{ "status": "completed", "applicable_count": 8, "completed_count": 8, "failed_count": 0, "schema_version": 6, "config_hash": "ad1b163bef95f7bc", "data": { "groups": { "bg_affluent_house": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_affluent_house_sel.png", "seed_asset_id": "039b239d-6fbe-4620-83b2-7b5f9e25f450", "seed_selected": "A", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A residential alley runs along the front boundary of the property and provides direct access to the house. A streetlight stands along the alley. A high perimeter wall separates the alley from the enclosed residential yard, with an electrically operated gate set into the street-facing boundary. Passing through the gate leads directly from the alley into the broad lawn yard. The affluent two-story house faces the yard from within the enclosure. A second-floor terrace projects from the yard-facing side of the house, allowing a person at its railing to look down into the lawn yard and toward the gate.\n- residential alley in front of the property: Runs along the street-facing side of the property boundary and directly adjoins the electrically operated gate.\n- streetlight along the residential alley: Stands along the residential alley in front of the property.\n- high perimeter wall around the house yard: Forms the property boundary between the front residential alley and the enclosed lawn yard, with the gate occupying an opening in its street-facing side.\n- electrically operated front gate: Occupies an opening in the street-facing perimeter wall and connects the front residential alley directly to the enclosed lawn yard.\n- broad lawn yard inside the perimeter wall: Fills the enclosed outdoor area immediately inside the front gate and extends toward the yard-facing exterior of the house.\n- affluent two-story house facing the lawn yard: Stands within the perimeter wall beyond the lawn yard, with its main exterior and second-floor terrace oriented toward the yard and front gate.\n- second-floor terrace overlooking the lawn yard: Projects from the second-floor, yard-facing exterior of the house and overlooks the lawn yard below.\n- railing along the second-floor terrace edge: Runs along the open edge of the second-floor terrace facing the lawn yard.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 연희동 영숙 집 앞 골목과 대문: 가로등이 비추는 부유한 단독주택가 골목. 자동문 장치가 된 대문이 있다. / 연희동 영숙 집 마당: 담장 안쪽에 잔디가 깔린 넓고 잘 가꿔진 주택 마당. / 연희동 영숙 집 2층 테라스: 마당이 내려다보이는 2층 외벽의 발코니 공간.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 영숙 방: 단정하게 꾸며진 부유한 여대생의 방. 피아노와 가구들이 배치되어 있다. / 연희동 영숙 집 거실: 양옥집 내부의 넓은 거실 공간. 환등기 불빛이 벽면을 비춘다.\n\nTHE LOCATION: S#20. 영숙 집 앞 골목 – 밖 – 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): slide box carried in the alley; open state of the front gate; afterimage in the empty terrace space; streetlight illumination at night\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "30cff107-a25b-4d5a-a9ca-185a0f619e0c", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_affluent_house/rounds/r001/cand_06.png", "sha256": "a8f22ecd8f44f107e68433588025550c20b5c395a1adaa42d07e2714f3b3fe3e", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "d354d500c02d66ee", "totals": { "A": 8, "B": 6, "C": 5 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 8, "verdict_ko": "레퍼런스에 제시된 견고한 담장과 대문의 구조 및 재질을 가장 정확히 재현했으나, 제외 지시된 '밤 시간대 가로등 불빛'이 여전히 묘사되었습니다." }, { "label": "B", "score": 6, "verdict_ko": "대문의 형태는 양호하나, 레퍼런스의 견고한 벽 구조와 달리 담장 상단에 철제 펜스를 임의로 추가하여 형태적 일치도가 떨어집니다." }, { "label": "C", "score": 5, "verdict_ko": "담장 위에 녹색 펜스를 임의로 추가하였으며, 대문 지붕의 재질마저 콘크리트에서 벽돌로 변경해 레퍼런스 형태를 훼손했습니다." } ], "critique": { "issues": [ { "issue_ko": "제외 요소로 명시된 '밤의 가로등 조명(streetlight illumination at night)'이 묘사되어, 가로등이 켜진 채로 골목과 담장에 밝은 빛을 비추고 있습니다.", "fix_en": "Turn off the streetlight, rendering the lamp housing dark and removing the bright pool of illumination from the alley surface, pole, and perimeter wall so it matches the ambient night darkness. Preserve the physical streetlight pole, the red gate, the wall, the house, the yard, and the exact framing.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Turn off the streetlight, rendering the lamp housing dark and removing the bright pool of illumination from the alley surface, pole, and perimeter wall so it matches the ambient night darkness. Preserve the physical streetlight pole, the red gate, the wall, the house, the yard, and the exact framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_basement_cafe": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_basement_cafe_sel.png", "seed_asset_id": "bf16d642-a79a-4c66-a038-f27d0812282f", "seed_selected": "A", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around an exterior approach that meets the upper end of a descending basement café stair entrance. From this approach, the access route passes directly into the stairwell and continues downward toward the below-grade café. A fixed side boundary follows the descending stairwell, defining the edge of the recessed access. Camera positions can occupy either the exterior approach facing into the entrance or the stair-access zone facing its side boundary and upper opening.\n- Exterior approach to the basement café entrance: This fixed access area directly adjoins the upper end of the descending basement café stair entrance and provides the exterior route into it.\n- Descending basement café stair entrance: The stair entrance begins at the exterior approach and descends toward the below-grade café.\n- Side boundary of the basement stairwell: This fixed boundary runs beside the descending basement café stair entrance, retaining and enclosing the side of the below-grade access route.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 카페 무진기행 앞 지하 입구: 지하로 내려가는 계단 입구. 전지에 쓴 손글씨 포스터가 벽에 붙어 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 카페 무진기행 내부: 지하에 위치한 어둑한 카페. 작은 무대와 테이블들이 섞여 있다.\n\nTHE LOCATION: S#21. 카페 무진기행 앞 – 밖 – 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Handwritten event poster; Groups of university students\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "d9362e75-e3f6-4a08-8b55-5ee5c497e4bb", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_basement_cafe/rounds/r001/cand_01.png", "sha256": "523ae733e7503d1c13eaaa4584847ff99b61b8f31f3917515b3f3e190704023f", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "4e525424ecd953ba", "totals": { "A": 7, "B": 2, "C": 4 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "프롬프트가 요구한 '외부의 움푹 패인 계단식 진입로'와 '측면 경계벽'의 구조를 유일하게 정확히 구현했으나, 명시적으로 제외 지시된 '손글씨 포스터'를 벽에 생성한 점이 유일한 단점입니다. ★위반: [qwen-vlm] 제외 항목(EXCLUDED)인 '손글씨 포스터(Handwritten event poster)'가 벽에 부착되어 있음." }, { "label": "B", "score": 2, "verdict_ko": "요구된 외부 계단 진입로 구조를 구현하지 못했으며, 평지 우측에 구조적 역할이 없는 정체불명의 회색 가벽을 생성하여 건축적으로 물리적인 오류를 범했습니다. ★위반: [gemini-pro] 우측 평지에 구조적 목적 없이 세워진 물리적으로 불가능한 회색 가벽 (구조적 오류)" }, { "label": "C", "score": 4, "verdict_ko": "제외 대상인 포스터를 그리지 않은 점은 지시를 잘 따랐으나, 프롬프트의 구조 지시를 무시하고 레퍼런스 사진의 평면적 입구 구조(내부 계단)를 그대로 복사하여 외부 계단 진입로를 전혀 구현하지 못했습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트에서 명시적으로 제외(EXCLUDED)하도록 지시된 '손글씨 포스터(Handwritten event poster)'가 왼쪽 타일 벽면에 그대로 묘사되어 있습니다.", "fix_en": "Remove the white rectangular poster from the tiled wall on the left, filling that area seamlessly with the continuous white brick tile pattern. Preserve all other architectural elements, the stairs, the signs, the lighting, and the exact framing.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "간판의 문구는 텍스트 설명('카페 무진기행')을 따라야 한다는 지시를 어기고, 레퍼런스 이미지의 문구('약속 다방')를 그대로 복사하여 대상 장소의 정체성이 틀어졌습니다.", "fix_en": "Remove the copied Korean text from the green hexagonal sign and replace it with generic or slightly indistinct typography that suggests a different cafe name, avoiding exact legibility. Preserve the sign's geometry and green color, the surrounding walls, the descending stairs, the lighting, and the camera framing.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the white rectangular poster from the tiled wall on the left, filling that area seamlessly with the continuous white brick tile pattern. Preserve all other architectural elements, the stairs, the signs, the lighting, and the exact framing.\n- Remove the copied Korean text from the green hexagonal sign and replace it with generic or slightly indistinct typography that suggests a different cafe name, avoiding exact legibility. Preserve the sign's geometry and green color, the surrounding walls, the descending stairs, the lighting, and the camera framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_basement_office": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_basement_office_sel.png", "seed_asset_id": "ca2e4a9c-9e0a-4154-b333-889e1c877528", "seed_selected": "C", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized along an urban alley lined by low buildings. A four-story building faces this alley and contains the basement office access. At the alley-facing frontage, an upper access point feeds directly into a narrow exterior stair that descends below the exterior level and terminates at the basement office door. An exterior basement-level office window is set into the same building frontage beside the stair access, although the source does not establish which lateral side of the stair it occupies. The surrounding low-building row continues along the alley and provides the broader fixed context for views looking along the street or back toward the office frontage.\n- low-building-lined urban alley: The alley runs along the front of the four-story office building and continues past the surrounding low-building row.\n- surrounding low-building row: The row lines the urban alley and forms the broader built context around the four-story office building.\n- four-story basement-office building: The building occupies one frontage of the urban alley, with its basement stair access and basement-level window incorporated into the alley-facing side.\n- exterior basement-level office window: The window is set into the basement-level portion of the office building's alley-facing exterior, beside the external basement access; its exact left-right order relative to the stair is unspecified.\n- narrow exterior basement stair: The stair begins at the alley-facing building frontage and descends below the exterior level toward the basement office door.\n- basement office door at the foot of the stair: The door closes the basement office entrance at the lower end of the exterior stair run.\n- upper basement-stair access point: The access point occupies the top of the exterior stair and connects the descending stair run to the alley-facing frontage of the building.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 망원동 새벽 사무실 앞 반지하 계단: 허름한 저층 건물의 지하로 통하는 좁은 외부 계단. / 망원동 새벽 사무실 앞 수해 현장: 거센 비가 내리는 밤, 지하 입구까지 물이 들어찬 건물의 외부.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 망원동 새벽 사무실: 가구와 집기가 채워진 반지하 사무실. 벽면에 방음용 재질이 붙어 있다. / 침수된 망원동 새벽 사무실: 천장 가까이 물이 차오르고 있는 사무실 내부.\n\nTHE LOCATION: S#34. 망원동 새벽 사무실 앞 – 밖 – 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): parked truck; carried desk; cassette player at the office door; broken condition of the basement window; floodwater at the basement opening; ambulance in front of the building; blanket at the flood scene\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "107b54f7-7ffd-40c8-a2be-9f7aea8e4d57", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_basement_office/rounds/r001/cand_02.png", "sha256": "dbbdad4c706e7abb457af51071907f2ad87fd3350592ef562f5291a051006cab", "fittings": [ { "target_native": "반지하 창문", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_basement_office/rounds/r001/cand_12.png", "sha256": "fefd0aacca2bc15b728fa68c34efeb06166cccecd5ce2c6dd1f13d258f62ea69" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "bee488b79d0b5979", "totals": { "C": 7, "B": 4, "A": 4 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "지정된 폼 레퍼런스(건물 외관)와 피팅 레퍼런스(지하 창문)를 모두 정확히 조합하여 계단 옆에 창문을 배치한 유일한 결과물입니다." }, { "label": "B", "score": 4, "verdict_ko": "지정된 피팅 레퍼런스 1에 해당하는 방범창이 있는 반지하 창문이 건물 전면에 누락되어 프롬프트의 구조물 요구사항을 충족하지 못했습니다." }, { "label": "A", "score": 4, "verdict_ko": "지정된 피팅 레퍼런스 1(반지하 창문)이 프롬프트의 지시대로 계단 옆 전면에 배치되지 않고 원본 폼 레퍼런스대로 막힌 벽으로 렌더링되었습니다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트는 '외부 지면 아래로 내려가는 반지하 계단'과 '반지하 창문'을 요구했으나, 생성된 이미지는 폼 레퍼런스 사진의 형태를 그대로 따라 지면에서 2층으로 올라가는 계단과 1층 높이의 창문을 묘사했습니다. 건물의 기본 구조가 프롬프트와 다릅니다.", "fix_en": "Transform the flat ground behind the lower metal gate into a descending stairwell leading down into shadow, and lower the window situated behind the low brick wall so it sits in a sunken well below street level. Preserve the exact camera framing, all brick textures, upper structures, and the empty street.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "프롬프트는 '외부 지면 아래로 내려가는 반지하 계단'과 '반지하 창문'을 요구했으나, 생성된 이미지는 폼 레퍼런스 사진의 형태를 그대로 따라 지면에서 2층으로 올라가는 계단과 1층 높이의 창문을 묘사했습니다. 건물의 기본 구조가 프롬프트와 다릅니다.", "fix_en": "Transform the flat ground behind the lower metal gate into a descending stairwell leading down into shadow, and lower the window situated behind the low brick wall so it sits in a sunken well below street level. Preserve the exact camera framing, all brick textures, upper structures, and the empty street.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_downtown_building_front": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_downtown_building_front_sel.png", "seed_asset_id": "33b23b3a-8cdb-49d5-a07f-257eff773ea5", "seed_selected": "C", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is a downtown building frontage opening onto a sidewalk access area. A building entrance is set into the frontage and is reached directly from the sidewalk. A landscaped flowerbed with a raised sitting ledge occupies part of the building-front sidewalk area, close enough to the entrance for direct movement between the ledge and the building. The sidewalk in front of the entrance and the area beside the flowerbed provide the camera-standing zones.\n- downtown building frontage: The building frontage forms the fixed site edge facing the sidewalk access area and contains the building entrance.\n- front building entrance: The entrance is set into the downtown building frontage and opens directly onto the sidewalk access area.\n- building-front sidewalk access area: The sidewalk extends along the front of the downtown building, directly serving the entrance and adjoining the landscaped flowerbed.\n- landscaped flowerbed with raised sitting ledge: The flowerbed is fixed within the building-front sidewalk area, with its raised ledge facing an accessible portion of the sidewalk and positioned near the route to the building entrance.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 번화가 건물 앞: 낮 시간대 도심 건물 앞의 보도. 조경용 화단이 조성되어 있다.\n\nTHE LOCATION: S#28. 번화가 건물 앞 – 밖 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Kim Gwang-seok seated on the flowerbed ledge; Kim Min-ki in a worn trench coat; makgeolli bottle and paper cup; cigarettes and lighter\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "e70c5115-a403-40ba-bfaa-81a42fadff2b", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_downtown_building_front/rounds/r001/cand_02.png", "sha256": "b699fec20b3942b3240961f35351d1410d0f6f09520717ce9e02fa850f9666d4", "fittings": [ { "target_native": "건물 앞 화단 턱", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_downtown_building_front/rounds/r001/cand_05.png", "sha256": "17ed91df036792920a0268553c039d8d362466f9449a44bbe19148a9913da3a8" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "5e7da1f2f9853123", "totals": { "A": 3, "B": 3, "C": 3 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "A", "score": 3, "verdict_ko": "1980년대 폼 레퍼런스를 무시하고 피팅 레퍼런스의 현대식 건물 구조와 구도를 그대로 모방하여 핵심 지침에 실패했습니다. ★위반: [qwen-vlm] 프롬프트가 요구한 '약간 높은(slightly elevated)' 시점이 아니라 지면 눈높이 뷰입니다. / [qwen-vlm] 참조 이미지(Fitting Ref 1)에 명시된 화단의 개수(3개)와 다르게 4개가 렌더링되어 구조적 사실관계가 틀렸습니다." }, { "label": "B", "score": 3, "verdict_ko": "메인 레퍼런스 양식을 무시했으며, 우측 계단이 막힌 벽으로 연결되는 물리적 구조 오류가 있어 실격입니다. ★위반: [gemini-pro] 벽/창문으로 막혀 진입할 수 없는 불가능한 계단 구조 / [qwen-vlm] 프롬프트가 명시적으로 요구한 '약간 높은(slightly elevated)' 뷰가 아니라 평범한 아이레벨 혹은 로우 앵글입니다." }, { "label": "C", "score": 3, "verdict_ko": "건물 양식을 잘못 적용했을 뿐만 아니라 피팅 레퍼런스 배경의 '정지 STOP' 표지판까지 누출되어 지침을 심각하게 위반했습니다. ★위반: [gemini-pro] 피팅 레퍼런스 배경의 '정지 STOP' 텍스트/표지판 누출" } ], "critique": { "issues": [ { "issue_ko": "건물의 전체적인 외관과 재질(현대적인 대형 화강암 기둥과 통유리문)이 1980년대 상가 건물을 보여주는 형태 참고 사진(첫 번째 사진)을 무시하고, 화단 형태를 위한 세부 참고 사진(두 번째 사진)의 현대적인 건축 양식을 건물 전체에 잘못 적용했습니다.", "fix_en": "Replace the entire building architecture to match the 1980s/90s commercial style of the primary form reference.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "건물의 전체적인 외관과 재질(현대적인 대형 화강암 기둥과 통유리문)이 1980년대 상가 건물을 보여주는 형태 참고 사진(첫 번째 사진)을 무시하고, 화단 형태를 위한 세부 참고 사진(두 번째 사진)의 현대적인 건축 양식을 건물 전체에 잘못 적용했습니다.", "fix_en": "Replace the entire building architecture to match the 1980s/90s commercial style of the primary form reference.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_electronics_repair_shop": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_electronics_repair_shop_sel.png", "seed_asset_id": "1b07e7d2-173a-4738-8d14-371b1463ea3e", "seed_selected": "B", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as a shopfront threshold opening onto a contiguous exterior frontage. The Gwangdol Electronics Repair Shop exterior forms one fixed edge of the frontage, with its front entrance opening directly into the shop-front exterior standing area. A fixed shop identification sign occupies the outward-facing shop exterior and is visible from that area. The frontage provides the continuous exterior ground from which the façade and entrance are viewed and approached; no specific material, dimensions, or connection to an unmentioned street are established.\n- Gwangdol Electronics Repair Shop exterior: The shop exterior forms the fixed rear edge of the site frontage and faces the exterior standing area.\n- electronics repair shop front entrance: The entrance is set into the shop-facing exterior and opens directly onto the frontage area.\n- fixed electronics repair shop identification sign: The fixed identification sign is mounted on the shop-facing exterior where it can be read from the frontage area.\n- shop-front exterior standing area: The exterior standing area lies directly in front of the shop exterior and connects to the front entrance.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광돌이 전파사 앞: 가파른 계단이 있는 산동네 골목길에 위치한 전파사 건물 외부. / 새 간판이 설치된 광돌이 전파사 외관: 새로운 디자인의 간판으로 교체된 전파사 외부. 유리창에 수많은 종이 메모지가 붙어 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 광돌이 전파사 내부: 낡고 허름한 1980년대 동네 전파사. 나무 선반에 수리를 기다리는 아날로그 기기들이 가득 쌓여 있다.\n\nTHE LOCATION: S#49. 광돌이 전파사 – 앞 – 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): falling rain; open umbrella; GoldStar cassette recorder; covered Pride passenger car; child car seat\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "20e92982-6e34-45ad-a07d-7a5be8a1f787", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_electronics_repair_shop/rounds/r001/cand_05.png", "sha256": "a6c482d71e304d02cfa499284908dfeb94c98893e5409b8d51f94a1cad933157", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "e9475a16ef4dbc16", "totals": { "B": 7, "A": 5, "C": 4 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "B", "score": 7, "verdict_ko": "요구된 약간 높은 3/4 측면 구도와 산동네 골목길 배경을 완벽히 구현했으며, 레퍼런스의 타일 마감과 새 간판, 메모지 등 지시사항을 매우 충실히 따랐습니다." }, { "label": "A", "score": 5, "verdict_ko": "레퍼런스의 재질과 메모지 디테일은 좋으나, 요구된 높은 3/4 측면 뷰 대신 정면에 가까운 앵글로 렌더링되었고 주변 상점 간판이 임의로 추가되었습니다." }, { "label": "C", "score": 4, "verdict_ko": "구도와 배경은 적절하나, 레퍼런스에서 확인되는 타일 벽면 대신 파란색 패널을 임의로 사용하여 폼 레퍼런스 형태를 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "크기 참조용으로만 제공된 내부 묘사(나무 선반과 아날로그 기기들)가 열린 문과 창문을 통해 보이며, 내부 가구나 배치를 절대 시각화하지 말라는 지침을 위반했습니다.", "fix_en": "Close the shop door and render all glass surfaces as dark and highly reflective of the nighttime street, completely obscuring the interior so no furnishings are visible. Preserve the shop exterior, the new sign, the paper memos on the windows, the surrounding alleyway and stairs, the nighttime lighting, and the exact framing.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Close the shop door and render all glass surfaces as dark and highly reflective of the nighttime street, completely obscuring the interior so no furnishings are visible. Preserve the shop exterior, the new sign, the paper memos on the windows, the surrounding alleyway and stairs, the nighttime lighting, and the exact framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_small_theater": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_small_theater_sel.png", "seed_asset_id": "f7d94261-acb1-4890-bd3a-9bf8bf558ca8", "seed_selected": "A", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The Hakjeon small theater exterior frontage forms one edge of the site. Its public entrance is set into that frontage and opens directly onto an exterior pedestrian approach where cameras can face either the doorway or the adjacent facade. A fixed theater identification sign is attached to the frontage and is visible from the approach. The approach and frontage together define the complete exterior shooting area without assigning any temporary posters, queues, props, or weather conditions to the permanent site plan.\n- Hakjeon small theater exterior frontage: The exterior frontage forms the building edge facing the theater's outdoor approach area.\n- Fixed small-theater identification sign: The fixed identification sign is attached to the theater exterior frontage and faces the outdoor approach area.\n- Hakjeon small theater public entrance: The public entrance is set into the theater exterior frontage and opens directly onto the outdoor approach area.\n- Exterior pedestrian approach before the theater entrance: The pedestrian approach directly adjoins the theater frontage and provides access to the public entrance.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 학전소극장 앞: 소극장 건물 외부. 벽면에 종이 포스터가 붙어 있고, 줄을 선 관객들이 보인다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 학전소극장 대기실: 무대 뒤편에 위치한 아날로그 소극장의 작은 대기실. 낡은 거울과 의자가 놓여 있고 조명이 다소 어둡다. / 학전소극장 백스테이지 복도: 대기실에서 무대로 이어지는 좁고 어두운 복도. 음향 장비의 선들이 바닥에 깔려 있다. / 학전소극장 무대 입구: 어두운 복도 끝에서 밝은 무대 조명이 비쳐 들어오는 경계선. / 학전소극장 공연장: 관객들이 빽빽하게 들어찬 아날로그 소극장 내부. 무대 중앙에 의자와 스탠드 마이크가 세팅되어 있다.\n\nTHE LOCATION: S#88. 학전 소극장 앞 – 밖 – 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Paper concert poster; Waiting audience queue; Handheld marking pen; Lit cigarette; Wind and rain conditions; Thunder condition\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "cbd863f6-145c-4460-ad6b-3db9af4d3490", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_small_theater/rounds/r001/cand_03.png", "sha256": "26f46dae8cdc974538d90d062627c3d28e78eaa3eec1986eac0b3f9ba6ce5343", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "7d4cff1252150a1f", "totals": { "A": 8, "B": 6, "C": 3 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 8, "verdict_ko": "지시된 대로 임시 요소(사람, 포스터 등)를 완벽히 제거하고 레퍼런스의 건축 형태를 정확히 유지했으며, 주변 환경을 복사하지 말라는 지시도 가장 잘 따랐습니다." }, { "label": "B", "score": 6, "verdict_ko": "메인 건물의 형태와 빈 공간 연출은 우수하나, 레퍼런스 사진의 주변 환경(좌측 건물과 우측 붉은 파이프)을 그대로 복사하여 지시사항을 일부 위반했습니다." }, { "label": "C", "score": 3, "verdict_ko": "간판 글자가 다소 왜곡되었으며, 레퍼런스에 존재하지 않는 거대한 곡선 외벽을 임의로 추가하여 지정된 건물의 형태를 심각하게 훼손했습니다." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_university_district_street": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_university_district_street_sel.png", "seed_asset_id": "7ea812c9-5faa-4ed4-a85b-5e84a54d9e7e", "seed_selected": "C", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A Sinchon commercial street segment forms the principal linear route through the site. A pedestrian access strip follows the shop-facing edge of that street and is the continuous outdoor camera and walking area. The Sinchon Record shopfront directly borders this strip. Its customer entrance opens onto the strip, while the display window occupies the adjacent frontage so a person standing outside can look into the shop. The Sinchon Record sign is fixed to the same outward-facing frontage and identifies the shop to people approaching along the street. Movement can continue along the street past the shop or turn from the pedestrian strip through the entrance.\n- Sinchon commercial street segment: The street segment runs along the outward-facing side of the record-shop frontage and provides the broader route along which pedestrians continue past the shop.\n- Pedestrian access strip before the record shop: The pedestrian access strip directly adjoins the Sinchon commercial street segment and extends continuously along the record-shop frontage, meeting both the shop entrance and the display window.\n- Sinchon Record shopfront: The shopfront faces the pedestrian access strip beside the Sinchon commercial street segment and contains the named shop entrance, display window, and identifying sign.\n- Sinchon Record shop sign: The identifying sign is fixed to the outward-facing record-shop frontage where it can be seen from the adjoining pedestrian route.\n- Sinchon Record customer entrance: The customer entrance is set into the record-shop frontage and opens directly onto the pedestrian access strip.\n- Sinchon Record display window: The display window occupies the outward-facing shopfront beside the customer entrance and looks directly onto the pedestrian access strip.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 신촌 거리: 음반 가게가 있는 밝은 낮의 대학가 번화가.\n\nTHE LOCATION: S#26. 신촌 거리 – 밖 – 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Kim Gwangseok and Song Youngsook with their clothing; LP albums and record-shop inventory; Warm sunlight\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "471d811d-1e72-479a-9813-3c62b8acc60b", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_university_district_street/rounds/r001/cand_05.png", "sha256": "4716d940448bc45be070d8ed0f3f0a1a869383eb9cf8706bcd73fadf2a005994", "fittings": [ { "target_native": "레코드 가게 쇼윈도", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_university_district_street/rounds/r001/cand_07.png", "sha256": "ca35025ecc428f48ffca4679c10afa58ba053e9d5d341c3ba9013a51a3025c72" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "b5f2e3a548840f13", "totals": { "C": 7, "A": 5, "B": 3 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "지시된 형태와 구조를 가장 잘 유지했으며, 인벤토리와 따뜻한 햇빛 등 제외 요소를 정확히 배제하여 빈 상점의 외관을 훌륭하게 구현했습니다." }, { "label": "A", "score": 5, "verdict_ko": "제외 요소는 잘 반영했으나, 출입문 유리 패널의 배치와 손잡이 구조가 다소 어색하고 측면 둥근 간판의 형태가 약간 왜곡되었습니다." }, { "label": "B", "score": 3, "verdict_ko": "명시적으로 제외된 '따뜻한 햇빛(Warm sunlight)'과 짙은 그림자가 강하게 묘사되어 프롬프트를 위반했습니다. ★위반: [gemini-pro] 제외 지시된 요소(Warm sunlight)가 명백하게 포함되어 강한 그림자를 생성함 / [qwen-vlm] 프롬프트에서 명시적으로 제외(EXCLUDED)된 'Warm sunlight'이 강한 직사광선과 그림자로 묘사됨" } ], "critique": { "issues": [ { "issue_ko": "메인 간판, 돌출 간판, 유리문의 텍스트가 프롬프트 지정 상호명('신촌 레코드')이 아닌 레퍼런스의 '서울레코드'를 복사했고, 우측 유리문 텍스트는 순서가 역순으로 출력되었으며, 전화번호와 주변 간판 내용까지 그대로 베껴 텍스트 복사 금지 규칙을 위반했습니다. (Critical)", "fix_en": "Change the shop name on the main red sign, round sign, and glass doors to '신촌 레코드' (Sinchon Record), ensuring the text on the right door reads correctly top-to-bottom, and obscure all other copied text (phone numbers, Japanese text, and neighboring shop signs) to be illegible, preserving the signboards, shopfront architecture, lighting, and exact camera framing.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "입구 우측 기둥에 부착된 빨간색 우체통은 방문객 편의시설로, 건축물 형태가 아니므로 레퍼런스에서 제외해야 한다는 지침을 위반했습니다. (Major)", "fix_en": "", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the shop name on the main red sign, round sign, and glass doors to '신촌 레코드' (Sinchon Record), ensuring the text on the right door reads correctly top-to-bottom, and obscure all other copied text (phone numbers, Japanese text, and neighboring shop signs) to be illegible, preserving the signboards, shopfront architecture, lighting, and exact camera framing.\n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_university_library_exterior": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/background_chain/seed_bg_university_library_exterior_sel.png", "seed_asset_id": "5ba93641-4859-4b4c-a21d-f114f004c31d", "seed_selected": "A", "seed_prompt": "A photographic plate — 1980s to early 1990s South Korea; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The university library forms the fixed building edge of the site. Its main entrance faces an exterior approach in the library-front area, and that approach connects directly to Baekyang-ro, the campus route used to pass through the location. The route and entrance approach provide the principal ground-level camera zones, allowing views either toward the library entrance and exterior or back along the campus route. Above the same building frontage, the library rooftop is visible from below and remains spatially aligned with the entrance-side exterior.\n- Baekyang-ro campus route: The campus route passes through the area in front of the university library and adjoins the exterior approach leading to the library entrance.\n- library entrance approach: The exterior approach occupies the library-front area, directly connecting Baekyang-ro campus route to the library entrance.\n- university library main entrance: The entrance is set into the front side of the university library building and opens directly onto the library entrance approach.\n- university library exterior: The library building bounds the inner side of the library-front area, with its main entrance facing the exterior approach and Baekyang-ro beyond it.\n- university library rooftop: The rooftop occupies the top of the university library building and is visible from the library-front area below.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 연세대 도서관 앞: 나무가 심어진 대학 캠퍼스 길. 야외 벤치가 놓여 있다. / 연세대 도서관 옥상: 아래에서 올려다보이는 캠퍼스 건물의 옥상 난간.\n\nTHE LOCATION: S#8. 연세대 도서관 앞 야외테이블 - 밖, 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): outdoor table; outdoor bench; scattered paper leaflets; guitar case and broken guitar\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "3c77db54-ec05-4d53-9dc2-f3c495b1a99d", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_university_library_exterior/rounds/r001/cand_03.png", "sha256": "2012c79298e9e1d7c493a0c40fa61ded9c140954fbfda94c77844b64da9b8084", "fittings": [ { "target_native": "대학 도서관 앞 캠퍼스 길", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/c7e3b2e7-c545-4516-93b2-62a51a74d794/images/7c902020-4451-4967-9eb6-1e53c2b9b717/structure_form_refs/bg_university_library_exterior/rounds/r001/cand_09.png", "sha256": "8dc70aee2deb214510dc45e537b56ea611a30e16774a31eb8f1b3d4d95ebf8c6" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "921fcdd67c461821", "totals": { "A": 7, "B": 4, "C": 6 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "형태 기준 사진의 핵심 구조(3층 돌출 발코니, 우측 블록의 수직 통풍구 3개, 입구 구조)와 질감 기준 사진의 아스팔트 진입로를 가장 충실하게 구현했으나 간판 텍스트에 오타가 있음. ★위반: [qwen-vlm] 건물 벽면의 텍스트('연건캠퍼스')가 지정된 장소(연세대 신촌 도서관)의 지리적 사실과 불일치함." }, { "label": "B", "score": 4, "verdict_ko": "우측 건물의 기둥 형태가 기준 사진과 상이하고, 입구 간판에 '도도서관'이라는 명백한 오타가 발생하여 구조적 완성도가 떨어짐. ★위반: [qwen-vlm] 일시적 요소인 현수막이 포함되어 있어 'clean photographic plate' 및 'excluded transient elements' 지침을 위반함." }, { "label": "C", "score": 6, "verdict_ko": "건물의 전반적인 비율과 텍스트의 렌더링 품질은 우수하나, 질감 기준 사진에서 요구된 아스팔트가 아닌 콘크리트 바닥으로 구현되었고 세부 통풍구 디테일을 놓침." } ], "critique": { "issues": [ { "issue_ko": "건물 주출입구 위와 우측 벽면에 요청하지 않은 한글 텍스트('연세대학교 도서관관', '연세대학교 백양로 연건캠퍼스')가 임의로 새겨져 있으며, 오타와 잘못된 캠퍼스 명칭이 포함되어 있습니다.", "fix_en": "Remove all the dark Korean lettering from the stone walls above the main entrance and on the right-side building wing, replacing them with bare, matching stone surfaces. Preserve the exact building architecture, all concrete and stone materials, the empty road, the surrounding trees, and the current lighting and framing.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all the dark Korean lettering from the stone walls above the main entrance and on the right-side building wing, replacing them with bare, matching stone surfaces. Preserve the exact building architecture, all concrete and stone materials, the empty road, the surrounding trees, and the current lighting and framing.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "fa5f3e2a-3dbd-402d-b706-eb4881acb88f", "resolved_model": "gemini-image", "updated_at": "2026-08-11T00:36:07.698737+00:00", "project_config_snapshot": {} }