{ "status": "completed", "applicable_count": 4, "completed_count": 4, "failed_count": 0, "schema_version": 3, "config_hash": "787c440f826114ed", "data": { "groups": { "L01B02": { "status": "ok", "is_reuse": false, "render_action": "render_new_plate", "location_id": "L01", "location_name": "", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B02.png", "t2i_prompt": "대한민국 도시 생활권의 동시대 현대식 좁은 자전거 정비소 작업 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 거리 출입문 가까이에서 약 1.6m의 서 있는 사람 눈높이로 촬영하며, 35mm급 광각 렌즈로 입구부터 뒤쪽까지 이어지는 좁은 중앙 작업 통로를 대각선으로 바라본다. 화면 오른쪽 동쪽 벽에는 오래 사용해 표면에 잔흠집과 기름 얼룩이 밴 정비 작업대가 놓이고, 왼쪽 뒤편에는 자전거 작업 구역이 자연스럽게 이어진다. 작업대 위에는 뚜껑이 열린 공구함이 놓여 있으며, 낡은 기계식 자전거 한 대가 수리를 위해 거꾸로 세워진 채 작업대 옆에서 뒤편 자전거 구역에 일부 걸쳐 있다. 중앙 천장의 형광등이 차갑고 현실적인 빛을 내며, 해 질 무렵 거리에서 들어오는 약한 자연광과 섞여 저녁에서 밤으로 넘어가는 평범한 정비 시간의 분위기를 만든다. 출입문 안쪽 문턱, 닳은 콘크리트 바닥, 오래된 도장 벽면, 금속의 미세한 부식과 공구함의 사용감이 사실적으로 보인다. 색은 절제되고 약간 저채도이며 대비는 과장하지 않는다. 사람, 얼굴, 인체 형태는 전혀 없다. 실제 디지털 카메라의 자연스러운 원근감과 심도, 정확한 재료 질감, 생활 속 마모와 얼룩을 담은 현장 기록 사진이며 과도한 보정이나 인위적인 연출이 없는 실제 장소 참고 사진이다. 위에서 내려다본 시점이나 평면도 구도가 아닌 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본", "shot_guides": [ { "shot_id": "S1_Shot1", "guide_text": "남쪽 거리 출입문 가까운 위치에서 약 1.6m 눈높이로 북쪽 뒤편을 향해 대각선 촬영한다. 중앙의 좁은 작업 통로가 깊이감을 만들고, 화면 오른쪽의 작업대 위 열린 공구함과 그 옆에 거꾸로 세워진 낡은 자전거가 함께 분명히 보이게 한다. 뒤편 자전거 작업 구역까지 시선이 이어지며, 천장 형광등과 해 질 무렵의 약한 외부광이 자연스럽게 섞이도록 한다. 사람이나 인체 형태는 포함하지 않는다." } ], "shot_ids": [ "S1_Shot1" ], "scenes": [], "parent_id": "", "ref_used": "fp_only", "render_attempts": 1, "render_error": "", "variant_label": "", "floor_plan_used": true, "camera_recommendations": { "camera_position": "near number 5 (street entrance), facing diagonally across number 1 (shared floor) toward number 6 (workbench) and number 3 (bicycle bay)", "camera_height": "eye-level standing, approximately 1.6m", "lens_hint": "35mm wide angle", "framing_notes": "Keep number 8 on the workbench and number 9 inverted beside it clearly visible, with number 7 overhead." }, "reference_decision": { "bg_id": "L01B02", "fp_id": "fp_repair_shop_main", "node_index": 0, "mode": "fp_seeded_anchor", "is_dwelling_identity_anchor": true, "rationale": "L01B02 is the sole supplied clean-anchor candidate and therefore establishes the dwelling identity without a prior reference. Camera unit 1 at [4,1] looks toward unit 2 at the exact candidate cell [4,9] with a normal 50-degree lens, supporting the medium observational framing committed for S1_Shot1 while retaining markers 6 and 7 as fixed identity anchors.", "reference_paths": [ "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/floor_plan/fp_repair_shop_main.png" ], "source_bg_ids": [], "fp_included": true, "reference_decision": { "selected_refs": [], "rejected_refs": [], "same_physical_space_dedup_decision": "not_applicable_anchor", "why_single_ref_or_two_refs": "The identity anchor is rendered directly from the floor plan and has no prior reference.", "physical_space_id_per_ref": [], "same_physical_space_low_delta_candidate": false, "low_delta_reuse_target_bg_id": "", "low_delta_rationale": "" }, "camera_decision": { "camera_unit": 1, "camera_cell": [ 4, 1 ], "look_at_unit": 2, "look_at_cell": [ 4, 9 ], "lens_enum": "normal", "fov_deg": 50, "framing_notes": "Use neutral coverage from unit 1 toward unit 2 and marker 6, matching the committed medium composition with the principal action on the right and the lower work surface boundary remaining readable." }, "render_guidance": { "visible_space_directive": "Show unit 1 in the camera foreground and direct the view toward unit 2 at marker cell [4,9]. Keep base markers 6 and 7 readable, with only geometry-supported portions of candidate units 3 and 4 and opening marker 5 included where they fall within the normal view cone.", "camera_framing_directive": "Place the camera in unit 1 at [4,1], look toward unit 2 at [4,9], and use a normal 50-degree field of view for neutral medium coverage. Preserve the committed right-half subject placement, central hand-action area, lower-left marker 6 boundary, and partial upper-edge visibility of marker 7.", "subject_position_directive": "Use the S1_Shot1 staging: one committed subject occupies the right half in a front three-quarter presentation, with the upper body prominent and the hands meeting the central action area near marker 9. Do not add any other subject.", "state_cue_directive": "Carry transient markers 8 and 9 exactly as committed by the BG facts. Preserve base markers 1 through 7, with marker 7 providing the restrained, slightly desaturated illumination described by the shot staging.", "negative_continuity_directive": "Exclude ignored overlay markers 10, 11, 12, 13, and 14. Do not add uncommitted subjects or scenario-specific objects, and do not depict spaces beyond the geometry-supported unit and opening candidates for camera unit 1." }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [4, 1]\n - look_at_unit: 2\n - look_at_cell: [4, 9]\n - lens_enum: 'normal'\n - fov_deg: 50\n - framing_notes: 'Use neutral coverage from unit 1 toward unit 2 and marker 6, matching the committed medium composition with the principal action on the right and the lower work surface boundary remaining readable.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: Show unit 1 in the camera foreground and direct the view toward unit 2 at marker cell [4,9]. Keep base markers 6 and 7 readable, with only geometry-supported portions of candidate units 3 and 4 and opening marker 5 included where they fall within the normal view cone.\n - camera_framing_directive: Place the camera in unit 1 at [4,1], look toward unit 2 at [4,9], and use a normal 50-degree field of view for neutral medium coverage. Preserve the committed right-half subject placement, central hand-action area, lower-left marker 6 boundary, and partial upper-edge visibility of marker 7.\n - subject_position_directive: Use the S1_Shot1 staging: one committed subject occupies the right half in a front three-quarter presentation, with the upper body prominent and the hands meeting the central action area near marker 9. Do not add any other subject.\n - state_cue_directive: Carry transient markers 8 and 9 exactly as committed by the BG facts. Preserve base markers 1 through 7, with marker 7 providing the restrained, slightly desaturated illumination described by the shot staging.\n - negative_continuity_directive: Exclude ignored overlay markers 10, 11, 12, 13, and 14. Do not add uncommitted subjects or scenario-specific objects, and do not depict spaces beyond the geometry-supported unit and opening candidates for camera unit 1.\n\n", "diagnostics": [] }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [4, 1]\n - look_at_unit: 2\n - look_at_cell: [4, 9]\n - lens_enum: 'normal'\n - fov_deg: 50\n - framing_notes: 'Use neutral coverage from unit 1 toward unit 2 and marker 6, matching the committed medium composition with the principal action on the right and the lower work surface boundary remaining readable.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: Show unit 1 in the camera foreground and direct the view toward unit 2 at marker cell [4,9]. Keep base markers 6 and 7 readable, with only geometry-supported portions of candidate units 3 and 4 and opening marker 5 included where they fall within the normal view cone.\n - camera_framing_directive: Place the camera in unit 1 at [4,1], look toward unit 2 at [4,9], and use a normal 50-degree field of view for neutral medium coverage. Preserve the committed right-half subject placement, central hand-action area, lower-left marker 6 boundary, and partial upper-edge visibility of marker 7.\n - subject_position_directive: Use the S1_Shot1 staging: one committed subject occupies the right half in a front three-quarter presentation, with the upper body prominent and the hands meeting the central action area near marker 9. Do not add any other subject.\n - state_cue_directive: Carry transient markers 8 and 9 exactly as committed by the BG facts. Preserve base markers 1 through 7, with marker 7 providing the restrained, slightly desaturated illumination described by the shot staging.\n - negative_continuity_directive: Exclude ignored overlay markers 10, 11, 12, 13, and 14. Do not add uncommitted subjects or scenario-specific objects, and do not depict spaces beyond the geometry-supported unit and opening candidates for camera unit 1.\n\n", "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [4, 1]\n - look_at_unit: 2\n - look_at_cell: [4, 9]\n - lens_enum: 'normal'\n - fov_deg: 50\n - framing_notes: 'Use neutral coverage from unit 1 toward unit 2 and marker 6, matching the committed medium composition with the principal action on the right and the lower work surface boundary remaining readable.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: Show unit 1 in the camera foreground and direct the view toward unit 2 at marker cell [4,9]. Keep base markers 6 and 7 readable, with only geometry-supported portions of candidate units 3 and 4 and opening marker 5 included where they fall within the normal view cone.\n - camera_framing_directive: Place the camera in unit 1 at [4,1], look toward unit 2 at [4,9], and use a normal 50-degree field of view for neutral medium coverage. Preserve the committed right-half subject placement, central hand-action area, lower-left marker 6 boundary, and partial upper-edge visibility of marker 7.\n - subject_position_directive: Use the S1_Shot1 staging: one committed subject occupies the right half in a front three-quarter presentation, with the upper body prominent and the hands meeting the central action area near marker 9. Do not add any other subject.\n - state_cue_directive: Carry transient markers 8 and 9 exactly as committed by the BG facts. Preserve base markers 1 through 7, with marker 7 providing the restrained, slightly desaturated illumination described by the shot staging.\n - negative_continuity_directive: Exclude ignored overlay markers 10, 11, 12, 13, and 14. Do not add uncommitted subjects or scenario-specific objects, and do not depict spaces beyond the geometry-supported unit and opening candidates for camera unit 1.\n\n대한민국 도시 생활권의 동시대 현대식 좁은 자전거 정비소 작업 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 거리 출입문 가까이에서 약 1.6m의 서 있는 사람 눈높이로 촬영하며, 35mm급 광각 렌즈로 입구부터 뒤쪽까지 이어지는 좁은 중앙 작업 통로를 대각선으로 바라본다. 화면 오른쪽 동쪽 벽에는 오래 사용해 표면에 잔흠집과 기름 얼룩이 밴 정비 작업대가 놓이고, 왼쪽 뒤편에는 자전거 작업 구역이 자연스럽게 이어진다. 작업대 위에는 뚜껑이 열린 공구함이 놓여 있으며, 낡은 기계식 자전거 한 대가 수리를 위해 거꾸로 세워진 채 작업대 옆에서 뒤편 자전거 구역에 일부 걸쳐 있다. 중앙 천장의 형광등이 차갑고 현실적인 빛을 내며, 해 질 무렵 거리에서 들어오는 약한 자연광과 섞여 저녁에서 밤으로 넘어가는 평범한 정비 시간의 분위기를 만든다. 출입문 안쪽 문턱, 닳은 콘크리트 바닥, 오래된 도장 벽면, 금속의 미세한 부식과 공구함의 사용감이 사실적으로 보인다. 색은 절제되고 약간 저채도이며 대비는 과장하지 않는다. 사람, 얼굴, 인체 형태는 전혀 없다. 실제 디지털 카메라의 자연스러운 원근감과 심도, 정확한 재료 질감, 생활 속 마모와 얼룩을 담은 현장 기록 사진이며 과도한 보정이나 인위적인 연출이 없는 실제 장소 참고 사진이다. 위에서 내려다본 시점이나 평면도 구도가 아닌 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본", "camera_decision": { "camera_unit": 1, "camera_cell": [ 4, 1 ], "look_at_unit": 2, "look_at_cell": [ 4, 9 ], "lens_enum": "normal", "fov_deg": 50, "framing_notes": "Use neutral coverage from unit 1 toward unit 2 and marker 6, matching the committed medium composition with the principal action on the right and the lower work surface boundary remaining readable." }, "shot_aware_plan_node_index": 0, "shot_aware_plan_mode": "fp_seeded_anchor", "render_guidance": { "visible_space_directive": "Show unit 1 in the camera foreground and direct the view toward unit 2 at marker cell [4,9]. Keep base markers 6 and 7 readable, with only geometry-supported portions of candidate units 3 and 4 and opening marker 5 included where they fall within the normal view cone.", "camera_framing_directive": "Place the camera in unit 1 at [4,1], look toward unit 2 at [4,9], and use a normal 50-degree field of view for neutral medium coverage. Preserve the committed right-half subject placement, central hand-action area, lower-left marker 6 boundary, and partial upper-edge visibility of marker 7.", "subject_position_directive": "Use the S1_Shot1 staging: one committed subject occupies the right half in a front three-quarter presentation, with the upper body prominent and the hands meeting the central action area near marker 9. Do not add any other subject.", "state_cue_directive": "Carry transient markers 8 and 9 exactly as committed by the BG facts. Preserve base markers 1 through 7, with marker 7 providing the restrained, slightly desaturated illumination described by the shot staging.", "negative_continuity_directive": "Exclude ignored overlay markers 10, 11, 12, 13, and 14. Do not add uncommitted subjects or scenario-specific objects, and do not depict spaces beyond the geometry-supported unit and opening candidates for camera unit 1." }, "attached_reference_lineage": { "fp_id": "fp_repair_shop_main", "prior_bg_ids": [], "attached_ref_labels": [ "fp:fp_repair_shop_main" ], "ref_used": "fp_only", "db_write_policy": "checkpoint_only" } }, "L01B01": { "status": "ok", "is_reuse": false, "render_action": "render_new_plate", "location_id": "L01", "location_name": "", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B01.png", "t2i_prompt": "대한민국 도시 생활권의 동시대 자전거 정비소 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 중앙 작업 바닥 안쪽에 서서 남쪽 문턱과 거리 출입문을 바라보며, 높이는 약 1.6미터의 성인 눈높이이고 35밀리미터급 적당한 광각 렌즈를 사용한다. 동쪽 벽의 정비 작업대는 화면 측면 배경에 남도록 구성한다. 좁고 실용적인 정비소의 콘크리트 바닥, 사용감 있는 벽면, 칠이 닳은 금속 출입문, 실제 목재와 금속으로 된 작업대, 공구 사용으로 생긴 평범한 마모와 기름 얼룩을 과장 없이 사실적으로 보여 준다. 작업대 위에는 수리 작업 중 펼쳐 둔 공구상자가 열려 있고, 낡은 기계식 자전거 한 대가 거꾸로 세워진 채 작업대 옆에서 북서쪽 자전거 작업 구역에 일부 걸쳐 있다. 남쪽 거리 출입문은 급히 드나든 순간처럼 반쯤 열려 있으며, 문턱 가까이에는 휴대용 손전등이 놓여 내부를 향해 현실적인 빛줄기를 비춘다. 비 내리는 해 질 녘의 차갑고 흐린 외광이 열린 문틈으로 들어오고, 중앙 천장의 형광등이 정비소 안을 소박하게 밝힌다. 젖은 바깥 거리에서 들어오는 약한 반사광과 실내 형광등이 자연스럽게 섞이며, 다소 절박하고 긴장된 저녁 분위기를 만들되 연출된 미술 사진처럼 보이지 않게 한다. 절제되고 약간 낮은 채도의 색, 현실적인 저조도 대비, 정확한 콘크리트 질감과 금속의 산화 흔적, 공구상자의 표면 마모, 자전거 프레임의 오래된 흠집, 자연스러운 심도를 표현한다. 사람, 얼굴, 손, 신체 형태의 형상은 전혀 없으며 배경 공간과 사물만 보인다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 현장에서 촬영한 가공하지 않은 장소 기록 사진이며, 삽화나 건축 시각화가 아닌 사실적인 사진이다. 위에서 내려다본 시점이나 바닥 배치도 구도가 아닌 수평에 가까운 사람 눈높이 시점. 16:9 가로 비율, 실제 카메라 촬영본", "shot_guides": [ { "shot_id": "S1_Shot2", "guide_text": "정비소 중앙 작업 바닥 안쪽의 약 1.6미터 눈높이에서 남쪽 문턱과 반쯤 열린 거리 출입문을 정면에 가깝게 바라본다. 35밀리미터급 적당한 광각으로 출입문과 문턱을 주요 시선 지점으로 두고, 동쪽 벽 작업대와 그 위의 열린 공구상자, 거꾸로 세운 낡은 자전거가 측면 배경에서 함께 읽히게 한다. 문턱 가까이의 휴대용 손전등 빛과 비 내리는 해 질 녘 외광, 천장 형광등의 혼합을 사실적으로 유지한다. 사람이나 신체 형상은 포함하지 않는다." } ], "shot_ids": [ "S1_Shot2" ], "scenes": [], "parent_id": "", "ref_used": "refs_1", "render_attempts": 1, "render_error": "", "variant_label": "", "floor_plan_used": false, "camera_recommendations": { "camera_position": "inside number 1 (shared floor), facing toward number 4 (threshold) and number 5 (street entrance), with number 6 (workbench) remaining in the side background", "camera_height": "eye-level standing, approximately 1.6m", "lens_hint": "35mm moderate wide angle", "framing_notes": "Emphasize the half-open entrance at number 10 and the flashlight at number 11 while preserving the ongoing repair setup at numbers 8 and 9." }, "reference_decision": { "bg_id": "L01B01", "fp_id": "fp_repair_shop_main", "node_index": 1, "mode": "same_physical_space_view", "is_dwelling_identity_anchor": false, "rationale": "S1_Shot2 uses the same physical space and base markers as L01B02 but changes the view toward unit 4 and opening marker 5 for a wider full-figure doorway composition. L01B02 supplies fixed marker continuity, while the different look-at unit and broad doorway-facing framing require a new plate rather than low-delta reuse.", "reference_paths": [ "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B02.png" ], "source_bg_ids": [ "L01B02" ], "fp_included": false, "reference_decision": { "selected_refs": [ { "ref_bg_id": "L01B02", "physical_space_id": "space_1", "space_description": "Physical space defined by base markers 1 through 7." } ], "rejected_refs": [], "same_physical_space_dedup_decision": "single_same_physical_space_reference", "why_single_ref_or_two_refs": "One earlier reference covers the shared physical space and all fixed base markers needed by S1_Shot2.", "physical_space_id_per_ref": [ "space_1" ], "same_physical_space_low_delta_candidate": false, "low_delta_reuse_target_bg_id": "", "low_delta_rationale": "" }, "camera_decision": { "camera_unit": 1, "camera_cell": [ 4, 1 ], "look_at_unit": 4, "look_at_cell": [ 9, 5 ], "lens_enum": "wide", "fov_deg": 90, "framing_notes": "Use broad coverage from unit 1 toward unit 4 and opening marker 5, allowing the committed middle-right full figure and the diagonally receding path to remain readable." }, "render_guidance": { "visible_space_directive": "From unit 1, show the view toward unit 4 and opening marker 5, with geometry-supported visibility of units 3 and 4. Preserve the L01B02 positions of base markers 1 through 7, especially markers 5, 6, and 7, while applying this wider orientation toward the opening.", "camera_framing_directive": "Place the camera in unit 1 at [4,1], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage. Hold the committed subject and opening in the middle-right while allowing the path through the visible units to recede diagonally.", "subject_position_directive": "Use the S1_Shot2 staging: one committed full-figure subject stands in the midground at middle-right, braced at the opening and oriented three-quarter right, with attention directed past the camera axis. Keep the subject separated from the deeper visible area and do not add another subject.", "state_cue_directive": "Carry transient markers 8, 9, 10, and 11 exactly as committed. Marker 10 controls the opening state, while marker 11 remains positioned with the staged subject; preserve the base lighting contribution of marker 7.", "negative_continuity_directive": "Exclude ignored overlay markers 12, 13, and 14. Maintain the fixed positions of base markers 1 through 7 from reference L01B02, avoid adding uncommitted objects or subjects, and omit spaces outside the unit 1 wide-view geometry support." }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B02' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [4, 1]\n - look_at_unit: 4\n - look_at_cell: [9, 5]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 1 toward unit 4 and opening marker 5, allowing the committed middle-right full figure and the diagonally receding path to remain readable.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 1, show the view toward unit 4 and opening marker 5, with geometry-supported visibility of units 3 and 4. Preserve the L01B02 positions of base markers 1 through 7, especially markers 5, 6, and 7, while applying this wider orientation toward the opening.\n - camera_framing_directive: Place the camera in unit 1 at [4,1], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage. Hold the committed subject and opening in the middle-right while allowing the path through the visible units to recede diagonally.\n - subject_position_directive: Use the S1_Shot2 staging: one committed full-figure subject stands in the midground at middle-right, braced at the opening and oriented three-quarter right, with attention directed past the camera axis. Keep the subject separated from the deeper visible area and do not add another subject.\n - state_cue_directive: Carry transient markers 8, 9, 10, and 11 exactly as committed. Marker 10 controls the opening state, while marker 11 remains positioned with the staged subject; preserve the base lighting contribution of marker 7.\n - negative_continuity_directive: Exclude ignored overlay markers 12, 13, and 14. Maintain the fixed positions of base markers 1 through 7 from reference L01B02, avoid adding uncommitted objects or subjects, and omit spaces outside the unit 1 wide-view geometry support.\n\n", "diagnostics": [] }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B02' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [4, 1]\n - look_at_unit: 4\n - look_at_cell: [9, 5]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 1 toward unit 4 and opening marker 5, allowing the committed middle-right full figure and the diagonally receding path to remain readable.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 1, show the view toward unit 4 and opening marker 5, with geometry-supported visibility of units 3 and 4. Preserve the L01B02 positions of base markers 1 through 7, especially markers 5, 6, and 7, while applying this wider orientation toward the opening.\n - camera_framing_directive: Place the camera in unit 1 at [4,1], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage. Hold the committed subject and opening in the middle-right while allowing the path through the visible units to recede diagonally.\n - subject_position_directive: Use the S1_Shot2 staging: one committed full-figure subject stands in the midground at middle-right, braced at the opening and oriented three-quarter right, with attention directed past the camera axis. Keep the subject separated from the deeper visible area and do not add another subject.\n - state_cue_directive: Carry transient markers 8, 9, 10, and 11 exactly as committed. Marker 10 controls the opening state, while marker 11 remains positioned with the staged subject; preserve the base lighting contribution of marker 7.\n - negative_continuity_directive: Exclude ignored overlay markers 12, 13, and 14. Maintain the fixed positions of base markers 1 through 7 from reference L01B02, avoid adding uncommitted objects or subjects, and omit spaces outside the unit 1 wide-view geometry support.\n\n", "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B02' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 1\n - camera_cell: [4, 1]\n - look_at_unit: 4\n - look_at_cell: [9, 5]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 1 toward unit 4 and opening marker 5, allowing the committed middle-right full figure and the diagonally receding path to remain readable.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 1, show the view toward unit 4 and opening marker 5, with geometry-supported visibility of units 3 and 4. Preserve the L01B02 positions of base markers 1 through 7, especially markers 5, 6, and 7, while applying this wider orientation toward the opening.\n - camera_framing_directive: Place the camera in unit 1 at [4,1], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage. Hold the committed subject and opening in the middle-right while allowing the path through the visible units to recede diagonally.\n - subject_position_directive: Use the S1_Shot2 staging: one committed full-figure subject stands in the midground at middle-right, braced at the opening and oriented three-quarter right, with attention directed past the camera axis. Keep the subject separated from the deeper visible area and do not add another subject.\n - state_cue_directive: Carry transient markers 8, 9, 10, and 11 exactly as committed. Marker 10 controls the opening state, while marker 11 remains positioned with the staged subject; preserve the base lighting contribution of marker 7.\n - negative_continuity_directive: Exclude ignored overlay markers 12, 13, and 14. Maintain the fixed positions of base markers 1 through 7 from reference L01B02, avoid adding uncommitted objects or subjects, and omit spaces outside the unit 1 wide-view geometry support.\n\n대한민국 도시 생활권의 동시대 자전거 정비소 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 중앙 작업 바닥 안쪽에 서서 남쪽 문턱과 거리 출입문을 바라보며, 높이는 약 1.6미터의 성인 눈높이이고 35밀리미터급 적당한 광각 렌즈를 사용한다. 동쪽 벽의 정비 작업대는 화면 측면 배경에 남도록 구성한다. 좁고 실용적인 정비소의 콘크리트 바닥, 사용감 있는 벽면, 칠이 닳은 금속 출입문, 실제 목재와 금속으로 된 작업대, 공구 사용으로 생긴 평범한 마모와 기름 얼룩을 과장 없이 사실적으로 보여 준다. 작업대 위에는 수리 작업 중 펼쳐 둔 공구상자가 열려 있고, 낡은 기계식 자전거 한 대가 거꾸로 세워진 채 작업대 옆에서 북서쪽 자전거 작업 구역에 일부 걸쳐 있다. 남쪽 거리 출입문은 급히 드나든 순간처럼 반쯤 열려 있으며, 문턱 가까이에는 휴대용 손전등이 놓여 내부를 향해 현실적인 빛줄기를 비춘다. 비 내리는 해 질 녘의 차갑고 흐린 외광이 열린 문틈으로 들어오고, 중앙 천장의 형광등이 정비소 안을 소박하게 밝힌다. 젖은 바깥 거리에서 들어오는 약한 반사광과 실내 형광등이 자연스럽게 섞이며, 다소 절박하고 긴장된 저녁 분위기를 만들되 연출된 미술 사진처럼 보이지 않게 한다. 절제되고 약간 낮은 채도의 색, 현실적인 저조도 대비, 정확한 콘크리트 질감과 금속의 산화 흔적, 공구상자의 표면 마모, 자전거 프레임의 오래된 흠집, 자연스러운 심도를 표현한다. 사람, 얼굴, 손, 신체 형태의 형상은 전혀 없으며 배경 공간과 사물만 보인다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 현장에서 촬영한 가공하지 않은 장소 기록 사진이며, 삽화나 건축 시각화가 아닌 사실적인 사진이다. 위에서 내려다본 시점이나 바닥 배치도 구도가 아닌 수평에 가까운 사람 눈높이 시점. 16:9 가로 비율, 실제 카메라 촬영본", "camera_decision": { "camera_unit": 1, "camera_cell": [ 4, 1 ], "look_at_unit": 4, "look_at_cell": [ 9, 5 ], "lens_enum": "wide", "fov_deg": 90, "framing_notes": "Use broad coverage from unit 1 toward unit 4 and opening marker 5, allowing the committed middle-right full figure and the diagonally receding path to remain readable." }, "shot_aware_plan_node_index": 1, "shot_aware_plan_mode": "same_physical_space_view", "render_guidance": { "visible_space_directive": "From unit 1, show the view toward unit 4 and opening marker 5, with geometry-supported visibility of units 3 and 4. Preserve the L01B02 positions of base markers 1 through 7, especially markers 5, 6, and 7, while applying this wider orientation toward the opening.", "camera_framing_directive": "Place the camera in unit 1 at [4,1], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage. Hold the committed subject and opening in the middle-right while allowing the path through the visible units to recede diagonally.", "subject_position_directive": "Use the S1_Shot2 staging: one committed full-figure subject stands in the midground at middle-right, braced at the opening and oriented three-quarter right, with attention directed past the camera axis. Keep the subject separated from the deeper visible area and do not add another subject.", "state_cue_directive": "Carry transient markers 8, 9, 10, and 11 exactly as committed. Marker 10 controls the opening state, while marker 11 remains positioned with the staged subject; preserve the base lighting contribution of marker 7.", "negative_continuity_directive": "Exclude ignored overlay markers 12, 13, and 14. Maintain the fixed positions of base markers 1 through 7 from reference L01B02, avoid adding uncommitted objects or subjects, and omit spaces outside the unit 1 wide-view geometry support." }, "attached_reference_lineage": { "fp_id": "fp_repair_shop_main", "prior_bg_ids": [ "L01B02" ], "attached_ref_labels": [ "bg:L01B02" ], "ref_used": "refs_1", "db_write_policy": "checkpoint_only" } }, "L01B03": { "status": "ok", "is_reuse": false, "render_action": "render_new_plate", "location_id": "L01", "location_name": "", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B03.png", "t2i_prompt": "대한민국 도시 생활권의 동시대 소규모 자전거 정비소 내부를 밤에 실제 미러리스 또는 DSLR 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 남쪽 거리 출입문 안쪽 부근에서 약 1.6m의 서 있는 사람 눈높이로 정비소 뒤쪽을 바라보며, 28mm 광각 렌즈로 좁고 긴 공간과 비워진 중앙 작업 바닥을 자연스럽게 담는다. 절대로 평면도나 위에서 내려다본 시점이 아니며, 실제 장소를 기록한 담담한 현장 참고 사진처럼 보여야 한다. 남쪽 출입문에서 후면까지 이어지는 중앙 통로, 동쪽 벽을 따라 난 정비 작업 구역, 북서쪽 끝의 자전거 보관 구역이 현실적인 공간 관계를 이룬다. 동쪽 벽의 정비 작업대는 중앙 공간을 넓히기 위해 벽 쪽으로 바짝 밀려 있으며, 그 과정에서 드러난 바닥의 옅은 눌림 자국과 평범한 사용감만 자연스럽게 보인다. 중앙 천장 형광등은 차가운 백색광을 내려 비워진 바닥을 밝히고, 주변부는 밤의 낮은 주변광 속에 남는다. 남쪽 출입문 문턱 가까이에는 켜진 휴대용 손전등 하나가 놓여 있고, 빛줄기가 콘크리트 바닥을 낮게 가로지른다. 형광등 아래의 확보된 중앙 바닥에는 환자 보호를 위한 담요가 길게 놓여 있지만 사람, 얼굴, 신체 일부 또는 인체 형태의 윤곽은 전혀 묘사하지 않는다. 담요는 낮고 불규칙하게 바닥에 닿아 있으며 실제 직물의 올과 구김만 드러난다. 한국의 오래 사용된 생활형 정비소다운 도장 벗겨진 벽, 잔잔한 기름 얼룩과 마모가 남은 실제 콘크리트 바닥, 긁힘과 산화 흔적이 있는 금속 작업대, 낡은 출입문 경첩과 현실적인 형광등 하우징을 표현한다. 과도하게 정돈된 광고 사진이 아니라 일상적인 오염과 마모가 축적된 실제 장소여야 한다. 절제되고 약간 낮은 채도의 색, 부드러운 저대비, 조용하고 긴장되지만 돌봄의 흔적이 느껴지는 밤의 분위기. 실제 재료 질감, 자연스러운 노출, 현실적인 그림자와 심도, 과장 없는 카메라 색감, 인위적인 후처리 없음. 사람이나 얼굴, 신체, 사람 모양의 형상은 화면에 포함하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본", "shot_guides": [ { "shot_id": "S3_Shot1", "guide_text": "남쪽 출입문 안쪽 부근의 약 1.6m 눈높이에서 28mm 광각으로 후면을 바라본다. 출입문 가까이의 손전등을 전경 한쪽에 두고, 동쪽 벽으로 밀린 작업대와 넓어진 중앙 바닥, 형광등 아래 길게 놓인 담요가 한 프레임에서 명확히 읽히게 한다. 담요 아래의 사람이나 신체 윤곽은 보이지 않도록 낮고 불규칙한 직물 형태만 표현하며, 빈 정비소의 야간 응급 돌봄 흔적에 초점을 맞춘다." } ], "shot_ids": [ "S3_Shot1" ], "scenes": [], "parent_id": "", "ref_used": "refs_1", "render_attempts": 1, "render_error": "", "variant_label": "", "floor_plan_used": false, "camera_recommendations": { "camera_position": "near number 5 (entrance), facing along number 1 (shared floor) toward number 12 (displaced workbench) and number 13 (blanket-covered patient) beneath number 7 (fluorescent fixture)", "camera_height": "eye-level standing, approximately 1.6m", "lens_hint": "28mm wide angle", "framing_notes": "Show the enlarged central floor clearly, with the doorway-side flashlight at number 11 and the patient at number 13 both readable." }, "reference_decision": { "bg_id": "L01B03", "fp_id": "fp_repair_shop_main", "node_index": 2, "mode": "same_physical_space_view", "is_dwelling_identity_anchor": false, "rationale": "S3_Shot1 remains in physical space space_1 but introduces the committed marker 12 displacement and marker 13 floor arrangement, so the earlier anchor cannot be reused as an unchanged plate. Camera unit 3 at [1,2] looks toward unit 1 through [5,4] with a wide lens, providing the low diagonal coverage required for the lower-center and middle-right staging.", "reference_paths": [ "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B02.png" ], "source_bg_ids": [ "L01B02" ], "fp_included": false, "reference_decision": { "selected_refs": [ { "ref_bg_id": "L01B02", "physical_space_id": "space_1", "space_description": "Physical space defined by base markers 1 through 7, with shot-specific overlays applied separately." } ], "rejected_refs": [ { "ref_bg_id": "L01B01", "reason": "It is the same physical space, but its doorway-facing composition and markers 8 through 11 provide less direct continuity for the changed floor arrangement in S3_Shot1." } ], "same_physical_space_dedup_decision": "single_same_physical_space_reference", "why_single_ref_or_two_refs": "A single identity reference is sufficient because S3_Shot1 depicts one continuous physical space; marker 12 is an explicitly committed rearrangement rather than a second visible space.", "physical_space_id_per_ref": [ "space_1" ], "same_physical_space_low_delta_candidate": false, "low_delta_reuse_target_bg_id": "", "low_delta_rationale": "" }, "camera_decision": { "camera_unit": 3, "camera_cell": [ 1, 2 ], "look_at_unit": 1, "look_at_cell": [ 5, 4 ], "lens_enum": "wide", "fov_deg": 90, "framing_notes": "Use broad coverage from unit 3 toward the central portion of unit 1, supporting the committed low diagonal view, lower-center floor subject, middle-right second subject, and marker 12 along the opposite frame edge." }, "render_guidance": { "visible_space_directive": "Show unit 3 at the camera side and the central portion of unit 1 around [5,4], with geometry-supported portions of unit 4 and opening marker 5 only where the wide cone includes them. Preserve the reference positions of base markers 1 through 5 and 7; represent marker 6 according to the explicitly committed marker 12 displacement.", "camera_framing_directive": "Place the camera in unit 3 at [1,2], look toward unit 1 at [5,4], and use a wide 90-degree field of view for broad, low diagonal coverage. Reserve the lower center for the prone staged subject, the middle-right for the squatting subject, and the middle-left edge for marker 12.", "subject_position_directive": "Use the S3_Shot1 staging: one committed subject extends across the lower-center midground beneath marker 13, while a second committed subject remains in a low squat at middle-right and looks toward the first. Keep the cleared floor relation between them and add no other subject.", "state_cue_directive": "Carry transient markers 11, 12, and 13 exactly as committed. Marker 12 establishes the changed edge position of marker 6, marker 13 establishes the lower-center arrangement, and marker 7 retains the staged restrained illumination.", "negative_continuity_directive": "Exclude ignored overlay markers 8, 9, 10, and 14. Preserve unchanged structural markers from reference L01B02, do not restore marker 6 to its anchor-plate position where marker 12 commits its displacement, and do not add spaces, subjects, or objects outside the supplied view and staging facts." }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B02' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 3\n - camera_cell: [1, 2]\n - look_at_unit: 1\n - look_at_cell: [5, 4]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 3 toward the central portion of unit 1, supporting the committed low diagonal view, lower-center floor subject, middle-right second subject, and marker 12 along the opposite frame edge.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: Show unit 3 at the camera side and the central portion of unit 1 around [5,4], with geometry-supported portions of unit 4 and opening marker 5 only where the wide cone includes them. Preserve the reference positions of base markers 1 through 5 and 7; represent marker 6 according to the explicitly committed marker 12 displacement.\n - camera_framing_directive: Place the camera in unit 3 at [1,2], look toward unit 1 at [5,4], and use a wide 90-degree field of view for broad, low diagonal coverage. Reserve the lower center for the prone staged subject, the middle-right for the squatting subject, and the middle-left edge for marker 12.\n - subject_position_directive: Use the S3_Shot1 staging: one committed subject extends across the lower-center midground beneath marker 13, while a second committed subject remains in a low squat at middle-right and looks toward the first. Keep the cleared floor relation between them and add no other subject.\n - state_cue_directive: Carry transient markers 11, 12, and 13 exactly as committed. Marker 12 establishes the changed edge position of marker 6, marker 13 establishes the lower-center arrangement, and marker 7 retains the staged restrained illumination.\n - negative_continuity_directive: Exclude ignored overlay markers 8, 9, 10, and 14. Preserve unchanged structural markers from reference L01B02, do not restore marker 6 to its anchor-plate position where marker 12 commits its displacement, and do not add spaces, subjects, or objects outside the supplied view and staging facts.\n\n", "diagnostics": [] }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B02' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 3\n - camera_cell: [1, 2]\n - look_at_unit: 1\n - look_at_cell: [5, 4]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 3 toward the central portion of unit 1, supporting the committed low diagonal view, lower-center floor subject, middle-right second subject, and marker 12 along the opposite frame edge.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: Show unit 3 at the camera side and the central portion of unit 1 around [5,4], with geometry-supported portions of unit 4 and opening marker 5 only where the wide cone includes them. Preserve the reference positions of base markers 1 through 5 and 7; represent marker 6 according to the explicitly committed marker 12 displacement.\n - camera_framing_directive: Place the camera in unit 3 at [1,2], look toward unit 1 at [5,4], and use a wide 90-degree field of view for broad, low diagonal coverage. Reserve the lower center for the prone staged subject, the middle-right for the squatting subject, and the middle-left edge for marker 12.\n - subject_position_directive: Use the S3_Shot1 staging: one committed subject extends across the lower-center midground beneath marker 13, while a second committed subject remains in a low squat at middle-right and looks toward the first. Keep the cleared floor relation between them and add no other subject.\n - state_cue_directive: Carry transient markers 11, 12, and 13 exactly as committed. Marker 12 establishes the changed edge position of marker 6, marker 13 establishes the lower-center arrangement, and marker 7 retains the staged restrained illumination.\n - negative_continuity_directive: Exclude ignored overlay markers 8, 9, 10, and 14. Preserve unchanged structural markers from reference L01B02, do not restore marker 6 to its anchor-plate position where marker 12 commits its displacement, and do not add spaces, subjects, or objects outside the supplied view and staging facts.\n\n", "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B02' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 3\n - camera_cell: [1, 2]\n - look_at_unit: 1\n - look_at_cell: [5, 4]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 3 toward the central portion of unit 1, supporting the committed low diagonal view, lower-center floor subject, middle-right second subject, and marker 12 along the opposite frame edge.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: Show unit 3 at the camera side and the central portion of unit 1 around [5,4], with geometry-supported portions of unit 4 and opening marker 5 only where the wide cone includes them. Preserve the reference positions of base markers 1 through 5 and 7; represent marker 6 according to the explicitly committed marker 12 displacement.\n - camera_framing_directive: Place the camera in unit 3 at [1,2], look toward unit 1 at [5,4], and use a wide 90-degree field of view for broad, low diagonal coverage. Reserve the lower center for the prone staged subject, the middle-right for the squatting subject, and the middle-left edge for marker 12.\n - subject_position_directive: Use the S3_Shot1 staging: one committed subject extends across the lower-center midground beneath marker 13, while a second committed subject remains in a low squat at middle-right and looks toward the first. Keep the cleared floor relation between them and add no other subject.\n - state_cue_directive: Carry transient markers 11, 12, and 13 exactly as committed. Marker 12 establishes the changed edge position of marker 6, marker 13 establishes the lower-center arrangement, and marker 7 retains the staged restrained illumination.\n - negative_continuity_directive: Exclude ignored overlay markers 8, 9, 10, and 14. Preserve unchanged structural markers from reference L01B02, do not restore marker 6 to its anchor-plate position where marker 12 commits its displacement, and do not add spaces, subjects, or objects outside the supplied view and staging facts.\n\n대한민국 도시 생활권의 동시대 소규모 자전거 정비소 내부를 밤에 실제 미러리스 또는 DSLR 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 남쪽 거리 출입문 안쪽 부근에서 약 1.6m의 서 있는 사람 눈높이로 정비소 뒤쪽을 바라보며, 28mm 광각 렌즈로 좁고 긴 공간과 비워진 중앙 작업 바닥을 자연스럽게 담는다. 절대로 평면도나 위에서 내려다본 시점이 아니며, 실제 장소를 기록한 담담한 현장 참고 사진처럼 보여야 한다. 남쪽 출입문에서 후면까지 이어지는 중앙 통로, 동쪽 벽을 따라 난 정비 작업 구역, 북서쪽 끝의 자전거 보관 구역이 현실적인 공간 관계를 이룬다. 동쪽 벽의 정비 작업대는 중앙 공간을 넓히기 위해 벽 쪽으로 바짝 밀려 있으며, 그 과정에서 드러난 바닥의 옅은 눌림 자국과 평범한 사용감만 자연스럽게 보인다. 중앙 천장 형광등은 차가운 백색광을 내려 비워진 바닥을 밝히고, 주변부는 밤의 낮은 주변광 속에 남는다. 남쪽 출입문 문턱 가까이에는 켜진 휴대용 손전등 하나가 놓여 있고, 빛줄기가 콘크리트 바닥을 낮게 가로지른다. 형광등 아래의 확보된 중앙 바닥에는 환자 보호를 위한 담요가 길게 놓여 있지만 사람, 얼굴, 신체 일부 또는 인체 형태의 윤곽은 전혀 묘사하지 않는다. 담요는 낮고 불규칙하게 바닥에 닿아 있으며 실제 직물의 올과 구김만 드러난다. 한국의 오래 사용된 생활형 정비소다운 도장 벗겨진 벽, 잔잔한 기름 얼룩과 마모가 남은 실제 콘크리트 바닥, 긁힘과 산화 흔적이 있는 금속 작업대, 낡은 출입문 경첩과 현실적인 형광등 하우징을 표현한다. 과도하게 정돈된 광고 사진이 아니라 일상적인 오염과 마모가 축적된 실제 장소여야 한다. 절제되고 약간 낮은 채도의 색, 부드러운 저대비, 조용하고 긴장되지만 돌봄의 흔적이 느껴지는 밤의 분위기. 실제 재료 질감, 자연스러운 노출, 현실적인 그림자와 심도, 과장 없는 카메라 색감, 인위적인 후처리 없음. 사람이나 얼굴, 신체, 사람 모양의 형상은 화면에 포함하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본", "camera_decision": { "camera_unit": 3, "camera_cell": [ 1, 2 ], "look_at_unit": 1, "look_at_cell": [ 5, 4 ], "lens_enum": "wide", "fov_deg": 90, "framing_notes": "Use broad coverage from unit 3 toward the central portion of unit 1, supporting the committed low diagonal view, lower-center floor subject, middle-right second subject, and marker 12 along the opposite frame edge." }, "shot_aware_plan_node_index": 2, "shot_aware_plan_mode": "same_physical_space_view", "render_guidance": { "visible_space_directive": "Show unit 3 at the camera side and the central portion of unit 1 around [5,4], with geometry-supported portions of unit 4 and opening marker 5 only where the wide cone includes them. Preserve the reference positions of base markers 1 through 5 and 7; represent marker 6 according to the explicitly committed marker 12 displacement.", "camera_framing_directive": "Place the camera in unit 3 at [1,2], look toward unit 1 at [5,4], and use a wide 90-degree field of view for broad, low diagonal coverage. Reserve the lower center for the prone staged subject, the middle-right for the squatting subject, and the middle-left edge for marker 12.", "subject_position_directive": "Use the S3_Shot1 staging: one committed subject extends across the lower-center midground beneath marker 13, while a second committed subject remains in a low squat at middle-right and looks toward the first. Keep the cleared floor relation between them and add no other subject.", "state_cue_directive": "Carry transient markers 11, 12, and 13 exactly as committed. Marker 12 establishes the changed edge position of marker 6, marker 13 establishes the lower-center arrangement, and marker 7 retains the staged restrained illumination.", "negative_continuity_directive": "Exclude ignored overlay markers 8, 9, 10, and 14. Preserve unchanged structural markers from reference L01B02, do not restore marker 6 to its anchor-plate position where marker 12 commits its displacement, and do not add spaces, subjects, or objects outside the supplied view and staging facts." }, "attached_reference_lineage": { "fp_id": "fp_repair_shop_main", "prior_bg_ids": [ "L01B02" ], "attached_ref_labels": [ "bg:L01B02" ], "ref_used": "refs_1", "db_write_policy": "checkpoint_only" } }, "L01B04": { "status": "ok", "is_reuse": false, "render_action": "render_new_plate", "location_id": "L01", "location_name": "", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B04.png", "t2i_prompt": "동시대 대한민국 도시 생활권의 좁고 실용적인 자전거 정비소 실내를 촬영한 배경 사진. 남쪽 거리 출입구 안쪽에서 북쪽 끝을 바라보며, 서 있는 사람의 눈높이인 약 1.6미터에서 35밀리미터 판형의 실제 미러리스 카메라와 28밀리미터 광각 렌즈로 촬영한다. 중앙 통로가 입구에서 뒤쪽까지 길게 이어지고, 동쪽 벽의 정비 작업대는 중앙 바닥을 넓히기 위해 벽 가까이로 바짝 밀려 있다. 북서쪽 끝에는 좁은 자전거 작업 구역이 이어진다. 중앙 천장 형광등은 순간 정전으로 완전히 꺼져 있으며, 출입구 방향에서 스며드는 희미한 도시 야간 주변광만으로 내부 구조와 사물의 가장자리가 간신히 식별된다. 비상 상황에서 환자가 놓인 위치를 나타내는 담요가 꺼진 형광등 아래 중앙 바닥에 길이 방향으로 낮고 평평하게 놓여 있으나, 사람이나 얼굴, 신체 일부, 인체 윤곽, 실루엣은 전혀 묘사하지 않는다. 실제 콘크리트 바닥의 기름 얼룩과 마모, 금속 작업대의 긁힘과 산화 흔적, 담요의 현실적인 직물 조직, 문과 벽의 생활 마모를 세밀하게 표현한다. 과도하게 깨끗한 광고 사진이 아니라, 절제된 저채도와 낮은 명암 속에서 조용한 긴장감이 느껴지는 실제 장소 기록 사진이어야 한다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 심도, 현실적인 노출과 센서 반응, 후처리 없는 사실적인 질감. 평면도 시점이나 위에서 내려다본 구도, 건축 도면, 삽화, 삼차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.", "shot_guides": [ { "shot_id": "S3_Shot5", "guide_text": "남쪽 출입구 안쪽의 약 1.6미터 높이에서 28밀리미터 광각 시야로 북쪽을 바라본다. 넓어진 중앙 바닥과 동쪽 벽 가까이 밀린 작업대, 꺼진 중앙 형광등, 그 아래 길게 놓인 평평한 담요가 한 화면에서 읽히게 구성한다. 정전된 밤의 어두운 실내를 현실적인 노출로 유지하며 사람, 얼굴, 신체 윤곽이나 실루엣은 포함하지 않는다." } ], "shot_ids": [ "S3_Shot5" ], "scenes": [], "parent_id": "", "ref_used": "refs_2", "render_attempts": 1, "render_error": "", "variant_label": "", "floor_plan_used": false, "camera_recommendations": { "camera_position": "from the north end of number 1 (shared floor), facing back toward number 5 (entrance) while retaining number 12 (displaced workbench), number 13 (blanket-covered patient), and number 7 (fluorescent fixture) in frame", "camera_height": "eye-level standing, approximately 1.6m", "lens_hint": "28mm wide angle", "framing_notes": "Preserve the emergency layout from the preceding state but apply number 14 as a momentary fluorescent blackout; figures and fixed forms should remain barely legible." }, "reference_decision": { "bg_id": "L01B04", "fp_id": "fp_repair_shop_main", "node_index": 3, "mode": "same_physical_space_view", "is_dwelling_identity_anchor": false, "rationale": "S3_Shot5 continues the marker 12 and 13 arrangement established by L01B03 but changes to a high, steep, broad view toward unit 4 and applies transient lighting marker 14. The different look-at geometry and the larger slice of units 1 and 4 require a new view while L01B03 maintains continuity of the rearranged fixed elements.", "reference_paths": [ "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B03.png" ], "source_bg_ids": [ "L01B03" ], "fp_included": false, "reference_decision": { "selected_refs": [ { "ref_bg_id": "L01B03", "physical_space_id": "space_1", "space_description": "Same physical space with the marker 12 displacement and marker 13 floor arrangement already established." } ], "rejected_refs": [ { "ref_bg_id": "L01B02", "reason": "It predates the marker 12 and 13 arrangement that S3_Shot5 must preserve." }, { "ref_bg_id": "L01B01", "reason": "Its opening-facing subject arrangement does not establish the changed marker 12 and 13 layout required by S3_Shot5." } ], "same_physical_space_dedup_decision": "single_same_physical_space_reference", "why_single_ref_or_two_refs": "One reference is sufficient because all visible units belong to the same continuous physical space, and L01B03 already establishes the required marker 12 and 13 arrangement.", "physical_space_id_per_ref": [ "space_1" ], "same_physical_space_low_delta_candidate": false, "low_delta_reuse_target_bg_id": "", "low_delta_rationale": "" }, "camera_decision": { "camera_unit": 3, "camera_cell": [ 1, 2 ], "look_at_unit": 4, "look_at_cell": [ 9, 5 ], "lens_enum": "wide", "fov_deg": 90, "framing_notes": "Use broad coverage from unit 3 toward unit 4 and opening marker 5, supporting the committed steep wide composition across the visible length while retaining the three established screen zones." }, "render_guidance": { "visible_space_directive": "From unit 3, show the broad view toward unit 4 and opening marker 5, including geometry-supported portions of units 1 and 4. Keep base markers 1 through 5 and 7 in their established positions, and preserve the marker 12 displacement of marker 6 and the marker 13 floor arrangement from reference L01B03.", "camera_framing_directive": "Place the camera in unit 3 at [1,2], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage across the visible units. Frame the lower-center, middle-right, and upper-left staging zones together, with opening marker 5 readable at the far side of the composition.", "subject_position_directive": "Use the S3_Shot5 staging: retain one committed subject at lower center, a second at middle-right attending toward the first, and a third separated at upper-left near opening marker 5 with attention directed outward. Preserve these established positions and do not add another subject.", "state_cue_directive": "Carry transient markers 12, 13, and 14 exactly as committed. Preserve the marker 12 and 13 arrangement inherited from L01B03, and make marker 14 the single emphasized lighting change while keeping all three staged figures faintly legible.", "negative_continuity_directive": "Exclude ignored overlay markers 8, 9, 10, and 11. Preserve the fixed structural positions and the marker 12 and 13 arrangement from reference L01B03, do not reinstate excluded transient cues, and do not depict spaces beyond the unit 3 wide-view geometry support." }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B03' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 3\n - camera_cell: [1, 2]\n - look_at_unit: 4\n - look_at_cell: [9, 5]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 3 toward unit 4 and opening marker 5, supporting the committed steep wide composition across the visible length while retaining the three established screen zones.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 3, show the broad view toward unit 4 and opening marker 5, including geometry-supported portions of units 1 and 4. Keep base markers 1 through 5 and 7 in their established positions, and preserve the marker 12 displacement of marker 6 and the marker 13 floor arrangement from reference L01B03.\n - camera_framing_directive: Place the camera in unit 3 at [1,2], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage across the visible units. Frame the lower-center, middle-right, and upper-left staging zones together, with opening marker 5 readable at the far side of the composition.\n - subject_position_directive: Use the S3_Shot5 staging: retain one committed subject at lower center, a second at middle-right attending toward the first, and a third separated at upper-left near opening marker 5 with attention directed outward. Preserve these established positions and do not add another subject.\n - state_cue_directive: Carry transient markers 12, 13, and 14 exactly as committed. Preserve the marker 12 and 13 arrangement inherited from L01B03, and make marker 14 the single emphasized lighting change while keeping all three staged figures faintly legible.\n - negative_continuity_directive: Exclude ignored overlay markers 8, 9, 10, and 11. Preserve the fixed structural positions and the marker 12 and 13 arrangement from reference L01B03, do not reinstate excluded transient cues, and do not depict spaces beyond the unit 3 wide-view geometry support.\n\n", "diagnostics": [] }, "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B03' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 3\n - camera_cell: [1, 2]\n - look_at_unit: 4\n - look_at_cell: [9, 5]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 3 toward unit 4 and opening marker 5, supporting the committed steep wide composition across the visible length while retaining the three established screen zones.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 3, show the broad view toward unit 4 and opening marker 5, including geometry-supported portions of units 1 and 4. Keep base markers 1 through 5 and 7 in their established positions, and preserve the marker 12 displacement of marker 6 and the marker 13 floor arrangement from reference L01B03.\n - camera_framing_directive: Place the camera in unit 3 at [1,2], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage across the visible units. Frame the lower-center, middle-right, and upper-left staging zones together, with opening marker 5 readable at the far side of the composition.\n - subject_position_directive: Use the S3_Shot5 staging: retain one committed subject at lower center, a second at middle-right attending toward the first, and a third separated at upper-left near opening marker 5 with attention directed outward. Preserve these established positions and do not add another subject.\n - state_cue_directive: Carry transient markers 12, 13, and 14 exactly as committed. Preserve the marker 12 and 13 arrangement inherited from L01B03, and make marker 14 the single emphasized lighting change while keeping all three staged figures faintly legible.\n - negative_continuity_directive: Exclude ignored overlay markers 8, 9, 10, and 11. Preserve the fixed structural positions and the marker 12 and 13 arrangement from reference L01B03, do not reinstate excluded transient cues, and do not depict spaces beyond the unit 3 wide-view geometry support.\n\n", "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n - selected_refs[0]: ref_bg_id='L01B03' physical_space_id='space_1'\n\nCAMERA DECISION (exact, from validated plan):\n - camera_unit: 3\n - camera_cell: [1, 2]\n - look_at_unit: 4\n - look_at_cell: [9, 5]\n - lens_enum: 'wide'\n - fov_deg: 90\n - framing_notes: 'Use broad coverage from unit 3 toward unit 4 and opening marker 5, supporting the committed steep wide composition across the visible length while retaining the three established screen zones.'\n\nRENDER GUIDANCE (from validated plan):\n - visible_space_directive: From unit 3, show the broad view toward unit 4 and opening marker 5, including geometry-supported portions of units 1 and 4. Keep base markers 1 through 5 and 7 in their established positions, and preserve the marker 12 displacement of marker 6 and the marker 13 floor arrangement from reference L01B03.\n - camera_framing_directive: Place the camera in unit 3 at [1,2], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage across the visible units. Frame the lower-center, middle-right, and upper-left staging zones together, with opening marker 5 readable at the far side of the composition.\n - subject_position_directive: Use the S3_Shot5 staging: retain one committed subject at lower center, a second at middle-right attending toward the first, and a third separated at upper-left near opening marker 5 with attention directed outward. Preserve these established positions and do not add another subject.\n - state_cue_directive: Carry transient markers 12, 13, and 14 exactly as committed. Preserve the marker 12 and 13 arrangement inherited from L01B03, and make marker 14 the single emphasized lighting change while keeping all three staged figures faintly legible.\n - negative_continuity_directive: Exclude ignored overlay markers 8, 9, 10, and 11. Preserve the fixed structural positions and the marker 12 and 13 arrangement from reference L01B03, do not reinstate excluded transient cues, and do not depict spaces beyond the unit 3 wide-view geometry support.\n\n동시대 대한민국 도시 생활권의 좁고 실용적인 자전거 정비소 실내를 촬영한 배경 사진. 남쪽 거리 출입구 안쪽에서 북쪽 끝을 바라보며, 서 있는 사람의 눈높이인 약 1.6미터에서 35밀리미터 판형의 실제 미러리스 카메라와 28밀리미터 광각 렌즈로 촬영한다. 중앙 통로가 입구에서 뒤쪽까지 길게 이어지고, 동쪽 벽의 정비 작업대는 중앙 바닥을 넓히기 위해 벽 가까이로 바짝 밀려 있다. 북서쪽 끝에는 좁은 자전거 작업 구역이 이어진다. 중앙 천장 형광등은 순간 정전으로 완전히 꺼져 있으며, 출입구 방향에서 스며드는 희미한 도시 야간 주변광만으로 내부 구조와 사물의 가장자리가 간신히 식별된다. 비상 상황에서 환자가 놓인 위치를 나타내는 담요가 꺼진 형광등 아래 중앙 바닥에 길이 방향으로 낮고 평평하게 놓여 있으나, 사람이나 얼굴, 신체 일부, 인체 윤곽, 실루엣은 전혀 묘사하지 않는다. 실제 콘크리트 바닥의 기름 얼룩과 마모, 금속 작업대의 긁힘과 산화 흔적, 담요의 현실적인 직물 조직, 문과 벽의 생활 마모를 세밀하게 표현한다. 과도하게 깨끗한 광고 사진이 아니라, 절제된 저채도와 낮은 명암 속에서 조용한 긴장감이 느껴지는 실제 장소 기록 사진이어야 한다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 심도, 현실적인 노출과 센서 반응, 후처리 없는 사실적인 질감. 평면도 시점이나 위에서 내려다본 구도, 건축 도면, 삽화, 삼차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures and furniture. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.", "camera_decision": { "camera_unit": 3, "camera_cell": [ 1, 2 ], "look_at_unit": 4, "look_at_cell": [ 9, 5 ], "lens_enum": "wide", "fov_deg": 90, "framing_notes": "Use broad coverage from unit 3 toward unit 4 and opening marker 5, supporting the committed steep wide composition across the visible length while retaining the three established screen zones." }, "shot_aware_plan_node_index": 3, "shot_aware_plan_mode": "same_physical_space_view", "render_guidance": { "visible_space_directive": "From unit 3, show the broad view toward unit 4 and opening marker 5, including geometry-supported portions of units 1 and 4. Keep base markers 1 through 5 and 7 in their established positions, and preserve the marker 12 displacement of marker 6 and the marker 13 floor arrangement from reference L01B03.", "camera_framing_directive": "Place the camera in unit 3 at [1,2], look toward unit 4 at [9,5], and use a wide 90-degree field of view for broad coverage across the visible units. Frame the lower-center, middle-right, and upper-left staging zones together, with opening marker 5 readable at the far side of the composition.", "subject_position_directive": "Use the S3_Shot5 staging: retain one committed subject at lower center, a second at middle-right attending toward the first, and a third separated at upper-left near opening marker 5 with attention directed outward. Preserve these established positions and do not add another subject.", "state_cue_directive": "Carry transient markers 12, 13, and 14 exactly as committed. Preserve the marker 12 and 13 arrangement inherited from L01B03, and make marker 14 the single emphasized lighting change while keeping all three staged figures faintly legible.", "negative_continuity_directive": "Exclude ignored overlay markers 8, 9, 10, and 11. Preserve the fixed structural positions and the marker 12 and 13 arrangement from reference L01B03, do not reinstate excluded transient cues, and do not depict spaces beyond the unit 3 wide-view geometry support." }, "attached_reference_lineage": { "fp_id": "fp_repair_shop_main", "prior_bg_ids": [ "L01B03" ], "attached_ref_labels": [ "bg:L01B03", "same_loc_anchor:L01B02" ], "ref_used": "refs_2", "db_write_policy": "checkpoint_only" }, "same_loc_anchor_ref": { "anchor_bg_id": "L01B02", "loc_id": "L01" } } }, "consumed_bg_catalog_hash": "6db58b28bee54994", "consumed_shot_binding_hash": "87e2f8dbb4025583", "bg_reference_catalog": [ { "bg_id": "L01B02", "fp_id": "fp_repair_shop_main", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B02.png", "mode": "fp_seeded_anchor", "node_index": 0, "source_bg_ids": [], "ingestion_order": 0, "source_kind": "shot_aware_plan" }, { "bg_id": "L01B01", "fp_id": "fp_repair_shop_main", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B01.png", "mode": "same_physical_space_view", "node_index": 1, "source_bg_ids": [ "L01B02" ], "ingestion_order": 1, "source_kind": "shot_aware_plan" }, { "bg_id": "L01B03", "fp_id": "fp_repair_shop_main", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B03.png", "mode": "same_physical_space_view", "node_index": 2, "source_bg_ids": [ "L01B02" ], "ingestion_order": 2, "source_kind": "shot_aware_plan" }, { "bg_id": "L01B04", "fp_id": "fp_repair_shop_main", "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/da049582-2c6d-492c-979d-f468d61bab6e/episodes/fb7a883f-baac-4145-9131-732ce628d474/images/background_chain/L01B04.png", "mode": "same_physical_space_view", "node_index": 3, "source_bg_ids": [ "L01B03" ], "ingestion_order": 3, "source_kind": "shot_aware_plan" } ] }, "step_id": "background_render", "run_id": "8962f704-68bd-4e96-9158-82c9935afa3a", "resolved_model": "gpt", "updated_at": "2026-08-24T14:02:08.854127+00:00", "project_config_snapshot": {} }