{
 "seed_record": {
  "input_fingerprint": "f77a91a37f994dd5",
  "prompt": "A photographic plate — contemporary South Korea, 2026; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. The structure is\na solid, opaque, complete exterior: no cutaway, no transparent or open\nwalls, no floor-plan or room labels. Real materials and real weathering\n— never a drawing or diagram. Surroundings: only permanent site\nelements explicitly supported by the supplied context — do not invent\nextra surroundings.\n\nTHE STRUCTURE: 낡은 다세대 빌라의 콘크리트 옥상 평면. 대형 물탱크, 빨랫줄, 나무 평상이 놓여 있고, 철제 현관문이 달린 옥탑방 외벽이 있다. / 낡은 다세대 빌라 주변의 좁은 골목과 마당의 후미진 구역. 자전거를 세워두는 공간이 있다. / 빌라 건물 외부에 가설된 낡고 가파른 철제 계단. 옥탑방으로 올라가는 통로 역할을 한다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 옥탑방 내부 주거 공간: 거실, 안방, 딸의 방, 욕실로 구성된 비좁은 실내. 작은 창문으로 빛이 들어오며 싱크대, 식탁, TV, 침대, 커튼 등의 현대식 가재도구가 빽빽하게 배치되어 있다.\n\nTHE LOCATION: 오래된 다세대 빌라 옥상 및 옥탑방 외부\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals, no vehicles\nparked or moving, no temporary equipment, barriers or activity props.\nOnly the fixed structure and permanent site elements. A clean\nphotographic plate only.",
  "totals": {
   "A": 7,
   "B": 5,
   "C": 3
  },
  "selected": "A",
  "ranking": [
   "A",
   "B",
   "C"
  ],
  "verdicts": [
   {
    "label": "A",
    "score": 7,
    "verdict_ko": "금지된 텍스트나 주차된 이동수단 없이 자전거 거치대를 포함한 모든 구조물 요건을 충족했습니다."
   },
   {
    "label": "B",
    "score": 5,
    "verdict_ko": "구조물 형태는 지시를 따랐으나, '주차된 이동수단 없음' 조건을 어기고 자전거가 주차되어 있습니다."
   },
   {
    "label": "C",
    "score": 3,
    "verdict_ko": "구조물은 잘 구현되었으나, 명시적으로 금지된 텍스트 라벨이 화면 전체에 포함되어 크게 위반했습니다."
   }
  ],
  "refs": [],
  "critique": {
   "issues": [
    {
     "issue_ko": "옥탑방이 내부 공간(방 2개, 거실, 욕실)을 수용하기에 너무 작음.",
     "fix_en": "Enlarge the rooftop room to plausibly fit multiple rooms."
    }
   ]
  },
  "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Enlarge the rooftop room to plausibly fit multiple rooms.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
 },
 "seed_source": "lane2_canary_v3/seed_sel.png (reuse)",
 "siteplan_prompt": "Draw a top-down SITE PLAN of the property shown in the attached\nphotograph.\n\nOUTPUT MEDIUM: a flat 2D SITE-PLAN DRAWING, NOT a photograph and NOT a\n3D view. RE-PROJECT the scene to a TRUE ORTHOGRAPHIC PLAN as seen from\nDIRECTLY ABOVE (90 degrees nadir). Absolutely NO 3D, no perspective, no\nisometric view, no shadows, no photo textures — every element appears\nONLY as pure plan geometry (outlines and flat filled zones).\n\nCIRCLED MARKERS (draw each as a small circled code at its mapped\nlocation):\n- (A1) narrow alley approach to the multi-unit villa — The alley runs toward the multi-unit villa and terminates at its exterior entrance.\n- (Y1) older multi-unit villa building — The villa forms the central building mass between the alley and yard below and the rooftop plane above.\n- (Y2) main exterior entrance of the multi-unit villa — The villa entrance stands between the alley approach and the interior yard area.\n- (Y3) rear yard area inside the villa entrance — The yard lies inside the villa entrance, with a rear area adjoining the lower end of the route to the rooftop.\n- (S1) added exterior steel stair leading to the rooftop room — The stair is attached to the villa's exterior wall and rises from the yard-side exterior to the rooftop-room level; it has open treads, thin steel-plate stringers and support columns, and pipe railings.\n- (R1) rooftop plane surrounding the rooftop room — The rooftop plane sits atop the multi-unit villa, receives the exterior stair, and extends around the rooftop room.\n- (R2) rooftop room structure above the villa — The rooftop room stands on the villa's rooftop plane and is reached from the exterior stair.\n- (R3) iron entrance door of the rooftop room — The iron entrance door is set into the rooftop room's exterior wall and opens directly onto the surrounding rooftop plane.\n- (R4) exterior window of the rooftop room — The window is set into the rooftop room's exterior wall, separate from the iron entrance door and facing the rooftop exterior.\n- (R5) rooftop water tank — The water tank stands on the rooftop plane outside the rooftop room.\n- (R6) wall bordering the rooftop exterior — The wall borders part of the rooftop exterior near the rooftop room.\n\nAllowed zone labels (the ONLY text permitted besides the marker codes):\n- Alley Approach\n- Villa Entrance and Rear Yard\n- Added Exterior Stair\n- Rooftop Terrace and Rooftop Room Exterior\n\nSTYLE: minimal architectural site plan — flat pastel zone fills, thin\ndark outlines, dashed property boundary, small north compass. No other\ntext, no legends, no dimensions.\n",
 "S4sh1": {
  "geometry_attempts": 1,
  "rationale_ko": "고정 구조물 전경만 등장하는 샷으로, E1은 R2 옥탑방 중심에 배치했다. 카메라는 건물 남쪽 상공에서 R2를 향해 북쪽으로 내려다보도록 설정해 옥탑방이 화면 중심에 놓이고, 주변 R1 옥상면과 계단 접속부가 공간적 기반으로 함께 보이게 했다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "마커나 기호, 텍스트가 없는 입체적 형태의 옥상 배경입니다."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical"
  ],
  "status": "ok"
 },
 "S4sh1_still_record": {
  "input_fingerprint": "eb7bebd283cf324c",
  "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): day.\n\nSHOT TEXT (authoritative, Korean): 맑은 낮, 오래된 다세대 빌라 옥상 위에 자리 잡은 옥탑방을 높은 곳에서 내려다본 부감 구도\n\nLOCATION (lock): 오래된 다세대 빌라 옥상 및 옥탑방 외부 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nNo people appear unless the shot text itself says so.\n\nNo text, captions, watermarks or annotations anywhere.",
  "totals": {
   "A": 4,
   "B": 5,
   "C": 7
  },
  "selected": "C",
  "ranking": [
   "C",
   "B",
   "A"
  ],
  "verdicts": [
   {
    "label": "A",
    "score": 4,
    "verdict_ko": "화분, 상자, 평상 위 물건 등 지시문에 없는 불필요한 사물들을 다수 임의로 추가하여 일치도가 가장 낮습니다."
   },
   {
    "label": "B",
    "score": 5,
    "verdict_ko": "구도와 배경은 일치하나, 참조 이미지에 없는 빨래를 빨랫줄에 임의로 추가하여 감점되었습니다."
   },
   {
    "label": "C",
    "score": 7,
    "verdict_ko": "맑은 낮의 조명을 잘 반영했으며, 지시되지 않은 임의의 사물을 전혀 추가하지 않아 원본에 가장 충실합니다."
   }
  ],
  "refs": [
   {
    "label": "STORYBOARD SKETCH — staging/composition only",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/S4sh1_sketch.png"
   },
   {
    "label": "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/seed_sel.png"
   }
  ],
  "critique": {
   "issues": [
    {
     "issue_ko": "왼쪽 물탱크를 받치고 있는 콘크리트 구조물의 앞벽이 뚫려 내부가 텅 빈 공간으로 잘못 묘사되었습니다.",
     "fix_en": "Restore the front face of the concrete base under the water tank to be a solid, closed wall matching the reference."
    }
   ]
  },
  "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Restore the front face of the concrete base under the water tank to be a solid, closed wall matching the reference.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
 },
 "S10sh6": {
  "geometry_attempts": 1,
  "rationale_ko": "남성은 옥탑방 철문(R3) 안쪽 문턱 바로 뒤에 배치해 신발 앞코만 좁은 틈으로 보이게 했다. 카메라는 옥상 평면(R1)의 문 정면에 낮고 가깝게 두고 실내 방향으로 바라보게 해, 살짝 열린 철문의 양쪽 수직 가장자리가 화면을 좁게 감싸도록 설정했다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "도면 마커나 기호가 없음."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical"
  ],
  "status": "ok"
 },
 "S10sh6_still_record": {
  "input_fingerprint": "4f04918c8dfa0531",
  "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.\n\nSHOT TEXT (authoritative, Korean): 현관 철문이 아주 살짝 열린 틈새로 보이는 어두운 실내와 신발 앞코\n\nLOCATION (lock): 오래된 다세대 빌라 옥상 및 옥탑방 외부 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nNo people appear unless the shot text itself says so.\n\nNo text, captions, watermarks or annotations anywhere.",
  "totals": {
   "B": 7,
   "C": 5,
   "A": 4
  },
  "selected": "B",
  "ranking": [
   "B",
   "C",
   "A"
  ],
  "verdicts": [
   {
    "label": "B",
    "score": 7,
    "verdict_ko": "'어두운 실내'와 1인칭 시점의 신발 배치를 정확히 구현했고 지정된 배경 구조물도 보이나, 문 하단에 형태 오류가 있습니다."
   },
   {
    "label": "C",
    "score": 5,
    "verdict_ko": "구도와 옥상 배경 요소는 우수하지만, 텍스트의 '어두운 실내' 지시와 달리 방 안이 밝게 묘사되어 충실도가 떨어집니다."
   },
   {
    "label": "A",
    "score": 4,
    "verdict_ko": "어두운 실내는 표현되었으나, 신발이 측면에서 크게 노출되어 1인칭 시점과 어긋나며 지정된 로케이션의 디테일이 부족합니다."
   }
  ],
  "refs": [
   {
    "label": "STORYBOARD SKETCH — staging/composition only",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/S10sh6_sketch.png"
   },
   {
    "label": "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/seed_sel.png"
   }
  ],
  "critique": {
   "issues": [
    {
     "issue_ko": "지시문은 '아주 살짝 열린 틈새'를 요구했으나, 문이 너무 넓게 열려 있어 좁은 틈새가 아닙니다.",
     "fix_en": "Close the door much more so it is only very slightly ajar, leaving just a narrow gap."
    },
    {
     "issue_ko": "문짝의 정면뿐만 아니라 얇은 옆면(잠금장치가 있어야 할 곳)에도 둥근 문고리가 하나 더 튀어나와 있습니다.",
     "fix_en": "Remove the extra doorknob protruding from the thin vertical side edge of the door."
    },
    {
     "issue_ko": "열린 문짝 아래쪽에 정체불명의 두꺼운 철제 빔이 가로로 길게 붙어 우측 허공(계단 위)으로 뻗어 있습니다.",
     "fix_en": "Remove the horizontal metal beam extending to the right from the bottom edge of the open door."
    }
   ]
  },
  "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Close the door much more so it is only very slightly ajar, leaving just a narrow gap.\n- Remove the extra doorknob protruding from the thin vertical side edge of the door.\n- Remove the horizontal metal beam extending to the right from the bottom edge of the open door.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
 },
 "S10sh7": {
  "geometry_attempts": 1,
  "rationale_ko": "R4 옥탑방 외부 창문을 중심으로, 카메라를 창문 바깥 동쪽 옥상 면에 두고 서쪽을 향해 정면 촬영하도록 배치했다. 작은 그림자는 창문 바로 안쪽에, 거대한 그림자는 그보다 실내 깊숙한 뒤쪽에 바짝 붙여 두 그림자가 창면에서 겹치며 큰 그림자의 꺾인 머리가 작은 그림자의 어깨에 닿아 보이게 했다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "스케치에 원형 마커, 카메라 기호, 알파벳/숫자 코드, 시야각 웨지 등의 지도 마커나 평면도 요소가 유출되지 않았습니다."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical",
   "PREVIOUS SHOT STILL — fixed background structure/tone ONLY"
  ],
  "status": "ok"
 },
 "S10sh7_still_record": {
  "input_fingerprint": "61ce8f2e7faf23b1",
  "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.\n\nSHOT TEXT (authoritative, Korean): 불이 켜진 옥탑방 창문에 거대한 그림자가 작은 그림자의 어깨 쪽으로 고개를 꺾은 형태가 맺혀 있는 정지 구도\n\nLOCATION (lock): 오래된 다세대 빌라 옥상 및 옥탑방 외부 The shot takes place here — the attached PREVIOUS SHOT STILL shows this exact place.\n\nTHIS SHOT CONTINUES THE PREVIOUS SHOT: everything the attached still established — the place, its fixed features and wear, each person's clothing and state — persists. Any person in it who cannot move stays PRECISELY as photographed (body, pose, contact points, held objects); only the camera changes.\n\nPREVIOUS STILL USAGE (follow exactly — what to take from the attached still and what to exclude): Use the PREVIOUS SHOT STILL for fixed background structure and overall tone ONLY. Do NOT copy its people, poses, framing, time of day or lighting — the current SHOT TEXT is the sole authority for those.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nNo people appear unless the shot text itself says so.\n\nNo text, captions, watermarks or annotations anywhere.",
  "totals": {
   "A": 7,
   "B": 6,
   "C": 4
  },
  "selected": "A",
  "ranking": [
   "A",
   "B",
   "C"
  ],
  "verdicts": [
   {
    "label": "A",
    "score": 7,
    "verdict_ko": "스토리보드의 구도를 충실히 따랐으며, 불이 켜진 창문에 거대한 그림자가 작은 그림자의 어깨를 향해 고개를 꺾은 핵심 동작을 가장 정확하게 구현했습니다."
   },
   {
    "label": "B",
    "score": 6,
    "verdict_ko": "구도와 배경은 적절하나 큰 그림자의 실루엣이 다소 작위적이고 고개를 꺾은 묘사가 A에 비해 덜 뚜렷합니다."
   },
   {
    "label": "C",
    "score": 4,
    "verdict_ko": "스토리보드의 정지 구도를 무시하고 레퍼런스 사진의 하이 앵글을 그대로 썼으며, 그림자가 창문이 아닌 벽에 맺혀 텍스트와 불일치합니다."
   }
  ],
  "refs": [
   {
    "label": "STORYBOARD SKETCH — staging/composition only",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/S10sh7_sketch.png"
   },
   {
    "label": "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/seed_sel.png"
   },
   {
    "label": "PREVIOUS SHOT STILL — fixed background structure/tone ONLY",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/S10sh6_still_sel.png"
   }
  ],
  "critique": {
   "issues": [
    {
     "issue_ko": "그림자가 비치는 오른쪽 창문에 레퍼런스 이미지(구조)에 명확히 존재하는 세로 쇠창살이 누락되었습니다.",
     "fix_en": "Add the vertical metal security bars to the exterior of the right window over the shadows, matching the reference structure."
    }
   ]
  },
  "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Add the vertical metal security bars to the exterior of the right window over the shadows, matching the reference structure.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
 },
 "S17sh2": {
  "geometry_attempts": 1,
  "rationale_ko": "검은 고양이를 옥상 외곽 담장 R6 위에 두고, 담장을 따라 오른쪽으로 이동하며 앞발 하나를 가장자리 너머로 뻗는 순간으로 배치했다. 카메라는 옥상면 쪽에서 고양이의 몸높이로 담장에 수직으로 바라보아 측면 전신이 읽히게 하며, 담장과 평행하게 트래킹할 수 있는 위치를 잡았다.",
  "leakage": {
   "has_marker_leakage": false,
   "details_ko": "마커나 기호 없이 정상적인 투시도로 그려졌습니다."
  },
  "sketch_attempts": 1,
  "still_refs": [
   "STORYBOARD SKETCH — staging/composition only",
   "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical"
  ],
  "status": "ok"
 },
 "S17sh2_still_record": {
  "input_fingerprint": "0285302b17312d7a",
  "prompt": "Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dawn, rooftop apartment light on.\n\nSHOT TEXT (authoritative, Korean): 옥상 담벼락 위에서 한쪽 앞발을 허공으로 뻗은 검은 고양이의 측면\n\nLOCATION (lock): 오래된 다세대 빌라 옥상 및 옥탑방 외부 The shot takes place here — the attached LOCATION PHOTOGRAPH shows the exact spot.\n\nREALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot\ntext may describe characters metaphorically, figuratively or with\nexaggeration. Photograph what a real movie camera would actually\nrecord on a physical set — exaggerated or figurative impressions\nbecome realistic staging choices (lighting, distance, angle,\nwardrobe), not literal fantasy imagery.\nEVERY CHARACTER IS A HUMAN BEING: unless the story explicitly\nfeatures non-human or virtual beings (as in science fiction or\nfantasy), every character — however indirectly, vaguely or\nfiguratively the text describes them — IS a real human. When the\ntext gives no direct visual description of a person, IMAGINE one\nand still show them as a concrete, fully-formed human being:\nalways render the human form to the maximum extent — build,\nposture, face, hands, clothing — never reduce a person to a shape,\nblob, solid silhouette or abstract mass.\n\nEXPRESSIONS ARE ACTED, NEVER ANATOMICAL: when the text describes a\nperson's eyes, face or presence emotionally or figuratively (vacant,\nhollow, dazed, burning, lifeless gaze and the like), it describes an\nACTOR'S PERFORMANCE captured by a real camera — realize it ONLY\nthrough gaze direction, focus, eyelids, facial muscles, stillness\nand posture. Every living person's eyes remain anatomically normal\nhuman eyes with a natural iris and pupil, natural sclera and normal\nproportions; NEVER whiten, blank out, cloud over, glow, enlarge or\notherwise alter eyeballs, skin or anatomy — unless the story\nexplicitly declares that being non-human or supernatural in form.\n\nPROPS FACE THE RIGHT WAY: every handheld or used object must be\noriented exactly as its real-world use requires. A person reading,\nwatching or operating something (a phone, a photograph, a paper,\nany device) has its functional side — screen, front, page — facing\nTHEIR OWN eyes; the camera then sees whatever side the staging\ngeometry implies (often its back). Show the functional side to the\ncamera ONLY when the shot text itself stages it toward the viewer.\nNever flip, mirror or reverse an object's front and back.\n\nNo people appear unless the shot text itself says so.\n\nNo text, captions, watermarks or annotations anywhere.",
  "totals": {
   "B": 7,
   "A": 6,
   "C": 4
  },
  "selected": "B",
  "ranking": [
   "B",
   "A",
   "C"
  ],
  "verdicts": [
   {
    "label": "B",
    "score": 7,
    "verdict_ko": "지정된 구조물(닫힌 문 포함)과 고양이의 포즈, 새벽 시간대의 조명을 가장 사실적으로 정확하게 구현했습니다."
   },
   {
    "label": "A",
    "score": 6,
    "verdict_ko": "대부분의 조건을 잘 충족했으나, 창문 불빛이 외벽과 바닥에 비치는 정도가 다소 과장되어 보입니다."
   },
   {
    "label": "C",
    "score": 4,
    "verdict_ko": "레퍼런스 사진과 달리 옥탑방 문이 열려 있어 구조물의 개구부를 동일하게 유지하라는 조건을 위반했습니다."
   }
  ],
  "refs": [
   {
    "label": "STORYBOARD SKETCH — staging/composition only",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/S17sh2_sketch.png"
   },
   {
    "label": "STRUCTURE LOOK — confirmed photograph of the fixed structure; keep its shape, materials, colors and openings identical",
    "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/lane2_canary_v4/seed_sel.png"
   }
  ],
  "critique": {
   "issues": [
    {
     "issue_ko": "고양이가 단순히 걷고 있으며, 지시문처럼 한쪽 앞발을 허공으로 뻗은 자세가 아닙니다.",
     "fix_en": "Lift one of the cat's front paws clearly forward and up into the empty air."
    }
   ]
  },
  "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Lift one of the cat's front paws clearly forward and up into the empty air.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere."
 }
}