{ "status": "completed", "applicable_count": 7, "completed_count": 7, "failed_count": 0, "schema_version": 2, "config_hash": "8f46a0c9564dde79", "data": { "groups": { "bg_city_back_alley": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_city_back_alley_sel.png", "seed_asset_id": "d88b4625-b9db-43f7-9d74-4b701e1724c5", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA nighttime urban back-alley passage in South Korea in 2026 is the principal subject. It belongs to a dense, inhabited urban neighborhood of ordinary adjacent buildings and visibly remains in active everyday use. No standalone target building is designated. One gray precast-concrete utility pole stands within or directly along one edge of the passage, carrying complex bundled black utility wiring. A standard gray metal streetlight fixture serves the same alley, with its side and its relationship to the utility pole left unspecified. The permanent infrastructure shows normal urban service wear. No additional entrance, boundary, connecting street, or prescribed ground surface is established.\n\nTHE LOCATION: A nighttime urban back alley in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people at the utility pole; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "The target location is a nighttime South Korean urban back-alley passage in 2026, not a standalone building; no target-building storey count, massing, facade, rooms, entrances, boundaries, connecting streets, or opening counts are authorized. The permanent topology consists only of the alley passage, one gray precast-concrete utility pole within or directly along one edge with complex bundled black utility wiring, and one standard gray metal streetlight fixture serving the passage from an unspecified side and with no prescribed relationship to the pole. The alley must sit within a believable, currently inhabited and working urban neighborhood, with ordinary adjacent buildings and visible signs that the passage and its infrastructure remain in active everyday use. It must not appear abandoned, sterile, prison-like, isolated, or staged. Do not depict the excluded faint streetlight illumination.", "location_line_en": "A nighttime urban back alley in South Korea, 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "도시 뒷골목 기반시설에는 식별 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 단서 중심", "evidence_ko": [ "도시 뒷골목", "도심 희미한 가로등 불빛.", "전봇대" ], "prompt_en": "A nighttime urban back-alley passage in South Korea in 2026 is the principal subject. It belongs to a dense, inhabited urban neighborhood of ordinary adjacent buildings and visibly remains in active everyday use. No standalone target building is designated. One gray precast-concrete utility pole stands within or directly along one edge of the passage, carrying complex bundled black utility wiring. A standard gray metal streetlight fixture serves the same alley, with its side and its relationship to the utility pole left unspecified. The permanent infrastructure shows normal urban service wear. No additional entrance, boundary, connecting street, or prescribed ground surface is established.", "variant_id": "v1" }, { "approach_ko": "생활권 골목 맥락 중심", "evidence_ko": [], "prompt_en": "The location is an inhabited South Korean city neighborhood in 2026, organized around one nighttime back-alley passage. Ordinary neighboring buildings enclose the lived-in urban setting without turning it into an empty compound or an isolated site. The alley and its infrastructure visibly function as an active everyday circulation space. The passage itself is the target location; there is no designated target building. A single gray precast-concrete utility pole occupies or directly borders one alley edge and supports complex bundled black utility wiring. One standard gray metal streetlight fixture serves the passage from an unspecified position. Its relationship to the utility pole is not fixed. No other permanent site topology is asserted.", "variant_id": "v2" }, { "approach_ko": "도시 기반시설 재질 중심", "evidence_ko": [], "prompt_en": "One urban back-alley passage forms the complete target site in South Korea in 2026 at night. A weathered gray precast-concrete utility pole stands within or immediately beside one edge, with dense bundled black utility wiring typical of active city service. A standard gray metal streetlight fixture serves the alley, but no exact side or alignment with the utility pole is defined. There is no standalone target building and no authorized entrance, boundary, connecting street, or specified paving treatment. The surrounding inhabited neighborhood and its ordinary adjacent buildings are present as a natural urban context. The passage and permanent infrastructure visibly remain in routine working use rather than appearing abandoned or staged.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA nighttime urban back-alley passage in South Korea in 2026 is the principal subject. It belongs to a dense, inhabited urban neighborhood of ordinary adjacent buildings and visibly remains in active everyday use. No standalone target building is designated. One gray precast-concrete utility pole stands within or directly along one edge of the passage, carrying complex bundled black utility wiring. A standard gray metal streetlight fixture serves the same alley, with its side and its relationship to the utility pole left unspecified. The permanent infrastructure shows normal urban service wear. No additional entrance, boundary, connecting street, or prescribed ground surface is established.\n\nTHE LOCATION: A nighttime urban back alley in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people at the utility pole; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is an inhabited South Korean city neighborhood in 2026, organized around one nighttime back-alley passage. Ordinary neighboring buildings enclose the lived-in urban setting without turning it into an empty compound or an isolated site. The alley and its infrastructure visibly function as an active everyday circulation space. The passage itself is the target location; there is no designated target building. A single gray precast-concrete utility pole occupies or directly borders one alley edge and supports complex bundled black utility wiring. One standard gray metal streetlight fixture serves the passage from an unspecified position. Its relationship to the utility pole is not fixed. No other permanent site topology is asserted.\n\nTHE LOCATION: A nighttime urban back alley in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people at the utility pole; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOne urban back-alley passage forms the complete target site in South Korea in 2026 at night. A weathered gray precast-concrete utility pole stands within or immediately beside one edge, with dense bundled black utility wiring typical of active city service. A standard gray metal streetlight fixture serves the alley, but no exact side or alignment with the utility pole is defined. There is no standalone target building and no authorized entrance, boundary, connecting street, or specified paving treatment. The surrounding inhabited neighborhood and its ordinary adjacent buildings are present as a natural urban context. The passage and permanent infrastructure visibly remain in routine working use rather than appearing abandoned or staged.\n\nTHE LOCATION: A nighttime urban back alley in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people at the utility pole; Faint streetlight illumination\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target location is a nighttime South Korean urban back-alley passage in 2026, not a standalone building; no target-building storey count, massing, facade, rooms, entrances, boundaries, connecting streets, or opening counts are authorized. The permanent topology consists only of the alley passage, one gray precast-concrete utility pole within or directly along one edge with complex bundled black utility wiring, and one standard gray metal streetlight fixture serving the passage from an unspecified side and with no prescribed relationship to the pole. The alley must sit within a believable, currently inhabited and working urban neighborhood, with ordinary adjacent buildings and visible signs that the passage and its infrastructure remain in active everyday use. It must not appear abandoned, sterile, prison-like, isolated, or staged. Do not depict the excluded faint streetlight illumination.\n\nTHE LOCATION: A nighttime urban back alley in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nTwo people at the utility pole; Faint streetlight illumination", "seed_decision": { "input_fingerprint": "8e360ee2ccfb01d0", "totals": { "A": 7, "C": 5, "B": 3 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Strictly satisfies all brief constraints with excellent regional authenticity, accurate item counts, and flawless local signage." }, { "label": "C", "score": 5, "verdict_ko": "Conforms to the required counts and structures, but features nonsensical text and slightly less believable lighting." }, { "label": "B", "score": 3, "verdict_ko": "Hard violation: depicts multiple streetlight fixtures (one on the pole, one on a dedicated mast), contradicting the explicitly committed 'one standard gray metal streetlight fixture'." } ], "critique": { "issues": [ { "issue_ko": "브리프에는 전봇대와 가로등이 각각 하나만 있어야 한다고 명시되어 있으나, 골목 안쪽 배경에 추가적인 전봇대와 가로등이 묘사되어 있습니다.", "fix_en": "Remove the extra utility poles and streetlights from the background of the alley." }, { "issue_ko": "브리프에는 연결되는 거리가 없어야 한다고 명시되어 있으나, 골목 끝부분에 횡단보도가 있는 교차로가 나타나 있습니다.", "fix_en": "Replace the connecting street and crosswalk at the end of the alley with a continuous extension of the alley passage." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the extra utility poles and streetlights from the background of the alley.\n- Replace the connecting street and crosswalk at the end of the alley with a continuous extension of the alley passage.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_bus_stop": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_coastal_bus_stop_sel.png", "seed_asset_id": "7e636055-57cd-42ff-a58c-3fe738ea7c06", "seed_selected": "B", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe permanent site is organized around a principal charcoal-asphalt coastal stopping area, an adjoining paved access area linked to the off-site route, and a weathered light-gray concrete sea-facing edge with the adjacent sea beyond it. Peripheral open space within the access area keeps the bus stop visible across the site. This arrangement belongs to an inhabited, working South Korean coastal-road neighborhood with ordinary adjacent buildings and authentic everyday surroundings. The target shelter is one level and forms a single rectangular volume measuring 4.8 by 1.8 metres in footprint and 2.5 metres high. A shallow dark-gray sheet-metal roof rests on a dark-gray powder-coated galvanized-steel frame. Clear safety-glass wind screens enclose the rear and sides, while one full-width road-facing boarding side remains open and has no door. The transparent sea-facing rear maintains a direct outward view of the sea. The fascia displays the exact legible lettering 해안길 정류장. Coastal salt exposure appears as restrained fading, streaking, and minor oxidation. The facility, stopping area, and access area visibly remain in active public-transport service as such a place does in South Korea in 2026.\n\nTHE LOCATION: An actively serviced coastal bus stop in an inhabited South Korean seaside road neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안길 정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nthe two women and their changing positions; purchased beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same actively serviced South Korean coastal bus stop in 2026 as the main subject: one level, a 4.8-by-1.8-metre rectangular shelter footprint, 2.5 metres high, with a shallow dark-gray sheet-metal roof, dark-gray powder-coated galvanized-steel frame, clear safety-glass wind screens, and one full-width open road-facing boarding side with no door. The sea-facing rear remains transparent enough for a direct view of the adjacent sea. The fascia must display the exact legible text 해안길 정류장. Do not add prominent doors, windows, storeys, annexes, stairs, or secondary volumes. Salt exposure produces restrained fading, streaking, and oxidation without dereliction. The shelter occupies the principal charcoal-asphalt stopping area beside a weathered light-gray concrete sea-facing edge. The adjacent sea extends beyond that edge. A paved coastal access area directly adjoins the stopping area, connects to the off-site route, and retains peripheral open space from which the stop can be viewed. The shelter, stopping area, and access area visibly carry ordinary signs of active public-transport service. Ordinary adjacent buildings and everyday surroundings of an inhabited, working South Korean coastal-road neighborhood must surround the site; a bare, sterile, abandoned, prison-like, or isolated compound is nonconforming.", "location_line_en": "An actively serviced coastal bus stop in an inhabited South Korean seaside road neighborhood, 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "한국의 공공 버스정류장 시설은 정류장명을 표시하는 식별 표지가 필요하다.", "signage_required": true, "signage_text": "해안길 정류장", "variants": [ { "approach_ko": "원문에 명시된 해안가와 바다 조망을 직접 시각화하는 접근", "evidence_ko": [ "해안가. 버스정류장 부근", "바다를 바라보며", "해안도로변의 간이 버스 정류장 시설" ], "prompt_en": "An inhabited, working South Korean coastal-road neighborhood surrounds the site, with ordinary adjacent buildings and regionally typical everyday surroundings. The adjacent sea is directly visible beyond the sea-facing edge. The target is an actively serviced one-level coastal bus shelter with a 4.8-by-1.8-metre rectangular footprint and a height of 2.5 metres. It has a shallow dark-gray sheet-metal roof, a dark-gray powder-coated galvanized-steel frame, clear safety-glass wind screens, and one full-width open road-facing boarding side without a door. Its transparent sea-facing rear preserves the direct view toward the water. The front fascia carries the exact, clearly legible sign 해안길 정류장. Restrained salt fading, streaking, and minor oxidation mark the materials without making the facility derelict. The shelter occupies the principal charcoal-asphalt stopping area beside a weathered light-gray concrete sea-facing edge. A paved coastal access area directly adjoins the stop, connects to the route away from the site, and includes peripheral open space across which the stopping area remains visible. The shelter and its outdoor areas visibly carry the ordinary signs of active public-transport use appropriate to South Korea in 2026.", "variant_id": "v1" }, { "approach_ko": "정류장과 바다, 진출입 공간의 영구 배치를 우선하는 접근", "evidence_ko": [ "버스정류장 부근", "바다를 바라보며", "해안가" ], "prompt_en": "The permanent site is organized around a principal charcoal-asphalt coastal stopping area, an adjoining paved access area linked to the off-site route, and a weathered light-gray concrete sea-facing edge with the adjacent sea beyond it. Peripheral open space within the access area keeps the bus stop visible across the site. This arrangement belongs to an inhabited, working South Korean coastal-road neighborhood with ordinary adjacent buildings and authentic everyday surroundings. The target shelter is one level and forms a single rectangular volume measuring 4.8 by 1.8 metres in footprint and 2.5 metres high. A shallow dark-gray sheet-metal roof rests on a dark-gray powder-coated galvanized-steel frame. Clear safety-glass wind screens enclose the rear and sides, while one full-width road-facing boarding side remains open and has no door. The transparent sea-facing rear maintains a direct outward view of the sea. The fascia displays the exact legible lettering 해안길 정류장. Coastal salt exposure appears as restrained fading, streaking, and minor oxidation. The facility, stopping area, and access area visibly remain in active public-transport service as such a place does in South Korea in 2026.", "variant_id": "v2" }, { "approach_ko": "2026년 한국 해안 정류장의 재료와 공공시설 유형을 우선하는 접근", "evidence_ko": [ "해안도로변의 간이 버스 정류장 시설", "어두운 바다가 배경으로 펼쳐진", "바다를 바라보며" ], "prompt_en": "A real, inhabited South Korean seaside-road neighborhood encloses the location, including ordinary neighboring buildings and the unstaged everyday context of a working coastal settlement. The bus stop remains the main subject, with the adjacent sea visible across its sea-facing boundary. It is an actively operating one-level public-transport shelter, 4.8 metres long, 1.8 metres deep, and 2.5 metres high. Its single rectangular mass uses a dark-gray powder-coated galvanized-steel frame, clear safety-glass wind screens, and a shallow dark-gray sheet-metal roof. One full-width road-facing boarding side is open without a door; the clear sea-facing rear permits an uninterrupted view toward the water. The fascia bears the exact clearly readable name 해안길 정류장. Regionally credible marine wear consists of subdued salt streaks, finish fading, and minor exposed-metal oxidation, while the structure remains maintained and in service. It stands on the principal charcoal-asphalt stopping area beside a weathered light-gray concrete coastal edge. The adjoining paved access area connects the stop to the route leaving the site and provides peripheral open space overlooking the stopping area. All outdoor parts visibly carry ordinary signs of continuing public-transport use appropriate to South Korea in 2026.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited, working South Korean coastal-road neighborhood surrounds the site, with ordinary adjacent buildings and regionally typical everyday surroundings. The adjacent sea is directly visible beyond the sea-facing edge. The target is an actively serviced one-level coastal bus shelter with a 4.8-by-1.8-metre rectangular footprint and a height of 2.5 metres. It has a shallow dark-gray sheet-metal roof, a dark-gray powder-coated galvanized-steel frame, clear safety-glass wind screens, and one full-width open road-facing boarding side without a door. Its transparent sea-facing rear preserves the direct view toward the water. The front fascia carries the exact, clearly legible sign 해안길 정류장. Restrained salt fading, streaking, and minor oxidation mark the materials without making the facility derelict. The shelter occupies the principal charcoal-asphalt stopping area beside a weathered light-gray concrete sea-facing edge. A paved coastal access area directly adjoins the stop, connects to the route away from the site, and includes peripheral open space across which the stopping area remains visible. The shelter and its outdoor areas visibly carry the ordinary signs of active public-transport use appropriate to South Korea in 2026.\n\nTHE LOCATION: An actively serviced coastal bus stop in an inhabited South Korean seaside road neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안길 정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nthe two women and their changing positions; purchased beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe permanent site is organized around a principal charcoal-asphalt coastal stopping area, an adjoining paved access area linked to the off-site route, and a weathered light-gray concrete sea-facing edge with the adjacent sea beyond it. Peripheral open space within the access area keeps the bus stop visible across the site. This arrangement belongs to an inhabited, working South Korean coastal-road neighborhood with ordinary adjacent buildings and authentic everyday surroundings. The target shelter is one level and forms a single rectangular volume measuring 4.8 by 1.8 metres in footprint and 2.5 metres high. A shallow dark-gray sheet-metal roof rests on a dark-gray powder-coated galvanized-steel frame. Clear safety-glass wind screens enclose the rear and sides, while one full-width road-facing boarding side remains open and has no door. The transparent sea-facing rear maintains a direct outward view of the sea. The fascia displays the exact legible lettering 해안길 정류장. Coastal salt exposure appears as restrained fading, streaking, and minor oxidation. The facility, stopping area, and access area visibly remain in active public-transport service as such a place does in South Korea in 2026.\n\nTHE LOCATION: An actively serviced coastal bus stop in an inhabited South Korean seaside road neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안길 정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nthe two women and their changing positions; purchased beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA real, inhabited South Korean seaside-road neighborhood encloses the location, including ordinary neighboring buildings and the unstaged everyday context of a working coastal settlement. The bus stop remains the main subject, with the adjacent sea visible across its sea-facing boundary. It is an actively operating one-level public-transport shelter, 4.8 metres long, 1.8 metres deep, and 2.5 metres high. Its single rectangular mass uses a dark-gray powder-coated galvanized-steel frame, clear safety-glass wind screens, and a shallow dark-gray sheet-metal roof. One full-width road-facing boarding side is open without a door; the clear sea-facing rear permits an uninterrupted view toward the water. The fascia bears the exact clearly readable name 해안길 정류장. Regionally credible marine wear consists of subdued salt streaks, finish fading, and minor exposed-metal oxidation, while the structure remains maintained and in service. It stands on the principal charcoal-asphalt stopping area beside a weathered light-gray concrete coastal edge. The adjoining paved access area connects the stop to the route leaving the site and provides peripheral open space overlooking the stopping area. All outdoor parts visibly carry ordinary signs of continuing public-transport use appropriate to South Korea in 2026.\n\nTHE LOCATION: An actively serviced coastal bus stop in an inhabited South Korean seaside road neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안길 정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nthe two women and their changing positions; purchased beverage; nighttime condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same actively serviced South Korean coastal bus stop in 2026 as the main subject: one level, a 4.8-by-1.8-metre rectangular shelter footprint, 2.5 metres high, with a shallow dark-gray sheet-metal roof, dark-gray powder-coated galvanized-steel frame, clear safety-glass wind screens, and one full-width open road-facing boarding side with no door. The sea-facing rear remains transparent enough for a direct view of the adjacent sea. The fascia must display the exact legible text 해안길 정류장. Do not add prominent doors, windows, storeys, annexes, stairs, or secondary volumes. Salt exposure produces restrained fading, streaking, and oxidation without dereliction. The shelter occupies the principal charcoal-asphalt stopping area beside a weathered light-gray concrete sea-facing edge. The adjacent sea extends beyond that edge. A paved coastal access area directly adjoins the stopping area, connects to the off-site route, and retains peripheral open space from which the stop can be viewed. The shelter, stopping area, and access area visibly carry ordinary signs of active public-transport service. Ordinary adjacent buildings and everyday surroundings of an inhabited, working South Korean coastal-road neighborhood must surround the site; a bare, sterile, abandoned, prison-like, or isolated compound is nonconforming.\n\nTHE LOCATION: An actively serviced coastal bus stop in an inhabited South Korean seaside road neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해안길 정류장\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nthe two women and their changing positions; purchased beverage; nighttime condition", "seed_decision": { "input_fingerprint": "076ddcca5dc6b712", "totals": { "B": 9, "C": 6, "A": 5 }, "ranking": [ "B", "C", "A" ], "verdicts": [ { "label": "B", "score": 9, "verdict_ko": "지시문과 가장 잘 일치합니다. 전면이 완전히 개방된 구조를 정확히 구현했으며, 숯 검정색 아스팔트 정차 구역 내에 올바르게 위치해 있습니다." }, { "label": "C", "score": 6, "verdict_ko": "지시문 위반: 쉘터가 아스팔트 정차 구역이 아닌 밝은 회색 콘크리트 바닥 위에 완전히 올라가 있어 위치 조건을 충족하지 못했습니다." }, { "label": "A", "score": 5, "verdict_ko": "지시문 위반: 도로를 향한 탑승면이 전체 너비로 개방되어야 하나, 전면에 유리 패널을 추가하여 개방감을 훼손했습니다." } ], "critique": { "issues": [ { "issue_ko": "주변 건물 간판, 도로 표지판, 버스 정류장 기둥에 지시사항에 위배되는 읽을 수 있는 추가 텍스트가 포함되어 있습니다.", "fix_en": "Remove all text from the storefront signs, street signs, and the bus stop pole, leaving only the main '해안길 정류장' signage.", "unfixable": false }, { "issue_ko": "정류장 지붕과 프레임이 너무 깨끗하여, 요구된 해안가 염분 노출로 인한 약간의 색 바램, 얼룩, 산화 등의 웨더링이 전혀 표현되지 않았습니다.", "fix_en": "Add subtle fading, streaking, and minor oxidation to the dark-gray frame and roof of the shelter.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all text from the storefront signs, street signs, and the bus stop pole, leaving only the main '해안길 정류장' signage.\n- Add subtle fading, streaking, and minor oxidation to the dark-gray frame and roof of the shelter.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_coastal_road": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_coastal_road_sel.png", "seed_asset_id": "54c96cc0-46af-48bc-a255-a9c22b6144ff", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site is part of an inhabited, working coastal neighborhood in South Korea in 2026, with ordinary regional development continuing along the inland side. The surroundings visibly carry unstaged signs of current daily use. The target is a zero-storey, ground-level coastal road, approximately 6.5 metres wide and arranged as a continuous two-lane travel corridor. Its surface is dark charcoal-gray asphalt with maintained wear from coastal exposure and traffic. The natural blue-gray sea directly adjoins the seaward edge. There is no fixed barrier, shoulder, lighting fixture, opening, or identifying signage on the target road.\n\nTHE LOCATION: An inhabited coastal road beside the sea in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; cyclist; earphones; storm clouds and heavy rain; thunder and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same zero-storey, ground-level coastal transport structure: an approximately 6.5-metre-wide, two-lane linear road surfaced in dark charcoal-gray asphalt, with maintained coastal and traffic wear. The natural blue-gray sea directly adjoins the road along its seaward side, while an inhabited, working South Korean coastal neighborhood continues along the inland side. The road must remain the main subject and visibly read as an active public route in 2026 through ordinary signs of current use. Do not introduce a fixed barrier, shoulder, lighting fixture, target-structure opening, building storey, or identifying road signage. The permanent topology is one continuous coastal road with the sea beside its seaward edge; the believable inhabited neighborhood must surround and contextualize it without turning the site into an empty or abandoned setting.", "location_line_en": "An inhabited coastal road beside the sea in South Korea, 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "해안도로는 자체 식별 간판을 갖는 시설 유형이 아니다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "장면 원문의 공간 단서를 직접 시각화한 접근", "evidence_ko": [ "해안가 도로", "해안가 도로를 달린다.", "바다냄새", "해안도로" ], "prompt_en": "The site is part of an inhabited, working coastal neighborhood in South Korea in 2026, with ordinary regional development continuing along the inland side. The surroundings visibly carry unstaged signs of current daily use. The target is a zero-storey, ground-level coastal road, approximately 6.5 metres wide and arranged as a continuous two-lane travel corridor. Its surface is dark charcoal-gray asphalt with maintained wear from coastal exposure and traffic. The natural blue-gray sea directly adjoins the seaward edge. There is no fixed barrier, shoulder, lighting fixture, opening, or identifying signage on the target road.", "variant_id": "v1" }, { "approach_ko": "생활 중인 해안 마을의 맥락을 먼저 확립한 접근", "evidence_ko": [ "S#6. 해안가 도로 / D", "S#9. 해안가 / N", "해안도로" ], "prompt_en": "An inhabited and working South Korean coastal settlement extends beside this route in 2026. Its ordinary low-rise neighborhood fabric occupies the inland side and shows the regionally normal signs of active daily use without staged arrangements. The main subject is a zero-storey linear roadway, approximately 6.5 metres across, carrying two lanes along the coast. Dark charcoal-gray asphalt forms its continuous surface and shows maintained traffic and salt-air wear. The natural blue-gray sea meets the road directly on the seaward side. The road has no fixed barrier, shoulder, lighting fixture, opening, or identifying signage.", "variant_id": "v2" }, { "approach_ko": "도로 유형과 재료의 지역적 사실성을 우선한 접근", "evidence_ko": [ "바로 옆으로 바다 풍경이 펼쳐진 아스팔트 포장 도로", "해안가 도로", "해안도로" ], "prompt_en": "The location belongs to a currently inhabited coastal neighborhood in South Korea in 2026, with working everyday surroundings along the inland side rather than vacant ground. The neighborhood and route visibly retain ordinary signs of active use appropriate to the region. The target road is a zero-storey, ground-level transport structure with a linear two-lane massing and an approximate paved width of 6.5 metres. Its dark charcoal-gray asphalt has realistic maintained wear from traffic and marine exposure. Natural blue-gray seawater lies directly beside the full seaward edge. No fixed barrier, shoulder, lighting fixture, opening, or identifying road signage is present.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe site is part of an inhabited, working coastal neighborhood in South Korea in 2026, with ordinary regional development continuing along the inland side. The surroundings visibly carry unstaged signs of current daily use. The target is a zero-storey, ground-level coastal road, approximately 6.5 metres wide and arranged as a continuous two-lane travel corridor. Its surface is dark charcoal-gray asphalt with maintained wear from coastal exposure and traffic. The natural blue-gray sea directly adjoins the seaward edge. There is no fixed barrier, shoulder, lighting fixture, opening, or identifying signage on the target road.\n\nTHE LOCATION: An inhabited coastal road beside the sea in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; cyclist; earphones; storm clouds and heavy rain; thunder and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited and working South Korean coastal settlement extends beside this route in 2026. Its ordinary low-rise neighborhood fabric occupies the inland side and shows the regionally normal signs of active daily use without staged arrangements. The main subject is a zero-storey linear roadway, approximately 6.5 metres across, carrying two lanes along the coast. Dark charcoal-gray asphalt forms its continuous surface and shows maintained traffic and salt-air wear. The natural blue-gray sea meets the road directly on the seaward side. The road has no fixed barrier, shoulder, lighting fixture, opening, or identifying signage.\n\nTHE LOCATION: An inhabited coastal road beside the sea in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; cyclist; earphones; storm clouds and heavy rain; thunder and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location belongs to a currently inhabited coastal neighborhood in South Korea in 2026, with working everyday surroundings along the inland side rather than vacant ground. The neighborhood and route visibly retain ordinary signs of active use appropriate to the region. The target road is a zero-storey, ground-level transport structure with a linear two-lane massing and an approximate paved width of 6.5 metres. Its dark charcoal-gray asphalt has realistic maintained wear from traffic and marine exposure. Natural blue-gray seawater lies directly beside the full seaward edge. No fixed barrier, shoulder, lighting fixture, opening, or identifying road signage is present.\n\nTHE LOCATION: An inhabited coastal road beside the sea in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; cyclist; earphones; storm clouds and heavy rain; thunder and lightning\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same zero-storey, ground-level coastal transport structure: an approximately 6.5-metre-wide, two-lane linear road surfaced in dark charcoal-gray asphalt, with maintained coastal and traffic wear. The natural blue-gray sea directly adjoins the road along its seaward side, while an inhabited, working South Korean coastal neighborhood continues along the inland side. The road must remain the main subject and visibly read as an active public route in 2026 through ordinary signs of current use. Do not introduce a fixed barrier, shoulder, lighting fixture, target-structure opening, building storey, or identifying road signage. The permanent topology is one continuous coastal road with the sea beside its seaward edge; the believable inhabited neighborhood must surround and contextualize it without turning the site into an empty or abandoned setting.\n\nTHE LOCATION: An inhabited coastal road beside the sea in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle; cyclist; earphones; storm clouds and heavy rain; thunder and lightning", "seed_decision": { "input_fingerprint": "f4aacae6bb5549d9", "totals": { "A": 7, "B": 5, "C": 3 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "Captures the specified dark charcoal-gray asphalt and accurately avoids adding a shoulder; though the route curves rather than being strictly linear, the coastal neighborhood is highly authentic and photorealistic." }, { "label": "B", "score": 5, "verdict_ko": "Violates the negative constraints by introducing a distinct paved shoulder on the seaward side (occupied by fishing gear), and the asphalt is lighter than requested." }, { "label": "C", "score": 3, "verdict_ko": "Hard violation: contains overlaid presentation text at the top left." } ], "critique": { "issues": [ { "issue_ko": "도로 바다 방향 가장자리에 고정된 콘크리트 방호벽이 있습니다.", "fix_en": "Remove the concrete barrier along the seaward edge so the sea directly adjoins the asphalt road.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the concrete barrier along the seaward edge so the sea directly adjoins the asphalt road.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_foggy_harbor": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_foggy_harbor_sel.png", "seed_asset_id": "3dc61ec6-610c-49a2-a50f-b476fb83a157", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA 2026 South Korean fishing-port neighborhood occupies the landward side, with adjacent inhabited buildings and ordinary regional finishes. The harbor landing itself is empty but visibly remains part of a regularly used waterfront. The target has zero storeys and no enclosed building. It is a single-level horizontal landing of weathered gray concrete, marked by salt staining and worn edges. A dark charcoal-gray and brown natural tidal rock outcrop adjoins the landing at the shore. The outcrop faces across muted blue-gray harbor water toward the connected sea beyond. There are no doors, windows, signs, annexes, upper volumes, or additional permanent site structures. Late-day natural light defines the concrete, rock, and water.\n\nTHE LOCATION: An aging harbor landing and adjoining tidal rock shore in an inhabited South Korean fishing-port neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain shower; arriving boat; boat mooring line; handheld phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "The target is a zero-storey harbor site with no enclosed building, doors, windows, signage, upper volumes, or annexes. It consists only of a single-level horizontal landing of weathered gray concrete at the harbor waterfront, an adjoining natural tidal rock outcrop of dark charcoal-gray and brown coastal stone, harbor water at their shared edge, and muted blue-gray sea extending outward beyond the harbor. The landing shows salt staining, worn edges, and ordinary signs of regular harbor use while remaining empty. The tidal rock outcrop faces directly across the connected water toward the sea. The landward side must continue into a believable, currently inhabited 2026 South Korean fishing-port neighborhood with adjacent buildings and ordinary regional finishes. Do not isolate the site on empty ground or add piers, buildings, stairs, railings, gates, fences, or other permanent topology.", "location_line_en": "An aging harbor landing and adjoining tidal rock shore in an inhabited South Korean fishing-port neighborhood, 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "별도 건물이나 명칭 표지가 없는 포구 선착장이다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "원문 공간 동선과 지형을 직접 시각화한 접근", "evidence_ko": [ "포구 / 해질 무렵", "텅 빈 포구.", "갯바위에 앉아있는 수리영.", "바다를 바라보는데" ], "prompt_en": "A 2026 South Korean fishing-port neighborhood occupies the landward side, with adjacent inhabited buildings and ordinary regional finishes. The harbor landing itself is empty but visibly remains part of a regularly used waterfront. The target has zero storeys and no enclosed building. It is a single-level horizontal landing of weathered gray concrete, marked by salt staining and worn edges. A dark charcoal-gray and brown natural tidal rock outcrop adjoins the landing at the shore. The outcrop faces across muted blue-gray harbor water toward the connected sea beyond. There are no doors, windows, signs, annexes, upper volumes, or additional permanent site structures. Late-day natural light defines the concrete, rock, and water.", "variant_id": "v1" }, { "approach_ko": "생활권과 포구의 관계를 먼저 확립한 접근", "evidence_ko": [ "텅 빈 포구.", "포구를 몇 시간째 돌아다니다", "갯바위", "바다를 바라보며" ], "prompt_en": "An ordinary inhabited fishing-port neighborhood in South Korea continues directly behind the waterfront, with adjacent buildings in regionally standard 2026 materials and finishes. The neighborhood reads as lived in and working, while the target landing is empty and carries visible signs of regular harbor use. The target is a zero-storey site with no enclosed volume. Its massing is a single-level horizontal harbor landing in weathered gray concrete with salt-stained surfaces and worn edges. The adjoining shore element is one natural tidal rock outcrop of dark charcoal-gray and brown coastal stone. Harbor water meets both the landing and rock, then connects outward to the muted blue-gray sea directly across from them. No doors, windows, signage, annexes, upper levels, or other permanent structures are present. The setting is in late-day natural light.", "variant_id": "v2" }, { "approach_ko": "재료와 노후 흔적에서 전체 장소를 구축한 접근", "evidence_ko": [ "낡은 선착장", "포구 / 해질 무렵", "텅 빈 포구.", "갯바위에 앉아있는" ], "prompt_en": "Weathered gray concrete forms a single-level horizontal harbor landing, with salt discoloration, surface wear, and aged edges typical of an older South Korean waterfront still in regular use. Dark charcoal-gray and brown natural coastal stone forms the one tidal rock outcrop adjoining it. Muted blue-gray harbor water touches this land edge and opens directly into the sea beyond. The target has zero storeys, no enclosed building, and no doors, windows, signs, annexes, upper volumes, or added permanent elements. The landing remains empty. Along the landward side, adjacent buildings continue into a currently inhabited 2026 fishing-port neighborhood with ordinary regional construction and everyday signs of active occupation. Late-day natural light falls across the connected concrete, rock, harbor water, and sea.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA 2026 South Korean fishing-port neighborhood occupies the landward side, with adjacent inhabited buildings and ordinary regional finishes. The harbor landing itself is empty but visibly remains part of a regularly used waterfront. The target has zero storeys and no enclosed building. It is a single-level horizontal landing of weathered gray concrete, marked by salt staining and worn edges. A dark charcoal-gray and brown natural tidal rock outcrop adjoins the landing at the shore. The outcrop faces across muted blue-gray harbor water toward the connected sea beyond. There are no doors, windows, signs, annexes, upper volumes, or additional permanent site structures. Late-day natural light defines the concrete, rock, and water.\n\nTHE LOCATION: An aging harbor landing and adjoining tidal rock shore in an inhabited South Korean fishing-port neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain shower; arriving boat; boat mooring line; handheld phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn ordinary inhabited fishing-port neighborhood in South Korea continues directly behind the waterfront, with adjacent buildings in regionally standard 2026 materials and finishes. The neighborhood reads as lived in and working, while the target landing is empty and carries visible signs of regular harbor use. The target is a zero-storey site with no enclosed volume. Its massing is a single-level horizontal harbor landing in weathered gray concrete with salt-stained surfaces and worn edges. The adjoining shore element is one natural tidal rock outcrop of dark charcoal-gray and brown coastal stone. Harbor water meets both the landing and rock, then connects outward to the muted blue-gray sea directly across from them. No doors, windows, signage, annexes, upper levels, or other permanent structures are present. The setting is in late-day natural light.\n\nTHE LOCATION: An aging harbor landing and adjoining tidal rock shore in an inhabited South Korean fishing-port neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain shower; arriving boat; boat mooring line; handheld phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered gray concrete forms a single-level horizontal harbor landing, with salt discoloration, surface wear, and aged edges typical of an older South Korean waterfront still in regular use. Dark charcoal-gray and brown natural coastal stone forms the one tidal rock outcrop adjoining it. Muted blue-gray harbor water touches this land edge and opens directly into the sea beyond. The target has zero storeys, no enclosed building, and no doors, windows, signs, annexes, upper volumes, or added permanent elements. The landing remains empty. Along the landward side, adjacent buildings continue into a currently inhabited 2026 fishing-port neighborhood with ordinary regional construction and everyday signs of active occupation. Late-day natural light falls across the connected concrete, rock, harbor water, and sea.\n\nTHE LOCATION: An aging harbor landing and adjoining tidal rock shore in an inhabited South Korean fishing-port neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain shower; arriving boat; boat mooring line; handheld phone\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nThe target is a zero-storey harbor site with no enclosed building, doors, windows, signage, upper volumes, or annexes. It consists only of a single-level horizontal landing of weathered gray concrete at the harbor waterfront, an adjoining natural tidal rock outcrop of dark charcoal-gray and brown coastal stone, harbor water at their shared edge, and muted blue-gray sea extending outward beyond the harbor. The landing shows salt staining, worn edges, and ordinary signs of regular harbor use while remaining empty. The tidal rock outcrop faces directly across the connected water toward the sea. The landward side must continue into a believable, currently inhabited 2026 South Korean fishing-port neighborhood with adjacent buildings and ordinary regional finishes. Do not isolate the site on empty ground or add piers, buildings, stairs, railings, gates, fences, or other permanent topology.\n\nTHE LOCATION: An aging harbor landing and adjoining tidal rock shore in an inhabited South Korean fishing-port neighborhood, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense harbor fog; passing rain shower; arriving boat; boat mooring line; handheld phone", "seed_decision": { "input_fingerprint": "87f2d8e77f2154d3", "totals": { "A": 7, "B": 5, "C": 4 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "브리프를 완벽하게 구현했습니다. 금지된 영구 구조물(계단, 난간 등) 없이 평탄한 단일층 콘크리트 선착장과 바위 지형을 정확히 표현했으며, 주변 어촌 배경도 매우 사실적입니다." }, { "label": "B", "score": 5, "verdict_ko": "지역적 배경과 질감은 훌륭하나, 콘크리트 선착장 우측에 브리프에서 명시적으로 금지한 계단을 추가하여 감점되었습니다." }, { "label": "C", "score": 4, "verdict_ko": "어촌 마을의 묘사는 우수하지만, 대상 선착장 가장자리에 긴 콘크리트 벽돌담(난간/영구 지형)을 추가하여 브리프의 구조적 제한 사항을 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "장면에서 제외하도록 지정된 일시적 요소인 선박 계류줄이 선착장 왼쪽 가장자리에 나타나 있습니다.", "fix_en": "Erase the white mooring line tied to the left edge of the concrete landing and extending down into the water.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Erase the white mooring line tied to the left edge of the concrete landing and extending down into the water.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_forest_incident_site": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_forest_incident_site_sel.png", "seed_asset_id": "fa7bb50f-ef1d-41ac-ab82-9c16601eec36", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA continuous wooded mountain-forest interior in South Korea at late day in 2026. Dense undergrowth fills the interior beneath an enclosing canopy, with layered native shrubs, foliage, and tree trunks in natural greens and browns. Subdued light reaches the unembellished forest floor. The woodland appears ecologically active and belongs to the broader lived-in South Korean mountain landscape. There is no building, clearing, boundary, fixed approach, signage, or permanent constructed element.\n\nTHE LOCATION: A wooded mountain-forest interior with dense undergrowth in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line; recovered bodies; loose single shoe; disturbed dirt ground condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same continuous wooded mountain-forest interior in South Korea in 2026, with dense undergrowth distributed throughout the forest rather than forming a separate area. The site contains no building, storey, architectural mass, fixed approach, enduring boundary, clearing, signage, or other permanent constructed element. Native trunks, foliage, and dense shrubs have regionally natural greens and browns, with an unembellished forest floor and subdued late-day light beneath the canopy. The woodland must appear ecologically active and situated within the broader lived-in South Korean region, not abandoned or staged, while no buildings or urban details intrude into the forest-interior zone. No disturbed ground condition or excluded transient incident material may appear.", "location_line_en": "A wooded mountain-forest interior with dense undergrowth in South Korea, 2026.", "room_inventory": [], "room_inventory_applicable": false, "signage_reason_ko": "숲속 자연 지대에는 식별 간판이 없다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "시나리오 원문의 숲과 시간대 중심", "evidence_ko": [ "숲속 / 해 질 무렵", "우거진 수풀을 헤치며", "어두운 산속 지대" ], "prompt_en": "A continuous wooded mountain-forest interior in South Korea at late day in 2026. Dense undergrowth fills the interior beneath an enclosing canopy, with layered native shrubs, foliage, and tree trunks in natural greens and browns. Subdued light reaches the unembellished forest floor. The woodland appears ecologically active and belongs to the broader lived-in South Korean mountain landscape. There is no building, clearing, boundary, fixed approach, signage, or permanent constructed element.", "variant_id": "v1" }, { "approach_ko": "주변 산림 환경에서 내부 식생으로 전개", "evidence_ko": [ "우거진 숲속", "수풀이 빽빽하게 자라난", "산속 지대" ], "prompt_en": "The location is part of the ordinary wooded mountain landscape of contemporary South Korea, with the broader region understood as lived in and in active use. Within the pictured forest-interior zone, uninterrupted native woodland surrounds dense undergrowth distributed among the trees. The canopy creates subdued late-day illumination over regionally natural vegetation and an unstaged forest floor. No structure, clearing, enduring boundary, fixed route, sign, or constructed site feature exists here.", "variant_id": "v2" }, { "approach_ko": "식생의 재질과 연속된 공간 구조 중심", "evidence_ko": [ "우거진 수풀", "숲속", "해 질 무렵" ], "prompt_en": "Natural South Korean mountain woodland materials define the site: mature tree trunks, dense leafy shrubs, low forest growth, and a plain forest floor, all in regionally authentic greens, muted browns, and subdued late-day shade. The vegetation forms one continuous forest interior, and the dense undergrowth remains distributed through that same zone. The living woodland reads as active rather than abandoned or artificial, within a contemporary inhabited region. It has no architectural mass, storeys, openings, clearing, fixed approach, boundary, signage, or permanent infrastructure.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA continuous wooded mountain-forest interior in South Korea at late day in 2026. Dense undergrowth fills the interior beneath an enclosing canopy, with layered native shrubs, foliage, and tree trunks in natural greens and browns. Subdued light reaches the unembellished forest floor. The woodland appears ecologically active and belongs to the broader lived-in South Korean mountain landscape. There is no building, clearing, boundary, fixed approach, signage, or permanent constructed element.\n\nTHE LOCATION: A wooded mountain-forest interior with dense undergrowth in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line; recovered bodies; loose single shoe; disturbed dirt ground condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is part of the ordinary wooded mountain landscape of contemporary South Korea, with the broader region understood as lived in and in active use. Within the pictured forest-interior zone, uninterrupted native woodland surrounds dense undergrowth distributed among the trees. The canopy creates subdued late-day illumination over regionally natural vegetation and an unstaged forest floor. No structure, clearing, enduring boundary, fixed route, sign, or constructed site feature exists here.\n\nTHE LOCATION: A wooded mountain-forest interior with dense undergrowth in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line; recovered bodies; loose single shoe; disturbed dirt ground condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nNatural South Korean mountain woodland materials define the site: mature tree trunks, dense leafy shrubs, low forest growth, and a plain forest floor, all in regionally authentic greens, muted browns, and subdued late-day shade. The vegetation forms one continuous forest interior, and the dense undergrowth remains distributed through that same zone. The living woodland reads as active rather than abandoned or artificial, within a contemporary inhabited region. It has no architectural mass, storeys, openings, clearing, fixed approach, boundary, signage, or permanent infrastructure.\n\nTHE LOCATION: A wooded mountain-forest interior with dense undergrowth in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line; recovered bodies; loose single shoe; disturbed dirt ground condition\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same continuous wooded mountain-forest interior in South Korea in 2026, with dense undergrowth distributed throughout the forest rather than forming a separate area. The site contains no building, storey, architectural mass, fixed approach, enduring boundary, clearing, signage, or other permanent constructed element. Native trunks, foliage, and dense shrubs have regionally natural greens and browns, with an unembellished forest floor and subdued late-day light beneath the canopy. The woodland must appear ecologically active and situated within the broader lived-in South Korean region, not abandoned or staged, while no buildings or urban details intrude into the forest-interior zone. No disturbed ground condition or excluded transient incident material may appear.\n\nTHE LOCATION: A wooded mountain-forest interior with dense undergrowth in South Korea, 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\npolice line; recovered bodies; loose single shoe; disturbed dirt ground condition", "seed_decision": { "input_fingerprint": "6f695f8096003a0a", "totals": { "A": 10, "B": 9, "C": 0 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "Perfectly adheres to the brief. It shows a continuous, dense mountain-forest interior with undisturbed ground, subdued late-day light beneath the canopy, and lacks any buildings or clearing." }, { "label": "B", "score": 9, "verdict_ko": "Strong conformance with no constructed elements or clearings, but the lighting is somewhat brighter and less strictly representative of the subdued late-day light requested compared to Candidate A." }, { "label": "C", "score": 0, "verdict_ko": "Hard violation: clearly features a prominent constructed building, a large clearing, and disturbed dirt ground conditions, completely ignoring the brief's requirement for a forest interior with no buildings or clearings." } ], "critique": { "issues": [] }, "fix_skipped": true } }, "bg_rooftop_residence": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_rooftop_residence_sel.png", "seed_asset_id": "f32917dc-6b3c-4dfb-b8de-0a07e04327ac", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited outer-Incheon alley reaches an old multi-family villa within an ordinary working residential neighborhood. The villa and its outdoor areas visibly carry the ordinary signs of active residential use. The villa is a weathered three-storey rectangular block, 12 by 10 metres, with red-brown facing-brick walls, exposed gray concrete bands and a flat reinforced-concrete roof. One dark green painted-steel ground entrance connects the alley directly to the rear gray-cement courtyard. A steep gray-concrete exterior stair with a galvanized-steel railing rises from the courtyard to the rooftop terrace. A single-storey rectangular rooftop dwelling, 8 by 7 metres, stands beside the stair arrival. Its pale gray cement-rendered walls and flat concrete roof show age, patching and water staining without dereliction. The footprint accommodates a living room, separate kitchen, two bedrooms, bathroom and entry at normal room sizes. Exactly one dark green painted-steel entrance door and one silver aluminum-framed exterior window face the terrace. A rooftop water tank occupies another part of the weathered gray-cement terrace. A pale gray concrete perimeter wall defines the rooftop edge. Comparable low-rise residential buildings continue around the alley.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 좁은 거실, 싱크대가 있는 주방, 침대와 커튼이 있는 방, 화장실로 구성된 낡은 실내 주거 공간\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform and dried seokchangpo; Advertising flyer in the door gap; Bicycle in the rear courtyard; Vehicle outside the villa; Black cat on the rooftop; Half-open state of the rooftop-room door; Shadows visible in the rooftop-room window; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same inhabited 2026 Incheon residential site: a weathered three-storey, 12-by-10-metre old multi-family villa of red-brown facing brick and gray concrete, topped by a single-storey, 8-by-7-metre rectangular rooftop dwelling in pale gray cement render with a flat reinforced-concrete roof. The rooftop footprint must plausibly contain a living room, separate kitchen, two bedrooms, bathroom and entry at real-world room sizes, and the villa roof must visibly be large enough to support it. The adjacent alley connects through exactly one ground-level villa entrance to the rear gray-cement courtyard. A steep exterior gray-concrete stair with a galvanized-steel railing connects that courtyard to the rooftop terrace beside the rooftop dwelling. The weathered gray-cement terrace includes the rooftop water tank and pale gray concrete perimeter wall. The rooftop dwelling has exactly one dark green painted-steel entrance door and exactly one silver aluminum-framed exterior window opening onto the terrace, with no additional prominent openings. The villa and rooftop dwelling remain visibly occupied and carry ordinary signs of active residential use. A believable, currently inhabited outer-Incheon neighborhood of comparable low-rise housing must surround the site; a bare, sterile, abandoned or isolated compound is nonconforming. No signage is present.", "location_line_en": "An old multi-family villa with a rooftop dwelling in an inhabited outer district of Incheon, South Korea, in 2026.", "room_inventory": [ { "evidence_ko": "/거실", "label_en": "living room", "scene_index": 12 }, { "evidence_ko": "/민숙 방", "label_en": "mother's bedroom", "scene_index": 12 }, { "evidence_ko": "/수리영 방", "label_en": "daughter's bedroom", "scene_index": 12 }, { "evidence_ko": "/현관", "label_en": "entry area", "scene_index": 14 }, { "evidence_ko": "/욕실 안", "label_en": "bathroom", "scene_index": 18 } ], "room_inventory_applicable": true, "signage_reason_ko": "일반 개인 주거용 다세대 빌라와 옥탑방이므로 식별 간판이 필요하지 않다.", "signage_required": false, "signage_text": "", "variants": [ { "approach_ko": "시나리오의 골목·마당·계단·옥상 동선을 직접 시각화한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "신발은 옥탑방 철문 현관 앞에 멈춰 선다.", "창문에 비친 그림자.", "옥탑방과 연결되는 계단을 급히 오른다." ], "prompt_en": "An inhabited outer-Incheon alley reaches an old multi-family villa within an ordinary working residential neighborhood. The villa and its outdoor areas visibly carry the ordinary signs of active residential use. The villa is a weathered three-storey rectangular block, 12 by 10 metres, with red-brown facing-brick walls, exposed gray concrete bands and a flat reinforced-concrete roof. One dark green painted-steel ground entrance connects the alley directly to the rear gray-cement courtyard. A steep gray-concrete exterior stair with a galvanized-steel railing rises from the courtyard to the rooftop terrace. A single-storey rectangular rooftop dwelling, 8 by 7 metres, stands beside the stair arrival. Its pale gray cement-rendered walls and flat concrete roof show age, patching and water staining without dereliction. The footprint accommodates a living room, separate kitchen, two bedrooms, bathroom and entry at normal room sizes. Exactly one dark green painted-steel entrance door and one silver aluminum-framed exterior window face the terrace. A rooftop water tank occupies another part of the weathered gray-cement terrace. A pale gray concrete perimeter wall defines the rooftop edge. Comparable low-rise residential buildings continue around the alley.", "variant_id": "v1" }, { "approach_ko": "주변 주거지와 골목의 지역적 맥락을 먼저 확립한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "다세대 빌라 문을 열고 들어와 마당 후미진 곳에 자전거를 대충 세우고,", "옥상에 올라와 보니 반쯤 열린 현관 철문." ], "prompt_en": "A lived-in 2026 outer-Incheon neighborhood of ordinary low-rise multi-family housing encloses a gray asphalt alley. The setting reads as a currently inhabited working residential district rather than an isolated compound. At the alley stands one weathered three-storey villa with a 12-by-10-metre rectangular mass, red-brown facing brick, gray concrete structure and a flat roof. The villa, courtyard, stair and rooftop dwelling visibly retain ordinary signs of continuing residential use. One dark green painted-steel ground entrance leads from the alley into the rear gray-cement courtyard. From that courtyard, a steep exterior stair of gray concrete with a galvanized-steel railing reaches the rooftop terrace beside the rooftop room. The rooftop dwelling is one storey and 8 by 7 metres, with a rectangular footprint sufficient for a living room, separate kitchen, two bedrooms, bathroom and entry. It has pale gray cement-rendered walls, a flat reinforced-concrete roof, restrained patch repairs and weather staining. Exactly one dark green steel entrance door and one silver aluminum-framed window open toward the terrace. The weathered gray-cement rooftop also contains a water tank and a pale gray concrete perimeter wall.", "variant_id": "v2" }, { "approach_ko": "재료와 주거 유형에서 전체 구조와 수용 규모를 확정한 접근", "evidence_ko": [ "/거실", "/민숙 방", "/수리영 방", "/현관", "/욕실 안" ], "prompt_en": "Weathered red-brown facing brick and gray reinforced concrete define a three-storey outer-Incheon multi-family villa in an inhabited low-rise residential neighborhood. The main rectangular mass measures 12 by 10 metres and physically supports a flat rooftop terrace and an 8-by-7-metre single-storey rooftop dwelling. The rooftop dwelling is pale gray cement render over masonry, with a flat reinforced-concrete roof, faded surfaces, patched finish and natural water staining. Its footprint holds a living room, separate kitchen, two bedrooms, bathroom and entry at credible residential dimensions. Exactly one dark green painted-steel entrance door and one silver aluminum-framed exterior window face the rooftop terrace. The terrace is weathered gray cement, bounded by a pale gray concrete perimeter wall, with a region-standard rooftop water tank on another part of the roof. A steep gray-concrete exterior stair with a galvanized-steel railing descends from beside the rooftop dwelling to the rear ground courtyard. The gray-cement courtyard connects through one dark green painted-steel villa entrance to the adjacent gray asphalt alley. The villa and all outdoor residential areas visibly carry ordinary signs of active occupation. Surrounding buildings and the alley form a believable, currently inhabited Incheon neighborhood.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn inhabited outer-Incheon alley reaches an old multi-family villa within an ordinary working residential neighborhood. The villa and its outdoor areas visibly carry the ordinary signs of active residential use. The villa is a weathered three-storey rectangular block, 12 by 10 metres, with red-brown facing-brick walls, exposed gray concrete bands and a flat reinforced-concrete roof. One dark green painted-steel ground entrance connects the alley directly to the rear gray-cement courtyard. A steep gray-concrete exterior stair with a galvanized-steel railing rises from the courtyard to the rooftop terrace. A single-storey rectangular rooftop dwelling, 8 by 7 metres, stands beside the stair arrival. Its pale gray cement-rendered walls and flat concrete roof show age, patching and water staining without dereliction. The footprint accommodates a living room, separate kitchen, two bedrooms, bathroom and entry at normal room sizes. Exactly one dark green painted-steel entrance door and one silver aluminum-framed exterior window face the terrace. A rooftop water tank occupies another part of the weathered gray-cement terrace. A pale gray concrete perimeter wall defines the rooftop edge. Comparable low-rise residential buildings continue around the alley.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 좁은 거실, 싱크대가 있는 주방, 침대와 커튼이 있는 방, 화장실로 구성된 낡은 실내 주거 공간\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform and dried seokchangpo; Advertising flyer in the door gap; Bicycle in the rear courtyard; Vehicle outside the villa; Black cat on the rooftop; Half-open state of the rooftop-room door; Shadows visible in the rooftop-room window; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA lived-in 2026 outer-Incheon neighborhood of ordinary low-rise multi-family housing encloses a gray asphalt alley. The setting reads as a currently inhabited working residential district rather than an isolated compound. At the alley stands one weathered three-storey villa with a 12-by-10-metre rectangular mass, red-brown facing brick, gray concrete structure and a flat roof. The villa, courtyard, stair and rooftop dwelling visibly retain ordinary signs of continuing residential use. One dark green painted-steel ground entrance leads from the alley into the rear gray-cement courtyard. From that courtyard, a steep exterior stair of gray concrete with a galvanized-steel railing reaches the rooftop terrace beside the rooftop room. The rooftop dwelling is one storey and 8 by 7 metres, with a rectangular footprint sufficient for a living room, separate kitchen, two bedrooms, bathroom and entry. It has pale gray cement-rendered walls, a flat reinforced-concrete roof, restrained patch repairs and weather staining. Exactly one dark green steel entrance door and one silver aluminum-framed window open toward the terrace. The weathered gray-cement rooftop also contains a water tank and a pale gray concrete perimeter wall.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 좁은 거실, 싱크대가 있는 주방, 침대와 커튼이 있는 방, 화장실로 구성된 낡은 실내 주거 공간\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform and dried seokchangpo; Advertising flyer in the door gap; Bicycle in the rear courtyard; Vehicle outside the villa; Black cat on the rooftop; Half-open state of the rooftop-room door; Shadows visible in the rooftop-room window; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered red-brown facing brick and gray reinforced concrete define a three-storey outer-Incheon multi-family villa in an inhabited low-rise residential neighborhood. The main rectangular mass measures 12 by 10 metres and physically supports a flat rooftop terrace and an 8-by-7-metre single-storey rooftop dwelling. The rooftop dwelling is pale gray cement render over masonry, with a flat reinforced-concrete roof, faded surfaces, patched finish and natural water staining. Its footprint holds a living room, separate kitchen, two bedrooms, bathroom and entry at credible residential dimensions. Exactly one dark green painted-steel entrance door and one silver aluminum-framed exterior window face the rooftop terrace. The terrace is weathered gray cement, bounded by a pale gray concrete perimeter wall, with a region-standard rooftop water tank on another part of the roof. A steep gray-concrete exterior stair with a galvanized-steel railing descends from beside the rooftop dwelling to the rear ground courtyard. The gray-cement courtyard connects through one dark green painted-steel villa entrance to the adjacent gray asphalt alley. The villa and all outdoor residential areas visibly carry ordinary signs of active occupation. Surrounding buildings and the alley form a believable, currently inhabited Incheon neighborhood.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 좁은 거실, 싱크대가 있는 주방, 침대와 커튼이 있는 방, 화장실로 구성된 낡은 실내 주거 공간\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform and dried seokchangpo; Advertising flyer in the door gap; Bicycle in the rear courtyard; Vehicle outside the villa; Black cat on the rooftop; Half-open state of the rooftop-room door; Shadows visible in the rooftop-room window; Illuminated state of the rooftop room\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same inhabited 2026 Incheon residential site: a weathered three-storey, 12-by-10-metre old multi-family villa of red-brown facing brick and gray concrete, topped by a single-storey, 8-by-7-metre rectangular rooftop dwelling in pale gray cement render with a flat reinforced-concrete roof. The rooftop footprint must plausibly contain a living room, separate kitchen, two bedrooms, bathroom and entry at real-world room sizes, and the villa roof must visibly be large enough to support it. The adjacent alley connects through exactly one ground-level villa entrance to the rear gray-cement courtyard. A steep exterior gray-concrete stair with a galvanized-steel railing connects that courtyard to the rooftop terrace beside the rooftop dwelling. The weathered gray-cement terrace includes the rooftop water tank and pale gray concrete perimeter wall. The rooftop dwelling has exactly one dark green painted-steel entrance door and exactly one silver aluminum-framed exterior window opening onto the terrace, with no additional prominent openings. The villa and rooftop dwelling remain visibly occupied and carry ordinary signs of active residential use. A believable, currently inhabited outer-Incheon neighborhood of comparable low-rise housing must surround the site; a bare, sterile, abandoned or isolated compound is nonconforming. No signage is present.\n\nTHE LOCATION: An old multi-family villa with a rooftop dwelling in an inhabited outer district of Incheon, South Korea, in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부: 좁은 거실, 싱크대가 있는 주방, 침대와 커튼이 있는 방, 화장실로 구성된 낡은 실내 주거 공간\n\nROOM CAPACITY (size-only evidence): the scenario evidences 5\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 5 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nRooftop clothesline; Wooden platform and dried seokchangpo; Advertising flyer in the door gap; Bicycle in the rear courtyard; Vehicle outside the villa; Black cat on the rooftop; Half-open state of the rooftop-room door; Shadows visible in the rooftop-room window; Illuminated state of the rooftop room", "seed_decision": { "input_fingerprint": "4ecb7aa6557784a2", "totals": { "A": 6, "B": 4, "C": 5 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 6, "verdict_ko": "옥상 물탱크, 마당에서 이어지는 단일 계단 구조, 간판 없는 환경 등 세부 조건을 매우 잘 충족했으나, 메인 빌라가 지침에 명시된 3층이 아닌 2층으로 묘사된 점이 유일한 위반 사항입니다." }, { "label": "B", "score": 4, "verdict_ko": "3층 규모는 맞추었으나 필수 요소인 옥상 물탱크가 누락되었고, 외부 계단이 마당이 아닌 1층 부속 지붕에서 시작되어 지침의 연결 구조를 심각하게 위반했습니다." }, { "label": "C", "score": 5, "verdict_ko": "3층 규모와 마당에서 옥상으로 이어지는 계단 구조는 준수했으나, 필수인 옥상 물탱크가 누락되었으며 '간판 없음' 지침을 어기고 주변에 큰 간판이 노출되었습니다." } ], "critique": { "issues": [ { "issue_ko": "다세대 빌라 본체의 층수가 지시문(3층)과 달리 2층으로 묘사되었습니다.", "fix_en": "Add another storey to the main brick villa building to make it a three-storey structure." }, { "issue_ko": "사람 크기의 기준점(문)에 비해 옥탑방이 너무 작아 지시된 8x7미터 면적과 5개의 방을 수용할 수 있는 규모가 아닙니다.", "fix_en": "Significantly enlarge the rooftop dwelling's footprint to 8 by 7 meters so it is large enough to plausibly contain five rooms." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add another storey to the main brick villa building to make it a three-storey structure.\n- Significantly enlarge the rooftop dwelling's footprint to 8 by 7 meters so it is large enough to plausibly contain five rooms.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_small_fishing_boat": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/88362757-1436-49d1-91c3-4bcc56fad1b2/images/background_chain/seed_bg_small_fishing_boat_sel.png", "seed_asset_id": "f2a3ff57-072f-4a32-bc42-e7e3dcebd19f", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOpen working sea surrounds an operational fishing boat off South Korea's west coast. The maritime setting reads as an ordinary active fishing environment rather than an empty studio field. The target is a single-deck fishing boat with a weathered 9-meter-long, 3-meter-beam FRP hull, a rounded forward bow, a white upper hull, a navy-blue hull band, and dull red antifouling below the waterline. Its pale blue non-slip FRP exterior deck leads directly to one enclosed wheelhouse behind the bow. The wheelhouse is one above-deck volume measuring 2.4 by 2.2 meters, with off-white FRP walls and roof, gray aluminum-framed standard glazing, and exactly one gray aluminum entrance at the deck junction. A fixed steering position stands immediately inside that entrance. The hull name 해성호 is present and legible. The hull, deck, and wheelhouse show credible wear and ordinary visible signs of active fishing use in 2026 South Korea.\n\nTHE LOCATION: An operational fishing boat in the open working waters off South Korea's west coast in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실 내부: 배를 조종하는 핸들과 계기판이 있는 좁은 선실\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; sunset illumination and golden reflection; presented map; presented photograph; boat position within the fog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "seed_variants": { "conformance_brief_en": "Every image must show the same in-service South Korean west-coast fishing boat in open working sea: a single-deck, weathered 9-meter-long by 3-meter-beam FRP hull with a rounded forward bow, white upper hull, navy-blue hull band, and dull red antifouling below the waterline. The hull supports a pale blue non-slip FRP exterior deck. One enclosed above-deck wheelhouse volume, 2.4 by 2.2 meters, adjoins the deck behind the bow and plausibly contains the evidenced narrow steering cabin at real-world scale. It has off-white FRP walls and roof, gray aluminum-framed standard glazing, exactly one evidenced gray aluminum deck-to-wheelhouse entrance, and a fixed steering position immediately inside. The entrance must directly connect the deck to the wheelhouse; the bow, deck, wheelhouse, and surrounding open sea must retain their specified relationships. The hull name 해성호 must be present and legible. Weathering must be credible for an actively operated 2026 Korean fishing vessel. The boat, deck, and wheelhouse must visibly carry ordinary signs of active fishing use without appearing abandoned, sterile, or staged. The surrounding sea must read as a believable working maritime neighborhood of South Korea's west coast.", "location_line_en": "An operational fishing boat in the open working waters off South Korea's west coast in 2026.", "room_inventory": [ { "evidence_ko": "S#29. 조타실 / 해질 무렵", "label_en": "wheelhouse steering cabin", "scene_index": 29 } ], "room_inventory_applicable": true, "signage_reason_ko": "한국의 운항 중인 어선은 선체에 식별 가능한 선명을 표시한다.", "signage_required": true, "signage_text": "해성호", "variants": [ { "approach_ko": "원문 공간 단서를 직접 구조화한 접근", "evidence_ko": [ "바다위에 떠있는 소형어선.", "갑판에 홀로 앉아있다.", "인우, 발작적으로 일어나 조타실로 달려가 뱃머리를 돌리려 한다.", "수리영, 조타실로 따라들어가 막으면서" ], "prompt_en": "Open working sea surrounds an operational fishing boat off South Korea's west coast. The maritime setting reads as an ordinary active fishing environment rather than an empty studio field. The target is a single-deck fishing boat with a weathered 9-meter-long, 3-meter-beam FRP hull, a rounded forward bow, a white upper hull, a navy-blue hull band, and dull red antifouling below the waterline. Its pale blue non-slip FRP exterior deck leads directly to one enclosed wheelhouse behind the bow. The wheelhouse is one above-deck volume measuring 2.4 by 2.2 meters, with off-white FRP walls and roof, gray aluminum-framed standard glazing, and exactly one gray aluminum entrance at the deck junction. A fixed steering position stands immediately inside that entrance. The hull name 해성호 is present and legible. The hull, deck, and wheelhouse show credible wear and ordinary visible signs of active fishing use in 2026 South Korea.", "variant_id": "v1" }, { "approach_ko": "서해의 작업 해역에서 선박으로 좁혀가는 접근", "evidence_ko": [ "서해 바다 위", "낡은 소형 어선 갑판: 동력이 있는 낡은 소형 어선의 외부 바닥 구역" ], "prompt_en": "The location is open working water off South Korea's west coast, with the believable regional context of an active coastal fishing area. At its center is an in-service single-deck fishing boat, not an isolated display or abandoned vessel. The boat has a 9-meter by 3-meter weathered FRP hull with a rounded bow, white upper surfaces, a navy-blue hull band, and dull red antifouling beneath the waterline. A pale blue non-slip FRP deck occupies the upper exterior of the hull. Behind the bow, one 2.4-by-2.2-meter enclosed wheelhouse adjoins the deck as the vessel's only above-deck enclosed level. Its off-white FRP walls and roof carry restrained working wear, with gray aluminum-framed standard glazing and exactly one gray aluminum deck entrance. The entrance opens directly toward a fixed steering position inside. The legible hull name is 해성호. All outdoor and enclosed working areas visibly carry ordinary signs of current fishing use typical of South Korea in 2026.", "variant_id": "v2" }, { "approach_ko": "재료와 사용 흔적을 중심으로 형태를 확정한 접근", "evidence_ko": [ "낡은 소형 어선 조타실 내부: 배를 조종하는 핸들과 계기판이 있는 좁은 선실", "낡은 소형 어선 갑판", "바다위에 떠있는 소형어선." ], "prompt_en": "Weathered marine-grade FRP defines the same operational South Korean fishing boat in open west-coast working waters. The single-deck hull measures 9 meters long and 3 meters across the beam, with a rounded forward bow, white upper hull, navy-blue band, and dull red antifouling below the waterline. The supported exterior deck is pale blue non-slip FRP and connects directly to the adjoining wheelhouse behind the bow. This wheelhouse is one off-white FRP enclosed volume above the deck, measuring 2.4 by 2.2 meters so its narrow steering cabin fits at human scale. It has an off-white FRP roof, gray aluminum-framed standard glazing, and exactly one gray aluminum deck-to-wheelhouse entrance. The fixed steering position is immediately inside. The hull carries the clear, legible name 해성호. Materials show salt exposure and maintained working wear. The entire vessel visibly reads as actively used for fishing, while the surrounding sea reads as its ordinary inhabited maritime context rather than a sterile or staged setting.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nOpen working sea surrounds an operational fishing boat off South Korea's west coast. The maritime setting reads as an ordinary active fishing environment rather than an empty studio field. The target is a single-deck fishing boat with a weathered 9-meter-long, 3-meter-beam FRP hull, a rounded forward bow, a white upper hull, a navy-blue hull band, and dull red antifouling below the waterline. Its pale blue non-slip FRP exterior deck leads directly to one enclosed wheelhouse behind the bow. The wheelhouse is one above-deck volume measuring 2.4 by 2.2 meters, with off-white FRP walls and roof, gray aluminum-framed standard glazing, and exactly one gray aluminum entrance at the deck junction. A fixed steering position stands immediately inside that entrance. The hull name 해성호 is present and legible. The hull, deck, and wheelhouse show credible wear and ordinary visible signs of active fishing use in 2026 South Korea.\n\nTHE LOCATION: An operational fishing boat in the open working waters off South Korea's west coast in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실 내부: 배를 조종하는 핸들과 계기판이 있는 좁은 선실\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; sunset illumination and golden reflection; presented map; presented photograph; boat position within the fog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThe location is open working water off South Korea's west coast, with the believable regional context of an active coastal fishing area. At its center is an in-service single-deck fishing boat, not an isolated display or abandoned vessel. The boat has a 9-meter by 3-meter weathered FRP hull with a rounded bow, white upper surfaces, a navy-blue hull band, and dull red antifouling beneath the waterline. A pale blue non-slip FRP deck occupies the upper exterior of the hull. Behind the bow, one 2.4-by-2.2-meter enclosed wheelhouse adjoins the deck as the vessel's only above-deck enclosed level. Its off-white FRP walls and roof carry restrained working wear, with gray aluminum-framed standard glazing and exactly one gray aluminum deck entrance. The entrance opens directly toward a fixed steering position inside. The legible hull name is 해성호. All outdoor and enclosed working areas visibly carry ordinary signs of current fishing use typical of South Korea in 2026.\n\nTHE LOCATION: An operational fishing boat in the open working waters off South Korea's west coast in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실 내부: 배를 조종하는 핸들과 계기판이 있는 좁은 선실\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; sunset illumination and golden reflection; presented map; presented photograph; boat position within the fog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nWeathered marine-grade FRP defines the same operational South Korean fishing boat in open west-coast working waters. The single-deck hull measures 9 meters long and 3 meters across the beam, with a rounded forward bow, white upper hull, navy-blue band, and dull red antifouling below the waterline. The supported exterior deck is pale blue non-slip FRP and connects directly to the adjoining wheelhouse behind the bow. This wheelhouse is one off-white FRP enclosed volume above the deck, measuring 2.4 by 2.2 meters so its narrow steering cabin fits at human scale. It has an off-white FRP roof, gray aluminum-framed standard glazing, and exactly one gray aluminum deck-to-wheelhouse entrance. The fixed steering position is immediately inside. The hull carries the clear, legible name 해성호. Materials show salt exposure and maintained working wear. The entire vessel visibly reads as actively used for fishing, while the surrounding sea reads as its ordinary inhabited maritime context rather than a sterile or staged setting.\n\nTHE LOCATION: An operational fishing boat in the open working waters off South Korea's west coast in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실 내부: 배를 조종하는 핸들과 계기판이 있는 좁은 선실\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; sunset illumination and golden reflection; presented map; presented photograph; boat position within the fog\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same in-service South Korean west-coast fishing boat in open working sea: a single-deck, weathered 9-meter-long by 3-meter-beam FRP hull with a rounded forward bow, white upper hull, navy-blue hull band, and dull red antifouling below the waterline. The hull supports a pale blue non-slip FRP exterior deck. One enclosed above-deck wheelhouse volume, 2.4 by 2.2 meters, adjoins the deck behind the bow and plausibly contains the evidenced narrow steering cabin at real-world scale. It has off-white FRP walls and roof, gray aluminum-framed standard glazing, exactly one evidenced gray aluminum deck-to-wheelhouse entrance, and a fixed steering position immediately inside. The entrance must directly connect the deck to the wheelhouse; the bow, deck, wheelhouse, and surrounding open sea must retain their specified relationships. The hull name 해성호 must be present and legible. Weathering must be credible for an actively operated 2026 Korean fishing vessel. The boat, deck, and wheelhouse must visibly carry ordinary signs of active fishing use without appearing abandoned, sterile, or staged. The surrounding sea must read as a believable working maritime neighborhood of South Korea's west coast.\n\nTHE LOCATION: An operational fishing boat in the open working waters off South Korea's west coast in 2026.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. Never infer a structure's total\ncapacity from how few or how many openings one face happens to show:\na wall can be windowless while still enclosing several rooms behind it.\nWhen an INTERIOR size-evidence list is provided, the enclosed volume\nMUST be large enough to plausibly hold everything it lists — that\nevidence outranks any impression taken from the exterior alone. Never\ninflate a small structure into an oversized mass, and never shrink a\nlarge one. Every part of the structure and its surroundings must agree\nwith these anchors at the same time.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 낡은 소형 어선 조타실 내부: 배를 조종하는 핸들과 계기판이 있는 좁은 선실\n\nROOM CAPACITY (size-only evidence): the scenario evidences 1\ndistinct interior spaces inside this structure. The committed\nfootprint and massing MUST plausibly hold all 1 of them at\nreal-world room sizes. This count is SIZE EVIDENCE ONLY — never\nvisualize, label or hint at the individual rooms in the image, and\nnever invent window or opening counts from it; size is verified\nthrough human-scale fixed anchors (door heights, storey heights,\nmassing) only.\n\nIN-WORLD SIGNAGE (exact lettering, identical in every view): the\nstructure's main signage reads exactly \"해성호\". Reproduce this\nlettering precisely — same characters, same wording — every time this\nstructure is rendered; never substitute, translate or romanize it,\nand add no other readable text anywhere in the image.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\ndense fog band; sunset illumination and golden reflection; presented map; presented photograph; boat position within the fog", "seed_decision": { "input_fingerprint": "eb97326e97540191", "totals": { "A": 10, "B": 2, "C": 2 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "지정된 선박의 형태, 색상(흰색 선체, 남색 띠, 붉은색 방오도료, 옅은 하늘색 갑판), 조타실 및 출입문 규격과 위치, '해성호'라는 명칭까지 브리프의 모든 요구사항을 완벽하게 충족하며 금지된 텍스트나 위반 사항이 없습니다." }, { "label": "B", "score": 2, "verdict_ko": "브리프는 구조물에 지정된 간판 외에는 어떠한 읽을 수 있는 텍스트도 추가하지 말 것을 엄격히 요구하나, 조타실 위 레이더 돔에 'RADAR'라는 텍스트가 유출되어 하드 위반입니다." }, { "label": "C", "score": 2, "verdict_ko": "지정된 간판 외의 텍스트 추가 금지 규정을 어기고 조타실 위 장비에 의미를 알 수 없는 영문 텍스트가 생성되었으며, 선체의 남색 띠가 연속적이지 않고 기형적으로 끊어져 있어 하드 위반에 해당합니다." } ], "critique": { "issues": [ { "issue_ko": "장면 연출을 위해 문을 열어두지 말라는 지침에 어긋나게 조타실 출입문이 열려 있습니다.", "fix_en": "Close the gray aluminum deck-to-wheelhouse entrance door.", "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Close the gray aluminum deck-to-wheelhouse entrance door.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } } }, "step_id": "outdoor_structure_seed", "run_id": "e97c8865-8898-477f-8c3b-c8ceac668940", "resolved_model": "gemini-image", "updated_at": "2026-07-23T05:15:47.568168+00:00", "project_config_snapshot": {} }