{ "status": "completed", "applicable_count": 10, "completed_count": 10, "failed_count": 0, "schema_version": 6, "config_hash": "9e7bc38f664cf705", "data": { "groups": { "bg_abandoned_airport": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_abandoned_airport_sel.png", "seed_asset_id": "45ef8494-8d7b-45e5-a2fc-02ce9fedcbf4", "seed_selected": "B", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The exterior of the abandoned Mokpo airfield is organized around a broken roadway and the aircraft storage hangar beside it. The roadway provides the exterior approach and connects directly to the ground outside the hangar's large doorway. Place the deteriorated former-airport sign alongside this approach, before the hangar frontage, without introducing a separate gate. The hangar doorway faces the roadway; its threshold connects the exterior ground to the aircraft storage interior. The two camera zones are the roadway exterior and the hangar threshold. From the roadway, the sign and hangar entrance form distinct spatial anchors; from the threshold, the inward axis passes through the large doorway into the hangar. Moss and broken roadway surfaces belong to the established site fabric. No additional terminal, control tower, runway markings, or perimeter structures are specified.\n- Broken airfield approach roadway: Runs through the airfield exterior alongside the hangar frontage and connects directly to the exterior ground at the large hangar doorway.\n- Deteriorated former-airport sign: Stands alongside the broken airfield approach roadway on the approach side of the hangar frontage; the sign is partly deteriorated and fallen away.\n- Aircraft storage hangar: Sits beside the broken airfield approach roadway, with its entrance facade facing the roadway and its storage interior extending behind the large doorway.\n- Large aircraft hangar doorway: Occupies the roadway-facing facade of the aircraft storage hangar. Its threshold directly joins the exterior approach ground to the hangar interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 목포공항 외부·활주로: 잡초가 자라고 이끼가 낀 깨진 아스팔트 활주로 비행장이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 목포공항 격납고 내부: 거대한 창고 건물 안으로 먼지 덮인 비행체들이 보관되어 있다.\n\nTHE LOCATION: 75. 목포공항 - N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Exterior campfire; People occupying the airfield; Stored light aircraft; Open position of the hangar door\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "a72b1b60-7b15-402d-a363-97e1a608b6d6", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_abandoned_airport/rounds/r001/cand_01.png", "sha256": "766bfedf7b1b86f52b3a3a829d81028bd1af997b106b32409b5d1a17a3aa6a96", "fittings": [ { "target_native": "공항 이름 간판", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_abandoned_airport/rounds/r001/cand_05.png", "sha256": "a3bfd01266becb1ec8923cd39704b268a2f1f59f7a7577a6538b1c1c6cd0170f" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "항공기 격납고는 현실에서 촬영할 수 있는 보통의 시설이며, 제시된 설명은 미래에만 존재하는 독자적인 건축 형태를 요구하지 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "3d20bf1b264f574f", "totals": { "B": 1750, "A": 917 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "지시문에 명시된 '거대한 격납고 출입구'를 참조 이미지의 구조와 물리적으로 자연스럽게 결합하였으며, '목포공항' 간판과 파손된 도로의 질감이 훌륭하게 구현되었습니다. ★위반: [gpt-high] 단일 격납고로 지정된 구조에 다수의 추가 격납고를 반복 배치하여, 형태만 취해야 하는 참고 사진의 배치까지 가져왔습니다. / [gpt-high] 제외 대상으로 명시된 격납고 문의 열린 상태를 주 건물과 여러 후속 건물에 표현했습니다." }, { "label": "A", "score": 917, "verdict_ko": "첫 번째 격납고의 전면 트러스 구조가 절반으로 잘려 공중에 떠 있는 형태를 띠며, 이는 명백히 금지된 '내부를 보여주기 위한 인위적인 벽체 제거'에 해당하는 심각한 위반입니다. ★위반: [gemini-pro] physically impossible anatomy or staging (첫 번째 격납고의 전면 트러스 구조물이 지지대 없이 허공에서 수직 절단됨) / [gemini-pro] artificially remove walls to reveal interiors (내부를 드러내기 위해 전면 벽을 인위적으로 제거함) / [gpt-high] 지정되지 않은 다수의 격납고를 추가하여 참고 사진의 연속 배치를 복제했습니다. / [gpt-high] 제외 대상으로 명시된 격납고 문의 열린 상태를 주 격납고에 표현했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_abandoned_library_exterior": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_abandoned_library_exterior_sel.png", "seed_asset_id": "c27d7844-3dc9-4630-8ad7-2fb4fcdd998d", "seed_selected": "A", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The library building fronts an exterior approach surface that connects directly to its entrance door. This surface provides vehicle access to the space in front of the building and pedestrian access to the doorway; no separate parking enclosure is specified. The entrance frontage forms the building-side edge of the approach, allowing views across the approach toward the doorway and facade. Large cracks occur across the exterior wall, with dry vines clinging to the same wall. The old library identification sign is positioned on this frontage beside the entrance, facing the approach, and identifies the building as Michuhol Library, Incheon. The entrance door connects the exterior frontage to the reading room inside.\n- Library front access surface: Directly in front of the library building, adjoining the entrance frontage and continuing to the entrance door; this is the shared exterior surface for vehicle access and pedestrian passage.\n- Abandoned library building: Along the building-side edge of the library front access surface, with its entrance frontage facing that surface.\n- Cracked library exterior wall: Part of the library building's entrance frontage, adjoining the entrance door and facing the library front access surface; large cracks occur across the wall.\n- Dry vines attached to the library wall: Clinging directly to the cracked library exterior wall on the frontage facing the library front access surface.\n- Old Michuhol Library identification sign: On the library entrance frontage beside the entrance door, oriented toward the library front access surface; the sign identifies Michuhol Library, Incheon.\n- Library entrance door: Set into the library entrance frontage where the library front access surface meets the building, connecting the exterior directly to the reading room.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 버려진 도서관 외부: 외벽에 금이 가고 넝쿨이 자란 폐건물 도서관이다.\n\nTHE LOCATION: 46. 버려진 도서관 밖 - N (비)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's old camper; Rain\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "3387c1cd-0803-4668-965f-49d0b1cafb8f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_abandoned_library_exterior/rounds/r001/cand_02.png", "sha256": "53c0630b54b38078bb274b87e8edca8c8d0376db3df2b684ab3f41f4b9370043", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "도서관 건물은 현실에 존재하는 시설이며, 설명에 고유한 미래 건축 형태가 지정되어 있지 않아 실제 공공도서관 사진으로 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "a782386d5cf53e3f", "totals": { "B": 1417, "A": 1417 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "B", "score": 1417, "verdict_ko": "기준 이미지의 건축 구조(배경의 경사진 지붕 등)를 정확히 반영하고 간판 텍스트를 깔끔하게 구현했으나, 제거 지시가 있었던 방문객용 시설(화분, 점자 블록 등)을 남겨두어 약간 감점되었습니다. ★위반: [gpt-high] 설명에 없는 방문객용 화분 두 개와 낮은 난간, 입구 단차·경사판 및 유도 포장을 참고에서 가져왔습니다. 명시된 시설만 허용하고 방문객용 부가시설은 옮기지 말라는 조건을 위반합니다. / [gpt-high] 설명에서 허용하지 않은 주변 수목과 경계석으로 둘러싼 조경 구역을 추가했습니다." }, { "label": "A", "score": 1417, "verdict_ko": "기준 이미지 배경에 있는 경사진 지붕 구조가 누락되었으며 간판 텍스트에 오타(마침표)가 포함되었고, 지시와 달리 화분 등의 부가 시설이 그대로 묘사되었습니다. ★위반: [gpt-high] 설명에 없는 방문객용 화분 세 개와 낮은 난간, 입구 단차 및 유도 포장을 추가했습니다. 방문객용 부가시설을 참고에서 옮기지 말라는 명시적 제한을 위반합니다. / [gpt-high] 설명에서 허용하지 않은 주변 수목과 경계석 조경 구역을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_collapsed_department_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_collapsed_department_store_sel.png", "seed_asset_id": "74c54f24-ba7d-415a-8826-99277d7bf2de", "seed_selected": "B", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The approach path leads into overgrown exterior grounds adjoining the enormous, half-collapsed department store. The grounds form the connecting space between the path and a gap in the ruined building through which the interior is accessible. Broad moss growth covers the grounds, with irregularly distributed trees growing among it; retain a continuous passage from the approach path through this vegetation to the building gap, without treating it as a separate constructed walkway. The surviving building mass and its collapsed portions belong to a single footprint bordering these grounds. At the ruin edge, an elevated part of the surviving structure provides footing overlooking the exterior grounds and the route to the gap. This upper footing is part of the ruin, not a separate observation platform.\n- Department-store approach path: Extends toward the ruined department store and meets the overgrown exterior grounds on the side away from the building gap.\n- Broad exterior moss growth: Spreads across the exterior grounds between the approach path and the ruined building edge, interspersed with the irregular tree growth and adjoining the passage toward the building gap.\n- Irregular exterior tree growth: Grows throughout the moss-covered exterior grounds beside the ruined department store, with space between the trees connecting the approach path to the building gap.\n- Half-collapsed department-store ruin: Adjoins the overgrown exterior grounds at the end of the approach route; its surviving mass and collapsed portions occupy the same building footprint, with an accessible gap along the edge facing the grounds.\n- Accessible gap in the department-store ruin: Cuts through the ruined building edge where the passage across the overgrown exterior grounds reaches the building, directly connecting the exterior to the interior.\n- Elevated footing within the surviving ruin edge: Forms part of the surviving building structure above the exterior grounds, beside the building gap, with a downward sightline onto the passage leading to that opening.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 무너진 백화점 외부·잔해 지대: 지진으로 반쯤 무너진 거대한 건물 터에 숲과 식물이 정글처럼 자라난 곳이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 무너진 백화점 상층 내부·에스컬레이터·바닥 구멍: 어둡고 위험한 실내로 붕괴된 콘크리트 슬라브가 겹쳐져 있다. / 무너진 백화점 지하 식품 코너: 추락 지점 아래 보존된 낡은 마트 판매 구역이다.\n\nTHE LOCATION: 65. 무너진 백화점 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Standing puddles; Portable radiation meter and needle reading; Gas masks; Birds and water deer; Fresh flower blooms; People passing through the ruin; Unidentified observer\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "54ad6412-ae79-406d-9f00-e85d3f8525a4", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_collapsed_department_store/rounds/r001/cand_12.png", "sha256": "771b533661fc4319fd8a0bcb5634c7e8c5b49ca48e7a68062568f40ae4a4c6b8", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "야외 바닥의 이끼는 실제로 존재하는 보통의 식생이므로 현재의 실제 사진에서 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "200115ca8adcce02", "totals": { "B": 1750, "A": 929 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "지시된 구조물과 요소들을 충실히 구현하였으며, 금지된 레퍼런스의 배경 묘사를 피해 폐허의 형태를 성공적으로 표현했습니다. ★위반: [gpt-high] 접근로 이후의 식생 지대에도 경계가 뚜렷한 연속 돌포장길을 건물 앞까지 설치해, 그 구간을 별도의 시공된 보행로로 만들지 말라는 구조 조건을 위반했다." }, { "label": "A", "score": 929, "verdict_ko": "레퍼런스 사진의 배경(바다와 섬)을 복사하여 '주변 환경을 발명하지 말라'는 지시를 심각하게 위반했습니다. ★위반: [gemini-pro] 레퍼런스 이미지의 주변 환경(바다와 섬)을 그대로 복사하여 지시문에 없는 배경을 추가함. / [gpt-high] 식생 지대를 가로질러 진입 틈까지 이어지는 별도의 돌포장길을 만들어, 식생 사이 통과 공간을 시공된 보행로로 처리하지 말라는 구조 조건을 위반했다. / [gpt-high] 설명에 없는 해안 수면과 배경 언덕을 주변환경으로 추가해, 참조에서 주변 배치를 가져오지 말고 명시된 영구 현장 요소만 보여 달라는 제한을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_collection_vessel": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_collection_vessel_sel.png", "seed_asset_id": "cd16d01d-6027-4184-a812-921eea63de02", "seed_selected": "A", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a garbage collection vessel and the surrounding sea off Incheon. The sea directly meets the vessel's hull and extends around its bow, stern, and both sides. The vessel forms the site's central structural footprint. Its exterior deck lies within that footprint, above the water, with the hull separating the deck from the surrounding sea. Use the vessel's bow-to-stern axis as the plan reference rather than assigning a fixed geographic heading. The deck and surrounding water are adjoining spatial zones at different elevations. The source does not establish a subdivision of the deck or the position of any permanently installed collection machinery.\n- Sea surrounding the collection vessel: Extends around the vessel's entire hull, directly adjoining its bow, stern, and both sides below deck level.\n- Garbage collection vessel: Occupies the central footprint within the surrounding sea; its hull supports the exterior deck and defines the boundary between the vessel and the water.\n- Collection vessel exterior deck: Forms the exterior surface aboard the garbage collection vessel, contained within the hull footprint and elevated above the adjoining sea.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 앞바다 쓰레기 수거선 주변 수면: 수면에 수많은 폐기물이 부유하는 탁한 해상으로, 거대한 기계 장비가 바다 위를 덮치는 장면이 연출된다. / 쓰레기 수거선 갑판: 거대한 금속제 수거선의 갑판으로, 인양된 잡다한 고철과 부서진 기계들이 쏟아지는 작업 공간이다.\n\nTHE LOCATION: 2. 쓰레기 수거선 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Floating refuse and wreckage; Refuse falling onto the deck; Charlie and the entangling net; Collection crane and associated water disturbance; Date and location caption\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "c6db5ccb-6223-4c93-9399-04fe67c956b7", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_collection_vessel/rounds/r001/cand_03.png", "sha256": "074624ad93219ed7291bc297dfbb3c82a07063923e57246f41f449f227277f21", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "쓰레기 수거선은 국내 연안에서 실제 운용되는 선박이며, 설명에 작품만의 고유한 미래 형태가 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "85d85e976bc5c83a", "totals": { "A": 1750, "B": 512 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "제외해야 할 일시적 요소(크레인, 쓰레기 등)를 완벽히 제거하고 지시된 3/4 각도를 잘 살린 깔끔한 템플릿 이미지를 생성했습니다. ★위반: [gpt-high] 지정된 선박과 주변 바다 외에 원경 도시 건물과 교량 형태의 시설을 추가했습니다. / [gpt-high] 문구는 설명에서만 가져오라는 제한과 달리, 설명에 없는 '해양청소 1'이라는 선명을 만들어 넣었습니다." }, { "label": "B", "score": 512, "verdict_ko": "프롬프트에서 명시적으로 제외하라고 지시한 수거용 크레인(Collection crane)을 화면에 포함시킨 치명적인 오류가 있습니다. ★위반: [gemini-pro] 명시적으로 금지된 요소(Collection crane) 포함 / [gpt-high] 명시적 제외 대상인 수거 크레인과 집게를 갑판에 배치했습니다. / [gpt-high] 주변은 지정된 영구 요소만 허용되는데, 원경에 별도의 건물과 항만 시설을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_container_home_entrance": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_container_home_entrance_sel.png", "seed_asset_id": "ffc9bfa0-a02b-469e-86ad-c26d6771dc20", "seed_selected": "A", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is limited to Hyun-woo's container home and its immediate exterior access space. The container home forms the built edge of the site, with an entrance connecting the interior directly to the exterior approach. The approach meets the entrance without an intervening enclosure and continues away from the home toward access beyond the site. The entrance exterior and the adjoining approach are contiguous camera zones, allowing views toward the doorway or outward along the access route. The refugee-camp entrance mentioned in the scene is not assigned a position within this immediate site because its spatial relationship to the home is unspecified.\n- Hyun-woo's container home: Forms the built edge of the entrance exterior, with its entrance facing and directly adjoining the home approach.\n- Container home entrance: Set in the exterior boundary of Hyun-woo's container home, directly connecting the home interior to the adjoining exterior approach.\n- Container home exterior approach: Directly abuts the container home entrance and extends outward from the building as the pedestrian access surface; its doorway end adjoins the entrance exterior camera zone.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 이현우의 컨테이너 외부·출입문 앞: 7-31 번호가 적힌 구형 컨테이너 주택의 철문 앞이다.\n\nTHE LOCATION: 24. 현우의 컨테이너 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Car at the refugee-camp entrance; Open state of the home entrance\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "9e39ff00-14b2-4713-aead-485075b5bd90", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_container_home_entrance/rounds/r001/cand_06.png", "sha256": "cf29083e442a2e079828e873078ad8a4f268c8c599f856a00e29e57d6bf2cc6a", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "컨테이너 주택은 현실에서 촬영할 수 있는 주거 구조물이며, 설명에 작품만의 독자적인 미래 형태가 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "db3ece1a841050cf", "totals": { "A": 1750, "B": 988 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "레퍼런스의 구조 형태와 재질(검은색 측면 외벽, 세탁기 배치 등)을 충실히 재현했으며, 문에 요구된 텍스트를 정확히 표기했습니다. ★위반: [gpt-high] 빈 장면에서 금지한 생활 장비인 세탁기와 미지정 전경 판재를 포함했습니다. / [gpt-high] 설명에서 지정하지 않은 돌출형 높은 목재 데크를 참조에서 그대로 가져왔습니다. / [gpt-high] 다른 장소의 작은 건물·비닐하우스·전주 등 미지정 주변 시설을 포함하여 주변 환경 복제 금지를 위반했습니다." }, { "label": "B", "score": 988, "verdict_ko": "문에 텍스트는 잘 표기했으나, 레퍼런스에서 검은색이었던 측면 외벽을 붉은색으로 변경하고 세탁기를 실외기로 임의 교체하여 형태적 일관성이 떨어집니다. ★위반: [gpt-high] 빈 장면에서 금지한 생활 장비와 소품인 세탁기 및 물병을 배치했습니다. / [gpt-high] 설명에서 지정하지 않은 돌출형 높은 목재 데크를 참조에서 그대로 가져왔습니다. / [gpt-high] 다른 장소의 작은 건물·비닐하우스·전주 등 미지정 주변 시설을 포함하여 주변 환경 복제 금지를 위반했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_flooded_refugee_district": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_flooded_refugee_district_sel.png", "seed_asset_id": "d6290e1d-9c49-4e68-8488-f454a4d31ec4", "seed_selected": "B", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A continuous sea expanse adjoins the margin of Incheon's Refugee District 7. Organize the site from the water toward the connected city: open sea, the district's wall-side margin, then city ground extending inland. The district wall directly borders the water-side space; the connected city edge lies landward of this margin. These form three camera-positioning zones without subdividing the water into fixed platforms or routes. No permanent offshore structures, landing facilities, or specific openings through the wall are established.\n- Sea adjoining Refugee District 7: Extends outward from the district wall-side margin as one continuous water area, opposite the landward connected city edge.\n- Refugee district waterside wall: Runs along the district's water-side margin, with the sea directly alongside it and the connected city edge on its landward side.\n- City ground adjoining the refugee district: Extends landward from the district wall-side margin into the connected city; no particular street network or building arrangement is specified.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 수몰된 인천 난민촌 7구역·표류 잔해 수면: 제방 붕괴 후 바다가 된 난민촌 위로 컨테이너와 시신이 떠다니는 수면부다.\n\nTHE LOCATION: 38. 바다 위 - 동틀무렵\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Floating container panels; Containers with their doors and upper surfaces; Storage boxes inside the container; People on the water and containers; Floating bodies; Militia rubber boat and inspection stick; News broadcast drone; Police helicopter and searchlight beam; District inundation and embankment-collapse condition\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "de7d5de0-f57d-4e70-a1aa-72c4641757dc", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_flooded_refugee_district/rounds/r001/cand_04.png", "sha256": "d600039d3b14e9f71a852353d3f6d24ae71470c7f89829ccc87bd65bd46bf6df", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "인천 앞바다는 실제로 존재하며, 미래를 배경으로 하더라도 연속된 바다의 기본 형태는 실제 사진으로 참고할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "70425284af4bee38", "totals": { "B": 1750, "A": 512 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "바다, 제방, 도시로 이어지는 공간 배치와 3/4 측면 뷰를 정확히 구현했으나, 제방 재질이 레퍼런스와 다소 다름. ★위반: [gpt-high] 영구 해상 구조물을 설정하지 않았고 추가 주변 시설을 금지했는데도, 수면 위에 주탑과 교각을 갖춘 대형 교량을 추가했다." }, { "label": "A", "score": 512, "verdict_ko": "필수 구조물인 제방과 도시 지대를 누락하고 레퍼런스의 구도를 그대로 답습하여 지시를 크게 위반함. ★위반: [gemini-pro] 바다-제방-도시로 이어지는 필수 공간 배치 및 구조물 완전 누락 / [gemini-pro] 레퍼런스 이미지의 구도를 그대로 복사 (구도 복사 금지 지시 위반) / [gpt-high] 허용되지 않은 대형 해상 교량을 다수의 교각과 함께 수면을 가로지르는 영구 구조물로 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_open_travel_truck": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_open_travel_truck_sel.png", "seed_asset_id": "2e3db7e5-7f1f-47b6-8d3a-2d3a8a41eaaf", "seed_selected": "B", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Only the rock recess in scene 69 provides a fixed locality for this location group. The recess consists of the ground between rocks, with the adjoining rock faces defining its edges. No opening direction or permanent access route is established. The road, roadside sign, hill, violet field, and laboratory in scene 71 cannot be spatially connected to this recess from the supplied text and must not be combined with it into one continuous site plan.\n- Recess between the rocks: Occupies the gap between the rocks; the adjoining rock faces bound the intervening ground.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 이현우의 트럭 운전실: 지붕 없이 개방되거나 앞유리가 낡은 형태의 노후 트럭 운전석이다. / 이현우의 트럭 적재함: 짐을 싣는 뒷공간으로 사람들이 이불을 덮고 탈 수 있다.\n\nTHE LOCATION: 69. 현우의 트럭- D (현재)\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's truck, including its cab and rear cargo bed; Movable shade cover; Sleeping occupants in the cargo bed; Paper bearing Charlie's flower drawing\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "f771cb14-05eb-42fe-b051-eaaf0f888fa6", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_open_travel_truck/rounds/r001/cand_01.png", "sha256": "94fed00642c5f55d880f8528741c67fa0c700d253e032768ace8ffe32d47a2ac", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "바위 사이의 땅이 주변 바위 면으로 둘러싸인 공간은 현실에서 촬영할 수 있는 자연 지형이며, 미래 연도에 종속된 고유 형상이 아니다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "a75075266d905835", "totals": { "A": 1417, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "요구된 3/4 측면 뷰를 무시하고 레퍼런스 구도를 그대로 복사했으며, 금지된 표지판과 발명된 바다 배경을 포함하여 심각한 위반입니다. ★위반: [gemini-pro] 유출된 마커 (우측 암석의 흰색 표지판) / [gemini-pro] 발명된 주변 환경 (지시문에 없는 바다) / [gemini-pro] 잘못된 카메라 위치 및 구도 (3/4 측면 뷰 아님) / [gpt-high] 자연 암벽에 금지된 인공 표찰 한 개를 추가했습니다. / [gpt-high] 제공된 장소 설명에 없는 바다와 파도를 연결해, 바위 틈을 해안 지형으로 임의 확정했습니다." }, { "label": "B", "score": 1750, "verdict_ko": "요구된 3/4 측면 뷰를 무시하고 레퍼런스 구도를 그대로 복사했으며, 금지된 표지판과 발명된 바다 배경을 포함하여 심각한 위반입니다. ★위반: [gemini-pro] 유출된 마커 (우측 암석의 흰색 표지판) / [gemini-pro] 발명된 주변 환경 (지시문에 없는 바다) / [gemini-pro] 잘못된 카메라 위치 및 구도 (3/4 측면 뷰 아님) / [gpt-high] 자연 암벽에 금지된 인공 표찰 한 개를 추가했습니다. / [gpt-high] 제공된 장소 설명에 없는 바다와 파도를 연결해, 바위 틈을 해안 지형으로 임의 확정했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_roadside_service_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_roadside_service_station_sel.png", "seed_asset_id": "c3c4d03b-d9f9-4bfc-bc05-d962db6ab9f2", "seed_selected": "A", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a roadside fuel station with a mart behind its fueling forecourt. Use the adjoining road as the front edge of the plan. A vehicle access opening directly connects that road to the forecourt, with continuous vehicle space between the access and the fuel dispenser meter. The road continues beyond the station frontage in both directions. Place the mart on the inward side of the forecourt, opposite the road, with its entrance facing the forecourt. An unobstructed pedestrian connection runs from the fueling area to this entrance. A fixed fuel-station identification sign stands beside the roadside access, outside the vehicle passage. The exterior layout is organized around the road and access, the fueling forecourt, and the mart frontage; the mart interior is outside this exterior specification.\n- Road adjoining the fuel station: Runs along the front of the site, directly adjoining the station vehicle access, and continues past both sides of the station frontage.\n- Roadside station vehicle access: Forms the continuous vehicle connection between the adjoining road and the fueling forecourt, without an intervening barrier.\n- Fixed fuel-station identification sign: Stands beside the roadside station vehicle access, visible from the adjoining road and clear of the vehicle passage.\n- Fuel-station fueling forecourt: Occupies the exterior space between the roadside vehicle access and the mart frontage, directly adjoining the fuel dispenser meter and providing vehicle standing space beside it.\n- Forecourt fuel dispenser meter: Stands within the fueling forecourt beside its vehicle standing space, with the mart frontage on the inward side and the road access on the outward side.\n- Mart behind the fueling forecourt: Occupies the inward side of the station behind the fueling forecourt, with its forecourt-facing exterior forming the mart frontage.\n- Forecourt-facing mart entrance: Opens through the mart frontage directly onto the forecourt, with an unobstructed pedestrian connection to the fueling area.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 휴게소 진입로·인근 추격 도로: 주유소가 딸린 국도변 휴게소와 그 앞을 지나는 2차선 포장도로다. / 휴게소 주유소 주유 구역: 차량에 연료를 보급하는 낡은 주유 시설 구역이다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 휴게소 주유소 마트 내부: 물품 진열대가 있는 상점으로 카운터에 총기류가 감춰져 있다.\n\nTHE LOCATION: 49. 휴게소 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Camper and its damaged or overturned states; People and Charlie; Luggage carried and loaded at the station; Hunting drone; Shotgun and drone-control goggles; Robot health-warning display; Gunfire, glass fragments, sparks, explosion, and smoke; Trash mound at the crash location\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "23d9853e-aa9d-4478-a88f-cb7344b41cd4", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_roadside_service_station/rounds/r001/cand_05.png", "sha256": "f9fafa0c064dc720a25086b09f16e1a83e639b86fa462dbde168f5100207a597", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "주유소는 현실에 존재하는 일상 시설이며, 주어진 설명에는 별도의 미래 전용 외형이 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "f33b74593427d6a1", "totals": { "A": 1417, "B": 1321 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "요구된 입간판을 정확히 추가하면서 참조 이미지의 지붕 구조와 기둥 배치를 충실하게 재현했습니다. ★위반: [gpt-high] 구조 명세의 단일 주유기 계량 설비를 3곳의 주유 설비로 증식했습니다. / [gpt-high] 명세에 없는 셔터형 세차 시설을 별도 공간으로 추가했습니다. / [gpt-high] 왼쪽 후방 담장 너머에 흰 차량이 보여 차량 없는 장면 조건을 위반합니다. / [gpt-high] 매장 앞에 이동식 홍보 깃발을 두어 임시 장비·활동 소품 금지 조건을 위반합니다. / [gpt-high] 허용된 영구 주변 요소만 두라는 조건과 달리 배경 건물과 전력 설비 등 별도 주변 시설을 추가했습니다." }, { "label": "B", "score": 1321, "verdict_ko": "캐노피 기둥 개수를 임의로 늘리고 건물 우측을 연장하여 참조된 핵심 구조를 위반했습니다. ★위반: [gemini-pro] 캐노피 전면 기둥 개수 및 구조 임의 변경 (3개에서 4개로 증가) / [gemini-pro] 참조 이미지에 없는 마트 건물 우측 구조물 발명 및 연장 / [gpt-high] 구조 명세의 단일 주유기 계량 설비를 최소 4곳의 주유 설비로 증식했습니다. / [gpt-high] 배치 근거로 사용할 수 없는 참고 사진에서 세차 출구와 그 시설을 가져와 명세에 없는 기능 공간을 추가했습니다. / [gpt-high] 허용된 영구 주변 요소만 두라는 조건과 달리 후방 건물과 전력 설비 등 별도 주변 시설을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_unattended_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_unattended_store_sel.png", "seed_asset_id": "bdf4f3ec-d87e-45b4-93f6-17d8c1eaf331", "seed_selected": "B", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site comprises a street on the outskirts of the refugee settlement and an unattended shop on its opposite side. The street runs along the route toward the urban center. Use the near-side street edge as one camera zone and the opposite shop frontage as the other, with the roadway separating them. The shop faces across the roadway toward the near-side zone. A pedestrian access surface directly adjoins the roadway on the shop side and connects to the shop entrance in its street-facing facade. This arrangement provides both a lengthwise view along the street and an oblique view across it toward the shop. No separate forecourt or intervening enclosure is specified.\n- Street outside the refugee settlement: Extends along the route toward the urban center, separating the near-side street zone from the opposite shop frontage.\n- Opposite unattended shop: Stands across the street from the near-side street zone, with its frontage facing the roadway.\n- Street-facing shop entrance: Located in the street-facing facade of the opposite unattended shop and directly connected to the shop-front pedestrian access surface.\n- Shop-front pedestrian access surface: Directly adjoins the roadway on the opposite shop side and provides continuous pedestrian access to the street-facing shop entrance.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 외곽 도심 거리·무인점포 앞: 침수 구역을 벗어난 한적한 도심 거리로 전력이 차단되거나 상점들이 버려져 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 무인점포 내부: 물건이 남아있는 상점으로 약품과 일상용품이 진열되어 있다.\n\nTHE LOCATION: 40. 난민촌 외곽 –D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo, Amber, and Charlie; Citizens; Absence of police\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "c294fa6b-ed47-4201-8588-4955491d41bb", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_unattended_store/rounds/r001/cand_03.png", "sha256": "1d2a78cd809b4a93d76b91d5ea3eb461b1bb4df1912c87555b2722da7d48a232", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "외곽 도로는 현실에서 촬영할 수 있는 일반 구조물이며, 설명에 미래 고유의 형태가 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "c17cb95c8e5891e8", "totals": { "B": 1417, "A": 1321 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1417, "verdict_ko": "레퍼런스에 있는 특유의 원형 표지판 가로등 디테일을 정확히 재현했으며, 금지된 내부 품목 라벨링 없이 무인점포의 낡은 외관을 충실히 구현했습니다. ★위반: [gpt-high] 구조 설명이 허용하지 않은 연속 울타리, 가드레일, 반복 가로등, 식재대와 배후 시설을 기준 사진의 주변 배치에서 가져와 추가했습니다. / [gpt-high] 규모 판단에만 사용하고 시각화하지 말라고 명시한 점포 내부의 상품 진열과 선반을 유리창 너머로 구체적으로 노출했습니다." }, { "label": "A", "score": 1321, "verdict_ko": "상점 간판에 내부 품목(약품·일상용품)을 직접 텍스트로 적어 라벨링 금지 지시를 위반했고, 레퍼런스의 가로등 형태를 단순화하여 재현에 실패했습니다. ★위반: [gemini-pro] 상점 외부에 내부 가구 및 품목을 설명하는 텍스트 라벨을 직접 노출하여 '내부 공간이나 가구를 라벨링하지 말라'는 지시를 위반함 / [gpt-high] 구조 설명에 없는 연속 울타리, 가드레일, 반복 가로등, 식재대와 배후 시설을 추가해 기준 사진의 주변 배치를 가져오지 말라는 제한을 위반했습니다. / [gpt-high] 크기 근거로만 주어진 내부의 상품 선반과 진열 상태를 창 너머에 직접 시각화했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_upscale_house_approach": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/background_chain/seed_bg_upscale_house_approach_sel.png", "seed_asset_id": "01b4de99-ac44-4133-a3f6-bfd3988980df", "seed_selected": "B", "seed_prompt": "A photographic plate — primarily South Korea, 2069; Korean-speaking characters unless otherwise specified, with multiethnic, multinational refugee communities.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A residential access road runs along the street-facing boundary of an upscale house. A perimeter wall separates the road from the house's exterior grounds. A pedestrian opening in the wall connects the road to an exterior approach leading to the front door. The house stands inside this enclosure, with continuous exterior ground connecting the entrance frontage to the living-room window side. The old door lock is mounted on the front door. Place the large living-room window on the adjoining facade, with an exterior building corner beside it and accessible ground continuing around that corner. A second-floor window overlooks the exterior ground on this side of the house. The road, enclosed entrance frontage, and window-side exterior form connected but distinct camera areas.\n- Residential access road outside the house: Runs along the outside of the perimeter wall and directly adjoins the pedestrian opening into the house grounds.\n- Upscale house: Stands inside the perimeter wall, with its front door facing the enclosed entrance frontage and its living-room window on the adjoining facade.\n- House perimeter wall: Separates the house grounds from the residential access road and continues around the exterior grounds, with a pedestrian opening on the street-facing side.\n- Street-facing pedestrian opening: Interrupts the street-facing perimeter wall and connects the residential access road directly to the enclosed exterior approach.\n- Enclosed exterior approach: Occupies the ground between the perimeter wall and the house entrance, connecting the pedestrian opening to the front door and continuing to the living-room window exterior.\n- House front door: Is set in the house facade facing the enclosed exterior approach, adjacent to the route around to the living-room window.\n- Old front-door lock: Is mounted on the house front door and faces the exterior approach.\n- Large living-room window: Is set in the facade adjoining the entrance facade, directly beside the window-side exterior ground and near the exterior building corner.\n- Exterior corner beside the living-room window: Terminates the living-room window facade, with accessible exterior ground extending around its return face.\n- Window-side exterior ground: Adjoins the living-room window facade, extends beneath the second-floor window and around the exterior corner, and connects continuously to the enclosed exterior approach.\n- Second-floor exterior window: Is set at second-floor level on the window-side facade, overlooking the accessible exterior ground inside the perimeter wall.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 고급주택가 도로·주택 앞길: 도심의 화려한 빌딩을 배경으로, 높은 담장과 세련된 건축물을 갖춘 부유한 주택가의 포장도로다. / 고급주택 담장 안쪽·현관 앞·외벽 창가: 높은 담장을 넘어서 진입하는 외벽 공간으로 구형 보안 장치와 통유리창이 보인다.\n\nTHE LOCATION: 5. 고급주택가 + 집안 거실 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Phone placed outside the living-room window; Pedro's laptop; Car associated with Pedro; Young-woman-form household robot; Shepherd dog; Police and their weapons; Audible alarm\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "1b32711f-43fe-4577-a2ae-59b6b3170359", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_upscale_house_approach/rounds/r001/cand_02.png", "sha256": "11bc1d0081f793ca48366ce57668cca99afb471aeeb5ff7308af2fedeae4f7d8", "fittings": [ { "target_native": "열쇠로 여는 현관 잠금장치", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_upscale_house_approach/rounds/r001/cand_08.png", "sha256": "de2a48bb2dffdd6190d98eeab0b4de5455705d376953e788fdb2649019450e47" }, { "target_native": "열리는 거실 통유리창", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/91b9626e-83ee-4a85-9208-0c8e2d153a63/images/e565764e-23fa-4991-a743-975fd8d061df/structure_form_refs/bg_upscale_house_approach/rounds/r001/cand_16.png", "sha256": "f2a962fbf07535194a33ddf80fa979c1160167941502ee9ec439963c870d5d02" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "고급 단독주택은 현실에 존재하는 주거 건축 유형이며, 별도의 미래 고유 형식이 지정되지 않아 실제 주택 사진으로 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "435ea074d482f758", "totals": { "B": 1750, "A": 821 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "우측 모퉁이를 도는 지면 경로를 성공적으로 구현하여 레이아웃 지침을 따랐으나, 거실 창문이 모퉁이를 감싸는 형태로 생성된 점이 다소 아쉽습니다. ★위반: [gpt-high] 배경 고층 건물과 달리 맥락에서 허용하지 않은 별도의 저층 이웃 주택들을 주변에 추가했다." }, { "label": "A", "score": 821, "verdict_ko": "폼 레퍼런스의 건축 양식은 잘 재현했으나, 우측 모퉁이에 벽을 생성하여 필수 지시사항인 '모퉁이를 돌아가는 접근 가능한 지면' 경로를 완전히 차단한 구조적 오류가 있습니다. ★위반: [gemini-pro] 우측 모퉁이에서 연장된 벽이 지시문에 명시된 '모퉁이를 돌아가는 접근 가능한 지면' 경로를 완전히 차단함 / [gpt-high] 하나의 보행 개구부 대신, 보행문이 설치된 개구부와 그 오른쪽의 별도 열린 개구부를 나란히 만들었다. / [gpt-high] 맥락에서 허용하지 않은 별도의 저층 이웃 건축물들을 주변에 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "4acd0bbf-75f7-47cc-ad6e-8290a7dd13c9", "resolved_model": "gemini-image", "updated_at": "2026-09-20T22:48:48.852821+00:00", "project_config_snapshot": {} }