{ "status": "completed", "applicable_count": 8, "completed_count": 8, "failed_count": 0, "schema_version": 6, "config_hash": "3a847cd734e92f90", "data": { "groups": { "bg_farmhouse_yard": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_farmhouse_yard_sel.png", "seed_asset_id": "ed5a274a-bbcb-4fb2-91e7-cea7dadafbaf", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Organize the farmhouse site around a continuous dirt courtyard. For plan orientation, use the courtyard access as the front of the site and place the granary along the rear edge, with its entrance opening directly onto the courtyard. The dwelling borders the left side, with its entrance facing the same shared outdoor space. Place the chicken coop at the right-hand edge of the courtyard, leaving the central ground connected to both the coop and the granary frontage. The courtyard perimeter follows these adjoining structures and the remaining site edges, with a passage into the courtyard at the front; no particular boundary construction is specified. The central courtyard, chicken-coop side, and granary frontage form connected exterior camera areas. These relative positions establish the plan without specifying compass orientation, dimensions, or unmentioned construction materials.\n- Farmhouse dirt courtyard: Occupies the shared outdoor space between the dwelling on the left, the chicken coop on the right, and the granary at the rear, extending to the courtyard access at the front.\n- Courtyard-side dwelling: Borders the left side of the farmhouse dirt courtyard, adjoining the central courtyard and dwelling frontage zone.\n- Dwelling courtyard entrance: Set in the courtyard-facing side of the dwelling and directly connected to the farmhouse dirt courtyard.\n- Farmhouse courtyard perimeter: Defines the outer extent of the courtyard along the dwelling, granary, chicken-coop side, and intervening site edges, with an access opening at the front. Its physical construction is unspecified.\n- Front courtyard access: Passes through the front edge of the courtyard perimeter and joins the central courtyard ground directly, opposite the granary frontage.\n- Courtyard-edge chicken coop: Stands at the right-hand edge of the courtyard, with its accessible side adjoining the chicken-coop side zone and the shared courtyard ground.\n- Rear courtyard granary: Borders the rear of the farmhouse dirt courtyard, with the granary frontage immediately outside its courtyard-facing entrance.\n- Granary courtyard entrance: Connects the granary interior directly to the rear portion of the dirt courtyard, with exterior ground continuous from the entrance into the central courtyard.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 민가 마당·광 입구: 일반 농가의 흙바닥 마당. 한편에 나무로 얽어 만든 닭장이 있고, 안쪽으로 곡식을 보관하는 어두운 광(창고) 입구가 열려 있다.\n\nTHE LOCATION: S#16. 민가 마당 / 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Small tightly tied seed-rice sacks; Chickens and carrying sack; Silver hairpin; Residents and militia members\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "2261ccb8-0376-4803-89cf-edd5c31333be", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_farmhouse_yard/rounds/r001/cand_04.png", "sha256": "6da49dc1a94f27db2695f0c4cb3ef285dff3741d1b762fc368d2a1f984122475", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "농가의 흙마당은 실제로 존재하며, 맨흙 표면의 기본 형태는 특정 시대에 종속되지 않아 일상적인 실물 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "7d4c345639467129", "totals": { "A": 1750, "B": 1250 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "프롬프트에 명시된 공간 배치(좌측 주택, 정면 광, 우측 닭장)를 정확히 구현했으며, 특히 '나무로 얽어 만든 닭장'의 재질과 형태를 지시사항에 맞게 훌륭하게 표현했습니다. ★위반: [gpt-high] 주변에는 명시된 영구 요소만 허용했는데, 부지 뒤와 양옆에 제공된 맥락에 없는 수목 군락을 추가했습니다." }, { "label": "B", "score": 1250, "verdict_ko": "전체적인 공간 배치와 주택의 형태는 지시를 따랐으나, 우측의 닭장이 '나무로 얽어 만든' 형태가 아닌 기와지붕과 철망이 적용된 건축물로 묘사되어 세부 묘사에서 감점되었습니다. ★위반: [gpt-high] 주변에는 명시된 영구 요소만 허용했는데, 부지 뒤와 양옆에 제공된 맥락에 없는 수목 군락을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_government_office_exterior": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_government_office_exterior_sel.png", "seed_asset_id": "a1aa7312-aa5c-4e06-8470-b67bfdce1854", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site has two exterior camera zones: Rear Boundary Alley and Front Entrance Approach. These occupy the rear and front sides of the same government-office premises. The rear alley runs alongside the outside face of the government-office boundary wall, with the office premises on the opposite side of that wall. The alley provides a continuous passage parallel to the wall; its open side is the camera-facing side opposite the wall. At the front, the exterior approach directly adjoins the government-office entrance, which leads into the office building. The approach includes the ground immediately outside the entrance and the adjoining frontage, allowing camera positions both facing the entrance and looking obliquely across it. The building lies inward from this front approach, toward the premises bounded at the rear by the wall. No separate rear entrance or connecting side passage is specified.\n- Government-office rear boundary wall: In Rear Boundary Alley, the wall separates the government-office premises from the alley and runs along the alley's office-facing edge.\n- Alley along the government-office rear wall: In Rear Boundary Alley, the passage directly adjoins the exterior face of the rear boundary wall and extends along it, outside the office premises.\n- Government-office front approach: In Front Entrance Approach, the exterior ground directly meets the government-office entrance and extends outward and across the frontage.\n- Government-office front entrance: In Front Entrance Approach, the entrance sits at the junction between the exterior front approach and the office building, providing passage from the approach into the building.\n- Government-office building: At the inward edge of Front Entrance Approach, the building is reached through the front entrance and occupies the office side of the site, opposite the exterior rear alley across the rear boundary wall.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 관청 뒤편 담장 골목: 높은 관청 담벼락을 따라 나 있는 어둑하고 비좁은 후미진 흙길 골목. / 관청 앞·정문 문턱: 육중한 관청 정문이 서 있는 출입 공간과 그 앞의 흙바닥 길.\n\nTHE LOCATION: S#42. 관청 뒤편 골목 / 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): People in the rear alley; People on the front approach; Dallae's escort and hand restraints; Open entrance door state; Darkness beside the rear wall\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "83a2c9af-bdfc-46a8-bf34-549a176fe190", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_government_office_exterior/rounds/r001/cand_02.png", "sha256": "d2c70f3bcde8c28c3799cb5b3e5fa79854dd262b46cdee35cc99f281dfbc0b47", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "관청 건물은 실제 존재했던 건축 유형이므로 해당 지역과 시기의 실물 사진을 형태 근거로 삼을 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "80c8822c112e3772", "totals": { "A": 1750, "B": 625 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "레퍼런스의 구조적 특징을 훌륭하게 반영하고 '밤' 시간대를 올바르게 묘사했으나, 금지 요소인 '열린 문' 상태가 일부 나타난 점이 아쉽습니다. ★위반: [gpt-high] 허용된 영구 요소에 없는 큰 나무들과 계단 옆 돌좌대를 추가했습니다." }, { "label": "B", "score": 625, "verdict_ko": "지정된 '밤' 시간대를 무시하고 낮으로 표현했으며, 지시문에 없는 측면 통로를 추가하고 출입문과 계단이 어긋나는 등 구조적 위반이 심각합니다. ★위반: [gemini-pro] 명시되지 않은 측면 통로(connecting side passage) 임의 생성 / [gpt-high] 명시적으로 제외된 열린 출입문 상태를 묘사했습니다. / [gpt-high] 정면 접근부에서 건물 왼쪽을 따라 뒤로 이어지는, 명시되지 않은 측면 연결통로를 만들었습니다. / [gpt-high] 허용된 영구 요소에 없는 큰 나무들과 계단 옆 돌좌대를 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_lakeside_camp": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_lakeside_camp_sel.png", "seed_asset_id": "4d7542af-9887-40c1-ad92-e627c929288c", "seed_selected": "B", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a lakeside gravel margin adjoining an open clearing, with a bamboo grove along the landward rear. Use the lake-facing edge as the front of the plan and the bamboo edge as the rear, without assigning compass directions. The lake directly borders the gravel margin; the clearing joins the inland side of that gravel rather than forming a separate enclosed yard. The mountain path reaches the site from the landward side, connecting through the bamboo grove to the rear of the clearing. A passage between the bamboo provides continuous access from this approach into the open ground and onward to the gravel shore. Place the boulder at the junction of the gravel margin and clearing, with open ground beside it and the lake beyond the gravel. The clearing, gravel margin, and bamboo-side approach remain spatially connected, allowing views across the open ground toward either the lake or the grove. The bamboo edge and lakeshore provide the site's natural limits.\n- Landward mountain path: On the landward side of the site, joining the passage through the bamboo grove that opens into the rear of the lakeside clearing.\n- Landward bamboo grove: Along the rear of the open clearing, opposite the lake-facing gravel margin; the landward approach passes between its bamboo into the clearing.\n- Bamboo grove passage: Between the bamboo at the landward edge of the clearing, linking the mountain-path approach directly to the open ground; this is a passage through vegetation, not a built gateway.\n- Lakeside gravel shore: Along the lake-facing side of the site, directly touching the lake and joining the open clearing on its inland side.\n- Lake adjoining the gravel shore: Directly beyond the gravel shoreline, forming the water-facing limit of the site opposite the bamboo grove.\n- Boulder beside the lakeside clearing: At the inland edge of the gravel margin where it joins the clearing, with adjoining open ground on the clearing side and the bamboo grove farther inland.\n- Open ground between bamboo and shore: Between the bamboo grove at the rear and the lakeside gravel margin at the front, directly connected to the bamboo passage and adjoining the boulder along its gravel-side edge.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 보성 호숫가 강용언 임시거점 자갈밭·공터·막사 앞: 잿빛 호숫가에 펼쳐진 자갈밭과 흙 공터. 대나무 숲을 등지고 있으며, 낡은 천과 거적을 엮어 만든 조잡한 임시 막사 여러 채, 큰 무쇠솥이 얹힌 돌 화덕이 배치되어 있다.\n\nTHE LOCATION: S#14. 보성 호숫가, 강용언 임시거점 / 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Temporary shelters and command tent; Stone cooking hearth and firebox; Large iron cooking pot; Campfires, firewood, flames, and smoke; Tied loads and grain sacks; Pair of seed-grain sacks; Barley sacks and potato baskets; Portable mat and earthenware bowls; Straw shoes and matchlock guns; Carrying frames, personal bundles, and loose weapons; Silver hairpin\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "5eeffb67-e92f-4e9b-a29d-0f164d8aac88", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_lakeside_camp/rounds/r001/cand_05.png", "sha256": "389683bfe01c0ed3e474de82b0f064f2089b8eb420b47f4671c689a7910348a9", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "호숫가 자갈밭은 실제로 관찰하고 촬영할 수 있으며, 시대에 따라 기본 형태가 달라지지 않는 자연 지표다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "1749a4096fed99cc", "totals": { "A": 1417, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "호수, 자갈밭, 바위 등의 지형은 잘 구현했으나, 지시문에서 명시적으로 묘사를 금지(never depict)한 '임시 막사'를 그려 넣어 치명적인 지시 위반이 발생했습니다. ★위반: [gemini-pro] 지시문에서 명시적으로 묘사를 금지(never depict)한 '임시 막사(Temporary shelters)'가 화면에 3채나 그려짐 / [gpt-high] 명시적으로 묘사가 금지된 임시 막사 군을 공터 후면에 추가했다." }, { "label": "B", "score": 1750, "verdict_ko": "지형 및 배경 요소는 대체로 맞으나, A와 마찬가지로 지시문에서 절대 그리지 말라고 강조한 '임시 막사'를 화면 중앙에 배치하여 핵심 지시를 위반했습니다. ★위반: [gemini-pro] 지시문에서 명시적으로 묘사를 금지(never depict)한 '임시 막사(Temporary shelters)'가 화면에 3채 그려짐 / [gpt-high] 명시적으로 묘사가 금지된 임시 막사 세 채를 공터에 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_market": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_market_sel.png", "seed_asset_id": "32b543ac-1086-4282-b907-3fcd465b580a", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Boknae Market is organized around a continuous market passage connecting the entrance, the central dirt-floored marketplace, and the rear market alley. For drawing orientation, place the entrance at the bottom of the plan and the rear alley at the top; these are plan directions, not geographic bearings. The entrance-side alley opens directly into the central marketplace. Place the soup shop along the left edge near this opening, with its market-facing corner overlooking the entrance and central passage. Its access opens onto the marketplace, and its dining corner occupies the outer end of the shop's dining area, adjoining rather than obstructing that access. Farther along the same side, the pottery shop frontage faces the central marketplace. Place the straw-shoe shop frontage on the opposite, right-hand edge, with its forecourt continuous with the central ground rather than separated by a barrier. The passage continues past this frontage into the rear market alley, providing connected approaches from both ends. A market-side wall defines a farther portion of the right-hand edge beyond the straw-shoe frontage. Ground beside this wall remains connected to the central marketplace, with a direct view back across it. Shop frontages and the wall establish the local edges without implying a continuous enclosure. Trading furniture, merchandise, dining furniture, posted papers, and damaged objects are not part of this persistent layout.\n- Boknae Market entrance: At the entrance end of the site, opening into the entrance-side market alley and onward into the central marketplace; no gate structure is specified.\n- Entrance-side market alley: Connects the market entrance to the central marketplace on the entrance side of the straw-shoe shop frontage, forming the opposite approach to the rear market alley.\n- Central dirt-floored marketplace: Occupies the connected ground between the entrance-side alley and rear alley, bordered by the pottery frontage and soup shop on the plan-left side and the straw-shoe frontage on the plan-right side.\n- Pottery shop frontage: Faces the central marketplace from its plan-left edge, farther into the market than the soup shop. This marker identifies the shop frontage, not its movable display stalls or pottery.\n- Straw-shoe shop frontage: Faces the central marketplace from the plan-right edge, between the entrance-side approach and the rear alley. The ground immediately in front is continuous with the market passage; the marker excludes movable mats and display furniture.\n- Market soup shop: Adjoins the plan-left edge of the marketplace near the entrance-side alley, with its market-facing side directly accessible from the market ground.\n- Entrance-facing soup shop corner: At the end of the soup shop nearest the market entrance, adjoining the central market ground and retaining a direct sightline toward the entrance.\n- Soup shop dining corner: Within the soup shop's dining area at its outer end, beside the remaining dining space and adjoining the market-facing access without occupying it. The marker identifies the spatial corner only, not seating furniture.\n- Market-facing soup shop access: Directly joins the soup shop and its dining area to the adjoining market ground, beside the entrance-facing shop corner.\n- Rear market alley: Continues from the far end of the central market passage beyond the straw-shoe frontage, opposite the entrance-side alley, and leads outward from the marketplace.\n- Market-side boundary wall: Defines a portion of the plan-right market edge farther along than the straw-shoe frontage. Its market-facing side adjoins accessible market ground and faces back across the central marketplace; it does not close the rear alley.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 복내장터 좌판 거리·장터 입구·골목: 다양한 좌판과 짐꾼, 상인들이 밀집한 넓은 흙바닥 노천 장터. 포목전, 짚신전, 옹기전, 닭장, 생선 좌판이 빽빽하게 들어서 있으며, 벽에 관의 방이 붙어 있고 상황에 따라 찢어진 멍석과 부서진 좌판이 널브러져 있다. / 복내장터 국밥집 평상 자리: 장터 한쪽에 위치한 식사 구역으로, 장작불이 타오르는 화덕 위 커다란 가마솥에서 허연 김이 솟아오르고, 주변에 낡은 나무 평상들이 놓여 있다.\n\nTHE LOCATION: S#1. 복내장터 / 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Market display stalls and chicken cages; Dining and merchandise platforms; Soup shop cauldron; Soup shop smoke and steam; Loose merchandise, baskets, sacks, and footwear; Straw mats and carrying frames; Official notice naming An Gyu-hong; Overturned stalls, torn mats, and broken vessels; Dining bowls, cups, and utensils; People, carried equipment, and fallen bodies\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "d5f52eb5-2726-4389-9c83-26ae21a2fce4", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_market/rounds/r001/cand_01.png", "sha256": "e6c2757c15424f62c4487635d3d5812eeefa38643442ec4cec5cb97c35abd9bd", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "장터는 해당 지역과 시대에 실재했던 일상 공간이므로 실제 사진을 통해 고정 구조의 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "296d41ad97843301", "totals": { "A": 1250, "B": 1150 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "프롬프트가 지시한 장터의 좌우 건축물 배치(좌측 국밥집과 옹기전, 우측 짚신전과 그 너머의 담장)를 완벽하게 구현하였으며, 일시적 요소가 모두 제거된 빈 배경 조건을 훌륭히 충족했습니다. ★위반: [gpt-high] 하나로 지정된 시장 측 경계 담장을 서로 떨어진 두 줄로 만들어 추가 경계 공간을 형성한다. / [gpt-high] 지정된 점포들 외에 여러 배후 가옥과 계단식 경작지를 추가하여, 허용된 영구 요소만 담으라는 조건을 위반한다." }, { "label": "B", "score": 1150, "verdict_ko": "우측 전면에 위치해야 할 짚신전 건물이 생략되고 흙담장이 바로 배치되어 지시된 공간 구조를 심각하게 위반했습니다. ★위반: [gemini-pro] 우측 전면 건물(짚신전) 누락 및 구조물 배치 오류 / [gpt-high] 지정된 세 점포와 시장 담장 외에 배후 가옥군과 경작지를 추가하여, 명시적으로 허용된 영구 요소만 담으라는 빈 장면 조건을 위반한다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_mountain_camp": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_mountain_camp_sel.png", "seed_asset_id": "8c17c7ae-efff-4bb5-b88c-7c5528f00716", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a mountain camp clearing enclosed by a palisade, adjoining cypress woodland, an overlooking ridge, and two separate mountain paths. For the plan, place the overlooking ridge above the camp, the main uphill approach along the left side, and the opposite downhill path along the right side; these are drawing orientations, not compass bearings. The clearing is the camp's shared open ground, with an unobstructed central area and cooking ground along one lateral margin. Huts occupy another margin inside the palisade, with their access facing the clearing and their rear sides adjoining the woodland edge. A rock formation with a viewing gap lies beside the huts, between the hut-side ground and the central clearing. A separate boulder stands farther along this margin. The palisade defines the camp perimeter but has an entrance connecting the main approach to the clearing and a rear opening connecting the camp to the opposite path. Cypress woodland extends around the enclosure and along both paths. Immediately outside the palisade is a forest-edge strip with views between the clearing and the trees; farther out, a woodland path passes among the trunks. A tree at the clearing's wooded margin and a separate large tree farther along that margin provide distinct fixed landmarks. The main approach rises through the trees from below the camp. Its upper section reaches the ridge lip, from which a descending connection leads into the camp. From part of this approach, the distant market area is visible downhill between trees, outside the mapped camp footprint. The ridge has a downward view across the palisade into the clearing and hut margin. The opposite mountain path connects to the camp's rear side and descends through woodland without crossing the main approach within the mapped site. Its upper end adjoins the dirt slope at the camp margin. Preserve these two separate routes rather than combining them into one road.\n- Central camp clearing: Inside the palisade, between the main entrance, the cooking margin, and the hut margin; retain a connected open center.\n- Camp perimeter palisade: Around the camp clearing and hut margin, separating the camp interior from the surrounding woodland, with openings at the main approach and rear path connection.\n- Main approach opening in the palisade: In the palisade on the main uphill approach side, directly joining the approach surface to the central camp clearing.\n- Clearing-side cooking ground: Along one lateral margin of the central camp clearing, directly continuous with its open ground and separate from the main entrance connection.\n- Rear path opening in the palisade: At the rear side of the enclosure, directly connecting the clearing's rear margin to the opposite downhill path through the outer woodland edge.\n- Camp huts along the woodland margin: Inside the palisade along a margin of the clearing distinct from the cooking ground; their rear sides adjoin the wooded camp edge.\n- Clearing-facing hut access ground: Between the camp huts and the central clearing, directly adjoining the huts' entry sides and remaining connected to the clearing.\n- Hut-side rocks with a viewing gap: Beside the camp huts at the clearing-facing margin, with a gap oriented toward the wooded clearing edge and an open ground connection around the rocks.\n- Separate boulder beyond the hut-side rocks: Farther along the hut margin from the rocks with a viewing gap, adjoining the clearing and the woodland edge but remaining a distinct landmark.\n- Woodland-facing ground behind the huts: Immediately behind the camp huts, continuous with the adjacent tree-covered camp margin and accessible around the hut ends.\n- Cypress woodland surrounding the camp: Outside the palisade and adjoining the hut-side woodland margin, extending around the camp and beside both mountain paths.\n- Camp-adjacent woodland path: Within the cypress woodland outside the enclosure, connected to the outer camp edge and passing between trees without occupying the central clearing.\n- Outer palisade forest-edge ground: Immediately outside the palisade, between the camp boundary and the adjoining cypress trunks, with views toward both the clearing and the woodland.\n- Clearing-edge tree opposite the hut-side rock gap: At the wooded margin of the clearing, visible through the hut-side rock gap and reachable from the clearing without entering a hut.\n- Separate large tree along the wooded clearing margin: Farther along the wooded clearing margin from the tree opposite the rock gap, in a different direction when viewed from the huts.\n- Camp-facing tree beside the ridge descent: At the wooded camp edge beside the descending connection from the ridge, with the trunk between that connection and a view into the clearing.\n- Main uphill forest approach to Pacheong camp: Rising through woodland from below the camp along the main entrance side; its upper section connects to the ridge lip and the camp entrance approach, separate from the opposite downhill path.\n- Dirt incline on the main forest approach: Within the rising main forest approach below the ridge, with trees along its sides and a downhill view between trunks toward the distant market area.\n- Ridge overlooking the camp enclosure: Above the camp, overlooking the palisade, central clearing, and hut margin; adjoining the upper main approach at its ridge lip.\n- Camp-facing descent from the ridge lip: On the camp-facing side of the overlooking ridge, descending toward the main entrance connection and the wooded edge of the clearing.\n- Opposite downhill forest path: Connected to the rear side of the camp through the rear palisade opening, descending among trees on the opposite side from the main uphill approach without crossing it within the mapped site.\n- Dirt slope adjoining the rear camp margin: At the upper end of the opposite downhill path, adjoining the camp's rear ground and continuing down beside the path into the trees.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 파청 산채 공터·훈련장·취사장·막사 주변: 산 중턱에 통나무를 세워 만든 조잡한 목책 안의 넓은 흙바닥 공터. 나무와 거적으로 만든 움막과 막사가 흩어져 있고, 돌과 진흙으로 만든 취사용 아궁이와 무쇠 솥, 모닥불 터가 있다. 전투 후에는 솥이 뒤집히고 막사가 불타거나 무너진다. / 파청 산채 인근 편백숲·숲길 훈련 구역·보초 경계 지점: 곧고 빽빽하게 뻗은 편백나무들이 들어선 울창한 숲 지대. 바닥에는 두꺼운 낙엽이 깔려 있고, 몸을 숨길 수 있는 굵은 나무 밑동, 크고 작은 바위, 나무더미들이 산재해 있다. / 파청 산채 진입 오르막 숲길: 산채로 연결되는 경사가 가파른 흙비탈 숲길. 나무 뿌리와 잡목이 길가로 돌출되어 있다. / 파청 산채를 내려다보는 능선: 수목 사이로 저 아래 파청 산채의 공터와 막사들이 한눈에 조망되는 높은 산등성이 바위 지대. / 파청 산채 하산 숲길·비탈: 산채에서 하부 장터 쪽으로 길게 뻗어 내리는 험한 내리막 숲길. 나무 기둥 사이로 아득히 저잣거리의 풍경이 부분적으로 보인다.\n\nTHE LOCATION: S#26. 파청 산채 / 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Cooking cauldrons, lids, bowls, and utensils; Campfire and smoke; Burning or collapsed hut states; Collapsed wood pile; Ammunition bundles and movable covering stones; Supply carts, sacks, food bundles, and pack frames; Personal tools, weapons, writing materials, and bundles; Unoccupied place and blacksmith's hammer; Straw mat and jade ring halves; People, casualties, blood, and scattered food; Dew-wet fallen leaves; Stone rolled on the woodland path; Horses, military carts, and cart-mounted machine gun\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "6fc7c6a1-9374-4564-916d-b1f4f046ab7c", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_mountain_camp/rounds/r001/cand_02.png", "sha256": "16c46db7cf6828e839b540439ce4908ea75f9d9f4d1fce5a1d64172b3fff4128", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "목책은 실제로 존재하는 경계 시설이므로 이야기 속 야영지 전체가 아니라 목책 자체의 실물 사진을 참고할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "952a128c1eabb048", "totals": { "A": 1750, "B": 883 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "복잡한 고도차를 가진 지형과 능선에서 내려다보는 시점, 그리고 주 진입로가 전경 능선을 거쳐 캠프로 이어지는 동선을 매우 정확하게 구현했습니다. ★위반: [gpt-high] 오른쪽 하산길 바깥쪽에 캠프 둘레 목책과 구별되는 긴 울타리를 추가했다. 해당 위치의 별도 장벽은 구조 설명에 없으며, 허용된 영구 시설만 묘사하라는 조건을 위반한다." }, { "label": "B", "score": 883, "verdict_ko": "바위에 인위적인 돌문이 조각되어 있고 나무가 바위 안에서 자라나는 형태 오류가 있으며, 주 출입구의 위치가 지형 지침과 맞지 않습니다. ★위반: [gemini-pro] 자연스러운 바위 무리 대신 인위적으로 조각된 돌문이 생성됨 (Invented objects) / [gemini-pro] 주 진입로가 전경의 능선 턱(ridge lip)을 거쳐 내려오지 않고 좌측면에서 바로 연결됨 (Staging violation) / [gpt-high] 움막 앞에 프롬프트가 허용하지 않은 이동식 탁자와 걸상 여러 개를 추가해, 영구 시설만 남기는 빈 장면 조건을 위반한다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_thatched_house": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_thatched_house_sel.png", "seed_asset_id": "2dc88acf-a75f-4d7e-973d-10ab234660a8", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around the courtyard of An Gyu-hong's house. The house forms the inner side of the courtyard, with its kitchen entrance opening directly onto the courtyard. The wicket gate occupies the outward-facing courtyard boundary and connects directly to an exterior pedestrian approach. The courtyard boundary meets both sides of the gate and encloses the space between the gate and the house. The jar platform sits along a lateral courtyard edge, beside rather than across the route between the gate and the kitchen entrance. An open strip of courtyard connects the kitchen entrance to the area beside the jar platform. Both courtyard areas have an unobstructed view toward the gate and its exterior approach. These relative positions define the plan without assigning a compass orientation.\n- Courtyard wicket gate: Set into the outward-facing courtyard boundary, opposite the house side, with the exterior pedestrian approach directly outside and the courtyard directly inside.\n- Exterior wicket-gate approach: Directly adjoins the outside of the courtyard wicket gate and extends outward from the courtyard boundary as the pedestrian access to the house.\n- House entrance courtyard: Occupies the space between the courtyard wicket gate and the house, connecting the kitchen entrance with the lateral area beside the jar platform.\n- An Gyu-hong's house: Forms the inner side of the courtyard, with the kitchen on the courtyard-facing side and the wicket gate across the courtyard.\n- Courtyard-facing kitchen entrance: Located on the courtyard-facing side of the house, opening directly onto the house entrance courtyard and connected across that courtyard to the wicket gate and jar-platform side.\n- House courtyard perimeter: Defines the lateral and outward edges of the courtyard, joins the house-side enclosure, and meets both sides of the wicket-gate opening. The jar platform lies inside one lateral edge.\n- Courtyard jar platform: Located along a lateral edge inside the courtyard perimeter, clear of the direct route from the wicket gate to the kitchen entrance, with adjacent courtyard space facing toward the gate.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 안규홍의 집 마당·사립문 안쪽·장독대: 짚으로 엮은 낡은 사립문을 통해 들어오는 좁은 흙바닥 마당. 한쪽 구석에 크고 작은 옹기 항아리들이 모여 있는 장독대가 있다. / 안규홍의 집 사립문 밖 흙길: 사립문 밖으로 이어지는 다져진 좁은 흙길.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 안규홍의 집 부엌: 전통적인 흙벽과 짚 지붕으로 덮인 좁고 어두운 부엌. 바닥에 쪼그려 앉을 수 있는 흙바닥에 장작을 때는 아궁이가 있고 낡은 약탕관이 놓여 있다. / 안규홍의 집 방: 좁은 흙바닥 방. 벽면에 기댈 수 있으며 바닥에는 낡은 이불이 깔려 있고, 창호지 문을 통해 자연광이 스며든다.\n\nTHE LOCATION: S#8. 안규홍의 집 / 해질녘 or 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Storage jars on the jar platform; Open position of the wicket gate; People standing beside the jar platform; Darkness outside the wicket gate\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "c267289b-b5c1-45ab-8cc4-c1092cef6f59", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_thatched_house/rounds/r001/cand_02.png", "sha256": "d6b16d1d9c37ce5beca35bdeec4b6dd7a6964cacc2d375d53d38c6aeac5c53bc", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "보성 일대의 농가는 실제 주거 건물이므로 해당 지역과 시대의 사진을 통해 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "e4a712592751183c", "totals": { "A": 1750, "B": 472 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "명시된 제외 조건(장독대 항아리 제거, 문 닫힘)을 엄격히 준수하고 텍스트에 묘사된 짚 지붕의 형태를 충실히 구현하여 가장 우수함. ★위반: [gpt-high] 전경 사립문 외에 뒤쪽 왼편에 별도의 큰 대문채와 부속 벽체를 추가했습니다. / [gpt-high] 주변 요소를 명시된 것만으로 제한했는데도 수목과 구릉 배경을 추가했습니다." }, { "label": "B", "score": 472, "verdict_ko": "절대 그리지 말라고 지시한 장독대의 항아리와 열린 대문을 그대로 생성하여 치명적인 지시 위반을 범함. ★위반: [gemini-pro] 제외 지시어(EXCLUDED)를 위반하여 장독대에 다수의 항아리(invented objects)를 생성함 / [gemini-pro] 제외 지시어(EXCLUDED)를 위반하여 사립문을 열린 상태로 묘사함 / [gpt-high] 명시적으로 제외된 장독대 위 저장 항아리들을 다수 배치했습니다. / [gpt-high] 제외된 사립문의 열린 상태를 묘사했습니다. / [gpt-high] 하나의 사립문 자리 대신 별개 지붕을 가진 두 출입구를 나란히 구성했습니다. / [gpt-high] 설명에 없는 담 밖 초가 건물과 수목·구릉 배경을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_tiled_house": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_tiled_house_sel.png", "seed_asset_id": "0d12e89a-d0a7-4e88-a172-83d7a9b982f6", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The compound is organized around a continuous earth courtyard. For plan orientation, place the main gate at the bottom of the drawing, the inner house toward the rear, the sarangchae along the left side, and the storehouse along the right side; these are relative layout positions, not compass bearings. The gate opens directly between the exterior approach and the courtyard, with the gate-side doorstep immediately beside its inner face. The compound boundary meets the gate and connects the outer edges of the building group. The courtyard includes the agricultural work area without a separate enclosure. The sarangchae doorway and raised porch face into this shared courtyard, beside the route between the work area and the gate. The porch overlooks the courtyard and has a direct connection to courtyard level. Across the courtyard, the storehouse entrance faces an open forecourt continuous with the central yard. Leave the storehouse entrance visible from the sarangchae porch, and maintain a passage around the storehouse side to its rear. The inner house fronts the rear of the courtyard, with its main-room doorway accessible from the yard. Keep the central courtyard connected to the gate, porch frontage, storehouse forecourt, and inner-house frontage without introducing additional internal barriers.\n- Main compound gate: At the front edge of the compound, opening directly from the exterior approach into the central courtyard.\n- Gate-side doorstep: Immediately beside the main compound gate on its courtyard side, with a view across the courtyard toward the sarangchae.\n- Exterior gate approach: Directly outside and contiguous with the main compound gate, continuing the courtyard access route beyond the compound boundary.\n- Central earth courtyard: Inside the main compound gate, extending between the sarangchae on the plan-left side, the storehouse on the plan-right side, and the inner house at the rear; the agricultural work area occupies this same continuous yard.\n- Compound perimeter boundary: Defines the outside edge of the courtyard compound, meeting both sides of the main gate and connecting the outer edges of the building group.\n- Courtyard-side sarangchae: Along the plan-left edge of the courtyard, with its doorway and porch facing the shared yard and its frontage beside the courtyard route to the main gate.\n- Raised sarangchae porch: Along the courtyard-facing side of the sarangchae, elevated above and directly accessible from the yard, with an unobstructed view toward the storehouse frontage.\n- Sarangchae courtyard doorway: In the sarangchae frontage adjoining the raised porch, facing the courtyard route that continues toward the main gate.\n- Courtyard-side grain storehouse: Along the plan-right edge of the courtyard, opposite the sarangchae frontage, with its entrance facing the yard and accessible space around one side to its rear.\n- Storehouse courtyard door: In the courtyard-facing wall of the grain storehouse, opening onto the storehouse forecourt and visible across the yard from the sarangchae porch.\n- Storehouse entrance forecourt: Immediately in front of the storehouse courtyard door, continuous with the central courtyard and connected to the main gate through the yard.\n- Storehouse side-to-rear passage: Runs beside the storehouse between its entrance forecourt and the space behind the building, remaining inside the compound boundary.\n- Rear inner house: At the rear of the courtyard beyond the gate-facing open yard, with its frontage connected to both the central courtyard and the storehouse forecourt.\n- Inner-house main-room doorway: In the courtyard-facing frontage of the rear inner house, accessible from the shared yard near the storehouse forecourt.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 박제현 집 마당·일터·대문·곳간 앞: 양반 기와집의 커다란 목조 대문 안쪽에 넓게 펼쳐진 마당과 농사 작업 공간. 평상, 툇돌, 수레, 커다란 볏짐이 있으며, 무쇠 자물쇠와 붉은 압류 봉인지가 붙은 굳게 닫힌 목조 곳간이 있다. / 박제현 집 사랑채 대청마루: 마당에서 한 단 높이 솟아 있는 기와집의 탁 트인 목조 마루.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 박제현 집 사랑채 방: 기와집 내 양반들이 기거하는 목조 구조의 널찍한 방. 창호지 발린 문이 마당을 향해 열리며, 내부는 상대적으로 정돈된 나무 바닥과 벽면을 가졌다.\n\nTHE LOCATION: S#3. 박제현 집 마당·일터 / 아침\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Freestanding courtyard platform; Large rice-straw bundle; Carrying frames and support stick; Red seizure seal; Storehouse padlock; Rice sacks and handcart; Wrapped parcel and food; Drinking table and cups; Firearms and sword; Gate and doorway opening states\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "6317a675-2a1e-4067-9f81-cbe84e33d40c", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_tiled_house/rounds/r001/cand_04.png", "sha256": "2407c862e4a72f10c9a723282787752ada4d893cd858cd92ad06dcd3b3eb4f07", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "흙마당은 실제 농촌에서 관찰하고 촬영할 수 있으며, 시대와 무관하게 기본 형태를 알아볼 수 있는 대상이다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "39ff80087bc1202b", "totals": { "A": 1500, "B": 1250 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1500, "verdict_ko": "담장이 건물 바깥 모서리를 제대로 연결하고 금지된 요소를 잘 제외했으나, 곳간 출입문이 마당이 아닌 대문 쪽을 향하고 툇돌이 바깥에 있는 점이 아쉽습니다. ★위반: [gemini-pro] 곳간 출입문이 마당을 향한 측면이 아닌 정면(대문 방향)에 잘못 배치됨 / [gemini-pro] 대문 안쪽(inner face)에 있어야 할 툇돌이 대문 바깥쪽에 배치됨 / [gpt-high] 주변에는 명시된 영구 요소만 두라는 조건을 어기고, 부지 밖에 숲과 수풀이 우거진 비탈을 추가했습니다." }, { "label": "B", "score": 1250, "verdict_ko": "곳간의 측면 문은 묘사되었으나, 좌측 담장이 사랑채의 안쪽 기둥에 잘못 연결되어 구조적 오류가 크며 금지된 자물쇠가 그려져 있습니다. ★위반: [gemini-pro] 담장이 사랑채의 바깥 모서리를 연결하지 않고 안쪽 기둥에 연결되어 구조적 레이아웃을 크게 위반함 / [gemini-pro] 제외(EXCLUDED) 대상으로 명시된 자물쇠가 곳간 문에 그려져 있음 / [gemini-pro] 대문 안쪽(inner face)에 있어야 할 툇돌이 대문 바깥쪽에 배치됨 / [gpt-high] 허용된 영구 주변 요소에 없는 별도의 배경 가옥들을 추가했습니다. / [gpt-high] 참고 사진에서 주변 환경을 가져오지 말라는 조건에도 불구하고, 명시되지 않은 울창한 수목과 산 배경을 구성했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_village_lanes": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/background_chain/seed_bg_village_lanes_sel.png", "seed_asset_id": "aeaa845f-49c4-45b0-8a1f-1c8f50c6daed", "seed_selected": "A", "seed_prompt": "A photographic plate — early 20th-century Korea, Jeolla region; all people are Korean unless explicitly stated otherwise.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A continuous village lane runs between a cluster of thatched houses and connects to an alley-end area. House entrances meet the lane in succession, leaving a continuous passage through the village. One frontage is defined by a brushwood gate directly accessible from the lane. Farther along, a different house has a raised porch facing a short access space connected to the lane; the gate frontage and porch frontage belong to separate houses. Additional house entrances continue along the central passage. At the alley end, the lane provides a view back along these frontages. Park Je-hyeon's house gate sits beside this end area, visible from the alley-end standing space as well as from the lane. The lane continues beyond the residential frontages toward the outside of the village. No fixed open or closed state is assigned to any gate or door.\n- Continuous village lane: Runs through the thatched-house cluster, connects the brushwood gate frontage to the separate raised porch frontage, and continues through the alley-end area toward the outside of the village.\n- Thatched-house cluster along the village lane: Borders the village lane, with individual house frontages defining the gate-side and porch-side spaces and the intervening sequence of entrances.\n- Successive house entrances along the central lane: Meet the central lane along the residential frontages, separate from the individually identified brushwood gate, raised porch, and Park Je-hyeon's house gate.\n- Brushwood gate at the first house frontage: Marks a house entrance directly beside the village lane, before the separate raised porch frontage along the lane's progression toward the alley end.\n- Raised porch of the separate lane-side house: Adjoins a different house from the brushwood-gated house, farther along the lane, with its front edge facing the porch access space.\n- Lane-to-porch access space: Directly connects the village lane to the front edge of the raised porch without passing through the separate brushwood-gated house.\n- Alley-end standing space: Occupies the end portion of the residential alley, adjoining the continuing village lane and providing sightlines along the lane and toward Park Je-hyeon's house gate beside it.\n- Park Je-hyeon's house gate: Marks the entrance to Park Je-hyeon's house beside the alley-end area, directly accessible from the lane and visible from the alley-end standing space.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 마을 흙길·초가집 골목·사립문 앞·툇마루: 어두운 밤, 흙벽 초가집들이 옹기종기 모여 있는 좁은 골목길. 짚으로 만든 사립문들과 나무로 된 낮은 툇마루가 흙길을 따라 이어진다.\n\nTHE LOCATION: S#23. 마을 / 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Seed-grain sack; Rice sack at the porch; Carried bundle; Rice cart and accumulated load; Barley sack; Potato basket; Straw shoes and corn\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "cee43ac7-0fe1-441b-ae34-19c9e1722287", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/db00517b-165b-4005-a287-f28936b59b95/images/272bd7af-9294-4490-98c6-88a40e9deacc/structure_form_refs/bg_village_lanes/rounds/r001/cand_01.png", "sha256": "41c3ad7648a779cd45c0703b97263ac323df736b36c9f209f2a37f5fd4086bab", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "마을 골목길은 실제로 존재하는 생활 기반 시설이므로 해당 지역과 시기의 실물 사진을 형태 근거로 삼을 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "33a09a3822959fbe", "totals": { "A": 1550, "B": 1306 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1550, "verdict_ko": "프롬프트가 요구한 연속된 골목길의 구조(사립문, 중간 출입구, 툇마루가 있는 집, 막다른 길의 대문)를 레퍼런스의 담장 재질과 함께 가장 정확하게 야간 배경으로 구현했습니다. ★위반: [gpt-high] 명시된 영구 현장 요소만 허용했는데, 구조 설명에 없는 큰 주변 수목과 배경 산줄기를 추가했다." }, { "label": "B", "score": 1306, "verdict_ko": "사립문과 툇마루 집 사이의 추가 출입구 배치가 누락되었으며, 툇마루가 있는 집에 시대상 및 레퍼런스에 맞지 않는 유리문 형태가 묘사되어 지시사항을 크게 위반했습니다. ★위반: [gemini-pro] 시대상 및 레퍼런스에 존재하지 않는 근대식 대형 유리 미닫이문 구조물 임의 추가 (발명된 객체) / [gpt-high] 명시된 영구 현장 요소만 허용했는데, 구조 설명에 없는 큰 주변 수목과 배경 산 능선을 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "9ec13c77-93ac-4e38-b9a8-c69bf6bbc8d9", "resolved_model": "gemini-image", "updated_at": "2026-09-08T22:03:30.477504+00:00", "project_config_snapshot": {} }