layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).
S1sh5, S1sh10
SHOT 10 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - Sea water: at the near center of the frame. - Submerged refuse pile: at the far center of the frame. FIGURES: - 찰리: at the near center of the frame — NEAREST figure to the camera.
SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - Sea water: at the near center of the frame. - Submerged refuse pile: at the far center of the frame. FIGURES: - 찰리: at the near center of the frame — NEAREST figure to the camera. - 물고기: at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.95x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 물고기 is farther than 찰리 and must read visibly smaller and deeper in the frame.
a25d604939b70348→3e30ce6b00b9667bPhotorealistic cinematic still. Seen from beside the approach axis and looking slightly downward, a touching snout and fingertip are centered. A single mechanical robot finger of C01O01 in sand-beige armor, a gorilla-like mechanical adult figure, protrudes upward from the heavy layer of underwater debris at the lower center. The entirety of the robot's body and face remains completely buried beneath the refuse outside the frame, leaving only the metallic fingertip visible. A fish in left profile is already partway in from the right edge at the near center of the frame, slightly deeper in the frame and visibly smaller than the nearer figure, looking down, its snout touching the exposed fingertip. Subdued blue underwater illumination lights the murky aquatic environment, preserving the precise contours of the delicate contact against [: a dense accumulation of discarded refuse] at the frame edges.
S2sh6
SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - The sea: at the near left side of the frame. - Collection vessel deck: at the mid-distance right side of the frame. FIGURES: - 찰리: at the near center of the frame — NEAREST figure to the camera.
S4sh5
SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the street (path): runs from the far right side of the frame to the far center of the frame. - upscale house across the street: at the far right side of the frame. FIGURES: - 페드로: at the near left side of the frame — NEAREST figure to the camera. - 이현우: at the mid-distance left side of the frame; about 1.4x as far from the camera as the nearest figure, so they must appear roughly 0.71x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 이현우 is farther than 페드로 and must read visibly smaller and deeper in the frame.
S5sh42, S5sh62, S5sh68
SHOT 42 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - House: at the far center of the frame. - Living-room window (path): runs from the mid-distance left side of the frame to the mid-distance right side of the frame. - Front door (path): runs from the far right side of the frame to the far right side of the frame. - Boundary wall (path): runs from the far left side of the frame to the far left side of the frame. - Road beside the house (path): runs from the far right side of the frame to the far left side of the frame. FIGURES: - 젊은 여자 모습의 로봇: at the near center of the frame — NEAREST figure to the camera. - 셰퍼드: at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.78x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 셰퍼드 is farther than 젊은 여자 모습의 로봇 and must read visibly smaller and deeper in the frame.
SHOT 62 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - House: at the far center of the frame. - Living-room window (path): runs from the mid-distance left side of the frame to the mid-distance center of the frame. - Front door (path): runs from the mid-distance right side of the frame to the mid-distance right side of the frame. - Boundary wall (path): runs from the mid-distance left side of the frame to the far left side of the frame. - Road beside the house (path): runs from the mid-distance left side of the frame to the far right side of the frame. FIGURES: - 경찰: at the near left side of the frame — NEAREST figure to the camera. - 이현우: at the mid-distance center of the frame; about 1.6x as far from the camera as the nearest figure, so they must appear roughly 0.64x the nearest figure's height (smaller, deeper in the frame). - 경찰: at the mid-distance right side of the frame; about 1.6x as far from the camera as the nearest figure, so they must appear roughly 0.62x the nearest figure's height (smaller, deeper in the frame). - 경찰: at the mid-distance left side of the frame; about 1.8x as far from the camera as the nearest figure, so they must appear roughly 0.57x the nearest figure's height (smaller, deeper in the frame). - 경찰: at the mid-distance center of the frame; about 2.1x as far from the camera as the nearest figure, so they must appear roughly 0.48x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 경찰 is farther than 경찰 and must read visibly smaller and deeper in the frame.
SHOT 68 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - House: at the far center of the frame. - Living-room window (path): runs from the far center of the frame to the far center of the frame. - Front door (path): runs from the far right side of the frame to the far right side of the frame. - Boundary wall (path): runs from the far left side of the frame to the far left side of the frame. - Road beside the house (path): runs from the far right side of the frame to the far left side of the frame. FIGURES: - 경찰: at the near right side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the Road beside the house; NOT heading into the House. - 이현우: at the near right side of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.89x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the Road beside the house; NOT heading into the House. - 경찰: at the mid-distance right side of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.79x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the Road beside the house; NOT heading into the House. DEPTH CONTRACT: 경찰 is farther than 경찰 and must read visibly smaller and deeper in the frame.
5dd170ba818047b7→23b39567b9315291Photorealistic cinematic still. Observed from just above floor level with a slight downward angle, a close frame isolates the head of an unconscious young Asian woman in a neat dress with black hair in the lower center, and the muzzle of a black and tan German Shepherd positioned at mid-distance in the center, deeper in the frame and visibly smaller than the woman. The woman, at a three-quarter angle from the right, lies limp on the [: smooth living-room floor], her natural human face forced sideways, positioned as the receiver of the force, her rolled eyes looking up unresponsively. The dog, in left profile, acts as the initiator of the action, looking down intently, its long snout and jaws firmly pulling the torn artificial covering of the woman's face toward itself. The forceful bite exposes the precise metal mechanical skull beneath the ripped synthetic skin, maintaining the head's structural connection to the neck without decapitation. A partial slice of the woman's shoulder remains visible at the frame edge for scale. Behind the shared floor, a small oblique edge of the [: open living-room window area] is retained in the shallow background. Controlled daytime ambient illumination reveals the torn artificial covering and exposed metal precisely without adding sensational color effects.
c34c634d629acd84→65ae4d45e42b7081Photorealistic cinematic still. Seen from an elevated oblique angle looking down, the wide frame captures the exterior house frontage bathed in restrained subdued daylight with controlled contrast. At the mid-distance center of the frame, deeper in the frame and visibly smaller at roughly 0.64 times the first officer's apparent height, C03O04 in a worn casual shirt, an East Asian late-teen male with short black messy hair showing minor signs of dishevelment, stands at a three-quarter angle from the left. He is checking his forward momentum after a landing, his full body visible, looking off-screen toward the left edge. Distributing the space, two Asian men in standard tactical law enforcement uniforms surround him, their raised gun barrels converging inward along diagonal lines. In the near foreground, on the left side of the frame, seen past the shoulder, the first officer braces his stance, gazing into the distance. On the mid-distance left side, deeper in the frame and visibly smaller at roughly 0.57 times the first officer's apparent height, in left profile, the second officer keeps his weight over his forward foot, leaning into his aimed weapon and gazing into the distance. The spatial tension between the isolated surrounded man and the angled shoulders of the bracing officers dominates the composition, anchored by the paved exterior ground and the house wall behind them.
149b703b5b5c1b33→df4666d2e3a92924Photorealistic cinematic still. Seen from shoulder height beside the subjects, their torsos and arms in the medium frame, lower legs implied beyond the edges. The road beside the house runs from the far right to the far left of the frame, with the house at far center. C03O04 in practical casual attire showing minor signs of dishevelment, a Korean-American male with a late teens face, short black hair, and disheveled hair, occupies the near right half of the frame in left profile, already partway along the road beside the house, slightly deeper in the frame and visibly smaller than the officer beside him, heading along that road toward the mid-distance right side of the frame, away from the house rather than into it. He is twisting against the escort grips, his face turning toward the vacant road beyond the left edge, his mouth caught mid-curse. Beside him on the right side of the frame, an Asian middle-aged man in a standard tactical law enforcement uniform at three-quarter angle from the left guides C03O04's restrained upper arm, looking down along the hold. A second Asian middle-aged man in standard tactical law enforcement gear in left profile, already partway along the road beside the house at the mid-distance right side of the frame, deeper in the frame and visibly smaller than the first officer, advances along that road toward the mid-distance right side of the frame, away from the house rather than into it, while maintaining his grip, also looking down at the hold. Restrained, subdued daylight with controlled contrast illuminates the exterior. An unoccupied stretch of road extends toward the left frame edge, providing negative space without any departing car.
S65sh3, S65sh12, S65sh14
SHOT 12 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - Road toward the collapsed department store (path): runs from the far right side of the frame to the far center of the frame. - Partially collapsed department store: at the far left side of the frame. - Gap in the collapsed department store (path): runs from the far center of the frame to the far center of the frame. - High department-store remains: at the far left side of the frame. - Moss-covered ground: at the mid-distance right side of the frame. FIGURES: - 수빈 (C22): at the near left side of the frame — NEAREST figure to the camera. - 이현우 (C03): at the mid-distance right side of the frame; about 1.4x as far from the camera as the nearest figure, so they must appear roughly 0.70x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 이현우 is farther than 수빈 and must read visibly smaller and deeper in the frame.
SHOT 14 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - Road toward the collapsed department store (path): runs from the far center of the frame to the far right side of the frame. - Partially collapsed department store: at the far center of the frame. - Gap in the collapsed department store (path): runs from the far center of the frame to the far right side of the frame. - High department-store remains: at the mid-distance left side of the frame. - Moss-covered ground: at the far right side of the frame. FIGURES: - 정체불명 사람: at the near left side of the frame — NEAREST figure to the camera. - 수빈 (C22): at the far right side of the frame; about 14.0x as far from the camera as the nearest figure, so they must appear roughly 0.07x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the Road toward the collapsed department store; moving away from 정체불명 사람; NOT heading into the Partially collapsed department store. - 이현우 (C03): at the far right side of the frame; about 15.6x as far from the camera as the nearest figure, so they must appear roughly 0.06x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the Road toward the collapsed department store; moving away from 정체불명 사람; NOT heading into the Partially collapsed department store. DEPTH CONTRACT: 이현우 is farther than 정체불명 사람 and must read visibly smaller and deeper in the frame.
SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - Road toward the collapsed department store (path): runs from the far left side of the frame to the far right side of the frame. - Partially collapsed department store: at the far left side of the frame. - Gap in the collapsed department store (path): runs from the far left side of the frame to the far center of the frame. - High department-store remains: at the far left side of the frame. - Moss-covered ground: at the far right side of the frame. FIGURES: - 수빈 (C22): at the near center of the frame — NEAREST figure to the camera.
77c4000bd55ebe1c→a5ef4cf42ed3b528Photorealistic cinematic still. Seen from an oblique lateral angle at upper-chest height and tilted slightly upward, two figures separated by the space between them occupy the medium frame from the waist up, the upper ruins extending toward the top edge. On the left, C24O24 in weathered survival clothing, an East Asian young woman with a black bob and sharp-cut ends, is seen at three-quarter angle from the right. Her shoulders are relaxed, her eyes fixed on the boy. At mid-distance on the right, deeper in the frame and visibly smaller at roughly 0.70 times the woman's apparent height, C03O04 in a slightly worn casual shirt, an East Asian late-teen boy with messy short black hair, stands in left profile. He leans subtly toward her, his eyes fixed on her. Both uncovered faces share a warm smile, never looking at the lens. They share a single line of sight across the air between them. Behind them, a wide opening in the collapsed concrete building is visible in the background, framed by irregularly grown trees and thick green moss covering the debris. The entire area is illuminated by subdued neutral daytime ambient light that casts soft, low-contrast shadows and maintains gentle facial contrast against the damp, overgrown ruins.
bb7538ddfff977b9→baabad33a9015e10Photorealistic cinematic still. Seen past the shoulder of C26O25 in weathered survival clothing, an adult Asian man anchoring the left foreground edge with his back to the camera and head inclined downward, C03O04 in a worn casual shirt, an Asian male late teen, is positioned at the far right, deeper in the frame and visibly smaller, roughly 0.06 times the observer's height, already partway along the road toward the collapsed department store, transferring his weight forward and moving toward the department-store entrance gap, heading toward the far center of the frame along the road, moving away from the observer on the high ledge but not heading into the partially collapsed department store. Beside him, C24O24 in worn techwear, a young Asian woman, lifts her trailing heel into the next step, both full figures facing away from the camera, looking down at their footing, and stepping out of phase. The steep downward over-the-shoulder perspective links the figures across the L107B01 ruined department store environment, sharing a single line of sight from the high concrete ledge down to the gap. Thick moss reclaims the weathered concrete debris of the partially collapsed building, illuminated by subdued daytime ambient light that casts soft, low-contrast shadows and keeps the observer's identity unreadable.
S63sh7, S63sh13, S63sh16
SHOT 13 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the road (path): runs from the far left side of the frame to the far left side of the frame. - the truck: at the far left side of the frame. FIGURES: - 미연: at the near center of the frame — NEAREST figure to the camera.
SHOT 16 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the road (path): runs from the far right side of the frame to the far left side of the frame. - the truck: at the mid-distance left side of the frame. FIGURES: - 이현우: at the near center of the frame — NEAREST figure to the camera. - 수빈: at the near left side of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 수빈 is farther than 이현우 and must read visibly smaller and deeper in the frame.
SHOT 7 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size): - the road (path): runs from the far right side of the frame to the far left side of the frame. - the truck: at the near right side of the frame. FIGURES: - 이현우: at the near left side of the frame — NEAREST figure to the camera. - 수빈: at the near center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.84x the nearest figure's height (smaller, deeper in the frame). DEPTH CONTRACT: 수빈 is farther than 이현우 and must read visibly smaller and deeper in the frame.
bb527b3daa5d60b2→dca62fb6d1a0ad20Photorealistic cinematic still. Seen from above and to one side in a high-oblique angle, the face, neck, and shoulder of the primary subject fill the close framing. C08O09 in a worn shirt, an East Asian woman in her 40s with black hair, lies supine in the center of the frame, at a three-quarter angle from the right. Her pale, blood-streaked face occupies the central area, visibly wounded with a pained expression as she struggles to speak, her half-open eyes looking weakly off-screen. A narrow portion of a seawater-wet wooden plank supports her head and shoulder in the lower frame, anchoring the physical space. Rendered in restrained black and white, soft tonal separation preserves the blood streaks and the damp surface texture against a dim ambient environment without adding explicit light sources.
481bebd4bbd657a1→1f8f1409272d1785Photorealistic cinematic still. Seen from just below cheek level near the central gap and tilted slightly up, C03O04 in a worn casual shirt, an Asian-American male in his late teens with short black messy hair, occupies the central half of the frame from the chest up with empty looking room to the left. He is captured in left profile, lips pressed firmly together with his jaw set, his driving shoulders held taut against the motion, eyes looking off-screen to the left. Bright natural sunlight enters from the left edge, washing across his face with controlled highlights and bringing out warm natural skin tones. [: A narrow window edge of the functional truck cabin interior] borders the left side of the frame.
3fa55a806cfeec5b→fe94854540c65666Photorealistic cinematic still. Seen from the driver-side edge of the gap between the front seats at seated eye level, the figure occupies the center of the frame, visibly smaller and already deeper in the frame, holding enough distance to reveal her upper body. C24O24 in worn techwear, an East Asian woman in her 20s with black bob hair with sharply cut ends, sits at a three-quarter angle as viewed from the left, twisting her torso toward the left edge. Her neck is taut and her mouth is open in a sharp shout, eyes fixed off-screen at the driver. A narrow driver-seat edge borders the left foreground, while the passenger seat remains visible behind her. The enclosed interior of the moving truck cabin features a visible central gap between the seats. Natural daytime light streams through the vehicle windows, illuminating the functional space and preserving the tension across the figure's neck and face.
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{
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{
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"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"9:1": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L21",
"figure_count": 1,
"framing_scale": "medium",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"9:6": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "primary_location",
"location_id": "L21",
"figure_count": 0,
"framing_scale": "close",
"character_angle_count": 0,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale"
]
},
"9:8": {
"why_candidate": "single_shot_outdoor_figure_present",
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"location_id": "L21",
"figure_count": 1,
"framing_scale": "medium",
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"12:16": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L24",
"figure_count": 1,
"framing_scale": "medium",
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"available_structural_signal_names": [
"framing_scale",
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"gaze_direction"
]
},
"16:4": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "frame_visible",
"location_id": "L28",
"figure_count": 1,
"framing_scale": "wide",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"16:8": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L28",
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"framing_scale",
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]
},
"24:10": {
"why_candidate": "single_shot_outdoor_figure_present",
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"location_id": "L24",
"figure_count": 1,
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"33:12": {
"why_candidate": "cross_shot_or_multi_figure_present",
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"location_id": "L46",
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"framing_scale",
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"frame_spatial_contract",
"gaze_direction"
]
},
"38:8": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L53",
"figure_count": 2,
"framing_scale": "close",
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"available_structural_signal_names": [
"framing_scale",
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"gaze_direction"
]
},
"38:10": {
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"framing_scale",
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]
},
"38:17": {
"why_candidate": "cross_shot_or_multi_figure_present",
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"location_id": "L53",
"figure_count": 4,
"framing_scale": "medium",
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"framing_scale",
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]
},
"39:2": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L53",
"figure_count": 2,
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"framing_scale",
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"gaze_direction"
]
},
"39:8": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L53",
"figure_count": 2,
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"framing_scale",
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]
},
"40:7": {
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"framing_scale",
"frame_spatial_contract"
]
},
"46:1": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L60",
"figure_count": 0,
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"available_structural_signal_names": [
"framing_scale"
]
},
"46:19": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L60",
"figure_count": 2,
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"46:33": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L60",
"figure_count": 1,
"framing_scale": "medium",
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"available_structural_signal_names": [
"framing_scale",
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"gaze_direction"
]
},
"49:16": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L67",
"figure_count": 4,
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"49:40": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L67",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"49:47": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L67",
"figure_count": 2,
"framing_scale": "medium",
"character_angle_count": 2,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"51:32": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L72",
"figure_count": 0,
"framing_scale": "wide",
"character_angle_count": 0,
"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
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]
},
"63:7": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L110",
"figure_count": 1,
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"framing_scale",
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"gaze_direction"
]
},
"63:13": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L110",
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"framing_scale",
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"gaze_direction"
]
},
"63:16": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L110",
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"framing_scale",
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"gaze_direction"
]
},
"65:3": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L107",
"figure_count": 1,
"framing_scale": "close",
"character_angle_count": 1,
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"available_structural_signal_names": [
"framing_scale",
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]
},
"65:12": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L107",
"figure_count": 2,
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"65:14": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L107",
"figure_count": 3,
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"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"69:2": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L98",
"figure_count": 3,
"framing_scale": "wide",
"character_angle_count": 3,
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"69:5": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L98",
"figure_count": 1,
"framing_scale": "medium",
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"71:28": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "frame_visible",
"location_id": "L117",
"figure_count": 0,
"framing_scale": "wide",
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"frame_spatial_contract_present": true,
"available_structural_signal_names": [
"framing_scale",
"frame_spatial_contract"
]
},
"75:4": {
"why_candidate": "single_shot_outdoor_no_figure",
"location_source": "primary_location",
"location_id": "L128",
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"framing_scale"
]
},
"75:10": {
"why_candidate": "single_shot_outdoor_figure_present",
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"location_id": "L128",
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"framing_scale": "wide",
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"available_structural_signal_names": [
"framing_scale",
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"gaze_direction"
]
},
"77:39": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L128",
"figure_count": 2,
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"framing_scale",
"character_angles",
"gaze_direction"
]
},
"77:56": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L128",
"figure_count": 2,
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"framing_scale",
"character_angles",
"frame_spatial_contract",
"gaze_direction"
]
},
"80:15": {
"why_candidate": "single_shot_outdoor_figure_present",
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"location_id": "L138",
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"available_structural_signal_names": [
"framing_scale",
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"gaze_direction"
]
},
"91:4": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "frame_visible",
"location_id": "L156",
"figure_count": 3,
"framing_scale": "wide",
"character_angle_count": 3,
"frame_spatial_contract_present": false,
"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
},
"91:7": {
"why_candidate": "cross_shot_or_multi_figure_present",
"location_source": "primary_location",
"location_id": "L156",
"figure_count": 2,
"framing_scale": "close",
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"available_structural_signal_names": [
"framing_scale",
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"gaze_direction"
]
},
"91:13": {
"why_candidate": "single_shot_outdoor_figure_present",
"location_source": "primary_location",
"location_id": "L156",
"figure_count": 1,
"framing_scale": "close",
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"available_structural_signal_names": [
"framing_scale",
"character_angles",
"gaze_direction"
]
}
},
"single_shot_seed_lane_enabled": true,
"composition_guide_shared_model_enabled": true,
"shared_model_judge_enabled": true,
"shared_model_candidate_signals": [
{
"group_id": "osl-single-l01-s1-sh5",
"location_id": "L01",
"scene_index": 1,
"member_shots": [
"S1sh5"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"1:5": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l01-s1-sh10",
"location_id": "L01",
"scene_index": 1,
"member_shots": [
"S1sh10"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"1:10": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l03-s2-sh6",
"location_id": "L03",
"scene_index": 2,
"member_shots": [
"S2sh6"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"2:6": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
}
}
},
{
"group_id": "osl-single-l07-s4-sh5",
"location_id": "L07",
"scene_index": 4,
"member_shots": [
"S4sh5"
],
"cameras_non_identical": false,
"landmark_count": 2,
"per_shot_signals": {
"4:5": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
}
}
},
{
"group_id": "osl-shared-l09-s5",
"location_id": "L09",
"scene_index": 5,
"member_shots": [
"S5sh42",
"S5sh62",
"S5sh68"
],
"cameras_non_identical": true,
"landmark_count": 5,
"per_shot_signals": {
"5:42": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
},
"5:62": {
"entity_count_bucket": "multiple",
"entity_count": 5,
"depth_planes": 3,
"has_motion": false
},
"5:68": {
"entity_count_bucket": "multiple",
"entity_count": 3,
"depth_planes": 3,
"has_motion": true
}
}
},
{
"group_id": "osl-shared-l107-s65",
"location_id": "L107",
"scene_index": 65,
"member_shots": [
"S65sh3",
"S65sh12",
"S65sh14"
],
"cameras_non_identical": true,
"landmark_count": 5,
"per_shot_signals": {
"65:3": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"65:12": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
},
"65:14": {
"entity_count_bucket": "multiple",
"entity_count": 3,
"depth_planes": 2,
"has_motion": true
}
}
},
{
"group_id": "osl-shared-l110-s63",
"location_id": "L110",
"scene_index": 63,
"member_shots": [
"S63sh7",
"S63sh13",
"S63sh16"
],
"cameras_non_identical": true,
"landmark_count": 2,
"per_shot_signals": {
"63:7": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 2,
"has_motion": false
},
"63:13": {
"entity_count_bucket": "single",
"entity_count": 1,
"depth_planes": 1,
"has_motion": false
},
"63:16": {
"entity_count_bucket": "multiple",
"entity_count": 2,
"depth_planes": 1,
"has_motion": false
}
}
}
],
"shared_model_judge_decisions": [
{
"group_id": "osl-single-l01-s1-sh5",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "1:5",
"source_field": "camera_direction",
"quote": "looking slightly downward as the forward dolly settles. Center the touching snout and fingertip, with the fish entering from the right and the finger rising from refuse at lower left"
}
],
"guide_scope": "single",
"risk_notes": "The shot requires precise placement of two interacting subjects (a fish and a fingertip) entering from specific frame edges, viewed from a slightly downward angle, which poses a high risk of incorrect framing or spatial collapse if unguided.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l01-s1-sh10",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "1:10",
"source_field": "camera_direction",
"quote": "complete the continuous steep upward tilt, directly observing the crane from slightly outside its descending path"
},
{
"shot_key": "1:10",
"source_field": "camera_direction",
"quote": "approaching underside enters across the upper center, cropped by the top edge"
}
],
"guide_scope": "single",
"risk_notes": "The extreme upward tilt and specific cropping requirements (crane at the top edge, finger at the lower edge) create a high framing risk that warrants a layout sketch to ensure correct spatial relationships.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l03-s2-sh6",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "2:6",
"source_field": "camera_direction",
"quote": "elevated oblique position beside 찰리's torso, looking downward"
},
{
"shot_key": "2:6",
"source_field": "camera_direction",
"quote": "Place his net-wrapped body diagonally across the central third"
}
],
"guide_scope": "single",
"risk_notes": "The elevated, downward-looking camera angle and specific diagonal placement of the figure require a layout guide to ensure correct spatial orientation and framing.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-single-l07-s4-sh5",
"needs_shared_model_guide": true,
"decision_type": "single_shot_complexity",
"confidence": "high",
"reasons": [
"depth_layering",
"occlusion_or_framing_risk",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "4:5",
"source_field": "camera_direction",
"quote": "Let his turned three-quarter face remain at the left edge, his extended hand cross the lower middle, and the house sit in the upper-right background along the gesture"
},
{
"shot_key": "4:5",
"source_field": "camera_direction",
"quote": "through the side window"
}
],
"guide_scope": "single",
"risk_notes": "The camera looks through a transparent surface (the side window) to see the background house, which poses an optical risk for the layout sketch. The shot also requires precise spatial alignment between the foreground figure's pointing hand and the background target.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l09-s5",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "5:42",
"source_field": "camera_direction",
"quote": "just above floor level with a slight downward angle"
},
{
"shot_key": "5:62",
"source_field": "camera_direction",
"quote": "elevated, oblique endpoint of the crane retreat, looking down"
},
{
"shot_key": "5:62",
"source_field": "camera_direction",
"quote": "distribute the visible police across foreground edges and deeper space"
}
],
"guide_scope": "group",
"risk_notes": "The group features multiple shots sharing the same structures (house, front door, living-room window, road) from different angles and distances, requiring cross-shot continuity. Additionally, shots 42 and 62 feature extreme camera angles (low and elevated/looking down, respectively), and shot 62 involves complex depth layering of multiple figures, warranting single-shot complexity guides.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l107-s65",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
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"shared_structure_continuity",
"figure_placement_continuity",
"depth_layering",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "65:12",
"source_field": "camera_direction",
"quote": "Retain a partial view of the department-store gap behind them, emphasizing their exchanged gaze before their departure begins."
},
{
"shot_key": "65:14",
"source_field": "camera_direction",
"quote": "Make the explicit spatial cut to the high remains behind 정체불명 사람, with the lens just above and outside one shoulder, looking steeply downward in a static over-the-shoulder view."
},
{
"shot_key": "65:14",
"source_field": "camera_direction",
"quote": "The unidentified observer's back and shoulder occupy the left foreground edge, head inclined toward 이현우 and 수빈 below; their full figures occupy the lower-right portion as they watch their footing and step toward the gap."
}
],
"guide_scope": "group",
"risk_notes": "The group requires cross-shot continuity to maintain the spatial relationship between the department store gap, the high remains, and the moss-covered ground across different camera angles. Shot 65:14 introduces significant single-shot complexity with a steep downward over-the-shoulder angle and figures distributed across distinct depth planes, posing a high risk of depth collapse or incorrect placement without a guide.",
"admit": true,
"deny_reason": null
},
{
"group_id": "osl-shared-l110-s63",
"needs_shared_model_guide": true,
"decision_type": "both",
"confidence": "high",
"reasons": [
"multi_angle_same_set",
"shared_structure_continuity",
"camera_or_framing_risk"
],
"evidence": [
{
"shot_key": "63:7",
"source_field": "camera_direction",
"quote": "Observe directly from the driver-side edge of the gap between the seats"
},
{
"shot_key": "63:16",
"source_field": "camera_direction",
"quote": "finish the approach from the passenger-side edge of the central gap"
},
{
"shot_key": "63:13",
"source_field": "camera_direction",
"quote": "static high-oblique close-up from above and to one side of 미연's face"
}
],
"guide_scope": "group",
"risk_notes": "Shots 7 and 16 share the same truck cabin environment from different angles, requiring cross-shot continuity for the vehicle structures and occupant placement. Shot 13 is a flashback that features a steep overhead/oblique camera angle, presenting a framing risk that warrants layout guidance.",
"admit": true,
"deny_reason": null
}
],
"shared_model_attach_decisions": [
{
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"scene_index": 1,
"base_cache_key": "45c5b530f2ddea40",
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"attached": false,
"fail_stage": "pose_brief"
},
{
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"attached_shots": [
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],
"attached": true
},
{
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"attached_shots": [
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],
"attached": true
},
{
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"base_cache_key": "5489d0c88d31788d",
"attached_shots": [],
"attached": false,
"fail_stage": "all_members_optical_risk"
},
{
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"attached_shots": [
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],
"attached": true
},
{
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"base_cache_key": "72353fe0474d7013",
"attached_shots": [
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],
"attached": true
},
{
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"base_cache_key": "0d87ad1a05d43699",
"attached_shots": [
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"63:16"
],
"attached": true
}
],
"shared_model_single_shot_complexity_observation": [
{
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"decision_type": "single_shot_complexity",
"is_single_shot_candidate": true,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
"group_id": "osl-single-l01-s1-sh10",
"decision_type": "single_shot_complexity",
"is_single_shot_candidate": true,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
"group_id": "osl-single-l03-s2-sh6",
"decision_type": "single_shot_complexity",
"is_single_shot_candidate": true,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
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"decision_type": "single_shot_complexity",
"is_single_shot_candidate": true,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
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"decision_type": "both",
"is_single_shot_candidate": false,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
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"decision_type": "both",
"is_single_shot_candidate": false,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
},
{
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"decision_type": "both",
"is_single_shot_candidate": false,
"admit": true,
"note": "single_shot_complexity lane 개방 — admit 시 production attach."
}
],
"shared_model_pose_fail_closed": [
{
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"group_id": "osl-single-l01-s1-sh5",
"figure_count": 2,
"had_body": true
}
],
"shared_model_optical_risk_excluded": [
{
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}
],
"shared_model_building_fp_link": {
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"indoor_loc_sid": "L108",
"group_id": "bg_collapsed_department_store"
},
"L126": {
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"indoor_loc_sid": "L125",
"group_id": "bg_harbor_clinic"
},
"L128": {
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"indoor_loc_sid": "L129",
"group_id": "bg_abandoned_airport"
},
"L152": {
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"indoor_loc_sid": "L139",
"group_id": "bg_island_research_complex"
},
"L21": {
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"indoor_loc_sid": "L19",
"group_id": "bg_refugee_courthouse"
},
"L28": {
"fp_id": "fp_container_interior",
"indoor_loc_sid": "L29",
"group_id": "bg_container_home_with_yard"
},
"L54": {
"fp_id": "fp_unattended_store",
"indoor_loc_sid": "L55",
"group_id": "bg_unattended_store"
},
"L72": {
"fp_id": "fp_repair_workspace",
"indoor_loc_sid": "L70",
"group_id": "bg_auto_repair_complex"
}
},
"shared_model_image_calls": {
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"blocking": 5,
"camera_view_sketch": 5
},
"actual": {
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"blocking": 5,
"camera_view_sketch": 5
},
"predicted_call_count": 15,
"actual_call_count": 15,
"continuity_anchor_generation_calls": 0
},
"shared_model_chain_lineage": {
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],
"unresolved": [],
"guide_asset_resolved": [
{
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},
{
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{
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{
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],
"guide_asset_unresolved": []
}
}