{
  "status": "completed",
  "applicable_count": 2,
  "completed_count": 2,
  "failed_count": 0,
  "schema_version": 3,
  "config_hash": "787c440f826114ed",
  "data": {
    "groups": {
      "L01B01": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L01B02",
        "reused_from_bg_id": "L01B02",
        "location_id": "L01",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/dd5dd235-5850-4157-9b90-a733760c5ae8/episodes/0b36f6db-9884-4206-8fb4-ff11cc3c2392/images/background_chain/L01B02.png",
        "t2i_prompt": "대한민국 도시 주거 지역의 길가에 자리한 동시대의 좁고 오래 사용된 자전거 정비소 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 저녁 시간이며, 실내 중앙의 형광등이 낮고 고른 백색광을 비추고 출입문 너머로는 어두워지기 시작한 거리의 약한 자연광이 들어온다. 카메라는 작업장 뒤쪽 절반의 공용 통로에 서서 남쪽 출입문을 향해 대각선으로 바라본다. 서쪽 벽의 자전거 수리 작업대와 동쪽 자전거 구역의 수리 거치대가 화면 양쪽에 함께 보이고, 좁고 긴 점포의 깊이와 출입문에서 문턱 구역을 거쳐 내부로 이어지는 동선이 분명하게 드러난다. 작업대 위에는 뚜껑이 열린 공구함이 놓여 있고, 그 옆에 렌치 세트가 펼쳐져 있어 진행 중이던 정비가 잠시 멈춘 듯한 상태다. 맞은편 수리 거치대에는 낡은 자전거가 바퀴를 위로 향한 채 뒤집혀 고정되어 있다. 현대 한국의 소규모 생활형 정비소에 어울리는 실용적인 금속 출입문, 오래 사용해 미세한 흠집과 얼룩이 남은 작업대 표면, 실제 금속의 마모와 기름때, 현실적인 콘크리트와 도장 벽의 질감, 공구의 무게감과 금속 광택을 사실적으로 표현한다. 공간은 비어 있으며 사람, 얼굴, 신체 형태의 모형이나 그림은 전혀 없다. 절제된 색감과 낮거나 중간 정도의 밝기, 부드러운 대비를 유지하되 인위적인 색 보정 없이 생활 흔적이 자연스럽게 드러난다. 약 1.6미터의 서 있는 사람 눈높이에서 35밀리미터급 광각 렌즈로 촬영하고, 실제 광학 특성에 따른 자연스러운 원근감과 피사계 심도를 사용한다. 깨끗한 광고 사진이 아니라 실제 장소 기록 사진처럼 소박하고 사실적이며, 컴퓨터 그래픽이나 삽화, 건축 시각화가 아닌 실제 미러리스 또는 디지털 일안 반사식 카메라 촬영본. 위에서 내려다본 시점이나 평면도 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "shot_id": "S1_Shot3",
            "guide_text": "뒤쪽 중앙 통로의 눈높이에서 출입문을 향해 대각선으로 넓게 잡아 좁은 점포의 깊이, 문턱을 통한 진입 동선, 왼쪽 작업대와 오른쪽 수리 거치대가 한 화면에서 읽히게 한다. 작업대 위의 열린 공구함과 렌치 세트, 거치대에 뒤집혀 고정된 낡은 자전거를 명확히 포함한다."
          },
          {
            "shot_id": "S1_Shot4",
            "guide_text": "같은 저녁 조명과 재료 질감을 유지하면서 작업대와 자전거 수리 거치대가 서로 마주 보는 관계를 강조한다. 출입문과 문턱 구역도 배경 깊이 안에 남겨 두고, 열린 공구함과 펼쳐진 렌치 세트, 뒤집힌 낡은 자전거가 중단된 정비 상태로 자연스럽게 보이도록 한다."
          }
        ],
        "shot_ids": [
          "S1_Shot3",
          "S1_Shot4"
        ],
        "scenes": [],
        "parent_id": "L01B02",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 1 at the rear half of the open floor, facing diagonally toward number 5 at the entrance while keeping number 6 and number 7 on opposite sides of the frame",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Show the narrow depth of the shop, the entering path through numbers 5 and 4, and the interrupted repair setup at numbers 6, 7, 9, 10, and 13."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L01B02",
          "selected_refs": [
            {
              "ref_bg_id": "L01B02",
              "physical_space_id": "fp_repair_shop_main_space_1",
              "space_description": "The shared physical space containing units 1 through 4 and base markers 5 through 8."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "visible_space_directive": "Match L01B02's visible-space organization: unit 1 leading toward unit 4 and opening marker 5, with wide-cone context from candidate-visible units 2 and 3. Keep structural markers 1 through 4, opening marker 5, marker 6, and fixed fixture markers 7 and 8 in the same established floor-plan positions.",
          "camera_framing_directive": "Use the same broad 90-degree wide framing as L01B02 from camera unit 1 at [5,4], looking toward unit 4 at [9,4]. Maintain the shared plate geometry while allowing S1_Shot3 to use a medium threshold-oriented crop and S1_Shot4 to use a tighter crop around its foreground middle-center subject.",
          "subject_position_directive": "For S1_Shot3, place the committed primary subject just past the threshold, occupying roughly two-thirds of the medium frame with attention directed deeper into the visible space. For S1_Shot4, place the committed primary subject in the foreground middle center in a close three-quarter presentation, with the other staged subject remaining outside that close frame. Invent no additional subjects.",
          "state_cue_directive": "Carry transient markers 9, 10, and 13 and the corresponding committed working-state relationships from S1_Shot3 and S1_Shot4. Preserve the restrained overhead illumination associated with base marker 8 and the darker direction beyond opening marker 5. Keep base markers 1 through 8 represented according to the selected reference continuity.",
          "negative_continuity_directive": "Exclude ignored overlay markers 11 and 12 and do not redraw their L01B02 state. Preserve the established positions of structural markers 1 through 5 and fixed markers 6 through 8, avoid changing the shared camera geometry, and do not assert visibility beyond candidate units 2, 3, and 4 from camera unit 1."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_repair_shop_main",
          "prior_bg_ids": [
            "L01B02"
          ],
          "attached_ref_labels": [
            "bg:L01B02"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L01B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L01",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/dd5dd235-5850-4157-9b90-a733760c5ae8/episodes/0b36f6db-9884-4206-8fb4-ff11cc3c2392/images/background_chain/L01B02.png",
        "t2i_prompt": "대한민국 도시 주거 지역에 자리한 동시대의 좁고 오래 사용된 자전거 정비소 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 거리 출입문 바로 안쪽의 문턱 부근에서 정비소 안쪽을 바라보며, 약 1.6m의 서 있는 사람 눈높이와 32mm 광각 렌즈를 사용한다. 화면 중앙에는 길게 이어지는 공용 바닥이 있고, 서쪽 벽에는 정비 작업 구역과 수리 작업대, 맞은편 동쪽에는 자전거 보관 구역과 현실적인 자전거 수리 스탠드가 보이도록 구성한다. 출입문과 문턱도 프레임 가장자리에 자연스럽게 포함한다. 작업대는 밤사이 중앙 바닥을 넓게 확보하기 위해 서쪽 벽에 최대한 바짝 밀려나 있으며, 그 앞의 비워진 바닥 면적이 평소보다 넓다. 중앙 천장의 형광등 아래에는 노인이 누워 있는 위치가 있으나, 배경 전용 사진에는 사람, 얼굴, 신체 부위, 인체 윤곽이 전혀 나타나지 않도록 해당 위치를 화면 하단 크롭 밖에 완전히 두고 담요의 평평한 모서리만 중앙 바닥의 하단 가장자리에 작게 보이게 한다. 밤의 정적 속에서 천장 형광등의 낮고 희미한 백색광과 출입문 쪽 도시 가로등의 약한 빛이 섞이며, 구조를 기다리는 긴장감은 비어 있는 작업 공간과 움직임 없는 환경으로만 전달한다. 현대적인 한국 도시의 소규모 생활형 정비소답게 실제 콘크리트 바닥의 마모와 기름 얼룩, 금속 수리대의 긁힘과 자연스러운 산화 흔적, 작업대의 실제 목재 결, 담요의 섬유 조직을 세밀하고 사실적으로 표현한다. 절제된 색감, 낮거나 중간 정도의 밝기, 부드러운 명암 대비, 자연스러운 심도와 현실적인 노출. 깨끗한 광고 사진이 아니라 일상적으로 사용된 실제 장소의 담담한 기록 사진이며 과도한 후처리는 없다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 한다. 사람 없음, 얼굴 없음, 신체 없음, 인체 형태의 형상 없음. 위에서 내려다본 시점이 아니며 평면도, 건축 도면, 삽화, 그래픽, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "shot_id": "S3_Shot2",
            "guide_text": "출입문 바로 안쪽에서 정비소의 길이를 따라 안쪽을 보는 넓은 시야를 사용한다. 서쪽으로 밀린 작업대, 넓어진 중앙 바닥, 동쪽 수리 스탠드와 천장 형광등의 공간 관계가 한눈에 읽혀야 한다. 노인이 있는 중앙 하단 영역은 프레임 밖으로 완전히 제외하고 담요의 평평한 끝부분만 화면 하단에 최소한으로 포함한다."
          },
          {
            "shot_id": "S3_Shot3",
            "guide_text": "동일한 야간 조명과 재료 질감을 유지하면서 문턱과 확보된 중앙 바닥의 관계가 더 분명하게 보이도록 약간 좁혀 잡는다. 밀려난 작업대와 비어 있는 통로가 긴장된 정적을 만들게 하되, 사람이나 인체 형태는 어떤 방식으로도 보이지 않게 한다."
          }
        ],
        "shot_ids": [
          "S3_Shot2",
          "S3_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 at the threshold, facing inward along number 1 toward number 12, with number 6 shifted toward the west side as indicated by number 11",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "32mm wide angle",
          "framing_notes": "Keep the cleared central floor and number 12 prominent beneath number 8; retain number 5 at a frame edge to support a view toward the alley and emergency-service anticipation."
        },
        "reference_decision": {
          "bg_id": "L01B02",
          "fp_id": "fp_repair_shop_main",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L01B02 is the sole supplied clean-anchor candidate and therefore establishes the dwelling identity without a prior plate. A wide view from unit 1 toward unit 4 and opening marker 5 supports the cleared-floor staging in S3_Shot2 and the threshold-facing staging in S3_Shot3 while retaining broad same-floor context.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/dd5dd235-5850-4157-9b90-a733760c5ae8/episodes/0b36f6db-9884-4206-8fb4-ff11cc3c2392/images/floor_plan/fp_repair_shop_main.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "selected_refs": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "why_single_ref_or_two_refs": "No prior same-fp reference is used because this first node seeds the fixed dwelling identity from the floor plan.",
            "physical_space_id_per_ref": [],
            "same_physical_space_low_delta_candidate": false,
            "low_delta_reuse_target_bg_id": "",
            "low_delta_rationale": ""
          },
          "camera_decision": {
            "camera_unit": 1,
            "camera_cell": [
              5,
              4
            ],
            "look_at_unit": 4,
            "look_at_cell": [
              9,
              4
            ],
            "lens_enum": "wide",
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from camera cell [5,4] in unit 1 toward look-at cell [9,4] associated with unit 4 and opening marker 5, preserving enough surrounding floor context for both surfaced shots."
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 leading toward unit 4 and opening marker 5; the wide cone from unit 1 may also retain the geometry-superset context of units 2 and 3. Establish base markers 1 through 8 in their floor-plan relationships while giving the unit-4 direction and opening marker 5 clear compositional relevance.",
            "camera_framing_directive": "Frame broadly with a 90-degree wide lens from camera unit 1 at [5,4], looking toward unit 4 at the verbatim candidate cell [9,4]. Keep the central floor and threshold direction readable so the plate can support the medium, low-positioned relationship in S3_Shot2 and the shoulder-height, outward-oriented composition in S3_Shot3.",
            "subject_position_directive": "For S3_Shot2, honor one staged subject in the near right foreground and the second staged subject in the left midground at floor level. For S3_Shot3, honor one staged subject back-to-camera in the middle center, pitched toward opening marker 5. Do not introduce subjects beyond these committed staging cues.",
            "state_cue_directive": "Carry transient markers 11 and 12 as the committed state overlay. Preserve the cleared-floor relationship described by S3_Shot2, and for S3_Shot3 allow only the committed intermittent subject-held light action against the darker direction beyond opening marker 5. Keep base markers 1 through 8 present as applicable.",
            "negative_continuity_directive": "Exclude ignored overlay markers 9, 10, and 13. Do not substitute their state for markers 11 and 12, do not move base opening marker 5 or fixed fixture markers 7 and 8 away from their floor-plan relationships, and do not assert visibility of units outside the unit-1 geometry superset of units 2, 3, and 4."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 4\n  - look_at_cell: [9, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from camera cell [5,4] in unit 1 toward look-at cell [9,4] associated with unit 4 and opening marker 5, preserving enough surrounding floor context for both surfaced shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 leading toward unit 4 and opening marker 5; the wide cone from unit 1 may also retain the geometry-superset context of units 2 and 3. Establish base markers 1 through 8 in their floor-plan relationships while giving the unit-4 direction and opening marker 5 clear compositional relevance.\n  - camera_framing_directive: Frame broadly with a 90-degree wide lens from camera unit 1 at [5,4], looking toward unit 4 at the verbatim candidate cell [9,4]. Keep the central floor and threshold direction readable so the plate can support the medium, low-positioned relationship in S3_Shot2 and the shoulder-height, outward-oriented composition in S3_Shot3.\n  - subject_position_directive: For S3_Shot2, honor one staged subject in the near right foreground and the second staged subject in the left midground at floor level. For S3_Shot3, honor one staged subject back-to-camera in the middle center, pitched toward opening marker 5. Do not introduce subjects beyond these committed staging cues.\n  - state_cue_directive: Carry transient markers 11 and 12 as the committed state overlay. Preserve the cleared-floor relationship described by S3_Shot2, and for S3_Shot3 allow only the committed intermittent subject-held light action against the darker direction beyond opening marker 5. Keep base markers 1 through 8 present as applicable.\n  - negative_continuity_directive: Exclude ignored overlay markers 9, 10, and 13. Do not substitute their state for markers 11 and 12, do not move base opening marker 5 or fixed fixture markers 7 and 8 away from their floor-plan relationships, and do not assert visibility of units outside the unit-1 geometry superset of units 2, 3, and 4.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 4\n  - look_at_cell: [9, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from camera cell [5,4] in unit 1 toward look-at cell [9,4] associated with unit 4 and opening marker 5, preserving enough surrounding floor context for both surfaced shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 leading toward unit 4 and opening marker 5; the wide cone from unit 1 may also retain the geometry-superset context of units 2 and 3. Establish base markers 1 through 8 in their floor-plan relationships while giving the unit-4 direction and opening marker 5 clear compositional relevance.\n  - camera_framing_directive: Frame broadly with a 90-degree wide lens from camera unit 1 at [5,4], looking toward unit 4 at the verbatim candidate cell [9,4]. Keep the central floor and threshold direction readable so the plate can support the medium, low-positioned relationship in S3_Shot2 and the shoulder-height, outward-oriented composition in S3_Shot3.\n  - subject_position_directive: For S3_Shot2, honor one staged subject in the near right foreground and the second staged subject in the left midground at floor level. For S3_Shot3, honor one staged subject back-to-camera in the middle center, pitched toward opening marker 5. Do not introduce subjects beyond these committed staging cues.\n  - state_cue_directive: Carry transient markers 11 and 12 as the committed state overlay. Preserve the cleared-floor relationship described by S3_Shot2, and for S3_Shot3 allow only the committed intermittent subject-held light action against the darker direction beyond opening marker 5. Keep base markers 1 through 8 present as applicable.\n  - negative_continuity_directive: Exclude ignored overlay markers 9, 10, and 13. Do not substitute their state for markers 11 and 12, do not move base opening marker 5 or fixed fixture markers 7 and 8 away from their floor-plan relationships, and do not assert visibility of units outside the unit-1 geometry superset of units 2, 3, and 4.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 4\n  - look_at_cell: [9, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from camera cell [5,4] in unit 1 toward look-at cell [9,4] associated with unit 4 and opening marker 5, preserving enough surrounding floor context for both surfaced shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 leading toward unit 4 and opening marker 5; the wide cone from unit 1 may also retain the geometry-superset context of units 2 and 3. Establish base markers 1 through 8 in their floor-plan relationships while giving the unit-4 direction and opening marker 5 clear compositional relevance.\n  - camera_framing_directive: Frame broadly with a 90-degree wide lens from camera unit 1 at [5,4], looking toward unit 4 at the verbatim candidate cell [9,4]. Keep the central floor and threshold direction readable so the plate can support the medium, low-positioned relationship in S3_Shot2 and the shoulder-height, outward-oriented composition in S3_Shot3.\n  - subject_position_directive: For S3_Shot2, honor one staged subject in the near right foreground and the second staged subject in the left midground at floor level. For S3_Shot3, honor one staged subject back-to-camera in the middle center, pitched toward opening marker 5. Do not introduce subjects beyond these committed staging cues.\n  - state_cue_directive: Carry transient markers 11 and 12 as the committed state overlay. Preserve the cleared-floor relationship described by S3_Shot2, and for S3_Shot3 allow only the committed intermittent subject-held light action against the darker direction beyond opening marker 5. Keep base markers 1 through 8 present as applicable.\n  - negative_continuity_directive: Exclude ignored overlay markers 9, 10, and 13. Do not substitute their state for markers 11 and 12, do not move base opening marker 5 or fixed fixture markers 7 and 8 away from their floor-plan relationships, and do not assert visibility of units outside the unit-1 geometry superset of units 2, 3, and 4.\n\n대한민국 도시 주거 지역에 자리한 동시대의 좁고 오래 사용된 자전거 정비소 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 거리 출입문 바로 안쪽의 문턱 부근에서 정비소 안쪽을 바라보며, 약 1.6m의 서 있는 사람 눈높이와 32mm 광각 렌즈를 사용한다. 화면 중앙에는 길게 이어지는 공용 바닥이 있고, 서쪽 벽에는 정비 작업 구역과 수리 작업대, 맞은편 동쪽에는 자전거 보관 구역과 현실적인 자전거 수리 스탠드가 보이도록 구성한다. 출입문과 문턱도 프레임 가장자리에 자연스럽게 포함한다. 작업대는 밤사이 중앙 바닥을 넓게 확보하기 위해 서쪽 벽에 최대한 바짝 밀려나 있으며, 그 앞의 비워진 바닥 면적이 평소보다 넓다. 중앙 천장의 형광등 아래에는 노인이 누워 있는 위치가 있으나, 배경 전용 사진에는 사람, 얼굴, 신체 부위, 인체 윤곽이 전혀 나타나지 않도록 해당 위치를 화면 하단 크롭 밖에 완전히 두고 담요의 평평한 모서리만 중앙 바닥의 하단 가장자리에 작게 보이게 한다. 밤의 정적 속에서 천장 형광등의 낮고 희미한 백색광과 출입문 쪽 도시 가로등의 약한 빛이 섞이며, 구조를 기다리는 긴장감은 비어 있는 작업 공간과 움직임 없는 환경으로만 전달한다. 현대적인 한국 도시의 소규모 생활형 정비소답게 실제 콘크리트 바닥의 마모와 기름 얼룩, 금속 수리대의 긁힘과 자연스러운 산화 흔적, 작업대의 실제 목재 결, 담요의 섬유 조직을 세밀하고 사실적으로 표현한다. 절제된 색감, 낮거나 중간 정도의 밝기, 부드러운 명암 대비, 자연스러운 심도와 현실적인 노출. 깨끗한 광고 사진이 아니라 일상적으로 사용된 실제 장소의 담담한 기록 사진이며 과도한 후처리는 없다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 한다. 사람 없음, 얼굴 없음, 신체 없음, 인체 형태의 형상 없음. 위에서 내려다본 시점이 아니며 평면도, 건축 도면, 삽화, 그래픽, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_unit": 1,
          "camera_cell": [
            5,
            4
          ],
          "look_at_unit": 4,
          "look_at_cell": [
            9,
            4
          ],
          "lens_enum": "wide",
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from camera cell [5,4] in unit 1 toward look-at cell [9,4] associated with unit 4 and opening marker 5, preserving enough surrounding floor context for both surfaced shots."
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 leading toward unit 4 and opening marker 5; the wide cone from unit 1 may also retain the geometry-superset context of units 2 and 3. Establish base markers 1 through 8 in their floor-plan relationships while giving the unit-4 direction and opening marker 5 clear compositional relevance.",
          "camera_framing_directive": "Frame broadly with a 90-degree wide lens from camera unit 1 at [5,4], looking toward unit 4 at the verbatim candidate cell [9,4]. Keep the central floor and threshold direction readable so the plate can support the medium, low-positioned relationship in S3_Shot2 and the shoulder-height, outward-oriented composition in S3_Shot3.",
          "subject_position_directive": "For S3_Shot2, honor one staged subject in the near right foreground and the second staged subject in the left midground at floor level. For S3_Shot3, honor one staged subject back-to-camera in the middle center, pitched toward opening marker 5. Do not introduce subjects beyond these committed staging cues.",
          "state_cue_directive": "Carry transient markers 11 and 12 as the committed state overlay. Preserve the cleared-floor relationship described by S3_Shot2, and for S3_Shot3 allow only the committed intermittent subject-held light action against the darker direction beyond opening marker 5. Keep base markers 1 through 8 present as applicable.",
          "negative_continuity_directive": "Exclude ignored overlay markers 9, 10, and 13. Do not substitute their state for markers 11 and 12, do not move base opening marker 5 or fixed fixture markers 7 and 8 away from their floor-plan relationships, and do not assert visibility of units outside the unit-1 geometry superset of units 2, 3, and 4."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_repair_shop_main",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_repair_shop_main"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      }
    },
    "consumed_bg_catalog_hash": "cfd0f1b6eec2b18b",
    "consumed_shot_binding_hash": "58d700f8d8c02245",
    "bg_reference_catalog": [
      {
        "bg_id": "L01B02",
        "fp_id": "fp_repair_shop_main",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/dd5dd235-5850-4157-9b90-a733760c5ae8/episodes/0b36f6db-9884-4206-8fb4-ff11cc3c2392/images/background_chain/L01B02.png",
        "mode": "fp_seeded_anchor",
        "node_index": 0,
        "source_bg_ids": [],
        "ingestion_order": 0,
        "source_kind": "shot_aware_plan"
      },
      {
        "bg_id": "L01B01",
        "fp_id": "fp_repair_shop_main",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/dd5dd235-5850-4157-9b90-a733760c5ae8/episodes/0b36f6db-9884-4206-8fb4-ff11cc3c2392/images/background_chain/L01B02.png",
        "mode": "reference_derived",
        "node_index": 1,
        "source_bg_ids": [
          "L01B02"
        ],
        "ingestion_order": 1,
        "source_kind": "shot_aware_plan_reuse"
      }
    ]
  },
  "step_id": "background_render",
  "run_id": "7eb1d7d9-5464-4ca6-9bf0-61e0d07ca37b",
  "resolved_model": "gpt",
  "updated_at": "2026-08-28T18:47:49.320742+00:00",
  "project_config_snapshot": {}
}