visual_continuity_anchor — groups 4

vca-p09-prop printed_prop

S12sh12 close_insert
S25sh6 close_insert
S29sh3 close_insert

• [prop_state/high] The prop is one old photograph, first found crumpled in Minsuk’s dead hand.
  “엄마 손안에 구겨진 사진 한 장이 보인다.”
• [surface_state/high] The printed image on the photograph shows a rural restaurant that appears to be from around the 1970s–1980s.
  “7-80년대 쯤 보이는 시골 식당”
• [surface_state/high] A round circular structure is mounted on the restaurant roof, visually compared to a cross.
  “지붕위에 둥근 원이 설치된 (마치 십자가처럼)”
• [subject_pose/high] Two Korean girls around twelve years old are seated in front of the restaurant.
  “식당 앞에는 어린 여자애 둘(12살)이 앉아있다.”
• [subject_pose/high] One of the two girls in the photograph is clearly Minsuk as a child.
  “그중에 한 아이는 분명히 어릴 적 엄마다.”
• [prop_state/high] In a later appearance the same old photograph is blood-stained and stuck into the center of a red circle on the wall.
  “벽에 또 붉은 원이 그려져있다. 그 가운데 꽂혀있는 피묻은 사진 한 장!”

prop_anchor P09

printed_content: The photograph shows a 1970s–1980s-looking rural Korean restaurant with a large round circular structure mounted on its roof like a cross. In front of the restaurant sit two Korean girls around twelve years old; one is young Minsuk, shown as a Korean child with natural black hair and soft youthful features, while the other girl is an unidentified Korean girl of the same age.

physical_form: A handheld, old, worn, faded vintage paper photograph, visibly creased/crumpled from being clenched in a hand and later marked with blood stains; thin aged photo paper, small enough to be gripped and examined closely.

scale_contract: Keep the photograph the size of a real handheld paper photo, small enough to fit between fingers or be pinned to a wall without dominating the room.

{"12:12": {"keep_real_scale": true}, "25:6": {"keep_real_scale": true}, "29:3": {"keep_real_scale": true}}

vca-p05-prop printed_prop

S16sh3 close_insert
S19sh8 environment
S26sh10 close_insert

• [prop_state/high] In the police-station close-up, the smartphone screen is turned outward toward Detective Kim so he can see the saved phone-number/contact information for Minsuk.
  “혜수의 손이 스마트폰 화면을 김형사 쪽으로 내민 찰나의 클로즈업”
• [surface_state/high] The displayed phone information in scene 16 is specifically a saved number/contact entry associated with Minsuk, not a photograph or location image.
  “(핸드폰에 저장된 민숙번호 보여주며) 이 번호 위치 좀 따봐.”
• [subject_pose/high] In the mart call shot, Suriyoung holds the smartphone pressed close to her ear while standing front-facing with a stiff expression.
  “수리영이 스마트폰을 귀에 바짝 댄 채 굳은 표정으로 서 있는 정면”
• [surface_state/high] At the port, the smartphone indicates Hyesu Aunt as the caller or missed-call source, with multiple missed calls implied.
  “얼핏 보니 혜수이모다. 벌써 여러통 째 부재중 전화.”
• [held_prop/high] When Suriyoung records the voice message, the lower microphone end of the smartphone is held extremely close to her lips in side profile.
  “수리영의 입술이 스마트폰 기기 아랫부분 마이크에 닿을 듯 가까이 위치한 측면 샷”

prop_anchor P05

printed_content: The smartphone display is canonically an ordinary phone/contact/call interface: in one appearance it shows saved phone-number/contact information for Minsuk, and later it indicates Hyesu Aunt as the caller or missed-call source. No photograph, mapped place, or visible human figure is established on the screen; any written characters or numbers should remain variable UI text rather than fixed artwork.

physical_form: A modern mid-2020s handheld smartphone: pocket-sized rectangular slab with a black glass touchscreen, sleek minimal body, no established case, damage, stains, or distinctive wear.

scale_contract: Keep the prop at real smartphone scale, small enough to hold in one hand, press to an ear, or bring the bottom microphone close to the lips.

{"16:3": {"keep_real_scale": true}, "19:8": {"keep_real_scale": true}, "26:10": {"keep_real_scale": true}}

vca-s12-c06-immobilized immobilized_subject

S12sh8 close_insert
S12sh12 close_insert

• [subject_pose/high] The immobilized subject is seated on the floor with the head dropped forward, not lying down or standing.
  “앉은 채로 고개를 떨군 채 죽어있는”
• [subject_pose/high] The shoulder and collarbone area remains exposed with torn flesh and blood running from the wounds.
  “살점이 뜯긴 어깨와 쇄골, 마치 동물에게 물어뜯긴 듯한 거친 상처가 고스란히 드러나있다. 덜렁거리는 살점과 뜯겨진 부위에 흘러내리는 피.”
• [held_prop/high] One hand holds a single crumpled photograph; the fingers stay closed around or trapping the photo until it is removed in the action.
  “손안에 구겨진 사진 한 장이 보인다.”
• [surface_state/medium] The body is in the blood-stained room area near the curtain path, with blood on the floor around the scene.
  “피묻은 발자국은 커튼으로 이어져 있다”

subject_anchor C06 dead

shared_state_contract: The immobilized subject remains seated on the floor in the room, slumped with the head dropped forward, with torn bleeding wounds visible at the shoulder and collarbone. One hand remains closed around a single crumpled photograph until the on-screen action of removing it; any tighter framing must preserve that same hand-and-photo state.

per_shot_visible_focus

• sh12: Insert framing on the immobilized subject’s blood-covered hand and fingers with the crumpled photograph caught between them; the rest of the seated body remains off-frame but unchanged.
• sh8: Close framing on the seated, slumped upper body: the dropped head posture and the torn, bleeding shoulder and collarbone area are visible; the held photograph may be off-frame.

{"12:8": {"enforce_state_continuity": true}, "12:12": {"enforce_state_continuity": true}}

vca-s1-c04-immobilized immobilized_subject

S1sh4 environment
S1sh5 environment

• [subject_pose/high] The immobilized subject is fixed in the attack impact, with the body sprawled beneath the black figure rather than standing or running freely.
  “검은 인영이 한국인 남성의 몸통 위를 내리누른 채 멈춘 측면 구도”
• [prop_state/high] The black figure remains directly over the immobilized subject's torso, pressing down on it.
  “몸통 위를 내리누른 채”
• [subject_pose/high] One shoe is missing from the immobilized subject.
  “벗겨진 한쪽 신발.”
• [subject_pose/high] The immobilized subject has a large bite mark on the thigh with blood flowing from it.
  “허벅지에 커다란 이빨 자국. 피가 흐르고.”
• [surface_state/medium] The attack takes place in dense forest vegetation at dusk, so the body remains within that forest-floor environment.
  “숲속 / 해 질 무렵 우거진 수풀을 헤치며 도망치는.”

subject_anchor C04 severely_injured

shared_state_contract: The immobilized subject is frozen in the attack impact in the forest at dusk: the body is sprawled under the black figure, with the black figure directly over and pressing down on the torso. One shoe is off, and the thigh bears a large bleeding bite mark; these conditions remain unchanged even when a shot only frames the torso or upper-body area.

per_shot_visible_focus

• sh4: Medium framing shows the immobilized subject at the instant of impact, with the upper body/torso area and the black figure behind or above; the full body need not be completely visible.
• sh5: Medium side framing shows the immobilized subject's body beneath the black figure, especially the torso area being pressed down; limbs or the missing shoe may be cropped unless included by the shot.

{"1:4": {"enforce_state_continuity": true}, "1:5": {"enforce_state_continuity": true}}