visual_continuity_anchor — groups 5

vca-p03-prop printed_prop

S12sh12 close_insert
S25sh5 close_insert
S25sh7 close_insert
S29sh3 close_insert

• [prop_state/high] The prop is the same single old photograph first found crumpled in Minsuk’s dead hand and later recovered again from the red circle on the wall.
  “[F.B: 1부 12씬] 죽은 엄마의 손에 구겨져있던 바로 그 사진이다.”
• [surface_state/high] The printed image shows a rural Korean restaurant that appears to date from around the 1970s or 1980s.
  “7-80년대 쯤 보이는 시골 식당”
• [surface_state/high] A round circular structure is mounted on the restaurant roof, visually like a cross-like symbol above the building.
  “지붕위에 둥근 원이 설치된 (마치 십자가처럼)”
• [subject_pose/high] Two twelve-year-old girls are sitting in front of the restaurant in the photograph.
  “식당 앞에는 어린 여자애 둘(12살)이 앉아있다.”
• [subject_pose/high] One of the two girls in the photograph is definitely Minsuk as a child.
  “그중에 한 아이는 분명히 어릴 적 엄마다.”
• [subject_pose/high] Suriyoung points specifically to one child in the photograph and identifies that girl as her mother, Kang Minsuk.
  “(사진속의 한 아이를 가르키며) 이 사진속의 얘가 우리 엄마예요.”
• [prop_state/high] The photograph becomes blood-stained by the time it is seen pinned in the center of the red circle on the bedroom wall.
  “벽에 또 붉은 원이 그려져있다. 그 가운데 꽂혀있는 피묻은 사진 한 장!”

prop_anchor P03

printed_content: The photograph shows a 1970s–1980s rural Korean restaurant building with a prominent round circular structure mounted on its roof like a cross-like symbol. In front of the restaurant sit two 12-year-old Korean girls side by side; one is the childhood version of Kang Minsuk, matching Minsuk’s identity as a Korean woman with natural black hair and gentle features, while the other girl remains unidentified.

physical_form: A small hand-held vintage paper photograph, old and faded, visibly wrinkled from being crumpled in a hand and later marked with blood; flexible photo-paper scale rather than a poster or document.

scale_contract: Keep the prop the size of a small real paper photograph that can be clenched in a hand, pinned to a wall, or held close in one palm without changing into a large print.

{"12:12": {"keep_real_scale": true}, "25:5": {"keep_real_scale": true}, "25:7": {"keep_real_scale": true}, "29:3": {"keep_real_scale": true}}

vca-p01-prop printed_prop

S16sh3 close_insert
S19sh7 close_insert
S27sh2 close_insert

• [prop_state/high] The smartphone screen is a stored-contact or saved-phone-number display for Minsuk, not a photo, map, CCTV image, or other visual scene.
  “(핸드폰에 저장된 민숙번호 보여주며) 이 번호 위치 좀 따봐.”
• [held_prop/high] In the police office use, Hyesu holds the phone screen very close in front of Detective Kim’s face to show him the number.
  “휴대폰 화면을 김형사의 얼굴 앞으로 바짝 들이민 채 멈춘 혜수의 팔.”
• [held_prop/high] In later phone-use shots, the same handheld smartphone is pressed tightly against the user’s ear as an audio-call or message-listening device.
  “휴대폰을 귓가에 밀착시킨 수리영의 굳은 표정.”
• [prop_state/high] Hyesu also presses the phone speaker close to her ear while checking Suriyeong’s recorded message.
  “휴대폰 스피커를 귓가에 바짝 붙인 채 미간을 깊게 찌푸린 혜수의 얼굴.”

prop_anchor P01

printed_content: The phone display is a saved contact/phone-number screen for Minsuk: a functional smartphone interface showing her stored number/contact entry, with no fixed literal digits or wording and no person or place imagery visible on the display.

physical_form: A modern black smartphone, palm-sized and pocketable, with a sleek rectangular body, glossy glass touchscreen, dark reflective surface, and no specified stains or damage.

scale_contract: The prop must remain a real palm-sized smartphone, small enough to be held in one hand and pressed against a person’s ear or held directly in front of another person’s face.

{"16:3": {"keep_real_scale": true}, "19:7": {"keep_real_scale": true}, "27:2": {"keep_real_scale": true}}

vca-p02-prop printed_prop

S5sh8 close_insert
S25sh5 close_insert

prop_anchor P02

printed_content:

physical_form:

scale_contract:

{"5:8": {"keep_real_scale": true}, "25:5": {"keep_real_scale": true}}

vca-s1-c01-immobilized immobilized_subject

S1sh2 close_insert
S1sh5 environment

• [subject_pose/high] The body is in the forest at the moment of being thrown down, with its back impacting/against the ground rather than standing or moving under its own power.
  “검은 인영이 남자를 거칠게 덮쳐 남자의 등이 바닥에 강하게 부딪히며 몸이 튕기는 충격의 찰나.”
• [subject_pose/high] One thigh/leg has a large, deep bite wound with blood running down and collecting in drops.
  “허벅지에 커다란 이빨 자국이 깊게 파인 채 핏방울이 흘러내려 맺혀 있는 한국인 남자의 다리 클로즈업.”
• [prop_state/high] One shoe is off, leaving only a single shoe missing from the body’s footwear state.
  “벗겨진 한쪽 신발.”

subject_anchor C01 severely_injured

shared_state_contract: The immobilized subject is in the forest during the attack aftermath/impact, down on the ground with the back hitting or against the ground, not upright. One thigh bears a large bleeding bite wound, and exactly one shoe is off; those injury and footwear states remain unchanged in every shot, even when only the leg is framed.

per_shot_visible_focus

• sh2: A close view of the wounded thigh/leg, showing the large bite mark and blood droplets; the rest of the body may be off-frame but remains in the same grounded configuration.
• sh5: A medium view of the body at the instant its back hits the ground and rebounds from the impact, including enough of the torso/limbs to read the fall; the wounded leg and missing-shoe state remain consistent even if not emphasized.

{"1:2": {"enforce_state_continuity": true}, "1:5": {"enforce_state_continuity": true}}

vca-s12-c06-immobilized immobilized_subject

S12sh8 environment
S12sh12 close_insert

• [subject_pose/high] The immobilized subject remains seated/slumped on the floor behind or beside the curtain, not lying down or standing.
  “호흡을 가두고 커튼을 젖히자 앉은 채로 고개를 떨군 채 죽어있는 엄마- 민숙!!!!”
• [subject_pose/high] The head stays dropped forward/down while the body is seated.
  “앉은 채로 고개를 떨군 채 죽어있는 엄마- 민숙!!!!”
• [subject_pose/high] The shoulder and collarbone area remains visibly torn with rough bite-like wounds and blood running down from the torn flesh.
  “살점이 뜯긴 어깨와 쇄골, 마치 동물에게 물어뜯긴 듯한 거친 상처가 고스란히 드러나있다. 덜렁거리는 살점과 뜯겨진 부위에 흘러내리는 피.”
• [held_prop/high] One hand, side unspecified, remains clenched around a single crumpled photograph until it is removed; the same clenched-hand configuration must be preserved for the insert.
  “엄마 손안에 구겨진 사진 한 장이 보인다.”
• [surface_state/medium] The body is associated with a blood-soaked floor in the room, with blood present around the immobilized subject.
  “헉!- 여기저기 핏자국. 바닥에 흥건한 혈흔.”

subject_anchor C06 dead

shared_state_contract: The immobilized subject is seated/slumped on the bloodied floor behind or beside the curtain, with the head dropped forward and the shoulder/collarbone area torn and bleeding. One hand, side not specified, is clenched around a single crumpled photograph, and this hand/photo state remains fixed wherever it appears.

per_shot_visible_focus

• sh12: A tight insert of the bloodied hand clenched around the crumpled photograph; the rest of the seated, head-dropped body remains off-frame but unchanged.
• sh8: A medium view of the seated, slumped immobilized body near the curtain, with the dropped head and torn, bleeding shoulder/collarbone area visible; the clenched hand with the photograph may be present if within the medium framing but is not the focus.

{"12:8": {"enforce_state_continuity": true}, "12:12": {"enforce_state_continuity": true}}