{
 "S15sh6": {
  "geometry_attempts": 1,
  "segment": {
   "segment_id": "SEG_02",
   "label_en": "open departure route"
  },
  "rationale_ko": "수리영이 집으로 가기 위해 버스정류장 진입로(A1)를 따라 북서쪽으로 다급히 뛰어가고, 혜수는 버스정류장 대기 구역(B1 근처)에 남아 멀어지는 수리영을 향해 소리칩니다. '두 사람을 지켜보는 듯한 카메라 시선'과 '멀리서 잡은 넓은 구도'를 구현하기 위해 카메라를 정류장 뒤편 해안가(S1 쪽) 멀찍이 배치했습니다. 이 앵글을 통해 혜수의 전신이 화면에 걸리고 그 너머로 달려가는 수리영의 뒷모습이 한 프레임에 자연스럽게 담깁니다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "마커, 웨지 모양, 문자/숫자, 또는 하향식 지도 뷰가 없습니다."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "수리영",
   "혜수"
  ],
  "still_record": {
   "input_fingerprint": "0ae743f1acadc524",
   "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.\n\nSHOT TEXT (authoritative, Korean): 멀리서 혜수의 전신과 한 발을 공중에 띄운 mid-stride 자세로 달리는 수리영의 뒷모습을 한 프레임에 담은 넓은 구도\n\nLOCATION (lock): 바다가 보이는 해안가 버스정류장 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nPEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (Korean 20대 초반 여성, 긴 검은 머리, 타원형의 젊은 얼굴, 부드러운 이목구비와 자연스러운 피부색상태); 혜수 (Korean 40대 중반 여성, 단정한 검은 머리, 성숙한 타원형 얼굴, 또렷한 이목구비) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above.\n\nNo text, captions, watermarks or annotations anywhere.",
   "totals": {
    "C": 7,
    "B": 5,
    "A": 3
   },
   "selected": "C",
   "ranking": [
    "C",
    "B",
    "A"
   ],
   "verdicts": [
    {
     "label": "C",
     "score": 7,
     "verdict_ko": "스토리보드의 넓은 구도와 인물들의 지정된 자세를 잘 재현했으며, 텍스트 금지 지시를 가장 엄격하게 준수하여 표지판을 깔끔하게 표현했습니다."
    },
    {
     "label": "B",
     "score": 5,
     "verdict_ko": "구도와 인물의 배치는 스토리보드와 일치하나, 버스정류장 표지판과 노선도에 형태가 불분명한 가짜 텍스트가 남아있어 감점되었습니다."
    },
    {
     "label": "A",
     "score": 3,
     "verdict_ko": "버스정류장에 '2026' 등의 명확한 텍스트가 포함된 광고판을 임의로 생성하여 텍스트 금지 및 지정된 배경 형태 지시를 크게 위반했습니다."
    }
   ],
   "refs": [
    {
     "label": "STORYBOARD SKETCH — staging/composition only",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S15sh6_sketch.png"
    },
    {
     "label": "수리영",
     "path": "<bytes:1172989>"
    },
    {
     "label": "혜수",
     "path": "<bytes:1311878>"
    }
   ],
   "critique": {
    "issues": [
     {
      "issue_ko": "버스 정류장 왼쪽 유리 패널에 텍스트가 포함된 파란색 안내문이 부착되어 있습니다.",
      "fix_en": "Remove the blue sign with text from the left glass panel of the bus stop."
     },
     {
      "issue_ko": "달리는 여성의 공중에 뜬 오른쪽 발목이 기형적으로 꺾여 신발 밑창이 카메라를 정면으로 향하고 있습니다.",
      "fix_en": "Correct the running woman's right ankle so the foot aligns naturally with the leg, with the sole facing upward/backward."
     }
    ]
   },
   "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the blue sign with text from the left glass panel of the bus stop.\n- Correct the running woman's right ankle so the foot aligns naturally with the leg, with the sole facing upward/backward.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
  },
  "status": "ok",
  "still_sel": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S15sh6_still_sel.png"
 },
 "S26sh2": {
  "geometry_attempts": 1,
  "segment": {
   "segment_id": "SEG_01",
   "label_en": "sea-facing tidal rock shore"
  },
  "rationale_ko": "인물을 R1 갯바위의 바다 쪽 가장자리에 무릎을 모으고 앉힌 뒤 H2 열린 바다 방향을 바라보게 배치했다. 카메라는 인물의 남쪽 갯바위 위에서 북쪽을 향해 촬영하여, 동쪽 바다를 응시하는 인물의 측면이 드러나도록 했다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "마커, 기호, 쐐기 모양 등의 지도 요소가 발견되지 않은 정상적인 스케치입니다."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "수리영"
  ],
  "still_record": {
   "input_fingerprint": "f3048b19e048b473",
   "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, dense fog after rain.\n\nSHOT TEXT (authoritative, Korean): 수리영이 갯바위 위에 무릎을 모으고 앉아 바다를 응시하는 측면\n\nLOCATION (lock): 안개 낀 포구 및 갯바위 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nPEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (Korean 20대 초반 여성, 긴 검은 머리, 타원형의 젊은 얼굴, 부드러운 이목구비와 자연스러운 피부색상태) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above.\n\nNo text, captions, watermarks or annotations anywhere.",
   "totals": {
    "A": 7,
    "B": 7,
    "C": 6
   },
   "selected": "B",
   "ranking": [
    "B",
    "A",
    "C"
   ],
   "verdicts": [
    {
     "label": "A",
     "score": 7,
     "verdict_ko": "캐릭터의 외형과 지정된 자세, 안개 낀 포구 배경을 잘 재현했으나 해 질 녘의 조명 느낌이 다소 약합니다."
    },
    {
     "label": "B",
     "score": 7,
     "verdict_ko": "비 갠 후의 짙은 안개와 항구의 불빛을 통해 해 질 녘의 분위기를 사실적으로 연출했으며, 인물과 배경의 세부 묘사가 뛰어납니다."
    },
    {
     "label": "C",
     "score": 6,
     "verdict_ko": "구성과 분위기는 양호하나, 비 갠 후라는 설정과 달리 화면에 비가 내리는 듯한 시각적 노이즈가 남아있습니다."
    }
   ],
   "refs": [
    {
     "label": "STORYBOARD SKETCH — staging/composition only",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S26sh2_sketch.png"
    },
    {
     "label": "수리영",
     "path": "<bytes:1172989>"
    }
   ],
   "critique": {
    "issues": []
   },
   "fix_skipped": true
  },
  "status": "ok",
  "still_sel": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S26sh2_still_sel.png"
 },
 "S26sh9": {
  "geometry_attempts": 1,
  "segment": {
   "segment_id": "SEG_01",
   "label_en": "sea-facing tidal rock shore"
  },
  "rationale_ko": "수리영을 R1 갯바위의 바다 쪽 가장자리에 세우고 오른쪽 H2 외해를 향하게 배치했다. 카메라는 인물의 남쪽 가까운 갯바위에 두어 바다를 보는 방향과 직각이 되게 함으로써 스마트폰을 입가에 댄 측면 상체 구도를 만든다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "마커, 텍스트 또는 지도 형태가 없음."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "PREVIOUS SHOT STILL — fixed background terrain/tone ONLY",
   "수리영"
  ],
  "still_record": {
   "input_fingerprint": "e75d9b0a91616aa5",
   "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, dense fog after rain.\n\nSHOT TEXT (authoritative, Korean): 수리영이 바다를 향해 선 채 스마트폰을 입가에 댄 측면 상체\n\nLOCATION (lock): 안개 낀 포구 및 갯바위 The shot takes place here — the attached PREVIOUS SHOT STILL shows this exact place.\n\nTHIS SHOT CONTINUES THE PREVIOUS SHOT: everything the attached still established — the place, its fixed features and wear, each person's clothing and state — persists. Any person in it who cannot move stays PRECISELY as photographed (body, pose, contact points, held objects); only the camera changes.\n\nPREVIOUS STILL USAGE (follow exactly — what to take from the attached still and what to exclude): Use the PREVIOUS SHOT STILL for fixed background terrain, structures and overall tone ONLY. Do NOT copy its people, poses, framing, time of day or lighting — the current SHOT TEXT is the sole authority for those.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nPEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (Korean 20대 초반 여성, 긴 검은 머리, 타원형의 젊은 얼굴, 부드러운 이목구비와 자연스러운 피부색상태) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above.\n\nNo text, captions, watermarks or annotations anywhere.",
   "totals": {
    "C": 7,
    "A": 6,
    "B": 4
   },
   "selected": "C",
   "ranking": [
    "C",
    "A",
    "B"
   ],
   "verdicts": [
    {
     "label": "C",
     "score": 7,
     "verdict_ko": "스토리보드의 구도와 소품 방향(화면이 인물을 향함)을 완벽히 따랐으며 이전 장면의 배경과 복장 연속성도 훌륭합니다."
    },
    {
     "label": "A",
     "score": 6,
     "verdict_ko": "배경과 인물 묘사는 좋으나 스마트폰을 가로로 쥐고 있어 스토리보드의 스케이징 지시와 차이가 있습니다."
    },
    {
     "label": "B",
     "score": 4,
     "verdict_ko": "스마트폰의 화면(기능면)이 카메라 쪽을 향하고 있어 소품의 올바른 방향 지시사항을 위반했습니다."
    }
   ],
   "refs": [
    {
     "label": "STORYBOARD SKETCH — staging/composition only",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S26sh9_sketch.png"
    },
    {
     "label": "PREVIOUS SHOT STILL — fixed background terrain/tone ONLY",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S26sh2_still_sel.png"
    },
    {
     "label": "수리영",
     "path": "<bytes:1172989>"
    }
   ],
   "critique": {
    "issues": [
     {
      "issue_ko": "스마트폰을 거꾸로 쥐고 있어 후면 카메라 렌즈가 입술 쪽을 향하고 있습니다.",
      "fix_en": "Rotate the smartphone 180 degrees so the screen faces the character and the rear cameras face outward toward the sea."
     }
    ]
   },
   "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Rotate the smartphone 180 degrees so the screen faces the character and the rear cameras face outward toward the sea.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
  },
  "status": "ok",
  "still_sel": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary/S26sh9_still_sel.png"
 }
}