{ "status": "completed", "completed_count": 18, "applicable_count": 18, "failed_count": 0, "data": { "groups": { "cb_l05_interior_day_normal": { "group_id": "cb_l05_interior_day_normal", "location_id": "L05", "location_name": "옥탑방 내부", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L05_v01.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. A compact rooftop apartment living room in a calm daytime state, 35mm cinematic still aesthetic, eye-level camera about 1.6m high, slight wide angle around 28mm, single instant, no collage. Frame the modest room so the west wall television sits on the left side facing inward, emitting a cold blue-gray glow with no readable screen text, while pale daylight enters from a small window on the opposite side and mixes with a faint kitchen steam haze. Along the back north wall is a narrow kitchenette: aged off-white lower cabinets, a small stainless sink, a compact two-burner stove, a simple metal pot on the stovetop, a worn backsplash with subtle grease stains, and a short counter with ordinary kitchen items kept tidy. In the center is a small rectangular dining table with mismatched wooden chairs, a few plain teacups on the tabletop, and slightly scuffed edges. Toward the south side is a shallow entry vestibule with a dull metal exterior door, a low shoe area, and everyday footwear storage kept orderly. The walls are old plaster, uneven and lightly cracked, painted warm gray-beige with faint discoloration near corners; the floor is worn vinyl or laminate in muted brown-gray with dull scuffs; the ceiling is low, flat, off-white plaster with a simple flush ceiling light and slight age staining. Add a slim floor lamp near the window, turned off or very faint, contributing to the lived-in silhouette. Overall palette is modest beige, gray, faded wood, and cold blue television spill, with soft natural daytime illumination, quiet dust in the air, no disturbed surfaces, no aftermath marks, no blood, no broken glass, no weapons, and no action.", "shot_guides": [ { "shot_id": "S5_Shot3", "guide": "Use the chain background as the fixed room plate. The television is on the left side of the frame, casting a cold blue-gray glow inward; the dining table and chairs sit near the center, with teacups already on the tabletop; the narrow kitchenette runs along the back wall with the sink, small stove, and pot; the entry vestibule and metal exterior door are toward the right or rear side, with the shoe area low near the door. DO NOT redraw the television, dining table, chairs, teacups, kitchenette, sink, stove, pot, entry door, window, floor lamp, walls, floor, or ceiling -- they will appear in the chain_bg reference. For the shot, place the apron-wearing character in relation to the existing room elements, standing or sitting near the central table and facing toward the television glow on the left. Keep the character positioned so the old plaster walls, worn floor, and modest compact-room layout remain recognizable behind them." }, { "shot_id": "S5_Shot8", "guide": "Use the chain background as the fixed room plate. The central dining table should remain the main spatial anchor, with chairs around it and teacups on top; the television glow comes from the left side of the room; the kitchenette stays along the back wall with the sink, small stove, and pot; the small window and slim floor lamp remain visible in the room atmosphere; the entry vestibule and metal exterior door stay toward the rear or right side. DO NOT redraw the table, chairs, teacups, television, kitchenette, sink, stove, pot, window, floor lamp, entry door, shoe area, worn floor, plaster walls, or ceiling -- they will appear in the chain_bg reference. For the shot, position the character close to the existing dining table, with the cup brought near the mouth in the foreground or midground, using the table edge and teacups as alignment cues. Preserve the same soft daytime light mixed with cold television spill." }, { "shot_id": "S5_Shot13", "guide": "Use the chain background as the fixed room plate even though this is a close-up. The dining table is the most important anchor beneath or behind the wrist area, with teacups already resting on it; the chairs surround the table; the television glow still comes from the left; the kitchenette with sink, small stove, and pot remains along the back wall; the old plaster walls, worn floor, small window, slim floor lamp, and entry door should remain part of the blurred room context if visible. DO NOT redraw the dining table, chairs, teacups, television, kitchenette, sink, stove, pot, window, floor lamp, entry door, shoe area, walls, floor, or ceiling -- they will appear in the chain_bg reference. For the shot, place the wrist close to the camera over or beside the existing table surface, using the cups and table edge as spatial references. Let the background fall softly out of focus while keeping the room palette and lighting consistent." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S5_Shot3", "S5_Shot8", "S5_Shot13" ], "time": "", "floor_plan_used": true }, "cb_l05_interior_night_blood": { "group_id": "cb_l05_interior_night_blood", "location_id": "L05", "location_name": "옥탑방 내부", "status": "ok", "variant_label": "v02", "variant_index": 2, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L05_v02.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A small cramped bedroom inside an old compact rooftop apartment, viewed from near the south doorway at eye level about 1.6m with a slight wide angle 28mm lens, 35mm cinematic still aesthetic. The room has aged off-white gray plaster walls with uneven trowel texture, hairline cracks, damp discoloration at corners, faint scuff marks near the bed height, and a dull matte finish. The floor is made of narrow worn brown floorboards with scratches, dust in the seams, dull varnish, and cold gray reflections; on the floor near the bed is a dark red pooled stain and a trail of red-brown footprint-like marks leading toward the curtained north window, presented as old staining only, with no gore, no bodies, no action. The low flat ceiling is stained plaster with a simple small round ceiling fixture switched off or barely glowing, leaving the room dim. A single narrow bed stands along one side wall with a thin rumpled gray blanket, faded pillow, and cheap metal or laminate frame; beside it are a small low bedside box, a plastic basin or storage tub, a few soft clutter items, and dust. The north wall has a closed window fully covered by heavy faded beige-gray curtains, the fabric hanging still and opaque, with a slight dirty hem near the floor. The south doorway is open at the edge of the composition, showing only a sliver of the adjoining living space as a weak cold blue-gray television spill that grazes the doorframe and floorboards. Include a plain wooden doorframe with chipped paint, an old switch plate, modest trim, and no readable text anywhere. Lighting is late night interior darkness: sickly dim gray ambient light, faint blue-gray spill from beyond the doorway, deep soft shadows under the bed and furniture, muted palette of ash gray, worn beige, brown wood, and subdued red-brown floor stains. No people, no blood, no broken glass, no weapons, no readable signage, no collage, one quiet single instant.", "shot_guides": [ { "shot_id": "S12_Shot5", "guide": "Use the chain background as the fixed empty bedroom. The doorway is behind the camera side near the lower frame edge, the single bed runs along one side wall, the curtained window is on the far wall, and small floor items sit near the bed. DO NOT redraw the bed, curtain, doorway, floorboards, wall finish, ceiling light, or scattered items - they will appear in the chain_bg reference. For this shot, keep the camera low enough to emphasize the floor path in the foreground and middle ground, with the red-brown staining and footprint trail leading visually toward the curtain. If adding a character or prop in a later shot layer, keep it outside the central stain path so the floor remains readable. Preserve the dim gray bedroom mood and the faint blue-gray spill coming from the adjacent room through the doorway." }, { "shot_id": "S12_Shot8", "guide": "Use the chain background as the fixed empty bedroom. The single bed should remain along the side wall, the curtained window should stay on the far wall, the open doorway should remain as the weak blue-gray light source, and the worn floorboards with red-brown marks should remain visible below. DO NOT redraw the bed, curtain, doorway, floor, wall plaster, ceiling, or small floor items - they will appear in the chain_bg reference. For a reaction composition, place the character in the open standing space between the doorway side and the bed, slightly forward of the bed line, so the person is framed against the dim wall and not blocking the curtain entirely. Keep the figure oriented toward the disturbed floor area or toward the window side. Maintain the same eye-level perspective, cold gray palette, and cramped apartment atmosphere." }, { "shot_id": "S12_Shot16", "guide": "Use the chain background as the fixed empty bedroom for a front-facing reaction setup. The bed remains on one side of the frame, the curtained window sits on the far wall, the doorway behind or beside the camera direction casts faint blue-gray light, and the worn floorboards with dark red-brown tracking marks remain below. DO NOT redraw the bed, curtain, doorway, wall plaster, ceiling fixture, floorboards, or small floor items - they will appear in the chain_bg reference. Position the character near the central open floor area, in front of the side wall and offset from the bed so the face can be framed frontally while the curtain and part of the bed still read as background anchors. Avoid covering the entire floor trail; leave some marks visible near the lower frame. Preserve the dim gray, sickly, quiet stillness of the room." } ], "parent_id": "cb_l05_interior_day_normal", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S12_Shot5", "S12_Shot8", "S12_Shot16" ], "time": "", "floor_plan_used": true }, "cb_l05_interior_night_clean": { "group_id": "cb_l05_interior_night_clean", "location_id": "L05", "location_name": "옥탑방 내부", "status": "ok", "variant_label": "v03", "variant_index": 3, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L05_v03.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. A small enclosed bedroom inside a compact old apartment, rendered as one quiet 35mm cinematic still with an eye-level camera at about 1.6m and a slight wide angle around 28mm, looking diagonally across the room so the modest single bed is along the left wall, the closed curtain covers the back window, and the right edge of the frame catches the open doorway to a dim adjoining room. The walls are old plaster with a fine uneven skim coat, faint hairline texture, dull off-white gray paint, and a strangely sterile clean surface with no stains or marks; the low flat ceiling is the same matte gray plaster with a simple round flush ceiling light or bare frosted bulb casting cold flat gray illumination. The floor is made of narrow worn wooden floorboards, sanded-looking and unnaturally clean, muted brown-gray with subtle scuffs but no debris, no dust piles, no broken glass. A plain single bed has a low metal or simple wood frame, a thin pale mattress, a neatly pulled dull gray blanket, and a clean plain pillow; one front bed leg is visible near the lower middle-left. Near that bed leg on the floor rests a soft dark backpack with no readable logos and a small cloth doll beside it, both still and undamaged. The back wall has a closed heavy curtain in desaturated gray beige, hanging flat from a simple rail over the window, blocking daylight. The doorway on the right shows only a narrow vertical slice of the adjoining dim living area, adding a faint warm amber edge light along the door trim while the bedroom remains drained by cold gray light. Include plain wooden baseboards, chipped but clean door trim, a simple door jamb, sparse weathered furniture only if needed such as a small low bedside surface partly cropped, all in a restrained gray, beige, faded wood palette. No people, no blood, no weapons, no action, no broken glass, no visible text except English only if any accidental label appears, single instant, no collage, no diptych.", "shot_guides": [ { "shot_id": "S14_Shot5", "guide": "Use the chain_bg as the fixed bedroom environment. The single bed sits along the left side of the frame, with its front leg near the lower center; the closed curtain is on the back wall, and the doorway edge to the dim adjoining room is on the right side with a faint warm spill. The clean worn floorboards occupy the lower half, and the backpack with the doll rests low near the bed leg. DO NOT redraw the bed, curtain, doorway, floorboards, backpack, or doll -- they will appear in the chain_bg reference. For the close face shot, position the character very close to camera in the foreground, slightly right of center, with the bed and gray plaster wall falling softly behind. Keep the face placement high enough that the backpack and doll remain only peripheral or partially obscured, preserving the cold gray room tone." }, { "shot_id": "S14_Shot10", "guide": "Use the chain_bg as the unchanged small bedroom. The bed remains on the left side, the closed curtain stays on the rear wall, the old clean floorboards run toward the camera, and the doorway edge with faint warm light stays on the right. The backpack and doll are on the floor near the front bed leg, low in the frame. DO NOT redraw the bed, curtain, doorway, floorboards, backpack, or doll -- they will appear in the chain_bg reference. For the still moment with a hand on a shoulder, place the two figures in the foreground between the bed and the right doorway, so their upper bodies overlap the gray wall area while leaving the lower floor objects visible near the bed leg. Keep the contact centered slightly left of the doorway, using the bed as the main spatial anchor behind them." }, { "shot_id": "S14_Shot12", "guide": "Use the chain_bg directly for the floor-level object shot. The worn but unnaturally clean floorboards dominate the lower frame, the bed leg stands near the left or lower-left area, and the backpack with the doll is already placed beside it near the center-lower portion of the room. The closed curtain remains on the back wall, with the doorway edge and faint warm spill on the right side. DO NOT redraw the bed, curtain, doorway, floorboards, backpack, or doll -- they will appear in the chain_bg reference. If any character presence is needed, keep it outside the main object area or only as an implied off-frame presence; the focus should stay on the backpack and doll on the floor. Maintain the low, quiet, sterile gray lighting, and let the objects sit motionless against the clean floorboards." } ], "parent_id": "cb_l05_interior_night_blood", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S14_Shot5", "S14_Shot10", "S14_Shot12" ], "time": "", "floor_plan_used": true }, "cb_l05_interior_day_hallucination": { "group_id": "cb_l05_interior_day_hallucination", "location_id": "L05", "location_name": "옥탑방 내부", "status": "ok", "variant_label": "v04", "variant_index": 4, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L05_v04.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A compact rooftop apartment living room with a small dining area in cold gray morning light, rendered as a 35 mm cinematic still from eye level about 1.6 m with a slight wide angle 28 mm lens. The room has uneven old plaster walls in chalky off-white and pale gray, hairline cracks, rubbed corners, faint water stains near the ceiling, and scuffed trim; worn dark honey-brown floorboards with dull varnish, scratches, dust in the seams, and a thin faded rug beneath the table; a low flat ceiling with matte off-white paint, shallow cracks, exposed conduit, and a small simple ceiling fixture switched off. The central rectangular wooden dining table sits slightly forward of center, aligned toward a small black television on a low cabinet against the left wall; on the tabletop are two plain ceramic teacups, a small saucer, an empty muted metal tray, and a simple framed photograph turned slightly away with no visible person and no readable text. Along the back wall is a narrow kitchenette: white enamel sink, worn laminate counter, two small cabinet doors, a compact dish rack, pale tile backsplash with gray grout, and a small exterior window above or near the counter glowing with overcast morning light. A slim unlit floor lamp stands near the window, a plain interior door sits on the right wall, and modest shelves hold neutral dishes and folded cloth. Palette of cold gray, faded beige, dull brown wood, off-white plaster, and muted metal; soft diffuse daylight from the small window, flat low-contrast shadows, quiet domestic stillness, weathered furniture, dust, no action, no blood, no broken glass, no weapons, no readable text, single photo, no collage.", "shot_guides": [ { "shot_id": "S18_Shot15", "guide": "Use the chain_bg as a tabletop-oriented living room reference. The rectangular dining table sits in the center foreground, with the television on the upper-left wall and the narrow kitchenette stretching across the back of the frame. The small window is toward the rear side, the slim floor lamp stands near it, and the worn floorboards and cold gray plaster walls should remain visible around the tabletop. DO NOT redraw the dining table, teacups, framed photograph, television, kitchenette, window, or floor lamp - they will appear in the chain_bg reference. For this close-up, crop tightly toward the framed photograph resting on the central tabletop, letting the teacups and saucer sit nearby as soft background anchors. If the inserted image content changes within the photo frame, keep that change contained to the photograph surface only, without altering the surrounding table, cups, frame edge, or room layout." }, { "shot_id": "S18_Shot16", "guide": "Use the chain_bg as the same cold gray living room dining area. The dining table should remain centered and slightly low in the frame, the television should stay on the upper-left wall, and the kitchenette, small window, and slim floor lamp should stay along the rear of the room. DO NOT redraw the dining table, teacups, framed photograph, television, kitchenette, window, floor lamp, walls, floorboards, or ceiling fixture - they will appear in the chain_bg reference. For the reaction close-up, place the person close to camera at the near side of the dining table, so only portions of the table surface, teacups, and the cold gray room behind are visible around the shoulders or head. Keep the person spatially tied to the table, facing generally toward the television side of the room, with the background softly compressed but still recognizable as the same worn apartment interior." }, { "shot_id": "S18_Shot10", "guide": "This shot description belongs to a bathroom mirror space, so use a separate bathroom chain background when available. If this living room chain_bg is supplied only for continuity, keep its anchors consistent and mostly peripheral: the dining table is centered low, the television is on the upper-left wall, the kitchenette and small window run across the back, and the slim floor lamp stands near the rear window. DO NOT redraw the dining table, television, kitchenette, window, floor lamp, teacups, framed photograph, worn floorboards, or cold plaster walls - they will appear in the chain_bg reference if any living room edge is seen through a doorway or reflection. For the actual mirror composition, place the mirror surface in the foreground and let any visible living room portion remain a distant doorway sliver rather than the focus. Keep any red circular mark confined to the mirror plane, not painted onto the living room wall." } ], "parent_id": "cb_l05_interior_night_clean", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S18_Shot15", "S18_Shot16", "S18_Shot10" ], "time": "", "floor_plan_used": true }, "cb_l05_interior_dusk_ransacked": { "group_id": "cb_l05_interior_dusk_ransacked", "location_id": "L05", "location_name": "옥탑방 내부", "status": "ok", "variant_label": "v05", "variant_index": 5, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L05_v05.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A compact rooftop apartment living room at blue-gray dusk, rendered as a 35mm cinematic still, eye-level camera about 1.6m high with a slight wide angle 28mm lens, single quiet instant. The room has old uneven off-white plaster walls with hairline cracks, rubbed corners, faint water stains, and a cold gray-blue cast; worn medium-brown wooden floorboards with dull scuffs, dusty seams, and a few scattered domestic objects such as folded cloth, papers, a tipped cushion, and small boxes, but no broken glass, no blood, no weapons. The low flat ceiling is aged white plaster with slight discoloration, a simple round flush ceiling light turned off or very dim, and visible shadow pooling near the corners. On the left side, an open front metal door with a dark painted surface and simple handle reveals a narrow threshold and spills cold evening light into the room. Along the left west wall sits a modest television on a low stand with cables and a small shelf below. Across the rear north wall is a narrow kitchenette with plain lower cabinets, a small sink, a compact counter, a few muted utensils, and a dark backsplash area. In the center is a small rectangular dining table with mismatched chairs, lightly disturbed but still upright; nearby is a worn low sofa or chair cluster and a slim unlit floor lamp. On the right wall, a small exterior window with a simple frame lets dim dusk light streak across the floorboards. Include a plain interior doorway toward the rear or right leading to a darker adjoining room, with only a blank worn wall glimpse beyond. Palette of cold blue-gray evening light, faded cream plaster, dark metal door, brown floorboards, and muted beige furniture; underlit, vacant, tense, dusty, and still. English only for any visible labels or papers, preferably no readable text.", "shot_guides": [ { "shot_id": "S25_Shot13", "guide": "Use the empty living room reference as the spatial base. The open metal entry door is on the left side of the frame, the west-wall television sits deeper along the left wall, the central dining table occupies the middle ground, and the small exterior window glows on the right side with blue-gray dusk light. DO NOT redraw the entry door, television, dining table, floor lamp, kitchenette, window, plaster walls, floorboards, or ceiling fixture - they will appear in the chain_bg reference. For this shot, position the character just outside or at the threshold of the open entry door, with the body aligned to the doorway and the room receding behind. Keep the camera at eye level from inside the living room looking toward the exit, so the vacant, disturbed room remains visible as background atmosphere." }, { "shot_id": "S27_Shot2", "guide": "Keep the same disturbed living room layout from the chain_bg. The central dining table should remain in the middle of the frame, the narrow kitchenette is along the back wall, the television is on the left wall, the slim floor lamp stands near the seating area, and the small window is on the right side spilling cold dusk light across the floorboards. DO NOT redraw the dining table, television, kitchenette, floor lamp, window, open entry door, worn plaster walls, scattered household objects, or ceiling light - they will appear in the chain_bg reference. Place the character in the foreground or near the dining table with a phone at the ear, oriented so the living room depth and open door remain readable behind them. Let the anxious stillness come from the empty blue-gray room and the visible gaps between furniture." }, { "shot_id": "S27_Shot3", "guide": "Use the chain_bg as the fixed room background. The open metal entry door sits toward the left edge, the television is mounted or placed along the left wall, the central dining table anchors the middle, the narrow kitchenette stretches across the rear wall, and the small exterior window glows on the right. DO NOT redraw the entry door, television, table, kitchenette, floor lamp, window, worn walls, floorboards, ceiling, or existing clutter - they will appear in the chain_bg reference. For the shot composition, place one character in the foreground near the center or right of the living room, turned back toward another character positioned closer to the open entry side or rear middle ground. Keep the furniture positions unchanged so the glance direction reads across the table and toward the doorway, preserving the dim dusk atmosphere." }, { "shot_id": "S27_Shot6", "guide": "This shot should rely almost entirely on the empty chain_bg. The open metal entry door is on the left, the television remains along the left wall, the dining table is centered in the room, the narrow kitchenette is at the rear, the slim floor lamp stands near the seating area, and the small exterior window is on the right with blue-gray evening light. DO NOT redraw the door, window, table, television, kitchenette, floor lamp, walls, ceiling, floorboards, or scattered objects - they will appear in the chain_bg reference. Do not add characters. Compose the frame as a still vacant living room, emphasizing the hollow floor space between the door and the table, the underlit corners, and the cold light crossing the worn wood. Maintain eye-level perspective and let the disturbed objects remain quiet rather than active." }, { "shot_id": "S25_Shot5", "guide": "Use the living room chain_bg as the approach view toward the interior doorway. The main furniture anchors should remain stable: television on the left wall, central dining table in the middle ground, kitchenette at the rear, floor lamp near the seating area, open entry door to the left, and exterior window to the right. DO NOT redraw the television, dining table, kitchenette, floor lamp, open entry door, exterior window, plaster walls, floorboards, or ceiling fixture - they will appear in the chain_bg reference. For this shot, aim the composition toward the rear or side doorway so a marked wall surface in the adjoining room can be introduced beyond the living room threshold. Keep the living room anchors visible at the edges or foreground, using them as spatial context while the doorway-framed wall becomes the point of attention. Avoid adding people or violent detail." }, { "shot_id": "S25_Shot6", "guide": "Treat the chain_bg as the establishing background that leads into a tighter wall detail through the rear or side doorway. The living room still contains the left-wall television, central dining table, narrow rear kitchenette, slim floor lamp, right-side window, open metal entry door, worn plaster, and floorboards. DO NOT redraw the television, dining table, kitchenette, floor lamp, window, entry door, walls, floorboards, ceiling, or existing clutter - they will appear in the chain_bg reference. For this close shot, crop or move attention toward the marked wall area beyond the doorway, placing an old photograph or small paper object at the center of the mark if needed. Keep the living room only as peripheral spatial context, not as a newly designed room. Maintain a quiet, forensic stillness and avoid gore, weapons, broken glass, or active motion." } ], "parent_id": "cb_l05_interior_day_hallucination", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S25_Shot13", "S27_Shot2", "S27_Shot3", "S27_Shot6", "S25_Shot5", "S25_Shot6" ], "time": "", "floor_plan_used": true }, "cb_l04_rooftop_day_establish": { "group_id": "cb_l04_rooftop_day_establish", "location_id": "L04", "location_name": "옥탑방 옥상·철문 현관 외부", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L04_v01.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. High overhead establishing view of a compact rooftop exterior among old low-rise concrete roofs and narrow alleys, 35mm cinematic still aesthetic, slight wide angle around 28mm, single quiet instant under flat overcast daylight. The main rooftop slab fills the center of the frame: damp exposed concrete floor with darkened rain patches, fine cracks, moss stains along edges, dust, rust drips, and uneven patched seams. Low parapet walls surround the roof, finished in worn gray cement render with chipped corners, water streaks, peeling waterproof coating, and muted beige-gray discoloration. A small rooftop utility room occupies one side with rough concrete block walls, a flat weathered roof surface instead of a visible ceiling, and a dull green-gray metal entry door; the door is dented, scratched, rusted at the bottom, with a simple handle, hinges, mail slot, and several plain paper flyers tucked into the gap, any readable text in English common words only with no names or logos. A worn cylindrical water tank stands near a parapet on a simple metal support frame, matte dark plastic or painted metal with grime, limescale streaks, and pipe fittings. A sagging clothesline crosses part of the rooftop between metal poles, empty or holding only plain clothespins, no garments with writing. A low wooden platform sits on the concrete with shallow trays of drying herbs, weathered boards, frayed rope, and small clay or plastic basins nearby. Include rooftop fixtures such as short vent pipes, drainage holes, conduit lines, a small exterior wall light above the metal door, and simple utility cables running along the parapet. Beyond the roof, show surrounding muted gray building blocks, flat roofs, small windows, additional water tanks, parapets, patched tar surfaces, and narrow shadowed alleys forming a dense roof grid. Open sky acts as the ceiling: uniformly cloudy pale gray, no direct sun, soft diffuse shadows, cool desaturated palette of concrete gray, faded green metal, dark water stains, rusty brown, muted tan wood, and dull black tank surfaces. No people, no animals, no vehicles in motion, no blood, no broken glass, no weapons, no action, no collage, no diptych.", "shot_guides": [ { "shot_id": "S4_Shot1", "guide": "Use the chain_bg as the fixed overhead rooftop environment for this establishing view. The compact rooftop room and weathered metal entry door sit toward the lower-left of the frame, the damp concrete roof slab fills the center, the low wooden drying platform is near the lower-right, the clothesline runs across the middle-right, and the worn water tank stands in the upper-right near the parapet. Surrounding low-rise concrete roofs and narrow alley gaps occupy the outer edges of the frame. DO NOT redraw the metal entry door, paper flyers, clothesline, drying platform, water tank, parapet walls, neighboring roofs, or alley grid -- they will appear in the chain_bg reference. If adding scale cues for the shot, place any new tiny props only on open concrete areas without covering the door, platform, clothesline, or tank. Keep the image empty of people and preserve the quiet, overcast, damp atmosphere of the reference background." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S4_Shot1" ], "time": "", "floor_plan_used": true }, "cb_l04_rooftop_night_intrusion": { "group_id": "cb_l04_rooftop_night_intrusion", "location_id": "L04", "location_name": "옥탑방 옥상·철문 현관 외부", "status": "ok", "variant_label": "v02", "variant_index": 2, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L04_v02.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. Night exterior view on a compact rooftop home within an old low-rise concrete roofscape, 35mm cinematic still aesthetic, eye-level camera about 1.6m high, slight wide angle about 28mm, single quiet instant. The frame shows a damp exposed concrete rooftop floor with dark wet patches, hairline cracks, worn seams, shallow puddle sheen, and scattered dust; low parapet walls of stained gray concrete enclose the roof, with distant old flat roofs receding in soft darkness. The main wall is rough painted concrete, aged off-white and gray-green, mottled by moisture, peeling paint, rust streaks below fixtures, and grime around frames. There is no indoor ceiling; above is an open black night sky with a low overhanging eave or shallow roof lip casting a hard shadow along the top of the facade. A weak cold exterior bulb in a simple metal socket above the entry throws dim bluish light downward, creating gray-green shadows and small highlights on damp concrete; all other light is faint ambient night spill. On the left half, a weathered metal entry door with chipped dull green paint, rusty hinges, a simple handle, and taped paper flyers with only faded English words or illegible marks sits slightly recessed in a concrete frame. On the right half, a small living room window with an old metal frame is dark and mirrorlike, reflecting laundry lines, the parapet, the low drying platform, herb pots, and rooftop clutter across the glass without revealing any interior. Several clotheslines stretch diagonally across the upper frame, some with empty clips, and a rooftop water tank stands in the background near the parapet. A low drying platform with small herb pots and weathered trays occupies the lower middle foreground. Muted palette of damp concrete gray, oxidized green metal, cold blue bulb light, dirty off-white wall, rust brown stains, and deep black reflections. No people, no visible figures, no silhouettes, no blood, no broken glass, no weapons, no action, no vehicles, no signage with proper names, English-only text if any text is readable.", "shot_guides": [ { "shot_id": "S10_Shot7", "guide": "Use the chain_bg as the fixed rooftop exterior. The dark reflective living room window sits on the right side of the frame, with the weathered metal entry door and its paper flyers to the left, the damp concrete roof floor below, and clotheslines crossing the upper frame. The low drying platform with herb pots is near the lower middle, while the rooftop water tank and parapet sit deeper in the background. DO NOT redraw the window, door, flyers, clotheslines, drying platform, herb pots, water tank, parapet, roof floor, or wall finish -- they will appear in the chain_bg reference. For the shot, place the two human silhouettes only as a faint reflection on the dark window glass, aligned over the existing reflected laundry lines and rooftop clutter. Keep them close to the window surface visually, not inside the room, and preserve the cold bulb glow and gray-green night shadows from the background." }, { "shot_id": "S10_Shot4", "guide": "Use the chain_bg as the fixed rooftop door zone. The weathered metal entry door is left of center with paper flyers attached near the handle area, the dark living room window remains to the right, and the damp concrete roof floor runs across the bottom of the frame. Clotheslines should remain high across the image, while the low herb drying platform stays lower and slightly forward from the wall. DO NOT redraw the metal door, flyers, handle area, window, clotheslines, roof floor, wall finish, herb platform, parapet, or background rooftop clutter -- they will appear in the chain_bg reference. For the shot, position the hand or close foreground subject directly in front of the existing flyer cluster on the door, using the door surface as the main spatial anchor. Keep the camera close to the flyer area while retaining the same weak cold exterior bulb, damp concrete texture, and muted gray-green night palette." }, { "shot_id": "S10_Shot6", "guide": "Use the chain_bg as the fixed rooftop entry background. The weathered metal entry door with paper flyers is the primary anchor on the left half of the frame, with the dark reflective window on the right and the damp rooftop floor below. The exposed concrete wall, cold bulb spill, clotheslines near the top, parapet edge, and rooftop clutter should maintain the same quiet night atmosphere. DO NOT redraw the door, flyers, door frame, window, roof floor, wall finish, clotheslines, parapet, water tank, drying platform, or herb pots -- they will appear in the chain_bg reference. For the shot, frame tightly around the existing door edge and jamb so the narrow opening is suggested by the door alignment, but keep the background materials consistent with the rendered reference. If a figure is added later, keep it spatially related to the door gap only, without changing the fixed metal surface, flyer placement, or cold gray-green lighting." } ], "parent_id": "cb_l04_rooftop_day_establish", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S10_Shot7", "S10_Shot4", "S10_Shot6" ], "time": "", "floor_plan_used": true }, "cb_l04_rooftop_dawn_quiet": { "group_id": "cb_l04_rooftop_dawn_quiet", "location_id": "L04", "location_name": "옥탑방 옥상·철문 현관 외부", "status": "ok", "variant_label": "v03", "variant_index": 3, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L04_v03.png", "t2i_prompt": "Photoreal architectural still — empty room/space, no people. A quiet dawn exterior viewed from low alley height at about 1.6 m, slight wide angle 28mm, 35mm cinematic still aesthetic, camera looking upward along a damp narrow alley wall toward a compact rooftop home perched above an old low-rise building. The foreground is a wet dark concrete alley floor with shallow puddle sheen, worn drainage channel, grime at the wall base, scattered dust, no litter with readable text, no animals. The left and center of frame are dominated by aged gray-green concrete walls with peeling paint, water stains, mossy streaks, patched cement, exposed utility conduit, small rusted brackets, and a few sealed service panels. High above, the rooftop structure has weathered concrete roofs, a chipped rooftop parapet, a dark cylindrical water tank silhouette, sagging clothesline, a low drying platform, and a gray metal entry zone with a dull metal door and simple exterior light fixture. A small upper rectangular window glows with sickly warm yellow room light, contrasting against pale blue dawn fog and muted cold sky; the window frame is old metal, slightly oxidized, intact. There is no ceiling because this is an exterior alley, only open misty dawn sky overhead and shadowed roof overhangs; include undersides of eaves with damp stains. Lighting is early morning ambient blue, soft fog diffusion, with one warm window glow and a weak unlit or barely glowing exterior fixture near the metal entry, creating gentle reflections on wet concrete. Palette: desaturated blue-gray, gray-green concrete, rust brown metal, dull black roof details, and one warm yellow-orange window rectangle. No people, no blood, no broken glass, no weapons, no action, no signage, no readable text, single still frame, photorealistic texture detail.", "shot_guides": [ { "shot_id": "S17_Shot1", "guide": "Use the chain background as the fixed alley and rooftop view: the damp alley floor occupies the lower foreground, the tall weathered concrete wall rises along the left and center, and the compact rooftop home sits high in the upper frame. The small warm rectangular window is near the upper-right area, with the gray metal entry zone, rooftop parapet, water tank silhouette, clothesline, and low drying platform already established around it. DO NOT redraw the rooftop home, window, parapet, water tank, clothesline, drying platform, alley wall, or wet floor — they will appear in the chain_bg reference. For this shot, place the black cat low in the foreground on the damp alley floor, slightly off center, oriented upward toward the lit window. Keep the cat small relative to the looming building so the dawn alley scale remains dominant. Preserve the pale blue fog, gray-green wet surfaces, and warm window glow from the reference." } ], "parent_id": "cb_l04_rooftop_night_intrusion", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S17_Shot1" ], "time": "", "floor_plan_used": true }, "cb_l11_stairs_night_return": { "group_id": "cb_l11_stairs_night_return", "location_id": "L11", "location_name": "옥탑방 외부 계단", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L11_v01.png", "t2i_prompt": "Photoreal architectural still — empty room/space, no people. Cold night exterior rooftop stair and entrance of an old low-rise apartment building, viewed from the top of a steep worn cement stair at eye level about 1.6m with a slight wide angle 28mm lens, 35mm cinematic still aesthetic. The frame looks across a compact rooftop landing of damp gray concrete, with chipped cement stair treads descending in the lower foreground, darkened edges, accumulated dust, rain stains, and subtle puddle sheen. An aged metal handrail with flaking dull paint and rust spots follows the stair along the left side, bolted into cracked concrete. Ahead on the rooftop home wall is a half-open plain metal entrance door, dented and weathered, painted faded gray-green, opening into a dark entry vestibule beyond the threshold; no visible figures, no movement. The surrounding exterior walls are rough cement plaster with patched areas, hairline cracks, water streaks, peeling paint, and grime near the base. The floor is flat rooftop concrete continuing to a low parapet at the right and rear, with damp mottled texture, drainage stains, small utility pipes, a simple exterior conduit, a small meter box, and a low rooftop vent nearby. There is no interior ceiling; above is open deep night sky, while a shallow concrete overhang or door lintel casts a hard shadow over the entrance. Lighting comes from a small cool white wall-mounted bulkhead fixture near the door plus bluish ambient night sky glow, creating cold blue-gray highlights, soft black shadows, and a muted palette of concrete gray, oxidized metal, faded green, rust brown, and desaturated blue. Include concrete walls, parapet, stair, rail, rooftop floor, door frame, threshold, utility details, and the dark vestibule clearly in one single still composition. No signage, no readable text unless generic English only, no blood, no broken glass, no weapons, no action, no vehicles, no people.", "shot_guides": [ { "shot_id": "S11_Shot5", "guide": "Use the chain background as the fixed rooftop stair entry. The steep cement stair occupies the lower foreground and leads upward into the compact landing at the center of the frame. The aged metal rail runs along the left side of the stair, while the low parapet and damp rooftop concrete spread across the right side and rear edge. The half-open metal entrance door is ahead, slightly right of center, with a dark vestibule visible through the gap and a small cold wall light above or near it. Utility pipes, small rooftop fixtures, and weathered concrete walls sit around the door area. DO NOT redraw the stair, metal rail, parapet, rooftop floor, utility details, wall light, or half-open door — they will appear in the chain_bg reference. For the shot, place the character near the upper stair or just entering the landing, oriented toward the half-open door so the gaze line naturally ends at the doorway. Keep the person spatially subordinate to the architecture and avoid covering the door opening." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S11_Shot5" ], "time": "", "floor_plan_used": true }, "cb_l10_yard_night_police": { "group_id": "cb_l10_yard_night_police", "location_id": "L10", "location_name": "다세대 빌라 외부 골목·마당", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L10_v01.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. Wet exterior stair approach and narrow rooftop walkway at night beside an old low-rise residential building, rendered as a single 35mm cinematic still from eye level about 1.6 m with a slight wide angle 28 mm lens. The frame shows rain-darkened concrete stair treads rising diagonally from the lower foreground toward a compressed landing, then a narrow rooftop walkway leading to a plain metal rooftop entry door set into an aged exterior wall. Wall finish: weathered beige-gray cement stucco with darker water stains, hairline cracks, grime streaks below a small rectangular window, patched plaster, and damp edges around the door frame. Floor: rough poured concrete steps and landing, slick with rainwater, shallow puddles, darkened seams, mossy staining near corners, no debris except settled dust and wet grit. Ceiling/overhead condition: mostly open night sky, with the underside of a shallow concrete overhang above the entry zone, stained off-white with damp patches and a small exposed conduit. Fixtures: dark painted metal stair railings on both sides with vertical balusters and a simple top rail, a caged wall light near the entry door emitting weak cold white light, exposed utility pipes along the wall, a small drain channel at the landing edge, and a narrow threshold at the door. Lighting: blue-gray night fog softens the background, the wall light creates a dim wet sheen, and frozen off-frame red emergency-light reflections streak across the railing and glossy concrete without showing any source vehicle. Palette: cold blue-gray, charcoal black metal, rain-dark concrete, faded beige stucco, muted white lamp glow, and saturated red reflected accents. Empty, still, undisturbed surfaces; no people, no blood, no broken glass, no weapons, no signage, no readable text, no action, no collage.", "shot_guides": [ { "shot_id": "S13_Shot5", "guide": "Use the chain_bg as the fixed exterior stair walkway. The wet concrete stair flight rises from the lower-left foreground toward the compressed landing near the center, with dark metal railings framing both sides. The old damp villa wall runs along the right side, and the rooftop entry door sits toward the upper-right background under the small concrete overhang. Red reflections skim the railing and slick floor, with blue-gray fog behind. DO NOT redraw the railings, stair treads, landing, wall, door, overhang, or red reflections -- they will appear in the chain_bg reference. For this shot, place the foreground character near the center landing or lower center of frame, head tilted upward toward another character positioned slightly higher on the stairs or near the upper-right landing. Keep their bodies arranged around the existing railing lines so the background geometry stays visible." }, { "shot_id": "S13_Shot6", "guide": "Use the chain_bg as the fixed wet night stair setting. The narrow rooftop walkway and landing occupy the center, the old rain-dark wall is on the right, the dark metal railing cuts diagonally from the lower-left toward the middle, and the rooftop entry zone remains in the upper-right under a shallow overhang. The concrete surfaces are glossy with rain, tinted by cold blue-gray fog and frozen red light reflections. DO NOT redraw the wall, floor, railing, stair flight, door, overhang, fog, or reflected light -- they will appear in the chain_bg reference. For this close shot, position the main character in front of the right-side wall or near the center-right landing, facing slightly toward the camera or toward the lower stairs. Allow the existing railing to sit behind or beside the shoulders, not crossing the face unless intentionally framed as foreground depth." }, { "shot_id": "S13_Shot8", "guide": "Use the chain_bg as the unaltered exterior stair walkway. The stair treads climb diagonally from the lower-left foreground to the center landing, the dark railing forms strong parallel lines along the steps, and the damp old building wall with the rooftop entry door is on the right and upper-right. The open night above is foggy, with red reflections frozen across the wet metal and concrete. DO NOT redraw the stair flight, railings, concrete landing, wall finish, door, overhang, fog, or red light streaks -- they will appear in the chain_bg reference. For this shot, place the woman higher on the stairs or near the center-right landing, with another character behind her lower on the stair flight, partially aligned with the lower-left to center diagonal. Keep the climbing figure behind and below her, using the existing railing as depth separation while preserving the background layout." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S13_Shot5", "S13_Shot6", "S13_Shot8" ], "time": "", "floor_plan_used": true }, "cb_l09_store_dusk_search": { "group_id": "cb_l09_store_dusk_search", "location_id": "L09", "location_name": "대형 마트 매장 내부", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L09_v01.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A modern supermarket sales floor at dusk, shown as one quiet single instant in a 35mm cinematic still aesthetic, eye-level camera about 1.6m high with a slight wide angle 28mm lens. Long parallel merchandise shelves run from the foreground toward the back of the store, forming a clear aisle grid; continuous perimeter shelving lines the side walls, stocked with orderly generic packaged goods and simple English category labels only, no brand names. Several neat stacks of sealed paper boxes sit near the aisle ends and along the edges, undamaged and organized. The floor is polished pale gray commercial vinyl tile with soft reflections from overhead light, lightly scuffed from normal use but clean. The side walls are smooth off-white washable panels with light gray lower kick plates and simple metal shelf rails; the ceiling is a white suspended acoustic tile grid with rows of cool fluorescent strip fixtures and rectangular diffusers, producing bright flat retail illumination with minimal shadows. At the far end of the aisle, include a glass front entry with automatic sliding doors, metal frames, and tall window panels; faint damp blue dusk light spills through the glass and lightly tints the aisle edges while the interior remains dominated by cool white fluorescent light. Palette is cool white, pale gray, muted beige cardboard, and restrained multicolor packaging, with a subtle blue dusk cast near the entry. No people, no blood, no broken glass, no weapons, no action, no damage, no heavy disturbance, no collage, no diptych; only an orderly stocked supermarket interior with quiet atmosphere, worn surfaces, dust in the fluorescent light, and weathered commercial fixtures.", "shot_guides": [ { "shot_id": "S8_Shot4", "guide": "Use the chain background as the fixed supermarket interior. The long merchandise shelves run from the lower foreground toward the back of the frame, with the central aisle kept open. Continuous perimeter shelving lines the side walls, and stacked paper boxes sit near the aisle edges. The glass automatic entry and faint blue dusk spill are visible toward the far end of the space, while cool fluorescent ceiling panels stretch overhead. DO NOT redraw the long aisle shelves, perimeter shelving, stacked paper boxes, glass entry, ceiling lights, floor tiles, or wall finishes - they will appear in the chain_bg reference. For this shot, place the two standing figures within the open central aisle, facing each other across a modest conversational distance, roughly in front of the mid-frame shelf run. Keep their bodies clear of the shelf geometry so the background grid remains readable. Let the fluorescent lighting define their silhouettes without changing the quiet, orderly retail atmosphere." }, { "shot_id": "S8_Shot9", "guide": "Use the same chain background as the spatial source, especially the far glass automatic entry, the blue dusk spill near the doorway, the bright fluorescent ceiling lights, and the orderly shelf rows receding into the store. The long parallel shelves occupy the center and sides of the frame, while the automatic doors sit toward the far end and act as the exit point. DO NOT redraw the shelves, perimeter shelving, stacked paper boxes, automatic glass doors, ceiling fixtures, tile floor, or wall surfaces - they will appear in the chain_bg reference. For this shot, frame the figure just outside or immediately beyond the automatic doorway, aligned with the door opening, with the smartphone hand near the ear. Keep the interior shelves visible behind the figure through the glass and doorway gap, so the supermarket interior remains recognizable as the source space. Avoid adding extra storefront details that conflict with the background; use the doorway area as the bridge between interior fluorescent light and dusk exterior tone." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S8_Shot4", "S8_Shot9" ], "time": "", "floor_plan_used": true }, "cb_l09_store_day_followup": { "group_id": "cb_l09_store_day_followup", "location_id": "L09", "location_name": "대형 마트 매장 내부", "status": "ok", "variant_label": "v02", "variant_index": 2, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L09_v02.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. A modern supermarket sales floor in cool early morning, seen from eye level about 1.6m with a slight wide angle 28mm, 35mm cinematic still aesthetic. The camera looks down an orderly central aisle: long parallel metal merchandise shelves run from foreground to background on both sides, packed with generic boxed goods, bottles, cans, and plain English category tags only, no brand names; continuous perimeter shelving lines the side walls beyond the aisle grid. Low stacks of sealed brown paper boxes and white cardboard cartons sit neatly near the aisle ends and along the floor edges. The floor is clean but slightly scuffed pale gray vinyl tile with subtle reflections from overhead light. The walls are smooth off-white painted gypsum board above perimeter shelving, with a few brushed metal trim strips, neutral gray baseboards, and no decorative signage except small generic English labels. The ceiling is a flat suspended acoustic tile grid with exposed white metal tracks, rectangular fluorescent troffer fixtures in continuous rows, small sprinkler heads, vents, and security sensors. Cool sterile fluorescent ceiling light dominates the space, casting crisp bluish highlights and soft shadows; faint cold early daylight enters from automatic sliding glass doors and large storefront windows at the far end of the aisle, creating a pale blue glow and slight exterior haze beyond the glass. A small white dome security camera is mounted high above the front entry area near the upper background, angled toward the aisle. Include a closed checkout counter edge and shopping basket stack barely visible near the front window area, but keep the aisle open and empty. Palette of cold white, pale gray, brushed metal, muted packaging colors, and faint blue morning light. No people, no blood, no broken glass, no action, no weapons, no clutter beyond orderly stock, one single instant, no collage, no diptych, photorealistic detail, English-only readable text if any.", "shot_guides": [ { "shot_id": "S19_Shot2", "guide": "Use the chain background as the fixed supermarket aisle. The long parallel shelves should remain on the left and right edges, running from the foreground toward the back, with the central aisle opening through the middle of the frame. Stacked paper boxes sit low near the aisle edges, and the automatic glass doors and cold window glow are far in the background. DO NOT redraw the shelves, paper boxes, ceiling lights, floor tiles, glass doors, or perimeter shelving -- they will appear in the chain_bg reference. Place the character near the center of the aisle, standing between the shelf rows and facing the camera, with enough space around the body to keep the aisle geometry visible. Keep the pose aligned with the aisle perspective rather than covering the entire frame. If extra props are needed, keep them small and secondary, placed in front of existing shelves without changing the shelf layout or the cool fluorescent atmosphere." }, { "shot_id": "S19_Shot5", "guide": "Keep the same supermarket aisle from the chain background. The left and right shelf rows form the main corridor, the ceiling fluorescent strips run lengthwise overhead, and the stacked paper boxes remain near the lower sides of the aisle. The front automatic glass doors and faint early daylight should stay in the distant background, while the sterile tiled floor continues toward the camera. DO NOT redraw the shelves, boxes, glass entry, ceiling grid, fluorescent fixtures, floor tiles, or wall shelving -- they will appear in the chain_bg reference. Position the main character slightly forward of center in the aisle, oriented toward an unseen or partially framed staff figure near one side of the aisle. If including the staff figure, keep that figure spatially related to the shelves, such as near the right shelf row or just beyond the aisle center, without blocking the background anchors. Preserve the quiet, cold supermarket lighting and avoid altering the existing furniture placement." }, { "shot_id": "S19_Shot7", "guide": "This chain background establishes the same supermarket building and entry area. The automatic glass doors are at the far end of the aisle, with storefront windows around them and cool interior light spilling outward; the small dome security camera is mounted high above the entrance area near the upper background. The long shelves and floor tiles remain visible as inherited anchors, even if the shot is reframed closer to the storefront side. DO NOT redraw the glass doors, storefront windows, security camera, ceiling lights, shelf rows, floor tiles, or boxes -- they will appear in the chain_bg reference. For the shot, position the character outside or just beyond the glass entry sightline, looking upward toward the high security camera above the entrance. Frame the person below the upper doorway area so the camera location remains readable. Keep the cold morning atmosphere, faint foggy daylight beyond the glass, and sterile interior light spill consistent with the background." } ], "parent_id": "cb_l09_store_dusk_search", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S19_Shot2", "S19_Shot5", "S19_Shot7" ], "time": "", "floor_plan_used": true }, "cb_l14_admin_day_cctv": { "group_id": "cb_l14_admin_day_cctv", "location_id": "L14", "location_name": "마트 총무과", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L14_v01.png", "t2i_prompt": "Photoreal architectural still -- empty room/space, no people. A small enclosed security office at the back corner of a supermarket, photographed as a 35mm cinematic still from eye level about 1.6m high with a slight wide angle around 28mm, single quiet instant. The room is boxed in with no exterior windows: plain painted drywall walls with a slightly uneven matte finish, scuffed lower corners, dull beige-gray paint, a few small English-only generic notices on the wall if any text appears. The floor is worn off-white and gray vinyl composition tile with grime in the seams, rubber baseboard trim, and faint chair scuffs. The ceiling is a low suspended acoustic tile grid with stained white panels and exposed fluorescent troffer fixtures; one rectangular overhead fluorescent panel casts a sickly green-white wash. Against the back wall sits a utilitarian laminate desk in dull gray beige, cluttered but orderly with several surveillance monitors in black plastic bezels, cables, a keyboard, a small control panel, stacked folders, and a desk lamp switched off. One surveillance screen shows a dark, low-quality black-and-white image of an empty store aisle, grainy and dim, with no people, no violence, no weapons, no blood, no broken glass. Cold blue-gray monitor glow spills across the desk edge, monitor bezels, chair arms, and nearby walls, mixing with the overhead fluorescent light into a muted green-gray palette. A worn black swivel chair is tucked behind the desk, two plain visitor chairs with metal legs sit in front of the desk, and a dented metal file cabinet stands along the right wall with a few unlabeled folders on top. At the front-left of the room, an interior door opens back toward the sales floor, its painted surface and metal handle visible, with only a dull sliver of supermarket light beyond. Keep the office cramped, quiet, dusty, and functional, emphasizing weathered furniture, stale fluorescent air, cold monitor spill, soft shadows, realistic lens distortion, natural film grain, and photoreal material detail. English only for any visible text, no logos, no proper names, no people.", "shot_guides": [ { "shot_id": "S20_Shot3", "guide": "Use the chain background as the fixed security office layout. The monitor bank sits on the desk across the back wall, slightly above the center of the frame, with the desk edge below it and the empty swivel chair tucked behind. The front-left door and dull hallway opening remain at the left side, while the file cabinet stays along the right wall and the two visitor chairs sit in the lower foreground. DO NOT redraw the monitor bank, desk, office chair, visitor chairs, door, file cabinet, wall finish, floor, ceiling, or fluorescent fixture -- they will appear in the chain_bg reference. For the monitor close-up, crop toward one screen within the existing monitor bank and let the screen fill most of the shot, keeping only hints of adjacent bezels and cold blue-gray spill. If adding screen content, keep it as a dark, grainy black-and-white empty store aisle with English-only interface markings or no readable text." }, { "shot_id": "S20_Shot5", "guide": "Use the chain background as the fixed security office layout. The desk and monitor bank are anchored against the back wall near the upper center, casting a cold glow forward; the empty office chair is behind the desk, the two visitor chairs occupy the lower foreground, the front-left door is on the left edge, and the file cabinet stands along the right wall. DO NOT redraw the desk, monitor bank, chair behind the desk, visitor chairs, door, file cabinet, fluorescent ceiling panel, walls, or floor -- they will appear in the chain_bg reference. For this desk-side close view, place the foreground person near the visitor-chair side of the desk, between the lower center and right side of the frame, with the monitor glow catching the face from the back wall direction. Keep the existing furniture partially visible around the shoulders and frame edges so the person reads as seated or leaning in front of the security desk, not in a different room." }, { "shot_id": "S20_Shot7", "guide": "Use the chain background as the fixed security office layout. The back-wall desk and monitor bank should remain behind the subject, with the monitor bezels clustered in the upper center of the frame and the desk edge running horizontally beneath them. The office chair behind the desk belongs in the middle background, the visitor chairs remain lower in the foreground, the door stays at the front-left side, and the file cabinet remains against the right wall. DO NOT redraw the monitors, desk, office chair, visitor chairs, door, file cabinet, ceiling tiles, fluorescent fixture, painted walls, or vinyl floor -- they will appear in the chain_bg reference. For this close desk-side view, place the security staff member on the chair side of the desk or just in front of it, framed from the chest upward, with the monitor glow behind and to one side. Keep the head and shoulders aligned with the back-wall monitors so the nodding still feels grounded in the cramped office space." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S20_Shot3", "S20_Shot5", "S20_Shot7" ], "time": "", "floor_plan_used": true }, "cb_l19_deck_dusk_fog": { "group_id": "cb_l19_deck_dusk_fog", "location_id": "L19", "location_name": "소형 어선 갑판", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L19_v01.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A compact fishing boat working deck at coastal dusk, captured as a 35mm cinematic still from eye level about 1.6m with a slight wide angle 28mm lens, one single quiet instant. The camera looks forward across a small rectangular open deck toward an enclosed wheelhouse wall at the front: weathered off-white fiberglass or painted metal wall finish with salt stains, grime streaks, chipped edges, dull rivets, a centered rear door with a small dark window, narrow side window panes, rubber gaskets, a simple metal handle, and a shallow roof overhang casting cabin shadow. The deck floor is damp aged wood planking mixed with worn galvanized metal panels, dark seams, scuffed nonslip patches, rust freckles around bolts, puddled seawater reflections, and muddy boot-wear marks but no footprints as active traces. Low tubular metal railings run along the left, right, and rear edges, dull gray with corrosion at joints; fixed cleats, fairleads, tie-down rings, hatch covers, a drain grate, a small utility box, and metal brackets are bolted to the deck. Coils of thick anchor rope lie near the lower-left and right side edges, with a few quiet fishing items such as plastic crates, floats, net bundles, a bucket, and a folded tarp scattered low and still; no hooks or knives visible. There is no ceiling over the open deck, only an overcast gray-blue evening sky; the wheelhouse roof underside and overhang form the only ceiling-like element, dark, flat, and salt-stained. Lighting is natural dusk sea light, cool muted gray-blue ambient illumination from the open sky, plus a faint warm amber sunset rim grazing wet planks, metal railings, rope fibers, and the wheelhouse door edges; no strong artificial light, only a soft dim cabin glow hinted behind the door window. Palette of slate blue, cold gray, faded white, oxidized metal, wet brown wood, muted rope tan, and faint amber highlights. Quiet weathered atmosphere, coastal humidity, salt haze, dust, damp surfaces, and still air. English only for any rendered textual content; no readable labels unless in English, no people, no blood, no broken glass, no action, no weapons, no collage, no diptych.", "shot_guides": [ { "shot_id": "S28_Shot4", "guide": "Use the deck background as the fixed environment for a tight close-up setup. The enclosed wheelhouse wall and centered rear door sit forward in the upper-middle of the frame, with small window panes above and dim cabin shadow behind them. Low railings run along the left and right edges, and damp planks with worn metal floor panels fill the lower half. Coils of anchor rope and cleats remain near the side edges, with scattered fishing gear low in the frame. DO NOT redraw the wheelhouse wall, rear door, railings, rope coils, cleats, wet deck panels, or fishing gear - they will appear in the chain_bg reference. Place the face or upper body close to camera in the foreground, oriented downward toward a map held over the lower-center deck area, so the background only reads as the dusk boat deck behind the close-up. Keep any map text in English only or too blurred to read." }, { "shot_id": "S28_Shot8", "guide": "Use the same dusk working deck reference without changing the fixed layout. The wheelhouse wall and centered rear door remain in the upper-center background, the damp aged deck boards and metal panels occupy the lower frame, and the low railings stay along both side edges. Rope coils, cleats, and small fishing gear should remain where they are in the chain_bg, mostly around the lower-left and lower-right edges. DO NOT redraw the wheelhouse wall, rear door, railings, rope coils, cleats, wet deck panels, or scattered gear - they will appear in the chain_bg reference. For the shot, position hands and a small photograph in the foreground over the lower-center area of the deck, with one finger pointing at printed writing on the photograph. Any visible printed writing must be English only, or reduced to indistinct marks if exact wording is not needed. Let the background stay slightly soft but recognizable as the damp boat deck at dusk." }, { "shot_id": "S28_Shot15", "guide": "Keep the chain_bg deck as the spatial anchor. The enclosed wheelhouse wall with the centered rear door should sit forward in the upper-middle of the frame, while the open working deck extends toward camera with damp wood planks and dull metal floor panels. Low railings line the left and right edges, and the rear rail remains behind the camera-facing deck edge if visible. Coiled anchor rope, cleats, fixed hardware, and scattered fishing gear stay near the sides and lower corners. DO NOT redraw the wheelhouse wall, centered rear door, railings, rope coils, cleats, deck panels, or fishing gear - they will appear in the chain_bg reference. For this shot, place two sets of arms or upper bodies in the foreground near the lower-center or slightly right of center, staged close together so one person grips another person's arm. Keep the deck hardware visible around them, especially the wet floor texture and side railings, to preserve the tense stillness of the dusk boat setting." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S28_Shot4", "S28_Shot8", "S28_Shot15" ], "time": "", "floor_plan_used": true }, "cb_l20_wheelhouse_dusk_marks": { "group_id": "cb_l20_wheelhouse_dusk_marks", "location_id": "L20", "location_name": "소형 어선 조타실", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L20_v01.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A cramped small boat wheelhouse at dusk, rendered as a 35mm cinematic still from eye level about 1.6m with a slight wide angle 28mm lens, one single quiet instant. The forward wall is occupied by a wide worn helm console in dull gray-green painted metal and scratched dark laminate, with a central scuffed steering wheel, clustered circular gauges, one red circular gauge, toggle switches, faded labels with no readable text, and a small flat chart surface on the right side. Above it, a continuous front windshield spans the upper wall, with small side lookout windows at both sides; the glass is intact, slightly fogged and salt-streaked, showing a gray sea and a fading amber horizon outside. A centered rear door stands open toward a plain working deck with low railings, visible through the dim interior, with no figures outside. The walls are chipped painted plywood and metal panels in cold gray-green, rubbed at corners, stained by salt and age, with many faint soft red circular marks layered across the wall surfaces, console edges, and window haze as a blurred background motif. The floor is narrow ribbed rubber matting over worn metal, dark, damp-looking, and scuffed, with grime in seams but no debris of violence. The ceiling is low and flat with peeling off-white paint, exposed screw heads, a small dome light, a dim red indicator lamp glow, and thin wiring conduits. Lighting is dusk ambient light through the windshield mixed with weak overhead practical light, cool desaturated shadows, muted amber rim along the window line, dusty air, shallow background blur, realistic worn surfaces, no action, no weapons, no blood, no broken glass, no collage.", "shot_guides": [ { "shot_id": "S29_Shot4", "guide": "Use the chain background as the fixed wheelhouse environment. The forward helm console sits across the middle of the frame, with the worn steering wheel near the lower center, clustered round gauges behind it, the single red circular gauge slightly off center, and the small chart surface on the right side. The windshield band is high in the frame with gray sea and a dim amber horizon beyond it, while the centered rear door and plain deck are farther back and should stay soft. DO NOT redraw the helm console, steering wheel, gauges, red circular gauge, chart surface, windshield, rear door, deck, railings, wall marks, floor, ceiling, or windows - they will appear in the chain_bg reference. For this close-up, place the photo or hand-held object in front of the console area, low center to right, so a pointing hand can align with it while the wheelhouse details remain blurred behind." }, { "shot_id": "S29_Shot7", "guide": "Use the chain background as the fixed cramped wheelhouse. Keep the forward console as the dominant blurred background: steering wheel low center, circular gauges across the middle, the red circular gauge visible among them, and the chart surface on the right. The continuous windshield should remain along the upper frame with dusk sea outside, and the side lookout windows should stay near the edges. The centered rear door and working deck are in the far background and should not become the main subject. DO NOT redraw the console, steering wheel, gauges, red circular gauge, chart surface, windshield, side windows, rear door, deck, railings, faint red circular wall marks, or cold gray-green surfaces - they will appear in the chain_bg reference. For the close-up face shot, position the figure near the center foreground, slightly forward of the steering wheel, with the face blocking part of the console while leaving the red gauge and windshield haze readable around the edges." }, { "shot_id": "S29_Shot13", "guide": "Use the chain background as the fixed wheelhouse interior at dusk. The console stretches across the forward wall in the middle distance, the worn steering wheel is low center, clustered circular gauges sit above it, the single red circular gauge remains visible, and the chart surface stays on the right. The windshield and side lookout windows occupy the upper and side edges with gray sea and fading amber sky outside. The rear door is centered behind the helm area, opening toward the plain deck with low railings. DO NOT redraw the console, steering wheel, gauges, red circular gauge, chart surface, windshield, side windows, rear door, deck, railings, faint red circular marks, ceiling, floor, or wall finish - they will appear in the chain_bg reference. For the still two-person moment, place the pair in the foreground center, close enough to obscure part of the steering wheel, with one head near the other's shoulder while the console and windows remain softly visible around them." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S29_Shot4", "S29_Shot7", "S29_Shot13" ], "time": "", "floor_plan_used": true }, "cb_l13_office_night_call": { "group_id": "cb_l13_office_night_call", "location_id": "L13", "location_name": "경찰서 사무실", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L13_v01.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A modern open-plan detectives office with no windows, viewed at eye level around 1.6m with a slight wide angle 28mm lens, 35mm cinematic still aesthetic, one quiet instant. The frame centers on the right-side duty desk area under harsh green-white fluorescent ceiling light. Dull gray painted drywall surrounds the room, slightly scuffed and matte, with darker gray baseboards and a muted institutional palette of gray, off-white, black plastic, beige paper, and cold green highlights. The floor is worn gray vinyl composition tile with subtle seams, dull reflections, dust in corners, and a clear circulation path running from a bottom-center rear door toward the middle of the office. The ceiling is a low suspended acoustic tile grid with rectangular recessed fluorescent troffer fixtures, flat and clinical, casting even shadowless light. At the rear center is a plain interior door leading to a station corridor, with a narrow wired-glass vision panel and metal push plate; keep the corridor dim and generic. On the right side, a rectangular duty desk holds an inward-facing computer monitor showing an abstract digital street map with English-only interface text and a single red coordinate marker, plus a keyboard, mouse, scattered forms, file folders, pens, a desk phone, and coffee stains. A visitor chair sits across the desk on the near side. In the background, include additional workstations with dark office chairs, low partitions, filing cabinets, cork boards with English-only notices, fluorescent-lit shelves, and a small coffee counter with a compact machine and paper cups. No blood, no broken glass, no weapons, no action, no structural disturbance; only normal desk clutter, worn surfaces, dust, and cold fluorescent stillness.", "shot_guides": [ { "shot_id": "S16_Shot3", "guide": "Use the chain_bg as the fixed background for the right-side desk area. The duty desk occupies the lower-right and center-right of the frame, with the computer monitor set on the far side of the desk facing inward, the keyboard and mouse directly in front of it, scattered forms across the desktop, and the visitor chair on the near side of the desk. Filing cabinets and extra workstations sit deeper in the background, while the corridor door is centered toward the rear. DO NOT redraw the desk, monitor, keyboard, visitor chair, door, filing cabinets, coffee counter, fluorescent ceiling panels, walls, or floor - they will appear in the chain_bg reference. For this shot, place one standing person near the near edge of the right-side desk, close enough to extend a smartphone across the desktop toward a seated person positioned behind or beside the monitor. Keep the smartphone interaction aligned over the desk surface, without changing the background furniture layout." }, { "shot_id": "S16_Shot5", "guide": "Use the same chain_bg reference and preserve the cold fluorescent office atmosphere. The right-side duty desk remains the main anchor in the lower-right half of the frame; the monitor with the digital map is on the desk facing inward, with keyboard, mouse, loose forms, and the visitor chair across from it. The rear-center door opens the visual path into the middle of the room, while the dull gray walls, drop ceiling, fluorescent light panels, filing cabinets, surrounding workstations, and small coffee counter stay visible behind the desk zone. DO NOT redraw the desk, monitor, chair, forms, rear door, cabinets, workstations, coffee counter, ceiling lights, walls, or floor - they will appear in the chain_bg reference. For this shot, position one standing person on the near side of the desk, slightly above and forward relative to a seated or lower-positioned person near the desk chair or workstation, so the gaze direction reads downward across the desk area while the office background remains unchanged." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S16_Shot3", "S16_Shot5" ], "time": "", "floor_plan_used": true }, "cb_l13_office_day_case_files": { "group_id": "cb_l13_office_day_case_files", "location_id": "L13", "location_name": "경찰서 사무실", "status": "ok", "variant_label": "v02", "variant_index": 2, "ref_used": "floor_plan+parent_group", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L13_v02.png", "t2i_prompt": "Photoreal architectural still - empty room/space, no people. A modern open-plan investigation office with no windows, shown as one wide root background that includes the left-center photograph desk and the right-side duty desk in the same frame. 35mm cinematic still aesthetic, eye-level camera about 1.6m high, slight wide angle around 28mm, single instant, no collage. The room has dull matte gray painted walls with subtle scuffs, pin marks, smudged corners, and worn baseboards; a gray speckled vinyl composite tile floor with faint mop streaks and flattened chair-wheel tracks; a low suspended acoustic tile ceiling with metal grid lines, rectangular vents, sprinkler heads, cable trays, and harsh green-white fluorescent troffer fixtures. The palette is cold institutional gray, blue-gray, off-white, faded beige, black plastic, and desaturated metal, lit only by overhead fluorescent light with flat hard shadows and a slightly clinical cast. At the rear center is a plain interior corridor door with a narrow rectangular safety-glass window, metal push plate, silver handle, and an English-only office notice with unreadable generic text. Keep a clear circulation path from the door into the middle of the room. In the left-center foreground stands a rectangular laminate desk with metal legs, cluttered with glossy enlarged case photographs showing only empty rooms, numbered markers, paperwork, sticky notes, folders, pens, pencils, a ruler, a stapler, and paper clips; no visible bodies, no blood, no weapons, no broken glass. On the right side is a duty desk facing inward, holding a computer monitor angled toward the room; the screen displays an English-only gray-blue maritime map interface with contour lines and a single red coordinate marker, plus a keyboard, mouse, scattered forms, a desk phone, and a black task lamp. A simple visitor chair sits beside the right desk, slightly pulled back. In the background are additional empty workstations, low filing cabinets, stacked file trays, cardboard archive boxes, corkboards with generic English labels, and a small coffee counter with a drip coffee maker, paper cups, and a stained sink area. Normal office clutter only, no structural disturbance, no people, no action, no weapons, no blood, no broken glass, all rendered text in English only and generic.", "shot_guides": [ { "shot_id": "S21_Shot6", "guide": "Use the chain background as the fixed office environment. The left-center desk is the key anchor: it sits slightly left of the frame center with glossy enlarged case photographs, paperwork, pens, and small office tools spread across its surface. The right-side duty desk, computer monitor, visitor chair, rear door, filing cabinets, and coffee counter should remain in their established positions in the background. DO NOT redraw the desks, monitor, chair, rear door, filing cabinets, coffee counter, ceiling lights, floor, or walls - they will appear in the chain_bg reference. For this close-up, crop toward the left-center desk surface and place any new photographic prints or paper details only as foreground additions aligned with the existing clutter. If a hand or character presence is required by the shot, keep it just outside or at the edge of the desk area, oriented toward the scattered photographs, without changing the office layout or lighting." }, { "shot_id": "S21_Shot7", "guide": "Use the chain background as the fixed office environment. The left-center cluttered photograph desk remains the main spatial anchor, with the clear circulation path running behind it toward the rear interior door. The right-side monitor desk should still be visible or implied to the right, with its inward-facing screen and visitor chair in the same relative positions. DO NOT redraw the left-center desk, right-side monitor desk, visitor chair, rear door, filing cabinets, coffee counter, ceiling panels, fluorescent fixtures, floor, or gray walls - they will appear in the chain_bg reference. For this shot, position the character near the left-center desk, standing or leaning at the desk edge while holding a photograph above the existing tabletop clutter. Keep the character spatially tied to the photo desk rather than the monitor desk, with the gaze directed down toward or just over the held print. Preserve the cold green-white fluorescent mood and the cramped office depth." }, { "shot_id": "S21_Shot11", "guide": "Use the chain background as the fixed office environment. The right-side duty desk is the key anchor for this shot: it occupies the right half of the room with an inward-facing computer monitor, keyboard, mouse, scattered forms, and a visitor chair nearby. The left-center photograph desk remains to the left, while the rear interior door, low filing cabinets, additional workstations, and small coffee counter stay in the background under the same fluorescent ceiling lights. DO NOT redraw the monitor desk, monitor body, keyboard, mouse, visitor chair, left photo desk, rear door, filing cabinets, coffee counter, ceiling lights, floor, or walls - they will appear in the chain_bg reference. For this close-up, crop tightly toward the existing monitor on the right-side desk and place any new screen detail only inside the monitor area: a gray-blue maritime map with a red coordinate marker and English interface labels. Keep all surrounding desk clutter aligned with the reference and avoid changing the office geometry." } ], "parent_id": "cb_l13_office_night_call", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S21_Shot6", "S21_Shot7", "S21_Shot11" ], "time": "", "floor_plan_used": true }, "cb_l07_shelter_day_care": { "group_id": "cb_l07_shelter_day_care", "location_id": "L07", "location_name": "유기견 보호원", "status": "ok", "variant_label": "v01", "variant_index": 1, "ref_used": "floor_plan_only", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/images/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/background_chain/L07_v01.png", "t2i_prompt": "Photoreal architectural still — empty room/space, no people. A cold fluorescent single-room animal shelter hall, 35mm cinematic still aesthetic, eye-level camera around 1.6m, slight wide angle about 28mm, looking diagonally down an open central handling aisle. No animals, no people, no blood, no broken glass, no weapons, no action. Damp gray sealed concrete floor with shallow puddle sheen, darker wet patches, scuffed tire marks, a narrow floor drain channel running along the aisle, and dull reflections from overhead lights. Plain utilitarian walls in muted gray-beige painted plaster or concrete block, stained near the base, with chipped corners, water marks, and metal kick plates; no windows and no decorative trim. A flat low ceiling of off-white acoustic panels and exposed painted conduit, with long cold fluorescent strip fixtures in metal housings casting greenish-blue institutional light. Iron kennel cages line the entire left wall and continue across the far upper wall, vertical barred fronts facing the open aisle, galvanized metal frames, latch plates, hinges, mesh side panels, wet metal surfaces, and concrete kennel thresholds. Include a larger cage bay toward the upper-left with clear floor space in front for close handling. At the far wall, a plain gray metal service door with a small English-only notice plate, a wall-mounted hose reel, a mop bucket, and a stainless utility sink are visible but secondary. Palette is muted shelter grays, oxidized metal, damp concrete, sickly fluorescent white, quiet normal functional state, no room dividers, single instant, no collage.", "shot_guides": [ { "shot_id": "S7_Shot1", "guide": "Use the chain background as the fixed shelter hall. The kennel row runs along the left side of the frame and turns across the far upper wall; the open wet concrete aisle occupies the center and lower foreground, with the larger cage area toward the upper-left. DO NOT redraw the iron kennel fronts, damp floor, plain walls, ceiling pipes, fluorescent tubes, drain channel, or far service door — they will appear in the chain_bg reference. For this shot, place the large dog inside the left-side cage, close to the barred front, using the cage bars as the main foreground barrier. Keep the dog spatially anchored behind the bars, with its raised front paws near the lower-middle of the cage front and its head aligned around the mid-left of frame. The empty central aisle should remain visible in front of the kennel, emphasizing the cold fluorescent shelter atmosphere." }, { "shot_id": "S7_Shot4", "guide": "Use the same fixed shelter hall background. The left side of the frame is dominated by iron kennel fronts, the larger upper-left cage has clear working space at its front, and the damp gray concrete aisle spreads across the center and lower foreground. DO NOT redraw the kennel cages, wet concrete floor, utilitarian gray walls, exposed ceiling conduits, fluorescent strip lights, drain channel, or far service door — they will appear in the chain_bg reference. For this shot, position the large dog partly in front of the larger upper-left cage area, close to the bars but within the open handling zone. Place the clinician only as the shot requires, near the left-center foreground, reaching toward the dog's rear while keeping the kennel row and central aisle readable behind them. Maintain the cold, clinical fluorescent tone, and keep the background geometry unchanged so the action feels embedded in the same shelter aisle." }, { "shot_id": "S7_Shot9", "guide": "Use the chain background as the unchanged shelter kennel row. The iron cages occupy the left wall and continue across the far upper wall, while the open central aisle of damp gray concrete fills the lower half of the frame. The larger cage and clear working space sit toward the upper-left, with the far service door near the back wall. DO NOT redraw the kennel fronts, metal bars, wet floor sheen, plain gray walls, exposed ceiling pipes, fluorescent fixtures, drain channel, or door — they will appear in the chain_bg reference. For this shot, place the groomer and dog in the open handling area directly in front of the larger upper-left cage, slightly left of center. The dog should be close enough to the kennel row that the bars remain a strong background element. Position the groomer's hands and grooming tool near the dog's coat, using the empty aisle around them to preserve the stark shelter environment." } ], "parent_id": "", "render_attempts": 1, "sanitize_strategies": [], "scenes": [], "shot_ids": [ "S7_Shot1", "S7_Shot4", "S7_Shot9" ], "time": "", "floor_plan_used": true } } }, "step_id": "background_chain_render", "run_id": "085e65db-2535-448a-9982-178d8974f935", "resolved_model": "gpt", "updated_at": "2026-04-29T05:32:47.969140+00:00", "schema_version": 1, "config_hash": "99914b932bd37a50" }