{ "status": "completed", "applicable_count": 16, "completed_count": 16, "failed_count": 0, "schema_version": 6, "config_hash": "9e7bc38f664cf705", "data": { "groups": { "bg_abandoned_airport": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_abandoned_airport_sel.png", "seed_asset_id": "fa2c7e30-8192-4bac-9a49-706031bf5a13", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The exterior site is organized around the broken airport approach road and the exterior forecourt of an aircraft warehouse. The old airport sign, partly deteriorated and fallen away, stands beside the approach road at the site entrance. Moss occurs across the ruined airport grounds and broken roadway. The approach road connects directly to the warehouse forecourt, forming a continuous access surface rather than leaving the warehouse isolated from the entrance. The warehouse borders the far side of the forecourt, with its very large entrance door facing the open ground and accessible directly from it. This arrangement provides a clear spatial connection from the airport sign, along the road, across the forecourt, and to the warehouse threshold. The exterior specification stops at that threshold; no runway, terminal, or additional airport structures are prescribed.\n- Broken airport approach road: Runs beside the old airport entrance sign and connects directly to the warehouse exterior forecourt. The broken roadway lies within the moss-covered airport grounds.\n- Partly fallen old airport sign: Located beside the airport approach road at the entrance to the site, before the road reaches the warehouse exterior forecourt.\n- Warehouse exterior access forecourt: Directly adjoins the airport approach road and the warehouse entrance door, providing continuous exterior access between them. Its warehouse-side edge is defined by the warehouse frontage.\n- Aircraft storage warehouse: Borders the forecourt opposite its connection with the airport approach road. Its entrance frontage faces the forecourt.\n- Very large aircraft warehouse entrance door: Set into the warehouse frontage directly adjoining the exterior access forecourt, marking the transition between the exterior ground and warehouse interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 목포공항 입구와 공터: 이끼가 끼고 아스팔트가 갈라진, 버려진 비행장 앞의 야영지.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 목포공항 격납고: 대형 문 너머로 버려진 항공기들이 보관된 거대하고 먼지 많은 창고.\n\nTHE LOCATION: 75. 목포공항 - N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Outdoor campfire; People gathered outside the airport; Old light aircraft stored inside the warehouse; Open position of the warehouse entrance door\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "267da945-43c8-48d1-9f0b-a682764e4be7", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_abandoned_airport/rounds/r001/cand_01.png", "sha256": "115d651e68d15cdef1b230d34c334f9228611475eed2970f5944cf728174b82f", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "항공기 보관용 격납고는 현실에 존재하며, 이 구조 설명에는 작품 고유의 미래형 건축 형태가 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "91fdd096f2acf509", "totals": { "A": 1417, "B": 1417 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "프롬프트에서 명시적으로 제외한 '열린 상태의 출입문'을 묘사하여 치명적인 오류가 발생했으나, 표지판 텍스트는 프롬프트에 더 부합함. ★위반: [gemini-pro] 명시적으로 제외된(EXCLUDED) '열린 상태의 격납고 출입문'이 묘사됨 / [gpt-high] 화면 왼쪽에 명세에 없는 별도의 공항 건물을 추가했습니다. / [gpt-high] 격납고 대문 중앙에 열린 통로를 남겨, 제외 대상으로 지정된 대문의 열린 상태를 묘사했습니다." }, { "label": "B", "score": 1417, "verdict_ko": "제외 대상인 '열린 상태의 출입문'을 그렸으며, 표지판에 요구하지 않은 영문 텍스트가 추가되어 감점됨. ★위반: [gemini-pro] 명시적으로 제외된(EXCLUDED) '열린 상태의 격납고 출입문'이 묘사됨 / [gpt-high] 화면 왼쪽에 구조 설명이 허용하지 않은 별도의 공항 건물을 추가했습니다. / [gpt-high] 격납고 대문 중앙을 열어 두어, 명시적으로 제외된 대문의 열린 상태를 묘사했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_collapsed_department_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_collapsed_department_store_sel.png", "seed_asset_id": "9411baa0-6efd-40c9-98ca-5ccb207fae76", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: An approach path leads toward the exterior of a vast, half-collapsed department store. Between the approach and the building opening, the exterior ground forms a vegetation-covered area directly adjoining the ruined building. Broad moss growth covers this exterior area, with irregularly distributed trees among the vegetation around the ruin. Keep the approach connected to the vegetated ground and preserve a continuous passage across it to a gap in the collapsed building. This gap is the exterior-to-interior connection, not a separate freestanding entrance. The half-collapsed building forms the backdrop to the vegetated exterior and contains the gap along its accessible edge. No particular upper-floor platform, stairway, or intact entrance facade is established.\n- Department store approach path: Leads toward the half-collapsed department store and joins the vegetated exterior ground adjoining the building.\n- Exterior ground adjoining the department store ruin: Directly adjoins the collapsed building exterior, connecting the approach path to the building gap and supporting the exterior moss and trees.\n- Broad exterior moss growth: Extends across the exterior ground between the approach path and the collapsed building, continuing among the irregularly distributed trees.\n- Irregular tree growth around the department store ruin: Distributed irregularly through the vegetated exterior adjoining the ruined building, interspersed with the broad moss growth rather than arranged in rows.\n- Half-collapsed department store: Stands at the destination of the approach path, directly adjoining the vegetated exterior ground; the accessible exterior edge contains the gap leading inside.\n- Exterior gap into the collapsed department store: Within the collapsed building edge facing the vegetated exterior ground, connecting that ground directly to the building interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 무너진 백화점 외부와 식생이 회복된 잔해 지대: 지진으로 반쯤 무너진 거대한 건물 표면을 정글처럼 짙은 이끼와 나무가 덮고 있는 구역.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 무너진 백화점 지상층과 붕괴 구멍 주변: 먼지가 쌓인 낡은 시설물 사이로 바닥이 뻥 뚫려 아득한 지하가 보이는 공간. / 무너진 백화점 지하 식품 코너와 푸드코트: 천장 구멍으로 빛이 스며드는 깊은 지하에 진열장이 그대로 보존된 상업 공간.\n\nTHE LOCATION: 65. 무너진 백화점 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Standing puddle water; Newly opened flowers; Birds and water deer; Hyunwoo and Subin with gas masks; Handheld radiation meter; Unidentified overlooking figure\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "364c619a-6dc0-4525-8d66-0ded1c4101f7", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_collapsed_department_store/rounds/r001/cand_08.png", "sha256": "18476838a5857a21fec3f1a3f84a276a1e704a44641b1e53cae935d2789e789a", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "일부가 붕괴된 백화점은 현실에서 촬영 가능한 건물 상태이며, 미래 배경만으로 작품 고유의 발명물이 되지는 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "7ca4500c2fca111e", "totals": { "A": 1550, "B": 1464 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1550, "verdict_ko": "레퍼런스 사진에서 볼 수 있는 중앙부의 불규칙하게 무너져 내린 분홍색 잔해와 구조물 형태를 매우 충실하게 재현했으며, 프롬프트가 요구한 진입로와 식생의 디테일도 훌륭하게 반영했습니다. ★위반: [gpt-high] 명시된 주변 요소가 아닌 여러 별도 도시 건물을 중앙 배경과 왼쪽 가장자리에 추가했다." }, { "label": "B", "score": 1464, "verdict_ko": "레퍼런스의 복잡하고 처참한 중앙 붕괴 형태 대신, 비교적 반듯하게 절단되어 수평을 유지하고 있는 층상 구조로 변형되어 레퍼런스의 형태적 디테일(Form Reference)을 다소 놓쳤습니다. ★위반: [gpt-high] 주변에는 명시된 영구 요소만 허용했는데, 백화점 뒤 상단의 고층 건물과 화면 양옆의 별도 도시 건물들을 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_research_complex": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_island_research_complex_sel.png", "seed_asset_id": "ae92432a-4956-46ca-9845-8c2d71d637c5", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of the research institute building, its rooftop park, and the exterior ground adjoining the building. The rooftop park lies directly above the building envelope and contains a lawn, a giant antenna, and speakers facing outward in all directions. For a coherent plan, place the antenna toward one end of the rooftop lawn and distribute the speakers around the antenna area, leaving the lawn continuous between the equipment and the rooftop access point at the opposite end. The rooftop access connects the park to the building interior. At ground level, the exterior entrance opens directly onto the adjoining exterior ground; circulation through the building connects this entrance to the rooftop access. The building envelope establishes the shared footprint beneath the rooftop and the vertical boundary beside the exterior ground. No dedicated helicopter landing facility is specified.\n- Research institute rooftop park lawn: Occupies the rooftop above the research institute building, extending between the antenna area and the rooftop access point.\n- Giant rooftop antenna: Stands within the rooftop park lawn toward the end opposite the rooftop access point, with the speaker array arranged around its area.\n- All-direction rooftop speaker array: Installed in the rooftop park around the giant antenna area, with speakers facing outward in all directions and adjoining the continuous rooftop lawn.\n- Rooftop park access point: Connects the building interior directly to the rooftop park at the end of the lawn opposite the giant antenna.\n- Research institute building envelope: Supports the rooftop park and defines the building footprint below it; its exterior faces adjoin the exterior ground, and its ground-level entrance connects that ground to the interior.\n- Research institute adjoining exterior ground: Directly adjoins the building exterior at ground level and continues up to the exterior entrance, providing an exterior access and camera-standing surface.\n- Research institute exterior entrance: Set into the building envelope at ground level, opening directly onto the adjoining exterior ground and connecting through the interior to the rooftop access.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 제주도 연구소 옥상과 안테나 구역: 잔디가 깔린 지붕 위로 거대한 통신탑과 스피커가 설치되어 폭격의 표적이 되는 곳. / 제주도 연구소 상공: 수많은 군용기와 기업 무장 헬기가 하늘을 뒤덮고 융단 폭격을 가하는 하늘. / 폭격당하는 제주도 연구소 외벽: 공습으로 인해 벽면이 무너져 내리는 와중에 폭발적인 섬광이 뿜어져 나오는 건물 외부.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 제주도 연구소 임시보호소 병실: 하얀 인테리어와 강한 조명, 창밖으로 푸른 바다가 보이는 눈부시게 깨끗한 방. / 제주도 연구소 복도와 자동문 앞: 첨단 보안 장치가 설치된 깔끔하고 미래지향적인 실내 통로. / 제주도 연구소 메인 연구센터: 거대한 스케일의 원자로 설비와 무성한 열대 식물원이 공존하는 웅장한 코어 공간. / 제주도 연구소 실험실과 유리벽 관찰 구역: 투명한 원통형 격벽 안에 수술대가 있고, 밖에서 이를 조작하는 첨단 분해 분석실. / 제주도 연구소 소장실: 매우 모던하고 깔끔한 인테리어 한가운데, 어울리지 않는 낡은 피아노가 놓인 방. / 제주도 연구소 식당: 다양한 사람들이 배식을 받기 위해 모인 밝고 윤택한 단체 식사 공간. / 제주도 연구소 통제실: 외부 드론 시야와 붉은색 경고 그래프가 동시다발적으로 뜨는 패닉 상태의 관제실. / 찰리의 부품 보관과 복원이 이루어지는 제주도 연구실: 전 세계 지도가 뜬 대형 화면 앞, 신성한 제단처럼 꾸며진 테이블 위에서 복구 작업이 진행되는 어두운 실험 공간.\n\nTHE LOCATION: 89. 교차. 제주도 해변가 + 연구실, 제주도 연구소 -D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Military aircraft and descending combat soldiers; UBIC armed helicopters and rooftop helicopter; Butterfly defense drones; Bombardment, gunfire, and projectile fragments; Attack-related building damage; Charlie's upward energy beam; Hyunwoo and Charlie's surviving torso; Wearable wireless receiver\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "489214a4-76c3-406b-9913-bff367cb922f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_island_research_complex/rounds/r001/cand_05.png", "sha256": "54e2130b6b1188efc2feb816caa092ecc59793bec58d548a81ce41637f5201c8", "fittings": [ { "target_native": "옥상 전방향 방송 스피커", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_island_research_complex/rounds/r001/cand_10.png", "sha256": "577d5ac3db9504a999dfc8e62778be19f5a0f2045b78ea0bc58fe5d474d3c489" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "옥상 전방향 방송 스피커는 실제 설치 사례가 있는 일반 설비이며, 네 방향을 향한 나팔형 스피커의 형태를 실물 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "8a16ea7d472f8d89", "totals": { "A": 1167, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1167, "verdict_ko": "단일 외곽선(shared footprint) 지침을 벗어나 우측에 옥상 공원이 없는 별도의 부속 건물을 임의로 생성하여 구조적 제약을 위반함. ★위반: [gemini-pro] 지시문에서 명시한 '단일 건물 외곽선(shared footprint beneath the rooftop)' 규칙을 위반하여 옥상 공원 영역을 벗어난 우측 부속 건물을 임의로 발명(Invented object/structure)함. / [gpt-high] 설명에 없는 옥상 둘레 난간과 지상 접근용 난간을 추가하여, 별도로 지정되지 않은 방문·접근용 시설을 가져오지 말라는 제한을 위반했다. / [gpt-high] 조경 정원·보행로·가로등·차량 도로와 여러 주변 건물을 임의로 추가하여, 명시적으로 지원된 영구 주변 요소만 허용한 조건을 위반했다." }, { "label": "B", "score": 1750, "verdict_ko": "건물의 단일 볼륨 및 옥상 공원의 구조적 지침을 완벽히 준수했으며, 제공된 폼 레퍼런스의 디테일(안테나 기단부, 스피커 형태)을 정확하게 반영함. ★위반: [gpt-high] 설명에 지정되지 않은 옥상 가장자리 난간을 전 둘레에 설치하여, 참조의 방문·관람용 난간을 가져오지 말라는 명시적 금지를 위반했다. / [gpt-high] 허용된 인접 외부 지면을 넘어 조경 화단·조명·도로와 다수의 주변 건물을 만들어, 명시적으로 뒷받침된 영구 요소만 두라는 주변 환경 제한을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_open_roof_truck": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_open_roof_truck_sel.png", "seed_asset_id": "c94c53e3-76a2-4f78-b4ae-95204318d3c2", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: This location group follows a mobile truck rather than a single fixed parcel. The only localized stationary setting that can anchor a site plan is the recess between rocks in scene 69. Represent it as a ground-level space bounded laterally by the surrounding rocks, without specifying its orientation, dimensions, or surface material. The road passages in scenes 63 and 71 have no established spatial connection to this recess; do not combine them, the Haenam road sign, the hill, or the distant laboratory into one invented site. No fixed cab or cargo-bed footprint is established within the recess.\n- Ground-level recess between rocks: The recess occupies the ground-level space between the surrounding rocks, which form its lateral boundaries. Its relationship to any road is unspecified.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 현우와 수빈이 사용하는 낡은 트럭 운전석: 지붕 덮개가 떨어져 나가 하늘이 개방된 오래된 트럭의 앞좌석. / 현우의 트럭 적재함: 이동 중 휴식을 취하기 위해 임시로 차양막을 쳐 놓은 화물 트럭 뒷공간.\n\nTHE LOCATION: 63. 도로 위, 트럭 안 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's truck and its cab; Truck cargo bed; Adjustable shade cloth; Resting occupants in the cargo bed; Charlie beside the shade cloth; Paper with a flower drawing; Truck radio; Mother's remembered image\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "b8fc7626-95bf-444f-8ee3-db5ddcacf84c", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_open_roof_truck/rounds/r001/cand_01.png", "sha256": "d8a526300fa3e1a8aab1c40f5d4553fee2380c344b8b5e5060e507c50bcfdaaa", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "지면 높이에서 바위들이 양옆을 둘러싼 공간은 실제 자연 지형이며, 미래라는 설정과 무관하게 실제 사진으로 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "928f380bd9c46ed1", "totals": { "A": 1583, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1583, "verdict_ko": "레퍼런스의 구도를 복사하지 말고 약간 높은 3/4 측면 뷰를 렌더링하라는 프롬프트의 명시적 지시를 위반하여 실패했습니다. ★위반: [gemini-pro] 카메라 시점 위반: '전체 형태를 보여주는 약간 높은 3/4 측면 구도' 지시를 무시하고 레퍼런스의 구도를 그대로 복사함" }, { "label": "B", "score": 1750, "verdict_ko": "레퍼런스의 구도를 복사하지 말고 약간 높은 3/4 측면 뷰를 렌더링하라는 프롬프트의 명시적 지시를 위반하여 실패했습니다. ★위반: [gemini-pro] 카메라 시점 위반: '전체 형태를 보여주는 약간 높은 3/4 측면 구도' 지시를 무시하고 레퍼런스의 구도를 그대로 복사함" } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_outdoor_reception": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_outdoor_reception_sel.png", "seed_asset_id": "eac29610-01b6-43a7-9e6e-9e2387ddd674", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site centers on an open clearing within the refugee settlement. Its central ground and perimeter form one continuous outdoor space, without a separate permanent reception structure. Along one edge, an open entrance joins the clearing directly to a vehicle-accessible approach through the settlement. Streetlights stand beside this approach and around its junction with the clearing, leaving sightlines between the clearing and the surrounding settlement. A settlement alley connects to the approach beside the clearing. A wall borders the alley and turns at an opening, creating a concealed side behind the corner and a view along the adjoining passage. For the site plan, organize the clearing, entrance and approach, and alley corner as three connected areas; the entrance is an opening in the clearing's edge, not a freestanding gate.\n- Refugee Settlement Open Clearing: The central outdoor ground of the site, adjoining the settlement approach through an open entrance along one edge.\n- Open Entrance to the Clearing: An unobstructed opening at the shared edge of the open clearing and the settlement approach, with no gate structure specified.\n- Vehicle-Accessible Settlement Approach: Directly adjoins the clearing entrance and continues into the settlement; its ground provides vehicle access and standing space beside the entrance. The settlement alley joins this approach beside the clearing.\n- Settlement Streetlights Beside the Clearing: Stand alongside the settlement approach and around its junction with the clearing, outside the open entrance and visible from the clearing's central ground.\n- Settlement Alley Beside the Clearing Approach: Branches from the settlement approach beside the clearing and continues past the wall corner into the settlement.\n- Alley Wall with Concealed Return: Borders the settlement alley and turns at a passage opening, placing the ground behind the return out of direct view from the adjoining passage.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 피로연장: 빈 공터에 천막을 치고 음악을 틀어놓은 조악한 파티장.\n\nTHE LOCATION: 25. 난민촌 + 피로연장 – 해질무렵\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Reception Canopy; Amber's Jukebox; Militia Truck; Reception Guests and Other Scene Participants; Additional Reception Lamps; Blackout, Relighting and Lamp Overload; Charlie's Chest-Ring Emission\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "2514cf22-7827-4931-974a-470803d0a04a", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_outdoor_reception/rounds/r001/cand_02.png", "sha256": "2958acb1d47b6280d614abfdd4c77c89adc44b2fde7bdbc7c338f22adf5ced91", "fittings": [ { "target_native": "야외용 임시 천막", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_outdoor_reception/rounds/r001/cand_06.png", "sha256": "cf2cf42b420606557670a23b85ec8f3bd3bc9ac18d3ccc99ec2e2046ee4ac8b4" }, { "target_native": "가로등", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_outdoor_reception/rounds/r001/cand_13.png", "sha256": "cc64dd0d48640d86fbfa8987c7da799f77128445bfe78fcf4c00a11bacff6a97" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "핵심 대상인 공터는 현실에 존재하는 보편적인 야외 공간이므로, 미래의 가상 정착지 전체가 아니라 실제 공터의 형태를 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "bc471e92821b5c2f", "totals": { "A": 1750, "B": 917 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "명시적으로 제외된 '피로연 천막(Reception Canopy)'이 프레임에 포함되어 제외 지침을 위반했습니다. ★위반: [gemini-pro] 명시적으로 제외된 객체(Reception Canopy) 포함 / [gpt-high] 제외 항목인 피로연 천막을 공터 중앙에 설치했습니다. / [gpt-high] 허용된 영구 시설이 아닌 회색 덮개로 감싼 임시 물체를 건물 옆에 추가했습니다." }, { "label": "B", "score": 917, "verdict_ko": "제외 대상인 천막이 포함되었으며, 천막 다리가 6개로 생성되는 구조적 오류까지 발생했습니다. ★위반: [gemini-pro] 명시적으로 제외된 객체(Reception Canopy) 포함 / [gemini-pro] 물리적으로 불가능한 구조 (다리가 6개인 천막) / [gpt-high] 제외 항목인 피로연 천막을 공터 중앙에 설치했습니다. / [gpt-high] 허용된 영구 시설이 아닌 회색 덮개로 감싼 임시 물체를 건물 옆에 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_refugee_dump": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_refugee_dump_sel.png", "seed_asset_id": "c7293dea-4a59-4086-b333-889f46e571b8", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is a refuse dump beside the access road inside the Incheon refugee settlement. For plan orientation, place the settlement entrance at the lower edge, with the access road passing through it and continuing toward the settlement at the upper left. The fixed refugee residential area sign is attached at this entrance. Place the dump on the right side of the road, directly connected to it by the dump's ground-level access area. This ground-level area lies between the road and the foot of an enormous refuse mound, providing a continuous approach along the mound's base. The mound rises on the far side of this area; its upper surface forms the elevated refuse zone. Keep the base and upper surface spatially connected along the mound's flank without adding a constructed stair or separate elevated platform. The road continues beyond the dump toward the wider settlement. Treat the refuse mound as the site's persistent landform, not as a fixed arrangement of individual discarded objects.\n- Refugee Settlement Entrance: At the lower edge of the plan, where the access road enters the refugee settlement; the dump lies beside the road beyond this entrance.\n- Refugee Residential Area Entrance Sign: Attached at the Refugee Settlement Entrance, directly associated with the road passage through that entrance.\n- Settlement Access Road Beside the Dump: Runs from the lower plan edge through the Refugee Settlement Entrance, borders the dump's ground-level access area on its right, and continues toward the settlement at the upper left.\n- Ground-Level Dump Access Area: Directly adjoins the Settlement Access Road Beside the Dump and extends to the foot of the enormous refuse mound, forming the continuous ground connection between road and mound base.\n- Enormous Refuse Mound: Occupies the right side of the dump beyond the Ground-Level Dump Access Area. Its foot borders that area, and its flank connects the base to the upper surface of the refuse zone.\n- Upper Surface of the Refuse Mound: Forms the top of the Enormous Refuse Mound, above the Ground-Level Dump Access Area and continuous with the mound's flanks.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 쓰레기장: 산처럼 거대하게 쌓인 폐기물과 고철 더미로 이루어진 구역.\n\nTHE LOCATION: 6. 인천 난민촌 도로 + 쓰레기장 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Dump Truck and Newly Discharged Refuse; Dented Robot Arm; Broken Jukebox and Internal Components; Horn-Shaped Speaker; Blanket, Tools, and LP Records; Charlie and the Disturbed Refuse Around Him; Charlie's Coat and Hat; Children and Passing Gang Members\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "5a1f6fc4-3b8e-4421-a2e4-e0f1602209f0", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_refugee_dump/rounds/r001/cand_01.png", "sha256": "78576b24444b364a018fb2e3629ff9049bee10d1a77be68b9ac6d084d5383e1a", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "거대한 쓰레기 더미는 현실의 적치 현장에서 촬영할 수 있으며, 미래 배경만으로 그 기본적인 퇴적 형태가 달라지는 대상은 아니다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "f0d832859361e2cc", "totals": { "A": 1250, "B": 1607 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "요구된 구도와 도로 및 쓰레기장의 배치를 정확히 구현했으며, 프롬프트에 명시된 '고철 더미'의 질감과 간판 텍스트를 충실히 반영했습니다. ★위반: [gpt-high] 왼쪽 먼 도로 가장자리에 사람 형상이 있어 사람이 전혀 없는 장면이라는 조건을 위반합니다. / [gpt-high] 허용된 영구 요소만 두라는 제한에도 불구하고, 명시되지 않은 전신주·배선과 길게 연장된 철판·철망 울타리 등 주변 시설을 추가했습니다. / [gpt-high] 왼쪽 전경에 별도로 세워 둔 드럼통을 추가해 활동 소품과 추가 주변 물체를 금지한 조건을 위반합니다." }, { "label": "B", "score": 1607, "verdict_ko": "전체적인 공간 배치와 간판의 텍스트는 훌륭하나, '고철 더미'보다는 흙과 일반 쓰레기 위주로 묘사되어 A에 비해 텍스트 세부 묘사가 약간 부족합니다. ★위반: [gpt-high] 허용된 영구 요소만 두라는 제한에도 불구하고, 명시되지 않은 전신주·배선과 입구에서 길게 연장된 철판·철망 울타리 등 주변 시설을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_refugee_gate": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_refugee_gate_sel.png", "seed_asset_id": "331ee13b-1a46-4cba-9a37-07f52e1d1493", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Organize the site around an entrance gate separating the exterior approach from the camp's internal street. The exterior approach roads connect directly to the gate threshold, with continuous ground access between the roadside and the entrance. A camp boundary joins both sides of the gate; its construction and extent remain unspecified. Inside the gate, the street continues into the camp, with shops along its edge and an alley leading between container homes. Hyunwoo's container home, identified by the number 7-31, opens directly onto this alley. Keep the entrance, internal street, and residential alley connected as a continuous circulation route rather than isolated settings. Fixed announcement speakers are distributed through the entrance and internal street area, and streetlights stand along the internal street. The exterior approach, gate threshold, and internal street with its adjoining residential alley form the three camera zones.\n- Camp entrance approach roads: Outside the camp boundary, the approach roads connect to the entrance gate threshold and provide the exterior circulation surface beside the entrance.\n- Camp entrance gate: Across the connection between the exterior approach and the internal camp street, with the camp boundary meeting its two sides.\n- Camp boundary adjoining the entrance: Extends from both sides of the camp entrance gate, separating the exterior approach from the internal street without interrupting the gate opening.\n- Camp gate passage surface: Occupies the opening beneath the camp entrance gate and directly joins the exterior approach surface to the internal street.\n- Internal camp street: Begins immediately inside the gate passage and continues alongside the camp shops, connecting to the alley between container homes.\n- Installed camp announcement speakers: Distributed along the internal street, including its entrance end adjoining the gate, with their fixed installation points kept outside the circulation route.\n- Internal camp streetlights: Stand along the edges of the internal camp street without blocking its connection to the entrance or container alley.\n- Camp street shops: Adjoin the internal camp street, with their entrances facing the street circulation surface.\n- Container homes flanking the residential alley: Occupy the sides of the residential alley connected to the internal street; the container home numbered 7-31 is part of this housing group.\n- Residential alley between container homes: Connects the internal camp street to the frontage of the container home numbered 7-31, passing between the surrounding container homes.\n- Doorway of container home numbered 7-31: Set in the alley-facing side of the container home numbered 7-31, directly adjoining the residential alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 입구와 철창문 앞: 통금을 알리는 방송 장비가 설치된 거대한 수용소 출입구 구역.\n\nTHE LOCATION: 11. 난민 수용서 전경 몽타주 – N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Entrance checkpoints; Surveillance drones; Body bag and Gu Do-hwan's body; Luxury sedan; Yoon Seong-chan's cane and handkerchief; Mud on the cane; Curfew announcement; Gate closure and camp blackout\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "6814503c-09dd-4802-8cde-b9215f891170", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_refugee_gate/rounds/r001/cand_01.png", "sha256": "c1b9a11359da86d76966222f44481b90aaa2c244b454e02f7836dc506dfb72aa", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "출입 대문은 현실에 존재하는 일반적인 구조물이며, 설명에 작품만의 고유한 미래형 외형이 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "7b1f28402a996c95", "totals": { "B": 1417, "A": 1321 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1417, "verdict_ko": "구조적 배치(특히 내부 도로와 분리된 컨테이너 사이의 골목)를 정확히 구현하여 프롬프트 지시사항을 잘 따랐습니다. ★위반: [gpt-high] 제외 항목인 출입문 폐쇄 상태를 묘사하여 외부 접근로에서 내부 거리로 이어지는 열린 통행을 막았다. / [gpt-high] 구조 설명에 없는 대형 다층 건물과 광범위한 수목·조경 환경을 추가하여 참고사진의 주변 환경까지 옮겼다. / [gpt-high] 허용된 영구 시설로 명시되지 않은 자판기와 벤치류를 상점 앞에 추가했다." }, { "label": "A", "score": 1321, "verdict_ko": "명시된 '컨테이너 사이의 골목' 없이 7-31 컨테이너가 메인 도로에 바로 접해 있어 공간 구조 요건을 충족하지 못했습니다. ★위반: [gemini-pro] 7-31 컨테이너가 요구된 '컨테이너 주택 사이의 거주지 골목'이 아닌 메인 도로에 직접 배치됨 / [gpt-high] 제외 항목인 출입문 폐쇄 상태를 묘사하여 외부 접근로와 내부 거리 사이의 실제 통행을 막았다. / [gpt-high] 구조 설명에 없는 배경 다층 건물과 광범위한 수목·조경 환경을 추가하여 허용되지 않은 주변 환경을 구성했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_refugee_market": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_refugee_market_sel.png", "seed_asset_id": "6d54c6c7-2c28-4a2b-b86c-5354ceb223d7", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site connects a container-side approach to a market street, a shop-lined market alley, and a narrower side alley. The container stands beside the approach, with its entrance opening directly onto that access space. The approach joins one end of the market street. The street continues into the market alley, maintaining a continuous pedestrian route through the site. A shop occupies the left edge of the market alley when viewed from the street, with its frontage and entrance directly adjoining the passage. Farther along, the narrower side alley branches from the right edge of the market alley. Keep the main market passage continuous beyond this junction, so the branch is distinct from the onward route. These relative positions establish the site-plan arrangement without specifying compass orientation, dimensions, construction materials, or additional buildings.\n- Residential container beside the market approach: Stands at the outer end of the container-side approach, which connects directly to the market street.\n- Residential container entrance: Located on the container face adjoining the container-side approach, providing direct access between the container interior and the approach.\n- Container-to-market access space: Directly adjoins the residential container entrance and connects to the near end of the market street.\n- Market street adjoining the container approach: Extends from the container-to-market access space into the market shop alley as one continuous pedestrian route.\n- Market shop alley: Continues from the market street, passes directly along the market-alley shop frontage, and continues beyond the narrower side-alley junction.\n- Shop along the left market-alley edge: Occupies the left side of the market shop alley when looking from the market street, before the narrower side-alley junction; its frontage directly adjoins the alley.\n- Alley-facing shop entrance: Set in the frontage of the shop along the left market-alley edge, opening directly onto the market shop alley.\n- Narrower branch alley: Branches from the right side of the market shop alley beyond the shop, as viewed from the market street; its mouth directly meets the main passage and its width is narrower than that passage.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 시장과 상점 골목: 물건을 파는 매대와 천막들이 복잡하게 얽혀 있는 좁고 혼잡한 시장통.\n\nTHE LOCATION: 20. 난민촌 일각 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Boxes in the market alley; Bananas offered at the shop; Market traders and pedestrian crowd; Market display stands and vendor tents; Loose merchandise and passage-side goods; Police, militia, and carried weapons\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "c8595e40-ebf6-4313-a733-44e6c3b39323", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_refugee_market/rounds/r001/cand_06.png", "sha256": "d937f6e12124d1b4e30e538f62c1345fefd308dfb583b81bbd8a7242c1bea6e0", "fittings": [ { "target_native": "주거용 컨테이너", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_refugee_market/rounds/r001/cand_08.png", "sha256": "d2cbec70a5ac6eef013ce4702d0cde0c7d8ae02b63b4feed3357373a61fbbae9" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "주거용 컨테이너는 대한민국에서 실제로 사용되는 주거 시설이며, 확인된 단층 형태를 실물 사진으로 조사할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "6b5a2aaa2592a286", "totals": { "A": 1500, "B": 1150 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1500, "verdict_ko": "레퍼런스의 컨테이너 형태와 디테일을 매우 정확하게 재현했으며, 지시된 진입로 및 골목길의 공간 배치와 인적이 없는 빈 거리의 조건을 완벽하게 충족합니다. ★위반: [gpt-high] 명시된 부지 요소 외에 왼쪽 뒤의 별도 금속 외장 건물군과 전신주·가공 전선망을 추가하여 주변 환경을 임의로 확장했습니다." }, { "label": "B", "score": 1150, "verdict_ko": "컨테이너 우측 출입구 상단의 지붕이 비스듬하게 꺾여 있어 레퍼런스의 직육면체 컨테이너 구조를 심각하게 왜곡한 점이 치명적입니다. ★위반: [gemini-pro] 지정된 구조물(컨테이너)의 우측 출입구 지붕이 사선으로 꺾여서 생성되어, 평평한 지붕을 가진 직육면체 레퍼런스 구조의 형태와 비례를 근본적으로 위반함 (물리적으로 변형/발명된 구조물) / [gpt-high] 명시된 부지 요소 외에 화면 왼쪽의 별도 다층 건물과 원경의 다층 건물군, 전신주·가공 전선망을 추가하여 주변 환경을 임의로 확장했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_roadside_service_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_roadside_service_station_sel.png", "seed_asset_id": "ab322096-550b-4b37-8cda-d1efdc3c511b", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a roadside vehicle access, a fueling forecourt, and a mart set farther inside the station grounds. For the site plan, place the adjoining road along the lower edge, the forecourt above it, and the mart along the inward edge of the forecourt, facing the road. An open vehicle approach directly joins the road to the forecourt. The fuel meter is located beside the vehicle standing area, with a continuous circulation route between that area and the road approach. The mart entrance opens onto a storefront access area contiguous with the forecourt, allowing direct pedestrian passage between the fueling area and the store. Keep the entrance visible from the forecourt and retain a view from the storefront toward the vehicle approach. These areas form one connected station site; the subsequent road pursuit and crash location are not part of its fixed layout.\n- Station fueling forecourt: Between the adjoining road and the inward-set mart, directly connected to the station vehicle approach and contiguous with the mart frontage access area.\n- Forecourt fuel meter: Within the station fueling forecourt, beside the vehicle standing area and clear of the continuous vehicle route to the road approach.\n- Inward-set station mart: Along the inward edge of the station fueling forecourt, with its entrance frontage facing across the forecourt toward the vehicle approach and adjoining road.\n- Forecourt-facing mart entrance: In the forecourt-facing side of the inward-set station mart, opening directly onto the mart frontage access area.\n- Mart frontage access area: Immediately outside the forecourt-facing mart entrance, adjoining the fueling forecourt without an intervening enclosure.\n- Adjoining station road: Along the outer edge of the station grounds, directly adjoining the station vehicle approach opposite the inward-set mart.\n- Station vehicle approach: Directly between the adjoining station road and the fueling forecourt, forming their continuous vehicle connection and remaining visible from the mart frontage.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 휴게소 주유장과 마트 앞: 국도변에 위치한 외딴 주유소의 급유 구역과 상점 출입구 앞.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 휴게소 마트 내부: 각종 상품이 진열된 선반 위로 천장이 뚫리고 물건이 쏟아지는 실내 난장판.\n\nTHE LOCATION: 49. 휴게소 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Camper and carried luggage; Changing fuel meter reading; People and mobile robot; Shotgun and gunfire debris; Hunting drone; Roadside trash mound; Overturned camper and smoke\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "8968becb-13e8-42be-86cc-3afa3145b574", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_roadside_service_station/rounds/r001/cand_01.png", "sha256": "65fbd4f32d388e78f7e4a602ae8d3d3e61e6f516b997cec89fae902967a943e3", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "주유소 주유장은 대한민국에 실제로 존재하는 일상적 시설이므로, 미래 연도를 붙이지 않고 실제 사진에서 기본 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "29df82a1931d3ccd", "totals": { "A": 1417, "B": 1321 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "참조 이미지의 형태(캐노피, 은색 기둥, 마트 외관)를 구조적으로 정확하게 구현했으며, 지시된 대로 완벽히 비어 있는 환경을 잘 연출했습니다. ★위반: [gpt-high] 단일 급유 계량기로 지정된 설비를 최소 다섯 대의 주유기로 중복하여 고정 배치를 확대했습니다. / [gpt-high] 급유장 뒤 왼쪽에 명시되지 않은 별도 부속 건물과 그 옥상 설비를 추가했습니다. / [gpt-high] 허용된 부지 요소에 없는 배경 담장과 오른쪽 난간 등 주변 시설을 추가했습니다." }, { "label": "B", "score": 1321, "verdict_ko": "주유 구역 중앙에 지시문과 참조에 없는 임의의 기둥이 추가되었고, 캐노피와 주유기 구조물의 형태가 다소 왜곡되었습니다. ★위반: [gemini-pro] 주유 구역 중앙 통행로에 참조 이미지와 지시문에 없는 어두운 기둥 구조물이 임의로 추가됨 (발명된 오브젝트/구조) / [gpt-high] 구조 설명에서 지정한 급유 계량기를 여러 주유기로 중복하여, 최소 여섯 대의 급유 설비와 복수 급유 위치로 확장했습니다. / [gpt-high] 명시된 영구 부지 요소만 허용했는데 배경 담장과 전신주·전선 등 별도의 주변 시설을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_ruined_village_square": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_ruined_village_square_sel.png", "seed_asset_id": "e716b949-d46e-4479-90bb-be052601519b", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Organize the Iksan hanok village around a village street that opens directly into a central clearing. The street, clearing, and outward vehicle approach form one continuous accessible route, without an intervening enclosure. Along the street, place the church-like building beside an exterior frontage accessible from the roadway. Its entrance faces this frontage, and the statue of Jesus with outstretched arms stands beside the entrance, readable against the building exterior. The tall tank-like tower occupies the opposite side of the street. At the clearing, place the food storehouse along the left edge, with its iron doorway opening toward the clearing. Place the abandoned warehouse along the far-right edge, with an exterior threshold overlooking the clearing and the lodging frontage below it. Keep the warehouse's view into the clearing unobstructed. The lodging building defines the nearer right edge of the clearing. These building frontages define the clearing's perimeter without requiring an added enclosing wall. Continue the vehicle approach outward from the far edge of the clearing toward the visible ridgeline, leaving the clearing connected to the village street at its near edge. Left, right, near, and far establish a consistent plan orientation rather than geographic bearings. Building damage, street and clearing surface materials, and exact dimensions are unspecified.\n- Village street connecting the church frontage and clearing: Run the street past the church exterior frontage and directly into the near edge of the central clearing, maintaining continuous vehicle access.\n- Tall tank-like village tower: Place the tower beside the village street, on the side opposite the church frontage, with its upper structure visible from the street.\n- Church-like village building: Set the building beside the village street, facing an exterior frontage that directly adjoins the roadway.\n- Church exterior frontage adjoining the street: Place this exterior ground between the church-like building and the village street, continuously connected to both the roadway and the building entrance.\n- Church entrance facing the village street: Locate the entrance in the church facade facing the exterior frontage, beside the statue of Jesus.\n- Jesus statue with outstretched arms: Place the statue beside the church entrance on the exterior frontage, with the church facade behind it when viewed from the street.\n- Village food storehouse: Set the food storehouse along the left edge of the central clearing, with its entrance facing the clearing.\n- Food storehouse iron doorway: Place the iron doorway in the clearing-facing storehouse facade, directly accessible from the clearing; retain exterior standing space immediately beside the opening.\n- Central village clearing: Place the clearing between the village street at its near edge and the outer vehicle approach at its far edge. Bound its left side with the food storehouse frontage and its right side with the lodging and abandoned warehouse frontages.\n- Village lodging building: Place the lodging building on the nearer right edge of the clearing, below and in sight of the abandoned warehouse exterior.\n- Lodging entrance adjoining the clearing: Locate the lodging entrance on its clearing-facing frontage, directly connected to the central clearing.\n- Abandoned warehouse overlooking the clearing: Place the abandoned warehouse along the far-right edge of the clearing, with its exterior frontage overlooking the lodging and an unobstructed view across the clearing.\n- Abandoned warehouse entrance and exterior threshold: Set the entrance on the warehouse side facing the clearing, with exterior standing space immediately outside and a continuous pedestrian connection to the clearing.\n- Outer village vehicle approach: Extend this route directly from the far edge of the central clearing outward toward the visible ridgeline. Keep it continuously connected to the clearing and village street, with accessible ground alongside the route.\n- Ridgeline beyond the village approach: Place the ridgeline beyond the outer end of the vehicle approach, visible from the central clearing in the direction of that approach; the route need not cross the ridge.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 한옥마을 거리와 공터: 황폐화된 전통 건축물 사이로 불길이 일고 낡은 공을 차는 흙바닥 넓은 터.\n\nTHE LOCATION: 57. 익산 마을 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Trucks, dump truck, and vehicle-mounted cages; Hahoe masks, crowds, and handheld weapons; Hahoe mask fitted to the Jesus statue; Water bottles and distribution activity; Food sacks and storehouse stock level; Old soccer ball; Navigation display; Bonfire and shared meal furnishings; Bird box and young birds; Vehicle headlights, helicopter, and searchlight; Overturned vehicles, explosion smoke, and robot remains\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "a02e9a93-3fec-46da-b9a1-f80c92abb8d9", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_ruined_village_square/rounds/r001/cand_03.png", "sha256": "ff5df7f5a6ce1657c5a6bd45a6c0529ed523f5c0e45b75d4144037dfabf1b7a3", "fittings": [ { "target_native": "하회탈", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_ruined_village_square/rounds/r001/cand_06.png", "sha256": "e33643bc5008fa07814e8f2114423288140b1e6c9dbdc0307bcf6718b1d6ccf5" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "마을 공터는 현실에서 촬영할 수 있는 일상적인 공간이며, 미래 배경이라고 해서 그 기본 형태가 창작물로 바뀌지는 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "ac3bdaa52e0bcced", "totals": { "A": 1750, "B": 917 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "교회 맞은편에 있어야 할 탑을 같은 방향에 배치하고 왼쪽 식량 창고의 철제 문을 오른쪽 건물에 렌더링하는 등 주요 레이아웃 지시를 위반했으나, B에 비해서는 불필요한 레퍼런스 요소 복사가 적습니다. ★위반: [gemini-pro] 탑을 교회 건물과 반대편이 아닌 같은 방향(거리 왼쪽)에 배치함 / [gemini-pro] 철제 문이 있는 식량 창고 건물을 공터 왼쪽 가장자리가 아닌 오른쪽 가장자리에 배치함 / [gemini-pro] 버려진 창고가 아래에 있는 숙소를 내려다보는 구조(overlooking)로 렌더링되지 않고 동일한 지면 높이에 배치됨 / [gpt-high] 급수탑이 교회와 같은 도로변에 있어, 교회 맞은편에 있어야 한다는 핵심 구조 배치를 위반했다. / [gpt-high] 구조 설명이 허용하지 않은 추가 배경 건물들과 전주·전선을 주변 요소로 도입했다." }, { "label": "B", "score": 917, "verdict_ko": "지정된 구조물들의 좌우 위치와 단차 지시를 모두 어겼을 뿐만 아니라, 레퍼런스 사진의 형태만 참고하라는 지시를 무시하고 배수로와 드럼통 등 주변 환경의 레이아웃까지 그대로 복사하여 감점되었습니다. ★위반: [gemini-pro] 탑을 교회와 반대편이 아닌 같은 방향(거리 왼쪽)에 배치함 / [gemini-pro] 철제 문이 달린 건물을 공터 왼쪽이 아닌 오른쪽 가장자리에 배치함 / [gemini-pro] 버려진 창고와 숙소 사이에 지시된 상하 단차(overlooking)가 반영되지 않음 / [gemini-pro] 형태만 참고하라는 지시를 위반하고 레퍼런스 사진의 배수로와 드럼통 레이아웃을 그대로 복사하여 배치함 / [gpt-high] 급수탑을 교회와 도로의 같은 쪽에 배치하여, 도로를 사이에 둔 맞은편 배치라는 핵심 구조 관계를 위반했다. / [gpt-high] 빈 장면에 금지된 활동 소품인 드럼통 2개와 판재를 추가했다. / [gpt-high] 형태만 참고해야 하는 사진의 배수로·콘크리트 벽과, 구조 설명에 없는 추가 건물·전력 시설을 주변 배치로 가져왔다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_seawall_construction": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_seawall_construction_sel.png", "seed_asset_id": "b2bbedaf-f3a0-45d8-a9d8-1e833de3bb1c", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The artificial seawall forms the dividing edge between the sea and the landward site. For the site plan, place the sea above the wall and the landward ground below it; this is a drawing convention, not a compass orientation. The seawall has visible structural cracks, with supports adjoining its landward face. A continuous wall-foot strip provides access along the wall and around the supports. Identify a cracked wall section within this strip's frontage for close views, retaining the adjoining wall and supports as connected structures. The open ground associated with the repair site extends outward from the wall-foot strip, allowing views back toward the seawall from its outer side. Along one lateral edge of this ground, a roadside strip runs beside the seawall and connects directly to the open ground through a vehicle-access opening. The roadside strip is the fixed spatial setting of the outdoor gathering area described in scene 13; it is not a separate enclosed building. Movement between the roadside strip, open ground, and wall foot requires no passage through the seawall. The sea directly adjoins the opposite face of the seawall.\n- Artificial seawall with structural cracks: Forms the continuous division between the sea on its seaward side and the wall-foot strip on its landward side, with the open ground extending farther landward.\n- Seawall structural supports: Adjoin the seawall's landward face within the wall-foot strip, beside the cracked wall frontage.\n- Cracked seawall frontage beside the supports: A section of the artificial seawall facing the open ground, directly accessible from the wall-foot strip and adjoining the frontage occupied by the structural supports; it remains part of the wall rather than a detached fragment.\n- Landward access strip along the seawall: Directly borders the landward wall face and its supports, joining the open ground along its outer edge and the roadside strip at one lateral end.\n- Sea adjoining the artificial seawall: Directly adjoins the seawall's seaward face, opposite the wall-foot strip, open ground, and roadside strip.\n- Open landward ground outside the seawall: Extends landward from the wall-foot strip and meets the seawall-side roadside strip along one lateral edge; its outer portion has an unobstructed spatial relationship to the wall frontage.\n- Vehicle access between the roadside and open ground: Occupies the shared edge between the roadside strip and the open landward ground, providing a continuous vehicle-access surface without crossing the wall-foot strip or seawall.\n- Roadside ground immediately beside the seawall: Runs beside the seawall at one lateral end of the wall-foot strip and open ground, connecting directly to both on the landward side.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 인공제방과 공사장: 바다를 막고 있으나 곳곳에 심한 균열이 간 거대한 콘크리트 장벽과 그 앞의 작업 구역. / 폭발로 붕괴하는 인천 난민촌 인공제방: 벽면에 부착된 폭발물들로 인해 상단부가 터져나가고 바닷물이 유입되는 재난 현장. / 인공제방 공사장 지게차 운전석: 야외 공사장에 있는 소형 화물 운반용 지게차의 조종석.\n\nTHE LOCATION: 7. 인공제방 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Forklift and its operator compartment; Military truck; Construction materials, carried loads, and collected stones; Puddle water and wet ground conditions; Water leaking through the wall and over its supports; Burning metal barrel and barbecue grill; Handheld weapons and exchanged banknotes; Portable siren and loudspeaker; Explosive drones, wall collapse, fire, smoke, and incoming floodwater\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "71e3a590-6257-4514-897c-244e05aac548", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_seawall_construction/rounds/r001/cand_06.png", "sha256": "514fd920bb914dcb9743ad989fd4cba6ec7125d722893b45ace9c0cf97bb1d55", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "방조벽은 현실의 한국 해안에서 관찰하고 촬영할 수 있는 구조물이며, 미래 배경만으로 창작물 고유의 시설이 되지는 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "b2eb3a1541ab7fed", "totals": { "A": 1750, "B": 988 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "참조 이미지의 단일 경사면 형태, 흙바닥 기단부, 그리고 내륙 쪽으로 이어진 지지 기둥의 위치를 충실히 구현하여 지시사항을 잘 따랐습니다. ★위반: [gpt-high] 참조의 주변 대형 건물과 고가 소형실을 현장 구성으로 복제해, 설명에 없는 별도 건축물을 추가했습니다. / [gpt-high] 허용되지 않은 계단과 난간, 울타리, 전주·전선, 해측 소파블록 및 주변 식재를 추가했습니다." }, { "label": "B", "score": 988, "verdict_ko": "방파제 경사면을 중간이 꺾인 형태로 변형하고, 기단부에 참조에 없는 콘크리트 보도를 임의로 추가하여 형태 참조 지시를 위반했습니다. ★위반: [gpt-high] 형태만 취해야 하는 참조에서 주변 대형 건물과 고가 소형실을 가져와, 허용되지 않은 별도 건축물을 현장에 추가했습니다. / [gpt-high] 명시되지 않은 계단과 난간, 울타리, 전주·전선, 해측 소파블록 및 주변 식재를 추가해 영구 주변 요소 제한을 위반했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_sewer_and_manhole": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_sewer_and_manhole_sel.png", "seed_asset_id": "2b4b407b-73bc-405e-8265-11c6b8d30ef7", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a continuous stretch of refugee-settlement road with a manhole opening set within the roadway. The manhole surround is part of the same road surface, not a separate enclosure or off-road access area. The road extends away from the opening in both directions, forming an uninterrupted corridor. Fixed streetlights stand along the road margins and follow this corridor. Camera areas comprise the roadway immediately around the manhole and the adjoining road corridor, including its edges. The streetlights remain outside the road's vehicle passage. No separate alley, surrounding building layout, or road junction is established.\n- Roadway manhole opening: Set within the road surface in the manhole surround, directly contiguous with the adjoining road corridor.\n- Refugee-settlement road: Contains the roadway manhole opening and continues away from its surround in both directions; its margins border the streetlight locations.\n- Roadside streetlight fixtures: Distributed along the margins of the refugee-settlement road, following the adjoining road corridor and standing outside its vehicle passage.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 도로와 맨홀 주변: 아스팔트 포장도로 위에 하수도로 통하는 철제 뚜껑이 있는 곳.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 인천 난민촌 지하 하수도: 지상에서 맨홀과 사다리를 통해 내려오는 습하고 좁은 지하 콘크리트 통로. / 바닷물에 침수된 인천 난민촌 지하 하수도: 제방 붕괴로 인해 바닷물이 좁은 터널을 가득 메우며 밀려들어오는 상태.\n\nTHE LOCATION: 27. 난민촌 거리 일각 – N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Movable manhole cover; Intermittent streetlight illumination; Vehicle and headlight illumination; Small bird\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "df5d309b-9896-4f30-a671-a5a337b8e5f2", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_sewer_and_manhole/rounds/r001/cand_01.png", "sha256": "d395a854d829f1533df4327ff68ef9d378ab6f65da3c657a28105a8e1be7f5cd", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "도로의 맨홀 입구는 현실에서 관찰하고 촬영할 수 있는 일반 시설이며, 미래 배경만으로 고유한 외형이 새로 정해지는 대상이 아니다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "232105500360be93", "totals": { "A": 1750, "B": 1417 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "명시적으로 제외하도록 지시된 이동식 맨홀 뚜껑을 제거하지 않아 지시를 위반했습니다. ★위반: [gemini-pro] 프롬프트에서 '절대 묘사하지 말 것(never depict)'으로 명시된 이동식 맨홀 뚜껑(Movable manhole cover)이 화면에 포함됨 / [gpt-high] 명시적으로 제외된 이동식 맨홀 뚜껑을 개구부 뒤에 배치했습니다. / [gpt-high] 구조 설명에 없는 두 번째 맨홀을 후경 차도에 추가했습니다. / [gpt-high] 허용된 영구 시설에 포함되지 않은 양측 담장·별도 보도·녹색 문 또는 패널을 추가했습니다." }, { "label": "B", "score": 1417, "verdict_ko": "명시적으로 제외하도록 지시된 이동식 맨홀 뚜껑을 제거하지 않아 지시를 위반했습니다. ★위반: [gemini-pro] 프롬프트에서 '절대 묘사하지 말 것(never depict)'으로 명시된 이동식 맨홀 뚜껑(Movable manhole cover)이 화면에 포함됨 / [gpt-high] 명시적으로 제외된 이동식 맨홀 뚜껑을 개구부 뒤에 배치했습니다. / [gpt-high] 구조 설명에 없는 두 번째 맨홀을 후경 차도에 추가했습니다. / [gpt-high] 허용된 영구 시설에 포함되지 않은 담장과 별도 보도를 주변에 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_shanty_flood": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_shanty_flood_sel.png", "seed_asset_id": "79aa97f9-0142-4127-b62e-63daa2c92a68", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site comprises the exterior ground of a refugee settlement and an adjoining protective embankment. Place the embankment along one edge of the settlement, with the residential shelter area on its landward side. A continuous pedestrian access space lies between the shelter fronts and connects their entrances to the open ground at the edge of the shelter cluster. The embankment forms the outer spatial reference; the shelter fronts and their access space form the settlement interior. Shelter structures and pedestrian access are minimum functional inferences, not confirmation of shack construction or container housing. No permanent shoreline position, embankment breach, or destruction pattern is specified.\n- Refugee settlement exterior ground: Occupies the landward side of the protective embankment and contains the residential shelter cluster and its connected pedestrian access space.\n- Settlement protective embankment: Runs along the outer edge of the refugee settlement exterior ground, with the residential shelter cluster on its landward side; its profile is not defined by an event-specific breach.\n- Refugee residential shelter cluster: Sits within the settlement exterior ground on the landward side of the protective embankment, with shelter entrances adjoining the connected pedestrian access space.\n- Shelter frontage pedestrian access: Extends between the residential shelter fronts, directly meets their entrances, and opens onto the settlement ground at the edge of the shelter cluster.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 해일이 덮치는 인천 난민촌 판잣집 구역: 거대한 바닷물 장벽이 허술한 주거지구 구조물들을 쓸어버리는 재난 순간.\n\nTHE LOCATION: 35. 난민촌- N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Incoming seawater and tsunami; Fleeing residents; Embankment collapse; Ground tremor; Emergency siren sound; Floating shack and container fragments\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "8cda792f-d745-448f-9fc3-6b042584667d", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_shanty_flood/rounds/r001/cand_03.png", "sha256": "1f4eb9679f028937d0f1ec77d833b376907cfb0d8657fdbe1e87aae972d57a5e", "fittings": [ { "target_native": "바닷물을 막는 둑", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_shanty_flood/rounds/r001/cand_07.png", "sha256": "ea825a1d1ba15ce1540a66ae708710b5ba461233b17155ab261c8531da5929eb" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "바닷물을 막는 방조제는 한국 해안에 실재하는 구조물이며, 확인된 일반적인 축조 형태를 실제 사진으로 참조할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "be6d83f32be4a8fe", "totals": { "A": 1750, "B": 1214 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "지시된 제외 요소(쓰나미, 사람들)를 정확히 배제하고 정적이고 빈 풍경을 잘 구현했으며, 방조제의 재질과 형태가 레퍼런스와 매우 일치합니다. ★위반: [gpt-high] 지정되지 않은 넓은 수역과 고정된 물가, 원경 도시를 추가하여 참조의 주변 환경을 가져오지 말라는 제한을 위반한다. / [gpt-high] 구조 설명에 없는 여러 전신주와 수중 말뚝 군집을 영구 부지 시설로 추가했다." }, { "label": "B", "score": 1214, "verdict_ko": "빈 풍경 지시는 잘 따랐으나, 방조제 콘크리트 벽면에 레퍼런스에 없는 수직 패턴이 나타나 형태 재현도가 떨어집니다. ★위반: [gpt-high] 구조 설명이 지정하지 않은 대규모 수역과 고정된 물가, 수목 섬, 원경 도시를 추가했다. 참조에서는 형태만 취하고 주변 환경은 가져오지 말라는 명시적 제한을 위반한다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_swamp_vehicle_trap": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_swamp_vehicle_trap_sel.png", "seed_asset_id": "35daf1c0-9bf7-43b6-88f5-bd8ce48ceb64", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of the Iksan swamp and its adjoining ground margin. The swamp occupies the main expanse of the plan, with the margin along one side providing continuous ground-level access beside it. A radiation-area sign and a separate no-entry sign stand together at this margin, directly beside the swamp rather than within a separate enclosure. Orient their message-bearing faces toward the adjoining margin. The radiation-area sign is corroded and its marking is no longer identifiable. Keep the terrain beside the signs continuous with the wider swamp so views from the margin can include both the warning markers and the swamp beyond. The forest path and forest trap location are outside this site's layout.\n- Ground margin adjoining the Iksan swamp: Runs along one side of the swamp terrain and directly adjoins it; the paired warning signs stand at this margin.\n- Corroded radiation-area sign: Stands at the swamp margin beside the no-entry sign, with its message-bearing face toward the adjoining margin; its radiation-area marking is obscured by corrosion.\n- Swamp no-entry sign: Stands beside the corroded radiation-area sign at the same swamp margin, facing the adjoining margin.\n- Iksan swamp terrain: Extends outward from the ground margin and forms the site's main continuous expanse; the paired warning signs sit along its edge.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 늪지대의 캠핑카 고립 지점: 차량 바퀴가 푹 빠지는 질척한 뻘과 낡은 경고판이 꽂혀 있는 지대.\n\nTHE LOCATION: 56. 익산 어느 늪지대 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's vehicle; Large shoeprint; Wood sought for freeing the vehicle; Vehicle occupants and militia personnel; Crows around the radiation-area sign\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "869b2728-2b4b-4e75-b4bf-6f0748a25753", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_swamp_vehicle_trap/rounds/r001/cand_03.png", "sha256": "440f6a8f5757fedb17904ac29cb236b063946c35254e11887beaab7b003e807f", "fittings": [ { "target_native": "방사능 구역 경고 표지", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_swamp_vehicle_trap/rounds/r001/cand_09.png", "sha256": "449efe70bdce569948997a76e5f9e1c3d71f9833ad3315b12686979ade364d99" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "주된 대상인 늪은 현실에 존재하는 자연 지형이며, 미래를 배경으로 하더라도 실제 늪 사진으로 기본 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "9da5616879704848", "totals": { "A": 1889, "B": 1714 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1889, "verdict_ko": "지시된 늪지대와 가장자리의 지형, 두 표지판의 배치 및 '출입금지' 텍스트가 레퍼런스의 구조에 맞게 정확히 구현되었습니다." }, { "label": "B", "score": 1714, "verdict_ko": "전반적인 환경과 표지판 배치는 훌륭하나, '출입금지' 텍스트의 형태가 약간 왜곡되어 디테일이 부족합니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_unstaffed_shop": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_unstaffed_shop_sel.png", "seed_asset_id": "7bd64ce2-2bcb-4046-adef-f7b03b116747", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a street at the outskirts of the refugee settlement and an unstaffed shop on its opposite side. The street forms the continuous route toward the urban area. Use the street side opposite the shop as the near side of the plan, with the shop frontage across the roadway on the far side. The shop building borders a pedestrian access surface connected directly to the street edge; its entrance opens onto this surface and faces the street. Keep the street-side camera area and the shop frontage mutually visible across the roadway. The refugee settlement and urban area establish the directions along the route, not additional mapped structures within this site.\n- Street outside the refugee settlement: Extends through the site toward the urban area, separating the near-side street camera area from the unstaffed shop frontage on the opposite side.\n- Unstaffed shop building: Stands across the street from the near-side street camera area, with its street-facing frontage adjoining the shop pedestrian access surface.\n- Street-facing unstaffed shop entrance: Set in the street-facing frontage of the unstaffed shop building and connected directly to the shop pedestrian access surface.\n- Shop pedestrian access surface: Adjoins the shop's street-facing frontage and entrance, connecting them directly to the shop-side edge of the street without an intervening disconnected space.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 외곽 도로와 무인점포 앞: 난민 구역을 벗어난 도심 경계의 텅 빈 거리와 상점 입구.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 무인점포 내부: 주인이 없으나 물건과 장비가 그대로 남아 있는 상점 내부.\n\nTHE LOCATION: 3. 도로 위 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Dump truck and scrap-metal load; Hyeon-u, Amber, Charlie, and citizens; Absence of police\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "c3112dfd-779c-40b6-8845-436bbe666f36", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_unstaffed_shop/rounds/r001/cand_01.png", "sha256": "eca85d5ad44edae496cbf17b687727746878aaa12a39a67113e09722293a8d12", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "동네 가게 건물은 현실에 존재하며, 작품만의 미래형 구조가 지정되지 않아 한국의 일상적인 실제 건물 사진으로 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "da22956d6a0c35e2", "totals": { "A": 1250, "B": 1464 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "레퍼런스의 건축 구조와 간판, 진열 상태를 매우 정확하게 재현했으며, 지침에 따라 인물과 임시 적치물(주차 콘)을 완벽히 제거했습니다. ★위반: [gpt-high] 제외해야 할 일시적 활동 소품인 야외 상품 상자·식품 진열대·이동식 입간판·화분을 다수 배치했습니다. / [gpt-high] 구조 설명에 없는 별도 꽃집과 교회 표지를 포함한 인접 업소 구성을 참고 사진에서 가져왔습니다. / [gpt-high] 추가로 지도화하지 말라고 한 주변 지역을 저층 주택과 여러 아파트 동으로 시각화하고, 미지정 골목과 담장도 추가했습니다." }, { "label": "B", "score": 1464, "verdict_ko": "전반적인 형태는 잘 구현했으나 레퍼런스에 없는 에어컨 실외기를 좌측 벽면에 임의로 추가하였고, 세부 텍스트 재현도가 상대적으로 떨어집니다. ★위반: [gpt-high] 제외해야 할 일시적 활동 소품인 야외 상품 상자·식품 진열대·이동식 입간판·화분을 다수 배치했습니다. / [gpt-high] 구조 설명에 없는 별도 꽃집과 교회 표지를 포함한 인접 업소 구성을 참고 사진에서 가져왔습니다. / [gpt-high] 주변에는 명시적으로 지원되는 영구 요소만 허용했는데 왼쪽 골목과 담장 등 별도의 주변 공간을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_village_church_arena": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/background_chain/seed_bg_village_church_arena_sel.png", "seed_asset_id": "7cc6d446-071f-4801-886a-a504b66fe88c", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069, primarily Korean-speaking; non-refugee locals are Korean unless otherwise stated, while refugee communities are multiethnic and multinational.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site centers on an outdoor arena in front of a church, within a hanok village. For the plan, place the church along the upper side and the arena directly in front of it. The church entrance connects to the arena-side forecourt. Keep the arena floor continuous and open, with a ground-level lift opening connecting to the underground enclosure below. Place this opening toward one end of the arena, leaving an unobstructed expanse across the floor. Spectator seating occupies the lateral perimeter and faces inward; its exact construction and outline are unspecified. Outside one lateral seating edge, retain an open connection to the water-tank area. The large water tank and its supporting tower occupy this adjoining area, with walls beside the surrounding ground rather than across the connection to the arena. Place the ridge beyond the central village spaces, with the hanok village extending between the church-and-arena core and the ridge. These relative plan positions establish a coherent layout without prescribing compass orientation or distances. The tank, seating and arena opening are fixed site structures; their event-dependent conditions are not part of this base layout.\n- Village church: Along the upper side of the plan, with its front facing the arena across the church forecourt.\n- Church forecourt entrance: In the church frontage, opening onto the forecourt adjoining the arena.\n- Church-front arena ground: Directly in front of the church, between the church forecourt and the inward-facing spectator perimeter.\n- Arena ground lift opening: Within one end of the arena floor, directly above the underground enclosure and opening onto the continuous arena ground.\n- Arena perimeter spectator seating: Along the lateral edges of the arena, facing the open floor, with the water-tank surroundings outside one lateral edge.\n- Village water tank and support tower: In the water-tank surroundings outside the arena's lateral spectator perimeter, adjoining accessible ground at the tower base.\n- Water-tank surrounding ground: Around the water-tank tower base, connected to the arena perimeter by an unobstructed ground-level passage.\n- Walls beside the water-tank ground: Beside the ground surrounding the water tank, leaving the connection from the arena perimeter open.\n- Ridge beyond the village center: Beyond the church-and-arena core and the intervening hanok village, forming a separate exterior ground zone at the outer side of the site plan.\n- Hanok village building group: Around the central church-and-arena spaces and extending toward the village ridge, without prescribing individual building footprints.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 마을 성당 외부: 파괴된 서양식 종교 건물 외벽과 기괴하게 장식된 동상 앞 구역. / 익산 마을 성당 앞 격투장과 관중석: 원형의 넓은 흙바닥 투기장과 이를 내려다보는 폭발 현장.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 익산 마을 성당 예배당과 단상: 스테인드글라스 빛이 들어오며 무장 병력과 화려한 권좌가 배치된 장엄하고 기괴한 실내.\n\nTHE LOCATION: 60. 찰리 감옥 + 격투장 + 현우 감옥 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Moving cage and cage door; Arena torches; Charlie and the modified B-200; Spectators, soldiers and mercenaries; Mortar explosions, smoke and airborne dust; Water-tank collapse and released water; Baeksan's broken gold mask and wet clothing; Sunset illumination\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "3a61c5b3-ef65-4410-9972-c827a64b7e20", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_village_church_arena/rounds/r001/cand_04.png", "sha256": "f105075e0a39f09a2b2a8af513ede1346d63d88ee0aa2d082f7c082dd5d24b18", "fittings": [ { "target_native": "급수탑", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/8f8a58f6-cc7d-4143-940a-1c9c6ab707f7/images/a28fb896-b811-463c-8bcc-ba732968bd7c/structure_form_refs/bg_village_church_arena/rounds/r001/cand_10.png", "sha256": "b39a36a1f104de4c90ad08fa8a336b6dbcd4ade857a00f0a136b2aab43325fb4" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "급수탑은 실재하는 고정 시설이며, 확인된 국내 철도 급수탑의 기본 형태를 실물 사진으로 조사할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "a2d397f86dd90ff0", "totals": { "A": 1750, "B": 1050 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "제시된 공간 배치를 완벽하게 구현했으며, 특히 레퍼런스 이미지의 급수탑과 지면과 평행한 리프트 덮개의 형태를 연속적인 투기장 바닥 위에 매우 충실하게 재현했습니다. ★위반: [gpt-high] 거의 연속된 계단식 관중석이 경기장과 물탱크 밑 지면을 분리해, 요구된 장애물 없는 지상 연결 통로가 없다." }, { "label": "B", "score": 1050, "verdict_ko": "투기장 바닥의 리프트 덮개를 돌출된 단 위에 배치하여 '지면 높이의 연속적인 바닥'이라는 프롬프트 지시와 레퍼런스의 형태를 어겼으며, 성당 앞마당의 단차가 과도하게 높게 설정되었습니다. ★위반: [gpt-high] 경기장과 물탱크 주변 지면 사이를 계단식 관중석이 가로막아, 명시된 장애물 없는 지상 연결 통로가 구현되지 않았다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "a5b3a6a4-5193-442b-8e39-4130b27d859a", "resolved_model": "gemini-image", "updated_at": "2026-09-19T00:03:35.907353+00:00", "project_config_snapshot": {} }