": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l03-s4-sh1",
"location_id": "L03",
"scene_index": 4,
"member_shots": [
"S4sh1"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"4:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l03-s10-sh4",
"location_id": "L03",
"scene_index": 10,
"member_shots": [
"S10sh4"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"10:4": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l03-s17-sh1",
"location_id": "L03",
"scene_index": 17,
"member_shots": [
"S17sh1"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"17:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l04-s11-sh3",
"location_id": "L04",
"scene_index": 11,
"member_shots": [
"S11sh3"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"11:3": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l04-s13-sh2",
"location_id": "L04",
"scene_index": 13,
"member_shots": [
"S13sh2"
],
"cameras_non_identical": false,
"landmark_count": 6,
"per_shot_signals": {
"13:2": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l06-s6-sh1",
"location_id": "L06",
"scene_index": 6,
"member_shots": [
"S6sh1"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"6:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l06-s9-sh1",
"location_id": "L06",
"scene_index": 9,
"member_shots": [
"S9sh1"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"9:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l10-s19-sh4",
"location_id": "L10",
"scene_index": 19,
"member_shots": [
"S19sh4"
],
"cameras_non_identical": false,
"landmark_count": 1,
"per_shot_signals": {
"19:4": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l11-s15",
"location_id": "L11",
"scene_index": 15,
"member_shots": [
"S15sh1",
"S15sh5",
"S15sh6"
],
"cameras_non_identical": true,
"landmark_count": 4,
"per_shot_signals": {
"15:1": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"15:5": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
},
"15:6": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-single-l16-s24-sh2",
"location_id": "L16",
"scene_index": 24,
"member_shots": [
"S24sh2"
],
"cameras_non_identical": false,
"landmark_count": 1,
"per_shot_signals": {
"24:2": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": true
}
}
}
],
"shared_model_judge_decisions": [
{
"group_id": "osl-single-l01-s1-sh3",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "1:3",
"source_field": "camera_direction",
"quote": "pitches across the right half of frame while 검은 형상의 존재 descends through the upper-left space onto his back"
}
],
"guide_scope": "single",
"risk_notes": "The shot involves a complex physical interaction between two figures across different depth planes, with one descending onto the other's back, requiring precise spatial arrangement to avoid collapsing the intended depth or misplacing the bodies.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l01-s3-sh2",
"needs_shared_model_guide": false,
"decision_type": "no_guide",
"confidence": "high",
"reasons": [
"insufficient_evidence"
],
"evidence": [
{
"shot_key": "3:2",
"source_field": "camera_direction",
"quote": "camera settles at 혜수's chest height near the police line after its dolly-in, holding her upper body in the right-center at a slight three-quarter angle"
}
],
"guide_scope": "none",
"risk_notes": "Standard medium shot at chest height with a single figure on a single depth plane; no extreme viewpoint or complex spatial relationships that would require a layout guide.",
"admit": false,
"deny_reason": "judge_no_need"
},
{
"group_id": "osl-single-l02-s2-sh2",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "2:2",
"source_field": "camera_direction",
"quote": "extreme close-up in which his red eye occupies most of the central field while his teeth and the woman's neck remain legible along the lower edge. The oblique angle"
}
],
"guide_scope": "single",
"risk_notes": "The extreme close-up and oblique angle requiring specific placement of two interacting figures (eye, teeth, neck) presents a high framing risk that warrants a single-shot layout guide.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s4-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "4:1",
"source_field": "camera_direction",
"quote": "From high above the building at a pronounced overhead angle"
}
],
"guide_scope": "single",
"risk_notes": "The pronounced overhead angle creates spatial ambiguity for the structure's position and scale, warranting a layout guide to ensure the rooftop room and surrounding roof are placed correctly.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s10-sh4",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "10:4",
"source_field": "camera_direction",
"quote": "placing the overlapping shadows in the center while retaining the window boundary around them. The 낯선 한국인 남성’s enlarged upper shadow descends from above and behind 강민숙’s bent shadow, pinning her silhouette into the lower portion of the pane."
}
],
"guide_scope": "single",
"risk_notes": "The subjects are seen entirely as shadows/silhouettes on a lit window pane. This through-surface optical effect will be ruined by placing solid 3D mannequins in the layout, so the shot must be excluded from mannequin rendering.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s17-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "17:1",
"source_field": "camera_direction",
"quote": "From the black cat's eye level, hold a static wide composition from slightly behind and to one side, placing the cat low in the foreground and aiming past its head toward the lit rooftop-room window."
}
],
"guide_scope": "single",
"risk_notes": "The extreme low viewpoint (cat's eye level) combined with the specific foreground-to-background alignment (aiming past the subject's head toward a background structure) creates a high placement risk where an unguided render might collapse the intended depth or misplace the subject.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l04-s11-sh3",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "11:3",
"source_field": "camera_direction",
"quote": "face-dominant close framing with her hand still covering her nose. She occupies the near side of the frame in three-quarter view, and a narrow strip of the half-open iron door remains at the opposite edge"
}
],
"guide_scope": "single",
"risk_notes": "The close framing requires a specific spatial relationship between the figure on one side of the frame and the narrow strip of the door on the opposite edge to establish the gaze direction.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l04-s13-sh2",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering"
],
"evidence": [
{
"shot_key": "13:2",
"source_field": "camera_direction",
"quote": "holding 수리영 near the police car in the background and 혜수 in the advancing midground"
}
],
"guide_scope": "single",
"risk_notes": "The shot features multiple figures distributed across distinct depth planes (midground and background) with one figure advancing, requiring a layout guide to maintain correct spatial relationships and depth.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l06-s6-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "6:1",
"source_field": "camera_direction",
"quote": "She occupies the middle-left with one bent knee driving the pedal downward, while her bicycle, trailing hair, road, and coastal context extend toward the right without changing the established side axis."
}
],
"guide_scope": "single",
"risk_notes": "The specific lateral framing, placing the figure middle-left and extending the bicycle to the right along a side axis, presents a framing risk that benefits from a layout guide to ensure correct screen placement.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l06-s9-sh1",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "9:1",
"source_field": "camera_direction",
"quote": "tightened strict side profile, keeping 수리영 and the bicycle moving horizontally through the middle of the frame"
}
],
"guide_scope": "single",
"risk_notes": "The strict side profile tracking shot requires precise horizontal placement of the figure and bicycle in the middle of the frame, which a layout sketch will help enforce.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l10-s19-sh4",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "19:4",
"source_field": "camera_direction",
"quote": "upturned face occupies most of the lower and middle frame while the CCTV camera remains above along the same sightline. Use a restrained low angle"
}
],
"guide_scope": "single",
"risk_notes": "The specific low angle and the required vertical alignment between the character's face in the lower frame and the CCTV camera above create a framing risk that warrants a layout guide.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l11-s15",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"figure_placement_continuity",
"depth_layering",
"occlusion_or_framing_risk"
],
"evidence": [
{
"shot_key": "15:1",
"source_field": "camera_direction",
"quote": "Hold a static wide view from seated eye level in front of the bench"
},
{
"shot_key": "15:5",
"source_field": "camera_direction",
"quote": "Track beside 혜수 at chest height and tighten to her upper body, holding her in the left foreground... Keep 수리영 small and receding along the same diagonal beyond 혜수's shoulder"
},
{
"shot_key": "15:6",
"source_field": "camera_direction",
"quote": "Cut to a static, concealed first-person viewpoint at standing eye level, with one edge of the frame heavily occluded by the dark structure"
}
],
"guide_scope": "group",
"risk_notes": "The group requires consistent placement of the bus stop structure, bench, departure path, and sea across three distinct camera angles, including a tracked shot and an occluded POV with specific depth layering.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l16-s24-sh2",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "24:2",
"source_field": "camera_direction",
"quote": "Track laterally alongside 수리영 at a low chest-to-waist height, holding her full body and bicycle in a wide lateral three-quarter composition"
},
{
"shot_key": "24:2",
"source_field": "camera_direction",
"quote": "forward-pitched torso occupies the center-left while the forcefully lowered pedal and weighted foot remain clear in the lower center"
}
],
"guide_scope": "single",
"risk_notes": "The specific low tracking angle and precise placement of the body and pedal within the frame justify a layout guide to ensure the framing doesn't collapse the intended composition.",
"admit": true,
"deny_reason": null
}
],
"shared_model_attach_decisions": [
{
"group_id": "osl-single-l01-s1-sh3",
"scene_index": 1,
"base_cache_key": "8c772ad8623f6608",
"attached_shots": [
"1:3"
],
"attached": true
},
{
"group_id": "osl-single-l02-s2-sh2",
"scene_index": 2,
"base_cache_key": "c2c54e6e5a3ccca2",
"attached_shots": [
"2:2"
],
"attached": true
},
{
"group_id": "osl-single-l03-s4-sh1",
"scene_index": 4,
"base_cache_key": "eaa113ccefa18155",
"attached_shots": [
"4:1"
],
"attached": true
},
{
"group_id": "osl-single-l03-s10-sh4",
"scene_index": 10,
"base_cache_key": "75ef2f9a147374d4",
"attached_shots": [],
"attached": false,
"fail_stage": "all_members_optical_risk"
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