{
 "S11sh5": {
  "input_fingerprint": "ce369d4d44114aa2",
  "ground": {
   "anchor_markers": [
    "R3",
    "R1"
   ],
   "camera_position_en": "On the rooftop plane surrounding the rooftop room, directly in front of the rooftop room exterior.",
   "in_frame_en": "The half-open iron entrance door of the rooftop room, its doorway, and the surrounding exterior wall of the rooftop room.",
   "look_direction_en": "Straight toward the iron entrance door set into the rooftop room's exterior wall.",
   "map_zone": "Rooftop Terrace and Rooftop Room Exterior",
   "moment_context_en": "Suriyoung has just hurried up the exterior stair after leaving her bicycle in the rear yard. She has suddenly noticed a disgusting smell before seeing the half-open door.",
   "rationale_ko": "샷은 옥상에 선 수리영의 시선 끝에 옥탑방의 반쯤 열린 현관 철문이 정면으로 보이는 구도다. 따라서 카메라는 옥탑방을 둘러싼 옥상 평면에서 철문과 정면으로 마주보는 위치에 두고, 철문을 화면의 주 피사체로 삼는 것이 사이트플랜과 장면 원문에 부합한다."
  },
  "prompt": "Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.\n\nCAMERA: On the rooftop plane surrounding the rooftop room, directly in front of the rooftop room exterior. Looking: Straight toward the iron entrance door set into the rooftop room's exterior wall.\n\nMAP POINT: this plate is taken in the \"Rooftop Terrace and Rooftop Room Exterior\" area of the property on the attached site plan, anchored to these mapped elements:\n- iron entrance door of the rooftop room: The iron entrance door is set into the rooftop room's exterior wall and opens directly onto the surrounding rooftop plane.\n- rooftop plane surrounding the rooftop room: The rooftop plane sits atop the multi-unit villa, receives the exterior stair, and extends around the rooftop room.\n\nIN FRAME (near to far): The half-open iron entrance door of the rooftop room, its doorway, and the surrounding exterior wall of the rooftop room.\n\nMOMENT CONTEXT: Suriyoung has just hurried up the exterior stair after leaving her bicycle in the rear yard. She has suddenly noticed a disgusting smell before seeing the half-open door.\n\nTIME & LIGHT: night Do not add weather, atmosphere or colour moods beyond this.\n\nINVENTION BOUNDARY: state world facts (weather, atmosphere, surface\nwetness, materials, light-source colour, numeric distances, time of\nday) ONLY when the shot text or its corrections state them; where\nthey are silent, stay silent too — do not invent moods or weather.\n\nLOOK REFERENCE: the attached PHOTOGRAPH shows this same property.\nMatch its look exactly — the building, its materials and aging, the\nroof-deck contents, colours, and the surrounding town. It is the\nsingle source of truth for how everything LOOKS.\n\nSITE PLAN REFERENCE: the attached flat drawing is the site plan of\nthis same property. Use it ONLY as the source of truth for WHERE\nthings are (spatial arrangement, adjacency, routes). NEVER draw the\nplan itself — none of its flat colours, circles, codes or labels may\nappear in the output.\n\nThe output image must contain ZERO annotations — no circles, no\ncodes, no letters, no numbers, no text, no signage lettering, no\narrows, no dashed lines."
 },
 "S15sh6": {
  "input_fingerprint": "92e85e46480eb762",
  "ground": {
   "anchor_markers": [
    "B1",
    "B2",
    "A1"
   ],
   "camera_position_en": "Place the camera within the Bus Stop Waiting Zone, on the seaward side of the coastal bus-stop identification sign and offset from the sea-facing bus-stop waiting seat so that neither element blocks the two performers.",
   "in_frame_en": "Hyesu in full figure beside the sea-facing bus-stop waiting seat, Suriyoung farther away in rear view with one foot lifted mid-stride, and the bus-stop approach area extending ahead of her.",
   "look_direction_en": "Look from the seaward side of the Bus Stop Waiting Zone across the sea-facing bus-stop waiting seat and toward the bus-stop approach area on the side away from the sea.",
   "map_zone": "Bus Stop Approach Zone",
   "moment_context_en": "Suriyoung has decided to go home after concluding that she may have misseen what happened. Hyesu calls after her to have her mother telephone if Suriyoung sees her.",
   "rationale_ko": "수리영은 바다를 향한 대기 좌석에서 일어난 뒤 정류장을 떠나 달려가므로, 주된 동작은 바다 반대편으로 이어지는 버스정류장 접근 구역에 배치하는 것이 자연스럽다. 카메라를 대기 구역의 바다 쪽에 두고 육지 방향으로 보면 달아나는 수리영의 뒷모습과 좌석 부근에 남은 혜수의 전신을 한 넓은 프레임에 함께 담을 수 있다. 표지와 좌석에서 옆으로 비켜 촬영하면 두 인물이 겹치거나 가려지는 것을 피할 수 있다."
  },
  "prompt": "Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.\n\nCAMERA: Place the camera within the Bus Stop Waiting Zone, on the seaward side of the coastal bus-stop identification sign and offset from the sea-facing bus-stop waiting seat so that neither element blocks the two performers. Looking: Look from the seaward side of the Bus Stop Waiting Zone across the sea-facing bus-stop waiting seat and toward the bus-stop approach area on the side away from the sea.\n\nMAP POINT: this plate is taken in the \"Bus Stop Approach Zone\" area of the property on the attached site plan, anchored to these mapped elements:\n- sea-facing bus-stop waiting seat: Located within the Bus Stop Waiting Zone and oriented toward the sea.\n- coastal bus-stop identification sign: Fixed beside the sea-facing waiting seat within the Bus Stop Waiting Zone.\n- bus-stop approach area: Directly adjoins the Bus Stop Waiting Zone on the side away from the sea and continues outward from the stop.\n\nIN FRAME (near to far): Hyesu in full figure beside the sea-facing bus-stop waiting seat, Suriyoung farther away in rear view with one foot lifted mid-stride, and the bus-stop approach area extending ahead of her.\n\nMOMENT CONTEXT: Suriyoung has decided to go home after concluding that she may have misseen what happened. Hyesu calls after her to have her mother telephone if Suriyoung sees her.\n\nTIME & LIGHT: night Do not add weather, atmosphere or colour moods beyond this.\n\nINVENTION BOUNDARY: state world facts (weather, atmosphere, surface\nwetness, materials, light-source colour, numeric distances, time of\nday) ONLY when the shot text or its corrections state them; where\nthey are silent, stay silent too — do not invent moods or weather.\n\nLOOK REFERENCE: the attached PHOTOGRAPH shows this same property.\nMatch its look exactly — the building, its materials and aging, the\nroof-deck contents, colours, and the surrounding town. It is the\nsingle source of truth for how everything LOOKS.\n\nSITE PLAN REFERENCE: the attached flat drawing is the site plan of\nthis same property. Use it ONLY as the source of truth for WHERE\nthings are (spatial arrangement, adjacency, routes). NEVER draw the\nplan itself — none of its flat colours, circles, codes or labels may\nappear in the output.\n\nThe output image must contain ZERO annotations — no circles, no\ncodes, no letters, no numbers, no text, no signage lettering, no\narrows, no dashed lines."
 },
 "S26sh5": {
  "input_fingerprint": "5e9ab14fcf4d7e6d",
  "ground": {
   "anchor_markers": [
    "H1",
    "R1"
   ],
   "camera_position_en": "At the landward edge of the coastal harbor water area, beside the mooring point and across the water from the harbor-side tidal rock outcrop.",
   "in_frame_en": "The ground-level mooring stake and thick anchor line in the foreground; Inwoo holding the line after stepping down from the boat's bow; the boat and coastal harbor water area behind him; and the harbor-side tidal rock outcrop farther across the water.",
   "look_direction_en": "Toward the boat's bow at the edge of the coastal harbor water area, with the harbor-side tidal rock outcrop beyond.",
   "map_zone": "Harbor Waterfront",
   "moment_context_en": "The harbor is otherwise empty, and the boat has just emerged through the fog. Suriyoung has approached it after waiting at the tidal rocks.",
   "rationale_ko": "인우가 배에서 내려 닻줄을 육상의 말뚝에 거는 순간이므로, 배가 접안할 수 있는 포구 수면의 육지측 가장자리에 배치하는 것이 자연스럽다. 카메라를 계류 지점 가까이 낮게 두면 말뚝과 굵은 닻줄, 인우의 손과 정지 동작을 전경에서 명확히 잡으면서 배와 포구 수면을 함께 제시할 수 있다. 갯바위는 수리영이 직전에 머물던 장소이자 포구의 해안 지형이므로 수면 너머 원경 기준으로 삼는다."
  },
  "prompt": "Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.\n\nCAMERA: At the landward edge of the coastal harbor water area, beside the mooring point and across the water from the harbor-side tidal rock outcrop. Looking: Toward the boat's bow at the edge of the coastal harbor water area, with the harbor-side tidal rock outcrop beyond.\n\nMAP POINT: this plate is taken in the \"Harbor Waterfront\" area of the property on the attached site plan, anchored to these mapped elements:\n- coastal harbor water area: The harbor water area adjoins the tidal rock outcrop and opens outward toward the sea.\n- harbor-side tidal rock outcrop: The tidal rock outcrop occupies the shore beside the harbor waters and faces outward toward the sea.\n\nIN FRAME (near to far): The ground-level mooring stake and thick anchor line in the foreground; Inwoo holding the line after stepping down from the boat's bow; the boat and coastal harbor water area behind him; and the harbor-side tidal rock outcrop farther across the water.\n\nMOMENT CONTEXT: The harbor is otherwise empty, and the boat has just emerged through the fog. Suriyoung has approached it after waiting at the tidal rocks.\n\nTIME & LIGHT: dusk, dense fog after rain Do not add weather, atmosphere or colour moods beyond this.\n\nINVENTION BOUNDARY: state world facts (weather, atmosphere, surface\nwetness, materials, light-source colour, numeric distances, time of\nday) ONLY when the shot text or its corrections state them; where\nthey are silent, stay silent too — do not invent moods or weather.\n\nLOOK REFERENCE: the attached PHOTOGRAPH shows this same property.\nMatch its look exactly — the building, its materials and aging, the\nroof-deck contents, colours, and the surrounding town. It is the\nsingle source of truth for how everything LOOKS.\n\nSITE PLAN REFERENCE: the attached flat drawing is the site plan of\nthis same property. Use it ONLY as the source of truth for WHERE\nthings are (spatial arrangement, adjacency, routes). NEVER draw the\nplan itself — none of its flat colours, circles, codes or labels may\nappear in the output.\n\nThe output image must contain ZERO annotations — no circles, no\ncodes, no letters, no numbers, no text, no signage lettering, no\narrows, no dashed lines."
 }
}