{ "status": "completed", "applicable_count": 1, "completed_count": 1, "failed_count": 0, "schema_version": 1, "config_hash": "f89d97e368673692", "data": { "groups": { "bg_rooftop_day_establishing": { "status": "ok", "location_id": "L04", "location_name": "rooftop_outside", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_rooftop_day_establishing.png", "t2i_prompt": "Photorealistic cinematic drama still frame of an empty urban rooftop in daytime, shot from standing human eye level around 1.6m with a 24mm wide-angle lens. This must be a grounded interior-of-space rooftop view, not a top-down view, not a floor plan, and not an architectural diagram. Camera placed near the simple bench along the south parapet, facing diagonally north across the central open concrete rooftop deck toward a compact stairwell enclosure. The stairwell enclosure sits on the north side of the roof, with a slightly weathered iron door on its south face and a rectangular window on its east wall. Include a small exterior wall light above or beside the iron door as a visible plot-relevant detail. A distinct window shadow zone falls across the concrete roof surface from the rectangular window toward the southeast, readable in the sunlight. On the left side of the frame, show a rooftop water tank in the northwest corner on a raised metal frame beside the parapet, and a simple clothesline stretched between two posts across the west half of the roof. The bench near the camera should be partially visible along the south parapet, facing inward. Wide establishing composition that frames the parapet walls, rooftop furniture, openings, and open deck clearly. Realistic aged concrete, painted metal, slight rooftop grime, sun-faded surfaces, quiet daytime atmosphere, bright natural daylight with crisp but not harsh shadows, no people, no faces, no blood, no corpse, background environment only. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S4_Shot1, make this a wide establishing rooftop background from near the bench at the south parapet, looking diagonally north across the open roof deck toward the stairwell enclosure. Keep the space empty of people and faces, with the water tank and clothesline visible on the left side of frame.", "shot_id": "S4_Shot1" } ], "shot_ids": [ "S4_Shot1" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "day_establishing", "floor_plan_used": true }, "bg_rooftop_night_intrusion_door_ajar_window_shadow": { "status": "ok", "location_id": "L04", "location_name": "rooftop_outside", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_rooftop_night_intrusion_door_ajar_window_shadow.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame of an empty rooftop at night, shot from standing human eye level around 1.55 meters with a 35mm moderate wide-angle lens. This must look like a real film still from inside the rooftop space, not a top-down view, not a floor plan, and not an architectural diagram. The camera is positioned near the center of the open concrete rooftop deck, facing north-northeast toward the compact stairwell enclosure. Frame the south face of the stairwell enclosure prominently: an old iron door is slightly ajar, with a dim exterior wall light mounted above or beside it, casting a weak yellowish glow on the rough concrete wall and roof surface. On the east wall of the enclosure, include a rectangular window; from it, a dark, sharp-edged window shadow stretches diagonally across the foreground roof surface toward the southeast, creating a tense intrusion mood. The rooftop is empty, with no people, no faces, no bodies, and no blood. Include the surrounding low parapet walls, a rooftop water tank on a raised frame near the northwest corner, a simple clothesline stretched across the west half of the roof, and a plain bench along the south parapet facing inward. Use realistic nighttime urban rooftop materials: weathered concrete, worn metal, muted paint, faint grime, subtle damp patches, and soft city spill-light in the far darkness. Keep the atmosphere quiet and suspenseful, with high contrast between the dim wall light, the ajar black iron door, and the long window shadow on the roof. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S10_Shot4, emphasize the ajar iron door and exterior wall light as the main visual focus, with the window-shadow zone falling across the foreground roof surface. Keep the rooftop empty and suspenseful.", "shot_id": "S10_Shot4" }, { "guide_text": "For S10_Shot6, make the rectangular window and its projected shadow readable, while still keeping the iron door ajar in frame. The lighting should feel like a quiet nighttime disturbance, not a bright establishing shot.", "shot_id": "S10_Shot6" }, { "guide_text": "For S10_Shot7, preserve the same eye-level viewpoint and rooftop layout continuity, with the open concrete deck, parapet, water tank, clothesline, and bench visible as supporting background details around the stairwell enclosure.", "shot_id": "S10_Shot7" } ], "shot_ids": [ "S10_Shot4", "S10_Shot6", "S10_Shot7" ], "scenes": [], "parent_id": "bg_rooftop_day_establishing", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "night_intrusion_door_ajar_window_shadow", "floor_plan_used": true }, "bg_rooftop_dawn_cat_light_on": { "status": "ok", "location_id": "L04", "location_name": "rooftop_outside", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_rooftop_dawn_cat_light_on.png", "t2i_prompt": "Create a photorealistic cinematic film still of an empty modest urban rooftop at dawn, viewed from inside the rooftop space at low standing or crouched human height around 1.1 meters, using a 35mm moderate wide-angle lens. This must look like a drama still frame, not a top-down view, not a floor plan, and not an architectural diagram. The camera is positioned near a simple bench along the south parapet, facing diagonally across the central open concrete rooftop deck toward a compact stairwell enclosure on the north side. On the south face of the stairwell enclosure, show a weathered iron door, and above or beside it a clearly visible exterior wall light that is switched on, glowing warm against the cool blue-gray dawn. Keep the rectangular window on the east wall of the stairwell enclosure visible, with a subtle shadow zone cast across the rooftop surface toward the southeast. Include a rooftop water tank on a raised frame near the northwest corner beside the parapet, and a simple clothesline stretched between posts across the west half of the roof. The rooftop should feel lived-in but empty: aged concrete floor, low parapet walls, slight dampness or dawn condensation, muted urban atmosphere, no people, no faces, no animals, no blood. Leave open floor space in the foreground for possible small action, while framing enough furniture, walls, door, window, clothesline, and water tank to establish the layout. Dawn lighting: pale early sky, cool ambient light, faint haze, with the warm exterior wall light still on and visually important. Photorealistic textures, cinematic contrast, natural lens perspective, realistic shadows and reflections, 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S17_Shot1, frame from near the simple bench along the south parapet, at a low standing or crouched height, looking diagonally across the open rooftop deck toward the iron stairwell door and the lit exterior wall light. Keep the rectangular window on the stairwell enclosure visible, leave open concrete floor space in the foreground, and make the wall light clearly readable as the main plot-relevant visual device.", "shot_id": "S17_Shot1" } ], "shot_ids": [ "S17_Shot1" ], "scenes": [], "parent_id": "bg_rooftop_night_intrusion_door_ajar_window_shadow", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "dawn_cat_light_on", "floor_plan_used": true }, "bg_exterior_stairs_night_half_open_door_odor": { "status": "ok", "location_id": "L11", "location_name": "exterior_stairs", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_exterior_stairs_night_half_open_door_odor.png", "t2i_prompt": "Photorealistic cinematic film/drama still frame of an empty exterior stairwell at night, shot from standing human eye level around 1.6m with a 35mm-class wide lens, wide interior-like composition from within the stair space looking upward along the exterior stair flight toward the rooftop landing. This must be a realistic eye-level photograph, strictly not a top-down view, not a floor plan, not an architectural diagram. The lower courtyard falls away behind and below the camera, while concrete or weathered masonry stairs climb diagonally toward a small rooftop landing. A metal stair railing runs along the outer edge of the steps and landing, close to the camera as a dark foreground line leading the eye upward. At the top, an iron doorway is set into a plain exterior wall; the iron door leaf is half-open and swung partly across the rooftop landing, creating an uneasy narrow gap into darkness. Beside the doorway, a single exterior wall light casts cold yellow-white night illumination, producing hard shadows on the wall, stair treads, railing, and landing. From the gap of the half-open iron door, show a subtle visible odor trail: faint grayish wavering haze or thin drifting marks spilling just outside the doorway and spreading onto the rooftop landing, noticeable but not cartoonish. The atmosphere is damp, quiet, urban, and tense, with worn paint, rust on the iron, rough concrete texture, small stains, and night darkness beyond the railing. No people, no faces, no bodies, no blood. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S11_Shot5, frame from the exterior stair flight looking upward toward the rooftop landing and the half-open iron door. Use the railing as a strong foreground edge, with the wall light and faint odor haze clearly visible near the doorway. The space must be empty, tense, and nocturnal.", "shot_id": "S11_Shot5" } ], "shot_ids": [ "S11_Shot5" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "night_half_open_door_odor", "floor_plan_used": true }, "bg_villa_courtyard_night_sirens": { "status": "ok", "location_id": "L10", "location_name": "villa_courtyard", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_villa_courtyard_night_sirens.png", "t2i_prompt": "Create a photorealistic cinematic film/drama still frame of an empty urban villa courtyard at night during an emergency siren moment. The image must be a standing human eye-level photograph, camera height about 1.6 meters, using a 28mm wide-angle lens, framed from just outside the south street alley looking through the metal vehicle gate diagonally into the courtyard yard toward the exterior stair base in the northwest corner and the building entrance door on the north wall. This is strictly not a top-down view, not a floor plan, and not an architectural diagram.\n\nFrame the open metal vehicle gate as a dark foreground threshold, with the narrow street alley just outside behind the camera position and the straight police access lane leading from the gate into the central paved courtyard. Include the bicycle parking area along the west wall with several parked bicycles in shadow, the low perimeter walls on the east and west sides, the exterior stair base near the northwest corner, the building entrance door on the north wall, ground-floor windows along the east building wall, a side pedestrian gate at the southeast corner, a small drain cover set into the center-right paving, and an exterior wall light above the entrance.\n\nThe courtyard should feel like a modest contemporary residential villa exterior: worn concrete or stone paving, painted plaster building walls, metal railings, utilitarian gates, slightly weathered bicycles, simple exterior fixtures, and practical urban residential details. No people, no faces, no vehicles entering the yard, no visible corpses, no blood.\n\nLighting and mood: deep night with a tense emergency atmosphere. The main visual device is strong police/emergency siren light spilling from the south alley through the vehicle gate and side gate area, casting alternating red and blue color washes across the gate bars, paving, low walls, bicycles, windows, and north entrance. The exterior wall light above the building entrance adds a small warm yellow pool of light, contrasting with the cold blue shadows and red flashes. Wet or slightly glossy paving may catch reflections of the siren colors, making the empty space feel dramatic and cinematic. Wide composition, realistic lens perspective, natural shadows, high-detail photoreal materials, no stylized illustration. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S13_Shot5, use this same empty night courtyard background with the metal gate as the foreground threshold and emergency siren light spilling in from the alley.", "shot_id": "S13_Shot5" }, { "guide_text": "For S13_Shot6, keep the courtyard unoccupied; emphasize the diagonal view toward the exterior stair base and building entrance, with bicycles and the access lane remaining visible side details.", "shot_id": "S13_Shot6" }, { "guide_text": "For S13_Shot8, preserve the same night siren atmosphere and layout continuity: gate foreground, courtyard depth, north entrance, west bicycle area, east windows, and colored emergency light from outside.", "shot_id": "S13_Shot8" } ], "shot_ids": [ "S13_Shot5", "S13_Shot6", "S13_Shot8" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "night_sirens", "floor_plan_used": true }, "bg_living_kitchen_day_normal": { "status": "ok", "location_id": "L05", "location_name": "living_kitchen", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_living_kitchen_day_normal.png", "t2i_prompt": "Create a photorealistic film/drama still frame of an empty compact living room with an integrated kitchenette, shot from inside the room at standing human eye level around 1.6 meters, using a 35mm-class wide lens. The camera is positioned just inside the entry door area, looking diagonally across the main room toward the low TV stand and television on the north wall, with the east-wall sliding window still visible so normal daytime light enters the space. This must be a cinematic interior photograph, strictly not a top-down view, not a floor plan, and not an architectural diagram.\n\nUse the referenced floor plan only for spatial relationships: the entry door is behind/near the camera at the southwest side, a loose floor mat lies just inside the entry, the compact living area opens ahead, a small sofa sits in the south-central area facing the TV, the low TV stand sits along the north side with the television above it, and a small photo frame rests on the TV stand near the television side. The kitchenette occupies the northwest corner, with an L-shaped kitchen counter along the north and west walls; include simple practical cabinetry, countertop clutter kept minimal, and the dining table placed center-left between the kitchenette and sofa. The sliding window on the east wall should show bright exterior rooftop daylight without drawing attention away from the interior.\n\nState and mood: day_normal — natural, ordinary daytime atmosphere, soft sunlight diffused through the sliding window, gentle interior shadows, lived-in but tidy, modest materials, realistic textures on walls, floor, counter, table, sofa fabric, TV stand, and floor mat. No people, no faces, no bodies, no blood, no dramatic horror elements; background only. Wide composition framing furniture and walls from inside the room, realistic perspective and depth, 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For this shot, use the same empty daytime living-kitchen background viewed from near the entry door, with the living room, kitchenette, dining table, TV area, sliding window daylight, small photo frame, and loose floor mat clearly readable.", "shot_id": "S5_Shot3" }, { "guide_text": "For this shot, maintain continuity of the compact apartment layout and normal daylight mood; no people or faces, only the room, furniture, props, and soft daylight from the sliding window.", "shot_id": "S5_Shot8" }, { "guide_text": "For this shot, keep the TV stand and small photo frame visible as part of the background, with the entry-side floor mat and kitchenette relationship consistent with the reference layout.", "shot_id": "S5_Shot13" } ], "shot_ids": [ "S5_Shot3", "S5_Shot8", "S5_Shot13" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "day_normal", "floor_plan_used": true }, "bg_living_kitchen_day_photo_distorted": { "status": "ok", "location_id": "L05", "location_name": "living_kitchen", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_living_kitchen_day_photo_distorted.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame of an empty compact living room with an open kitchenette in daytime, shot from inside the room at standing human eye level around 1.6 meters, using a 35mm-class slightly wide lens. This must look like a film still photograph, not a top-down view, not a floor plan, not an architectural diagram. Camera is positioned near the dining table in the center-left living area, facing toward the low TV stand and television on the north wall; the sliding window on the east wall is visible off to the side, bringing in soft rooftop daylight. Keep the furniture layout readable: an L-shaped kitchen counter tucked into the northwest corner, dining table between kitchenette and sofa, small sofa in the south-central area facing the TV, low TV stand below the television, loose floor mat near the entry door inside the southwest wall. Make the small photo frame on the TV stand prominent as the key visual object, placed near the television side; its glass should catch daylight and the picture inside should be indistinct or obscured, with no visible face. The room is empty, no people, no reflections of people, no faces, no blood. Daytime atmosphere with natural light, ordinary lived-in surfaces, realistic walls, floor, furniture, and mild shadows. Apply a subtle distorted-photo treatment: slight bowed edges, faint lens warping, soft chromatic fringing, and an unsettling skew as if the photograph itself is warped, while keeping the architecture coherent and photoreal. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S18_Shot15, keep the small photo frame on the TV stand clearly readable as the main plot-critical prop, but do not show any visible face inside it; obscure the image with glare, blur, or angle. Maintain the empty-room distorted-photo mood.", "shot_id": "S18_Shot15" }, { "guide_text": "For S18_Shot16, preserve the same camera angle and layout continuity: dining-table-side viewpoint toward the TV wall, sliding window off to the side, subtle warped photographic distortion, no people or faces.", "shot_id": "S18_Shot16" } ], "shot_ids": [ "S18_Shot15", "S18_Shot16" ], "scenes": [], "parent_id": "bg_living_kitchen_day_normal", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "day_photo_distorted", "floor_plan_used": true }, "bg_living_kitchen_dusk_ransacked_open_window_door_rattling": { "status": "ok", "location_id": "L05", "location_name": "living_kitchen", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_living_kitchen_dusk_ransacked_open_window_door_rattling.png", "t2i_prompt": "Create a photorealistic cinematic film still of an empty compact living room with kitchenette at dusk, shot from inside the room at standing human eye level, about 1.55 m high, using a 28mm wide-angle lens. This must be a natural drama background photograph, not a top-down view, not a floor plan, not an architectural diagram. The camera is positioned near the small sofa in the south-central living area, looking diagonally across the room toward the southwest entry door and the east-wall sliding window, with the dining table in the foreground. Frame the room wide enough to show furniture, walls, openings, and floor mess.\n\nThe space is a small lived-in urban apartment living-kitchen: a kitchenette in the northwest corner with an L-shaped kitchen counter along the north and west walls, a dining table center-left between kitchenette and sofa, a low TV stand on the north side with a television above or on it, and a small photo frame resting on the TV stand near the television. The small sofa is behind the camera position or partially implied at the lower edge, facing toward the TV wall. The loose floor mat lies near the entry door just inside the room.\n\nState: dusk, ransacked, open window, rattling door. The sliding window on the east wall is open, letting in cool blue-gray rooftop dusk light and a slight suggestion of outside air; thin curtains or window coverings should be disturbed by the draft if present. The southwest entry door is emphasized as an unstable opening, slightly ajar or visibly vibrating/rattling, with subtle motion cues such as a shifted door edge, skewed mat, or small items displaced near the threshold. The room is messy and recently searched: scattered papers, overturned small objects, displaced cushions, drawers or cabinet doors partly open, utensils or containers out of place on the kitchen counter, debris around the dining table and floor mat. Do not show blood, corpses, people, faces, or silhouettes.\n\nLighting should be moody dusk realism: cold exterior light from the open sliding window mixes with dim, warm interior spill from the kitchenette or living room fixtures, creating long soft shadows, reflective highlights on the floor, and a tense quiet atmosphere. Maintain photoreal textures: worn apartment flooring, plain painted walls, modest cabinetry, compact furniture, ordinary household clutter, natural lens perspective, cinematic color grading, realistic depth and shadows. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "Background only for S25_Shot13: an empty ransacked living-kitchen at dusk, with the entry door and open sliding window clearly emphasized, no people or faces.", "shot_id": "S25_Shot13" }, { "guide_text": "Background only for S27_Shot2: keep the same eye-level composition from near the sofa, with the dining table foreground mess, loose floor mat near the entry, and the open window catching cold dusk light.", "shot_id": "S27_Shot2" }, { "guide_text": "Background only for S27_Shot3: preserve the ransacked dusk state; the entry door should feel unstable or rattling, with scattered debris and disturbed furniture, no characters present.", "shot_id": "S27_Shot3" }, { "guide_text": "Background only for S27_Shot6: maintain continuity of the empty living-kitchen, open sliding window, unsettled entry door, low TV stand with small photo frame, and dusk atmosphere.", "shot_id": "S27_Shot6" } ], "shot_ids": [ "S25_Shot13", "S27_Shot2", "S27_Shot3", "S27_Shot6" ], "scenes": [], "parent_id": "bg_living_kitchen_day_photo_distorted", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "dusk_ransacked_open_window_door_rattling", "floor_plan_used": true }, "bg_bedroom_night_blood_curtain_body_red_circle": { "status": "ok", "location_id": "L05", "location_name": "bedroom", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_bedroom_night_blood_curtain_body_red_circle.png", "t2i_prompt": "Create a photorealistic film/drama still frame of an empty bedroom at night, shot from standing human eye level about 1.6 meters high with a 35mm-class wide lens. This must look like a cinematic interior photograph from inside the room, not a top-down view, not a floor plan, and not an architectural diagram. The camera is positioned near the doorway on the west side, looking diagonally across the room toward the east wall curtain, the partly hidden window behind it, the floor area beneath the curtain, and the red circle mark on the floor. Frame the single bed along one side of the image, set against the north wall with the head near the northwest corner. On the east wall, a curtain hangs in front of the window; the fabric is drawn enough to partly reveal the window shape behind it, but it casts deep shadows. On the east-side floor below the curtain, show only an ominous concealed body-position shape mostly hidden by the curtain or shadow, with no visible person, no face, no exposed anatomy, and no blood on a corpse. Between the bed and the curtain, include a clear red circle floor mark as a plot-critical visual device. Near the southwest floor by the doorway, place a backpack. In the southeast corner, include a small doll play area with scattered toys, and along the south wall a small low shelf. On the south-center floor between the backpack and the doll play area, include a fallen photo with dark red blood staining or smears around it, readable as a disturbing clue but not graphic. Add scattered debris across the floor, subtle dust, disturbed bedding, and tense crime-scene-like disorder without police tape or people. Nighttime lighting: dim, cold moonlight or streetlight leaks through the partly curtained window, with weak ambient shadows and a faint reddish accent catching the floor mark; the room feels silent, claustrophobic, and suspenseful. Photorealistic textures, realistic lens perspective, natural shadows, cinematic contrast, wide composition showing furniture and walls from inside the room. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S12_Shot5, emphasize the nighttime tension from the doorway viewpoint: the bed along one side, the curtain and partly visible window ahead, the red circle mark on the floor, the scattered childlike props, and the ominous concealed form partly hidden by the curtain without showing any person or face.", "shot_id": "S12_Shot5" }, { "guide_text": "For S12_Shot8, keep the same room layout and night mood, with the red circle floor mark and the blood-stained photo area clearly readable among debris on the floor. The curtain should remain a key visual device, partially obscuring the window and the hidden shape behind it.", "shot_id": "S12_Shot8" }, { "guide_text": "For S12_Shot16, maintain continuity: empty bedroom, doorway-side diagonal view, single bed on the north side, curtain over the east window, backpack near the entrance, doll play area and low shelf to the south, red circle mark center-right, and no visible human body details.", "shot_id": "S12_Shot16" } ], "shot_ids": [ "S12_Shot5", "S12_Shot8", "S12_Shot16" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "night_blood_curtain_body_red_circle", "floor_plan_used": true }, "bg_bedroom_night_impossibly_clean_rearranged": { "status": "ok", "location_id": "L05", "location_name": "bedroom", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_bedroom_night_impossibly_clean_rearranged.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame of an empty bedroom at night, photographed from standing human eye level around 1.6 meters with a 35mm-class wide lens. This must look like a live-action film background photographed from inside the room, not a top-down view, not a floor plan, not an architectural diagram.\n\nCamera is positioned just inside the doorway on the west side of the bedroom, looking inward toward the single bed along the north wall, the backpack near the southwest floor by the doorway, the doll play area in the southeast corner, and the curtain hanging over the centered window on the east wall. Compose the image with a calm, almost symmetrical order so the center of the floor and the window wall remain clearly visible.\n\nThe room has been impossibly cleaned and rearranged: the floor is spotless, the bed is neatly made against the north wall, small objects are aligned too perfectly, the backpack sits tidily near the doorway, the doll play area is arranged in an unnatural orderly pattern in the southeast corner, and a small low shelf rests along the south wall near the dolls. In the center-right floor area between the bed and the curtain, show a clean red circular floor mark or tape-like ring as the only unsettling visual device, sharply visible on the otherwise scrubbed floor. The east window is covered by a drawn curtain; faint cold blue night light leaks around its edges, while dim interior ambient light softly reveals the furniture and walls.\n\nAtmosphere: quiet, sterile, uncanny, recently reset, with no dust, no scattered debris, no blood, no gore, no corpse, no people, no faces, and no visible gruesome photograph. The prior chaos should be suggested only by the unnatural cleanliness and the remaining red circular mark. Realistic residential materials, modest bedroom furnishings, soft shadow falloff, natural lens perspective, high-detail photoreal texture, cinematic color grading, 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For this shot, keep the room empty and impossibly orderly. From the doorway viewpoint, show the bed, backpack, doll area, curtain-covered window, low shelf, and the clean center-right red circular floor mark with no body, no blood, and no gruesome photograph visible.", "shot_id": "S14_Shot5" }, { "guide_text": "Maintain continuity with the same rearranged, unnaturally clean night bedroom. Emphasize symmetrical order, scrubbed floor surfaces, and the curtain in front of the window, with the red circular floor mark still visible between the bed and curtain.", "shot_id": "S14_Shot10" }, { "guide_text": "Use the same eye-level doorway composition and cold night mood. The background must remain empty, sterile, and neatly reset: furniture aligned, props arranged, no people, no faces, no blood, no gore, only the suspiciously clean room and its floor mark.", "shot_id": "S14_Shot12" } ], "shot_ids": [ "S14_Shot5", "S14_Shot10", "S14_Shot12" ], "scenes": [], "parent_id": "bg_bedroom_night_blood_curtain_body_red_circle", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "night_impossibly_clean_rearranged", "floor_plan_used": true }, "bg_bedroom_dusk_ransacked_red_circle_bloody_photo": { "status": "ok", "location_id": "L05", "location_name": "bedroom", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_bedroom_dusk_ransacked_red_circle_bloody_photo.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame from inside a small bedroom at dusk, viewed from just inside the west-side doorway, facing diagonally across the room toward the center-right floor. This must be a natural eye-level interior photograph from a low standing or crouched human height around 1.1 meters, using a 28mm wide-angle lens; it is strictly not a top-down view, not a floor plan, and not an architectural diagram. Frame the room wide enough to show furniture, walls, floor, and openings from inside the bedroom.\n\nThe bedroom is ransacked and tense: a single bed sits against the north wall with bedding disturbed, the east wall has a window covered by a hanging curtain, and the curtain is slightly drawn and messy, creating a shadowed, partly hidden area below the window. Do not show any person, face, body, corpse, or human remains. Near the camera in the lower foreground, place a backpack on the floor close to the doorway. Across the south and southeast side, show a doll play area with scattered toys and a small low shelf, as if recently disturbed. On the center-right floor between the bed and the curtained window, make a clear red circle floor mark, visible and plot-important. On the south-center floor between the backpack and the doll play area, place a small photograph stained with dark red blood-like smears; the photograph should be partly obscured or turned so that no face is visible.\n\nLighting and mood: dusk light leaks through the curtained window in a dim, bluish-gray wash, mixed with weak interior ambient darkness. The room should feel recently searched or violated: scattered debris, shifted objects, wrinkled fabric, open gaps on the shelf, toys displaced, and subtle dust and floor scuffs. Maintain realistic residential bedroom materials and continuity with the prior clean bedroom look, but now altered into a chaotic, ominous dusk state. Photorealistic detail, cinematic contrast, shallow natural interior shadows, realistic lens perspective, no text overlays, no labels, no people. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S25_Shot5, emphasize the viewer entering from the doorway: backpack close in the foreground, ransacked bedroom spreading inward, red circle mark and blood-stained photograph readable on the floor, bed and curtain anchoring the background. Keep the frame empty of people and faces.", "shot_id": "S25_Shot5" }, { "guide_text": "For S25_Shot6, keep the same dusk ransacked bedroom continuity, with the red circle mark, smeared photograph, doll play area, low shelf, bed, and curtain all spatially clear. The east-side curtain area may feel ominous and partially obscured, but no body, person, face, or corpse is visible.", "shot_id": "S25_Shot6" } ], "shot_ids": [ "S25_Shot5", "S25_Shot6" ], "scenes": [], "parent_id": "bg_bedroom_night_impossibly_clean_rearranged", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "dusk_ransacked_red_circle_bloody_photo", "floor_plan_used": true }, "bg_bathroom_day_mirror_red_circle": { "status": "ok", "location_id": "L05", "location_name": "bathroom", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_bathroom_day_mirror_red_circle.png", "t2i_prompt": "Photorealistic cinematic drama still frame of an empty small rectangular bathroom in daytime, viewed from near the doorway on the south side facing north toward a wall-mounted sink and the wall mirror directly above it. The camera is at standing human eye level, about 1.6 meters high, using a 35mm-class wide-angle lens; this is an interior film still from inside the room, framing furniture and walls naturally, strictly not a top-down view, not a floor plan, and not an architectural diagram. Include the doorway edge slightly in the foreground to show the tight depth of the bathroom. The sink should be prominent on the north wall, with a simple faucet, basin, and modest surrounding wall surface. Above the sink, the mirror is the central visual focus; on or just beside the mirror, place a clear red circular mark, like a deliberate opaque red painted ring, cleanly visible at eye-line height. The mirror should reflect only the empty bathroom and doorway area, with no person, no face, no camera, and no body. Daylight ambience, soft natural light, quiet tense atmosphere, realistic tiled or painted bathroom surfaces, subtle wear, clean but slightly lived-in details, no people, no blood, no corpse, background only. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S18_Shot10, frame from just inside or near the doorway looking toward the sink and mirror, with the doorway edge slightly visible in the foreground to emphasize the cramped bathroom depth. The red circular mark must be clearly readable above the sink line.", "shot_id": "S18_Shot10" } ], "shot_ids": [ "S18_Shot10" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "day_mirror_red_circle", "floor_plan_used": true }, "bg_kennel_area_day_vaccination": { "status": "ok", "location_id": "L07", "location_name": "kennel_area", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_kennel_area_day_vaccination.png", "t2i_prompt": "Photorealistic cinematic film/drama still frame of an empty contemporary animal shelter kennel vaccination area during daytime. The image must be a standing human eye-level interior photograph, camera height about 1.6m, using a 28mm wide-angle lens, wide composition from inside the room; strictly not a top-down view, not a floor plan, not an architectural diagram. Camera is positioned near the centered main entry door at the south end of the service corridor, facing diagonally north toward the northeast veterinary access alcove. Long metal cage banks line both the west and east walls, forming the sides of the kennel row and receding into depth. A narrow linear floor drain runs lengthwise down the center aisle, with overhead fluorescent light strips aligned above it. High horizontal window strips on both side walls admit cool daylight, mixing with clean fluorescent light and creating a clinical daytime vaccination atmosphere. In the midground, prominently show the veterinary access area beyond a sliding access gate: a stainless vaccination exam table, a rolling supply cart beside it, and a clearly visible red or yellow sharps disposal bin with a vaccine tray containing small sealed vials, syringes in sterile packaging, cotton pads, and medical labels. Include a stainless sink counter along the north wall of the alcove and a medicine storage cabinet on the east wall. Surfaces are practical and washable: pale painted walls, stainless steel, galvanized cage doors, concrete or epoxy floor slightly reflective from cleaning, subtle scuff marks, disinfectant bottles, paper towel dispenser, clipboards or blank cage cards, but no readable branded text. The space is empty, orderly, prepared for vaccinations, with no people, no animals, no faces, no blood, no corpses. Natural documentary realism, sharp architectural depth, cinematic color grading, 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S7_Shot1, emphasize an establishing view from the entry end of the kennel aisle: empty cage banks on both sides, the linear floor drain leading the eye forward, and the vaccination station visible in the northeast alcove.", "shot_id": "S7_Shot1" }, { "guide_text": "For S7_Shot4, keep the same background continuity while making the vaccination setup readable in the midground: exam table, rolling supply cart, clearly visible sharps bin, and vaccine tray, with the kennel rows still framing the space.", "shot_id": "S7_Shot4" } ], "shot_ids": [ "S7_Shot1", "S7_Shot4" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "day_vaccination", "floor_plan_used": true }, "bg_grooming_area_day_grooming": { "status": "ok", "location_id": "L07", "location_name": "grooming_area", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_grooming_area_day_grooming.png", "t2i_prompt": "Photorealistic cinematic drama still of an empty professional grooming area during active daytime grooming hours, shot from inside the room at standing human eye level about 1.6m, using a 35mm-class wide lens and a wide interior composition that frames furniture, walls, and working surfaces. The camera is positioned near the entrance door on the south wall, looking diagonally into the room toward the central grooming table, with the north-wall wash tub and hose, the treatment counter, and the west-wall tool rack all visible. The grooming table should be prominent in the center of the frame, clean but actively used, with practical metal edges, rubberized surface, grooming restraints or fixtures visible but no animals or people. Along the north wall, show a wash tub with hose on the right side, nearby floor drain in the north-east floor area, and a treatment counter on the left with a clipper and scissors set laid out neatly. On the west wall, include a wall tool rack above the counter zone and a medicine supply cabinet mounted higher in the corner. On the south side, partially include a towel cart near the right side and the entrance door edge or frame near the camera. On the east wall, include a high rectangular window casting clear daytime side light into the room, plus a standing dryer lower on the wall and a holding crate in the south-east corner. Add an overhead task light above the grooming table, practical washable wall surfaces, non-slip slightly reflective flooring, subtle water marks near the wash tub, folded towels, disinfectant bottles, and organized utilitarian grooming-room details. Bright natural daylight from the high window mixes with clean overhead task lighting, creating a realistic working-day atmosphere with mild shadows and crisp reflections. Background only: no people, no faces, no animals, no blood, no corpses. This must be a cinematic eye-level photograph, strictly not a top-down view, not a floor plan, not an architectural diagram. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S7_Shot9, frame the empty grooming area from near the entrance door, looking diagonally inward so the grooming table anchors the center, with the wash tub and wall tool rack visible in the background and daylight entering from the high side window.", "shot_id": "S7_Shot9" } ], "shot_ids": [ "S7_Shot9" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "day_grooming", "floor_plan_used": true }, "bg_sales_floor_dusk_normal": { "status": "ok", "location_id": "L09", "location_name": "sales_floor", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_sales_floor_dusk_normal.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame of an empty contemporary retail sales floor at dusk, seen from standing human eye level about 1.6 meters high with a 35mm-class wide lens. This must look like an interior film shot from inside the room, not a top-down view, not a floor plan, and not an architectural diagram. The camera is positioned just inside the double glass customer entrance on the south storefront side, facing diagonally across the center-front display area toward the service counter on the east side and the rear wall display shelving along the north wall. Include a central display table in the midground between the aisle runs, long shelving on the left half of the sales floor, long shelving on the right half near the counter, rear wall display shelves in the background, a rear staff door at the back right corner, queue stanchions in front of the service counter, a freestanding sign stand near the entrance, a wall mirror on the west wall, and slim ceiling track lights over the central sales floor. The front display window on the storefront side should act as a soft dusk light source, casting cool blue-purple evening light into the store while warm track lights and counter-area lighting create a calm normal after-hours retail atmosphere. Use realistic glass reflections, polished floor reflections, metal shelf edges, neutral commercial wall finishes, subtle product silhouettes or boxed merchandise on shelves without readable brand names, and tidy but lived-in retail arrangement. The space must be completely empty of people and faces, with no bodies and no blood. Wide composition framing furniture, walls, storefront glass, and depth through the aisles, natural perspective, cinematic color grading, realistic shadows, photoreal detail, 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S8_Shot4, frame from just inside the main customer entrance, looking diagonally across the center-front display area toward the service counter on the right side and the rear wall display shelving beyond. Keep the central display table prominent in the midground, with the front display window contributing soft dusk light behind or to one side.", "shot_id": "S8_Shot4" } ], "shot_ids": [ "S8_Shot4" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "dusk_normal", "floor_plan_used": true }, "bg_sales_floor_morning_quiet": { "status": "ok", "location_id": "L09", "location_name": "sales_floor", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_sales_floor_morning_quiet.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame of an empty modern retail sales floor in a quiet morning state. The image must be a standing human eye-level interior photograph, camera height about 1.6 meters, using a 35mm-class wide lens, with a wide composition that frames furniture, aisles, walls, storefront glass, and ceiling fixtures from inside the room. Strictly not a top-down view, not a floor plan, not an architectural diagram.\n\nPlace the camera near the service counter on the east side of the sales floor, looking diagonally across the room toward the double glass customer entrance on the south storefront wall, the long left-side aisle shelving, and the front display window. Keep the aisles open, quiet, and uncluttered. The central display table should be slightly off center in the foreground-to-midground, with low, neatly arranged merchandise or display props but no readable brand names. Long shelving runs extend north-south on both the west and east halves of the room, with rear wall display shelving visible along the back wall. The service counter remains on the right/east side with queue stanchions in front of it, and a rear staff door is visible near the north-east corner. A freestanding sign stand sits just inside the entrance, and a wall mirror is mounted on the west wall near the central aisle area.\n\nMorning light enters softly through the front display window and glass entrance, creating pale reflections on the polished floor and gentle highlights on shelves, counter surfaces, and glass. Ceiling track lights are present but subdued, suggesting the store has just opened or is about to open. The mood is still, clean, and quiet: no customers, no staff, no faces, no bodies, no blood. Use realistic retail materials such as glass storefront panels, metal door frames, laminate or wood-toned shelving, a practical service counter, small product displays, subtle signage shapes without legible text, and neutral contemporary finishes. Match the prior background’s overall material style and color continuity, but shift the lighting to fresh morning calm. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S19_Shot2, keep the sales floor empty and calm, with clear open aisles leading toward the glass entrance and front window. The central display table should sit slightly off center, and the service counter edge may frame the viewpoint subtly from the east side.", "shot_id": "S19_Shot2" }, { "guide_text": "For S19_Shot5, preserve the same morning-quiet retail layout and lighting continuity. Emphasize the stillness of the entrance area, the freestanding sign stand, queue stanchions near the service counter, and soft daylight falling across shelves and the central display table.", "shot_id": "S19_Shot5" } ], "shot_ids": [ "S19_Shot2", "S19_Shot5" ], "scenes": [], "parent_id": "bg_sales_floor_dusk_normal", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "morning_quiet", "floor_plan_used": true }, "bg_store_entrance_dusk_neon_phone": { "status": "ok", "location_id": "L09", "location_name": "store_entrance_exterior", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_store_entrance_dusk_neon_phone.png", "t2i_prompt": "Create a photorealistic cinematic drama still frame of an empty convenience-store-like storefront exterior at dusk, viewed from the sidewalk at standing human eye level around 1.6 meters with a 35mm-class wide lens. This must be a natural film still from inside the street-level space facing the storefront, not a top-down view, not a floor plan, and not an architectural diagram. The camera stands in the broad sidewalk zone and looks diagonally toward the centered automatic sliding glass doors, keeping the doors as the main entrance reference. Frame the glass storefront across the northern facade: a left display window, the automatic sliding doors in the middle, and a right display window with a bright illuminated window sign. Include a bicycle parking rack in front of the left display window in the sidewalk foreground. High on the upper right facade above the right display window, show an exterior CCTV camera clearly mounted and angled down across the entrance and bicycle rack, but without any graphic sightline overlay. Dusk atmosphere with deep blue sky reflection in the glass, neon and phone-related signage glow spilling onto the sidewalk, cool white and magenta highlights, subtle interior fluorescent light behind the glass, realistic reflections, metal door frames, clean commercial facade materials, and quiet urban pavement texture. No people, no faces, no bodies, no blood. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S8_Shot9, keep the storefront entrance as the main reference: automatic sliding doors centered, bicycle rack visible toward the left foreground, glowing sign in the right display window, and the CCTV camera visible above the right window, angled toward the entrance and bicycle rack. Empty exterior only, no people.", "shot_id": "S8_Shot9" } ], "shot_ids": [ "S8_Shot9" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "dusk_neon_phone", "floor_plan_used": true }, "bg_store_entrance_morning_cctv_check": { "status": "ok", "location_id": "L09", "location_name": "store_entrance_exterior", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_store_entrance_morning_cctv_check.png", "t2i_prompt": "Create a photorealistic cinematic film still of a modern storefront entrance exterior in the morning, viewed from the broad sidewalk at standing human eye level, about 1.6 meters high, with a 35mm-class wide lens. This must be a drama-style background photograph, not a top-down view, not a floor plan, not an architectural diagram.\n\nThe camera is positioned on the sidewalk facing the storefront facade and angled slightly upward toward the upper right facade corner. Keep the centered automatic sliding glass doors in view, with a large left display window to the left and a large right display window to the right. In the foreground/left sidewalk area, place an empty bicycle parking rack in front of the left display window. Inside the right display window, include a small illuminated window sign, still visible in the morning light. High above the right display window, mount a small exterior CCTV security camera on the upper facade corner, aimed diagonally across the entrance and bicycle rack area so its coverage of the doorway feels visually clear without using any graphic overlay or diagram marks.\n\nMatch the established storefront look from the prior reference: contemporary glass doors, metal frames, clean commercial facade materials, subtle neon/signage accents, realistic pavement texture, and cinematic urban atmosphere. Morning state: soft early daylight, gentle cool shadows on the sidewalk, faint reflections in the glass, quiet empty street-front feeling after night lighting has faded but the window sign remains on. No people, no faces, no bodies, no blood. Wide composition including enough facade width to show the relationship between the CCTV camera, the entrance, the display windows, and the bicycle rack. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S19_Shot7, frame from the sidewalk at standing eye level, looking slightly upward so the exterior CCTV camera is clearly visible above the right display window while the sliding doors and bicycle rack remain in the same wide composition. The storefront should feel empty and observational, as if someone is checking the camera coverage.", "shot_id": "S19_Shot7" } ], "shot_ids": [ "S19_Shot7" ], "scenes": [], "parent_id": "bg_store_entrance_dusk_neon_phone", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "morning_cctv_camera_visible", "floor_plan_used": true }, "bg_admin_office_day_dark_cctv_playback": { "status": "ok", "location_id": "L14", "location_name": "admin_office", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_admin_office_day_dark_cctv_playback.png", "t2i_prompt": "Create a photorealistic cinematic film still of an empty administrative security office during a dark daytime CCTV playback moment. This must be an eye-level interior photograph from standing human height, about 1.6 meters, using a 35mm-class wide lens and a wide composition that frames furniture and walls from inside the room; strictly not a top-down view, not a floor plan, not an architectural diagram. Place the camera near the main door on the south side, looking diagonally into the room toward the security desk in the north half, with the monitor playback bank centered on the far north wall beyond the desk. The security desk should be prominent, facing the monitor wall; a swivel chair sits just behind it, empty. On top of the desk, show a keyboard-style CCTV controller centered toward the screens, with cables and small office clutter. Under or beside the desk near the northeast side, show a recording playback unit with indicator lights and stacked electronics. The wall-mounted monitor bank should show dim grayscale surveillance playback imagery of empty hallways or abstract camera feeds, with timecode-like overlays but no readable names, no people, and no faces. The room is intentionally underlit: the overhead fluorescent ceiling panel is off or barely flickering, and the only natural daylight comes through a small west-wall window with partially closed blinds, creating thin slats of cold daylight across dusty surfaces. Include a metal file cabinet along the east wall, a light switch just inside the door, plain institutional walls, worn practical flooring, utilitarian office materials, muted colors, and a tense quiet atmosphere. Background only: no people, no faces, no bodies, no blood, no gore. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S20_Shot3, use the same empty dim daytime admin office background, with the security desk, monitor playback bank, keyboard controller, and recording playback unit clearly readable from the doorway angle. No people or faces.", "shot_id": "S20_Shot3" }, { "guide_text": "For S20_Shot5, maintain the dark CCTV playback mood: monitor glow and weak daylight from the small blinded window should be the main light sources, with the office remaining empty and still.", "shot_id": "S20_Shot5" }, { "guide_text": "For S20_Shot7, keep the wide eye-level composition from near the main door toward the desk and far monitor wall, emphasizing the surveillance equipment and cramped administrative workspace without any people.", "shot_id": "S20_Shot7" } ], "shot_ids": [ "S20_Shot3", "S20_Shot5", "S20_Shot7" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "day_dark_cctv_playback", "floor_plan_used": true }, "cb_office_night_duty": { "status": "ok", "location_id": "L13", "location_name": "office", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/cb_office_night_duty.png", "t2i_prompt": "Create a photorealistic cinematic film/drama still frame of an empty modern duty office at night, photographed from inside the room at standing human eye level, about 1.6 meters high, with a 35mm-class wide lens. This must be a realistic interior photograph, strictly not a top-down view, not a floor plan, and not an architectural diagram. The camera is positioned near the main entrance door on the south side, looking diagonally into the open central duty office toward the front desk cluster and the rear desk cluster. Frame the desks as the main subject: rolling office chairs sit pushed around the workstations, a shared row of computer monitors runs along the desk edges facing inward, and one monitor on the east side of the rear desk cluster has a slightly more noticeable glow as a highlighted result screen. Along the east wall, show a long horizontal row of windows with closed or half-closed blinds, catching faint bluish night light from outside. Overhead, include a ceiling grid with cool fluorescent light panels creating a tired night-duty atmosphere, with soft reflections on desks and monitor screens. In the northwest document work area, include a document sorting table covered with paper trays, document stacks, and scattered evidence photos; nearby are filing cabinets along the north wall, an archive room door to their right, and a wall evidence board on the west wall facing inward. Add a printer copier in the northeast corner and a wall clock on the south wall near the entrance. The office should feel active but currently unoccupied: organized clutter, paperwork, cables, muted institutional colors, practical office furniture, quiet late-night stillness. No people, no faces, no bodies, no blood. Realistic materials, natural perspective, cinematic depth, wide composition showing furniture and walls from inside the room, 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S16_Shot3, keep the front and rear duty desk clusters dominant from the entrance-side viewpoint, with the shared monitor row and one subtly highlighted monitor visible in the rear desk cluster. Maintain a quiet night-duty mood, empty chairs, paperwork, and fluorescent office lighting.", "shot_id": "S16_Shot3" }, { "guide_text": "For S16_Shot5, preserve the same entrance-side diagonal composition and continuity: desks, monitor row, east-side blinds, ceiling fluorescent panels, document table with scattered evidence photos, filing cabinets, and wall evidence board should remain recognizable in the background.", "shot_id": "S16_Shot5" } ], "shot_ids": [ "S16_Shot3", "S16_Shot5" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "night_duty_normal", "floor_plan_used": true }, "cb_office_day_evidence_photos_scattered": { "status": "ok", "location_id": "L13", "location_name": "office", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/cb_office_day_evidence_photos_scattered.png", "t2i_prompt": "Create a photorealistic cinematic film/drama still frame of an empty contemporary duty office during daytime, shot from standing human eye level around 1.6 meters with a 35mm-class wide lens. This must be a natural interior photograph from inside the room, not a top-down view, not a floor plan, and not an architectural diagram.\n\nUse the floor plan reference only to understand the room layout and relative placement of furniture and openings. Place the camera in the central open duty office area, near the circulation space inside the main entrance, facing northwest toward the document work area. In the foreground and midground, show part of the central open workspace with front and rear duty desk clusters, rolling office chairs, shared computer monitors along the desk edges, and one highlighted result monitor on the east side of the rear desk cluster. In the northwest document work area, make the document sorting table the main visual focus: its surface is covered with scattered evidence photos, paper trays, and document stacks. The evidence photos should appear as small investigative prints and contact sheets with indistinct details, no readable text, no faces, no people, no bodies, and no blood or gore.\n\nBehind the table, keep the filing cabinets visible along the north wall, with the archive room door to their right. On the west wall above the document work area, include a wall evidence board with pinned papers, strings, map-like notes, and blurred image cards, all generic and illegible. In the northeast corner, include a printer copier near the rear wall. Along the east wall, show a long row of windows with horizontal blinds admitting muted daylight. Overhead, use a grid of fluorescent light panels, some softly glowing even in daytime. On the south wall near the entrance, include a simple wall clock.\n\nThe mood is daytime but tense and work-worn: cool daylight filtered through blinds mixes with pale fluorescent office light, revealing dust, paper clutter, worn laminate desktops, neutral painted walls, gray filing cabinets, plastic office chairs, bundled cables, and the quiet aftermath of active investigation. Match the material realism, institutional color palette, and lighting consistency of the prior office background reference, while changing the state to a daytime evidence-photo-scattered setup. No people, no faces, no readable names, no logos, no proper nouns, no gore. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S21_Shot6, use the same eye-level northwest-facing office background. The scattered evidence photos on the document sorting table should be the clearest plot detail, with filing cabinets and the wall evidence board readable in the background. Keep the room empty of people.", "shot_id": "S21_Shot6" }, { "guide_text": "For S21_Shot7, maintain continuity with the same daytime office setup: open duty workspace in the foreground, document work area beyond it, evidence photos spread across the table, filing cabinets behind, and the wall evidence board on the west wall. No faces, no people, no gore or bodies in any photos.", "shot_id": "S21_Shot7" } ], "shot_ids": [ "S21_Shot6", "S21_Shot7" ], "scenes": [], "parent_id": "cb_office_night_duty", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "day_evidence_photos_scattered", "floor_plan_used": true }, "cb_office_day_monitor_location_result": { "status": "ok", "location_id": "L13", "location_name": "office", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/cb_office_day_monitor_location_result.png", "t2i_prompt": "Photorealistic cinematic drama still frame inside a contemporary duty office during daytime, shot from inside the room at seated-to-standing human eye level around 1.4m with a 40mm standard lens. The camera is positioned near the rear duty desk cluster, looking closely toward the highlighted result monitor on the east side of that rear desk cluster, with the shared row of computer monitors beside it across the duty desks. The highlighted screen is the plot-critical focus: a bright generic location-result or map-search interface glow, no readable proper nouns, no brand logos. Surround it with realistic office details: clustered duty desks, empty rolling office chairs, keyboards, cables, paper folders, coffee-stained paperwork, document stacks, paper trays, and the shared monitor row receding across the workstations. In the northwest document work area, include a document sorting table with scattered evidence photos spread across it, filing cabinets along the north wall, and a wall evidence board above; these background elements should be visible but secondary. On the east wall, a long horizontal row of windows with partially lowered blinds lets in muted daytime light, mixing with cool fluorescent ceiling light panels; show soft daylight stripes on desks and monitor bezels. Include the archive room door on the north wall and a hint of the south entrance path with a wall clock if visible in the composition. The office is empty: no people, no faces, no bodies, no blood. Realistic institutional materials, neutral walls, worn laminate desks, metal filing cabinets, plastic office chairs, slightly cluttered investigative workspace, tense quiet atmosphere as if a location result has just appeared. This is a film/drama still photograph from standing-room perspective, not a top-down view, not a floor plan, not an architectural diagram. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S21_Shot11, make the highlighted result monitor the clear focal point. It should show a generic location-result interface or map-like screen glow with no readable proper names, while the surrounding desks, shared monitors, chairs, blinds, fluorescent ceiling panels, and document work area remain legible enough to identify the office setting. Keep the room empty of people.", "shot_id": "S21_Shot11" } ], "shot_ids": [ "S21_Shot11" ], "scenes": [], "parent_id": "cb_office_day_evidence_photos_scattered", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "day_monitor_location_result", "floor_plan_used": true }, "bg_deck_dusk_normal": { "status": "ok", "location_id": "L19", "location_name": "deck", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_deck_dusk_normal.png", "t2i_prompt": "Create a photorealistic cinematic film still of an empty working boat deck at normal dusk, shot from standing human eye level around 1.6 meters with a 35mm-class wide lens. This must be an inside-the-space viewpoint from near the stern rail opening, facing forward diagonally across the open central deck toward the forward cabin bulkhead, the centered sliding cabin door, and the work light mast just aft of the bulkhead slightly right of center. Strictly not a top-down view, not a floor plan, not an architectural diagram.\n\nShow a practical small fishing-boat deck with weathered painted metal or fiberglass surfaces, cool blue-gray dusk tones, damp scuffed deck texture, salt stains, rust marks around fittings, and soft edge shadows from the fading sky. In the midground, include a folded fishing net pile along the port side, a coiled rope near the southwest stern corner, and a bait cooler box along the starboard side. Include a central deck hatch in the deck floor, stacked fish crates on the southeast/starboard stern side, paired deck drain scuppers near the stern corners, low port and starboard gunwales framing the deck, and a bow rail visible forward beyond the cabin area. The forward cabin bulkhead should have a sliding cabin door in the center and a small cabin window on the right side. The work light mast is a plot-critical visible device, mounted just aft of the cabin bulkhead, slightly right of centerline; it may be unlit or faintly catching the last dusk light.\n\nNo people, no faces, no bodies, no blood. Keep the scene cleanly framed as a wide drama background with furniture-like deck objects and structural openings readable, atmospheric but realistic, natural dusk illumination with cool deck tones and a quiet working-vessel mood. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For S28_Shot4, use this as an empty establishing background of the dusk working deck, emphasizing the open deck depth from stern toward the cabin bulkhead and the cool evening atmosphere.", "shot_id": "S28_Shot4" }, { "guide_text": "For S28_Shot8, keep the same layout and dusk lighting continuity, with the net pile, rope coil, bait cooler, work light mast, sliding cabin door, and cabin window clearly available as spatial anchors.", "shot_id": "S28_Shot8" }, { "guide_text": "For S28_Shot15, maintain the same empty deck background and normal dusk state, with slightly moody cool tones, soft edge shadows, and no people or action visible.", "shot_id": "S28_Shot15" } ], "shot_ids": [ "S28_Shot4", "S28_Shot8", "S28_Shot15" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "dusk_normal", "floor_plan_used": true }, "bg_wheelhouse_dusk_circle_markings_red_circle": { "status": "ok", "location_id": "L20", "location_name": "wheelhouse", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c00bbe19-a9b5-463f-acfc-806f2e820258/episodes/fe165e3a-19c2-4a0f-9acb-e0c9bab0ee5a/images/background_chain/bg_wheelhouse_dusk_circle_markings_red_circle.png", "t2i_prompt": "Create a photorealistic film/drama still frame of an empty boat wheelhouse interior at dusk, shot from standing human eye level about 1.6 meters high with a 28mm wide-angle lens. The image must be a cinematic interior photograph from inside the room, not a top-down view, not a floor plan, and not an architectural diagram. Camera is placed near the aft entry door, looking forward on a slight diagonal toward the helm console, the steering wheel, and the broad segmented front windshield. Frame the utilitarian marine cabin widely enough to include the aft entry door edge or implied doorway behind the camera, the captain chair centered before the helm, the helm console along the forward wall, the steering wheel on its aft face, a throttle lever on the starboard side, a small radio unit at the starboard upper corner of the console, the port and starboard side windows in the forward halves of the side walls, a chart shelf along the port wall aft of the side window, a narrow storage bench in the southwest aft corner, and a simple cabin light fixture centered on the ceiling. The plot-critical red circular floor marking set must be clearly visible on the deck aisle between the aft entry door and the captain chair, placed in the lower foreground or mid-floor, with several red circles or ring-like markings on the worn deck surface. Dusk light should tint the windows blue-gray and muted orange, with dim ambient glow outside the glass and soft reflections on the windshield; the cabin interior has low, moody natural light with subtle warm spill from the ceiling fixture or instrument area. Materials should feel like a working vessel: worn painted metal or fiberglass panels, scuffed nonslip deck, salt-stained window frames, utilitarian screws, rubber seals, simple marine hardware, charts or papers on the shelf without readable text, and slightly aged equipment. No people, no faces, no bodies, no blood. Keep the background realistic, grounded, and cinematic, with furniture and openings positioned according to the layout reference but rendered as a natural eye-level drama still. 16:9 cinematic aspect ratio", "shot_guides": [ { "guide_text": "For this shot, emphasize the red circular floor markings in the lower foreground or mid-floor, leading the eye toward the helm console, steering wheel, and dusk-tinted front windshield. Keep the wheelhouse empty and atmospheric.", "shot_id": "S29_Shot4" }, { "guide_text": "For this shot, maintain the same dusk wheelhouse background with the aft-door viewpoint, broad enough to show the floor markings, captain chair, helm, side windows, chart shelf, and radio unit. No people or faces.", "shot_id": "S29_Shot7" }, { "guide_text": "For this shot, make the red circular floor marking set clearly readable as a plot-important detail while keeping the helm and dim exterior dusk glow visible beyond it. The space should feel still, used, and unoccupied.", "shot_id": "S29_Shot13" } ], "shot_ids": [ "S29_Shot4", "S29_Shot7", "S29_Shot13" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "dusk_circle_markings_red_circle", "floor_plan_used": true } } }, "step_id": "background_render", "run_id": "e0a6c080-dc06-43a9-b363-2525f8489986", "resolved_model": "gpt", "updated_at": "2026-04-30T00:33:39.933400+00:00" }