{
 "S15sh6": {
  "geometry_attempts": 1,
  "segment": {
   "segment_id": "SEG_02",
   "label_en": "open departure route"
  },
  "rationale_ko": "혜수는 버스 정류장 대기 구역에서 접근 구역으로 이어지는 열린 동선의 뒤쪽에 두고, 수리영은 A1 방향으로 더 멀리 달려 나가는 위치에 배치했다. 카메라는 혜수보다 충분히 뒤쪽인 대기 구역 하단에서 두 사람을 향해 바라보며, 화면 하단에 가까운 혜수의 전신과 상단 중앙으로 멀어지는 수리영의 뒷모습 및 한 발을 든 달리기 자세가 함께 잡히는 넓은 관찰 구도를 만든다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "기호나 평면도 누출이 보이지 않습니다."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "수리영",
   "혜수"
  ],
  "still_record": {
   "input_fingerprint": "aaecc258fd1a494b",
   "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.\n\nSHOT TEXT (authoritative, Korean): 멀리서 혜수의 전신과 한 발을 공중에 띄운 mid-stride 자세로 달리는 수리영의 뒷모습을 한 프레임에 담은 넓은 구도\n\nLOCATION (lock): 바다가 보이는 해안가 버스정류장 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nPEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (Korean 20대 초반 여성, 긴 검은 머리, 타원형의 젊은 얼굴, 부드러운 이목구비와 자연스러운 피부색상태); 혜수 (Korean 40대 중반 여성, 단정한 검은 머리, 성숙한 타원형 얼굴, 또렷한 이목구비) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above.\n\nNo text, captions, watermarks or annotations anywhere.",
   "totals": {
    "A": 7,
    "B": 6,
    "C": 5
   },
   "selected": "A",
   "ranking": [
    "A",
    "B",
    "C"
   ],
   "verdicts": [
    {
     "label": "A",
     "score": 7,
     "verdict_ko": "스토리보드의 야간 해안가 정류장 구도와 인물들의 자세를 가장 정확히 재현했으나, 표지판에 텍스트가 생성된 점이 감점 요소입니다."
    },
    {
     "label": "B",
     "score": 6,
     "verdict_ko": "지시된 인물의 행동과 배경을 잘 표현했지만, 스토리보드에 존재하지 않는 가로등이 임의로 추가되어 일치도가 낮아졌습니다."
    },
    {
     "label": "C",
     "score": 5,
     "verdict_ko": "기본 구도는 따랐으나 좌측의 가로등과 원경의 도시 야경 등 원본에 없는 요소들이 다수 추가되었습니다."
    }
   ],
   "refs": [
    {
     "label": "STORYBOARD SKETCH — staging/composition only",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S15sh6_sketch.png"
    },
    {
     "label": "수리영",
     "path": "<bytes:1172989>"
    },
    {
     "label": "혜수",
     "path": "<bytes:1311878>"
    }
   ],
   "critique": {
    "issues": [
     {
      "issue_ko": "버스 정류장 조명 패널에 텍스트가 포함되어 있습니다.",
      "fix_en": "Remove all text and characters from the glowing panels of the bus stop."
     }
    ]
   },
   "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all text and characters from the glowing panels of the bus stop.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
  },
  "status": "ok",
  "still_sel": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S15sh6_still_sel.png"
 },
 "S26sh2": {
  "geometry_attempts": 1,
  "segment": {
   "segment_id": "SEG_01",
   "label_en": "sea-facing tidal rock shore"
  },
  "rationale_ko": "E1은 R1 갯바위의 바다 쪽 가장자리에 무릎을 모으고 앉아 동쪽 H2의 안개 낀 바다를 바라보도록 배치했다. 카메라는 같은 갯바위 위 북쪽 측면에서 앉은 어깨 높이로 남쪽을 향해 고정해 옆모습을 잡고, 발아래 갯바위와 시선 방향의 넓은 빈 바다 공간이 함께 보이도록 했다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "기호나 문자 없이 정상적인 투시도로 렌더링됨."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "수리영"
  ],
  "still_record": {
   "input_fingerprint": "9dc1bc54358f4551",
   "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, dense fog after rain.\n\nSHOT TEXT (authoritative, Korean): 수리영이 갯바위 위에 무릎을 모으고 앉아 바다를 응시하는 측면\n\nLOCATION (lock): 안개 낀 포구 및 갯바위 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nPEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (Korean 20대 초반 여성, 긴 검은 머리, 타원형의 젊은 얼굴, 부드러운 이목구비와 자연스러운 피부색상태) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above.\n\nNo text, captions, watermarks or annotations anywhere.",
   "totals": {
    "A": 7,
    "B": 6,
    "C": 5
   },
   "selected": "A",
   "ranking": [
    "A",
    "B",
    "C"
   ],
   "verdicts": [
    {
     "label": "A",
     "score": 7,
     "verdict_ko": "스토리보드의 배경 구도, 인물의 지정된 포즈, 안개 낀 날씨를 가장 정확하게 재현함."
    },
    {
     "label": "B",
     "score": 6,
     "verdict_ko": "인물과 분위기는 부합하나, 배경 중앙에 레퍼런스에 없는 큰 등대가 추가되어 일치도가 낮음."
    },
    {
     "label": "C",
     "score": 5,
     "verdict_ko": "화면 우측 가장자리에 레퍼런스에 없는 구조물이 추가되어 원본의 공간감이 왜곡됨."
    }
   ],
   "refs": [
    {
     "label": "STORYBOARD SKETCH — staging/composition only",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S26sh2_sketch.png"
    },
    {
     "label": "수리영",
     "path": "<bytes:1172989>"
    }
   ],
   "critique": {
    "issues": []
   },
   "fix_skipped": true
  },
  "status": "ok",
  "still_sel": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S26sh2_still_sel.png"
 },
 "S26sh9": {
  "geometry_attempts": 1,
  "segment": {
   "segment_id": "SEG_01",
   "label_en": "sea-facing tidal rock shore"
  },
  "rationale_ko": "E1을 R1 갯바위의 바다 쪽 가장자리에 세워 오른쪽 H2 열린 바다를 바라보게 배치했다. 카메라는 인물의 남쪽 측면에서 가깝게 북쪽을 향해 고정하여 상체 측면을 담고, 시선 방향인 동쪽 바다에 여백이 생기도록 했다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "도면 형태나 숫자 기호가 전혀 보이지 않음."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "PREVIOUS SHOT STILL — fixed background terrain/tone ONLY",
   "수리영"
  ],
  "still_record": {
   "input_fingerprint": "9876e64eaf7ac4a7",
   "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, dense fog after rain.\n\nSHOT TEXT (authoritative, Korean): 수리영이 바다를 향해 선 채 스마트폰을 입가에 댄 측면 상체\n\nLOCATION (lock): 안개 낀 포구 및 갯바위 The shot takes place here — the attached PREVIOUS SHOT STILL shows this exact place.\n\nTHIS SHOT CONTINUES THE PREVIOUS SHOT: everything the attached still established — the place, its fixed features and wear, each person's clothing and state — persists. Any person in it who cannot move stays PRECISELY as photographed (body, pose, contact points, held objects); only the camera changes.\n\nPREVIOUS STILL USAGE (follow exactly — what to take from the attached still and what to exclude): Use the PREVIOUS SHOT STILL for fixed background terrain, structures and overall tone ONLY. Do NOT copy its people, poses, framing, time of day or lighting — the current SHOT TEXT is the sole authority for those.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nPEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of: 수리영 (Korean 20대 초반 여성, 긴 검은 머리, 타원형의 젊은 얼굴, 부드러운 이목구비와 자연스러운 피부색상태) — never anyone else, and never add a person the shot text does not show. IF only part of a person is in frame (a hand, arm, foot, back, silhouette), that body part belongs to the specific person the shot text names — its sex, age, build, skin and grooming must unmistakably match that person's profile above.\n\nNo text, captions, watermarks or annotations anywhere.",
   "totals": {
    "A": 3,
    "B": 7,
    "C": 5
   },
   "selected": "B",
   "ranking": [
    "B",
    "C",
    "A"
   ],
   "verdicts": [
    {
     "label": "A",
     "score": 3,
     "verdict_ko": "서 있지 않고 앉은 자세이며, 이전 샷과 의상이 다르고 스마트폰 화면이 카메라를 향해 소품 방향 규칙을 위반했습니다."
    },
    {
     "label": "B",
     "score": 7,
     "verdict_ko": "이전 샷의 의상과 풀어진 헤어스타일을 유지하며, 서서 스마트폰을 든 측면 상체를 정확히 구현했습니다."
    },
    {
     "label": "C",
     "score": 5,
     "verdict_ko": "서 있는 측면 상체는 맞으나, 이전 샷과 달리 후드티를 입고 머리를 묶어 상태 연속성 지시를 어겼습니다."
    }
   ],
   "refs": [
    {
     "label": "STORYBOARD SKETCH — staging/composition only",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S26sh9_sketch.png"
    },
    {
     "label": "PREVIOUS SHOT STILL — fixed background terrain/tone ONLY",
     "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S26sh2_still_sel.png"
    },
    {
     "label": "수리영",
     "path": "<bytes:1172989>"
    }
   ],
   "critique": {
    "issues": [
     {
      "issue_ko": "스마트폰의 후면 카메라 렌즈가 캐릭터의 얼굴을 향하고 있어 기기의 앞뒤가 뒤집혀 있습니다.",
      "fix_en": "Rotate the smartphone so the screen faces the character and the camera module faces away from her."
     },
     {
      "issue_ko": "스마트폰을 쥐고 있는 왼손의 손가락 구조와 관절이 왜곡되어 뭉개져 있습니다.",
      "fix_en": "Correct the anatomy of the hand holding the smartphone to have properly structured fingers."
     }
    ]
   },
   "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Rotate the smartphone so the screen faces the character and the camera module faces away from her.\n- Correct the anatomy of the hand holding the smartphone to have properly structured fingers.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
  },
  "status": "ok",
  "still_sel": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane1_canary_v2/S26sh9_still_sel.png"
 }
}